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Across the river, Russia. The time has come, gentlemen. | 0:00:02 | 0:00:04 | |
-We're at war again? -Pa, let me enlist. -Absolutely not! | 0:00:04 | 0:00:08 | |
If you won't find me a commission, I'll run away and find one myself. | 0:00:08 | 0:00:11 | |
I've fallen in love before and I expect that I will again. | 0:00:11 | 0:00:14 | |
"A short time ago, I was able | 0:00:14 | 0:00:16 | |
"to be of service to Princess Marya Bolkonskaya." | 0:00:16 | 0:00:20 | |
-It really does seem like fate, doesn't it? -Yes, it does. | 0:00:20 | 0:00:24 | |
Just to confirm, I have received a refusal from Countess Rostova. | 0:00:24 | 0:00:27 | |
Will you ask him if he can forgive me? | 0:00:27 | 0:00:30 | |
'No-one's as kind as you.' | 0:00:30 | 0:00:32 | |
No-one understands me as well as you do. | 0:00:32 | 0:00:35 | |
If you knew how... No, this is wrong! | 0:00:35 | 0:00:38 | |
We are fighting on our own soil now. | 0:00:41 | 0:00:43 | |
Look out! Get down, sir! | 0:00:43 | 0:00:46 | |
Kuragin. | 0:00:46 | 0:00:48 | |
Bolkonsky! | 0:00:49 | 0:00:51 | |
Napoleon's army has suffered a mortal wound | 0:00:53 | 0:00:55 | |
from which he will not recover. | 0:00:55 | 0:00:57 | |
Do we go on the offensive? | 0:00:57 | 0:00:59 | |
No...we retreat. | 0:00:59 | 0:01:01 | |
Abandon Moscow?! | 0:01:01 | 0:01:03 | |
Abandon Russia's sacred capital without a fight?! | 0:01:03 | 0:01:07 | |
BIRDSONG | 0:01:10 | 0:01:12 | |
HORSE SNORTS | 0:01:49 | 0:01:51 | |
At last, Moscow. | 0:02:02 | 0:02:05 | |
Here she lies in all her beauty, | 0:02:06 | 0:02:08 | |
wide open to us. | 0:02:08 | 0:02:10 | |
With one word from me, she could be destroyed for ever. | 0:02:12 | 0:02:15 | |
But I will spare her. | 0:02:16 | 0:02:18 | |
And more than that, | 0:02:18 | 0:02:20 | |
I will bring her justice, | 0:02:20 | 0:02:22 | |
and show her the meaning of true civilisation. | 0:02:22 | 0:02:25 | |
I will be merciful with her former rulers. | 0:02:27 | 0:02:29 | |
I will say to them, "I come in peace. | 0:02:29 | 0:02:33 | |
"Your happiness is as precious to me | 0:02:33 | 0:02:36 | |
"as that of all my subjects." | 0:02:36 | 0:02:39 | |
This is the dawn of a new age in Russia. | 0:02:40 | 0:02:42 | |
SMASHING GLASS | 0:02:43 | 0:02:45 | |
COMMOTION | 0:02:45 | 0:02:47 | |
-MAN: -Thieves! | 0:02:47 | 0:02:49 | |
Thieves! Stop! | 0:02:49 | 0:02:51 | |
-That's mine! -What are you doing?! -Get off! | 0:02:51 | 0:02:54 | |
MAN GROANS | 0:02:54 | 0:02:56 | |
BLOWS LAND | 0:02:56 | 0:02:58 | |
GRUNTING | 0:02:58 | 0:02:59 | |
COMMOTION | 0:02:59 | 0:03:01 | |
< BLOWS LAND, SHOUTING CONTINUES | 0:03:03 | 0:03:05 | |
CHURCH BELL PEELS | 0:03:14 | 0:03:17 | |
-Put all the silver in that one. -Everyone's leaving. | 0:03:20 | 0:03:22 | |
They're looting the shops and fighting in the street. | 0:03:22 | 0:03:24 | |
-We have to leave now! -Let's not get ahead of ourselves, there's plenty of time. | 0:03:24 | 0:03:28 | |
There's all sorts of rumours flying around, but the Governor, Count Rostopchin... | 0:03:28 | 0:03:31 | |
-People are saying he's left, as well. -What's happening? | 0:03:31 | 0:03:33 | |
Papa, we have to leave. Why do we always leave everything till it's too late? | 0:03:33 | 0:03:37 | |
Don't you understand? The French are coming now! | 0:03:37 | 0:03:40 | |
-Oh, what's to become of us? -It's all going to be fine, darling. | 0:03:40 | 0:03:43 | |
-Can I help? -MEN SHOUT OUTSIDE | 0:03:43 | 0:03:45 | |
-What do you want me to do? -Don't... Don't touch that. | 0:03:45 | 0:03:47 | |
HOOVES CLATTER | 0:03:47 | 0:03:49 | |
MAN SHOUTS ORDERS | 0:03:49 | 0:03:51 | |
SILENT TRUDGING | 0:03:51 | 0:03:52 | |
SHE PANTS | 0:03:55 | 0:03:58 | |
-We'll re-dress those wounds, particularly... -Excuse me. Sorry. | 0:03:58 | 0:04:01 | |
-Where have you come from? -Borodino. -Is there any way we can help? | 0:04:01 | 0:04:04 | |
-Well, food and water, if you have any? -Of course. | 0:04:04 | 0:04:08 | |
Um, the wounded who can't walk, | 0:04:08 | 0:04:10 | |
wouldn't it be better if they were brought in? | 0:04:10 | 0:04:13 | |
-We've plenty of room. Would it be permitted? -You're very kind. | 0:04:13 | 0:04:16 | |
Forgive me, Your Excellency, are you permitted? | 0:04:16 | 0:04:18 | |
Should you not ask your father? | 0:04:18 | 0:04:20 | |
It's all right, he'll say yes, I know he will. Have them brought in. | 0:04:20 | 0:04:23 | |
Thank you. | 0:04:23 | 0:04:24 | |
Onward. Bring the horses inside. | 0:04:24 | 0:04:26 | |
Bring the wounded inside. | 0:04:26 | 0:04:28 | |
I don't know what to take and what to leave. | 0:04:30 | 0:04:33 | |
We should pack for Nikolai, too. | 0:04:33 | 0:04:35 | |
I wish he was here to say what he needs. | 0:04:35 | 0:04:37 | |
Oh, I think he has what he needs already. | 0:04:37 | 0:04:39 | |
-Sonya, you know he loves you. -Yes, but what does that matter? | 0:04:40 | 0:04:44 | |
I can't imagine Nikolai loving anybody else. | 0:04:46 | 0:04:49 | |
-Hmm. -Anyway, if anyone's going to be an old maid, it will be me. | 0:04:49 | 0:04:51 | |
No-one will want me after my disgrace. | 0:04:53 | 0:04:55 | |
You're still my friend, though, aren't you, Sonya? | 0:04:57 | 0:04:59 | |
I know I said some awful things to you at that terrible time. | 0:04:59 | 0:05:02 | |
-Yes, of course, I'm still your friend! -Good. | 0:05:02 | 0:05:05 | |
Well, then, I'm happy. | 0:05:07 | 0:05:10 | |
You and Pierre, that's enough. | 0:05:10 | 0:05:11 | |
I do wonder what happened to Pierre. | 0:05:13 | 0:05:14 | |
-Do you think we'll ever see him again? -Well, I can't imagine not. | 0:05:16 | 0:05:20 | |
No... | 0:05:21 | 0:05:23 | |
Nor can I. | 0:05:23 | 0:05:24 | |
Oh, Sonya... | 0:05:29 | 0:05:30 | |
What's going to happen to those poor, wounded soldiers | 0:05:31 | 0:05:33 | |
when the French get here? | 0:05:33 | 0:05:35 | |
The French are not barbarians. | 0:05:35 | 0:05:37 | |
Well, perhaps we could take one or two of them with us? | 0:05:38 | 0:05:41 | |
We could make space. I'm going to ask Papa. | 0:05:41 | 0:05:43 | |
I won't allow it. Really, Ilya, you've brought us to the point | 0:05:45 | 0:05:48 | |
where we're not getting anything for our house, and now, | 0:05:48 | 0:05:51 | |
you want us to give up all our possessions, | 0:05:51 | 0:05:53 | |
all our children's inheritance? | 0:05:53 | 0:05:54 | |
But if we can care for two or three of these poor fellows, Natalya... | 0:05:54 | 0:05:58 | |
It isn't our business to care for them, it's the Government's business to care for them. | 0:05:58 | 0:06:02 | |
The Government's gone, my dear. | 0:06:02 | 0:06:03 | |
Oh, so, you want us to abandon all our family treasures to the French, | 0:06:03 | 0:06:06 | |
just to make room in the carriages for soldiers? No. No! | 0:06:06 | 0:06:10 | |
This is beyond your usual foolishness, | 0:06:10 | 0:06:12 | |
-this is...this is madness! -Mama, please, | 0:06:12 | 0:06:14 | |
it's not abandoning everything, | 0:06:14 | 0:06:16 | |
-it's just things we wouldn't care about. -These are our things! | 0:06:16 | 0:06:19 | |
Aren't you ashamed of yourself?! | 0:06:19 | 0:06:21 | |
Oh! | 0:06:21 | 0:06:23 | |
Do what you will. | 0:06:23 | 0:06:25 | |
Ruin us! | 0:06:25 | 0:06:27 | |
-I give up! -NATASHA SIGHS | 0:06:27 | 0:06:29 | |
