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Rupert Murdoch - the most powerful media mogul in the world. | 0:00:02 | 0:00:05 | |
He is accused of dragging Britain's press into the gutter, | 0:00:05 | 0:00:08 | |
of having contempt for the law, and of contaminating our politics | 0:00:08 | 0:00:13 | |
and public life. | 0:00:13 | 0:00:15 | |
That is the conventional view, but let me offer you another. | 0:00:15 | 0:00:19 | |
Think of Rupert Murdoch as an agent of change | 0:00:19 | 0:00:22 | |
that struggling post-war Britain urgently needed | 0:00:22 | 0:00:25 | |
and whose impact has been little short of revolutionary. | 0:00:25 | 0:00:30 | |
This programme contains some strong language | 0:00:30 | 0:00:33 | |
He did absolutely come in thinking, "We're going to shake this place up." | 0:00:34 | 0:00:38 | |
"No," said Murdoch. "Give 'em what they want, the public will decide. | 0:00:38 | 0:00:43 | |
Always the outsider. | 0:00:43 | 0:00:44 | |
He'd come in and he had this powerful position. | 0:00:44 | 0:00:46 | |
But he didn't feel part of it, he felt like a not wanted alien. | 0:00:46 | 0:00:51 | |
He was like a Martian in our society. | 0:00:51 | 0:00:53 | |
A ruthless industrial radical. | 0:00:53 | 0:00:56 | |
I think what he did at Wapping was a masterpiece. | 0:00:56 | 0:00:58 | |
Rupert Murdoch comes along and liberates the entire British press. | 0:00:58 | 0:01:02 | |
-That's a single achievement. -He was showing this establishment, | 0:01:02 | 0:01:05 | |
whether it was the trade union or Fleet Street establishment, | 0:01:05 | 0:01:09 | |
that he could do it and he was going to deliver. | 0:01:09 | 0:01:12 | |
And above all, a gambler. | 0:01:12 | 0:01:15 | |
He said, "I'm sitting here with a cheque for 350 million. | 0:01:15 | 0:01:19 | |
"Andrew will come round with it now, | 0:01:19 | 0:01:22 | |
"if you will agree now to the output deal." | 0:01:22 | 0:01:24 | |
He makes a big bet... | 0:01:24 | 0:01:26 | |
and then he goes all in on the bet, all in on the bet, right. | 0:01:26 | 0:01:30 | |
By embracing the changes he delivered, | 0:01:32 | 0:01:34 | |
we made him rich and powerful. | 0:01:34 | 0:01:37 | |
And then, a crisis, | 0:01:40 | 0:01:41 | |
so serious that it threatened to destroy everything he had built. | 0:01:41 | 0:01:46 | |
Rupert Murdoch, will you tell us what percentage... | 0:01:46 | 0:01:48 | |
This is the story of Rupert Murdoch's | 0:01:48 | 0:01:50 | |
40-year battle with Britain. | 0:01:50 | 0:01:53 | |
It's the 1930s. | 0:02:01 | 0:02:03 | |
The only son of a wealthy Australian family is growing up in Melbourne. | 0:02:03 | 0:02:08 | |
The boy's name is Keith Rupert Murdoch. | 0:02:08 | 0:02:12 | |
His father is Sir Keith, knighted for services to journalism. | 0:02:13 | 0:02:18 | |
He became famous for exposing the Gallipoli scandal, | 0:02:18 | 0:02:21 | |
the loss of thousands of young Australians | 0:02:21 | 0:02:23 | |
during the First World War | 0:02:23 | 0:02:25 | |
at the behest of "incompetent British commanders". | 0:02:25 | 0:02:29 | |
The Murdochs are Australian aristocracy | 0:02:29 | 0:02:32 | |
with a characteristic dose of antagonism to the old country. | 0:02:32 | 0:02:37 | |
Rupert is sent to Geelong Grammar, Australia's Eton | 0:02:37 | 0:02:41 | |
and delights his father by obtaining a place at Oxford University. | 0:02:41 | 0:02:45 | |
It will be his first encounter with Britain. | 0:02:47 | 0:02:50 | |
What he finds there | 0:02:50 | 0:02:51 | |
will shape his attitude to this country for ever. | 0:02:51 | 0:02:56 | |
In October 1950, Rupert Murdoch arrived in Oxford, | 0:02:59 | 0:03:03 | |
right in the heart of chilly post-war, ration book Britain. | 0:03:03 | 0:03:07 | |
It must have looked a grim prospect for a young Australian | 0:03:07 | 0:03:11 | |
coming all the way from sunny Melbourne. | 0:03:11 | 0:03:14 | |
He has come to Worcester College | 0:03:14 | 0:03:16 | |
to study politics, philosophy and economics. | 0:03:16 | 0:03:19 | |
Peter Grosvenor was a fellow student. | 0:03:20 | 0:03:23 | |
He was an ambitious would-be politician | 0:03:23 | 0:03:26 | |
in the Oxford University Labour Club. | 0:03:26 | 0:03:29 | |
He was an absolute dyed-in-the-wool socialist | 0:03:29 | 0:03:33 | |
and he had a bust of Lenin in his study, which was incredible. | 0:03:33 | 0:03:37 | |
Murdoch stuck out here, partly because he had a car, | 0:03:39 | 0:03:42 | |
almost unheard of for undergraduates of the time, | 0:03:42 | 0:03:45 | |
but mainly because he refused to play by the rules. | 0:03:45 | 0:03:49 | |
This is how the university magazine, The Cherwell, described him - | 0:03:51 | 0:03:55 | |
"Rupert Murdoch, cataclysmic chauffeur from the outback. | 0:03:55 | 0:03:59 | |
"He is known as a brilliant betting man | 0:03:59 | 0:04:02 | |
"with that individual Billingsgate touch." | 0:04:02 | 0:04:05 | |
Ouch! | 0:04:05 | 0:04:07 | |
Almost everything about this place, its tradition, its formality, | 0:04:07 | 0:04:11 | |
reeked of old establishment Britain, | 0:04:11 | 0:04:13 | |
none of which appears to have impressed the young Rupert. | 0:04:13 | 0:04:17 | |
He wrote home to a friend Down Under - | 0:04:17 | 0:04:21 | |
"Oh, for the bloody sun! | 0:04:21 | 0:04:24 | |
"If it weren't for good friends, I'd have shot myself | 0:04:24 | 0:04:26 | |
"in this bloody place long ago. | 0:04:26 | 0:04:29 | |
"Rain, wind, sleet, slush, shit, snow... | 0:04:29 | 0:04:34 | |
"and starch." | 0:04:34 | 0:04:36 | |
In any event, it's pretty clear that many people here | 0:04:36 | 0:04:40 | |
saw Rupert Murdoch almost exactly as he saw himself - | 0:04:40 | 0:04:43 | |
as a rebel and an outsider from the very start. | 0:04:43 | 0:04:48 | |
At the beginning of Rupert's final year at Oxford, | 0:04:49 | 0:04:52 | |
his father, Sir Keith, died. | 0:04:52 | 0:04:55 | |
But he'd made one last arrangement to complete his son's education - | 0:04:55 | 0:04:59 | |
a spell at Lord Beaverbrook's top-selling Daily Express. | 0:04:59 | 0:05:03 | |
In three years, Rupert Murdoch learned a lot | 0:05:07 | 0:05:10 | |
about post-war Britain and its privileged elite. | 0:05:10 | 0:05:13 | |
He'd arrived, remember, as the son of a wealthy Australian media baron | 0:05:13 | 0:05:17 | |
and been treated like a colonial upstart. | 0:05:17 | 0:05:20 | |
In three months here, at the Daily Express, | 0:05:20 | 0:05:22 | |
he learned how to produce a newspaper | 0:05:22 | 0:05:25 | |
capable of selling four million copies a day. | 0:05:25 | 0:05:28 | |
In 1953, aged 22, he went back to Australia | 0:05:28 | 0:05:32 | |
to claim his inheritance from his father, his own first newspaper. | 0:05:32 | 0:05:37 | |
But although Sir Keith was the most prominent figure | 0:05:41 | 0:05:44 | |
in Australian journalism, the only newspaper he was able to bequeath | 0:05:44 | 0:05:48 | |
to his son was a small afternoon tabloid, the Adelaide News. | 0:05:48 | 0:05:54 | |
This taught Rupert Murdoch a lesson he would never forget. | 0:05:54 | 0:05:57 | |
Ownership and control were more important than public standing, | 0:05:57 | 0:06:03 | |
and so he began building an empire. | 0:06:03 | 0:06:07 | |
And as he did so, Rupert Murdoch developed a formula for success. | 0:06:09 | 0:06:13 | |
First, snap up a failing newspaper, | 0:06:13 | 0:06:16 | |
shamelessly popularise it with irreverence and sensation, | 0:06:16 | 0:06:19 | |
and a no-holds-barred approach to eye-catching scoops. | 0:06:19 | 0:06:24 | |
A photographer famously disguised himself as a doctor | 0:06:24 | 0:06:27 | |
to get this picture of singer Marianne Faithfull unconscious | 0:06:27 | 0:06:30 | |
after a drug overdose. | 0:06:30 | 0:06:32 | |
By 1968, Rupert Murdoch was a force to be reckoned with. | 0:06:33 | 0:06:38 | |
He owned five newspapers, including The Australian, | 0:06:38 | 0:06:40 | |
that country's only national daily, and two TV stations. | 0:06:40 | 0:06:45 | |
Do you think it's possible people have underestimated you? | 0:06:45 | 0:06:48 | |
Yes, I think so. | 0:06:48 | 0:06:50 | |
They had it pretty easy themselves in what they were doing, | 0:06:50 | 0:06:54 | |
they were doing well, and they didn't see these opportunities, | 0:06:54 | 0:06:58 | |
because they weren't looking for them | 0:06:58 | 0:07:00 | |
and when someone else found them, | 0:07:00 | 0:07:02 | |
they still couldn't believe the opportunities were really there. | 0:07:02 | 0:07:05 | |
He'd also acquired a reputation for ruthlessness. | 0:07:05 | 0:07:09 | |
You don't realise, that there's a great deal of iron | 0:07:09 | 0:07:12 | |
behind the boyish exterior. | 0:07:12 | 0:07:15 | |
He's a very tough proprietor who, I think, sacked more journalists | 0:07:15 | 0:07:19 | |
than I think I'd ever seen sacked before in my whole career. | 0:07:19 | 0:07:24 | |
He's a tremendous sacker but, of course, | 0:07:24 | 0:07:26 | |
he's also a tremendous hirer. | 0:07:26 | 0:07:29 | |
So, he's always sacking them and hiring them! | 0:07:29 | 0:07:32 | |
Rupert Murdoch had become a prominent national figure | 0:07:33 | 0:07:36 | |
in the Australian media, and yet in Britain, | 0:07:36 | 0:07:39 | |
