Browse content similar to Duke Street, Glasgow. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
The streets we live in reveal the | 0:00:02 | 0:00:04 | |
secret past beneath the skin of the present. | 0:00:04 | 0:00:08 | |
Here is our kitchen, which was the operating theatre of the hospital. | 0:00:08 | 0:00:13 | |
There were families that didn't have toilets. | 0:00:13 | 0:00:16 | |
There was many a visit to the drains in the middle of the night. | 0:00:16 | 0:00:20 | |
Our memories are rendered in the bricks and mortar that surround us. | 0:00:20 | 0:00:24 | |
Just behind you there, there's where we all danced. | 0:00:24 | 0:00:28 | |
Our streets chart momentous social change, and | 0:00:28 | 0:00:31 | |
the ebb and flow between enormous wealth and terrible poverty. | 0:00:31 | 0:00:34 | |
Pretty grim, isn't it? Dirt, filth, stench everywhere. | 0:00:36 | 0:00:41 | |
They reveal the changes that have shaped all our lives | 0:00:41 | 0:00:44 | |
and make the story of our streets the story of us all. | 0:00:44 | 0:00:48 | |
It's a nice view, isn't it? | 0:00:49 | 0:00:51 | |
Duke Street, Glasgow, the longest street in Britain. | 0:00:54 | 0:00:58 | |
Running from the city centre to the tenement blocks of the East End. | 0:00:58 | 0:01:02 | |
But just 40 years ago many of the buildings that lined this | 0:01:03 | 0:01:06 | |
street were under threat. | 0:01:06 | 0:01:08 | |
-What are you going to do about it? -Knock them down. | 0:01:08 | 0:01:10 | |
This is the story of how a group of neighbours took on the might | 0:01:11 | 0:01:15 | |
of the Glasgow Corporation in a battle to save their homes. | 0:01:15 | 0:01:19 | |
We're East Enders. | 0:01:20 | 0:01:21 | |
Forget your London East Enders, we're the East Enders | 0:01:21 | 0:01:24 | |
and we will fight to the death for what we believe in. | 0:01:24 | 0:01:27 | |
Glasgow at the dawn of the 20th century. | 0:01:35 | 0:01:38 | |
The heyday for the second city of the British Empire. | 0:01:38 | 0:01:42 | |
Its shipyards, textile mills and heavy industry have made it | 0:01:42 | 0:01:47 | |
the power-house of the Victorian and Edwardian age. | 0:01:47 | 0:01:49 | |
Thousands are flocking to the city in search of work. | 0:01:50 | 0:01:53 | |
Here on Duke Street the road is lined with stone buildings | 0:01:59 | 0:02:03 | |
filled with small flats. | 0:02:03 | 0:02:04 | |
Tenements, Glasgow's solution | 0:02:06 | 0:02:08 | |
for housing its Victorian workers close to their place of work. | 0:02:08 | 0:02:12 | |
In 1968, Harriet Stomboli moved in to her tenement that | 0:02:18 | 0:02:22 | |
runs to the south of Duke Street. | 0:02:22 | 0:02:24 | |
And this is where I used to live, 47 Bathgate Street, three up, | 0:02:26 | 0:02:30 | |
right at the top. | 0:02:30 | 0:02:31 | |
BUZZER RINGS | 0:02:31 | 0:02:33 | |
I felt I had to get away from all the gossip that was | 0:02:38 | 0:02:40 | |
going on at the time, | 0:02:40 | 0:02:42 | |
'because at that time it was not very common for' | 0:02:42 | 0:02:45 | |
women to leave their husbands and separate from their husbands, you | 0:02:45 | 0:02:48 | |
know? So it was a kind of... I was in a very bad position at the time. | 0:02:48 | 0:02:53 | |
This brings back lots and lots of memories, | 0:02:55 | 0:02:58 | |
when I used to have this twin pram. | 0:02:58 | 0:03:00 | |
But when you were bringing the children up you left | 0:03:02 | 0:03:05 | |
the pram on the stair, you brought one up, put him in his cot, run back | 0:03:05 | 0:03:09 | |
down, got the other one and brought her up and put her in her cot. | 0:03:09 | 0:03:14 | |
Then you went down and you bumped the pram all the way up | 0:03:14 | 0:03:17 | |
the three flights of stairs. | 0:03:17 | 0:03:19 | |
So it wasn't easy when you had, especially a twin pram to do | 0:03:19 | 0:03:23 | |
this with, because at the best of times the stairs were always | 0:03:23 | 0:03:26 | |
quite heavy to climb. | 0:03:26 | 0:03:27 | |
It's even worse now. | 0:03:29 | 0:03:31 | |
I find that it wasn't so bad when I was younger. | 0:03:31 | 0:03:33 | |
But this is where I had to bump the pram right up to. | 0:03:36 | 0:03:39 | |
This was my door here. | 0:03:39 | 0:03:41 | |
But then there was two doors, there was | 0:03:41 | 0:03:43 | |
one there and one over at the side. | 0:03:43 | 0:03:46 | |
The conditions for most people around here was over-crowding. | 0:03:46 | 0:03:49 | |
That was the biggest problem I think in the area, was over-crowding. | 0:03:49 | 0:03:54 | |
Harriet's family of six were squeezed in to a single room | 0:03:55 | 0:03:58 | |
and kitchen, common at the time. | 0:03:58 | 0:04:00 | |
Such scenes as this are typical of the unsatisfactory | 0:04:02 | 0:04:06 | |
conditions of thousands of people in Glasgow today. | 0:04:06 | 0:04:09 | |
So this is the little house I used to stay in with the children. | 0:04:12 | 0:04:15 | |
This is the hall and this was a toilet. | 0:04:15 | 0:04:19 | |
We didn't have a bathroom, it was just all toilet. | 0:04:19 | 0:04:22 | |
And in here was our sitting room. | 0:04:22 | 0:04:24 | |
And we used the sitting room as a bedroom, as well. | 0:04:28 | 0:04:30 | |
This couple came to my house one night, my sister's friends who were | 0:04:32 | 0:04:37 | |
living in big houses in England, nice big houses. The first thing | 0:04:37 | 0:04:42 | |
they asked when they'd seen the house, "Where are your bedrooms?" | 0:04:42 | 0:04:46 | |
And I said "Well, I don't have any bedrooms." | 0:04:46 | 0:04:49 | |
And they kind of stopped talking and looked at each other and went, | 0:04:50 | 0:04:54 | |
"No bedrooms, how can you have a house without bedrooms? | 0:04:54 | 0:04:57 | |
"Where do you sleep?" | 0:04:57 | 0:04:59 | |
So I showed them we sleep on this couch, | 0:04:59 | 0:05:01 | |
it pulls down in to a bed in the sitting room. | 0:05:01 | 0:05:04 | |
In here was a kitchen... | 0:05:06 | 0:05:09 | |
and this was exactly the size of the kitchen. | 0:05:09 | 0:05:12 | |
An alcove here, this wasn't a door or there was no facing on it, | 0:05:13 | 0:05:17 | |
it was just a big alcove. | 0:05:17 | 0:05:20 | |
And in here was two bunk beds | 0:05:20 | 0:05:22 | |
and a single pull-down bed that my oldest son slept in. | 0:05:22 | 0:05:26 | |
They kept talking about it, even when they went back home, | 0:05:27 | 0:05:30 | |
they sent me a letter and said how sorry they were for me | 0:05:30 | 0:05:33 | |
that I didn't have a house with bedrooms. | 0:05:33 | 0:05:36 | |
But, I mean, that didn't bother me, but it really upset this | 0:05:36 | 0:05:39 | |
couple that I didn't have any bedrooms in this house, you know? | 0:05:39 | 0:05:43 | |
You were sleeping, you were eating | 0:05:43 | 0:05:45 | |
and you were cooking all in the one room. | 0:05:45 | 0:05:48 | |
So it wasn't an easy task, | 0:05:48 | 0:05:49 | |
but we did it very well, as best we could anyway. | 0:05:49 | 0:05:53 | |
It was a very small house. | 0:05:53 | 0:05:55 | |
Harriet's room and kitchen was just one of 1500 flats in an area | 0:05:55 | 0:06:00 | |
now called Reidvale. | 0:06:00 | 0:06:02 | |
The map from 1884 reveals row upon row of newly built tenement blocks. | 0:06:03 | 0:06:10 | |
They extend across nine streets running south of Duke Street. | 0:06:10 | 0:06:14 | |
It was a respectable working-class neighbourhood | 0:06:17 | 0:06:20 | |
and the people of the tenements made this street the bustling | 0:06:20 | 0:06:23 | |
and thriving heart of the East End. | 0:06:23 | 0:06:25 | |
Duke Street was always busy then | 0:06:28 | 0:06:29 | |
because that's where everybody done their shopping, | 0:06:29 | 0:06:32 | |
so everybody on a Saturday afternoon was in Duke Street. | 0:06:32 | 0:06:35 | |
I mean, it was always busy, bustling, you know, | 0:06:35 | 0:06:39 | |
having to walk sideways to get by people. | 0:06:39 | 0:06:41 | |
Duke Street had everything you really wanted, | 0:06:42 | 0:06:44 | |
from hat shops to children's shops. | 0:06:44 | 0:06:47 | |
You know, they had men's shops, they had Gold's, the wool shop. | 0:06:47 | 0:06:51 | |
There was Massey's, Curly's, Henry Healy's. | 0:06:51 | 0:06:55 | |
They had bakers, they had butchers. | 0:06:55 | 0:06:57 | |
Little Folk, it was more for the people with money, | 0:06:57 | 0:06:59 | |
and you went in there if you had a lot of money. | 0:06:59 | 0:07:02 | |
I shopped in Bobby's for my children's clothes | 0:07:02 | 0:07:04 | |
because I couldn't have afforded to go anywhere else. | 0:07:04 | 0:07:07 | |
This one's probably a good one, | 0:07:10 | 0:07:11 | |
which kind of shows obviously the number 53 here, and that's | 0:07:11 | 0:07:16 | |
myself, my twin brother, my Aunt June, my gran and my grandpa. | 0:07:16 | 0:07:20 | |
