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This programme contains some strong language | 0:00:02 | 0:00:09 | |
An ice cream van trundles its tuneful way along a British street. | 0:00:27 | 0:00:31 | |
ICE CREAM VAN MUSIC PLAYS | 0:00:31 | 0:00:32 | |
Is this once familiar sight in danger of extinction? | 0:00:32 | 0:00:36 | |
Has the ice age had its day? | 0:00:37 | 0:00:38 | |
Are ice cream men now dinosaurs | 0:00:40 | 0:00:43 | |
roaming desolate streets in search of man? | 0:00:43 | 0:00:46 | |
Out the way, move out the way! | 0:00:48 | 0:00:49 | |
BANG, SMASH | 0:00:49 | 0:00:51 | |
That weren't my fault, you should have moved! | 0:00:53 | 0:00:56 | |
I bet you think those girls are gorgeous. | 0:00:56 | 0:00:58 | |
Oh, there is only one lady in my life. | 0:00:58 | 0:01:00 | |
-But what if you could go out with any girl in the world? -I love you. | 0:01:00 | 0:01:04 | |
I'm offering you Kelly Brook on a plate here! | 0:01:04 | 0:01:06 | |
-Not interested. -Tess Daly. -No. | 0:01:06 | 0:01:08 | |
I won't get upset, it's only a game. | 0:01:08 | 0:01:11 | |
Claire from work. | 0:01:12 | 0:01:14 | |
BACKGROUND MUSIC STOPS | 0:01:14 | 0:01:15 | |
HE MUTTERS CONTENTEDLY | 0:01:15 | 0:01:17 | |
HE SIGHS | 0:01:19 | 0:01:20 | |
Oh, aye. | 0:01:23 | 0:01:25 | |
APPLAUSE | 0:01:26 | 0:01:27 | |
My Big Fat Gypsy Weddings, what's all that about? | 0:01:27 | 0:01:29 | |
LAUGHTER | 0:01:29 | 0:01:31 | |
I cant watch it for people texting me. | 0:01:31 | 0:01:33 | |
"Get this on, Jesus Christ, oh, my God, | 0:01:33 | 0:01:35 | |
"are you watching this? Turn it on." | 0:01:35 | 0:01:37 | |
POSH NARRATOR'S VOICE: "The boys go to the Appleby Fair | 0:01:38 | 0:01:41 | |
"to try and find love." | 0:01:41 | 0:01:42 | |
TRAVELLER ACCENT: "Well, we go up to the Appleby Fair, like, | 0:01:44 | 0:01:47 | |
"and we see a girl and we grab them, we grab them." | 0:01:47 | 0:01:51 | |
"You grab them? What do you mean, you grab them?" | 0:01:51 | 0:01:53 | |
-"Well, you know, we -BLEEP -chin them, like, and that's love." | 0:01:53 | 0:01:56 | |
Oh, yeah, that's romance, that(!) | 0:01:56 | 0:01:58 | |
"There's one over there..." Face pixelled out. | 0:01:58 | 0:02:00 | |
"I think I'll have that one there." | 0:02:00 | 0:02:02 | |
"Come on, I'll grab you, come on, come on! | 0:02:02 | 0:02:05 | |
"Grab them, come on! Come on, you're mine! Grab them!" | 0:02:05 | 0:02:09 | |
Bang! Like that. "She loves me." | 0:02:09 | 0:02:12 | |
LAUGHTER | 0:02:12 | 0:02:14 | |
"How did you get on?" "I grabbed three, winded one, punched two." | 0:02:14 | 0:02:17 | |
"Do you respect women?" "Well, you know.... You know." | 0:02:21 | 0:02:24 | |
That's Bess with t'dresses. | 0:02:26 | 0:02:28 | |
"I've been making dresses for the travelling community 20 years | 0:02:28 | 0:02:32 | |
"and I don't reveal my prices. | 0:02:32 | 0:02:34 | |
"Look at little Roisin, she has drawn her dress | 0:02:35 | 0:02:38 | |
"for her Holy Communion in pink crayon." | 0:02:38 | 0:02:41 | |
She looks like a pink meringue! | 0:02:42 | 0:02:44 | |
"The dress weighs more than Roisin, she's five." | 0:02:46 | 0:02:49 | |
HE BREATHES RASPINGLY | 0:02:51 | 0:02:54 | |
"I'm a princess, I'm a princess." | 0:02:54 | 0:02:57 | |
AS NARRATOR: "They get back to the caravan and take the dress off." | 0:02:57 | 0:02:59 | |
"Oh, my God. All your skin's come off your back, Roisin. | 0:02:59 | 0:03:02 | |
"All your skin's come off your back! | 0:03:02 | 0:03:05 | |
"Get the Vaseline, get the Vaseline." | 0:03:05 | 0:03:07 | |
Robert Edge is Mr Softy Top. | 0:03:15 | 0:03:17 | |
On the streets of Bolton, where he has been dispensing | 0:03:18 | 0:03:21 | |
ice cream for most of his life, he is known as Softy. | 0:03:21 | 0:03:25 | |
The arse has fallen out of this business. | 0:03:30 | 0:03:33 | |
Nobody wants ice creaming any more. | 0:03:33 | 0:03:35 | |
Today it's all bloody Ben & Jerry and Haagen-Dazs. | 0:03:36 | 0:03:40 | |
Who in their right mind would want to queue for a cornet | 0:03:40 | 0:03:42 | |
in the piss rain when they can get one out the Spar any time they like? | 0:03:42 | 0:03:46 | |
You're joking, he is power-mad, wants to destroy us. | 0:03:47 | 0:03:52 | |
I used to have a boss, supervisor, just like Lard, | 0:03:52 | 0:03:54 | |
when I worked at Walkers. Right piece of work. | 0:03:54 | 0:03:57 | |
We had all booked to go on a Christmas meal, | 0:03:57 | 0:03:59 | |
me and a few of the lads. | 0:03:59 | 0:04:01 | |
We got a coach to pick as up from the Albion, three-course meal, | 0:04:01 | 0:04:05 | |