he was still virtually unknown. | 0:07:39 | 0:07:42 | |
But all that was about to change. | 0:07:42 | 0:07:45 | |
The Rupert Murdoch we've come to know was made in Australia. | 0:07:47 | 0:07:51 | |
He knows what people want and he sets out to give it to them. | 0:07:51 | 0:07:54 | |
He's fiercely ambitious, finding and then gambling on opportunities | 0:07:54 | 0:07:59 | |
others simply don't see, which he then pursues | 0:07:59 | 0:08:02 | |
with a ruthlessness that shocks even fellow newspaper men. | 0:08:02 | 0:08:06 | |
Then the chance to expand to the old country drops into his lap. | 0:08:06 | 0:08:11 | |
The British press establishment has no idea what's about to hit them. | 0:08:11 | 0:08:17 | |
The News of the World belonged to the Carr family. | 0:08:18 | 0:08:21 | |
They were pillars of the British establishment | 0:08:21 | 0:08:23 | |
and had owned the paper since 1891. | 0:08:23 | 0:08:26 | |
It was the biggest newspaper in the world, | 0:08:26 | 0:08:29 | |
but Sir William Carr, the then Chairman | 0:08:29 | 0:08:32 | |
treated it as the family grocery shop, basically. | 0:08:32 | 0:08:34 | |
Sir William was a great connoisseur of Scotch whisky, | 0:08:34 | 0:08:37 | |
never less than two bottles a day. | 0:08:37 | 0:08:39 | |
He and the top executives used to go every day to The Savoy Grill for lunch. | 0:08:39 | 0:08:44 | |
There was a joke it was the office canteen. | 0:08:44 | 0:08:47 | |
I think they'd become over-confident, and arrogant, | 0:08:47 | 0:08:51 | |
and they didn't realise that only owning 30% of the shares, | 0:08:51 | 0:08:54 | |
didn't actually give them control. | 0:08:54 | 0:08:57 | |
And then in 1968, | 0:08:57 | 0:08:59 | |
the Carrs discovered to their horror that a young publisher | 0:08:59 | 0:09:02 | |
called Robert Maxwell was preparing a hostile takeover of THEIR newspaper. | 0:09:02 | 0:09:08 | |
Maxwell wasn't actually his name, he was a Czech called Jan Ludwig Hoch | 0:09:08 | 0:09:13 | |
and they weren't going to let it fall into the hands of a foreigner. | 0:09:13 | 0:09:16 | |
Ironically, of course, it ended up with another foreigner, | 0:09:16 | 0:09:20 | |
Rupert Murdoch. | 0:09:20 | 0:09:21 | |
Murdoch arrived in London and offered the Carrs a way | 0:09:23 | 0:09:26 | |
to keep the paper out of Maxwell's hands by allowing him in. | 0:09:26 | 0:09:31 | |
All he asked for in return was to be made managing director. | 0:09:31 | 0:09:35 | |
So, when Rupert Murdoch arrived | 0:09:36 | 0:09:38 | |
-with a slightly more ruthless business sense... -Absolutely, yeah. | 0:09:38 | 0:09:41 | |
..they were wide open for him? | 0:09:41 | 0:09:43 | |
Oh, absolutely yes, they were lying there with their legs wide open | 0:09:43 | 0:09:47 | |
waiting to be screwed, I think, basically. | 0:09:47 | 0:09:49 | |
At an emergency shareholders' meeting, | 0:09:51 | 0:09:53 | |
Sir William gave Rupert Murdoch his personal backing. | 0:09:53 | 0:09:57 | |
Thank you very much. | 0:09:57 | 0:09:59 | |
And to Maxwell's fury, his bid was thrown out. | 0:09:59 | 0:10:02 | |
There's been a lot of acrimony throughout the stages of this takeover bid. | 0:10:02 | 0:10:06 | |
-We've never said anything personal... -Hasn't it developed... | 0:10:06 | 0:10:08 | |
Yesterday, Mr Maxwell called me a moth-eaten kangaroo! Well, | 0:10:08 | 0:10:14 | |
we haven't got quite to that stage! | 0:10:14 | 0:10:15 | |
Sir William had saved his paper from Maxwell, | 0:10:16 | 0:10:20 | |
but ended up handing it over to Murdoch. | 0:10:20 | 0:10:23 | |
Within a few months, Carr was shunted upstairs | 0:10:23 | 0:10:26 | |
to become Life President and Rupert Murdoch took control | 0:10:26 | 0:10:29 | |
of the biggest-selling English-language newspaper | 0:10:29 | 0:10:32 | |
in the world. He was just 38 years old. | 0:10:32 | 0:10:36 | |
He is like a breath of fresh air, in this building, | 0:10:42 | 0:10:46 | |
in Fleet Street, in the printing industry, | 0:10:46 | 0:10:49 | |
and by Christ, it's long overdue. | 0:10:49 | 0:10:50 | |
He's a gambler, an inveterate gambler. | 0:10:50 | 0:10:53 | |
He's a good Australian businessman, who's come here | 0:10:53 | 0:10:57 | |
and is going to show you how to do it. | 0:10:57 | 0:10:59 | |
Just as he had done in Australia, | 0:10:59 | 0:11:00 | |
Murdoch immediately set about finding a dramatic scoop | 0:11:00 | 0:11:04 | |
to boost sales of his new paper and he soon got one. | 0:11:04 | 0:11:09 | |
'They tried to keep this girl's name secret, | 0:11:09 | 0:11:11 | |
'but suddenly everyone knew it | 0:11:11 | 0:11:13 | |
'Christine Keeler, the girl who sparked off a drama | 0:11:13 | 0:11:16 | |
'of government scandal, spying, intrigue and even death.' | 0:11:16 | 0:11:20 | |
In the summer of 1969, Murdoch paid Christine Keeler | 0:11:20 | 0:11:24 | |
£21,000 for the exclusive rights to publish her memoirs. | 0:11:24 | 0:11:28 | |
Keeler had been the call girl at the centre of a political sex scandal | 0:11:30 | 0:11:34 | |
that had forced the resignation of John Profumo, | 0:11:34 | 0:11:36 | |
the then Minister for War, some six years earlier. | 0:11:36 | 0:11:39 | |
We've got to lead with it and this is some tremendous news. | 0:11:40 | 0:11:44 | |
We should take the offensive about this and this controversy | 0:11:44 | 0:11:48 | |
and if it keeps it boiling for six weeks, so much the better. | 0:11:48 | 0:11:51 | |
Although it wasn't strictly new, | 0:11:51 | 0:11:53 | |
the story had all the ingredients of a classic Murdoch headline grabber. | 0:11:53 | 0:11:59 | |
Do you read a Sunday paper regularly? | 0:11:59 | 0:12:00 | |
Well, I read all the scandal in the News of the World. | 0:12:00 | 0:12:04 | |
What do you like particularly about the News of the World? | 0:12:04 | 0:12:07 | |
Well, all the scandal. | 0:12:07 | 0:12:08 | |
Who's doing someone's old woman and all that. | 0:12:08 | 0:12:11 | |
But what Murdoch DIDN'T anticipate | 0:12:13 | 0:12:15 | |
was the outrage the story provoked in polite society, | 0:12:15 | 0:12:18 | |
who looked on it as shameless muckraking. | 0:12:18 | 0:12:22 | |
You said, "People can sneer as much as they like, | 0:12:22 | 0:12:24 | |
"but I'll take the 150,000 copies we're going to sell." | 0:12:24 | 0:12:26 | |
It suggests that you are, in fact, lining your pocket | 0:12:26 | 0:12:29 | |
with rather sleazy material. | 0:12:29 | 0:12:31 | |
Well, I don't agree it's sleazy, for a minute. | 0:12:31 | 0:12:34 | |
Even Murdoch's Australian wife, Anna was drawn into the controversy. | 0:12:34 | 0:12:39 | |
-Do you read the News of the World? -Yes, every Sunday. | 0:12:39 | 0:12:41 | |
-What do you think of it? -It's very good. | 0:12:41 | 0:12:43 | |
But it doesn't upset you at all, it doesn't worry you... | 0:12:43 | 0:12:45 | |
-Why should it? -..that it's that kind of paper? | 0:12:45 | 0:12:47 | |
I'm very proud it, I think that's a very pretentious thing to say. | 0:12:47 | 0:12:51 | |
The Keeler memoirs story defined the battle lines | 0:12:51 | 0:12:54 | |
between Rupert Murdoch and the British liberal establishment. | 0:12:54 | 0:12:57 | |
Where he saw an important story, but above all | 0:12:57 | 0:13:00 | |
a great commercial opportunity, | 0:13:00 | 0:13:02 | |
all they could see was a sorry tale of a scandal rehashed, | 0:13:02 | 0:13:06 | |
dredged up unnecessarily by an uncultured grasping colonial, | 0:13:06 | 0:13:11 | |
a man for whom no gutter could be too deep. | 0:13:11 | 0:13:15 | |
The satirical magazine, Private Eye, summed it up. | 0:13:15 | 0:13:17 | |
They dubbed him "The Dirty Digger," | 0:13:17 | 0:13:19 | |
a name, incidentally, which has stayed with him ever since. | 0:13:19 | 0:13:23 | |
In just a matter of weeks, Rupert Murdoch had gone | 0:13:23 | 0:13:25 | |
from virtually unknown to beneath contempt. | 0:13:25 | 0:13:29 | |
But none of this seems to have bothered Rupert Murdoch. | 0:13:29 | 0:13:32 | |
He was already looking to apply his mass-market formula | 0:13:32 | 0:13:35 | |
on a bigger scale - a national daily paper. | 0:13:35 | 0:13:39 | |
All he needed was the opportunity to buy one. | 0:13:39 | 0:13:43 | |
The Sun had been a trade union paper, | 0:13:48 | 0:13:51 | |
but it had lost £12 million in five years | 0:13:51 | 0:13:54 | |
and its owners, IPC, were ready to sell. | 0:13:54 | 0:13:57 | |
Murdoch bought it for less than £1 million | 0:14:04 | 0:14:06 | |
and immediately began reinventing The Sun as a mass-market tabloid. | 0:14:06 | 0:14:11 | |
He knew what he wanted in a vague way. | 0:14:11 | 0:14:15 | |
He wanted this paper to steal the clothes of the Daily Mirror, | 0:14:15 | 0:14:20 | |
but improve them. In other words, be more irreverent than the Mirror, | 0:14:20 | 0:14:23 | |
saucier than the Mirror, more of an iconoclast. | 0:14:23 | 0:14:27 | |
The Daily Mirror had been Britain's best-selling tabloid | 0:14:28 | 0:14:31 | |
for three decades but, in common with the rest of Fleet Street, | 0:14:31 | 0:14:35 | |
no-one seemed to have noticed that a transformation | 0:14:35 | 0:14:38 | |
was going on around them. | 0:14:38 | 0:14:40 | |
