Browse content similar to Salting the Battlefield. Check below for episodes and series from the same categories and more!
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This programme contains some strong language. | 0:00:03 | 0:00:08 | |
ALARM CLOCK BLEEPS | 0:00:12 | 0:00:13 | |
-See you later. -OK, see you later, darling. -Next week. | 0:00:24 | 0:00:29 | |
COBRA at eight, Education Secretary at nine, Foreign Secretary after. | 0:00:37 | 0:00:41 | |
Then to Leicester, factory visit, lunch, press conference, | 0:00:41 | 0:00:44 | |
back to London, the House. | 0:00:44 | 0:00:45 | |
I'm not doing the backbenchers. They don't interest me. | 0:00:45 | 0:00:48 | |
-Anthea can do them. -Sir, you agreed. -I'm not doing it. | 0:00:48 | 0:00:50 | |
6:30, French President, reception, dinner, bi-lateral talks. | 0:01:03 | 0:01:06 | |
-And it's your mother's birthday. -OK. And she gets... | 0:01:06 | 0:01:08 | |
-A handbag. Very nice. I've seen it. -All right. | 0:01:08 | 0:01:11 | |
-Oh...I was promised news of Worricker. -None. | 0:01:11 | 0:01:14 | |
IN GERMAN: | 0:01:24 | 0:01:27 | |
CHURCH BELL CHIMING | 0:01:27 | 0:01:29 | |
I heard you come in. Are you all right? | 0:01:42 | 0:01:45 | |
-Yeah, I'm fine. -How was it? | 0:01:45 | 0:01:46 | |
Pretty brilliant. I was brilliant, I mean. | 0:01:46 | 0:01:48 | |
And them? | 0:01:48 | 0:01:50 | |
Yes. They responded brilliantly. | 0:01:50 | 0:01:52 | |
Good. I'm glad you're back. | 0:01:52 | 0:01:54 | |
Let's go to bed. | 0:01:56 | 0:01:58 | |
-Morning. -Prime Minister. | 0:02:03 | 0:02:05 | |
Express - Bill's in trouble in Kiev. | 0:02:11 | 0:02:14 | |
Independent - Deputy Prime Minister's husband on bribery charges. | 0:02:14 | 0:02:18 | |
The Sun - Billy Whizz does a runner. Deputy PM's man flees questions. | 0:02:18 | 0:02:22 | |
Times - Catcheside faces Kiev bribery allegations. | 0:02:24 | 0:02:29 | |
Guardian - Anthea Catcheside's husband accused by Kiev. | 0:02:29 | 0:02:33 | |
ALARM CLOCK BLEEPS | 0:02:40 | 0:02:42 | |
SHE SIGHS WEARILY | 0:02:46 | 0:02:48 | |
CHATTER OUTSIDE | 0:03:00 | 0:03:03 | |
SHE SIGHS | 0:03:03 | 0:03:06 | |
-Bill! -Just two seconds of your time. Just two seconds. -Bill! -Bill! | 0:03:37 | 0:03:42 | |
What does the PM think about the backhanders? | 0:03:45 | 0:03:47 | |
-Is it true your wife is planning to resign? -Come on, Bill, how much did you... | 0:03:47 | 0:03:50 | |
You're up. | 0:03:52 | 0:03:54 | |
Yes. | 0:03:54 | 0:03:55 | |
-I'm surprised. I left you sleeping. -Mm. | 0:03:55 | 0:03:57 | |
Here. | 0:03:57 | 0:03:59 | |
We could MAKE coffee, you know. | 0:04:01 | 0:04:02 | |
I never make coffee, I buy it. | 0:04:02 | 0:04:05 | |
I've noticed. | 0:04:05 | 0:04:07 | |
It's better. I see more. | 0:04:08 | 0:04:10 | |
Mrs Catcheside. Mrs Catcheside! This way, Mrs Catcheside! | 0:04:27 | 0:04:30 | |
Mrs Catcheside, did you accompany him to Kiev? | 0:04:30 | 0:04:34 | |
ALL ASK QUESTIONS AT ONCE | 0:04:34 | 0:04:37 | |
Anthea? | 0:04:37 | 0:04:38 | |
-SHE SIGHS -Oh, God! -HE LAUGHS | 0:05:34 | 0:05:37 | |
Sorry, Prime Minister, it's my fault, I overlooked this. | 0:05:57 | 0:06:00 | |
Yes? | 0:06:00 | 0:06:01 | |
-It's in the Independent. -Well? | 0:06:01 | 0:06:03 | |
It's about the Bridge. It's strangely worded | 0:06:03 | 0:06:05 | |
but it's asking where the financing comes from. | 0:06:05 | 0:06:08 | |
-Is Stirling Rogers mentioned? -He is. | 0:06:08 | 0:06:10 | |
-And the Americans? -Yes. | 0:06:10 | 0:06:12 | |
-It's suggesting that you might be preparing to move out of Downing Street. -Well, I'm not. | 0:06:14 | 0:06:19 | |
-So? -So, what shall I say? | 0:06:26 | 0:06:29 | |
Well, we say nothing. If we go near the fire, we feed it. | 0:06:29 | 0:06:31 | |
If we ignore it, it dies. That's what I've learnt. | 0:06:31 | 0:06:34 | |
In this case? In this case specifically? | 0:06:34 | 0:06:36 | |
In this case as others. | 0:06:36 | 0:06:38 | |
By the way, what's the journalist's name? | 0:06:41 | 0:06:43 | |
And...when will she be back in town, do you think? | 0:06:52 | 0:06:54 | |
Allegra. How you getting on? This little story of yours, | 0:06:58 | 0:07:01 | |
where does it come from? | 0:07:01 | 0:07:02 | |
I see. You're not saying anything. | 0:07:04 | 0:07:05 | |
-Well, when we get into court, will it stand up? -Let's hope so. | 0:07:05 | 0:07:08 | |
You've run it very small. | 0:07:08 | 0:07:11 | |
That's not me, that's editorial. | 0:07:11 | 0:07:13 | |
OK. | 0:07:13 | 0:07:14 | |
SHE EXHALES | 0:07:16 | 0:07:18 | |
MOBILE RINGS | 0:07:18 | 0:07:20 | |
Well, of all people. | 0:07:24 | 0:07:25 | |
I thought you weren't answering your phone. | 0:07:25 | 0:07:27 | |
I saw who it was. | 0:07:27 | 0:07:29 | |
Is there somewhere you can go to be private? | 0:07:29 | 0:07:31 | |
You're crazy. Have you read the papers? | 0:07:31 | 0:07:35 | |
-Obviously. -Well, there is no private. | 0:07:35 | 0:07:37 | |
There hasn't been private for getting on for a month. | 0:07:37 | 0:07:40 | |
I need to see you. | 0:07:41 | 0:07:43 | |
All right. | 0:07:46 | 0:07:47 | |
MOBILE RINGS | 0:07:58 | 0:08:00 | |
Hello. | 0:08:00 | 0:08:01 | |
Rollo, bad news I'm afraid, we've had to move on. | 0:08:01 | 0:08:03 | |
-Again? What is this, Grand Tour of Europe? -They're on to us. | 0:08:03 | 0:08:06 | |
-Who? How do you know? -Because I recognised a jogger in Heidelberg. | 0:08:06 | 0:08:09 | |
I actually recruited her five years ago. | 0:08:09 | 0:08:11 | |
-They don't get any cleverer, do they? -No, but we've all done worse things in our time, or I have. | 0:08:11 | 0:08:15 | |
-Rollo, I need to know, is the item in print? -Yeah. This morning. | 0:08:15 | 0:08:18 | |
-Vague? -Suitably. | 0:08:18 | 0:08:20 | |
-Any reaction? -Not yet. Too early. | 0:08:20 | 0:08:23 | |
Never underestimate the British journalist's ability to miss a good story. | 0:08:23 | 0:08:26 | |
Rollo, we need to get going. This is feeling urgent. | 0:08:26 | 0:08:29 | |
-Can you come out and see me? -Don't think so. -Why not? | 0:08:29 | 0:08:31 | |
-Because I've now got an admirer of my own. -Anyone we know? | 0:08:31 | 0:08:35 | |
My impression is, the whole service is working to one remit - | 0:08:35 | 0:08:38 | |
find Johnny Worricker. | 0:08:38 | 0:08:39 | |
-Let me know as soon as we get a reaction. -Don't worry. | 0:08:41 | 0:08:43 | |
It may take time but I'll bet the farm he's going to jump. | 0:08:43 | 0:08:46 | |
-Morning, everyone. -ALL: -Morning. | 0:08:48 | 0:08:50 | |
Morning. | 0:08:50 | 0:08:51 | |
I don't believe this. You told me we had a deal. | 0:08:59 | 0:09:02 | |
-We did have a deal. -And? | 0:09:02 | 0:09:05 | |
Those friends of yours paid back 200 million. | 0:09:05 | 0:09:07 | |
-That's what you told me. -It's true. To the CIA. | 0:09:07 | 0:09:09 | |
And in return we were promised the end of the story. | 0:09:09 | 0:09:12 | |
I mean, we know who's behind this, hmm? Worricker. | 0:09:12 | 0:09:15 | |
-He's a shit. -Alec, think of it his way. He's trapped. | 0:09:15 | 0:09:18 | |
They're both trapped, the two of them. They're...panicking. | 0:09:18 | 0:09:21 | |
They can't live in exile for the rest of their lives. | 0:09:21 | 0:09:23 | |
-I have to deal with all sorts of people - truly - people I can't even begin to describe to you... -Sure. | 0:09:23 | 0:09:27 | |
Fair enough, that's the job. | 0:09:27 | 0:09:29 | |
It costs me nothing, I can do it in my sleep. Honestly. | 0:09:29 | 0:09:32 | |
But I demand one thing - people have to stick to their word. | 0:09:32 | 0:09:35 | |
What's he up to? What does he want? | 0:09:35 | 0:09:38 | |
And this has happened before. | 0:09:38 | 0:09:40 | |
He was meant to hand back that file. | 0:09:40 | 0:09:42 | |
He went back on his promise. | 0:09:42 | 0:09:44 | |
And now here we are, he's... done it again. | 0:09:44 | 0:09:47 | |
-But you don't actually know that. -What, you think this item could be coincidence? | 0:09:47 | 0:09:50 | |
Don't jump to conclusions, it may turn out to be innocent. | 0:09:50 | 0:09:52 | |
Look at the wording - it's all pretty vague. | 0:09:52 | 0:09:55 | |
-We don't even know the name of the journalist. -Well, exactly, but we know the paper. We know its editor. | 0:09:55 | 0:10:00 | |
-Yeah? -You're a friend of Belinda's. | 0:10:00 | 0:10:02 | |
-Everyone's a friend of Belinda's. -What, pony parties, is it? | 0:10:02 | 0:10:05 | |
Going up to Oxfordshire for barbecues and gin? | 0:10:05 | 0:10:08 | |
Her mother's a marchioness. Lady...Sheep-dip, Lady Cotswolds, I don't know. | 0:10:08 | 0:10:12 | |
Which means she's not easy to reach. She's so rich, so posh... she doesn't give a fuck. | 0:10:12 | 0:10:16 | |
That's the last thing we need. | 0:10:16 | 0:10:18 | |
Alec...I don't like to see you rattled. | 0:10:18 | 0:10:21 | |
-You've done nothing wrong, remember? You're not on trial. -Not yet. | 0:10:21 | 0:10:24 | |
What charge are you meant to be facing? | 0:10:24 | 0:10:27 | |
You've started a foundation, which is for when you leave office, | 0:10:27 | 0:10:29 | |
to address major global issues of war and peace. | 0:10:29 | 0:10:33 | |
It's been part-funded by a group of American entrepreneurs, | 0:10:33 | 0:10:36 | |
who work in many diverse fields, including the security business. | 0:10:36 | 0:10:40 | |
So? Perhaps you'd like to tell me what's wrong with that? | 0:10:40 | 0:10:42 | |
Well, you know what's wrong. | 0:10:42 | 0:10:44 | |
The world is complicated. People have different interests. Public, private. It's how things are now. | 0:10:44 | 0:10:48 | |
It's not a question of how it is, it's a question of how it appears. | 0:10:48 | 0:10:52 | |
Especially when these same Americans have been caught ripping off the American taxpayer. | 0:10:52 | 0:10:56 | |
-They haven't been caught. -Not in public. -And they never will be. | 0:10:56 | 0:10:59 | |
Which is why it's essential that you remain the public face of the foundation. | 0:10:59 | 0:11:03 | |
Stirling, your hands are clean. | 0:11:03 | 0:11:05 | |
Certainly are. Spotless. | 0:11:05 | 0:11:07 | |
I mean, what's happening here? | 0:11:07 | 0:11:09 | |
I am trying to do something important for my country. | 0:11:09 | 0:11:12 | |
Because we're at war. If only people would admit it. | 0:11:12 | 0:11:15 | |
In one year Iran will have a nuclear weapon. | 0:11:15 | 0:11:19 | |
What, I'm just supposed to ignore it? Just sit back, let it happen? | 0:11:19 | 0:11:22 | |
Alec, you are the greatest politician of the age. | 0:11:22 | 0:11:25 | |
Your enemies are plankton. | 0:11:25 | 0:11:27 | |
Truly. Some rogue M15 man with a file! | 0:11:27 | 0:11:30 | |
Is that what the Prime Minister of Great Britain should be worrying about first thing in the morning? | 0:11:30 | 0:11:34 | |
Some tie-dyed arsehole from the Turks and Caicos? | 0:11:34 | 0:11:37 | |
-Was he wearing tie-dye? -No, he wasn't. | 0:11:37 | 0:11:39 | |
Then, why did you say it? | 0:11:39 | 0:11:42 | |