all-in, coffee, mints, cheeseboard, disco after, dancing. | 0:04:05 | 0:04:10 | |
PETER BEGINS TO LAUGH | 0:04:10 | 0:04:11 | |
-Anyway... -OTHERS BURST OUT LAUGHING | 0:04:11 | 0:04:14 | |
Cut. Cut! | 0:04:14 | 0:04:16 | |
-ON TV: -'..reserve, and dignity, and modesty, as she is...' | 0:04:22 | 0:04:26 | |
Here he is, right on time. | 0:04:26 | 0:04:28 | |
Oh, I wouldn't have worn that white bowtie. | 0:04:30 | 0:04:32 | |
-Does he know it clashes? -And that stick. What's that stick for? | 0:04:33 | 0:04:37 | |
Look at Harry. Stand up straight, boy! | 0:04:37 | 0:04:39 | |
-Walk straight. -Walk straight, Harry. | 0:04:39 | 0:04:42 | |
Stooped when he walks, he's got to be moon-shouldered. | 0:04:42 | 0:04:45 | |
He's shitting or what, that lad. | 0:04:45 | 0:04:47 | |
-Here she is. -Oh, look at Kate. -Oh, that's lovely, that. | 0:04:49 | 0:04:53 | |
You know what it's like? A fairytale. | 0:04:55 | 0:04:57 | |
It is. They will love this in America. | 0:04:57 | 0:04:59 | |
What do you reckon - nine, ten grand, this cost? | 0:05:01 | 0:05:05 | |
HE LAUGHS | 0:05:05 | 0:05:07 | |
-Oh... -Look at that. | 0:05:13 | 0:05:15 | |
It's nice, that. | 0:05:17 | 0:05:19 | |
-You getting emotional? -I am. I'm getting emotional. | 0:05:21 | 0:05:23 | |
-I never knew you were a royalist. -I'm not, it's just nice! | 0:05:23 | 0:05:27 | |
TRIUMPHANT FANFARE | 0:05:28 | 0:05:31 | |
"Please welcome Diversity!" | 0:05:35 | 0:05:37 | |
THEY LAUGH | 0:05:37 | 0:05:40 | |
She signs the registrar and then Seal is doing a song. | 0:05:44 | 0:05:48 | |
You're lying. Seal! | 0:05:48 | 0:05:51 | |
Kiss from a Rose. Kiss from a Rose, from Batman, he is singing. | 0:05:52 | 0:05:57 | |
OTHER MAN LAUGHS | 0:05:58 | 0:06:00 | |
Look at 'em. YAWNING: Love's young dream. | 0:06:00 | 0:06:02 | |
-Oh, what? -His father's Errol Brown, from Hot Chocolate, that fella. | 0:06:06 | 0:06:10 | |
# Strong deliverer, strong deliverer... # | 0:06:10 | 0:06:16 | |
I don't mind Camilla. I feel sorry for her. | 0:06:17 | 0:06:20 | |
# Be thou still, my strength and shield... # | 0:06:24 | 0:06:29 | |
-Coming out now. -Here we go. -Oh. | 0:06:29 | 0:06:32 | |
Leave it there, that's all right. That's fine, mate. | 0:06:32 | 0:06:35 | |
Here, quick, grab Philip. | 0:06:35 | 0:06:37 | |
APPLAUSE | 0:06:37 | 0:06:39 | |
CROWD ROARS | 0:06:42 | 0:06:44 | |
LAUGHTER | 0:06:54 | 0:06:56 | |
Did you watch the wedding? | 0:06:58 | 0:07:00 | |
-AUDIENCE: -Yes! | 0:07:00 | 0:07:02 | |
Wasn't it absolutely beautiful? | 0:07:02 | 0:07:05 | |
Lovely bridesmaids, lovely dress. | 0:07:05 | 0:07:08 | |
Lovely cake shaped like a horse and carriage. | 0:07:08 | 0:07:11 | |
LAUGHTER | 0:07:12 | 0:07:14 | |
I'm not talking about the royal wedding, | 0:07:16 | 0:07:18 | |
I'm talking about My Big Fat Gypsy Royal Wedding, | 0:07:18 | 0:07:20 | |
that's what I'm talking about! | 0:07:20 | 0:07:23 | |
Hey, I bet Kate Middleton were kicking herself that she | 0:07:23 | 0:07:26 | |
didn't have her wedding reception in a dog shelter. | 0:07:26 | 0:07:28 | |
I tell you that now. Oh-ho-ho. | 0:07:28 | 0:07:31 | |
Did you see that? Them girls. | 0:07:31 | 0:07:33 | |
TRAVELLER ACCENT: "I want those, take the cats and dogs off the windows. | 0:07:33 | 0:07:36 | |
"Take the cats and dogs off the windows, they're tacky. | 0:07:36 | 0:07:39 | |
"It's tacky. I want a 20ft love heart... | 0:07:40 | 0:07:43 | |
"with our initials in the middle." | 0:07:43 | 0:07:45 | |
No, that's not tacky, is it, love(?) | 0:07:45 | 0:07:48 | |
And that dress! She couldn't get down | 0:07:48 | 0:07:50 | |
-the -BLEEP -aisle in it, honest to God! | 0:07:50 | 0:07:51 | |
" # Make me a channel of your peace...# " | 0:07:51 | 0:07:54 | |
Boom-boom-boom. | 0:07:54 | 0:07:55 | |
" # It is in pardoning... # " | 0:07:55 | 0:07:57 | |
Boom-boom-boom. "Sorry, sorry." | 0:07:57 | 0:07:59 | |
Dragging all t'benches with her! | 0:07:59 | 0:08:01 | |
" # All that I am... # " | 0:08:01 | 0:08:02 | |
Boom-boom-boom. | 0:08:02 | 0:08:04 | |
"It's disco time and the younger generation | 0:08:06 | 0:08:08 | |
"of the travelling community hit the dance floor." | 0:08:08 | 0:08:10 | |
LAUGHTER | 0:08:10 | 0:08:13 | |
13-year-old girl in G-string and bra, like that. | 0:08:13 | 0:08:17 | |
"There's one there, grab her, grab her! | 0:08:27 | 0:08:30 | |
"Come on, grab her. There she is, grab her, get her. | 0:08:30 | 0:08:34 | |
"Grab her, come here! | 0:08:34 | 0:08:37 | |
"Come here! | 0:08:37 | 0:08:39 | |
"Love you." | 0:08:39 | 0:08:40 | |
