Sir Gawain and the Green Knight


Sir Gawain and the Green Knight

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I'm on the trail of a 600-year-old poem.

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As a piece of writing, it's got just about everything.

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It's a ghost story. It's a whodunnit.

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It's a love poem. It's a religious poem.

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It's a 2,500 line tongue-twister and you could even say

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it's one of the first ever eco poems.

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"After Britain was built by this founding father,

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"a bold race bred there.

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"men causing trouble and torment in turbulent times."

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And through history, more strangeness has happened here than anywhere else I know of on earth.

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It's generally recognised as one of the jewels in the crown of

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British poetry and we don't know who wrote it.

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A few years ago, I made a translation of the poem and I completely fell

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under its spell, but to a certain degree, it's still a mystery to me.

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And it's crossed my mind that the only way of entering the mindset of the writer

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and getting to grips with the meaning of the poem,

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is to experience some of the landscape of the poem

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and to feel the descriptions of nature and the wet winter weather.

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The poem doesn't even have a title, but over the centuries,

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it's come to be known as Sir Gawain And The Green Knight.

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It was Christmas at Camelot, King Arthur's court,

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where the great and the good of the land had gathered.

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All the righteous lords of the ranks of the round table

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quite properly carousing and revelling in pleasure.

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It's Christmas at Camelot. It's not quite how it would have been in Arthur's day.

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Santa's just arrived in a transit van.

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But it's still a time of great excitement and it's not a coincidence

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that the poem starts at Christmas, a time of great ritual and great passion.

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The ideal moment for something dramatic to happen.

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Sir Gawain And The Green Knight's the story of one of King Arthur's knights, Gawain,

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who takes up a bizarre challenge to behead a giant Green Knight

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and face the grizzly consequences.

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It's a wonderful piece of storytelling which is split

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into four distinct parts, or acts, as Gawain faces a series of death-defying adventures.

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Nobody can say with any certainty whether there was a Camelot or even an Arthur

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and there are many places across Britain that lay claim to Camelot.

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Several castles in Wales, Winchester, Carlisle, but of all the contenders, this is my favourite.

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This is Tintagel. It just seems to have everything.

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Ancient castle, fortified island,

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caves, epic landscape and coastline and the town's very much embraced it, as well.

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Every little gift shop and bed and breakfast is Arthur this or Camelot that.

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So here we are in King Arthur's court, Camelot.

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Well, it's actually an imagined recreation of it.

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So the knights are all assembled when suddenly the door bursts open and on horseback,

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in comes a knight, a very strange creature.

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He carries with him a piece of holly and the author, the poet,

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keeps back one very special detail about this knight right to the end.

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He says, "In fact, in all features, he was finely formed, it seemed.

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"Amazement seized their minds.

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"No soul had ever seen a knight of such a kind, entirely emerald green."

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Those little rhymes at the end of each section are known as the bob and wheel.

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They just draw each verse to a neat little bow.

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And this extraordinary knight, this supernatural man,

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lays down what must sound like an absurd challenge.

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He says any man here can chop off my head if they like,

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so long as in a year's time, I can chop off their head.

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"So who has the gall, the gumption, the guts?

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"Who'll spring from his seat and snatch this weapon? I offer the axe.

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"Who'll have it as his own?"

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So Gawain, the youngest knight of the round table and Arthur's nephew,

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rises and says "Let this challenge be mine."

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I think he basically sees an opportunity to prove himself.

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And he takes up the axe and he chops off the head of the Green Knight

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which rolls across the floor and the knights kick it as it goes past.

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But the Green Knight goes after it, picks it up,

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puts it back on his neck, gets back on his horse

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and says, "I will see you in a year's time. Keep your promise."

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"And then, well, with the green man gone, they laughed and grinned, again.

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"And yet, such goings-on were magic to those men.

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"And although King Arthur was awestruck at heart, no sign of it showed."

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When it was written in about 1400, the King Arthur legend was already centuries old.

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Whoever wrote the poem would have been a contemporary of Chaucer

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and it's become one of the most celebrated poems in the whole of English literature.

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I wouldn't really claim to be an expert at all in Middle English

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but I do find it really fascinating.

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It exists at that point in history

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where the English language as we know it is just coming into view.

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And it's a little bit like the poem is under a layer of frosted glass.

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It's as if you just want to breathe a little warm air onto it

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to try and get the language to come through.

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So if you take the very first line of the poem,

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"Sithen the segge and the assault was cessed at Troy" -

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that's "After the siege and the assault was ceased at Troy."

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You can hear the sibilance there, the S sound alliterating

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through that line and that's how it is all the way through the poem.

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It's the device which keeps the whole poem together.

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And it must have made it great fun to read out as well, even to remember.

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There are a lot of contemporary translations that don't follow the alliteration.

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They're more interested in the meaning of the original words or medieval history,

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but I'm a poet and what I've made is a poetic translation and for me

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the alliteration is the warp and weft of this poem.

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And without it, it's just so many fine threads.

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A year goes by and Gawain must keep to the terms of the challenge

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and go in search of the Green Knight.

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"Now, lord of my life, I must ask for your leave.

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"You were witness to my wager.

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"I have no wish to retell you the terms. They're nothing but a trifle.

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"I must set out tomorrow to receive that stroke

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"From the knight in green And let God be my guide."

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Gary Burbeck and Gandalph Strut are two latter day knights who've come

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along to teach me a thing or two about fighting and chivalry.

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What is chivalry? Because to a lot of people reading the Gawain poem,

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it seems absurd that somebody would willingly just go along and have their head cut off.

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In those days, chivalry meant everything.

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The top knights were extremely loyal.

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They had been risen to their knighthood by their lord, their liege. They owe everything to him.

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What would happen to somebody who didn't keep their honour and their pledges as a knight?

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I mean, for example, in the poem, if Gawain decided not to go and meet the Green Knight after a year.

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What would that make him?

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It would make him almost an outcast, really.

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Almost outlawed, outside the law.

