Browse content similar to Episode 6. Check below for episodes and series from the same categories and more!
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'I'm not a druggie. It helps me turn my brain off.' | 0:00:02 | 0:00:04 | |
You just need to let me in, give me a chance. | 0:00:04 | 0:00:06 | |
Imagine an internal voice shouting, "Jump." | 0:00:06 | 0:00:09 | |
You hurt me and you've been hurt yourself. | 0:00:09 | 0:00:12 | |
-Lizzie. -Thanks for this. | 0:00:16 | 0:00:19 | |
What are sisters for? | 0:00:19 | 0:00:21 | |
This programme contains some strong language | 0:00:21 | 0:00:26 | |
This programme contains some scenes of a sexual nature | 0:00:26 | 0:00:31 | |
CAR ALARM BEEPS | 0:00:53 | 0:00:55 | |
Shit! | 0:01:17 | 0:01:18 | |
PHONE RINGS | 0:01:25 | 0:01:27 | |
SHE TURNS IT OFF | 0:01:31 | 0:01:33 | |
Jenna Moss. Sorry, I'm a couple of minutes late. | 0:01:40 | 0:01:43 | |
No problem. Would you like to take a seat? | 0:01:43 | 0:01:45 | |
OK, thank you. Sorry, did you get my text? | 0:01:45 | 0:01:47 | |
Yeah. Yes - and they're idiots. It's their loss. | 0:01:47 | 0:01:51 | |
You'll get another contract. | 0:01:51 | 0:01:53 | |
It's just typical, after the tax audit and everything that happened with Watkinson's. | 0:01:53 | 0:01:57 | |
Why does all the crap have to happen at once? | 0:01:57 | 0:01:59 | |
The law of threes. | 0:01:59 | 0:02:02 | |
Let's hope you've had yours now. | 0:02:02 | 0:02:03 | |
God, I'm so scared. | 0:02:04 | 0:02:06 | |
Fourth time lucky. | 0:02:06 | 0:02:08 | |
Yeah. | 0:02:08 | 0:02:09 | |
Fourth time lucky. | 0:02:10 | 0:02:12 | |
MACHINE BEEPS | 0:02:13 | 0:02:15 | |
I'm afraid it's not good news. | 0:02:22 | 0:02:24 | |
JENNA SOBS | 0:02:33 | 0:02:36 | |
You know what this is? Persecution, bullying | 0:02:53 | 0:02:55 | |
and, aside from anything else, it's completely inaccurate. | 0:02:55 | 0:02:58 | |
-He's 37. -LAUGHTER | 0:02:58 | 0:03:00 | |
All right, since you clearly require facts, | 0:03:00 | 0:03:02 | |
I have had this six-inch penis inside eight different vaginas. | 0:03:02 | 0:03:08 | |
-RETCHES -And only one of them involved a cash transaction. So... | 0:03:08 | 0:03:12 | |
# Like a virgin | 0:03:12 | 0:03:14 | |
# Woo! | 0:03:14 | 0:03:15 | |
# Touched for the very first time... # | 0:03:15 | 0:03:18 | |
-Good meeting? -Mm, absolutely. | 0:03:23 | 0:03:25 | |
Er, don't forget, I'm leaving early this afternoon. | 0:03:25 | 0:03:27 | |
-Diary's clear. -But I will be back for the charity night. | 0:03:27 | 0:03:29 | |
-Everyone's excited for the awards. -Yeah, it's a lot of fun. | 0:03:29 | 0:03:32 | |
Play your cards right, you might win Best PA. | 0:03:32 | 0:03:34 | |
No interruptions for an hour, I've got calls to make. | 0:03:34 | 0:03:37 | |
I've got a plan. | 0:03:39 | 0:03:41 | |
It's actually quite brilliant. | 0:03:42 | 0:03:44 | |
Do you want to hear it? | 0:03:44 | 0:03:46 | |
It involves you and me and several bottles of extremely good wine. | 0:03:48 | 0:03:52 | |
I've got this work thing. | 0:03:52 | 0:03:54 | |
-Tell them you're sick. -They know I'm not sick. | 0:03:54 | 0:03:56 | |
Well, you're the boss, what are they going to do? | 0:03:56 | 0:03:58 | |
We'd end up talking about it. | 0:04:01 | 0:04:03 | |
We wouldn't want to, but we would. | 0:04:03 | 0:04:06 | |
And I don't want to talk about it because... | 0:04:07 | 0:04:11 | |
quite frankly, | 0:04:11 | 0:04:12 | |
I am sick to the back teeth of talking about my useless body. | 0:04:12 | 0:04:16 | |
So, the next award is the It's Five O'Clock Somewhere award | 0:04:27 | 0:04:31 | |
for the most eager to finish a shift. | 0:04:31 | 0:04:34 | |
Now, this was a hotly-contested category, | 0:04:34 | 0:04:37 | |
but the jury found one worker | 0:04:37 | 0:04:40 | |
to be unswerving in their dedication for clocking off | 0:04:40 | 0:04:43 | |
and heading to the pub. | 0:04:43 | 0:04:45 | |
So the winner of the 2016 It's Five O'Clock Somewhere award | 0:04:45 | 0:04:51 | |
goes to none other than | 0:04:51 | 0:04:53 | |
Karl Shelvey. | 0:04:53 | 0:04:54 | |
-Yes! Come on! -APPLAUSE | 0:04:54 | 0:04:56 | |
-CHANTING: -Speech! Speech! Speech! Speech! | 0:05:01 | 0:05:04 | |
Speech! Speech! Speech! | 0:05:04 | 0:05:05 | |
FEEDBACK | 0:05:06 | 0:05:08 | |
To quote my late grandfather - | 0:05:08 | 0:05:10 | |
"Add another note to your pay cheque. | 0:05:10 | 0:05:13 | |
"Are you done digging your grave yet?" | 0:05:13 | 0:05:16 | |
-MC: -Get off. | 0:05:18 | 0:05:19 | |
OK, Karl Shelvey, ladies and gentlemen. Thank you very much. | 0:05:19 | 0:05:22 | |
Thank you, thank you, thank you. | 0:05:22 | 0:05:24 | |
The man, the myth - Karl, ladies and gentlemen, come on. | 0:05:24 | 0:05:27 | |
APPLAUSE | 0:05:27 | 0:05:29 | |
PHONE RINGS | 0:05:41 | 0:05:43 | |
MUSIC: "Hungry Like The Wolf" by Duran Duran | 0:05:57 | 0:06:00 | |
How's Ash? | 0:06:12 | 0:06:14 | |
Back home - but I took your advice, | 0:06:14 | 0:06:16 | |
we haven't really been in touch. | 0:06:16 | 0:06:18 | |
Back home? | 0:06:18 | 0:06:19 | |
They put him on some new meds, super strong. | 0:06:19 | 0:06:22 | |
He's promised to stay on them, give them a chance. | 0:06:22 | 0:06:24 | |
Kim says he doesn't really do much, | 0:06:24 | 0:06:26 | |
just sits around watching YouTube all day. | 0:06:26 | 0:06:29 | |
No wonder he's depressed. | 0:06:29 | 0:06:30 | |
Hey...dance? | 0:06:31 | 0:06:33 | |
Remember, I'm an old man, so watch my hips. | 0:06:35 | 0:06:37 | |
Karl, is it true you still live with your mum? | 0:06:42 | 0:06:44 | |
No, Fletch, she lives with me. There's a difference. | 0:06:44 | 0:06:47 | |