Who said romance were dead? | 0:08:43 | 0:08:45 | |
Times are hard for Softy Top and, these days, | 0:08:47 | 0:08:50 | |
he will stop at nothing to make ends meet. | 0:08:50 | 0:08:53 | |
I can't believe you're doing this again. | 0:08:53 | 0:08:56 | |
Simmer. Where there's tragedy, there's trade. | 0:08:57 | 0:09:00 | |
I've got some respect, I've not got me chimes on, have I? | 0:09:00 | 0:09:03 | |
Eh? Life, young Darren, is risk. | 0:09:03 | 0:09:06 | |
Come on, we might shift some of these flakes. | 0:09:06 | 0:09:08 | |
Get your hand off there. What do you want? | 0:09:08 | 0:09:10 | |
-Can I have two Wispas...? -Can't park here, mate. | 0:09:10 | 0:09:12 | |
-What? Two Wispas, Darren. -You can't park here, mate. -Why? | 0:09:12 | 0:09:15 | |
Why? You're at the scene of an accident. | 0:09:15 | 0:09:18 | |
-That's me house, I live there. -Aye, and I'm Bob Carolgees. | 0:09:18 | 0:09:21 | |
Now, come on, get it shifted. | 0:09:21 | 0:09:22 | |
Thanks very much(!) Right, what do you want? | 0:09:22 | 0:09:24 | |
-Can I have a funny face? -Oi! -What? | 0:09:24 | 0:09:27 | |
-What have I told you? -If I don't sell ice creams, I don't pay taxes. | 0:09:27 | 0:09:30 | |
If I don't pay taxes, you don't get a wage. | 0:09:30 | 0:09:32 | |
You're out of a job - it's simple. | 0:09:32 | 0:09:34 | |
This is a police state, this. | 0:09:34 | 0:09:35 | |
I'm glad you're here, you have another Rodney King on your hands. | 0:09:35 | 0:09:38 | |
Zip it, mouth! | 0:09:38 | 0:09:39 | |
Zip it. | 0:09:40 | 0:09:41 | |
Little bit of mist is going to roll in from the Irish Sea, as | 0:09:41 | 0:09:44 | |
we head towards the early hours of the morning, and I am smiling | 0:09:44 | 0:09:47 | |
-because you know what's going to happen. -LAUGHTER | 0:09:47 | 0:09:49 | |
Overnight temperatures... | 0:09:49 | 0:09:50 | |
Roasting, it's absolutely.... | 0:09:50 | 0:09:52 | |
It's muggy, it's very close, very clammy tonight. | 0:09:52 | 0:09:55 | |
Say what you see for tomorrow. | 0:09:55 | 0:09:57 | |
Manchester, 3 in Ramsbottom and 1 in Liverpool. | 0:09:57 | 0:09:59 | |
Well, that's the wind. | 0:09:59 | 0:10:01 | |
-Oh, that's the wind. -Sunshine. -Sunshine is 6. | 0:10:01 | 0:10:04 | |
No, no, that's the wind again. | 0:10:04 | 0:10:05 | |
-Oh. -But this is the sunshine. -There you go. -That is the story. | 0:10:05 | 0:10:08 | |
-That's where we live. -Yep. | 0:10:08 | 0:10:10 | |
It's going to be dry and fine all the way through. | 0:10:10 | 0:10:12 | |
Top temperature tomorrow afternoon, wait for it - | 0:10:12 | 0:10:15 | |
-27, which is what? -Woo! | 0:10:15 | 0:10:16 | |
Which is what? | 0:10:16 | 0:10:17 | |
It's three times that, innit? And something else. | 0:10:17 | 0:10:20 | |
80. Well done. | 0:10:20 | 0:10:21 | |
80! Oh, there'll be no Arctic roll left in Asda. | 0:10:21 | 0:10:24 | |
-LAUGHING: -Back to you. -Well done. | 0:10:24 | 0:10:25 | |
Anyway, he said we couldn't go, just like that. | 0:10:25 | 0:10:28 | |
Said we had to clock off at our normal time. | 0:10:29 | 0:10:31 | |
He knew we'd had it booked for months an' all. | 0:10:31 | 0:10:34 | |
Made us clock off at our normal time. | 0:10:34 | 0:10:36 | |
ALL LAUGH | 0:10:39 | 0:10:41 | |
If you don't like those charts, | 0:10:44 | 0:10:45 | |
this might be the one that you like... | 0:10:45 | 0:10:47 | |
SHE SNIGGERS | 0:10:47 | 0:10:50 | |
You can see that the warm air is moving out of the way, | 0:10:50 | 0:10:52 | |
and the cool air is coming back in, so that makes more sense too. | 0:10:52 | 0:10:57 | |
Hi! It's roasting, Diane! | 0:10:57 | 0:11:00 | |
-Well, you just do it then. -It's roasting outside! | 0:11:00 | 0:11:03 | |
-You know... -Everybody is so happy. | 0:11:03 | 0:11:05 | |
..I am going to come to one of your concerts and... | 0:11:05 | 0:11:08 | |
Climb on your knees. God love Dianne Oxberry, God love her. | 0:11:08 | 0:11:13 | |
-Mmm. You've made it sunshine for everybody. -I have, for once. | 0:11:13 | 0:11:17 | |
He wouldn't let us clock off early. | 0:11:17 | 0:11:19 | |
He knew we'd had it booked, for months, | 0:11:19 | 0:11:22 | |
and he made us clock off at our normal time. | 0:11:22 | 0:11:24 | |
I used to have a supervisor just like Lard | 0:11:29 | 0:11:31 | |
when I worked at sup... When I worked at Walkers, supervisor. | 0:11:31 | 0:11:34 | |
-Sorry. -LAUGHTER | 0:11:35 | 0:11:37 | |
I used to have a supervisor just like Lar... | 0:11:37 | 0:11:39 | |
HE LAUGHS | 0:11:39 | 0:11:42 | |
I'm really sorry, I can't help it, they were laughing. | 0:11:42 | 0:11:45 | |
