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Today we are in the market town of Leominster, in Herefordshire. | 0:00:06 | 0:00:10 | |
This place sits on the Welsh-English Marches | 0:00:10 | 0:00:13 | |
and has seen a certain amount of conflict over the years. | 0:00:13 | 0:00:17 | |
But today, the conflict is of a different type. | 0:00:17 | 0:00:21 | |
Let's go bargain hunting, yeah! | 0:00:21 | 0:00:23 | |
Our Red and Blue teams can buy from a variety of antique shops | 0:00:51 | 0:00:55 | |
here in Leominster. | 0:00:55 | 0:00:57 | |
They have got one hour and £300 to buy three items. | 0:00:57 | 0:01:01 | |
So let's take a sneaky peek as to what is coming up. | 0:01:01 | 0:01:05 | |
It's all about the haggle today. The Reds are going, going, gong! | 0:01:07 | 0:01:11 | |
I'd like to see it at £80, really. | 0:01:12 | 0:01:15 | |
Whilst the Blues take their expert's advice. | 0:01:15 | 0:01:17 | |
-My thought would be 60. -Say again? | 0:01:17 | 0:01:19 | |
-60. -(Go 50 instead.) | 0:01:19 | 0:01:21 | |
-50. -Yeah, that's a good one. | 0:01:21 | 0:01:23 | |
HE LAUGHS | 0:01:23 | 0:01:24 | |
But who will prove to be the ultimate winner at auction? | 0:01:24 | 0:01:27 | |
-Uh-oh. -I don't believe it. | 0:01:27 | 0:01:29 | |
-Fair warning. -Yes. -Yes! | 0:01:29 | 0:01:30 | |
-Yes! -Come on, let's go! | 0:01:30 | 0:01:33 | |
Let's meet the teams. | 0:01:33 | 0:01:35 | |
Well, what a lovely space this is. | 0:01:36 | 0:01:38 | |
The Lion Ballroom, in Leominster. Marvellous. | 0:01:38 | 0:01:41 | |
Well, on Bargain Hunt today, we are very much keeping this in the family | 0:01:41 | 0:01:45 | |
because for the Reds, | 0:01:45 | 0:01:46 | |
we have father and foster daughter Dwina and Geoff. | 0:01:46 | 0:01:51 | |
And for the Blues, a father and son-in-law, Howard and Mark. | 0:01:51 | 0:01:55 | |
-Hello, everyone. -Hi, Tim. -Very nice to see you. | 0:01:55 | 0:01:57 | |
Now, Geoff, you work in education. Tell us about that. | 0:01:57 | 0:02:00 | |
I do. I am allegedly an education expert, Tim. | 0:02:00 | 0:02:03 | |
I specialise in gender differences in the ways that boys and girls, | 0:02:03 | 0:02:06 | |
women and men learn. | 0:02:06 | 0:02:08 | |
And I develop strategies to help boys and girls and women and men | 0:02:08 | 0:02:11 | |
learn that bit better. | 0:02:11 | 0:02:13 | |
That is quite a specialist skill, isn't it? | 0:02:13 | 0:02:15 | |
There can't be that many gender specialists | 0:02:15 | 0:02:17 | |
lurking in the world of education. | 0:02:17 | 0:02:19 | |
No, I think I'm the only one | 0:02:19 | 0:02:20 | |
and that's why business is still very good! | 0:02:20 | 0:02:22 | |
-TIM CHUCKLES -How did all that come about, Geoff? | 0:02:22 | 0:02:24 | |
I think probably just trying to understand how female brains work. | 0:02:24 | 0:02:28 | |
-And you've managed to crack that one? -Not quite. | 0:02:28 | 0:02:31 | |
-Not quite, no. -Not quite. | 0:02:31 | 0:02:32 | |
-That could take a lifetime, couldn't it? -Absolutely. | 0:02:32 | 0:02:35 | |
-I'm still studying that. -Exactly. | 0:02:35 | 0:02:37 | |
-And you are also a keen photographer. -Yeah. | 0:02:37 | 0:02:39 | |
I like portrait photography. | 0:02:39 | 0:02:42 | |
Kind of getting into people's personalities and taking pictures. | 0:02:42 | 0:02:45 | |
And some historic work as well. | 0:02:45 | 0:02:46 | |
I like looking at old photos and collecting old photos. | 0:02:46 | 0:02:49 | |
-Now, Dwina, dogs play a big part in your life. -Indeed they do, Tim. | 0:02:49 | 0:02:54 | |
-I love dogs. Everything about them. -And what dogs do you have? | 0:02:54 | 0:02:58 | |
I've got a Chihuahua, Lola. She is three now. And two cavaliers. | 0:02:58 | 0:03:02 | |
-So, is Lola the tiniest little thing you ever did see? -She is. | 0:03:02 | 0:03:05 | |
She's about this big. | 0:03:05 | 0:03:06 | |
-Yes, and so sweet, I bet. -She is. She's lovely. | 0:03:06 | 0:03:09 | |
And does she travel with you everywhere normally? | 0:03:09 | 0:03:11 | |
Most places, yeah. | 0:03:11 | 0:03:12 | |
And your love of dogs has taken your business in that direction too, hasn't it? | 0:03:12 | 0:03:17 | |
Indeed it has. | 0:03:17 | 0:03:18 | |
I have recently just rented a shop in Shrewsbury, which I'm hoping | 0:03:18 | 0:03:22 | |
to make into a lovely dog boutique. | 0:03:22 | 0:03:25 | |
-Right. -For all the pampered pooches. | 0:03:25 | 0:03:27 | |
Pampered pooches. I love it. | 0:03:27 | 0:03:29 | |
-You are also interested in child development. -I am. | 0:03:29 | 0:03:33 | |
Since I have been fostered, it has sort of been a part of my life | 0:03:33 | 0:03:36 | |
and I would love to become a foster carer myself one day. | 0:03:36 | 0:03:39 | |
And why do you think you two are going to make a great team today? | 0:03:39 | 0:03:42 | |
-We just are. -Yes. We get on really well. We have a close bond. | 0:03:42 | 0:03:47 | |
We have got our roles defined. | 0:03:47 | 0:03:49 | |
Do you know anything about antiques? | 0:03:49 | 0:03:50 | |
-No, not a lot. -Then you will do extremely well on this programme! | 0:03:50 | 0:03:55 | |
Anyway, there we go. Very, very lovely to meet you. | 0:03:55 | 0:03:58 | |
Now, Howard, it says here that Oliver Cromwell | 0:03:58 | 0:04:01 | |
was your ninth great-grandfather. | 0:04:01 | 0:04:03 | |
Absolutely. | 0:04:03 | 0:04:04 | |
With Cromwell genes in my genetic make-up, | 0:04:04 | 0:04:06 | |
I am really ready to take on the opposition. | 0:04:06 | 0:04:10 | |
Now, you are a biology teacher by profession | 0:04:10 | 0:04:12 | |
but what do you get up to in your spare time? | 0:04:12 | 0:04:14 | |
I am a guide at Worcester Cathedral | 0:04:14 | 0:04:16 | |
and I am also very passionate about singing and have been really | 0:04:16 | 0:04:21 | |
ever since I was a treble chorister at New College, Oxford. | 0:04:21 | 0:04:25 | |
Being retired, my wife and I sing in two groups - | 0:04:25 | 0:04:28 | |
the Elgar Chorale of Worcester and also a small eight-voice group | 0:04:28 | 0:04:32 | |
called Serenata and we raise money for charity giving concerts. | 0:04:32 | 0:04:37 | |
Now, Mark, you are a marketing manager for a packaging company. | 0:04:37 | 0:04:40 | |
-Yes. -Tell me what you get up to in your marketing, managing world. | 0:04:40 | 0:04:44 | |
I do a lot of web design. | 0:04:44 | 0:04:46 | |
I do all the sort of SEO work, I design the catalogues, | 0:04:46 | 0:04:50 | |
write the press releases. | 0:04:50 | 0:04:52 | |
-And generally have a lot of fun, hopefully. -Yes. | 0:04:52 | 0:04:54 | |
And what do you do when you are not hard at work? | 0:04:54 | 0:04:56 | |
I do a lot of running. | 0:04:56 | 0:04:58 | |
I did 12 half marathons in nine months | 0:04:58 | 0:05:00 | |
a couple of years ago for charity. | 0:05:00 | 0:05:02 | |
Gosh! I would be fagged out. | 0:05:02 | 0:05:03 | |
And I'm looking to do a full marathon next year. | 0:05:03 | 0:05:06 | |
And you're also involved with something to do with men and horses, right? | 0:05:06 | 0:05:09 | |
-HE CHUCKLES -Doesn't sound terribly wholesome but you better tell us about it. | 0:05:09 | 0:05:13 | |
It was a race. | 0:05:13 | 0:05:14 | |
It is held every year in mid Wales | 0:05:14 | 0:05:16 | |
and is called the Man Versus Horse Marathon. | 0:05:16 | 0:05:18 | |
You can run it either as an individual or as a team of three | 0:05:18 | 0:05:21 | |
and you literally race horses 26 miles through the hills. | 0:05:21 | 0:05:24 | |