BELL PEELS IN DISTANCE | 0:06:33 | 0:06:35 | |
KNOCKING | 0:06:59 | 0:07:01 | |
CHATTER | 0:07:09 | 0:07:11 | |
BELL PEELS | 0:07:11 | 0:07:13 | |
Take a last look at the old house, who knows when we'll return to it? | 0:07:20 | 0:07:24 | |
Never, no doubt. | 0:07:24 | 0:07:26 | |
Oh, I'm not so sure, things have a way of turning out for the best | 0:07:26 | 0:07:30 | |
just when you least expect it. | 0:07:30 | 0:07:32 | |
Oh! Your blind optimism never ceases to amaze me, Ilya. | 0:07:32 | 0:07:35 | |
NATALYA SIGHS, HE TAPS | 0:07:35 | 0:07:38 | |
HUBBUB | 0:07:42 | 0:07:43 | |
Extraordinary! | 0:07:48 | 0:07:50 | |
It's appalling. I can't look! | 0:07:50 | 0:07:53 | |
Wait. | 0:07:58 | 0:07:59 | |
Wait, stop. Isn't that Pierre? | 0:07:59 | 0:08:01 | |
Please, stop the carriage! | 0:08:01 | 0:08:03 | |
Miss, we can't stop here. | 0:08:03 | 0:08:05 | |
Pierre! Pierre! | 0:08:05 | 0:08:07 | |
What are you doing? Why are you dressed like that? | 0:08:10 | 0:08:12 | |
You don't look yourself. Come with us. You can't stay in Moscow. | 0:08:15 | 0:08:19 | |
-Yes, I'm afraid I have to. -Why? | 0:08:19 | 0:08:21 | |
There's something I have to do, something terrible. | 0:08:21 | 0:08:24 | |
What? | 0:08:24 | 0:08:26 | |
Kill Napoleon. | 0:08:27 | 0:08:29 | |
Pierre! | 0:08:30 | 0:08:32 | |
Pierre! | 0:08:34 | 0:08:36 | |
Pierre! | 0:08:38 | 0:08:39 | |
-What's the hurry? -The French are here. | 0:08:44 | 0:08:46 | |
They're in the city. | 0:08:46 | 0:08:48 | |
MAN SINGS IN FRENCH NEARBY | 0:09:13 | 0:09:15 | |
SINGING CONTINUES | 0:09:24 | 0:09:26 | |
Who the hell are you? | 0:09:35 | 0:09:37 | |
Who the hell are you, monsieur? | 0:09:38 | 0:09:41 | |
I'm Count Pierre Bezukhov. | 0:09:41 | 0:09:43 | |
I own this house. | 0:09:43 | 0:09:44 | |
Ah. | 0:09:45 | 0:09:47 | |
Capitaine Ramballe, Quatrieme Regiment de Chasseurs, | 0:09:49 | 0:09:52 | |
a votre service, Monsieur le Comte. | 0:09:52 | 0:09:54 | |
I must inform you that your house | 0:09:54 | 0:09:56 | |
has been commandeered in the name of the French Army. | 0:09:56 | 0:09:58 | |
Has it, by God?! | 0:09:58 | 0:10:00 | |
We're both gentlemen, monsieur. | 0:10:02 | 0:10:04 | |
I'm...weary of war... | 0:10:04 | 0:10:07 | |
and hungry for a little civilised conversation. | 0:10:07 | 0:10:10 | |
Come. | 0:10:11 | 0:10:12 | |
Sit... | 0:10:12 | 0:10:14 | |
and drink a bottle or two with me. | 0:10:14 | 0:10:16 | |
PIERRE SIGHS What the hell. | 0:10:19 | 0:10:21 | |
Capitaine Ramballe. | 0:10:23 | 0:10:25 | |
Is Napoleon himself in the city yet? | 0:10:25 | 0:10:27 | |
Certainement! He will be addressing the populace tomorrow evening | 0:10:27 | 0:10:31 | |
from the steps of the Kremlin Palace. He is there now. | 0:10:31 | 0:10:34 | |
Tell me, Count, have all the women left Moscow? | 0:10:34 | 0:10:38 | |
-I believe so. -Ah. | 0:10:38 | 0:10:39 | |
All those who had the means to. | 0:10:39 | 0:10:41 | |
-Dommage! -RAMBALLE LAUGHS | 0:10:41 | 0:10:44 | |
I love women. | 0:10:44 | 0:10:45 | |
Women have been my life. | 0:10:45 | 0:10:47 | |
And I can tell you have known women too, eh? | 0:10:47 | 0:10:50 | |
RAMBALLE LAUGHS | 0:10:50 | 0:10:52 | |
Just a month ago, | 0:10:52 | 0:10:54 | |
I had the honour to save the life of a Polish Hussar. | 0:10:54 | 0:10:57 | |
And you know what? | 0:10:57 | 0:10:59 | |
He insisted on offering his wife to me. | 0:10:59 | 0:11:02 | |
RAMBALLE LAUGHS | 0:11:02 | 0:11:03 | |
A very affectionate little thing, she was. | 0:11:03 | 0:11:06 | |
She wanted to run away with me, you know, | 0:11:06 | 0:11:09 | |
but when I'd had my fill, I return her to her husband. | 0:11:09 | 0:11:13 | |
"Monsieur," I said to him, | 0:11:13 | 0:11:15 | |
"I saved your life, and now, I will save your honour!" | 0:11:15 | 0:11:18 | |
RAMBALLE LAUGHS | 0:11:18 | 0:11:20 | |
I must confess, I'm a romantic! | 0:11:20 | 0:11:23 | |
And I can tell, you are the same, my friend. | 0:11:23 | 0:11:27 | |
-No, not quite the same. -Hmm? | 0:11:28 | 0:11:30 | |
I have a different view of love from yours | 0:11:32 | 0:11:35 | |
and a different experience of it. | 0:11:35 | 0:11:37 | |
Yes, of course, I've known women. Many of them, I'm ashamed to say... | 0:11:37 | 0:11:40 | |
..but I have only truly loved one woman in all my life. | 0:11:42 | 0:11:46 | |
Hmm. | 0:11:49 | 0:11:50 | |
And she can never belong to me. | 0:11:50 | 0:11:53 | |
-NATASHA GROANS -What's this place called? | 0:12:05 | 0:12:08 | |
Mytishchi, I think they said. | 0:12:08 | 0:12:10 | |
Mytishchi, yes. | 0:12:10 | 0:12:13 | |
I hoped we'd get further, but we started out so late. | 0:12:13 | 0:12:16 | |
Sonya, come with me. | 0:12:16 | 0:12:18 | |
Careful! | 0:12:23 | 0:12:25 | |
Please, let me help you. | 0:12:25 | 0:12:26 | |
-May I help here? Is he very badly wounded? -Yes. | 0:12:30 | 0:12:34 | |
He should have a room to himself, if that's possible, Miss. | 0:12:34 | 0:12:38 | |
-He's quite an important person. -Well... | 0:12:38 | 0:12:40 | |
Oh. CHATTER | 0:12:43 | 0:12:46 | |
Yes, I'll...I'll tell the mistress right away. | 0:12:46 | 0:12:49 | |
He'll have every care possible. | 0:12:49 | 0:12:51 | |
Look there, Your Excellency. | 0:12:56 | 0:12:58 | |
Back there. | 0:12:58 | 0:13:00 | |
That's fire! | 0:13:00 | 0:13:02 | |
Moscow is burning. | 0:13:02 | 0:13:04 | |
CHATTER | 0:13:09 | 0:13:10 | |
Poor Moscow... | 0:13:10 | 0:13:12 | |
Never mind, Excellency, they will put it out, no fear. | 0:13:12 | 0:13:16 | |
But...who's left to put it out? | 0:13:18 | 0:13:20 | |
Poor Moscow... | 0:13:20 | 0:13:22 | |
Our Dear Mother... | 0:13:23 | 0:13:25 | |
RAMBALLE SNORES SOFTLY | 0:13:35 | 0:13:37 | |
FIRES ROAR, SHOUTING | 0:14:16 | 0:14:18 | |
FIRES CRACKLE | 0:14:29 | 0:14:32 | |
-WOMAN: -Please! Please! | 0:14:34 | 0:14:37 | |
Please! Please! | 0:14:37 | 0:14:40 | |
-MAN: -What's the matter? -My girl! Save her! | 0:14:40 | 0:14:43 | |
Help me, for the love of God! | 0:14:43 | 0:14:44 | |
My little girl, my youngest, she got left behind! | 0:14:44 | 0:14:47 | |
She'll be all burnt up! | 0:14:47 | 0:14:49 | |
-Where did you leave her? -She's in there, God help her! -MAN SHOUTS IN FRENCH | 0:14:49 | 0:14:52 | |
-Please! -Come with me, you can get in round the side! | 0:14:52 | 0:14:55 | |
Please! | 0:14:55 | 0:14:57 | |
-Hurry! Hurry! -Wait here. | 0:14:57 | 0:14:59 | |
FIRE ROARS AND CRACKLES | 0:14:59 | 0:15:02 | |
Hey! A little girl, have you seen her? | 0:15:10 | 0:15:13 | |
CHILD CRIES | 0:15:13 | 0:15:15 | |
CHILD SCREAMS AND CRIES | 0:15:16 | 0:15:18 | |
Oh, God! It's all right. It's OK. CHILD SOBS | 0:15:21 | 0:15:24 | |
I've got you. Hey... | 0:15:24 | 0:15:26 | |
It's all right. It's OK. CHILD WAILS | 0:15:26 | 0:15:29 | |
It's all right. | 0:15:29 | 0:15:31 | |
There you are. | 0:15:35 | 0:15:37 | |
-Where's your mother gone? -The soldiers moved them on. | 0:15:38 | 0:15:41 | |
-Go that way, sir. -WOMAN SCREAMS | 0:15:41 | 0:15:43 | |
Hey! Laissez cette femme! | 0:15:43 | 0:15:45 | |
Here. Leave her alone! | 0:15:45 | 0:15:47 | |
Yargh! | 0:15:47 | 0:15:49 | |
Allez! Allez! Yargh! | 0:15:50 | 0:15:53 | |
COMMOTION, SHOUTING | 0:15:56 | 0:15:58 | |
No! | 0:16:00 | 0:16:01 | |
COMMOTION | 0:16:01 | 0:16:03 | |
-Allez! -Come on, then! | 0:16:04 | 0:16:06 | |
I'll fight you all! | 0:16:06 | 0:16:08 | |
