Episode 3 The Living and the Dead


Episode 3

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Transcript


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We can make it work, can't we? I love it here. We have to.

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-Yes.

-Yes, what?

-Yes, I think it's a brilliant idea.

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From this moment on, I am going to be the farm manager.

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'Don't expect everyone to welcome these changes.'

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No good will come of this.

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I want your baby, Nathan Appleby.

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For you and Mr Appleby, to help you get with child.

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Do you believe in ghosts?

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In all your years of dealing with the dead and the dying and the bereaved,

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have you ever seen anything that you could not explain?

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Never.

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-GWEN:

-'I used to hear a boy's laughter in the house. Then one day, no more laughter.'

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Gabriel... They've seen him.

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Are you seriously telling me you all saw a ghost?

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'When I was looking for Charlie, I saw lights rushing towards me.'

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CHARLOTTE: 'Charlie's missing.'

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SHE WAILS

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There are no ghosts. There's just you and me.

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# Do not cross the hayfield

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# The hayfield, the hayfield

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# Do not cross the hayfield

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# As sinks the blood-red sun

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# Ghosts glide from the hayrick

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# On the hayfield, the hayfield

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# Ghosts glide from the hayrick

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# In the eerie glow

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# Do not cross the hayfield... #

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Hello, scarecrow.

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Oh, sorry. I disturbed you.

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No, I couldn't sleep either. Too excited.

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-The harvest.

-Yes! Of course.

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Work the land instead of the mind.

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Good medicine.

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What for?

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Insomnia.

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It wasn't your fault Charlie died.

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Arrogant.

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To think you can determine these people's fates with your magic psychology.

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When, actually, it's you...

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managing the harvest, who really affects our livelihoods and happiness.

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Exactly.

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You're cleverer than you look.

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# ...Do not cross the hayfield

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-# The hayfield, the hayfield... #

-Come on.

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# ...Do not cross the hayfield

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# As sinks the blood-red sun

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# Ghosts glide from the hayrick

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# On the hayfield, the hayfield

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# Ghosts glide from the hayrick

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# In the eerie glow

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# The reaper crossed the hayfield

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# The hayfield, the hayfield

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# Reaper crossed the hayfield

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# Sank the blood-red sun... #

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-WOMAN'S VOICE:

-You must make the sacrifice.

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SOFT CREAK

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Who's there?

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Mother?

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DOOR CREAKS

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-WOMAN'S VOICE:

-Do it.

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No.

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What's the matter, Peter? What are you doing in here?

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Nothing.

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Just go back to sleep.

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DOOR SHUTS

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HE BREATHES HEAVILY

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# This one night

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# This one night

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# Every night

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# And all

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# Fire and sleet and candlelight

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# And Christ receive thy soul. #

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One more day.

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So be it.

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So go and enjoy your extra leisure before the hard work begins.

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Away you go.

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It's tomorrow.

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Toy soldiers you gave him.

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You feel you just want to get away, but often,

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after a loss, it can be very beneficial to stay

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and...

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Grieve?

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Yes.

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You're the clever doctor, aren't you?

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Knows what's best for us.

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Understands our minds.

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-I'm sorry I couldn't save him.

-So am I.

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The cottage will still be here if you want to come back.

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We won't.

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There's something here.

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Took my Charlie.

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Took John.

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Something bad.

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Something wrong.

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-MAUD:

-Take care.

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-SHE SNIFFS

-Go on.

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HE CLICKS TONGUE Walk on.

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Bye-bye.

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Ahhh.

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Wash your woes away.

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HE EXHALES

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-CHARLOTTE: Gideon...

-Ma'am.

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I want to check the twine supply for the sheaving.

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What's the matter?

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HE BREATHES HEAVILY

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What's wrong? Hm? Hm?

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Peter...

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There's a woman in the old millpond.

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-Under the water.

-She's dead?

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She must be.

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Show me.

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-I... I can't go in again.

-No. Just direct me.

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She's there, in the middle.

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You didn't see her?

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No.

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-I must have imagined it.

-Yes.

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Yes, you must have.

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-WOMAN'S VOICE: He can't help you.

-Shut up!

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I beg your pardon?

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I-I-I beg yours, sir.

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You often blurt things out like that?

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Insults or profanities? No?

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Do you suffer involuntary spasms or hear voices?

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You... You helped the reverend's daughter when...

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-Yes.

-..she was disturbed.