-Ooh, that sounds like fun. -Well... -HE CHUCKLES | 0:05:24 | 0:05:27 | |
After eight or nine miles of hill running, less so. | 0:05:27 | 0:05:29 | |
Yes, exactly. And what do you like to collect? Old trainers? | 0:05:29 | 0:05:33 | |
-HE LAUGHS -I've got plenty of those. | 0:05:33 | 0:05:35 | |
I collect old coins. I've got thousands of them. | 0:05:35 | 0:05:37 | |
Tins of them full of them. | 0:05:37 | 0:05:39 | |
Will you be buying coins today on Bargain Hunt? | 0:05:39 | 0:05:41 | |
I'd love to find some. Yes, that'd be great. | 0:05:41 | 0:05:43 | |
Well, you never know though, do you? | 0:05:43 | 0:05:45 | |
It's a right old trove out there. Now, the money moment. £300 apiece. | 0:05:45 | 0:05:49 | |
You know the rules. Your experts await and off you go! | 0:05:49 | 0:05:53 | |
And very, very, very good luck. | 0:05:53 | 0:05:55 | |
Well, you never know what we are going to dig up next. | 0:05:55 | 0:05:59 | |
Now, let's be our experts. | 0:06:00 | 0:06:02 | |
Hoping to make barrow loads of profits for the Reds, | 0:06:02 | 0:06:05 | |
is Jonathan Pratt. | 0:06:05 | 0:06:07 | |
And Charles Hanson will be | 0:06:07 | 0:06:08 | |
attempting to dig for victory for the Blues. | 0:06:08 | 0:06:11 | |
Now, what are the teams looking for today? | 0:06:11 | 0:06:14 | |
-What are you going to buy? What do you want to buy? -Brooches. | 0:06:14 | 0:06:17 | |
Yeah, small objects, collectables. | 0:06:17 | 0:06:19 | |
Something medium price, not too expensive. | 0:06:19 | 0:06:22 | |
-Buy low, sell high. That's what we like to do. -OK. | 0:06:22 | 0:06:26 | |
-And, Mark? -My plan is not to listen to Howard too much! | 0:06:26 | 0:06:30 | |
Oh, right, well, you'd better follow me then. | 0:06:30 | 0:06:32 | |
At least the Reds and Blues have some expertise | 0:06:32 | 0:06:35 | |
to show them the light. | 0:06:35 | 0:06:36 | |
OK, teams, your time starts now. | 0:06:36 | 0:06:39 | |
-OK, we are on the clock. -That's quite nice, isn't it? | 0:06:40 | 0:06:43 | |
-I love the blue and white. -Do you? | 0:06:43 | 0:06:46 | |
"Father's mug from Cheddar." | 0:06:46 | 0:06:48 | |
Salt-glazed stoneware. It just needs father-in-law going on there. | 0:06:48 | 0:06:51 | |
'Father-in-law' and then we have got a match made in heaven. | 0:06:51 | 0:06:55 | |
-HE LAUGHS -Let's move on! | 0:06:55 | 0:06:57 | |
A bit cheesy to me, Carlos. | 0:06:57 | 0:06:59 | |
-Look at that lovely lime green ground. -It's beautiful. -Isn't it? | 0:07:02 | 0:07:06 | |
-Early Spode. -Circa 1830. | 0:07:06 | 0:07:08 | |
Isn't it rich in that Regency style? | 0:07:08 | 0:07:11 | |
-Is that hand-painted gold decoration? -Yes. | 0:07:11 | 0:07:14 | |
And this is a cabinet plate made for a noble home. | 0:07:14 | 0:07:17 | |
And obviously, with family heraldry now we what we can do | 0:07:17 | 0:07:19 | |
is determine which family this coat of arms or crest is for | 0:07:19 | 0:07:24 | |
and actually, the dealer here has already researched that. | 0:07:24 | 0:07:27 | |
-"Motto of the MacInnes clan." -"£75." | 0:07:27 | 0:07:30 | |
-£75 seems quite a lot for a plate to me. -Yeah. | 0:07:30 | 0:07:33 | |
I think it's worth between £50 and £80. | 0:07:33 | 0:07:36 | |
-So we've really got to get it for less than £50. -Yeah... | 0:07:36 | 0:07:39 | |
Well, bottom estimate and I then think the sap is rising. | 0:07:39 | 0:07:43 | |
OK. Mental note. | 0:07:43 | 0:07:45 | |
Well, you are certainly keeping their interests, Charles. | 0:07:45 | 0:07:49 | |
Meanwhile, Dapper Stan, from the Antiques Centre, | 0:07:49 | 0:07:51 | |
is helping out the Reds by removing an item from one of the cabinets. | 0:07:51 | 0:07:55 | |
It's rather neat because it's a late 19th-century gong, | 0:07:55 | 0:07:59 | |
table gong for dinner. | 0:07:59 | 0:08:01 | |
Model has a signpost. | 0:08:01 | 0:08:03 | |
Got a couple of figures seated, got an owl on the top of the post. | 0:08:03 | 0:08:06 | |
A rather neat little thing. | 0:08:06 | 0:08:08 | |
-We better test it works. -The gong. | 0:08:08 | 0:08:11 | |
-Hmm. -HE LAUGHS | 0:08:13 | 0:08:15 | |
'I don't think that would get me running into dinner.' | 0:08:15 | 0:08:18 | |
OK, it's got a register number 110907. | 0:08:18 | 0:08:21 | |
A patented number, essentially. They're patented numbers | 0:08:21 | 0:08:24 | |
and they tend to come in towards the end of the 19th century, | 0:08:24 | 0:08:27 | |
I think it's the 1880s. | 0:08:27 | 0:08:28 | |
It's plate, as I thought, and I think it's a nickel base. | 0:08:28 | 0:08:31 | |
-What do you think? -Well, it's different. -It's different. | 0:08:31 | 0:08:34 | |
-People love the novelty. -Sure. | 0:08:34 | 0:08:36 | |
-They are asking 100 and... -£40. | 0:08:36 | 0:08:38 | |
£140. | 0:08:38 | 0:08:40 | |
Now, it was £185 and they've dropped it with a sticker on there | 0:08:40 | 0:08:43 | |
so we can see it's been here a little while. | 0:08:43 | 0:08:45 | |
-Yes. -OK, Stan. | 0:08:45 | 0:08:48 | |
-I'll see what we can do. -It's a bit of a phone call, is it? | 0:08:48 | 0:08:52 | |
Stan is our man. We're looking for your best price, please. | 0:08:52 | 0:08:56 | |
-What our max on that, would you say? -Do you know what I want? I want £80. | 0:08:56 | 0:08:59 | |
Yeah, that's what I think. £80. Give us a chance, doesn't it? | 0:08:59 | 0:09:02 | |
As Jonathan and the Reds wait on a price, | 0:09:02 | 0:09:05 | |
seems it's time for a cuppa for the Blues. | 0:09:05 | 0:09:07 | |
God, that is nice quality. Look at that. | 0:09:07 | 0:09:10 | |
Look at that for quality. | 0:09:11 | 0:09:13 | |
Is it hand-painted, the flowers, or is that transfer printed? | 0:09:13 | 0:09:16 | |
-No, that's all hand-enamelled. -HE GASPS | 0:09:16 | 0:09:18 | |
All of that pink lustre or pink enamel is all hand-painted. | 0:09:18 | 0:09:23 | |
And that's a London shape. And that would date to around 1815-1820. | 0:09:23 | 0:09:26 | |
We are quite happy it's a Georgian cup and saucer. | 0:09:26 | 0:09:30 | |
Ridgeway were a Staffordshire factory | 0:09:30 | 0:09:32 | |
and I think they set up in about 1795 and they were one | 0:09:32 | 0:09:37 | |
of the leading pottery factories in the first half of the 19th century. | 0:09:37 | 0:09:42 | |
-I really like that. -I like that. | 0:09:42 | 0:09:44 | |
We're agreed. Fantastic! | 0:09:44 | 0:09:47 | |
-What about the price? It says £65. -I agree as well. | 0:09:47 | 0:09:50 | |
That's quite expensive. | 0:09:50 | 0:09:52 | |
And to make money at auction with a cup and saucer | 0:09:52 | 0:09:55 | |
that sadly is also out of fashion could be quite hard. | 0:09:55 | 0:09:58 | |
-Right, OK. -But I like your style. | 0:09:58 | 0:10:00 | |
I think we are warming up, aren't we? We are warming up. | 0:10:00 | 0:10:03 | |
You are indeed, Charles. But it's buying we need. | 0:10:03 | 0:10:06 | |
Back to the Reds and here is our Stan with a price. | 0:10:06 | 0:10:09 | |
It is good news. I have spoken to the owner | 0:10:09 | 0:10:11 | |
and he is prepared to let you have it for 110. | 0:10:11 | 0:10:13 | |
-110. -110. -They don't look too thrilled. | 0:10:13 | 0:10:16 | |
We would like to go under 100, that's what we would like to do. | 0:10:16 | 0:10:19 | |
I would like to see it at £80, really. | 0:10:19 | 0:10:21 | |
I will just go and find out. | 0:10:21 | 0:10:23 | |
As Stan heads off again, the Blues seemed to have made a new friend | 0:10:23 | 0:10:27 | |
who looks like he has been in the wars. | 0:10:27 | 0:10:29 | |
