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The Age of Steam shaped how we live today. | 0:00:05 | 0:00:08 | |
The Victorians laid over 20,000 miles of lines | 0:00:12 | 0:00:16 | |
in the biggest engineering project the country has ever seen... | 0:00:16 | 0:00:20 | |
Connecting our towns with high-speed links, | 0:00:20 | 0:00:23 | |
revolutionising trade and transportation, | 0:00:23 | 0:00:26 | |
communication and recreation. | 0:00:26 | 0:00:28 | |
It was the greatest transformation in our history - | 0:00:29 | 0:00:32 | |
but how did it happen? | 0:00:32 | 0:00:33 | |
To find out, historians Ruth Goodman... | 0:00:34 | 0:00:37 | |
-Flat out! -..Alex Langlands... | 0:00:37 | 0:00:40 | |
Shovelling coal is something I'm going to get very, very familiar with. | 0:00:40 | 0:00:43 | |
..and Peter Ginn... | 0:00:43 | 0:00:45 | |
It is tough work. | 0:00:45 | 0:00:46 | |
..are bringing the railways back to life, | 0:00:46 | 0:00:49 | |
as they would have been during the golden age of steam. | 0:00:49 | 0:00:51 | |
I feel like I'm in a Western. | 0:00:54 | 0:00:56 | |
This is very definitely the best steam engine I've ever been on. | 0:00:56 | 0:00:59 | |
Oh, no! He's gaining on us! | 0:01:01 | 0:01:03 | |
Brave new world. | 0:01:05 | 0:01:07 | |
They will be helped by armies of enthusiasts | 0:01:07 | 0:01:09 | |
who keep the age of steam alive... | 0:01:09 | 0:01:11 | |
Ugh! | 0:01:11 | 0:01:13 | |
..on Britain's 500 miles of preserved railway. | 0:01:14 | 0:01:17 | |
-This is the way to experience train travel, isn't it? -It is. | 0:01:17 | 0:01:20 | |
They'll follow in the footsteps of the world's finest engineers... | 0:01:20 | 0:01:25 | |
These are the men that built Britain's railways. | 0:01:25 | 0:01:29 | |
..those who ran it... | 0:01:29 | 0:01:30 | |
This is brutal - this is savage industrialism. | 0:01:30 | 0:01:34 | |
..and those for who life would never be the same again. | 0:01:34 | 0:01:38 | |
Internet? Pah! | 0:01:38 | 0:01:39 | |
It had nothing like the impact of the railways. | 0:01:39 | 0:01:42 | |
This is the story of how the railways created modern Britain. | 0:01:45 | 0:01:50 | |
By the 1860s, mainlines had linked Britain's major cities, | 0:02:05 | 0:02:09 | |
enabling goods and people to move freely between them. | 0:02:09 | 0:02:12 | |
But leading off the mainlines, | 0:02:17 | 0:02:19 | |
thousands of smaller branch lines were built, | 0:02:19 | 0:02:22 | |
connecting rural towns and villages to the rest of the country. | 0:02:22 | 0:02:25 | |
Today, we tend to look upon the branch lines | 0:02:27 | 0:02:28 | |
as being this sort of quaint part of this old rural idyll. | 0:02:28 | 0:02:32 | |
But I'm really interested in the branch lines, | 0:02:34 | 0:02:36 | |
because I want to find out how they managed to connect very local trades | 0:02:36 | 0:02:40 | |
with this emerging global economy in the Victorian period. | 0:02:40 | 0:02:43 | |
The branch lines brought profound changes to villages. | 0:02:45 | 0:02:48 | |
It makes it much more possible to be very, very specialist, | 0:02:48 | 0:02:53 | |
to focus in on one thing, and sell it nationally. | 0:02:53 | 0:02:57 | |
So how was it that these local, | 0:02:58 | 0:03:00 | |
sometimes very ancient little businesses | 0:03:00 | 0:03:03 | |
could grow and become national, even global phenomena? | 0:03:03 | 0:03:07 | |
Branch lines changed the way goods moved around Britain. | 0:03:08 | 0:03:11 | |
They were essential to the railway network. | 0:03:11 | 0:03:13 | |
And I want to find out what it was like working on a branch line. | 0:03:15 | 0:03:19 | |
Branch lines were primarily built to transport goods. | 0:03:20 | 0:03:23 | |
In the Welsh Valleys, | 0:03:24 | 0:03:26 | |
they turned wool production from a cottage industry | 0:03:26 | 0:03:28 | |
into a world-renowned business. | 0:03:28 | 0:03:30 | |
In the Scottish Highlands, they transformed the local tipple | 0:03:32 | 0:03:35 | |
into internationally-famous Scotch whisky. | 0:03:35 | 0:03:38 | |
And in the West Country, | 0:03:40 | 0:03:42 | |
branch lines turned Devon into Britain's most popular producer... | 0:03:42 | 0:03:46 | |
..of milk. | 0:03:47 | 0:03:48 | |
Before the railways, | 0:03:52 | 0:03:53 | |
milk couldn't be transported long distances because it would go sour | 0:03:53 | 0:03:57 | |
before reaching its destination, | 0:03:57 | 0:04:00 | |
so it was produced and consumed locally. | 0:04:00 | 0:04:02 | |
Victorian London had some 25,000 dairy cows | 0:04:03 | 0:04:06 | |
in cellars and backyards. | 0:04:06 | 0:04:08 | |
But when the railways reached Devon in 1849, | 0:04:10 | 0:04:13 | |
it created a high-speed link between the dairy farms of the West Country | 0:04:13 | 0:04:17 | |
and London. | 0:04:17 | 0:04:18 | |
This, I think, is the most beautiful view, with cow, I've ever seen! | 0:04:23 | 0:04:27 | |
And they look like they belong here - they're a particular breed. | 0:04:27 | 0:04:31 | |
Yes, they're the South Devons... | 0:04:31 | 0:04:33 | |
Sandra Fry of Burnford Farm, Dartmoor, | 0:04:33 | 0:04:35 | |
comes from a long line of dairy farmers. | 0:04:35 | 0:04:37 | |
As a child, she helped her father milk their herd | 0:04:39 | 0:04:41 | |
of South Devon cattle. | 0:04:41 | 0:04:43 | |
And if I went back to an age before the railways, | 0:04:43 | 0:04:48 | |
would I be still seeing this breed in this landscape? | 0:04:48 | 0:04:50 | |
Definitely, yes. | 0:04:50 | 0:04:52 | |
Yeah, they were very much a beef breed and a milking breed. | 0:04:52 | 0:04:55 | |
Just producing for the local area? | 0:04:55 | 0:04:57 | |
Yeah, for the milk and the beef. | 0:04:57 | 0:04:59 | |
Branch lines gave farms access to new markets further afield. | 0:05:00 | 0:05:04 | |
Milk could travel hundreds of miles and still be fresh | 0:05:04 | 0:05:07 | |
when it reached people's homes. | 0:05:07 | 0:05:09 | |
And when your branch line arrives, which was, where...? | 0:05:12 | 0:05:15 | |
It ran along the bottom here. | 0:05:15 | 0:05:17 | |
-Of this valley? -Yes. -Right, I mean, there's the moors. | 0:05:17 | 0:05:19 | |
-Yes. -Right up into the middle of Dartmoor. | 0:05:19 | 0:05:21 | |
-Yeah. -And that allowed you to be sending milk away? | 0:05:21 | 0:05:25 | |
Yes, yeah. I suppose my dad had about four churns, and what is it, | 0:05:25 | 0:05:28 | |
10-12 gallons in a churn? So that would've been... | 0:05:28 | 0:05:31 | |
-Gone every day? -Yes. | 0:05:31 | 0:05:32 | |
So, it's thanks to the railways, really, | 0:05:32 | 0:05:34 | |
that the whole milk industry in this area just got bigger and better. | 0:05:34 | 0:05:39 | |
It went from being a little, local quality product to being... | 0:05:39 | 0:05:42 | |
not just the quality, but this huge quantity. | 0:05:42 | 0:05:45 | |
Mmm, yes. Your lives revolved around the railways, really. | 0:05:45 | 0:05:49 | |
Come on, then, girls. | 0:05:51 | 0:05:52 | |
It wasn't just milk the railways were transporting away from farms. | 0:05:52 | 0:05:56 | |
Jim Jeffrey can also remember South Devon cattle being moved by rail. | 0:05:56 | 0:06:00 | |
The biggest sale at Tavistock Market was always Tavistock Goosey Fair. | 0:06:02 | 0:06:07 | |
And it was nothing for them to train away several hundred cattle | 0:06:07 | 0:06:11 | |
from that market, right into the trains, to Cornwall, | 0:06:11 | 0:06:14 | |
and of course the north of England as well. | 0:06:14 | 0:06:18 | |
# 'Twas just a month come Friday next | 0:06:18 | 0:06:20 | |
# Bill Camperdowne and me | 0:06:20 | 0:06:22 | |
# Us drove across old Darty Moor The Goosey Fair to see | 0:06:22 | 0:06:27 | |
# Us made ourselves quite viddy | 0:06:27 | 0:06:29 | |
# Us graced and combs our hair | 0:06:29 | 0:06:32 | |
# And off us goes in our Sunday clothes | 0:06:32 | 0:06:34 | |
# Behind old Bill's grey mare | 0:06:34 | 0:06:37 | |
# Us smelt the sage and onions as us drove 'cross Whitchurch Down | 0:06:37 | 0:06:42 | |
# And didn't us 'ave a blowout when us put up in the town | 0:06:42 | 0:06:45 | |
# And there us seed Ned Hannoford, Jan Steer and Nicky Square | 0:06:45 | 0:06:50 | |
# It seemed to we all Devon must be at the Tavistock Goosey Fair | 0:06:51 | 0:06:55 | |
# And it's what be doing of yer | 0:06:55 | 0:06:57 | |
# And where be going to there | 0:06:57 | 0:07:00 | |
# Put down your prong and step along | 0:07:00 | 0:07:02 | |
# To Tavistock Goosey Fair. # | 0:07:02 | 0:07:05 | |
The South Devon Railway once transported not just cattle and milk | 0:07:11 | 0:07:14 | |
out of Devon, but also fruit and vegetables from market gardens. | 0:07:14 | 0:07:18 | |
To find out how the line operated, | 0:07:20 | 0:07:22 | |
Alex and Peter are taking jobs on the line. | 0:07:22 | 0:07:24 | |
-Cases. -Yep. | 0:07:24 | 0:07:26 | |
I'll go and check the timetable. | 0:07:26 | 0:07:28 | |
The line was part of the Great Western Railway, | 0:07:30 | 0:07:32 | |
which had a strict code of conduct for its employees. | 0:07:32 | 0:07:35 | |
Its rulebook stating, | 0:07:36 | 0:07:38 | |
"The chief concern of staff should be the safety of the public." | 0:07:38 | 0:07:42 | |
