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-We were pretty shambolic, -but we had fun. | 0:00:17 | 0:00:20 | |
-For the next hour, we'll guide you -along the timeline... | 0:00:21 | 0:00:25 | |
-..and musical journey -of the members of Y Tebot Piws. | 0:00:25 | 0:00:28 | |
-Why the name Y Tebot Piws? | 0:00:28 | 0:00:30 | |
-Well, Mr Jones... | 0:00:31 | 0:00:32 | |
-Well, Mr Jones... - -You can call me sir. | 0:00:32 | 0:00:34 | |
-OK, sir, Mr Jones. | 0:00:34 | 0:00:35 | |
-We wanted to call ourselves -Huw Jones or Dafydd Iwan... | 0:00:36 | 0:00:39 | |
-..but they were already taken. | 0:00:39 | 0:00:42 | |
-The original name -was Potiwrs Gwynedd. | 0:00:42 | 0:00:45 | |
-We'll look -at their musical careers... | 0:00:46 | 0:00:48 | |
-..between forming in 1968 -and this year's final gig. | 0:00:49 | 0:00:52 | |
-The word that crops up most -is "fun". | 0:00:53 | 0:00:57 | |
-# Goodness gracious, do sit down, -someone has stolen my nose! | 0:00:57 | 0:01:01 | |
-# Goodness gracious, do sit down, -someone has stolen my nose! | 0:01:02 | 0:01:07 | |
-They were punk before punk emerged. | 0:01:08 | 0:01:12 | |
-Complete nutters! | 0:01:12 | 0:01:14 | |
-If you've heard of John Jones, -the wooden lad... | 0:01:21 | 0:01:24 | |
-..and if you've left Llanfihangel -or milked the cow... | 0:01:25 | 0:01:29 | |
-..you will be aware -of the crazy Y Tebot Piws gang. | 0:01:29 | 0:01:33 | |
-# I'm going back -to Blaenau Ffestiniog | 0:01:40 | 0:01:43 | |
-# Catching the first train -out of town | 0:01:44 | 0:01:47 | |
-# I'm going back -to Blaenau Ffestiniog | 0:01:48 | 0:01:51 | |
-# Because it's my seventh heaven # | 0:01:51 | 0:01:55 | |
-We started in 1968 -at Cyncoed College. | 0:01:55 | 0:01:59 | |
-Stan was there. | 0:01:59 | 0:02:01 | |
-He was my classmate at school, -so I knew him. | 0:02:02 | 0:02:05 | |
-We met Sbardun. | 0:02:05 | 0:02:07 | |
-He had a guitar, -and I had some sort of guitar. | 0:02:08 | 0:02:12 | |
-We started to fool around. Stan -was a fantastic singer at school. | 0:02:12 | 0:02:18 | |
-# I'm going back -to Blaenau Ffestiniog | 0:02:18 | 0:02:22 | |
-# Because it's my seventh heaven # | 0:02:22 | 0:02:25 | |
-We started jamming... | 0:02:26 | 0:02:29 | |
-..and began to think -about composing songs. | 0:02:29 | 0:02:34 | |
-We wrote John Jones. | 0:02:34 | 0:02:36 | |
-It took at least twenty minutes, -if I remember rightly. | 0:02:37 | 0:02:41 | |
-We rushed to the girls' room -to sing the song... | 0:02:41 | 0:02:45 | |
-..and not for any other reason! | 0:02:45 | 0:02:47 | |
-We saw an advert -for a pop eisteddfod in Denbigh. | 0:02:48 | 0:02:53 | |
-We decided to give it a go. | 0:02:54 | 0:02:56 | |
-We won 6 - 2 each. | 0:02:57 | 0:03:01 | |
-It was a lot of beer! | 0:03:02 | 0:03:04 | |
-Despite their success in Denbigh, -Y Tebot Piws wasn't complete. | 0:03:06 | 0:03:12 | |
-A fourth member was yet to join. | 0:03:12 | 0:03:14 | |
-Me and a schoolmate were in a band -called The Outlanders. | 0:03:19 | 0:03:24 | |
-We sang in English. | 0:03:25 | 0:03:26 | |
-# Freight train, freight train, -going so fast # | 0:03:26 | 0:03:31 | |
-Our first gig -was at Swansea Labour Club. | 0:03:32 | 0:03:35 | |
-We were getting ten bob. | 0:03:35 | 0:03:37 | |
-We sang two songs and the bloke -gave us ten bob and said... | 0:03:37 | 0:03:41 | |
-.."Go up the Conservative Club. -They might like you up there." | 0:03:41 | 0:03:45 | |
-Not a good start! | 0:03:46 | 0:03:47 | |
-We were students -and had already come across Dewi. | 0:03:47 | 0:03:52 | |
-He played guitar and sang. | 0:03:52 | 0:03:56 | |
-He came to us after our Denbigh win -and said, "You sing in Welsh." | 0:03:56 | 0:04:01 | |
-"Yes," we said. | 0:04:01 | 0:04:02 | |
-"I've composed a few Welsh songs," -he continued. "You can have them." | 0:04:02 | 0:04:07 | |
-He gave us three or four songs... | 0:04:08 | 0:04:10 | |
-..including Mari -and Dan Ddwr Oer Y Llyn. | 0:04:10 | 0:04:14 | |
-We thought they were good. | 0:04:14 | 0:04:16 | |
-Dewi suggested improvements -whenever we played them. | 0:04:17 | 0:04:21 | |
-Sbardun finally gave in and said, -"Join us if you're so bloody good!" | 0:04:21 | 0:04:26 | |
-"I thought you'd never ask," -said Dewi. | 0:04:26 | 0:04:29 | |
-We were four now. | 0:04:30 | 0:04:32 | |
-That's when it started for real. | 0:04:33 | 0:04:35 | |
-In those days, bands' gigs -were more of a variety show. | 0:04:36 | 0:04:40 | |
-Y Tebot Piws -created quite an impression. | 0:04:40 | 0:04:43 | |
-All sorts of groups -would perform. | 0:04:44 | 0:04:46 | |
-Five or six bands or soloists -would take part. | 0:04:47 | 0:04:51 | |
-Everyone sang a couple of songs -in the first and second half. | 0:04:52 | 0:04:57 | |
-It was easier than it is today. | 0:04:57 | 0:05:00 | |
-People expect us to perform -for up to 90 minutes. | 0:05:00 | 0:05:04 | |
-At the time, all Welsh songs -were very melancholy. | 0:05:04 | 0:05:10 | |
-There were protest songs, -and everything was sad. | 0:05:11 | 0:05:14 | |
-Everyone dressed similarly. | 0:05:15 | 0:05:17 | |
-We wanted to do -something completely different. | 0:05:17 | 0:05:21 | |
-We didn't practise a lot. | 0:05:21 | 0:05:23 | |
-We were only on for five minutes, -ten minutes at the most. | 0:05:23 | 0:05:28 | |
-We'd be in the pub by eight - -and we'd been paid a fiver! | 0:05:28 | 0:05:33 | |
-The band recorded four EPs -before 1972. | 0:05:34 | 0:05:37 | |
-The instrumental wizardry -of The James Hogg Band... | 0:05:37 | 0:05:42 | |
-..who also played on the records... | 0:05:42 | 0:05:44 | |