Karl! Why have you got so much cash? | 0:06:47 | 0:06:50 | |
Because I'm frequenting somewhere later that doesn't do credit. | 0:06:50 | 0:06:53 | |
Ugh... | 0:06:53 | 0:06:55 | |
I thought you'd gone. | 0:07:06 | 0:07:07 | |
SHE CHUCKLES No, it appears not. | 0:07:07 | 0:07:10 | |
The others are going on to a party, if you fancy it. | 0:07:11 | 0:07:14 | |
No...thank you. | 0:07:16 | 0:07:18 | |
I've...I'm gonna head off. | 0:07:18 | 0:07:21 | |
But have a good night. | 0:07:21 | 0:07:22 | |
Be careful, though. | 0:07:23 | 0:07:25 | |
Jag's lurking. | 0:07:25 | 0:07:26 | |
'Lizzie, it's Jenna.' | 0:07:40 | 0:07:42 | |
Yep, I got your message. Let me guess - some money? | 0:07:42 | 0:07:45 | |
Well, shall I tell you what I want? | 0:07:45 | 0:07:47 | |
I want to go out. Tonight. To a club. | 0:07:47 | 0:07:50 | |
I want to go out, I want to drink, I want to dance, | 0:07:50 | 0:07:52 | |
I want to get off my face. | 0:07:52 | 0:07:54 | |
Right now, that is exactly what I need. | 0:07:54 | 0:07:56 | |
I don't believe it. There I was, sat on my sofa in my PJs. | 0:08:02 | 0:08:05 | |
Never thought it'd be you dragging me out on the razz. | 0:08:05 | 0:08:08 | |
Aaron! | 0:08:12 | 0:08:14 | |
Friend. Back in a sec. | 0:08:14 | 0:08:15 | |
You sharing that? | 0:08:29 | 0:08:30 | |
Sharing what? | 0:08:31 | 0:08:34 | |
Oh, no, no, no. You stick to your chardonnay. | 0:08:34 | 0:08:36 | |
-Oh, piss off. -A tiny bit. | 0:08:36 | 0:08:38 | |
Good girl. | 0:08:40 | 0:08:41 | |
-Oh, Jes... -Shh. | 0:08:41 | 0:08:42 | |
-DOORMAN: -Bags open. -Shit! | 0:08:42 | 0:08:44 | |
MUSIC: "Insomnia" by Faithless. | 0:08:47 | 0:08:50 | |
SONG SOFTENS TO NEAR SILENCE | 0:08:50 | 0:08:52 | |
SONG KICKS IN | 0:08:53 | 0:08:56 | |
MUSIC: "The Power" by DJ Fresh feat. Dizzee Rascal | 0:09:41 | 0:09:43 | |
PHONE RINGS | 0:09:47 | 0:09:49 | |
RAISED VOICES | 0:10:11 | 0:10:13 | |
PEOPLE SHOUT | 0:10:13 | 0:10:16 | |
-WOMAN: -Help! Help! | 0:10:16 | 0:10:18 | |
Someone get help! | 0:10:18 | 0:10:20 | |
You, dial 999 now! | 0:10:20 | 0:10:22 | |
-WOMAN: -Help! | 0:10:26 | 0:10:27 | |
PEOPLE SHOUT | 0:10:27 | 0:10:30 | |
-WOMAN: -Get an ambulance! | 0:10:33 | 0:10:35 | |
Lizzie, where are you? Where did you go? | 0:10:35 | 0:10:38 | |
What happened in the club? Call me. Just call me. | 0:10:38 | 0:10:42 | |
-TV: -'I'm hoping to make about £100, | 0:10:44 | 0:10:46 | |
'so I can treat myself to a day out at a spa, or something like that. | 0:10:46 | 0:10:49 | |
'Have a few treatments.' | 0:10:49 | 0:10:51 | |
Jen, where the hell have you been? | 0:10:51 | 0:10:53 | |
You were right. I needed a drink. | 0:10:53 | 0:10:56 | |
Drink? | 0:10:56 | 0:10:57 | |
It's three o'clock in... | 0:10:57 | 0:10:59 | |
Who've you been with? I... | 0:10:59 | 0:11:01 | |
I was worried. | 0:11:01 | 0:11:03 | |
Er, work people. | 0:11:03 | 0:11:05 | |
A couple of reps. | 0:11:05 | 0:11:07 | |
I just... I just wanted to have a good time. | 0:11:09 | 0:11:11 | |
And you couldn't call? | 0:11:11 | 0:11:13 | |
Well, I'm going to bed. I've got a case review at 8:30. | 0:11:16 | 0:11:19 | |
-Morning. -Hello. | 0:11:46 | 0:11:48 | |
You seen the state of this lot? | 0:11:48 | 0:11:50 | |
You know, the best thing about being teetotal | 0:11:50 | 0:11:53 | |
is the morning after a night out. | 0:11:53 | 0:11:57 | |
WHISTLE | 0:11:57 | 0:11:58 | |
Come on, crew! Sales, sales, sales! | 0:11:58 | 0:12:03 | |
-Hoo-hoo-hoo! Hoo... -We need to talk. | 0:12:03 | 0:12:06 | |
Oh. I don't like the sound of that. | 0:12:06 | 0:12:08 | |
Come on, come on, come on! | 0:12:08 | 0:12:10 | |
Energy, energy, energy, energy... | 0:12:10 | 0:12:12 | |
-They're dropping us, just like that? -So much for loyalty, eh? | 0:12:12 | 0:12:15 | |
It's not just like that, it's part of a larger strategic review. | 0:12:15 | 0:12:18 | |
Right, so I take it it's, what, belt-tightening, | 0:12:18 | 0:12:21 | |
no overtime, weekend cuts? | 0:12:21 | 0:12:23 | |
Let's not panic them. | 0:12:23 | 0:12:24 | |
Use stealth, yeah? I think we keep it to ourselves for now | 0:12:24 | 0:12:28 | |
and then when we've got better news, we... PHONE RINGS | 0:12:28 | 0:12:31 | |
Sorry. | 0:12:31 | 0:12:32 | |
-Sorry, I'm going to have to take this. -Right. -Hold on. | 0:12:35 | 0:12:38 | |
Give me one minute. | 0:12:38 | 0:12:40 | |
Stealth? | 0:12:40 | 0:12:41 | |
Why didn't you call me back? | 0:12:42 | 0:12:44 | |
'I'm calling you now.' | 0:12:44 | 0:12:46 | |
So what happened? | 0:12:46 | 0:12:48 | |
Last night, in the club with the lads? | 0:12:48 | 0:12:50 | |
'I don't know. | 0:12:50 | 0:12:51 | |
'The guy collapsed, started fitting. | 0:12:51 | 0:12:53 | |
'I don't know, Jen, maybe he's epileptic or something.' | 0:12:53 | 0:12:56 | |
He collapsed because of the drugs. | 0:12:56 | 0:12:57 | |
'His mates took 'em, you took 'em. | 0:12:57 | 0:12:59 | |
'I didn't see anyone else hitting the deck. | 0:12:59 | 0:13:01 | |
'I couldn't just hang around there, could I? A month out of prison.' | 0:13:01 | 0:13:04 | |
What was it that we were taking? | 0:13:04 | 0:13:05 | |
-'Jenna.' -What was...! | 0:13:05 | 0:13:07 | |
What was it? | 0:13:08 | 0:13:09 | |
'GHB. | 0:13:09 | 0:13:11 | |
'Look, he wanted it, all right? I wasn't forcing it down his neck. | 0:13:11 | 0:13:14 | |
'He's a young lad, he overdid it, he'll be fine. | 0:13:15 | 0:13:18 | |
'Just put it out your head, OK? | 0:13:19 | 0:13:21 | |
'We weren't there. | 0:13:21 | 0:13:23 | |
'Never happened.' | 0:13:23 | 0:13:24 | |
NOTIFICATION BEEPS | 0:13:35 | 0:13:36 | |
