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Today's the day. | 0:00:13 | 0:00:15 | |
-How do I look? -Like a star. | 0:00:36 | 0:00:39 | |
Now, we don't know what Ito's going to allow, | 0:00:39 | 0:00:41 | |
but we know that Marcia is going to go crazy, | 0:00:41 | 0:00:44 | |
so if you get a chance to start talking, don't you stop. | 0:00:44 | 0:00:48 | |
Let's go. | 0:00:48 | 0:00:49 | |
Mr Cochran, it is my understanding that you have discussed | 0:00:51 | 0:00:54 | |
with your client his right to testify? | 0:00:54 | 0:00:57 | |
Yes, your honour. | 0:00:57 | 0:00:58 | |
-Mr Simpson is waiving his right. -Right. | 0:00:58 | 0:01:00 | |
But if the court pleases, | 0:01:00 | 0:01:02 | |
he would like to make a brief statement regarding the waiver. | 0:01:02 | 0:01:05 | |
Your honour, the people object to the defendant making any | 0:01:05 | 0:01:07 | |
statement other than the waiver at this time. | 0:01:07 | 0:01:10 | |
Council, he's not before the jury. | 0:01:11 | 0:01:13 | |
Yes, but we are all aware of the realities of this case. | 0:01:13 | 0:01:16 | |
The problem with conjugal visits | 0:01:16 | 0:01:18 | |
and telephone calls that are only monitored on one side. | 0:01:18 | 0:01:20 | |
This is an obvious attempt by the defence to get material to the jury | 0:01:20 | 0:01:23 | |
that has not been admitted in court. | 0:01:23 | 0:01:25 | |
It is inappropriate and deliberate. | 0:01:25 | 0:01:27 | |
I strongly urge the court to exercise control | 0:01:27 | 0:01:30 | |
and not permit testimony without cross-examination. | 0:01:30 | 0:01:33 | |
Please, your honour, don't do this. | 0:01:33 | 0:01:36 | |
My goodness, there's a great deal of fear of the truth in this case. | 0:01:36 | 0:01:40 | |
Your honour, this is still America. Can we still talk? | 0:01:40 | 0:01:44 | |
All right, go ahead, Mr Simpson, briefly. | 0:01:48 | 0:01:51 | |
Good morning, your honour. | 0:01:57 | 0:01:59 | |
As much as I'd like to address some of the misrepresentations | 0:01:59 | 0:02:04 | |
made about myself, and my Nicole | 0:02:04 | 0:02:08 | |
concerning our life together... | 0:02:08 | 0:02:09 | |
..I am mindful of the mood and the stamina of this jury. | 0:02:11 | 0:02:16 | |
I am confident, a lot more, it seems, than Miss Clark, | 0:02:16 | 0:02:21 | |
about their integrity | 0:02:21 | 0:02:23 | |
and that they will find, as it now stands, | 0:02:23 | 0:02:28 | |
that I did not | 0:02:28 | 0:02:30 | |
and could not... | 0:02:30 | 0:02:32 | |
and would not commit this crime. | 0:02:32 | 0:02:34 | |
I have four kids, | 0:02:36 | 0:02:38 | |
two kids I haven't seen in a year | 0:02:38 | 0:02:40 | |
and every week they ask me, "Dad, when are you coming home? | 0:02:40 | 0:02:46 | |
"How much longer?" MARCIA CLEARS HER THROAT | 0:02:46 | 0:02:48 | |
-I just want this trial to be over. -All right, thank you, Mr Simpson. -Thank you, your honour. | 0:02:48 | 0:02:52 | |
You want to address misrepresentations | 0:02:52 | 0:02:54 | |
about you and Nicole? | 0:02:54 | 0:02:56 | |
Take a seat in the blue chair and we can have a discussion. | 0:02:56 | 0:02:58 | |
OJ CLEARS HIS THROAT | 0:02:58 | 0:02:59 | |
Mr Cochran, does the defence plan on calling any further witnesses? | 0:02:59 | 0:03:03 | |
No, your honour. The defence rests. | 0:03:05 | 0:03:07 | |
DISTANT TRAFFIC NOISES | 0:03:21 | 0:03:23 | |
We have ten jurors. | 0:03:25 | 0:03:27 | |
We have nine. | 0:03:27 | 0:03:29 | |
We have ten. | 0:03:31 | 0:03:32 | |
And then there's that frigging demon, she hates me. | 0:03:32 | 0:03:35 | |
I've gotten that look from all of my ex-wives. | 0:03:35 | 0:03:38 | |
-Jesus, Stephen. That demon, what did she ever do to you? -Shawn. -Mm. | 0:03:38 | 0:03:42 | |
-What's up? -Johnny just got another death threat. -Death threat? | 0:03:46 | 0:03:50 | |
-How many has he gotten? -It's up to 20 now. -What? -It's scary. | 0:03:50 | 0:03:53 | |
Johnny needs protection. | 0:03:53 | 0:03:55 | |
I'm going to insist he hires someone. Come on. | 0:03:55 | 0:03:59 | |
Yet the glove's too small... | 0:04:04 | 0:04:08 | |
Easy... No. | 0:04:08 | 0:04:10 | |
Yet the gloves don't fit. | 0:04:13 | 0:04:16 | |
HECKLING | 0:04:21 | 0:04:23 | |
REPORTER: 'Today, the trial of the century | 0:04:23 | 0:04:25 | |
'reaches a crescendo, as closing statements begin. | 0:04:25 | 0:04:28 | |
'Vegas odds-makers are offering six to five in favour of conviction.' | 0:04:28 | 0:04:32 | |
-Marcia. -Yeah? | 0:04:41 | 0:04:43 | |
Please, nail this. | 0:04:44 | 0:04:47 | |
-Good morning. -Morning. -Morning. | 0:05:04 | 0:05:06 | |
Ladies and gentlemen, we are coming close to the end, I promise. | 0:05:06 | 0:05:11 | |
And I want you all to know how much I appreciate what you're doing here | 0:05:11 | 0:05:14 | |
for justice. | 0:05:14 | 0:05:15 | |
And to thank you all, from the bottom of my heart, | 0:05:17 | 0:05:19 | |
for the incredible sacrifices that you've made. | 0:05:19 | 0:05:22 | |
Thank you. | 0:05:22 | 0:05:23 | |
I would like to begin by first addressing | 0:05:25 | 0:05:27 | |
the issue of Mark Fuhrman. | 0:05:27 | 0:05:29 | |
Just to be clear, | 0:05:29 | 0:05:31 | |
is he a racist? | 0:05:31 | 0:05:32 | |
Yes. | 0:05:33 | 0:05:35 | |
Is he the worst LAPD has to offer? Yes. | 0:05:35 | 0:05:38 | |
Should LAPD ever have hired him? No. | 0:05:38 | 0:05:42 | |
Should such a person be a police officer? No. | 0:05:42 | 0:05:46 | |
In fact, do we wish there were no such person on the planet? | 0:05:46 | 0:05:50 | |
Yes. | 0:05:51 | 0:05:52 | |
But the fact that Mark Fuhrman is a racist | 0:05:53 | 0:05:56 | |
and lied about it on the witness stand does not mean that we haven't | 0:05:56 | 0:05:59 | |
proven that the defendant is guilty beyond a reasonable doubt. | 0:05:59 | 0:06:02 | |
And it would be a tragedy if OJ Simpson were found not guilty | 0:06:02 | 0:06:06 | |
because of the racist attitudes of one police officer. | 0:06:06 | 0:06:10 | |
There is an ocean of evidence | 0:06:11 | 0:06:13 | |
that has been unchallenged by the defence. | 0:06:13 | 0:06:16 | |
In an attempt to distract you from it, | 0:06:16 | 0:06:17 | |
they took you through a twisted road, | 0:06:17 | 0:06:19 | |