-..was a far cry -from seeing Y Tebot Piws live. | 0:05:44 | 0:05:47 | |
-Y Tebot Piws were great on record. | 0:05:48 | 0:05:50 | |
-But unfortunately... | 0:05:50 | 0:05:52 | |
-..gigs were a major stumbling block. | 0:05:52 | 0:05:55 | |
-They didn't turn up, -or one member didn't turn up. | 0:05:55 | 0:05:59 | |
-I remember watching Disc A Dawn -in the New Ely. | 0:06:00 | 0:06:04 | |
-It was fantastic at the time. | 0:06:04 | 0:06:06 | |
-Suddenly, I heard, "Tonight, -Y Tebot Piws are in Llan-non!" | 0:06:07 | 0:06:10 | |
-I realized I'd arranged it. -We didn't make it. | 0:06:12 | 0:06:16 | |
-We had no hope of reaching Llan-non! | 0:06:17 | 0:06:21 | |
-We phoned to say the car had broken -down and promised them a free gig. | 0:06:21 | 0:06:26 | |
-They didn't show up for that either. | 0:06:26 | 0:06:29 | |
-I say they, because I didn't -even know about the gig. | 0:06:29 | 0:06:33 | |
-He did know! He was too lazy! | 0:06:33 | 0:06:35 | |
-If someone said to Ems... | 0:06:36 | 0:06:40 | |
-.."Wouldn't it be a great idea -to go for a walk around the lake?" | 0:06:41 | 0:06:45 | |
-He'd say, "I've got a better idea. -Let's not." | 0:06:45 | 0:06:50 | |
-# Farewell, Llanfihangel | 0:06:51 | 0:06:53 | |
-# I'm leaving on the wind | 0:06:53 | 0:06:56 | |
-# Oh, farewell | 0:06:57 | 0:06:58 | |
-# The sun is guiding me | 0:06:59 | 0:07:01 | |
-# To the Wales of yesteryear | 0:07:01 | 0:07:03 | |
-# Oh, farewell | 0:07:03 | 0:07:05 | |
-# The dark skies will fade | 0:07:06 | 0:07:09 | |
-# A new dawn we'll see | 0:07:09 | 0:07:12 | |
-# I'm flying now | 0:07:14 | 0:07:15 | |
-# And I can hold my head up high | 0:07:16 | 0:07:19 | |
-# Oh, farewell, Llanfihangel | 0:07:20 | 0:07:22 | |
-# I see gentle Dewi | 0:07:23 | 0:07:25 | |
-# Oh, farewell # | 0:07:26 | 0:07:27 | |
-We were spitting on stage -long before the punks... | 0:07:28 | 0:07:34 | |
-..especially -when we sang a serious song. | 0:07:34 | 0:07:37 | |
-If Dewi wanted to sing a sad song... | 0:07:37 | 0:07:41 | |
-..I knew he would sing Lleucu Llwyd. | 0:07:43 | 0:07:47 | |
-Someone accidentally spat -on someone's cheek. | 0:07:48 | 0:07:53 | |
-He spat back. | 0:07:55 | 0:07:58 | |
-By the end of the song, -their T-shirts were soaking! | 0:07:59 | 0:08:03 | |
-They spat at each other -regularly after that. | 0:08:04 | 0:08:08 | |
-It was an odd thing to do. | 0:08:09 | 0:08:11 | |
-Five years later, Johnny Rotten -did exactly the same thing. | 0:08:11 | 0:08:16 | |
-He must have been -to one of our gigs. | 0:08:17 | 0:08:19 | |
-I've been thinking about the awful -jokes you crack on stage and TV. | 0:08:19 | 0:08:24 | |
-Are you a band -that's trying to be funny... | 0:08:24 | 0:08:28 | |
-..with the emphasis on trying, -or a real band that's lost its way? | 0:08:28 | 0:08:33 | |
-Yes. | 0:08:34 | 0:08:35 | |
-I'd had a few pints -before a gig in Rhyl. | 0:08:35 | 0:08:38 | |
-I'd stolen Alun Ffred's mac. | 0:08:39 | 0:08:43 | |
-He still bangs on about that mac! | 0:08:43 | 0:08:46 | |
-I was so drunk, -I didn't even take the mac off. | 0:08:46 | 0:08:49 | |
-In fact, -the guitar stayed in the case! | 0:08:50 | 0:08:53 | |
-If we knew there'd be good guitars -at a gig... | 0:08:53 | 0:08:58 | |
-..Ems and I -would end up quarrelling. | 0:08:58 | 0:09:01 | |
-If Huw Jones was on the bill... | 0:09:02 | 0:09:05 | |
-..we knew he'd bring his fantastic -Hagstrom acoustic guitar. | 0:09:05 | 0:09:09 | |
-Meic Stevens helped him buy it. | 0:09:10 | 0:09:13 | |
-It was a great guitar. | 0:09:13 | 0:09:15 | |
-We'd argue over who would ask -to borrow his guitar. | 0:09:15 | 0:09:21 | |
-Huw Jones's guitar! | 0:09:21 | 0:09:23 | |
-I was a terrible band mate. -I didn't even bring a guitar. | 0:09:23 | 0:09:28 | |
-I just turned up -in Alun Ffred's mac with a few quid. | 0:09:28 | 0:09:32 | |
-We'd chat amongst ourselves. -"Who's playing on Saturday?" | 0:09:33 | 0:09:38 | |
-"Y Diliau, and so and so." | 0:09:38 | 0:09:42 | |
-"Is Huw Jones singing?" "Yes." -"OK, we'll do the gig." | 0:09:42 | 0:09:46 | |
-None of us had a guitar -for many of the gigs | 0:09:47 | 0:09:51 | |
-We'd use Dafydd Iwan's guitar! | 0:09:51 | 0:09:54 | |
-# Two little dogs go to the forest | 0:09:54 | 0:09:57 | |
-# With a new shoe on each foot # | 0:09:58 | 0:10:00 | |
-Despite the chaos and anarchy, -the band's following grew. | 0:10:00 | 0:10:05 | |
-They appeared on Disc A Dawn and -topped the Asbri and Y Cymro charts. | 0:10:06 | 0:10:10 | |
-Pws composes fantastic songs -out of nothing. | 0:10:12 | 0:10:17 | |
-He composed Nwy Yn Y Nen... | 0:10:17 | 0:10:20 | |
-..when we drove from a gig -through Port Talbot. | 0:10:20 | 0:10:24 | |
-He noticed a strange neon light, -and it was a misty night. | 0:10:25 | 0:10:30 | |
-He saw a sign for British Gas. | 0:10:32 | 0:10:34 | |
-The Welsh word for gas is "nwy", -so I started to sing. | 0:10:34 | 0:10:38 | |
-Stan began harmonizing. -We realized it was a nice tune. | 0:10:38 | 0:10:42 | |
-We wrote it in ten minutes. -It came just like that. | 0:10:43 | 0:10:46 | |
-We won 50. | 0:10:48 | 0:10:50 | |
-Fifty quid! They get 10,000 now! | 0:10:51 | 0:10:54 | |
-Roly, the presenter, -didn't know me from Adam. | 0:10:55 | 0:11:01 | |
-He shook my hand. | 0:11:02 | 0:11:04 | |
-He said, "Did you dream you'd win?" | 0:11:04 | 0:11:08 | |
-Yes, something like that. | 0:11:09 | 0:11:11 | |
-I just lifted my shirt! | 0:11:12 | 0:11:14 | |
-Everyone collapsed. | 0:11:15 | 0:11:16 | |
-Roly said to Huw Jones, "I hadn't -realized Dewi didn't speak Welsh." | 0:11:17 | 0:11:22 | |
-I wrote the song! | 0:11:22 | 0:11:24 | |