Paul Cowan came to live on Bathgate Street when he was four years old. | 0:07:21 | 0:07:25 | |
His grandfather, John Butterly, had raised his family of three | 0:07:27 | 0:07:30 | |
daughters just along the street from Harriet Stomboli and her family. | 0:07:30 | 0:07:34 | |
So how many of you lived here? | 0:07:41 | 0:07:42 | |
In this one flat there would've been three, five, seven of us. | 0:07:42 | 0:07:47 | |
My gran, my grandpa, my mum, my aunt and the three of us. | 0:07:47 | 0:07:51 | |
That was my gran and grandpa's bedroom, from memory. | 0:07:53 | 0:07:56 | |
They were the only two in there | 0:07:56 | 0:07:58 | |
and everybody else was crammed in to the other room. So there was | 0:07:58 | 0:08:02 | |
a bunk bed with myself and my twin brother and my older brother and | 0:08:02 | 0:08:07 | |
then there was a double bed which had my mum and my Auntie June in it. | 0:08:07 | 0:08:10 | |
John and his wife were home movie enthusiasts. | 0:08:12 | 0:08:15 | |
It's a unique record of Duke Street's tenement life, | 0:08:20 | 0:08:23 | |
capturing family and neighbours in the closes | 0:08:23 | 0:08:26 | |
and backcourts in the late 1960s and 1970s. | 0:08:26 | 0:08:29 | |
We would hang about in here in the summers and stuff with them, | 0:08:35 | 0:08:38 | |
and it was just always a nice garden. | 0:08:38 | 0:08:40 | |
I always helped my grandpa in the garden and stuff like that as well, | 0:08:40 | 0:08:43 | |
and just kind of try and be around about him more than anything else. | 0:08:43 | 0:08:46 | |
And Paul appears in the film with his brothers. | 0:08:46 | 0:08:49 | |
He's here wearing a white top. | 0:08:49 | 0:08:50 | |
I loved living here. I loved it, absolutely loved it. | 0:08:54 | 0:08:57 | |
The people were brilliant, it was a community. | 0:08:57 | 0:09:00 | |
You lived with other families up the close or across the street or, | 0:09:00 | 0:09:04 | |
you know, there was maybe five or six families all with kids | 0:09:04 | 0:09:08 | |
the same age and we all just ran about together. | 0:09:08 | 0:09:10 | |
There was always children out playing | 0:09:24 | 0:09:26 | |
and people standing talking at closes. | 0:09:26 | 0:09:29 | |
And it was a community street, I would say. | 0:09:29 | 0:09:32 | |
Everybody seemed to know each other. | 0:09:32 | 0:09:34 | |
This is Prince and this is Vicky, these are my twins. | 0:09:40 | 0:09:44 | |
-And it was a happy house. -A very good house. | 0:09:46 | 0:09:48 | |
A very happy house. Although it was over-crowded, aye. | 0:09:48 | 0:09:52 | |
We didn't know any different at that time. | 0:09:52 | 0:09:54 | |
-We were all kids and it was just like one big playground to us. -That's right. | 0:09:54 | 0:09:58 | |
I used to go at the window when they were out playing to call them | 0:09:58 | 0:10:00 | |
up for dinner and things, and I used to shout at whoever it was that | 0:10:00 | 0:10:03 | |
was out playing, I used to shout "Diane, come up, dinner's ready. | 0:10:03 | 0:10:07 | |
"Vicky, come up, dinner's ready. Prince, come up, dinner's ready." | 0:10:07 | 0:10:12 | |
So one of my friends used to think I had quite a lot of children | 0:10:14 | 0:10:18 | |
and a dog. | 0:10:18 | 0:10:19 | |
SHE LAUGHS | 0:10:19 | 0:10:20 | |
In 1965, the Glasgow Herald reported that 40% of Glasgow's housing | 0:10:20 | 0:10:27 | |
stock still had no plumbed bath or shower. | 0:10:27 | 0:10:30 | |
20% had no inside toilet. 40% had no hot water supply. | 0:10:30 | 0:10:35 | |
10 years later, this lack of the most basic amenities was | 0:10:36 | 0:10:40 | |
still the norm on Duke Street. | 0:10:40 | 0:10:41 | |
When they went to school at first, and they were tiny little | 0:10:44 | 0:10:47 | |
children, the wee-ist children was at school, even the teachers | 0:10:47 | 0:10:50 | |
thought I only had dressed them up because their big sister was | 0:10:50 | 0:10:53 | |
going to school, you know, but they were actually starting the school. | 0:10:53 | 0:10:56 | |
And the teachers were going like we've never had such small children, you know? | 0:10:56 | 0:11:00 | |
-But it ended up... -Basically we were midgets. | 0:11:00 | 0:11:02 | |
Not quite, son. | 0:11:02 | 0:11:03 | |
Glasgow town planners had historically linked poor | 0:11:05 | 0:11:08 | |
housing to poor health, high infant mortality, rickets, | 0:11:08 | 0:11:12 | |
malnutrition, typhus and cholera. | 0:11:12 | 0:11:15 | |
In the one-room or single end of the poorer district, the height and | 0:11:17 | 0:11:20 | |
weight of boys of 10 years was found to be 3' 11'' and 52lbs. | 0:11:20 | 0:11:24 | |
In two-room houses, 4' 1'' and 56lbs. | 0:11:25 | 0:11:28 | |
And in three-room houses, 4' 2'' and 59lbs. | 0:11:30 | 0:11:33 | |
Glasgow Corporation was saying Harriet's children were small | 0:11:38 | 0:11:41 | |
because her flat was over-crowded. | 0:11:41 | 0:11:43 | |
-I mean by the sink over at the window... -Used to get baths. | 0:11:46 | 0:11:50 | |
That's where we used to get bathed every Sunday night. | 0:11:50 | 0:11:52 | |
-That was our ritual, wasn't it? -Yeah. | 0:11:52 | 0:11:55 | |
It used to be terrifying. | 0:11:55 | 0:11:56 | |
I didn't think it was to youse, but I did learn that later | 0:11:59 | 0:12:02 | |
they used to be frightened of sitting in the sink. | 0:12:02 | 0:12:04 | |
I was just terrified of people looking up | 0:12:04 | 0:12:06 | |
and seeing little kids in the kitchen sink. Getting washed. | 0:12:06 | 0:12:09 | |
-But that's how everybody done it. -That's what it was like, yeah. | 0:12:09 | 0:12:13 | |
That's what it was like. | 0:12:13 | 0:12:14 | |
Duke Street may have been over-crowded, but it wasn't a slum. | 0:12:14 | 0:12:18 | |
Evidence of its respectable working-class | 0:12:18 | 0:12:21 | |
origins are still seen. | 0:12:21 | 0:12:22 | |
The public baths were a gift to the local | 0:12:24 | 0:12:26 | |
population from a wealthy benefactor. | 0:12:26 | 0:12:28 | |
Once a week, walk down this road with my pram with all | 0:12:30 | 0:12:33 | |
the washing in it and we came here to do the weekly wash. | 0:12:33 | 0:12:38 | |
Luxurious for their time, they boasted a Turkish bath, | 0:12:39 | 0:12:43 | |
a gymnasium and a reading room, as well as the public baths | 0:12:43 | 0:12:47 | |
and wash-house known as the steamie. | 0:12:47 | 0:12:50 | |
But in that one main building was the steamie, | 0:12:50 | 0:12:52 | |
was the most important thing. | 0:12:52 | 0:12:54 | |
It was called the steamie because everybody came here to | 0:12:54 | 0:12:57 | |
do their washing that didn't have washing machines in them days. | 0:12:57 | 0:12:59 | |
Because it got you out for a wee while, as well. | 0:13:01 | 0:13:03 | |
You know, and then you met people and had a good blether as well, so... | 0:13:03 | 0:13:07 | |
Moaning about their husbands, you know, | 0:13:07 | 0:13:09 | |
which was the biggest thing I think to go on in the steamie, | 0:13:09 | 0:13:11 | |
was you talked about your life, you know, and the kids and your husband. | 0:13:11 | 0:13:16 | |
They moaned about you when they were in the pub. | 0:13:17 | 0:13:20 | |
We didn't go to the pub, we went to the steamie. | 0:13:20 | 0:13:23 | |
But it was a nice place to come to. I liked the steamie, it was good. | 0:13:23 | 0:13:26 | |
My friend, Anne Lowry, always came with me. | 0:13:27 | 0:13:31 | |
She with her pram and her wee-uns and me with my pram and my wee-uns. | 0:13:31 | 0:13:36 | |
No, I only used to bring one. One child that wasn't at school, | 0:13:36 | 0:13:40 | |
so Mario was the one I used to bring. | 0:13:40 | 0:13:42 | |
He doesn't remember ever coming to the steamie either. | 0:13:42 | 0:13:44 | |
He does say, "I think, mum, you put the washing in the pram | 0:13:44 | 0:13:48 | |
and made me walk." And I said, "Probably I did, son," | 0:13:48 | 0:13:51 | |
because I only had one pram, you know? | 0:13:51 | 0:13:53 | |
The Whitevale Baths and wash-house finally closed its doors in 1988. | 0:13:53 | 0:13:58 | |
Unsafe and disused it was partly demolished in 2012, | 0:13:58 | 0:14:02 | |
but what remains is now listed. | 0:14:02 | 0:14:04 | |
If I won the lottery I would buy this building, because I think it is | 0:14:06 | 0:14:10 | |
the most lovely building going to waste and I would convert it in to | 0:14:10 | 0:14:14 | |
something for our area that would do benefit to the people of Reidvale. | 0:14:14 | 0:14:20 | |
I would definitely buy this building if I won money. | 0:14:20 | 0:14:22 | |
This fine Victorian building made of marble, stone and brick, | 0:14:22 | 0:14:27 | |
with its reading rooms and luxurious baths, | 0:14:27 | 0:14:30 | |
was built for an area with aspirations, | 0:14:30 | 0:14:33 | |
because at the time there were high hopes for Duke Street. | 0:14:33 | 0:14:36 | |
