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ENGINES REV | 0:00:02 | 0:00:04 | |
ENGINE ROARS | 0:00:06 | 0:00:08 | |
Today, we're in Northamptonshire, | 0:00:08 | 0:00:10 | |
an area steeped in Formula One history, | 0:00:10 | 0:00:13 | |
and this is the famous Silverstone Grand Prix circuit, | 0:00:13 | 0:00:18 | |
where motor racing legends are born. | 0:00:18 | 0:00:21 | |
Well, that's all very fine and large, I hear you cry, | 0:00:21 | 0:00:24 | |
but where are the antiques, then? | 0:00:24 | 0:00:26 | |
Five miles down the road here in Brackley, | 0:00:26 | 0:00:29 | |
so stand by for a high octane show | 0:00:29 | 0:00:31 | |
and let's go bargain hunting! | 0:00:31 | 0:00:33 | |
Yes, we've got a racy little show for you today. | 0:00:58 | 0:01:01 | |
Let me give you the inside track. | 0:01:01 | 0:01:03 | |
Some unusual items strike a chord with the Reds... | 0:01:05 | 0:01:08 | |
That's a nice little tune, isn't it? | 0:01:08 | 0:01:10 | |
LAUGHTER | 0:01:10 | 0:01:12 | |
..whilst there's a buzz of excitement over with the Blues... | 0:01:12 | 0:01:16 | |
-What is that? Why would someone want to buy that? -Oh, look, a wasps' nest. | 0:01:16 | 0:01:19 | |
..and there are surprises in both camps, | 0:01:19 | 0:01:22 | |
as auction fever spreads through the teams. | 0:01:22 | 0:01:25 | |
-You're in profit. -100, 100 it is. | 0:01:25 | 0:01:28 | |
Oh, gosh! | 0:01:28 | 0:01:29 | |
Selling. | 0:01:29 | 0:01:31 | |
For the Red team today, | 0:01:31 | 0:01:33 | |
we have Elaine and Stewart, | 0:01:33 | 0:01:35 | |
and for the Blues we have Emma and Andy. | 0:01:35 | 0:01:37 | |
-Hello, everyone. -ALL: Hello! | 0:01:37 | 0:01:39 | |
Now, you two are both music lovers, | 0:01:39 | 0:01:42 | |
was it music that first brought you together? | 0:01:42 | 0:01:45 | |
Yes, we met on a music course. | 0:01:45 | 0:01:47 | |
He was sitting behind me and I was playing the violin, | 0:01:47 | 0:01:50 | |
and he was in the brass band section behind, | 0:01:50 | 0:01:52 | |
playing the horn and messing about, | 0:01:52 | 0:01:54 | |
and tickling my feet and all sorts of things like that. | 0:01:54 | 0:01:57 | |
But, Elaine, you've been teaching children the violin for 30 years? | 0:01:57 | 0:02:01 | |
It's 32, actually, 32 years. | 0:02:01 | 0:02:03 | |
Any highlights? | 0:02:03 | 0:02:05 | |
Yes, we've played at Chequers eight times, | 0:02:05 | 0:02:08 | |
we've played on the South Bank, | 0:02:08 | 0:02:10 | |
and we've played to the American ambassador, | 0:02:10 | 0:02:13 | |
and we've played at the Alhambra Palace, and we've been on Blue Peter. | 0:02:13 | 0:02:16 | |
-Gosh. -So, we've done a lot of things. -Lovely. Good for you. | 0:02:16 | 0:02:19 | |
And, Stewart, you were a music teacher until you recently retired? | 0:02:19 | 0:02:22 | |
Regrettably, yes, just recently. | 0:02:22 | 0:02:24 | |
And what particular group did you used to teach? | 0:02:24 | 0:02:27 | |
A girls school in High Wycombe for 18 years, | 0:02:27 | 0:02:30 | |
and before that in international schools. | 0:02:30 | 0:02:32 | |
And I spent 11 years in Hong Kong as well. | 0:02:32 | 0:02:34 | |
You both have similar interests and you're in the same profession - | 0:02:34 | 0:02:37 | |
who's going to be the boss today? | 0:02:37 | 0:02:39 | |
-Me. -Are you? | 0:02:39 | 0:02:41 | |
Said quite confidently. | 0:02:41 | 0:02:43 | |