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"First, a rig of rare cloth was unrolled on the floor,

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"Heaped with gear which glimmered and gleamed.

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"And on to it, he stepped, to receive his armoured suit."

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The Gawain poet devotes long sections of the poem to Gawain's armour and apparel

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and on the one hand, he stands there as heroic and a shining example of knighthood.

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On the other hand, there's something quite funny about that passage.

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It's overelaborated, almost to the point

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where I think you can afford a little chuckle at Gawain stood there in his metal suit.

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-It looked like hard work.

-Very hard work.

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And how much of this is authentic in terms of what a knight would have worn at that time?

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This is a replica of a 15th-century armour

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-and it weighs a lot.

-Can I have a go? Can I put a bit on?

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You certainly can. Absolutely.

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"Then comes the suit of shimmering steel rings encasing his body and his costly clothes.

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"Well-burnished braces to both of his arms.

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"Good elbow guards and glinting metal gloves.

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"All the trimmings and trappings of a knight tricked out to ride."

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-I'm just going to give you a slight punch.

-OK.

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-OK, that's just a little one.

-OK.

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Yeah. How much did you feel?

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I felt it. Yeah.

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Well, thanks very much.

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I really enjoyed that.

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I'm not sure it goes well with my elasticated overtrousers. It's not really a good look, is it?

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Before setting off on Gawain's epic journey, I head home to

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West Yorkshire just to get my bearings and my walking boots.

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This is the village of Marsden where I was born and brought up

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and over there, just beyond that horizon,

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that's the Peak District and that's the place where Gawain is set.

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And I think as a project for me,

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there was always something about bringing Gawain back into the north.

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When I came to translate the poem, there was something Pennine or at least non-metropolitan

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about its medieval language which I found intriguing and irresistible.

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ALL: # So I lie in in the morning

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# God save John. #

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I can read and understand Middle English now or Middle English of this poem by looking at the page,

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but I don't know how it's all pronounced, that's a very separate skill.

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But on the occasions when I have tried to read it out loud, in private,

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it's always sounded to me like the noise of a pub or a club.

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A club like this where I used to come drinking

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before I was old enough to come drinking and my dad and all his mates come here.

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There's something about the noise that this poem makes in the original

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that reminds me of the sort of chat that goes on in here.

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Just have a look at that.

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HE READS POEM IN MIDDLE ENGLISH

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Sounds like he's local!

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Tell you this, mate, it'll never sell.

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I have to tell you, you're wrong.

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"'Won't you slide from that saddle and stay awhile?

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"And the business which brings you,

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"we shall learn of later.'

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"'No,' said the knight.

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"'It's not in my nature to idle or alec about this evening."

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In this translation I use the word "alec". You aleced about.

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-Aleced about. Aye.

-Alecing about.

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Alecing about.

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-Laking.

-Laking?

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Laking - cos laking's in the original.

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The word "lake" is in there.

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-Meaning "plain".

-Isn't it?

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Yeah. There's another word in there, as well. Sam.

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-Pick it up.

-Pick it up. Yeah.

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You must have heard it. "Sam, Sam, pick up thy musket."

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And that were all based on that "sam it up". Nay.

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He knocked it down, he'll pick it up.

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Part two of the poem takes place a year after the beheading of the Green Knight,

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as Gawain heads off into the wilderness to meet his comeuppance.

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"Now, through England's realm he rides and rides, Sir Gawain, God's servant on his grim quest,

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"Passing long dark nights, unloved and alone, foraging to feed, finding little to call food,

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"With no friend but his horse through forests and hills and only our Lord in heaven to hear him."

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It's a journey through the wild borders between England and Wales

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that few at the time would have been brave or foolhardy enough to take.

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When the Green Knight bursts into Camelot, he isn't just

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challenging Gawain to a beheading game, he's challenging him to get

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outside the comfort and the warmth of the castle and to go out into the wide world.

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And I think it's at that point that Sir Gawain And The Green Knight

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becomes one of the great nature poems, perhaps the first ever great nature poem,

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and nature at that time was as much an enemy as a friend.

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And Gawain's got to go out there and strike a bargain with it.

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"Hazel and hawthorn are interwoven, decked and draped in damp shaggy moss.

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"And bedraggled birds on bare black branches pipe pitifully into the piercing cold.

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"Under cover of the canopy, he guided Gringolet through mud and marshland, a most mournful man."

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Nature's never far away in British poetry.

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Sir Gawain is a very early and fine example of a nature poem.

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It might be to do with the fact that nature in this country is very fickle, poets over time

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have responded both to its generosity and to its cruelty.

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As a poet, I recognise that situation.

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I've always felt that it's when I get up into the heights

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that the poetry starts, or the inspiration starts.

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Places where you're on your own, generally.

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There's a section in the poem which goes something along the lines of:

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"Hard on his heels over the high ground come giants."

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And it makes me wonder if this wasn't just some elaborate metaphor for weather fronts and black clouds

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which I've never seen very far away in this part of the world, at this time of the year.

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"So momentous are his travels among the mountains to tell just a tenth would be a tall order.

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"He scraps with serpents and snarling wolves.

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"He tangles with woodwose causing trouble on the crags, or with bulls and bears and the odd wild boar.

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"Hard on his heels through the highlands come giants."

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The poem makes wonderful use of British mythology

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to bring to life the dangers posed by nature.

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There are woodwose, those mysterious wild men of the woods.

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And the ghostly Green Knight, himself, owes a great deal

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to the pagan fertility spirit, the Green Man.

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Every now and again, you get a view around here that probably won't have changed much for about 600 years.

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As you are travelling through this landscape, it was uncertain,

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you didn't really know who's territory you were walking into

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or what was waiting for you down in the valley bottom, either,

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and that's what Gawain was walking into the unknown.

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"In a strange region, he scales steep slopes.

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"Far from his friends he cuts a lonely figure.

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"Where he bridges a brook or wades through a waterway,

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"Ill-fortune brings him face-to-face with a foe so foul or fierce, he's bound to use force."