-He is very, very warm. -He is missing an eye. | 0:10:29 | 0:10:32 | |
-Is that a problem? -'Eye, eye,' he is. Yeah, it is a problem. | 0:10:33 | 0:10:37 | |
The reason I like this bear... | 0:10:37 | 0:10:38 | |
and we think back to the great names like Farnell and Steiff | 0:10:38 | 0:10:41 | |
and the history of bears, back to the late 1890s, | 0:10:41 | 0:10:44 | |
can you see we've got small straw filling down here? | 0:10:44 | 0:10:48 | |
Which although is sad, | 0:10:48 | 0:10:51 | |
it would suggest to me he is quite an early bear. | 0:10:51 | 0:10:55 | |
And probably could be as early as the 1920s | 0:10:55 | 0:10:57 | |
and you'll see how he's been out in the sun | 0:10:57 | 0:11:02 | |
because on the rear, he's got | 0:11:02 | 0:11:04 | |
more of a plush honey feel of fur about him. | 0:11:04 | 0:11:07 | |
-RAIN POUNDS -Do you hear the rain outside? -Yes. | 0:11:07 | 0:11:10 | |
It's absolutely pouring, isn't it? | 0:11:10 | 0:11:12 | |
-What's the price? -£24. Could it be restored? | 0:11:12 | 0:11:16 | |
I almost think he requires a teddy bear hospital | 0:11:16 | 0:11:19 | |
but at £24, he isn't bad value. What do you think, Mark? | 0:11:19 | 0:11:23 | |
-I think that's the best thing we have seen yet. -I do, I do. | 0:11:23 | 0:11:26 | |
I mean, all three agree! Fantastic. | 0:11:26 | 0:11:29 | |
He is tired. I can see now Tim saying, "What have you bought him for?" | 0:11:29 | 0:11:33 | |
But I just think he has legs, quite literally, to move a bit. | 0:11:33 | 0:11:36 | |
-And if we could buy him... -RAIN POUNDS HEAVILY | 0:11:36 | 0:11:39 | |
-Hear the rain? -Yeah! -..for £15, he could be a starry bear. | 0:11:39 | 0:11:44 | |
I think that's good. | 0:11:44 | 0:11:45 | |
There you go. Let's take him downstairs, he suits you. | 0:11:45 | 0:11:48 | |
So as the Blues head off to get a price for the bear, | 0:11:49 | 0:11:52 | |
downstairs, in the inner sanctum of the Antique Centre, it's a lot | 0:11:52 | 0:11:55 | |
quieter and Stan has a price newsflash for the Reds. | 0:11:55 | 0:11:59 | |
I have got some good news for you. | 0:11:59 | 0:12:01 | |
I have been back and said that you only want to pay under 100, | 0:12:01 | 0:12:05 | |
so it can be yours for £90. | 0:12:05 | 0:12:07 | |
£90. It's come down a bit, hasn't it? | 0:12:08 | 0:12:10 | |
-That's a generous lot of movement. -What do you think? | 0:12:11 | 0:12:15 | |
Well, I do like it, it's different, so I say we go for it. | 0:12:15 | 0:12:18 | |
-Good. -Give it a go. | 0:12:18 | 0:12:20 | |
-It's going for a gong! -THEY LAUGH | 0:12:20 | 0:12:22 | |
Absolutely, cheers. | 0:12:22 | 0:12:23 | |
Hey, I do the puns round here, Stan. | 0:12:25 | 0:12:27 | |
But at last we have a purchase made, well done. | 0:12:27 | 0:12:30 | |
-One down, two to go. Jewellery? -Yeah. -Let's get some jewellery. | 0:12:30 | 0:12:33 | |
-Come on. -Let's get some jewellery. | 0:12:33 | 0:12:35 | |
It's chucking it down outside but are the boys happy | 0:12:36 | 0:12:39 | |
to chuck money at the bear? | 0:12:39 | 0:12:40 | |
Time to negotiate with Steph. | 0:12:40 | 0:12:41 | |
-What's the very best price? -20. -Really? | 0:12:43 | 0:12:46 | |
-Mark, what do you think? -He's talking to you. | 0:12:47 | 0:12:49 | |
He's saying, "Buy me, buy me!" | 0:12:49 | 0:12:53 | |
-10? -Make it 15. | 0:12:53 | 0:12:55 | |
We like it, don't we, Mark? It's just the condition. | 0:12:55 | 0:12:58 | |
Somebody will fall in love with him and feel sorry for him and buy him. | 0:12:58 | 0:13:01 | |
-Trying to be emotive. -What about 14? | 0:13:01 | 0:13:02 | |
Because if someone bids 15, we would just make a pound profit? | 0:13:02 | 0:13:06 | |
Go on, then. | 0:13:06 | 0:13:07 | |
Is that all right? Sorry... | 0:13:07 | 0:13:09 | |
-I've done it. -Have you? Oh, right, he's bought the teddy. -14. -14. | 0:13:09 | 0:13:14 | |
I bought if for 14. | 0:13:14 | 0:13:15 | |
That was decisive, Howard. You have just made your first purchase, | 0:13:15 | 0:13:19 | |
so it's one all. Now, I'm about to add another string to my bow. | 0:13:19 | 0:13:22 | |
So what have we got here? | 0:13:24 | 0:13:26 | |
Well, surprise, surprise, it's a rather clapped-out old violin case. | 0:13:26 | 0:13:32 | |
It's made of beechwood, it's been ebonised | 0:13:32 | 0:13:34 | |
and I would date it anywhere between 1870 and 1900. | 0:13:34 | 0:13:40 | |
Open it up and it reveals a violin and two bows. | 0:13:40 | 0:13:46 | |
Now, I'm particularly interested in violin bows | 0:13:46 | 0:13:50 | |
because they can be worth a lot of money and as pieces of art, | 0:13:50 | 0:13:56 | |
they are examples often of exquisite craftsmanship. | 0:13:56 | 0:14:00 | |
Here we have got one long, solid piece of mahogany, I suspect. | 0:14:00 | 0:14:04 | |
This one is not in great condition. | 0:14:04 | 0:14:07 | |
The horsehair, from the tail of a horse, I guess, has begun to fray | 0:14:07 | 0:14:13 | |
and this thing needs a bit of restoration. | 0:14:13 | 0:14:15 | |
The second bow is nearly identical | 0:14:16 | 0:14:19 | |
but if you look really carefully, it's got a signature, look. | 0:14:19 | 0:14:23 | |
An impressed mark. | 0:14:23 | 0:14:24 | |
The first bit looks like chrysanthemum | 0:14:24 | 0:14:28 | |
and next door it says "Japan". | 0:14:28 | 0:14:30 | |
Of course, the chrysanthemum is an important emblem in Japan | 0:14:30 | 0:14:36 | |
for the Japanese royal family | 0:14:36 | 0:14:38 | |
and they use it as a trademark often on all sorts of objects. | 0:14:38 | 0:14:42 | |
The meat and veg of what's in this case though is the violin itself. | 0:14:42 | 0:14:49 | |
And if I pick it up and get the case out of the way, you can see | 0:14:49 | 0:14:53 | |
it's absolutely filthy dirty. | 0:14:53 | 0:14:56 | |
All this black ingrained muck is grease and sweat because this | 0:14:56 | 0:15:02 | |
instrument has potentially been played regularly for over 120 years. | 0:15:02 | 0:15:09 | |
This sound board is nicely figured and it has been pierced | 0:15:09 | 0:15:13 | |
with these f-holes, which are particularly nicely carved. | 0:15:13 | 0:15:18 | |
Part of the beauty of a violin is if you examine it sideways on | 0:15:18 | 0:15:22 | |
and you can see at the back, there is quite a swelling belly. | 0:15:22 | 0:15:27 | |
That, for me, is an indication of a good violin maker. | 0:15:27 | 0:15:31 | |
But the winning feature for me has to be that. This is sycamore. | 0:15:31 | 0:15:37 | |
A rippling, golden honey-coloured timber that almost has | 0:15:37 | 0:15:42 | |
an iridescent quality. | 0:15:42 | 0:15:45 | |
So what would this lot cost you today, here in Leominster? | 0:15:45 | 0:15:49 | |
The whole lot could be yours for £120. | 0:15:49 | 0:15:53 | |
Now, that, for me, strikes exactly the right note. | 0:15:53 | 0:15:57 | |
Back to the shopping and both teams have bought one item each. | 0:15:57 | 0:15:59 | |
Time as ever is starting to march on. | 0:15:59 | 0:16:01 | |
-Half the allocated hour is gone. -OK, well... | 0:16:01 | 0:16:04 | |
And we have bought a teddy bear. Are you panicking? | 0:16:04 | 0:16:07 | |
Don't panic, folks, you still have time to find two more buys. | 0:16:08 | 0:16:11 | |
Now, what have the Reds found here? | 0:16:11 | 0:16:13 | |
"David Linley, turned wooden vase with silver-plated liner." | 0:16:13 | 0:16:18 | |
David Linley, incidentally, is the Queen's nephew. | 0:16:18 | 0:16:21 | |
Viscount Linley, he trained at the John Makepeace School of Furniture, | 0:16:21 | 0:16:26 | |