Because it's a metaphor. | 0:11:42 | 0:11:44 | |
-And it's a joke! -Huh, joke. | 0:11:44 | 0:11:46 | |
Alec, think about it, seriously. | 0:11:46 | 0:11:47 | |
Your people are out there, they've got Europe locked down. | 0:11:47 | 0:11:50 | |
By our count he's already moved at least five times. | 0:11:50 | 0:11:53 | |
There's no plan to it. | 0:11:53 | 0:11:56 | |
Worricker's moving zigzag, his brain's cotton wool, | 0:11:56 | 0:11:59 | |
he's just a...rat on a map. | 0:11:59 | 0:12:01 | |
-And when we get him? -What? | 0:12:01 | 0:12:03 | |
I mean, when he's caught him. Have you thought about that? | 0:12:03 | 0:12:05 | |
Do you have any serious idea of what we then do with him? And the girlfriend. | 0:12:05 | 0:12:09 | |
-I've thought about it. -Good, because that's the next stage. | 0:12:09 | 0:12:13 | |
Alec, you're getting this out of proportion. | 0:12:13 | 0:12:15 | |
No, getting him's the easy bit. It's what we do with him then. | 0:12:15 | 0:12:18 | |
-What d'you think? -Pretty nice. | 0:12:37 | 0:12:39 | |
You'd better enjoy it. | 0:12:39 | 0:12:41 | |
Why? How many more flats do we have? | 0:12:41 | 0:12:44 | |
None. | 0:12:44 | 0:12:46 | |
-Well, don't look at me. -By my reckoning, Wiesbaden's our fourth. | 0:12:46 | 0:12:49 | |
You never could count. Tenth. | 0:12:49 | 0:12:52 | |
You're including hotels. | 0:12:52 | 0:12:53 | |
Yeah. How could I forget? | 0:12:53 | 0:12:55 | |
-And we're running out of money. -Great. | 0:12:55 | 0:12:57 | |
So can we go home? | 0:13:01 | 0:13:03 | |
HE CHUCKLES | 0:13:03 | 0:13:04 | |
Brian... | 0:13:11 | 0:13:13 | |
I've, er, got an unscheduled meeting. I want somewhere secure. | 0:13:13 | 0:13:16 | |
-Not in your own office? -I said. | 0:13:16 | 0:13:18 | |
There's a room in the basement. | 0:13:18 | 0:13:20 | |
Come on, then. | 0:13:20 | 0:13:21 | |
I need to be left on my own. | 0:13:44 | 0:13:46 | |
It's national security. | 0:13:46 | 0:13:48 | |
It's kind of you to make time for me. | 0:14:03 | 0:14:06 | |
I wanted to see you because I'm deeply concerned. | 0:14:06 | 0:14:08 | |
Have you seen this? | 0:14:08 | 0:14:10 | |
Tell me about it. | 0:14:10 | 0:14:12 | |
I know security's no longer your remit... | 0:14:12 | 0:14:14 | |
I still get to see a lot of high-grade intelligence. | 0:14:14 | 0:14:17 | |
It passes across my desk. | 0:14:17 | 0:14:18 | |
-Yes, that's at my insistence. -Is it really? -Yes. | 0:14:18 | 0:14:21 | |
-I didn't know that. -Well, it is. | 0:14:21 | 0:14:22 | |
I believe it's important in government that the most sensitive material | 0:14:22 | 0:14:27 | |
is always seen by more than one pair of eyes. | 0:14:27 | 0:14:30 | |
You'll have to explain. | 0:14:30 | 0:14:32 | |
The Prime Minister's judgment has always been faultless. | 0:14:32 | 0:14:35 | |
It certainly has. | 0:14:35 | 0:14:36 | |
Don't get me wrong. | 0:14:36 | 0:14:38 | |
He's a man who's called every major issue | 0:14:38 | 0:14:40 | |
of the last ten years correctly. | 0:14:40 | 0:14:42 | |
-And you're close to him. -I am. I'm very close. I owe him a great deal. | 0:14:42 | 0:14:45 | |
-He made you acting head of the service. More than that, he protected you. -Yes. | 0:14:45 | 0:14:48 | |
-When you most needed protecting. -I'm in his debt. -But? | 0:14:48 | 0:14:52 | |
But it's also healthy for government if there's a little air, | 0:14:52 | 0:14:55 | |
a little...ventilation around important decisions. | 0:14:55 | 0:14:58 | |
That way things don't get...cramped. | 0:14:58 | 0:15:01 | |
I don't know if you heard about a murder in the Caribbean, | 0:15:05 | 0:15:08 | |
a few months ago. | 0:15:08 | 0:15:09 | |
Yes, I think I heard something. A man with a strawberry mark? | 0:15:09 | 0:15:12 | |
-That's him. -Yes, I saw a picture. | 0:15:12 | 0:15:14 | |
But, to be honest, it hasn't been my priority. | 0:15:14 | 0:15:17 | |
I'm sure. | 0:15:17 | 0:15:18 | |
I've had problems of my own. My errant husband. | 0:15:18 | 0:15:20 | |
-Well, of course we may be able to help you there. -Sorry? Help me? | 0:15:20 | 0:15:23 | |
I mean, we may be able to give you information you may not have. | 0:15:23 | 0:15:27 | |
About your husband. | 0:15:27 | 0:15:28 | |
Stuff you don't know. | 0:15:30 | 0:15:31 | |
What sort of stuff? | 0:15:39 | 0:15:41 | |
Go on. What you were saying about the murder. | 0:15:44 | 0:15:47 | |
Have you heard of the Bridge? | 0:15:47 | 0:15:48 | |
The Prime Minister's plan to continue statesmanship beyond his formal period of elected office? | 0:15:48 | 0:15:53 | |
Yes. I've heard of it. | 0:15:53 | 0:15:54 | |
Well, it was one of the donors to that project that was killed. | 0:15:54 | 0:15:57 | |
-Do we know who by? -And we've had some questions recently about the project's financing. | 0:15:57 | 0:16:02 | |
-It's financing? -Yes. -How it's financed? | 0:16:02 | 0:16:04 | |
Forgive me, but...I'm going to ask a question, because time is short. | 0:16:06 | 0:16:11 | |
-Oh, by all means. -It's this - what's the subject of this meeting? | 0:16:11 | 0:16:15 | |
-What's the subject? -Yes. Give me a headline. | 0:16:15 | 0:16:17 | |
Say, I'm going home, this evening in the car, or in the bath, | 0:16:17 | 0:16:20 | |
and I think, "I met Jill Tankard today and we talked about..." | 0:16:20 | 0:16:24 | |
What? What did we talk about? What was the subject? | 0:16:24 | 0:16:27 | |
-I've come in to open up a channel. -What sort of channel? | 0:16:27 | 0:16:30 | |
A channel of communication. | 0:16:30 | 0:16:32 | |
To flag up potential trouble. | 0:16:32 | 0:16:33 | |
-It seems to me any trouble you're talking of isn't for me, it's for Alec. -I think it may be. | 0:16:33 | 0:16:37 | |
Frankly, Jill, what you're saying doesn't add up to much. | 0:16:39 | 0:16:42 | |
-Doesn't it? -I don't think so. -Why not? | 0:16:42 | 0:16:44 | |
Because what's the beef here? | 0:16:44 | 0:16:45 | |
In his eagerness for a life beyond Downing Street, | 0:16:45 | 0:16:47 | |
the Prime Minister may have accidentally befriended some dubious characters. | 0:16:47 | 0:16:51 | |
-Crooks. -So? What he'll do when he leaves government isn't strictly a matter FOR the government. | 0:16:51 | 0:16:56 | |
Isn't it? Maybe not, but if people find out about it - and this reference is the first sign - | 0:16:56 | 0:17:04 | |
then we may enter rough water. | 0:17:04 | 0:17:06 | |
And in rough water it'll be to your personal advantage | 0:17:06 | 0:17:10 | |
to be briefed about what's coming up before it actually happens. | 0:17:10 | 0:17:13 | |
-OK. -And another thing... | 0:17:17 | 0:17:19 | |
-Yes? -CIA's got a new boss. | 0:17:19 | 0:17:21 | |
How does that affect us? | 0:17:21 | 0:17:22 | |
He wants to draw a line under the excesses of the last ten years. | 0:17:22 | 0:17:25 | |
-Which ones? -Private contractors ripping off the American public. | 0:17:25 | 0:17:28 | |
And that's been bad news | 0:17:28 | 0:17:30 | |
for a couple of the Prime Minister's friends. | 0:17:30 | 0:17:32 | |
Tell me one thing. | 0:17:34 | 0:17:36 | |
Is Johnny Worricker mixed up in this? | 0:17:37 | 0:17:40 | |
-Of course. -And is he still on the loose? | 0:17:40 | 0:17:43 | |
He's in Germany. He was in Switzerland, with a... former intelligence officer. | 0:17:43 | 0:17:47 | |
A woman? | 0:17:47 | 0:17:48 | |
-We have real hopes of bringing them home. -Soon? | 0:17:48 | 0:17:51 | |
Very. Nearly had them this morning. An agent was out running. | 0:17:51 | 0:17:54 | |
-But? -We lost them. | 0:17:54 | 0:17:56 | |
How? | 0:17:56 | 0:17:57 | |
Incompetence. | 0:17:57 | 0:18:00 | |
So, meanwhile, you're offering me an inside track? | 0:18:00 | 0:18:05 | |
-You have it. -For what reason? | 0:18:05 | 0:18:07 | |
For the obvious reason. Because you're Beasley's natural successor. | 0:18:07 | 0:18:12 | |
Hardly. Not at the moment I'm not. | 0:18:12 | 0:18:14 | |
Not while my husband's all over the papers. | 0:18:14 | 0:18:16 | |
We can deal with that. | 0:18:22 | 0:18:24 | |
You can deal with the British press in full cry? | 0:18:25 | 0:18:27 | |
I don't see why not. | 0:18:27 | 0:18:29 | |
At MI5 we've never had any problem with the press. | 0:18:29 | 0:18:32 | |
Really? | 0:18:32 | 0:18:33 | |
Politics is fair game, national security isn't. | 0:18:33 | 0:18:38 | |
They're like all bullies, they don't like being bullied back. | 0:18:38 | 0:18:41 | |
My whole point the closer you get to us, the easier your life will be. | 0:18:42 | 0:18:48 | |
If I agree to this... channel, what's going to happen? | 0:18:58 | 0:19:03 | |
I'm going to call you and we're going to meet. | 0:19:03 | 0:19:05 | |
Where? | 0:19:05 | 0:19:06 | |
-In this room. -When? -Whenever we need to. | 0:19:06 | 0:19:09 | |
One thing, do your colleagues know what you're doing? | 0:19:13 | 0:19:16 | |
No. Do yours? | 0:19:16 | 0:19:19 | |
Here, I got you these. Herrings. The ones you like. | 0:19:37 | 0:19:40 | |
Your favourites. I'm going to make a salad. | 0:19:40 | 0:19:44 | |
OK. I'm going to go for a walk. | 0:19:44 | 0:19:48 | |
-After lunch? -Yes. -Do you want me to come with you? | 0:19:48 | 0:19:53 | |
Great idea, and double the risk? | 0:19:53 | 0:19:55 | |
I got you this. It's at the local museum. | 0:19:55 | 0:19:58 | |
From Raphael to Dali. | 0:19:58 | 0:20:00 | |
It started last month. It's not too late to join. | 0:20:00 | 0:20:03 | |
Aren't you interested? | 0:20:03 | 0:20:05 | |
-Of course I'm interested. -Well? | 0:20:05 | 0:20:08 | |
I started one art class in Lausanne. I started another in Heidelberg. | 0:20:08 | 0:20:12 | |
I'm tired of starting things I don't get to finish. | 0:20:12 | 0:20:14 | |
Margot, we both know the rules. | 0:20:14 | 0:20:16 | |
Keep our minds active. | 0:20:16 | 0:20:17 | |
-Exactly. -Keep doing things. | 0:20:17 | 0:20:19 | |
Oh, God is that your idea of making a salad? | 0:20:22 | 0:20:25 | |
Sorry. | 0:20:25 | 0:20:26 | |
Here. Can't I send you on a salad-making course? | 0:20:26 | 0:20:30 | |
That'll keep your mind active. | 0:20:32 | 0:20:33 | |
We can retire and grow lettuces in Suffolk and you can practice. | 0:20:38 | 0:20:43 | |
This is all an attempt to break us. Think of it that way. | 0:20:43 | 0:20:46 | |
We're feeling like prisoners, that's how they want us to feel. | 0:20:46 | 0:20:49 | |
And do we have to stay relentlessly cheerful? All the time? Once or twice can't we be moody? | 0:20:49 | 0:20:54 | |
You can be moody. | 0:20:54 | 0:20:55 | |
Gherkins. Another thing you like. | 0:20:57 | 0:20:59 | |
"Essigurke speziell fur Feinschmecker." | 0:21:00 | 0:21:03 | |
I remember one thing about spying. | 0:21:03 | 0:21:06 | |
What's that? What do you remember? | 0:21:06 | 0:21:07 | |
What do I remember? Spies work alone. | 0:21:07 | 0:21:10 | |
PHONE RINGS | 0:21:27 | 0:21:29 | |
-Julianne? -Yes? -It's Margot. -Hey - where are you now? | 0:21:34 | 0:21:40 | |