In 1891, one of the most extraordinary events was to | 0:14:38 | 0:14:41 | |
play out along this street. | 0:14:41 | 0:14:44 | |
Monday 26th October in the afternoon, | 0:14:44 | 0:14:48 | |
three specially commissioned trains arrived just over here, | 0:14:48 | 0:14:52 | |
bringing Buffalo Bill's Wild West to Dennistoun. | 0:14:52 | 0:14:57 | |
They brought with them several hundred horses. | 0:15:00 | 0:15:04 | |
They brought one Texas steer, four cows and a herd of 18 buffalo, | 0:15:04 | 0:15:10 | |
which were all herded up this street. | 0:15:10 | 0:15:13 | |
Now, obviously you don't want a buffalo stampede on Duke Street. | 0:15:16 | 0:15:20 | |
And I believe that the cowboys rode in a square around them | 0:15:23 | 0:15:28 | |
to keep the buffalo moving. | 0:15:28 | 0:15:30 | |
Buffalo Bill moved on to the site of the previous year's East End | 0:15:34 | 0:15:38 | |
exhibition, | 0:15:38 | 0:15:39 | |
held at an old reform school just up the hill from Duke Street. | 0:15:39 | 0:15:43 | |
Well, that is Colonel WF Cody, otherwise known as Buffalo Bill. | 0:15:50 | 0:15:55 | |
You had the first show on the evening of Monday 16th November, | 0:15:59 | 0:16:03 | |
only played to 6,000 people, | 0:16:03 | 0:16:05 | |
so there were obviously tickets available. | 0:16:05 | 0:16:08 | |
By the time word got round, | 0:16:08 | 0:16:10 | |
that first Saturday they were turning people away. | 0:16:10 | 0:16:13 | |
The show played to a packed house over three months. | 0:16:15 | 0:16:18 | |
More than 600,000 people came to see Buffalo Bill and his Indians, | 0:16:18 | 0:16:23 | |
more than the entire population of Glasgow. | 0:16:23 | 0:16:26 | |
Don't fall in to the misconception that these guys, | 0:16:30 | 0:16:33 | |
these Indians were just actors made up to look like Indians, | 0:16:33 | 0:16:36 | |
these guys were the real deal. | 0:16:36 | 0:16:38 | |
There was about 50 or so of them. | 0:16:38 | 0:16:40 | |
The majority of them enlisted voluntarily, but 17 of them were | 0:16:41 | 0:16:48 | |
prisoners of war from the trouble which erupted the previous winter. | 0:16:48 | 0:16:53 | |
The government didn't really know what to do with them, so | 0:16:53 | 0:16:57 | |
Buffalo Bill came along and said, "Look, why don't I take these guys to Europe," | 0:16:57 | 0:17:00 | |
because this was actually an old trick going back to Colonial times. | 0:17:00 | 0:17:03 | |
If you'd hostile Indians you'd take them back East and say "Look, | 0:17:03 | 0:17:07 | |
"the white man's world, the world that's is here is massive, | 0:17:07 | 0:17:10 | |
"you can't fight us." | 0:17:10 | 0:17:11 | |
The people of Duke Street came face-to-face with another world | 0:17:12 | 0:17:15 | |
when they met real-life native Americans. | 0:17:15 | 0:17:18 | |
The show was based up there and, of course, | 0:17:18 | 0:17:22 | |
you'd get the Indians during their time off they'd come | 0:17:22 | 0:17:25 | |
promenading down and on to Duke Street. | 0:17:25 | 0:17:27 | |
At first it was obviously a very intimidating sight, | 0:17:30 | 0:17:33 | |
a very novel sight, exotic sight for the local people. | 0:17:33 | 0:17:37 | |
You didn't have immigrants then, | 0:17:37 | 0:17:38 | |
when all of a sudden you have this encampment of Sioux Indians. | 0:17:38 | 0:17:42 | |
You know, it's all a bit mad. | 0:17:42 | 0:17:43 | |
But I think people got quite blase, | 0:17:43 | 0:17:45 | |
they just became part of the scenery after a while. | 0:17:45 | 0:17:48 | |
Buffalo Bill had come to Duke Street | 0:17:49 | 0:17:52 | |
because it was the centre of a heaving metropolis. | 0:17:52 | 0:17:55 | |
He was proved right as thousands came every night to see his show. | 0:17:55 | 0:17:59 | |
His wagon train finally departed Duke Street on the | 0:18:01 | 0:18:05 | |
27th February, 1892. | 0:18:05 | 0:18:07 | |
This was a period of rapid expansion for the city | 0:18:10 | 0:18:13 | |
and the industrial working class. | 0:18:13 | 0:18:15 | |
Labourers and artisans migrated from the Highlands | 0:18:15 | 0:18:18 | |
and over from Ireland to work in the shipyards, steelworks and factories. | 0:18:18 | 0:18:23 | |
Glasgow was one of the fastest growing cities in the world. | 0:18:24 | 0:18:28 | |
The population quadrupled between 1800 and 1850. | 0:18:30 | 0:18:34 | |
Between 1850 and 1925 it quadrupled again, to peak at 1.1 million. | 0:18:35 | 0:18:42 | |
Twice the rate that London was expanding in the same period. | 0:18:44 | 0:18:48 | |
And its housing strained under this relentless demand. | 0:18:49 | 0:18:51 | |
In Duke Street the tenements had all been built | 0:18:52 | 0:18:55 | |
and they were full to bursting. | 0:18:55 | 0:18:57 | |
In 1950, Glasgow was Britain's most densely populated city. | 0:19:03 | 0:19:08 | |
Its stone tenements had become a symbol for poverty, disease, | 0:19:11 | 0:19:15 | |
crime and over-crowding on a daunting scale. | 0:19:15 | 0:19:19 | |
So you've come to Glasgow, have you? | 0:19:20 | 0:19:24 | |
Pretty grim, isn't it? | 0:19:24 | 0:19:26 | |
Dirt, filth, stench everywhere. | 0:19:26 | 0:19:29 | |
And believe me, there are literally hundreds of backcourts every | 0:19:30 | 0:19:34 | |
bit as bad as this in Glasgow. | 0:19:34 | 0:19:36 | |
We were living in the slums, rat-infested. | 0:19:43 | 0:19:46 | |
I remember looking out the window and watching rats climbing | 0:19:46 | 0:19:48 | |
out of the midgie bins, and rats running about the closes. | 0:19:48 | 0:19:51 | |
I was in fear to go up my close one day | 0:19:51 | 0:19:53 | |
because there were a big rat sitting there. | 0:19:53 | 0:19:55 | |
John Mallon was a child living in an area called | 0:19:55 | 0:19:57 | |
the Gallowgate to the south of Duke Street. | 0:19:57 | 0:20:00 | |
If you walked through the tenements in Glasgow you walked in a maze, | 0:20:01 | 0:20:04 | |
because you were so small and the buildings were so high. | 0:20:04 | 0:20:07 | |
And it just seemed to be a corner after a corner. | 0:20:07 | 0:20:09 | |
As Britain moved in to the post-war world with high hopes, the | 0:20:10 | 0:20:14 | |
Glasgow Corporation was determined that something had to be done. | 0:20:14 | 0:20:18 | |
Their approach was as radical as it proved controversial. | 0:20:19 | 0:20:23 | |
There's Glasgow, 40,000 acres. | 0:20:24 | 0:20:26 | |
And this small patch represents 2,000 acres, | 0:20:28 | 0:20:31 | |
and on that is crammed 150,000 of the city's dwellings. | 0:20:31 | 0:20:36 | |
That is half the dwellings on a 20th of the space. | 0:20:36 | 0:20:40 | |
-But that's ridiculous. -Of course it is. | 0:20:40 | 0:20:42 | |
-What are you going to do about it? -Knock them down. | 0:20:42 | 0:20:44 | |
Slum dwellings, starting in the Gorbals area, | 0:20:51 | 0:20:55 | |
were Compulsory Purchased by Glasgow Corporation | 0:20:55 | 0:20:57 | |
and then razed to the ground to make way for their vision of the future. | 0:20:57 | 0:21:02 | |
Glasgow today takes a look in to tomorrow as the Corporation puts | 0:21:04 | 0:21:08 | |
on an exhibition foreshadowing the proposed new inner core of the city. | 0:21:08 | 0:21:12 | |
A scale model, 100th full size, shows the bold | 0:21:12 | 0:21:15 | |
outline of the Glasgow to be, in sharp contrast to the city that was. | 0:21:15 | 0:21:19 | |
The Bruce Report, published in 1945, recommended the wholesale | 0:21:19 | 0:21:23 | |
destruction of the centre of Glasgow and the rebuilding | 0:21:23 | 0:21:27 | |
of an entire city from scratch over a period of 50 years. | 0:21:27 | 0:21:33 | |
That way Glasgow would transform in to a healthy and beautiful city. | 0:21:33 | 0:21:39 | |
Although later watered down, it did become the blueprint | 0:21:39 | 0:21:42 | |
for the complete demolition of vast swathes of tenement slum housing. | 0:21:42 | 0:21:46 | |
The aim was to rehouse a quarter of a million people | 0:21:47 | 0:21:51 | |
living in central Glasgow, and move them | 0:21:51 | 0:21:53 | |
out in to new council estates built on the rural edge of the city. | 0:21:53 | 0:21:58 | |
We really moved because it was me, my mother, my father, | 0:22:00 | 0:22:03 | |
my brother and then my other brother. | 0:22:03 | 0:22:05 | |
My mother was pregnant with my other brother. | 0:22:05 | 0:22:08 | |
And we stayed in a one-bedroom house, so we had to move. | 0:22:08 | 0:22:11 | |
And we got a house in Easterhouse. | 0:22:11 | 0:22:13 | |
John Mallon was eight | 0:22:14 | 0:22:16 | |
when his family were moved out to Easterhouse. | 0:22:16 | 0:22:18 | |
It was one of the largest of the new estates or "schemes." | 0:22:19 | 0:22:23 | |
I loved it. | 0:22:25 | 0:22:26 | |
I have my happy memory sitting in the back, building a fire, | 0:22:26 | 0:22:29 | |