This is funny, this. | 0:11:47 | 0:11:49 | |
In the dressing room. | 0:11:49 | 0:11:51 | |
An act come in, I was sharing a dressing room with this act. | 0:11:51 | 0:11:53 | |
And he come in and put his bag in front of t'heater, | 0:11:53 | 0:11:56 | |
little heater on t'wall. | 0:11:56 | 0:11:57 | |
And this is where I got the idea for Brian from, this. | 0:11:57 | 0:12:00 | |
And it blew back, this heater. | 0:12:00 | 0:12:01 | |
There was a guy singing, welder by day, Neil Diamond by night, | 0:12:01 | 0:12:05 | |
you know? And he's singing... | 0:12:05 | 0:12:07 | |
# Don't go changing to try... # | 0:12:07 | 0:12:10 | |
I'll stand up for this, can I? | 0:12:10 | 0:12:12 | |
-Do you mind? -No, no. | 0:12:12 | 0:12:13 | |
I'll go here cos you won't see. | 0:12:13 | 0:12:16 | |
LAUGHTER | 0:12:16 | 0:12:17 | |
# Don't go changing to try and please me | 0:12:19 | 0:12:22 | |
# You never... # | 0:12:22 | 0:12:24 | |
I'm in t'dressing room. | 0:12:24 | 0:12:25 | |
He puts his bag down and heat blows back - bang - all the lights go. | 0:12:25 | 0:12:29 | |
You could hear the compere, he runs down - "What have you done?!" | 0:12:29 | 0:12:32 | |
He said, "You've put your bag in front of the heater. | 0:12:32 | 0:12:34 | |
"You've blown the lights, you've blown the lights!" | 0:12:34 | 0:12:37 | |
And he ran on stage, grabbed the microphone off the singer | 0:12:37 | 0:12:40 | |
and went, "Marion? Marion? Are them cash tills still on, there? | 0:12:40 | 0:12:43 | |
"Are they still on?" She went, "Yeah!" He went, "Right." | 0:12:43 | 0:12:46 | |
That's all he were bothered about - money. | 0:12:46 | 0:12:47 | |
LAUGHTER | 0:12:47 | 0:12:49 | |
Threw it back to this guy, he went... | 0:12:49 | 0:12:50 | |
# I need to know that you will always... # | 0:12:50 | 0:12:54 | |
-He didn't miss a beat! -Brilliant. | 0:12:54 | 0:12:55 | |
God love him. | 0:12:55 | 0:12:57 | |
Me father was a great ice cream man. | 0:12:58 | 0:13:01 | |
I'm good, but he were great, you know? | 0:13:01 | 0:13:04 | |
He knew all about tradition. He'd be out all weathers - | 0:13:04 | 0:13:08 | |
rain, hail, snow - | 0:13:08 | 0:13:10 | |
it never bothered him. Everybody loved him. Very sad when he died. | 0:13:10 | 0:13:14 | |
What do you think made him so special? | 0:13:14 | 0:13:17 | |
Well, for a kickoff, he actually liked kids. | 0:13:17 | 0:13:20 | |
-And you don't? -No. No. | 0:13:20 | 0:13:23 | |
They make this job a misery, kids, bane of my life. | 0:13:23 | 0:13:27 | |
Know what they used to do to me dad? | 0:13:27 | 0:13:30 | |
They used to slap the back of his ice cream van, right, | 0:13:30 | 0:13:33 | |
and then lay down in the road. | 0:13:33 | 0:13:35 | |
He'd brake, thinking he'd hit them, | 0:13:35 | 0:13:36 | |
they'd be lying there pretending to be in agony, | 0:13:36 | 0:13:39 | |
he'd be handing them free Mini Milks through the serving hatch. | 0:13:39 | 0:13:42 | |
They did that to him for years. | 0:13:42 | 0:13:44 | |
He fell for it every time. | 0:13:44 | 0:13:47 | |
That were his problem - lovely man, soft as shite. | 0:13:47 | 0:13:50 | |
They won't do that to me though. | 0:13:51 | 0:13:53 | |
I hear a bang on the back of the van and I see 'em | 0:13:53 | 0:13:55 | |
lying in the street, I tell you something, they better get the power | 0:13:55 | 0:13:58 | |
back in their legs before I reverse | 0:13:58 | 0:13:59 | |
or it'll be bye-bye Sunday football. Bastards. | 0:13:59 | 0:14:01 | |
LAUGHTER | 0:14:01 | 0:14:03 | |
I'll tell you another one. | 0:14:03 | 0:14:05 | |
I used to be an usher, £2.40 an hour and all the sweets I could eat. | 0:14:05 | 0:14:08 | |
I used to tell people endings of films as they were coming in. | 0:14:08 | 0:14:10 | |
I'd say, "There you go." | 0:14:10 | 0:14:12 | |
I used to rip tickets and thread them through a needle. | 0:14:12 | 0:14:14 | |
Had to go on a course. | 0:14:14 | 0:14:16 | |
And I'd tell them endings of films, I'd say, | 0:14:17 | 0:14:19 | |
"There you go, two for six cence. | 0:14:19 | 0:14:21 | |
"Didn't think Bruce Willis would be a ghost. Enjoy the film." | 0:14:21 | 0:14:25 | |
But once we had a guy come in, one Saturday afternoon, he had a... | 0:14:27 | 0:14:32 | |
God love him, he came in and said, | 0:14:32 | 0:14:34 | |
"I don't feel very well. I think I'm going to have a fit." | 0:14:34 | 0:14:38 | |
And I went, "Oh, God, oh, God." | 0:14:38 | 0:14:40 | |
And he came in, we put him in t'corner and he lay down, | 0:14:40 | 0:14:43 | |