So watch out, Stewart, that's all I can say. | 0:02:43 | 0:02:45 | |
Anyway, on a happy note, | 0:02:45 | 0:02:47 | |
your proposal of marriage was slightly flighty, I'm told? | 0:02:47 | 0:02:51 | |
It was, yeah. I bought Emma a tandem skydive as a Christmas present, | 0:02:51 | 0:02:57 | |
and then after that, before she'd actually arranged to do the dive, | 0:02:57 | 0:03:00 | |
I decided to ask her to marry me. | 0:03:00 | 0:03:02 | |
So, unbeknownst to her, I spent lots of evenings and weekends painting | 0:03:02 | 0:03:05 | |
a giant banner and arranging with the parachuting centre | 0:03:05 | 0:03:10 | |
to allow me to put this giant banner on the ground, on the landing site. | 0:03:10 | 0:03:13 | |
-Oh, how lovely. -So, when she jumped out of the plane from 13,000 feet, | 0:03:13 | 0:03:16 | |
-she could pretty much see the banner from there... -How fantastic. | 0:03:16 | 0:03:19 | |
-Yes, it was very good. -And could you actually see it from 13,000 feet? | 0:03:19 | 0:03:23 | |
I could. The person I was jumping with, he tapped me on the shoulder | 0:03:23 | 0:03:26 | |
and he got me to look down, | 0:03:26 | 0:03:28 | |
and I saw it and I flew down over the banner, | 0:03:28 | 0:03:31 | |
landed behind it, and he was there on one knee with ring. | 0:03:31 | 0:03:34 | |
I don't believe it. Just as well you were on target, eh? | 0:03:34 | 0:03:37 | |
You juggle all these roles, don't you? | 0:03:37 | 0:03:39 | |
You're a wife, you're a mother, | 0:03:39 | 0:03:40 | |
you're a martial arts instructress - | 0:03:40 | 0:03:43 | |
how do you do all of those? | 0:03:43 | 0:03:45 | |
I teach something called Jado Kuin Do. | 0:03:45 | 0:03:47 | |
It's a family martial art, so I teach our own children even, | 0:03:47 | 0:03:50 | |
-I teach children as young as three. -Teach them how to kick Mum? | 0:03:50 | 0:03:53 | |
-Well, how to control their kicks, yeah. -Oh, sorry. -Yeah. | 0:03:53 | 0:03:56 | |
-Andy, you and Emma actually paint portraits, is that right? -We do. | 0:03:56 | 0:04:00 | |
It's almost like a modern pop art version of | 0:04:00 | 0:04:04 | |
famous characters from films. | 0:04:04 | 0:04:06 | |
So, often, a lot of the collectable films, like Star Wars, | 0:04:06 | 0:04:10 | |
the Lord Of The Rings, things that. | 0:04:10 | 0:04:13 | |
Mm-hm. Oh, good, what fun. | 0:04:13 | 0:04:14 | |
And are you going to spend all of your money? | 0:04:14 | 0:04:17 | |
-No. -I would say 150, 200 we would like to try and spend. | 0:04:17 | 0:04:20 | |
-Nothing too small, but nothing too big. -That's your target amount. | 0:04:20 | 0:04:23 | |
Well, talking about money, here's the £300. | 0:04:23 | 0:04:25 | |
£300, you know the rules. | 0:04:25 | 0:04:27 | |
Your experts await, and off you go! | 0:04:27 | 0:04:29 | |
And very, very, very good luck. | 0:04:29 | 0:04:31 | |
I quite fancy having my portrait painted, actually. | 0:04:31 | 0:04:35 | |
Keeping the teams on track today are our experts. | 0:04:35 | 0:04:39 | |
Always dreaming of a profit for the Reds, | 0:04:39 | 0:04:41 | |
it's the one and only Anita Manning. | 0:04:41 | 0:04:44 | |
And hoping to be the top cat in the top hat for the Blues | 0:04:44 | 0:04:48 | |
is Catherine Southon. | 0:04:48 | 0:04:50 | |
Well, guys, I'm so excited today, because I know that | 0:04:50 | 0:04:53 | |
I have a couple of experts, | 0:04:53 | 0:04:55 | |
especially in all things musical. | 0:04:55 | 0:04:58 | |
