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'Jenna, did you get my letter about my release? Call me, please.' | 0:00:02 | 0:00:04 | |
-Sorry I didn't make it to the restaurant. -Are you off your face? | 0:00:04 | 0:00:07 | |
Oh, yeah! | 0:00:07 | 0:00:09 | |
I want you to hand in your notice. I don't want to ever see you again. | 0:00:09 | 0:00:12 | |
Ash? | 0:00:12 | 0:00:13 | |
Ash! | 0:00:16 | 0:00:18 | |
Ash! Ash! | 0:00:18 | 0:00:20 | |
This programme contains some strong language | 0:00:23 | 0:00:29 | |
MUSIC: No More Heroes by The Stranglers | 0:00:40 | 0:00:43 | |
-Morning. -Morning, Toke. | 0:00:50 | 0:00:52 | |
Morning. | 0:00:54 | 0:00:55 | |
Er...what time do you call this? | 0:00:56 | 0:00:58 | |
Sorry. Home. Chaos. | 0:00:58 | 0:01:00 | |
Yeah, we've all got problems, Wendy. | 0:01:00 | 0:01:02 | |
My bog won't flush. I'm crapping in a bucket like the 1900s. It's... | 0:01:02 | 0:01:05 | |
PHONE RINGS | 0:01:05 | 0:01:07 | |
Hang on. | 0:01:08 | 0:01:10 | |
Yeah, I was on the shop floor, | 0:01:16 | 0:01:18 | |
and if they can't use theirs, I can't use mine. What do you want? | 0:01:18 | 0:01:21 | |
'Wondered if you fancied dinner.' | 0:01:21 | 0:01:23 | |
Dinner? What day is it? | 0:01:23 | 0:01:26 | |
'Thursday.' | 0:01:26 | 0:01:27 | |
Yeah, Thursday, and what's Thursday, Sal? | 0:01:27 | 0:01:30 | |
'Before five-a-side?' | 0:01:30 | 0:01:31 | |
Before? Have you ever tried running with your belly digesting? | 0:01:31 | 0:01:34 | |
'Are you going to meet me or not?' | 0:01:34 | 0:01:37 | |
Yes, but I'm only having a starter. | 0:01:37 | 0:01:39 | |
So, I was wondering | 0:01:42 | 0:01:44 | |
if you'd given any more thought to what we talked about. | 0:01:44 | 0:01:48 | |
What WE talked about? | 0:01:48 | 0:01:50 | |
Yes. You know what I'm referring to. | 0:01:50 | 0:01:52 | |
Yeah, I do, but I want you to say it rather than talking in riddles. | 0:01:52 | 0:01:55 | |
It's hardly riddles, is it, Toke? | 0:01:55 | 0:01:57 | |
"I was wondering if the delicate matter that was alluded to in | 0:01:57 | 0:02:00 | |
"our previous encounter has gained any traction in your thoughts." | 0:02:00 | 0:02:04 | |
Well, has it? | 0:02:04 | 0:02:06 | |
OK. OK, here's my thinking. | 0:02:07 | 0:02:09 | |
Fiscally, us living together makes perfect sense. | 0:02:09 | 0:02:12 | |
Two rents merged into one, | 0:02:12 | 0:02:14 | |
-half the council tax, half the bills, blah, blah, blah... -But... | 0:02:14 | 0:02:17 | |
But, and it's a big but... | 0:02:17 | 0:02:19 | |
Spiritually. | 0:02:21 | 0:02:23 | |
SHE LAUGHS | 0:02:23 | 0:02:25 | |
-What? -Spiritually? | 0:02:25 | 0:02:27 | |
Yeah. I mean, look at me, I'm good as I am. | 0:02:27 | 0:02:30 | |
I work like this. You like me like this, so why change me? | 0:02:30 | 0:02:34 | |
Oh, no, don't give me the look. | 0:02:34 | 0:02:37 | |
-You like me this way, yes? -Yes! | 0:02:37 | 0:02:39 | |
But what if you don't like the cohabiting me? | 0:02:39 | 0:02:42 | |
What if that guy irritates you? You might think that guy's a prick. | 0:02:42 | 0:02:46 | |
I think I quite like that guy. | 0:02:46 | 0:02:48 | |
But what if you don't? You might look back on this moment and think, | 0:02:48 | 0:02:51 | |
"Yeah, I should have just left things as they were because things back then were pretty damn sweet." | 0:02:51 | 0:02:56 | |
Toke, I want us to live together. | 0:02:56 | 0:02:59 | |
This is the last time I'm asking. | 0:02:59 | 0:03:00 | |
Football. | 0:03:02 | 0:03:04 | |
I've got to go kick a ball. | 0:03:04 | 0:03:05 | |
# Hip hoppers in the building | 0:03:30 | 0:03:32 | |
# Hip hoppers in the building hip hoppers in the building | 0:03:32 | 0:03:35 | |
# Step aside to this cool matinee | 0:03:35 | 0:03:38 | |
# It's showtime Point the lights at this stage | 0:03:38 | 0:03:41 | |
# So butter up your popcorn, y'all | 0:03:41 | 0:03:44 | |
# So butter up your popcorn, y'all, and get ready for the show | 0:03:44 | 0:03:47 | |
# Step aside to this cool matinee | 0:03:47 | 0:03:50 | |
# It's showtime, point the lights at the stage | 0:03:50 | 0:03:52 | |
# Welcome to the centre of the point of no return | 0:03:52 | 0:03:54 | |
# No adjourn, no retreat, take your seat, sit in front | 0:03:54 | 0:03:57 | |
# My feet, standing firm... # | 0:03:57 | 0:03:59 | |
-Two men in that phone box? -No phone to their ear. -Let's go check it. | 0:03:59 | 0:04:03 | |
Hey! | 0:04:05 | 0:04:06 | |
Urgh! | 0:04:09 | 0:04:10 | |
They were taking a piss. | 0:04:10 | 0:04:12 | |
Oh, for God's sake! Who pisses in a phone box? | 0:04:12 | 0:04:15 | |
What kind of personal standards would you have to have | 0:04:15 | 0:04:18 | |
to piss in a phone box? | 0:04:18 | 0:04:19 | |
I've pissed in a phone box. | 0:04:19 | 0:04:21 | |
I can beat that. My mate Bony did a shit on an escalator. | 0:04:21 | 0:04:24 | |
In the shopping centre, it was. | 0:04:24 | 0:04:26 | |
Let's move on. | 0:04:26 | 0:04:27 | |
# Hip hoppers in the building | 0:04:27 | 0:04:29 | |
# Hip hoppers in the building hip hoppers in the building | 0:04:29 | 0:04:32 | |
# Step aside to this cool matinee | 0:04:32 | 0:04:36 | |
# It's showtime, point the lights at the stage | 0:04:36 | 0:04:39 | |
# So butter up your popcorn, y'all | 0:04:39 | 0:04:41 | |
# So butter up your popcorn, y'all, and get ready for the show | 0:04:41 | 0:04:44 | |
# Step aside to this cool matinee | 0:04:44 | 0:04:47 | |
# It's showtime, point the lights at the stage... # | 0:04:47 | 0:04:50 | |
-Dealers? -Looks that way. | 0:04:50 | 0:04:51 | |
OK, no confrontation. Slow, intimidating walk-by. | 0:04:51 | 0:04:54 | |
Perhaps you boys should call it a night. | 0:05:06 | 0:05:08 | |
Don't be a dick, Superman. | 0:05:08 | 0:05:09 | |
I'm not Superman. I'm Raintown Knight. | 0:05:09 | 0:05:13 | |
Together, we're the Raintown Superheroes. | 0:05:13 | 0:05:15 | |
Keep the streets safe round here. | 0:05:15 | 0:05:17 | |
This is real life, mate. Walk on. | 0:05:17 | 0:05:19 | |
You don't have to be here, you know. You've got choices. | 0:05:19 | 0:05:23 | |
You're going to get yourself hurt, mate. | 0:05:23 | 0:05:25 | |
Not really. There's three of us and two of you. | 0:05:25 | 0:05:28 | |
And we've all got superpowers. | 0:05:28 | 0:05:30 | |
-Superpowers? -Yeah, that's right. | 0:05:31 | 0:05:33 | |
Secret strengths we can call upon when required. | 0:05:34 | 0:05:37 | |
Or we could just make a citizen's arrest if we see criminal behaviour. So... | 0:05:39 | 0:05:43 | |