So, before they're allowed near the railway, | 0:07:43 | 0:07:45 | |
line director Alan Taylor is assessing their suitability. | 0:07:45 | 0:07:49 | |
-Hi, Alan. -Hiya. -Hello, Alan, nice to meet you. -And you. | 0:07:49 | 0:07:53 | |
So, as budding young railway drivers and signalmen, | 0:07:53 | 0:07:56 | |
what's the first thing we need to learn to do? | 0:07:56 | 0:07:58 | |
Well, the first thing we need to do is make sure that you're actually capable of doing the job, | 0:07:58 | 0:08:02 | |
so that you can actually see, for one thing. | 0:08:02 | 0:08:04 | |
Particularly for anybody that works on the footplate - driver, | 0:08:04 | 0:08:07 | |
fireman or signalman - they need to be able to see both colour | 0:08:07 | 0:08:11 | |
and actually see at a distance. | 0:08:11 | 0:08:12 | |
Was it possible for a driver to wear glasses? | 0:08:12 | 0:08:16 | |
Not in the Victorian era, no, it wasn't. | 0:08:16 | 0:08:18 | |
And in fact, in those days, the only type of glasses you could have | 0:08:18 | 0:08:21 | |
would be those with glass lenses. | 0:08:21 | 0:08:23 | |
And if they broke - | 0:08:23 | 0:08:24 | |
which there was a high risk because of the risks of the profession - | 0:08:24 | 0:08:27 | |
you could easily hit something, or a stone could hit you, | 0:08:27 | 0:08:31 | |
it would break the lens and that would of course go in your eye. | 0:08:31 | 0:08:34 | |
OK. So... | 0:08:34 | 0:08:36 | |
The eye test is going to determine who gets to drive the train, then? | 0:08:36 | 0:08:40 | |
Well, that could well be the case, yes. | 0:08:40 | 0:08:42 | |
Mmm. | 0:08:42 | 0:08:43 | |
-A competition! -STEAM HISSES | 0:08:43 | 0:08:45 | |
It was vital that drivers had good eyesight, | 0:08:45 | 0:08:47 | |
so they could spot signals when travelling at speed, | 0:08:47 | 0:08:51 | |
so in 1868, | 0:08:51 | 0:08:53 | |
railway companies began testing the sight of their employees. | 0:08:53 | 0:08:57 | |
The idea is that you've got to tell at 15ft | 0:08:57 | 0:09:00 | |
exactly how many dots you can see. | 0:09:00 | 0:09:02 | |
Right - how many dots can you see? | 0:09:07 | 0:09:10 | |
Four, five, six, seven, eight, nine, ten... 12? | 0:09:12 | 0:09:14 | |
-12, indeed. -Well done, Peter. | 0:09:14 | 0:09:16 | |
-Memorised the chart. -How many dots? | 0:09:17 | 0:09:20 | |
-Nine. -Thank you. | 0:09:20 | 0:09:21 | |
Precisely correct. Well done. | 0:09:21 | 0:09:23 | |
-You've passed the test. -Goodness me! | 0:09:23 | 0:09:26 | |
-Right, your turn, sir. -Gauntlet has been thrown! | 0:09:26 | 0:09:28 | |
-Yeah, yeah. -How many dots, sir? | 0:09:28 | 0:09:30 | |
Erm... | 0:09:32 | 0:09:33 | |
-15? -I'm sorry to say, you've failed the test, sir. | 0:09:36 | 0:09:40 | |
Oh! | 0:09:40 | 0:09:41 | |
16. | 0:09:41 | 0:09:43 | |
Looks like I'm working in the buffet car. | 0:09:43 | 0:09:46 | |
It was essential employees could differentiate | 0:09:46 | 0:09:48 | |
between red and green signals, | 0:09:48 | 0:09:50 | |
so they were also tested for colour-blindness. | 0:09:50 | 0:09:53 | |
OK, sir - tell me what colour I'm showing you. | 0:09:53 | 0:09:56 | |
-Green. -Thank you, you've passed the test. | 0:09:56 | 0:09:58 | |
-HE CHUCKLES -Is that it? | 0:09:58 | 0:10:00 | |
Is my eyesight that bad, Alan? | 0:10:00 | 0:10:02 | |
If that had been a genuine test, | 0:10:02 | 0:10:03 | |
I think it's fair to say that you would not have been employed | 0:10:03 | 0:10:06 | |
by the railway company, | 0:10:06 | 0:10:07 | |
other than in an office or some sort of backroom job. | 0:10:07 | 0:10:10 | |
These tests effectively bring in a benchmark, a standard, | 0:10:10 | 0:10:13 | |
-across all railways. -Well, that was the point, I think, | 0:10:13 | 0:10:15 | |
and then that started to improve safety from that point onwards. | 0:10:15 | 0:10:18 | |
For those who passed the medical, training began. | 0:10:22 | 0:10:27 | |
The road to becoming a driver was a long one, often taking ten years - | 0:10:27 | 0:10:32 | |
but it was well-paid. | 0:10:32 | 0:10:33 | |
In the 1870s, drivers were earning over three times | 0:10:33 | 0:10:36 | |
that of farm workers. | 0:10:36 | 0:10:37 | |
That's the remnants of a previous... | 0:10:39 | 0:10:41 | |
Yesterday's fire, yeah. | 0:10:41 | 0:10:43 | |
On his journey to becoming a driver, Peter's starting at the bottom. | 0:10:43 | 0:10:48 | |
Right... | 0:10:48 | 0:10:49 | |
He's been given the job of cleaning the firebox - | 0:10:50 | 0:10:52 | |
a laborious process - | 0:10:52 | 0:10:54 | |
in three stages. | 0:10:54 | 0:10:56 | |
First, the ash is removed by brushing it down | 0:10:56 | 0:10:58 | |
through the fire grate. | 0:10:58 | 0:11:00 | |
Something like this was, I suppose, a daily occurrence? | 0:11:00 | 0:11:03 | |
Yes. It had to be emptied out before the next run. | 0:11:03 | 0:11:05 | |
An engine of this size would be at least 3.5 hours, | 0:11:05 | 0:11:08 | |
you need to leave yourself, to prep an engine. | 0:11:08 | 0:11:11 | |
To help with the job, | 0:11:11 | 0:11:12 | |
the firebox is illuminated using a burning, paraffin-soaked rag. | 0:11:12 | 0:11:17 | |
Now you can shovel out - and tip it into the wheelbarrow. | 0:11:17 | 0:11:20 | |
It makes it easier to see the remaining lumps of unburned coal, | 0:11:22 | 0:11:25 | |
which must be removed. | 0:11:25 | 0:11:26 | |
The ash collects underneath the loco, in its ash pan. | 0:11:34 | 0:11:37 | |
-And we're going under the loco? -We're going under the locomotive... | 0:11:37 | 0:11:40 | |
The final stage is to wash it out, | 0:11:40 | 0:11:42 | |
under the supervision of shed master Barbara Turner. | 0:11:42 | 0:11:45 | |
There's the handle for the hose, to turn it on, | 0:11:45 | 0:11:47 | |
and you soak all the ash - really soak it very, very well. | 0:11:47 | 0:11:51 | |
OK. In there, hose going on... | 0:11:51 | 0:11:53 | |
Washing rather than brushing out the ash | 0:11:55 | 0:11:58 | |
ensures it doesn't get into the loco's important moving parts. | 0:11:58 | 0:12:01 | |
There we go. OK, Barbara. | 0:12:04 | 0:12:05 | |
Ash pan soaked. | 0:12:07 | 0:12:09 | |
-It's not the only thing! -SHE LAUGHS | 0:12:09 | 0:12:11 | |
OK, now you can shove the ash right the way through the pan | 0:12:11 | 0:12:14 | |
onto the ground. | 0:12:14 | 0:12:15 | |
Working for the railway had its dangers, | 0:12:16 | 0:12:19 | |
but if you were injured at work, | 0:12:19 | 0:12:21 | |
the company would do its best to find you an alternative job. | 0:12:21 | 0:12:23 | |
Once you're in the railway, it doesn't matter where you work - | 0:12:25 | 0:12:29 | |
you'll stay in the railway. | 0:12:29 | 0:12:30 | |
In the 1870s, Devon was producing over a quarter of a billion | 0:12:36 | 0:12:40 | |
pints of milk each year, | 0:12:40 | 0:12:42 | |
from over 75,000 dairy cows - all milked by hand. | 0:12:42 | 0:12:47 | |
Back then, South Devon cattle were the region's | 0:12:48 | 0:12:51 | |
most popular milking breed. | 0:12:51 | 0:12:53 | |
Today, almost all the dairy herds have been replaced | 0:12:53 | 0:12:56 | |
by black-and-white Friesians, imported from the Netherlands. | 0:12:56 | 0:12:59 | |
Friesians produce a much larger quantity of milk - lower butterfat, | 0:13:01 | 0:13:05 | |
but larger quantity, | 0:13:05 | 0:13:07 | |
and commercially, quickly pushed the South Devons out of business | 0:13:07 | 0:13:11 | |
as a milking breed. | 0:13:11 | 0:13:13 | |
So, what we're seeing today is a sight from the past, really. | 0:13:14 | 0:13:18 | |
Today, South Devons are reared only for beef. | 0:13:18 | 0:13:22 | |
-Do you want to have a go? -I'd love to have a go. | 0:13:22 | 0:13:23 | |
I haven't milked for years. | 0:13:23 | 0:13:25 | |
I'm rusty. | 0:13:28 | 0:13:30 | |
Oh, I am rusty, aren't I? | 0:13:30 | 0:13:31 | |
-Right, wait, wait, wait... -Ooh! | 0:13:37 | 0:13:39 | |
Glad I've got my boots on, girl. | 0:13:39 | 0:13:41 | |
Look at that! Foaming and creamy. | 0:13:44 | 0:13:46 | |
-Lovely. -These are the cattle that were producing the milk | 0:13:46 | 0:13:50 | |
that supplied the whole of London. | 0:13:50 | 0:13:53 | |
This is the railway milk industry at its source. | 0:13:53 | 0:13:56 | |
That scene must have been repeated up and down the country everywhere, | 0:13:59 | 0:14:02 | |
-mustn't it? -Yes. | 0:14:02 | 0:14:03 | |
The milk is put into ten-gallon churns, | 0:14:03 | 0:14:05 | |
ready to be transported by rail. | 0:14:05 | 0:14:08 | |
The milk is warm when it leaves the cow, so will quickly sour. | 0:14:09 | 0:14:13 | |
To extend its shelf-life for rail transportation, | 0:14:14 | 0:14:17 | |
it's cooled straightaway. | 0:14:17 | 0:14:19 | |
So, how exactly does this cooling work, then? | 0:14:19 | 0:14:21 | |
So, this goes into the churn, and the water goes round these pipes, | 0:14:21 | 0:14:26 | |
cooling the milk on the inside of the churn | 0:14:26 | 0:14:29 | |
-and then... -We turn the tap on. | 0:14:29 | 0:14:31 | |
Yeah. | 0:14:31 | 0:14:33 | |
So then, cools the milk, the churn, on the outside. | 0:14:33 | 0:14:36 | |
Oh, that's really clever! | 0:14:36 | 0:14:38 | |
Cooling milk slows down the growth of bacteria, | 0:14:38 | 0:14:41 | |
