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This programme contains some strong language | 0:01:25 | 0:01:33 | |
CAMERA SHUTTER CLICKS | 0:01:37 | 0:01:39 | |
CAMERA SHUTTER CLICKS | 0:01:45 | 0:01:48 | |
HORN BEEPS | 0:01:48 | 0:01:49 | |
Britain on the brink. State of emergency declared. | 0:01:49 | 0:01:53 | |
There you go, guv'nor. | 0:01:53 | 0:01:55 | |
Britain on the brink. | 0:01:56 | 0:01:58 | |
CAMERA SHUTTER CLICKS | 0:01:58 | 0:01:59 | |
CAMERA SHUTTER CLICKS | 0:02:07 | 0:02:09 | |
CHILDREN LAUGH | 0:02:12 | 0:02:14 | |
CAMERA SHUTTER CLICKS | 0:02:23 | 0:02:25 | |
Yes, we met last year in Lyon. | 0:02:25 | 0:02:27 | |
Yes. Of course. | 0:02:27 | 0:02:29 | |
You have a message for me? | 0:02:31 | 0:02:32 | |
Dimitri has returned from Kiev with the information we need. | 0:02:32 | 0:02:36 | |
He will meet you in Amsterdam at the North Gate of the Westerpark. | 0:02:36 | 0:02:40 | |
Ensure the money is in his account by then. | 0:02:40 | 0:02:42 | |
CHILDREN CHATTER | 0:02:42 | 0:02:44 | |
If it has not cleared by the time you meet, | 0:02:44 | 0:02:46 | |
our arrangement with him is terminated. | 0:02:46 | 0:02:48 | |
CAMERA SHUTTER CLICKS | 0:02:48 | 0:02:49 | |
Come on, girls. | 0:02:49 | 0:02:52 | |
CAMERA SHUTTER CLICKS | 0:02:52 | 0:02:54 | |
CAMERA SHUTTER CLICKS | 0:03:11 | 0:03:13 | |
DOOR CREAKS | 0:03:25 | 0:03:26 | |
CAMERA SHUTTER CLICKS | 0:03:26 | 0:03:29 | |
CAMERA SHUTTER CLICKS | 0:03:39 | 0:03:42 | |
CAMERA SHUTTER CLICKS | 0:03:49 | 0:03:51 | |
Now you see the difference in your pace from before | 0:04:11 | 0:04:14 | |
the dead-letter drop? | 0:04:14 | 0:04:15 | |
It's like bloody Roadrunner. | 0:04:15 | 0:04:17 | |
Never draw attention to yourself that way. | 0:04:17 | 0:04:20 | |
A good agent always blends into the background. | 0:04:20 | 0:04:23 | |
Yeah, but one of your lot was following me, wasn't he? | 0:04:23 | 0:04:25 | |
He was wearing brown shoes. | 0:04:25 | 0:04:26 | |
As do half the damn populace. | 0:04:26 | 0:04:29 | |
Paranoia distorts perception, leads to mistakes, puts lives at risk. | 0:04:29 | 0:04:35 | |
-Not just your own. -KNOCK ON DOOR | 0:04:35 | 0:04:38 | |
DOOR OPENS | 0:04:38 | 0:04:39 | |
Gerry, this came from SB. | 0:04:39 | 0:04:41 | |
Controller Soviet Bloc wants you over at HO. | 0:04:43 | 0:04:46 | |
Hello again. | 0:04:54 | 0:04:55 | |
-Anna March. -Charles Thoroughgood. | 0:04:57 | 0:05:00 | |
You lost your accent. | 0:05:00 | 0:05:01 | |
Borrowed accent. | 0:05:01 | 0:05:03 | |
Polish? | 0:05:03 | 0:05:04 | |
Czech. I just got back from Prague. | 0:05:04 | 0:05:08 | |
Head of Training is an old friend, he called in a favour. | 0:05:08 | 0:05:11 | |
The children borrowed too? | 0:05:11 | 0:05:14 | |
100% mine. | 0:05:14 | 0:05:15 | |
I suppose it's totally inappropriate to ask what your judgement is on me? | 0:05:17 | 0:05:21 | |
Totally. | 0:05:21 | 0:05:22 | |
BEEPING | 0:06:01 | 0:06:03 | |
ANNOUNCEMENT IN RUSSIAN | 0:06:04 | 0:06:07 | |
RADIO STATIC | 0:06:10 | 0:06:12 | |
Charles Thoroughgood. | 0:06:22 | 0:06:23 | |
Ask A1 to join us. | 0:06:35 | 0:06:37 | |
So, Royal Engineers. | 0:06:49 | 0:06:51 | |
My late father's regiment. | 0:06:51 | 0:06:53 | |
Stationed in Belfast. | 0:06:53 | 0:06:55 | |
Bomb disposal. | 0:06:55 | 0:06:56 | |
As career moves go, something of a quantum leap. | 0:06:58 | 0:07:01 | |
By the time the bomb is laid, it's after the event. | 0:07:01 | 0:07:05 | |
It's just about damage limitation. | 0:07:05 | 0:07:07 | |
Damage being the loss of your colleague, | 0:07:07 | 0:07:09 | |
Lieutenant Lawson, by a car bomb last year? | 0:07:09 | 0:07:12 | |
Among others. | 0:07:12 | 0:07:14 | |
Before the army you were up at Oxford. | 0:07:14 | 0:07:16 | |
In your third year there, you became friendly with a Russian student | 0:07:16 | 0:07:19 | |
on an English postgraduate course. One Viktor Koslov. | 0:07:19 | 0:07:22 | |
You were friendly for a while - | 0:07:23 | 0:07:25 | |
drinking, socialising, | 0:07:25 | 0:07:28 | |
rowing for the college and so forth. | 0:07:28 | 0:07:30 | |
Any time I'm off-piste, feel free to jump in. | 0:07:30 | 0:07:33 | |
What was your impression of him at that time? | 0:07:38 | 0:07:40 | |
He rather relished the freedom of it all. | 0:07:40 | 0:07:43 | |
Was he politically active there? | 0:07:43 | 0:07:44 | |
If he was, he didn't parade it. | 0:07:46 | 0:07:48 | |
He's now back here, | 0:07:48 | 0:07:49 | |
working in the Political Section at the Soviet Embassy. | 0:07:49 | 0:07:52 | |
As is usual for their postings, he's accompanied by his wife. | 0:07:52 | 0:07:56 | |
Also as usual, they've had to leave their child behind in Moscow. | 0:07:56 | 0:08:00 | |
As a hostage. | 0:08:00 | 0:08:02 | |
So far, so routine. Except MI5 report that he's been conducting | 0:08:02 | 0:08:06 | |
a relationship with a prostitute. | 0:08:06 | 0:08:08 | |
A risky venture for a Soviet official | 0:08:08 | 0:08:10 | |
serving in a hostile Western country. | 0:08:10 | 0:08:13 | |
-Unless he has a death wish. -DOOR OPENS | 0:08:13 | 0:08:15 | |
Hugo March. A1 London Ops. | 0:08:17 | 0:08:19 | |
Responsible for targeting and recruiting Russians here. | 0:08:19 | 0:08:22 | |
I think you met my wife today on a training exercise - | 0:08:22 | 0:08:24 | |
Anna March? | 0:08:24 | 0:08:25 | |
Oh, yes, I did. | 0:08:27 | 0:08:28 | |
Bit of light relief after her stint in Prague. | 0:08:28 | 0:08:30 | |
In your own time, Hugo. | 0:08:30 | 0:08:32 | |
Eva Pym. 24 years old, former model. | 0:08:36 | 0:08:39 | |
Pregnant at 17, | 0:08:39 | 0:08:41 | |