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Yes, I did.

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Well, I could arrange for you to see a doctor in Bristol.

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There's... There's no need for a doctor. I'm... I'm sorry if I mis...misled you.

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No, it's, um...

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FOOTSTEPS RECEDE

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ETHEREAL RAGGED BREATH

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-CHARLOTTE: Gwen...

-Just a moment.

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Have they just got the harvest in?

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That's it.

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It's a salt-and-silver print. How old is it?

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1861.

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-Where did you find it?

-I thought you just put it up.

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-Oh.

-I did. Shall I take it down?

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Oh, don't be silly. I love it.

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-I should do one this year.

-Yes, you must.

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Where are your parents?

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-There.

-Ah!

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-And you're a glint in their eye.

-Can I...?

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Yes. Sorry, Gwen. Thank you.

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HE CHUCKLES QUIETLY

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-Everyone's a bit...

-Mm.

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When the reaping's imminent, the tension in the air.

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I almost wish it were over.

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It will be.

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-But now...

-Oh!

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..I'm going to distract you.

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Go get your camera.

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One of my childhood haunts.

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There'll be some good pictures inside.

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It's beautiful.

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What's that?

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What's happened to the fish?

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I don't know.

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Did you see someone?

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No.

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So come on. Show me inside.

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Hm.

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Ohh!

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-The millstone.

-Mm.

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As a boy, I saw it as an altar,

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where a high priest might make a sacrifice.

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-You were an interesting child.

-Thank you.

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Right, come on. Let me show you upstairs. You'll like it.

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-You sound like a hotelier.

-Stayed in a lot of hotels, have you?

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-In my younger, wilder days.

-I don't want to know.

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WINGS FLUTTER

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What was that?

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There's nothing here. It was probably a bat or something.

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You're right. I like it.

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So why is it derelict?

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Well, the old miller died,

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and they tried to keep it going,

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but abandoned it after the bad harvest of '62.

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-And then the steam mill opening...

-Hm!

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-Progress.

-Mm.

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-50 seconds.

-I like being on this side of the camera.

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I can move.

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-If it was me, I would have started the reaping already.

-She knows what she's doing.

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-Filling our coffers today.

-Yeah, but not next week.

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Not next month if this harvest ain't a good 'un.

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Hark at the young. More full of woe than us old ones.

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If I told you last harvest that you'd be listening to a young woman

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learned her farming from a book...

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See, you don't see no ill because she done dazzled you, Uncle.

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I think Gideon's adapting remarkably well, Jack.

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And his vision is clear.

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We must evolve and embrace the new.

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-You'll take a cup, Mr Denning?

-Oh, thank you, Simon.

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And the old.

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The old and the new.

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-MEN:

-The old and the new.

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Ah!

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Ah, Mrs Hare.

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Mr Appleby.

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May I speak with Peter?

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Yes.

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Well, he's not here this moment, but I expect him presently.

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-Mm.

-Please, come in.

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Take some tea.

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He's a good boy. Clever.

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Schoolmaster said he could have gone to university...

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on a scholarship.

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Really? Why didn't he?

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It's better to learn a trade.

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And stay here.

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-Safe and sound.

-Just the two of you, isn't it?

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-His father died when he was small?

-Hence no more children.

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-And how is Peter?

-What are you doing here?

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Peter!

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Manners, please.

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Discussing me?

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What you been telling him?

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Nothing.

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Peter!

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You concocting a plan? To put me in a Bristol asylum?

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No. I've come to ask you if you poisoned the millpond.

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All the fish are dead.

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I... I didn't do anything.

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But you've come to accuse me and...and talk about me and discuss my...

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Are you sure you saw them?

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Maybe your mind's playing tricks on you, too.

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-Maybe you're hallucinating.

-No, I'm not.

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Because my wife saw them, too.

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There's nothing wrong with my mind.

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If you say so.

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You're the expert.

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I'm sorry I can't help you.

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But I'm glad it's only dead fish you've seen.

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And not dead people.

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SHE GASPS

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SHE SIGHS

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You want a lock on this, stop people bursting in.

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Look at this. It's strange.

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It...looks a little like a woman standing there.

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Hm. A little.

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Must be imperfections in the silver bromide.

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So? Did he admit to poisoning the fish?

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No. I believed him.

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Could be natural causes...disease.

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But he's clearly somewhat disturbed.

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-What? I'm not treating him.