-Hiya. -Hi. | 0:13:40 | 0:13:42 | |
Sorry. | 0:13:43 | 0:13:45 | |
I should've called. | 0:13:46 | 0:13:47 | |
I just... I needed a night off, you know? | 0:13:47 | 0:13:51 | |
-Shut my brain down. -I understand. | 0:13:52 | 0:13:54 | |
I spent the evening watching Dirty Grandpa. | 0:13:54 | 0:13:57 | |
Shall we get some dinner? | 0:14:02 | 0:14:04 | |
After work? | 0:14:05 | 0:14:07 | |
Talk things through - or not talk, just have a nice time? | 0:14:07 | 0:14:11 | |
Sounds good. You choose somewhere and text me. | 0:14:11 | 0:14:13 | |
I've got a partners' meeting around five which might run over, so about sevenish? | 0:14:13 | 0:14:17 | |
Yeah, yeah, perfect. | 0:14:17 | 0:14:19 | |
I'll just pop home first, get changed. | 0:14:19 | 0:14:21 | |
Sarah-Jane? | 0:14:28 | 0:14:29 | |
HAIRDRYER BLARES | 0:14:30 | 0:14:33 | |
BANGING ON DOOR | 0:14:33 | 0:14:35 | |
SHE SWITCHES HAIRDYER OFF | 0:14:37 | 0:14:38 | |
Hi, can I...can I help? | 0:14:41 | 0:14:42 | |
-Jennifer Moss? -Yeah. | 0:14:42 | 0:14:44 | |
Can we come in? | 0:14:44 | 0:14:46 | |
I'm arresting you on suspicion of possession with intention | 0:14:46 | 0:14:49 | |
to supply a controlled substance | 0:14:49 | 0:14:51 | |
on Thursday 29th October 2016 at 2:30am | 0:14:51 | 0:14:55 | |
at the club Amplify, Harness Street, Cardiff. | 0:14:55 | 0:14:57 | |
You do not have to say anything but it may harm your defence | 0:14:57 | 0:15:00 | |
if you fail to mention, when questioned, something you later rely on in court. | 0:15:00 | 0:15:03 | |
Anything you do say may be given in evidence. | 0:15:03 | 0:15:05 | |
We're going to search the property. | 0:15:05 | 0:15:06 | |
Are there any controlled substances in the flat right now? | 0:15:06 | 0:15:09 | |
No. | 0:15:10 | 0:15:11 | |
Nothing... | 0:15:11 | 0:15:13 | |
Drugs? | 0:15:13 | 0:15:14 | |
House keys. | 0:15:22 | 0:15:23 | |
I'll also have your mobile phone. | 0:15:30 | 0:15:32 | |
-Passcode? -1010. | 0:15:34 | 0:15:36 | |
Left thumb. | 0:16:18 | 0:16:20 | |
Left ring finger. | 0:16:20 | 0:16:22 | |
MACHINE BEEPS | 0:16:23 | 0:16:24 | |
Are you taking any medication prescribed by the doctor? | 0:16:26 | 0:16:28 | |
Have you taken controlled substances in the past 30 days? | 0:16:31 | 0:16:34 | |
Yeah. | 0:16:37 | 0:16:38 | |
DOOR THUDS | 0:16:58 | 0:17:00 | |
BOLT RATTLES | 0:17:02 | 0:17:03 | |
-DOOR CRASHES -Right... | 0:17:24 | 0:17:25 | |
They have CCTV images from inside the nightclub. | 0:17:25 | 0:17:29 | |
And they've worked backwards from the collapse. | 0:17:30 | 0:17:34 | |
And what it shows them is yourself | 0:17:34 | 0:17:36 | |
with another woman talking to the lads. | 0:17:36 | 0:17:38 | |
But the reason for your arrest | 0:17:38 | 0:17:40 | |
is they have an image of you handing over a small bottle of liquid. | 0:17:40 | 0:17:43 | |
They're saying drugs. | 0:17:43 | 0:17:45 | |
And they're claiming that these drugs | 0:17:45 | 0:17:46 | |
led directly to the unfortunate event. | 0:17:46 | 0:17:48 | |
-They weren't my drugs. -Whose were they? | 0:17:48 | 0:17:51 | |
I just... | 0:17:52 | 0:17:54 | |
I... I just took them in. | 0:17:54 | 0:17:57 | |
It would help you if you could tell them | 0:17:58 | 0:18:00 | |
whose drugs they were and the reason why you carried them. | 0:18:00 | 0:18:03 | |
Look... | 0:18:03 | 0:18:05 | |
They were me sister's | 0:18:06 | 0:18:08 | |
and she's just come out of prison. She's not a dealer, | 0:18:08 | 0:18:11 | |
but she... She just... | 0:18:11 | 0:18:13 | |
OK, I understand. | 0:18:14 | 0:18:16 | |
Can I make a suggestion? | 0:18:17 | 0:18:19 | |
Jenna? | 0:18:23 | 0:18:24 | |
Jenna? | 0:18:32 | 0:18:33 | |
"The drugs were given to me in the nightclub queue... | 0:18:34 | 0:18:37 | |
"..and because of my state of mind that evening - | 0:18:38 | 0:18:41 | |
"I had just discovered that my IVF pregnancy | 0:18:41 | 0:18:44 | |
"had failed for the fourth time - | 0:18:44 | 0:18:46 | |
"I made an error of judgment and took a small quantity of drugs | 0:18:46 | 0:18:51 | |
"when it was offered. | 0:18:51 | 0:18:53 | |
"Then, in haste and fear of being seen by the doorman, | 0:18:53 | 0:18:58 | |
"I concealed the bottle inside my clothing. | 0:18:58 | 0:19:00 | |
"Once inside the club, | 0:19:01 | 0:19:04 | |
"I returned the drug to the person that had passed it to me. | 0:19:04 | 0:19:08 | |
"I had no idea who brought the drug, | 0:19:08 | 0:19:10 | |
"where it came from or what the purpose of its possession was." | 0:19:10 | 0:19:14 | |
I have, um, advised my client | 0:19:17 | 0:19:20 | |
to offer "no comment" answers to any further questions. | 0:19:20 | 0:19:24 | |
Thank you...for your statement. | 0:19:24 | 0:19:26 | |
We accept your right to silence | 0:19:26 | 0:19:28 | |
but we'd still like to ask you some questions, Miss Moss. | 0:19:28 | 0:19:31 | |
Are you a drug dealer, Miss Moss? | 0:19:34 | 0:19:35 | |
Drug dealer? | 0:19:35 | 0:19:37 | |
No comment. | 0:19:41 | 0:19:42 | |
When Nathan Segal collapsed, you left the club immediately. | 0:19:45 | 0:19:48 | |
Were you not concerned for his wellbeing? | 0:19:48 | 0:19:50 | |
No comment. | 0:19:50 | 0:19:52 | |
As did the woman you were with, the woman you handed the drugs to. | 0:19:53 | 0:19:57 | |
No comment. | 0:20:01 | 0:20:02 | |
Prior to your night out, | 0:20:06 | 0:20:07 | |
you made calls to a woman by the name of Elizabeth Marshall. | 0:20:07 | 0:20:11 | |
Was that the woman you were with? | 0:20:12 | 0:20:14 | |
No comment. | 0:20:16 | 0:20:17 | |
And, after leaving the club, after the collapse of Nathan Segal, | 0:20:18 | 0:20:22 | |