All right. | 0:05:48 | 0:05:50 | |
We'll just come back later. | 0:05:50 | 0:05:52 | |
HE EXHALES | 0:05:53 | 0:05:55 | |
Right. Good one. | 0:05:59 | 0:06:00 | |
What do you reckon, lads? Should we call it a night? | 0:06:05 | 0:06:08 | |
Thursdays are never as busy as weekends. | 0:06:08 | 0:06:10 | |
I've got to be up at half six. Garden centre's having a fun day. | 0:06:10 | 0:06:14 | |
SHOUTING | 0:06:20 | 0:06:22 | |
Get off! Get off, get off! | 0:06:22 | 0:06:24 | |
-Get off me! -No need to be like that, right! | 0:06:26 | 0:06:29 | |
Get off me! You're not meant to be here! | 0:06:29 | 0:06:31 | |
Get off me! Get away from me! | 0:06:33 | 0:06:35 | |
Forget about it, all right, yes? | 0:06:35 | 0:06:37 | |
Oi! | 0:06:37 | 0:06:38 | |
Piss off, will you? | 0:06:38 | 0:06:40 | |
SHE YELLS | 0:06:40 | 0:06:41 | |
Oi! | 0:06:41 | 0:06:42 | |
-What are you doing? -Stop! Get off her! | 0:06:42 | 0:06:45 | |
-Stop! -Help me! | 0:06:45 | 0:06:47 | |
Come here. Come on, then. | 0:06:50 | 0:06:52 | |
-You want some, do you? -No! | 0:06:52 | 0:06:54 | |
SHE SCREAMS | 0:06:54 | 0:06:55 | |
Drop it. Drop it! | 0:06:56 | 0:06:58 | |
Back! Back! | 0:07:00 | 0:07:02 | |
GIRL GROANS | 0:07:05 | 0:07:06 | |
You all right? | 0:07:06 | 0:07:08 | |
Let's get you out of the road. | 0:07:08 | 0:07:09 | |
You OK? | 0:07:12 | 0:07:13 | |
SHE GROANS IN PAIN | 0:07:13 | 0:07:15 | |
Oh, no, no, no. That's a bad cut. | 0:07:15 | 0:07:17 | |
We need to get you to hospital. | 0:07:17 | 0:07:18 | |
What the hell are you dressed as? | 0:07:21 | 0:07:24 | |
I'm the Knight, leader of the Raintown Superheroes. | 0:07:24 | 0:07:27 | |
You can trust me. Come on. | 0:07:27 | 0:07:30 | |
Hey. She's been stabbed. She needs urgent attention. | 0:07:33 | 0:07:36 | |
What's her name? | 0:07:36 | 0:07:37 | |
Chrissy Michaels. | 0:07:37 | 0:07:39 | |
I'm Toke, by the way. | 0:07:39 | 0:07:41 | |
How did she get stabbed? | 0:07:41 | 0:07:43 | |
What does it...? It's a street fight. I found her. | 0:07:43 | 0:07:46 | |
Where's the wound? | 0:07:46 | 0:07:48 | |
Her shoulder. She could bleed to death! | 0:07:48 | 0:07:51 | |
Someone's coming out. | 0:07:51 | 0:07:52 | |
Doctor's coming. Are you OK? | 0:07:54 | 0:07:56 | |
You can go now, thanks. | 0:07:56 | 0:07:58 | |
How old are you? | 0:08:01 | 0:08:03 | |
You sleeping rough? | 0:08:05 | 0:08:07 | |
Look, mate, I'm fine, all right? | 0:08:07 | 0:08:09 | |
Thanks for helping, but... | 0:08:09 | 0:08:11 | |
Chrissy Michaels! | 0:08:12 | 0:08:14 | |
-I've said I'm sorry. -I know what you said. I'm not interested. | 0:08:38 | 0:08:41 | |
Look, I'm not a druggie, OK? | 0:08:42 | 0:08:44 | |
Are you? Pills, fine. Powder, now and again. | 0:08:44 | 0:08:48 | |
-But tinfoil and tubes? -I'm not a druggie. | 0:08:48 | 0:08:51 | |
You don't get to choose. Once you start on that shit... | 0:08:51 | 0:08:54 | |
It just... | 0:08:54 | 0:08:55 | |
It helps me turn my brain off. | 0:08:57 | 0:09:00 | |
OK. | 0:09:00 | 0:09:01 | |
Well, you turn your brain off. I'm going to take your advice. | 0:09:01 | 0:09:04 | |
I'm out of a shitty marriage. | 0:09:04 | 0:09:06 | |
I'm young, I'm pretty. I just need some easy, uncomplicated fun. | 0:09:06 | 0:09:12 | |
I think that's a good idea. | 0:09:14 | 0:09:15 | |
FORKLIFT BEEPS | 0:09:28 | 0:09:30 | |
Mate. Let me buy you a drink. TFI Friday. Woo, woo! | 0:09:44 | 0:09:47 | |
I can't, mate. I've got something I need to do. | 0:09:47 | 0:09:50 | |
Don't take this the wrong way, but you can't stay. | 0:10:24 | 0:10:27 | |
Well, you can stay but I need to go out. | 0:10:28 | 0:10:31 | |
What? Where? | 0:10:31 | 0:10:33 | |
There's this lad at work that's leaving and the rest of them | 0:10:33 | 0:10:36 | |
want to do a leaving do, | 0:10:36 | 0:10:37 | |
but they know my feelings about leaving dos so, as a compromise, | 0:10:37 | 0:10:40 | |
-I said I'd pop in for a drink at the end. -So let's both go. | 0:10:40 | 0:10:44 | |
You don't know anyone. Why would you want to come to a work do | 0:10:46 | 0:10:49 | |
-full of people you don't know? -I know you. | 0:10:49 | 0:10:51 | |
Fine! I'll go home on my own on a Friday night. | 0:10:55 | 0:10:59 | |
INAUDIBLE OVER MUSIC | 0:11:09 | 0:11:12 | |
Remember me? | 0:11:31 | 0:11:33 | |
Superhero. | 0:11:33 | 0:11:35 | |
-Where's your cossie? -Night off. | 0:11:35 | 0:11:37 | |
And yet here you are. | 0:11:37 | 0:11:39 | |
Ta-da! | 0:11:39 | 0:11:41 | |
Yeah, I was just passing and... | 0:11:41 | 0:11:43 | |
Shit, it's crap. I came looking for you. | 0:11:43 | 0:11:45 | |
-How's the wound? -Painful. | 0:11:47 | 0:11:50 | |
14 stitches. | 0:11:50 | 0:11:51 | |
Oof! 14 stitches? | 0:11:51 | 0:11:53 | |
I fell off a trampoline once. That was 12 stitches. | 0:11:53 | 0:11:57 | |
Whacked my head on a kitchen cupboard. That was five stitches. | 0:11:57 | 0:12:00 | |
SHE CHUCKLES | 0:12:00 | 0:12:02 | |
Can I buy you a cup of tea? | 0:12:02 | 0:12:03 | |
Or something stronger. | 0:12:04 | 0:12:06 | |
Look, mate, I'm not going to shag you, all right? | 0:12:06 | 0:12:09 | |
All right, that's good to know. | 0:12:09 | 0:12:12 | |
Some food, then? So we can talk? | 0:12:12 | 0:12:14 | |
Shouldn't you wear a cape? | 0:12:16 | 0:12:18 | |
Capes aren't practical. Get snagged on things. | 0:12:18 | 0:12:20 | |
Neither are net guns. I used to have one. Fired it the wrong way, | 0:12:20 | 0:12:23 | |
ended up having to get the cops to cut me out, which... | 0:12:23 | 0:12:26 | |
-Yeah. -So this is what you do, is it? Like, this is your job? | 0:12:26 | 0:12:30 | |
No. I'm a warehouse manager. | 0:12:30 | 0:12:33 | |
Even Clark Kent had a real job. | 0:12:33 | 0:12:35 | |
There's a few of us. | 0:12:36 | 0:12:38 | |
We keep the streets calm, break up fights, confront troublemakers. | 0:12:38 | 0:12:41 | |
Just make people think about what they're doing. | 0:12:41 | 0:12:44 | |
It's like a service to society. | 0:12:44 | 0:12:45 | |
Right. | 0:12:47 | 0:12:49 | |
Don't take this the wrong way, but you don't look very tough. | 0:12:49 | 0:12:53 | |
I mean, you're not even muscly. | 0:12:53 | 0:12:56 | |
Strength can be mental as well as physical. | 0:12:56 | 0:12:59 | |
So how did you get into it? | 0:13:01 | 0:13:03 | |
I... | 0:13:03 | 0:13:05 | |
..got tired of people behaving badly and getting away with it. | 0:13:06 | 0:13:10 | |
Cos everyone's afraid. | 0:13:10 | 0:13:12 | |