sitting till five in the morning. | 0:22:29 | 0:22:31 | |
I used to kid on I was camping out and just sit at a fire all night. | 0:22:31 | 0:22:34 | |
And so that was my hobbies. | 0:22:34 | 0:22:37 | |
And egg hunting and making swings and building dens | 0:22:37 | 0:22:42 | |
and just being free. | 0:22:42 | 0:22:44 | |
That's what Easterhouse was really about. | 0:22:44 | 0:22:46 | |
Sometimes it seems as if there are more removal vans in Glasgow | 0:22:53 | 0:22:56 | |
than buses. | 0:22:56 | 0:22:57 | |
At any rate, statistics show that every five to ten minutes | 0:22:58 | 0:23:01 | |
somebody somewhere is moving house. | 0:23:01 | 0:23:03 | |
Tens of thousands of people were shipped out of the city | 0:23:05 | 0:23:08 | |
and in to the schemes. | 0:23:08 | 0:23:09 | |
Brand-new state-of-the art housing was waiting for them, set | 0:23:11 | 0:23:14 | |
in green fields with the promise of fresh air and a world away from the... | 0:23:14 | 0:23:18 | |
Dirt, filth, stench everywhere. | 0:23:18 | 0:23:21 | |
This was not a modern idea. | 0:23:23 | 0:23:25 | |
The concept of a healthy life away from the dangerous over-crowded city | 0:23:25 | 0:23:29 | |
centre had been tried before, and it had taken place on Duke Street. | 0:23:29 | 0:23:35 | |
This map allows us to go back 160 years to 1843. | 0:23:38 | 0:23:43 | |
Glasgow is in the grip of a typhus epidemic. | 0:23:44 | 0:23:47 | |
A Glaswegian doctor, Robert Perry, attempts to explain | 0:23:50 | 0:23:54 | |
the spread of disease by linking it to crime, poverty and over-crowding. | 0:23:54 | 0:23:59 | |
He draws a colour-coded map of the city, and Duke Street appears | 0:24:00 | 0:24:05 | |
on this map, part coloured red, denoting high levels of disease. | 0:24:05 | 0:24:09 | |
But Perry's map shows Duke Street to be a dividing line | 0:24:11 | 0:24:15 | |
between factories to the south and the green fields and trees of the | 0:24:15 | 0:24:19 | |
estate of James Dennistoun to the north, where there is no disease. | 0:24:19 | 0:24:23 | |
Ten years later, | 0:24:26 | 0:24:28 | |
his family would have a grand plan to create a new suburb | 0:24:28 | 0:24:32 | |
of moral rectitude, clean living, god-fearing and alcohol-free. | 0:24:32 | 0:24:36 | |
The idea for the garden suburb is a pet idea of his he wished to | 0:24:37 | 0:24:41 | |
develop. | 0:24:41 | 0:24:42 | |
He had a concern... He was a moral person, obviously, he had | 0:24:42 | 0:24:45 | |
a concern about the health and the welfare of society at all levels. | 0:24:45 | 0:24:48 | |
His son, Alexander, engaged one of the city's finest architects, | 0:24:50 | 0:24:54 | |
James Salmon, to plan a 200-acre estate of avenues, | 0:24:54 | 0:24:59 | |
boulevards and parks and gave it the family name, Dennistoun. | 0:24:59 | 0:25:02 | |
This was the first street built, | 0:25:09 | 0:25:10 | |
and the villas here I think were the first on the estate. | 0:25:10 | 0:25:14 | |
They were then connected up. | 0:25:14 | 0:25:16 | |
Craigpark was started, then the idea of connecting them | 0:25:16 | 0:25:18 | |
up with the various terraces was the next aspect. | 0:25:18 | 0:25:21 | |
I think one of the things, it's quite important to understand | 0:25:24 | 0:25:27 | |
this as a terrace in the context to Dennistoun is it was | 0:25:27 | 0:25:30 | |
originally supposed to be terraces and boulevards. | 0:25:30 | 0:25:33 | |
So, you know, we've actually got a complete one here. | 0:25:33 | 0:25:36 | |
John Tweed's 1872 guide of Glasgow | 0:25:37 | 0:25:40 | |
and the Clyde recommends the pleasant suburb of Dennistoun, "It is | 0:25:40 | 0:25:45 | |
"well laid out and contains many fine villas and lodges." | 0:25:45 | 0:25:48 | |
This, I think, originally had some seven or eight manses in there. | 0:25:50 | 0:25:54 | |
I know personally of three or four ministers, | 0:25:54 | 0:25:56 | |
and I think there's still a minister living just along there. | 0:25:56 | 0:25:59 | |
The manse, or vicarage, | 0:26:00 | 0:26:02 | |
is now the home of the Reverend Barbara Quigley. | 0:26:02 | 0:26:05 | |
I think this manse was built by James Salmon for a friend | 0:26:06 | 0:26:12 | |
of his, so this has got kind of bells and whistles on it. | 0:26:12 | 0:26:14 | |
It's got the curved staircase and the double arch there, which is | 0:26:14 | 0:26:21 | |
I think rather stunning, but then this is my house, so I love it. | 0:26:21 | 0:26:26 | |
It's got a lovely skylight there, | 0:26:28 | 0:26:31 | |
throws a lot of light in to what would be a dark space. | 0:26:31 | 0:26:35 | |
But when the rain starts it's like River Dance. | 0:26:37 | 0:26:40 | |
I love this room. It's really, really great. | 0:26:44 | 0:26:49 | |
It's got all this fantastic ceiling and cornicing and frieze. | 0:26:49 | 0:26:53 | |
And, of course, having your own access to what is essentially | 0:26:55 | 0:27:00 | |
a private garden means that you've got a beautiful view. | 0:27:00 | 0:27:03 | |
It explodes the myth of the image of the East End of Glasgow. | 0:27:06 | 0:27:10 | |
It blows it wide open. It's a hidden gem. | 0:27:10 | 0:27:14 | |
Dennistoun wanted to attract the professional classes | 0:27:18 | 0:27:21 | |
to his utopian vision, doctors, lawyers and ministers. | 0:27:21 | 0:27:25 | |
But as the East End of Glasgow's industrial heartland grew, | 0:27:26 | 0:27:30 | |
so did the factories and tenements expanding along Duke Street. | 0:27:30 | 0:27:34 | |
Dennistoun's lower-class neighbours were proving a little too | 0:27:36 | 0:27:39 | |
close for comfort. | 0:27:39 | 0:27:40 | |
This is originally a gated community, | 0:27:41 | 0:27:43 | |
and at one point there seems to have been some type of sentinel | 0:27:43 | 0:27:46 | |
post here, whereby it looks like it was manned. | 0:27:46 | 0:27:50 | |
It also had various different arrangements, it was scarlet | 0:27:50 | 0:27:53 | |
and the posts have been moved, but that gives you | 0:27:53 | 0:27:55 | |
an idea of exclusivity for this area. There's two main | 0:27:55 | 0:27:58 | |
entrances, Westercraigs and Craigpark, they were actually gated. | 0:27:58 | 0:28:02 | |
You needed to have a reason to come in here. | 0:28:02 | 0:28:04 | |
Dennistoun's dream had been to manufacture an idealised | 0:28:05 | 0:28:09 | |
community for the professional classes. | 0:28:09 | 0:28:11 | |
100 years later, Glasgow Corporation had the same vision, | 0:28:13 | 0:28:17 | |
but for its more impoverished citizens. | 0:28:17 | 0:28:19 | |
# I said, "My man, tell if you can | 0:28:21 | 0:28:23 | |
# "How you come to be here?" | 0:28:23 | 0:28:25 | |
# He said I live in Easterhouse | 0:28:25 | 0:28:27 | |
# I flitted there last year | 0:28:27 | 0:28:29 | |
# Everybody's flitted out to Easterhouse last year | 0:28:29 | 0:28:33 | |
# Everybody in the world has flitted out to here. | 0:28:33 | 0:28:38 | |
# There's everyone you know | 0:28:38 | 0:28:40 | |
# Uncle Joe and Auntie Mo | 0:28:40 | 0:28:42 | |
# All flitted out to Easterhouse last year | 0:28:42 | 0:28:44 | |
# It's in the steaming jungle and... # | 0:28:46 | 0:28:49 | |
But by the late 1960s and early '70s, their imagined suburban | 0:28:51 | 0:28:56 | |
utopia was a social experiment that had gone badly wrong. | 0:28:56 | 0:29:00 | |
40,000 people live here. | 0:29:01 | 0:29:03 | |
They have no public toilets, no banks, theatres or cinemas. | 0:29:03 | 0:29:07 | |
There isn't a dance hall in Easterhouse or a restaurant, | 0:29:07 | 0:29:11 | |
a community centre, or even a place to collect the dole. | 0:29:11 | 0:29:14 | |
A displaced population struggled with unemployment, | 0:29:17 | 0:29:20 | |
gang culture, and crime became rampant. | 0:29:20 | 0:29:23 | |
# Everybody's flitted out to Easterhouse last year | 0:29:25 | 0:29:29 | |
# Everybody in the world has flitted out to here. # | 0:29:29 | 0:29:33 | |
No doubt about it, the gangs were there. | 0:29:33 | 0:29:36 | |
And you joined the gang. | 0:29:36 | 0:29:38 | |
When I go back to Easterhouse I still get called a Skinhead boy, | 0:29:39 | 0:29:43 | |
right, people say that, and I've still got a nickname, | 0:29:43 | 0:29:46 | |
and my nickname is Jinky. | 0:29:46 | 0:29:48 | |
I mean I go back to Easterhouse, I'm Jinky Mallon of Skinheads. | 0:29:48 | 0:29:51 | |
Even though I'm 50, I'm still Jinky from Skinheads. | 0:29:51 | 0:29:53 | |
I loved the gangs. I loved it. | 0:29:54 | 0:29:56 | |
I loved to gang fight, I loved being part of a gang and everything. | 0:29:56 | 0:29:59 | |
And it was all about moving out of your area. | 0:29:59 | 0:30:01 | |
You could not move out of your area in Easterhouse. | 0:30:01 | 0:30:04 | |
If you did go anywhere you had to take ten-handed. | 0:30:04 | 0:30:06 | |
The very structure of the estate helps the gangs to enforce | 0:30:06 | 0:30:09 | |