one moment saying the police are bumbling idiots, | 0:06:19 | 0:06:22 | |
the next moment saying the police are cunning conspirators. | 0:06:22 | 0:06:25 | |
They threw out alternate theories hoping one would stick, | 0:06:25 | 0:06:29 | |
but instead of focusing on those distractions, | 0:06:29 | 0:06:32 | |
I ask you to consider the evidence | 0:06:32 | 0:06:34 | |
the defence did not | 0:06:34 | 0:06:36 | |
and cannot refute. | 0:06:36 | 0:06:38 | |
The shoe prints at Bundy were from a size 12 Bruno Maghli shoe. | 0:06:40 | 0:06:44 | |
The defendant wears a size 12. | 0:06:44 | 0:06:46 | |
Hair from the defendant was on the knit cap at Bundy. | 0:06:46 | 0:06:49 | |
Hair from the defendant was on Ron Goldman's shirt. | 0:06:50 | 0:06:52 | |
The glove found at Rockingham contains fibres | 0:06:53 | 0:06:56 | |
that match Ron's hair. | 0:06:56 | 0:06:58 | |
The glove contains fibres that matched Nicole's hair. | 0:06:58 | 0:07:01 | |
It has Nicole's blood, it has Ron's blood, | 0:07:01 | 0:07:05 | |
it has the defendant's blood. | 0:07:05 | 0:07:07 | |
The gloves are extra large, | 0:07:09 | 0:07:11 | |
the defendant's size. | 0:07:11 | 0:07:13 | |
Here are photos of the defendant wearing the Aris gloves | 0:07:13 | 0:07:16 | |
at numerous football games. | 0:07:16 | 0:07:17 | |
When limo driver Allan Park arrived, there was no Bronco out front. | 0:07:17 | 0:07:22 | |
When he left with the defendant, | 0:07:22 | 0:07:24 | |
there was now a Bronco parked outside. | 0:07:24 | 0:07:26 | |
A drop of blood in the Bundy driveway | 0:07:31 | 0:07:34 | |
matches the defendant at a rate of one in 170 million. | 0:07:34 | 0:07:39 | |
Nicole's blood was on the defendant's sock. | 0:07:42 | 0:07:45 | |
This was a match at the rate of one in 6.8 billion. | 0:07:45 | 0:07:49 | |
The blood on the rear gate at Bundy | 0:07:51 | 0:07:53 | |
matches the defendant at a rate of one in 57 billion. | 0:07:53 | 0:07:58 | |
There are only five billion people on the planet. | 0:08:00 | 0:08:03 | |
That, ladies and gentlemen, is an identification. | 0:08:03 | 0:08:06 | |
When the defendant was informed of his wife's death, | 0:08:07 | 0:08:10 | |
he did not ask how she died. | 0:08:10 | 0:08:12 | |
Think about that. | 0:08:14 | 0:08:16 | |
He did not ask how she died. | 0:08:17 | 0:08:20 | |
And then ask yourself... | 0:08:23 | 0:08:25 | |
..why? | 0:08:26 | 0:08:27 | |
Ladies and gentlemen, | 0:08:44 | 0:08:46 | |
to grasp this crime | 0:08:46 | 0:08:48 | |
you must first understand Mr Simpson's relationship | 0:08:48 | 0:08:51 | |
to his ex-wife, Nicole. | 0:08:51 | 0:08:52 | |
It was a ticking time bomb. | 0:08:55 | 0:08:58 | |
The fuse was lit in 1985, the very year they were married. | 0:08:58 | 0:09:02 | |
Officers responded after Mr Simpson beat Nicole | 0:09:02 | 0:09:06 | |
and took a baseball bat to her Mercedes. | 0:09:06 | 0:09:09 | |
Then, in 1989, Nicole had to call 911 again, fearing for her life. | 0:09:09 | 0:09:15 | |
When officers arrived, Nicole ran towards them, yelling, | 0:09:15 | 0:09:19 | |
"He's going to kill me! He's going to kill me!" | 0:09:19 | 0:09:23 | |
She had a black eye, a cut forehead, swollen cheek. | 0:09:23 | 0:09:27 | |
In her torn bra, Nicole pleaded with the officers, | 0:09:28 | 0:09:32 | |
"You've come up here eight times." | 0:09:32 | 0:09:35 | |
"You never do anything about him." | 0:09:35 | 0:09:37 | |
HE TUTS | 0:09:40 | 0:09:42 | |
And they want to tell you that the police conspired against Mr Simpson. | 0:09:42 | 0:09:46 | |
This case is not about the N word, | 0:09:46 | 0:09:49 | |
it is about OJ Simpson and the M word. Murder. | 0:09:49 | 0:09:53 | |
I'm not afraid to point to him and say he did it. | 0:09:54 | 0:09:57 | |
Why not? | 0:09:59 | 0:10:00 | |
The evidence all points to him. | 0:10:02 | 0:10:04 | |
In February 1992, Nicole filed for divorce. | 0:10:08 | 0:10:11 | |
She was running away from the man who said he'd kill her. | 0:10:11 | 0:10:15 | |
She saw the explosion coming. | 0:10:15 | 0:10:18 | |
Why else fill a safe deposit box | 0:10:18 | 0:10:21 | |
with threatening letters from the defendant, a will | 0:10:21 | 0:10:24 | |
and police photos of past beatings? | 0:10:24 | 0:10:28 | |
She knew that the bomb could go off at any second. | 0:10:28 | 0:10:31 | |
And then it did. | 0:10:31 | 0:10:32 | |
On June 12, 1994, | 0:10:32 | 0:10:36 | |
while their daughter danced, | 0:10:36 | 0:10:37 | |
the defendant kept his eyes fixed on Nicole, | 0:10:37 | 0:10:41 | |
spurned. | 0:10:41 | 0:10:42 | |
Now imagine this defendant in the Bronco. | 0:10:42 | 0:10:45 | |
He is full of anger and he is full of rage | 0:10:45 | 0:10:47 | |
and it is night-time and he is driving | 0:10:47 | 0:10:50 | |
and the focus of his anger is Nicole. | 0:10:50 | 0:10:52 | |
It is ten o'clock and he's driving as fast as he can. | 0:10:52 | 0:10:55 | |
He is out of control, folks. | 0:10:55 | 0:10:58 | |
The fact that the kids were in the house means nothing to this man. | 0:10:58 | 0:11:02 | |
Simpson has lost Nicole | 0:11:02 | 0:11:05 | |
and he is upset | 0:11:05 | 0:11:06 | |
and angry. | 0:11:06 | 0:11:08 | |
The fuse is getting shorter. | 0:11:08 | 0:11:10 | |
The anger is building. | 0:11:10 | 0:11:12 | |
The rage he has, | 0:11:12 | 0:11:15 | |
the anger, the hate, | 0:11:15 | 0:11:17 | |
flows out of him | 0:11:17 | 0:11:19 | |
and into the knife and from the knife into her. | 0:11:19 | 0:11:22 | |
With each thrust of the knife into her body, | 0:11:22 | 0:11:25 | |
there is a release. | 0:11:25 | 0:11:27 | |
A small release. | 0:11:27 | 0:11:28 | |
And he stabs and cuts and slices | 0:11:30 | 0:11:33 | |
until that rage is gone, | 0:11:33 | 0:11:36 | |
until Nicole and Ron are gone. | 0:11:36 | 0:11:39 | |
He is a murderer. | 0:11:43 | 0:11:45 | |
Now, he was also one hell of a great football player... | 0:11:46 | 0:11:49 | |
..but he's still a murderer. | 0:11:50 | 0:11:52 | |
At the outset... | 0:12:15 | 0:12:16 | |
..let me say | 0:12:22 | 0:12:23 | |
that not one bit of domestic violence is tolerable. | 0:12:23 | 0:12:26 | |
OJ Simpson | 0:12:27 | 0:12:29 | |