Everyone looks away and I thought to myself, | 0:13:12 | 0:13:14 | |
they need someone to not be afraid, to not look away. | 0:13:14 | 0:13:18 | |
Who's Sid? | 0:13:22 | 0:13:23 | |
An ex. I didn't treat him as well as I should have, so... | 0:13:26 | 0:13:29 | |
-So how long have you been on the streets? -A few months. | 0:13:31 | 0:13:34 | |
-Do your family know? -Do they care? | 0:13:34 | 0:13:37 | |
Do you manage to eat OK? | 0:13:37 | 0:13:39 | |
-No. -You wash? | 0:13:39 | 0:13:40 | |
You saying I stink? | 0:13:42 | 0:13:43 | |
No. There's hostels. | 0:13:43 | 0:13:45 | |
Yeah. They're shit. | 0:13:45 | 0:13:46 | |
And last night, the fight, how often does that sort of thing happen? | 0:13:50 | 0:13:53 | |
I stole someone's spot to sleep. | 0:13:55 | 0:13:58 | |
It's a good place, dry. | 0:13:58 | 0:14:01 | |
I didn't know it was their spot, | 0:14:02 | 0:14:04 | |
so when they come back, they start giving me all this shit, | 0:14:04 | 0:14:07 | |
so I give them some back and... | 0:14:07 | 0:14:09 | |
You saw. | 0:14:09 | 0:14:11 | |
No-one should be sleeping on the streets, | 0:14:11 | 0:14:13 | |
especially someone your age. | 0:14:13 | 0:14:16 | |
Use your superpowers. Magic me a penthouse overlooking the sea. | 0:14:16 | 0:14:20 | |
I've got a camper van. | 0:14:24 | 0:14:26 | |
I don't even know you. | 0:14:27 | 0:14:29 | |
No, no, I get it, I get it. I don't blame you for your suspicion. | 0:14:29 | 0:14:32 | |
Stranger turns up, offers you a place to stay, | 0:14:32 | 0:14:34 | |
you're thinking, "What's this?" Could be anyone. Murderer, rapist... | 0:14:34 | 0:14:38 | |
So...here's what I'm going to do. | 0:14:38 | 0:14:40 | |
I'm going to write down my number and where I work | 0:14:41 | 0:14:45 | |
and if you want to check me out, | 0:14:45 | 0:14:47 | |
check I am who I say I am, then you can. | 0:14:47 | 0:14:50 | |
You can have your own key. I won't come in. | 0:14:50 | 0:14:53 | |
You can use my address to claim for benefits. | 0:14:53 | 0:14:56 | |
Use my address to apply for jobs. | 0:14:56 | 0:14:58 | |
A few weeks, you'll be back on your feet. No more sleeping rough. | 0:14:58 | 0:15:01 | |
No more stab wounds. | 0:15:01 | 0:15:03 | |
It's up to you. | 0:15:04 | 0:15:06 | |
You can't do this for everyone. | 0:15:09 | 0:15:12 | |
Why am I so special? | 0:15:12 | 0:15:14 | |
I don't know. | 0:15:15 | 0:15:17 | |
-Oi. Get back to work! -Yes, master! | 0:15:31 | 0:15:34 | |
Strong indication of children. | 0:15:35 | 0:15:38 | |
Big, bustling family. But I'm seeing conflict in your love line. | 0:15:38 | 0:15:42 | |
-Conflict? -Beware of a betrayal from someone close. | 0:15:42 | 0:15:45 | |
Someone close? Fletch? What's he going to do? | 0:15:45 | 0:15:49 | |
Ruth? | 0:15:49 | 0:15:51 | |
She didn't see Fletch. | 0:15:51 | 0:15:52 | |
-Ruth, who is it? -I can only tell you what I read. | 0:15:52 | 0:15:55 | |
Beware someone talking bollocks. Someone very close. | 0:15:55 | 0:15:59 | |
This girl claims she knows you. | 0:16:00 | 0:16:02 | |
Right, bed folds down. | 0:16:10 | 0:16:12 | |
This pulls across so you've got curtains. | 0:16:12 | 0:16:15 | |
Um... Ah. Here's the sink. | 0:16:15 | 0:16:17 | |
There should still be some water left in the tank. | 0:16:17 | 0:16:19 | |
Oh, and here... | 0:16:19 | 0:16:21 | |
is the en-suite. | 0:16:21 | 0:16:24 | |
Thanks. | 0:16:24 | 0:16:25 | |
If it's any consolation, I'm having to do the same. Bloody plumbers. | 0:16:25 | 0:16:29 | |
I'm in the wrong game. | 0:16:29 | 0:16:30 | |
Yeah, I'll be inside if you need me. | 0:16:33 | 0:16:36 | |
Toke... | 0:16:38 | 0:16:39 | |
What's your real name? | 0:16:39 | 0:16:41 | |
Billy. Well... | 0:16:41 | 0:16:43 | |
(William.) | 0:16:43 | 0:16:45 | |
But everyone calls me Toke. | 0:16:45 | 0:16:47 | |
You turn out to be a murderer, I'll be really pissed off. | 0:16:48 | 0:16:51 | |
OK! | 0:16:53 | 0:16:54 | |
-You all right, Fletch? -Nah. Women. They're all mad, all of them! | 0:17:05 | 0:17:08 | |
His profile picture is gorgeous, | 0:17:12 | 0:17:15 | |
but I just can't imagine having sex with a Barnaby. I can't! | 0:17:15 | 0:17:19 | |
-You all right, Ally? -I can't stop thinking about corned beef. | 0:17:19 | 0:17:23 | |
Think I must be due on. | 0:17:23 | 0:17:24 | |
-Morning, Sarah. -Sarah-Jane, not Sarah. | 0:17:27 | 0:17:30 | |
-Does it matter? -Yes. | 0:17:30 | 0:17:32 | |
Sarah is not my name. Sarah-Jane is. | 0:17:32 | 0:17:35 | |
Sarah-Jane Rose. It's hyphenated. | 0:17:35 | 0:17:38 | |
-Can I go in? -If you like. | 0:17:38 | 0:17:39 | |
-She's nice(!) -Mmm. Apparently she can smile. It was on the CV. | 0:17:45 | 0:17:49 | |
I need to ask a favour. | 0:17:49 | 0:17:51 | |
Fire away. | 0:17:51 | 0:17:52 | |
There's this girl I know. Well, she's sort of a friend of a friend. | 0:17:52 | 0:17:56 | |
She's hit hard times and needs a bit of help. | 0:17:56 | 0:17:58 | |
I want to hire her as a picker - just casual, not permanent. | 0:17:58 | 0:18:01 | |
Have we got a vacancy? | 0:18:01 | 0:18:03 | |
Well, we never really replaced Bobby Bigballs, did we? | 0:18:03 | 0:18:06 | |
Who? | 0:18:06 | 0:18:08 | |
Ronnie Brent? | 0:18:08 | 0:18:09 | |
Look, Toke, you are the warehouse manager. It's totally your domain. | 0:18:11 | 0:18:15 | |
If you think this girl is reliable and won't let you down, | 0:18:15 | 0:18:18 | |
-then I trust your judgment. -Thank you. | 0:18:18 | 0:18:20 | |
Oh, what's her name? Not that I'll remember. | 0:18:22 | 0:18:25 | |
Chrissy. Chrissy Michaels. | 0:18:25 | 0:18:27 | |
I hope your girlfriend knows about this. | 0:18:27 | 0:18:30 | |
Sal, Chrissy. Chrissy, Sal. | 0:18:32 | 0:18:34 | |
-Pleased to meet you. -And you. | 0:18:34 | 0:18:36 | |
I really like your top. You look really nice. | 0:18:36 | 0:18:39 | |
So, it seems my boyfriend saved you from an horrendous attack. | 0:18:41 | 0:18:46 | |
Yeah, I was lucky he was passing. | 0:18:46 | 0:18:48 | |
He just appeared in his five-a-side kit and chased them off. | 0:18:48 | 0:18:52 | |
Shall I get this food on, then? Bit of chat, get to know each other. | 0:18:54 | 0:18:57 | |
Also, there's something I need to tell you. Bit of a surprise. | 0:18:57 | 0:19:00 | |
Surprise? | 0:19:00 | 0:19:01 | |
I got you a job. | 0:19:01 | 0:19:03 | |
A job? | 0:19:03 | 0:19:05 | |
Yeah, at my place. Coopers Outdoors. | 0:19:05 | 0:19:07 | |
Only casual, zero-hours shite, | 0:19:07 | 0:19:09 | |
-but it's money in your pocket, if you're interested. -Wow, that's... | 0:19:09 | 0:19:13 | |