you made calls to the mobile phone of Elizabeth Marshall | 0:20:22 | 0:20:27 | |
a total of 11 times between that night and the following afternoon. | 0:20:27 | 0:20:30 | |
In addition, there were a number of texts requesting her to call you. | 0:20:30 | 0:20:35 | |
Why was that, Miss Moss? What was so urgent? | 0:20:36 | 0:20:39 | |
No comment. | 0:20:41 | 0:20:42 | |
Elizabeth Marshall... | 0:20:44 | 0:20:46 | |
..whom our records show was recently released from HMP Exmoor. | 0:20:49 | 0:20:52 | |
I need you to at least say "no comment." | 0:21:02 | 0:21:04 | |
No comment. | 0:21:09 | 0:21:10 | |
Jenna Moss, date of birth 5th of April 1976, | 0:21:13 | 0:21:16 | |
at 148 Saltmarsh Street, Cardiff, | 0:21:16 | 0:21:19 | |
you are charged with the offence shown below - | 0:21:19 | 0:21:21 | |
that you did, on Thursday 29th October at 2:30am | 0:21:21 | 0:21:24 | |
in the club Amplify, Harness Street, Cardiff, | 0:21:24 | 0:21:27 | |
supply a controlled substance, GHB, or believing it to be GHB, | 0:21:27 | 0:21:31 | |
to Nathan Segal, contrary to the Misuse of Drugs Act 1971. | 0:21:31 | 0:21:35 | |
-What? -I need to come in. | 0:21:48 | 0:21:49 | |
-Yeah, it's not a good time. -Tough. -Jenna! | 0:21:49 | 0:21:52 | |
Listen, I've got a friend here and, without going into detail, | 0:21:52 | 0:21:54 | |
-things are getting very... -Get rid of him. | 0:21:54 | 0:21:57 | |
No. | 0:21:57 | 0:21:58 | |
Liz, I am not pissing around. This is serious. | 0:21:58 | 0:22:01 | |
I have been arrested. | 0:22:01 | 0:22:02 | |
Charged, so get his dick back in his trousers and show him the door. | 0:22:04 | 0:22:08 | |
Arrested? | 0:22:09 | 0:22:10 | |
What happened? | 0:22:14 | 0:22:15 | |
The police came, took me in. | 0:22:15 | 0:22:18 | |
-They've got CCTV of us at the club with the lads. -Oh, shit. | 0:22:18 | 0:22:22 | |
Did they mention me? | 0:22:23 | 0:22:25 | |
Yeah. Yes, they mentioned you. | 0:22:25 | 0:22:28 | |
-They checked my phone, they saw all the calls between us. -Oh, shit. | 0:22:28 | 0:22:32 | |
What are they doing? What did they say? | 0:22:34 | 0:22:36 | |
They've charged me! | 0:22:36 | 0:22:37 | |
Intent to supply, possession. | 0:22:39 | 0:22:41 | |
This is... | 0:22:43 | 0:22:44 | |
I'll lose my job. Drugs! | 0:22:44 | 0:22:46 | |
I could go to prison! | 0:22:48 | 0:22:49 | |
The solicitor said that they almost always get a custodial. | 0:22:50 | 0:22:54 | |
And the lad collapsing just makes it even worse! | 0:22:54 | 0:22:56 | |
-Is the lad all right? -He's stable. | 0:22:56 | 0:22:59 | |
-Your mate's looking down. -Piss off! | 0:22:59 | 0:23:02 | |
Shit. | 0:23:03 | 0:23:05 | |
So, when they were talking about me, did they say that they saw me | 0:23:10 | 0:23:14 | |
-with the lads? Did they say they saw me taking the gear? -No. | 0:23:14 | 0:23:19 | |
No, I don't think so. You'd moved the... | 0:23:19 | 0:23:22 | |
The images that they showed me were of me handing the bottle over, | 0:23:22 | 0:23:26 | |
so you have to tell them, Lizzie, because they think it was mine. | 0:23:26 | 0:23:30 | |
You have to come down and you have to tell them who the dealer is. | 0:23:30 | 0:23:34 | |
Yeah? | 0:23:34 | 0:23:35 | |
Look, I was vague. I was vague. | 0:23:35 | 0:23:37 | |
The solicitor advised me, so I give a statement and then I just... | 0:23:37 | 0:23:40 | |
I stuck to no comment. I did not drop you in it. | 0:23:40 | 0:23:43 | |
So get everything that you've got out of the house first | 0:23:45 | 0:23:48 | |
and then you come down... No, listen, listen, listen. | 0:23:48 | 0:23:50 | |
You come down with me and you tell them from your own voice | 0:23:50 | 0:23:53 | |
that you bought the drugs. | 0:23:53 | 0:23:55 | |
No, no, no, you found them on the street and we will then | 0:23:55 | 0:23:58 | |
tell them that the lads came and they asked... | 0:23:58 | 0:24:01 | |
begged, they begged to have some off us. | 0:24:01 | 0:24:03 | |
-They're saying I was dealing, Lizzie... -They'll charge us both. | 0:24:06 | 0:24:09 | |
-No, they won't. -Oh, God, will you stop being so fucking naive? | 0:24:09 | 0:24:13 | |
I only just got out and I am not going back. | 0:24:15 | 0:24:17 | |
-You won't? -No, I won't. | 0:24:17 | 0:24:19 | |
Because I'm not doing it. | 0:24:20 | 0:24:22 | |
What...? | 0:24:22 | 0:24:24 | |
All you've got to do is say who you got the drugs from. | 0:24:24 | 0:24:27 | |
-I've got a record. -But not for drugs, though! | 0:24:27 | 0:24:29 | |
Hey, you were the one who wanted the night out, all right? | 0:24:31 | 0:24:36 | |
You were the one who called me. What were the words you used? | 0:24:36 | 0:24:39 | |
-"I want to get off my face." -I needed to have some fun! | 0:24:39 | 0:24:42 | |
Yeah, so did I. | 0:24:42 | 0:24:44 | |
That's all that I wanted, some fun, and now I've got all this. | 0:24:44 | 0:24:47 | |
Tell them the truth? | 0:24:47 | 0:24:49 | |
Tell them who my dealer is? | 0:24:49 | 0:24:51 | |
Look, it's him, all right? I'm shagging him! | 0:24:51 | 0:24:54 | |
How's that going to play? | 0:24:54 | 0:24:56 | |
I am not going back to prison, Jenna. I can't do it. | 0:24:57 | 0:25:02 | |
I cannot do another three years because some little prick | 0:25:02 | 0:25:05 | |
-can't handle his gear. -Liz, wait. | 0:25:05 | 0:25:08 | |
I am not doing it. | 0:25:08 | 0:25:11 | |
What...? | 0:25:15 | 0:25:16 | |
But then... | 0:25:18 | 0:25:19 | |
What the hell am I supposed to... | 0:25:19 | 0:25:22 | |
to tell Jake? He doesn't know anything about it. | 0:25:22 | 0:25:25 | |
He doesn't even know about you! | 0:25:25 | 0:25:26 | |