SOLDIER SHOUTS IN FRENCH | 0:16:08 | 0:16:10 | |
PIERRE ROARS | 0:16:10 | 0:16:12 | |
Assassin! Assassin et pyromane! | 0:16:12 | 0:16:15 | |
SOLDIER SPEAKS FRENCH No! | 0:16:15 | 0:16:18 | |
Yargh! PIERRE ROARS | 0:16:18 | 0:16:21 | |
HIS ROARS ECHO | 0:16:21 | 0:16:22 | |
I think the whole of Moscow will burn down, Sonya. | 0:16:25 | 0:16:28 | |
It's such a terrible glow! | 0:16:28 | 0:16:30 | |
Natasha. | 0:16:38 | 0:16:40 | |
Your mother told me not to say anything, | 0:16:40 | 0:16:42 | |
but I think you should know. | 0:16:42 | 0:16:44 | |
Know what? | 0:16:46 | 0:16:48 | |
Prince Andrei is here. | 0:16:49 | 0:16:51 | |
In this... | 0:16:53 | 0:16:55 | |
In this house? | 0:16:55 | 0:16:56 | |
He's in the back room. | 0:16:56 | 0:16:58 | |
He's very badly wounded. Too badly to see anyone, they said. | 0:16:58 | 0:17:01 | |
MAN SPLUTTERS NEARBY | 0:17:03 | 0:17:05 | |
-Is that him? -No, no, that's the other one. | 0:17:06 | 0:17:09 | |
He lies very quiet. | 0:17:09 | 0:17:10 | |
Natasha, you'll catch a chill over there. | 0:17:12 | 0:17:15 | |
Come and lie in bed with me. | 0:17:15 | 0:17:17 | |
No, I'm all right, Mama. | 0:17:17 | 0:17:19 | |
I'll sleep over here on the floor. | 0:17:19 | 0:17:21 | |
-Hey, miss, you can't be here. -No, let her stay. | 0:18:17 | 0:18:21 | |
It's really you. | 0:18:23 | 0:18:25 | |
-SHE SOBS -Forgive me. | 0:18:27 | 0:18:29 | |
I'm so sorry. Forgive me. | 0:18:29 | 0:18:32 | |
-For what? -For what I did. | 0:18:32 | 0:18:35 | |
Natasha... | 0:18:35 | 0:18:36 | |
I love you. | 0:18:36 | 0:18:38 | |
You can't love me. | 0:18:39 | 0:18:41 | |
I love you more. | 0:18:43 | 0:18:45 | |
Better than I did before. | 0:18:46 | 0:18:48 | |
I was in the wrong. | 0:18:50 | 0:18:51 | |
It's for you... | 0:18:51 | 0:18:53 | |
to forgive me. | 0:18:53 | 0:18:55 | |
CHATTER AND BUSTLE | 0:19:02 | 0:19:04 | |
HORSE SNORTS | 0:19:04 | 0:19:06 | |
HE KNOCKS | 0:19:09 | 0:19:11 | |
Oh, I thought you'd left. | 0:19:12 | 0:19:14 | |
I came to tell you that I've heard your brother is alive. | 0:19:14 | 0:19:17 | |
He's being cared for by my family. They'll be travelling to Yaroslavl. | 0:19:17 | 0:19:20 | |
They had to flee from Moscow. | 0:19:20 | 0:19:22 | |
Thank God! I must bring Nikolushka to see his father. | 0:19:22 | 0:19:27 | |
Yes, of course. | 0:19:27 | 0:19:28 | |
I would escort you, but I'm already late to join my regiment. | 0:19:29 | 0:19:32 | |
No, no, no, don't be silly. | 0:19:32 | 0:19:34 | |
-Nothing ever happens exactly as one would wish, but... -I understand. | 0:19:37 | 0:19:41 | |
Bye, Nikolai. | 0:19:44 | 0:19:45 | |
Stay safe. | 0:19:45 | 0:19:47 | |
Say bye. | 0:19:51 | 0:19:52 | |
Where's Natasha? | 0:19:58 | 0:20:00 | |
She's not still with that man? | 0:20:00 | 0:20:02 | |
She won't leave his side. | 0:20:02 | 0:20:04 | |
Well, tell her to come and make ready, we have to move on. | 0:20:04 | 0:20:07 | |
-She says that Prince Andrei isn't well enough to be moved yet. -Oh! | 0:20:07 | 0:20:10 | |
Ilya, what are we to do? | 0:20:10 | 0:20:12 | |
Should we move on, or is it safe to wait a day or two? | 0:20:12 | 0:20:16 | |
Er... | 0:20:16 | 0:20:18 | |
Hard to say. | 0:20:19 | 0:20:20 | |
Er... | 0:20:20 | 0:20:21 | |
I'll leave it to you, my dear. | 0:20:21 | 0:20:23 | |
I'm just going to step out for a breath of fresh air, | 0:20:23 | 0:20:26 | |
see the goats, you know... | 0:20:26 | 0:20:28 | |
(Oh, my God! What are we going to do?!) | 0:20:30 | 0:20:34 | |
This has... | 0:20:35 | 0:20:37 | |
broken him. | 0:20:37 | 0:20:38 | |
You know we're ruined, don't you? | 0:20:42 | 0:20:45 | |
We have nothing left. | 0:20:46 | 0:20:48 | |
Nothing at all. | 0:20:49 | 0:20:52 | |
Everything now... | 0:20:52 | 0:20:54 | |
depends on Nikolai. | 0:20:54 | 0:20:55 | |
Everything. | 0:20:58 | 0:20:59 | |
You understand me? | 0:21:02 | 0:21:03 | |
Yes, Countess, I understand you. | 0:21:05 | 0:21:07 | |
SHE SIGHS | 0:21:17 | 0:21:19 | |
BLEATING | 0:21:22 | 0:21:24 | |
'DRUMMING' | 0:21:42 | 0:21:44 | |
MEN CONVERSE IN FRENCH | 0:21:47 | 0:21:49 | |
MAN WHIMPERS | 0:21:54 | 0:21:56 | |
MEN WHIMPER | 0:21:57 | 0:22:00 | |
MEN GROAN | 0:22:01 | 0:22:03 | |
SOLDIER MUTTERS | 0:22:06 | 0:22:08 | |
WIND WHISTLES | 0:22:10 | 0:22:12 | |
Presentez armes! | 0:22:17 | 0:22:19 | |
MAN MUTTERS | 0:22:19 | 0:22:21 | |
En joue! | 0:22:21 | 0:22:23 | |
-Feu! -GUNSHOTS | 0:22:24 | 0:22:26 | |
Les deux suivants! Vite! | 0:22:26 | 0:22:28 | |
-MAN: -No! | 0:22:28 | 0:22:29 | |
YELLING | 0:22:29 | 0:22:31 | |
En joue! | 0:22:40 | 0:22:42 | |
-Feu! -GUNSHOTS | 0:22:43 | 0:22:46 | |
Non, non, non. Que le cinquieme! | 0:22:57 | 0:22:59 | |
PRISONER SCREAMS | 0:23:01 | 0:23:03 | |
En joue! | 0:23:14 | 0:23:15 | |
-Feu! -GUNSHOTS | 0:23:17 | 0:23:19 | |
Ca suffit! Emmenez les autres! | 0:23:21 | 0:23:23 | |
ANDREI: Everything's simple, really. | 0:23:26 | 0:23:28 | |
The world... | 0:23:28 | 0:23:31 | |
The world wants us to love it. | 0:23:31 | 0:23:33 | |
And it's not hard, it's easy. | 0:23:33 | 0:23:35 | |
I heard this little whispering voice... | 0:23:37 | 0:23:39 | |
..sort of little whispering music, | 0:23:40 | 0:23:42 | |
and I realised it was a fly in the room. | 0:23:42 | 0:23:45 | |
And it wanted me to love it. | 0:23:45 | 0:23:47 | |
And I DID love it. | 0:23:49 | 0:23:50 | |
And I saw that one can love everything. | 0:23:51 | 0:23:55 | |
-Don't talk too much, you'll tire yourself. -Am I talking nonsense? | 0:23:57 | 0:24:00 | |
I've been delirious, you know. | 0:24:01 | 0:24:03 | |
But I want - | 0:24:04 | 0:24:06 | |
I want you to know that I... | 0:24:06 | 0:24:08 | |
..I'm happy. | 0:24:10 | 0:24:12 | |
I saw him, at the hospital. | 0:24:15 | 0:24:18 | |
Who? Who did you see? | 0:24:18 | 0:24:20 | |
Anatole Kuragin. | 0:24:20 | 0:24:22 | |
My enemy. | 0:24:22 | 0:24:23 | |
He was hurt, and I was hurt. | 0:24:24 | 0:24:28 | |
And he looked at me... | 0:24:28 | 0:24:29 | |
..and I found that I loved him, too. | 0:24:30 | 0:24:33 | |
He's not so bad. | 0:24:34 | 0:24:36 | |
He can't help it, being like that. | 0:24:37 | 0:24:39 | |
And I'm the one to blame. | 0:24:40 | 0:24:42 | |
It was cruel of me to leave you. | 0:24:43 | 0:24:46 | |
It was cruel of me to break it off with you, I see that now. | 0:24:46 | 0:24:49 | |
No, please, don't talk like that, as if I were a child. | 0:24:49 | 0:24:52 | |
As if I had no responsibility for what I did. | 0:24:52 | 0:24:55 | |
I was wrong and I was foolish, | 0:24:55 | 0:24:58 | |
and I didn't think of you, or how I was hurting you. | 0:24:58 | 0:25:01 | |
I behaved badly... | 0:25:01 | 0:25:02 | |
..and nothing can change that, nothing can make it right. | 0:25:03 | 0:25:06 | |
But we can forgive each other, can't we? | 0:25:08 | 0:25:10 | |
We can still love each other. | 0:25:10 | 0:25:12 | |
Now that it's all too late. | 0:25:12 | 0:25:14 | |
But it isn't, it isn't too late. | 0:25:14 | 0:25:17 | |
It's so strange. | 0:25:19 | 0:25:21 | |
I was thinking, | 0:25:22 | 0:25:24 | |
if she could be here, I could tell her. | 0:25:24 | 0:25:28 | |
And here you are. | 0:25:28 | 0:25:30 | |
And I won't leave you. I'll never leave you. | 0:25:30 | 0:25:32 | |
'My dear Sonya.... | 0:25:55 | 0:25:56 | |
'Oh, Lord...' | 0:25:56 | 0:25:58 | |
Did I ask you to barge in? | 0:26:01 | 0:26:03 | |