a daughter, now aged seven, at a boarding school in Hampshire. | 0:08:41 | 0:08:44 | |
Not one of your common-or-garden street tarts. | 0:08:44 | 0:08:47 | |
She frequents high-class parties in Mayfair | 0:08:47 | 0:08:50 | |
for visiting foreign officials. | 0:08:50 | 0:08:51 | |
We assume that's where she picked up Viktor. | 0:08:51 | 0:08:54 | |
Is he KGB? | 0:08:54 | 0:08:55 | |
As you no doubt recall, three years ago we expelled over | 0:08:57 | 0:09:00 | |
100 of their agents operating out of their embassy. | 0:09:00 | 0:09:02 | |
Moscow is still smarting from that. As a result, | 0:09:02 | 0:09:05 | |
they've stepped up their activities here in retaliation. | 0:09:05 | 0:09:08 | |
We know they're planning an attack on our infrastructure. | 0:09:08 | 0:09:12 | |
If Viktor isn't KGB, he'll know the names of those here who are. | 0:09:12 | 0:09:16 | |
In other words, we want you to turn him. | 0:09:19 | 0:09:21 | |
Exploiting personal relationships is never easy. | 0:09:23 | 0:09:27 | |
If you have any qualms about it or feel you're not ready, | 0:09:27 | 0:09:30 | |
now would be a good time to say it. | 0:09:30 | 0:09:33 | |
I'm ready. | 0:09:33 | 0:09:34 | |
Hugo will brief you on the details. | 0:09:36 | 0:09:38 | |
You'll be reporting directly to Hookey on this. | 0:09:46 | 0:09:49 | |
He'll expect detailed reports after every contact. | 0:09:49 | 0:09:52 | |
Be warned, he takes no prisoners. | 0:09:52 | 0:09:55 | |
He cut his teeth in East Berlin against the Stasi. | 0:09:55 | 0:09:58 | |
Best use an alias with the Pym woman. | 0:10:03 | 0:10:06 | |
Someone gave you her name. | 0:10:07 | 0:10:10 | |
You wish to avail yourself of her services. | 0:10:10 | 0:10:12 | |
No, thanks. | 0:10:14 | 0:10:15 | |
Play your cards right, you can do just that. | 0:10:15 | 0:10:18 | |
Seize your pleasures where they come. | 0:10:20 | 0:10:22 | |
I'd be in there like a fucking shot. | 0:10:23 | 0:10:25 | |
Mmm. Now... | 0:10:27 | 0:10:29 | |
Antidotes to all known poisons currently used by the KGB. | 0:10:41 | 0:10:46 | |
Thallium is their usual choice. | 0:10:46 | 0:10:49 | |
Initial symptoms - abdominal pain, nausea and vomiting. | 0:10:49 | 0:10:53 | |
If you experience one or all of them, | 0:10:53 | 0:10:55 | |
take two grams immediately, get yourself to hospital. | 0:10:55 | 0:10:58 | |
Any delay could prove fatal. | 0:10:58 | 0:11:01 | |
If I'm just an old friend getting back in touch, | 0:11:01 | 0:11:03 | |
why would Viktor want to harm me? | 0:11:03 | 0:11:05 | |
Depends how convincing you are. | 0:11:05 | 0:11:08 | |
Trick to lying - always stick as close to the truth as possible. | 0:11:08 | 0:11:12 | |
-ON RADIO: -'Charlie Alpha 26. South gate. | 0:11:15 | 0:11:17 | |
'We have no show at this time. Over.' | 0:11:17 | 0:11:19 | |
'Roger, 26.' | 0:11:19 | 0:11:21 | |
'West pond clear. That's a negative. Over.' | 0:11:23 | 0:11:25 | |
'Roger.' | 0:11:25 | 0:11:27 | |
'Charlie 05. Kenwood Gate. I have eyes on the target. | 0:11:27 | 0:11:30 | |
'Confirm, eyes on the target. Over.' | 0:11:30 | 0:11:32 | |
'Target is moving south-west and heading your way. Over.' | 0:11:32 | 0:11:35 | |
HE PANTS | 0:12:02 | 0:12:05 | |
Viktor? | 0:12:09 | 0:12:11 | |
-My God. It is you! It's Charles. -Charles! | 0:12:12 | 0:12:15 | |
THEY LAUGH | 0:12:15 | 0:12:17 | |
-How are you? -What's it been, six, seven years? | 0:12:17 | 0:12:20 | |
Eight, eight years at least. At least! How are you? | 0:12:20 | 0:12:24 | |
I'm great. You're back here now? | 0:12:24 | 0:12:27 | |
Yes, I am Second Secretary at the Russian Embassy. | 0:12:27 | 0:12:30 | |
-Oh, wow! -Yes. And you are...? | 0:12:30 | 0:12:32 | |
Foreign Office. | 0:12:32 | 0:12:34 | |
As of two weeks ago, I'm just on the induction course. | 0:12:34 | 0:12:37 | |
Well, we must meet, catch up properly. Where can I reach you? | 0:12:39 | 0:12:43 | |
At the embassy would be best. | 0:12:43 | 0:12:44 | |
Yeah. It's OK for me to call you there? | 0:12:44 | 0:12:47 | |
Yes. You think I will be clapped in irons if you do? | 0:12:47 | 0:12:49 | |
THEY LAUGH | 0:12:49 | 0:12:51 | |
I'll be in touch. It's been too long, Viktor. | 0:12:51 | 0:12:53 | |
Now we make up for lost time. | 0:12:53 | 0:12:55 | |
I look forward to it, yes. Really! | 0:12:55 | 0:12:58 | |
-I have a reservation. -Of course. | 0:13:25 | 0:13:27 | |
Whisky. | 0:13:31 | 0:13:33 | |
No ice. | 0:13:33 | 0:13:34 | |
Eva? | 0:13:52 | 0:13:54 | |
-Hi. -Hi. | 0:13:54 | 0:13:56 | |
-Champagne. -Two glasses. -A bottle. My usual. | 0:13:58 | 0:14:02 | |
Of course. | 0:14:02 | 0:14:04 | |
They know you here. | 0:14:07 | 0:14:09 | |
They should do, I bring them enough business. | 0:14:09 | 0:14:12 | |
Did you book a room for us? | 0:14:13 | 0:14:15 | |
I'll sort it. | 0:14:17 | 0:14:20 | |
A place nearby do a special rate for me. | 0:14:20 | 0:14:22 | |
And you, what's your special rate? | 0:14:22 | 0:14:25 | |
-Depends. -On? | 0:14:25 | 0:14:28 | |
What you're after. | 0:14:28 | 0:14:30 | |
Suppose I tell you that I'm here under false pretences? | 0:14:30 | 0:14:34 | |
That I work for British Intelligence | 0:14:35 | 0:14:38 | |
and we have an interest in one of your clients? | 0:14:38 | 0:14:43 | |
I'd say my duty is to queen and country so... | 0:14:43 | 0:14:47 | |
I'm at your disposal. | 0:14:48 | 0:14:50 | |
His name is Viktor Koslov. | 0:15:01 | 0:15:03 | |
He works at the Russian Embassy. | 0:15:06 | 0:15:08 | |
That's fine, thank you. | 0:15:18 | 0:15:21 | |
What do you want from me? | 0:15:23 | 0:15:24 | |