And why's that, then, Jenna? | 0:25:29 | 0:25:31 | |
You have to help me! | 0:25:33 | 0:25:34 | |
Help you? Help you?! | 0:25:37 | 0:25:38 | |
What, get myself banged up so that you can stay out? Huh? | 0:25:39 | 0:25:44 | |
Is that what you want, me back on the inside | 0:25:44 | 0:25:46 | |
so you can carry on with your great life? | 0:25:46 | 0:25:49 | |
My great life? | 0:25:50 | 0:25:51 | |
My great life?! | 0:25:53 | 0:25:54 | |
I... I got this because I have worked and I have worked | 0:25:55 | 0:25:59 | |
and I have worked, because you got all the luck, | 0:25:59 | 0:26:01 | |
Lizzie, when we were kids. | 0:26:01 | 0:26:03 | |
You got all the fucking breaks. | 0:26:03 | 0:26:05 | |
Nice foster family come along, eh? | 0:26:06 | 0:26:08 | |
Decide to adopt, who do they want? | 0:26:08 | 0:26:11 | |
-Lizzie? -Yeah, because you were... | 0:26:11 | 0:26:13 | |
Because you kept running away! | 0:26:13 | 0:26:15 | |
Because I was angry! | 0:26:15 | 0:26:17 | |
DOG BARKS | 0:26:17 | 0:26:19 | |
I was angry. | 0:26:19 | 0:26:20 | |
-I didn't want people knowing that I had a junkie mum... -Shh! | 0:26:20 | 0:26:22 | |
-..knowing that my dad had spent 40 quid to spunk inside her. -Shh! | 0:26:22 | 0:26:25 | |
I got this life because I shoved that shit | 0:26:25 | 0:26:27 | |
as far away from me as I could. | 0:26:27 | 0:26:29 | |
But you - you! - you got out and you still tossed it up against | 0:26:29 | 0:26:32 | |
the wall and do you know why, eh? You know why? | 0:26:32 | 0:26:34 | |
-Cos you're just like me mam! -You bitch! | 0:26:34 | 0:26:37 | |
Get off! Get off! | 0:26:38 | 0:26:39 | |
You don't help me... | 0:26:46 | 0:26:48 | |
..I'll go to the police, | 0:26:49 | 0:26:51 | |
and I will answer their questions. | 0:26:51 | 0:26:53 | |
And I will tell them exactly what happened. | 0:26:54 | 0:26:58 | |
And that would be a big mistake. | 0:26:58 | 0:27:00 | |
I'm not losing everything I have fought for, Lizzie. | 0:27:05 | 0:27:08 | |
Not for you! | 0:27:11 | 0:27:12 | |
DOOR SLAMS | 0:27:18 | 0:27:20 | |
Jake, don't talk, just listen, OK? | 0:27:59 | 0:28:03 | |
-Can you do that for me? -'Where are you? | 0:28:03 | 0:28:06 | |
-'What's happened to the flat?' -Jake, please. | 0:28:06 | 0:28:09 | |
'OK. So, talk.' | 0:28:12 | 0:28:13 | |
I'm in a hotel. | 0:28:16 | 0:28:18 | |
I'm not coming home tonight. | 0:28:19 | 0:28:21 | |
I need some space. | 0:28:23 | 0:28:25 | |
And it's not you, it's not anything that you've done, | 0:28:25 | 0:28:29 | |
I just... | 0:28:29 | 0:28:32 | |
..I can't come home right now. | 0:28:33 | 0:28:35 | |
'Jenna, what does that even mean? | 0:28:35 | 0:28:37 | |
-'Is it the baby? Because if it is, I understand.' -Jake... | 0:28:39 | 0:28:42 | |
..I love you so much. | 0:28:46 | 0:28:48 | |
I just can't come home right now. | 0:28:51 | 0:28:53 | |
SHE SOBS | 0:29:00 | 0:29:03 | |
Morning, Jen. | 0:29:15 | 0:29:17 | |
Morning! | 0:29:19 | 0:29:21 | |
She looks terrible. | 0:29:32 | 0:29:34 | |
You know what? She's usually like Little Miss Perfect. | 0:29:34 | 0:29:36 | |
There's something wrong. I know it. | 0:29:36 | 0:29:38 | |
-You didn't hear this from me... -What is it? | 0:29:41 | 0:29:43 | |
-We lost the Harlington contract. -Shit! -No! -Yeah. | 0:29:43 | 0:29:46 | |
She's claiming it's fine, but she's obviously stressed out about it. | 0:29:46 | 0:29:49 | |
You can't tell anyone. Seriously, only me and Joe know. | 0:29:49 | 0:29:52 | |
-I won't say a word. -Me either. | 0:29:52 | 0:29:54 | |
Harlington contract. | 0:29:56 | 0:29:57 | |
Shit, that's massive. | 0:29:58 | 0:30:00 | |
-Are our jobs at risk? -Well, it's not looking good, is it? | 0:30:00 | 0:30:03 | |
Toke said that's like 25% of our business. | 0:30:03 | 0:30:05 | |
Well, he said 23%, but... | 0:30:05 | 0:30:06 | |
I can't get laid off, I've just booked Platja d'en Bossa. | 0:30:06 | 0:30:09 | |
Oh, mate. | 0:30:09 | 0:30:10 | |
Still, in the history of human tragedy, | 0:30:10 | 0:30:12 | |
it's hardly Chernobyl, is it? | 0:30:12 | 0:30:14 | |
Is it Chernobyl, Ally? | 0:30:14 | 0:30:16 | |
No, Karl, it's not Chernobyl. | 0:30:16 | 0:30:18 | |
Exactly, it's not Chernobyl. | 0:30:18 | 0:30:20 | |
What's Chernobyl? | 0:30:30 | 0:30:31 | |
Sarah-Jane, I don't care if she's not taking any calls, | 0:30:33 | 0:30:35 | |
it's not a call, it's a visitor. | 0:30:35 | 0:30:37 | |
Tell her she's got a visitor. His name's Aaron. | 0:30:38 | 0:30:41 | |
Like "keep your HAIR ON." | 0:30:43 | 0:30:45 | |
Hold on. | 0:30:45 | 0:30:47 | |
-Aaron who? -Lizzie's boyfriend. | 0:30:47 | 0:30:48 | |
You can't be here. | 0:30:58 | 0:30:59 | |
What do you think you're doing? Who do you think you are, coming here? | 0:31:03 | 0:31:07 | |
Get angry with me, if you want, but I'm here to help you. | 0:31:07 | 0:31:10 | |
Help me? | 0:31:10 | 0:31:12 | |
Sort your little problem. | 0:31:12 | 0:31:14 | |
My problem, if I choose to make it so, is very much YOUR problem. | 0:31:14 | 0:31:18 | |
Not really, cos I'll just deny it and no-one's got any proof. | 0:31:19 | 0:31:22 | |
So, how are you going to help me, then, exactly? | 0:31:25 | 0:31:28 | |
You want the cops to blame Lizzie. | 0:31:30 | 0:31:33 | |
I can make that a reality. | 0:31:33 | 0:31:34 | |
Capiche? | 0:31:36 | 0:31:38 | |
Capiche. | 0:31:38 | 0:31:39 | |
Reality costs money. | 0:31:41 | 0:31:43 | |
You know that, you're a woman of the world. | 0:31:43 | 0:31:46 | |
So, you're blackmailing me. | 0:31:46 | 0:31:47 | |
Blackmail? | 0:31:49 | 0:31:50 | |
How much? | 0:31:53 | 0:31:54 | |
50 grand. | 0:31:55 | 0:31:57 | |