Unbelievable. | 0:19:13 | 0:19:15 | |
He's amazing, isn't he? | 0:19:15 | 0:19:17 | |
Like some kind of superhero. | 0:19:17 | 0:19:19 | |
She's pretty, | 0:19:23 | 0:19:25 | |
in a grotty, street urchin kind of way. | 0:19:25 | 0:19:28 | |
No, she's gorgeous. That's why I helped her. | 0:19:28 | 0:19:30 | |
If she'd been minging, I wouldn't have bothered. | 0:19:30 | 0:19:33 | |
I'm hoping there's at least a blowjob in it. | 0:19:33 | 0:19:35 | |
SHE SCOFFS | 0:19:35 | 0:19:36 | |
-Just think it's interesting, that's all. -Oh, what is? | 0:19:36 | 0:19:38 | |
You won't move in with me, but you're happy to have some | 0:19:38 | 0:19:41 | |
stranger - young, pretty stranger - living outside your house. | 0:19:41 | 0:19:45 | |
Yeah, key word, Sal - outside. | 0:19:45 | 0:19:47 | |
And it's for a few weeks to get her back on her feet. | 0:19:47 | 0:19:50 | |
Are...? | 0:19:50 | 0:19:52 | |
-Are you jealous? -No! | 0:19:52 | 0:19:53 | |
Oh, you're jealous! | 0:19:53 | 0:19:55 | |
How would you feel if I moved a toyboy into my garden shed? | 0:19:55 | 0:19:58 | |
Well, upset. My bikes are stored in there. | 0:19:58 | 0:20:00 | |
Huh. | 0:20:00 | 0:20:01 | |
Don't be jealous. | 0:20:03 | 0:20:04 | |
Now, this is complicated stuff. | 0:20:07 | 0:20:09 | |
This machine tells you the aisle number and the shelf. | 0:20:09 | 0:20:13 | |
You get the item, you put it into your trolley. | 0:20:13 | 0:20:15 | |
Stop me if I'm getting too technical, or... | 0:20:17 | 0:20:21 | |
Because it's not. SHE GIGGLES | 0:20:21 | 0:20:23 | |
-Oh... -You OK? | 0:20:23 | 0:20:25 | |
Mm. Yeah. | 0:20:25 | 0:20:26 | |
LAUGHTER | 0:20:26 | 0:20:28 | |
So, why the lies about being a superhero? | 0:20:30 | 0:20:34 | |
If she's your girlfriend, shouldn't she know something like that? | 0:20:34 | 0:20:37 | |
Does Clark Kent tell Lois Lane? | 0:20:37 | 0:20:39 | |
Does Daredevil tell Electra? | 0:20:39 | 0:20:41 | |
-Does Spider-Man...? -Yeah, I get the idea. | 0:20:41 | 0:20:43 | |
Seriously, how can she not know? | 0:20:43 | 0:20:46 | |
Easy. I don't tell her. | 0:20:46 | 0:20:47 | |
Twice a week, we patrol. | 0:20:47 | 0:20:49 | |
One night's five-a-side, the other night's pub quiz. | 0:20:49 | 0:20:51 | |
Costume gets hidden in a box on top of the wardrobe. | 0:20:51 | 0:20:53 | |
It's simpler than it might seem. | 0:20:53 | 0:20:55 | |
-You're missing my point. -Which is...? | 0:20:55 | 0:20:58 | |
She's your girlfriend. | 0:20:58 | 0:20:59 | |
Isn't that something she should know? | 0:21:01 | 0:21:03 | |
No-one knows. | 0:21:03 | 0:21:05 | |
Except you. | 0:21:05 | 0:21:07 | |
And that's how it'll stay. | 0:21:07 | 0:21:10 | |
So, Mr Tokington, what made you hire the young, fit, female employee, eh? | 0:21:10 | 0:21:15 | |
-THEY SNIGGER -Dirty bastard. | 0:21:15 | 0:21:17 | |
I'm jealous. | 0:21:17 | 0:21:18 | |
MUSIC THROUGHOUT | 0:21:20 | 0:21:22 | |
PAINT SPRAYING | 0:21:29 | 0:21:31 | |
Erm...what's with this? | 0:21:37 | 0:21:39 | |
An act of revenge. | 0:21:39 | 0:21:40 | |
Fair dos. | 0:21:43 | 0:21:44 | |
THEY LAUGH | 0:21:55 | 0:21:56 | |
MUSIC SLOWS AND STOPS | 0:22:08 | 0:22:10 | |
SQUEAKING OUTSIDE | 0:22:25 | 0:22:27 | |
I'm going. | 0:23:12 | 0:23:14 | |
No, don't park it there! | 0:23:24 | 0:23:25 | |
How's anyone going to get through? Yeah, it's obvious. | 0:23:25 | 0:23:28 | |
Oi, oi! You two! You can chat all you want after four o'clock. | 0:23:30 | 0:23:34 | |
Yeah, after four o'clock. Thank you. | 0:23:34 | 0:23:37 | |
He goes to this premature ejaculation clinic, right, | 0:23:37 | 0:23:40 | |
and when he gets there, the doctor goes, | 0:23:40 | 0:23:42 | |
"You've arrived early." | 0:23:42 | 0:23:43 | |
Da-da-dan! | 0:23:43 | 0:23:45 | |
Oi, you! Out. | 0:23:45 | 0:23:47 | |
You, get driving. | 0:23:47 | 0:23:50 | |
CLAPPING HIS HANDS Come on, people! | 0:23:50 | 0:23:52 | |
Yeah, we're working! | 0:23:52 | 0:23:54 | |
IRATE VOICE ON PHONE | 0:23:57 | 0:23:58 | |
No, Trevor... Trevor! You're being illogical. | 0:23:58 | 0:24:01 | |
The product is made in Indonesia. | 0:24:01 | 0:24:03 | |
We're not the same comp... | 0:24:03 | 0:24:04 | |
TREVOR ARGUING | 0:24:04 | 0:24:06 | |
-Oh. Thanks for the lift. -I knocked twice. | 0:24:12 | 0:24:14 | |
You can't just roll in when you want, Chrissy. This is work. | 0:24:14 | 0:24:17 | |
It starts at eight, finishes at four every day. | 0:24:17 | 0:24:19 | |
No exceptions, no excuses. | 0:24:19 | 0:24:21 | |
If you stay out late, tough. | 0:24:21 | 0:24:23 | |
You come in with your hangover. That's the deal. | 0:24:23 | 0:24:25 | |
That's what people pay you for. | 0:24:25 | 0:24:27 | |
Abide by the rules. | 0:24:28 | 0:24:29 | |
Words of a superhero(!) | 0:24:31 | 0:24:32 | |
'..isn't it? Are you there? Oi! | 0:24:42 | 0:24:44 | |
'Toke? Where are you?' | 0:24:44 | 0:24:46 | |
Ally? | 0:25:06 | 0:25:07 | |
Gareth. | 0:25:07 | 0:25:08 | |
Oh. | 0:25:10 | 0:25:12 | |
Gaz. Or Nobby. | 0:25:12 | 0:25:14 | |
My friends call me Nobby, but... | 0:25:14 | 0:25:16 | |
Gaz is fine. | 0:25:16 | 0:25:18 | |
I'll, erm...get us a drink. | 0:25:18 | 0:25:19 | |
Lovely. Vodka and tonic. | 0:25:19 | 0:25:22 | |
HE SIGHS | 0:25:25 | 0:25:28 | |
Yeah, erm, the thing is, Ally... | 0:25:28 | 0:25:30 | |
..this isn't going to work. | 0:25:32 | 0:25:34 | |
-How do you mean? -No, don't take it personally. | 0:25:34 | 0:25:37 | |
It's just...you're not what I was expecting. | 0:25:37 | 0:25:40 | |
Physically. | 0:25:40 | 0:25:41 | |
Physically? | 0:25:41 | 0:25:42 | |
I was just expecting more... | 0:25:44 | 0:25:46 | |
I'm really sorry. | 0:25:48 | 0:25:49 | |
Not woman enough for you, is it? | 0:25:50 | 0:25:52 | |
Well, maybe you're not man enough, dickhead. | 0:25:52 | 0:25:54 | |
I mean, look at you with the eyebrows and the sideburns | 0:25:54 | 0:25:57 | |
and someone should tell you | 0:25:57 | 0:25:58 | |
epaulettes are for police and gay guys. | 0:25:58 | 0:26:00 | |
And even then, they look like twats! | 0:26:00 | 0:26:02 | |
(I'm sorry.) | 0:26:36 | 0:26:37 | |
HE MOUTHS | 0:26:39 | 0:26:41 | |
It's been my problem all my life. | 0:26:42 | 0:26:45 | |
Can't do what I'm told, can't play by the rules. | 0:26:45 | 0:26:48 | |
I want to. | 0:26:50 | 0:26:51 | |
Honest. | 0:26:51 | 0:26:53 | |
The good me wants to be reliable and trustworthy. | 0:26:53 | 0:26:56 | |
It's just the bad me... | 0:26:58 | 0:26:59 | |
Bad me has a louder voice. | 0:27:01 | 0:27:03 | |