-I'm not stopping you.

-I know.

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-If you feel the need...

-He's not my responsibility.

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Unlike the harvest. So...let's eat and get to bed early, because tomorrow, it begins.

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-WOMAN'S VOICE:

-Come out.

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Into the wheat.

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You must make the sacrifice.

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-Your mother's blood.

-No.

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Or the harvest will perish.

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You're up with the lark.

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Hard to sleep before harvest.

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-What you been doing?

-Nothing.

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Nathan?

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-BOTH:

-Didn't mean to disturb you.

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It's beginning to get light.

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You beat me, Gideon! I wanted to be first here.

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The crop has been cursed.

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-What are they?

-Happened before, in '62.

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Black devils - destroyed the whole harvest.

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What about the other fields?

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All of them. They're everywhere.

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How do you get rid of them?

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You can't.

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Now I know what you were doing out here. Cursing the harvest.

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No. No, I wasn't.

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We have an infestation.

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These acts of nature do happen from time to time.

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They're only insects. They're not devils. This is not a curse.

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It's a problem.

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Let's solve it.

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May I borrow your bag?

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We will pick these beetles off one by one.

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We will harvest them and then we will cut our wheat.

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I know it won't work, but it's better than doing nothing.

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I'm going to look at my books.

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I lied when I said I don't hear voices. I do.

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It's her under the water.

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And in the field at night last night she said to me...

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the harvest'll perish...

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unless I sacrifice my mother.

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No, Peter, you don't have to do that. That's a delusion.

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I heard her. I saw her.

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But you don't have to believe her. Peter...

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Not here.

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SHE SIGHS

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Mrs Hare...

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Remember this happening in '62?

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No. I was too young.

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Well, perhaps best forgotten.

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Must have been very distressing for everyone. Even a child.

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Especially a child.

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Peter seems agitated today.

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His nerves are highly strung, that's all.

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And these...

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horrible things...

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Enough to drive anyone mad.

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He is fine.

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And I can take care of him.

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So, please, no more talk of asylums.

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He... He doesn't deserve to be punished.

0:26:230:26:25

Punished?

0:26:250:26:27

No, I'm just concerned.

0:26:280:26:31

For both of you. And if Peter were to become aggressive...

0:26:310:26:33

He won't.

0:26:330:26:35

Excuse me, Mr Appleby.

0:26:350:26:36

I feel a little unwell. I should go home and lie down.

0:26:380:26:42

Can you lock your bedroom door?

0:26:420:26:44

Gwen!

0:27:150:27:17

Gather all the sugar we have.

0:27:180:27:20

All the sugar?

0:27:200:27:21

We heat it until it caramelises. Keep stirring. I'll put another pan on.

0:27:210:27:25

-It's beginning to melt.

-Good. Bit longer. Nathan...

0:27:250:27:28

-I need some twine and lamp oil.

-All right. What are you making?

0:27:280:27:30

-Magic.

-Science.

0:27:300:27:33

Thank you for your endeavour, everyone. You can stop now.

0:27:390:27:43

We have a new method.

0:27:430:27:45

Now, watch me plant this so you can do the same.

0:27:460:27:49

Beware of the crop catching fire.

0:27:500:27:52

Say a prayer.

0:28:030:28:04

It's working.

0:28:400:28:41

Right, then, let's plant the others.

0:28:460:28:48

Right, everyone. One each.

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Spread out.

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It's like the end of the world.

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Or the beginning.

0:29:500:29:51

JACK: Peter Hare.

0:30:030:30:04

-Jack.

-Uncle saw you out here.

0:30:050:30:08

Hatching mischief.

0:30:080:30:10

No, I was... I was just...

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..taking the air.

0:30:120:30:14

You what?

0:30:140:30:15

Taking the air?

0:30:160:30:18

God, you've always been an odd one, Peter Hare.

0:30:180:30:21

I remember him in the schoolroom.

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Sharp as a knife, he was.

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I remember you saying that you hated this village and every soul in it.

0:30:260:30:29

Damned us all to hell.

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It was only cos you made me eat worms.

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They still growing inside you?!

0:30:340:30:36

What's done is done.

0:30:380:30:39

I don't know what you've been dabbling in, but the new mistress has broke the spell now.

0:30:410:30:45

So let's have no more. Right?

0:30:450:30:48

You hot?

0:30:590:31:00

You look hot.