they went and got the manager, and the projectionist Alan - | 0:14:43 | 0:14:46 | |
he were in the job club. | 0:14:46 | 0:14:48 | |
He were the only partially-sighted dwarf projectionist | 0:14:48 | 0:14:50 | |
I ever met in me life - he had a pair of binoculars and a stool. | 0:14:50 | 0:14:54 | |
Oh, he were a diamond. | 0:14:56 | 0:14:57 | |
They went and got him, they came down and saw to this man, | 0:14:57 | 0:15:00 | |
put him in the recovery position. | 0:15:00 | 0:15:02 | |
What are you doing to this poor man? | 0:15:02 | 0:15:04 | |
No, I'm telling him, now, listen... | 0:15:04 | 0:15:06 | |
And then, we had 200 kids in Toy Story. | 0:15:06 | 0:15:08 | |
So I said, "What are we going to do? | 0:15:08 | 0:15:10 | |
"Cos if they pile out and see him here, there will be pandomonium." | 0:15:10 | 0:15:14 | |
They had rang for t'ambulance. So the manager said, "Get that!" | 0:15:14 | 0:15:20 | |
And it were a 6ft cardboard cutout of Flipper. | 0:15:20 | 0:15:24 | |
And they carried it over and sat it in front of him. | 0:15:26 | 0:15:29 | |
All the kids come out, you know, and I said, | 0:15:30 | 0:15:33 | |
"Oh, God, you can't do that. That's awful." | 0:15:33 | 0:15:36 | |
And t'paramedics came and said, "Where is he?" I said, "Over there. | 0:15:36 | 0:15:40 | |
"Behind Flipper." You could just see his head. | 0:15:40 | 0:15:42 | |
-So... Oh, no. -We shouldn't... | 0:15:43 | 0:15:46 | |
No, you shouldn't laugh at it. | 0:15:46 | 0:15:48 | |
-We're not laughing at him. -We're not. -We're laughing at Flipper. | 0:15:48 | 0:15:52 | |
Flipper. | 0:15:52 | 0:15:53 | |
Don't look at anybody else. | 0:15:55 | 0:15:57 | |
JUSTIN SNIGGERS | 0:15:57 | 0:15:58 | |
Shut up, for fu... | 0:15:58 | 0:16:00 | |
-Action. -Three-course meal, all-in. | 0:16:06 | 0:16:09 | |
Cheese...board, coffee... | 0:16:09 | 0:16:11 | |
OTHERS LAUGH | 0:16:11 | 0:16:13 | |
All right, come on. Come on now, this is it. | 0:16:13 | 0:16:18 | |
Action. | 0:16:18 | 0:16:19 | |
-Well, what are we going to do? -I don't know. | 0:16:20 | 0:16:23 | |
HIS VOICE WAVERS | 0:16:23 | 0:16:24 | |
HIGH-PITCHED LAUGH | 0:16:24 | 0:16:26 | |
I'm all right. | 0:16:26 | 0:16:28 | |
-You know Joyce Chung on checkouts? -Husband's a wrestler. | 0:16:32 | 0:16:36 | |
-Well, she says he is. Have you seen him? -Yeah. -He's massive. -Huge, sumo. | 0:16:37 | 0:16:42 | |
Is he a sumo wrestler? | 0:16:43 | 0:16:45 | |
Yeah, of course. Have you seen the size of him? | 0:16:45 | 0:16:47 | |
I've never seen in his costume. | 0:16:47 | 0:16:49 | |
I've not seen in his costume but I know he's a sumo wrestler. | 0:16:49 | 0:16:52 | |
-Built like a brick shithouse. -Anyway, I've got a bit of a problem. | 0:16:52 | 0:16:55 | |
I really need to book the second week of September off... | 0:16:55 | 0:16:58 | |
-Yeah? -..Joyce Chung's already got it off. | 0:16:58 | 0:17:00 | |
-Yeah? -It's really, really vital that I have that week off. -Why? | 0:17:00 | 0:17:06 | |
Well, I've told her I'm having an ingrown toenail taken out, | 0:17:06 | 0:17:11 | |
but I'm actually going to Corfu. | 0:17:11 | 0:17:13 | |
-You've told who this? -Joyce Chung, she won't swap with me. | 0:17:13 | 0:17:16 | |
Is there anything you can do? | 0:17:16 | 0:17:18 | |
I have nothing to do with holidays and admin and all that. | 0:17:18 | 0:17:20 | |
-What are you asking me for? -Well, you're pally-pally with HR. | 0:17:20 | 0:17:23 | |
What do you mean, I'm pally-pally? I'm, I don't... | 0:17:23 | 0:17:27 | |
deal with holidays and all that. | 0:17:27 | 0:17:28 | |
Speak to Cath Hilton, she'll sort you out. | 0:17:28 | 0:17:30 | |
-Well, I've asked Cath Hilton. -And what'd she say? | 0:17:30 | 0:17:34 | |
Well, she quizzed me a bit because I used that excuse last year. | 0:17:34 | 0:17:37 | |
Ho-ho! There you go. This is your lies tripping you up. | 0:17:37 | 0:17:39 | |
-I've told you about this before. -I know. | 0:17:39 | 0:17:42 | |
Well, at first I said thrush and she just gave me some yoghurt. | 0:17:42 | 0:17:44 | |
Why would you do that?! | 0:17:44 | 0:17:47 | |
She caught me on the hop! | 0:17:47 | 0:17:49 | |
-What are you hopping around with thrush for? -Oh, please. | 0:17:49 | 0:17:54 | |
-Please what?! -I've booked it, I can't get out of it now. | 0:17:54 | 0:17:57 | |
-Who's ever had a week off for thrush? -What would you say? | 0:17:57 | 0:18:00 | |
-I wouldn't say thrush. -What would you say? | 0:18:00 | 0:18:02 | |
-I wouldn't lie, for a kickoff. -Well, I had to lie | 0:18:02 | 0:18:05 | |