is not proud of some of the things that happened during his marriage. | 0:12:29 | 0:12:33 | |
Does that add up to murder? No. | 0:12:33 | 0:12:36 | |
Mr Darden talked about 1985... | 0:12:37 | 0:12:41 | |
..but he missed the whole point. | 0:12:42 | 0:12:45 | |
Something interesting happened | 0:12:45 | 0:12:48 | |
in 1985. | 0:12:48 | 0:12:49 | |
Mark Fuhrman | 0:12:51 | 0:12:53 | |
responded to a call on Rockingham. | 0:12:53 | 0:12:56 | |
He saw a white woman | 0:12:56 | 0:12:58 | |
married to a powerful black man. He didn't like that. | 0:12:58 | 0:13:01 | |
He didn't like that | 0:13:01 | 0:13:02 | |
because he's a hardened racist. | 0:13:02 | 0:13:04 | |
Mark Fuhrman is the one who said, "If I see an interracial couple, | 0:13:04 | 0:13:07 | |
"I'm going to stop them. | 0:13:07 | 0:13:09 | |
"If I don't have a reason, I'm going to make something up." | 0:13:09 | 0:13:11 | |
So you have a lying Mark Fuhrman, | 0:13:11 | 0:13:14 | |
the personification of evil, | 0:13:14 | 0:13:17 | |
who found the gloves. | 0:13:17 | 0:13:19 | |
But don't be fooled. | 0:13:19 | 0:13:20 | |
This isn't just one officer. | 0:13:20 | 0:13:23 | |
Mark Fuhrman represents | 0:13:23 | 0:13:26 | |
the entire... | 0:13:26 | 0:13:27 | |
..LAPD. | 0:13:29 | 0:13:30 | |
Now, you may not know this | 0:13:32 | 0:13:35 | |
but you are empowered. | 0:13:35 | 0:13:37 | |
Your decision | 0:13:39 | 0:13:41 | |
has a major implication both in this courtroom | 0:13:41 | 0:13:44 | |
and outside of it. | 0:13:44 | 0:13:46 | |
Things happen for a reason in life. | 0:13:47 | 0:13:49 | |
Maybe that's why we're gathered together. | 0:13:53 | 0:13:55 | |
Something in your background, your character, | 0:13:55 | 0:13:57 | |
helps you to know that this is wrong. | 0:13:57 | 0:13:59 | |
Maybe you're the right people at the right time to be able to say, | 0:14:01 | 0:14:05 | |
"No more. | 0:14:05 | 0:14:06 | |
"We can't have this. | 0:14:06 | 0:14:09 | |
"What they have done is disgraceful." | 0:14:09 | 0:14:13 | |
OJ Simpson is entitled to an acquittal. | 0:14:13 | 0:14:16 | |
They have entrusted this case to a man who says | 0:14:16 | 0:14:20 | |
he'd like to see all niggers gathered together and killed. | 0:14:20 | 0:14:24 | |
That is genocide. | 0:14:24 | 0:14:26 | |
That man speaks | 0:14:27 | 0:14:29 | |
like Adolf Hitler. | 0:14:29 | 0:14:30 | |
Now, since you can't trust the man | 0:14:31 | 0:14:34 | |
and you don't trust the people, | 0:14:34 | 0:14:37 | |
is it any wonder, in the defining moment in this trial, | 0:14:37 | 0:14:40 | |
when they asked OJ Simpson to try on the glove and the glove didn't fit, | 0:14:40 | 0:14:44 | |
it didn't fit because it wasn't his. | 0:14:44 | 0:14:47 | |
If you don't stop this cover-up, | 0:14:47 | 0:14:49 | |
who will? | 0:14:49 | 0:14:51 | |
Send them a message. | 0:14:51 | 0:14:53 | |
Let them know | 0:14:53 | 0:14:55 | |
that your verdict will travel far outside these walls. | 0:14:55 | 0:15:00 | |
Ladies and gentlemen, | 0:15:00 | 0:15:01 | |
remember these words. | 0:15:01 | 0:15:03 | |
If it doesn't fit, | 0:15:04 | 0:15:06 | |
you must acquit. | 0:15:06 | 0:15:08 | |
If it doesn't fit, | 0:15:08 | 0:15:10 | |
you must acquit. | 0:15:10 | 0:15:11 | |
If it doesn't fit... | 0:15:11 | 0:15:13 | |
..you must acquit. | 0:15:15 | 0:15:16 | |
Well, that's it. There's nothing else we can do. | 0:15:41 | 0:15:45 | |
How long do you think they'll take? | 0:15:45 | 0:15:46 | |
On this trial, nothing's gone fast. | 0:15:46 | 0:15:48 | |
-Could be for ever. -Somebody hold the elevator, please. | 0:15:48 | 0:15:52 | |
I'm getting the hell out. | 0:15:52 | 0:15:53 | |
Taking my kids to Santa Barbara for some real family time. | 0:15:53 | 0:15:56 | |
-Call me if anything happens. -And what if nothing happens? | 0:15:56 | 0:15:59 | |
Then call me in a month to say hi. | 0:15:59 | 0:16:01 | |
Well, I've got a speech in Laguna Beach. | 0:16:09 | 0:16:12 | |
A snack food convention. | 0:16:12 | 0:16:13 | |
Oh, how the mighty have fallen. | 0:16:13 | 0:16:15 | |
I'm flying back to New York. | 0:16:15 | 0:16:17 | |
Vacation talk? I need one. | 0:16:17 | 0:16:19 | |
Heading to the airport. I've got a speech in San Francisco. | 0:16:19 | 0:16:22 | |
You know what I would do if I had the spare time? | 0:16:22 | 0:16:24 | |
I would go up to Oscar De La Hoya's training camp | 0:16:24 | 0:16:27 | |
and I would spend my days sparring and hitting the heavy bag. | 0:16:27 | 0:16:31 | |
Bob, airport. | 0:16:31 | 0:16:32 | |
OK. | 0:17:20 | 0:17:22 | |
I've never been a foreperson before. | 0:17:22 | 0:17:25 | |
I've never even been on a jury before | 0:17:25 | 0:17:27 | |
so, if any of you have suggestions, I'm open to hearing them. | 0:17:27 | 0:17:31 | |
Why not take a vote? | 0:17:31 | 0:17:32 | |
Already? | 0:17:32 | 0:17:33 | |
I mean, just to get a sense of the room. Like a straw poll. | 0:17:33 | 0:17:37 | |
Yeah. | 0:17:37 | 0:17:39 | |
That's good. | 0:17:39 | 0:17:40 | |
But the instructions say that the voting should be done in secret | 0:17:40 | 0:17:43 | |
so nobody feels uncomfortable. | 0:17:43 | 0:17:45 | |
So, why don't we just do paper ballots? | 0:17:45 | 0:17:49 | |
Just write guilty or not guilty. | 0:17:49 | 0:17:51 | |
OK, do I have everybody? | 0:18:13 | 0:18:16 | |
All right. | 0:18:16 | 0:18:18 | |
Here we go. | 0:18:18 | 0:18:19 | |
-Anise, would you tally for us? -Sure. | 0:18:19 | 0:18:22 | |
OK. | 0:18:23 | 0:18:24 | |
Not guilty. | 0:18:26 | 0:18:27 | |
Not guilty. | 0:18:31 | 0:18:32 | |
Not guilty. | 0:18:35 | 0:18:36 | |
Not guilty. | 0:18:40 | 0:18:41 | |
Not guilty. | 0:18:45 | 0:18:46 | |
Not guilty. | 0:18:51 | 0:18:52 | |
Guilty. | 0:18:54 | 0:18:55 | |
Not guilty. | 0:19:00 | 0:19:02 | |
Not guilty. | 0:19:04 | 0:19:06 | |
Guilty. | 0:19:09 | 0:19:10 | |
Not guilty. | 0:19:15 | 0:19:16 | |
And not guilty. | 0:19:19 | 0:19:20 | |
So the tally is ten... | 0:19:23 | 0:19:25 | |
We can all do the math. | 0:19:25 | 0:19:26 | |
OK, I'll just say it. | 0:19:32 | 0:19:34 | |
I voted guilty. | 0:19:34 | 0:19:35 | |
I mean, look at all the evidence. | 0:19:36 | 0:19:38 | |
There is just so much. | 0:19:38 | 0:19:41 | |