the strictest code of all, that boundary lines are sacred | 0:30:09 | 0:30:12 | |
and you cross them at your own risk. | 0:30:12 | 0:30:14 | |
The playing field separates Drummy land from the Den-Toi territory. | 0:30:14 | 0:30:18 | |
A road marks the dividing line between Packland and the Den-Toi. | 0:30:19 | 0:30:23 | |
That was your territory and you guarded that territory. | 0:30:25 | 0:30:28 | |
It doesn't matter where you went. | 0:30:28 | 0:30:29 | |
Even if you was going to a dentist, if your dentist was in another | 0:30:29 | 0:30:33 | |
part of Easterhouse, just say Aggro, you had to take your pals | 0:30:33 | 0:30:36 | |
with you, because you couldn't go to that place yourself. | 0:30:36 | 0:30:39 | |
By 1975 over a 120,000 people had been moved into the schemes, | 0:30:41 | 0:30:47 | |
and 95,000 homes had been demolished. | 0:30:47 | 0:30:49 | |
But the Corporation was running out of money. | 0:30:51 | 0:30:53 | |
Despite this, it was still pressing ahead with demolishing | 0:30:57 | 0:31:00 | |
the city's tenements. | 0:31:00 | 0:31:02 | |
Vast swathes of Glasgow were now wasteland. | 0:31:02 | 0:31:05 | |
In 1975, the Corporation's bulldozers were | 0:31:17 | 0:31:20 | |
heading for Duke Street. | 0:31:20 | 0:31:22 | |
Irene McInnes was 19 when she settled into her tenement | 0:31:25 | 0:31:28 | |
flat off Duke Street. | 0:31:28 | 0:31:29 | |
This was our first flat. | 0:31:31 | 0:31:33 | |
This is where I got married in to Bathgate Street, | 0:31:33 | 0:31:36 | |
the top flat up there. | 0:31:36 | 0:31:39 | |
We bought the house in November, 1966, | 0:31:39 | 0:31:43 | |
and we moved in on the 9th June, 1967, the day we got married. | 0:31:43 | 0:31:48 | |
We weren't allowed to stay with anyone, in my day, before that, | 0:31:48 | 0:31:52 | |
so we moved in on our wedding day. | 0:31:52 | 0:31:54 | |
It was two bedrooms and an inside toilet, and we were very posh | 0:31:55 | 0:32:00 | |
because there's not a lot of people at that time | 0:32:00 | 0:32:02 | |
bought their houses or bought their flats and Tom and I were delighted. | 0:32:02 | 0:32:06 | |
But, unfortunately, we could only live in the living room | 0:32:06 | 0:32:09 | |
and the bedroom, because we could not afford the furniture. | 0:32:09 | 0:32:12 | |
Duke Street was still a thriving and bustling street at this time, | 0:32:13 | 0:32:16 | |
but nevertheless its tenements were scheduled for demolition or | 0:32:16 | 0:32:20 | |
"comprehensive redevelopment." | 0:32:20 | 0:32:22 | |
We got a notice through the door, public meeting called, | 0:32:23 | 0:32:26 | |
Thomson Street School, this school here, for everybody, | 0:32:26 | 0:32:30 | |
every tenant or owner to come and hear what this meeting | 0:32:30 | 0:32:34 | |
was about, it would be something to your interest. | 0:32:34 | 0:32:36 | |
There's "threat, big threat", I think | 0:32:36 | 0:32:39 | |
they had that in big writing, BIG THREAT. | 0:32:39 | 0:32:41 | |
Knock them down! | 0:32:41 | 0:32:43 | |
And they were telling us all about how | 0:32:44 | 0:32:46 | |
they wanted the whole south side of Duke Street to be demolished. | 0:32:46 | 0:32:50 | |
Harriet was sitting with a neighbour, John... | 0:32:50 | 0:32:52 | |
-John Butterly. -John Butterly. | 0:32:52 | 0:32:54 | |
He was quite calm at the beginning, and then later on, when the guy said | 0:32:54 | 0:32:58 | |
they were pulling down the houses in your area and probably most | 0:32:58 | 0:33:02 | |
of you will be sent to Easterhouse, Mr Butterly did get up, didn't he? | 0:33:02 | 0:33:06 | |
-He did. -And he said to the man, "You go and live in Easterhouse | 0:33:06 | 0:33:10 | |
"if you like, but I certainly am not." | 0:33:10 | 0:33:12 | |
-Excuse me... -He used profane language. | 0:33:12 | 0:33:14 | |
I will f-ing not. | 0:33:14 | 0:33:16 | |
I will not use the language John used, but... | 0:33:16 | 0:33:18 | |
He had colourful language all the time, it didn't matter who he spoke to. | 0:33:18 | 0:33:22 | |
I remember a lot of shouting and balling, | 0:33:23 | 0:33:25 | |
and it was basically like it was no, that's not happening. | 0:33:25 | 0:33:30 | |
Easterhouse lies five miles away from Duke Street. | 0:33:31 | 0:33:35 | |
Back in the '70s there were no regular bus routes there. | 0:33:35 | 0:33:38 | |
At that time in the '70s, Easterhouse was very much | 0:33:39 | 0:33:43 | |
a distant land, it was miles away as far as we were concerned. | 0:33:43 | 0:33:47 | |
The schemes got a bad name, especially Easterhouse, | 0:33:48 | 0:33:51 | |
it was way back then. | 0:33:51 | 0:33:53 | |
-This could have been us, because these houses are over 30 years old. -Are they really? | 0:33:55 | 0:33:59 | |
-They must be. -What do you think of these wee verandas though, Irene, | 0:33:59 | 0:34:02 | |
-they're so small. -There is not much you could get in them. | 0:34:02 | 0:34:04 | |
Maybe one chair, and that would be it. | 0:34:04 | 0:34:06 | |
Because they're family houses, you know? | 0:34:06 | 0:34:09 | |
-The stuff they were offering us way back then... -Back then, yeah. | 0:34:09 | 0:34:11 | |
-Look at it. -Well, they couldn't have been very well built | 0:34:11 | 0:34:14 | |
if they're coming down already, I don't think. | 0:34:14 | 0:34:16 | |
There was a lot of gangs in Easterhouse | 0:34:19 | 0:34:21 | |
and it really did frighten people to come and live here. | 0:34:21 | 0:34:24 | |
I certainly didn't want to come and live in Easterhouse, | 0:34:24 | 0:34:27 | |
it was very scary stuff, you know? | 0:34:27 | 0:34:29 | |
John Butterly's reluctance to be moved out to Easterhouse | 0:34:31 | 0:34:34 | |
struck a chord with many at that meeting. | 0:34:34 | 0:34:36 | |
They decided to take on the authorities. | 0:34:37 | 0:34:40 | |
What motivated him was basically people were telling him what | 0:34:41 | 0:34:44 | |
he was to do and when he was to do it, and you will just accept this. | 0:34:44 | 0:34:47 | |
And he's like, | 0:34:47 | 0:34:49 | |
"Well, no, you're wrong, because I'm not accepting it." | 0:34:49 | 0:34:51 | |
They were mostly | 0:34:53 | 0:34:54 | |
from Bathgate Street, John Butterly, Irene McInnes. | 0:34:54 | 0:34:57 | |
I lived up in 64. | 0:34:57 | 0:35:00 | |
We had John Butterly and Cathy McFarlane was in 59. | 0:35:00 | 0:35:04 | |
We had Harriet in 47. | 0:35:04 | 0:35:07 | |
Harriet the nuisance. | 0:35:07 | 0:35:09 | |
We had Isobel Allen. | 0:35:09 | 0:35:12 | |
Jimmy Donaldson. | 0:35:12 | 0:35:13 | |
And when we all got together we made things happen. | 0:35:13 | 0:35:16 | |
So people in the area thought well, | 0:35:16 | 0:35:18 | |
that's the Bathgate Street Mafia, you know? | 0:35:18 | 0:35:21 | |
And their boss was John Butterly. | 0:35:21 | 0:35:23 | |
The idea was to create a resident-run organisation from | 0:35:24 | 0:35:27 | |
scratch, which would purchase and then renovate their own properties. | 0:35:27 | 0:35:32 | |
Yeah, it was unheard of. Nobody knew what it was. | 0:35:32 | 0:35:35 | |
I mean, I don't know where the initial idea came from but no, | 0:35:35 | 0:35:39 | |
it was very new, especially in Glasgow. | 0:35:39 | 0:35:42 | |
The residents faced two big problems. First, to try and persuade | 0:35:42 | 0:35:46 | |
a reluctant Glasgow Corporation that the residents knew better. | 0:35:46 | 0:35:50 | |
Second, to persuade all their neighbours to join them. | 0:35:50 | 0:35:54 | |
The houses were in disrepair, | 0:35:55 | 0:35:57 | |
there's no doubt about that, the houses were in disrepair. | 0:35:57 | 0:35:59 | |
People could not afford the upkeep of them, | 0:35:59 | 0:36:01 | |
they couldn't afford the maintenance of them. | 0:36:01 | 0:36:03 | |
We had landlords who were not interested in doing anything | 0:36:03 | 0:36:06 | |
with them, just as long as they were getting their rent | 0:36:06 | 0:36:08 | |
they were not interested. | 0:36:08 | 0:36:10 | |
The Corporation thought they were unmaintainable. | 0:36:11 | 0:36:14 | |
They thought that they were at the end of their life. | 0:36:14 | 0:36:16 | |
He disagreed with that. | 0:36:16 | 0:36:17 | |
He thought that they just needed a bit of TLC, they just needed | 0:36:17 | 0:36:20 | |
a bit of love, they needed a bit of money spent on them, whereas they | 0:36:20 | 0:36:23 | |
just thought the easiest solution was just to knock them down. | 0:36:23 | 0:36:26 | |
For a year, the Bathgate Street Mafia kept pushing, | 0:36:28 | 0:36:31 | |
petitioning and arguing. | 0:36:31 | 0:36:33 | |
Finally, Glasgow Corporation recognised a group of enthusiastic | 0:36:34 | 0:36:38 | |
amateurs with no previous experience as a legitimate housing association. | 0:36:38 | 0:36:43 | |
I think he finally won by basically grinding them down and just | 0:36:46 | 0:36:50 | |