down in Dorset, | 0:16:26 | 0:16:27 | |
and it was probably the finest furniture workshop in the country. | 0:16:27 | 0:16:33 | |
I mean, Edward Barnsley school, have to mention them. | 0:16:33 | 0:16:36 | |
But very, very good. | 0:16:36 | 0:16:37 | |
I'm guessing it's a drinking cup but it's a modern collectable. | 0:16:37 | 0:16:41 | |
I mean, it just catches my eye | 0:16:41 | 0:16:42 | |
because you have got a name, a novelty. | 0:16:42 | 0:16:44 | |
OK, let's bear that one in mind. Let's look elsewhere. | 0:16:44 | 0:16:47 | |
-Never know, might come back for it later. -Yes, indeed. | 0:16:47 | 0:16:49 | |
Something to think about perhaps. | 0:16:49 | 0:16:51 | |
Now, back to Carlos' favourite love - porcelain. | 0:16:51 | 0:16:54 | |
Oh, I say, wow wee. | 0:16:54 | 0:16:56 | |
What I love about porcelain | 0:16:56 | 0:16:58 | |
is the English didn't invent porcelain until 1745. | 0:16:58 | 0:17:02 | |
Here you have got 17th-century porcelain | 0:17:02 | 0:17:05 | |
which, us English in the 18th century, | 0:17:05 | 0:17:08 | |
valued as highly as gold. | 0:17:08 | 0:17:11 | |
I love that teapot there but it's a lot. It's £336. | 0:17:11 | 0:17:16 | |
That blows our budget. | 0:17:16 | 0:17:18 | |
It certainly does, Carlos. Move along. | 0:17:18 | 0:17:21 | |
My eye was immediately drawn to that Georgian ale glass. | 0:17:21 | 0:17:24 | |
They're doing really, really well now again. | 0:17:24 | 0:17:26 | |
But that one's got a chip on the foot so it's a no-no. | 0:17:26 | 0:17:29 | |
-"First World War ladies cigarette case." -It may not be silver. | 0:17:29 | 0:17:32 | |
-It's plated. -£16 investment. | 0:17:32 | 0:17:35 | |
I thought you guys want to spend some money today. | 0:17:35 | 0:17:37 | |
No, we want to buy low and sell high. | 0:17:37 | 0:17:41 | |
We might buy low and sell even lower, I don't know! | 0:17:41 | 0:17:44 | |
The Reds have been thinking about the David Linley beaker. | 0:17:44 | 0:17:47 | |
Having asked Stan for a closer look, | 0:17:47 | 0:17:49 | |
he returns with price news. | 0:17:49 | 0:17:51 | |
I will give you a price but it will be just a yes or a no. | 0:17:51 | 0:17:54 | |
-It is the very, very, very best. -It's the death. -It is. | 0:17:54 | 0:17:58 | |
£55, that's from £77. | 0:17:58 | 0:18:00 | |
You never lose a great deal of money on it because it's quality | 0:18:01 | 0:18:04 | |
and there are collectors out there but it's a bit of a punt. | 0:18:04 | 0:18:07 | |
-OK. -It's a bit of a punt. | 0:18:07 | 0:18:08 | |
£55 is fine, absolutely fine. | 0:18:08 | 0:18:11 | |
We have got 20 minutes left and we have only bought one item | 0:18:11 | 0:18:14 | |
so we may need to run back for that. | 0:18:14 | 0:18:15 | |
-Could you hold it, put it aside for us? -Yes, I'll keep it for you. | 0:18:15 | 0:18:18 | |
Thanks very much. | 0:18:18 | 0:18:19 | |
We got that one banked and we've got two interesting objects, | 0:18:19 | 0:18:22 | |
potentially the second we bought. | 0:18:22 | 0:18:23 | |
Moving on and Charles and the Blues are still bearing up. | 0:18:23 | 0:18:27 | |
Look at that. It's quite sad in part, isn't it? | 0:18:27 | 0:18:30 | |
Because obviously you have got here the old Bavarian bear | 0:18:30 | 0:18:34 | |
and of course what it forms here is a very nice sleeve | 0:18:34 | 0:18:38 | |
for your matchbox, vesta stand. | 0:18:38 | 0:18:41 | |
And the reason I like this bear is look at the colour. | 0:18:41 | 0:18:44 | |
There's this wonderful glow of wood and that's | 0:18:44 | 0:18:46 | |
where hands have maybe just said, "Oh, poor bear. Let him go free." | 0:18:46 | 0:18:51 | |
So age wise, what are we talking? Have a guess. | 0:18:51 | 0:18:53 | |
-Howard, if I said to you, "Date this object for me." -1930. | 0:18:53 | 0:18:58 | |
A bit earlier. 1900, 1890. | 0:18:58 | 0:19:02 | |
What's it worth, Mark? If you saw that in a saleroom. | 0:19:02 | 0:19:04 | |
I would be looking to pay 50-60 for that. | 0:19:04 | 0:19:08 | |
The price, £95. It's a good item. | 0:19:08 | 0:19:11 | |
Stephanie, may we borrow you for a second? Thanks a lot. | 0:19:11 | 0:19:14 | |
-Do you like it? -Yes, very much, I do. | 0:19:14 | 0:19:16 | |
But I don't know whether I would pay £95 for it. | 0:19:16 | 0:19:18 | |
-Go on, then, make an offer. -Make an offer. | 0:19:18 | 0:19:21 | |
-My thought would be 60. -Say it again. -60. | 0:19:22 | 0:19:24 | |
-(Go 50 instead.) -50. | 0:19:24 | 0:19:26 | |
Yeah, that's a good one! Sorry, sorry. | 0:19:26 | 0:19:28 | |
-Will you take 50 for us? Take 50. -Go on. | 0:19:29 | 0:19:32 | |
-£50. -£50. -Shake her hand. Good man, yes. | 0:19:32 | 0:19:35 | |
-TIM: -'Well done, Blues, your second purchase made.' | 0:19:35 | 0:19:38 | |
-There is a bear running through. -Exactly right, yeah! | 0:19:38 | 0:19:41 | |
'Barefaced cheek, if you ask me.' | 0:19:41 | 0:19:44 | |
-Guys, ten minutes to go, OK? -Ten minutes. | 0:19:44 | 0:19:46 | |
The time is ticking. | 0:19:46 | 0:19:48 | |
'With only one purchase made, the Reds need to start buying.' | 0:19:48 | 0:19:52 | |
-I think that is really sweet. -That is sweet, isn't it? | 0:19:52 | 0:19:54 | |
That looks very plate to me. | 0:19:54 | 0:19:57 | |
If that were in silver, you got it the right price, | 0:19:57 | 0:19:59 | |
you stand a small chance of profit, not a lot though. | 0:19:59 | 0:20:03 | |
Now, what has Charles got his hands on here? | 0:20:03 | 0:20:05 | |
That's such a mixed collection of items. | 0:20:07 | 0:20:13 | |
-That's an ink bottle. -Yes. | 0:20:13 | 0:20:15 | |
-A penknife. Is that bone? Has it got the striations? -It is bone, yes. | 0:20:15 | 0:20:21 | |
And it's got the metal piece for drawing lines on music. | 0:20:21 | 0:20:26 | |
It would be loaded with ink, | 0:20:26 | 0:20:29 | |
you presumably get some sort of ruler | 0:20:29 | 0:20:31 | |
and you draw it across and there are your five lines. | 0:20:31 | 0:20:35 | |
Got you, I got you. | 0:20:35 | 0:20:36 | |
So the contents in here, Mark, what would you have used them for? | 0:20:36 | 0:20:39 | |
Do you know? | 0:20:39 | 0:20:40 | |
Well, I can't work it out. It's a real mixed bag. | 0:20:40 | 0:20:45 | |
I mean, it is obviously some sort of tradesman, isn't it? | 0:20:45 | 0:20:47 | |
-A potpourri of items. -I love that word. A potpourri of items. | 0:20:47 | 0:20:53 | |
I really like that. | 0:20:53 | 0:20:54 | |
I can tell you the box is made of probably walnut, it could be | 0:20:54 | 0:20:58 | |
an olive wood, difficult to tell because it is so dirty and inked. | 0:20:58 | 0:21:03 | |
So in that regard, I'm quite happy this box has always been associated, | 0:21:03 | 0:21:07 | |
probably with Edwardian times, with whatever function it had. | 0:21:07 | 0:21:11 | |
So it's a real find. | 0:21:11 | 0:21:14 | |
-It is just a crazy mixture. -Yes. | 0:21:14 | 0:21:16 | |
I just have no idea. I really... For the first time, I am stumped. | 0:21:16 | 0:21:20 | |
I mean, what's that brush for there? It's not a toothbrush, is it? | 0:21:20 | 0:21:23 | |
It's not now! | 0:21:23 | 0:21:25 | |
-TIM: -'As the Blues try to figure out the mystery object, | 0:21:25 | 0:21:27 | |
'the Reds are looking for bling. | 0:21:27 | 0:21:29 | |
'Despite needing two more purchases, | 0:21:29 | 0:21:31 | |
'they are about to hear some good news.' | 0:21:31 | 0:21:33 | |
Whose cabinet is this, Stan? | 0:21:33 | 0:21:35 | |
That cabinet belongs to my wife | 0:21:35 | 0:21:37 | |