Funny that, is it? | 0:32:01 | 0:32:02 | |
50K for your freedom. | 0:32:03 | 0:32:05 | |
50K to get yourself off the hook. | 0:32:05 | 0:32:07 | |
No chance! | 0:32:07 | 0:32:09 | |
Staff know, do they, about all this? | 0:32:13 | 0:32:16 | |
Bosses, shareholders? | 0:32:16 | 0:32:18 | |
So, you are blackmailing me. | 0:32:20 | 0:32:22 | |
Probably only need to tell one of them. | 0:32:22 | 0:32:23 | |
It will whistle round, juicy gossip like that. | 0:32:23 | 0:32:26 | |
You cannot seriously ask me for £50,000. | 0:32:26 | 0:32:30 | |
40, then. | 0:32:33 | 0:32:34 | |
-Five. -Five? | 0:32:36 | 0:32:38 | |
Now who's taking the piss? | 0:32:39 | 0:32:40 | |
30, I'll get you a witness. | 0:32:43 | 0:32:46 | |
-Someone who'll say they saw Lizzie dealing in the club. -No. | 0:32:46 | 0:32:50 | |
25. | 0:32:54 | 0:32:56 | |
You've come down. | 0:32:57 | 0:32:58 | |
Someone should teach you the art of negotiation. | 0:32:58 | 0:33:01 | |
20. | 0:33:03 | 0:33:05 | |
And still you come down. | 0:33:05 | 0:33:07 | |
No, because I don't trust you. | 0:33:07 | 0:33:09 | |
Fine. | 0:33:12 | 0:33:13 | |
I'll just wait here and chat to your staff as they leave, shall I? | 0:33:16 | 0:33:19 | |
Fine. | 0:33:20 | 0:33:22 | |
Fine, I'll just get my security guard to lock you to the gate. | 0:33:22 | 0:33:26 | |
-Or, better still, I'll just call the police. -Police? | 0:33:26 | 0:33:30 | |
Pally with them now, aren't you? | 0:33:30 | 0:33:32 | |
Aaron... | 0:33:35 | 0:33:37 | |
thank you very much for your offer, | 0:33:37 | 0:33:40 | |
but some years ago I left the gutter behind | 0:33:40 | 0:33:42 | |
-and I do not intend on going back there. -Gutter? | 0:33:42 | 0:33:45 | |
Only place you're going is prison. | 0:33:46 | 0:33:48 | |
And, believe me, posh bird like you, they'll destroy you. | 0:33:48 | 0:33:52 | |
My card. | 0:33:57 | 0:33:58 | |
If you change your mind. | 0:33:58 | 0:34:00 | |
Shit! | 0:34:13 | 0:34:15 | |
Have you got an appointment? | 0:34:15 | 0:34:17 | |
No, I don't, my name's Jacob Curtis... | 0:34:17 | 0:34:19 | |
Can I borrow your car? Mine's in the garage. | 0:34:33 | 0:34:35 | |
I'll have it back by five. I'll reimburse the petrol. | 0:34:35 | 0:34:38 | |
Cheers. | 0:34:41 | 0:34:43 | |
Oh, the Take That CD is my wife's! | 0:34:43 | 0:34:46 | |
I'm on the AppGate. | 0:34:56 | 0:34:58 | |
Jenna. Jen! | 0:35:07 | 0:35:08 | |
Where's Kim? | 0:35:31 | 0:35:32 | |
Where's Kim?! | 0:35:34 | 0:35:35 | |
-Where's Kim? -Are you OK? -I need Kim. | 0:35:36 | 0:35:39 | |
-Shit. Shit! -Ally, what is it? | 0:35:39 | 0:35:41 | |
-You in your car? -Yeah, why? -Come on. | 0:35:41 | 0:35:43 | |
What are they saying? Are they on their way? | 0:35:45 | 0:35:47 | |
They said they'll get there, but you know what cops are like. | 0:35:47 | 0:35:49 | |
We need to get there! Can you go any faster?! | 0:35:49 | 0:35:52 | |
-I'm doing 40 in a 30. -Ray! | 0:35:52 | 0:35:54 | |
TYRES SCREECH | 0:35:57 | 0:35:59 | |
Shit! Move out the way! | 0:35:59 | 0:36:02 | |
Ray, u-turn! | 0:36:02 | 0:36:04 | |
There's someone behind. | 0:36:04 | 0:36:05 | |
Ally! | 0:36:07 | 0:36:08 | |
Where are you going? You can't leave it there! | 0:36:16 | 0:36:18 | |
HONKING | 0:36:18 | 0:36:20 | |
Ash! | 0:36:36 | 0:36:38 | |
Ash! | 0:36:39 | 0:36:40 | |
Ash! | 0:36:46 | 0:36:48 | |
Ash? Ash! | 0:36:48 | 0:36:49 | |
Oh, God, Ash. | 0:36:59 | 0:37:00 | |
How many? | 0:37:05 | 0:37:06 | |
Ash, how many? | 0:37:07 | 0:37:08 | |
Not enough. | 0:37:09 | 0:37:10 | |
I couldn't do it. I couldn't even do that. | 0:37:13 | 0:37:16 | |
Oh! | 0:37:18 | 0:37:20 | |
I just want to go, Ally. | 0:37:20 | 0:37:22 | |
No, you don't. | 0:37:22 | 0:37:24 | |
No, people get past it. | 0:37:24 | 0:37:26 | |
Like, if you just let yourself out, | 0:37:26 | 0:37:29 | |
you might look back on this one day and think, "Thank God." | 0:37:29 | 0:37:33 | |
Thank God, because being alive is so brilliant. | 0:37:33 | 0:37:37 | |
It's not. | 0:37:37 | 0:37:38 | |
It's not for me. | 0:37:40 | 0:37:41 | |
-You OK? -Ambulance. Get help. | 0:37:45 | 0:37:48 | |
ASH GROANS | 0:37:48 | 0:37:50 | |
I just want it all to stop! | 0:37:50 | 0:37:53 | |
Everything in here, I want it away! | 0:37:53 | 0:37:55 | |
What about the medication, Ash? Like, did you take the medication? | 0:37:57 | 0:38:01 | |
It's your brain not working right, | 0:38:03 | 0:38:05 | |
but you've got to let them help you, Ash! | 0:38:05 | 0:38:07 | |
What, in the madhouse? | 0:38:07 | 0:38:09 | |
With the freaks? | 0:38:10 | 0:38:12 | |
Please, for your mum. It's got to be better than this. | 0:38:12 | 0:38:15 | |
At least give it a try. | 0:38:17 | 0:38:18 | |
OK. | 0:38:21 | 0:38:22 | |
SHE SOBS | 0:38:32 | 0:38:34 | |
METALLIC CLANGING | 0:38:44 | 0:38:46 | |
'Once upon a time, there was a little girl. | 0:38:48 | 0:38:51 | |
'Her name was Emily. | 0:38:51 | 0:38:54 | |
'She had a shop. | 0:38:54 | 0:38:56 | |
'It was a rather unusual shop because it didn't sell anything. | 0:38:56 | 0:38:59 | |
'Everything in that shop window | 0:38:59 | 0:39:01 | |
'was a thing that somebody had once lost.' | 0:39:01 | 0:39:03 | |
SHE SOBS | 0:39:10 | 0:39:12 | |
SIRENS WAIL | 0:39:19 | 0:39:21 | |
'Jenna, I'm not going to lie, this is difficult.' | 0:39:27 | 0:39:29 | |
And, frankly, the duty solicitor who advised you | 0:39:29 | 0:39:32 | |
to no comment needs stringing up. | 0:39:32 | 0:39:34 | |
But you've done the right thing, coming here. | 0:39:34 | 0:39:36 | |
So, how do we approach it? | 0:39:36 | 0:39:38 | |
You're an extremely well-respected businesswoman. | 0:39:39 | 0:39:42 | |