Sorry, Your Excellency. But this letter... | 0:26:03 | 0:26:05 | |
All right, give it here. | 0:26:06 | 0:26:08 | |
SONYA: 'My dearest Nikolai, I am writing to tell you that | 0:26:13 | 0:26:17 | |
-'I release you from our engagement.' -Oh, thank you, God! | 0:26:17 | 0:26:20 | |
'I know that your family wish you to marry Princess Bolkonskaya, | 0:26:23 | 0:26:27 | |
'that your family's welfare depends upon it. | 0:26:27 | 0:26:31 | |
'So, I beg you to consider yourself free, but to know that, | 0:26:31 | 0:26:35 | |
'despite everything, no-one could ever love you more than... | 0:26:35 | 0:26:39 | |
'..your Sonya.' | 0:26:41 | 0:26:43 | |
-NATALYA: -Sonya? | 0:26:45 | 0:26:47 | |
Sonya! | 0:26:47 | 0:26:49 | |
Sonya, we have to leave. | 0:26:49 | 0:26:51 | |
I say now is the time to attack Napoleon, | 0:26:58 | 0:27:01 | |
while his divisions are scattered across the city, | 0:27:01 | 0:27:03 | |
and his soldiers are preoccupied with arresting looters. | 0:27:03 | 0:27:06 | |
Those who are not looting themselves. | 0:27:06 | 0:27:08 | |
We could RETAKE Moscow, and secure a famous victory! | 0:27:08 | 0:27:11 | |
No. | 0:27:11 | 0:27:12 | |
We do nothing. | 0:27:12 | 0:27:14 | |
Time and patience. | 0:27:14 | 0:27:16 | |
Napoleon will never survive the Russian winter. | 0:27:16 | 0:27:19 | |
In a little while, he will abandon Moscow, | 0:27:19 | 0:27:21 | |
because he has no means of supplying his army. | 0:27:21 | 0:27:24 | |
Then, when he is retreating, we will attack. | 0:27:24 | 0:27:27 | |
Consider the advantage of fighting on our own ground. | 0:27:27 | 0:27:30 | |
CLAMOUR | 0:27:30 | 0:27:31 | |
-Your Grace, if I might propose... -Meeting... | 0:27:31 | 0:27:33 | |
Meeting concluded, gentlemen. | 0:27:33 | 0:27:35 | |
'This is beyond reason.' | 0:27:37 | 0:27:39 | |
They refuse to fight, | 0:27:40 | 0:27:42 | |
yet they don't surrender and make terms. | 0:27:42 | 0:27:44 | |
What sort of men are they, that they would burn their beloved city | 0:27:46 | 0:27:49 | |
to the ground, rather than accept my generous settlement? | 0:27:49 | 0:27:52 | |
Are they savages? | 0:27:53 | 0:27:55 | |
Do they want to go back to the Dark Ages? | 0:27:56 | 0:27:58 | |
I expected better of them. | 0:28:00 | 0:28:01 | |
I'm disappointed! | 0:28:03 | 0:28:05 | |
Ahem, sire... | 0:28:12 | 0:28:13 | |
Yes? What? | 0:28:13 | 0:28:14 | |
What with the disruption and the fires, | 0:28:18 | 0:28:20 | |
we shall soon find we're running out of essential provisions. | 0:28:20 | 0:28:23 | |
And you think I don't know that? | 0:28:23 | 0:28:25 | |
I shall be glad to receive your solutions | 0:28:26 | 0:28:29 | |
to these problems by noon today. | 0:28:29 | 0:28:30 | |
SCREAMING, COMMOTION | 0:28:45 | 0:28:48 | |
MUFFLED GUNSHOTS | 0:28:48 | 0:28:49 | |
YELLING | 0:28:49 | 0:28:51 | |
GUNSHOT ECHOES | 0:28:51 | 0:28:53 | |
HE BREATHES DEEPLY | 0:29:00 | 0:29:03 | |
Are you all right, master? | 0:29:20 | 0:29:21 | |
There are no masters here, I think. | 0:29:23 | 0:29:26 | |
I think you're right there. | 0:29:26 | 0:29:28 | |
-Look like you've seen a bit of trouble. -I have. | 0:29:31 | 0:29:34 | |
Dare say you have, too. | 0:29:35 | 0:29:37 | |
Ah, we won't dwell on that. | 0:29:37 | 0:29:39 | |
You suffer an hour, you live a lifetime. It all comes round. | 0:29:39 | 0:29:42 | |
Don't have any worries here. | 0:29:43 | 0:29:46 | |
It's up to them lot to look after us. | 0:29:46 | 0:29:48 | |
DOG WHINES | 0:29:48 | 0:29:50 | |
Wait a minute. | 0:29:51 | 0:29:53 | |
HE COUGHS | 0:29:54 | 0:29:56 | |
Good girl. | 0:29:58 | 0:29:59 | |
Come and meet my friend. | 0:30:00 | 0:30:02 | |
Here she is, little Sashenka. | 0:30:04 | 0:30:06 | |
Have you eaten today, master? | 0:30:11 | 0:30:12 | |
Here, you can have one of these. | 0:30:17 | 0:30:20 | |
And don't say I don't treat you kind, cos I do. | 0:30:20 | 0:30:23 | |
You'd share it with me? | 0:30:23 | 0:30:25 | |
Yeah, I would, why not? | 0:30:25 | 0:30:27 | |
And her, too. | 0:30:27 | 0:30:28 | |
Go on, take. | 0:30:31 | 0:30:32 | |
No, no, not like that, you won't taste it, master. | 0:30:35 | 0:30:38 | |
Here. | 0:30:44 | 0:30:45 | |
A little bit of salt. | 0:30:47 | 0:30:49 | |
Now, bit by bit, | 0:30:49 | 0:30:51 | |
and savour it, master, you never know, | 0:30:51 | 0:30:54 | |
this might be the last one you ever see. | 0:30:54 | 0:30:56 | |
Right, a little bit for you, miss. | 0:31:00 | 0:31:02 | |
Come on, sit up nice. | 0:31:03 | 0:31:05 | |
Sit up nice. | 0:31:07 | 0:31:09 | |
Good girl. | 0:31:09 | 0:31:11 | |
Good girl, Sashenka. | 0:31:11 | 0:31:12 | |
HE SIGHS | 0:31:12 | 0:31:14 | |
Is it good? | 0:31:22 | 0:31:24 | |
HE CHUCKLES It's very good. | 0:31:26 | 0:31:29 | |
Thank you. | 0:31:30 | 0:31:31 | |
Platon Karataev. | 0:31:32 | 0:31:34 | |
Pierre Bezukhov. | 0:31:35 | 0:31:36 | |
-HELENE: -'My dear Pierre - What is the matter with you? | 0:31:38 | 0:31:42 | |
'Why do you not reply to my letters? | 0:31:42 | 0:31:45 | |
'I know you would not wish me to be unhappy, and what | 0:31:45 | 0:31:49 | |
'I require from you is such a little thing, the work of a moment. | 0:31:49 | 0:31:54 | |
'All I need is a word from you agreeing that our marriage | 0:31:56 | 0:31:59 | |
'was never consummated. This will enable me to marry again. | 0:31:59 | 0:32:03 | |
'I know you would do this for me | 0:32:03 | 0:32:04 | |
'out of the Christian kindness of your heart. | 0:32:04 | 0:32:06 | |
'Dear Pierre, in eternal friendship and sincere regard, Helene. | 0:32:06 | 0:32:10 | |
'PS - this matter really is...quite urgent.' | 0:32:13 | 0:32:17 | |
-NATALYA: -Dear Petya says he's enjoying army life, | 0:32:29 | 0:32:32 | |
and he hopes very much to see some real fighting soon. | 0:32:32 | 0:32:35 | |
-I don't understand, my dear. -It's from Petya! | 0:32:36 | 0:32:39 | |
Where? | 0:32:40 | 0:32:41 | |
Oh, yes, I see. | 0:32:44 | 0:32:45 | |
HOOFBEATS APPROACH | 0:32:45 | 0:32:46 | |
Someone's coming. | 0:32:46 | 0:32:48 | |
It's Princess Marya, and the little boy, Prince Andrei's son. | 0:32:48 | 0:32:52 | |
Come on! | 0:32:55 | 0:32:57 | |
Ah, mon enfant. | 0:32:59 | 0:33:01 | |
Oh, this must be his boy! | 0:33:01 | 0:33:04 | |
Princess, you are very welcome, very welcome. A sad occasion... | 0:33:04 | 0:33:08 | |
Forgive me - but he is here? May I see him? | 0:33:08 | 0:33:12 | |
But of course. | 0:33:12 | 0:33:14 | |
Why don't you sit down, my dear? | 0:33:14 | 0:33:16 | |
If you please, I would like to see him straightaway. | 0:33:16 | 0:33:18 | |
Yes, yes, sit down, we'll ring for tea, | 0:33:18 | 0:33:20 | |
there's no hurry, really, no hurry... | 0:33:20 | 0:33:22 | |
BOTH SOB | 0:33:27 | 0:33:30 | |
I'll take you to him. | 0:33:33 | 0:33:34 | |
Come. | 0:33:34 | 0:33:35 | |
How is he? | 0:33:43 | 0:33:45 | |
You'll see. | 0:33:45 | 0:33:46 | |
We were very hopeful. but there was a... | 0:33:48 | 0:33:52 | |
change. Two days ago... | 0:33:52 | 0:33:54 | |
You'll see. | 0:33:56 | 0:33:57 | |
DOOR OPENS | 0:34:00 | 0:34:02 | |
Ah, Marya. | 0:34:06 | 0:34:08 | |
And Nikolushka, too. | 0:34:09 | 0:34:10 | |
How are you now? | 0:34:12 | 0:34:13 | |
Your health, I mean? | 0:34:13 | 0:34:15 | |
Well, as for that, you'll have to ask the doctor. | 0:34:16 | 0:34:19 | |
Thank you for coming. | 0:34:20 | 0:34:21 | |