0:31:010:31:03

Like a drowned rat.

0:31:110:31:13

Leave it, Jack. Best get back to work.

0:31:140:31:17

Thank you, everyone. It's been a long day.

0:31:300:31:33

Have a good rest tonight and we'll carry on tomorrow.

0:31:330:31:36

Well done. Very good work.

0:31:360:31:38

Peter...

0:31:390:31:40

How are you?

0:31:420:31:44

Better, thank you.

0:31:440:31:46

I'm sorry I was so excitable.

0:31:470:31:49

No, no. They were disturbing - the insects.

0:31:490:31:53

Crawling into our minds.

0:31:540:31:55

Disaster averted.

0:31:570:31:59

Without a sacrifice.

0:32:000:32:02

Maybe she's gone now.

0:32:040:32:05

Are you going to the Wheatsheaf with the others?

0:32:070:32:11

No?

0:32:110:32:12

Walk with me to the house.

0:32:120:32:14

Come on.

0:32:140:32:16

I want to show you something.

0:32:220:32:24

That's your mother as a child.

0:32:260:32:28

Thank you, Gwen.

0:32:280:32:30

I was always looking at that picture when I was younger.

0:32:330:32:36

Asking my mother who everyone was.

0:32:360:32:39

Who's that woman?

0:32:440:32:45

Yes, she had an odd name. What was it?

0:32:470:32:48

-Um...

-Clarity Winlove.

0:32:480:32:50

Clarity.

0:32:500:32:51

Say she was a healer and helped women who wanted to conceive.

0:32:510:32:54

Yes, I remember my mother talking about her now.

0:32:540:32:56

Absolutely adamant that those potions really worked, while I,

0:32:560:32:59

a pedantic student, insisted it could only be a placebo effect.

0:32:590:33:02

What happened to her?

0:33:020:33:04

She left the parish that year of the plagued harvest, so I'm told.

0:33:040:33:08

Thank you for your hosp...

0:33:110:33:13

hospitality.

0:33:130:33:15

I should go.

0:33:150:33:16

Are you worried about him?

0:33:230:33:25

Oh...yes and no.

0:33:260:33:28

You can never be sure what someone is capable of.

0:33:290:33:31

-Are you worried about me?

-Yes and no.

0:33:340:33:37

I wonder...

0:33:380:33:41

when you're helping people...

0:33:410:33:44

looking for what's wrong with them...

0:33:440:33:45

What?

0:33:480:33:50

..what else you're looking for.

0:33:500:33:52

Aren't your hands full enough with the harvest?

0:33:520:33:55

With me?

0:33:550:33:56

They are now.

0:34:050:34:06

BABY CRIES

0:34:180:34:20

BABY CRIES

0:34:270:34:30

BABY CRIES

0:34:360:34:38

BABY CRIES

0:34:410:34:43

Who's there?

0:34:480:34:49

CRYING CONTINUES

0:34:510:34:53

-CHILD'S VOICE:

-Rock-a-bye baby on the treetop.

0:34:550:34:59

When the wind blows, the cradle...

0:34:590:35:01

Gabriel.

0:35:010:35:03

What's wrong with me?

0:35:210:35:23

-CLARITY'S VOICE:

-You will reap what has been sown.

0:35:400:35:43

THUNDERCLAP Nathan?

0:35:430:35:46

Is that rain?

0:35:470:35:49

The harvest, Nathan.

0:35:540:35:55

What?

0:36:030:36:04

What woke you?

0:36:050:36:07

The storm.

0:36:080:36:09

Nathan...

0:36:160:36:17

Let's go.

0:36:170:36:19

Move on.

0:36:190:36:20

THUNDER RUMBLES

0:36:230:36:25

They're here.

0:36:270:36:28

Bad storm. Didn't see it coming.

0:36:340:36:37

Load up the wagon. We'll get it to the barn.

0:36:390:36:42

FARMWORKERS SHOUT

0:36:420:36:44

Keep going.

0:36:570:36:59

John...

0:37:170:37:18

-Gideon!

-Yes, sir.

0:37:330:37:35

Help me.

0:37:350:37:37

-We'll unload and come back.

-We'll gather more together.

0:37:490:37:52

The devil wants to drown us all.

0:37:560:37:57

Hyah!

0:37:590:38:01

SHE SHIVERS

0:38:010:38:03

-CLARITY'S VOICE:

-They will blame you for the rain unless you stop it.