Nothing onerous. Just anything you can tell us about him. | 0:15:24 | 0:15:29 | |
Anything he's confided in you about his life and his work here. | 0:15:29 | 0:15:33 | |
In other words, spy for you? | 0:15:33 | 0:15:35 | |
Gather information. | 0:15:35 | 0:15:37 | |
Thanks but no thanks. I'm not getting into something like this. | 0:15:37 | 0:15:40 | |
Not a chance. Find some other mug to do your dirty work. | 0:15:40 | 0:15:44 | |
Your daughter Mary...how old is she now? Seven, eight? | 0:15:46 | 0:15:49 | |
You must miss her when she's away at school. | 0:15:51 | 0:15:56 | |
Then again, with your job it must be | 0:15:56 | 0:15:59 | |
very challenging during the holidays when she's home. | 0:15:59 | 0:16:01 | |
Children can be so impressionable at that age, can't they? | 0:16:01 | 0:16:05 | |
My, your mother must be proud of you. | 0:16:05 | 0:16:08 | |
So I get what out of it? | 0:16:14 | 0:16:16 | |
Double your usual rate. | 0:16:18 | 0:16:19 | |
Triple. Plus expenses. | 0:16:19 | 0:16:21 | |
OK. | 0:16:22 | 0:16:24 | |
TYRES SCREECH | 0:16:37 | 0:16:40 | |
DOOR CLOSES | 0:16:53 | 0:16:54 | |
Tanya, my wife. | 0:17:25 | 0:17:28 | |
My daughter. | 0:17:31 | 0:17:32 | |
Aw. | 0:17:32 | 0:17:34 | |
Natasha, back in Moscow. | 0:17:34 | 0:17:36 | |
It is the greatest love of all, Charles, the love for a child. | 0:17:37 | 0:17:41 | |
It is the only love that is...unconditional. | 0:17:42 | 0:17:46 | |
And the love of one's country, where does that rate? | 0:17:48 | 0:17:51 | |
Was it not Voltaire who said, "It is lamentable that to be | 0:17:51 | 0:17:55 | |
"a patriot one must first make an enemy of the rest of mankind?" | 0:17:55 | 0:17:59 | |
I thought about you often over the years, Viktor. | 0:18:07 | 0:18:10 | |
Of our time together in Oxford. | 0:18:10 | 0:18:12 | |
I have thought of you also. | 0:18:12 | 0:18:15 | |
You were not like the other people there. They had such a sense of... | 0:18:15 | 0:18:20 | |
entitlement, yes? | 0:18:20 | 0:18:21 | |
The assumption that happiness is their right, is their due. | 0:18:22 | 0:18:26 | |
Since returning here, I have been struck how people think | 0:18:27 | 0:18:31 | |
they know everything about my country. | 0:18:31 | 0:18:34 | |
How we are all card-carrying Party members, | 0:18:34 | 0:18:38 | |
ready to take up arms to further the glorious Communist cause. | 0:18:38 | 0:18:43 | |
Not true, it's a misconception. | 0:18:43 | 0:18:45 | |
Most people in Russia are not in the Party, | 0:18:45 | 0:18:49 | |
they care not a kopek for the Party or the Socialist utopia it espouses. | 0:18:49 | 0:18:54 | |
You seem happy enough to serve it. | 0:18:54 | 0:18:56 | |
I was born into it. | 0:18:56 | 0:18:58 | |
It is the sea I have to swim in. | 0:19:00 | 0:19:02 | |
You used to say politics bored you. | 0:19:06 | 0:19:08 | |
Time gives a different perspective. | 0:19:09 | 0:19:12 | |
Then we have more in common than divides us, my friend. | 0:19:12 | 0:19:16 | |
HE LAUGHS | 0:19:21 | 0:19:23 | |
-This one is yours?! -Uh-huh. | 0:19:25 | 0:19:28 | |
Wow. Style without ostentation. | 0:19:28 | 0:19:31 | |
Yeah. Legacy from my father. He died a few months ago. | 0:19:31 | 0:19:36 | |
I'm sorry. | 0:19:36 | 0:19:38 | |
Can I give you a lift? | 0:19:40 | 0:19:41 | |
No, no. | 0:19:41 | 0:19:44 | |
Must we end the evening now? It is early, we could maybe, | 0:19:44 | 0:19:48 | |
I don't know, take a walk, or continue the conversation? | 0:19:48 | 0:19:52 | |
It is rarely that I get such a chance. | 0:19:53 | 0:19:56 | |
Yeah. Why not? | 0:19:56 | 0:19:58 | |
Where are we going? | 0:20:25 | 0:20:26 | |
Viktor? | 0:20:28 | 0:20:30 | |
I need to talk to you. | 0:20:30 | 0:20:31 | |
After you. | 0:20:59 | 0:21:01 | |
Your father... | 0:21:13 | 0:21:15 | |
It was a heart attack, yes? | 0:21:17 | 0:21:20 | |
You were close. | 0:21:21 | 0:21:23 | |
I met him once, do you remember? When he came to visit you at Oxford? | 0:21:24 | 0:21:30 | |
You brought him to Hall, introduced him to everyone. | 0:21:30 | 0:21:34 | |
I remember. | 0:21:34 | 0:21:36 | |
I have been asked to talk about him to you, Charles. | 0:21:39 | 0:21:45 | |
I have been asked to tell you that we owe his family - | 0:21:48 | 0:21:54 | |
you and your mother - many, many thousands of pounds | 0:21:56 | 0:22:02 | |
for the work that he has done for us over the years. | 0:22:02 | 0:22:06 | |
What, as a surveyor? | 0:22:08 | 0:22:10 | |
A surveyor trained by us in Moscow | 0:22:11 | 0:22:15 | |
in the installation of listening devices. | 0:22:15 | 0:22:18 | |
Who had unique access to your government's | 0:22:20 | 0:22:23 | |
embassies all over the world. | 0:22:23 | 0:22:25 | |
There was barely a diplomatic or intelligence secret in any city, | 0:22:27 | 0:22:31 | |
any country, that your father could not access for us. | 0:22:31 | 0:22:35 | |
But he would never accept a payment for his services. | 0:22:36 | 0:22:41 | |
And now he is dead, and we honour our debts. | 0:22:44 | 0:22:50 | |
That is what I have been instructed to tell you. | 0:22:54 | 0:22:57 | |
Who? Who's instructed you to tell me this? | 0:22:57 | 0:23:00 | |
My people. | 0:23:02 | 0:23:03 | |
What people? | 0:23:05 | 0:23:07 | |
My people in Moscow. | 0:23:09 | 0:23:11 | |
Well, your people in Moscow are talking pre-digested crap, Viktor. | 0:23:13 | 0:23:17 | |
I'm surprised you fell for it. | 0:23:17 | 0:23:19 | |
Anyone can fix a photograph. | 0:23:32 | 0:23:34 | |
We just want to repay what is owed to him, Charles. | 0:23:40 | 0:23:43 | |
And do it in such a way that will not compromise your own career. | 0:23:44 | 0:23:51 | |