So, here we are, all together. | 0:34:23 | 0:34:26 | |
Isn't it odd? This one taking care of me. | 0:34:28 | 0:34:30 | |
No, Marya. | 0:34:35 | 0:34:37 | |
No crying here. | 0:34:37 | 0:34:39 | |
Let Nikolushka kiss me, and then take him away. | 0:34:43 | 0:34:46 | |
I'm a little tired. | 0:34:48 | 0:34:49 | |
Hm... | 0:34:54 | 0:34:55 | |
So like your mother. | 0:34:58 | 0:35:00 | |
Be happy, Nikolushka. | 0:35:02 | 0:35:04 | |
And make me proud of you. | 0:35:05 | 0:35:07 | |
I know you will. | 0:35:08 | 0:35:09 | |
HE CLEARS HIS THROAT | 0:35:11 | 0:35:13 | |
Come on. | 0:35:13 | 0:35:14 | |
Wait, Marya. | 0:35:16 | 0:35:18 | |
-Let him have your icon, to remember me by. -Oh, Andrei, don't say that. | 0:35:18 | 0:35:22 | |
Do as I say, please. | 0:35:23 | 0:35:25 | |
Thank you. | 0:35:48 | 0:35:50 | |
Hey, come on. | 0:35:55 | 0:35:56 | |
SHE SOBS | 0:36:10 | 0:36:12 | |
Oh, Marya... | 0:36:12 | 0:36:13 | |
BOTH WEEP | 0:36:13 | 0:36:16 | |
He's leaving us. | 0:36:16 | 0:36:18 | |
PRIEST RECITES THE LAST RITES | 0:36:22 | 0:36:26 | |
-MARYA: -Is it over? | 0:38:05 | 0:38:06 | |
Marya... | 0:38:30 | 0:38:31 | |
He's cold already. | 0:38:31 | 0:38:33 | |
Where's he gone? | 0:38:36 | 0:38:38 | |
Where is he now? | 0:38:39 | 0:38:40 | |
So, are your parents both alive? | 0:38:48 | 0:38:49 | |
-Neither of them. -That's a shame. | 0:38:50 | 0:38:53 | |
Mine are still alive and well. | 0:38:53 | 0:38:55 | |
Any brothers or sisters? | 0:38:56 | 0:38:57 | |
None. | 0:38:57 | 0:38:59 | |
Never mind, I'll be your brother while we're here. | 0:39:00 | 0:39:03 | |
It was a good job they took me for the army, | 0:39:06 | 0:39:09 | |
then my brothers didn't have to go and leave their families. | 0:39:09 | 0:39:12 | |
Were you taken, or did you go of your own accord? | 0:39:13 | 0:39:16 | |
I went just to see what it was like. | 0:39:18 | 0:39:19 | |
I used to be a huge admirer of Napoleon - | 0:39:21 | 0:39:23 | |
almost wanted to be him... | 0:39:23 | 0:39:25 | |
But when I saw what his ambition had done - | 0:39:27 | 0:39:29 | |
so much senseless death and destruction - | 0:39:29 | 0:39:31 | |
I came to the opposite view. | 0:39:31 | 0:39:33 | |
That the world would be a better place without him. | 0:39:33 | 0:39:36 | |
I had this idea.... | 0:39:38 | 0:39:40 | |
..after Borodino, that I might assassinate Napoleon. | 0:39:41 | 0:39:44 | |
I thought it was my destiny. | 0:39:44 | 0:39:45 | |
And look at me now. | 0:39:47 | 0:39:49 | |
You and me, | 0:39:49 | 0:39:51 | |
we're too tender-hearted for that game. | 0:39:51 | 0:39:53 | |
I've been in the army ten years, never killed anyone, or wanted to. | 0:39:55 | 0:39:59 | |
Look at little Sashenka. | 0:40:02 | 0:40:04 | |
She could smell your kind heart right away. | 0:40:06 | 0:40:09 | |
Dogs and cats, they know more than we do. | 0:40:11 | 0:40:14 | |
Gentlemen, with limited supplies and winter approaching, | 0:40:29 | 0:40:32 | |
our position will deteriorate. | 0:40:32 | 0:40:33 | |
Convey my compliments to all the regimental commanders... | 0:40:34 | 0:40:37 | |
..and instruct them to make ready. | 0:40:39 | 0:40:41 | |
For what, sire? | 0:40:41 | 0:40:43 | |
Retreat. | 0:40:45 | 0:40:47 | |
STEADY MARCHING | 0:40:48 | 0:40:51 | |
Come on, everybody up! Get in line! | 0:40:58 | 0:41:01 | |
What's happening? | 0:41:01 | 0:41:02 | |
Leaving Moscow. Get in line! | 0:41:02 | 0:41:04 | |
Why not just let us go free? Less work for you. | 0:41:04 | 0:41:06 | |
And have you join up again and attack us? | 0:41:06 | 0:41:09 | |
No, we are stuck with you. | 0:41:09 | 0:41:11 | |
Worse luck for us! | 0:41:11 | 0:41:13 | |
You see, master? | 0:41:13 | 0:41:14 | |
They're prisoners, too. | 0:41:14 | 0:41:16 | |
Go, go, come on! Go! | 0:41:16 | 0:41:18 | |
Monsieur le Capitaine, | 0:41:27 | 0:41:29 | |
look at this poor fellow - he can't keep up. | 0:41:29 | 0:41:32 | |
Can't he ride on a wagon? | 0:41:32 | 0:41:34 | |
He can march, or he can die. All stragglers to be shot. | 0:41:34 | 0:41:37 | |
Come on. | 0:41:37 | 0:41:38 | |
On! On! Keep up! | 0:41:38 | 0:41:39 | |
It's all right. | 0:41:39 | 0:41:40 | |
Look at this! | 0:41:42 | 0:41:43 | |
Oh, Moscow, | 0:41:44 | 0:41:46 | |
what have they done to you? | 0:41:46 | 0:41:47 | |
Look at that poor fellow. | 0:41:49 | 0:41:50 | |
And they leave him like that. | 0:41:50 | 0:41:52 | |
Arretez! | 0:41:54 | 0:41:56 | |
Halt! | 0:41:56 | 0:41:57 | |
Prisoners, stand here. | 0:41:57 | 0:41:59 | |
HE BARKS ORDERS IN FRENCH | 0:42:00 | 0:42:03 | |
A la cote de la mur, tres bien. | 0:42:04 | 0:42:06 | |
Ramballe! | 0:42:08 | 0:42:11 | |
Capitaine Ramballe! | 0:42:11 | 0:42:12 | |
Mon ami! | 0:42:12 | 0:42:14 | |
Do you remember me, my friend? | 0:42:14 | 0:42:16 | |
Look at that. Thieves! | 0:42:27 | 0:42:29 | |
There's nothing they wouldn't take. | 0:42:29 | 0:42:31 | |
-SOLDIERS WOLF-WHISTLE -Whoo! | 0:42:31 | 0:42:34 | |
Hey, monsieur! | 0:42:36 | 0:42:37 | |
Leave a few for us! | 0:42:37 | 0:42:39 | |
Prisonniers! A l'ecoute! | 0:42:49 | 0:42:51 | |
Alignez-vous! | 0:42:53 | 0:42:54 | |
Come on. | 0:42:56 | 0:42:57 | |
Alignez-vous! | 0:42:58 | 0:42:59 | |
March! | 0:43:04 | 0:43:06 | |
MARCHING DRUMS, TRUDGING STEPS | 0:43:06 | 0:43:09 | |
You must be patient, Contessa - | 0:43:16 | 0:43:18 | |
two drops a day, no more, | 0:43:18 | 0:43:20 | |
and nature will work its course, | 0:43:20 | 0:43:23 | |
I promise you. | 0:43:23 | 0:43:24 | |
Is there really nothing else you can do for me? | 0:43:24 | 0:43:27 | |
Can't you see I'm desperate? I can't get married like this! | 0:43:27 | 0:43:31 | |
Pazienza, mi Contessa. | 0:43:31 | 0:43:32 | |
State calma, state calma - and all will be well. | 0:43:32 | 0:43:35 | |
I will come again to see you tomorrow. | 0:43:36 | 0:43:38 | |
Arrivederci. | 0:43:39 | 0:43:41 | |
I have other ladies to attend to now. | 0:43:41 | 0:43:43 | |
State calma, arrivederci. | 0:43:43 | 0:43:45 | |
(Duchess, did you see?) | 0:43:53 | 0:43:54 | |
WHISPERING | 0:43:54 | 0:43:56 | |
Bilibin! | 0:44:00 | 0:44:01 | |
MUTTERING, MURMURS | 0:44:03 | 0:44:06 | |
..We'll exchange letters. | 0:44:11 | 0:44:12 | |
Infrequently, you know how it is... | 0:44:12 | 0:44:15 | |
Boris? | 0:44:15 | 0:44:17 | |
Excuse me. | 0:44:17 | 0:44:18 | |
Anna Pavlovna, I'm so sorry I'm late. | 0:44:23 | 0:44:25 | |
You must leave now, Countess. | 0:44:25 | 0:44:27 | |
Really, you never should have come. | 0:44:27 | 0:44:29 | |
Go. | 0:44:30 | 0:44:31 | |
Please, go now. | 0:44:31 | 0:44:34 | |
Ha! | 0:44:42 | 0:44:44 | |
MURMURING | 0:44:44 | 0:44:45 | |
SHE SCREAMS | 0:44:55 | 0:44:59 | |
SHE GROANS | 0:45:26 | 0:45:28 | |
SHE GASPS | 0:45:28 | 0:45:31 | |
SHE PANTS | 0:45:33 | 0:45:36 | |
COUGHING | 0:45:45 | 0:45:47 | |
It's Borodino. | 0:46:19 | 0:46:21 | |
Were you here, brother? | 0:46:23 | 0:46:24 | |
I was. | 0:46:24 | 0:46:26 | |
Were you? | 0:46:26 | 0:46:27 | |
WIND WHISTLES | 0:46:30 | 0:46:33 | |
She's happy anyway. | 0:46:51 | 0:46:53 | |
-It's warmer down here out of the wind... -HE COUGHS | 0:46:56 | 0:46:59 | |
-You go on, I'll catch you up. -I'll wait with you. | 0:47:05 | 0:47:08 | |
Go on, go on. | 0:47:08 | 0:47:09 | |
Qu'est-ce qu'il se passe, la? | 0:47:14 | 0:47:16 | |
GUNSHOT | 0:47:23 | 0:47:25 | |
Get on, or you'll get the same. | 0:47:28 | 0:47:31 | |