cos I'd already booked the holiday before checking the rota. | 0:18:05 | 0:18:08 | |
What does Joyce want it off for? | 0:18:08 | 0:18:10 | |
SHE SIGHS | 0:18:11 | 0:18:12 | |
She's going back to Japan - her mum's just died. | 0:18:12 | 0:18:15 | |
-Oh, well, something and nothing, innit? -Exactly. | 0:18:17 | 0:18:22 | |
-I'll lose £175 deposit. -She's lost her mam. | 0:18:22 | 0:18:25 | |
Well, she's still going to be dead the third week of September. | 0:18:25 | 0:18:29 | |
You can't say that, for the love of Jesus! | 0:18:29 | 0:18:32 | |
-She will be, won't she? -You've no comparison there. | 0:18:32 | 0:18:35 | |
You've got a family funeral... | 0:18:35 | 0:18:36 | |
Well, if I don't have this holiday this year, I can't go again. | 0:18:36 | 0:18:40 | |
Why not, why can't you go? Sunny weather in November, December. | 0:18:40 | 0:18:43 | |
Because it's the only week I can get to go with our Mandy. | 0:18:43 | 0:18:47 | |
Don't you think I deserve it? | 0:18:48 | 0:18:50 | |
I think I deserve a bloody holiday after driving you in every day. | 0:18:50 | 0:18:53 | |
If you get me the week off, you can come with me. | 0:18:53 | 0:18:56 | |
-I don't want to go to Corfu. -Why?! | 0:18:56 | 0:18:58 | |
They don't have toilets, just have holes in t'floor. | 0:18:58 | 0:19:01 | |
-It's not 1956, John. -That's what they have. -Have you been to Greece? | 0:19:01 | 0:19:04 | |
-I know what goes on in Corfu. -That doesn't happen any more. | 0:19:04 | 0:19:08 | |
They don't have a proper drainage system. | 0:19:08 | 0:19:09 | |
I know, but it doesn't matter... | 0:19:09 | 0:19:11 | |
Who wants to squat over a hole? | 0:19:11 | 0:19:13 | |
You don't squat over a hole, | 0:19:13 | 0:19:15 | |
-you just have to put your tissue in the bin. -Eugh. | 0:19:15 | 0:19:18 | |
Which I don't do. I break the rules, put it down the toilet. | 0:19:18 | 0:19:21 | |
I don't care if it blocks. | 0:19:21 | 0:19:23 | |
What kind of an all-inclusive holiday you've got to | 0:19:23 | 0:19:25 | |
put your bloody shit rags in a bin? | 0:19:25 | 0:19:27 | |
I love the Greek people. | 0:19:27 | 0:19:29 | |
-Yamas. -Same to you. | 0:19:29 | 0:19:32 | |
I don't believe it. I've made a tenner today. | 0:19:34 | 0:19:37 | |
I've paid out more than I've made. It's on its arse, this business. | 0:19:37 | 0:19:40 | |
I tell you, if it weren't for videos, I wouldn't make any money. | 0:19:40 | 0:19:44 | |
-Videos? -Videos. I rent out videos. | 0:19:44 | 0:19:47 | |
You mean like a mobile video library? | 0:19:47 | 0:19:50 | |
-Yeah, kind of. Only they're not... -Pornos. | 0:19:50 | 0:19:53 | |
They're not pornos, they're...adult art. | 0:19:53 | 0:19:56 | |
Adult art of a variety. I get them from a bloke | 0:19:56 | 0:19:59 | |
in the Smoked Cherry. It's all good... | 0:19:59 | 0:20:01 | |
Good stuff, you know, quality gear, hot stuff. | 0:20:01 | 0:20:04 | |
-That's why he keeps it in the fridge, you know. -Very funny. | 0:20:04 | 0:20:07 | |
-What do you think about it, Darren? -Me? | 0:20:07 | 0:20:10 | |
Whatever floats your boat, innit? | 0:20:10 | 0:20:12 | |
It took me a while to get me head round it at first, | 0:20:12 | 0:20:14 | |
when I had customers coming up and asking for, like, big feasts | 0:20:14 | 0:20:17 | |
and strawberry splits and screwballs. | 0:20:17 | 0:20:19 | |
I didn't know if they wanted porn films | 0:20:19 | 0:20:22 | |
-or something to suck on. -Or both. | 0:20:22 | 0:20:24 | |
Eh? They're all good though, they're always out. | 0:20:24 | 0:20:28 | |
Beverly Hills Cock. | 0:20:28 | 0:20:29 | |
Eh, Shaving Private Ryan. | 0:20:29 | 0:20:31 | |
Forrest Dump, everyone's a winner, you know? | 0:20:31 | 0:20:33 | |
Very popular with the gents. | 0:20:33 | 0:20:34 | |
Stops them attacking women and keeps me in wafers. | 0:20:34 | 0:20:38 | |
CHEERING | 0:20:38 | 0:20:40 | |
-What would you like to drink? -What's that blue stuff? -It is... | 0:20:42 | 0:20:45 | |
Al's... Al-eyes... What's that? | 0:20:45 | 0:20:49 | |
-Alize. -Alize? -Yeah. | 0:20:49 | 0:20:51 | |
-Can I have a bit of that, please? -Course you can, sir. | 0:20:51 | 0:20:53 | |
Bloody hell, this chair's a bit dicky. Like Barbarella, here. | 0:20:53 | 0:20:56 | |
Hang on. | 0:20:56 | 0:20:58 | |
-There you go. -Oh, thank you. | 0:20:58 | 0:21:01 | |
So, I believe you've got a new DVD out. | 0:21:01 | 0:21:04 | |
-That's right. -You did your own... | 0:21:04 | 0:21:06 | |
Shite. You did your own... | 0:21:06 | 0:21:09 | |
LAUGHTER | 0:21:09 | 0:21:10 | |
-You did your own tour yourself, didn't you? -Mmm. | 0:21:10 | 0:21:13 | |