Always seems to get its own way. | 0:27:04 | 0:27:06 | |
Who was the guy? | 0:27:08 | 0:27:09 | |
Just someone I used to hang out with now and then on the streets. | 0:27:11 | 0:27:14 | |
-How much did you see? -Not much. | 0:27:15 | 0:27:18 | |
Do you remember that nursery rhyme? | 0:27:21 | 0:27:23 | |
No, not a nursery rhyme, like, a fable. | 0:27:23 | 0:27:27 | |
The Frog And The Scorpion. | 0:27:27 | 0:27:29 | |
The frog offers to give him a ride across the lake | 0:27:30 | 0:27:33 | |
if the scorpion promises not to bite him. | 0:27:33 | 0:27:35 | |
And then halfway across, he bites him. | 0:27:35 | 0:27:36 | |
Yeah, and then the frog goes, "Why did you do that? | 0:27:36 | 0:27:39 | |
"Now we'll both die." | 0:27:39 | 0:27:41 | |
BOTH: "Because I'm a scorpion." | 0:27:41 | 0:27:42 | |
I sometimes think that's me. | 0:27:46 | 0:27:48 | |
I'm a scorpion. | 0:27:49 | 0:27:50 | |
I tell everyone it's going to be one way, | 0:27:53 | 0:27:54 | |
and then I go off and I do the opposite. | 0:27:54 | 0:27:57 | |
Screw everything up. | 0:27:58 | 0:27:59 | |
Betray people. | 0:28:00 | 0:28:02 | |
It's like... | 0:28:02 | 0:28:03 | |
It's like I just can't help myself. | 0:28:03 | 0:28:05 | |
And you've been really good to me, Toke. | 0:28:07 | 0:28:10 | |
Like, really good. | 0:28:10 | 0:28:11 | |
I just don't want you to be the frog. | 0:28:14 | 0:28:16 | |
Oh, no. | 0:28:18 | 0:28:19 | |
Come on, come here. | 0:28:19 | 0:28:20 | |
I want to be the frog. | 0:28:25 | 0:28:27 | |
Yeah, well, I'm the scorpion. | 0:28:27 | 0:28:28 | |
You're not the scorpion! | 0:28:28 | 0:28:29 | |
Shut up about the bloody scorpion. | 0:28:29 | 0:28:31 | |
No. | 0:28:35 | 0:28:36 | |
No, that's not what I want. | 0:28:36 | 0:28:38 | |
What do you want then, Toke? | 0:28:39 | 0:28:41 | |
Just to help. | 0:28:41 | 0:28:43 | |
You want to help? | 0:28:43 | 0:28:45 | |
Sid. | 0:28:45 | 0:28:46 | |
He's not my ex. | 0:28:46 | 0:28:48 | |
He's my baby. | 0:28:48 | 0:28:49 | |
Your...baby? | 0:28:49 | 0:28:52 | |
Chrissy, what...? | 0:28:52 | 0:28:53 | |
-HARSHLY: -Goodnight, Toke. | 0:28:57 | 0:28:58 | |
LOUD MUSIC | 0:29:04 | 0:29:07 | |
DOORBELL | 0:29:08 | 0:29:09 | |
How much do I owe you? | 0:29:15 | 0:29:16 | |
That's, er, £10.30, please. | 0:29:17 | 0:29:20 | |
I'll have to see what I can find. | 0:29:20 | 0:29:22 | |
Come into my boudoir. | 0:29:22 | 0:29:24 | |
It's all right. | 0:29:24 | 0:29:25 | |
I don't bite. | 0:29:25 | 0:29:26 | |
SHE TURNS MUSIC OFF | 0:29:31 | 0:29:32 | |
It's like one of those porn films this, isn't it? | 0:29:37 | 0:29:40 | |
Woman alone in her flat. | 0:29:40 | 0:29:43 | |
Sexy man comes to the door in leathers. | 0:29:43 | 0:29:46 | |
He asks for payment. | 0:29:47 | 0:29:49 | |
She says... | 0:29:49 | 0:29:50 | |
"Perhaps we could come to some sort of arrangement." | 0:29:50 | 0:29:53 | |
Before you know it, | 0:29:55 | 0:29:57 | |
they're banging each other's brains out. | 0:29:57 | 0:30:00 | |
Hmm... | 0:30:00 | 0:30:01 | |
How much did you say it was again? | 0:30:03 | 0:30:06 | |
Erm... | 0:30:06 | 0:30:07 | |
£10.30. | 0:30:07 | 0:30:08 | |
Got change for 20? | 0:30:12 | 0:30:13 | |
'Hello.' | 0:30:27 | 0:30:28 | |
Spell my name. | 0:30:28 | 0:30:30 | |
-'Are you drunk?' -Yeah. -SHE CHUCKLES | 0:30:31 | 0:30:34 | |
-Spell it! -'Ally.' | 0:30:34 | 0:30:36 | |
A-L-L-Y. | 0:30:36 | 0:30:39 | |
What else does that spell, Ash? Hmm? | 0:30:39 | 0:30:42 | |
Ally. | 0:30:42 | 0:30:43 | |
Friend. | 0:30:43 | 0:30:45 | |
I'm a good person. | 0:30:45 | 0:30:47 | |
That prick I married didn't deserve me. | 0:30:47 | 0:30:49 | |
Shagging around, sticking his dick inside every... | 0:30:49 | 0:30:53 | |
SHE SIGHS | 0:30:53 | 0:30:55 | |
I'm loyal. I'm loving. | 0:30:56 | 0:30:59 | |
You don't need drugs! You just need me. | 0:30:59 | 0:31:02 | |
You just need to let me in, give me a chance. | 0:31:02 | 0:31:05 | |
Ash... | 0:31:06 | 0:31:08 | |
Ash... | 0:31:11 | 0:31:12 | |
'I'm not good enough for you. | 0:31:14 | 0:31:16 | |
'I'm going to drag you down. | 0:31:17 | 0:31:19 | |
'Screw up your life.' | 0:31:20 | 0:31:21 | |
That's rubbish. | 0:31:21 | 0:31:22 | |
'I'm a piece of shit. | 0:31:25 | 0:31:26 | |
'Worthless. | 0:31:27 | 0:31:28 | |
'A stain on life.' | 0:31:30 | 0:31:33 | |
Ash, you're not! You're amazing. | 0:31:33 | 0:31:35 | |
Let me help you. | 0:31:39 | 0:31:41 | |
Let me try. | 0:31:41 | 0:31:43 | |
I'm getting really strong indications. | 0:32:01 | 0:32:03 | |
-You don't need to listen to the voices around you. -Yeah. | 0:32:03 | 0:32:06 | |
-You hold the answers within yourself. -Is it? -Yeah. | 0:32:06 | 0:32:10 | |
There she is, Mystic Meg. | 0:32:10 | 0:32:11 | |
Making more crap up. | 0:32:12 | 0:32:14 | |
And you'll find what you're looking for. | 0:32:14 | 0:32:16 | |
So...what's your future? | 0:32:21 | 0:32:24 | |
Tall, dark stranger. | 0:32:24 | 0:32:25 | |
Load of bollocks, was it? | 0:32:25 | 0:32:27 | |
No, it wasn't, actually. | 0:32:27 | 0:32:29 | |
She told me what I already know. | 0:32:29 | 0:32:31 | |
I need to face up to my past. | 0:32:31 | 0:32:33 | |
And she said...a superhero's going to help me. | 0:32:34 | 0:32:37 | |
-Sure she won't mind? -No. | 0:32:49 | 0:32:51 | |
How do I look? | 0:32:51 | 0:32:53 | |
Really respectable. | 0:32:53 | 0:32:54 | |
Ma'am. SHE LAUGHS | 0:32:56 | 0:32:58 | |
CAR STARTS | 0:33:11 | 0:33:12 | |
You ready? | 0:33:22 | 0:33:24 | |
No. | 0:33:24 | 0:33:25 | |
OK, screw it. | 0:33:27 | 0:33:29 | |
MUSICAL CHIME | 0:33:35 | 0:33:39 | |
Always Look On The Bright Side Of Life? | 0:33:39 | 0:33:41 | |
Bet that's still funny after a thousand times. | 0:33:41 | 0:33:44 | |
Philip. | 0:33:49 | 0:33:50 | |
Anna. | 0:33:53 | 0:33:54 | |
No. | 0:33:54 | 0:33:56 | |
No! | 0:33:56 | 0:33:57 | |
I just want to talk! Phil? | 0:34:00 | 0:34:02 | |
-I just want to speak to you. -Hey. | 0:34:02 | 0:34:05 | |
Please! | 0:34:05 | 0:34:07 | |
-Wankers! -Hey, come on. | 0:34:07 | 0:34:08 | |
Insults won't help anyone. | 0:34:08 | 0:34:10 | |
So what happened to your mum? | 0:34:13 | 0:34:15 | |
She killed herself. | 0:34:15 | 0:34:16 | |
I'm sorry. | 0:34:18 | 0:34:19 | |
Coroner recorded an open verdict. | 0:34:20 | 0:34:22 | |
Because she was pissed and might have fallen. | 0:34:24 | 0:34:27 | |
She had all these mental problems. | 0:34:27 | 0:34:30 | |
At the time, she was in a bad place. | 0:34:30 | 0:34:33 | |
Seems more likely to have jumped than fallen. | 0:34:33 | 0:34:35 | |