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This is the River Dee near Llangollen and if Gawain had made a journey north through Wales,

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at some point he would have had to have crossed this river and here would not have been the place.

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This is nature in full flow and this is the kind of thing that

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Gawain would have had to have contended with on his journey.

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Looking for a place to cross the river, Gawain travels northwards to the village of Holywell.

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It's an important place in Christian mythology.

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The sacred well's said to have healing powers.

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Lolita Laguy tells me she was cured of osteoporosis

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after dipping in the well and came to live here soon after.

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-So this is the actual wellspring, inside.

-Yes. It is. Yes.

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Could you tell me about the legend at St Winifred?

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The story of St Winifred goes back to the 7th century.

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She was a young girl of 14 and born in Holywell.

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A young prince from Hawarden called Caradoc wanted to marry her

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and she refused him and he tried to rape her, but did not rape her.

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And he beheads her to keep her quiet.

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So her head rolled down from the hill, the same hill now, and ended up here, in this spot.

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And St Beuno put her head back on. Christ gave her the power to live again.

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She lived for another 15 years.

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So, her head was replaced on her shoulders and she came alive again?

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-Yes.

-You see, that's very interesting to me, because in Sir Gawain And The Green Knight, the Green Knight is

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beheaded at Camelot, and he picks his own head up,

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puts it back on his neck and lives again.

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And I think it's very possible that whoever wrote that poem

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knew about this story and used it as a motif.

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Well, I'm too much of a coward to strip off and get in,

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but my feet are quite weary from following Gawain.

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If it's all right, I might take my shoes and socks off and dip my feet in.

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By all means.

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The Gawain poet toys with us all the way through the poem.

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Gawain's a devout Christian, he's full of faith, but his world is full of superstitions, as well.

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Witchcraft, magic and folklore.

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Coming here and talking to Lolita makes me realise that Christian and Pagan beliefs existed side by side.

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-That's pretty cold.

-Isn't it lovely, though?

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It's lovely, in a sort of cold way.

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Yeah. It's nice.

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-To me, it's your faith. It's your faith that heals, actually.

-Not just the water?

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Normally, I would ask someone to say Jesus, do a little prayer,

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make the sign of the cross, or Hail Marys.

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"He prayed with heavy heart.

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"Father, hear me, and Lady Mary, our mother most mild,

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"let me happen on some house where mass might be heard, and matins in the morning.

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"Meekly, I ask, and here I utter my Pater, Ave and Creed."

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See if that's done the trick, then.

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Thank you.

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So, Gawain makes his way through to the north of Wales and then leaves the Isles of Anglesey on his left,

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and finally arrives at the banks of the River Dee.

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And the poem implies that he crossed somewhere here and got to the other side into the Wirral.

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It was probably a little bit more beautiful than this in its day.

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Anyway, here we go.

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-All right?

-Yeah.

-Yeah. Good.

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I'm not much of a one for boats, myself. I'm a bit of a landlubber.

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All right?

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It's a wonderful moment when Gawain crosses the Dee. The poets

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say something about the wayward people of the Wirral, who both God and good men have quite given up on.

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It's funny as well, though, because it's a highly industrialised area.

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The forests that Gawain might have been walking into

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are now, basically, scrap yards, pylons, power stations.

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A new kind of forest, a new kind of obstacle.

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Can you just put us down over there and I'll hop off?

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Cheers.

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Gawain must have had some kind of internal compass, because even

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though he's wandering through unmapped territories, very slowly he's homing in on his destiny.

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Back in the 14th century, the world was an unexplained place,

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and nobody really understood or knew what forces were driving things, you know, whether it was religion,

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whether it was some other power or force, and you can imagine a man like Gawain out there, alone,

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especially at night, when it starts dropping dark, which it does very quickly in the winter.

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Long nights alone, unloved.

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"With nerves frozen numb, he napped in his armour,

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"bivouacked in the blackness amongst bare rocks."

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When I started translating Sir Gawain And The Green Knight, I suppose I thought of it as

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a big adventure story that would be about his tussles with giants, and green knights,

0:24:430:24:50

and woodwose, and fighting people in the crags.

0:24:500:24:53

But the more I went on, I came to think that a lot of it was about

0:24:530:24:59

his tussle with his conscience, a sort of fight with himself, really.

0:24:590:25:03

And sometimes fighting temptation and sometimes fighting fear.

0:25:030:25:07

I mean, there is something quite exciting about being out here.

0:25:070:25:11

It's quite romantic in some ways. On the other hand,

0:25:110:25:14

it's bloody terrifying.

0:25:140:25:16

"Next morning, he moves on. Skirts the mountainside, descends a deep forest,

0:25:300:25:35

"densely overgrown with ancient oaks in huddles of hundreds, and vaulting hills

0:25:350:25:40

"above each half of the valley."

0:25:400:25:43

The Gawain poet wasn't a prophet anticipating global warming, but he

0:25:460:25:50

knew full well that medieval society lived hand-in-hand with nature.

0:25:500:25:54

He recognised its brutality and ferocity as well as its captivating beauty.

0:25:540:26:00

The original poet might be anonymous to us,

0:26:060:26:08

but I'm sure he had particular places in mind when he was writing.

0:26:080:26:13

In my translation, the poem says, "Melt water streamed from the snowcapped summits,

0:26:130:26:19

"which froze as it fell to the frost-glazed earth, and high overhead hung chandeliers of ice."

0:26:190:26:26

You can imagine this completely covered over with ice, all sort of crystalline up there.

0:26:380:26:44

Absolutely fantastic.

0:26:440:26:46

The poem really brings this out.

0:26:460:26:49

"No sooner had he signed himself three times, than he became aware, in those woods, of high walls

0:27:050:27:12

"and a moat on a mound, boarded by the boughs of thick-trunked timber which trimmed the water.

0:27:120:27:19

"The most commanding castle a knight ever kept."

0:27:190:27:24

No-one knows for sure the castle where Gawain found refuge from the ravages of winter.