Your sister is a convicted criminal. | 0:39:42 | 0:39:44 | |
Her boyfriend is a drug dealer, doubtless known to the police. | 0:39:44 | 0:39:48 | |
I'm going to make a series of observations | 0:39:48 | 0:39:50 | |
regarding the events of that evening. | 0:39:50 | 0:39:53 | |
I'd like you to listen and then think, if we were to make | 0:39:53 | 0:39:56 | |
a second statement, what that second statement might look like. | 0:39:56 | 0:40:00 | |
OIL SIZZLES | 0:40:13 | 0:40:16 | |
I'm sorry. | 0:40:29 | 0:40:31 | |
I lost me mind a bit... The IVF, the work contracts, but... | 0:40:34 | 0:40:39 | |
..I shouldn't have pushed you away. Can you forgive me? | 0:40:40 | 0:40:46 | |
-Why were you at the police station? -What? | 0:40:46 | 0:40:50 | |
I checked your phone location on the app. | 0:40:50 | 0:40:53 | |
Oh... I lost it. My phone, they were holding it down there for me. | 0:40:53 | 0:40:58 | |
I know. I know. I know your fiancee is a crazy woman but, look... | 0:40:59 | 0:41:05 | |
I am cooking dinner. | 0:41:07 | 0:41:09 | |
Let's just...have a laugh... | 0:41:09 | 0:41:13 | |
turn our minds off, talk all this stuff through another day. | 0:41:13 | 0:41:17 | |
What do you say? | 0:41:20 | 0:41:21 | |
ATMOSPHERIC MUSIC PLAYS | 0:41:24 | 0:41:27 | |
-Morning, boss. -Morning! | 0:42:04 | 0:42:07 | |
PHONES RING | 0:42:11 | 0:42:15 | |
KNOCK ON DOOR | 0:42:16 | 0:42:18 | |
Yeah? | 0:42:18 | 0:42:20 | |
I know...what's going on. | 0:42:20 | 0:42:23 | |
If it's bad news, just tell us. | 0:42:29 | 0:42:32 | |
The strategy was really simple. | 0:42:33 | 0:42:36 | |
We don't tell them until we get a new contract, so, which one of | 0:42:36 | 0:42:39 | |
you two blabbermouths couldn't keep it quiet for half a week? Joe? | 0:42:39 | 0:42:45 | |
-No. It was me. -But thanks for making choice one. | 0:42:45 | 0:42:47 | |
A couple of the girls were talking, saying you seemed stressed out, | 0:42:47 | 0:42:50 | |
-so I kind of...hinted. -You hinted? | 0:42:50 | 0:42:54 | |
Well, when I say hinted, | 0:42:54 | 0:42:55 | |
-I mean I told them exactly what had happened. -Oh... | 0:42:55 | 0:42:58 | |
-I told them to keep it quiet, though. -Oh, right, you told them to keep it quiet... | 0:42:58 | 0:43:01 | |
-Yeah, my bad. -In Toke's defence, you have been behaving a bit odd, Jenna. | 0:43:01 | 0:43:04 | |
I mean, people have noticed how agitated you are. | 0:43:04 | 0:43:07 | |
Oh, right, so it's my fault? | 0:43:07 | 0:43:09 | |
-No... -No! | 0:43:09 | 0:43:11 | |
I'm sorry, Jenna. It was unprofessional. | 0:43:11 | 0:43:13 | |
-If you want to give me a written warning then I won't put any... -No. | 0:43:13 | 0:43:16 | |
No, no warnings. People make mistakes. | 0:43:16 | 0:43:20 | |
We all make mistakes. | 0:43:20 | 0:43:22 | |
-How is he? -They've sectioned him. | 0:43:34 | 0:43:37 | |
Risk's too high. | 0:43:37 | 0:43:38 | |
It was either that or the other option. | 0:43:38 | 0:43:41 | |
Ally, can I ask you something? | 0:43:47 | 0:43:48 | |
The men you go for, they're all kind of...troubled. | 0:43:50 | 0:43:54 | |
Do you think you can save them? | 0:43:56 | 0:43:57 | |
-Are you just drawn to the drama of it all or...? -Ray! -I'm just saying. | 0:43:57 | 0:44:03 | |
You're a lovely girl and... Lovely-looking. | 0:44:03 | 0:44:07 | |
And you deserve someone who'll make you happy. | 0:44:07 | 0:44:09 | |
Thanks, Ray. | 0:44:12 | 0:44:14 | |
Oh, you mean... | 0:44:17 | 0:44:19 | |
I know I don't stand a chance. | 0:44:21 | 0:44:23 | |
I realise I'm lower league but I'm straightforward, | 0:44:23 | 0:44:26 | |
I've got a good heart, | 0:44:26 | 0:44:28 | |
spot of athlete's foot but no major mental issues. | 0:44:28 | 0:44:31 | |
Anyway, it's said now. It's out there. So... | 0:44:34 | 0:44:38 | |
Let's get back to work, shall we? | 0:44:41 | 0:44:43 | |
I'm not here to fight. | 0:45:00 | 0:45:02 | |
-Yeah? What you here for? -To talk. Like adults. | 0:45:05 | 0:45:10 | |
Like sisters. | 0:45:12 | 0:45:13 | |
I've been to see a solicitor. A good one, expensive. | 0:45:20 | 0:45:23 | |
And she reckons with the story told a certain way | 0:45:23 | 0:45:26 | |
and with your criminal record, I could avoid jail. | 0:45:26 | 0:45:29 | |
But you... You're right, they'd slam you back inside. | 0:45:29 | 0:45:33 | |
So, that's what you came to tell me, then? | 0:45:33 | 0:45:35 | |
-That you're shitting on me! -I'm telling you what she advised. | 0:45:35 | 0:45:38 | |
She said that's what I have to do to get off. | 0:45:38 | 0:45:40 | |
I will take you down with me. | 0:45:40 | 0:45:42 | |
No. | 0:45:44 | 0:45:46 | |
No, I don't think so. | 0:45:46 | 0:45:47 | |
I'm a respectable businesswoman and you're not. | 0:45:48 | 0:45:51 | |
So, who are they going to believe? | 0:45:51 | 0:45:53 | |
Or...there's a third way. | 0:46:04 | 0:46:06 | |
Your fella came to see me, did he tell you? He wanted money. 50 grand. | 0:46:10 | 0:46:16 | |
For that, he told me he'd convince you to help me | 0:46:16 | 0:46:18 | |
or he'd screw you over. | 0:46:18 | 0:46:20 | |
What is it that you see in guys like that, Liz? | 0:46:21 | 0:46:24 | |
You come out of prison and you...and you...reconnect with...a... | 0:46:26 | 0:46:29 | |
a dick like Aaron? | 0:46:29 | 0:46:32 | |
Where's that going to lead you? Anywhere good? | 0:46:32 | 0:46:35 | |
I don't want you to go back inside. | 0:46:36 | 0:46:38 | |
I don't want you wasting any more of your life. | 0:46:38 | 0:46:41 | |
I'm your sister and I love you. | 0:46:44 | 0:46:46 | |
But that guy, he doesn't care about you and he'll drag you down. | 0:46:48 | 0:46:53 | |