so there are special discounts with that one. | 0:21:37 | 0:21:39 | |
Oh, there we go, OK. We'll take the lot! | 0:21:39 | 0:21:41 | |
THEY LAUGH | 0:21:41 | 0:21:42 | |
Well, Dwina has been looking at this little gold flashed brooch. | 0:21:42 | 0:21:46 | |
It's very typically Victorian, mid sterling silver. | 0:21:50 | 0:21:53 | |
Not marked but it does not need to be, it is under a certain weight. | 0:21:53 | 0:21:56 | |
It would be great if it had Edinburgh, Aberdeen, Glasgow, | 0:21:56 | 0:21:59 | |
but it doesn't have a mark on it. | 0:21:59 | 0:22:01 | |
Flashed with gold, pierced with ivy and this sort of milled edge. | 0:22:01 | 0:22:07 | |
The clip is OK. | 0:22:07 | 0:22:09 | |
So when you have got this in the saleroom, the bids aren't going | 0:22:09 | 0:22:11 | |
to go up in fives and tens, they are going to go up in ones and twos. | 0:22:11 | 0:22:14 | |
-OK. -Sure. -OK? | 0:22:14 | 0:22:16 | |
You stand a chance of losing a couple of pounds or making | 0:22:16 | 0:22:18 | |
a couple of pounds, not big money. | 0:22:18 | 0:22:20 | |
-Right. -But it really depends on what Mrs Stan is willing to come down to. | 0:22:20 | 0:22:25 | |
Would Mrs Stan...would Mrs Stan go to 15 for us? | 0:22:25 | 0:22:29 | |
It's 35, willing to go to 25. | 0:22:29 | 0:22:32 | |
-Another fiver off? -20? | 0:22:33 | 0:22:35 | |
-20? Well... -The eyebrows... | 0:22:35 | 0:22:38 | |
Now we are hitting his pocket, hasn't the attitude changed? | 0:22:38 | 0:22:41 | |
-She's good at the eyebrows. Go on. -Please! | 0:22:41 | 0:22:43 | |
Well, I'm thinking about what I am having for my tea. | 0:22:43 | 0:22:45 | |
We have gone from steak to sausage already. | 0:22:45 | 0:22:48 | |
Your £20 would be bread and dripping, wouldn't it? | 0:22:48 | 0:22:50 | |
-Nothing wrong with bread and dripping. -No. | 0:22:50 | 0:22:52 | |
Yes, all right, bread and dripping then. | 0:22:52 | 0:22:55 | |
-We got a brooch. -Yay! | 0:22:55 | 0:22:57 | |
-TIM: -'Good for you, Stan. Bread and dripping it is. | 0:22:57 | 0:23:00 | |
'And with that, the Reds make their second purchase. | 0:23:00 | 0:23:03 | |
'So any decision on the Linley beaker?' | 0:23:03 | 0:23:06 | |
Got two items. Come on, let's go for your cup. | 0:23:06 | 0:23:09 | |
-You want to go for the cup? -Yeah, you are keen on it. | 0:23:09 | 0:23:11 | |
It's quality, isn't it? | 0:23:11 | 0:23:12 | |
OK, the price is £55. I think that's very good. | 0:23:12 | 0:23:14 | |
That will mean we've got our three lots, panic over. | 0:23:14 | 0:23:16 | |
-We have travelled 20 yards in an hour. -HE LAUGHS | 0:23:16 | 0:23:19 | |
-That just shows you the amount of stuff that's here. -It's lovely. | 0:23:19 | 0:23:22 | |
Well done. Absolutely brilliant. | 0:23:22 | 0:23:24 | |
'There is now just minutes left and the Blues | 0:23:24 | 0:23:26 | |
'are still deliberating about the wooden box.' | 0:23:26 | 0:23:28 | |
What's your best price? | 0:23:28 | 0:23:30 | |
Well, I think to be fair to the dealer, I can do 25 | 0:23:30 | 0:23:33 | |
and that will be it. | 0:23:33 | 0:23:35 | |
I think it's a gamble but it's a gamble I would be happy to take. | 0:23:35 | 0:23:38 | |
We have got a minute to go, call it. | 0:23:38 | 0:23:40 | |
Will you do for 24? One pound below the... | 0:23:40 | 0:23:42 | |
-Go on. -24. -I like your style! | 0:23:44 | 0:23:47 | |
-24. -I like your style as well. | 0:23:47 | 0:23:50 | |
-TIM: -'And that's it, it's all over. | 0:23:50 | 0:23:52 | |
'And the Blues also complete their shopping, so congratulations!' | 0:23:52 | 0:23:57 | |
Let's remind ourselves what the Red team bought, eh? | 0:23:57 | 0:24:00 | |
Hopefully, this way points to profit. | 0:24:00 | 0:24:03 | |
This late Victorian table gong rang out to the tune of £90. | 0:24:03 | 0:24:07 | |
Hopes are pinned on this Victorian white metal brooch, | 0:24:08 | 0:24:12 | |
for which they paid £20. | 0:24:12 | 0:24:13 | |
And finally, a David Linley treen beaker with plated liner | 0:24:15 | 0:24:19 | |
cost them the royal sum of £55. | 0:24:19 | 0:24:21 | |
-Well, team, that was fun, wasn't it? -Yes. | 0:24:23 | 0:24:26 | |
Now, how much did you spend in total? | 0:24:26 | 0:24:28 | |
-We spent 165. -You spent 165. | 0:24:28 | 0:24:31 | |
I would like £135 of leftover lolly, please. | 0:24:31 | 0:24:34 | |
There we go, that's marvellous. Now, which is your favourite piece? | 0:24:34 | 0:24:37 | |
-The brooch. -The brooch is your favourite. | 0:24:37 | 0:24:39 | |
Really like the brooch, yeah. | 0:24:39 | 0:24:40 | |
-And do you agree with that? -No, I like the gong. | 0:24:40 | 0:24:42 | |
-The gong. -The gong, yes. | 0:24:42 | 0:24:43 | |
-Is that going to bring the biggest profit? -Oh, I think so. | 0:24:43 | 0:24:46 | |
-You reckon? -Don't look at me! -Absolutely. | 0:24:46 | 0:24:48 | |
The gong is going to bring the biggest profit? | 0:24:48 | 0:24:50 | |
Um, I'd like to think it was my brooch but somehow I think not. | 0:24:50 | 0:24:54 | |
Well, all will be revealed shortly but first, JP has to go out with | 0:24:54 | 0:24:58 | |
that wodge of cash and translate it into something dazzling. | 0:24:58 | 0:25:01 | |
Yeah, I'm going to shop around, I'm going to have a good look. | 0:25:01 | 0:25:04 | |
I've seen a few things. | 0:25:04 | 0:25:06 | |
-Really? -I can't say any more than that. -OK. | 0:25:06 | 0:25:09 | |
-I might blow the lot though! -Well, I rather hope you do. | 0:25:09 | 0:25:11 | |
Anyway, good fun. | 0:25:11 | 0:25:12 | |
Meanwhile, why don't we check out what the Blue team bought, eh? | 0:25:12 | 0:25:16 | |
This early 20th-century straw-filled teddy bear | 0:25:16 | 0:25:19 | |
cost them a cute and cuddly £14. | 0:25:19 | 0:25:21 | |
They were struck by this 19th-century Black Forest | 0:25:24 | 0:25:26 | |
matchbox holder in the form of a standing bear, which cost them £50. | 0:25:26 | 0:25:30 | |
And their last item was a late 19th-century wooden box with | 0:25:32 | 0:25:35 | |
mixed contents, which cost them £24. | 0:25:35 | 0:25:38 | |
So have you two grown up at all or is it all teddies for you? | 0:25:40 | 0:25:43 | |
No, we will grow up at some point in the future, I am sure. | 0:25:43 | 0:25:46 | |
Yeah, best not rush it, eh? | 0:25:46 | 0:25:47 | |
-No, no, no. -Quite. | 0:25:47 | 0:25:49 | |
-So which is your favourite piece? -The Bavarian bear. | 0:25:49 | 0:25:51 | |
The Bavarian bear. | 0:25:51 | 0:25:52 | |
What was the matter with the first bear? | 0:25:52 | 0:25:55 | |
-A little bit worn out. Seen better days. -Fair enough. | 0:25:55 | 0:25:58 | |
And what's your favourite piece? | 0:25:58 | 0:26:00 | |
I didn't like either of the bears, not very much | 0:26:00 | 0:26:02 | |
but I did like the box of tricks we bought. | 0:26:02 | 0:26:04 | |
Is the box of tricks going to do the business for you? | 0:26:04 | 0:26:07 | |
I think it very well might. | 0:26:07 | 0:26:09 | |
-Do you agree? -If we can work out exactly what it is, yes. | 0:26:09 | 0:26:13 | |
Lovely. | 0:26:13 | 0:26:15 | |
-And how much did you spend? -£88. -What, on the lot? -Yes. | 0:26:15 | 0:26:19 | |
Good Lord! OK, £212 of leftover lolly then, please. | 0:26:19 | 0:26:23 | |
Thank you very much. Carlos, what is going on here? | 0:26:23 | 0:26:26 | |
212 is a lot of money and I feel the bears were quite soft | 0:26:26 | 0:26:30 | |
so it's my turn now to really turn on the antiques style. | 0:26:30 | 0:26:34 | |
So you're going to spend the lot, are you? | 0:26:34 | 0:26:36 | |