If your employers in the Secret Service | 0:23:51 | 0:23:53 | |
knew about your father's work... | 0:23:53 | 0:23:55 | |
I told you, I work for the Foreign Office. | 0:23:55 | 0:23:57 | |
And I am not KGB, but a humble embassy official. | 0:23:57 | 0:24:02 | |
You really think that I would do this, Charles? | 0:24:05 | 0:24:08 | |
That I would risk such exposure telling you this | 0:24:08 | 0:24:13 | |
if it were not true? | 0:24:13 | 0:24:15 | |
I am sorry it had to be me to tell you. | 0:24:20 | 0:24:25 | |
Truly sorry. | 0:24:26 | 0:24:28 | |
Yeah, yeah. Did Moscow tell you to say that too? | 0:24:28 | 0:24:31 | |
We all want to think the best of our fathers. | 0:24:36 | 0:24:39 | |
You will see this was the best of yours. | 0:24:41 | 0:24:47 | |
DOOR BELL RINGS | 0:25:55 | 0:25:58 | |
Is Hugo in? | 0:26:06 | 0:26:08 | |
He's just gone out. | 0:26:08 | 0:26:10 | |
I'll catch him at the office tomorrow. | 0:26:10 | 0:26:13 | |
Charles? You're here now. | 0:26:13 | 0:26:15 | |
He's...he's walking the dog. | 0:26:23 | 0:26:26 | |
Via the nearest pub, if I know Hugo. | 0:26:27 | 0:26:29 | |
Sorry. | 0:26:30 | 0:26:32 | |
Don't let the work consume you, Charles. | 0:26:41 | 0:26:43 | |
It will if you let it. | 0:26:43 | 0:26:45 | |
Why keep on with it, then? | 0:26:47 | 0:26:49 | |
The other day, I was strap-hanging on the tube in rush hour, | 0:26:52 | 0:26:57 | |
and I remember looking at the crush of people around me and thinking, | 0:26:57 | 0:27:04 | |
I've got a secret. | 0:27:04 | 0:27:06 | |
And I need that. | 0:27:06 | 0:27:08 | |
Don't ask me why. | 0:27:10 | 0:27:11 | |
Has anything ever happened to you, where... | 0:27:27 | 0:27:29 | |
..it seems everything you've ever known, everything you've ever... | 0:27:35 | 0:27:39 | |
..is suddenly impeached? | 0:27:45 | 0:27:47 | |
My father used to say the essence of a lie is the intention to deceive. | 0:27:49 | 0:27:53 | |
Do you believe that? | 0:27:55 | 0:27:56 | |
Wanting something to happen isn't the same as acting on it. | 0:27:59 | 0:28:02 | |
HE SCOFFS | 0:28:10 | 0:28:13 | |
What's going on with you, Charles? | 0:28:14 | 0:28:17 | |
I shouldn't have come. | 0:28:17 | 0:28:20 | |
-Charles. -No, I'm... | 0:28:20 | 0:28:22 | |
best left to my own devices tonight. Thank you for the... | 0:28:22 | 0:28:27 | |
No, wait... | 0:28:27 | 0:28:29 | |
DOOR CLOSES | 0:28:32 | 0:28:34 | |
Apart from Auld Lang Syne on your Oxford days | 0:29:48 | 0:29:52 | |
and a veiled hint that he might be KGB, that was it? | 0:29:52 | 0:29:54 | |
Yeah. | 0:29:56 | 0:29:57 | |
And after dinner? | 0:29:59 | 0:30:01 | |
We went our separate ways. | 0:30:01 | 0:30:03 | |
Wise to take it slowly, build mutual trust. | 0:30:03 | 0:30:06 | |
Plenty of time later to... | 0:30:06 | 0:30:08 | |
Did you arrange another meeting? | 0:30:09 | 0:30:11 | |
I didn't want to appear too obvious. | 0:30:11 | 0:30:14 | |
No-one could accuse you of that. | 0:30:14 | 0:30:16 | |
What a nice surprise! | 0:31:04 | 0:31:06 | |
How goes the Foreign Office? | 0:31:12 | 0:31:14 | |
Yeah, just still finding my feet a bit. | 0:31:15 | 0:31:19 | |
I wanted to ask you something about Dad. | 0:31:19 | 0:31:23 | |
Just that it's been six months now, Mum, since... | 0:31:27 | 0:31:30 | |
Thought maybe you and I could start clearing out some of his things? | 0:31:34 | 0:31:38 | |
You're right of course. | 0:31:41 | 0:31:42 | |
Well, the study is where to start. | 0:31:46 | 0:31:50 | |
God knows what he hoarded in there over the years. | 0:31:50 | 0:31:52 | |
Oh, look. | 0:31:56 | 0:31:57 | |
I should get a gardener in, I suppose. | 0:35:10 | 0:35:13 | |
It's too big to manage on my own. | 0:35:13 | 0:35:15 | |
Cheers. | 0:35:16 | 0:35:18 | |
God, all those trips over the years for Dad's work | 0:35:30 | 0:35:33 | |
can't have been easy. | 0:35:33 | 0:35:34 | |
I had you for company, didn't I? | 0:35:34 | 0:35:38 | |
Later on, of course, I went with him. | 0:35:38 | 0:35:40 | |
Moscow, wasn't it? | 0:35:42 | 0:35:43 | |
Moscow, Washington, Bonn... | 0:35:43 | 0:35:46 | |
All over. | 0:35:46 | 0:35:48 | |
Did you ever meet any of his associates on your trips? | 0:35:48 | 0:35:51 | |
Associates! How formal you make it sound. | 0:35:51 | 0:35:54 | |
Where did you get this? | 0:36:00 | 0:36:01 | |
Do you know him? | 0:36:03 | 0:36:04 | |
He used to visit your father at the hotel in Prague. | 0:36:05 | 0:36:10 | |
Or was it Bucharest? | 0:36:10 | 0:36:11 | |
Did Dad say how he knew him? | 0:36:17 | 0:36:20 | |
Only that he was in the same line of work. | 0:36:20 | 0:36:22 | |
Then, he never talked about his work, did he? | 0:36:24 | 0:36:27 | |
He used to say the Official Secrets Act applied equally | 0:36:27 | 0:36:30 | |
to a humble government surveyor as to government spies. | 0:36:30 | 0:36:34 | |
Chap in the FO knew Dad before the war. | 0:36:40 | 0:36:44 | |
He has some idea that's what Dad was. | 0:36:45 | 0:36:47 | |
A spy. For the other side. | 0:36:49 | 0:36:51 | |
The Russians? | 0:36:54 | 0:36:55 | |
If he was, would you have known? | 0:36:58 | 0:37:00 | |
After 30 years of marriage? | 0:37:01 | 0:37:03 | |
You can tell your friend I don't much appreciate him | 0:37:08 | 0:37:11 | |
spreading such mendacious tittle-tattle. | 0:37:11 | 0:37:14 | |
Dear God, you haven't taken it seriously? | 0:37:18 | 0:37:20 | |
Of course not. It's absurd, obviously. | 0:37:24 | 0:37:27 | |
-KNOCK ON DOOR -Yes! | 0:37:57 | 0:37:59 | |
Can I have a moment? | 0:38:01 | 0:38:03 | |
You need to hear this too. | 0:38:07 | 0:38:09 | |