keeping it fresh for days. | 0:14:41 | 0:14:43 | |
This is a familiar sight. | 0:14:43 | 0:14:45 | |
You see them all over the country, don't you? | 0:14:45 | 0:14:47 | |
Yep. That's right. | 0:14:47 | 0:14:49 | |
So, the milk churn was put up here, | 0:14:49 | 0:14:51 | |
ready for the milk cart to come and collect it. | 0:14:51 | 0:14:53 | |
It was at this sort of height, so then it was easy for him just to... | 0:14:53 | 0:14:57 | |
-Just to move it across. -..move it across. | 0:14:57 | 0:14:59 | |
The churns were taken from the farm to the local railway station. | 0:14:59 | 0:15:03 | |
From there, the branch line would transport them to the mainline. | 0:15:04 | 0:15:08 | |
This was done after dark. | 0:15:09 | 0:15:10 | |
And this evening, Peter will help drive the night train. | 0:15:13 | 0:15:16 | |
OK, so if you just place the wood in now, | 0:15:16 | 0:15:18 | |
on top of the coal that you've just put in. | 0:15:18 | 0:15:21 | |
With the firebox cleaned, the fire can be re-lit. | 0:15:21 | 0:15:24 | |
Pop it in the middle. | 0:15:24 | 0:15:25 | |
-And then we'll just let that catch. -Just close the doors? -That's it, yeah, keep the heat in. | 0:15:27 | 0:15:31 | |
Railways cut a swathe through the British countryside, | 0:15:34 | 0:15:37 | |
crossing paths, farm tracks and roads. | 0:15:37 | 0:15:40 | |
To maintain rights of way on mainlines, bridges were built. | 0:15:42 | 0:15:46 | |
But they were expensive. | 0:15:46 | 0:15:47 | |
So, on branch lines, thousands of cheaper level crossings were used. | 0:15:50 | 0:15:53 | |
Alex is joining crossing-keeper John Broadribb | 0:15:55 | 0:15:58 | |
to find out how the system worked. | 0:15:58 | 0:16:00 | |
Most crossings were at remote areas or away from a station, | 0:16:02 | 0:16:05 | |
so the crossing-keeper had to have a cottage provided for him. | 0:16:05 | 0:16:09 | |
This sounds like my kind of gig, this really does! | 0:16:09 | 0:16:11 | |
THEY LAUGH | 0:16:11 | 0:16:15 | |
In the early days, level crossings were dangerous places. | 0:16:15 | 0:16:19 | |
OK. Out to do the gates! | 0:16:19 | 0:16:21 | |
In 1861, 71 people died crossing railways. | 0:16:22 | 0:16:27 | |
So, gates were introduced to make them safer. | 0:16:27 | 0:16:30 | |
You need to pull that one out. | 0:16:30 | 0:16:31 | |
Yeah. | 0:16:31 | 0:16:33 | |
That's it, and over it goes. | 0:16:33 | 0:16:35 | |
Beautifully-balanced gate, that is, isn't it? | 0:16:35 | 0:16:37 | |
Now you've got to reach through and pull that other bolt. | 0:16:37 | 0:16:40 | |
-Yeah. -That's it, you've got it. | 0:16:40 | 0:16:41 | |
-Got it. -Make sure you're the right side of the gates. | 0:16:41 | 0:16:44 | |
Don't want to shut myself out. | 0:16:45 | 0:16:47 | |
The brown lever... | 0:16:51 | 0:16:52 | |
Once the road traffic has been stopped, | 0:16:52 | 0:16:54 | |
the crossing-keeper operates the signal. | 0:16:54 | 0:16:57 | |
We're now basically favouring rail traffic... | 0:16:57 | 0:17:00 | |
-Indeed, we are. -..over road traffic. | 0:17:00 | 0:17:02 | |
The gates are locked, the train can approach. | 0:17:02 | 0:17:05 | |
TRAIN APPROACHES | 0:17:05 | 0:17:07 | |
The crossing-keeper had to stay alert. | 0:17:11 | 0:17:14 | |
A lapse in concentration could result in a collision | 0:17:14 | 0:17:17 | |
between the road and rail traffic. | 0:17:17 | 0:17:19 | |
There we go. | 0:17:19 | 0:17:20 | |
But it wasn't as physically demanding as most other jobs | 0:17:22 | 0:17:25 | |
on the Victorian railway. | 0:17:25 | 0:17:26 | |
Very often, those crossing-keepers | 0:17:31 | 0:17:33 | |
were people who had perhaps been injured in railway service. | 0:17:33 | 0:17:36 | |
-Right. -Still needed to be looked after, | 0:17:36 | 0:17:39 | |
and the railway was actually a very good employer in that way. | 0:17:39 | 0:17:42 | |
Right, so if you found yourself falling foul of the railway system | 0:17:42 | 0:17:46 | |
and losing a limb, | 0:17:46 | 0:17:47 | |
you could still find yourself a nice little number like this. | 0:17:47 | 0:17:50 | |
Oh, that's true. Very good example is John James, who lost a leg. | 0:17:50 | 0:17:55 | |
-Right, oh, OK. -And to keep him in the employment, | 0:17:55 | 0:17:59 | |
the railway gave him the job of crossing-keeper | 0:17:59 | 0:18:02 | |
at Stafford mill crossing, or Nappers crossing. | 0:18:02 | 0:18:04 | |
-Yeah. -He was provided with a bungalow as part of the job | 0:18:04 | 0:18:09 | |
because, again, it was remote from anywhere else. | 0:18:09 | 0:18:11 | |
-Yeah. -And so he was employed there | 0:18:11 | 0:18:14 | |
for nearly 30 years, actually, as crossing-keeper. | 0:18:14 | 0:18:18 | |
That really is the perfect sort of job | 0:18:18 | 0:18:20 | |
with which to take a railwayman who'd suffered an injury... | 0:18:20 | 0:18:23 | |
-Indeed. -..and keep them in employment. -Indeed. | 0:18:23 | 0:18:26 | |
The railways not only found jobs for those injured... | 0:18:29 | 0:18:31 | |
..Dr Mike Esbester has found evidence | 0:18:33 | 0:18:36 | |
that the Great Western Railway workshops | 0:18:36 | 0:18:38 | |
did more than just repair locomotives. | 0:18:38 | 0:18:40 | |
The companies tried to provide for injured employees | 0:18:40 | 0:18:44 | |
-sometimes through prosthetic limbs, replacements. -Oh, goodness. | 0:18:44 | 0:18:49 | |
These are quite basic, aren't they? | 0:18:49 | 0:18:51 | |
They are. But it's an effort to try and improve the lives | 0:18:51 | 0:18:56 | |
of the employees and provide for their rehabilitation, | 0:18:56 | 0:18:59 | |
so they return sometimes to useful work. | 0:18:59 | 0:19:02 | |
They're a strange mix of beautiful craftsmanship. | 0:19:02 | 0:19:04 | |
I mean, making an articulated hand out of wood is no easy feat. | 0:19:04 | 0:19:08 | |
To have several dedicated workshops dotted up and down the country | 0:19:08 | 0:19:12 | |
making artificial limbs, I mean, | 0:19:12 | 0:19:13 | |
that really punches home just how many accidents there were. | 0:19:13 | 0:19:17 | |
Absolutely. | 0:19:17 | 0:19:18 | |
Working on Victorian railways was dangerous. | 0:19:20 | 0:19:23 | |
In 1900 alone, over 500 employees died | 0:19:24 | 0:19:29 | |
and more than 16,000 were injured. | 0:19:29 | 0:19:31 | |
Something had to be done. | 0:19:32 | 0:19:33 | |
The rail companies provided training, | 0:19:35 | 0:19:37 | |
but stopped short of taking full responsibility. | 0:19:37 | 0:19:40 | |
In 1905, the Great Western Railway made it clear | 0:19:42 | 0:19:45 | |
that the employees were accountable for their own health and safety. | 0:19:45 | 0:19:49 | |
The only rules that really related to safety in the rule books | 0:19:49 | 0:19:54 | |
up to the Second World War tend to be those like Rule 24A. | 0:19:54 | 0:19:59 | |
"The servants of the company must not expose themselves to danger." | 0:19:59 | 0:20:02 | |
If you expose yourself to danger, you might be injured | 0:20:02 | 0:20:04 | |
but you've also broken a rule. The companies are very, very clear. | 0:20:04 | 0:20:07 | |
It's very much the worker's responsibility. | 0:20:07 | 0:20:09 | |
-But that doesn't really acknowledge the time pressure. -That they haven't | 0:20:09 | 0:20:12 | |
-given enough time to actually do the job. -Or enough people to do the job. | 0:20:12 | 0:20:15 | |
Or enough people to do the job or the right tools to do the job. | 0:20:15 | 0:20:18 | |
Or looked into other ways of working that would mean that the workers aren't exposed to danger. | 0:20:18 | 0:20:23 | |
Trainee driver Peter has been preparing the loco | 0:20:23 | 0:20:26 | |
for the past three hours, under the watch of fireman Alistair. | 0:20:26 | 0:20:30 | |
This is where you live for your shift. | 0:20:30 | 0:20:32 | |
Everything you do is up here. | 0:20:32 | 0:20:34 | |
Is this a kitchen as well, then? | 0:20:34 | 0:20:35 | |
Yeah. It has to be, so we'd better get some bacon cooking. | 0:20:35 | 0:20:38 | |
Heat the shovel a bit first. Get it hot, get the pan hot. | 0:20:38 | 0:20:40 | |
Now it's up to steam, | 0:20:40 | 0:20:41 | |
the footplate will be their home for the next 12 hours. | 0:20:41 | 0:20:44 | |
One man's dinner is another man's breakfast. | 0:20:44 | 0:20:46 | |
You know, this is approaching the night shift. | 0:20:48 | 0:20:51 | |
But that's the start of our day. | 0:20:52 | 0:20:54 | |
It is. | 0:20:54 | 0:20:55 | |
It's looking good. | 0:20:57 | 0:20:58 | |
Two bacon sarnies. | 0:21:01 | 0:21:02 | |
-All we need now is a cup of tea. -Cup of tea. Cup of tea, that's here. | 0:21:04 | 0:21:07 | |
When on duty, the crew couldn't leave the footplate | 0:21:07 | 0:21:10 | |
for more than a few minutes at a time, so this became their home, | 0:21:10 | 0:21:14 | |
complete with oven and grill. | 0:21:14 | 0:21:15 | |
Very good. | 0:21:17 | 0:21:19 | |
Right, well, I think it's time that we'd better be off now, | 0:21:19 | 0:21:21 | |
so let's get you... | 0:21:21 | 0:21:23 | |
you looking the part. | 0:21:23 | 0:21:25 | |
Railways took their image very seriously | 0:21:25 | 0:21:28 | |
and the employees were the face of the company, | 0:21:28 | 0:21:31 | |