-By the end of 1972, Y Tebot Piws -had split up - for the time being. | 0:11:28 | 0:11:32 | |
-Their individual contribution -to the Welsh pop scene continued. | 0:11:33 | 0:11:37 | |
-Members felt that they wanted -to do something else. | 0:11:38 | 0:11:42 | |
-I was working on a magazine, Swn. | 0:11:42 | 0:11:46 | |
-I was the co-editor with Dafydd Mei. | 0:11:47 | 0:11:49 | |
-Pws wanted to start a heavier band. | 0:11:50 | 0:11:54 | |
-Dewi Pws, -heavier band, after the break. | 0:11:55 | 0:11:58 | |
-. | 0:12:03 | 0:12:03 | |
-888 | 0:12:07 | 0:12:07 | |
-888 - -888 | 0:12:07 | 0:12:08 | |
-After Y Tebot Piws split up in 1972, -the members followed separate paths. | 0:12:08 | 0:12:13 | |
-Dewi Pws turned his hand -to a heavier style. | 0:12:13 | 0:12:17 | |
-He loves Status Quo, -he truly loves Quo. | 0:12:20 | 0:12:24 | |
-He has always dreamt -of being a rock singer. | 0:12:25 | 0:12:30 | |
-# Wild dream of the long needle # | 0:12:36 | 0:12:39 | |
-I often slept on Hefin Elis's floor -in Aberystwyth. | 0:12:41 | 0:12:45 | |
-"Come on, they're open!" -he'd say at eight in the morning. | 0:12:45 | 0:12:50 | |
-Dewi and I spent a lot of time -in Aberystwyth's Marine Hotel. | 0:12:50 | 0:12:55 | |
-There was a jukebox -in the cellar bar. | 0:12:56 | 0:12:59 | |
-Rod Stewart's Maggie May -struck a chord with me. | 0:12:59 | 0:13:03 | |
-It was a combination -of rock and folksy mandolin. | 0:13:03 | 0:13:09 | |
-I liked the blend of rock and folk. | 0:13:10 | 0:13:14 | |
-That was the direction -I wanted to take. | 0:13:15 | 0:13:18 | |
-# Holes in their white arms | 0:13:18 | 0:13:20 | |
-# That's where the money goes # | 0:13:21 | 0:13:23 | |
-Edward H was Hefin Elis's vision. | 0:13:23 | 0:13:27 | |
-The lad from Port Talbot -studied music at university. | 0:13:28 | 0:13:32 | |
-He'd already played with Chwyldro... | 0:13:32 | 0:13:37 | |
-..whose songs championed -the Welsh Language Society. | 0:13:38 | 0:13:42 | |
-Datguddiad -was another heavy rock band... | 0:13:44 | 0:13:47 | |
-..in the tradition of Y Blew. | 0:13:48 | 0:13:52 | |
-He realized his dream with Edward H. | 0:13:53 | 0:13:56 | |
-He created a heavy rock band... | 0:13:57 | 0:13:59 | |
-..that captured -Welsh speakers' imagination. | 0:14:00 | 0:14:04 | |
-Perhaps Edward H -was Hefin and Dewi's vision. | 0:14:04 | 0:14:08 | |
-They wouldn't perform live... | 0:14:08 | 0:14:10 | |
-..until John Griffiths -and Charli Britton joined them. | 0:14:10 | 0:14:14 | |
-Speculation was rife -before the first Edward H gig. | 0:14:15 | 0:14:19 | |
-The members had come -from different bands. | 0:14:19 | 0:14:23 | |
-Could they succeed? | 0:14:23 | 0:14:25 | |
-Their first gig was a noson lawen. | 0:14:26 | 0:14:30 | |
-There were folk performers, -a choir and cerdd dant singers. | 0:14:31 | 0:14:35 | |
-Then these boys came on stage -with guitars. | 0:14:36 | 0:14:40 | |
-Dewi Pws started to sing -Can Y Stiwdants. | 0:14:40 | 0:14:44 | |
-Well... the place erupted. | 0:14:47 | 0:14:50 | |
-Edward H was born. | 0:14:54 | 0:14:56 | |
-But the band wasn't complete - -there was something missing. | 0:15:00 | 0:15:05 | |
-They didn't have to look far. -Ac Eraill were on stage that night. | 0:15:05 | 0:15:10 | |
-There was nothing wrong -with Dewi's voice... | 0:15:11 | 0:15:15 | |
-..but he could sing some things -better than others. | 0:15:15 | 0:15:21 | |
-I was looking for a different voice. | 0:15:21 | 0:15:24 | |
-I wanted to take a step back. | 0:15:25 | 0:15:27 | |
-I didn't know the chords, -so Hefin kept scowling at me. | 0:15:27 | 0:15:31 | |
-Ac Eraill were big at the time. | 0:15:32 | 0:15:34 | |
-We really wanted Cleif. | 0:15:34 | 0:15:37 | |
-People like to think -that things turned sour. | 0:15:37 | 0:15:40 | |
-If there was any resentment... | 0:15:41 | 0:15:43 | |
-..to be honest, it was my fault. | 0:15:43 | 0:15:45 | |
-I remember the night I had to tell -Ac Eraill I'd made up my mind... | 0:15:46 | 0:15:51 | |
-..to join Edward H. | 0:15:52 | 0:15:54 | |
-I can still see and remember -their disappointment. | 0:15:54 | 0:15:59 | |
-Hefin Elis, Pws -and Charli Britton... | 0:16:00 | 0:16:06 | |
-..asked me -whether the folk music route... | 0:16:06 | 0:16:11 | |
-..was the one I wanted to take. | 0:16:11 | 0:16:14 | |
-They suggested I turned to rock. | 0:16:14 | 0:16:16 | |
-# Nightmare # | 0:16:17 | 0:16:18 | |
-With Cleif on board, they recorded -Hen Ffordd Gymreig O Fyw. | 0:16:19 | 0:16:23 | |
-It sold 998 within a fortnight... | 0:16:24 | 0:16:27 | |
-..and almost 3,000 in two years. | 0:16:27 | 0:16:30 | |
-There was a lot of anticipation -surrounding their first album. | 0:16:31 | 0:16:38 | |
-I wasn't disappointed. -It summed up the period perfectly. | 0:16:39 | 0:16:43 | |
-They mixed folk and rock. | 0:16:44 | 0:16:47 | |
-When the album was released... | 0:16:47 | 0:16:50 | |
-..it was one of the best albums -I'd ever heard. | 0:16:50 | 0:16:56 | |
-# In a cottage by the river | 0:16:57 | 0:17:01 | |
-# I keep speckled cattle | 0:17:02 | 0:17:07 | |
-# I have a house -on the banks of the Taff | 0:17:08 | 0:17:13 | |
-# Oh, come to me, Gwenfron # | 0:17:14 | 0:17:19 | |
-Edward H was fast becoming the -most popular Welsh language band. | 0:17:27 | 0:17:32 | |
-The band inevitably imitated -the humour and chaos of Tebot Piws. | 0:17:32 | 0:17:37 | |
-We wanted to be groundbreaking. | 0:17:38 | 0:17:41 | |
-We'd have a light show. | 0:17:42 | 0:17:45 | |
-We had flash lights that blew up. | 0:17:47 | 0:17:50 | |
-It was terrible. | 0:17:51 | 0:17:52 | |