0:27:250:27:30

It could have been somewhere like Beeston Castle,

0:27:300:27:33

with its commanding views over the Cheshire Plain and beyond.

0:27:330:27:36

Today, only its ruins remain.

0:27:360:27:40

So, to get a taste of life inside the castle walls, I head to Haddon Hall in the Peak District.

0:27:500:27:55

This would have been a very welcome sight

0:28:050:28:08

to Gawain, after all those nights out on the tops, in the woods, in caves being chased by giants.

0:28:080:28:15

Finally gets himself invited into somewhere safe and secure,

0:28:150:28:20

bit of civilisation, promise of warmth, heat, something to eat.

0:28:200:28:25

It was too good to be true, really.

0:28:250:28:28

After all his trials and tribulations in the great outdoors,

0:28:350:28:40

I think Gawain probably must have thought that all his birthdays and Christmases had come at once.

0:28:400:28:45

He's taken to a room, they strip him of his armour, lighten his load and then clothe him in robes.

0:28:450:28:52

He's brought to a banquet, where he meets Bertilak for the first time, his host.

0:28:560:29:00

This man with a big, red, bushy beard.

0:29:000:29:04

And a fantastic spread, a banquet, is laid on.

0:29:040:29:08

"Staff came quickly and served him in style, with several soups all seasoned to taste.

0:29:080:29:15

"Double helpings, as was fitting, and a feast of fish."

0:29:150:29:20

It's a feature of the poem that, when people eat well, they really eat well.

0:29:200:29:25

In this particular meal, it's breads and soups...

0:29:250:29:31

..fish, cooked lots of different ways.

0:29:330:29:36

I've been looking forward to this bit.

0:29:380:29:40

The contrast couldn't be starker for Gawain.

0:29:400:29:43

One minute he's starving hungry, the next, he's tucking into a banquet fit for a king.

0:29:430:29:48

The poet isn't about to let Gawain or the reader relax in the warm glow of the hearth for long.

0:29:480:29:53

As with all masterful storytelling, nothing is as it seems.

0:29:530:29:58

"Once dinner was done, Gawain drew to his feet, and darkness neared as day became dusk.

0:30:020:30:09

"Chaplains went off to the castle's chapels to sound the bells hard,

0:30:090:30:14

"to signal the hour of Evensong, summoning each and every soul."

0:30:140:30:19

Up to this point, Gawain's been facing a test of his courage,

0:30:220:30:26

but now there's a new theme and a new character introduced.

0:30:260:30:31

And this time, the theme is temptation.

0:30:310:30:35

"The Lord goes alone, then his Lady arrives, concealing herself in a private pew.

0:30:360:30:44

"She was fairest amongst them, her face,

0:30:440:30:47

"her flesh, her complexion, her quality,

0:30:470:30:50

"her bearing, her body, more glorious than Guinevere,

0:30:500:30:55

"or so Gawain thought."

0:30:550:30:57

I suppose we can think of Gawain as somebody not

0:30:590:31:03

even out of adolescence.

0:31:030:31:06

He would be, at that stage in his life, sort of pumping with hormones,

0:31:060:31:09

and this time it's a challenge not to his head, but to his heart, and to some other body parts, as well.

0:31:090:31:17

He's a virile young man, is our Gawain.

0:31:170:31:22

Bertilak insists that Gawain must stay and rest in bed while he goes hunting with his men.

0:31:230:31:29

Before they retire to bed, Bertilak,

0:31:320:31:35

the host, makes a wager with Gawain. It's rather an odd wager.

0:31:350:31:40

He says, "Whatever I win out in the field while I'm hunting, I will give to you, so long as you give to me

0:31:400:31:47

"whatever you win in the house during my absence."

0:31:470:31:50

And Gawain agrees, it seems easy enough.

0:31:500:31:52

He's fought with woodwose and trolls and giants and bears, but a greater danger lies ahead.

0:31:520:32:00

We're now entering the third act of the poem, where the storytelling becomes infused with innuendo,

0:32:020:32:08

as it moves deftly between the bedroom and the hunt.

0:32:080:32:11

"So through a lime leaf border, the lord led the hunt,

0:32:110:32:16

"while snug in his sheets lay slumbering Gawain, dozing as

0:32:160:32:19

"the daylight dappled the walls, under a splendid cover enclosed by curtains.

0:32:190:32:25

"And while snoozing, he heard a slyly made sound, the sigh of a door swinging slowly aside.

0:32:250:32:33

"It was she, the Lady, looking her loveliest,

0:32:330:32:38

"most quietly and craftily closing the door, nearing the bed.

0:32:380:32:43

"The Lady comes close, cradles him in her arms,

0:32:450:32:49

"leans nearer and nearer, then kisses the knight."

0:32:490:32:54

It's very interesting, as well, in a poem like this, which seems on the surface to be a Christian poem

0:32:550:33:01

and have a moral message, and yet, what goes on in the bedroom here

0:33:010:33:05

is pretty saucy, really. It's pretty raunchy.

0:33:050:33:09

The seduction is heightened by the bloodlust in the fields.

0:33:130:33:17

"As the cry went up, the wild creatures quaked.

0:33:200:33:24

"The deer in the dale, quivering with dread, hurtled to high ground,

0:33:240:33:29

"but were headed off by the ring of beaters who bawled and roared."

0:33:290:33:33

The lord and all his men return from the hunt, and then, of course,

0:33:380:33:42

the terms of the contract must be kept to,

0:33:420:33:46

so Bertilak will give to Gawain all the venison that

0:33:460:33:49

have been shot and butchered out there in the woods,

0:33:490:33:52

and Gawain must give to Bertilak what he won in the house

0:33:520:33:57

during the day, which is, of course, more than he bargained for, really.

0:33:570:34:01

I think it must have been playing on his mind how he's going to deliver

0:34:010:34:04

this kiss to a man with a big, bushy, red beard.