so the Great Western Railway insisted that staff | 0:21:31 | 0:21:34 | |
must always wear uniforms. | 0:21:34 | 0:21:36 | |
It's a day in the life of a branch-line driver. | 0:21:42 | 0:21:45 | |
It's hard work, and we haven't even left the engine shed yet. | 0:21:45 | 0:21:49 | |
I'm knackered! | 0:21:50 | 0:21:51 | |
Just hit a lever with my leg. That's not good! | 0:21:57 | 0:22:00 | |
Although the Victorian branch lines revolutionised village trades, | 0:22:10 | 0:22:14 | |
they still had to get goods to and from the station. | 0:22:14 | 0:22:16 | |
And for that, they relied on good old-fashioned horsepower. | 0:22:18 | 0:22:21 | |
Ian Cryer is an expert on working horses. | 0:22:23 | 0:22:26 | |
So, were there more or less horses once you got railways? | 0:22:26 | 0:22:30 | |
Well, there were in fact far more | 0:22:30 | 0:22:32 | |
and they increased and increased until the turn of the century. | 0:22:32 | 0:22:36 | |
And that's just because there's so much extra work. | 0:22:36 | 0:22:38 | |
-Yeah. -There's so much extra trade, moving of goods around the place. | 0:22:38 | 0:22:42 | |
Yeah. | 0:22:42 | 0:22:43 | |
The number of working horses increased fourfold | 0:22:43 | 0:22:46 | |
with the advent of the railways. | 0:22:46 | 0:22:49 | |
By the 1890s, there were nearly 28,000 horses | 0:22:49 | 0:22:53 | |
owned by railway companies alone. | 0:22:53 | 0:22:55 | |
The railways were still using horses until the mid '50s | 0:22:55 | 0:22:58 | |
and the last horse retired in 1967. | 0:22:58 | 0:23:02 | |
Good gracious! | 0:23:02 | 0:23:03 | |
What you doing hiding in there? | 0:23:07 | 0:23:09 | |
I'm waiting for my milk churns! | 0:23:09 | 0:23:12 | |
Mind out, Hamish. Hamish, move, move, move! | 0:23:12 | 0:23:15 | |
SHE GROANS | 0:23:15 | 0:23:18 | |
Oh, dear me! | 0:23:18 | 0:23:20 | |
Shall we get this on its way? | 0:23:20 | 0:23:21 | |
OK, walk on. | 0:23:21 | 0:23:23 | |
By the 1920s, such was the volume of milk being transported by rail, | 0:23:23 | 0:23:28 | |
churns were replaced by glass-lined tank wagons. | 0:23:28 | 0:23:31 | |
Look at that - Express Dairies. | 0:23:33 | 0:23:35 | |
This company were set up to move milk and sell it on a big scale | 0:23:35 | 0:23:40 | |
and they chose that name because they were moving it by railway, | 0:23:40 | 0:23:44 | |
by express. Now, tankers seemed like a really good idea. | 0:23:44 | 0:23:47 | |
Hugely more efficient than the old churns, | 0:23:47 | 0:23:50 | |
but they came with a problem. | 0:23:50 | 0:23:52 | |
You see, if you get one sick cow | 0:23:52 | 0:23:54 | |
and you're putting that milk into a churn of milk, | 0:23:54 | 0:23:58 | |
then all of the milk in that churn becomes infected | 0:23:58 | 0:24:03 | |
but if those churns had been all put together in a tanker, | 0:24:03 | 0:24:08 | |
one cow could affect the whole 300 churns' worth. | 0:24:08 | 0:24:13 | |
Between 1912 and 1937, 65,000 people died from bovine tuberculosis, | 0:24:15 | 0:24:22 | |
contracted from contaminated milk. | 0:24:22 | 0:24:24 | |
Only when pasteurisation was introduced in the 1940s | 0:24:26 | 0:24:30 | |
did milk become safe. | 0:24:30 | 0:24:31 | |
Peter's coupling up the milk wagons to the loco to form the night train. | 0:24:35 | 0:24:39 | |
Once the train is prepared, it heads out onto the branch line. | 0:24:43 | 0:24:46 | |
In some respects, driving on a branch line is more complicated | 0:24:50 | 0:24:53 | |
than driving on a mainline. | 0:24:53 | 0:24:55 | |
Mainlines have a separate track for each direction, | 0:24:57 | 0:25:00 | |
whereas on branch lines all trains travel up and down | 0:25:00 | 0:25:03 | |
on the same track. | 0:25:03 | 0:25:04 | |
There are short lengths of double-track where trains can pass, | 0:25:07 | 0:25:12 | |
but on the single-track sections. | 0:25:12 | 0:25:14 | |
a system was invented to prevent collisions. | 0:25:14 | 0:25:17 | |
A driver could only enter the section | 0:25:18 | 0:25:21 | |
if he's been given a token by signalmen like Alan Johnson. | 0:25:21 | 0:25:25 | |
These are the little key tokens. | 0:25:25 | 0:25:27 | |
-Yeah. -And there's another machine exactly the same | 0:25:27 | 0:25:30 | |
-at the other end of the line. -Right. | 0:25:30 | 0:25:31 | |
-And they're sort of wired together with a big length of cable between the two. -Yeah. | 0:25:31 | 0:25:36 | |
And you can only get one token out at a time. | 0:25:36 | 0:25:38 | |
OK, so this is a sort of fail-safe device, then? | 0:25:38 | 0:25:42 | |
Yes. | 0:25:42 | 0:25:43 | |
-Single beat and he should reply by repetition. -DINGING | 0:25:47 | 0:25:50 | |
That's right. He replies back. | 0:25:50 | 0:25:52 | |
In order to prevent collisions, | 0:25:52 | 0:25:54 | |
the machine would only allow one token for each section | 0:25:54 | 0:25:57 | |
to be issued at a time. | 0:25:57 | 0:25:58 | |
Entering a section without a token was a sackable offence. | 0:26:00 | 0:26:03 | |
-Remove the token. -OK, so this is the key. | 0:26:07 | 0:26:11 | |
OK, of course, this all begs the question - | 0:26:11 | 0:26:13 | |
how do we get this key from here | 0:26:13 | 0:26:15 | |
up to the other signal box? | 0:26:15 | 0:26:17 | |
With that we have a token catcher, so we place the token in there. | 0:26:17 | 0:26:21 | |
-It just slots on like that. -Yeah. | 0:26:21 | 0:26:23 | |
And the little pin comes through just to secure it. | 0:26:23 | 0:26:26 | |
And then we hand that over to the crew on the locomotive. | 0:26:26 | 0:26:30 | |
Right, so all I have to do is quite simply just wrap that round Peter's | 0:26:30 | 0:26:33 | |
head as he comes through. | 0:26:33 | 0:26:35 | |
Peter's night train is on its way | 0:26:36 | 0:26:38 | |
and needs a token from Alex to enter the next section of single-track. | 0:26:38 | 0:26:42 | |
Usually we go that way on. | 0:26:42 | 0:26:44 | |
-Yeah. -And then one arm up. | 0:26:44 | 0:26:47 | |
And then ready to catch the other token with your other arm. | 0:26:47 | 0:26:49 | |
-Right, I've got to catch one as well? -Yes. -Right, OK. | 0:26:49 | 0:26:52 | |
Peter also has a token from the previous section | 0:26:52 | 0:26:55 | |
which he must hand back to Alex. | 0:26:55 | 0:26:57 | |
-He's catching that and I'm catching there? -Yes. -Right. | 0:26:57 | 0:27:00 | |
-Good luck. -Cheers. | 0:27:00 | 0:27:03 | |
I'm actually quite anxious about this, | 0:27:03 | 0:27:05 | |
not least cos it's Peter on the other end. | 0:27:05 | 0:27:07 | |
Holding that like that | 0:27:10 | 0:27:11 | |
so that it just gets taken out the hand that way. | 0:27:11 | 0:27:15 | |
Hold it that way, it'll take your fingers. | 0:27:15 | 0:27:17 | |
And this hand like a snake to go through and collect the other token. | 0:27:19 | 0:27:27 | |
It's quite nerve-racking, this. | 0:27:27 | 0:27:29 | |
Watching out for Alex, I've got to crouch really low | 0:27:29 | 0:27:32 | |
cos he's on the ground and I'm obviously on the footplate. | 0:27:32 | 0:27:35 | |
Here we go. | 0:27:38 | 0:27:39 | |
Here we go. | 0:27:39 | 0:27:40 | |
Ha! | 0:27:51 | 0:27:53 | |
It worked! | 0:27:53 | 0:27:55 | |
-We did it. -Right, that's the main one. | 0:27:55 | 0:27:57 | |
That was relatively easy. | 0:27:59 | 0:28:00 | |
Well, there we go. | 0:28:04 | 0:28:05 | |
And that now means a train can only pass from this signal box | 0:28:06 | 0:28:11 | |
in that direction with this key. | 0:28:11 | 0:28:13 | |
Milk was transported at night to keep it cool, | 0:28:22 | 0:28:26 | |
so it remained fresh for longer. | 0:28:26 | 0:28:27 | |
But driving a steam engine after sunset | 0:28:29 | 0:28:31 | |
has challenges all of its own. | 0:28:31 | 0:28:33 | |
-I can see signals... -Red signals. | 0:28:39 | 0:28:40 | |
..and a vague tree-line there but that's about it. | 0:28:40 | 0:28:44 | |
Yeah, that's it, yeah. | 0:28:44 | 0:28:45 | |
-You can't see much at all, can you? -No. | 0:28:45 | 0:28:48 | |
THEY LAUGH | 0:28:48 | 0:28:50 | |
-You've just really got to know the route and where you're going. -Right. | 0:28:50 | 0:28:53 | |
-And is that...Dave's job, I suppose? -That's Dave's job, yeah. | 0:28:53 | 0:28:56 | |
He's been here for nearly 50 years. He knows what he's doing. | 0:28:56 | 0:29:00 | |
Driver Dave Knowling started on the railways in 1954 | 0:29:00 | 0:29:04 | |
at the age of just 14. | 0:29:04 | 0:29:06 | |
-Wow. -Thing about going in the night, | 0:29:06 | 0:29:09 | |
a lot of the railway traffic went in the night. | 0:29:09 | 0:29:11 | |
It was as busy in the night, the railways, | 0:29:16 | 0:29:19 | |
-as in the daytime. -Yeah. | 0:29:19 | 0:29:21 | |
And in season, you had the broccoli trains went off in the night | 0:29:21 | 0:29:25 | |
with Cornish broccoli, | 0:29:25 | 0:29:27 | |
taking it to markets all over the country and that. | 0:29:27 | 0:29:30 | |
I suppose throughout Britain, | 0:29:30 | 0:29:32 | |
as the majority of people slept in their beds, | 0:29:32 | 0:29:35 | |
branch line trains would have been thundering down the tracks, | 0:29:35 | 0:29:38 | |
-carrying all sorts of goods. -All sorts of goods. | 0:29:38 | 0:29:41 | |
Milk and, early in the morning, the newspapers | 0:29:41 | 0:29:44 | |