-We knew the flash -would go off when we sang VC10. | 0:17:53 | 0:17:58 | |
-One of the blokes set off the flash. | 0:17:59 | 0:18:03 | |
-We were such wimps, acting rock and -roll at the front of the stage. | 0:18:04 | 0:18:09 | |
-# VC10 # | 0:18:09 | 0:18:10 | |
-Then we ran back -before the flash. | 0:18:11 | 0:18:14 | |
-It was like Spinal Tap. | 0:18:14 | 0:18:16 | |
-By the mid 1970s... | 0:18:16 | 0:18:18 | |
-..Edward H was the first Welsh band -to have a mass following. | 0:18:18 | 0:18:23 | |
-The band put a stop to the idea -that singing in Welsh was corny. | 0:18:25 | 0:18:31 | |
-Everyone went bonkers. | 0:18:31 | 0:18:33 | |
-People dressed like them. | 0:18:34 | 0:18:37 | |
-They had groupies everywhere. | 0:18:37 | 0:18:40 | |
-Yeah. | 0:18:43 | 0:18:44 | |
-From then on, -Wales had its own rock scene. | 0:18:45 | 0:18:50 | |
-As a result of Cleif -joining Edward H Dafis... | 0:18:51 | 0:18:54 | |
-..there was a gap to fill -in Ac Eraill. | 0:18:54 | 0:18:57 | |
-Another Tebot member -would broaden his musical horizon. | 0:18:57 | 0:19:01 | |
-After Y Tebot Piws split up... | 0:19:01 | 0:19:03 | |
-..Sbardun joined Ac Eraill. | 0:19:05 | 0:19:09 | |
-Ac Eraill were Tecwyn Ifan, -formerly of Perlau Taf... | 0:19:17 | 0:19:20 | |
-..Iestyn Garlick, -Phil Edwards and Huw Williams. | 0:19:21 | 0:19:24 | |
-They wanted to stick -to traditional Welsh folk music. | 0:19:25 | 0:19:30 | |
-They composed their own songs. | 0:19:31 | 0:19:34 | |
-They were also involved -with the revolution. | 0:19:34 | 0:19:37 | |
-They were more aligned to Adfer -than the Welsh Language Society. | 0:19:37 | 0:19:42 | |
-They captivated audiences -with their long hair. | 0:19:42 | 0:19:46 | |
-They sang about what worried -the younger generation. | 0:19:47 | 0:19:51 | |
-We tried to follow -Y Tebot Piws's footsteps. | 0:19:51 | 0:19:56 | |
-There was room for humorous songs. | 0:19:57 | 0:20:00 | |
-We only recorded a few of those. | 0:20:01 | 0:20:04 | |
-We evolved to sing the type of song -that Tecs composed. | 0:20:04 | 0:20:09 | |
-They were serious... | 0:20:09 | 0:20:12 | |
-..and more political, about -the language and Adfer ideology. | 0:20:12 | 0:20:17 | |
-# The leader -of Mynachlog-ddu parish # | 0:20:18 | 0:20:23 | |
-The band often performed -at events arranged by Adfer. | 0:20:23 | 0:20:27 | |
-Many of their songs were influenced -by Emyr Llewelyn's speeches. | 0:20:27 | 0:20:32 | |
-As a movement, -Adfer had a certain appeal for me. | 0:20:32 | 0:20:37 | |
-It rolled up its sleeves -to do something. | 0:20:38 | 0:20:41 | |
-It didn't stand on a soapbox -and shout about something. | 0:20:41 | 0:20:45 | |
-They bought -and renovated old houses. | 0:20:46 | 0:20:49 | |
-Volunteers would do them up -for local people. | 0:20:51 | 0:20:55 | |
-I didn't agree with some -of Adfer's philosophies. | 0:20:55 | 0:20:59 | |
-They were too right-wing for me. | 0:21:00 | 0:21:03 | |
-On the whole... | 0:21:03 | 0:21:05 | |
-..I was happy -to be a member of Ac Eraill. | 0:21:05 | 0:21:09 | |
-The international success of Celtic -musicians like Alan Stivell... | 0:21:10 | 0:21:14 | |
-..opened the door -to other folk groups. | 0:21:15 | 0:21:17 | |
-Ac Eraill were to perform -in Nantes in Brittany. | 0:21:17 | 0:21:22 | |
-We had a dilemma - -our van had died. | 0:21:22 | 0:21:26 | |
-We called the van Nia Ben Las. -It was totally clapped out. | 0:21:27 | 0:21:32 | |
-Mici Plwm was our manager. | 0:21:33 | 0:21:36 | |
-Shakin' Stevens And The Sunsets -lent me the van. | 0:21:37 | 0:21:43 | |
-They lived in Penarth. | 0:21:44 | 0:21:46 | |
-Mici and I went -to Shakin' Stevens's mother's house. | 0:21:47 | 0:21:51 | |
-I knocked the door -and asked for the van. | 0:21:51 | 0:21:54 | |
-"Shakin' needs it to play in Germany -next week." "OK, fine." | 0:21:54 | 0:21:58 | |
-We set off. | 0:21:58 | 0:22:00 | |
-Sbardun sat in the front with me. | 0:22:00 | 0:22:02 | |
-I can't remember -who was in the middle. | 0:22:03 | 0:22:06 | |
-Sbardun sat in the front -because we both came from Penrhyn. | 0:22:06 | 0:22:10 | |
-He lied -and said he could speak French. | 0:22:11 | 0:22:14 | |
-It was a ruse to sit in the front. | 0:22:14 | 0:22:17 | |
-The only French he knew... | 0:22:18 | 0:22:20 | |
-..was the French -of the tea advert chimpanzees. | 0:22:21 | 0:22:25 | |
-On the quay in Calais, -he shouted out... | 0:22:25 | 0:22:30 | |
-.."avez-vous un map?" | 0:22:30 | 0:22:32 | |
-That's all he could say! | 0:22:33 | 0:22:35 | |
-That's all he could say! - -I got sent to the back! | 0:22:35 | 0:22:36 | |
-In that period... | 0:22:37 | 0:22:40 | |
-..1973-1974... | 0:22:40 | 0:22:42 | |
-..many bands -considered the possibility... | 0:22:43 | 0:22:46 | |
-..of making a living out of it, -and becoming a professional band. | 0:22:46 | 0:22:51 | |
-Sbardun was keen. | 0:22:51 | 0:22:56 | |
-I couldn't think of anything else. -I wanted to have a crack at it. | 0:22:57 | 0:23:02 | |
-I knew it would be hard, -but I wanted to give it a go. | 0:23:02 | 0:23:05 | |
-Sbardun was the only one -in a position to do it. | 0:23:06 | 0:23:10 | |
-I reckon he regrets -not taking the gamble. | 0:23:10 | 0:23:13 | |
-I realized the rest of the boys -were only starting out. | 0:23:13 | 0:23:18 | |
-They were finishing college. -It was more of a gamble for them. | 0:23:18 | 0:23:22 | |
-Most of us realized -we had to go back to college. | 0:23:23 | 0:23:27 | |
-We couldn't afford -to do it full-time. | 0:23:27 | 0:23:30 | |
-# Nia Ben Aur | 0:23:31 | 0:23:33 | |
-# From Tir na nOg | 0:23:34 | 0:23:36 | |