And what about all the facts | 0:19:41 | 0:19:42 | |
that the defence didn't even bother to address? | 0:19:42 | 0:19:44 | |
I mean, just that alone... | 0:19:44 | 0:19:46 | |
Why wasn't there more blood in the Bronco? | 0:19:46 | 0:19:48 | |
There was so much blood at the scene. | 0:19:48 | 0:19:50 | |
I'd make more of a mess in my car if I spilt a milkshake. | 0:19:50 | 0:19:53 | |
Goldman had injuries on his hands like he was defending himself. | 0:19:53 | 0:19:57 | |
Why didn't OJ have any marks on him? | 0:19:57 | 0:19:59 | |
What about the cut on his hand? | 0:19:59 | 0:20:00 | |
The gloves did not fit. | 0:20:00 | 0:20:03 | |
Oh, now, they did kind of fit. | 0:20:03 | 0:20:05 | |
Looked to me like OJ was just trying to not make them fit. | 0:20:05 | 0:20:07 | |
Why were they not inside out? | 0:20:07 | 0:20:09 | |
That's how they would be if he'd taken them off. | 0:20:09 | 0:20:11 | |
Shouldn't there have been more blood | 0:20:11 | 0:20:13 | |
around the glove they found at OJ's house? | 0:20:13 | 0:20:15 | |
And wouldn't there be blood on the leaves? | 0:20:15 | 0:20:17 | |
You can just ask Mark Fuhrman about that. | 0:20:17 | 0:20:19 | |
There's too many mess-ups, | 0:20:25 | 0:20:27 | |
too much strange stuff going on in the thing. | 0:20:27 | 0:20:29 | |
You will never convince me that he did it without a doubt. | 0:20:29 | 0:20:32 | |
-Beyond a reasonable doubt. -Whatever. | 0:20:32 | 0:20:35 | |
All right, all right. Look, | 0:20:35 | 0:20:37 | |
you might think he did it... | 0:20:37 | 0:20:39 | |
Hell, I might think he did it | 0:20:39 | 0:20:41 | |
but can we honestly sit here and say they proved it? | 0:20:41 | 0:20:44 | |
I will never, ever think they proved it. | 0:20:44 | 0:20:48 | |
Never. | 0:20:50 | 0:20:51 | |
Never ever. | 0:20:52 | 0:20:54 | |
PHONE RINGS | 0:21:02 | 0:21:05 | |
Yes. | 0:21:05 | 0:21:06 | |
Are you shitting me? | 0:21:09 | 0:21:10 | |
They have a verdict. You need to get down to court. | 0:21:14 | 0:21:17 | |
How can they have a verdict? | 0:21:20 | 0:21:22 | |
They can't. | 0:21:22 | 0:21:23 | |
It's impossible. | 0:21:23 | 0:21:25 | |
Oh, come on, you're kidding. | 0:21:25 | 0:21:27 | |
You're joking! It's been half a day! | 0:21:27 | 0:21:30 | |
Four hours. Four hours! | 0:21:30 | 0:21:32 | |
It's only good. There's no way a jury convicts on a double homicide | 0:21:32 | 0:21:36 | |
after four hours of debate. | 0:21:36 | 0:21:37 | |
Not even four. To fill out the forms for guilty takes an hour. | 0:21:37 | 0:21:40 | |
Then they had a lunch break. | 0:21:40 | 0:21:42 | |
God, they've discussed this case less than anybody in America. | 0:21:42 | 0:21:45 | |
TYRES SQUEAL | 0:21:55 | 0:21:56 | |
Kidding... | 0:21:56 | 0:21:57 | |
What are these people doing here? | 0:22:00 | 0:22:02 | |
Bob, you know I've been receiving death threats. | 0:22:02 | 0:22:04 | |
I don't take my safety lightly, especially not today. | 0:22:04 | 0:22:07 | |
You couldn't do this without the help of Louis Farrakhan? | 0:22:07 | 0:22:10 | |
-Robert, did you know about this? -Not until I got here, no. | 0:22:10 | 0:22:13 | |
Do you know what this looks like? | 0:22:13 | 0:22:14 | |
These are the same people who think that some Jews are the devil | 0:22:14 | 0:22:17 | |
-and that my people have no claim to Israel. -I had nothing to do with it. | 0:22:17 | 0:22:20 | |
I don't speak for Louis Farrakhan | 0:22:20 | 0:22:21 | |
but I trust him with my personal security and yours. | 0:22:21 | 0:22:24 | |
How could you? You know appearance better than anyone. | 0:22:24 | 0:22:26 | |
How could you? On the day of the verdict, this verdict, | 0:22:26 | 0:22:29 | |
you arrive with strident black extremists! | 0:22:29 | 0:22:31 | |
Jesus, Bob! It's a secure way to get in and out | 0:22:31 | 0:22:33 | |
of what could explode into hell. | 0:22:33 | 0:22:35 | |
Just get in the van or I'll tell them you're Jewish. | 0:22:35 | 0:22:37 | |
Oh, bullshit! This is... Step back! | 0:22:37 | 0:22:39 | |
This is just wrong! | 0:22:39 | 0:22:41 | |
TYRES SQUEAL | 0:22:51 | 0:22:52 | |
What the police department has done | 0:22:53 | 0:22:55 | |
is increase the number of uniformed officers at the court building... | 0:22:55 | 0:22:58 | |
..assess the situation as it changes and adjust as it changes, | 0:22:58 | 0:23:00 | |
and be prepared for whatever comes about. | 0:23:00 | 0:23:02 | |
Has justice been done and the court... | 0:23:02 | 0:23:04 | |
And history is in the making. | 0:23:04 | 0:23:06 | |
By the time you all see this, you will already know the OJ verdict. | 0:23:06 | 0:23:10 | |
Who's nervous? Is anybody nervous? | 0:23:10 | 0:23:12 | |
CROWDS CHANT | 0:23:12 | 0:23:14 | |
It's a big day, huh, OJ? | 0:23:34 | 0:23:36 | |
The biggest. | 0:23:38 | 0:23:39 | |
Hey, man, I just want you to know, guarding you in here, | 0:23:41 | 0:23:44 | |
it's been a pleasure. | 0:23:44 | 0:23:46 | |
There's a lot of real assholes that come through this place | 0:23:46 | 0:23:48 | |
and you've always been a stand-up guy. | 0:23:48 | 0:23:51 | |
Thanks, Eddie. | 0:23:51 | 0:23:53 | |
Blade me. | 0:23:53 | 0:23:54 | |
And I was hoping, before we go in, | 0:23:59 | 0:24:02 | |
that maybe you could sign this. | 0:24:02 | 0:24:04 | |
For my kid. | 0:24:06 | 0:24:08 | |
Sure, Eddie. No problem. I can do that. | 0:24:08 | 0:24:10 | |
Thank you. | 0:24:11 | 0:24:12 | |
So nervous. | 0:24:13 | 0:24:15 | |
Hope I don't cut myself. | 0:24:16 | 0:24:17 | |
You know, I don't think you need to be nervous. | 0:24:24 | 0:24:27 | |
I've been talking to my buddies over at the hotel | 0:24:27 | 0:24:29 | |
where they're keeping the jurors. | 0:24:29 | 0:24:32 | |
Let's just say I don't think you need to be nervous at all. | 0:24:32 | 0:24:35 | |
CROWDS CHANT | 0:24:41 | 0:24:44 | |
Four hours. | 0:24:57 | 0:24:58 | |
-But how is that even possible? -Four hours? | 0:24:58 | 0:25:01 | |
All this, all of it, | 0:25:01 | 0:25:02 | |
and they go into a room and they talk about it for four hours? | 0:25:02 | 0:25:05 | |
I thought I'd have weeks to get a statement ready. Two statements. | 0:25:05 | 0:25:08 | |
And now I've got... Oh, shit. | 0:25:08 | 0:25:10 | |