-How old were you? -13. | 0:34:35 | 0:34:37 | |
Oh... It's a tough age to lose your mum. | 0:34:37 | 0:34:41 | |
What's a better age, then? | 0:34:41 | 0:34:43 | |
I don't know... | 0:34:44 | 0:34:46 | |
90, when she's 150. | 0:34:46 | 0:34:47 | |
So did Phil bring you up after that? | 0:34:49 | 0:34:52 | |
Yeah, he was my dad to all intents and purposes. | 0:34:52 | 0:34:56 | |
And then... | 0:34:56 | 0:34:58 | |
a year later - it wasn't even a year - | 0:34:58 | 0:35:02 | |
he got together with her. | 0:35:02 | 0:35:04 | |
The bitch. | 0:35:04 | 0:35:05 | |
And you thought that was too swift? | 0:35:05 | 0:35:07 | |
No, life goes on. I get it. | 0:35:07 | 0:35:09 | |
If she'd been a bit nicer, maybe we'd have all got on. | 0:35:10 | 0:35:13 | |
You know, I'd just lost my mum. | 0:35:14 | 0:35:16 | |
I was all over the place. | 0:35:18 | 0:35:20 | |
And them two were all wrapped up in each other. | 0:35:20 | 0:35:23 | |
So, yeah, I behaved like a prick. | 0:35:24 | 0:35:27 | |
Probably made their life hell. | 0:35:27 | 0:35:29 | |
But I needed some... | 0:35:29 | 0:35:31 | |
bloody attention, some... | 0:35:31 | 0:35:33 | |
..love. | 0:35:34 | 0:35:36 | |
So I found it elsewhere. | 0:35:37 | 0:35:39 | |
Callum was one of my mum's old mates. | 0:35:41 | 0:35:43 | |
Sid's our baby. | 0:35:45 | 0:35:47 | |
But no-one knows that he's Calum's, because I was underage | 0:35:47 | 0:35:50 | |
and he would have gone to prison for statutory rape. | 0:35:50 | 0:35:55 | |
Which is bullshit because I knew what I was doing. | 0:35:55 | 0:35:58 | |
Plus, he's married. | 0:35:59 | 0:36:00 | |
I lost the plot after I had him. | 0:36:03 | 0:36:06 | |
Went...kind of crazy. | 0:36:06 | 0:36:09 | |
They'll say that I didn't like him. | 0:36:11 | 0:36:14 | |
They'll say that they were scared that I'd try to hurt him. | 0:36:14 | 0:36:18 | |
But I wouldn't. | 0:36:18 | 0:36:20 | |
I just couldn't deal with him, you know? | 0:36:20 | 0:36:23 | |
They don't know what it was like in here. | 0:36:23 | 0:36:25 | |
It was like a... | 0:36:25 | 0:36:26 | |
..tornado. | 0:36:28 | 0:36:29 | |
So they've brought him up as their own? | 0:36:29 | 0:36:32 | |
She can't have kids, so it worked out perfectly. | 0:36:32 | 0:36:35 | |
Did they throw you out? | 0:36:36 | 0:36:38 | |
I...met some people. | 0:36:40 | 0:36:42 | |
One thing led to another. | 0:36:42 | 0:36:45 | |
I treated them pretty badly. | 0:36:45 | 0:36:46 | |
Can I make a suggestion? | 0:36:49 | 0:36:52 | |
Let me go back alone and broker a peace deal. | 0:36:52 | 0:36:54 | |
If you're not there, they might listen. | 0:36:54 | 0:36:57 | |
What is it you want? What can I put to them? | 0:36:57 | 0:36:59 | |
A visit? An hour with the kid, two hours? | 0:36:59 | 0:37:02 | |
Anything. | 0:37:02 | 0:37:03 | |
I just want to see his face. | 0:37:03 | 0:37:05 | |
They need to know that I won't hurt him. | 0:37:06 | 0:37:09 | |
They can trust me. | 0:37:09 | 0:37:11 | |
You have to tell them that. | 0:37:11 | 0:37:13 | |
Vouch for me, say you'll be there, too. | 0:37:13 | 0:37:15 | |
Say I've changed. | 0:37:16 | 0:37:18 | |
We said no. | 0:37:29 | 0:37:30 | |
Don't slam the door. | 0:37:30 | 0:37:31 | |
Please, remove your foot. | 0:37:31 | 0:37:33 | |
I will, just hear me out. | 0:37:33 | 0:37:34 | |
Two minutes is all I ask. | 0:37:34 | 0:37:36 | |
Who are you? Her boyfriend? | 0:37:36 | 0:37:37 | |
-Where is she? -She's not here. It's just me. | 0:37:39 | 0:37:41 | |
I'm her boss at work. | 0:37:41 | 0:37:43 | |
Look, you can't ignore this, Philip. | 0:37:44 | 0:37:46 | |
My name's Billy. I'm a decent human being. | 0:37:46 | 0:37:48 | |
With all due respect, Billy, you don't really know her like we do. | 0:38:08 | 0:38:12 | |
-Accepted. -She's brought a lot of trouble into our life. | 0:38:12 | 0:38:15 | |
She's selfish. | 0:38:15 | 0:38:17 | |
You know, she has no self-control. | 0:38:17 | 0:38:19 | |
I appreciate all of that. | 0:38:20 | 0:38:22 | |
But I think the Chrissy you knew | 0:38:22 | 0:38:24 | |
isn't the Chrissy that came to your door tonight. | 0:38:24 | 0:38:27 | |
I find that hard to believe. | 0:38:27 | 0:38:29 | |
I realise there's been a lot of water | 0:38:29 | 0:38:31 | |
gone under this particular bridge, | 0:38:31 | 0:38:33 | |
but do you not owe her the chance to at least speak to you? | 0:38:33 | 0:38:36 | |
To tell you how she feels, the regret she has, | 0:38:36 | 0:38:39 | |
especially about her son. | 0:38:39 | 0:38:41 | |
-She left him. She just tossed him to one side. -She was 15. | 0:39:18 | 0:39:22 | |
If it hadn't been for us, | 0:39:22 | 0:39:23 | |
that poor child would have ended up in care. | 0:39:23 | 0:39:25 | |
She just wants to see him. | 0:39:25 | 0:39:27 | |
-MUTED: -Cos it'll open the floodgates | 0:39:29 | 0:39:31 | |
and no matter how much you say she's changed, | 0:39:31 | 0:39:33 | |
I don't think I'll ever be able to trust her. | 0:39:33 | 0:39:35 | |
-She just wants to see him. -No. | 0:39:35 | 0:39:36 | |
What's life if we just condemn people | 0:40:08 | 0:40:10 | |
so they know that you're doomed. | 0:40:10 | 0:40:13 | |
You never deserve a second chance... | 0:40:13 | 0:40:16 | |
Is that fair? | 0:40:18 | 0:40:19 | |
Hello, Sid. | 0:40:38 | 0:40:39 | |
Hello, beautiful boy. | 0:40:44 | 0:40:45 | |
Hello, darling. | 0:40:49 | 0:40:50 | |
We're talking about one hour. | 0:41:02 | 0:41:04 | |
A trip to the local park. | 0:41:04 | 0:41:06 | |
A soft play centre. | 0:41:06 | 0:41:08 | |
I'll chaperone, or we can all be there, whatever works. | 0:41:08 | 0:41:13 | |
It's her son. | 0:41:13 | 0:41:15 | |
He's our son. | 0:41:15 | 0:41:17 | |
Yeah, I know that. | 0:41:17 | 0:41:19 | |
But she... brought him into the world. | 0:41:19 | 0:41:22 | |
Please. | 0:41:23 | 0:41:24 | |
For the sake of human kindness. | 0:41:26 | 0:41:27 | |
SID CRIES | 0:41:27 | 0:41:29 | |
Ssh! It's all right. It's all right. | 0:41:31 | 0:41:34 | |
He's not settling, I'd better go up. | 0:41:36 | 0:41:38 | |
Ssh! | 0:41:40 | 0:41:42 | |
Come on. | 0:41:43 | 0:41:45 | |
Man to man, can we agree this? | 0:41:48 | 0:41:51 | |
Here, come on. | 0:41:57 | 0:41:59 | |
Oh! It's OK, it's OK. | 0:41:59 | 0:42:02 | |
Phil. | 0:42:05 | 0:42:07 | |
Phil! | 0:42:07 | 0:42:08 | |
-Was this you? -Me? | 0:42:19 | 0:42:21 | |
-Calm down. -I'm telling you... | 0:42:23 | 0:42:25 | |
-Oh, Jesus! -Ssh! | 0:42:26 | 0:42:28 | |