-# You were the most beautiful girl -Osian ever saw # | 0:23:37 | 0:23:42 | |
-The song Nia Ben Aur -was warmly received in gigs. | 0:23:43 | 0:23:47 | |
-The first Welsh rock opera -was based on the song and legend. | 0:23:47 | 0:23:51 | |
-Welsh youth could see a contemporary -production in their own country. | 0:23:52 | 0:23:57 | |
-Nia Ben Aur was pioneering. | 0:23:58 | 0:24:00 | |
-Apart from a rock opera on HTV -a few years earlier... | 0:24:01 | 0:24:06 | |
-..with Meic Stevens, -Heather and Geraint Jarman... | 0:24:06 | 0:24:10 | |
-..it was the first theatrical -Welsh language rock opera. | 0:24:11 | 0:24:16 | |
-The National Eisteddfod officials -gave them the chance... | 0:24:16 | 0:24:21 | |
-..to create a rock opera. | 0:24:21 | 0:24:23 | |
-Ac Eraill, Heather Jones, Dewi Pws, -Hefin Elis was musical director. | 0:24:24 | 0:24:30 | |
-Wynford Ellis Owen directed. | 0:24:30 | 0:24:32 | |
-They were in charge. | 0:24:33 | 0:24:35 | |
-They didn't need anyone's help. | 0:24:35 | 0:24:40 | |
-They had the confidence -to do it themselves. | 0:24:40 | 0:24:43 | |
-This stemmed from the intellectual -revolution of the previous decade. | 0:24:43 | 0:24:48 | |
-This generation was confident -enough to do things themselves... | 0:24:49 | 0:24:53 | |
-..in Welsh, in Wales. | 0:24:53 | 0:24:55 | |
-Jesus Christ Superstar was popular. | 0:24:55 | 0:24:59 | |
-We explored the possibility -of doing it in Welsh. | 0:25:01 | 0:25:05 | |
-We went on the train to London -to see Jesus Christ Superstar... | 0:25:05 | 0:25:10 | |
-..to see how it was put together. | 0:25:11 | 0:25:13 | |
-We were full of excitement -on our way back. | 0:25:14 | 0:25:17 | |
-We realized we could do it in Welsh. | 0:25:17 | 0:25:21 | |
-We worked out a plot. | 0:25:21 | 0:25:24 | |
-The rock opera was based on -the Irish legend of Oisin and Niamh. | 0:25:25 | 0:25:29 | |
-Once again, a Celtic influence -tied it all together. | 0:25:29 | 0:25:34 | |
-We were invited to take part. -It was a fantastic adventure. | 0:25:34 | 0:25:39 | |
-No-one heard a word on the night. | 0:25:51 | 0:25:54 | |
-It was a disaster. | 0:25:55 | 0:25:56 | |
-The band was fine, -but the sound failed. | 0:25:57 | 0:26:00 | |
-No-one heard a note. | 0:26:00 | 0:26:02 | |
-Radio mics were new in 1974. | 0:26:03 | 0:26:05 | |
-Cleif and Heather had radio mics. | 0:26:06 | 0:26:09 | |
-They just didn't work. | 0:26:10 | 0:26:11 | |
-Only Dewi Pws's microphone worked. | 0:26:12 | 0:26:15 | |
-His hand mic was different -from everyone else's. | 0:26:15 | 0:26:19 | |
-His character would create -the biggest impact, anyway. | 0:26:20 | 0:26:24 | |
-He had the flash comic role. | 0:26:24 | 0:26:28 | |
-He had the edge -because everyone could hear him. | 0:26:29 | 0:26:33 | |
-# Ri, Ri, Ri, King of Tir na nOg | 0:26:34 | 0:26:36 | |
-# My name is Ri # | 0:26:37 | 0:26:40 | |
-I watched the show. | 0:26:41 | 0:26:43 | |
-Arthur Brown sat close to me -in the audience. | 0:26:43 | 0:26:47 | |
-The Amazing World Of Arthur Brown. | 0:26:47 | 0:26:50 | |
-He came on stage -with his hair on fire. | 0:26:51 | 0:26:55 | |
-"I am the god of hell fire, -I bring you fire." | 0:26:56 | 0:26:59 | |
-He was famous, and he was backstage! | 0:26:59 | 0:27:02 | |
-"Arthur Brown!" I said. -"Yeah, alright?" | 0:27:02 | 0:27:05 | |
-"What are you doing here?" -I asked him. | 0:27:06 | 0:27:08 | |
-"Just come to pick up the vibes, -man, the Celts." | 0:27:08 | 0:27:12 | |
-"There we are then!" I said. | 0:27:13 | 0:27:15 | |
-There we are then. T, w, a, t. | 0:27:15 | 0:27:17 | |
-BLEEP | 0:27:18 | 0:27:19 | |
-It's unusual today... | 0:27:22 | 0:27:23 | |
-..apart from festivals, to have -people playing with other bands. | 0:27:24 | 0:27:29 | |
-We got to know one another. | 0:27:30 | 0:27:32 | |
-Everyone contributed -to the composing and performing. | 0:27:32 | 0:27:37 | |
-It was a catalyst to strengthen -the existing friendships. | 0:27:38 | 0:27:42 | |
-It was a good feeling. | 0:27:43 | 0:27:46 | |
-# I'm the King | 0:27:47 | 0:27:49 | |
-# Ri, Ri, Ri, Ri, -Ri is my name, yeah! # | 0:27:49 | 0:27:52 | |
-. | 0:27:55 | 0:27:55 | |
-888 | 0:27:58 | 0:27:58 | |
-888 - -888 | 0:27:58 | 0:28:00 | |
-After Edward H split up in 1976, -most of the band formed Injaroc... | 0:28:02 | 0:28:07 | |
-..with Geraint Griffiths, Endaf -Emlyn and two members of Sidan. | 0:28:08 | 0:28:13 | |
-Sidan was nice but not very cool. | 0:28:13 | 0:28:15 | |
-Perhaps we're cool now, -but at the time we were nicey-nicey. | 0:28:16 | 0:28:21 | |
-I wanted to get my teeth -into something more meaty. | 0:28:21 | 0:28:27 | |
-Injaroc was the next step for me. | 0:28:28 | 0:28:33 | |
-# Who'd give a damn -in the middle of the night? # | 0:28:40 | 0:28:43 | |
-I first saw Injaroc -in Aberystwyth's old Coliseum. | 0:28:45 | 0:28:52 | |
-It was packed. | 0:28:52 | 0:28:54 | |
-Unfortunately for Injaroc... | 0:28:54 | 0:28:57 | |
-..a lot of people -weren't happy with the band. | 0:28:58 | 0:29:01 | |
-They shouted at them. | 0:29:01 | 0:29:03 | |
-"Where's Dewi Morris?! | 0:29:03 | 0:29:05 | |
-"What have you done -with Dewi Morris?! It's a disgrace!" | 0:29:05 | 0:29:09 | |
-They performed several gigs... | 0:29:10 | 0:29:13 | |
-..to a disgruntled audience. | 0:29:14 | 0:29:17 | |
-It all began when someone -suggested the term Anglo-American. | 0:29:18 | 0:29:25 | |
-It was a mortal sin -to be too Anglo-American. | 0:29:26 | 0:29:29 | |
-We were all influenced -by Anglo-American music. | 0:29:30 | 0:29:33 | |
-It was rock and pop music. | 0:29:33 | 0:29:35 | |
-People said the music -was too sophisticated. | 0:29:36 | 0:29:39 | |