I'll see you guys later. | 0:25:10 | 0:25:11 | |
You know, statistically, a deliberation this fast | 0:25:12 | 0:25:14 | |
-spells guilty. -Statistically, I know but... | 0:25:14 | 0:25:17 | |
All they asked to be read back was the limo driver testimony. | 0:25:17 | 0:25:19 | |
Well, that... That sounds good. | 0:25:19 | 0:25:22 | |
Really good. | 0:25:22 | 0:25:23 | |
I'm not going to say it. | 0:25:25 | 0:25:26 | |
Then I will. | 0:25:26 | 0:25:28 | |
Marcia, what if we won? | 0:25:28 | 0:25:31 | |
All right, can we have the jury, please? | 0:26:11 | 0:26:13 | |
Thank you. | 0:26:45 | 0:26:46 | |
May the record reflect we've now been rejoined | 0:26:46 | 0:26:48 | |
by all the members of our jury panel and our alternates. | 0:26:48 | 0:26:51 | |
All right, Mrs Robertson, do you have the envelope | 0:26:56 | 0:26:58 | |
-with the sealed verdict forms? -Yes. | 0:26:58 | 0:27:00 | |
Would you please hand those forms over to Deputy Trower. | 0:27:00 | 0:27:03 | |
And would you please return them to our foreperson, juror number one. | 0:27:03 | 0:27:06 | |
FOOTSTEPS ECHO | 0:27:11 | 0:27:13 | |
Madam foreperson, would you please open the envelope | 0:27:32 | 0:27:35 | |
and check the condition of those verdict forms. | 0:27:35 | 0:27:37 | |
-Are they in order? -Yes, your honour. | 0:27:52 | 0:27:54 | |
-You have signed and dated those verdict forms? -Yes, your honour. | 0:27:54 | 0:27:57 | |
Thank you very much. Please hand them back to Deputy Trower. | 0:27:57 | 0:28:00 | |
All right, Mrs Robertson. | 0:28:32 | 0:28:33 | |
-Thank you. -You're welcome. | 0:28:38 | 0:28:39 | |
Mr Simpson, would you please stand and face the jury. | 0:28:45 | 0:28:48 | |
I would caution the audience during the course of the reading | 0:29:11 | 0:29:13 | |
of these verdicts to remain calm. If there is any disruption, | 0:29:13 | 0:29:16 | |
the bailiffs will remove the persons responsible. | 0:29:16 | 0:29:19 | |
All right, Mrs Robertson. | 0:29:27 | 0:29:28 | |
Superior Court of California, County of Los Angeles, | 0:29:28 | 0:29:31 | |
in the matter of People of the State of California | 0:29:31 | 0:29:34 | |
versus Orenthal James Simpson, | 0:29:34 | 0:29:36 | |
case number BA 097 211. | 0:29:36 | 0:29:41 | |
We, the jury in the above entitled action, | 0:29:41 | 0:29:44 | |
find the defendant, Orenj... | 0:29:44 | 0:29:46 | |
Orenthal James Simpson | 0:29:46 | 0:29:48 | |
not guilty | 0:29:48 | 0:29:49 | |
of the crime of murder in violation of penal code section 187(a), | 0:29:49 | 0:29:54 | |
a felony upon Nicole Brown Simpson, a human being, | 0:29:54 | 0:29:57 | |
as charged in count one of the information. | 0:29:57 | 0:30:01 | |
CHEERING | 0:30:01 | 0:30:03 | |
CHEERING | 0:30:03 | 0:30:04 | |
CHEERING | 0:30:04 | 0:30:06 | |
CHEERING | 0:30:08 | 0:30:09 | |
We, the jury in the above entitled action, | 0:30:14 | 0:30:17 | |
find the defendant Orenthal James Simpson | 0:30:17 | 0:30:19 | |
not guilty | 0:30:19 | 0:30:20 | |
of the crime of murder in violation of penal code section 187(a), | 0:30:20 | 0:30:25 | |
a felony upon Ronald Lyle Goldman, a human being, | 0:30:25 | 0:30:28 | |
as charged in count two of the information. | 0:30:28 | 0:30:31 | |
Thank you. | 0:30:36 | 0:30:37 | |
Will you please be seated? | 0:30:41 | 0:30:43 | |
Ladies and gentlemen of the jury, | 0:30:45 | 0:30:46 | |
I am now going to excuse you from any further service on this trial. | 0:30:46 | 0:30:50 | |
The burdens that we put upon you were enormous | 0:30:50 | 0:30:54 | |
and words cannot begin to express the debt that we owe you | 0:30:54 | 0:30:56 | |
for your time and your patience that you have provided to us, | 0:30:56 | 0:30:59 | |
so thank you very much. | 0:30:59 | 0:31:01 | |
-Mr Kardashian... -I have nothing to say now. Sorry. | 0:32:10 | 0:32:12 | |
CHEERING AND CHANTING | 0:32:29 | 0:32:31 | |
20 years in public service... | 0:32:59 | 0:33:00 | |
..and I feel like my headstone will say "He lost OJ." | 0:33:02 | 0:33:05 | |
DOOR OPENS | 0:33:06 | 0:33:08 | |
They're waiting. | 0:33:08 | 0:33:09 | |
I can't do it. | 0:33:10 | 0:33:12 | |
I just can't go out there. | 0:33:12 | 0:33:15 | |
We owe it | 0:33:15 | 0:33:16 | |
to the families. | 0:33:16 | 0:33:17 | |
I'm so ashamed. | 0:33:24 | 0:33:25 | |
I don't want you to be hard on yourself. | 0:33:37 | 0:33:39 | |
Yeah, because there are plenty of other people who can do that for me. | 0:33:39 | 0:33:44 | |
I want you to know I admire you | 0:33:44 | 0:33:46 | |
for what you did. | 0:33:46 | 0:33:47 | |
For what? For botching an airtight... | 0:33:47 | 0:33:50 | |
For making the case | 0:33:50 | 0:33:52 | |
for the people of California. Given what they threw at you... | 0:33:52 | 0:33:54 | |
..there were a lot of temptations to play their game. | 0:33:56 | 0:33:58 | |
And you didn't. | 0:34:01 | 0:34:03 | |
We are all profoundly disappointed with this verdict. | 0:34:32 | 0:34:35 | |
But it was clear to me | 0:34:37 | 0:34:39 | |
and to the prosecution | 0:34:39 | 0:34:41 | |
that this was an emotional trial | 0:34:41 | 0:34:44 | |
and, apparently, the jury's decision was based on... | 0:34:44 | 0:34:47 | |
..emotion | 0:34:48 | 0:34:50 | |
and not reason. | 0:34:50 | 0:34:51 | |
None of you will know the sacrifices that this team | 0:34:52 | 0:34:56 | |
and their families made. | 0:34:56 | 0:34:57 | |
We are very proud of them | 0:34:59 | 0:35:01 | |
and we stand here in front of you | 0:35:01 | 0:35:04 | |
with our heads held high. | 0:35:04 | 0:35:06 | |
I'd like to give Marcia | 0:35:09 | 0:35:10 | |
the opportunity to say thank you. | 0:35:10 | 0:35:12 | |
I first want to extend my deepest thanks | 0:35:20 | 0:35:24 | |
to the families of the victims, | 0:35:24 | 0:35:26 | |
to the Goldmans and to the Browns. | 0:35:26 | 0:35:28 | |
Their strength, | 0:35:30 | 0:35:31 | |
their dignity and their support throughout this trial | 0:35:31 | 0:35:34 | |
has been a tremendous source of inspiration | 0:35:34 | 0:35:37 | |
and strength to all of us. | 0:35:37 | 0:35:39 | |
This case was fought as a battle for victims of domestic violence. | 0:35:42 | 0:35:45 | |