0:38:030:38:07

So stop it.

0:38:080:38:10

Make the sacrifice now, while she's sound asleep.

0:38:110:38:15

GENTLE BANGING

0:38:220:38:24

Why have you locked it? I just want to talk to you.

0:38:250:38:28

-In the morning.

-I need to ask you about someone...

0:38:310:38:34

..who you knew as a child.

0:38:360:38:38

Clarity Winlove.

0:38:420:38:43

Mother, please.

0:38:500:38:51

I don't... I don't know who you mean.

0:38:550:38:58

You liar!

0:38:580:39:00

SHE SOBS

0:39:040:39:07

You... You may not love me.

0:39:090:39:12

And that may be my curse.

0:39:140:39:16

But I love you, Peter.

0:39:190:39:21

You liar.

0:39:250:39:26

SHE GASPS SOFTLY

0:39:330:39:36

Go home and get some rest, and pray for better weather.

0:39:430:39:47

-That's all we can do.

-Sir.

0:39:470:39:49

-He's conjured it.

-You shouldn't have doused him.

0:39:520:39:56

I flushed him out. Now we know.

0:40:010:40:03

And them creatures...

0:40:040:40:06

Now this.

0:40:060:40:08

The mistress be no match for him.

0:40:080:40:10

Now, happen we have to end it ourself.

0:40:100:40:12

The old way.

0:40:140:40:15

I don't know.

0:40:160:40:18

Leave it with me.

0:40:210:40:23

HE SIGHS SOFTLY

0:40:260:40:27

I should have started reaping three days ago.

0:40:290:40:32

-You couldn't have known.

-I'm too green.

0:40:320:40:34

No-one could have known, Charlotte.

0:40:340:40:37

It's just...

0:40:370:40:38

bad luck.

0:40:380:40:40

Bad luck? There's been a lot of that lately.

0:40:400:40:43

Losing John,

0:40:450:40:47

losing Charlie...

0:40:470:40:48

We haven't lost the harvest. We've saved almost a third.

0:40:500:40:53

A quarter. The rest is out there, drowning.

0:40:530:40:57

Perhaps you've brought the curse with you, Nathan.

0:40:590:41:02

What do you mean?

0:41:030:41:05

Maybe it's me.

0:41:070:41:09

Well, I wasn't born here.

0:41:100:41:12

I don't belong here. I...

0:41:130:41:15

I brought in that machine. I judged the reaping wrong.

0:41:150:41:19

See? I'm the problem.

0:41:210:41:24

I'm the curse.

0:41:260:41:28

That's lunatic talk.

0:41:290:41:31

Monomaniacal.

0:41:340:41:36

Are you some kind of expert?

0:41:390:41:41

I dabble.

0:41:410:41:42

These misfortunes have absolutely nothing to do with you.

0:41:430:41:47

There is no curse.

0:41:470:41:49

You're quite convincing.

0:41:520:41:54

Thank you.

0:41:550:41:57

Now go and get dry before you catch your death.

0:41:580:42:01

KNOCK ON DOOR

0:42:560:42:58

-Peter's not here.

-It's you I've come to see.

0:43:000:43:02

Do you remember Clarity Winlove?

0:43:100:43:12

No.

0:43:160:43:17

-No, I don't.

-But you know the name?

0:43:170:43:20

Yes.

0:43:230:43:24

That's right.

0:43:240:43:26

She left the village and she went to America.

0:43:260:43:29

She had a distant cousin.

0:43:290:43:31

-That's the story?

-Well, that's what happened.

0:43:330:43:36

That's what my parents told me.

0:43:360:43:38

God rest their souls.

0:43:380:43:40

-I'm sorry it's distressing.

-It's not.

0:43:400:43:42

It's... It's nothing to do with me.

0:43:420:43:44

No, I'm not accusing you.

0:43:440:43:45

Everybody's accusing me.

0:43:450:43:47

It's like Jack Langtree just now, when I told him Peter's not here.

0:43:470:43:51

"You sure?" he says, like I'm lying,

0:43:510:43:55

like he thinks I'm hiding him.

0:43:550:43:56

-Why would he think that?

-I don't know.

0:43:560:43:59

It's the bad harvest.

0:43:590:44:00

-Everyone's on edge.

-What did he want?

0:44:000:44:03

A wheel fixing.

0:44:050:44:06

A scapegoat.