by basically being persistent and saying, "no" every single time. | 0:36:50 | 0:36:54 | |
"No, no, this is what we're doing, this is how we're doing it," | 0:36:54 | 0:36:57 | |
and not listening to what their proposals were. | 0:36:57 | 0:37:00 | |
He had a community and he was determined 100% to save it. | 0:37:00 | 0:37:03 | |
Reidvale became one of the very first community-based housing | 0:37:05 | 0:37:09 | |
associations in Glasgow. And this immediately gave them | 0:37:09 | 0:37:14 | |
access to central government grants of millions of pounds. | 0:37:14 | 0:37:18 | |
They now needed to persuade all their neighbours to | 0:37:20 | 0:37:22 | |
entrust them with their homes and see what they could achieve. | 0:37:22 | 0:37:26 | |
How people trusted us I don't know. | 0:37:28 | 0:37:30 | |
How we trusted ourselves at that time, | 0:37:30 | 0:37:32 | |
because we didn't really know what we were doing. | 0:37:32 | 0:37:35 | |
In spring 1976, local builders and contractors set to work. | 0:37:35 | 0:37:39 | |
The community ran it. | 0:37:39 | 0:37:40 | |
The community were the people who were in charge. | 0:37:40 | 0:37:43 | |
They looked after it, they made the decisions. | 0:37:43 | 0:37:45 | |
It wasn't the Glasgow City Council who sat in their ivory white | 0:37:45 | 0:37:47 | |
towers, it was the people within the houses themselves who decided | 0:37:47 | 0:37:51 | |
what was going to happen. | 0:37:51 | 0:37:53 | |
They decided what colour the bathroom suites were going in, | 0:37:53 | 0:37:55 | |
they decided what colour the closes were getting painted. | 0:37:55 | 0:37:58 | |
It was always to do with the community, | 0:37:58 | 0:38:00 | |
it was always to do with that. | 0:38:00 | 0:38:01 | |
We did one flat up at 93 Reidvale Street there, showed them | 0:38:03 | 0:38:05 | |
what it was like, and it was just a refurbishment. | 0:38:05 | 0:38:07 | |
"Oh, this is beautiful". "This is great." | 0:38:07 | 0:38:09 | |
-Aye. But it was great. -"Oh, I would not mind a house like this. | 0:38:09 | 0:38:12 | |
"Oh, it's got an inside toilet." | 0:38:12 | 0:38:14 | |
"Oh, look at that beautiful bathroom, oh, it's lovely." | 0:38:14 | 0:38:17 | |
So that was the start. One flat was a start. | 0:38:17 | 0:38:19 | |
Very exciting, yeah. | 0:38:19 | 0:38:20 | |
Some did move away. | 0:38:24 | 0:38:25 | |
Some did accept rehousing in the schemes, | 0:38:25 | 0:38:28 | |
but those that stayed joined the Association | 0:38:28 | 0:38:31 | |
and watched as their neighbourhood began its transformation. | 0:38:31 | 0:38:35 | |
And a century of coal and grime was washed away. | 0:38:37 | 0:38:40 | |
There was a lot of people getting involved within the committee, | 0:38:43 | 0:38:45 | |
people wanting to help, people wanting to volunteer, | 0:38:45 | 0:38:48 | |
people wanted to be a part of this, because I think after a | 0:38:48 | 0:38:50 | |
while people realised this is starting to become something real. | 0:38:50 | 0:38:54 | |
This isn't just some wee guy with a bonnet shouting his mouth off. | 0:38:54 | 0:38:58 | |
This was becoming something real. | 0:38:58 | 0:38:59 | |
This is Reidvale Housing Association. | 0:39:00 | 0:39:03 | |
Glasgow Housing Association. | 0:39:04 | 0:39:06 | |
What would you rather have? | 0:39:06 | 0:39:08 | |
MUSIC: "The Passenger" - Iggy Pop | 0:39:08 | 0:39:10 | |
John Mallon had no choice. | 0:39:15 | 0:39:18 | |
His family needed more room, so the Corporation rehoused them | 0:39:18 | 0:39:21 | |
in the new high rises that now over-shadowed Duke Street. | 0:39:21 | 0:39:24 | |
They were built on the foundations of the tenements where John | 0:39:27 | 0:39:31 | |
had lived as a boy. | 0:39:31 | 0:39:32 | |
I stayed here for 14 year. It's still a dump. | 0:39:34 | 0:39:38 | |
It was a dump when I stayed here. | 0:39:38 | 0:39:40 | |
But a lot of good memories about here, a lot of good people, | 0:39:42 | 0:39:46 | |
a lot of good neighbours who looked after us all. | 0:39:46 | 0:39:49 | |
And we used to have fun meeting everybody in these lifts. | 0:39:49 | 0:39:53 | |
But not today, they're broke again. | 0:39:53 | 0:39:55 | |
This is the back stairs. | 0:40:00 | 0:40:01 | |
When built back in 1968, the Whitevale | 0:40:05 | 0:40:08 | |
and Bluevale Towers symbolised the pinnacle of Glasgow's bold vision. | 0:40:08 | 0:40:13 | |
Soaring 30 storeys high and each containing 174 flats, | 0:40:13 | 0:40:19 | |
they were the tallest occupied buildings in Scotland. | 0:40:19 | 0:40:22 | |
We used to have to walk all the way up to the top, 26. | 0:40:25 | 0:40:27 | |
These flats are quite notorious, but the biggest majority of people | 0:40:29 | 0:40:34 | |
that stayed here were really good, honest citizens. | 0:40:34 | 0:40:37 | |
What level are we at now? | 0:40:37 | 0:40:39 | |
I've lost count. I've lost count. | 0:40:40 | 0:40:44 | |
I think it's the next one. | 0:40:44 | 0:40:46 | |
At one time you did not need to leave the flats. | 0:40:47 | 0:40:50 | |
You could buy your drink here, you could buy cheap vodka here, | 0:40:50 | 0:40:53 | |
you could buy cheap Champagne up these flats, | 0:40:53 | 0:40:56 | |
buy drugs up the flats, buy tobacco up the flats. | 0:40:56 | 0:40:59 | |
Buy butcher meat, there was a butcher, used to buy half a cow. | 0:41:00 | 0:41:04 | |
Used to chop butcher meat up. | 0:41:05 | 0:41:07 | |
You could buy a butcher parcel for a fiver. | 0:41:07 | 0:41:08 | |
No, I mean, so... | 0:41:08 | 0:41:10 | |
That community kind of was there. | 0:41:10 | 0:41:12 | |
We were all, you know what I mean. | 0:41:12 | 0:41:14 | |
And all the meters were rigged. | 0:41:15 | 0:41:17 | |
But the heating, they could not run it, it was costing 20, | 0:41:20 | 0:41:23 | |
£25 to heat a one-bedroom house. | 0:41:23 | 0:41:27 | |
Nobody could... Nobody could heat their houses. | 0:41:27 | 0:41:30 | |
So there were a spark staying up here and rigged all the meters, | 0:41:30 | 0:41:36 | |
you know what I mean, and we were all toasting. | 0:41:36 | 0:41:39 | |
HE LAUGHS | 0:41:39 | 0:41:40 | |
Ah, this is my old bit here, this is my old landing. | 0:41:42 | 0:41:46 | |
HE COUGHS | 0:41:46 | 0:41:48 | |
This is my old house. | 0:42:00 | 0:42:03 | |
I was living in here for over 20 year. | 0:42:03 | 0:42:05 | |
These are the rooms. I didn't realise how small it was. | 0:42:10 | 0:42:14 | |
This is the living room. This is where the parties we had. | 0:42:17 | 0:42:20 | |
We used to sit here and get full of it, constant. | 0:42:21 | 0:42:24 | |
Drink, drugs. Everything. | 0:42:26 | 0:42:28 | |
And that's a kitchen that very rarely got made food in. | 0:42:32 | 0:42:36 | |
Pot Noodles. We lived on Pot Noodles. | 0:42:36 | 0:42:38 | |
They called us the Pot Noodle gang when I stayed here, | 0:42:38 | 0:42:41 | |
because we lived on Pot Noodles. | 0:42:41 | 0:42:43 | |
Drink, drugs and Pot Noodles. | 0:42:44 | 0:42:46 | |
I don't know how I'm still alive to tell you the truth. | 0:42:46 | 0:42:49 | |
I could walk out the door and get full of Valium, cannabis, | 0:42:55 | 0:42:59 | |
acid, heroin, cocaine, Mogadon, Tramadol. | 0:42:59 | 0:43:06 | |
We didn't know the risks. | 0:43:08 | 0:43:09 | |
We'd seen it on the telly basically, watching 'Starsky and Hutch'. | 0:43:09 | 0:43:13 | |
But no, there were drugs everywhere, you know what I mean? | 0:43:19 | 0:43:21 | |
It was easier to buy a bag of smack than it was a bag of toys. | 0:43:21 | 0:43:24 | |
And it was quicker to buy a bag of smack than a bag of toys, you know what I mean? | 0:43:24 | 0:43:28 | |
Miners were on strike, Thatcher was shutting everything down. | 0:43:29 | 0:43:34 | |
The... anarchy, everybody was running riot, there was no jobs. | 0:43:34 | 0:43:39 | |
We just wanted to smash the government up. | 0:43:39 | 0:43:41 | |
And then all of a sudden heroin appeared | 0:43:43 | 0:43:46 | |
and everybody started taking it, | 0:43:46 | 0:43:49 | |
and it quelled... You know what I mean, it quelled the uprising. | 0:43:49 | 0:43:52 | |
I feel it was a government, the government. | 0:43:52 | 0:43:54 | |
Well, put it this way, the Tories are back again, | 0:43:54 | 0:43:56 | |
and this place is full again of heroin. | 0:43:56 | 0:43:59 | |
MUSIC: "Breadline Britain" - The Communards. | 0:43:59 | 0:44:01 | |
# This is Breadline Britain | 0:44:01 | 0:44:05 | |
# This free and promised land... # | 0:44:05 | 0:44:09 | |
In the 1980s, Duke Street, like the rest of Glasgow was hit | 0:44:09 | 0:44:13 | |
by the economic downturn that was to engulf Scotland and the North. | 0:44:13 | 0:44:17 | |
With mass unemployment came social deprivation in the form | 0:44:19 | 0:44:22 | |
of alcohol and drug addiction. | 0:44:22 | 0:44:24 | |