We hope this verdict | 0:35:47 | 0:35:49 | |
does not discourage the victims | 0:35:49 | 0:35:52 | |
who are out there throughout this country | 0:35:52 | 0:35:54 | |
from seeking help. | 0:35:54 | 0:35:56 | |
I know there are women | 0:35:57 | 0:35:59 | |
who are at this very moment living in fear, | 0:35:59 | 0:36:02 | |
living in violence. | 0:36:02 | 0:36:03 | |
Please, | 0:36:03 | 0:36:04 | |
don't let this make you lose faith in our system. | 0:36:04 | 0:36:07 | |
Thank you. | 0:36:11 | 0:36:12 | |
Chris. | 0:36:15 | 0:36:16 | |
Er... | 0:36:24 | 0:36:26 | |
If there is anything that ever motivated me throughout the trial, | 0:36:26 | 0:36:30 | |
it was the... | 0:36:30 | 0:36:32 | |
The idea, the notion, that, one day, I would have to turn and... | 0:36:32 | 0:36:35 | |
..to the Goldmans... ..and, er... | 0:36:36 | 0:36:40 | |
With the realisation | 0:36:43 | 0:36:46 | |
that he had been acquitted. | 0:36:46 | 0:36:48 | |
But that is the verdict. | 0:36:50 | 0:36:52 | |
That is the jury's | 0:36:52 | 0:36:54 | |
position. | 0:36:54 | 0:36:56 | |
That's their voice. | 0:36:56 | 0:36:57 | |
And I accept that verdict. | 0:36:59 | 0:37:00 | |
Er... | 0:37:02 | 0:37:03 | |
We came here in search of justice... | 0:37:03 | 0:37:06 | |
..and you'll have to be the judges, I expect, as to whether or not... | 0:37:08 | 0:37:11 | |
..any of us found it today. | 0:37:12 | 0:37:15 | |
But I'm not bitter... | 0:37:18 | 0:37:19 | |
..and I'm not angry. | 0:37:21 | 0:37:22 | |
But I'd also like to thank the lawyers | 0:37:24 | 0:37:27 | |
on our prosecution team. | 0:37:27 | 0:37:29 | |
I am honoured to have, er... | 0:37:31 | 0:37:33 | |
Gil. Gil! Gil! | 0:37:46 | 0:37:48 | |
You going to look for the real killer now? | 0:37:48 | 0:37:50 | |
CAR ALARM BEEPS | 0:38:10 | 0:38:11 | |
ENGINE TURNS OVER | 0:38:21 | 0:38:22 | |
-RADIO: -'..a repeat of the 1992 Rodney King trial, | 0:38:22 | 0:38:25 | |
'the scenes of violence the LAPD | 0:38:25 | 0:38:28 | |
'feared might result from the verdict, | 0:38:28 | 0:38:30 | |
'have failed to materialise thus far. | 0:38:30 | 0:38:33 | |
'If anything, what we're seeing, Tracy, | 0:38:33 | 0:38:35 | |
'are people taking to the streets not to riot | 0:38:35 | 0:38:38 | |
'but to celeb...' | 0:38:38 | 0:38:39 | |
What are we going to do now? | 0:38:53 | 0:38:54 | |
Chris. | 0:39:23 | 0:39:24 | |
Have a minute? | 0:39:26 | 0:39:27 | |
I... | 0:39:31 | 0:39:32 | |
I appreciate how hard you fought. | 0:39:34 | 0:39:36 | |
Especially that closing. | 0:39:36 | 0:39:38 | |
This was war | 0:39:41 | 0:39:42 | |
and you did a superb job. I respect that. | 0:39:42 | 0:39:45 | |
I... | 0:39:51 | 0:39:53 | |
I know how difficult this has been on you. | 0:39:53 | 0:39:56 | |
And, when the dust settles... | 0:39:57 | 0:39:59 | |
..I'd like to help bring you back into the community. | 0:40:00 | 0:40:03 | |
Hm. | 0:40:05 | 0:40:06 | |
Well, I never left. | 0:40:09 | 0:40:11 | |
You think I don't understand the situation. I get it. It's payback. | 0:40:14 | 0:40:18 | |
OJ is the first black defendant in history to get off | 0:40:18 | 0:40:21 | |
because he's black. | 0:40:21 | 0:40:23 | |
The people will see who the police really... | 0:40:25 | 0:40:27 | |
All the people saw was how well you can twist the system. | 0:40:27 | 0:40:31 | |
This isn't some civil rights milestone. | 0:40:31 | 0:40:33 | |
Police in this country will keep arresting us, keep beating us, | 0:40:35 | 0:40:38 | |
keep killing us. | 0:40:38 | 0:40:40 | |
You haven't changed anything for black people here. | 0:40:41 | 0:40:44 | |
Unless of course you are a famous rich one in Brentwood. | 0:40:45 | 0:40:49 | |
CHEERING AND APPLAUSE | 0:41:03 | 0:41:06 | |
Look at what we've got here. Thank you. | 0:41:07 | 0:41:11 | |
-Look at this spread. This spread, it's so... -Last minute. | 0:41:11 | 0:41:14 | |
-It's the best we could find at the market. -Thank you. Thank you, darling. | 0:41:14 | 0:41:18 | |
-From the very beginning you encouraged me to do it. -Thank you. -Thank you. | 0:41:18 | 0:41:22 | |
And to you, brother, the whole way. To you all. Thank you. | 0:41:22 | 0:41:27 | |
-To you, for the journey. It has been a journey. -Hey, Johnnie. -Yes, darling? | 0:41:27 | 0:41:33 | |
-They're talking about you. -Uh-oh! No, no. Don't run, Johnnie. -Come on. | 0:41:33 | 0:41:37 | |
Ain't got to run no more. | 0:41:37 | 0:41:39 | |
Today that's a good thing. | 0:41:39 | 0:41:41 | |
-I ain't got to run no more now. No more running. -Look at this. | 0:41:41 | 0:41:46 | |
-On TV: -'It will be very interesting to see what this verdict will | 0:41:46 | 0:41:49 | |
'mean for the future of the LAPD. | 0:41:49 | 0:41:51 | |
'Johnnie Cochran has shed a light on long-hidden | 0:41:51 | 0:41:54 | |
'practices of excessive force. | 0:41:54 | 0:41:57 | |
'The Justice Department is said to be launching | 0:41:57 | 0:41:59 | |
'an investigation of the standards and practices of the LAPD. | 0:41:59 | 0:42:02 | |
'I have nothing to add...' | 0:42:02 | 0:42:04 | |
-My God, it's Clinton. -You've got the President. | 0:42:04 | 0:42:08 | |
'..Americans see the world differently generally based on their race. That troubles me. | 0:42:08 | 0:42:16 | |
'I think the only answer to that is for us | 0:42:16 | 0:42:19 | |
'to spend more time listening to each other | 0:42:19 | 0:42:21 | |
'and try to put ourselves in each other's shoes and understand | 0:42:21 | 0:42:25 | |
'why we see the world in different ways and keep trying to overcome that. | 0:42:25 | 0:42:28 | |
'I would say...' | 0:42:28 | 0:42:30 | |
That's the victory. | 0:42:30 | 0:42:32 | |
'..We have succeeded so far in managing the world's most multiethnic diverse democracy...' | 0:42:32 | 0:42:39 | |
Our story is now out of the shadows. | 0:42:39 | 0:42:42 | |
DISTANT CLAMOUR | 0:42:53 | 0:42:55 | |
Hey, big-time. | 0:43:04 | 0:43:06 | |
Did you see outside? | 0:43:11 | 0:43:12 | |
People are celebrating. | 0:43:14 | 0:43:15 | |
They're celebrating him. Celebrating the verdict. | 0:43:17 | 0:43:21 | |
-I'm going to resign. -No, no. No, you can't do that. | 0:43:24 | 0:43:27 | |
I was ready to resign before this case. | 0:43:27 | 0:43:29 | |