for delivery at the shops. | 0:29:44 | 0:29:47 | |
It must have revolutionised people's lives. | 0:29:47 | 0:29:50 | |
Oh, yeah, it transformed them. | 0:29:50 | 0:29:53 | |
When you think you could get London to Plymouth in four hours at night. | 0:29:53 | 0:29:57 | |
-PETER LAUGHS -You'd be lucky to do that now. | 0:29:57 | 0:30:00 | |
Oh, yeah. | 0:30:00 | 0:30:01 | |
-Dave, how do you know where we are now? -Actually, we're stopped right on the bridge | 0:30:07 | 0:30:11 | |
over the River Dart now, but you can't even see the river, | 0:30:11 | 0:30:14 | |
but if we were going along and passing over it, | 0:30:14 | 0:30:18 | |
-there'd be a hollow sound. -Right. | 0:30:18 | 0:30:21 | |
A kind of a hollow tinny sound | 0:30:21 | 0:30:23 | |
and that's the bridge over the Dart. I know that by ear. | 0:30:23 | 0:30:27 | |
You do more by ear than eyesight in the night. | 0:30:27 | 0:30:31 | |
Unlike a car, there are no headlights at all on a train, | 0:30:35 | 0:30:39 | |
so you've got to know where you're going. | 0:30:39 | 0:30:42 | |
It's pitch-dark out but the sound of bridges, | 0:30:42 | 0:30:46 | |
you know, a hollow sound, | 0:30:46 | 0:30:47 | |
and cuttings - it's a different sound entirely on that. | 0:30:47 | 0:30:51 | |
-I think it's time to put a bit of coal on. -Right. | 0:30:51 | 0:30:54 | |
Give it a good flick. That's it. | 0:30:56 | 0:30:57 | |
Drop some underneath the doors. | 0:30:57 | 0:30:58 | |
That should do us for the moment. | 0:31:01 | 0:31:03 | |
Obviously, it's so dark outside you can't see anything at all, can you? | 0:31:03 | 0:31:06 | |
And the brightness of the fire, it really is blinding. | 0:31:06 | 0:31:09 | |
As soon as you look at that fire, | 0:31:09 | 0:31:11 | |
you'll lose any night-vision that you may have. | 0:31:11 | 0:31:13 | |
Yeah, I mean that is white-hot, isn't it? It is such a bright light. | 0:31:13 | 0:31:16 | |
It is. It really is white-hot. | 0:31:16 | 0:31:17 | |
So, when you're firing, it's always really important | 0:31:17 | 0:31:20 | |
-to either cover one eye or close an eye... -Yeah. | 0:31:20 | 0:31:22 | |
..to keep night-vision in one eye, or try to at least. | 0:31:22 | 0:31:25 | |
Hurtling through the night just gives you a sense | 0:31:28 | 0:31:30 | |
of what it was like in the steam age delivering goods to a nation. | 0:31:30 | 0:31:33 | |
Here we are approaching the station. | 0:31:35 | 0:31:37 | |
It's time to unload the milk. | 0:31:38 | 0:31:40 | |
And then maybe get some breakfast. | 0:31:41 | 0:31:43 | |
In the 1860s, there was a shortage of milk in London. | 0:31:47 | 0:31:52 | |
It was caused by a disease, rinderpest, | 0:31:52 | 0:31:55 | |
which wiped out most of the city's cattle. | 0:31:55 | 0:31:57 | |
To meet demand, milk was instead brought in by rail from Devon. | 0:31:58 | 0:32:04 | |
It wasn't long before so much was being taken to London, | 0:32:04 | 0:32:07 | |
it became scarce in Devon itself. | 0:32:07 | 0:32:09 | |
In the 1840s, | 0:32:14 | 0:32:16 | |
the rail network in both England and Scotland grew rapidly. | 0:32:16 | 0:32:19 | |
But it took until 1850 | 0:32:20 | 0:32:22 | |
before the two nations were linked together | 0:32:22 | 0:32:24 | |
by the Royal Border Bridge at Berwick-upon-Tweed. | 0:32:24 | 0:32:27 | |
Alex and Peter are leaving Devon and heading north | 0:32:29 | 0:32:32 | |
to see the impact the railways had on the Scottish rural industries. | 0:32:32 | 0:32:36 | |
Although most branch-line traffic would have been for trade, | 0:32:39 | 0:32:42 | |
many trains would have included a passenger carriage, | 0:32:42 | 0:32:45 | |
providing an opportunity for people | 0:32:45 | 0:32:48 | |
to travel the length and breadth of the country. | 0:32:48 | 0:32:50 | |
By the 1860s, there were over 500 miles of railway in Scotland. | 0:32:53 | 0:32:57 | |
But there was one line in particular | 0:32:58 | 0:33:01 | |
that created one of Scotland's biggest and most lucrative exports. | 0:33:01 | 0:33:05 | |
This is the Strathspey Railway | 0:33:09 | 0:33:12 | |
and it was instrumental in establishing | 0:33:12 | 0:33:15 | |
a world-famous whisky industry. | 0:33:15 | 0:33:17 | |
It was the railway that allowed barley to be brought to distilleries | 0:33:18 | 0:33:22 | |
and allowed the end product, this wonderful drink, | 0:33:22 | 0:33:25 | |
to be transported all over the world. | 0:33:25 | 0:33:27 | |
But why were the distilleries here? | 0:33:29 | 0:33:31 | |
What was the key ingredient? | 0:33:32 | 0:33:34 | |
It was the wonderful water from the River Spey. | 0:33:34 | 0:33:36 | |
Although distilling whisky in the Highlands | 0:33:39 | 0:33:41 | |
goes back at least 500 years, | 0:33:41 | 0:33:44 | |
Scotch wasn't drunk much outside Scotland | 0:33:44 | 0:33:46 | |
until the arrival of the Strathspey Railway in 1863. | 0:33:46 | 0:33:50 | |
It meant a journey to the Highlands | 0:33:53 | 0:33:54 | |
that would have taken days now took hours. | 0:33:54 | 0:33:57 | |
Tourism boomed as the wealthy came to hunt and shoot | 0:34:00 | 0:34:04 | |
and got a taste for Scotch in the process. | 0:34:04 | 0:34:07 | |
Distilleries such as Grant's, Dewar's and Johnnie Walker | 0:34:07 | 0:34:11 | |
all expanded to meet demand. | 0:34:11 | 0:34:12 | |
Alex and Peter have come to the Ballindalloch Distillery | 0:34:14 | 0:34:17 | |
to see the impact railways had on whisky production. | 0:34:17 | 0:34:21 | |
They're met by Brian Robinson. | 0:34:21 | 0:34:23 | |
Welcome to Ballindalloch Distillery. | 0:34:23 | 0:34:25 | |
-Thank you. -Come on in. -Thank you very much. | 0:34:25 | 0:34:26 | |
We're tucked away in the far north-east of Scotland here | 0:34:29 | 0:34:31 | |
and this remains to this day | 0:34:31 | 0:34:33 | |
the epicentre of Scotch whisky production. | 0:34:33 | 0:34:35 | |
And transport links were sketchy at best, | 0:34:35 | 0:34:40 | |
so when the railways came in, you then had infrastructure. | 0:34:40 | 0:34:43 | |
It was the turning point that made the industry | 0:34:43 | 0:34:46 | |
the huge success that it became in the late 1880s, 1890s, | 0:34:46 | 0:34:50 | |
and that we enjoy today. | 0:34:50 | 0:34:51 | |
I guess the estate would also be investing in the station as well, | 0:34:51 | 0:34:54 | |
to create platforms and holding yards. | 0:34:54 | 0:34:56 | |
And indeed, it wasn't simply a question of | 0:34:56 | 0:34:58 | |
the railways coming to the area. | 0:34:58 | 0:35:01 | |
In many instances, they would come to the distilleries specifically. | 0:35:01 | 0:35:04 | |
They would have their own arrangement with the railways | 0:35:04 | 0:35:07 | |
to get stock in and out. | 0:35:07 | 0:35:09 | |
Private branch lines off the Strathspey Railway | 0:35:11 | 0:35:14 | |
brought malted barley to the door of the distilleries | 0:35:14 | 0:35:17 | |
and took whisky to the national network. | 0:35:17 | 0:35:19 | |
Access to bigger markets meant distilleries began to produce Scotch | 0:35:21 | 0:35:25 | |
on an industrial scale. | 0:35:25 | 0:35:26 | |
This is grist, barley that has been ground down. | 0:35:28 | 0:35:31 | |
It's a sort of gritty texture, isn't it? | 0:35:31 | 0:35:33 | |
-It's basically a coarse wholemeal flour. -Right. | 0:35:33 | 0:35:37 | |
The grist is mixed with water from the River Spey, then yeast is added. | 0:35:37 | 0:35:41 | |
We're going to be agitating the liquid | 0:35:43 | 0:35:45 | |
so that when we add the yeast... | 0:35:45 | 0:35:47 | |
..we don't get a solid ball and a clump at the bottom. | 0:35:48 | 0:35:53 | |
What is the yeast going to do? | 0:35:53 | 0:35:55 | |
So, the yeast is going to effectively feed on the sugar | 0:35:55 | 0:35:57 | |
-that we've extracted from the grist. -Right. | 0:35:57 | 0:36:00 | |
And over the course of three to five days, | 0:36:00 | 0:36:03 | |
it'll give us around 8% alcohol at the end. | 0:36:03 | 0:36:06 | |
The strong, flat barley beer without many hops effectively. | 0:36:06 | 0:36:09 | |
This is a bit like being on a pogo stick in a sauna. | 0:36:11 | 0:36:13 | |
Within 24 hours, | 0:36:13 | 0:36:15 | |
the yeast has reacted with the sugars in the barley. | 0:36:15 | 0:36:18 | |
Next, the fermented brew is distilled. | 0:36:18 | 0:36:21 | |
This still is just effectively a great big kettle. | 0:36:21 | 0:36:24 | |
We boil the liquid. | 0:36:24 | 0:36:25 | |
With alcohol, of course, boiling at a lower temperature than water, | 0:36:25 | 0:36:29 | |
we're able to create a vapour. | 0:36:29 | 0:36:30 | |
Turn the vapour back to liquid. | 0:36:30 | 0:36:32 | |
-So, you're sort of condensing the alcohol. -Exactly what we're doing. | 0:36:32 | 0:36:35 | |
-And then it'll run through the spirit safe. -And then it's leaving here at what percentage? | 0:36:35 | 0:36:39 | |
We will harvest it between 73 and 62% alcohol by volume, | 0:36:39 | 0:36:44 | |
giving us an average of 69%. | 0:36:44 | 0:36:46 | |
At this stage, the distilled alcohol is colourless | 0:36:47 | 0:36:51 | |
and bears no resemblance to whisky. | 0:36:51 | 0:36:53 | |
To give it colour and flavour, | 0:36:54 | 0:36:56 | |
it must be stored for at least three years in an oak cask. | 0:36:56 | 0:37:00 | |