The report I submitted on my meeting with Viktor... | 0:38:16 | 0:38:19 | |
..was incomplete. | 0:38:21 | 0:38:23 | |
He told me that since the war my father...had been a KGB spy. | 0:38:27 | 0:38:34 | |
His code name was Builder. | 0:38:44 | 0:38:46 | |
And the man with him? | 0:38:47 | 0:38:48 | |
His handler. I don't have a name. | 0:38:50 | 0:38:52 | |
'Hello?' | 0:39:05 | 0:39:06 | |
Martha, my office. | 0:39:06 | 0:39:08 | |
Can I ask why you delayed telling us this? | 0:39:12 | 0:39:15 | |
I didn't want to believe it. | 0:39:15 | 0:39:17 | |
I assumed you'd demand my resignation | 0:39:19 | 0:39:21 | |
and my career would be killed in its tracks. | 0:39:21 | 0:39:23 | |
Is that what you're minded to do, resign? | 0:39:23 | 0:39:25 | |
I want to finish what we started with Viktor. | 0:39:25 | 0:39:28 | |
If he is trying to recruit me, I can use it. | 0:39:28 | 0:39:30 | |
Feed him information. | 0:39:30 | 0:39:31 | |
Nothing damaging, whatever can be cleared for his consumption. | 0:39:31 | 0:39:34 | |
-But sufficient to convince him I'm on board. -Like father, like son. | 0:39:34 | 0:39:37 | |
Well, that's the card I hold, isn't it? | 0:39:40 | 0:39:43 | |
Martha, Charles Thoroughgood. | 0:39:52 | 0:39:54 | |
Everything in this Control begins and ends with Martha. | 0:39:54 | 0:39:57 | |
What do we know of them? | 0:39:59 | 0:40:01 | |
Igor Smolotski, official rank - First Chief Directorate. | 0:40:07 | 0:40:10 | |
The KGB equivalent of MI6. In other words, a heavyweight. | 0:40:10 | 0:40:14 | |
As to who's with him... | 0:40:14 | 0:40:16 | |
-My father. -Now deceased. | 0:40:17 | 0:40:19 | |
Someone of Igor's rank wouldn't trouble himself | 0:40:21 | 0:40:24 | |
with a mere foot soldier. | 0:40:24 | 0:40:26 | |
Daddy must have been of value to them. | 0:40:26 | 0:40:28 | |
And Mumsy? | 0:40:32 | 0:40:33 | |
Was she just a fellow traveller, | 0:40:33 | 0:40:36 | |
or up to her neck in it along with him? | 0:40:36 | 0:40:38 | |
She was as much in the dark as I was. | 0:40:43 | 0:40:45 | |
That's my only condition, my mother is left alone. | 0:40:45 | 0:40:47 | |
That's non-negotiable. | 0:40:47 | 0:40:49 | |
PHONE RINGS | 0:40:53 | 0:40:55 | |
Viktor, the money you owe my father, how much are we talking about? | 0:41:00 | 0:41:05 | |
After our last meeting, I was not so sure I would see you so soon. | 0:41:19 | 0:41:23 | |
If ever again. | 0:41:24 | 0:41:25 | |
Did you tell your Control about our conversation? | 0:41:28 | 0:41:31 | |
About your father's work for us? | 0:41:32 | 0:41:36 | |
And end my career before it's even started? | 0:41:36 | 0:41:38 | |
His possessions, have they been disposed of yet? | 0:41:42 | 0:41:45 | |
Late last year, Moscow gave him a last mission to undertake for us. | 0:41:48 | 0:41:54 | |
But he died before he could debrief us on the details of it. | 0:41:54 | 0:41:57 | |
Perhaps there is a record of the mission somewhere in his house. | 0:41:59 | 0:42:04 | |
A map... | 0:42:04 | 0:42:06 | |
Perhaps a cipher, I don't know. | 0:42:06 | 0:42:08 | |
What kind of map? | 0:42:10 | 0:42:12 | |
If we knew that, I would not need you to find it. | 0:42:13 | 0:42:16 | |
Right, that's the price, is it? | 0:42:21 | 0:42:23 | |
There is always a price, my friend. | 0:42:26 | 0:42:28 | |
PHONE RINGS | 0:42:31 | 0:42:34 | |
I'm in. He told me they are looking for something. | 0:42:41 | 0:42:46 | |
They think my father might be involved. | 0:42:46 | 0:42:49 | |
He left some kind of map. | 0:42:49 | 0:42:51 | |
He gave no more details than that? | 0:42:51 | 0:42:53 | |
No, but it must be big or else why would he risk asking my help? | 0:42:53 | 0:42:56 | |
METALLIC RATTLING | 0:43:14 | 0:43:16 | |
You visiting Hugo? | 0:43:44 | 0:43:45 | |
Job for Section 8. It's Red Stripe. | 0:43:45 | 0:43:49 | |
Restricted access, need to know only. | 0:43:49 | 0:43:51 | |
Hugo told me about your father. | 0:44:02 | 0:44:04 | |
Interrogating my mother was the fun part. | 0:44:09 | 0:44:12 | |
Maybe she didn't ask any questions | 0:44:16 | 0:44:19 | |
because she was afraid of the answers. | 0:44:19 | 0:44:21 | |
Well, we're all guilty of that. | 0:44:21 | 0:44:23 | |
Hugo said that he did it for ideological reasons. | 0:44:31 | 0:44:35 | |
What he did was out of principle, wasn't it? | 0:44:37 | 0:44:40 | |
Not greed or... | 0:44:40 | 0:44:41 | |
That's something, surely? | 0:44:42 | 0:44:44 | |
Oh, I'll cling to any straw that's going. | 0:44:44 | 0:44:46 | |
HE LAUGHS | 0:44:46 | 0:44:48 | |
You're not your father, Charles. | 0:44:50 | 0:44:52 | |
Ash. | 0:44:55 | 0:44:57 | |
How was our mutual friend on your date yesterday? | 0:45:14 | 0:45:17 | |
Anything new to report? | 0:45:17 | 0:45:18 | |
He called, asked to delay it until early evening. | 0:45:20 | 0:45:23 | |
Said he had an errand to run, | 0:45:24 | 0:45:26 | |
he couldn't make it back to London in time. | 0:45:26 | 0:45:28 | |
Did he say what the errand was? | 0:45:28 | 0:45:30 | |
Something about his bosses needing a result on something. | 0:45:30 | 0:45:34 | |
If he can't deliver it, he's in trouble. | 0:45:34 | 0:45:36 | |
What kind of trouble? | 0:45:36 | 0:45:38 | |
Your end first. | 0:45:38 | 0:45:39 | |
When I asked, he clammed up. | 0:45:44 | 0:45:46 | |
But he had sand in his turn-ups, in his shoes. | 0:45:48 | 0:45:51 | |
I had to hoover it up after he left. | 0:45:51 | 0:45:53 | |
He said he had to go there again tomorrow. | 0:45:55 | 0:45:58 | |
I went through his pockets while he was in the toilet. | 0:45:58 | 0:46:03 | |
No bonus for initiative? | 0:46:03 | 0:46:06 | |