Duke Street was in the thick of it as Glasgow's reputation blackened. | 0:44:26 | 0:44:30 | |
The life expectancy of a man living in the most deprived | 0:44:33 | 0:44:36 | |
areas of Glasgow was a full 15 years less than one | 0:44:36 | 0:44:40 | |
living in the city's more affluent district. | 0:44:40 | 0:44:43 | |
What was left of Dennistoun's middle classes on the north | 0:44:45 | 0:44:47 | |
side of Duke Street now fled the East End. | 0:44:47 | 0:44:50 | |
As families moved away, so the grand houses became bedsits, | 0:44:54 | 0:44:59 | |
halfway houses and hostels. | 0:44:59 | 0:45:01 | |
During this period, Reidvale was also under-going a period of change. | 0:45:06 | 0:45:10 | |
Families were still leaving the area. | 0:45:10 | 0:45:13 | |
They had also been forced to demolish some buildings | 0:45:13 | 0:45:16 | |
deemed to be unsafe. | 0:45:16 | 0:45:18 | |
The remaining tenements were all covered in scaffolding. | 0:45:18 | 0:45:21 | |
But then the scaffolding began to come off as the first flats | 0:45:23 | 0:45:26 | |
were completed. | 0:45:26 | 0:45:27 | |
This is my mum's house, this is where I was brought up | 0:45:28 | 0:45:31 | |
when I was a kid. | 0:45:31 | 0:45:32 | |
DOORBELL RINGS | 0:45:32 | 0:45:34 | |
Hopefully she hears me. | 0:45:34 | 0:45:36 | |
John Stewart moved in to a newly renovated Reidvale flat when he was 10. | 0:45:38 | 0:45:42 | |
And they were all new inside, new doors, new toilets, | 0:45:43 | 0:45:45 | |
new kitchens, just everything was new inside. | 0:45:45 | 0:45:49 | |
And it smelt brilliant, it smelled like a really new house, you know? | 0:45:49 | 0:45:54 | |
Yeah, my old room there. | 0:45:54 | 0:45:55 | |
This was my old room. | 0:45:57 | 0:45:58 | |
This is where I slept. It's now used as a store-room. | 0:45:58 | 0:46:01 | |
This is our kitchen. | 0:46:02 | 0:46:04 | |
It's never really changed except for the new cupboards. | 0:46:04 | 0:46:08 | |
I remember when I was younger, me | 0:46:08 | 0:46:10 | |
and my brother were standing here and we were fighting, he pushed me, | 0:46:10 | 0:46:14 | |
and I actually went right through the window and landed out the back. | 0:46:14 | 0:46:17 | |
You can just imagine falling from there as a kid. | 0:46:17 | 0:46:21 | |
Luckily, hitting the grass. | 0:46:21 | 0:46:23 | |
If I had hit the brick I would have been in hospital. | 0:46:23 | 0:46:26 | |
John Stewart attended the local | 0:46:26 | 0:46:28 | |
primary school at the end of his street. | 0:46:28 | 0:46:30 | |
It served those living on the South of Duke Street. | 0:46:30 | 0:46:32 | |
This here is Thomson Street Primary School where I went in primary. | 0:46:34 | 0:46:37 | |
I was in here for Primary 6, Primary 7 and stuff. | 0:46:37 | 0:46:40 | |
And this here is the playground, | 0:46:42 | 0:46:44 | |
the area where you can see the clothes line. | 0:46:44 | 0:46:47 | |
This is where the playground area was. | 0:46:47 | 0:46:49 | |
A lot of people knew this as the bike shed area. | 0:46:50 | 0:46:54 | |
That wall it's never ever changed, but it was a great school, | 0:46:54 | 0:46:58 | |
it was absolutely brilliant. | 0:46:58 | 0:47:00 | |
And I know and I always remember the headmistress, her office was | 0:47:00 | 0:47:04 | |
in there, because I was never out of it, it was just one of those things. | 0:47:04 | 0:47:08 | |
But it's a great old building. | 0:47:08 | 0:47:10 | |
Thomson Street School was built in 1875. | 0:47:11 | 0:47:15 | |
Its fees were four times higher than other local schools, | 0:47:15 | 0:47:18 | |
such was its reputation. | 0:47:18 | 0:47:20 | |
It initially appealed to the elite of Dennistoun on the other | 0:47:21 | 0:47:24 | |
side of the street before becoming a free school in 1890. | 0:47:24 | 0:47:28 | |
By 1984 it was educating Duke Street's south side. | 0:47:29 | 0:47:34 | |
It's got a lot of memories. | 0:47:34 | 0:47:35 | |
I think the memories were the thing for me. | 0:47:35 | 0:47:37 | |
My life started when I moved in to that school. | 0:47:38 | 0:47:40 | |
The first couple of days I came to the school I saw this boy, | 0:47:43 | 0:47:46 | |
shocking blond hair and thought, "Ooh, he's nice," | 0:47:46 | 0:47:50 | |
and I went home and says to my mum I've met the boy I'm going to marry. | 0:47:50 | 0:47:53 | |
And she just looked at me and went, "So you have, dear," | 0:47:53 | 0:47:55 | |
and just left it. | 0:47:55 | 0:47:57 | |
But ten years later I married that man. | 0:47:57 | 0:47:59 | |
But the number of families in Duke Street was in sharp decline. | 0:48:01 | 0:48:05 | |
In 1983 the council decided to close half of the schools in the area. | 0:48:05 | 0:48:09 | |
Duke Street's parents and children campaigned to save their school. | 0:48:11 | 0:48:15 | |
Irene led the protest. | 0:48:17 | 0:48:19 | |
As a parent our first responsibility is to the safety of our children | 0:48:19 | 0:48:22 | |
and under no circumstances are we going to allow the council to put | 0:48:22 | 0:48:26 | |
us in a position and our children in a very dangerous position. | 0:48:26 | 0:48:29 | |
We're sitting in the middle of a community, we're surrounded | 0:48:29 | 0:48:32 | |
by four main roads, and no matter what school they propose to send | 0:48:32 | 0:48:36 | |
us to, our children are very going to face very dangerous hazards. | 0:48:36 | 0:48:40 | |
Yet again, the council was coming in, | 0:48:40 | 0:48:42 | |
other people were making decisions for us. | 0:48:42 | 0:48:44 | |
It's about time they sat up and listened to the | 0:48:44 | 0:48:46 | |
people from the area and realise our children come first. | 0:48:46 | 0:48:49 | |
There was a big march. | 0:48:52 | 0:48:53 | |
We left from here and we done a march right all the way round, past | 0:48:53 | 0:48:57 | |
Glasgow Cathedral and came back down High Street and John Knox Street | 0:48:57 | 0:49:01 | |
all in protest at the fact that they're closing this school down. | 0:49:01 | 0:49:05 | |
Hundreds of parents and children gathered outside Strathclyde | 0:49:05 | 0:49:08 | |
region's headquarters before the meeting. | 0:49:08 | 0:49:10 | |
The children wore plain white masks because, say their parents, | 0:49:11 | 0:49:14 | |
they're being treated as faceless people. | 0:49:14 | 0:49:18 | |
I remember it very well, because it was filmed with the TV | 0:49:18 | 0:49:20 | |
and it was the first time I was ever on TV, so I'll never ever forget | 0:49:20 | 0:49:24 | |
that, and my face was in the picture in the paper as well, you know? | 0:49:24 | 0:49:27 | |
Despite winning a temporary stay of execution, | 0:49:28 | 0:49:31 | |
the school finally closed its doors in June 1984. | 0:49:31 | 0:49:35 | |
I was one of the last Primary 7 pupils at Thomson Street Primary. | 0:49:35 | 0:49:40 | |
It seemed it was another building that would chart Duke Street's | 0:49:40 | 0:49:43 | |
sad decline. | 0:49:43 | 0:49:44 | |
But John Butterly and the rest of the Bathgate Street Mafia had | 0:49:46 | 0:49:49 | |
other plans. | 0:49:49 | 0:49:50 | |
After a century of grime and filth, stone cleaning revealed row | 0:49:52 | 0:49:56 | |
upon row of glistening honey coloured tenements. | 0:49:56 | 0:49:59 | |
Reidvale Housing Association was transforming the area. | 0:50:00 | 0:50:03 | |
Then you get impatient waiting on yours to get done then. | 0:50:04 | 0:50:08 | |
-I think Bathgate Street was one of the last. -Uh-huh. | 0:50:08 | 0:50:10 | |
We were the Bathgate Street Mafia, we were last to get renovated. | 0:50:10 | 0:50:13 | |
We did all the work, but we were last to get renovated. | 0:50:13 | 0:50:16 | |
Harriet moved back in to what had been her one room and kitchen flat. | 0:50:18 | 0:50:22 | |
Here we are, after this being the small flat, Reidvale came | 0:50:24 | 0:50:27 | |
and knocked two flats into one, so now we've got this nice big flat. | 0:50:27 | 0:50:31 | |
If you'd like to come along and see it. | 0:50:31 | 0:50:34 | |
And this was the flat next door, and this used to be | 0:50:34 | 0:50:38 | |
the kitchen in the flat next door, which is now a lovely bedroom. | 0:50:38 | 0:50:43 | |
So that was two-bedrooms now we've got in the flat. | 0:50:43 | 0:50:46 | |
This used to be a cupboard and now we have a bathroom, | 0:50:48 | 0:50:52 | |
which was a nice luxury when we moved in to this flat. | 0:50:52 | 0:50:55 | |
This was a sitting room. | 0:50:56 | 0:50:59 | |
This whole part here was a sitting room that they divided | 0:50:59 | 0:51:02 | |
it in to two, and now we have a small single bedroom in here... | 0:51:02 | 0:51:07 | |
..which gives you three bedrooms. | 0:51:08 | 0:51:10 | |
And next door we've got a nice kitchen, which even takes | 0:51:12 | 0:51:17 | |
a table and chairs, so it's a big enough kitchen for a family. | 0:51:17 | 0:51:20 | |