Only then can it be called Scotch whisky. | 0:37:00 | 0:37:02 | |
The boom in whisky production, created by the railways, | 0:37:05 | 0:37:08 | |
also saw a resurgence of the ancient craft of cask making, | 0:37:08 | 0:37:12 | |
known as coopering. | 0:37:12 | 0:37:14 | |
The popular narrative with the crafts industries | 0:37:14 | 0:37:17 | |
are that, essentially, when Britain industrialised, | 0:37:17 | 0:37:20 | |
there was less room for the crafts, | 0:37:20 | 0:37:21 | |
the crafts were put out of business, | 0:37:21 | 0:37:23 | |
but actually, in this case, the very opposite happened. | 0:37:23 | 0:37:26 | |
Railway lines connected Scotland up to markets, | 0:37:27 | 0:37:30 | |
not only in Britain but across the world, | 0:37:30 | 0:37:32 | |
enabling them to sell whisky to a global market. | 0:37:32 | 0:37:35 | |
This increase in demand meant there was an increase in demand | 0:37:35 | 0:37:38 | |
for the craft of the cooper. | 0:37:38 | 0:37:40 | |
The Speyside Cooperage specialises in preparing casks | 0:37:40 | 0:37:44 | |
for the distilleries. | 0:37:44 | 0:37:46 | |
Darren Morrison is showing Alex and Peter the process. | 0:37:46 | 0:37:49 | |
I don't think I've ever seen quite so many barrels in one location. | 0:37:49 | 0:37:51 | |
No, it's quite the compound. 120,000 in the park just now. | 0:37:51 | 0:37:55 | |
They come in from different parts of the world. | 0:37:55 | 0:37:58 | |
Bourbon casks from America, sherry casks from Spain | 0:37:58 | 0:38:03 | |
and brandy casks from France | 0:38:03 | 0:38:05 | |
are shipped in and reused to store Scotch, | 0:38:05 | 0:38:09 | |
each giving a different flavour and colour to the whisky. | 0:38:09 | 0:38:11 | |
They've got a long life-span. | 0:38:11 | 0:38:13 | |
They could go to a distillery for 20 years, come back. | 0:38:13 | 0:38:17 | |
-We'll fix them up again and they go out for another 20. -Right. | 0:38:17 | 0:38:20 | |
I suppose this here right now is a testament to the impact the railways | 0:38:20 | 0:38:25 | |
-had on the whisky industry... -Yes, aye. -..cos this is amazing. | 0:38:25 | 0:38:30 | |
Casks as far as you could see. | 0:38:30 | 0:38:32 | |
-How do you think he's doing? -Oh, he's all right. | 0:38:34 | 0:38:37 | |
First, Darren looks for damaged panels, known as staves. | 0:38:37 | 0:38:41 | |
We're going to go round the cask, we're going to brush it, good scrub. | 0:38:41 | 0:38:44 | |
We're looking for any damage, the likes of splits or cracks. | 0:38:44 | 0:38:47 | |
That's a problem, that, and that'll have to come out, yeah? | 0:38:52 | 0:38:55 | |
-That has to come out, aye. -OK. | 0:38:55 | 0:38:57 | |
-Right, so, I'll mark that one up. -Yes, mark that as well. | 0:38:57 | 0:38:59 | |
What's next, then? | 0:38:59 | 0:39:01 | |
Next stage would be to open up the cask and re-stave it. | 0:39:01 | 0:39:04 | |
Iron hoops hold the staves together. | 0:39:04 | 0:39:06 | |
He's making it look easy. | 0:39:06 | 0:39:08 | |
There we go, ah! | 0:39:08 | 0:39:10 | |
No glue or nails are used. | 0:39:10 | 0:39:12 | |
Made of oak, they're shaped and fitted in a precise pattern | 0:39:13 | 0:39:16 | |
that makes the finished cask watertight. | 0:39:16 | 0:39:18 | |
So, that's the stave ready for... | 0:39:18 | 0:39:20 | |
This is the one with the crack in it that needs replacing. | 0:39:20 | 0:39:23 | |
The damaged stave is replaced with one recycled from another cask, | 0:39:23 | 0:39:28 | |
and the hoops are put back on. | 0:39:28 | 0:39:30 | |
The replaced stave is then trimmed to match the others. | 0:39:33 | 0:39:36 | |
And herein lies the craft of the cooper, isn't it? | 0:39:38 | 0:39:41 | |
The ability to use hand tools to finish off this. | 0:39:41 | 0:39:45 | |
There's one final process - to char the inside of the cask. | 0:39:47 | 0:39:51 | |
This idea of charring the barrel, | 0:39:56 | 0:39:58 | |
it's what gives the whisky that extra bit of flavour | 0:39:58 | 0:40:02 | |
but it also helps to give whisky its colour as well. | 0:40:02 | 0:40:04 | |
It's very much down to the blend of the whisky-maker | 0:40:04 | 0:40:07 | |
as to how dark they want that finish, | 0:40:07 | 0:40:09 | |
and therefore, how much charcoal they want in the barrel. | 0:40:09 | 0:40:11 | |
-You can smell the difference. -Charred-oak smoke. | 0:40:16 | 0:40:19 | |
-Yeah, smell that, Peter. -Yeah. | 0:40:19 | 0:40:21 | |
That's... | 0:40:21 | 0:40:22 | |
Moving casks by rail meant they had to be robust and leak-free, | 0:40:24 | 0:40:29 | |
so the end panels, known as heads, were sealed, | 0:40:29 | 0:40:32 | |
using an ancient technique. | 0:40:32 | 0:40:34 | |
Daz is now packing in the water reeds | 0:40:34 | 0:40:37 | |
and it's just forming a very, very tight seal | 0:40:37 | 0:40:40 | |
between the staves and the lid. | 0:40:40 | 0:40:42 | |
Oh, to watch a master at work! | 0:40:46 | 0:40:47 | |
Back at the distillery, | 0:40:51 | 0:40:52 | |
Brian and Peter are checking on the progress of an earlier batch. | 0:40:52 | 0:40:56 | |
-Whoa! -What we do want to do is make sure that the spirit we've created | 0:40:56 | 0:40:59 | |
is working well with the casks we've selected. | 0:40:59 | 0:41:01 | |
Wow. | 0:41:06 | 0:41:07 | |
So, there you can see, | 0:41:07 | 0:41:10 | |
in just a little over 18 months, | 0:41:10 | 0:41:12 | |
we've gone from a clear spirit | 0:41:12 | 0:41:14 | |
to something which is starting to really get the colour | 0:41:14 | 0:41:17 | |
and the characteristic of the cask. | 0:41:17 | 0:41:18 | |
This is essentially the room in which whisky | 0:41:18 | 0:41:22 | |
-takes on its colour and taste. -Absolutely. | 0:41:22 | 0:41:24 | |
The whisky from each distillery is known as a single malt... | 0:41:30 | 0:41:33 | |
..but they prove too strong a flavour | 0:41:34 | 0:41:36 | |
for many drinkers outside Scotland. | 0:41:36 | 0:41:38 | |
So, in the 1860s, | 0:41:40 | 0:41:42 | |
the process of blending single malts to create a more palatable flavour | 0:41:42 | 0:41:46 | |
-was developed. -So, Keith, where are these barrels destined, then? | 0:41:46 | 0:41:49 | |
-This is a typical trip work in picking the barrels up. -Yep. | 0:41:50 | 0:41:53 | |
They would go to a yard where they'd be formed into a larger train, | 0:41:53 | 0:41:57 | |
for onward to Glasgow to the blending and bottling plant. | 0:41:57 | 0:42:01 | |
So, you'd get whiskies from all over Scotland being blended together. | 0:42:01 | 0:42:04 | |
-Yes. -So, that single malt that comes from each individual distillery | 0:42:04 | 0:42:08 | |
is actually being brought together | 0:42:08 | 0:42:10 | |
-to create the more popular blend at the time? -Yeah. | 0:42:10 | 0:42:14 | |
The blended whiskies rather than the single malt. | 0:42:14 | 0:42:16 | |
It was the railways' ability to move barrels from distilleries | 0:42:17 | 0:42:21 | |
to blending plants that made it possible. | 0:42:21 | 0:42:23 | |
Today, 90% of all Scotch whisky sold is blended. | 0:42:24 | 0:42:28 | |
The branch lines enabled small cottage industries | 0:42:36 | 0:42:39 | |
like Fry's Chocolate, Colman's Mustard, | 0:42:39 | 0:42:42 | |
Hartley's Jam and Bird's Custard | 0:42:42 | 0:42:45 | |
to grow rapidly and become household names. | 0:42:45 | 0:42:48 | |
They also revolutionised how products were sold. | 0:42:50 | 0:42:53 | |
Welsh entrepreneur Pryce Pryce-Jones spotted a retail opportunity. | 0:42:54 | 0:42:59 | |
This is the age of the mail-order catalogue. | 0:42:59 | 0:43:03 | |
In 1861, Pryce-Jones set up | 0:43:03 | 0:43:06 | |
the world's first major mail-order company | 0:43:06 | 0:43:09 | |
and he went from rags to riches. | 0:43:09 | 0:43:12 | |
His main selling point was that people could order by post | 0:43:12 | 0:43:17 | |
and the goods would be delivered by railways. | 0:43:17 | 0:43:20 | |
It allowed people a new freedom, a new access to things. | 0:43:20 | 0:43:23 | |
He'd been selling all sorts of woollen goods, from boys' jerseys, | 0:43:23 | 0:43:27 | |
ladies' knitted woollen cardigans, | 0:43:27 | 0:43:29 | |
vests, jackets, railway rugs | 0:43:29 | 0:43:31 | |
and the Euklisia rug, | 0:43:31 | 0:43:34 | |
which was a sort of forerunner almost of the sleeping bag. | 0:43:34 | 0:43:37 | |
"For Persons constantly travelling, they are a unique and valuable boon, | 0:43:37 | 0:43:42 | |
"and when not in use, | 0:43:42 | 0:43:43 | |
"are indistinguishable from the ordinary rug." | 0:43:43 | 0:43:47 | |
I'll be honest, I quite fancy ordering one of those. | 0:43:47 | 0:43:50 | |
People could now order goods from the comfort of their homes, | 0:43:50 | 0:43:54 | |
and thanks to the railways, these products would be delivered | 0:43:54 | 0:43:57 | |
straight to their local station for collection. | 0:43:57 | 0:43:59 | |
Pryce-Jones's business relied on Welsh wool. | 0:44:02 | 0:44:05 | |
For over 1,000 years, | 0:44:07 | 0:44:09 | |
fleeces from local sheep had been spun and woven to make cloth. | 0:44:09 | 0:44:13 | |
But it was nothing more than a cottage industry, | 0:44:14 | 0:44:17 | |
making blankets and rugs for local people. | 0:44:17 | 0:44:19 | |