-Don't tell me. Is everything all right? -Yes, it's fine. -I haven't heard from Dad for weeks. | 0:21:40 | 0:21:47 | |
Well, no. He can't call you, he's frightened. And I shouldn't. | 0:21:47 | 0:21:51 | |
-But I couldn't resist. -It's kind of you. | 0:21:51 | 0:21:54 | |
-Don't be silly. -I'm glad one of you cares. | 0:21:54 | 0:21:57 | |
We both care. It's just Johnny's in an impossible position. | 0:21:57 | 0:22:01 | |
He's been in impossible positions since the day I was born. | 0:22:01 | 0:22:03 | |
He thrives on them. | 0:22:03 | 0:22:06 | |
How big are you? | 0:22:07 | 0:22:08 | |
I'm big. I'm due in a couple of months. | 0:22:08 | 0:22:11 | |
How's it going with Jez? | 0:22:11 | 0:22:13 | |
Oh, day by day. Life with a DJ. | 0:22:13 | 0:22:17 | |
Gets in when I'm getting up. | 0:22:17 | 0:22:18 | |
Are you living together? | 0:22:18 | 0:22:20 | |
-Almost. Not quite. -Otherwise? | 0:22:20 | 0:22:22 | |
I'm superstitious. | 0:22:22 | 0:22:24 | |
I don't quite dare. But it does feel like this time I fell on my feet. | 0:22:28 | 0:22:32 | |
I just don't want to push it too far. | 0:22:32 | 0:22:35 | |
It's lovely to hear your voice, Julianne. | 0:22:35 | 0:22:37 | |
-I'll call you again. I don't know when but I will. -Margot? -Yes? | 0:22:41 | 0:22:45 | |
Take care of yourself. | 0:22:46 | 0:22:47 | |
-What? -Seen this? You know who wrote it? | 0:23:54 | 0:23:58 | |
I have this strange feeling, she's been talking to our brothers in Millbank. | 0:23:58 | 0:24:02 | |
-How do you know that? -I don't. I sense it. -How? | 0:24:02 | 0:24:06 | |
Because that's how she came to us. From the BBC, remember? She broke the Jake Pierpan story. | 0:24:06 | 0:24:12 | |
That peacenik with the drippy sister. | 0:24:12 | 0:24:14 | |
Have you ever asked yourself why the sainted Allegra got that story? | 0:24:15 | 0:24:19 | |
Or, more interesting, why did they give it to her? | 0:24:19 | 0:24:22 | |
Maybe she's just a virgin who got lucky. | 0:24:22 | 0:24:25 | |
Yeah, right. I wonder, would you take her out for a drink? | 0:24:25 | 0:24:28 | |
If they're using us, let's see if we can use them. | 0:24:33 | 0:24:36 | |
All right, let's get going. | 0:24:40 | 0:24:41 | |
Ted, one thing. The diary story. | 0:24:44 | 0:24:47 | |
Scan the Internet to see if it spreads. Do it yourself, no one's to know. | 0:24:47 | 0:24:52 | |
Yes, sir, I'm sorry, I thought you said to ignore it. | 0:24:52 | 0:24:56 | |
We are ignoring it. I also want you to keep me informed. | 0:24:56 | 0:25:00 | |
You're back. Nice walk? | 0:25:12 | 0:25:14 | |
Yes. Sweet town, isn't it? | 0:25:14 | 0:25:16 | |
Yeah. Very sweet. | 0:25:16 | 0:25:17 | |
Bath, only in Germany and more genteel. | 0:25:17 | 0:25:21 | |
-I didn't know what you wanted to do this evening. -What do you want to do? | 0:25:21 | 0:25:26 | |
You could go to a movie. Do you want me to cook supper? | 0:25:26 | 0:25:29 | |
-You don't have to entertain me, you know. -Yeah, I know. | 0:25:29 | 0:25:32 | |
I was two years in Belfast, never spoke to a soul, remember? | 0:25:32 | 0:25:34 | |
I'm perfectly happy being unhappy, if you know what I mean. | 0:25:34 | 0:25:38 | |
You're very unfair. | 0:25:40 | 0:25:41 | |
Unfair. How? | 0:25:41 | 0:25:43 | |
-About my cooking. -Oh. | 0:25:43 | 0:25:45 | |
Years ago, remember? I made you a carbonara. | 0:25:45 | 0:25:48 | |
How could I forget? You made me a Milanese. | 0:25:48 | 0:25:51 | |
I'll make you another. | 0:25:51 | 0:25:53 | |
They were good times. | 0:25:59 | 0:26:02 | |
They are good times. | 0:26:02 | 0:26:03 | |
When we move, we're going to move so fast you're not going to believe it. | 0:26:09 | 0:26:15 | |
Oh, I think I will. | 0:26:18 | 0:26:20 | |
How kind, thank you. | 0:26:45 | 0:26:46 | |
You're the first person in the office even to admit I exist. | 0:26:48 | 0:26:51 | |
It's a newspaper. You'll get used to it. | 0:26:51 | 0:26:54 | |
Yeah, but the editor's something, isn't she? | 0:26:54 | 0:26:57 | |
You only have power if you don't give a bugger. Belinda doesn't give a bugger. | 0:26:57 | 0:27:01 | |
That's what makes her special. When politicians ask her to lunch, she doesn't go. | 0:27:01 | 0:27:04 | |
Let's face it, you can only do a job properly if you're not frightened to lose it. | 0:27:04 | 0:27:07 | |
-Are you trying to tell me something? -No, I'm trying to ask you something. | 0:27:07 | 0:27:10 | |
What? What are you asking? | 0:27:10 | 0:27:13 | |
Whether you work for the security services. | 0:27:13 | 0:27:16 | |
Or whether your boyfriend does. | 0:27:16 | 0:27:19 | |
If I have a boyfriend. | 0:27:19 | 0:27:20 | |
Whether you've been planted on us. | 0:27:20 | 0:27:21 | |
Is this a serious question? | 0:27:21 | 0:27:23 | |
Like that story this morning. | 0:27:23 | 0:27:24 | |
What about it? | 0:27:24 | 0:27:25 | |
Where did you get it? | 0:27:25 | 0:27:27 | |
It's not a bed thing, is it? One of two possibilities. | 0:27:32 | 0:27:36 | |
A bed thing or a family thing. | 0:27:36 | 0:27:37 | |
I'm going to lay a thousand to one its family. | 0:27:37 | 0:27:39 | |
Why? | 0:27:39 | 0:27:41 | |
Because when a journalist goes out on a limb, it's always family. Daddy works in intelligence, does he? | 0:27:41 | 0:27:45 | |
No. | 0:27:45 | 0:27:47 | |
Is he with the dumb ones in Millbank or with the clever ones in Vauxhall? | 0:27:47 | 0:27:49 | |
And I'm not out on a limb. | 0:27:49 | 0:27:52 | |
What are you planning to do with the story? | 0:27:55 | 0:27:57 | |
I'm not sure. I haven't decided. | 0:27:57 | 0:27:59 | |
You haven't decided? | 0:28:00 | 0:28:02 | |
OK. You don't spell it out, you leave it for the reader to | 0:28:02 | 0:28:06 | |
join the dots, but you're implying the Prime Minister takes money | 0:28:06 | 0:28:09 | |
from dodgy businessmen who fall in the sea in mysterious circumstances. | 0:28:09 | 0:28:13 | |
And you haven't decided? | 0:28:13 | 0:28:15 | |
What does the look mean? | 0:28:18 | 0:28:19 | |
I'm trying to work out if you're a great deal stupider than you appear, or a great deal cleverer. | 0:28:19 | 0:28:23 | |
MOBILE RINGS | 0:28:58 | 0:29:00 | |
-Hello? -Allegra? -Rollo. | 0:29:03 | 0:29:06 | |
-Are you at home? -Yes. | 0:29:06 | 0:29:07 | |
Go to your computer, you'll find something which moves the story on. | 0:29:07 | 0:29:10 | |
It'd be great if it could go in tonight. | 0:29:10 | 0:29:12 | |
-Rollo... -Yes? | 0:29:12 | 0:29:14 | |
-I'm getting frightened. People are asking questions. -What people? | 0:29:14 | 0:29:17 | |
The editor sent a journalist to take me out for a drink. | 0:29:17 | 0:29:19 | |
-That's great. That's exactly what we want. Who did she send? -Freddy Lagarde. | 0:29:19 | 0:29:23 | |
-Oh, Freddy. Did he take your virtue? -For a Pinot Grigio? | 0:29:23 | 0:29:27 | |
People have done it for less. | 0:29:27 | 0:29:29 | |
One thing, get a new phone. | 0:29:29 | 0:29:31 | |
-As from this morning, your name is out there. Always assume someone is listening. And, Allegra? -Yes? | 0:29:31 | 0:29:36 | |
Hold your nerve. With luck, there's going to be a lot more of this. | 0:29:36 | 0:29:39 | |
You've endured weeks of headlines, | 0:29:41 | 0:29:42 | |
do you really believe you can hold on as Deputy Prime Minister? | 0:29:42 | 0:29:45 | |
To be honest, I see no reason I shouldn't. | 0:29:45 | 0:29:47 | |
I stand up for my husband, I don't stand in for him. | 0:29:47 | 0:29:51 | |
Yes, but if he does appear in Kiev on charges of bribing | 0:29:51 | 0:29:53 | |
government officials... | 0:29:53 | 0:29:55 | |
It's a very different culture from our own. | 0:29:55 | 0:29:57 | |
And, by the way, if people do have questions of him, | 0:29:57 | 0:30:00 | |
then I'm confident Bill's going to have perfectly satisfactory answers. | 0:30:00 | 0:30:03 | |
But can you be sure of that? | 0:30:03 | 0:30:06 | |
Do you know, as a matter of fact, I can. | 0:30:06 | 0:30:09 | |
Well, I think this has been a very worthwhile evening. | 0:30:52 | 0:30:55 | |
It's good for the cabinet to meet informally for a change. | 0:30:55 | 0:30:58 | |
Kick some ideas around. | 0:30:58 | 0:31:00 | |
We appreciate you coming in, Anthea. | 0:31:00 | 0:31:02 | |
Things must be heavy on your plate. | 0:31:02 | 0:31:05 | |
If things can be heavy on a plate. | 0:31:05 | 0:31:08 | |
Full on my plate. | 0:31:08 | 0:31:10 | |
-Yes. Yes. -Loaded. | 0:31:10 | 0:31:11 | |
-It has been an ordeal, hasn't it? -Yes. -But you are bearing up. | 0:31:14 | 0:31:18 | |
I wonder what you feel about that item in the Independent this morning, Prime Minister. | 0:31:21 | 0:31:25 | |
-What item was that? I don't think I saw it, did I? Remind me. -You didn't see it, sir. | 0:31:25 | 0:31:30 | |
You have time to read the Independent, do you, Jock? Justice must be very under-worked. | 0:31:30 | 0:31:33 | |
It put up a red flag. | 0:31:34 | 0:31:36 | |
I'm amazed no one in your office picked up on it. | 0:31:36 | 0:31:39 | |
Anthea, did you see it? | 0:31:39 | 0:31:40 | |
No. I've no idea what he is talking about. | 0:31:40 | 0:31:42 | |
I'll tell you what it's about. | 0:31:42 | 0:31:44 | |
It said some of the people financing the Bridge have dubious backgrounds. | 0:31:44 | 0:31:49 | |
-Did it? -It seems to be implying they're not above murdering each other. | 0:31:49 | 0:31:52 | |
Well, that's the way the world is. There's always someone who can't wait to fling a bucket of mud. | 0:31:54 | 0:31:59 | |
Get used to it. | 0:31:59 | 0:32:02 | |
I'll take a look at it. | 0:32:03 | 0:32:04 | |
Let's get out of here. | 0:32:07 | 0:32:08 | |
Oh, err... Worricker? | 0:32:28 | 0:32:32 | |
OK, this is going to be very simple. The simpler we keep it the better. It's not going to be difficult. | 0:33:15 | 0:33:19 | |
It's going to suit me, then, that's what you're saying. | 0:33:19 | 0:33:22 | |
-We pick up cars. -OK. -From different cities. | 0:33:22 | 0:33:25 | |
-OK. -This is your Europcar card. | 0:33:25 | 0:33:27 | |
-Thank you. -This is a map with a route, I've marked it. | 0:33:27 | 0:33:30 | |
You return the car as designated. Usual drill. | 0:33:30 | 0:33:33 | |
Except this time we stay separate. | 0:33:33 | 0:33:35 | |
Credit card. Passport. | 0:33:35 | 0:33:36 | |
Ah... Excellent. Who am I this time? | 0:33:36 | 0:33:38 | |
You're joking. | 0:33:40 | 0:33:42 | |
I liked it. It made me laugh. | 0:33:42 | 0:33:44 | |
And who are you? Cilla Black? | 0:33:44 | 0:33:45 | |
You don't need to know. | 0:33:45 | 0:33:47 | |
-And, by the way, I've wanted to say this but I haven't said it. -What haven't you said? | 0:33:51 | 0:33:55 | |
I wanted to tell you, I minded it when you looked at my phone. | 0:33:56 | 0:34:01 | |
When you checked my calls. I hated that. | 0:34:01 | 0:34:04 | |
Well, then I won't be doing that again. | 0:34:08 | 0:34:10 | |
And also, just asking, how was my daughter? | 0:34:14 | 0:34:18 | |
Julianne? Julianne's fine. | 0:34:19 | 0:34:22 | |
You're up. | 0:34:29 | 0:34:30 | |
Mm hm. Yeah. Are you OK? | 0:34:31 | 0:34:34 | |