Move. | 0:47:31 | 0:47:33 | |
SASHENKA WHINES | 0:47:33 | 0:47:35 | |
TRUDGING FOOTSTEPS | 0:47:39 | 0:47:42 | |
WIND HOWLS | 0:47:42 | 0:47:44 | |
ANDREI: It would have been terrible for you, you know? | 0:48:45 | 0:48:49 | |
To have to go on looking after me | 0:48:49 | 0:48:51 | |
and suffering with me. | 0:48:51 | 0:48:54 | |
I wouldn't have minded. | 0:48:54 | 0:48:55 | |
To have suffered with you, that was the best happiness for me... | 0:48:57 | 0:49:01 | |
You didn't have to go. Don't you see? | 0:49:03 | 0:49:05 | |
I love you. | 0:49:08 | 0:49:09 | |
I love you, and now, there's no-one for me. | 0:49:12 | 0:49:15 | |
But I will remember you. | 0:49:18 | 0:49:20 | |
But not like this. | 0:49:25 | 0:49:27 | |
Yes. | 0:49:28 | 0:49:29 | |
Yes, like this. | 0:49:30 | 0:49:32 | |
But also like... | 0:49:34 | 0:49:36 | |
SHE SIGHS | 0:49:44 | 0:49:46 | |
Nous pouvons reste ici? | 0:50:04 | 0:50:07 | |
Oui, ici c'est bien. | 0:50:07 | 0:50:08 | |
-We could take them now. -Better to wait. | 0:50:15 | 0:50:17 | |
Let them make camp for the night. We'll take them at dawn. | 0:50:19 | 0:50:21 | |
As you wish. | 0:50:21 | 0:50:22 | |
I like this work. | 0:50:22 | 0:50:24 | |
Rich pickings. | 0:50:24 | 0:50:25 | |
Who's this, now? | 0:50:32 | 0:50:34 | |
What are you doing out here? You'll give us all away! | 0:50:38 | 0:50:41 | |
Sorry, sir, I didn't realise. | 0:50:41 | 0:50:42 | |
I have this letter for you? | 0:50:45 | 0:50:46 | |
-I'm sorry, it got wet. -Give it here. | 0:50:47 | 0:50:50 | |
Tell him "no". | 0:50:56 | 0:50:57 | |
Colonel Denisov, don't you remember me? | 0:50:58 | 0:51:00 | |
Petya Rostov? | 0:51:01 | 0:51:03 | |
Is it you? | 0:51:05 | 0:51:06 | |
Yes! Of course! | 0:51:06 | 0:51:08 | |
How are you? | 0:51:10 | 0:51:11 | |
So, you're a real soldier now, huh? | 0:51:13 | 0:51:15 | |
Well, off with you, and tell your commander we do it our own way here. | 0:51:17 | 0:51:20 | |
-Denisov, if you please? -Yes, what is it? | 0:51:20 | 0:51:23 | |
I have permission to join your squad, if you give your consent? | 0:51:23 | 0:51:26 | |
-It's rough work for boys, you know? -I don't mind that, sir. | 0:51:27 | 0:51:30 | |
All right. We'll try and look after you. | 0:51:35 | 0:51:38 | |
This work, it's not death-and-glory stuff. | 0:51:39 | 0:51:42 | |
No heroics. | 0:51:42 | 0:51:44 | |
We work like the wolves do. | 0:51:44 | 0:51:45 | |
Watch, and wait, and pick them off | 0:51:45 | 0:51:47 | |
at their weakest point while they're retreating. | 0:51:47 | 0:51:49 | |
Our job is to see them out of Russia and make sure they never return. | 0:51:49 | 0:51:53 | |
None of your crazy stuff with the boy now. | 0:51:56 | 0:51:58 | |
We need to send him home to his mother in one piece. | 0:51:58 | 0:52:01 | |
What do you take me for? | 0:52:01 | 0:52:03 | |
I have a mother, too, you know. | 0:52:04 | 0:52:06 | |
We need to know their strength. | 0:52:16 | 0:52:17 | |
I'll go down there, scent it out. | 0:52:17 | 0:52:19 | |
Up to you, if you want to risk your life. | 0:52:19 | 0:52:21 | |
-I'll come with you! -No, you don't. | 0:52:21 | 0:52:23 | |
Let the boy come. Come on, son, follow me! | 0:52:23 | 0:52:25 | |
No, come back! | 0:52:25 | 0:52:27 | |
Damn you! | 0:52:28 | 0:52:29 | |
Remember, speak French or keep your mouth shut. | 0:52:32 | 0:52:35 | |
IN FRENCH: | 0:52:38 | 0:52:40 | |
My God, your accent's diabolical! | 0:53:46 | 0:53:48 | |
-Are they coming after us? -No. You did well. | 0:53:48 | 0:53:52 | |
Nerves of steel. We'll make a soldier of you yet. | 0:53:52 | 0:53:55 | |
Thank you, Dolokhov. And thank you for letting me come with you. | 0:53:55 | 0:53:58 | |
Good boy, you'll carry me well tomorrow. | 0:54:03 | 0:54:06 | |
Still awake, master? | 0:54:08 | 0:54:10 | |
Yes. | 0:54:10 | 0:54:11 | |
Dolokhov and I went down to the French camp. | 0:54:11 | 0:54:14 | |
You're a brave one, master. | 0:54:14 | 0:54:16 | |
With Dolokhov, it's easy. | 0:54:18 | 0:54:19 | |
He's not afraid of anything. | 0:54:19 | 0:54:22 | |
Not even death itself. | 0:54:22 | 0:54:24 | |
-He can handle himself, that Captain Dolokhov. -Yes. | 0:54:24 | 0:54:26 | |
Yes, he damn well can! | 0:54:28 | 0:54:29 | |
Would you like some raisins? | 0:54:32 | 0:54:34 | |
They're very good. | 0:54:34 | 0:54:35 | |
-Thank you, master. -Go on, take the whole bag. | 0:54:36 | 0:54:39 | |
I've got plenty more, I brought them from home, you know. | 0:54:39 | 0:54:42 | |
Would you sharpen my sabre for me? | 0:54:47 | 0:54:49 | |
It's got blunt. | 0:54:49 | 0:54:51 | |
Well, actually... | 0:54:54 | 0:54:55 | |
..it's never been sharpened. | 0:54:57 | 0:54:59 | |
Give it here, master, I'll put a good edge on it for you. | 0:54:59 | 0:55:03 | |
Thank you. | 0:55:31 | 0:55:32 | |
-No heroics. Stay in the pack, follow me. Got it? -Yes, Colonel. | 0:55:37 | 0:55:40 | |
QUIET CHATTER | 0:55:49 | 0:55:51 | |
FIRE CRACKLES | 0:55:53 | 0:55:55 | |
THUNDERING HOOFBEATS | 0:55:55 | 0:55:57 | |
QUIET CHATTER | 0:55:57 | 0:55:59 | |
WOODPECKER CLACKS | 0:56:01 | 0:56:04 | |
HOOFBEATS | 0:56:04 | 0:56:05 | |
RUMBLING | 0:56:05 | 0:56:07 | |
SWORDS UNSHEATH | 0:56:09 | 0:56:11 | |
Charge! | 0:56:11 | 0:56:12 | |
SHOUTING, GUNSHOTS | 0:56:12 | 0:56:16 | |
YELLING | 0:56:21 | 0:56:23 | |
WET SQUELCHING | 0:56:23 | 0:56:25 | |
CLASHING SWORDS | 0:56:25 | 0:56:28 | |
GUNSHOTS | 0:56:28 | 0:56:29 | |
GRUNTING, SQUELCHING | 0:56:36 | 0:56:37 | |
YELLING | 0:56:37 | 0:56:39 | |
MAN GROANS | 0:56:39 | 0:56:40 | |
GUNSHOT | 0:56:43 | 0:56:44 | |
Petya! | 0:56:46 | 0:56:48 | |
SHOUTING, GUNSHOTS | 0:56:51 | 0:56:54 | |
Petya! | 0:56:54 | 0:56:56 | |
YELLING | 0:56:56 | 0:56:57 | |
Petya! | 0:57:02 | 0:57:04 | |
No! | 0:57:04 | 0:57:05 | |
HE YELLS | 0:57:05 | 0:57:07 | |
HE SOBS | 0:57:07 | 0:57:10 | |
HE WAILS | 0:57:11 | 0:57:14 | |
GUNSHOTS FADE | 0:57:14 | 0:57:16 | |
PAINED SCREAMS | 0:57:19 | 0:57:22 | |
HE WAILS | 0:57:24 | 0:57:26 | |
Francais! Laissez tomber vos armes! | 0:57:27 | 0:57:30 | |
A genoux! | 0:57:33 | 0:57:34 | |
A genoux. | 0:57:34 | 0:57:36 | |
On your knees! | 0:57:40 | 0:57:42 | |
THUDDING, MAN GROANS | 0:57:42 | 0:57:44 | |
Surrender or die, it's all the same to me. | 0:57:44 | 0:57:46 | |
Prisoners, poor devils. | 0:57:47 | 0:57:49 | |
Let's have a look at you. | 0:57:49 | 0:57:51 | |
WEAKLY: Dolokhov! Dolokhov! | 0:57:59 | 0:58:01 | |
Dolokhov! | 0:58:03 | 0:58:04 | |
-Dolokhov! -Petrushka? -Dolokhov! | 0:58:05 | 0:58:07 | |
-Let's get some help here! -Oh, oh! | 0:58:09 | 0:58:12 | |
HE PANTS | 0:58:12 | 0:58:13 | |
Oh, my friend. | 0:58:15 | 0:58:17 | |
Oh, my friend. | 0:58:19 | 0:58:21 | |
HE GASPS | 0:58:21 | 0:58:22 | |
Oh, God, thank you. | 0:58:24 | 0:58:26 | |
HE WEEPS | 0:58:26 | 0:58:27 | |
HE PANTS | 0:58:30 | 0:58:33 | |
WAILING | 0:58:40 | 0:58:42 | |
Oh, my boy! | 0:58:44 | 0:58:46 | |
My boy! | 0:58:47 | 0:58:49 | |
Oh, my lovely boy! | 0:58:49 | 0:58:54 | |
SHE WAILS | 0:58:54 | 0:58:56 | |
SHE SOBS LOUDLY | 0:58:56 | 0:58:59 | |
SILENT TRUDGING | 0:59:07 | 0:59:09 | |
QUIET MURMURS | 0:59:44 | 0:59:46 | |
-KNOCK AT DOOR -Hmm? | 0:59:46 | 0:59:48 | |
Napoleon has left Russia, Your Grace. | 0:59:51 | 0:59:53 | |
We have our victory. | 0:59:59 | 1:00:00 | |
-Nothing left to do. -HE CHUCKLES | 1:00:02 | 1:00:04 | |
Russia is saved. | 1:00:06 | 1:00:08 | |