The sexual revolution of the '60s had gone mainstream | 0:14:41 | 0:14:45 | |
and the Mirror's working-class readership | 0:14:45 | 0:14:47 | |
was looking for something more in tune with the times. | 0:14:47 | 0:14:51 | |
'Murdoch came here at a time of immense social change | 0:14:51 | 0:14:55 | |
'in the whole character of the country, and I think' | 0:14:55 | 0:14:58 | |
he seized that moment, | 0:14:58 | 0:14:59 | |
realised that people just didn't want interesting news | 0:14:59 | 0:15:03 | |
and journalism and pontification about politics. | 0:15:03 | 0:15:06 | |
They wanted something simpler, clear to understand, popular, | 0:15:06 | 0:15:11 | |
even, perhaps even crude. | 0:15:11 | 0:15:14 | |
At the end of the first week, The Sun published a manifesto | 0:15:18 | 0:15:21 | |
aimed straight at the Mirror and its traditional readers. | 0:15:21 | 0:15:25 | |
"The Sun has no party politics. The Sun is a radical newspaper. | 0:15:26 | 0:15:32 | |
"We are not going to bow to the Establishment | 0:15:32 | 0:15:34 | |
"in any of its privileged enclaves. Ever." | 0:15:34 | 0:15:38 | |
Murdoch saw the Mirror as elitist, | 0:15:39 | 0:15:42 | |
that it had gone middle class, that it was telling people | 0:15:42 | 0:15:45 | |
what it, editors, thought they should have. It was educative. | 0:15:45 | 0:15:49 | |
"No." said Murdoch. "Give them what they want - the public will decide. | 0:15:49 | 0:15:54 | |
"The best example of democracy is to be found in the market." | 0:15:54 | 0:15:58 | |
The Sun reflected the ambitions of ordinary people, | 0:15:58 | 0:16:02 | |
and we were cheerful, and if this was a pub, | 0:16:02 | 0:16:05 | |
this was a pub, right, | 0:16:05 | 0:16:07 | |
we'd be in the corner laughing, probably with blokes, | 0:16:07 | 0:16:10 | |
probably with blokes about football or sex, | 0:16:10 | 0:16:13 | |
and over at the other end of the bar | 0:16:13 | 0:16:14 | |
there'd be some old bloody codger there, | 0:16:14 | 0:16:16 | |
rolling up their woodbines, you know, "disgraceful world" and all that, | 0:16:16 | 0:16:21 | |
and that would be a Daily Mirror reader. | 0:16:21 | 0:16:23 | |
So it was quite simple - one was youthful, vibrant, not over-educated | 0:16:23 | 0:16:28 | |
but not stupid, and this one here was dying, and that's what happened. | 0:16:28 | 0:16:32 | |
And if there's a single feature of The Sun that most clearly embodies | 0:16:36 | 0:16:40 | |
its populist, upfront character, it must be Page Three, introduced | 0:16:40 | 0:16:45 | |
in its full, topless glory, on the paper's first birthday in 1970. | 0:16:45 | 0:16:50 | |
But it was only the most prominent example of how Murdoch's Sun | 0:16:50 | 0:16:55 | |
gave its readers what THEY wanted. | 0:16:55 | 0:16:57 | |
What Murdoch understood was how to push the boundaries | 0:16:58 | 0:17:04 | |
that little bit further, understanding what people wanted, | 0:17:04 | 0:17:08 | |
but at the same time not insulting them, | 0:17:08 | 0:17:11 | |
and in no way going further than they really wished to themselves. | 0:17:11 | 0:17:15 | |
Murdoch had taken over a failing paper, selling less than 700,000 copies. | 0:17:16 | 0:17:21 | |
Within a hundred days, he'd doubled it. | 0:17:21 | 0:17:24 | |
Every day the circulation would go up! | 0:17:26 | 0:17:29 | |
I mean, literally, lead on "Nun runs off with rhino," and boom, up it goes, | 0:17:29 | 0:17:35 | |
and then boom up it goes the following day. It was incredible! | 0:17:35 | 0:17:37 | |
I didn't know anything about Rupert Murdoch to be honest with you, | 0:17:37 | 0:17:40 | |
but there was a sense that there was a higher being somewhere | 0:17:40 | 0:17:43 | |
who could create success. | 0:17:43 | 0:17:45 | |
Readers might have warmed to Rupert Murdoch's newspapers | 0:17:48 | 0:17:51 | |
but London society viewed him with considerable suspicion, | 0:17:51 | 0:17:54 | |
not least because he seemed to relish | 0:17:54 | 0:17:57 | |
exposing the salacious details of their private lives. | 0:17:57 | 0:18:01 | |
Rupert and his wife, Anna, were effectively ostracised. | 0:18:03 | 0:18:07 | |
But it's telling that when he was invited to a social event, | 0:18:07 | 0:18:10 | |
he went to some lengths to try to fit in. | 0:18:10 | 0:18:14 | |
One such occasion was a shooting party, | 0:18:14 | 0:18:16 | |
where Murdoch met journalist and writer Chapman Pincher. | 0:18:16 | 0:18:20 | |
Well, we were shooting at Ramsbury Manor, where I was a regular gun, | 0:18:20 | 0:18:25 | |
and I arrived one day to see one of the guests was none other than Rupert Murdoch. | 0:18:25 | 0:18:31 | |
I noticed right away that he was wearing | 0:18:31 | 0:18:35 | |
an absolutely brand-new dark brown shooting knickerbocker suit. | 0:18:35 | 0:18:39 | |
I also was pretty confident, when I looked, that his gun was brand-new. | 0:18:39 | 0:18:44 | |
He didn't hit a thing. I felt rather sorry for him. | 0:18:53 | 0:18:56 | |
Not one? | 0:18:56 | 0:18:57 | |
Not one, no. Not a thing. Didn't disturb a feather, as we used to say. | 0:18:57 | 0:19:01 | |
But by the end of the day, he was knocking a few down... | 0:19:03 | 0:19:08 | |
..sufficiently to impress me into thinking he's the sort of chap | 0:19:11 | 0:19:16 | |
who could do whatever he wanted to do. | 0:19:16 | 0:19:18 | |
Do you remember what you talked about during the shoot? | 0:19:20 | 0:19:24 | |
Well, one of the things he said to me, which of course I can never forget, | 0:19:24 | 0:19:28 | |
was he complained about the snobbishness of the people | 0:19:28 | 0:19:32 | |
in this country, especially towards his Australian wife. | 0:19:32 | 0:19:36 | |
And he even went so far as to say he was thinking of moving to America because of it. | 0:19:36 | 0:19:41 | |
But it wasn't only English snobbery | 0:19:45 | 0:19:47 | |
that had left Anna feeling deeply unsettled. | 0:19:47 | 0:19:50 | |
In December 1969, the wife of Alick McKay, | 0:19:53 | 0:19:56 | |
one of Rupert's executives in London, was abducted. | 0:19:56 | 0:19:59 | |
It was a case of mistaken identity. | 0:20:00 | 0:20:03 | |
The kidnappers thought they had Anna Murdoch. | 0:20:03 | 0:20:05 | |
When they realised their mistake, they murdered Mrs McKay. | 0:20:05 | 0:20:10 | |
Her killers were caught and convicted, | 0:20:10 | 0:20:12 | |
but Muriel McKay's body was never found. | 0:20:12 | 0:20:15 | |
-You were the intended target for the kidnappers? -Yes. | 0:20:16 | 0:20:20 | |
That must have been a nightmare. | 0:20:20 | 0:20:23 | |
It wasn't so bad for us as it was for Alick McKay, | 0:20:23 | 0:20:27 | |
but certainly one has to think about it, | 0:20:27 | 0:20:29 | |
and it coloured my time there in Britain after that happened. | 0:20:29 | 0:20:33 | |
And so, in 1974, Rupert, Anna and the family - now three children - moved to New York. | 0:20:36 | 0:20:41 | |
This was Rupert Murdoch's land of greatest opportunity. | 0:20:44 | 0:20:47 | |
A vast English-speaking media market | 0:20:47 | 0:20:50 | |
in a society where status is measured by wealth, not birthright. | 0:20:50 | 0:20:55 | |
The outsider had finally found an elite he wanted to belong to, | 0:20:57 | 0:21:01 | |
and a place where he could really do business. | 0:21:01 | 0:21:04 | |
By 1976, Rupert Murdoch had found himself a struggling tabloid newspaper, | 0:21:06 | 0:21:11 | |
the New York Post, which he set about transforming in typical Murdoch fashion. | 0:21:11 | 0:21:17 | |
All very familiar. | 0:21:17 | 0:21:18 | |
Less familiar though, unlike its counterparts in Australia and Britain, | 0:21:18 | 0:21:22 | |
this one never really worked, culturally or commercially. | 0:21:22 | 0:21:27 | |
But it was the beginning of something which did, big time. | 0:21:27 | 0:21:30 | |
From his new headquarters in New York, Murdoch would spend | 0:21:35 | 0:21:38 | |
the next 30 years building a global multimedia empire - | 0:21:38 | 0:21:42 | |
the 60-billion News Corporation. | 0:21:42 | 0:21:45 | |
In the 1970s, however, all that lay in the future. | 0:21:47 | 0:21:51 | |
Meanwhile, back in the old country, politics was Murdoch's new frontier. | 0:21:52 | 0:21:56 | |
The Sun had become Britain's best-selling daily, | 0:22:00 | 0:22:03 | |
and it had stayed true to its anti-establishment agenda. | 0:22:03 | 0:22:07 | |
It had campaigned for the abolition of the honours system, | 0:22:08 | 0:22:11 | |
and it had no fixed political allegiances. | 0:22:11 | 0:22:13 | |
And that was going to thrust The Sun into the frontline | 0:22:15 | 0:22:18 | |
of the election campaign of 1979, | 0:22:18 | 0:22:21 | |
being fought in a climate of economic misery | 0:22:21 | 0:22:25 | |
and industrial unrest. | 0:22:25 | 0:22:26 | |
Cometh the hour, cometh the woman. Margaret Thatcher represented | 0:22:30 | 0:22:34 | |
the radical approach to Britain's woes - all music to Rupert Murdoch's | 0:22:34 | 0:22:39 | |
ears, especially as his newspapers' readers were her principal target | 0:22:39 | 0:22:43 | |
voters - skilled manual workers, | 0:22:43 | 0:22:46 | |
otherwise known in the jargon as C1s and C2s. | 0:22:46 | 0:22:50 | |
A key figure on the Thatcher campaign team | 0:22:51 | 0:22:54 | |