Musical, yes, absolutely. | 0:04:58 | 0:05:00 | |
So, Emma and Andy, | 0:05:00 | 0:05:02 | |
excited? Nervous? | 0:05:02 | 0:05:04 | |
-I'm excited. -A bit nervous, bit nervous. | 0:05:04 | 0:05:06 | |
So, what will our tactics be? | 0:05:06 | 0:05:08 | |
Well, we'll go with your advice, | 0:05:08 | 0:05:10 | |
but we'll go for what we like. | 0:05:10 | 0:05:13 | |
If there was anything musical, that would be great. | 0:05:13 | 0:05:15 | |
I've got me earrings on. | 0:05:15 | 0:05:17 | |
Yeah, and I love that tie. | 0:05:17 | 0:05:18 | |
Definitely want something that's old. I don't want to find anything | 0:05:18 | 0:05:21 | |
that's 20, 30 years old, I want something properly old... | 0:05:21 | 0:05:24 | |
-Proper antiques, yes. -..that's got a functional use now. | 0:05:24 | 0:05:27 | |
Time to face the music and start the clock! | 0:05:27 | 0:05:30 | |
Let's hope that we can make sweet music together. | 0:05:30 | 0:05:35 | |
Yay! | 0:05:35 | 0:05:36 | |
-Let's go bargain hunting. -And they're off! | 0:05:36 | 0:05:39 | |
And, true to form, music teachers Elaine and Stewart | 0:05:39 | 0:05:43 | |
already seem to be hitting the right note. | 0:05:43 | 0:05:45 | |
Oh, musical! | 0:05:45 | 0:05:47 | |
-You like that? -Well, I do. I've got one at home, but... | 0:05:47 | 0:05:50 | |
Uh-huh. We do as well, | 0:05:50 | 0:05:52 | |
and at parties we bring the old gramophone out | 0:05:52 | 0:05:55 | |
-and play the old 78s. -Absolutely. | 0:05:55 | 0:05:59 | |
-They're great, aren't they? -But that's too expensive, sadly. | 0:05:59 | 0:06:02 | |
It is rather expensive, but this thing is in perfect condition. | 0:06:02 | 0:06:07 | |
It's mint, and I think it will probably have been renovated | 0:06:07 | 0:06:11 | |
so that it's working perfectly as well, | 0:06:11 | 0:06:13 | |
so not really dear for a piece of vintage machinery. | 0:06:13 | 0:06:18 | |
But maybe a bit dear for us for our first item. | 0:06:18 | 0:06:21 | |
-Yes, absolutely. -Let's go. | 0:06:21 | 0:06:23 | |
That's right, Reds, price is key. | 0:06:23 | 0:06:26 | |
Moving on. Not to be left out, | 0:06:26 | 0:06:28 | |
the Blues are getting busy in combing the stalls for a bargain. | 0:06:28 | 0:06:32 | |
-What is that? -Oh, this is honey bees, look. -No, that's beeswax. | 0:06:32 | 0:06:34 | |
-There's loads of dead bees on it. -It's bees, isn't it? Yeah. | 0:06:34 | 0:06:37 | |
-Why would someone want to buy that? -Oh, no, a wasps' nest. | 0:06:37 | 0:06:39 | |
-£25. -Oh, yuck! | 0:06:39 | 0:06:41 | |
I'm not even going to... I know, that's horrible. | 0:06:41 | 0:06:44 | |
That doesn't seem to BEE to Emma's taste. | 0:06:44 | 0:06:47 | |
Time to buzz off, Blues, before you get stung. | 0:06:47 | 0:06:51 | |
Meanwhile, the Reds look like | 0:06:51 | 0:06:53 | |
they've discovered a hidden treasure. | 0:06:53 | 0:06:55 | |
Let's have a look at it. | 0:06:55 | 0:06:57 | |
I had one of those when I was about eight. | 0:06:57 | 0:06:59 | |
Pelham Puppets are popular, and I think they're fabulous things. | 0:06:59 | 0:07:03 | |
They were made in the post-war era, | 0:07:03 | 0:07:06 | |
and people are buying them because of the nostalgia element, you know, | 0:07:06 | 0:07:11 | |
looking back to their childhood. | 0:07:11 | 0:07:14 | |
People like them in good condition. | 0:07:14 | 0:07:16 | |
-Yes. -And they like them in the original box. -In the box. | 0:07:16 | 0:07:19 | |