CAMERA SHUTTER CLICKS | 0:46:36 | 0:46:39 | |
Oi, what are you doing? | 0:47:07 | 0:47:10 | |
CAMERA SHUTTER CLICKS | 0:47:18 | 0:47:21 | |
WOODEN THUNK | 0:48:18 | 0:48:20 | |
RADIO PLAYS | 0:49:04 | 0:49:07 | |
I took the liberty. | 0:49:14 | 0:49:16 | |
Thanks. | 0:49:16 | 0:49:17 | |
Restricted access form. | 0:49:19 | 0:49:20 | |
It means that what I'm about to tell you must not be divulged to anyone. | 0:49:23 | 0:49:27 | |
Including everyone in the Controllerate. No exceptions. | 0:49:27 | 0:49:30 | |
Our source in Moscow informs us that in the past year | 0:49:33 | 0:49:37 | |
Soviet agents have buried secret caches around the country. | 0:49:37 | 0:49:40 | |
Like the one you found. It's called Operation Legacy. | 0:49:40 | 0:49:45 | |
We don't as yet know how many but we know their contents | 0:49:45 | 0:49:48 | |
are intended for sabotage operations against our infrastructure. | 0:49:48 | 0:49:52 | |
Dungeness Power Station clearly being a target. | 0:49:52 | 0:49:55 | |
The fact the KGB have now tasked Viktor to find | 0:49:57 | 0:49:59 | |
the one your father buried means that they intend to use it. | 0:49:59 | 0:50:02 | |
And soon. | 0:50:02 | 0:50:04 | |
The strikes, power cuts, three day week... | 0:50:05 | 0:50:08 | |
what better opportunity for a pre-emptive strike? | 0:50:08 | 0:50:10 | |
If we're going to stop them, Viktor is the key. | 0:50:10 | 0:50:13 | |
< Viktor. | 0:51:10 | 0:51:13 | |
Viktor, wait! | 0:51:15 | 0:51:16 | |
I have to talk to you. | 0:51:19 | 0:51:20 | |
Viktor! | 0:51:22 | 0:51:24 | |
Viktor! | 0:51:27 | 0:51:29 | |
PANTING | 0:51:34 | 0:51:36 | |
Oh, shit. | 0:51:40 | 0:51:41 | |
GUN CLICKS | 0:51:52 | 0:51:54 | |
TV PLAYS IN BACKGROUND | 0:52:03 | 0:52:06 | |
PHONE RINGS | 0:53:16 | 0:53:18 | |
Yes? | 0:53:18 | 0:53:20 | |
The prostitute, Eva, somebody killed her. | 0:53:20 | 0:53:22 | |
The police? | 0:53:23 | 0:53:26 | |
I called you first. | 0:53:26 | 0:53:27 | |
I'll clean it up. Go home, Thoroughgood. | 0:53:27 | 0:53:29 | |
That's not a request. | 0:53:29 | 0:53:31 | |
We have a 247 in South London. | 0:53:43 | 0:53:45 | |
So that's it, she's just swept under the carpet? | 0:54:17 | 0:54:20 | |
It's not as simple as that. You're missing the bigger picture. | 0:54:20 | 0:54:24 | |
And she was what, collateral damage? | 0:54:27 | 0:54:31 | |
And no-one is to be held accountable? | 0:54:31 | 0:54:33 | |
Would you feel less so if the Russians were? | 0:54:35 | 0:54:37 | |
My father... | 0:54:46 | 0:54:47 | |
Did people die because of him? | 0:54:49 | 0:54:51 | |
Almost certainly. | 0:54:51 | 0:54:53 | |
-HOOKEY: -'Like father, like son.' | 0:55:16 | 0:55:18 | |
No, you can only claim that an agent's been properly recruited | 0:56:27 | 0:56:30 | |
when he accepts being handed over to a new case officer. | 0:56:30 | 0:56:34 | |
Proving his relationship is with the service, not the individual. | 0:56:34 | 0:56:37 | |
Bollocks! The initial contact is what counts! | 0:56:37 | 0:56:40 | |
When you first turn them. | 0:56:40 | 0:56:42 | |
Whether they know it or not, you've already got them. | 0:56:42 | 0:56:45 | |
They're already at the point of no return. | 0:56:45 | 0:56:47 | |
Fear of exposure does the rest. | 0:56:47 | 0:56:49 | |
"Fear doth make cowards of us all." | 0:56:50 | 0:56:53 | |
Conscience. | 0:56:55 | 0:56:56 | |
Isn't it, "Conscience makes cowards of us all"? | 0:56:58 | 0:57:01 | |
Aren't you the scholar. | 0:57:03 | 0:57:05 | |
God. Not again. | 0:57:07 | 0:57:08 | |
I'll get some candles. | 0:57:08 | 0:57:10 | |
MUFFLED MOANS | 0:57:17 | 0:57:19 | |
PHONE RINGS | 0:57:21 | 0:57:23 | |
Charles? Phone for you. | 0:57:27 | 0:57:29 | |
What's the urgency? | 0:57:35 | 0:57:37 | |
It was the duty officer. Viktor's done a runner from the embassy. | 0:57:37 | 0:57:40 | |
They don't like the way he's acting. | 0:57:40 | 0:57:44 | |
They lost him, south of the river. | 0:57:44 | 0:57:46 | |
You know where he might be? | 0:57:46 | 0:57:48 | |
I hope so. | 0:57:48 | 0:57:50 | |
Is that car following us? | 0:57:52 | 0:57:54 | |
Let him pass. | 0:58:00 | 0:58:01 | |
Take the side streets now, it's safer. | 0:58:09 | 0:58:11 | |
This is close enough. | 0:58:16 | 0:58:18 | |
HANDBRAKE CREAKS | 0:58:20 | 0:58:22 | |
HEAVY RAIN FALLS | 0:58:33 | 0:58:35 | |
Viktor? | 0:58:44 | 0:58:45 | |
Viktor? | 0:58:48 | 0:58:50 | |
Stay where you are. | 0:59:06 | 0:59:08 | |
Was it you who told my people about Eva? | 0:59:11 | 0:59:14 | |
It was all a set-up, yes? | 0:59:17 | 0:59:22 | |
Everything? | 0:59:22 | 0:59:23 | |
From the start, you were playing me. | 0:59:25 | 0:59:27 | |
Either way, I am finished. | 0:59:29 | 0:59:32 | |
Two KGB officers are here from Moscow. | 0:59:33 | 0:59:36 | |
They say I must return with them. | 0:59:38 | 0:59:40 | |
They will interrogate me about Eva. | 0:59:41 | 0:59:43 | |
I am not a brave man, I will confess, | 0:59:47 | 0:59:51 | |
they will put me in a labour camp. | 0:59:51 | 0:59:54 | |
My wife and daughter will lose their home. | 0:59:54 | 0:59:58 | |
They will be destitute, they will be disgraced. | 0:59:58 | 1:00:02 | |
It's always the family that suffers. | 1:00:10 | 1:00:15 | |
No. This way there will be no investigation. | 1:00:23 | 1:00:27 | |
They will have a future. | 1:00:30 | 1:00:31 | |
There is one other way. | 1:00:43 | 1:00:44 | |
Give me the names of some of your agents. | 1:00:46 | 1:00:48 | |
Just a few names, that's all I need. | 1:00:51 | 1:00:54 | |
HE SOBS | 1:00:54 | 1:00:55 | |
Then I will be saved. My family will be saved! | 1:00:55 | 1:01:01 | |