0:34:040:34:09

# I've been trying to show you over and over

0:34:140:34:19

# Look at these, my child-bearing hips

0:34:190:34:22

# Look at these, my ruby-red ruby lips

0:34:220:34:26

# Look at these, my work-strong arms

0:34:260:34:30

# And you've got to see my bottle full of charms... #

0:34:300:34:34

The intercutting between the bedroom scenes and the hunting scenes is very cleverly done.

0:34:340:34:41

So instead of any description of any sort of sexual activity, what we get

0:34:410:34:46

is the hunt, all very sexually charged,

0:34:460:34:50

while in the bedroom, his wife is hunting down Gawain.

0:34:500:34:56

# I lay it all at your feet

0:34:570:35:00

# You turn around and say back to me

0:35:000:35:04

# He said

0:35:040:35:05

# Sheela-na-Gig, Sheela-na-Gig

0:35:050:35:08

# You exhibitionist

0:35:080:35:12

# Sheela-na-Gig, Sheela-na-Gig

0:35:120:35:16

# You exhibitionist! #

0:35:160:35:19

"She wore nothing on her face.

0:35:340:35:37

"Her neck was naked, and her shoulders were bare to both back and breast.

0:35:370:35:41

"And seeing her so lovely and alluringly dressed, a passionate heat takes hold in his heart."

0:35:410:35:47

These bedroom scenes are highly dramatic, even theatrical in their own way.

0:35:510:35:57

Over three days, the seduction gets more and more erotic, as the hunt gets more and more visceral.

0:35:570:36:04

It's the contrast that works so powerfully. This is where the Gawain poet's such a skilled writer.

0:36:080:36:14

He knows exactly what these counterpointed scenes can signify.

0:36:140:36:18

I guess that this sort of technique won't have changed for hundreds of years, will it?

0:36:200:36:25

I wouldn't have thought so.

0:36:250:36:26

'Farmer Peter Body helped me research some of the more bloodthirsty aspects of the poem.'

0:36:270:36:33

I don't think I'm going to like this bit!

0:36:330:36:35

'The poem goes into full, uncensored details as it devotes over 30 lines to the carving up of the deer.

0:36:360:36:42

'You can't but fear for poor Gawain as the knife slices through the flesh.'

0:36:420:36:47

There's another term in the poem, grollicking.

0:36:470:36:50

-We've just done it. We took the stomach out, all the organs.

-So, pulling out the innards?

0:36:500:36:55

Pulling out the innards. You pull out the innards,

0:36:550:36:58

you check all the glands, make sure it's a really healthy animal.

0:36:580:37:01

Then you can dispose of that, then.

0:37:010:37:03

"Then the beasts were prised apart at the breast,

0:37:030:37:07

"and they went to work on the grollicking again,

0:37:070:37:10

"writhing up on the front as far as the hindfork,

0:37:100:37:13

"fetching out the offal.

0:37:130:37:14

"Then, with further purpose,

0:37:140:37:17

"filleting the ribs in the recognised fashion."

0:37:170:37:20

See, that's fit for anyone.

0:37:200:37:22

Fit for a queen, it is!

0:37:220:37:25

"Its hind legs prised apart, they slit the fleshy flaps,

0:37:250:37:30

"then cleave and quickly start to break it down its back."

0:37:300:37:34

Just...snap.

0:37:340:37:37

Happy with that?

0:37:370:37:39

-Yeah. Thank you.

-You're welcome.

0:37:390:37:41

-Have you washed your hands?

-THEY CHUCKLE

0:37:410:37:44

On the third occasion, as well as giving him three kisses,

0:37:490:37:53

she offers him a ring, which he declines, but she then offers him a sash or a girdle.

0:37:530:37:58

A green girdle, which she takes off, and says to Gawain, "This is a magical girdle,

0:37:580:38:04

"and if you wear it, it will protect you against any evil."

0:38:040:38:07

And this is a young man who's about to have his head cut off.

0:38:070:38:11

And he looks at the sash and he thinks, "That might come in handy."

0:38:110:38:15

And he keeps it.

0:38:150:38:17

Sex, violence and death sit cheek by jowl in the poem.

0:38:220:38:25

You wonder what fate belies Gawain when Bertilak returns for one final time from the hunt.

0:38:250:38:30

He meets the master in the middle of the room, greets him graciously,

0:38:330:38:38

with Gawain saying, "I shall first fulfil our formal agreement,

0:38:380:38:42

"which we fixed in words when the drink flowed freely."

0:38:420:38:46

He clasps him tight and kisses him three times, with as much emotion as a man could muster.

0:38:460:38:53

Christmas is over. It's New Year's Eve.

0:38:590:39:01

It's time for Gawain to leave the comfort and safety of the castle,

0:39:010:39:06

to fulfil his promise with the Green Knight.

0:39:060:39:09

But he's broken his wager.

0:39:090:39:11

He's kept the green sash, and that sets up the fourth and final part of the poem.

0:39:110:39:17

Gawain now sets off in search of the mysterious green chapel

0:39:240:39:28

to confront his nemesis.

0:39:280:39:30

It's now that the poem's location can be identified

0:39:300:39:33

to an area of the Peak District

0:39:330:39:35

near the Staffordshire market town of Leek.

0:39:350:39:38

We know from dialect words in the poem that the author came from this part of the world.

0:39:400:39:44

And being here, in this locality, really brings the poem alive.

0:39:440:39:49

You get a keener sense of the poem from being among its place names

0:39:490:39:53

and its horizons and its landmarks, and also its people.

0:39:530:39:56

I want to find out how close I am to the language of the original poem,

0:40:000:40:04

and how much the language here differs from my own Pennine dialect.

0:40:040:40:08

So I've come to meet local farmers, Geoff Tunnicliffe and Ben Kid.

0:40:080:40:12

-Hi. Hiya. Is it Geoff?

-Yeah.

0:40:120:40:15

Hiya, Geoff. Simon. Nice to meet you.

0:40:150:40:17

-Ben, is it?

-Yeah. That's it.