-I intend to spend every last penny, Tim. -Good for you, Charles. | 0:26:36 | 0:26:39 | |
-Quite right. -I don't know why I love you so much! | 0:26:39 | 0:26:42 | |
-There we go. -Thanks a lot. -Well done, boy. -Thank you. -£212. | 0:26:42 | 0:26:45 | |
-Now, you happy? -Oh, yes. | 0:26:45 | 0:26:47 | |
-Oh, yes. -Very happy. -We are all happy. | 0:26:47 | 0:26:49 | |
In fact, we are so happy we are about to shove off to the auction. | 0:26:49 | 0:26:52 | |
I am at Halls in Shrewsbury today | 0:26:55 | 0:26:57 | |
and our auctioneer is Andrew Beeston. | 0:26:57 | 0:26:59 | |
-Andrew, good morning. -Good morning to you. -It's a treat to be here. | 0:27:01 | 0:27:04 | |
Anyway, for the Red team, Geoff and Dwina, | 0:27:04 | 0:27:06 | |
their first item is this silver-plated table gong, | 0:27:06 | 0:27:11 | |
-which is a bit of an oddity, isn't it? -It is. | 0:27:11 | 0:27:13 | |
1888-1889 with the registered number on it. | 0:27:13 | 0:27:17 | |
It's been re-plated and the gong may have been replaced | 0:27:17 | 0:27:22 | |
and it's probably more a ting than a gong, so limited market. | 0:27:22 | 0:27:29 | |
I have seen similar versions at £50-£70 which we put on it. | 0:27:29 | 0:27:33 | |
-That's your estimate, is it? -Yes, yes. -OK, fine. | 0:27:33 | 0:27:36 | |
£90 the team paid. Next is the little silver brooch. | 0:27:36 | 0:27:41 | |
Now, is that hallmarked, that brooch? | 0:27:41 | 0:27:43 | |
It isn't, so that is why it is catalogued as white metal | 0:27:43 | 0:27:47 | |
with the yellow metal flashed overlays. | 0:27:47 | 0:27:50 | |
There is no assay on there, so we can't say it is silver. | 0:27:50 | 0:27:53 | |
But it's not going to encourage anybody to pay a big price. What's your estimate on that? | 0:27:53 | 0:27:57 | |
-£50-£30. -OK. | 0:27:57 | 0:27:59 | |
Well, the team paid £20 so they are bang on the money with that. | 0:27:59 | 0:28:03 | |
And the last object I do find slightly surprising, | 0:28:03 | 0:28:06 | |
cos it has got stamped in the bottom "Linley", | 0:28:06 | 0:28:09 | |
who is an extremely smart contemporary maker, isn't he? | 0:28:09 | 0:28:12 | |
Yes, Viscount Linley started over a chip shop in 1985 | 0:28:12 | 0:28:17 | |
turning wood and making furniture. | 0:28:17 | 0:28:20 | |
The company now make furniture for super rich yachts | 0:28:20 | 0:28:24 | |
all over the world. | 0:28:24 | 0:28:25 | |
So this must be one of his earlier productions | 0:28:25 | 0:28:28 | |
because apart from the turning on the sides, | 0:28:28 | 0:28:31 | |
it's not got a lot going for it in a way of quality, has it? | 0:28:31 | 0:28:35 | |
Plated removable interior, it is a multifunctional container, really. | 0:28:35 | 0:28:40 | |
-So what's it worth? -£50-£70. | 0:28:40 | 0:28:43 | |
-Well, they paid £55, so they paid the right money. -Yeah. | 0:28:43 | 0:28:45 | |
-And they might turn a small profit. -Yeah. | 0:28:45 | 0:28:47 | |
Depending on how the table gong works at auction will depend on | 0:28:47 | 0:28:52 | |
whether they need the bonus buy or not, | 0:28:52 | 0:28:54 | |
so let's go and have a look at it. | 0:28:54 | 0:28:56 | |
You spent £165, Geoffrey, and you gave £135 to JP. | 0:28:57 | 0:29:03 | |
-So, JP, give the red cloth a yank. -All right. | 0:29:03 | 0:29:06 | |
-Ooh. -Wow! -Look at that. -It's oil on canvas, it's about 100 years old. | 0:29:08 | 0:29:14 | |
It's a nice pastoral scene of Epworth. | 0:29:14 | 0:29:16 | |
-The artist is a chap called JS Sharp. -Well-known? | 0:29:16 | 0:29:19 | |
-Let's say we haven't been able to identify who he is. -OK. | 0:29:19 | 0:29:22 | |
-That doesn't say he is not without merit. -Sure. | 0:29:22 | 0:29:24 | |
-It's nicely painted. -It looks nice, doesn't it? | 0:29:24 | 0:29:27 | |
I cost me £135, which is actually the whole money, the whole money. | 0:29:27 | 0:29:30 | |
But I liked it because I like a country scene | 0:29:30 | 0:29:33 | |
and it actually says on the frame here, "Birthplace of John Wesley." | 0:29:33 | 0:29:36 | |
And John Wesley happened to be an Anglican priest who set up | 0:29:36 | 0:29:40 | |
-the Methodist movement. -Of course, yeah. | 0:29:40 | 0:29:42 | |
It says it's his birthplace. Well, obviously it's not where he was born | 0:29:42 | 0:29:45 | |
unless he was born in the church. | 0:29:45 | 0:29:47 | |
But it might be the first place he preached at, | 0:29:47 | 0:29:49 | |
it might have some sort of significance in that | 0:29:49 | 0:29:51 | |
and potentially a large collectors' market. | 0:29:51 | 0:29:53 | |
-As well as religion, what about profit? -Well, there's a thing. | 0:29:53 | 0:29:56 | |
I would like to see it making upwards of £200. | 0:29:56 | 0:29:59 | |
Dwina, what do you think, darling? | 0:29:59 | 0:30:00 | |
It's quite pretty. I think, you know, I do quite like it. | 0:30:00 | 0:30:04 | |
-It's got the look of distant hills, hasn't it... -Yes, yes. | 0:30:04 | 0:30:07 | |
..with that kind of nice blue-ish hue. | 0:30:07 | 0:30:09 | |
Anyway, for the audience at home, let's find out right now | 0:30:09 | 0:30:12 | |
what the auctioneer thinks about JP's picture. | 0:30:12 | 0:30:15 | |
Well, there we are, Andrew, a daub of Epworth church. | 0:30:17 | 0:30:22 | |
What do you make of that? | 0:30:22 | 0:30:24 | |
View of John Wesley's birthplace. It's not the home where he was born. | 0:30:24 | 0:30:29 | |
-It's not the rectory. -No. -It is just a landscape of Epworth. | 0:30:29 | 0:30:34 | |
With the church in it. | 0:30:34 | 0:30:35 | |
It's got the church in it | 0:30:35 | 0:30:36 | |
but if it was a picture of the actual rectory, then it would | 0:30:36 | 0:30:40 | |
probably be more commercial than just a Victorian landscape. | 0:30:40 | 0:30:45 | |
What is it Epworth worth? | 0:30:45 | 0:30:47 | |
-50-70. -Is that all? -Yeah. | 0:30:47 | 0:30:50 | |
OK, fine. JP paid £135 | 0:30:50 | 0:30:52 | |
but it's going to be dodgy to make 135, isn't it? | 0:30:52 | 0:30:55 | |
-Will need some look on the internet. -Thank you, Andrew. | 0:30:55 | 0:30:58 | |
That's it for the Reds. Now, moving on to the blues. | 0:30:58 | 0:31:01 | |
We have got a particularly grumpy clapped-out bear here. | 0:31:01 | 0:31:04 | |
How do you rate him? | 0:31:04 | 0:31:06 | |
Well-loved, well-worn and probably well down in estimate. | 0:31:06 | 0:31:12 | |
-£20-£30. -£20-£30, that's fine. | 0:31:12 | 0:31:15 | |
Our team only paid £14. | 0:31:15 | 0:31:17 | |
Now, the Black Forest matchbox holder, which has got this bear, | 0:31:17 | 0:31:22 | |
more of a grizzly than a teddy, holding a matchbox holder. | 0:31:22 | 0:31:26 | |
-Are these in favour? -Well, in good condition, they are. | 0:31:26 | 0:31:30 | |
This one has got some damage around the mouth area. | 0:31:30 | 0:31:35 | |
He has definitely had his bottom jaw biffed in, | 0:31:35 | 0:31:39 | |
which is not so good for a bear. | 0:31:39 | 0:31:40 | |
Hopefully, we'll still see £50-£70 for it. | 0:31:40 | 0:31:43 | |
Well, that would be grand, cos they paid £50. | 0:31:43 | 0:31:45 | |
Now, the last item is this box of miscellaneous drawing | 0:31:45 | 0:31:49 | |
and writing implements. That too looks a bit clapped out to me. | 0:31:49 | 0:31:53 | |
I would be surprised if any of the contents started life with the box. | 0:31:53 | 0:31:58 | |
£15-£25. That is probably as much as we will see. | 0:31:58 | 0:32:02 | |
OK, £24 they paid. I think they paid the full price for that. | 0:32:02 | 0:32:04 | |
I mean, it is dangerous buying things | 0:32:04 | 0:32:07 | |