was Tim, now Lord, Bell. | 0:22:54 | 0:22:56 | |
Was The Sun more important to you than any other newspaper? | 0:22:58 | 0:23:02 | |
Yes, because it had a very big C1, C2 readership. | 0:23:02 | 0:23:05 | |
Um, people call it now "the white van man", but I mean that's exactly | 0:23:05 | 0:23:09 | |
the kind of people that read it, and importantly, from our point | 0:23:09 | 0:23:14 | |
of view, because it had been a trade union paper, | 0:23:14 | 0:23:17 | |
it still had a huge amount of trade unionists who read it | 0:23:17 | 0:23:20 | |
and, therefore, we were talking actually to the people | 0:23:20 | 0:23:23 | |
who were causing all the trouble at the time. | 0:23:23 | 0:23:25 | |
'Trevor Kavanagh joined The Sun in 1978 | 0:23:25 | 0:23:28 | |
'and went on to be the paper's political editor.' | 0:23:28 | 0:23:32 | |
I think our readers were seen as their natural voters, | 0:23:32 | 0:23:34 | |
the aspirational working class. | 0:23:34 | 0:23:36 | |
So, yes, it was a natural relationship which was | 0:23:36 | 0:23:38 | |
also compounded by the fact that Margaret Thatcher shared, I think, | 0:23:38 | 0:23:41 | |
Mr Murdoch's view, which was that we should be going for low taxes, | 0:23:41 | 0:23:46 | |
small government, strong defence, all the things that the | 0:23:46 | 0:23:49 | |
Conservative Party under Margaret Thatcher espoused as well. | 0:23:49 | 0:23:53 | |
Rupert Murdoch is fond of saying that | 0:23:54 | 0:23:57 | |
if politicians want to know what he thinks, they should read The Sun. | 0:23:57 | 0:24:01 | |
In which case, take note of what the paper's editor, Larry Lamb, | 0:24:01 | 0:24:05 | |
had to say in 1979. | 0:24:05 | 0:24:08 | |
There was no point at which we consciously decided | 0:24:08 | 0:24:10 | |
we would support the Tories, it's just that we found | 0:24:10 | 0:24:13 | |
ourselves, on a series of issues over a long period, more inclined | 0:24:13 | 0:24:18 | |
to be in sympathy with the Tory point of view. | 0:24:18 | 0:24:21 | |
On election day, Larry Lamb published a 1,700-word front page | 0:24:22 | 0:24:27 | |
editorial advising readers to vote Tory this time. | 0:24:27 | 0:24:31 | |
Now, whether any of them will have read it, | 0:24:31 | 0:24:33 | |
and certainly all of it, seems unlikely - and nor, of course, | 0:24:33 | 0:24:36 | |
is there any reason to think that many of them | 0:24:36 | 0:24:38 | |
would actually have voted Tory just because The Sun told them to. | 0:24:38 | 0:24:42 | |
But the paper was onto something. | 0:24:42 | 0:24:45 | |
Over months, the tone of its coverage caught the public mood | 0:24:45 | 0:24:49 | |
and amplified it in a 140-point bold type. | 0:24:49 | 0:24:54 | |
Headlines like, "Crisis? What Crisis?" | 0:24:54 | 0:24:57 | |
captured perfectly the sense of ineptitude that dogged | 0:24:57 | 0:25:01 | |
the Labour government as waves of strikes tipped | 0:25:01 | 0:25:04 | |
the balance of popular opinion in favour of change. | 0:25:04 | 0:25:08 | |
And the rest, as they say, is history. | 0:25:08 | 0:25:11 | |
It was the first time the Murdoch Sun, the floating voter, | 0:25:14 | 0:25:17 | |
had backed an election winner. | 0:25:17 | 0:25:20 | |
From this point on, Murdoch | 0:25:20 | 0:25:21 | |
and Thatcher are inextricably linked, and The Sun's role | 0:25:21 | 0:25:25 | |
as a vital ingredient to electoral success | 0:25:25 | 0:25:27 | |
passes into political orthodoxy. | 0:25:27 | 0:25:30 | |
'Mrs Thatcher being applauded by Tory party workers...' | 0:25:30 | 0:25:33 | |
And, as if to confirm it, in the next New Year's Honours List - | 0:25:33 | 0:25:37 | |
Mrs Thatcher's first - was a knighthood for The Sun's editor, | 0:25:37 | 0:25:40 | |
who Private Eye magazine instantly dubbed, "Sir Larrold Lamb." | 0:25:40 | 0:25:44 | |
Rupert Murdoch, though, did not approve. | 0:25:46 | 0:25:48 | |
He, at least, still believed in his own paper's conviction | 0:25:48 | 0:25:51 | |
that honours were a farce. | 0:25:51 | 0:25:54 | |
Rupert genuinely thought that Larry shouldn't have accepted | 0:25:54 | 0:25:57 | |
a knighthood and I don't think he made any secret of it at all. | 0:25:57 | 0:26:01 | |
I think it enraged him that, when he rang Larry's office, Larry's | 0:26:01 | 0:26:04 | |
secretary had been instructed to say "Sir Larry Lamb's office." | 0:26:04 | 0:26:08 | |
He didn't like it, | 0:26:08 | 0:26:09 | |
he didn't think titles were what journalists should get. | 0:26:09 | 0:26:12 | |
The knighthood was Sir Larry's swansong. | 0:26:14 | 0:26:17 | |
The following year, Rupert Murdoch replaced him | 0:26:17 | 0:26:19 | |
with Kelvin MacKenzie, a 34-year-old former sub-editor | 0:26:19 | 0:26:24 | |
with only a single O Level to his name. | 0:26:24 | 0:26:27 | |
And although Rupert Murdoch was now more usually in New York, | 0:26:27 | 0:26:30 | |
he still kept a very close eye on his favourite newspaper. | 0:26:30 | 0:26:35 | |
-'He would call me up once a day. -Every day?' | 0:26:35 | 0:26:38 | |
Yeah, every day, and at home, and everything. | 0:26:38 | 0:26:41 | |
I remember he called me up once at home and I think | 0:26:41 | 0:26:43 | |
I was in the middle of having a row with my wife, so | 0:26:43 | 0:26:46 | |
I picked up the phone grumpily and it was him. So he says, | 0:26:46 | 0:26:49 | |
"How's it all going?" | 0:26:49 | 0:26:51 | |
I said, "Not very fucking well, actually, | 0:26:51 | 0:26:53 | |
"I'm in the middle of a fucking row here," | 0:26:53 | 0:26:55 | |
and he said, "Hm, I'll call you later," and put the phone down! | 0:26:55 | 0:26:59 | |
Under Kelvin MacKenzie, The Sun reached new heights | 0:26:59 | 0:27:02 | |
of sensationalism, with more ferocious headlines, | 0:27:02 | 0:27:05 | |
lashings of sex and, of course, bigger boobs. | 0:27:05 | 0:27:09 | |
Did he ever disapprove of anything you did? | 0:27:09 | 0:27:12 | |
Yes, he did. He thought we went too far down market. | 0:27:12 | 0:27:15 | |
He used to say things like, | 0:27:18 | 0:27:20 | |
"Do you ever think of anything above the waist, you know? | 0:27:20 | 0:27:25 | |
"I'm sick and tired of it." And, you know, all the sex and everything. | 0:27:25 | 0:27:29 | |
Meanwhile, having backed her in 1979, The Sun not only stuck | 0:27:30 | 0:27:34 | |
with its heroine, it became her most strident supporter, | 0:27:34 | 0:27:38 | |
so much so that the suspicion that Murdoch | 0:27:38 | 0:27:40 | |
and Thatcher had forged an actual political alliance really | 0:27:40 | 0:27:44 | |
took hold. And that seemed to be confirmed by what Murdoch did next. | 0:27:44 | 0:27:49 | |
In October 1980, The Times and its sister paper | 0:27:53 | 0:27:56 | |
The Sunday Times were put on the market. | 0:27:56 | 0:27:59 | |
It became the most controversial newspaper sale in modern | 0:27:59 | 0:28:03 | |
British history, and is widely regarded as a stitch-up - damning | 0:28:03 | 0:28:07 | |
evidence of Murdoch's sinister influence in the corridors of power. | 0:28:07 | 0:28:11 | |
It's a story which has been the subject of concerted secrecy - | 0:28:14 | 0:28:17 | |
not only concerted secrecy, but lies. | 0:28:17 | 0:28:21 | |
And in 2012, these suspicions were reignited | 0:28:21 | 0:28:25 | |
by the revelation that Rupert Murdoch had met Mrs Thatcher | 0:28:25 | 0:28:29 | |
in secret, in 1981, | 0:28:29 | 0:28:31 | |
while negotiations over the sale were still in progress. | 0:28:31 | 0:28:35 | |
Harry Evans was then editor of The Sunday Times. | 0:28:35 | 0:28:38 | |
Why was one bidder given private access? | 0:28:38 | 0:28:41 | |
Why, secondly, was the note of that private access | 0:28:41 | 0:28:46 | |
withheld from the public? You're dealing with people who | 0:28:46 | 0:28:48 | |
prefer things not to be in... suffer the disinfectant of sunlight. | 0:28:48 | 0:28:53 | |
But any suggestion of a secret deal is disputed by many of those | 0:28:55 | 0:28:59 | |
directly involved. | 0:28:59 | 0:29:00 | |
In 1980, Times newspapers had only just got over a year-long strike | 0:29:01 | 0:29:05 | |
that cost the owners, the Thomson family, £40 million. | 0:29:05 | 0:29:10 | |
They were determined to sell, and if no buyer could be found, | 0:29:10 | 0:29:13 | |
were ready to shut both papers, with the loss of 4,000 jobs. | 0:29:13 | 0:29:17 | |
'Sir Gordon Brunton was then managing director of Thomson, | 0:29:19 | 0:29:22 | |
'and he had the job of finding a buyer.' | 0:29:22 | 0:29:25 | |
To me, the absolute prime objective was the survival of The Times. | 0:29:25 | 0:29:30 | |
The Sunday Times, | 0:29:30 | 0:29:33 | |
with reasonable production, could have been highly profitable, | 0:29:33 | 0:29:36 | |
but The Times was losing a great deal of money. | 0:29:36 | 0:29:40 | |
I was absolutely convinced that the way to ensure the survival | 0:29:40 | 0:29:44 | |
of The Times was to sell Times newspapers together, | 0:29:44 | 0:29:49 | |
Sunday Times and The Times. | 0:29:49 | 0:29:52 | |
Of all the potential bidders, only Rupert Murdoch was fully | 0:29:53 | 0:29:56 | |
committed to keeping both papers going. | 0:29:56 | 0:29:59 | |
But what really alarmed the liberal media establishment was | 0:29:59 | 0:30:03 | |