And what's the third way? | 0:46:56 | 0:46:58 | |
We stick together. | 0:47:00 | 0:47:02 | |
We put the blame on him. The... | 0:47:03 | 0:47:05 | |
The solicitor said the police always want the dealer the most. | 0:47:05 | 0:47:08 | |
They will drop charges to nail the dealer. | 0:47:08 | 0:47:11 | |
-It's just the way that it works. -He'll deny it. | 0:47:11 | 0:47:13 | |
-It'll be his word against ours. -We implicate him. | 0:47:13 | 0:47:16 | |
They'll search his house like they searched mine. | 0:47:16 | 0:47:18 | |
-And if they don't find anything? -They will. -Yeah? How do you know? | 0:47:18 | 0:47:22 | |
I've bought this gear. | 0:47:29 | 0:47:30 | |
I can't do that. | 0:47:34 | 0:47:35 | |
I can. | 0:47:37 | 0:47:38 | |
TENSE MUSIC PLAYS | 0:47:45 | 0:47:48 | |
MUFFLED VOICES APPROACH | 0:48:55 | 0:48:59 | |
-LIZZIE: -Just grab 'em and then let's go! | 0:48:59 | 0:49:02 | |
One minute, Liz, all right? | 0:49:02 | 0:49:04 | |
-Aaron, hurry up, will ya? -I'm coming, I just need a piss. | 0:49:06 | 0:49:09 | |
HE URINATES | 0:49:14 | 0:49:17 | |
-Will you come on? -All right! | 0:49:25 | 0:49:28 | |
SHE BREATHES HEAVILY | 0:49:31 | 0:49:34 | |
Only say exactly what we agreed. | 0:49:43 | 0:49:45 | |
'There was a little girl. Her name was Emily.' | 0:49:56 | 0:50:00 | |
DISTORTED PIANO PLAYS, DOG BARKS | 0:50:01 | 0:50:04 | |
LOUD STATIC INTERFERENCE | 0:50:04 | 0:50:06 | |
Sorry, day from hell. Look at that. Slipped on a banana. | 0:50:10 | 0:50:15 | |
Not a skin, an actual banana some prick left on the floor. | 0:50:15 | 0:50:19 | |
Oh, wine, excellent... | 0:50:19 | 0:50:23 | |
Are you OK? | 0:50:26 | 0:50:27 | |
Jen, what are you doing? | 0:50:40 | 0:50:42 | |
I'm not the person that you think I am. | 0:50:45 | 0:50:47 | |
What you see in front of you, all of this... | 0:50:52 | 0:50:55 | |
..isn't who I really am. | 0:50:57 | 0:50:59 | |
All right, Jen, you're starting to scare me. | 0:51:00 | 0:51:02 | |
-What are you talking about? -Good evening... -Not now! | 0:51:02 | 0:51:04 | |
Sorry... | 0:51:06 | 0:51:08 | |
Can we leave? Why are we here? | 0:51:10 | 0:51:12 | |
I grew up in care. | 0:51:17 | 0:51:19 | |
The mum that I've told you about, she isn't my real mum. | 0:51:21 | 0:51:25 | |
She...she isn't real. | 0:51:25 | 0:51:27 | |
I invented her. | 0:51:29 | 0:51:31 | |
My...real...mum...was a mess... | 0:51:32 | 0:51:38 | |
D'you know, no... I was being polite. | 0:51:38 | 0:51:41 | |
She was a fuck-up. | 0:51:43 | 0:51:45 | |
I come from scum. | 0:51:48 | 0:51:50 | |
And I've never admitted this to anyone but, erm... | 0:51:56 | 0:52:01 | |
..when I was little, my biggest fear was that I'd turn into her. | 0:52:03 | 0:52:10 | |
Cos I've got her genes. | 0:52:12 | 0:52:14 | |
And no matter what anybody did, I'd end up like her. | 0:52:16 | 0:52:20 | |
-Someone who pisses their life away. -That's not who you are. | 0:52:21 | 0:52:25 | |
I've got a sister. | 0:52:29 | 0:52:31 | |
A half-sister. Erm... | 0:52:33 | 0:52:35 | |
She's never been part of my life, not really, arm's length. | 0:52:37 | 0:52:40 | |
-She's spent some time in prison. -Prison? | 0:52:45 | 0:52:48 | |
She got out recently and I've been helping her out... | 0:52:50 | 0:52:55 | |
..with money and... | 0:52:57 | 0:52:59 | |
-seeing her now and again. -You didn't tell me this because...? | 0:52:59 | 0:53:03 | |
I've done something really bad, Jake. | 0:53:07 | 0:53:10 | |
To save myself and to keep all of this. | 0:53:12 | 0:53:16 | |
But then I realised that... | 0:53:16 | 0:53:18 | |
..everything that you love is a lie and... | 0:53:20 | 0:53:23 | |
..you can't marry someone who you don't really know. | 0:53:27 | 0:53:31 | |
And you can't have children with someone that you don't really know. | 0:53:31 | 0:53:35 | |
What have you done? | 0:53:37 | 0:53:38 | |
Jenna! | 0:53:40 | 0:53:42 | |
MUSIC: Teardrop by Massive Attack | 0:53:55 | 0:53:59 | |
We need to change our lives. | 0:54:42 | 0:54:44 | |
And, then, when all this is over... | 0:54:47 | 0:54:49 | |
..we need to stop working so hard. | 0:54:50 | 0:54:52 | |
Stop... | 0:54:52 | 0:54:54 | |
..chasing whatever it is we think we need to make us a success. | 0:54:56 | 0:55:00 | |
So, IVF or the perfect family... | 0:55:02 | 0:55:05 | |
..I just want you. Jenna. | 0:55:08 | 0:55:13 | |
You, for who you are. | 0:55:16 | 0:55:18 | |
Nothing else matters. | 0:55:22 | 0:55:25 | |
# Love, love is a verb Love is a doing word | 0:55:25 | 0:55:32 | |
# Fearless on my breath | 0:55:32 | 0:55:37 | |
# Gentle impulsion | 0:55:38 | 0:55:40 | |
# Shakes me, makes me lighter | 0:55:40 | 0:55:44 | |
# Fearless on my breath | 0:55:44 | 0:55:49 | |
# Teardrop on the fire | 0:55:51 | 0:55:54 | |
# Fearless on my breath... # | 0:55:54 | 0:55:59 | |
-(Right, he's here, he's here!) -(He's coming! Shhh!) | 0:56:01 | 0:56:04 | |
MAN CLEARS THROAT | 0:56:06 | 0:56:08 | |
STIFLED LAUGHTER | 0:56:09 | 0:56:12 | |
MAN SNIGGERS | 0:56:15 | 0:56:18 | |
I'm rising above it. | 0:56:18 | 0:56:21 | |
We're not infants. This isn't a nursery. | 0:56:21 | 0:56:24 | |
And, trust me, you'll get bored a lot quicker than I will. | 0:56:24 | 0:56:28 | |
RAUCOUS LAUGHTER | 0:56:31 | 0:56:34 | |
HE SHRIEKS | 0:56:39 | 0:56:42 | |
Right on my shoulder blade that was, yeah, very funny. | 0:56:42 | 0:56:46 | |
Right, that's it, I'm done. Right, I'm off. | 0:56:46 | 0:56:49 | |
I'm particularly disappointed in you, Ray. | 0:56:49 | 0:56:53 | |
Oh, come on! | 0:56:53 | 0:56:55 | |
I really mean it this time. I'm going, I'm going, I'm gone! | 0:56:56 | 0:57:01 |