I'm fine. | 0:34:34 | 0:34:35 | |
I was just reading this stuff about Beasley. What a dag. | 0:34:55 | 0:35:00 | |
-Dag? -Yeah. Dag's the stuff that hangs off the end of a sheep. | 0:35:02 | 0:35:05 | |
-You like him that much? -I just don't like people who invent threats | 0:35:05 | 0:35:08 | |
to justify doing what they wanted to do all along. | 0:35:08 | 0:35:12 | |
Look at that face. He looks like a Russian mobster. | 0:35:12 | 0:35:14 | |
You don't think this country's under threat? | 0:35:14 | 0:35:17 | |
On the contrary. It's because I take real threats seriously | 0:35:17 | 0:35:20 | |
that I don't want to be blackmailed by phony ones. | 0:35:20 | 0:35:22 | |
Politicians who cry wolf are the most dangerous kind. | 0:35:24 | 0:35:27 | |
I'm interested, how can you know so much about it? | 0:35:29 | 0:35:32 | |
I'm interested. How can you not? | 0:35:33 | 0:35:37 | |
Sometimes I feel I really don't know anything about you. | 0:35:38 | 0:35:42 | |
-Don't you? -No. No I don't. | 0:35:43 | 0:35:46 | |
But I'd like to. | 0:35:47 | 0:35:48 | |
Well, you'll have plenty of time to find out. | 0:35:53 | 0:35:56 | |
Here is the phone. | 0:36:36 | 0:36:38 | |
Danke. | 0:36:39 | 0:36:41 | |
Good luck. | 0:36:46 | 0:36:48 | |
PHONE RINGS | 0:36:51 | 0:36:53 | |
I hope you're moving. | 0:36:56 | 0:36:57 | |
-We are. I just said goodbye to her. -Good. | 0:36:57 | 0:37:00 | |
As a matter of interest, who told you today was the day to get going? | 0:37:00 | 0:37:03 | |
Because, believe it or not, I still have some friends. | 0:37:03 | 0:37:06 | |
I'm amazed. | 0:37:06 | 0:37:07 | |
Johnny, you'd be even more amazed | 0:37:07 | 0:37:09 | |
if you knew how many people in Millbank are rooting for you. | 0:37:09 | 0:37:11 | |
Good afternoon. I believe you may have a car for me. | 0:37:34 | 0:37:37 | |
-Do you speak English? -We do. | 0:37:37 | 0:37:38 | |
My German is rusty. | 0:37:38 | 0:37:40 | |
IN GERMAN | 0:37:40 | 0:37:41 | |
Marsden? OK. | 0:37:44 | 0:37:45 | |
Gerry Marsden. | 0:37:45 | 0:37:47 | |
IN GERMAN | 0:37:47 | 0:37:49 | |
Do you mind? | 0:38:07 | 0:38:08 | |
I guessed you were English. | 0:38:15 | 0:38:17 | |
-Where are you going? You don't mind me asking? -Erm... | 0:38:17 | 0:38:20 | |
back to school. I'm a teacher. | 0:38:20 | 0:38:23 | |
-Where? -Where? | 0:38:23 | 0:38:25 | |
I was asking, where do you teach? | 0:38:25 | 0:38:27 | |
I'm sorry...I'm tired. | 0:38:27 | 0:38:30 | |
I need to sleep. | 0:38:30 | 0:38:31 | |
SHIP'S HORN BLARES | 0:38:42 | 0:38:44 | |
You're well loaded up. | 0:38:52 | 0:38:53 | |
Isn't that what the continent's for? | 0:38:55 | 0:38:58 | |
-CHUCKLES: -We all love a booze cruise. | 0:38:58 | 0:39:00 | |
FANS CHANT: ..the Arsenal, | 0:39:00 | 0:39:02 | |
unto victory, yeah! | 0:39:02 | 0:39:06 | |
We all follow the Arsenal! Over... | 0:39:06 | 0:39:09 | |
Thank you | 0:39:36 | 0:39:37 | |
Miss Springfield. | 0:39:39 | 0:39:41 | |
Thank you | 0:39:41 | 0:39:43 | |
-Ah, you must be Belinda Kay. -Yes, I am. | 0:39:55 | 0:39:57 | |
How kind of you to see me. How are you? | 0:39:57 | 0:40:00 | |
And who are you? | 0:40:00 | 0:40:01 | |
I'm the man who telephoned. | 0:40:01 | 0:40:04 | |
Yes, of course you are. | 0:40:04 | 0:40:05 | |
24 bottles of wine. | 0:40:11 | 0:40:13 | |
Thank you. How thoughtful. | 0:40:13 | 0:40:15 | |
Because I'm a journalist I must be alcoholic? | 0:40:15 | 0:40:17 | |
You've come from abroad? | 0:40:17 | 0:40:19 | |
Erm...I hope you like Bourgueil. | 0:40:19 | 0:40:22 | |
Well, aren't you the welcome guest? | 0:40:22 | 0:40:24 | |
Come this way. | 0:40:30 | 0:40:31 | |
Goodness, this is quite imposing. | 0:40:33 | 0:40:35 | |
-Hey! -Hey. | 0:40:39 | 0:40:41 | |
This is Barry. | 0:40:41 | 0:40:43 | |
He's my boyfriend, or some such thing... | 0:40:43 | 0:40:45 | |
-Hi. -Barry. | 0:40:45 | 0:40:47 | |
I was just making some tea. | 0:40:47 | 0:40:48 | |
You're going to have to hop it. | 0:40:48 | 0:40:50 | |
-Sorry? -This is confidential. | 0:40:50 | 0:40:52 | |
Hop it! | 0:40:54 | 0:40:56 | |
You never saw this man. | 0:40:56 | 0:40:58 | |
He doesn't exist. | 0:40:58 | 0:41:00 | |
(He's none too bright.) | 0:41:00 | 0:41:02 | |
Come through. Or perhaps you'd prefer whisky. | 0:41:03 | 0:41:07 | |
Not right now, I need a clear head. | 0:41:07 | 0:41:10 | |
Look, first of all I want to thank you | 0:41:10 | 0:41:12 | |
for all your paper's done already. | 0:41:12 | 0:41:14 | |
It's been a wonderful job. | 0:41:14 | 0:41:15 | |
Do you know how lonely that makes an editor feel? | 0:41:25 | 0:41:27 | |
You run a story and no-one else touches it. | 0:41:27 | 0:41:29 | |
I'm hoping we can change that. | 0:41:29 | 0:41:31 | |
People have low expectations. | 0:41:31 | 0:41:33 | |
You'd be surprised - Beasley's feathering his nest, so what? | 0:41:33 | 0:41:37 | |
He's got disreputable friends. So? | 0:41:37 | 0:41:39 | |
He's a politician. | 0:41:39 | 0:41:41 | |
I'm hoping to make the story a little more specific than that. | 0:41:41 | 0:41:44 | |
-A newspaper's not a blog, you know. -I know that. | 0:41:44 | 0:41:47 | |
It's not just whatever you think, or whatever anyone happens to tell you. | 0:41:47 | 0:41:50 | |
There are editorial protocols. | 0:41:50 | 0:41:52 | |
Have you ever heard of them? | 0:41:52 | 0:41:53 | |
Of course. I'm hoping to satisfy those. | 0:41:53 | 0:41:55 | |
And somehow you're going to do that without telling me your name? | 0:41:55 | 0:41:58 | |
Unlikely. | 0:41:58 | 0:41:59 | |
The girl's a plant, isn't she? | 0:42:01 | 0:42:03 | |
No, I don't think so. If you mean Allegra. | 0:42:03 | 0:42:05 | |
The one with the damask cheek. | 0:42:05 | 0:42:07 | |
She of the butter-wouldn't-melt brigade. | 0:42:07 | 0:42:09 | |
Allegra isn't a plant, she's a conduit. | 0:42:09 | 0:42:12 | |
As a matter of fact, she's the niece of a colleague of mine. | 0:42:12 | 0:42:15 | |
Well, there you are. | 0:42:15 | 0:42:17 | |
That's England, one big family. | 0:42:17 | 0:42:19 | |
And I suppose now she's served her purpose it's time to move on to me. | 0:42:19 | 0:42:23 | |
All right, go ahead. | 0:42:24 | 0:42:26 | |
Make your pitch. | 0:42:27 | 0:42:29 | |
OK. | 0:42:29 | 0:42:30 | |
I don't know much you know about Britain's intelligence service... | 0:42:32 | 0:42:37 | |
Funny. | 0:42:37 | 0:42:39 | |
I had a feeling you might start there. | 0:42:39 | 0:42:41 | |
Well, the last ten years have been kind of bumpy. | 0:42:41 | 0:42:45 | |
It used to be very clear who the enemy was. | 0:42:45 | 0:42:48 | |
And so also it was clear what the job was. | 0:42:48 | 0:42:50 | |
-And then? -And then we got caught out. | 0:42:50 | 0:42:52 | |
Trouble came from an unexpected direction. | 0:42:52 | 0:42:54 | |
Or rather it started coming from every direction. | 0:42:54 | 0:42:57 | |
Suddenly we were told we were meant to be fighting a worldwide movement. | 0:42:57 | 0:43:01 | |
And weren't you? | 0:43:01 | 0:43:02 | |
Let's just say we got a bit careless about distinguishing | 0:43:02 | 0:43:05 | |
between people who would like to do terrible things | 0:43:05 | 0:43:07 | |
and people who were actually doing them. | 0:43:07 | 0:43:09 | |
We became indiscriminate about the methods we used. | 0:43:09 | 0:43:12 | |
It was dog eat dog. The only problem is, we're not dogs. | 0:43:12 | 0:43:16 | |
Is "indiscriminate methods" a euphemism for torture? | 0:43:16 | 0:43:19 | |
Torture's just part of an apparatus. | 0:43:19 | 0:43:20 | |
An apparatus of bad practice, which is out of control | 0:43:20 | 0:43:24 | |
and which I don't believe is helping anyone, least of all us. | 0:43:24 | 0:43:28 | |
-Meanwhile, politicians want to cut corners. -Sure. | 0:43:28 | 0:43:32 | |
Alec Beasley's been trying to reorganise the service. | 0:43:32 | 0:43:35 | |
-Reorganise it? -And bypass it. | 0:43:35 | 0:43:37 | |
His mind's made up | 0:43:37 | 0:43:38 | |
-and the facts don't bother him. -Well that's his right, isn't it? | 0:43:38 | 0:43:41 | |
-After all, he won a couple of elections. -He certainly did. | 0:43:41 | 0:43:43 | |
Because people like his strength. He has a mandate. That is democracy. | 0:43:43 | 0:43:48 | |
And, speaking for myself, I have a great deal more faith | 0:43:48 | 0:43:50 | |
in someone I've elected than some disgruntled intelligence officer - | 0:43:50 | 0:43:54 | |
I'm assuming that's what you are - who arrives at my house | 0:43:54 | 0:43:57 | |
with two cases of wine and an outsized grievance. | 0:43:57 | 0:43:59 | |
I'm too young, but you may remember a prime minister called Harold Wilson. | 0:43:59 | 0:44:04 | |
I do remember him. | 0:44:04 | 0:44:05 | |
Didn't the security services spend a great deal of effort | 0:44:05 | 0:44:08 | |
trying to get rid of him? | 0:44:08 | 0:44:09 | |
I don't think that's ever been proved. | 0:44:09 | 0:44:11 | |
I didn't ask if it was proved, I asked if it were true. | 0:44:11 | 0:44:14 | |
-And I'm not trying to get rid of Beasley. -Aren't you? | 0:44:14 | 0:44:17 | |
No. I'm trying to put the facts in front of the public. | 0:44:17 | 0:44:19 | |
You're a very plausible fellow, aren't you, whatever your name is. | 0:44:21 | 0:44:24 | |
Remember, I'm a rat-catcher myself. It takes one to know one. | 0:44:24 | 0:44:27 | |
And everything you say stinks to high heaven. | 0:44:27 | 0:44:30 | |
Tell me why. | 0:44:31 | 0:44:32 | |
No editor likes to be used. | 0:44:32 | 0:44:35 | |
You may be burning to bring down a prime minister, but I'm not. | 0:44:35 | 0:44:38 | |
That's not my intention. All I'm trying to do | 0:44:38 | 0:44:40 | |
is throw a little light on some of his activities. | 0:44:40 | 0:44:43 | |
Oh, I see, this is assisted killing, is it? | 0:44:43 | 0:44:45 | |
You put the pill in the hand but you don't put it in the mouth. | 0:44:45 | 0:44:49 | |
-No. -You leave that to us. | 0:44:49 | 0:44:50 | |
I mean, just one more question - | 0:44:50 | 0:44:52 | |
-aren't you rather over-stretching your remit? -I don't think so. | 0:44:52 | 0:44:55 | |
I thought you were meant to gather secrets, not give them away. | 0:44:55 | 0:44:58 | |
-So far, I don't remember giving you any secrets. -I thought you did. | 0:44:58 | 0:45:01 | |
-No. Everything you've been told has been on the public record. -Truly? | 0:45:01 | 0:45:04 | |
Only, just like most newspapers nowadays, | 0:45:04 | 0:45:06 | |
you've lacked the diligence to go out and find it. | 0:45:06 | 0:45:09 | |
Or maybe the motivation? | 0:45:10 | 0:45:11 | |
All right, these are the facts. | 0:45:16 | 0:45:18 | |
Great. Let's hear them. | 0:45:18 | 0:45:20 | |
The Prime Minister is linked to a series of interlocking charities | 0:45:20 | 0:45:24 | |
which are partly financed by a firm called Gladstone. | 0:45:24 | 0:45:27 | |
Gladstone has built an international complex of detention camps | 0:45:29 | 0:45:32 | |
which don't officially exist | 0:45:32 | 0:45:34 | |