that aren't in great condition | 0:32:07 | 0:32:08 | |
and bringing them to auction, isn't it? | 0:32:08 | 0:32:10 | |
It is, yes. | 0:32:10 | 0:32:11 | |
If you are a collector, you are looking for good condition | 0:32:11 | 0:32:14 | |
and completeness. | 0:32:14 | 0:32:16 | |
Anyway, their strategy was to spend as little as possible. | 0:32:16 | 0:32:18 | |
They spent £88, which meant that £212 went to Charles Hanson. | 0:32:18 | 0:32:24 | |
And let's go and have a look at his bonus buy because, by Gad, | 0:32:24 | 0:32:28 | |
this team are going to need it. | 0:32:28 | 0:32:30 | |
Now, Howard, Mark, this is exciting, isn't it? | 0:32:32 | 0:32:34 | |
Cos you only spent a very taut £88. | 0:32:34 | 0:32:37 | |
Sometimes you have got to be a big spender to make up | 0:32:37 | 0:32:40 | |
for what was, I think, a fairly paltry shop. | 0:32:40 | 0:32:42 | |
And I spent £212 on a nice object of rustic charm. | 0:32:42 | 0:32:50 | |
It's essentially a lead-glazed earthenware over slipware. | 0:32:50 | 0:32:53 | |
And all this white clay has been trailed on almost | 0:32:53 | 0:32:58 | |
like through a little icing tube. | 0:32:58 | 0:33:00 | |
We've got a date on here, 1828. | 0:33:00 | 0:33:03 | |
I just think, well, this may have sat maybe in a Dutch interior | 0:33:03 | 0:33:07 | |
on escritoire and it was a little ink stand, | 0:33:07 | 0:33:11 | |
and it just has real history. | 0:33:11 | 0:33:13 | |
It has function, doesn't it? | 0:33:13 | 0:33:15 | |
-You would put ink in those wells. -You would. | 0:33:15 | 0:33:17 | |
These wells are probably later but it doesn't matter. | 0:33:17 | 0:33:19 | |
I think what you are buying is the actual body of the object. | 0:33:19 | 0:33:22 | |
-It looks very crude. -Yeah. | 0:33:22 | 0:33:25 | |
So thanks, Howard! | 0:33:25 | 0:33:27 | |
Mark, what do you think? | 0:33:27 | 0:33:28 | |
It's not something that would ever see | 0:33:28 | 0:33:30 | |
the light of day in my house, personally. | 0:33:30 | 0:33:33 | |
-That's honest. -HE LAUGHS | 0:33:33 | 0:33:34 | |
-But there is a buyer for everything. -Quite right. | 0:33:34 | 0:33:38 | |
It's just a huge gamble. Dare I say it, it could make, Tim, £50. | 0:33:38 | 0:33:42 | |
It could be a huge loss | 0:33:42 | 0:33:44 | |
but then I feel, on a really good day, it could make 350. | 0:33:44 | 0:33:47 | |
Exactly. Right, now for the audience at home, | 0:33:47 | 0:33:49 | |
let's find out what the jolly old auctioneer thinks | 0:33:49 | 0:33:52 | |
about Charles' encrier. | 0:33:52 | 0:33:54 | |
Well, here we go, Andrew. | 0:33:55 | 0:33:56 | |
-This is a bit of a puzzle, this thing, isn't it? -It is a little bit. | 0:33:56 | 0:34:00 | |
Bears the date 1828 and is probably continental | 0:34:00 | 0:34:04 | |
with the text that is in the book mounted on top. | 0:34:04 | 0:34:08 | |
What you really want to feel is that it is Staffordshire | 0:34:08 | 0:34:12 | |
or Nottinghamshire. | 0:34:12 | 0:34:13 | |
-It is that hard, bright lead glaze on top of pottery. -Yeah. | 0:34:13 | 0:34:18 | |
And then this lovely creamy slip trailed on the top, which is very | 0:34:18 | 0:34:22 | |
collectable in English ceramic, isn't it? | 0:34:22 | 0:34:24 | |
It's serious money in English ceramics. | 0:34:24 | 0:34:26 | |
And our estimate of 70-100 on this one, | 0:34:26 | 0:34:30 | |
if we were sure this was English of the date, | 0:34:30 | 0:34:33 | |
be quadrupled, really would, yeah, yeah. | 0:34:33 | 0:34:36 | |
Well, Charles has invested in this. He has invested big. | 0:34:36 | 0:34:39 | |
-He has invested £212. -Wow. | 0:34:39 | 0:34:42 | |
-Anyway, Andrew, are you taking the sale today? -I am indeed, yes. | 0:34:42 | 0:34:45 | |
-We are in safe hands. Thank you very much. -My pleasure. | 0:34:45 | 0:34:48 | |
£20... | 0:34:49 | 0:34:51 | |
75, 80, 85. | 0:34:51 | 0:34:53 | |
Now, Geoff, Dwina, we are on the edge of the abyss | 0:34:53 | 0:34:56 | |
-that is the auction. -Mm-hm. | 0:34:56 | 0:34:58 | |
-How are you feeling, Dwina? -A little bit nervous. -Oh, yeah. | 0:34:58 | 0:35:02 | |
-But I'm excited as well. -Are you? -Yeah. | 0:35:02 | 0:35:04 | |
Anything you wish you hadn't bought? | 0:35:04 | 0:35:07 | |
-The gong maybe. -The gong, really? -I'm not sure about that. | 0:35:07 | 0:35:11 | |
It's a difficult thing, isn't it? | 0:35:11 | 0:35:12 | |
Novelty silver is all to go for, really, and you paid £90. | 0:35:12 | 0:35:16 | |
The auctioneer's estimate is 50-70, which is not so far off 90. | 0:35:16 | 0:35:19 | |
But it all depends. There's lots of people in this room | 0:35:19 | 0:35:22 | |
and they all look hungry for a gong to me! | 0:35:22 | 0:35:24 | |
-Absolutely, absolutely. -Exactly. | 0:35:24 | 0:35:25 | |
And here it comes. | 0:35:25 | 0:35:27 | |
Lot 100, the electroplate, late Victorian table gong. | 0:35:27 | 0:35:32 | |
Start the bidding with me at £40-£45. £45, 50 now. | 0:35:32 | 0:35:36 | |
At £45, take 50. | 0:35:36 | 0:35:38 | |
50 on the internet. 55 is a commission... | 0:35:38 | 0:35:41 | |
Come on, it's wonderful. Come on. | 0:35:41 | 0:35:43 | |
Someone has got to buy it. | 0:35:43 | 0:35:44 | |
At £55, fair warning. At £55. | 0:35:44 | 0:35:49 | |
-There we are, it's a nice start. -There we are. That is good, isn't it? | 0:35:49 | 0:35:52 | |
5 off 60. That's -35. | 0:35:52 | 0:35:54 | |
-We had to hammer him down to get him to 90, didn't we? -Absolutely. | 0:35:54 | 0:35:57 | |
-Look out, here comes the brooch. -White metal circular brooch there. | 0:35:57 | 0:36:00 | |
Lot number 101. | 0:36:00 | 0:36:02 | |
Start me, £10 sweet little brooch. | 0:36:02 | 0:36:04 | |
'£10.' | 0:36:04 | 0:36:05 | |
-Come on. -Come on. | 0:36:05 | 0:36:06 | |
£5. 5 bid. £5 bid... | 0:36:06 | 0:36:09 | |
-Uh-oh. -Come on. | 0:36:09 | 0:36:10 | |
10 for you. 10. 12... | 0:36:10 | 0:36:13 | |
Keep going. | 0:36:13 | 0:36:14 | |
-ANDREW: -..15, 18. | 0:36:14 | 0:36:15 | |
Another bid, 20. | 0:36:15 | 0:36:17 | |
-Yes! -Yes! -Yes. | 0:36:17 | 0:36:19 | |
£22, standing bid. | 0:36:19 | 0:36:21 | |
We're in profit. | 0:36:21 | 0:36:22 | |
'At £22, no mistakes,' | 0:36:22 | 0:36:24 | |
at 22. | 0:36:24 | 0:36:26 | |
-£22 is +£2, that's OK. -Absolutely. | 0:36:26 | 0:36:29 | |
Which makes it -33. | 0:36:29 | 0:36:31 | |
Now for the Linley beaker. | 0:36:31 | 0:36:35 | |
The treen beaker with the turned and tapering body. | 0:36:35 | 0:36:39 | |
New price then. That should be £50 straightaway. | 0:36:39 | 0:36:42 | |
-Absolutely. -'50. 30, to start me,' | 0:36:42 | 0:36:44 | |
where are you? £30? | 0:36:44 | 0:36:46 | |
£30 and start me. £30. | 0:36:46 | 0:36:48 | |
-Come on! -Lots in the room. | 0:36:48 | 0:36:51 | |
30, 35, 40. | 0:36:51 | 0:36:53 | |
£40, seated bid at £40, you're not in on the net. | 0:36:53 | 0:36:57 | |
That's ridiculous. | 0:36:57 | 0:36:59 | |
At £40... | 0:36:59 | 0:37:00 | |
£40 is -£15. 33, 43, -48. | 0:37:00 | 0:37:05 | |
Now, what are we going to do about this picture? | 0:37:05 | 0:37:07 | |
-Absolutely. -Go for it. -Absolutely categorically go for it. | 0:37:07 | 0:37:10 | |
-By the performance of the previous three lots? -Absolutely. Absolutely. | 0:37:10 | 0:37:13 | |
Let's change gear and look at fine art rather than decorative art. | 0:37:13 | 0:37:17 | |
I have to say, having made that decision, that the auctioneer is | 0:37:17 | 0:37:20 | |
being particularly gloomy about it, he's estimated it at £50-£70. | 0:37:20 | 0:37:25 | |