Thank the Lord. | 1:00:09 | 1:00:11 | |
I'm so sorry, my love... | 1:00:22 | 1:00:24 | |
Shh, don't cry. | 1:00:24 | 1:00:27 | |
HE SOBS | 1:00:27 | 1:00:28 | |
But I've ruined you all. | 1:00:30 | 1:00:32 | |
No, no, no... | 1:00:32 | 1:00:34 | |
FOOTSTEPS APPROACH | 1:00:34 | 1:00:36 | |
Close your eyes. | 1:00:36 | 1:00:38 | |
-You should rest, Mama. -No. -I'll stay by him. | 1:00:40 | 1:00:43 | |
No. He wants me by his side. | 1:00:45 | 1:00:46 | |
ILYA MURMURS | 1:00:47 | 1:00:49 | |
'PRIEST SINGS A RUSSIAN PSALM' | 1:00:59 | 1:01:03 | |
MALE CHOIR SINGS | 1:01:21 | 1:01:25 | |
THEY SOB SOFTLY | 1:01:31 | 1:01:33 | |
THEY SING REVERENTLY | 1:01:39 | 1:01:41 | |
SHE SOBS | 1:02:07 | 1:02:09 | |
Is... Is anybody there? | 1:02:43 | 1:02:45 | |
HE GROANS | 1:02:49 | 1:02:50 | |
Excellency? | 1:02:50 | 1:02:52 | |
So, I'm alive, am I? | 1:02:52 | 1:02:54 | |
Yes, Excellency. | 1:02:54 | 1:02:56 | |
How long have I lain here? | 1:03:00 | 1:03:03 | |
Days, Excellency. | 1:03:03 | 1:03:05 | |
The doctor said to let you sleep. | 1:03:05 | 1:03:07 | |
Captain Dolokhov has been here. | 1:03:08 | 1:03:10 | |
-And Colonel Denisov. -I'm hungry. | 1:03:10 | 1:03:13 | |
Bring my clothes. Have I got anything to wear? | 1:03:15 | 1:03:17 | |
Of course, Your Excellency. | 1:03:17 | 1:03:19 | |
And bring me a barber. | 1:03:22 | 1:03:24 | |
HE SIGHS | 1:03:40 | 1:03:43 | |
HE INHALES DEEPLY | 1:03:44 | 1:03:47 | |
CHATTER NEARBY | 1:05:06 | 1:05:09 | |
SHE KNOCKS | 1:05:22 | 1:05:24 | |
I'm so sorry for your loss, Countess. | 1:05:24 | 1:05:27 | |
It must be very hard to bear. | 1:05:27 | 1:05:29 | |
I've been thinking about you all so much. | 1:05:29 | 1:05:32 | |
Princess Bolkonskaya. | 1:05:36 | 1:05:37 | |
RUNNING FOOTSTEPS | 1:05:37 | 1:05:39 | |
DOOR OPENS | 1:05:39 | 1:05:40 | |
Marya! | 1:05:40 | 1:05:42 | |
THEY SIGH | 1:05:44 | 1:05:45 | |
So, you're in Moscow now? | 1:05:48 | 1:05:49 | |
Yes, with Mademoiselle Bourienne and Nikolushka. | 1:05:49 | 1:05:52 | |
We seem like such a little family in that great gloomy house. | 1:05:52 | 1:05:56 | |
We take it very kindly that you came to call on us, Princess. | 1:05:56 | 1:06:00 | |
We used to have such a great number of friends, | 1:06:00 | 1:06:03 | |
but very few have sought us out in our reduced circumstances. | 1:06:03 | 1:06:08 | |
Excuse me. | 1:06:09 | 1:06:10 | |
I wanted to express my thanks to Count Nikolai. | 1:06:16 | 1:06:19 | |
I truly believe he may have saved my life, you know? | 1:06:19 | 1:06:23 | |
I'll make sure he knows it. | 1:06:23 | 1:06:26 | |
And I was wondering, perhaps you could all come and stay with me. | 1:06:26 | 1:06:29 | |
We have so many rooms and I could ask your advice | 1:06:29 | 1:06:32 | |
about all the improvements that need to be made | 1:06:32 | 1:06:34 | |
in Moscow and at Bald Hills. | 1:06:34 | 1:06:36 | |
I hope you don't think it presumptuous of me. | 1:06:37 | 1:06:40 | |
NATALYA SNIFFLES | 1:06:40 | 1:06:41 | |
Have you no pride, Mother?! | 1:06:43 | 1:06:45 | |
What's the use of pride, Nikolai? | 1:06:45 | 1:06:47 | |
Princess Marya is our friend. | 1:06:47 | 1:06:49 | |
She has a generous heart and she has the means to help us. | 1:06:49 | 1:06:52 | |
Think of all the people our father helped when he was able to. | 1:06:52 | 1:06:55 | |
You may enjoy the prospect of her charity, Tasha, | 1:06:55 | 1:06:57 | |
but I...I value my independence too much, that's all! | 1:06:57 | 1:07:00 | |
Well, I pray that you come to see things in a different light. | 1:07:00 | 1:07:04 | |
In the meantime, we WILL accept her generosity | 1:07:04 | 1:07:07 | |
and you WILL pay her a visit! | 1:07:07 | 1:07:09 | |
Common courtesy demands that. | 1:07:09 | 1:07:11 | |
Is it because of me? | 1:07:20 | 1:07:21 | |
Is what because of you? | 1:07:23 | 1:07:24 | |
That you won't tell Princess Bolkonskaya | 1:07:24 | 1:07:27 | |
that you love her and want to marry her. | 1:07:27 | 1:07:29 | |
No, it's because our family are paupers. | 1:07:29 | 1:07:33 | |
But... | 1:07:34 | 1:07:35 | |
Yes, I do feel badly about you, Sonya. I... | 1:07:35 | 1:07:38 | |
Then, please, don't. | 1:07:38 | 1:07:41 | |
I always felt that we could never be married. | 1:07:44 | 1:07:48 | |
And she deserves to be happy, Nikolai. | 1:07:48 | 1:07:50 | |
You are too good. | 1:07:51 | 1:07:53 | |
How can you be so self-sacrificing? | 1:07:53 | 1:07:56 | |
Oh, because I'm used to it. | 1:07:57 | 1:08:00 | |
Sonya? | 1:08:01 | 1:08:03 | |
Coming. | 1:08:03 | 1:08:05 | |
RETREATING FOOTSTEPS | 1:08:05 | 1:08:07 | |
MARKET BUSTLE | 1:08:18 | 1:08:20 | |
FOOTSTEPS APPROACH | 1:08:27 | 1:08:30 | |
My mother sends her compliments. Hopes you're well. | 1:08:37 | 1:08:39 | |
I'm quite well, thank you... | 1:08:39 | 1:08:41 | |
in the circumstances. | 1:08:41 | 1:08:43 | |
How is she now? | 1:08:43 | 1:08:44 | |
She's bearing up, thank you. | 1:08:44 | 1:08:46 | |
She appreciated your coming to see her. | 1:08:46 | 1:08:48 | |
It was a great comfort to her. | 1:08:48 | 1:08:50 | |
And you? | 1:09:02 | 1:09:03 | |
You are well? | 1:09:04 | 1:09:05 | |
As you see. | 1:09:05 | 1:09:07 | |
Had to give up my commission, but that can't be helped. | 1:09:09 | 1:09:12 | |
You sacrifice yourself for your family. | 1:09:12 | 1:09:15 | |
That's...so good of you, and so sad... | 1:09:15 | 1:09:17 | |
No, really, there is nothing to praise. | 1:09:17 | 1:09:20 | |
I blame myself for my reckless conduct in the past | 1:09:20 | 1:09:22 | |
and I deserve to pay for it. | 1:09:22 | 1:09:24 | |
Now, my mother and sister are to suffer for it, too. | 1:09:24 | 1:09:27 | |
I'm not worthy of your kindness. | 1:09:27 | 1:09:29 | |
I thought you'd let me sympathise with you. | 1:09:29 | 1:09:31 | |
We seemed... | 1:09:33 | 1:09:34 | |
..so close when we were together in Voronezh, | 1:09:35 | 1:09:37 | |
and now something's gone wrong and I don't know why. | 1:09:37 | 1:09:41 | |
There are a thousand reasons why. | 1:09:41 | 1:09:44 | |
Our family has lost everything. | 1:09:44 | 1:09:46 | |
The war's over. I have no profession. | 1:09:46 | 1:09:48 | |
My poor mother, who has never wanted for anything, | 1:09:48 | 1:09:50 | |
now has to darn her own stockings. | 1:09:50 | 1:09:53 | |
She's so ashamed. She can't even go out and face her friends. | 1:09:53 | 1:09:56 | |
My sister's life is over before it's scarcely begun. | 1:09:56 | 1:09:58 | |
Then let me help you. | 1:09:58 | 1:10:00 | |
I have more money than I know what to do with. | 1:10:00 | 1:10:02 | |
Don't you see? How can I ask for your help? | 1:10:02 | 1:10:05 | |
People will say that I am a fortune hunter. | 1:10:05 | 1:10:07 | |
Nikolai, do you think I care what people say? | 1:10:07 | 1:10:10 | |
Look... | 1:10:13 | 1:10:14 | |
..you might have changed your mind... | 1:10:15 | 1:10:17 | |
..but, if you still feel what I think you felt | 1:10:19 | 1:10:21 | |
when we were together in Voronezh... | 1:10:21 | 1:10:23 | |
I still feel what I felt then. | 1:10:24 | 1:10:27 | |
And, if you knew... | 1:10:28 | 1:10:30 | |
-TEARFULLY: -If you knew how long I've been waiting for you. | 1:10:30 | 1:10:33 | |
SHE SOBS | 1:10:35 | 1:10:38 | |
Marya. Dear Marya! | 1:10:38 | 1:10:40 | |
SHE LAUGHS AND CRIES | 1:10:48 | 1:10:51 | |
STREET BUSTLE | 1:10:53 | 1:10:55 | |