and for which they've therefore been able to overcharge. | 0:45:34 | 0:45:36 | |
Now you're telling me something new. | 0:45:36 | 0:45:38 | |
The American government has put pressure on them | 0:45:38 | 0:45:41 | |
to get some of its money back. A great deal of pressure. | 0:45:41 | 0:45:43 | |
And have they succeeded? | 0:45:43 | 0:45:45 | |
That's something you're going to have to look into. | 0:45:46 | 0:45:48 | |
OK. | 0:45:49 | 0:45:51 | |
That's an interesting story, I'm sure we'll want to cover it. | 0:45:51 | 0:45:54 | |
We all love laughing at the Yanks, | 0:45:54 | 0:45:55 | |
-but I still don't see how that reflects on Alec Beasley. -Don't you? | 0:45:55 | 0:45:58 | |
No. | 0:45:58 | 0:45:59 | |
I'll tell you. | 0:46:02 | 0:46:03 | |
But if I do, I'll be crossing a line. | 0:46:03 | 0:46:06 | |
-What sort of line? -The secret line. | 0:46:06 | 0:46:09 | |
I need to know you're at peace with that. | 0:46:09 | 0:46:12 | |
Shouldn't that question be directed at you? | 0:46:12 | 0:46:15 | |
Very well. | 0:46:15 | 0:46:17 | |
It's going to be hard to unpick, | 0:46:17 | 0:46:19 | |
because Beasley's affairs are tangled up in companies | 0:46:19 | 0:46:21 | |
owned by Stirling Rogers. | 0:46:21 | 0:46:23 | |
But I can promise you, | 0:46:24 | 0:46:27 | |
somewhere there's a paper trail which leads directly back | 0:46:27 | 0:46:30 | |
from the building of the camps to the Prime Minister's | 0:46:30 | 0:46:33 | |
own personal finances. | 0:46:33 | 0:46:36 | |
Really? | 0:46:38 | 0:46:40 | |
Yeah. | 0:46:40 | 0:46:41 | |
I wonder... | 0:46:52 | 0:46:54 | |
Would you be interested in staying to eat? | 0:46:56 | 0:46:58 | |
PHONE RINGS | 0:47:02 | 0:47:05 | |
Miss Tankard? | 0:47:05 | 0:47:06 | |
Yes? | 0:47:06 | 0:47:08 | |
It's Amber Page. We've got Margot. | 0:47:08 | 0:47:11 | |
-How? -Luck. Pure luck. | 0:47:11 | 0:47:14 | |
One of our people got on a train at Frankfurt. | 0:47:14 | 0:47:17 | |
He was on holiday, he wasn't even working. | 0:47:17 | 0:47:19 | |
Listen, here's the good news - she's heading home. | 0:47:19 | 0:47:23 | |
Where is she? | 0:47:23 | 0:47:24 | |
She's getting in at Stansted from Paris. | 0:47:24 | 0:47:27 | |
-We've got people waiting? -They're in place. | 0:47:27 | 0:47:30 | |
-And him? -No. He's not with her. | 0:47:30 | 0:47:32 | |
But it's all right. | 0:47:32 | 0:47:33 | |
One thing I can promise is he won't be without her for very long. | 0:47:33 | 0:47:37 | |
Keep in touch. | 0:47:37 | 0:47:38 | |
PHONE RINGS | 0:47:40 | 0:47:42 | |
-'Amber.' -Yeah? | 0:47:43 | 0:47:46 | |
-'It's Jez.' -Where are you? | 0:47:46 | 0:47:47 | |
I'm alone. I haven't got long. Julianne's forgotten her phone. | 0:47:47 | 0:47:50 | |
-'And?' -You remember that call? The one from Margot? | 0:47:50 | 0:47:52 | |
-Of course. Last week. -That's it. | 0:47:52 | 0:47:54 | |
'Unidentified caller.' | 0:47:54 | 0:47:55 | |
-Yes, the office has broken it. -You've got Margot's number? -We do. | 0:47:55 | 0:47:58 | |
Jez, I've got good news. We've also got Margot Tyrell in person. | 0:47:58 | 0:48:03 | |
-DOOR BANGS -'She's heading back to the UK.' | 0:48:03 | 0:48:05 | |
-Good. Then we're in business. -Text me that number. -'I've done it.' | 0:48:05 | 0:48:08 | |
Hold on, I have to go. | 0:48:08 | 0:48:09 | |
Jez? | 0:48:14 | 0:48:16 | |
Are you awake? | 0:48:18 | 0:48:20 | |
Ah good, welcome to Barry's running buffet. | 0:48:24 | 0:48:28 | |
He's perfect, isn't he? | 0:48:28 | 0:48:30 | |
Heaven to live with. We lack for nothing. | 0:48:30 | 0:48:32 | |
Thank you, Barry. | 0:48:32 | 0:48:34 | |
My pleasure. | 0:48:34 | 0:48:35 | |
I'm afraid you're going to have to leave us again. | 0:48:35 | 0:48:38 | |
The coriander goes with the chicken | 0:48:39 | 0:48:40 | |
and the dressing goes with the rocket. | 0:48:40 | 0:48:43 | |
Don't worry, we'll manage. | 0:48:43 | 0:48:45 | |
Enjoy! | 0:48:45 | 0:48:46 | |
You have everything. | 0:48:50 | 0:48:51 | |
And you? | 0:49:00 | 0:49:01 | |
Friends and family? | 0:49:02 | 0:49:05 | |
None of my business, but you seem rather sad. | 0:49:11 | 0:49:14 | |
I'm not sad. It's just... | 0:49:15 | 0:49:18 | |
I suppose I was doing a job I loved and now it's been taken away. | 0:49:18 | 0:49:22 | |
You're an editor, I imagine it's pretty good fun. | 0:49:22 | 0:49:24 | |
And you were a spy. | 0:49:24 | 0:49:25 | |
Correct. | 0:49:27 | 0:49:28 | |
And you're wondering, "If I'm not a spy... | 0:49:29 | 0:49:33 | |
"then what am I?" | 0:49:33 | 0:49:35 | |
Shall we get back to the matter in hand? | 0:49:39 | 0:49:42 | |
There's a rule of thumb with this kind of campaign. | 0:49:47 | 0:49:50 | |
What do they say? "It's never the crime, it's the cover-up." | 0:49:50 | 0:49:54 | |
Well, there isn't a cover-up yet. We haven't got that far. | 0:49:54 | 0:49:57 | |
Right, so we have to force him into one. | 0:49:57 | 0:49:59 | |
We have to ask him questions which he can't answer. | 0:49:59 | 0:50:01 | |
Do you know what those questions are? | 0:50:01 | 0:50:03 | |
The other rule is, as you say, | 0:50:03 | 0:50:05 | |
a campaign isn't a campaign if it's only been picked up by one paper. | 0:50:05 | 0:50:08 | |
No-one else is going to touch it until they have to. | 0:50:08 | 0:50:11 | |
Well, then we'd better make sure the questions are good. | 0:50:11 | 0:50:14 | |
Thanks, guys. | 0:50:55 | 0:50:57 | |
You ARE good at this. | 0:52:06 | 0:52:08 | |
Thank you. | 0:52:08 | 0:52:09 | |
Why don't you have a jacket? | 0:52:11 | 0:52:13 | |
-Obviously cos I'm not as good as you are. -Where are we going? | 0:52:13 | 0:52:15 | |
To a safe house. | 0:52:15 | 0:52:17 | |
Good afternoon. | 0:52:31 | 0:52:32 | |
I'm an old friend of Johnny's. | 0:52:34 | 0:52:36 | |
How nice to meet you. | 0:52:36 | 0:52:38 | |
We were at Cambridge together. | 0:52:38 | 0:52:40 | |
Goodness. | 0:52:40 | 0:52:41 | |
Yes. Oh, yes. Johnny was a very real loss to theology. | 0:52:41 | 0:52:44 | |
-Can I leave her in your hands, Padre? -Of course you can. | 0:52:44 | 0:52:46 | |
Sorry, but I've to get back to work. | 0:52:46 | 0:52:48 | |
Talk soon. | 0:52:48 | 0:52:49 | |
It's the Church's traditional function. | 0:53:00 | 0:53:03 | |
The thing we've done best for two thousand years - | 0:53:03 | 0:53:06 | |
provide sanctuary. | 0:53:06 | 0:53:08 | |
-ALL: -# ..sweet chariot | 0:53:11 | 0:53:14 | |
# Coming for to carry me home | 0:53:14 | 0:53:17 | |
# Swing low, sweet chariot | 0:53:17 | 0:53:22 | |
# Coming for to carry me home. # | 0:53:22 | 0:53:26 | |
What the hell's going on? | 0:53:28 | 0:53:29 | |
It's a celebration. | 0:53:29 | 0:53:31 | |
That I can see. | 0:53:31 | 0:53:32 | |
We've been told tomorrow the charges are going to be dropped. | 0:53:32 | 0:53:35 | |
Dropped? | 0:53:35 | 0:53:37 | |
All of them? | 0:53:38 | 0:53:40 | |
The Ukrainian court has decided | 0:53:40 | 0:53:42 | |
it's not in the public interest to proceed. | 0:53:42 | 0:53:45 | |
Meaning what? Meaning someone's done a deal? | 0:53:45 | 0:53:48 | |
I guess. | 0:53:48 | 0:53:49 | |
What sort of deal? A trade deal? | 0:53:49 | 0:53:52 | |
-What sort of trade? -What is it always? | 0:53:52 | 0:53:55 | |
Weapons, of course. Arms. | 0:53:56 | 0:53:59 | |
It's always arms. | 0:53:59 | 0:54:01 | |
With one bound I'm free. | 0:54:02 | 0:54:05 | |
LAUGHTER IN NEXT ROOM | 0:54:05 | 0:54:07 | |
Get those men out of my house. | 0:54:07 | 0:54:09 | |
KEYPAD BEEPS | 0:54:23 | 0:54:24 | |
PHONE RINGS | 0:54:42 | 0:54:44 | |
Jill? | 0:54:45 | 0:54:46 | |
Yes? | 0:54:46 | 0:54:48 | |
We need to meet. Urgently. | 0:54:48 | 0:54:50 | |
Yes, of course. | 0:54:51 | 0:54:53 | |
You know what's happening to Bill? | 0:54:53 | 0:54:55 | |
I told you, didn't I? Stick close to us. | 0:54:55 | 0:54:57 | |
'I need to be clear. Is this your doing?' | 0:54:57 | 0:55:01 | |
Anthea, can I say something? | 0:55:01 | 0:55:03 | |
It's one thing to go around saying what you want. | 0:55:03 | 0:55:06 | |
The test comes when you're actually given the chance to get it. | 0:55:06 | 0:55:09 | |
'That's when you're tested.' | 0:55:09 | 0:55:11 | |
When they wanted to get rid of Margaret Thatcher, | 0:55:12 | 0:55:15 | |
John Major got toothache so he didn't have to answer his phone. | 0:55:15 | 0:55:18 | |
A week later, he was Prime Minister. | 0:55:18 | 0:55:21 | |
How are your teeth? | 0:55:21 | 0:55:22 | |
Just beginning to ache. | 0:55:26 | 0:55:27 | |
Good. I'm glad to hear it. | 0:55:29 | 0:55:30 | |
SHE SIGHS | 0:55:33 | 0:55:34 | |
You see him often? | 0:55:45 | 0:55:47 | |
Hmm, when he's in trouble. | 0:55:47 | 0:55:49 | |
But you know how Johnny is. | 0:55:49 | 0:55:51 | |
Once you're his friend, you're his friend for ever. | 0:55:51 | 0:55:53 | |
He's loyal, above all things. But you know that. | 0:55:53 | 0:55:57 | |
Yes. We were together a long time. | 0:55:58 | 0:56:01 | |
He wasn't threatened by me. | 0:56:02 | 0:56:04 | |
The stronger I was, the more he liked it. | 0:56:05 | 0:56:08 | |
That's rare. | 0:56:09 | 0:56:11 | |
Good for him. | 0:56:11 | 0:56:12 | |
You know him well? | 0:56:15 | 0:56:17 | |
I helped him through some difficult days. | 0:56:17 | 0:56:19 | |
When he was a student, he loved the idea of faith. | 0:56:19 | 0:56:24 | |
The life of the church. | 0:56:24 | 0:56:26 | |
So someone had to point out that he didn't actually believe. | 0:56:27 | 0:56:31 | |
And that was you? | 0:56:32 | 0:56:34 | |
Hm. | 0:56:34 | 0:56:36 | |
And he didn't? | 0:56:36 | 0:56:38 | |
No. He wanted to. More than anything. | 0:56:38 | 0:56:42 | |
But, sadly, that's not the same thing. | 0:56:44 | 0:56:46 | |
-Thank you. -No, thank you. | 0:56:59 | 0:57:02 | |
Barry, good night. | 0:57:02 | 0:57:04 | |
ENGINE STARTS | 0:57:17 | 0:57:19 | |
SQUASH BEING PLAYED | 0:58:00 | 0:58:02 | |
HE GRUNTS | 0:58:18 | 0:58:19 | |
Come on, Stirling. Your backhand's normally terrific. | 0:58:19 | 0:58:22 | |
-What the hell's going on? -My mind's elsewhere, sorry. | 0:58:22 | 0:58:24 | |
I need you to give me a game. Do you want to play properly? | 0:58:24 | 0:58:27 | |
Cos if you don't play properly there's no point in playing. | 0:58:27 | 0:58:31 | |
Oh, come on, Stirling, you can do better than that. | 0:58:38 | 0:58:41 | |
All right, you know what this is. | 0:59:03 | 0:59:04 | |
-No, I don't. -You bloody well do! | 0:59:04 | 0:59:06 | |
-Ah...it's that again, is it? -I've reached a decision. | 0:59:06 | 0:59:09 | |
Alec, I'm roadkill. | 0:59:12 | 0:59:14 | |
I don't mean a thing. Lose me, you lose nothing. | 0:59:14 | 0:59:16 | |
Think, the press are after us. It's only a question of time. | 0:59:16 | 0:59:19 | |
-So I issue a statement... -No. | 0:59:19 | 0:59:21 | |
It's simple, "Everything I've done, I've done in good faith. | 0:59:21 | 0:59:24 | |
"My only interest has been in safeguarding | 0:59:24 | 0:59:26 | |
-"the Prime Minister's legacy." -Stirling, no! | 0:59:26 | 0:59:28 | |