South Wales is still a sheep-breeding area | 0:44:21 | 0:44:24 | |
and Gareth Richards has been farming in Abergwili all his life. | 0:44:24 | 0:44:27 | |
Your sheep look fabulous on that hill. | 0:44:28 | 0:44:31 | |
They look like they're meant to be there, don't they? | 0:44:31 | 0:44:34 | |
Well, they've been there for quite a while. | 0:44:34 | 0:44:36 | |
Especially on a day like today, it's very windy and blowy. | 0:44:36 | 0:44:40 | |
They're a good, solid, hardy breed. | 0:44:40 | 0:44:42 | |
That's the type that the Jacob is. | 0:44:42 | 0:44:44 | |
The wool that they produce is a strong quality-fibred wool. | 0:44:44 | 0:44:48 | |
I mean, one thing that the Welsh wool has always been really good at | 0:44:48 | 0:44:51 | |
is resisting the wet. | 0:44:51 | 0:44:52 | |
-SHE LAUGHS -Yes, we get plenty of that. | 0:44:52 | 0:44:56 | |
You know, plenty of that on the backs of the sheep | 0:44:56 | 0:44:58 | |
and it's the same in the things made out of Welsh wool, isn't it? | 0:44:58 | 0:45:00 | |
You know, Welsh wool blankets, Welsh wool coats. | 0:45:00 | 0:45:03 | |
They're very water resistant. | 0:45:03 | 0:45:05 | |
Sheep bred in these rugged conditions | 0:45:06 | 0:45:09 | |
produced a coarse, durable, waterproof wool. | 0:45:09 | 0:45:12 | |
Look at the depth of the wool. | 0:45:13 | 0:45:15 | |
Oh, goodness. I can feel the thickness of the fibres, too. | 0:45:15 | 0:45:20 | |
The fleece of any sheep is sort of made up of two sorts of hairs, | 0:45:20 | 0:45:23 | |
the kemp or the hair that sheds the water | 0:45:23 | 0:45:27 | |
and then the under hair, which is the wool, | 0:45:27 | 0:45:30 | |
the one that's all warm and fluffy and soft, | 0:45:30 | 0:45:33 | |
and in a Highland sheep, | 0:45:33 | 0:45:34 | |
you'd expect that the longer, harsher kemp fibres, | 0:45:34 | 0:45:38 | |
you're going to get a few more of them to help the water run off | 0:45:38 | 0:45:42 | |
and they make it difficult to wear next to the skin, | 0:45:42 | 0:45:44 | |
but they make it very hard-wearing, so for a blanket, it's perfect, | 0:45:44 | 0:45:48 | |
-whereas you wouldn't want it for underwear. -SHE LAUGHS | 0:45:48 | 0:45:52 | |
Passing through the wool-producing areas in south Wales | 0:45:52 | 0:45:55 | |
was the Gwili Railway, built in 1860. | 0:45:55 | 0:45:58 | |
This branch line, connected to the Great Western Railway, | 0:46:00 | 0:46:03 | |
created a link to the rest of Britain. | 0:46:03 | 0:46:06 | |
This is the last of them, Jeremy. Heavier than they look, aren't they? | 0:46:06 | 0:46:09 | |
Like the whisky industry of Scotland and milk industry of Devon, | 0:46:09 | 0:46:13 | |
it gave Welsh wool a route to market. | 0:46:13 | 0:46:16 | |
Jeremy John helps run the railway today. | 0:46:18 | 0:46:22 | |
It must've had a huge impact on people's lives here, | 0:46:22 | 0:46:25 | |
perhaps more than it would in and around a city. | 0:46:25 | 0:46:28 | |
Oh, yes, and of course, they could see that it would bring prosperity | 0:46:28 | 0:46:30 | |
because even if you were selling to local markets, | 0:46:30 | 0:46:33 | |
then you could, of course, prosper. | 0:46:33 | 0:46:37 | |
The amount of mills that opened up was quite incredible, really. | 0:46:38 | 0:46:43 | |
You can see the line goes in and then pop, pop, pop, pop, pop, pop - | 0:46:43 | 0:46:46 | |
-all these little mills suddenly come in to existence. -Yes. | 0:46:46 | 0:46:49 | |
The growth was incredible, you know. | 0:46:49 | 0:46:51 | |
-And so fast. -Yes. | 0:46:51 | 0:46:52 | |
Yes. Very fast. | 0:46:52 | 0:46:55 | |
And, I suppose, in Wales, we've got a lot of sheep, you know, | 0:46:55 | 0:46:58 | |
so it's an asset. | 0:46:58 | 0:46:59 | |
There was a reservoir of available resource | 0:46:59 | 0:47:01 | |
which wasn't really being fully used until... | 0:47:01 | 0:47:05 | |
-Yes, quite. -..in comes the railway and everybody can... | 0:47:05 | 0:47:08 | |
And everything can be exported and taken everywhere, you know. | 0:47:08 | 0:47:11 | |
Coarse Welsh wool was ideal for blankets, | 0:47:13 | 0:47:16 | |
but to produce clothing, they needed a softer yarn. | 0:47:16 | 0:47:19 | |
Mark Lucas, curator of the National Wool Museum in Carmarthenshire, | 0:47:21 | 0:47:24 | |
is showing Ruth how it was created. | 0:47:24 | 0:47:26 | |
Mark, this is the raw material. | 0:47:27 | 0:47:30 | |
-Yes. -The fleeces. I mean, were these always very local? | 0:47:30 | 0:47:33 | |
It started as being very local | 0:47:33 | 0:47:35 | |
but then when they become more specialised, | 0:47:35 | 0:47:37 | |
they were always importing what was called colonial wool, as well, | 0:47:37 | 0:47:40 | |
so the railways would have brought that to the mills, | 0:47:40 | 0:47:43 | |
but they would have blended that then with the local fleece as well, | 0:47:43 | 0:47:46 | |
so they could mix it then to make it better quality. | 0:47:46 | 0:47:49 | |
So right from the start, the railways are changing the product... | 0:47:49 | 0:47:53 | |
-Yeah. -..by bringing you in completely different raw material. | 0:47:53 | 0:47:56 | |
Yes. | 0:47:56 | 0:47:57 | |
Thanks to the railways, a new type of wool had been created. | 0:47:57 | 0:48:00 | |
Clothes made from this new blend | 0:48:02 | 0:48:04 | |
proved popular and demand for them boomed. | 0:48:04 | 0:48:08 | |
Now the problem was how to boost production. | 0:48:08 | 0:48:11 | |
Untangling the raw fleece by hand, known as carding, | 0:48:13 | 0:48:17 | |
was a slow and laborious process. | 0:48:17 | 0:48:19 | |
-This is the hand carding. -This is hand carding, yes. | 0:48:19 | 0:48:22 | |
So, you've got a whole series of little... | 0:48:22 | 0:48:24 | |
-Pins. -..pins sticking up and you're combing it out | 0:48:24 | 0:48:29 | |
rather like you're brushing hair. | 0:48:29 | 0:48:31 | |
It's very slow, isn't it? | 0:48:32 | 0:48:34 | |
I mean, after I've spent ten, 15 minutes on it, I get one. | 0:48:34 | 0:48:38 | |
Yeah. | 0:48:38 | 0:48:39 | |
Gradually, the Welsh wool mills mechanised. | 0:48:39 | 0:48:42 | |
So, this is the start of the process, | 0:48:42 | 0:48:44 | |
-the raw fleeces go in that end. -Yeah. | 0:48:44 | 0:48:46 | |
This is called the willower, and it just keeps tearing it | 0:48:46 | 0:48:50 | |
and you sometimes call it the devil as well. | 0:48:50 | 0:48:52 | |
This machine actually took a man's arm off | 0:48:52 | 0:48:55 | |
and we know they have killed children in the past as well | 0:48:55 | 0:48:57 | |
-when they've fallen into one. -Really? -Cos it's all spikes inside. | 0:48:57 | 0:49:01 | |
So, a machine like this is replacing something that was... | 0:49:01 | 0:49:07 | |
-Yeah. -Done by hand. | 0:49:07 | 0:49:08 | |
You would have had hand carders before that. | 0:49:08 | 0:49:10 | |
It's just all constantly disentangling it | 0:49:10 | 0:49:13 | |
as it goes all the way through. | 0:49:13 | 0:49:14 | |
Coal-powered carding engines brought into the valley by the railways | 0:49:16 | 0:49:20 | |
not only increased production, | 0:49:20 | 0:49:22 | |
but they improved the quality of the wool. | 0:49:22 | 0:49:24 | |
Next, the detangled fleece was turned into rovings. | 0:49:26 | 0:49:30 | |
So, when you get to this bit, | 0:49:30 | 0:49:32 | |
the machine is starting to separate it out | 0:49:32 | 0:49:35 | |
into bands. | 0:49:35 | 0:49:37 | |
And then this is shaken back and forth | 0:49:38 | 0:49:40 | |
and what that's doing then is quietly jiggling it | 0:49:40 | 0:49:45 | |
to make it into a long, thin sausage, | 0:49:45 | 0:49:48 | |
which we call a roving. | 0:49:48 | 0:49:49 | |
The rovings were spun into a yarn, ready to be woven using a loom. | 0:49:51 | 0:49:57 | |
Then once the railways arrived, | 0:49:57 | 0:49:58 | |
they would have transported it further afield | 0:49:58 | 0:50:01 | |
into the industrial valleys of Wales. | 0:50:01 | 0:50:03 | |
And that gives you the impetus to start investing | 0:50:03 | 0:50:05 | |
in bigger machines, bigger mills. | 0:50:05 | 0:50:08 | |
So, how much impact does the railway have on this industry in this area? | 0:50:08 | 0:50:11 | |
So, there was 24 mills working in this village in this square mile. | 0:50:11 | 0:50:14 | |
-In this one village? -In this one village. | 0:50:14 | 0:50:16 | |
They were producing 8-9,000 yards of cloth a week. | 0:50:16 | 0:50:20 | |
-Each of those 24? -Yeah. 120 miles of cloth a week. | 0:50:20 | 0:50:22 | |
Pretty much everybody must have been working in the woollen mills. | 0:50:22 | 0:50:25 | |
Everyone would've been in this village, yes, or tied to it in some shape or form. | 0:50:25 | 0:50:30 | |
At its peak, there were over 900 woollen mills | 0:50:30 | 0:50:34 | |
and it became one of Wales' biggest industries. | 0:50:34 | 0:50:37 | |
Woollen goods from Pryce Pryce-Jones' mail-order business | 0:50:39 | 0:50:43 | |
were sold all over the world. | 0:50:43 | 0:50:45 | |
It turned him from a humble shop assistant | 0:50:47 | 0:50:50 | |
into a knight of the realm, | 0:50:50 | 0:50:52 | |
with a workforce of 4,000 and a quarter of a million customers. | 0:50:52 | 0:50:57 | |