the possibility that the crown jewels of British journalism | 0:30:03 | 0:30:06 | |
would fall into the hands of the "Dirty Digger" - | 0:30:06 | 0:30:09 | |
Fleet Street's most ardent Thatcherite. | 0:30:09 | 0:30:12 | |
What about the political side of this? | 0:30:12 | 0:30:14 | |
When you're choosing an editor, for instance, | 0:30:14 | 0:30:16 | |
would you want his political views to be your political views, | 0:30:16 | 0:30:19 | |
broadly of the right? | 0:30:19 | 0:30:20 | |
I don't know that my views are all so right wing as they're said to be. | 0:30:20 | 0:30:23 | |
-Are they not? -No. -Are you not a supporter of Mrs Thatcher? | 0:30:23 | 0:30:27 | |
Yes, I think Mrs Thatcher is more right than wrong, but I'm not a Tory. | 0:30:27 | 0:30:31 | |
Harry Evans had put together a bid, but only for The Sunday Times. | 0:30:31 | 0:30:35 | |
He was frustrated that it was so swiftly dismissed. | 0:30:35 | 0:30:39 | |
Gordon Brunton was very opposed to our buying The Sunday Times. | 0:30:39 | 0:30:44 | |
His argument to me about that | 0:30:44 | 0:30:46 | |
was that that was because he was determined to save The Times. | 0:30:46 | 0:30:50 | |
As far as he could see, | 0:30:50 | 0:30:51 | |
if he didn't keep them together, there was no chance. | 0:30:51 | 0:30:54 | |
Well, that's a fair point, it's a fair point. | 0:30:54 | 0:30:56 | |
Well, that was his argument. | 0:30:56 | 0:30:57 | |
Evans has since been amongst the harshest critics | 0:30:57 | 0:31:00 | |
of the Murdoch takeover. | 0:31:00 | 0:31:02 | |
But, according to evidence we have seen, that wasn't always the case. | 0:31:02 | 0:31:05 | |
I've got a letter here from Harry Evans, shall I read it to you? | 0:31:06 | 0:31:10 | |
Please. | 0:31:10 | 0:31:11 | |
"Dear Gordon, we at The Sunday Times prefer to be independent | 0:31:11 | 0:31:16 | |
"and regard our consortium as a viable proposition for that | 0:31:16 | 0:31:20 | |
"title, but it does not include The Times, | 0:31:20 | 0:31:24 | |
"and I've therefore taken soundings amongst my staff | 0:31:24 | 0:31:29 | |
"between the corporate bidders | 0:31:29 | 0:31:31 | |
"represented by the most frequently mentioned names. | 0:31:31 | 0:31:34 | |
"It is Murdoch that is preferred by a wide margin... | 0:31:34 | 0:31:39 | |
"..and I myself would choose Murdoch." | 0:31:40 | 0:31:43 | |
I mean, history has it that you were an implacable opponent | 0:31:43 | 0:31:48 | |
of the Murdoch bid, but Gordon Brunton says, | 0:31:48 | 0:31:52 | |
by the time we got to this point, | 0:31:52 | 0:31:53 | |
Harry Evans was... That this was his preferred bid. He's right. | 0:31:53 | 0:31:57 | |
-No, he's not. -That's what this says. -No, I know what he's saying. | 0:31:57 | 0:32:01 | |
-That's what the letter said. -The letter doesn't say that, | 0:32:01 | 0:32:04 | |
you have to put the letter in the context. | 0:32:04 | 0:32:06 | |
It's like saying to a man who's facing an execution squad, | 0:32:06 | 0:32:10 | |
"Would you prefer to be poisoned or shot?" All right? | 0:32:10 | 0:32:14 | |
And secondly, none of us | 0:32:14 | 0:32:15 | |
thought he would get through the monopolies commission. | 0:32:15 | 0:32:18 | |
By law, all newspaper sales had to be referred to the MMC, | 0:32:23 | 0:32:27 | |
that's the Monopolies and Mergers Commission, unless, that is, | 0:32:27 | 0:32:31 | |
the papers involved were not, in commercial terms, going concerns. | 0:32:31 | 0:32:36 | |
The cabinet minister who had to decide was John Biffen, | 0:32:36 | 0:32:40 | |
and conventional wisdom has it in some quarters | 0:32:40 | 0:32:42 | |
that Mrs Thatcher lent on John Biffen to persuade him to allow | 0:32:42 | 0:32:46 | |
her friend Rupert Murdoch's bid to go through without an MMC referral. | 0:32:46 | 0:32:52 | |
But because the Thomson company's accounts showed both papers were | 0:32:52 | 0:32:55 | |
losing money, Biffen was perfectly entitled to let the deal go | 0:32:55 | 0:32:59 | |
through without delay, | 0:32:59 | 0:33:01 | |
which is what Thomson above all wanted. | 0:33:01 | 0:33:04 | |
Did you say to the minister, "If you refer this, | 0:33:04 | 0:33:08 | |
"the likelihood is we will close the newspapers"? | 0:33:08 | 0:33:11 | |
Absolutely, absolutely. | 0:33:11 | 0:33:14 | |
But what about that meeting between Murdoch | 0:33:14 | 0:33:17 | |
and Thatcher kept secret for more than 30 years? | 0:33:17 | 0:33:20 | |
Well, the minutes do record Murdoch stating his case, but there's | 0:33:20 | 0:33:23 | |
nothing to suggest that any favours were asked for or promised. | 0:33:23 | 0:33:27 | |
Of course, it's impossible to say for certain | 0:33:30 | 0:33:32 | |
that there was no secret deal. There's no evidence for one, | 0:33:32 | 0:33:35 | |
but for a secret deal to be secret, that's perhaps not surprising. | 0:33:35 | 0:33:39 | |
We don't know whether, at some point, | 0:33:39 | 0:33:41 | |
Rupert Murdoch didn't have a word in Mrs Thatcher's ear | 0:33:41 | 0:33:43 | |
to seal the deal and avoid the monopolies commission. | 0:33:43 | 0:33:46 | |
But the critical fact is there's no need for a political conspiracy | 0:33:46 | 0:33:50 | |
to explain how and why John Biffen made the decision he did. | 0:33:50 | 0:33:54 | |
And so it was, just a few weeks before his 50th birthday, | 0:33:58 | 0:34:02 | |
Rupert Murdoch became the new owner of Times Newspapers. | 0:34:02 | 0:34:05 | |
The undistinguished Oxford graduate with the Billingsgate touch | 0:34:05 | 0:34:09 | |
had beaten the British establishment again. | 0:34:09 | 0:34:13 | |
And the one part of this story that is beyond dispute is that | 0:34:14 | 0:34:17 | |
Rupert Murdoch has kept The Times going, as he said he would, | 0:34:17 | 0:34:21 | |
for over 30 years, in spite of the fact that, | 0:34:21 | 0:34:24 | |
contrary to his original expectations, it still loses money. | 0:34:24 | 0:34:29 | |
But back to that "secret meeting" in 1981, | 0:34:32 | 0:34:35 | |
because there is a significant detail in these minutes | 0:34:35 | 0:34:38 | |
which shows that in one area, at least, Mrs Thatcher | 0:34:38 | 0:34:41 | |
and Rupert Murdoch were on exactly the same political wavelength. | 0:34:41 | 0:34:45 | |
They record Rupert Murdoch telling Mrs Thatcher that he intends | 0:34:45 | 0:34:48 | |
to tackle the historic problem of over-manning in Fleet Street | 0:34:48 | 0:34:52 | |
by introducing new technology. | 0:34:52 | 0:34:54 | |
She agrees it's a move long overdue. | 0:34:54 | 0:34:57 | |
And it was a move that would see Murdoch risk everything | 0:34:58 | 0:35:00 | |
he had built, because it would involve taking on another | 0:35:00 | 0:35:04 | |
traditional vested interest - one which, up until now, he had | 0:35:04 | 0:35:07 | |
been on good terms with - Fleet Street's all-powerful print unions. | 0:35:07 | 0:35:12 | |
JOURNALIST: 'The scenes outside News International's print plant | 0:35:13 | 0:35:16 | |
'at Wapping last night were reminiscent of the miners' strike.' | 0:35:16 | 0:35:19 | |
Winter, 1986. | 0:35:21 | 0:35:23 | |
These were the regular scenes at Wapping in east London - | 0:35:23 | 0:35:26 | |
the location of Rupert Murdoch's new computerised print works. | 0:35:26 | 0:35:29 | |
The plant had been built and equipped using the cover story | 0:35:32 | 0:35:35 | |
that it would produce a new London paper, | 0:35:35 | 0:35:37 | |
but as soon as it was ready, Murdoch moved all his titles in overnight. | 0:35:37 | 0:35:42 | |
The print workers called a strike, Murdoch sacked them en masse. | 0:35:42 | 0:35:47 | |
Many, like Terry Smith, had worked on The Sun from the beginning. | 0:35:49 | 0:35:53 | |
This was our baby, we got it off the ground, | 0:35:53 | 0:35:56 | |
we polished it, we gave him the actual means of building an empire. | 0:35:56 | 0:36:02 | |
So there was a sense of betrayal? | 0:36:02 | 0:36:04 | |
Oh, absolutely, absolutely. | 0:36:04 | 0:36:06 | |
And when he came down here in his limousine, | 0:36:06 | 0:36:09 | |
and we were on picket duty over the side there, | 0:36:09 | 0:36:12 | |
he'd hide beneath the seat, you could just about see the top of his head. | 0:36:12 | 0:36:17 | |
He didn't have the guts to look at us straight in the face. | 0:36:17 | 0:36:21 | |
Wapping reignited the powerful suspicion that Murdoch had | 0:36:23 | 0:36:26 | |
again conspired with Mrs Thatcher. | 0:36:26 | 0:36:29 | |
This time, to smash another of Britain's powerful trades unions. | 0:36:29 | 0:36:34 | |
I was aware that Rupert Murdoch | 0:36:34 | 0:36:35 | |
and Margaret Thatcher were soul mates, but I wasn't aware that | 0:36:35 | 0:36:38 | |
the relationship was that close. He did see her over Wapping. | 0:36:38 | 0:36:41 | |
He said he'd squared it, that the Prime Minister was good. | 0:36:41 | 0:36:44 | |
In the words that she put it, | 0:36:44 | 0:36:45 | |
"I will make sure that there are enough police available | 0:36:45 | 0:36:48 | |
"for you to go about your lawful business on the Queen's highways." | 0:36:48 | 0:36:53 | |
Brenda, now Baroness, Dean was leader of the print union SOGAT. | 0:36:53 | 0:36:58 | |