-It was different -from what Edward H had done. | 0:29:39 | 0:29:43 | |
-Some Edward H fans were angry. | 0:29:43 | 0:29:48 | |
-We upset a few people. | 0:29:49 | 0:29:52 | |
-Either they didn't like the music, -or they felt let down by the split. | 0:29:52 | 0:29:57 | |
-There was absolutely no chance -that they'd support Injaroc. | 0:29:57 | 0:30:03 | |
-Injaroc wasn't complicated at all. | 0:30:03 | 0:30:06 | |
-Looking back, -it's rather embarrassing! | 0:30:06 | 0:30:09 | |
-We were a bit green, -if you know what I mean! | 0:30:10 | 0:30:14 | |
-# Mr Chairman | 0:30:14 | 0:30:16 | |
-# Can I second this motion? | 0:30:16 | 0:30:19 | |
-# It's a funky notion | 0:30:20 | 0:30:22 | |
-# Funky notion # | 0:30:22 | 0:30:24 | |
-The one record -we managed to produce... | 0:30:24 | 0:30:28 | |
-..was very good. | 0:30:29 | 0:30:31 | |
-It was also different. | 0:30:31 | 0:30:33 | |
-Perhaps it's appreciated today -more than it was at the time. | 0:30:34 | 0:30:38 | |
-A few good things came out of it. | 0:30:38 | 0:30:41 | |
-We formed links -with people like Endaf and Geraint. | 0:30:41 | 0:30:45 | |
-Bando, Jip and Eliffant -came out of it. | 0:30:45 | 0:30:48 | |
-Edward H reformed for a while. | 0:30:48 | 0:30:51 | |
-Following the disappointing -reaction to Injaroc... | 0:30:51 | 0:30:55 | |
-..Edward H reformed -before splitting again in 1983. | 0:30:55 | 0:30:59 | |
-Dewi had a new project -in the pipeline, Mochyn 'Apus. | 0:30:59 | 0:31:04 | |
-# Happy pig off his head every night | 0:31:12 | 0:31:17 | |
-# He never feels pain # | 0:31:18 | 0:31:20 | |
-I saw Mochyn 'Apus -at Llangefni Eisteddfod in 1983. | 0:31:21 | 0:31:24 | |
-I can't understand -why they weren't popular. | 0:31:25 | 0:31:29 | |
-People disapproved -of the non-Welsh band members. | 0:31:29 | 0:31:33 | |
-The same old argument. | 0:31:33 | 0:31:35 | |
-I thought they were very funny. | 0:31:36 | 0:31:38 | |
-Pws displayed -the old Tebot Piws zaniness. | 0:31:38 | 0:31:43 | |
-I wanted to do Mochyn 'Apus -in order to perform with Tich. | 0:31:43 | 0:31:48 | |
-He was, and still is, my hero. -He was a bloke and a half. | 0:31:48 | 0:31:52 | |
-There was also Dafydd Pierce. | 0:31:53 | 0:31:56 | |
-And then Dyfed Thomas. | 0:31:56 | 0:32:01 | |
-We did a gig with Yr Anhrefn, -who didn't like us. | 0:32:01 | 0:32:05 | |
-They called us a TV band. -Rhys Mwyn frowned in the corner. | 0:32:06 | 0:32:10 | |
-It made us worse - I painted a red -spot on my face and wore leathers. | 0:32:11 | 0:32:16 | |
-We tried to out-punk the punks. | 0:32:17 | 0:32:20 | |
-Dyfed Thomas had a great idea. | 0:32:20 | 0:32:24 | |
-He'd come on as a pig. | 0:32:25 | 0:32:28 | |
-He brought a pig's head from London. | 0:32:30 | 0:32:32 | |
-He came on -pointing a torch at his face. | 0:32:33 | 0:32:36 | |
-The pig's head was horrible, -but he couldn't see! | 0:32:38 | 0:32:41 | |
-He pulled Tich and Jack's leads -until they almost came off stage. | 0:32:43 | 0:32:50 | |
-Terrible. Spinal Tap, -rock and roll! | 0:32:50 | 0:32:54 | |
-I only saw Mochyn 'Apus once, -and I really enjoyed them. | 0:32:56 | 0:33:00 | |
-It's a pity they stopped performing. | 0:33:00 | 0:33:04 | |
-After Y Tebot Piws, Emyr Huws Jones -took a different route. | 0:33:05 | 0:33:09 | |
-I worked in Aberystwyth -after leaving college. | 0:33:10 | 0:33:13 | |
-I became friends with Emyr Wyn -and the rest of Mynediad Am Ddim. | 0:33:13 | 0:33:18 | |
-I was considering starting a band. | 0:33:19 | 0:33:23 | |
-I asked Emyr whether he'd fancy -starting one. "I have," he said. | 0:33:23 | 0:33:28 | |
-"Why don't you join us?" | 0:33:28 | 0:33:30 | |
-I heard them sing -and thought they sounded good. | 0:33:30 | 0:33:34 | |
-That's what I did. | 0:33:34 | 0:33:36 | |
-# I'd like to play guitar -like Rory Gallagher | 0:33:37 | 0:33:42 | |
-# Or write stories like Stan Lee # | 0:33:43 | 0:33:48 | |
-I liked Mynediad Am Ddim's -witty songs. | 0:33:49 | 0:33:55 | |
-They always made me laugh. | 0:33:56 | 0:33:58 | |
-They always fooled around on stage. | 0:33:59 | 0:34:03 | |
-They inherited that -from Y Tebot Piws. | 0:34:04 | 0:34:09 | |
-# I'd like to be -as big as Robert Mitchum # | 0:34:10 | 0:34:13 | |
-The spirit of Owain Glyndwr... | 0:34:16 | 0:34:19 | |
-..and Bob Tai'r Felin -are in their performances. | 0:34:19 | 0:34:23 | |
-Their performances -echoed a traditional noson lawen. | 0:34:23 | 0:34:28 | |
-They had the audience in the palm -of their hands from the word go. | 0:34:29 | 0:34:33 | |
-Emyr Wyn's voice and personality -could do that. | 0:34:34 | 0:34:38 | |
-It was a strange combination -of a violin, guitar and French horn. | 0:34:39 | 0:34:44 | |
-We concentrated on the vocals. | 0:34:45 | 0:34:48 | |
-We got together in the Marine -and the Skinners in Aberystwyth. | 0:34:50 | 0:34:56 | |
-We sang student-like songs. | 0:34:57 | 0:35:00 | |
-Everyone wanted to sing in a group. | 0:35:01 | 0:35:05 | |
-# Of course -you can walk along my footpath | 0:35:13 | 0:35:18 | |
-# You can go wherever -you want on my land # | 0:35:20 | 0:35:25 | |
-Ems's major contribution -to the group was his songs. | 0:35:26 | 0:35:31 | |
-They sang pop songs -that are now Welsh classics. | 0:35:31 | 0:35:35 | |
-Ems brought along -four or five songs... | 0:35:36 | 0:35:39 | |
-..like Arica, Fi... | 0:35:40 | 0:35:43 | |
-..Padi... | 0:35:47 | 0:35:48 | |
-..and it was an eye-opener for us. | 0:35:49 | 0:35:52 | |
-This was more serious. | 0:35:52 | 0:35:55 | |
-The songs we wrote were OK. | 0:35:56 | 0:35:59 | |
-But they had no shelf life. | 0:36:00 | 0:36:03 | |