However, unknown to you - and this is the crucial part - | 0:59:28 | 0:59:32 | |
unknown to you, "I took money from certain people in the States." | 0:59:32 | 0:59:36 | |
-No... -But why not? It's a clean cut. | 0:59:36 | 0:59:39 | |
You know what it sounds like. Unknown to me | 0:59:39 | 0:59:41 | |
you took dodgy money and I'm so stupid I didn't even know. | 0:59:41 | 0:59:43 | |
-Alec, you know where this is going. -No, I don't. | 0:59:43 | 0:59:45 | |
It's going where every political scandal always goes. | 0:59:45 | 0:59:48 | |
The press doesn't give a fuck about the issues, | 0:59:48 | 0:59:51 | |
-they just want a kill. -Clearly. | 0:59:51 | 0:59:53 | |
Well, here I am. I'm offering myself. | 0:59:53 | 0:59:56 | |
-No. -And for one very good reason - if I go, the screaming's over. | 0:59:56 | 1:00:00 | |
But it doesn't work like that. | 1:00:00 | 1:00:02 | |
Then how does it work? | 1:00:02 | 1:00:03 | |
If you give them fresh blood then they always want more. | 1:00:03 | 1:00:06 | |
Now, a week ago you told me this wasn't important. | 1:00:06 | 1:00:08 | |
-A week ago it wasn't! -Well! | 1:00:08 | 1:00:12 | |
Jesus! Everything I do I do for my country. | 1:00:12 | 1:00:15 | |
Oh, and that makes it all right? | 1:00:15 | 1:00:18 | |
What did you say? | 1:00:18 | 1:00:20 | |
Nothing. | 1:00:20 | 1:00:22 | |
-Stirling, are you going weak on me? -No. | 1:00:22 | 1:00:24 | |
-Are you going soft? -No. | 1:00:24 | 1:00:26 | |
I'm the only person who takes this threat seriously. | 1:00:26 | 1:00:29 | |
-I take it seriously. -If you saw the files, if you saw the evidence, | 1:00:29 | 1:00:32 | |
I can't show you the stuff that I am seeing, | 1:00:32 | 1:00:34 | |
but the intelligence is frightening, it is! | 1:00:34 | 1:00:37 | |
And people have a choice - help me, or help them. | 1:00:37 | 1:00:40 | |
And now we're being told, keep our hands tied behind our backs | 1:00:40 | 1:00:43 | |
while they kick our lights out! | 1:00:43 | 1:00:44 | |
"Stick to the rules." | 1:00:44 | 1:00:46 | |
Bring on the lawyers, is that what you want? | 1:00:46 | 1:00:48 | |
No. What I want is for you to survive. | 1:00:48 | 1:00:51 | |
I want you to be Prime Minister at this time next week. | 1:00:51 | 1:00:54 | |
That's what I want. | 1:00:54 | 1:00:55 | |
No, they won't get me. I'm ahead of them. | 1:00:56 | 1:00:59 | |
Always have been. Always will be. | 1:00:59 | 1:01:01 | |
I'm sorry, sir. You really are needed. | 1:01:04 | 1:01:06 | |
That's the whole point, do you see? They want both things. | 1:01:08 | 1:01:10 | |
Like children. They need me and they resent me. Both things. | 1:01:10 | 1:01:14 | |
Before you do anything, speak to me first. | 1:01:14 | 1:01:16 | |
Ted... | 1:01:19 | 1:01:20 | |
TV: 'The situation is quiet clear, everyone knows what's going on. | 1:01:26 | 1:01:30 | |
'For days now, the Prime Minister has been evading our questions. | 1:01:30 | 1:01:34 | |
'We have to conclude he is not answering because he can't. | 1:01:34 | 1:01:36 | |
'There are five questions we have asked the Prime Minister | 1:01:36 | 1:01:40 | |
'that he has to answer. | 1:01:40 | 1:01:41 | |
'If he can't answer them, he should say so, and he should say so now. | 1:01:41 | 1:01:45 | |
'If he can and there is a simple explanation, | 1:01:45 | 1:01:47 | |
'then no-one is going to be happier than The Independent.' | 1:01:47 | 1:01:50 | |
DOOR OPENS | 1:02:02 | 1:02:03 | |
So...what do you think? | 1:02:15 | 1:02:17 | |
-He's wounded. -Fatally? | 1:02:17 | 1:02:19 | |
-Have you seen the five questions? -I have. | 1:02:19 | 1:02:22 | |
"Has the Prime Minister met with Church and Bethwaite? | 1:02:23 | 1:02:25 | |
"Did the Prime Minister know the murdered man? | 1:02:25 | 1:02:27 | |
"Did the Prime Minister know of their donations to the Bridge? | 1:02:27 | 1:02:31 | |
"Was the Prime Minister aware of a network of | 1:02:31 | 1:02:33 | |
"illegal detention centres built by Gladstone? | 1:02:33 | 1:02:36 | |
"Has the Prime Minister benefited personally from Gladstone?" | 1:02:36 | 1:02:40 | |
They're not bad questions. | 1:02:40 | 1:02:42 | |
Has he said anything? In private? In cabinet? | 1:02:43 | 1:02:46 | |
He's refusing, on the grounds of national security. | 1:02:46 | 1:02:49 | |
-Ha! It's not going to wash. -Are you sure? | 1:02:49 | 1:02:53 | |
Certain. I've known from the start. | 1:02:53 | 1:02:55 | |
From the minute I first saw the evidence. | 1:02:55 | 1:02:57 | |
Hm. I am going to have to rally round him. Publicly. | 1:02:58 | 1:03:02 | |
-If you feel it's necessary. -I do. Very much so. | 1:03:02 | 1:03:05 | |
-Be careful. -Careful of what? | 1:03:05 | 1:03:07 | |
-Your own future. -Meaning? | 1:03:07 | 1:03:09 | |
Hostages to fortune. How everything will look in a week. | 1:03:09 | 1:03:12 | |
How's Bill? | 1:03:18 | 1:03:19 | |
He's fine. | 1:03:21 | 1:03:23 | |
You're not going to divorce? | 1:03:23 | 1:03:26 | |
I'm not. Not yet. | 1:03:26 | 1:03:29 | |
Good. You shouldn't. | 1:03:29 | 1:03:30 | |
I won't. | 1:03:30 | 1:03:32 | |
Good. | 1:03:32 | 1:03:33 | |
Why do you ask? | 1:03:33 | 1:03:35 | |
What's that phrase about getting your ducks in a row? | 1:03:37 | 1:03:40 | |
I-I'll take one more question. | 1:03:43 | 1:03:45 | |
I hope I have already made everything clear. | 1:03:45 | 1:03:47 | |
I have returned all money received from Gladstone and I have personally | 1:03:47 | 1:03:51 | |
resigned from the foundation to leave its reputation unharmed. | 1:03:51 | 1:03:54 | |
At all times, Alec Beasley has been separated from the day-to-day | 1:03:54 | 1:04:00 | |
-activities... -No. -..of The Bridge | 1:04:00 | 1:04:02 | |
and any criticism regarding funding falls on me alone. | 1:04:02 | 1:04:04 | |
He shouldn't have done it. He didn't need to. | 1:04:04 | 1:04:07 | |
He said he was going to talk to me first. | 1:04:07 | 1:04:09 | |
Perhaps he found the pressure unbearable. | 1:04:09 | 1:04:11 | |
Pressure? Pressure is like whiplash, it doesn't exist. | 1:04:11 | 1:04:14 | |
'I'm not in any way admitting liability or even error. | 1:04:19 | 1:04:23 | |
'I want to be clear about that. On the other hand...' | 1:04:23 | 1:04:26 | |
I've made my decision. | 1:04:30 | 1:04:31 | |
We still need to find Worricker. | 1:04:37 | 1:04:39 | |
Until we find him, we're not out of this yet. | 1:04:39 | 1:04:41 | |
CLOCK TICKS | 1:04:43 | 1:04:46 | |
It's eerie. | 1:04:47 | 1:04:48 | |
It's quiet, yes. | 1:04:50 | 1:04:51 | |
-Can we turn on the news? -We heard it an hour ago. | 1:04:57 | 1:04:59 | |
So? | 1:04:59 | 1:05:02 | |
I wouldn't do that. | 1:05:02 | 1:05:04 | |
-Why not? -It's the road to destruction. | 1:05:04 | 1:05:06 | |
-Gosh. -Hm. | 1:05:08 | 1:05:09 | |
You always look out for me. | 1:05:12 | 1:05:15 | |
Always. | 1:05:15 | 1:05:16 | |
-Where's Bernard? -He's saying Matins. | 1:05:16 | 1:05:19 | |
Oh, no doubt alone. | 1:05:19 | 1:05:21 | |
He doesn't mind. He's talking to God. | 1:05:21 | 1:05:23 | |
He doesn't care if anyone's listening. | 1:05:23 | 1:05:25 | |
Why are you smiling? | 1:05:26 | 1:05:28 | |
I know you better than anyone knows you, Johnny. | 1:05:31 | 1:05:34 | |
I know where you're heading. I can see your endgame. | 1:05:34 | 1:05:38 | |
PHONE RINGS | 1:05:38 | 1:05:40 | |
Rollo? | 1:05:40 | 1:05:41 | |
-He's gone. -Who's gone? -Stirling Rogers. -Rogers has gone. What happened? | 1:05:41 | 1:05:45 | |
He's giving a press conference, saying the whole thing's his fault. | 1:05:45 | 1:05:48 | |
Better still, he's saying the Prime Minister knew nothing. | 1:05:48 | 1:05:50 | |
-Yes! -He's walking into the trap, it appears. | 1:05:50 | 1:05:53 | |
-You trust it? You think we've got him? -Let's hope so. | 1:05:53 | 1:05:56 | |
PHONE CHIMES | 1:05:56 | 1:05:57 | |
-Margot, don't touch it! I've got to go. -Why not? -You don't know who it's from. -It's Julianne. | 1:05:57 | 1:06:01 | |
-It's not safe, leave it, we should have destroyed it! -Margot? -Yes, it's me. | 1:06:01 | 1:06:04 | |
'I need to see you. Desperately. Are you in the country? Something terrible's happened.' | 1:06:04 | 1:06:08 | |
-Julianne, is the baby all right? -'Yes, yes, but can you tell Dad' | 1:06:08 | 1:06:11 | |
-I need to see him? -Yes, of course I will. | 1:06:11 | 1:06:13 | |
And he must call immediately before you get here. Promise me. | 1:06:13 | 1:06:16 | |
Don't worry. We're on our way. See you soon. | 1:06:16 | 1:06:18 | |
HUBBUB | 1:06:18 | 1:06:20 | |
OK, we're in business, it's good, I think we've got 'em. | 1:06:22 | 1:06:25 | |
-Where are they? -We've got a signal. | 1:06:25 | 1:06:27 | |
I'll know more in a minute but it seems to be Kent. | 1:06:27 | 1:06:30 | |
Johnny, we have to go. Julianne says it's serious... | 1:06:30 | 1:06:33 | |
-Hold on a minute, give me a time to think... -There is no time to think. | 1:06:33 | 1:06:35 | |
She said, "Can you tell Dad I need to see him?" | 1:06:35 | 1:06:37 | |
-Margot, we need to be careful. -Johnny, it's your daughter! | 1:06:37 | 1:06:40 | |
I'm concerned that the phone isn't safe! | 1:06:40 | 1:06:42 | |
-Oh, fuck the phone! -We can't go together! | 1:06:42 | 1:06:45 | |
What difference does it make? When Julianne calls, you go. Do you have a problem with that? | 1:06:45 | 1:06:50 | |
How long have you been working on this? | 1:06:50 | 1:06:52 | |
Four months. | 1:06:52 | 1:06:53 | |
-Just the four(?) -Exactly. | 1:06:53 | 1:06:55 | |
OK, good, here we go. Here is the location. | 1:06:56 | 1:06:59 | |
Let's get going. | 1:06:59 | 1:07:01 | |
-I vehemently reject all allegations. -But, I don't understand, | 1:07:04 | 1:07:09 | |
if you're innocent of everything, why do you have to resign? | 1:07:09 | 1:07:12 | |
LAUGHTER | 1:07:12 | 1:07:13 | |
-Yep. -Finally we've got them. Again. | 1:07:13 | 1:07:17 | |
-Where are they? -He's in a rectory in Kent. | 1:07:17 | 1:07:19 | |
But he's coming into town to see his daughter. | 1:07:19 | 1:07:22 | |
-Then please baby them in. -I'm sorry? | 1:07:22 | 1:07:24 | |
I don't want anyone moving towards them. | 1:07:26 | 1:07:28 | |
I've been working on this for months. | 1:07:30 | 1:07:32 | |
-I know. -I thought the idea was we were meant to be trying to catch them. | 1:07:32 | 1:07:35 | |
We are. But don't detain them. Keep them under surveillance. | 1:07:35 | 1:07:38 | |
Keep your distance. That's an order. | 1:07:38 | 1:07:40 | |
Nobody's to go near them until they get an order from me. | 1:07:40 | 1:07:43 | |
I don't believe this. | 1:07:46 | 1:07:48 | |
If there was any offence, it's just from caring too much. | 1:07:51 | 1:07:55 | |
-Julianne... -Margot. | 1:08:00 | 1:08:02 | |
-You were right. You were right to call us... -It's Jez. | 1:08:27 | 1:08:29 | |
-Jez? -Yes. -How do you know? -I've suspected for weeks. -Well then, why didn't you tell me? | 1:08:29 | 1:08:33 | |
Why didn't I tell you? Why do you think? | 1:08:33 | 1:08:36 | |