The conduct of the Met Police was appalling during that dispute. | 0:36:58 | 0:37:01 | |
Do you think that had a political dimension to it? | 0:37:01 | 0:37:03 | |
Yes, I do, I do. | 0:37:03 | 0:37:05 | |
Mrs Thatcher had had this dispute through the coal board with | 0:37:05 | 0:37:10 | |
the miners and it was always regarded in Britain, | 0:37:10 | 0:37:13 | |
the two big strong areas for trade unionism were the miners | 0:37:13 | 0:37:18 | |
and the print workers in Fleet Street, and if she could break | 0:37:18 | 0:37:22 | |
both of those, then she'd break the trade union movement. | 0:37:22 | 0:37:25 | |
Behind the barbed wire at Wapping, Murdoch was trying to do something | 0:37:26 | 0:37:30 | |
that had never been attempted before - | 0:37:30 | 0:37:32 | |
to produce four million newspapers a night, and distribute them, | 0:37:32 | 0:37:36 | |
without the traditional print unions. | 0:37:36 | 0:37:39 | |
It was a risk that no-one else in Fleet Street | 0:37:39 | 0:37:41 | |
had ever been willing to take. | 0:37:41 | 0:37:43 | |
If Wapping had gone wrong, Rupert Murdoch was finished in Britain - | 0:37:45 | 0:37:49 | |
we used to joke that we'd all have to leave, | 0:37:49 | 0:37:52 | |
that a helicopter would have to land on the roof at Wapping | 0:37:52 | 0:37:55 | |
like the last days of Saigon. | 0:37:55 | 0:37:56 | |
Was Murdoch much in evidence during the dispute? | 0:38:01 | 0:38:04 | |
Yes, you'd find him down on the boards as they were called, | 0:38:04 | 0:38:07 | |
where we used to in those days still paste up the pages, | 0:38:07 | 0:38:11 | |
and I remember one time | 0:38:11 | 0:38:13 | |
I saw this apparently old guy crouched over, | 0:38:13 | 0:38:16 | |
a grey jumper on, sticking down really, really slowly a story | 0:38:16 | 0:38:21 | |
and I, I said to him, "For God's sake, | 0:38:21 | 0:38:23 | |
"if we're going to get this paper out, can't you hurry?" | 0:38:23 | 0:38:26 | |
I think I actually used an expletive, and the figure turned around, | 0:38:26 | 0:38:30 | |
and it was Rupert and he went, "I'm doing my best, Roy." | 0:38:30 | 0:38:34 | |
I remember within a week, two weeks of the dispute starting, | 0:38:41 | 0:38:44 | |
there was a television programme that Murdoch was invited to take | 0:38:44 | 0:38:49 | |
part in and so was I, and Bruce Matthews, his UK chief executive, | 0:38:49 | 0:38:54 | |
said to me, "He's on a high, Brenda. He's loving producing the paper, | 0:38:54 | 0:38:57 | |
"he's down there every night | 0:38:57 | 0:38:59 | |
"watching the papers come off the press." | 0:38:59 | 0:39:01 | |
The company were actively recruiting people whilst | 0:39:01 | 0:39:04 | |
we were actually negotiating with Mr Murdoch's management. | 0:39:04 | 0:39:07 | |
What do you think I am? | 0:39:07 | 0:39:08 | |
Of course! You were threatening strikes. | 0:39:08 | 0:39:11 | |
I mean, I'm entitled to make... | 0:39:11 | 0:39:12 | |
But what kind of an employer, Mr Murdoch, actually recruits | 0:39:12 | 0:39:15 | |
a parallel workforce and sacks the workforce that has worked for him... | 0:39:15 | 0:39:18 | |
I didn't sack it, you walked out. You took them out, Miss Dean. | 0:39:18 | 0:39:22 | |
He was showing this establishment, | 0:39:22 | 0:39:24 | |
whether it was the trade union establishment or Fleet Street | 0:39:24 | 0:39:26 | |
establishment, that he could do it and he was going to deliver. | 0:39:26 | 0:39:30 | |
Murdoch had planned the move to Wapping like a military operation, | 0:39:37 | 0:39:40 | |
and victory brought huge benefits. | 0:39:40 | 0:39:43 | |
His UK profits that year went up by 85% to over £34 million. | 0:39:43 | 0:39:49 | |
The print unions were broken, and where Murdoch went, | 0:39:51 | 0:39:54 | |
other proprietors swiftly followed. | 0:39:54 | 0:39:57 | |
I think Murdoch's moonlight flip to Wapping was the major | 0:39:58 | 0:40:03 | |
transformative moment in the history of printed newspapers | 0:40:03 | 0:40:07 | |
in Britain. You've got to imagine that, by the mid-'80s, | 0:40:07 | 0:40:12 | |
all these papers with these vast staffs were still making profits, | 0:40:12 | 0:40:16 | |
but my view is that if they'd hit the recession in 1990 without | 0:40:16 | 0:40:20 | |
having shed their printing staffs, which they did totally because | 0:40:20 | 0:40:24 | |
of what Rupert Murdoch did, then many of them would have gone to the wall. | 0:40:24 | 0:40:28 | |
By now, Murdoch had taken on the old press owners, | 0:40:31 | 0:40:34 | |
the liberal establishment and the trade unions, | 0:40:34 | 0:40:37 | |
and he owned the best-selling daily and Sunday tabloids, | 0:40:37 | 0:40:40 | |
as well the world's best known title, The London Times. | 0:40:40 | 0:40:45 | |
So, where next? | 0:40:45 | 0:40:47 | |
Broadcasting, and the biggest gamble of Rupert Murdoch's career. | 0:40:47 | 0:40:51 | |
On 25th August, 1989, | 0:40:52 | 0:40:54 | |
Janet Street-Porter stepped out onto the stage at the Edinburgh | 0:40:54 | 0:40:58 | |
Television Festival to introduce that year's keynote speaker. | 0:40:58 | 0:41:01 | |
Do you remember doing this? | 0:41:01 | 0:41:03 | |
Yeah, I remember being really nervous. | 0:41:03 | 0:41:05 | |
You look nervous. | 0:41:05 | 0:41:08 | |
'I'd just like to give you a few words about this year's theme, | 0:41:08 | 0:41:11 | |
'which is new television.' | 0:41:11 | 0:41:12 | |
And what was it that got you to invite Rupert Murdoch? | 0:41:12 | 0:41:15 | |
I thought, this is a very prestigious lecture, | 0:41:15 | 0:41:18 | |
I want to ruffle a few feathers. | 0:41:18 | 0:41:21 | |
I want to stir the shit up. | 0:41:21 | 0:41:23 | |
Because he was regarded as the devil incarnate. | 0:41:23 | 0:41:27 | |
I'd be grateful if you'd welcome the fourteenth MacTaggart lecturer, | 0:41:27 | 0:41:30 | |
Rupert Murdoch. | 0:41:30 | 0:41:31 | |
Murdoch had come to the heart of the British television industry | 0:41:31 | 0:41:34 | |
to tell them that change was coming - and he was going to deliver it. | 0:41:34 | 0:41:38 | |
The new age of television offers untold opportunities for those | 0:41:40 | 0:41:44 | |
equipped to grasp the future. | 0:41:44 | 0:41:46 | |
He's at his best when he sees a lazy, self-satisfied, established | 0:41:46 | 0:41:54 | |
interest like the print unions or like the BBC-ITV duopoly that | 0:41:54 | 0:41:59 | |
rubbed each other's backs and told them they were both | 0:41:59 | 0:42:03 | |
the best in the world. Kind of when he sees that, that's | 0:42:03 | 0:42:07 | |
when he's at his most dangerous and when he's at his most visionary. | 0:42:07 | 0:42:11 | |
Much of what passes for quality on British television really is | 0:42:11 | 0:42:15 | |
no more than a reflection of the values of the narrow elite | 0:42:15 | 0:42:19 | |
which controls it. The socially mobile are portrayed as uncaring, | 0:42:19 | 0:42:24 | |
businessmen as crooks, money-making is to be despised. | 0:42:24 | 0:42:28 | |
As a result, in the values it exudes, British television has been | 0:42:29 | 0:42:33 | |
an integral part in the British disease. | 0:42:33 | 0:42:36 | |
So, as it unfolded, what are you thinking? | 0:42:36 | 0:42:39 | |
I'm looking down at all these male executives sitting in rows | 0:42:39 | 0:42:43 | |
looking totally stone-faced. | 0:42:43 | 0:42:45 | |
Those who would prefer the past will find the world leaving them behind. | 0:42:45 | 0:42:48 | |
And how did they react? | 0:42:48 | 0:42:51 | |
Er, like matron was dishing out enemas. | 0:42:51 | 0:42:53 | |
Thank you. | 0:42:54 | 0:42:56 | |
APPLAUSE | 0:42:56 | 0:42:57 | |
Murdoch's weapon of choice was the new technology of satellite TV, | 0:42:57 | 0:43:01 | |
which would be beyond the reach of UK regulators. | 0:43:01 | 0:43:05 | |
Satellites don't recognise borders, so the best way to get into | 0:43:05 | 0:43:08 | |
UK broadcasting was just beam some programming | 0:43:08 | 0:43:11 | |
into the UK and provide increased consumer choice. That's how you get | 0:43:11 | 0:43:15 | |
somewhere - you don't get anywhere by playing by the old boy rules. | 0:43:15 | 0:43:20 | |
Sky had begun as a single channel on a communications satellite showing | 0:43:21 | 0:43:25 | |
American repeats, but in 1988, | 0:43:25 | 0:43:28 | |
Murdoch began planning a new multi-channel service, | 0:43:28 | 0:43:32 | |
and appointed Andrew Neil to get it off the ground. | 0:43:32 | 0:43:35 | |
The idea was we do a news channel, sports channel, | 0:43:35 | 0:43:38 | |
a movie channel and the entertainment channel. | 0:43:38 | 0:43:41 | |
I'd always believed in multi-channel TV, and here was a chance to do it, | 0:43:41 | 0:43:45 | |
but when I got there and looked - my goodness, it was a complete mess. | 0:43:45 | 0:43:50 | |
By the end of 1988, Sky had already cost Rupert Murdoch £120 million | 0:43:51 | 0:43:56 | |
and the new satellite he needed hadn't even been launched. | 0:43:56 | 0:44:01 | |
On the night the rocket went up, | 0:44:01 | 0:44:04 | |
he kept on calling me to find out if the rocket had gone up. | 0:44:04 | 0:44:07 | |
I told him that there was bad cloud, it was delayed. He called, and | 0:44:07 | 0:44:10 | |