0:40:170:40:19

Hiya. Nice to meet you.

0:40:190:40:20

One of the things about the poem is that it was written at the end of 14th century,

0:40:200:40:24

but they don't know who wrote it, but they think whoever it was came from this area.

0:40:240:40:29

-Aye.

-Because some of these old dialect words which might be from round here.

0:40:290:40:33

-Can I just read them to you?

-Yeah.

0:40:330:40:35

See if they mean anything to you? OK. What about the word "misey"?

0:40:350:40:39

That means "tight", in't it?

0:40:390:40:42

-Tight, like miserly?

-Yeah. That's it. Yeah. Yeah.

0:40:420:40:45

-What about "mire"?

-Mire? A mire is a brook, in't it?

0:40:450:40:50

Yeah, like a mire.

0:40:530:40:55

You know, like a pool, really.

0:40:550:40:57

Yeah. Like a swamp?

0:40:570:40:59

Like a swamp. That's what a mire is.

0:40:590:41:02

-That's what it is in the poem.

-That's right.

0:41:020:41:04

What do you think, say in a couple of hundred years, what do you think will have happened to this dialect?

0:41:040:41:10

It'll be gone altogether, cos there's nobody, you know, there's no local left.

0:41:100:41:15

Your money men have come and bought these places,

0:41:150:41:17

and they just lose it, don't they? Cos there aren't many farms left now to what there used to be.

0:41:170:41:22

Last question. Aren't you cold?!

0:41:220:41:26

-No.

-I am!

-I am an' all!

-THEY CHUCKLE

0:41:260:41:29

-I'm all right.

-Where there's no sense, there's no feeling.

0:41:290:41:32

Yeah. He's dead right! Yeah.

0:41:320:41:35

I suppose it was too much to hope that they'd still be speaking fluent Middle English,

0:41:390:41:44

but there is another clue to the poem having its roots in North Staffordshire.

0:41:440:41:48

The area's very special landscape, dominated by rocky outcrops, known as the roaches.

0:41:480:41:54

"It looks a wild place, no sign of a settlement anywhere to be seen,

0:41:560:42:01

"but heady heights to both halves of the valley,

0:42:010:42:04

"and set with sabretooth stones of such sharpness,

0:42:040:42:08

"no cloud in the sky could escape unscratched."

0:42:080:42:11

Just across the valley from the roaches stand the ruins of the medieval Dieulacres Abbey.

0:42:130:42:18

As a centre of Christian learning, it could well be connected to the Gawain poem.

0:42:200:42:25

The author might even have been a monk here. Who knows?

0:42:250:42:28

A possible clue has been uncovered by local historians Doug Pickford and Father Michael Fisher.

0:42:280:42:34

The abbot was a considerable landowner in the community, and they

0:42:340:42:38

had bands of servants, retainers, some of whom got up to no good,

0:42:380:42:42

and they picked a quarrel, or they had a quarrel with a local man named John Walton, and he was killed.

0:42:420:42:49

Several of these abbots' retainers struck blows

0:42:490:42:53

and stuck swords in him,

0:42:530:42:54

but the coup de grace was when they beheaded him.

0:42:540:42:58

And this beheading, around about 1379, may or may not

0:42:580:43:01

have influenced the Gawain story, which has the beheading game as a centrepiece.

0:43:010:43:05

Absolutely. The poem is famously anonymous, and it's unlikely that an author will ever be named,

0:43:050:43:12

but if you were to try and build up a portrait or a profile of somebody from that

0:43:120:43:18

period of history who could have written such a poem,

0:43:180:43:21

what kind of man, what kind of person would that be?

0:43:210:43:25

I feel, first of all, that he was a local man to be able to

0:43:250:43:29

write it in the local dialect, so he was aware of the local dialect.

0:43:290:43:33

-Scholarly?

-Scholarly, undoubtedly.

0:43:330:43:36

-And as I said before, probably a bit of an impish man, I'd like to feel that he was, you know.

-In what sense?

0:43:360:43:42

Because I do think he's having a go, number one, at the abbot, somewhere in the beheading,

0:43:420:43:47

and there's so many little things, satirical things, that he brings into it.

0:43:470:43:52

And it would take a very clever person.

0:43:520:43:55

And of course, I think I'm correct, the monks were probably the only

0:43:550:43:58

educated people, weren't they, at that time?

0:43:580:44:01

Yes. I think that's right. Yes.

0:44:010:44:02

-Smart. Mischievous.

-Yes.

0:44:020:44:05

-And local.

-I would say so.

0:44:050:44:07

-Good qualities for a poet, I would say!

-Indeed!

0:44:070:44:09

I'm spending the last night of my Gawain odyssey

0:44:200:44:23

in a small climber's cottage hewn out of the roaches themselves.

0:44:230:44:27

A suitably odd and creepy place to stay the night before

0:44:330:44:37

going off to find the green chapel in the morning.

0:44:370:44:40

Being in this part of the world, retracing these steps,

0:44:470:44:50

leads you closer to the atmosphere of the original poet somehow.

0:44:500:44:54

It makes you feel a sort of kinship, I think.

0:44:540:44:58

And, I guess, when you translate something, that's what you're after.

0:44:580:45:02

You're trying to harmonise with this old text.

0:45:020:45:06

I also recognise, I think, in the author of the poem,

0:45:090:45:12

somebody who doesn't really have a moral message to give us.

0:45:120:45:18

He's not somebody with a dogmatic message,

0:45:180:45:21

a sort of fixed view of the world.

0:45:210:45:23

The poem is much better than that.

0:45:230:45:25

It's far more playful.

0:45:250:45:27

"Alert and listening, Gawain lies in his bed.

0:45:290:45:33

"His lids are lowered but he sleeps very little, as each crow of the cock brings his destiny closer."

0:45:330:45:41

-Good morning.

-You all right?

-I'm well. How are you?

-Good, thanks.

0:45:410:45:45

The next morning, Doug picks me up to guide me towards the green chapel,

0:45:450:45:50

sometimes thought to be the strange geological formation Lud's Church.