Prince Vassily! | 1:11:13 | 1:11:14 | |
It's Pierre. | 1:11:17 | 1:11:18 | |
Pierre Bezukhov. | 1:11:18 | 1:11:20 | |
Ah, yes. | 1:11:20 | 1:11:21 | |
Of course. | 1:11:21 | 1:11:22 | |
How are you, my boy? | 1:11:22 | 1:11:25 | |
How are you? You don't look well. | 1:11:25 | 1:11:27 | |
She's dead, Pierre. | 1:11:28 | 1:11:30 | |
My lovely girl. | 1:11:32 | 1:11:33 | |
I know. | 1:11:33 | 1:11:34 | |
It's a terrible thing. | 1:11:35 | 1:11:38 | |
It's a terrible thing to have your children die before you. | 1:11:38 | 1:11:41 | |
I know I've done so much wrong in my life, | 1:11:43 | 1:11:47 | |
but to take them both from me... | 1:11:47 | 1:11:49 | |
Both my lovely children. | 1:11:51 | 1:11:52 | |
I've wronged you, too, my friend. | 1:11:55 | 1:11:58 | |
Can you forgive me? | 1:11:59 | 1:12:01 | |
Of course. | 1:12:03 | 1:12:05 | |
Nothing to forgive. | 1:12:05 | 1:12:07 | |
Come. There's a chilly wind blowing. | 1:12:08 | 1:12:10 | |
-Take my arm and let me walk you home. -Thank you. | 1:12:10 | 1:12:14 | |
Good evening, sir. | 1:12:31 | 1:12:33 | |
DOOR OPENS | 1:12:33 | 1:12:34 | |
I thought I should call to congratulate you on your betrothal. | 1:12:36 | 1:12:40 | |
Oh, thank you. | 1:12:40 | 1:12:43 | |
He's the dearest fellow, as I'm sure you know, | 1:12:43 | 1:12:45 | |
and very lucky to have found you. | 1:12:45 | 1:12:47 | |
Oh, please. Don't embarrass me. | 1:12:47 | 1:12:49 | |
We were so glad to know that you'd been saved. | 1:12:49 | 1:12:52 | |
It was the only good news we'd had in such a long time. | 1:12:52 | 1:12:55 | |
Yes. Andrei.... | 1:12:55 | 1:12:57 | |
That's a great blow. | 1:12:58 | 1:12:59 | |
Can you imagine, I knew nothing about him surviving the battle. | 1:13:01 | 1:13:05 | |
-So, you were able to see him before he died? -Yeah. | 1:13:06 | 1:13:10 | |
And he often spoke of you, and always very fondly, didn't he? | 1:13:10 | 1:13:15 | |
So, you found him with the Rostovs? | 1:13:17 | 1:13:19 | |
What an ODD coincidence. | 1:13:20 | 1:13:22 | |
THEY CHUCKLE | 1:13:22 | 1:13:24 | |
Was she with him...at the end? | 1:13:24 | 1:13:27 | |
Pierre, don't you see who's here? | 1:13:28 | 1:13:30 | |
Natasha? | 1:13:33 | 1:13:34 | |
Have I changed so very much? | 1:13:37 | 1:13:39 | |
No. | 1:13:41 | 1:13:42 | |
No. | 1:13:42 | 1:13:44 | |
No, I didn't see you. I didn't expect to see you. I... | 1:13:45 | 1:13:48 | |
I never thought I'd... | 1:13:48 | 1:13:50 | |
Very happy to see you, Pierre. | 1:13:50 | 1:13:51 | |
Yes. No, of course. | 1:13:51 | 1:13:53 | |
I... | 1:13:53 | 1:13:54 | |
Likewise. | 1:13:54 | 1:13:56 | |
So, you didn't know of Helene's death? | 1:13:58 | 1:14:01 | |
No. | 1:14:02 | 1:14:04 | |
No, she wrote to me asking to see me but I never received her letter. | 1:14:04 | 1:14:08 | |
We weren't on good terms, | 1:14:09 | 1:14:11 | |
but such a death, without friends, without consolation, | 1:14:11 | 1:14:14 | |
I feel so sorry for her. | 1:14:14 | 1:14:16 | |
So, you're a bachelor and eligible again. | 1:14:18 | 1:14:20 | |
SHE LAUGHS | 1:14:20 | 1:14:22 | |
Yes, I suppose I am. | 1:14:22 | 1:14:24 | |
He was such an extraordinary little man. | 1:14:27 | 1:14:29 | |
He was just a peasant, you know, | 1:14:29 | 1:14:30 | |
but he seemed to have grasped the secret of how to live. | 1:14:30 | 1:14:33 | |
He never worried, | 1:14:35 | 1:14:37 | |
he took pleasure in the good things | 1:14:37 | 1:14:39 | |
and endured the bad things cheerfully, | 1:14:39 | 1:14:41 | |
and his little dog, | 1:14:41 | 1:14:43 | |
how he loved her. | 1:14:43 | 1:14:45 | |
"She knows how to ask for love," he'd say, | 1:14:46 | 1:14:48 | |
"and she knows to give it. What else can you ask?" | 1:14:48 | 1:14:52 | |
And he was right, | 1:14:52 | 1:14:54 | |
I think. | 1:14:54 | 1:14:55 | |
So, now, I'm trying to live like him. Is that ridiculous? | 1:14:55 | 1:14:58 | |
No. No, it's not ridiculous at all. | 1:14:58 | 1:15:01 | |
Tell us more about him. Tell us ALL about him. | 1:15:01 | 1:15:03 | |
I should go. | 1:15:05 | 1:15:06 | |
I've kept you up far too late, but... | 1:15:06 | 1:15:09 | |
might I call again...soon? | 1:15:09 | 1:15:11 | |
Of course. You'll always be welcome. | 1:15:11 | 1:15:13 | |
He's such a dear friend. | 1:15:18 | 1:15:20 | |
But, now, it's as if... | 1:15:20 | 1:15:22 | |
I don't know what it is. It's... | 1:15:22 | 1:15:24 | |
It's as if he's fresh from the bathhouse, all pure and clean. | 1:15:26 | 1:15:29 | |
Not just on the outside, but on the inside, too. | 1:15:29 | 1:15:31 | |
I knew he had a true heart the first time I met him. | 1:15:31 | 1:15:34 | |
HE SIGHS | 1:15:43 | 1:15:45 | |
HOOFBEATS | 1:16:18 | 1:16:20 | |
MARKET BUSTLE | 1:16:20 | 1:16:23 | |
Princess, help me. I haven't slept a wink. | 1:16:42 | 1:16:45 | |
What am I to do? Has she said anything? May I hope? | 1:16:45 | 1:16:47 | |
I know I'm not worthy of her... | 1:16:47 | 1:16:50 | |
but I've loved her so long. | 1:16:50 | 1:16:51 | |
Tell me what to do and I will do it. | 1:16:53 | 1:16:55 | |
Well, I think you should ask her yourself. | 1:16:57 | 1:16:59 | |
I'll go and fetch her. | 1:16:59 | 1:17:01 | |
RETREATING FOOTSTEPS | 1:17:05 | 1:17:08 | |
FOOTSTEPS APPROACH | 1:17:21 | 1:17:23 | |
Dearest Natasha... | 1:17:35 | 1:17:37 | |
..I know I've been a clown and wasted my life, | 1:17:38 | 1:17:40 | |
but I have to ask you... | 1:17:40 | 1:17:42 | |
Say no, | 1:17:42 | 1:17:44 | |
and I'll go to Petersburg and never bother you again, | 1:17:44 | 1:17:46 | |
But... | 1:17:48 | 1:17:49 | |
..do you think you could love me? | 1:17:53 | 1:17:55 | |
Yes. | 1:18:00 | 1:18:01 | |
Yes, I could. | 1:18:01 | 1:18:02 | |
Yes, I DO, | 1:18:04 | 1:18:06 | |
dear Pierre. | 1:18:06 | 1:18:07 | |
THEY LAUGH | 1:18:36 | 1:18:38 | |
CHATTERING | 1:18:41 | 1:18:44 | |
Oh, Nikolushka! How tall you've grown! | 1:18:49 | 1:18:53 | |
I think you're going to be taller than your father. | 1:18:53 | 1:18:55 | |
I hope not. I'd like to be EXACTLY the same height as he was. | 1:18:55 | 1:18:58 | |
Oh, wow! Really! | 1:18:58 | 1:19:00 | |
Ah, is she fast sleep? | 1:19:01 | 1:19:03 | |
Where's Pierre? | 1:19:11 | 1:19:13 | |
Here he comes. | 1:19:13 | 1:19:14 | |
-ALL CHATTER -Did you help Daddy pick these? | 1:19:14 | 1:19:18 | |
Pierre! | 1:19:21 | 1:19:22 | |
-Will you read this so we can argue about it? -Will do. | 1:19:22 | 1:19:26 | |
Hey, do I get a kiss on your name day? | 1:19:28 | 1:19:30 | |
'They say sufferings are misfortunes, | 1:19:31 | 1:19:35 | |
'but if I was asked, would I stay as I was before I was taken prisoner | 1:19:35 | 1:19:39 | |
'or go through it all again? | 1:19:39 | 1:19:40 | |
'I would say, "For God's sake, let me be a prisoner again."' | 1:19:42 | 1:19:46 | |
Come, let's sit and eat | 1:19:49 | 1:19:51 | |
and give thanks for our good fortune. | 1:19:51 | 1:19:53 | |
'When our lives are knocked off course, | 1:19:55 | 1:19:58 | |
'we imagine everything in them is lost... | 1:19:58 | 1:20:00 | |
'..but it is only the start of something new and good.' | 1:20:03 | 1:20:07 | |
CHATTERING | 1:20:09 | 1:20:11 | |
'As long as there is life, | 1:20:19 | 1:20:21 | |
'there is happiness. | 1:20:21 | 1:20:23 | |
'There is a great deal. | 1:20:26 | 1:20:27 | |
'A great deal still to come.' | 1:20:27 | 1:20:29 |