I said, "Look, Rupert, I've a hotline to French Guiana. | 0:44:10 | 0:44:13 | |
"The moment I know, you'll know - could you just leave me alone?" | 0:44:13 | 0:44:16 | |
And he said, "I will. I'm sorry for calling you." | 0:44:16 | 0:44:19 | |
He said, "You know, I'm betting the company on this, Andrew. | 0:44:19 | 0:44:22 | |
"If this satellite doesn't go up, we're finished." | 0:44:22 | 0:44:24 | |
ALL: Five, four, three, two, one, go! | 0:44:34 | 0:44:39 | |
Good evening, you're watching... | 0:44:39 | 0:44:42 | |
Sky went on air on February 5th, 1989. | 0:44:42 | 0:44:46 | |
..Ten Britons have agreed to sell their kidneys for cash... | 0:44:46 | 0:44:49 | |
Meanwhile, back in enemy HQ... | 0:44:49 | 0:44:51 | |
Well, joining us now direct from Sky Television's headquarters is | 0:44:51 | 0:44:55 | |
John O'Loan who's Head of News at Sky. | 0:44:55 | 0:44:57 | |
-Good morning. -Good morning. | 0:44:57 | 0:44:58 | |
What's your estimate of how many people watched last night? | 0:44:58 | 0:45:01 | |
In the newsroom, I think there were about 250. | 0:45:01 | 0:45:04 | |
Now, Mr Murdoch, I see, | 0:45:04 | 0:45:05 | |
is quoted as saying this will raise the standards of the BBC and ITN. | 0:45:05 | 0:45:10 | |
He can't be serious? | 0:45:10 | 0:45:12 | |
John O'Loan had worked for Rupert Murdoch in Australia before | 0:45:12 | 0:45:16 | |
he was recruited to be Head of News at Sky. | 0:45:16 | 0:45:19 | |
Did you see yourselves as outsiders in a kind of hostile environment? | 0:45:19 | 0:45:23 | |
Not only did we see ourselves like that, | 0:45:23 | 0:45:26 | |
we were given every reason to believe it. Yes. | 0:45:26 | 0:45:29 | |
How do you mean? | 0:45:29 | 0:45:30 | |
The kind of news conferences we couldn't attend, | 0:45:32 | 0:45:35 | |
the kind of pools we were barred from, | 0:45:35 | 0:45:37 | |
the reporting on Parliament that, in television terms, | 0:45:37 | 0:45:41 | |
we were barred from... People would have preferred if we didn't succeed. | 0:45:41 | 0:45:45 | |
The other challenge to Sky was more direct. | 0:45:49 | 0:45:52 | |
British Satellite Broadcasting, BSB, was a regulator-approved | 0:45:52 | 0:45:56 | |
service owned by a consortium of media companies, | 0:45:56 | 0:46:00 | |
AKA the broadcasting establishment. | 0:46:00 | 0:46:02 | |
We're going, let's call it, loosely, the quality route, and I think, | 0:46:02 | 0:46:06 | |
you know, they're going more of a brash, News-Of-The-World/Sun route. | 0:46:06 | 0:46:10 | |
The two broadcasters were now locked in a battle to attract paying | 0:46:10 | 0:46:14 | |
customers and that meant spending millions, | 0:46:14 | 0:46:17 | |
principally on Hollywood movies. | 0:46:17 | 0:46:20 | |
It was the kind of fight made for Rupert Murdoch. | 0:46:20 | 0:46:23 | |
One of the things you have to realise with Rupert Murdoch | 0:46:23 | 0:46:26 | |
is he lives for the deal. He's the buccaneer deal maker, | 0:46:26 | 0:46:29 | |
and he does it big time. I had flown over to Los Angeles, we sat | 0:46:29 | 0:46:32 | |
in his office there, and Rupert called the head of Paramount. | 0:46:32 | 0:46:36 | |
He said, "I'm sitting here with a cheque for 350 million. | 0:46:36 | 0:46:40 | |
"Andrew will come round with it now if you will agree now to the output deal." | 0:46:40 | 0:46:44 | |
That's how he did it. 350 million in 1989 prices - | 0:46:44 | 0:46:51 | |
you're talking about closer to a billion today. | 0:46:51 | 0:46:54 | |
So he thought big, and he loved the deal making. | 0:46:54 | 0:46:57 | |
But by the autumn of 1990, Sky still had only 750,000 subscribers | 0:46:59 | 0:47:05 | |
and despite a massive advertising campaign, BSB had just 110,000. | 0:47:05 | 0:47:10 | |
Both sides were haemorrhaging cash. | 0:47:12 | 0:47:14 | |
£2 million a week at Sky and £8 million a week at BSB. | 0:47:14 | 0:47:19 | |
Could you really afford to have lost £500 million, | 0:47:19 | 0:47:22 | |
cumulatively, say, and then just walk away? | 0:47:22 | 0:47:25 | |
That would be the only thing to do. If you could still walk! | 0:47:25 | 0:47:29 | |
This is what I've called the billion pound bet. | 0:47:30 | 0:47:33 | |
The idea of putting all this money behind a pay-TV platform in the UK | 0:47:33 | 0:47:37 | |
was a huge, risky enterprise. He was having to effectively subsidise | 0:47:37 | 0:47:43 | |
the Sky operations through his newspaper operations, which in the | 0:47:43 | 0:47:46 | |
UK at that point were profitable, | 0:47:46 | 0:47:48 | |
and he was having to really look at his whole global empire, | 0:47:48 | 0:47:51 | |
which was terribly leveraged, lots and lots of debt. | 0:47:51 | 0:47:54 | |
And then, suddenly, in 1990, the billion pound bet - indeed, | 0:47:55 | 0:48:00 | |
the whole of News Corporation - came very close to collapse. | 0:48:00 | 0:48:04 | |
Rupert Murdoch found himself exposed to the harsh | 0:48:04 | 0:48:07 | |
chill of financial reality. | 0:48:07 | 0:48:09 | |
By now, News Corporation had grown into a global network of hundreds | 0:48:09 | 0:48:14 | |
of companies that owed money to 146 separate financial institutions. | 0:48:14 | 0:48:19 | |
The News Corp debt burden had grown to close to 8 billion. | 0:48:19 | 0:48:23 | |
Now, when the recession struck, in 1990, that debt burden was | 0:48:24 | 0:48:28 | |
going to bring the company that close to collapse. | 0:48:28 | 0:48:31 | |
Everything Rupert Murdoch had ever worked for was right on the edge - | 0:48:31 | 0:48:35 | |
so much so that, as part of the rescue effort, | 0:48:35 | 0:48:38 | |
even the family's own personal apartment, | 0:48:38 | 0:48:40 | |
here in New York, was put up for mortgage. | 0:48:40 | 0:48:42 | |
Murdoch's hand was forced by his bankers. | 0:48:45 | 0:48:48 | |
Stop the enormous losses at Sky or face foreclosure and bankruptcy. | 0:48:48 | 0:48:53 | |
He had no choice but to agree to a merger | 0:48:53 | 0:48:56 | |
with his establishment rival, BSB. | 0:48:56 | 0:48:59 | |
Rupert had no money. | 0:48:59 | 0:49:01 | |
And the BSB shareholders did have money, | 0:49:01 | 0:49:03 | |
but they didn't want to spend any more of it just on BSB. | 0:49:03 | 0:49:06 | |
And the best thing to do was to merge the two companies. | 0:49:06 | 0:49:08 | |
And they agreed that Rupert had to run it. | 0:49:08 | 0:49:11 | |
Although he retained management control, | 0:49:12 | 0:49:14 | |
the merger broke one of Murdoch's golden rules - | 0:49:14 | 0:49:17 | |
he was no longer the sole owner of the company. | 0:49:17 | 0:49:20 | |
Nevertheless, under his leadership, BSkyB, as it became, | 0:49:20 | 0:49:24 | |
climbed into profit on the back of Premier League soccer | 0:49:24 | 0:49:27 | |
as well as Hollywood movies. | 0:49:27 | 0:49:29 | |
It now offers more than 500 channels and generates revenues and profits | 0:49:29 | 0:49:33 | |
that dwarf the rest of UK commercial television put together. | 0:49:33 | 0:49:37 | |
There is no other way to characterise the last 15 or 20 years | 0:49:40 | 0:49:44 | |
in the UK, other than to say that Rupert Murdoch | 0:49:44 | 0:49:47 | |
precisely knew what he was doing when he created Sky television. | 0:49:47 | 0:49:50 | |
Rupert Murdoch said there was an appetite for pay TV, there was | 0:49:50 | 0:49:53 | |
an appetite for different kinds of programmes to what existed | 0:49:53 | 0:49:57 | |
already in the UK, | 0:49:57 | 0:49:58 | |
and there are ten million reasons to believe today that he was right | 0:49:58 | 0:50:02 | |
because there are ten million homes paying Sky for their television. | 0:50:02 | 0:50:05 | |
And it's in the course of the last 20 years, | 0:50:07 | 0:50:09 | |
as Rupert Murdoch became one of the most powerful media figures | 0:50:09 | 0:50:12 | |
in the world, that, back in Britain, the seeds of his eventual undoing | 0:50:12 | 0:50:17 | |
would be sown. And that story starts back in the realm of politics. | 0:50:17 | 0:50:22 | |
The Sun's savage ridiculing of Labour leader Neil Kinnock | 0:50:24 | 0:50:27 | |
during the 1992 general election and its claim to have won it | 0:50:27 | 0:50:32 | |
for John Major made an indelible impression | 0:50:32 | 0:50:35 | |
on an ambitious young politician. | 0:50:35 | 0:50:37 | |
For as long as Tony Blair had been an MP, | 0:50:42 | 0:50:44 | |
his party had regarded Rupert Murdoch | 0:50:44 | 0:50:46 | |
and his organisation with utter contempt. | 0:50:46 | 0:50:49 | |
But by the mid-1990s, Tony Blair was rebuilding Labour | 0:50:50 | 0:50:53 | |
and set out to build bridges with Rupert Murdoch. | 0:50:53 | 0:50:56 | |
Why? Because no Murdoch meant no Sun, and no Sun meant no | 0:50:56 | 0:51:02 | |
New Labour victory - or so Blair and his associates thought. | 0:51:02 | 0:51:05 | |
Which is why he ended up here. | 0:51:05 | 0:51:07 | |
'Just a few months after becoming Labour leader in 1994, | 0:51:12 | 0:51:16 | |
'Tony Blair sat down in this restaurant | 0:51:16 | 0:51:18 | |
'in London's Belgravia for a private dinner with Rupert Murdoch.' | 0:51:18 | 0:51:22 | |
It was the first time the two men had met, | 0:51:24 | 0:51:26 | |