0:45:500:45:54

"Then he went on his way with the one whose task was to point out

0:45:560:46:00

"the road to that perilous place where the knight would receive the slaughterman's strike.

0:46:000:46:06

"They scrambled up bankings where branches were bare, clambered up cliff faces crazed by the cold.

0:46:060:46:13

"The clouds which had climbed now cooled and dropped, so the moors and the mountains were muzzy with mist.

0:46:130:46:21

"And every hill wore a hat of mizzle on its head."

0:46:210:46:25

A great many of the nature beauty spots in this country do have magic and religion,

0:46:300:46:36

sometimes primitive religion, associated with them, and these peaks are no exception.

0:46:360:46:43

So they're beautiful, and they're a bit spooky as well.

0:46:430:46:47

You can see the boardstone just up there.

0:46:500:46:52

-The boardstone is an ancient structure, said to have magical powers.

-Good to see you.

0:46:530:46:58

-We've arranged to meet local pagan Chris Brown at the stone.

-Simon.

0:46:580:47:04

-Simon. Hi.

-Nice to meet you.

0:47:040:47:06

Brought you a little gift, there.

0:47:060:47:09

Oh, thank you very much. I'll pop this on the stone.

0:47:090:47:12

Is this a pagan site?

0:47:120:47:15

It's a site that's significant to members of the pagan community round here.

0:47:150:47:20

It's obviously an erection that goes back to ancient times,

0:47:200:47:24

and one of the tenants of the pagan faith is keeping the old ways alive.

0:47:240:47:28

But, of course, the Christian church use it as well as a healing stone.

0:47:280:47:32

Sick people were brought up until the 1940s, the Second World War,

0:47:320:47:37

and they had to crawl underneath it to knock the devil off the back.

0:47:370:47:40

I don't think I'll bother today!

0:47:400:47:43

Is there a pagan element to The Green Knight?

0:47:430:47:46

With it taking place in Lud's Church, which is an absolutely

0:47:460:47:49

awesome place, to a pagan, you're actually going into the ground,

0:47:490:47:52

you're going into the great earth mother, you're offering yourself,

0:47:520:47:56

if you like, to the great earth mother.

0:47:560:47:58

So it is a thing that would have great pagan significance, yes.

0:47:580:48:01

-We're on our way.

-All right. Yeah.

0:48:010:48:03

-Cheers, Chris.

-See you.

-Bye.

0:48:030:48:05

'So it seems as if primitive religion is alive and well on the wet and windy roaches.

0:48:050:48:11

'It's as if the Gawain poet's reeling us in to the heart

0:48:110:48:14

'of a pagan landscape, where the climax of the poem will be played out.'

0:48:140:48:19

Here we are at a windswept Doxey Pool, the site of many a legend.

0:48:190:48:25

-It's a pretty miserable place!

-Yeah.

0:48:250:48:29

Which direction for Lud's Church?

0:48:310:48:33

Right. Well, we're turning over there. Just keep following the path

0:48:330:48:36

down to the valley and turn left through the woods, and good luck.

0:48:360:48:39

Thanks, Doug. Cheers. All right.

0:48:390:48:40

-Ta-ra.

-OK.

-See you. Bye.

0:48:400:48:43

"And his servant lifts his shield, which he slings on his shoulder

0:48:430:48:48

"The place you head for holds a hidden peril

0:48:480:48:53

"In that wilderness lives a wild man, the worst in the world

0:48:530:48:58

"He is brooding and brutal and loves bludgeoning humans."

0:48:580:49:02

It's almost a comic moment in the poem,

0:49:050:49:08

when the guide finally brings Gawain towards the Green Chapel.

0:49:080:49:14

He seems to be saying to him, "If you want to chicken out now,

0:49:140:49:17

"that's fine, I won't tell, it'll be OK."

0:49:170:49:21

But Gawain, um, because he's determined and he has faith,

0:49:210:49:26

he's going to carry on, and so am I.

0:49:260:49:29

I'm within striking distance now, and I'm looking forward

0:49:290:49:32

to getting into Lud's Church, er, if only for a bit of shelter.

0:49:320:49:36

At least it's not as wet here.

0:49:580:50:02

I've dried out a bit down inside this valley.

0:50:020:50:05

I've been trying to use the poem as a map.

0:50:050:50:08

There are references to various landmarks and places here.

0:50:080:50:12

He says, "He presses ahead, picks up a path,

0:50:120:50:15

"enters a steep-sided groove on his steed, then goes by and by to the bottom of a gorge."

0:50:150:50:20

And then there's reference as well to a river.

0:50:200:50:23

"A sort of bald knoll on the bank of a brook

0:50:230:50:27

"where fellwater surged with frenzied force."

0:50:270:50:31

I don't know. It could be here.

0:50:310:50:34

It's not exactly the Ordnance Survey.

0:50:340:50:38

Of course, Gawain would have been pretty terrified at this point.

0:50:460:50:50

He's about to meet his destiny. I'm looking forward to it.

0:50:500:50:53

I think, for me, there's a sense of achievement and excitement

0:50:530:50:57

in getting here, but then again, I'm not gonna have my head cut off.

0:50:570:51:00

As far as I know.

0:51:000:51:02

There's a marker here on the wall, "Lud", so that's pretty unambiguous.

0:51:140:51:19

And, er...

0:51:190:51:21

I guess this is where you go in.

0:51:210:51:25

Bit of a scramble up these steps.

0:51:260:51:29

Very wet and damp.

0:51:290:51:33

Even at this point, it feels cold.

0:51:350:51:39

It's a couple of degrees colder already.

0:51:390:51:42

'This truly feels like a suitably pagan site.

0:51:440:51:48

'Lud is actually the Celtic sun god, and if this were the inspiration

0:51:480:51:52

'for the Green Chapel, it would certainly make sense.'