-Some are still played today, -and they're OK. | 0:36:04 | 0:36:07 | |
-We all realized -how special Ems's songs were. | 0:36:08 | 0:36:13 | |
-# This song was saved from the sea | 0:36:14 | 0:36:18 | |
-# It was seen there, drowning | 0:36:21 | 0:36:24 | |
-# By the lighthouse keeper # | 0:36:24 | 0:36:28 | |
-It was Ems's most prolific time -as a composer. | 0:36:29 | 0:36:34 | |
-His songs were gentle, -nostalgic and romantic. | 0:36:35 | 0:36:41 | |
-They were part -of Mynediad Am Ddim's repertoire... | 0:36:42 | 0:36:45 | |
-..of fun songs and quieter numbers. | 0:36:45 | 0:36:48 | |
-It made them a successful folk band. | 0:36:49 | 0:36:52 | |
-My career has been very jammy. | 0:36:58 | 0:37:01 | |
-I've been in the right place -at the right time. | 0:37:02 | 0:37:05 | |
-I met Ems, Stan and Pws -at Cyncoed College. | 0:37:06 | 0:37:10 | |
-I worked in Glansefin when Ac Eraill -were in college in Carmarthen. | 0:37:11 | 0:37:15 | |
-I found myself in Aber -when Mynediad Am Ddim were students. | 0:37:16 | 0:37:22 | |
-Emyr Wyn asked me whether I'd like -to do something with them. | 0:37:24 | 0:37:28 | |
-They had the same motive -as Ac Eraill - my banjo! | 0:37:29 | 0:37:34 | |
-The former Tebot members' reunion -didn't last long. | 0:37:39 | 0:37:42 | |
-Once again, Ems had had enough. | 0:37:43 | 0:37:45 | |
-It was easier to travel with -Mynediad when I was in Aberystwyth. | 0:37:45 | 0:37:49 | |
-We were in the same place, -and going to the same concerts. | 0:37:50 | 0:37:54 | |
-When Emyr and I moved to Cardiff... | 0:37:54 | 0:37:57 | |
-..things became more difficult. | 0:37:57 | 0:38:00 | |
-I wasn't enjoying it as much. | 0:38:00 | 0:38:02 | |
-We'd meet somewhere and sing, -then make our way home. | 0:38:03 | 0:38:08 | |
-I found it sad. | 0:38:08 | 0:38:10 | |
-I'd had enough -of performing by then. | 0:38:10 | 0:38:13 | |
-I left at the end of the 1970s, -but I still wrote songs for them. | 0:38:14 | 0:38:19 | |
-I didn't perform with them again. | 0:38:19 | 0:38:22 | |
-When I was with Mynediad -in Aberystwyth... | 0:38:24 | 0:38:27 | |
-..we were gigging and travelling -every weekend. | 0:38:27 | 0:38:31 | |
-Tecwyn Ifan -had started to sing on his own. | 0:38:33 | 0:38:37 | |
-He asked me if I'd be interested -in accompanying him on the guitar. | 0:38:39 | 0:38:44 | |
-I agreed. | 0:38:44 | 0:38:48 | |
-# We'll go to the towns and cities | 0:38:50 | 0:38:55 | |
-# It will be good -to meet the people # | 0:38:56 | 0:39:00 | |
-Working with Tecs was different, -because his songs were so sad. | 0:39:03 | 0:39:08 | |
-His songs had a message. | 0:39:09 | 0:39:13 | |
-People liked to sit down -and listen to them. | 0:39:14 | 0:39:17 | |
-It was a nice change... | 0:39:17 | 0:39:19 | |
-..after two years of living -the wild life with Mynediad. | 0:39:19 | 0:39:23 | |
-# Sleeping under the trees | 0:39:23 | 0:39:26 | |
-# And eating their fruit | 0:39:26 | 0:39:29 | |
-# After the selling's over | 0:39:30 | 0:39:32 | |
-# My gratitude I'll show # | 0:39:33 | 0:39:36 | |
-Many of Tecwyn's songs -became anthems. | 0:39:36 | 0:39:41 | |
-One of these was Y Dref Wen. | 0:39:41 | 0:39:43 | |
-People were interested -in legends and history... | 0:39:44 | 0:39:48 | |
-..and heroes to sing about. | 0:39:48 | 0:39:51 | |
-At the time... | 0:39:52 | 0:39:55 | |
-..people could identify -with Y Dref Wen... | 0:39:56 | 0:40:00 | |
-..as with many other similar songs. | 0:40:00 | 0:40:03 | |
-It's not that it's a special song. | 0:40:03 | 0:40:07 | |
-It conveyed something -that had happened in the past... | 0:40:07 | 0:40:13 | |
-..which people felt -was repeating itself. | 0:40:13 | 0:40:19 | |
-# Returning home # | 0:40:20 | 0:40:23 | |
-. | 0:40:31 | 0:40:31 | |
-888 | 0:40:33 | 0:40:33 | |
-888 - -888 | 0:40:33 | 0:40:35 | |
-Y Tebot Piws's members -rarely performed after the 1980s. | 0:40:37 | 0:40:41 | |
-Some composed -for leading Welsh artistes. | 0:40:42 | 0:40:45 | |
-At the beginning -of the millennium... | 0:40:45 | 0:40:48 | |
-..they received an offer -they couldn't refuse. | 0:40:48 | 0:40:52 | |
-Bryn Terfel invited us -to take part in the Faenol Festival. | 0:40:53 | 0:40:58 | |
-I didn't want to do it. | 0:40:58 | 0:41:01 | |
-I thought I'd be too nervous. | 0:41:02 | 0:41:05 | |
-We were nervous. | 0:41:06 | 0:41:08 | |
-Many years had passed -since we'd performed together. | 0:41:08 | 0:41:13 | |
-We weren't worried -about the chemistry of the band. | 0:41:13 | 0:41:18 | |
-In our subconscious... | 0:41:18 | 0:41:21 | |
-..we knew we still got on -and that we'd always get on. | 0:41:21 | 0:41:25 | |
-The music worried us. | 0:41:26 | 0:41:28 | |
-Things had moved on -over the years. | 0:41:28 | 0:41:32 | |
-We didn't know -whether we could hack it musically. | 0:41:32 | 0:41:37 | |
-They eventually persuaded me. | 0:41:38 | 0:41:41 | |
-It was good and a lot of fun. | 0:41:42 | 0:41:45 | |
-We had a professional band -behind us, for one thing! | 0:41:46 | 0:41:50 | |
-We didn't have to worry too much. | 0:41:50 | 0:41:53 | |
-# I'm going back -to Blaenau Ffestiniog | 0:41:53 | 0:41:57 | |
-# Catching the first train -out of town # | 0:41:57 | 0:42:00 | |
-In August 2002, Tebot Piws -reformed for one night only. | 0:42:00 | 0:42:04 | |
-They performed -to more than 3,000 people. | 0:42:04 | 0:42:08 | |
-The reaction was astounding. | 0:42:08 | 0:42:12 | |
-I'll never forget it. | 0:42:12 | 0:42:16 | |
-# A German man shouted, -"Where are you going?" | 0:42:16 | 0:42:20 | |
-# This is what she shouted back | 0:42:20 | 0:42:23 | |