but they quickly found common cause, both seeing | 0:51:26 | 0:51:29 | |
themselves as radicals impatient with the ways of Old Britain. | 0:51:29 | 0:51:34 | |
The country was ripe for major political change again | 0:51:34 | 0:51:37 | |
and Murdoch had found his man. | 0:51:37 | 0:51:40 | |
It was a relationship which would have ramifications | 0:51:40 | 0:51:43 | |
for years to come, starting with this | 0:51:43 | 0:51:46 | |
headline in The Sun in the run up to the 1997 election. | 0:51:46 | 0:51:50 | |
There is no question in my mind that the relationship | 0:51:52 | 0:51:55 | |
between Mr Murdoch and Mr Blair and then | 0:51:55 | 0:51:59 | |
between Mr Murdoch and Mr Brown was far closer, far more intensive, | 0:51:59 | 0:52:05 | |
than it ever was between Rupert Murdoch and Margaret Thatcher. | 0:52:05 | 0:52:09 | |
The relationship was much deeper and involved many more people | 0:52:09 | 0:52:13 | |
than Rupert Murdoch, he was simply the top of it. | 0:52:13 | 0:52:16 | |
There were at any one time 20 to 25 people on each side, government | 0:52:16 | 0:52:22 | |
and News International, deeply involved in an intermeshed, | 0:52:22 | 0:52:27 | |
close, deep relationship. | 0:52:27 | 0:52:29 | |
The blurring of boundaries that started with New Labour continued | 0:52:33 | 0:52:37 | |
with David Cameron, as he became, if anything, even closer to | 0:52:37 | 0:52:40 | |
Murdoch's key lieutenant, and the central figure in all these | 0:52:40 | 0:52:44 | |
relationships, Rebekah Brooks - the apple of Rupert Murdoch's eye. | 0:52:44 | 0:52:48 | |
She had been editor of the News of the World, then The Sun, | 0:52:50 | 0:52:53 | |
and, finally, chief executive of News International. | 0:52:53 | 0:52:57 | |
Do you think the company did become too engaged? | 0:52:57 | 0:52:59 | |
Yes, I do think it became too engaged with politicians personally. | 0:52:59 | 0:53:03 | |
I think that... | 0:53:03 | 0:53:04 | |
As I say, I think that politicians should be | 0:53:04 | 0:53:07 | |
dealt with at arm's length, otherwise you get inveigled | 0:53:07 | 0:53:10 | |
into the position where... Because they're extremely skilful at this, | 0:53:10 | 0:53:15 | |
flattery is a powerful and potent weapon - | 0:53:15 | 0:53:18 | |
that you are playing their tune | 0:53:18 | 0:53:21 | |
and sometimes singing their tune too. | 0:53:21 | 0:53:24 | |
So, yes, it's always a risk, | 0:53:24 | 0:53:25 | |
and I think it's something that should be avoided. | 0:53:25 | 0:53:29 | |
I'd be surprised that Rupert Murdoch didn't know that | 0:53:29 | 0:53:33 | |
Rebekah Brooks was close to Blair and Brown and Cameron, | 0:53:33 | 0:53:36 | |
that was pretty obvious, but he may have been | 0:53:36 | 0:53:39 | |
shocked to discover just what that involved - so much texting, | 0:53:39 | 0:53:44 | |
so many weekends spent together, all the parties that were attended, | 0:53:44 | 0:53:49 | |
and I wonder whether on reflection he thought that had been very wise. | 0:53:49 | 0:53:53 | |
Whether Rupert Murdoch approved or not, | 0:53:53 | 0:53:55 | |
he and his organisation were now effectively part of an establishment | 0:53:55 | 0:53:59 | |
that was every bit as extensive and corruptible | 0:53:59 | 0:54:02 | |
as the traditional old boy network | 0:54:02 | 0:54:04 | |
of which he had most definitely disapproved. | 0:54:04 | 0:54:07 | |
But for something like 15 years, | 0:54:09 | 0:54:11 | |
that was the way public life in Britain - involving the police, | 0:54:11 | 0:54:15 | |
politicians and News International - simply was. | 0:54:15 | 0:54:18 | |
And then a monumental scandal broke. | 0:54:20 | 0:54:22 | |
Despicable. That's how Milly Dowler's parents have reacted | 0:54:24 | 0:54:27 | |
after police told them... | 0:54:27 | 0:54:28 | |
Journalists at the News of the World had hacked the mobile phone | 0:54:28 | 0:54:32 | |
message box of murdered teenager Milly Dowler. | 0:54:32 | 0:54:35 | |
The News of the World have no humanity... | 0:54:35 | 0:54:37 | |
As the scandal unfolded, thousands of cases emerged... | 0:54:37 | 0:54:41 | |
More revelations in the News of the World... | 0:54:41 | 0:54:43 | |
..celebrities, victims of crime and public officials. | 0:54:43 | 0:54:46 | |
Disgusting revelations... | 0:54:46 | 0:54:47 | |
Tonight, Mr Coulson emerged from Lewisham police station. | 0:54:47 | 0:54:51 | |
It was systematic and widespread... | 0:54:52 | 0:54:54 | |
These are clearly very serious allegations. | 0:54:54 | 0:54:56 | |
..as was the network of corrupt officials on The Sun's payroll. | 0:54:56 | 0:55:01 | |
And if these crimes weren't bad enough, for Rupert Murdoch, | 0:55:01 | 0:55:04 | |
the decade-long corporate cover-up was worse. | 0:55:04 | 0:55:07 | |
A once proud and defiant newspaper proprietor | 0:55:07 | 0:55:10 | |
was reduced to abject apology. | 0:55:10 | 0:55:13 | |
I would just like to say one sentence. | 0:55:16 | 0:55:19 | |
This is the most humble day of my life. | 0:55:19 | 0:55:21 | |
It wasn't the humblest day of his life - | 0:55:23 | 0:55:24 | |
Rupert Murdoch doesn't do humble. | 0:55:24 | 0:55:26 | |
It was probably the worst days of his life, | 0:55:26 | 0:55:28 | |
because what he had created had come back to destroy him. | 0:55:28 | 0:55:32 | |
He had created this new kind of aggressive tabloid journalism - | 0:55:32 | 0:55:36 | |
it was that kind of aggressive tabloid journalism | 0:55:36 | 0:55:39 | |
that gave him the money to acquire The Times, The Sunday Times, | 0:55:39 | 0:55:43 | |
and then, post Wapping, to go and buy the TV stations | 0:55:43 | 0:55:47 | |
in America that became the Fox Network and the studio | 0:55:47 | 0:55:50 | |
that he took over as 20th Century Fox. | 0:55:50 | 0:55:52 | |
There's a Shakespearean tragedy | 0:55:52 | 0:55:54 | |
to it. What created him ending up destroying him in this country. | 0:55:54 | 0:56:01 | |
It became a perfect storm, forcing Murdoch to close | 0:56:01 | 0:56:04 | |
the News of the World, the paper that had brought him to Britain | 0:56:04 | 0:56:07 | |
in the first place. Then he was compelled to abandon his strategic | 0:56:07 | 0:56:12 | |
bid to take back full control of the jewel in his British crown, BSkyB. | 0:56:12 | 0:56:16 | |
'But the repercussions spread well beyond these shores | 0:56:19 | 0:56:22 | |
'to the rest of News Corporation, | 0:56:22 | 0:56:23 | |
'because of the implication that Murdoch himself | 0:56:23 | 0:56:27 | |
'had mishandled events. | 0:56:27 | 0:56:29 | |
'The fact is that Rupert Murdoch is no longer in full control | 0:56:29 | 0:56:33 | |
'of his company, and shareholder pressure has led to the corporation | 0:56:33 | 0:56:37 | |
'being split in two.' | 0:56:37 | 0:56:39 | |
But it has also led to something else which can be traced | 0:56:39 | 0:56:42 | |
right back to the legacy of Rupert Murdoch's own father, Sir Keith. | 0:56:42 | 0:56:46 | |
At its heart, News Corporation has always been a Murdoch family | 0:56:48 | 0:56:53 | |
business and, in common with family businesses the world over, | 0:56:53 | 0:56:56 | |
it's the founder's fondest wish to be succeeded by one of his children. | 0:56:56 | 0:57:02 | |
The question used to be, which one? | 0:57:02 | 0:57:05 | |
The question now is, can it be any of them? | 0:57:05 | 0:57:08 | |
Over the course of 20 years, Rupert Murdoch had, | 0:57:09 | 0:57:11 | |
at various times, appointed his children, Elisabeth, Lachlan | 0:57:11 | 0:57:15 | |
and James, to senior posts in the company. | 0:57:15 | 0:57:18 | |
More recently, youngest son James | 0:57:18 | 0:57:20 | |
emerged as the boy most likely to succeed. | 0:57:20 | 0:57:23 | |
He was made head of News International in the UK, | 0:57:25 | 0:57:28 | |
but that put him in the firing line when the phone hacking scandal | 0:57:28 | 0:57:31 | |
broke, which has all but wrecked his chances | 0:57:31 | 0:57:34 | |
of ever succeeding his father. | 0:57:34 | 0:57:36 | |
After decades of winning battles with Britain, Rupert Murdoch | 0:57:40 | 0:57:44 | |
finally lost a big one - | 0:57:44 | 0:57:46 | |
giving the people what they want eventually coming back to haunt him. | 0:57:46 | 0:57:50 | |
The damage done to him by the phone hacking scandal is hard to | 0:57:50 | 0:57:54 | |
overestimate. It appears to confirm, for example, | 0:57:54 | 0:57:57 | |
everything his detractors always said about him. | 0:57:57 | 0:58:00 | |
But much, much more important than that, for him, | 0:58:00 | 0:58:03 | |
his life's ambition, to leave what he has built to his children, | 0:58:03 | 0:58:07 | |
is now almost certainly a pipe dream. | 0:58:07 | 0:58:11 | |
Meanwhile, for Britain, the Murdoch era is virtually over. | 0:58:11 | 0:58:15 | |
What remains are newspapers that might otherwise have died out, | 0:58:16 | 0:58:20 | |
abundance in TV unimagined 40 years ago and, for better or worse, | 0:58:20 | 0:58:25 | |
a public culture dominated by the democracy of the market, not | 0:58:25 | 0:58:29 | |
dictated by establishment elites. | 0:58:29 | 0:58:31 | |
Rupert Murdoch offered us choice, and we bought it. | 0:58:33 | 0:58:38 | |
Subtitles by Red Bee Media Ltd | 0:58:48 | 0:58:51 |