Go, go, go! | 0:42:28 | 0:42:29 | |
Everything all right? | 0:42:35 | 0:42:37 | |
-Fuck! -Did they agree? -They were about to! | 0:42:49 | 0:42:51 | |
Yeah, to get rid of you. Next day they be on the phone cancelling. | 0:42:51 | 0:42:55 | |
-What were you doing? -He's my child, I wanted to see his face. | 0:42:55 | 0:42:58 | |
-I wanted to hold him. -So you break in? | 0:42:58 | 0:43:01 | |
What was I, you're bleeding decoy? | 0:43:01 | 0:43:03 | |
I used to live there, I used to have a key until she took it off me. | 0:43:03 | 0:43:06 | |
-Chrissy, they're not bad people. -Oh, aren't they? | 0:43:06 | 0:43:08 | |
They want what's best for your kid. | 0:43:08 | 0:43:10 | |
-Oh, yeah, they probably told you what a bastard I am, is it? -No! | 0:43:10 | 0:43:13 | |
-Can we go? -They told me you had problems, big problems, | 0:43:13 | 0:43:16 | |
and I was getting them to believe you'd changed. | 0:43:16 | 0:43:18 | |
-And then you proved me wrong. -I HAVE changed. -Oh, have you? | 0:43:18 | 0:43:21 | |
-Yes, I want him back. -That's not going to happen. | 0:43:21 | 0:43:24 | |
Just take me home, please. Can we go? | 0:43:24 | 0:43:27 | |
-Just can we go?! -Do you know what, Chrissy? | 0:43:27 | 0:43:29 | |
Maybe you were right. | 0:43:29 | 0:43:31 | |
Maybe you are the scorpion. | 0:43:31 | 0:43:33 | |
Shit! | 0:44:10 | 0:44:12 | |
There you are. Jenna wants to see you, ASAP. Well, not ASAP, now. | 0:44:19 | 0:44:24 | |
Sit down, Toke. | 0:44:27 | 0:44:29 | |
This sounds ominous. | 0:44:29 | 0:44:30 | |
-I've had a phone call from Trevor Trevelyan. -Right. | 0:44:32 | 0:44:35 | |
-Look, I... -He's claiming - and let me just outline the accusation | 0:44:35 | 0:44:39 | |
before you chime in - he is claiming that you were rude | 0:44:39 | 0:44:42 | |
and then in frustration you threw the phone across the room. | 0:44:42 | 0:44:45 | |
I was and I did. | 0:44:45 | 0:44:46 | |
You know Finchams are one of our best clients? | 0:44:48 | 0:44:50 | |
It was related to something else, I lost my temper, I'm sorry. | 0:44:50 | 0:44:53 | |
Toke, is everything all right, mate? | 0:44:53 | 0:44:55 | |
-Yeah. -I mean, I'm not one for gossip... | 0:44:55 | 0:44:57 | |
Well, I am, but I'm hearing mutterings. | 0:44:57 | 0:45:01 | |
-About what? -About your new employee. | 0:45:02 | 0:45:04 | |
You vouched for her, Toke. | 0:45:04 | 0:45:06 | |
Where is she today? She can barely do the job because of a stab wound. | 0:45:06 | 0:45:10 | |
Why would you hire someone like that? | 0:45:10 | 0:45:12 | |
I'm doing my job, same as I always have. | 0:45:12 | 0:45:14 | |
I had one bad moment, give me a verbal warning, do whatever, | 0:45:14 | 0:45:17 | |
but don't insinuate there's anything else going on, | 0:45:17 | 0:45:19 | |
because there isn't, OK? Can I go now? | 0:45:19 | 0:45:21 | |
Yes, yeah, you can go... | 0:45:23 | 0:45:25 | |
Just give me a minute. | 0:45:25 | 0:45:27 | |
Toke, let's have a catch-up, mate. Come on, it's been ages. | 0:45:28 | 0:45:32 | |
PHONE RINGS | 0:45:36 | 0:45:38 | |
I saw that. | 0:45:52 | 0:45:54 | |
So...how's Chrissy? | 0:46:03 | 0:46:06 | |
No idea, she's gone. | 0:46:08 | 0:46:10 | |
Gone? Where? | 0:46:10 | 0:46:12 | |
What happened? | 0:46:14 | 0:46:16 | |
Nothing. I just woke up and she'd gone. | 0:46:16 | 0:46:19 | |
Took my bloody van. | 0:46:19 | 0:46:21 | |
Well...did something happen? | 0:46:21 | 0:46:24 | |
Last night, you must have seen her. | 0:46:24 | 0:46:27 | |
Not really. | 0:46:27 | 0:46:28 | |
You've got feelings for her, haven't you? | 0:46:29 | 0:46:31 | |
OK, well, without talking in riddles, | 0:46:33 | 0:46:37 | |
I don't know what's going on in your head, | 0:46:37 | 0:46:40 | |
I don't know if you want someone else, someone younger, | 0:46:40 | 0:46:43 | |
sexier, but... | 0:46:43 | 0:46:45 | |
I love you, Toke. | 0:46:45 | 0:46:47 | |
I want you to move in with me, so is that going to happen or not? | 0:46:47 | 0:46:51 | |
Simple question - yes or no? | 0:46:51 | 0:46:53 | |
Sal, I promise you... | 0:46:53 | 0:46:55 | |
Oh, don't make a scene, you know how I feel about scenes. | 0:46:55 | 0:46:59 | |
Four years, Toke. Four years! | 0:46:59 | 0:47:01 | |
-Here's a scene. -And you won't move on it. | 0:47:01 | 0:47:04 | |
Why? Why is that? | 0:47:04 | 0:47:06 | |
There can only be one conclusion. | 0:47:06 | 0:47:07 | |
No, there can be many more conclusions. | 0:47:07 | 0:47:09 | |
Piss off! I've heard it all before. | 0:47:09 | 0:47:11 | |
Sal, where are you going? | 0:47:11 | 0:47:13 | |
Sal... | 0:47:13 | 0:47:14 | |
Sal! | 0:47:14 | 0:47:15 | |
This guy from Coventry keeps tweeting me, | 0:47:23 | 0:47:25 | |
claiming I've stolen his handle. | 0:47:25 | 0:47:27 | |
I was like, hello, Urban Avenger, it's hardly copyrighted, is it? | 0:47:27 | 0:47:31 | |
-WOMAN: -Get off, what are you doing? -Look, over there. | 0:47:31 | 0:47:34 | |
-A fight. -Is there a problem here? Have you got a problem? -Stop it. | 0:47:34 | 0:47:36 | |
Handbags. They'll be hugging in a minute. | 0:47:36 | 0:47:39 | |
SHOUTING CONTINUES | 0:47:39 | 0:47:41 | |
Go, go, go! | 0:47:41 | 0:47:43 | |
-Oi! -Leave him alone. | 0:47:45 | 0:47:46 | |
-Oi! Stop. -You bastard! | 0:47:46 | 0:47:49 | |
You're dead, you're dead! | 0:47:49 | 0:47:51 | |
-Hey, stop! -Get off him. | 0:47:51 | 0:47:53 | |
-Stop! -Get off him! -Phone the police. | 0:47:53 | 0:47:56 | |
WOMAN SCREAMS | 0:47:57 | 0:47:59 | |
-What, you want some? -I can't see! | 0:47:59 | 0:48:02 | |
-We've got to get out of here, man. -I can't see! | 0:48:02 | 0:48:04 | |
Come on, let's go. Move! Let's go. | 0:48:04 | 0:48:06 | |
-SIREN WAILS -Help me! | 0:48:06 | 0:48:09 | |
WOMAN SOBS | 0:48:11 | 0:48:13 | |
What happened, Toke? Calm intervention, that's what we are. | 0:48:19 | 0:48:22 | |
The space for self-protection. | 0:48:22 | 0:48:24 | |
If someone reports you, they could do you for assault. | 0:48:24 | 0:48:27 | |
-This could get serious, Toke. -We were wasting our time, lads. | 0:48:27 | 0:48:31 | |
We can't change anything, we can't help anyone. | 0:48:31 | 0:48:33 | |
We're just dicks in costumes. | 0:48:34 | 0:48:36 | |
-Toke? -Where are you going? | 0:48:39 | 0:48:41 | |
CAR APPROACHES | 0:48:45 | 0:48:47 | |
CAR DOOR SHUTS | 0:48:47 | 0:48:49 | |
Excuse me, sir, stop there! | 0:48:49 | 0:48:52 | |
Billy Tokington? | 0:48:52 | 0:48:53 | |
Where's Chrissy Michaels? | 0:48:53 | 0:48:55 | |
-I have no idea. -She's stolen a child. | 0:48:55 | 0:48:58 | |