No? Please... | 1:01:01 | 1:01:03 | |
Nice try, Viktor. | 1:01:05 | 1:01:07 | |
OK. | 1:01:11 | 1:01:12 | |
Well, do one thing for me, at least. | 1:01:17 | 1:01:19 | |
Delay resuscitation. | 1:01:25 | 1:01:27 | |
Oh, fuck. | 1:01:29 | 1:01:30 | |
Let me...let me go! | 1:01:47 | 1:01:49 | |
I must do this! | 1:01:52 | 1:01:54 | |
COUGHING AND SPUTTERING | 1:01:54 | 1:01:57 | |
No! | 1:01:57 | 1:01:59 | |
VIKTOR PANTS | 1:02:18 | 1:02:20 | |
There is another way out, Viktor. | 1:02:33 | 1:02:35 | |
Legacy. | 1:02:37 | 1:02:39 | |
The thing you were searching for on the golf course? I found it. | 1:02:41 | 1:02:45 | |
I could tell you where it is. | 1:02:46 | 1:02:48 | |
You say that you went out there again tonight looking for it. | 1:02:50 | 1:02:54 | |
What better way to prove your loyalty? | 1:02:55 | 1:02:57 | |
How do I know that you found it? | 1:03:00 | 1:03:02 | |
Dungeness. | 1:03:04 | 1:03:06 | |
And what is your price? | 1:03:12 | 1:03:14 | |
Legacy. | 1:03:18 | 1:03:19 | |
I need to know if it's still live | 1:03:21 | 1:03:23 | |
and where the other caches are sited. | 1:03:23 | 1:03:26 | |
No, I know only of that one. | 1:03:26 | 1:03:28 | |
Viktor, do you really want to go on playing games? | 1:03:28 | 1:03:30 | |
If I do it, what you ask, it is the end of it for us. | 1:03:42 | 1:03:47 | |
You and me, we are finished. | 1:03:47 | 1:03:49 | |
I will not be some lackey in your service! | 1:03:49 | 1:03:54 | |
No! | 1:03:54 | 1:03:56 | |
Not an option now. | 1:03:56 | 1:03:58 | |
North of hole 13, the bunker by the woods. | 1:04:02 | 1:04:05 | |
You're soaked. | 1:04:34 | 1:04:35 | |
Where to? | 1:04:38 | 1:04:39 | |
Home. | 1:04:39 | 1:04:41 | |
Mine. | 1:04:42 | 1:04:44 | |
ENGINE STARTS | 1:04:46 | 1:04:49 | |
What do your fellow students think about you | 1:05:05 | 1:05:07 | |
bunking off work all the time? | 1:05:07 | 1:05:09 | |
That I'm having an affair with a married woman. | 1:05:10 | 1:05:13 | |
Wishful thinking. | 1:05:16 | 1:05:18 | |
So you want to be my Count Vronski? | 1:05:25 | 1:05:27 | |
Less of a shit, hopefully. | 1:05:29 | 1:05:31 | |
Hugo wasn't always as you see him now. | 1:05:38 | 1:05:40 | |
When we first met... | 1:05:44 | 1:05:45 | |
..he had such certainty... | 1:05:46 | 1:05:48 | |
..of where he was going and all he wanted to achieve. | 1:05:51 | 1:05:55 | |
Looking at you reminds him of it. | 1:05:58 | 1:06:00 | |
And what about you, what do you see when you look at me? | 1:06:03 | 1:06:06 | |
You know the answer to that. | 1:06:09 | 1:06:11 | |
I'll be whatever you want me to be, Anna. | 1:06:19 | 1:06:21 | |
Or as little. | 1:06:23 | 1:06:24 | |
-SHE MUMBLES -I can't! | 1:06:37 | 1:06:40 | |
(I'm sorry.) | 1:06:40 | 1:06:41 | |
I can't. | 1:06:47 | 1:06:49 | |
I'm sorry. | 1:06:50 | 1:06:52 | |
If we do this, I know I'll want more. | 1:06:57 | 1:06:59 | |
I'll need more and... | 1:07:02 | 1:07:03 | |
SHE SIGHS | 1:07:05 | 1:07:07 | |
I don't think you're ready for that. | 1:07:07 | 1:07:09 | |
And I don't get the chance to prove otherwise? | 1:07:12 | 1:07:14 | |
I can't afford to take chances, Charles. | 1:07:18 | 1:07:21 | |
How can I? | 1:07:23 | 1:07:24 | |
Hmm. | 1:07:26 | 1:07:28 | |
Maybe he was right, maybe fear does make cowards of us. | 1:07:46 | 1:07:50 | |
INDISTINCT SPEECH | 1:08:19 | 1:08:22 | |
CAMERA SHUTTER CLICKS | 1:08:34 | 1:08:36 | |
-MARTHA: -The younger one is Rhykov. High flyer with the KGB. | 1:08:43 | 1:08:48 | |
MI5 got wind of him last year | 1:08:48 | 1:08:49 | |
when he was here on some "trade delegation". | 1:08:49 | 1:08:54 | |
The other is Annikov. | 1:08:54 | 1:08:57 | |
Party hardliner, Politburo apparatchik. | 1:08:57 | 1:09:00 | |
No love lost between them, apparently. | 1:09:00 | 1:09:02 | |
The usual story, the old guard being usurped by the new. | 1:09:02 | 1:09:06 | |
I doubt they're here to take in the sights. | 1:09:06 | 1:09:09 | |
Viktor's in trouble. | 1:09:26 | 1:09:27 | |
Finding the Dungeness cache didn't let him off the hook over Eva Pym. | 1:09:30 | 1:09:35 | |
He says his KGB minders are taking him and his wife back to Moscow. | 1:09:35 | 1:09:38 | |
They fly from Stansted the day after tomorrow. | 1:09:38 | 1:09:40 | |
They're making a detour en route to stay overnight in Suffolk. | 1:09:40 | 1:09:44 | |
In a village a few miles from Sizewell Nuclear Power Station. | 1:09:44 | 1:09:48 | |
Get down to Suffolk. | 1:09:48 | 1:09:49 | |
I'll assign another agent on Legacy to meet you there. | 1:09:49 | 1:09:52 | |
I don't need babysitting. | 1:09:52 | 1:09:55 | |
He's ready to be turned. He's out of time, he's out of options. | 1:09:55 | 1:09:57 | |
One more push, I've got him. | 1:09:57 | 1:09:59 | |
That's assuming you're right. | 1:09:59 | 1:10:00 | |
That your eagerness to prove you're not your father's son | 1:10:02 | 1:10:05 | |
hasn't impaired your judgement. | 1:10:05 | 1:10:07 | |
If they take Viktor back to Russia in disgrace, | 1:10:07 | 1:10:09 | |
he's no use to us on Legacy or anything else. | 1:10:09 | 1:10:12 | |
So either stop them or clear his name. | 1:10:12 | 1:10:14 | |
KNOCK ON DOOR | 1:11:07 | 1:11:09 | |
Hookey thought posing as a couple would be good cover. | 1:11:22 | 1:11:25 | |
Any sign of our friends? | 1:11:32 | 1:11:34 | |
They just went for a walk. | 1:11:34 | 1:11:35 | |
There they are. | 1:11:41 | 1:11:42 | |
His minders aren't letting him out of their sight. | 1:11:44 | 1:11:47 | |
Not too close. He can't spot me. | 1:11:49 | 1:11:52 | |
So what's the plan? | 1:11:54 | 1:11:55 | |