So this was the sitting room of the house next door | 0:51:22 | 0:51:25 | |
and now it's a nice kitchen. | 0:51:25 | 0:51:27 | |
Personally, I felt moving from a small room, the kitchen, | 0:51:27 | 0:51:31 | |
toilet, in to a three bedroom, bathroom, | 0:51:31 | 0:51:34 | |
kitchen house was to me absolutely brilliant. | 0:51:34 | 0:51:38 | |
It was like moving in to a mansion. | 0:51:38 | 0:51:40 | |
This three-bedroomed flat is now rented from Reidvale by her | 0:51:40 | 0:51:44 | |
daughter, Vicky. | 0:51:44 | 0:51:45 | |
Vicky's twin brother lives just straight across the road. | 0:51:45 | 0:51:48 | |
You could see his window from here, | 0:51:48 | 0:51:50 | |
so they could actually almost talk to each other. | 0:51:50 | 0:51:52 | |
My other daughter lives in Thomson Street, | 0:51:52 | 0:51:54 | |
so she's not far away either, so... | 0:51:54 | 0:51:56 | |
As the residents of the south side moved back in to | 0:51:57 | 0:52:00 | |
their refurbished and now desirable homes, so this was influencing | 0:52:00 | 0:52:05 | |
the whole of Duke Street, and the north side was changing too. | 0:52:05 | 0:52:09 | |
OK, everyone. Thanks for coming along today. | 0:52:11 | 0:52:13 | |
I know it's a holiday weekend, | 0:52:13 | 0:52:15 | |
so that's even better that people have turned up. | 0:52:15 | 0:52:17 | |
Jerry, you'll be doing Craigpark, we'll do Westercraigs | 0:52:17 | 0:52:21 | |
and then we'll kind of congregate down and you're doing the Square. | 0:52:21 | 0:52:25 | |
OK. Cheers. Have a good day. | 0:52:25 | 0:52:27 | |
So I've been here since 2005 in this street, | 0:52:32 | 0:52:37 | |
having lived in the West End of Glasgow for 18 years before that. | 0:52:37 | 0:52:42 | |
And by selling an apartment in the West End of Glasgow one can | 0:52:46 | 0:52:50 | |
afford, or one could afford to buy a house in this street | 0:52:50 | 0:52:53 | |
with as much space, if not more, and gardens front and back. | 0:52:53 | 0:52:57 | |
That's the rubbish from the gloves. | 0:52:57 | 0:52:59 | |
The whole of the East End is now becoming a far better place to be. | 0:53:03 | 0:53:07 | |
When they asked you what you did and, you know, | 0:53:09 | 0:53:11 | |
I said I was an architect and we stayed in Dennistoun | 0:53:11 | 0:53:13 | |
and they were puzzled by this, because they had never heard | 0:53:13 | 0:53:16 | |
of Dennistoun, they thought all architects stayed in the West End. | 0:53:16 | 0:53:19 | |
Now everyone's heard of Dennistoun. | 0:53:19 | 0:53:21 | |
We're very pleased with the way that this area exists, | 0:53:21 | 0:53:25 | |
and there is a certain kind of community. | 0:53:25 | 0:53:27 | |
You know, if you can at least spend a little bit of time, once a | 0:53:28 | 0:53:33 | |
month, picking up a sweet wrapper or two then, you know, you do your bit. | 0:53:33 | 0:53:40 | |
It's just really a community feel now. | 0:53:41 | 0:53:43 | |
People feel that they're supported | 0:53:43 | 0:53:44 | |
and that there's a sense of place where they are. | 0:53:44 | 0:53:47 | |
Morning. | 0:53:47 | 0:53:48 | |
So it's that kind of thing that you continue to talk about it, | 0:53:50 | 0:53:53 | |
people begin to learn about it. | 0:53:53 | 0:53:55 | |
We were just lucky we got in early doors and we love it to bits. | 0:53:55 | 0:53:58 | |
And that's it, isn't it, yeah? | 0:53:58 | 0:53:59 | |
Slowly, the middle classes are making their way back to Duke Street. | 0:54:03 | 0:54:07 | |
A sense of community is returning to this street. | 0:54:09 | 0:54:11 | |
But no-one wants to live in these flats any more. | 0:54:15 | 0:54:17 | |
The last tenants moved out over a year ago and 378 homes lie empty. | 0:54:18 | 0:54:24 | |
Built too close to the railway line | 0:54:27 | 0:54:29 | |
and the homes that sit underneath, they can't be blown up. | 0:54:29 | 0:54:33 | |
Instead, they still await demolition, one floor at a time. | 0:54:33 | 0:54:38 | |
The school lay for a while with nothing happening to it. | 0:54:40 | 0:54:44 | |
And it was angering us all. | 0:54:44 | 0:54:46 | |
They were saying it was going to cost £50,000 to demolish it, | 0:54:46 | 0:54:50 | |
so we says to them we'll take it off your hands, what do you want for it? | 0:54:50 | 0:54:54 | |
And they went, well, we can give you it for a £1. | 0:54:55 | 0:54:58 | |
Irene couldn't save the school, | 0:55:00 | 0:55:02 | |
but Reidvale Housing Association did save the building. | 0:55:02 | 0:55:05 | |
It became 19 flats. | 0:55:05 | 0:55:07 | |
Irene moved here in 1987. | 0:55:10 | 0:55:12 | |
This is the main entrance of the old school, | 0:55:12 | 0:55:15 | |
and if you just come through it I'll show you the living area. | 0:55:15 | 0:55:18 | |
This is the living room and the kitchen area. | 0:55:20 | 0:55:24 | |
This used to be the headmaster's room, | 0:55:24 | 0:55:26 | |
and my husband, Tommy, visited it more often than I did for the belt. | 0:55:26 | 0:55:30 | |
This is the bedroom. | 0:55:32 | 0:55:34 | |
This was a classroom, or a staff room for the teachers. | 0:55:34 | 0:55:39 | |
When we moved in here this was... | 0:55:39 | 0:55:41 | |
John Butterly wanted a Jacuzzi. I got a Jacuzzi. | 0:55:41 | 0:55:45 | |
See John, he'll be looking down for me from above. | 0:55:45 | 0:55:47 | |
I've got a Jacuzzi at last. | 0:55:47 | 0:55:49 | |
We are independent and we make the decisions, the people of the area. | 0:55:51 | 0:55:54 | |
It's people power. | 0:55:54 | 0:55:55 | |
The City Council known as Glasgow Housing Association now, | 0:55:57 | 0:56:00 | |
are following in our footsteps. | 0:56:00 | 0:56:03 | |
Why? Because we were successful. | 0:56:03 | 0:56:05 | |
Not so long ago, Harriet moved in to Reidvale's very last project | 0:56:06 | 0:56:12 | |
sheltered housing for Duke Street's elderly. | 0:56:12 | 0:56:15 | |
That was seven years ago, and then I felt quite young, | 0:56:17 | 0:56:20 | |
and I thought I'm not going in to one with the old folk. | 0:56:20 | 0:56:23 | |
This is where we sit in the summer. | 0:56:25 | 0:56:27 | |
We bring the chairs over and we sit. | 0:56:27 | 0:56:29 | |
We're waiting on a new umbrella coming for the table. | 0:56:29 | 0:56:32 | |
And that's our love seat, but nobody's in love in here, | 0:56:32 | 0:56:35 | |
so it does not get used. | 0:56:35 | 0:56:36 | |
There was one man stood up and when he's seen me and he went, | 0:56:38 | 0:56:41 | |
"Oh, fresh meat," and he rubbed his hands, and I thought, "Oh, my God." | 0:56:41 | 0:56:45 | |
John Butterly was awarded an MBE in 1987 for his services to the | 0:56:47 | 0:56:51 | |
community. | 0:56:51 | 0:56:53 | |
I remember going to a Celtic match with him that day, | 0:56:54 | 0:56:56 | |
and it must have been the Rangers/Celtic game, | 0:56:56 | 0:56:59 | |
because it was a New Year's Day game and there was a guy | 0:56:59 | 0:57:02 | |
in front of us with his paper rolled up in his back pocket | 0:57:02 | 0:57:05 | |
and I could see his son with him kind of looking at his back pocket | 0:57:05 | 0:57:09 | |
and then looking at my grandpa, and then looking at the back pocket | 0:57:09 | 0:57:12 | |
and I kinda felt my grandpa's famous, you know, it was brilliant. | 0:57:12 | 0:57:15 | |
And I know he loved it, | 0:57:15 | 0:57:16 | |
he absolutely loved being on the front page of the Daily Record. | 0:57:16 | 0:57:20 | |
The residents of Duke Street were able to save a 1,000 homes, | 0:57:26 | 0:57:30 | |
and no-one was moved more than a few hundred metres from where | 0:57:30 | 0:57:34 | |
they'd previously lived. | 0:57:34 | 0:57:35 | |
It was the Reidvale tenants of Glasgow's Duke Street who | 0:57:37 | 0:57:41 | |
pioneered the creation of community controlled housing | 0:57:41 | 0:57:44 | |
associations throughout the United Kingdom. | 0:57:44 | 0:57:47 | |
In next week's episode, Aberdeen's Fittie Squares | 0:57:53 | 0:57:57 | |
were an enclave for fisher folk. | 0:57:57 | 0:57:59 | |
You were being taught from an early age that the demon drink was | 0:57:59 | 0:58:02 | |
bad for you. | 0:58:02 | 0:58:03 | |
Unchanged for generations. | 0:58:03 | 0:58:05 | |
Fittie was regarded as a kind of a strange place. | 0:58:05 | 0:58:09 | |
When a new industry arrived, | 0:58:09 | 0:58:11 | |
its people were thrown headlong in to the modern world. | 0:58:11 | 0:58:15 | |
These people have been sacrificed to oil interests. | 0:58:15 | 0:58:18 | |
If you want to learn more about social change | 0:58:21 | 0:58:23 | |
and issues such as poverty, class and housing, | 0:58:23 | 0:58:25 | |
the Open University has produced a free publication. | 0:58:25 | 0:58:28 | |
Go to bbc.co.uk/ourstreets | 0:58:28 | 0:58:31 | |
and follow the links to the Open University, or call 0845 271 0018. | 0:58:31 | 0:58:36 |