0:44:120:44:13

# The sun went down and the moon rose

0:44:150:44:19

# On the hayfield, the hayfield

0:44:190:44:22

# Sun went down and the moon rose

0:44:220:44:25

# On the bleak hayfield... #

0:44:250:44:28

Peter!

0:44:280:44:31

# The reaper crossed the hayfield

0:44:310:44:34

# The hayfield, the hayfield

0:44:340:44:37

# Reaper crossed the hayfield

0:44:370:44:41

# Sank the blood-red sun

0:44:410:44:44

# Do not cross the hayfield

0:44:470:44:50

# The hayfield, the hayfield

0:44:500:44:54

# Do not cross the hayfield... #

0:44:570:45:01

Caught like a hare in the gin.

0:45:010:45:04

I remember you hiding here before.

0:45:050:45:07

Don't scare me.

0:45:090:45:10

So is this where you do it?

0:45:140:45:16

Sacrificing?

0:45:160:45:18

Casting spells?

0:45:190:45:21

Summon up those black beetles?

0:45:210:45:23

And bring on that rain?

0:45:240:45:25

No... No.

0:45:250:45:27

You cursed the harvest, Peter Hare.

0:45:280:45:30

It's not his fault.

0:45:450:45:47

It's mine.

0:45:470:45:48

It's mine.

0:45:490:45:50

Come with me.

0:45:500:45:52

Now, if you float, you're a witch.

0:45:530:45:55

-And if you sink, you're innocent.

-No!

0:45:550:45:57

Please, no!

0:45:570:46:00

PETER GROANS

0:46:040:46:05

CLARITY'S VOICE: This is what was done to me.

0:46:160:46:18

You'll reap what you sowed.

0:46:230:46:25

You're floating, see?

0:46:300:46:32

Proof.

0:46:320:46:34

You are a witch.

0:46:390:46:40

What have you done, Jack?

0:46:490:46:51

Oh, Peter.

0:47:020:47:04

Oh, Peter.

0:47:150:47:17

-Peter.

-Turn him on his side.

0:47:170:47:19

Leave him.

0:47:260:47:28

-Come on.

-Take me.

0:47:280:47:30

-PETER COUGHS

-Oh, thank God.

-That's it.

0:47:300:47:33

What I owe her.

0:47:330:47:34

It's what I owe her.

0:47:390:47:40

Maud...

0:47:460:47:48

-Maud...

-It's what I owe her.

0:47:480:47:50

-For what I did.

-What did you do?

0:47:510:47:54

It was a terrible time.

0:47:570:47:59

The harvest was ruined.

0:48:010:48:03

The village seemed damned.

0:48:030:48:07

And Clarity frightened me.

0:48:080:48:10

The way she looked at me.

0:48:100:48:12

And one day,

0:48:170:48:19

I saw her...

0:48:190:48:20

give a potion to my mother

0:48:200:48:23

-to put in my father's food.

-To help them to conceive.

0:48:230:48:28

I can see that now.

0:48:280:48:30

But as a child,

0:48:300:48:32

as an only child,

0:48:320:48:34

I told myself she was a witch.

0:48:340:48:36

An evil witch. And I...

0:48:360:48:39

I lied.

0:48:390:48:40

I told my parents

0:48:400:48:43

I'd seen her...

0:48:430:48:44

curse the wheatfield.

0:48:440:48:46

And they brought her here.

0:48:480:48:50

And they ducked her.

0:48:500:48:52

And they drowned her.

0:48:520:48:54

And they sank her down with chains.

0:48:540:48:56

I've been so full of guilt and I fed you on fear.

0:49:020:49:06

-Forgive me.

-Maud...

0:49:070:49:09

Of... Of course I do.

0:49:110:49:13

Of course I forgive you.

0:49:150:49:17

You're my mother.

0:49:190:49:21

-MAUD SOBS

-You must forgive yourself.

0:49:210:49:24

You must.

0:49:250:49:27

You were just a child.

0:49:280:49:29

Time to let her go.

0:49:310:49:32

Let's get you home.

0:49:370:49:39

Nathan?

0:49:440:49:46

Go with them.

0:49:460:49:47

Clarity Winlove...

0:50:010:50:03

..show yourself.

0:50:070:50:08

You sat...

0:50:120:50:14

..by my wife...

0:50:150:50:17

as she slept.

0:50:170:50:18

You touched her womb.