-# I'm going back -to Blaenau Ffestiniog | 0:42:24 | 0:42:27 | |
-# Catching the first train -out of town | 0:42:27 | 0:42:31 | |
-# I'm going back -to Blaenau Ffestiniog | 0:42:32 | 0:42:35 | |
-# Because it's my seventh heaven # | 0:42:35 | 0:42:37 | |
-We thought it was a one-off, -and it was brilliant. | 0:42:38 | 0:42:41 | |
-But we really enjoyed it. | 0:42:42 | 0:42:44 | |
-We realized we were still friends. | 0:42:44 | 0:42:47 | |
-We had a great time together. | 0:42:48 | 0:42:50 | |
-People asked us -to perform here and there. | 0:42:51 | 0:42:57 | |
-We were doing more and more, -and having fun. | 0:42:59 | 0:43:02 | |
-# The laws of England and News -At Ten are close friends of ours | 0:43:02 | 0:43:08 | |
-# They tell us what we should do, -they're Welsh through and through | 0:43:08 | 0:43:13 | |
-# This little country of ours -has gone mad | 0:43:16 | 0:43:18 | |
-# Black hatred, prison and fines | 0:43:19 | 0:43:22 | |
-# Come with me -in the middle of the night | 0:43:23 | 0:43:25 | |
-# We'll continue -to smash down the signs | 0:43:26 | 0:43:28 | |
-# Well, yes, yes, yes, that's it | 0:43:30 | 0:43:32 | |
-# Well, yes, yes, yes, that's it | 0:43:33 | 0:43:36 | |
-# Well, yes, yes, that's it | 0:43:36 | 0:43:39 | |
-# Well, yes, yes, yes, that's it # | 0:43:39 | 0:43:42 | |
-Four years later, in 2008... | 0:43:43 | 0:43:46 | |
-..we were invited to sing in the -Cann Office Festival in mid Wales. | 0:43:47 | 0:43:52 | |
-We had to hang around for six -or seven hours after a soundcheck. | 0:43:53 | 0:43:58 | |
-During that time, Stan said... | 0:43:59 | 0:44:02 | |
-.."we'll be celebrating -our 40th birthday next year." | 0:44:02 | 0:44:09 | |
-We agreed to commemorate -this special occasion. | 0:44:09 | 0:44:14 | |
-We decided to record an album. | 0:44:15 | 0:44:18 | |
-The initial idea was to record -an EP of four songs. | 0:44:18 | 0:44:22 | |
-I was prepared to write one song. | 0:44:23 | 0:44:25 | |
-They kept asking for more -to fill the LP. | 0:44:25 | 0:44:29 | |
-I had to use songs -I'd intended for other things! | 0:44:29 | 0:44:33 | |
-But it was fun. We had a great time -recording in Bethesda. | 0:44:34 | 0:44:38 | |
-Twll Du Ifan Saer -was Tebot Piws's first and last LP. | 0:44:38 | 0:44:42 | |
-They were invited to sing at the -Cob's 200th birthday celebrations... | 0:44:42 | 0:44:47 | |
-..in Penrhyndeudraeth this year. | 0:44:48 | 0:44:50 | |
-We had discussed -packing it in for months. | 0:44:51 | 0:44:54 | |
-We received this invitation. | 0:44:54 | 0:44:57 | |
-I wanted it to be our final concert -and they all agreed. | 0:44:57 | 0:45:01 | |
-We're looking forward -to this final gig. | 0:45:02 | 0:45:06 | |
-I reckon it'll be quite a night. | 0:45:07 | 0:45:09 | |
-CHEERS | 0:45:09 | 0:45:13 | |
-# The wooden lad | 0:45:14 | 0:45:17 | |
-# Is sixty-four | 0:45:17 | 0:45:20 | |
-# And he has caught -Dutch elm disease | 0:45:20 | 0:45:24 | |
-# Fat Martha | 0:45:26 | 0:45:28 | |
-# Is even fatter | 0:45:28 | 0:45:31 | |
-# In fact, she is now obese # | 0:45:32 | 0:45:36 | |
-Y Tebot Piws's influence was huge. | 0:45:38 | 0:45:42 | |
-They were punk before punk. | 0:45:42 | 0:45:45 | |
-They were anarchic, -they challenged the system. | 0:45:45 | 0:45:49 | |
-The stories about them -are legendary. | 0:45:49 | 0:45:52 | |
-It doesn't matter what Dewi did with -pigeon dirt on a Llangefni balcony. | 0:45:52 | 0:45:57 | |
-It doesn't matter -that it isn't true. | 0:45:58 | 0:46:01 | |
-People like to think it's true. | 0:46:01 | 0:46:03 | |
-They inspired me -to try my hand at singing in Welsh. | 0:46:03 | 0:46:10 | |
-Their contribution is remarkable. | 0:46:11 | 0:46:16 | |
-They wrote lovely songs. | 0:46:17 | 0:46:20 | |
-But with a composer like Ems, -you'd expect nothing less. | 0:46:21 | 0:46:27 | |
-# Lleucu Llwyd has kicked the bucket | 0:46:27 | 0:46:31 | |
-# And Blaenau is still -under the rock # | 0:46:32 | 0:46:36 | |
-It's no mean feat -to compose a folk song. | 0:46:37 | 0:46:40 | |
-A song that's accepted. | 0:46:41 | 0:46:43 | |
-People think Lleucu Llwyd -is a Welsh folk song. | 0:46:43 | 0:46:48 | |
-Dewi Pws of Y Tebot Piws wrote it. | 0:46:48 | 0:46:51 | |
-If you remember the 1960s or 1970s, -they say you weren't there. | 0:46:51 | 0:46:56 | |
-I remember, and I was there. -I'm glad I can remember. | 0:46:57 | 0:47:01 | |
-I was around -these great individuals. | 0:47:01 | 0:47:05 | |
-Alun Sbardun Huws, Stanley Morgan -Jones, Dewi Pws Morris... | 0:47:06 | 0:47:10 | |
-..and Emyr Huws Jones. | 0:47:11 | 0:47:13 | |
-We're all old now. | 0:47:13 | 0:47:16 | |
-I think I've lasted alright. | 0:47:16 | 0:47:18 | |
-The last few years -with Y Tebot Piws... | 0:47:20 | 0:47:23 | |
-..has been a breath of fresh air -for me personally. | 0:47:24 | 0:47:28 | |
-I'd listen out for the phone... | 0:47:29 | 0:47:32 | |
-..and got excited if Sbardun texted -because it might be a gig. | 0:47:32 | 0:47:37 | |
-"Are you free?" "Yes," I'd reply, -never mind where the gig was. | 0:47:37 | 0:47:43 | |
-We've had the chance -and we've had fun. | 0:47:45 | 0:47:48 | |
-We'll still meet and have fun. | 0:47:49 | 0:47:52 | |
-But we won't sing together again. | 0:47:53 | 0:47:55 | |
-All good things come to an end. | 0:47:56 | 0:48:00 | |
-# There are cracks in the teapot | 0:48:01 | 0:48:07 | |
-# It's celebrating its 40th birthday | 0:48:07 | 0:48:12 | |
-# But there are some who would say | 0:48:13 | 0:48:19 | |
-# The crack was always there # | 0:48:19 | 0:48:24 | |
-S4C Subtitles by Gwead | 0:48:31 | 0:48:33 | |
-. | 0:48:33 | 0:48:33 |