I'm arresting you on suspicion of conspiracy to abduct Sid Monkford. | 0:49:00 | 0:49:03 | |
-I don't know. -She's in your campervan. | 0:49:06 | 0:49:09 | |
-She stole it. -Stole it? | 0:49:09 | 0:49:11 | |
I said she could stay there on my drive, | 0:49:11 | 0:49:13 | |
but I didn't say she could take it. | 0:49:13 | 0:49:15 | |
The parents of the child are saying that you went round with Christine | 0:49:15 | 0:49:18 | |
a few nights ago, asking for access. | 0:49:18 | 0:49:20 | |
-I did. -Sussing the place out? -No. | 0:49:20 | 0:49:23 | |
They're out of their minds with worry. | 0:49:23 | 0:49:25 | |
It's her kid. | 0:49:25 | 0:49:27 | |
Really, it's hers, she won't hurt it. | 0:49:28 | 0:49:30 | |
-So you admit you're helping her get the child back? -Yeah. | 0:49:30 | 0:49:34 | |
No. Access with their consent. | 0:49:34 | 0:49:36 | |
The parents believe that Chrissy might have entered the property | 0:49:36 | 0:49:39 | |
-the night you were there. -I just wanted to help her. | 0:49:39 | 0:49:42 | |
That's all, she's a damaged young girl. | 0:49:44 | 0:49:46 | |
-Do you have a sexual relationship with Chrissy? -No! | 0:49:46 | 0:49:50 | |
-How long have you know her? -Not long. -A few weeks? | 0:49:51 | 0:49:55 | |
And you just help her? | 0:49:55 | 0:49:57 | |
A complete stranger that you have no emotional connection to? | 0:49:57 | 0:50:00 | |
Yeah. | 0:50:02 | 0:50:03 | |
Talk us through the costume, Billy. | 0:50:05 | 0:50:07 | |
I'm a superhero. | 0:50:11 | 0:50:13 | |
Was. | 0:50:14 | 0:50:15 | |
Raintown Superheroes. | 0:50:15 | 0:50:18 | |
We're... | 0:50:18 | 0:50:19 | |
We try to help people. | 0:50:21 | 0:50:24 | |
Isn't that what we're here for? | 0:50:24 | 0:50:26 | |
You're not always there, are you? | 0:50:28 | 0:50:30 | |
Sometimes you're not there. | 0:50:32 | 0:50:33 | |
Sometimes things happen and you're too slow. | 0:50:35 | 0:50:37 | |
You're too slow, things go wrong and people end up dead. | 0:50:38 | 0:50:42 | |
You think I'm some idiot out looking for thrills. Look in my wallet. | 0:50:45 | 0:50:49 | |
Look in at. | 0:50:50 | 0:50:52 | |
Open it. | 0:50:55 | 0:50:57 | |
She's why I do it. | 0:50:59 | 0:51:01 | |
It's my sister. Jessica. | 0:51:02 | 0:51:04 | |
She died. | 0:51:06 | 0:51:08 | |
She was killed. | 0:51:08 | 0:51:09 | |
A fight. Stupid. | 0:51:09 | 0:51:12 | |
A nothing fight, but a knife got pulled... | 0:51:13 | 0:51:15 | |
..and she lay there in the street. | 0:51:17 | 0:51:19 | |
And by the time someone found her... | 0:51:20 | 0:51:22 | |
She was 17 years old. | 0:51:24 | 0:51:26 | |
A nothing argument. | 0:51:27 | 0:51:29 | |
Shooting off her mouth like young girls do, and that's that. | 0:51:30 | 0:51:33 | |
You know, game over, so I try to stop that. | 0:51:33 | 0:51:36 | |
I try to help people, just...calm things down. | 0:51:37 | 0:51:41 | |
I helped Chrissy. | 0:51:44 | 0:51:46 | |
She reminded me of Jess. | 0:51:46 | 0:51:48 | |
It was something about her. | 0:51:49 | 0:51:51 | |
She reminded me of my sister. | 0:51:52 | 0:51:55 | |
HE SOBS | 0:52:00 | 0:52:03 | |
PHONE RINGS | 0:52:13 | 0:52:16 | |
-Hello. -'Toke, it's me, Chrissy.' | 0:52:19 | 0:52:22 | |
Where are you? | 0:52:22 | 0:52:24 | |
Chrissy, where are you? | 0:52:26 | 0:52:28 | |
Sorry I took your van. | 0:52:44 | 0:52:46 | |
I didn't know you could drive. | 0:52:46 | 0:52:48 | |
I can't. Not legally. | 0:52:48 | 0:52:50 | |
Where's Sid, Chrissy? | 0:52:52 | 0:52:54 | |
-Told you, then, have they? -Where is he? | 0:52:54 | 0:52:57 | |
He's safe. | 0:52:57 | 0:52:59 | |
We've had a nice time. | 0:53:00 | 0:53:02 | |
Played on the beach, had cheese on toast. | 0:53:02 | 0:53:04 | |
Just us. | 0:53:04 | 0:53:06 | |
-Me and my son. -You haven't thought this through. | 0:53:06 | 0:53:08 | |
How are you going to look after him? | 0:53:09 | 0:53:11 | |
Feed him, clothe him, bathe him? You can barely look after yourself. | 0:53:11 | 0:53:15 | |
What if you fancy shagging a stranger? | 0:53:16 | 0:53:18 | |
-Where does Sid fit in then? -I'll look after him. He's mine. | 0:53:18 | 0:53:22 | |
Not legally. Where is he? | 0:53:22 | 0:53:24 | |
He's in the van, asleep. | 0:53:24 | 0:53:27 | |
I lied to you, Toke. | 0:53:29 | 0:53:31 | |
About his father, he's... | 0:53:31 | 0:53:33 | |
It's not Calum's. | 0:53:33 | 0:53:35 | |
Calum's not his dad. | 0:53:35 | 0:53:37 | |
He's Phil's. | 0:53:37 | 0:53:38 | |
He's Phil's? | 0:53:40 | 0:53:42 | |
Yeah, nice man. | 0:53:42 | 0:53:43 | |
-What's going on? -I didn't do this, it wasn't me, I promise you. | 0:53:45 | 0:53:49 | |
-Chrissy Michaels, we're arresting you... -No, no. | 0:53:49 | 0:53:52 | |
-Tell them who the father is. -You bastard! | 0:53:52 | 0:53:54 | |
-Sorry! -Get off me! | 0:53:54 | 0:53:56 | |
What are you doing? Get off me! | 0:53:56 | 0:53:58 | |
Tell them what happened. The baby's hers. | 0:53:58 | 0:54:01 | |
No, get off, no! | 0:54:01 | 0:54:03 | |
I haven't done nothing! I haven't... | 0:54:03 | 0:54:05 | |
SID CRIES | 0:54:05 | 0:54:07 | |
SHE LAUGHS | 0:54:42 | 0:54:44 | |
What are you wearing? | 0:54:44 | 0:54:45 | |
I'll move in. | 0:54:45 | 0:54:47 | |
But there's some things you need to know. | 0:54:47 | 0:54:50 | |
Shut up. | 0:55:31 | 0:55:33 | |
Shut up. I won't. | 0:55:34 | 0:55:36 | |
I won't do that. | 0:55:38 | 0:55:39 | |
I'd never hurt her. | 0:55:40 | 0:55:42 | |
# Whatever happened to | 0:55:49 | 0:55:52 | |
# All of the heroes? # | 0:55:53 | 0:55:55 | |
You all right, Ellen? | 0:55:55 | 0:55:56 | |
# All the Shakespearoes | 0:55:56 | 0:55:58 | |
# They watched their Rome burn | 0:55:59 | 0:56:01 | |
# Whatever happened to the heroes? | 0:56:03 | 0:56:08 | |
# Whatever happened to the heroes? | 0:56:09 | 0:56:14 | |
# No more heroes any more | 0:56:15 | 0:56:18 | |
# No more heroes any more | 0:56:18 | 0:56:22 | |
# No more heroes any more... # | 0:56:22 | 0:56:25 | |
PHONE RINGS | 0:56:40 | 0:56:42 | |
Trevor. How lovely to hear from you. | 0:56:43 | 0:56:45 | |
-All right? -I can do this. | 0:56:47 | 0:56:49 | |
I'm so scared. | 0:56:49 | 0:56:50 | |
-I was thinking about her coming back. -Katya! | 0:56:52 | 0:56:54 | |
In the night, breaking in, stabbing me, | 0:56:54 | 0:56:57 | |
setting fire to the house. | 0:56:57 | 0:56:59 | |
-SIREN WAILS -Wait! | 0:56:59 | 0:57:01 | |
I'm tired of being scared of you. | 0:57:01 | 0:57:03 | |
It stops. | 0:57:03 | 0:57:04 | |
Or I'll make it stop. | 0:57:04 | 0:57:06 |