Because you never ring! | 1:08:36 | 1:08:37 | |
And also, sorry, I don't want to live like that. | 1:08:37 | 1:08:40 | |
Being suspicious of everyone. | 1:08:40 | 1:08:42 | |
Jesus! Do I ever get a life that's not about you? | 1:08:42 | 1:08:44 | |
"What does your father do?" | 1:08:44 | 1:08:46 | |
"Oh, I can't say, he's in the civil service." | 1:08:46 | 1:08:48 | |
As long as I can remember - "What's Dad doing?" "Don't know. | 1:08:48 | 1:08:52 | |
-"Can't say." You ruined mum's life. -That's ridiculous! | 1:08:52 | 1:08:54 | |
You ruin the life of everyone you're close to. | 1:08:54 | 1:08:57 | |
I was in love with him! You've never known what that means. | 1:08:57 | 1:09:00 | |
Human drama. | 1:09:02 | 1:09:03 | |
She doesn't seem happy. | 1:09:03 | 1:09:05 | |
-He did really work as a DJ? -Yes. | 1:09:05 | 1:09:07 | |
He did really play in the evenings? | 1:09:07 | 1:09:08 | |
Yes. Everything else was a lie. | 1:09:08 | 1:09:10 | |
-Like he said he'd be here for the birth... -Julianne... | 1:09:10 | 1:09:13 | |
Which he won't. And never had any intention of being. | 1:09:13 | 1:09:16 | |
-OK. -Right from the start! | 1:09:16 | 1:09:18 | |
-Julianne... -Just leave me. | 1:09:18 | 1:09:19 | |
Please... | 1:09:19 | 1:09:21 | |
Every time she moves she gets closer to us. | 1:09:21 | 1:09:23 | |
Can you hear anything? | 1:09:23 | 1:09:25 | |
-No. -Lip-read. | 1:09:25 | 1:09:28 | |
Don't come near me! Don't touch me! | 1:09:28 | 1:09:31 | |
"And then when she's calm, I'll have dealt with her." | 1:09:31 | 1:09:33 | |
That's not fair. | 1:09:33 | 1:09:35 | |
Why don't you just say, "Julianne, I'm sorry, this is my fault?" | 1:09:35 | 1:09:38 | |
-Julianne, I know it's my fault! -Good! | 1:09:38 | 1:09:40 | |
-Why do you think I'm in agony?! -Oh! | 1:09:40 | 1:09:42 | |
Oh, you're in agony? Oh, really? | 1:09:42 | 1:09:45 | |
Great. And for how long? | 1:09:45 | 1:09:47 | |
He's standing there. Why can't we move in? | 1:09:47 | 1:09:50 | |
Can anyone tell me what's going on? | 1:09:53 | 1:09:55 | |
-Yeah? -Where are you? | 1:09:55 | 1:09:57 | |
I'm in London. I can't explain. It's a mess. | 1:09:57 | 1:09:59 | |
Sorry, comrade, but we need to jump five stages. | 1:09:59 | 1:10:01 | |
-I've just had a very interesting call. -Who from? | 1:10:01 | 1:10:03 | |
I'll give you a number. | 1:10:03 | 1:10:05 | |
You need to call it because he's ahead of us. He's nine miles ahead. | 1:10:05 | 1:10:07 | |
Is this who I think it is? | 1:10:09 | 1:10:11 | |
10 Downing Street. | 1:10:11 | 1:10:13 | |
'My name is Worricker. I think you'll find, if you tell him, | 1:10:13 | 1:10:16 | |
'the Prime Minister will want to have a word with me.' | 1:10:16 | 1:10:18 | |
-What name again? -'Johnny Worricker.' | 1:10:18 | 1:10:20 | |
Hold on, will you please? | 1:10:20 | 1:10:22 | |
Mr Finch, there's a man on the line called Johnny Worricker... | 1:10:23 | 1:10:27 | |
Yes, thank you, please put him through. | 1:10:29 | 1:10:31 | |
'Hello, who am I speaking to?' | 1:10:33 | 1:10:35 | |
Is that you, Mr Worricker? | 1:10:35 | 1:10:36 | |
-Yes. -'Good.' | 1:10:36 | 1:10:38 | |
'I'm sure the Prime Minister would like you to come in immediately.' | 1:10:38 | 1:10:41 | |
-Come in? -To Downing Street. | 1:10:41 | 1:10:43 | |
-'Good.' -Are you far away? | 1:10:43 | 1:10:45 | |
Not at all. Less than a minute. | 1:10:45 | 1:10:48 | |
But just one thing. Could you come in the back? | 1:10:48 | 1:10:52 | |
My name is Johnny Worricker, I'm expected. | 1:11:14 | 1:11:18 | |
OK, sir. | 1:11:18 | 1:11:19 | |
KNOCK ON DOOR | 1:11:44 | 1:11:46 | |
Ah...here you are at last. | 1:11:48 | 1:11:51 | |
Prime Minister. | 1:11:51 | 1:11:52 | |
The missing piece of the jigsaw. | 1:11:54 | 1:11:56 | |
You can leave us. | 1:11:56 | 1:11:58 | |
-How was your spell as an emigre? -Disconcerting. | 1:12:01 | 1:12:04 | |
I'm sure. I needed to see you one more time. | 1:12:04 | 1:12:08 | |
-Me too. -Please... | 1:12:08 | 1:12:10 | |
We had a good talk in Cambridge six months ago. | 1:12:17 | 1:12:19 | |
But then you went off and did the very opposite of what I asked. | 1:12:19 | 1:12:23 | |
-You defied me. -Sir, if I may... | 1:12:23 | 1:12:25 | |
Carry on. | 1:12:25 | 1:12:26 | |
I accept in the circumstances that I'm fair game. Of course. | 1:12:26 | 1:12:30 | |
But my daughter's flat is being bugged. | 1:12:30 | 1:12:33 | |
An M15 operative seduced her when she was already pregnant. | 1:12:33 | 1:12:37 | |
My daughter isn't fair game. Go after me, don't go after her. | 1:12:37 | 1:12:41 | |
-I agree. -I'm sorry...? | 1:12:42 | 1:12:45 | |
You're right. Mutual hysteria. | 1:12:45 | 1:12:47 | |
Isn't it time it was defused? | 1:12:48 | 1:12:50 | |
I'll tell you what I've been thinking - | 1:12:54 | 1:12:57 | |
I've accomplished pretty much all I set out to do. | 1:12:57 | 1:13:00 | |
We've modernised the country and we may even | 1:13:00 | 1:13:02 | |
have alerted its people to some of the dangers they face. | 1:13:02 | 1:13:05 | |
I don't understand. Are you resigning? | 1:13:05 | 1:13:07 | |
You're not getting my scalp, if that's what you hope. | 1:13:07 | 1:13:10 | |
I'm not moving out, I'm moving up. | 1:13:10 | 1:13:12 | |
It's Iran we have to deal with now. | 1:13:14 | 1:13:16 | |
And I'm not fussy about what platform I work from. | 1:13:16 | 1:13:19 | |
Perhaps a sympathetic American president means more to me | 1:13:19 | 1:13:22 | |
than an ambivalent British electorate. | 1:13:22 | 1:13:25 | |
You're planning to move on to another job? | 1:13:25 | 1:13:27 | |
-Correct. -What job is that? | 1:13:27 | 1:13:28 | |
Consul General to Iran. I run the peace talks. | 1:13:28 | 1:13:31 | |
-Peace? -Well...preferably peace. | 1:13:31 | 1:13:35 | |
Answering to whom? | 1:13:35 | 1:13:36 | |
Financed by the Americans, but given cover by the UN. | 1:13:36 | 1:13:39 | |
Forgive me, I'm not sure you're going to be able | 1:13:41 | 1:13:43 | |
to cut free as easily as that. | 1:13:43 | 1:13:45 | |
-Aren't you? -No. | 1:13:45 | 1:13:46 | |
-Is that a threat? -Not at all. | 1:13:46 | 1:13:48 | |
Tell me, are you running a campaign? | 1:13:48 | 1:13:50 | |
Because that's how it looks. | 1:13:50 | 1:13:53 | |
A single intelligence officer determined to stop me. | 1:13:53 | 1:13:56 | |
What are you? | 1:13:57 | 1:13:59 | |
A loose cannon? | 1:14:00 | 1:14:01 | |
A traitor? | 1:14:02 | 1:14:04 | |
Well, then, what are you doing? | 1:14:09 | 1:14:11 | |
-Judiciously pointing out the dangers. -Such as? | 1:14:14 | 1:14:17 | |
-There's a new boss at the CIA. -Yes, you're right. | 1:14:17 | 1:14:20 | |
With new plans. Wants to make a clean break. | 1:14:20 | 1:14:22 | |
The president's already had a word with him. | 1:14:22 | 1:14:24 | |
I think you'll find any future CIA investigation | 1:14:24 | 1:14:27 | |
into private contractors will get bogged down pretty quickly. | 1:14:27 | 1:14:30 | |
People don't like investigating each other, | 1:14:31 | 1:14:33 | |
because they are aware that later they may be investigated themselves. | 1:14:33 | 1:14:37 | |
If you talk to the President, | 1:14:37 | 1:14:38 | |
you'll find he's pretty clear on the subject. | 1:14:38 | 1:14:40 | |
After all, one day he's going to be an ex-President too. | 1:14:40 | 1:14:43 | |
-And here? -Here? -Yes. -In the UK? | 1:14:43 | 1:14:46 | |
You don't think you face problems here? | 1:14:46 | 1:14:48 | |
I don't see any. | 1:14:48 | 1:14:50 | |
My favoured successor is hardly likely to waste her first | 1:14:50 | 1:14:52 | |
hundred days digging too deeply into the financial affairs of the Bridge. | 1:14:52 | 1:14:56 | |
To what end? Anthea's experiencing a period of personal good fortune. | 1:14:56 | 1:15:00 | |
Maybe you read about it? | 1:15:00 | 1:15:01 | |
When it comes to sleeping dogs, | 1:15:01 | 1:15:03 | |
Anthea's the kind who'll let them lie. | 1:15:03 | 1:15:06 | |
What is it they say? "The Establishment always wins." | 1:15:09 | 1:15:13 | |
You should know that. | 1:15:13 | 1:15:14 | |
You're a distinguished member of the Establishment yourself. | 1:15:14 | 1:15:18 | |
What did you think we were going to do? | 1:15:20 | 1:15:22 | |
Bleach you? | 1:15:23 | 1:15:25 | |
We don't bleach people in England. | 1:15:26 | 1:15:28 | |
No home. No bank account. | 1:15:31 | 1:15:33 | |
No security. No way of life, 100% surveillance. | 1:15:33 | 1:15:37 | |
You know the drill. | 1:15:37 | 1:15:39 | |
You've done it to others, now we'll do it to you. | 1:15:39 | 1:15:42 | |
-What are you offering? -Good question. | 1:15:54 | 1:15:57 | |
An amnesty? | 1:15:57 | 1:15:58 | |
Johnny... | 1:15:58 | 1:16:00 | |
..in the last few years, the government moved at a certain speed | 1:16:02 | 1:16:05 | |
because we faced an overwhelming threat. | 1:16:05 | 1:16:08 | |
This is the real world. | 1:16:10 | 1:16:11 | |
There's always a tension between aims and means. | 1:16:11 | 1:16:15 | |
Maybe even a contradiction. | 1:16:15 | 1:16:17 | |
I'll live with that. The question is, can you? | 1:16:19 | 1:16:21 | |
We need your silence. | 1:16:24 | 1:16:25 | |
I'm to be silent about lawlessness? | 1:16:30 | 1:16:32 | |
Permanently and guaranteed. You've got to think what that means. | 1:16:34 | 1:16:38 | |
I've thought about it a great deal. | 1:16:41 | 1:16:43 | |
You make a deal, you go back on it. | 1:16:44 | 1:16:47 | |
In my world, you only do that once. | 1:16:48 | 1:16:50 | |
Now, if you'll forgive me, I have to go to the Palace. | 1:17:00 | 1:17:03 | |
I'd offer you a lift but you might be conspicuous. | 1:17:03 | 1:17:06 | |
Anyway, I imagine you have to report to that crapulous Scot in the park. | 1:17:06 | 1:17:10 | |
-I don't report to him. -No? | 1:17:10 | 1:17:13 | |
-You say you'd like your daughter left alone. -I would. | 1:17:16 | 1:17:19 | |
And your girlfriend too, I should think. | 1:17:19 | 1:17:21 | |
She's a very interesting woman, isn't she? | 1:17:21 | 1:17:23 | |
This one really is something more than run of the mill. | 1:17:23 | 1:17:26 | |
You're a lucky man, aren't you? | 1:17:27 | 1:17:29 | |
You never seem to suffer for your mistakes. | 1:17:29 | 1:17:32 | |
What a gift. | 1:17:33 | 1:17:34 | |
We're both cats who fall on our feet. Ted! | 1:17:36 | 1:17:39 | |
Mr Worricker's leaving. We won't be seeing him again. | 1:17:39 | 1:17:42 | |
So, what's happening? | 1:17:58 | 1:17:59 | |
-He's quitting. -Quitting? | 1:17:59 | 1:18:01 | |
He moves on to Iran. Promotion. | 1:18:01 | 1:18:03 | |
Promotion - is that what he's calling it? | 1:18:03 | 1:18:05 | |
This doesn't feel like a victory. Why does it not feel like a victory? | 1:18:05 | 1:18:08 | |
Obvious. Because I don't think we've ever been in control. | 1:18:08 | 1:18:11 | |
-You're to call Jill Tankard. She wants to see you. -Where? | 1:18:11 | 1:18:14 | |
-Wherever you say. -She knows I'm with you? -Seems to. | 1:18:14 | 1:18:16 | |
Well, yeah, of course. That fits. We've been used. | 1:18:16 | 1:18:19 | |