But you just can't tell what's going to happen. | 0:37:25 | 0:37:28 | |
-Let's hope for the best, yes? -Indeed. Good. -Indeed. | 0:37:28 | 0:37:31 | |
-And here it comes. -Lot number 106. Straightaway I am bid £40. | 0:37:31 | 0:37:35 | |
£40 I am bid. 5 I will take. | 0:37:35 | 0:37:37 | |
At £40 against you, internet. | 0:37:37 | 0:37:39 | |
45, 50 on commission. At 55, 60... | 0:37:39 | 0:37:41 | |
-Come on. -Higher. -That's it. | 0:37:41 | 0:37:43 | |
-'..65.' -Right. | 0:37:43 | 0:37:45 | |
A bidder at 65. At £65, it's an internet bidder. | 0:37:45 | 0:37:49 | |
-Uh-oh. -'At £65...' | 0:37:49 | 0:37:52 | |
-Can't believe this. -At £65... | 0:37:52 | 0:37:55 | |
£65. That's -£70, OK? | 0:37:55 | 0:37:58 | |
--118. You were brave, you were bold, you deserved more. -Absolutely. | 0:37:58 | 0:38:04 | |
And who knows, -£118 could be a winning score today. | 0:38:04 | 0:38:08 | |
-Now, guys, do you know how the Reds got on? -Not a clue. No idea. | 0:38:14 | 0:38:17 | |
Not a clue. That's what we like. | 0:38:17 | 0:38:19 | |
First up is the worn-out but rather lovable teddy bear, I have to say. | 0:38:19 | 0:38:23 | |
And here it comes. | 0:38:23 | 0:38:25 | |
The yellow plush straw-filled teddy bear. | 0:38:25 | 0:38:28 | |
A little bit play worn or well-loved. Start me £10, 10. | 0:38:28 | 0:38:34 | |
-Come on. -Give a bear a home. 10 on the internet. | 0:38:34 | 0:38:36 | |
-Internet bid at £10. -Come on, Matt. | 0:38:36 | 0:38:37 | |
-12 now if it helps. 15 on the internet. -Keep it going. | 0:38:37 | 0:38:41 | |
15. Competition at £15. | 0:38:41 | 0:38:43 | |
-Internet bidder going to a home. -You are in profit. | 0:38:43 | 0:38:46 | |
At £15 we shall sell. | 0:38:46 | 0:38:49 | |
-+£1, that's fair enough. -Good. | 0:38:49 | 0:38:51 | |
-Happy days. -That's 50p profit each. -Happy days. | 0:38:51 | 0:38:54 | |
If you cut Charles out, 50p each. | 0:38:54 | 0:38:56 | |
THEY LAUGH | 0:38:56 | 0:38:57 | |
Now, here comes the Black Forest match holder. | 0:38:57 | 0:39:00 | |
Start the bidding, £30, 30. | 0:39:00 | 0:39:02 | |
30 to start the bidding. £30, 30 is bid. Internet bidder, 35. | 0:39:02 | 0:39:07 | |
35 on the internet. 40. | 0:39:07 | 0:39:09 | |
-40, 45, come on. -£40. At £40. 45, 50... | 0:39:09 | 0:39:13 | |
-One more. -At £50, 50. | 0:39:13 | 0:39:15 | |
-At £50, internet bid is at 50. -One more. | 0:39:15 | 0:39:18 | |
Nothing in the room. 55 on the net. | 0:39:18 | 0:39:21 | |
HE GASPS | 0:39:21 | 0:39:22 | |
-55 on the net. -He'll go one more than that. -You are on profit. | 0:39:22 | 0:39:25 | |
£55, fair warning, internet. | 0:39:25 | 0:39:26 | |
At 55... | 0:39:26 | 0:39:27 | |
-That's +£5. -GAVEL BANGS | 0:39:27 | 0:39:28 | |
That's a miracle with a biffed-in jaw, I can tell you. | 0:39:28 | 0:39:32 | |
-Good thing it roared, it roared. -It certainly did. | 0:39:32 | 0:39:34 | |
Toothless roar. Anyway, here comes the pen box. | 0:39:34 | 0:39:38 | |
Writing pen box. Various items in there. | 0:39:38 | 0:39:41 | |
Even a toothbrush, believe it or not. | 0:39:41 | 0:39:43 | |
Lot number 121. Start the bidding £10, 10. 10 bid. | 0:39:43 | 0:39:48 | |
£10 bid, take 12 now if it helps... | 0:39:48 | 0:39:50 | |
I don't believe it. | 0:39:50 | 0:39:51 | |
-12, 15, 18... -One more. -At £18, make no mistakes. | 0:39:51 | 0:39:56 | |
In the room at £18. | 0:39:56 | 0:39:59 | |
£18 is -6. You had £6, you just lost £6. | 0:39:59 | 0:40:05 | |
You now have absolutely nothing, OK? | 0:40:05 | 0:40:08 | |
Which is the richness and rollercoaster nature of Bargain Hunt. | 0:40:08 | 0:40:12 | |
-I'm happy with that. -Are you? | 0:40:12 | 0:40:14 | |
-You're happy with nothing. -Leave with nothing. -Going so well, isn't it? | 0:40:14 | 0:40:17 | |
We come into life with nothing, we leave with nothing, exactly right. | 0:40:17 | 0:40:20 | |
Now, what are you going to do about the bonus buy? | 0:40:20 | 0:40:22 | |
-I think we've got to take it now. -We'll go for the punt. | 0:40:22 | 0:40:25 | |
-It's a huge punt. -Let's go for the punt. | 0:40:25 | 0:40:28 | |
-That is a defo? -Yes. -We need some luck, Tim. | 0:40:28 | 0:40:31 | |
The auctioneer's estimate is 70-100. | 0:40:31 | 0:40:33 | |
You never know. Funny old game. | 0:40:35 | 0:40:37 | |
Start the bidding straightaway with me at 30, £35 I am bid. | 0:40:37 | 0:40:42 | |
We need the net to go wild. | 0:40:42 | 0:40:44 | |
45 gets you on the internet, 50 on the net, 55 on commission. | 0:40:44 | 0:40:48 | |
At 55, 60, 5 on commission. | 0:40:48 | 0:40:51 | |
-70 on the internet, 75... -Keep going. | 0:40:51 | 0:40:54 | |
..80 on the internet, beats the commission bid. 90 on the internet. | 0:40:54 | 0:40:57 | |
-Come on, net. -'95...' -Go on! -Come on, net. -'..100.' | 0:40:57 | 0:41:00 | |
At 110. 110, it's slowing down. | 0:41:00 | 0:41:04 | |
-120... -Yes, go on. | 0:41:04 | 0:41:06 | |
-Somebody from Holland, yes, get on there. -At 130, internet bid at 130. | 0:41:06 | 0:41:11 | |
130, 140... | 0:41:11 | 0:41:12 | |
Yes, somebody has spotted it, Charles. | 0:41:12 | 0:41:14 | |
-Come on, come on! -You brilliant man. | 0:41:14 | 0:41:17 | |
..170, 180, 190, 200... | 0:41:17 | 0:41:20 | |
-Come on. -200, yes! -Come on! | 0:41:20 | 0:41:23 | |
-..210, at 210, 220. -Yes! Jolly well done, Charles. | 0:41:23 | 0:41:28 | |
-Now, where is this going to go? -Come on! -This is the business. | 0:41:28 | 0:41:31 | |
-Fair warning, internet. 240. -Yes! That is fantastic! | 0:41:31 | 0:41:36 | |
240, internet bid, 250, keeps going. | 0:41:36 | 0:41:39 | |
Fair warning, internet, at 250. | 0:41:39 | 0:41:42 | |
-At 260... -He's not finished. | 0:41:42 | 0:41:44 | |
Fair warning at 260... | 0:41:44 | 0:41:47 | |
-Thanks, guys, brilliant. -HE WHOOPS | 0:41:47 | 0:41:49 | |
That is a proper result. | 0:41:49 | 0:41:51 | |
£260. | 0:41:51 | 0:41:52 | |
Plus £48. Give me a hug, boy. | 0:41:52 | 0:41:55 | |
That is the business, isn't it? | 0:41:55 | 0:41:58 | |
As you know, on Bargain Hunt we don't have losers any more, | 0:42:03 | 0:42:06 | |
we only have runners-up and winners | 0:42:06 | 0:42:08 | |
and the runners-up today by a fair old chalk, I'm afraid are the Reds. | 0:42:08 | 0:42:11 | |
Yes! | 0:42:11 | 0:42:13 | |
-£118-worth of losses is a pretty shocking process. -I'm so sorry, Tim. | 0:42:13 | 0:42:18 | |
You did make a couple of pounds out of brooch... | 0:42:18 | 0:42:20 | |
-That's right, £2. -..which is pretty good, really. | 0:42:20 | 0:42:23 | |
-Otherwise, it did not go down your gutter today, did it? -No, not really. | 0:42:23 | 0:42:26 | |
-£118. But did you have a nice time? -Yes. -Lovely, great. | 0:42:26 | 0:42:29 | |
Well, we have loved having you on the show. | 0:42:29 | 0:42:31 | |
But the victors today, who go home with £48... | 0:42:31 | 0:42:34 | |
This is a magic moment on Bargain Hunt, where we are actually | 0:42:34 | 0:42:37 | |
handing out hard cash, £48. | 0:42:37 | 0:42:40 | |
You made a fiver on the matchbox holder | 0:42:40 | 0:42:42 | |
but the real treat of the day was Charles Hanson and his bonus buy. | 0:42:42 | 0:42:48 | |
-Everybody pooh-poohed that slipware standish, right? -Yes. | 0:42:48 | 0:42:52 | |
But who won at the end of the day by selling it for £260? | 0:42:52 | 0:42:56 | |
I take my hat off to you, Carlos. Anyway, it's been such fun. | 0:42:56 | 0:42:59 | |
Why don't you join us soon for some more bargain hunting, yes? | 0:42:59 | 0:43:02 | |
ALL: Yes! | 0:43:02 | 0:43:03 |