0:50:190:50:21

Was it a blessing or was it a curse?

0:50:260:50:28

HE SIGHS

0:50:400:50:42

Is Jack Langtree here?

0:50:540:50:55

Celebrating killing a man?

0:51:030:51:05

-He died?

-No, you're lucky he didn't.

0:51:080:51:11

Or I would have you hanged for murder.

0:51:110:51:13

Well, there's something wrong here of late, you cannot deny.

0:51:160:51:19

Looked to me like he be the cause.

0:51:210:51:23

I was just trying to rid us of evil.

0:51:250:51:27

Oh, you want to rid us of evil, do you?

0:51:270:51:29

Go.

0:51:320:51:34

Now.

0:51:350:51:36

Never return to my land.

0:51:360:51:38

You are banished, Jack.

0:51:390:51:42

I was going anyway.

0:52:070:52:08

This place is damned.

0:52:150:52:16

You can't deny you've all felt it.

0:52:180:52:19

Ever since you returned.

0:52:260:52:28

DOOR OPENS

0:52:310:52:32

DOOR CLOSES

0:52:340:52:35

I weed on them an hour ago.

0:52:430:52:46

-Patience.

-I'm not pregnant.

0:52:460:52:48

I think you are.

0:52:520:52:53

GWEN CHUCKLES

0:52:590:53:01

Don't tell a soul.

0:53:040:53:05

I don't want Nathan to know until I'm absolutely sure.

0:53:050:53:09

Thank you.

0:53:150:53:17

I havee, I havee, I havee.

0:53:320:53:36

-ALL:

-What havee? What havee? What havee?

0:53:360:53:39

The neck. The neck. The neck.

0:53:390:53:42

CHEERING

0:53:420:53:44

We did it.

0:53:460:53:48

FOLK MUSIC PLAYS

0:53:510:53:53

-Strange summer.

-Hm.

0:54:000:54:03

Disturbing.

0:54:050:54:06

Forgive me.

0:54:120:54:13

Bound to apologise on my part for what my nephew Jack... Well...

0:54:240:54:28

I do bear guilt for my suspicions

0:54:290:54:33

and for not quashing his.

0:54:330:54:35

P'raps I should, like him, be put beyond the pale.

0:54:350:54:39

What's your judgment, Peter?

0:54:410:54:43

Water under the bridge.

0:54:460:54:48

Go get yourself a drink, Gideon.

0:54:530:54:55

Sir.

0:54:560:54:57

MUSIC STOPS

0:55:000:55:01

CHEERING

0:55:010:55:02

RHYTHMIC CLAPPING

0:55:020:55:05

-WOMAN:

-Go on, Mrs Appleby.

0:55:070:55:09

-MAN:

-Your turn, Mrs Appleby.

-MAN:

-Go on, Mrs Appleby.

0:55:090:55:12

-WOMAN:

-Mrs Appleby, come and dance with us.

0:55:160:55:18

MUSIC STARTS

0:55:240:55:26

# Her husband plays the master

0:55:260:55:27

# Why should the missus go free?

0:55:270:55:29

# Why shouldn't she go to heaven

0:55:290:55:32

# To heaven as well as he?

0:55:320:55:34

# Oh, she is a good provider... #

0:55:340:55:36

-So alive.

-What?

0:55:360:55:39

You're so alive.

0:55:410:55:42

# So drink, boys, drink

0:55:430:55:45

# See that you do not spill

0:55:450:55:48

# For if you do, you shall drink two

0:55:480:55:50

# For this is our master's will...

0:55:500:55:53

MUFFLED: # So drink, boys, drink

0:55:530:55:55

# See that you do not spill

0:55:550:55:57

# For if you do, you shall drink two

0:55:570:56:00

# For this is our master's will... #

0:56:000:56:01

You are transgressing against God and nature.

0:56:070:56:11

Don't you think I want it to stop?

0:56:130:56:15

But whichever way I turn, the dead are there.

0:56:150:56:17

Why are you lying?

0:56:170:56:19

BABY CRIES

0:56:190:56:21

I have given you everything. Everything I have.

0:56:230:56:27

# Ghosts glide from the hayrick

0:56:360:56:39

# On the hayfield, the hayfield

0:56:390:56:42

# Ghosts glide from the hayrick

0:56:420:56:45

# In the eerie glow

0:56:450:56:49

# Do not cross the hayfield. #

0:56:510:56:56

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