LAUGHTER | 0:21:13 | 0:21:16 | |
Yeah, that's right. Watch out! | 0:21:19 | 0:21:20 | |
AUDIENCE SCREAMS | 0:21:20 | 0:21:22 | |
ALAN LAUGHS HYSTERICALLY | 0:21:28 | 0:21:30 | |
APPLAUSE | 0:21:30 | 0:21:32 | |
DROWNED OUT BY LAUGHTER | 0:21:36 | 0:21:38 | |
ALAN SHOUTS IN HIGH PITCH | 0:21:40 | 0:21:41 | |
It's that chair! | 0:21:41 | 0:21:43 | |
-What did you do? -What can you do? | 0:21:43 | 0:21:45 | |
We didn't go, we lost... | 0:21:47 | 0:21:49 | |
LAUGHING: Come on. | 0:21:49 | 0:21:50 | |
God. | 0:21:50 | 0:21:52 | |
Action. | 0:21:52 | 0:21:53 | |
PETER GIGGLES | 0:21:53 | 0:21:55 | |
Look at the floor, don't look at me. | 0:21:55 | 0:21:57 | |
JUSTIN LAUGHS UNDER HIS BREATH | 0:21:57 | 0:21:58 | |
-OK, and... -PETER GIGGLES | 0:21:58 | 0:22:02 | |
All right, OK. | 0:22:02 | 0:22:04 | |
And action. | 0:22:04 | 0:22:06 | |
Well, one of those... | 0:22:06 | 0:22:08 | |
Softy decides that now is the time to unleash his secret weapon. | 0:22:18 | 0:22:22 | |
Double cones. Eh? | 0:22:22 | 0:22:23 | |
"Look, kids, double cones. Twice the ice for half the price." | 0:22:23 | 0:22:27 | |
MUSIC: I'm Your Man by Wham! | 0:22:27 | 0:22:29 | |
The popularity of Softy's double scoop cone has created a problem. | 0:22:35 | 0:22:40 | |
-Ice cream. -Fridge, where do you think? | 0:22:40 | 0:22:43 | |
We've hardly any left. | 0:22:43 | 0:22:44 | |
-Plenty left, there. -He's running out of ice cream twice as fast. | 0:22:44 | 0:22:49 | |
-Got raspberry. -Boxes full of videos. | 0:22:49 | 0:22:51 | |
Serve these, will you? Serve these. | 0:22:51 | 0:22:54 | |
Hurry up. | 0:22:54 | 0:22:56 | |
No ice cream. We've only got one tub left. Jesus wept. | 0:23:01 | 0:23:03 | |
Well, I just told you that. | 0:23:03 | 0:23:05 | |
You'll have to go to the shop. | 0:23:05 | 0:23:07 | |
Quiet, act your age. | 0:23:07 | 0:23:09 | |
-Go to t'shop. -What do you want? -Take a 20. | 0:23:09 | 0:23:12 | |
-Six vanilla and get some flakes and all, please. -How many? -15. | 0:23:13 | 0:23:17 | |
No, 20, get 20. | 0:23:17 | 0:23:18 | |
Get a receipt and all. Hurry up, hurry up! | 0:23:18 | 0:23:21 | |
437, take 12. | 0:23:22 | 0:23:24 | |
And action. | 0:23:30 | 0:23:32 | |
-What did you do? -What can you do? Couldn't go, didn't go. | 0:23:32 | 0:23:37 | |
We lost our deposit. | 0:23:37 | 0:23:38 | |
Mr Softy Top has been reduced to rationing the ice cream | 0:23:44 | 0:23:48 | |
-and there's still no sign of Darren. -Put some ice cream in! | 0:23:48 | 0:23:50 | |
Hey, don't start getting like that with me, love, you've got the same | 0:23:50 | 0:23:53 | |
-as everybody else! -Well, I'd like some ice cream with me cornet. | 0:23:53 | 0:23:56 | |
There's enough there, why'd you want more? | 0:23:56 | 0:23:58 | |
No-one else has complained. | 0:23:58 | 0:23:59 | |
Hey, you're dripping raspberry all over me counter. | 0:23:59 | 0:24:02 | |
-State of this. -Don't touch that. -He's only looking. | 0:24:02 | 0:24:04 | |
You look with your eyes, not your hands. That's why it's on a chain. | 0:24:04 | 0:24:07 | |
There's more raspberry than ice cream! I want me money back! | 0:24:07 | 0:24:09 | |
-Where've you been? -Coming. -Yeah, right. Hang on a minute, love. | 0:24:09 | 0:24:13 | |
-What's this - milk?! -I came as quick as I could. | 0:24:15 | 0:24:18 | |
Looks like it and all. Look at these, eh? | 0:24:18 | 0:24:20 | |
-Mind your language, please. -They didn't have any flakes. -I wanted... | 0:24:20 | 0:24:24 | |
I want flakes. I can't make 99s with fucking Crunchies, can I? | 0:24:24 | 0:24:28 | |
-I told you to watch your language. -Here, have some ice cream! | 0:24:28 | 0:24:30 | |
Have some, eh? You stupid bitch! Oh...fuck off! | 0:24:30 | 0:24:35 | |
Eh? All of you, get out of here! | 0:24:35 | 0:24:37 | |
Fucking don't need this, do I?! | 0:24:37 | 0:24:40 | |
ANGRY SHOUTS | 0:24:40 | 0:24:42 | |
The day has been a disaster for Mr Softy Top. | 0:24:45 | 0:24:48 | |
CHEERING | 0:24:50 | 0:24:52 | |
-# When I wake up -When I wake up | 0:25:01 | 0:25:02 | |
# Well, I know I'm gonna be | 0:25:02 | 0:25:04 | |
# I'm gonna be the man who wakes up next to you... # | 0:25:04 | 0:25:07 | |
Yeah, I know. | 0:25:07 | 0:25:08 | |
-# When I go out -When I go out | 0:25:08 | 0:25:10 | |
# Well, I know I'm gonna be | 0:25:10 | 0:25:11 | |
# I'm going to be the man who goes along with you... # | 0:25:11 | 0:25:14 | |
Who? | 0:25:14 | 0:25:15 | |
-# If I get drunk -If I get drunk | 0:25:15 | 0:25:17 | |