Everything else here comes before doing the good. | 0:43:31 | 0:43:33 | |
The politics, image, career. | 0:43:35 | 0:43:38 | |
And it's not me. | 0:43:40 | 0:43:42 | |
Maybe you're lucky it isn't. | 0:43:45 | 0:43:47 | |
Maybe you have to have some...thing inside you already | 0:43:49 | 0:43:53 | |
when you get here, something that you have to make right. | 0:43:53 | 0:43:57 | |
Something that you have to avenge. | 0:43:57 | 0:43:59 | |
When I was 17 I was raped. | 0:44:07 | 0:44:09 | |
I was raped in Italy by a waiter. | 0:44:11 | 0:44:13 | |
And I buried it. | 0:44:14 | 0:44:15 | |
Didn't forget it. Just sort of stuffed it. | 0:44:16 | 0:44:20 | |
When I had my first rape case what happened to me of course came flying | 0:44:23 | 0:44:29 | |
out from whatever rock I had jammed it under and I had to deal with it. | 0:44:29 | 0:44:33 | |
And it was hell. All over again, in a way. | 0:44:35 | 0:44:38 | |
But it made something very, very clear to me. | 0:44:40 | 0:44:43 | |
I have something, this thing in me that wants vengeance. Vengeance for victims. | 0:44:45 | 0:44:53 | |
That's what justice is to me. | 0:44:53 | 0:44:55 | |
And I have always, always had faith that when I look at a jury | 0:44:57 | 0:45:01 | |
we have that in common. | 0:45:01 | 0:45:02 | |
Everyone wants justice for victims, right? | 0:45:03 | 0:45:06 | |
I never doubted that. | 0:45:08 | 0:45:10 | |
Until this. | 0:45:12 | 0:45:13 | |
After all they heard, after all they know, a man who beat and beat | 0:45:18 | 0:45:25 | |
and terrorised his wife until he just...snuffed her out. | 0:45:25 | 0:45:29 | |
And they let him go. | 0:45:35 | 0:45:36 | |
For reasons that have nothing to do with what | 0:45:39 | 0:45:41 | |
he did to those two people. | 0:45:41 | 0:45:43 | |
I don't know why they were here. | 0:45:46 | 0:45:47 | |
So I don't know why I'm here. | 0:45:49 | 0:45:51 | |
What happened to the waiter? | 0:45:56 | 0:45:58 | |
Same thing that happened today. | 0:46:00 | 0:46:02 | |
So what do you want to do now? | 0:46:09 | 0:46:11 | |
Is it too early for a drink? | 0:46:14 | 0:46:15 | |
No. | 0:46:17 | 0:46:18 | |
# Birds flying high You know how it feels | 0:46:24 | 0:46:28 | |
# Sun in the sky You know how it feels | 0:46:29 | 0:46:34 | |
# Breeze drifting on by You know how it feels | 0:46:36 | 0:46:40 | |
# It's a new dawn It's a new day | 0:46:42 | 0:46:44 | |
# It's a new life for me. | 0:46:44 | 0:46:48 | |
# Ooh-ooh-ooh Ooh-ooh-ooh-ooh-ooh-ooh. # | 0:46:48 | 0:46:51 | |
HE SIGHS | 0:47:04 | 0:47:06 | |
Bobby. | 0:47:13 | 0:47:14 | |
Bobby, Bobby. | 0:47:16 | 0:47:18 | |
Bobby. Oh! | 0:47:18 | 0:47:19 | |
Thank you. You were always there for me. You never doubted. | 0:47:22 | 0:47:27 | |
I've got a surprise for you. Want to guess what it is? | 0:47:33 | 0:47:36 | |
Something special. | 0:47:39 | 0:47:40 | |
First day I was in here you gave me a Bible. | 0:47:42 | 0:47:44 | |
I know I much means to you so I'm going to give it back to you. | 0:47:46 | 0:47:49 | |
Yes, it does. | 0:47:52 | 0:47:53 | |
Oh, man. Oh, Bobby, we did it. We won. | 0:47:59 | 0:48:03 | |
Come on, man, it's time to celebrate. Get the hell out of here. | 0:48:03 | 0:48:07 | |
Oh! That better not be a Bronco. I ain't going up to 405 in no damn Bronco. | 0:48:09 | 0:48:15 | |
It's a Ford Aerostar. | 0:48:16 | 0:48:19 | |
OJ LAUGHS | 0:48:19 | 0:48:20 | |
Yeah, man... | 0:48:20 | 0:48:23 | |
'Live picture now of the van carrying OJ Simpson returning | 0:48:31 | 0:48:34 | |
'to his home at 360 North Rockingham...' | 0:48:34 | 0:48:37 | |
'..more than a year later watching a white vehicle head for the Los Angeles expressway | 0:48:37 | 0:48:41 | |
'with an innocent man...' | 0:48:41 | 0:48:42 | |
'..we saw jubilation at the courthouse. | 0:48:42 | 0:48:44 | |
'It will be interesting to see what reaction he gets in his neighbourhood. | 0:48:44 | 0:48:47 | |
'They have time to head over there now...' | 0:48:47 | 0:48:49 | |
'..Remember the reaction during the infamous low-speed chase. | 0:48:49 | 0:48:52 | |
'People actually standing over freeway...' | 0:48:52 | 0:48:54 | |
'OJ Simpson returns home a free man, not guilty. | 0:48:54 | 0:48:57 | |
'This is the first time OJ Simpson has been here since February 12, 1995. | 0:48:57 | 0:49:02 | |
'That was when the jury visited.' | 0:49:02 | 0:49:04 | |
Oh! It's all so beautiful. I miss Brentwood. | 0:49:06 | 0:49:09 | |
-So what are you going to do first? -Tonight I'm going to party. | 0:49:12 | 0:49:15 | |
We've got a real range of plans. Star magazine is | 0:49:15 | 0:49:19 | |
paying 400,000 for the exclusive rights to take photos. | 0:49:19 | 0:49:24 | |
I'm done dealing with the trial of the century. | 0:49:24 | 0:49:27 | |
Tonight I'm doing the party of the century. | 0:49:27 | 0:49:31 | |
HE LAUGHS | 0:49:31 | 0:49:33 | |
I'm back, Brentwood. | 0:49:33 | 0:49:34 | |
I'm back. | 0:49:34 | 0:49:36 | |
JEERING | 0:49:38 | 0:49:40 | |
-Get out of here! -Get out of here! | 0:49:43 | 0:49:46 | |
What the hell are they doing here? I was found not guilty. | 0:49:46 | 0:49:50 | |
This is bullshit. | 0:49:52 | 0:49:54 | |
CLAMOUR | 0:49:56 | 0:49:59 | |
MILD APPLAUSE | 0:50:13 | 0:50:15 | |
CHEERING | 0:50:15 | 0:50:18 | |
-Mama. -Orenthal. -Welcome home, Dad. -Welcome home, Juice. | 0:50:22 | 0:50:27 | |
Where is Sydney and Justin? | 0:50:28 | 0:50:31 | |
The Browns didn't want to bring them over. | 0:50:31 | 0:50:34 | |
Come on, we'll get you in the house, Juice. Welcome home, brother. | 0:50:34 | 0:50:38 | |
HE SIGHS | 0:51:11 | 0:51:12 | |
HE SIGHS | 0:51:46 | 0:51:47 | |
HE SOBS | 0:51:52 | 0:51:57 | |
KNOCK ON DOOR | 0:52:10 | 0:52:11 | |
Uh... Yeah, come in. | 0:52:15 | 0:52:17 | |
-Hey! -Hey. Hey, I... You good? | 0:52:18 | 0:52:23 | |
Yeah, yeah, I'm good, I'm good. It's a... It's a big day. | 0:52:23 | 0:52:27 | |
-It feels big, right? -Yeah. | 0:52:27 | 0:52:29 | |
WHIMPERING | 0:52:29 | 0:52:32 | |
What you got going on under there? Who's this? | 0:52:32 | 0:52:36 | |
He doesn't have a name yet. But he's all yours, though. | 0:52:37 | 0:52:42 | |
Why the hell did you get me a puppy? | 0:52:42 | 0:52:45 | |