Rotten apples. | 1:11:57 | 1:11:58 | |
It's the game we play with each other, isn't it? | 1:12:01 | 1:12:03 | |
Who is, who isn't? | 1:12:03 | 1:12:05 | |
Maybe we can spice it up with one of our own. | 1:12:05 | 1:12:07 | |
What do you have in mind? | 1:12:09 | 1:12:10 | |
The oldest game in the book. Divide and rule. | 1:12:13 | 1:12:17 | |
Lovely picture. | 1:12:42 | 1:12:44 | |
Such a beautiful view. | 1:12:47 | 1:12:49 | |
SHE LAUGHS | 1:12:53 | 1:12:55 | |
Enjoy your meal. | 1:12:59 | 1:13:01 | |
Oh, goodnight, sir. | 1:13:39 | 1:13:42 | |
THEY SPEAK RUSSIAN | 1:14:11 | 1:14:13 | |
KNOCKING | 1:14:39 | 1:14:41 | |
You're on. | 1:14:48 | 1:14:50 | |
DOOR OPENS | 1:15:10 | 1:15:12 | |
HE SNIFFS | 1:15:31 | 1:15:32 | |
DOOR CLOSES | 1:15:37 | 1:15:38 | |
We should hear from Viktor soon. If it worked. | 1:16:00 | 1:16:04 | |
This'll be our first and last time in the field together. | 1:16:08 | 1:16:12 | |
When Legacy is done, I'm resigning. | 1:16:13 | 1:16:15 | |
Thanks. | 1:16:17 | 1:16:19 | |
Not now perhaps, or tomorrow, | 1:16:20 | 1:16:24 | |
but next time there's a security breach, | 1:16:24 | 1:16:28 | |
another Philby or Blake, because of my father, | 1:16:28 | 1:16:30 | |
and human nature being what it is, the finger will always point at me. | 1:16:30 | 1:16:34 | |
It's about credibility. | 1:16:38 | 1:16:39 | |
And he stole that from me. | 1:16:40 | 1:16:42 | |
He stole more than that. | 1:16:44 | 1:16:46 | |
PHONE RINGS | 1:17:07 | 1:17:09 | |
Yeah? | 1:17:11 | 1:17:13 | |
Did it pay off with Rhykov? Are they off your back? | 1:17:38 | 1:17:42 | |
Annikov thinks he was recruited by British security | 1:17:43 | 1:17:46 | |
when he was here last time. | 1:17:46 | 1:17:47 | |
Clever. | 1:17:50 | 1:17:51 | |
What about Legacy? | 1:17:51 | 1:17:54 | |
It's going live. Annikov says there is another cache here, nearby. | 1:17:54 | 1:18:00 | |
I have the details. | 1:18:00 | 1:18:01 | |
They have an agent at the power station, | 1:18:03 | 1:18:05 | |
he will empty the cache before dawn. | 1:18:05 | 1:18:08 | |
They plan to attack the power station tomorrow. | 1:18:08 | 1:18:11 | |
Here. | 1:18:32 | 1:18:34 | |
From here, straight ahead. | 1:18:50 | 1:18:52 | |
(Yes, yes.) | 1:19:15 | 1:19:17 | |
Where? | 1:19:17 | 1:19:18 | |
There. | 1:19:18 | 1:19:20 | |
METAL DETECTOR CRACKLES | 1:19:21 | 1:19:24 | |
METAL DETECTOR BUZZES | 1:19:26 | 1:19:28 | |
Gently, gently. | 1:19:42 | 1:19:44 | |
ENGINE APPROACHES | 1:19:44 | 1:19:47 | |
Wait, wait. Check for booby traps. | 1:19:57 | 1:20:00 | |
FOOTSTEPS RUSTLE | 1:20:12 | 1:20:15 | |
Step away. | 1:20:21 | 1:20:22 | |
I'll stay. | 1:20:22 | 1:20:24 | |
BRANCH SNAPS | 1:21:06 | 1:21:07 | |
He knows me! | 1:21:16 | 1:21:18 | |
GUN COCKS | 1:21:27 | 1:21:29 | |
ENGINE STARTS | 1:21:49 | 1:21:51 | |
TYRES SCREECH | 1:22:23 | 1:22:25 | |
MOANING AND WHEEZING | 1:22:39 | 1:22:41 | |
ENGINE STOPS | 1:23:04 | 1:23:06 | |
Viktor? | 1:23:13 | 1:23:15 | |
Keep in touch. | 1:23:16 | 1:23:18 | |
One of our guests left this for you, a Mr Viktor Koslov. | 1:24:12 | 1:24:15 | |
What news of Viktor? | 1:24:50 | 1:24:53 | |
As you anticipated, Rhykov was blamed for the missing | 1:24:53 | 1:24:56 | |
Sizewell cache and the loss of their agent. | 1:24:56 | 1:24:58 | |
He's en route to a labour camp as we speak. | 1:24:58 | 1:25:01 | |
Viktor was rewarded with promotion to Lieutenant Colonel | 1:25:01 | 1:25:03 | |
for his sterling contribution to the cause. | 1:25:03 | 1:25:06 | |
The start of a long and fruitful relationship. | 1:25:06 | 1:25:09 | |
Thanks to you. | 1:25:09 | 1:25:11 | |
I asked you here to discuss your letter of resignation. | 1:25:12 | 1:25:16 | |
A few facts I need to acquaint you with regarding your father. | 1:25:16 | 1:25:20 | |
Yes, he was recruited by the Russians after the war. | 1:25:20 | 1:25:23 | |
Yes, he became one of their most trusted agents. | 1:25:23 | 1:25:27 | |
During all those years, | 1:25:27 | 1:25:29 | |
when they thought he worked solely for them, he was working for us... | 1:25:29 | 1:25:33 | |
as a double agent. | 1:25:33 | 1:25:35 | |
I know this because I was his case officer. | 1:25:37 | 1:25:39 | |
It was your father who first alerted us about Legacy. | 1:25:43 | 1:25:46 | |
When he died our radar screen went blank. | 1:25:46 | 1:25:49 | |
We knew as little as the Russians as to where he'd buried | 1:25:49 | 1:25:52 | |
the Dungeness cache. | 1:25:52 | 1:25:53 | |
When our trace on Viktor showed that you were friendly with him | 1:25:53 | 1:25:56 | |
-at university... -You fucking used me. | 1:25:56 | 1:25:58 | |
I prefer to think motivated you. | 1:25:58 | 1:26:00 | |
The most important thing now | 1:26:03 | 1:26:04 | |
is that you know your father was a man you can be proud of. | 1:26:04 | 1:26:08 | |
I hope that will also motivate you, should you decide to remain with us. | 1:26:08 | 1:26:12 | |
Our allegiance must always be to the Service, Thoroughgood. | 1:26:14 | 1:26:19 | |
What we feel about an individual within it is irrelevant. | 1:26:19 | 1:26:21 | |
Seemed to buy it all right, didn't he? | 1:26:47 | 1:26:49 | |
Well, I was convinced. | 1:26:49 | 1:26:51 | |
Damn lucky he didn't take a swing at you though. | 1:26:51 | 1:26:54 | |
Yes, touch and go there for a minute. | 1:26:56 | 1:26:59 | |
Still, good to know one's not lost one's touch. | 1:27:00 | 1:27:04 | |
CHILDREN LAUGH | 1:27:52 | 1:27:55 | |
Oh, my! Come on. | 1:27:57 | 1:28:00 | |
Daddy, Daddy. Read us a story. | 1:28:01 | 1:28:03 | |
Subtitles by Red Bee Media Ltd | 1:28:46 | 1:28:49 |