His goods were distributed by the railways' own parcel service. | 0:50:58 | 0:51:03 | |
Whoop! | 0:51:03 | 0:51:04 | |
24 pieces, now 48! | 0:51:04 | 0:51:05 | |
-Was that the parcels? -Yeah. -I've been waiting for one. | 0:51:07 | 0:51:09 | |
Right, which one's yours? | 0:51:09 | 0:51:11 | |
-Erm... -Oh, it's that one. | 0:51:11 | 0:51:12 | |
-The one you've got your hands on. -The top. | 0:51:12 | 0:51:14 | |
-Thanks. -It's not a tea set, is it? -Cheers! | 0:51:14 | 0:51:16 | |
Look at that. | 0:51:20 | 0:51:22 | |
-I've sent away for it. -Wow. -Here we go, mail order. | 0:51:22 | 0:51:24 | |
OK, so, this has been brought in on the railways, | 0:51:24 | 0:51:26 | |
courtesy of a catalogue. | 0:51:26 | 0:51:28 | |
Absolutely. This is just another one of those examples, isn't it? | 0:51:28 | 0:51:32 | |
Of something that starts as a tiny little cottage industry, | 0:51:32 | 0:51:36 | |
really quite outdated. I mean, they're still using spinning wheels | 0:51:36 | 0:51:39 | |
in some parts of west Wales. | 0:51:39 | 0:51:40 | |
-Yeah. -And you'd think in a new industrial age, | 0:51:40 | 0:51:45 | |
powered by steam and rails that that would be the first thing | 0:51:45 | 0:51:47 | |
to go to the wall, and yet...and yet | 0:51:47 | 0:51:51 | |
many tiny little specialist craft industries | 0:51:51 | 0:51:56 | |
got a whole new lease of life. | 0:51:56 | 0:51:58 | |
Right, OK, so let's have a look at this. This is an authentic... | 0:51:58 | 0:52:01 | |
-So, this is... -Oh, wow. -..an Euklisia rug. -Wow. | 0:52:01 | 0:52:04 | |
Proper Welsh blanket. | 0:52:04 | 0:52:06 | |
Thanks to the railways, the Euklisia rug was a huge success. | 0:52:07 | 0:52:12 | |
This is the forerunner to the modern sleeping bag | 0:52:12 | 0:52:16 | |
and this goes global in a matter of years. | 0:52:16 | 0:52:19 | |
Pryce-Jones sold over 100,000. | 0:52:19 | 0:52:22 | |
-The trade opportunities that are opened up by the railways... -Yeah. | 0:52:22 | 0:52:25 | |
..meant that those industries could expand and grow. | 0:52:25 | 0:52:28 | |
-And they're doing it through mail order. -Yeah. | 0:52:28 | 0:52:30 | |
So, catalogues are getting sent out by the railways, | 0:52:30 | 0:52:32 | |
people are browsing through those catalogues and going, "Ooh, I quite like one of those." | 0:52:32 | 0:52:36 | |
This is it. I know, I'm right in front of the fire. | 0:52:36 | 0:52:39 | |
Put a pillow at the back. | 0:52:39 | 0:52:40 | |
-I'm feeling warm already. -Get myself all warmed up. | 0:52:40 | 0:52:43 | |
Right, I'm ready for a journey now, you know, | 0:52:43 | 0:52:46 | |
the carriage with no heating, right up to Scotland. | 0:52:46 | 0:52:49 | |
So, all of a sudden, Great Britain has access to a fine Welsh wool, | 0:52:49 | 0:52:53 | |
the finest Scotch whisky. | 0:52:53 | 0:52:56 | |
Fresh milk even in the middle of town. | 0:52:56 | 0:52:58 | |
You've got access as a consumer to all the produce anywhere. | 0:52:58 | 0:53:03 | |
Yeah, so the railways are not only standardising towns across Britain, | 0:53:03 | 0:53:07 | |
they're enabling towns and areas to specialise. | 0:53:07 | 0:53:11 | |
It's odd, isn't it, that the two things should be going on at once? | 0:53:11 | 0:53:14 | |
-Yeah. -It's a drastic transformation. | 0:53:14 | 0:53:17 | |
It really is, you know, | 0:53:17 | 0:53:18 | |
trains would have changed within a matter of decades, | 0:53:18 | 0:53:21 | |
-all because of the railways. -Yeah. | 0:53:21 | 0:53:24 | |
Rail usage peaked in the early 20th century, | 0:53:24 | 0:53:27 | |
when 420 million tonnes of goods were being moved each year. | 0:53:27 | 0:53:32 | |
Then the railways' position as the nation's main form of moving goods | 0:53:33 | 0:53:38 | |
came under attack from the roads. | 0:53:38 | 0:53:40 | |
Cos the railways have to carry goods, | 0:53:42 | 0:53:45 | |
they've often used roads to move them, | 0:53:45 | 0:53:47 | |
either from local businesses to stations | 0:53:47 | 0:53:49 | |
or even between stations that are close together. | 0:53:49 | 0:53:52 | |
Much of this was done with horse and cart, | 0:53:52 | 0:53:55 | |
but as the road network improved, and vehicles came along, | 0:53:55 | 0:54:00 | |
lorries such as this could carry much heavier goods | 0:54:00 | 0:54:04 | |
like these planks. | 0:54:04 | 0:54:06 | |
And they didn't just have to carry them to the branch line. | 0:54:06 | 0:54:09 | |
They could go all the way to the mainline. | 0:54:09 | 0:54:11 | |
So, suddenly, branch lines are looking at their own demise. | 0:54:11 | 0:54:15 | |
Moving goods by road proved to be not only more convenient, | 0:54:18 | 0:54:23 | |
but also cheaper. | 0:54:23 | 0:54:24 | |
From 1900 to 1960, | 0:54:25 | 0:54:28 | |
the number of wagons on the railway fell by a third | 0:54:28 | 0:54:32 | |
and rail passengers by half. | 0:54:32 | 0:54:33 | |
The railways were losing over £100 million of public money every year. | 0:54:35 | 0:54:39 | |
The government had to act. | 0:54:40 | 0:54:42 | |
In 1963, the British Railways Board published a report | 0:54:43 | 0:54:48 | |
entitled The Reshaping Of British Railways, | 0:54:48 | 0:54:50 | |
written by Dr Richard Beeching. | 0:54:50 | 0:54:52 | |
Some of you will say, can't we have the branch lines, as well? | 0:54:54 | 0:54:59 | |
Can't you attract enough traffic to them to make them pay? | 0:54:59 | 0:55:03 | |
But unfortunately, we can't. | 0:55:03 | 0:55:05 | |
He recommended that over the next five years, | 0:55:06 | 0:55:09 | |
6,000 miles of mostly rural lines should be scrapped - | 0:55:09 | 0:55:13 | |
closing over 2,000 stations... | 0:55:13 | 0:55:16 | |
..the Gwili Railway that was so instrumental in the wool industry... | 0:55:18 | 0:55:22 | |
..the Highland Railway that put whisky on the map | 0:55:23 | 0:55:27 | |
and the South Devon Railway, providing London's milk, | 0:55:27 | 0:55:31 | |
were all closed. | 0:55:31 | 0:55:33 | |
Driver Dave Knowling was a victim of Beeching's axe. | 0:55:35 | 0:55:38 | |
I started in 1954 on British Railways | 0:55:40 | 0:55:42 | |
and got made redundant by Dr Beeching in 1966. | 0:55:42 | 0:55:47 | |
Right. So, I suppose his cuts signal the end of steam. | 0:55:47 | 0:55:52 | |
There was a total ban on... | 0:55:52 | 0:55:53 | |
Well, a lot of railways in a lot of places, like in Devon here, | 0:55:53 | 0:55:57 | |
the Southern line was completely closed. | 0:55:57 | 0:55:59 | |
They were all branch lines that fed off the mainlines. | 0:55:59 | 0:56:02 | |
It was those branch lines that suffered the most. | 0:56:02 | 0:56:05 | |
Oh, yeah. It's like a river cut off the tributaries. | 0:56:05 | 0:56:08 | |
But Dave was not long out of work. | 0:56:09 | 0:56:11 | |
The South Devon Railway soon reopened as a steam heritage line | 0:56:11 | 0:56:16 | |
and he was reemployed as a driver. | 0:56:16 | 0:56:17 | |
In 1969, Dr Beeching come and officially... | 0:56:20 | 0:56:23 | |
-I shook his hand, the one that made me redundant! -PETER LAUGHS | 0:56:23 | 0:56:26 | |
Wow. | 0:56:26 | 0:56:27 | |
And there's a photo of me shaking hands with him | 0:56:27 | 0:56:30 | |
on the day he officially opened it. | 0:56:30 | 0:56:32 | |
Wow. You're shaking the hand of the man that signed the... | 0:56:32 | 0:56:34 | |
-Signed the death warrant! -Signed the death warrant. | 0:56:34 | 0:56:36 | |
-Yeah, yeah. -HE LAUGHS | 0:56:36 | 0:56:38 | |
I think that coming here, | 0:56:38 | 0:56:40 | |
seeing an engine operating on a branch line, | 0:56:40 | 0:56:45 | |
it's only now I realise just how much this one thing | 0:56:45 | 0:56:49 | |
represents an entire industry. | 0:56:49 | 0:56:52 | |
It was English life, really, the branch lines. | 0:56:52 | 0:56:55 | |
Dave is now Britain's longest-serving steam locomotive driver, | 0:56:57 | 0:57:01 | |
having spent 63 years on the footplate. | 0:57:01 | 0:57:04 | |
Ironically, 500 miles of lines previously closed by Dr Beeching | 0:57:06 | 0:57:11 | |
have reopened as preserved railways. | 0:57:11 | 0:57:14 | |
And so, despite the cuts, steam is thriving in the 21st century. | 0:57:16 | 0:57:20 | |
And that's not all. | 0:57:22 | 0:57:23 | |
Over the last few decades, | 0:57:23 | 0:57:25 | |
the railways have seen a resurgence in both goods and passenger numbers. | 0:57:25 | 0:57:29 | |
Today, nearly 30 million tonnes of freight are moved | 0:57:30 | 0:57:34 | |
and one and three quarter billion rail journeys are made each year - | 0:57:34 | 0:57:38 | |
more than at any time in the history of the railways. | 0:57:38 | 0:57:41 | |
Next time, the railways revolutionise leisure... | 0:57:46 | 0:57:49 | |
Return to Swanage, please. | 0:57:49 | 0:57:51 | |
..creating seaside holidays... | 0:57:52 | 0:57:55 | |
Full ahead! | 0:57:56 | 0:57:58 | |
..trips to the countryside... | 0:57:58 | 0:58:00 | |
The train traveller was able to see the English landscape | 0:58:00 | 0:58:03 | |
in a way they'd never seen it before. | 0:58:03 | 0:58:05 | |
..and days out at the steam fair. | 0:58:05 | 0:58:08 | |
The Victorians, they became steam junkies. | 0:58:08 | 0:58:11 | |
-This is nice. -It is, isn't it? | 0:58:11 | 0:58:13 |