I don't know. I just... | 0:52:46 | 0:52:48 | |
Just wanted to make sure you always had a friend. | 0:52:48 | 0:52:50 | |
Yeah. | 0:52:57 | 0:52:59 | |
-ON TV: -'You've been called the architect of the defence team. | 0:52:59 | 0:53:03 | |
'You were the first one hired by OJ Simpson. | 0:53:03 | 0:53:05 | |
'It was the day after the murders. Who hired Johnnie Cochran?' | 0:53:05 | 0:53:08 | |
'I did.' | 0:53:08 | 0:53:09 | |
You had to. | 0:53:09 | 0:53:10 | |
LAUGHTER | 0:53:10 | 0:53:12 | |
'Johnnie Cochran was hired not just because he was a good lawyer | 0:53:12 | 0:53:14 | |
-'but because he was black? -'A combination of both. | 0:53:14 | 0:53:17 | |
'Mr Shapiro, you said in the beginning that race would not | 0:53:17 | 0:53:21 | |
'be a determining part of this case. | 0:53:21 | 0:53:22 | |
'That you would not play the race card. | 0:53:22 | 0:53:24 | |
'The race card was surely played? | 0:53:24 | 0:53:27 | |
'Barbara, my position has always been the same. | 0:53:27 | 0:53:29 | |
'Race should not and would not be part of this case. I was wrong. | 0:53:29 | 0:53:34 | |
'We not only played the race card, we dealt it the bottom of the deck.' | 0:53:34 | 0:53:38 | |
Now he's trying to take it back. | 0:53:38 | 0:53:40 | |
-Trying to get back in with his West LA friends. -Jerk. -No, no, no, baby. | 0:53:40 | 0:53:44 | |
That's the kind of shifty stuff that makes him the man to call | 0:53:44 | 0:53:46 | |
when you need that. | 0:53:46 | 0:53:48 | |
It's just Shapiro being Shapiro. | 0:53:48 | 0:53:49 | |
TURNS OFF TV | 0:53:49 | 0:53:51 | |
That's enough about. Time to party, y'all. | 0:53:51 | 0:53:53 | |
-Hey, Jason. -Yeah. -Call the Riviera and get my table for tomorrow. | 0:53:53 | 0:53:56 | |
-Make a reservation for ten. -Yeah. -A matter of fact, 15. -OK. | 0:53:56 | 0:54:00 | |
-Enough for everybody, then a couple more, too! -OK! | 0:54:00 | 0:54:03 | |
-Come on, let's celebrate! -Juice! -Come on. | 0:54:03 | 0:54:05 | |
FUNKY MUSIC PLAYING | 0:54:07 | 0:54:13 | |
CAMERA SHUTTER CLICKS | 0:54:17 | 0:54:19 | |
-Who are all these people? -I don't know. | 0:54:26 | 0:54:29 | |
-Friends of friends, maybe? -Well, where are the guys from the club? | 0:54:29 | 0:54:32 | |
-Where's Jerry, Craig, Doc? Hell, where's Kato? -I don't know, Juice. | 0:54:32 | 0:54:37 | |
SHE WHISPERS | 0:54:39 | 0:54:41 | |
Oh. OK. | 0:54:41 | 0:54:42 | |
Excuse me! Excuse me, everyone. | 0:54:48 | 0:54:50 | |
I just want to make a brief statement. | 0:54:50 | 0:54:52 | |
MUSIC STOPS | 0:54:52 | 0:54:54 | |
OK, uh... | 0:54:54 | 0:54:56 | |
I am relieved that this incredible part of the nightmare | 0:54:56 | 0:54:59 | |
that occurred on June 12, 1994 is over. | 0:54:59 | 0:55:02 | |
My first obligation is to my young children, Sydney and Justin, | 0:55:02 | 0:55:06 | |
who will be raised the way that Nicole and I had always planned. | 0:55:06 | 0:55:11 | |
Then, when things settle down a bit, I will pursue as my primary goal | 0:55:11 | 0:55:16 | |
in life the killer or killers who slaughtered Nicole and Mr Goldman. | 0:55:16 | 0:55:23 | |
They are out there, somewhere. | 0:55:24 | 0:55:26 | |
Whatever it takes, I will bring them in. | 0:55:26 | 0:55:29 | |
Thank you. | 0:55:31 | 0:55:32 | |
SMATTERING OF APPLAUSE | 0:55:32 | 0:55:35 | |
OK, music! | 0:55:43 | 0:55:45 | |
MUSIC STARTS AGAIN | 0:55:45 | 0:55:47 | |
Let's dance, y'all! | 0:55:47 | 0:55:49 | |
Hey, Uncle Robert. Leaving already? | 0:55:59 | 0:56:02 | |
I'm done, Jason. | 0:56:02 | 0:56:03 | |
MUSIC ECHOES AND FADES AWAY | 0:56:06 | 0:56:11 | |
ECHOING THUD | 0:56:14 | 0:56:15 | |
MUSIC FADES BACK UP | 0:56:21 | 0:56:24 | |
All right! | 0:56:38 | 0:56:40 | |
Hey. | 0:56:40 | 0:56:41 | |
-I knew you were innocent the whole time. Congrats. -Thank you. | 0:56:41 | 0:56:45 | |
I'm sorry, I'm a little... | 0:56:45 | 0:56:47 | |
H-How do we know each other? | 0:56:47 | 0:56:49 | |
Do-Do we play golf together or something? | 0:56:49 | 0:56:51 | |
-No, no, I'm a waiter. -Oh! | 0:56:51 | 0:56:55 | |
-Do you want your drink refreshed? -No, I'm OK. | 0:56:56 | 0:56:58 | |
-Hey, Dad. -Oh, hi, son. | 0:57:02 | 0:57:04 | |
-Hey, uh, I called the Riviera, they can't take us. -What do you mean? | 0:57:04 | 0:57:08 | |
-Call them back and ask for Marco, he'll make room for me. -I did, Dad. | 0:57:08 | 0:57:13 | |
Marco said he doesn't have room for YOU. | 0:57:13 | 0:57:15 | |
Well, to hell with the Riviera! | 0:57:18 | 0:57:19 | |
I'll find another place. | 0:57:19 | 0:57:21 | |
CAMERA SHUTTER CLICKS | 0:57:21 | 0:57:24 | |
MUSIC ECHOES AND FADES AWAY | 0:57:29 | 0:57:33 | |
HE SIGHS | 0:57:42 | 0:57:43 | |
DISTANT SOUNDS OF SPORTS CROWD | 0:58:11 | 0:58:15 | |
# Ain't no sunshine when she's gone | 0:58:29 | 0:58:33 | |
# It's not warm when she's away | 0:58:35 | 0:58:39 | |
# Ain't no sunshine when she's gone | 0:58:41 | 0:58:44 | |
# And she's always gone too long | 0:58:44 | 0:58:47 | |
# Anytime she goes away | 0:58:47 | 0:58:50 | |
# Wonder this time where she's gone | 0:58:54 | 0:58:57 | |
# Wonder if she's gone to stay | 0:58:59 | 0:59:03 | |
# Ain't no sunshine when she's gone | 0:59:05 | 0:59:08 | |
# And this house just ain't no home | 0:59:08 | 0:59:11 | |
# Anytime she goes away | 0:59:11 | 0:59:14 | |
# And I know, I know, I know, I know | 0:59:17 | 0:59:19 | |
# I know, I know, I know, I know | 0:59:19 | 0:59:22 | |
# I know, I know, I know, I know | 0:59:22 | 0:59:24 | |
# I know, I know, I know, I know | 0:59:24 | 0:59:26 | |
# I know, I know, I know, I know | 0:59:26 | 0:59:29 | |
# I know, I know, I know, I know | 0:59:29 | 0:59:31 | |
# Hey, I oughtta leave young thing alone | 0:59:31 | 0:59:34 | |
# But ain't no sunshine when she's gone | 0:59:34 | 0:59:38 | |
# Ain't no sunshine when she's gone | 0:59:40 | 0:59:43 | |
# Only darkness every day | 0:59:46 | 0:59:49 | |
# Ain't no sunshine when she's gone | 0:59:52 | 0:59:55 | |
# And this house just ain't no home | 0:59:55 | 0:59:57 | |
# Anytime she goes away | 0:59:57 | 1:00:00 | |
# Anytime she goes away | 1:00:03 | 1:00:06 | |
# Anytime she goes away | 1:00:09 | 1:00:12 | |
# Anytime she goes away. # | 1:00:15 | 1:00:18 |