# Well, I know I'm going to be | 0:25:17 | 0:25:19 | |
# I'm going to be the man who gets drunk next to you... # | 0:25:19 | 0:25:21 | |
Yes, sir! | 0:25:21 | 0:25:22 | |
-# And when I haver -When I... # | 0:25:22 | 0:25:24 | |
What's haver mean? | 0:25:24 | 0:25:25 | |
# Well, I know I'm going to be | 0:25:25 | 0:25:26 | |
# I'm going to be the man who's havering to you... # | 0:25:26 | 0:25:28 | |
It's on here. | 0:25:28 | 0:25:30 | |
-BOTH: -# And I would roll 500 miles and I would roll 500 more | 0:25:30 | 0:25:37 | |
# Just to be the man who rolled 1,000 miles | 0:25:37 | 0:25:41 | |
# To fall down at your door | 0:25:41 | 0:25:43 | |
-# When I'm working -When I'm working | 0:25:44 | 0:25:46 | |
# Well, I know I'm gonna be | 0:25:46 | 0:25:48 | |
# I'm going to be the man who's working hard for you... # | 0:25:48 | 0:25:50 | |
Chaka Khan! | 0:25:50 | 0:25:51 | |
-# And when the money -When the money | 0:25:51 | 0:25:53 | |
# Comes in for the work I do, I'll pass almost every penny on to you | 0:25:53 | 0:25:58 | |
-# When I come home -When I come home | 0:25:58 | 0:26:01 | |
# Well, I know I'm going to be | 0:26:01 | 0:26:03 | |
# I'm going to be the man who's coming home to you | 0:26:03 | 0:26:06 | |
-# And when I grow old -When I grow old | 0:26:06 | 0:26:08 | |
# Well, I know I'm going to be | 0:26:08 | 0:26:10 | |
# I'm gonna be the man who's growing old with you | 0:26:10 | 0:26:13 | |
# And I would roll 500 miles and I would roll 500 more | 0:26:13 | 0:26:20 | |
-# Just to be the... -..man... -..who... -..rolls... | 0:26:20 | 0:26:23 | |
-# A... -..thou... -..sand... | 0:26:23 | 0:26:25 | |
# ..miles to fall down at your door | 0:26:25 | 0:26:28 | |
-# Da-da-da-da! -Haba-dab-da | 0:26:28 | 0:26:30 | |
-# Da-da-da-da! -Haba-dab-da | 0:26:30 | 0:26:32 | |
# Da-da-da, da-da, da-da, da-da-da-da | 0:26:32 | 0:26:35 | |
-# Da-da-da-da! -Haba-dab-da | 0:26:35 | 0:26:37 | |
-# Da-da-da-da! -Haba-daba-dab-da | 0:26:37 | 0:26:39 | |
# Da-da-da, da-da, da-da, da-da-da-da... # | 0:26:39 | 0:26:42 | |
AUDIENCE CLAPS ALONG | 0:26:42 | 0:26:45 | |
Ladies and gentlemen - The Proclaimers! | 0:26:47 | 0:26:50 | |
-AUDIENCE: -Woo! | 0:26:50 | 0:26:52 | |
# When I'm lonely | 0:26:57 | 0:26:59 | |
# Well, I know I'm gonna be | 0:26:59 | 0:27:00 | |
# I'm gonna be the man who's lonely without you | 0:27:00 | 0:27:04 | |
# And when I'm dreaming | 0:27:04 | 0:27:06 | |
# Well, I know I'm gonna dream | 0:27:06 | 0:27:08 | |
# I'm gonna dream about the time when I'm with you | 0:27:08 | 0:27:11 | |
-# When I go out -When I go out! | 0:27:11 | 0:27:14 | |
# Well, I know I'm gonna be | 0:27:14 | 0:27:16 | |
# I'm gonna be the man who goes along with you | 0:27:16 | 0:27:19 | |
-# And when I come home -When I come home! | 0:27:19 | 0:27:21 | |
# Yes, I know I'm gonna be | 0:27:21 | 0:27:23 | |
# I'm gonna be the man who comes back home with you | 0:27:23 | 0:27:25 | |
# I'm gonna be the man who's coming home... | 0:27:25 | 0:27:29 | |
# With you | 0:27:29 | 0:27:31 | |
# But I would walk 500 miles and I would walk 500 more | 0:27:33 | 0:27:40 | |
# Just to be the man who walks 1,000 miles to fall down at your door | 0:27:40 | 0:27:46 | |
-# Da-da-da-da! -Da-da-da-da! | 0:27:46 | 0:27:48 | |
-# Da-da-da-da! -Da-da-da-da! | 0:27:48 | 0:27:51 | |
# Da-da-da, da-da, da-da, da-da-da-da | 0:27:51 | 0:27:53 | |
-# Da-da-da-da! -Da-da-da-da! | 0:27:53 | 0:27:57 | |
-# Da-da-da-da! -Da-da-da-da! | 0:27:57 | 0:27:58 | |
# Da-da-da, da-da, da-da, da-da-da-da | 0:27:58 | 0:28:01 | |
-# Da-da-da-da! -Da-da-da-da! | 0:28:01 | 0:28:03 | |
-# Da-da-da-da! -Da-da-da-da! | 0:28:03 | 0:28:06 | |
# Da-da-da, da-da, da-da, da-da-da-da | 0:28:06 | 0:28:08 | |
-# Da-da-da-da! -Da-da-da-da! | 0:28:08 | 0:28:10 | |
-# Da-da-da-da! -Da-da-da-da! | 0:28:10 | 0:28:13 | |
# Da-da-da, da-da, da-da, da-da-da-da | 0:28:13 | 0:28:16 | |
-# Da-da-da-da! -Da-da-da-da! | 0:28:16 | 0:28:18 | |
-# Da-da-da-da! -Da-da-da-da! | 0:28:18 | 0:28:20 | |
# Da-da-da, da-da, da-da, da-da-da-da | 0:28:20 | 0:28:23 | |
# Da-da-da-da! | 0:28:23 | 0:28:24 | |
# Bobby Davro! | 0:28:24 | 0:28:25 | |
# Da-da-da-da! | 0:28:25 | 0:28:26 | |
# Bobby Davro! | 0:28:26 | 0:28:28 | |
# Da-da-da, da-da, da-da, da-da-da-da | 0:28:28 | 0:28:30 | |
# And I would walk 500 miles and I would walk 500 more | 0:28:31 | 0:28:37 | |
# Just to be the man who walks 1,000 miles to fall down at your door. # | 0:28:37 | 0:28:45 | |
AUDIENCE: Woo! | 0:28:46 | 0:28:48 | |
-Eh? -I don't like it. | 0:28:51 | 0:28:53 | |
Oh, I love the Welsh. | 0:28:53 | 0:28:55 | |
CHEERING | 0:28:55 | 0:28:57 |