-All the time they've known everything. -Are you going to go? | 1:18:19 | 1:18:21 | |
I don't know. I'm trying to get hold of Julianne. She not answering. Fuck! | 1:18:21 | 1:18:25 | |
-I'm trying Margot. -I left them together. | 1:18:25 | 1:18:28 | |
Shit! | 1:18:30 | 1:18:31 | |
-Johnny? -Yes? | 1:18:34 | 1:18:36 | |
If you do see Jill, could you do me a favour? | 1:18:36 | 1:18:38 | |
Try and get me back in. | 1:18:41 | 1:18:42 | |
Welcome back. | 1:19:00 | 1:19:02 | |
I heard you had a nice time with Alec. | 1:19:03 | 1:19:06 | |
-Jill. -It's a shame you two never got close. | 1:19:06 | 1:19:10 | |
They always say it's difficult if two men are too alike. | 1:19:10 | 1:19:12 | |
One of those boys' love-hate things, is it? | 1:19:12 | 1:19:15 | |
It's happening. Now. Even as we speak. | 1:19:20 | 1:19:23 | |
-What is? -He's seeing the Queen. You must be pleased. | 1:19:23 | 1:19:27 | |
-Why? -Well, wasn't it your idea to bring him down? | 1:19:27 | 1:19:31 | |
It's interesting you should say that. | 1:19:31 | 1:19:33 | |
As a matter of fact, Jill, I rather thought it was yours. | 1:19:33 | 1:19:37 | |
Ah, Mr Worricker we haven't seen you for such a long time. | 1:19:37 | 1:19:41 | |
I've missed you too. | 1:19:41 | 1:19:42 | |
We still have a bottle of scotch in the back. | 1:19:42 | 1:19:45 | |
Do you mind fetching it? | 1:19:45 | 1:19:47 | |
I tell you, I had my suspicions for quite a long time. | 1:19:50 | 1:19:53 | |
-Really? -I noticed things were strangely easy. | 1:19:53 | 1:19:55 | |
As if our paths were being smoothed. | 1:19:55 | 1:19:57 | |
I mean, the choice of Amber Page... | 1:19:57 | 1:20:00 | |
What about her? | 1:20:00 | 1:20:02 | |
Never our most brilliant agent, was she? | 1:20:02 | 1:20:04 | |
-She did the job. -Yeah, badly. | 1:20:04 | 1:20:07 | |
Amber did her best. | 1:20:07 | 1:20:09 | |
Yes. That's what I mean. | 1:20:09 | 1:20:11 | |
-And that business in Kiev... -Kiev, yes. | 1:20:12 | 1:20:14 | |
..had your fingerprints all over it. | 1:20:14 | 1:20:16 | |
-You think so? You liked that, did you? -I liked it, | 1:20:16 | 1:20:18 | |
I wasn't sure why Beasley had agreed to it. | 1:20:18 | 1:20:20 | |
-It wasn't in his interest. -I didn't ask. I didn't need to. | 1:20:20 | 1:20:23 | |
-How did you do that? -I've been a long time in Whitehall, remember? | 1:20:23 | 1:20:26 | |
I'm a data bank, Johnny. | 1:20:26 | 1:20:28 | |
And, please, don't make this out to be some sort of coup. | 1:20:28 | 1:20:33 | |
Why? Wasn't it? | 1:20:33 | 1:20:34 | |
No. I wouldn't dream of messing with the electorate's wishes. | 1:20:34 | 1:20:37 | |
-That's way above my pay grade. -What would you call it then? | 1:20:37 | 1:20:40 | |
All I did was make some preparations. | 1:20:40 | 1:20:42 | |
That's all I did for an orderly hand-over. | 1:20:42 | 1:20:44 | |
As any good democrat would. | 1:20:44 | 1:20:46 | |
-That's very good. -Thank you. | 1:20:48 | 1:20:51 | |
I smoothed the way. | 1:20:51 | 1:20:53 | |
I made what would have been difficult, easy. | 1:20:53 | 1:20:55 | |
What I don't understand, why did you do it? | 1:20:57 | 1:20:59 | |
Beasley was on your side. Your whole life, you owe him everything. | 1:20:59 | 1:21:02 | |
He was the one who put you in place. | 1:21:02 | 1:21:03 | |
-Why did I do it? -Yes. -Simple. Same reason as you. | 1:21:03 | 1:21:07 | |
Johnny, I saw the evidence. | 1:21:08 | 1:21:10 | |
When I saw the evidence, I knew he was finished. | 1:21:10 | 1:21:14 | |
Ah, thank you, you're very kind. | 1:21:14 | 1:21:17 | |
It belonged to Mr Baron. We didn't know what to do with it. | 1:21:17 | 1:21:21 | |
We all loved Mr Baron. | 1:21:24 | 1:21:25 | |
I'll look after it, thank you. | 1:21:25 | 1:21:27 | |
I miss him. | 1:21:27 | 1:21:29 | |
We all miss him. | 1:21:29 | 1:21:30 | |
Looking back at the events of the past few years, | 1:21:41 | 1:21:44 | |
I don't think either of us has been wholly right or wrong. | 1:21:44 | 1:21:48 | |
Life doesn't work like that, does it? | 1:21:48 | 1:21:50 | |
I can see your point of view and I suspect that you can see mine. | 1:21:50 | 1:21:55 | |
You know what I want for you? | 1:21:56 | 1:21:58 | |
I've got a fair idea. | 1:21:58 | 1:21:59 | |
You're the best intelligence analyst I ever met. | 1:21:59 | 1:22:03 | |
And I'm the best administrator. | 1:22:03 | 1:22:05 | |
The new prime minister's coming in with warm feelings towards | 1:22:05 | 1:22:08 | |
-the intelligence services. -You've made sure of that. | 1:22:08 | 1:22:10 | |
Yes. After what I've done for her, | 1:22:10 | 1:22:13 | |
these are going to be golden years. We get everything we want. | 1:22:13 | 1:22:17 | |
I'd like you to join me. | 1:22:21 | 1:22:22 | |
You're forgetting. I've got other obligations. | 1:22:26 | 1:22:28 | |
People depend on me. | 1:22:28 | 1:22:30 | |
-What sort of people? -My daughter. | 1:22:30 | 1:22:32 | |
I can promise, come back to work, she won't be troubled again. | 1:22:32 | 1:22:35 | |
-Rollo. -Well, I'm sure we can bring him back into the fucking fold. | 1:22:35 | 1:22:40 | |
And most important of all... | 1:22:40 | 1:22:41 | |
there's Margot. | 1:22:41 | 1:22:44 | |
Ah, yes, Margot. | 1:22:44 | 1:22:45 | |
Are you hugging that scotch to yourself? | 1:22:49 | 1:22:51 | |
Hasn't worked out, has it, Johnny? | 1:23:03 | 1:23:05 | |
What makes you say that? | 1:23:05 | 1:23:07 | |
Oh, come on, I mean, give us some credit, please. We are professionals. | 1:23:07 | 1:23:13 | |
You love falling in love, don't you? | 1:23:13 | 1:23:15 | |
Just, not so good at being in it. | 1:23:15 | 1:23:17 | |
Come back to Millbank | 1:23:21 | 1:23:23 | |
and you're going to be able to make her a very attractive offer. | 1:23:23 | 1:23:26 | |
What offer is that? | 1:23:26 | 1:23:28 | |
For the rest of her life, | 1:23:29 | 1:23:31 | |
she's going to be able to walk down the street and not look behind her. | 1:23:31 | 1:23:35 | |
That's not nothing, Johnny. | 1:23:36 | 1:23:38 | |
I have a feeling she's going to take it. | 1:23:41 | 1:23:43 | |
You don't know her. | 1:23:43 | 1:23:45 | |
Oh, I think I do. | 1:23:45 | 1:23:47 | |
I am going to keep this statement brief. | 1:23:52 | 1:23:55 | |
I've always said I would leave office at a time of my own choosing | 1:23:57 | 1:24:01 | |
and only when I had finished the job I was elected to do. | 1:24:01 | 1:24:05 | |
This is that time. | 1:24:08 | 1:24:10 | |
I leave you strong and I leave you secure. | 1:24:11 | 1:24:14 | |
CHEERING | 1:24:14 | 1:24:16 | |
Congratulations! You just brought down a government. | 1:24:20 | 1:24:23 | |
Did I really? I know someone did but I'm not sure who. | 1:24:23 | 1:24:28 | |
Any MP will tell you that the most important people in their life | 1:24:41 | 1:24:45 | |
are the people who elect them. | 1:24:45 | 1:24:47 | |
-Shall we go out and celebrate? -All right. | 1:24:47 | 1:24:50 | |
I'll finish the story, then, yes, let's go and get drunk. | 1:24:50 | 1:24:54 | |
SHE EXHALES | 1:25:00 | 1:25:02 | |
DOOR OPENS | 1:25:02 | 1:25:05 | |
What are you doing? | 1:25:13 | 1:25:15 | |
I was going to leave you a note. | 1:25:19 | 1:25:21 | |
What kind of note? | 1:25:21 | 1:25:22 | |
A goodbye note. | 1:25:22 | 1:25:23 | |
You knew it was coming. | 1:25:26 | 1:25:28 | |
I feared it, but I didn't know. | 1:25:30 | 1:25:32 | |
-Where's Julianne? -She's at the hospital. | 1:25:36 | 1:25:39 | |
-What? -It's all right. She doesn't want you to go. | 1:25:39 | 1:25:41 | |
All right? Why is it all right? | 1:25:41 | 1:25:43 | |
Because her mother's with her. It's going to be a long labour. | 1:25:43 | 1:25:47 | |
Can I call? | 1:25:47 | 1:25:48 | |
No. She's still angry. | 1:25:48 | 1:25:50 | |
She says you can call in the morning. | 1:25:52 | 1:25:54 | |
OK. | 1:25:56 | 1:25:58 | |
Then I will. | 1:25:58 | 1:25:59 | |
And you? Where are you heading? | 1:26:13 | 1:26:16 | |
Oh. A start-up in Hong Kong. | 1:26:16 | 1:26:18 | |
-Really? -Yeah. | 1:26:19 | 1:26:21 | |
Well... | 1:26:21 | 1:26:22 | |
that's...that's a long way. | 1:26:22 | 1:26:25 | |
Yeah, well, I've been approached. | 1:26:26 | 1:26:28 | |
A guy I knew through Stirling. | 1:26:30 | 1:26:31 | |
He wants to sell clothes on the internet. | 1:26:32 | 1:26:35 | |
He sees a gap in the market. | 1:26:35 | 1:26:37 | |
Does he have a lot of money? | 1:26:37 | 1:26:38 | |
Not a penny. That's why he needs someone smart. | 1:26:38 | 1:26:42 | |
Margot, I made you a lot of promises back in Turks & Caicos. | 1:26:42 | 1:26:45 | |
I want to keep them. Say the word and I will. | 1:26:45 | 1:26:48 | |
I knew when it came down to it, you'd always want to go back to work. | 1:26:49 | 1:26:53 | |
What, I just walk away from everything, do I? | 1:26:53 | 1:26:56 | |
Is that the right thing to do? I don't think so. | 1:26:56 | 1:26:59 | |
These days, everyone feels powerless, I understand that. | 1:26:59 | 1:27:02 | |
That's what they want you to feel. | 1:27:02 | 1:27:03 | |
But if we don't fight, who will? | 1:27:03 | 1:27:06 | |
Johnny, you know these people. | 1:27:07 | 1:27:08 | |
They slide around, they have nothing solid. | 1:27:08 | 1:27:12 | |
For them, it's simply one day to the next. | 1:27:13 | 1:27:16 | |
They believe what they have to and then when the time comes, | 1:27:16 | 1:27:19 | |
they believe something else. | 1:27:19 | 1:27:21 | |
For them nothing is ever at stake. | 1:27:21 | 1:27:24 | |
Look, I know what you're saying, but even so, | 1:27:24 | 1:27:26 | |
if it's what you want I can get you back in. | 1:27:26 | 1:27:29 | |
I've watched you the last few months. You're brilliant at it. | 1:27:29 | 1:27:31 | |
-You love it. -Yes. | 1:27:31 | 1:27:34 | |
But I love you more. | 1:27:35 | 1:27:37 | |
It was quite an adventure, wasn't it? | 1:27:47 | 1:27:50 | |
Yes. | 1:27:53 | 1:27:54 | |
I wouldn't have missed it. | 1:27:56 | 1:27:57 | |
Me neither. | 1:27:58 | 1:27:59 | |
I wish we'd done more. | 1:28:02 | 1:28:03 | |
Oh, Johnny... | 1:28:05 | 1:28:07 | |
we did plenty. | 1:28:07 | 1:28:10 | |
I'm going in the morning. Why don't you just leave? | 1:28:27 | 1:28:30 | |
I'll miss you. | 1:28:36 | 1:28:38 | |
Yes. I'll miss you too. | 1:28:40 | 1:28:43 | |
JAZZ MUSIC PLAYS | 1:29:12 | 1:29:15 | |
SHE GROANS | 1:29:20 | 1:29:22 | |
OK, OK. | 1:29:22 | 1:29:26 | |
SHE GROANS | 1:29:43 | 1:29:45 | |
CROWD CLAMOURS | 1:29:56 | 1:29:58 | |
I just want to say, it's far too early for me | 1:30:00 | 1:30:03 | |
to be making any decision about the future. | 1:30:03 | 1:30:05 | |
I'm part of a family and I want to talk to my family first. | 1:30:05 | 1:30:09 | |
Meanwhile, let's remember Alec Beasley. | 1:30:09 | 1:30:13 | |
It's his night. Let's leave it with him. | 1:30:13 | 1:30:16 | |
SHE SCREAMS | 1:30:19 | 1:30:21 | |
Well done. Big one now, big one. | 1:30:23 | 1:30:26 | |
BABY CRIES | 1:30:31 | 1:30:33 | |
BABY CRIES | 1:30:40 | 1:30:42 |