0:51:520:51:55

"For certain," he says, "this is a soulless spot,

0:52:100:52:14

"A ghostly cathedral overgrown with grass, the kind of kirk where

0:52:140:52:20

"that camouflaged man might deal in devilment and all things dark."

0:52:200:52:24

Gawain has now walked hundreds of miles across open land,

0:52:280:52:32

and suddenly, the walls are narrowing.

0:52:320:52:35

He's walked into a trap. It's a dead end up there,

0:52:350:52:38

and he stands here and he listens, and he calls it ghostly and he calls it soulless.

0:52:380:52:43

And then suddenly, he hears an axe being sharpened on a rock.

0:52:430:52:49

"Abide, came a voice from above the bank

0:52:520:52:56

"You'll cop what's coming to you quickly enough"

0:52:560:53:00

"Yet he went at his work, wetting the blade,

0:53:000:53:04

"not showing until it was sharpened and stropped."

0:53:040:53:08

So the Green Knight appears at the top

0:53:120:53:15

and makes his way down here with his axe,

0:53:150:53:19

and Gawain must keep his promise, and he offers his neck.

0:53:190:53:24

And we might think that this is probably the end for our hero, but...

0:53:240:53:30

he's concealed about his person

0:53:300:53:33

the green sash given to him by the lady in the castle.

0:53:330:53:39

And if her word is true, this is going to keep him from harm.

0:53:390:53:46

As with so many things in the poem, the next scene comes in threes.

0:53:530:53:58

The Green Knight tries to behead Gawain on three occasions.

0:53:580:54:01

The first time, Gawain ducks out of the way.

0:54:010:54:04

The second time, the Green Knight misses.

0:54:040:54:06

And the third time, he just nicks him on his neck.

0:54:060:54:09

He just sheds a little bit of blood.

0:54:090:54:12

And then Gawain escapes with his life.

0:54:120:54:14

"Gawain leapt forward a spear's length, at least,

0:54:170:54:20

"grabbed hold of his helmet and rammed it on his head,

0:54:200:54:23

"brought his shield to his side with a shimmy of his shoulder,

0:54:230:54:26

"then brandished his sword before blurting out brave words, because never, since birth,

0:54:260:54:32

"as his mother's babe, was he half as happy as here and now."

0:54:320:54:37

All the threads of the poem are pulled together at this point.

0:54:470:54:52

The Green Knight reveals to Gawain that he was Bertilak.

0:54:520:54:56

He was the lord and master of the house with the big, bushy, red beard,

0:54:560:55:01

and that it was his wife who was sent to tempt and to trick Gawain.

0:55:010:55:06

And Gawain's full of shame and embarrassment for not revealing that

0:55:060:55:12

he'd received this sash, this girdle, from the lady.

0:55:120:55:17

But the Green Knight tells Gawain that he is a good man, and that's why he's being allowed to live.

0:55:170:55:23

So, fully humiliated, and with his tail between his legs,

0:55:230:55:28

Gawain now makes his way back to Camelot to explain his quest to the round table.

0:55:280:55:35

'So the Green Knight might be a terrifying, monstrous creation,

0:56:020:56:06

'but in testing Gawain, it teaches the young knight

0:56:060:56:09

'a lesson in humility, one that he'll never forget.'

0:56:090:56:13

'When we're young, like Gawain, we make big statements

0:56:150:56:18

'about what we're gonna do in our life, what we hope to achieve,

0:56:180:56:21

'and then we've to set about trying to put those things into practice.

0:56:210:56:25

'And, in that sense, I think this is a poem, I suppose,

0:56:250:56:29

'to use the cliche, about the journey of life,

0:56:290:56:32

'and whether we can arrive at the destination that we declare.'

0:56:320:56:36

I'm back at Camelot. I suppose I've come full circle,

0:56:470:56:50

just as the poem turns full circle as well.

0:56:500:56:54

One thing I've been thinking about across this journey is

0:56:540:56:58

the idea of something lasting for 600 years.

0:56:580:57:01

I mean, it's a pretty remarkable thing.

0:57:010:57:04

It's not just that it's a fantastic story or a wonderful piece of writing, which it is.

0:57:100:57:15

It's because we can all see a bit of ourselves in Gawain.

0:57:150:57:19

And so in that sense, it's a poem about the individual,

0:57:200:57:23

and if you can write a poem about the individual

0:57:230:57:26

that appeals to the individual,

0:57:260:57:28

then you're going to appeal to absolutely everybody.

0:57:280:57:31

It's been an eye-opening and mind-expanding journey,

0:57:350:57:38

quite literally full of ups and downs,

0:57:380:57:41

and I've been doing a little bit of writing of my own along the way, because that's what poets do.

0:57:410:57:46

"Time now to rise,

0:57:480:57:50

"to strike out with clenched heart and no map, bar the view from the peak,

0:57:500:57:56

"where the west wind pummels your cheeks,

0:57:560:57:59

"leads with its granite fists

0:57:590:58:01

"Days of rain, rain that permeates the bone

0:58:010:58:06

"Personal rain, persecuting the soul

0:58:060:58:09

"Days when the promised lake is a dishwater pond

0:58:090:58:13

"run from a grey cloud onto a dead hill

0:58:130:58:16

"Eat what the rook or crow leaves on its plate

0:58:160:58:20

"Bed down where even the fox won't sleep

0:58:200:58:24

"Till the way narrows and holts,

0:58:240:58:27

"and you wait in armour or anorak under the ridge

0:58:270:58:30

"With a campfire tan and hedgerow hair,

0:58:300:58:34

"and a God looks down, silent, stony-faced,

0:58:340:58:38

"bearded with living moss

0:58:380:58:40

"This is the place

0:58:400:58:42

"The journey over, and the story told

0:58:420:58:45

"The yarn at the end of its long, green thread

0:58:450:58:49

"Speak now for all that you're worth, as the blade

0:58:490:58:53

"swoons in judgement over your pretty head."

0:58:530:58:56

Subtitles by Red Bee Media Limited

0:58:580:58:59

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0:58:590:59:01

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