We have this pussycat here in perfect condition, | 0:07:19 | 0:07:22 | |
original box, | 0:07:22 | 0:07:23 | |
-and with fully illustrated instructions! -Oh! | 0:07:23 | 0:07:27 | |
How much would you like to pay for it? | 0:07:27 | 0:07:29 | |
Erm, about 16 or 18 maybe. | 0:07:29 | 0:07:32 | |
16 or 18? Very often, it's better to have a couple or a group, | 0:07:32 | 0:07:37 | |
-and I've spotted a teacher down there, Stewart. -There's a teacher. | 0:07:37 | 0:07:41 | |
-LAUGHTER Yes. -For my sins. | 0:07:41 | 0:07:43 | |
-Well, that's a bit different. -Yeah. Let's have a look at him. | 0:07:43 | 0:07:46 | |
A gottle o'geer. | 0:07:46 | 0:07:47 | |
-LAUGHTER -A gottle o'geer. | 0:07:47 | 0:07:49 | |
A gottle o'geer. | 0:07:49 | 0:07:50 | |
A gottle o'geer. | 0:07:50 | 0:07:52 | |
-LAUGHTER -Stop it! | 0:07:52 | 0:07:54 | |
-Oh, that's great. -That's good. | 0:07:54 | 0:07:56 | |
-We've got to go for that. -Yeah. | 0:07:56 | 0:07:57 | |
Right, let's see if we can find the dealer, | 0:07:57 | 0:08:00 | |
if we can get a deal on it, because we all love them. | 0:08:00 | 0:08:03 | |
In the dealer's absence, | 0:08:03 | 0:08:04 | |
proprietor Debbie is on hand to facilitate the deal. | 0:08:04 | 0:08:08 | |
Right, I phoned the dealer and I've got a fabulous deal for you. | 0:08:08 | 0:08:10 | |
He said you could have both for £30. | 0:08:10 | 0:08:12 | |
-What?! -Wow! That's brilliant! | 0:08:12 | 0:08:14 | |
-Oh, that's terrific. -Wow! | 0:08:14 | 0:08:15 | |
-That is brilliant! We'll shake on that one. -Thank you very much. | 0:08:15 | 0:08:19 | |
You should be able to make something with that. | 0:08:19 | 0:08:21 | |
-Thank you, that is a great deal. -Thank you. -Whoo-hoo! | 0:08:21 | 0:08:24 | |
Well done, well done. | 0:08:24 | 0:08:25 | |
-So, that's our first item in the bag. -First item! | 0:08:25 | 0:08:28 | |
We haven't spent a lot of time, | 0:08:28 | 0:08:30 | |
but let's not get complacent. | 0:08:30 | 0:08:32 | |
-But aren't we happy? -Wow, wow! | 0:08:32 | 0:08:34 | |
We've fallen in love with these bits. | 0:08:34 | 0:08:37 | |
-They are so lovely. -Absolutely. | 0:08:37 | 0:08:38 | |
OK. Onto the next one. | 0:08:38 | 0:08:41 | |
Sold. Well done, Reds - | 0:08:41 | 0:08:43 | |
first item bought and only 14 minutes on the clock. | 0:08:43 | 0:08:46 | |
But there's no time to hang about on Bargain Hunt | 0:08:46 | 0:08:48 | |
and the Blues aren't resting up. | 0:08:48 | 0:08:50 | |
Or are they? | 0:08:50 | 0:08:52 | |
The only way to try out a chair is to sit on it. | 0:08:52 | 0:08:54 | |
But how much would a chair like this go at auction? | 0:08:54 | 0:08:56 | |
Because that's what matters. | 0:08:56 | 0:08:59 | |
If someone brought it to me, | 0:08:59 | 0:09:00 | |
I would probably put 40-60 on it. | 0:09:00 | 0:09:03 | |
-And it's got 95 on it. -What does it feel like? Does it feel good? | 0:09:03 | 0:09:05 | |
-It feels nice, cos your hands are drawn to... -To hold on the edge. -Yes. | 0:09:05 | 0:09:09 | |
..the nice sort of scroll. | 0:09:09 | 0:09:11 | |
I'm quite happy. | 0:09:11 | 0:09:12 | |
I think you look great sitting there. | 0:09:12 | 0:09:15 | |
We want it between 40 and 50. That's a lot of money off from 95. | 0:09:15 | 0:09:18 | |
I think a couple of people could really fall in love with that. | 0:09:18 | 0:09:21 | |
It's the first thing we've stopped and talked about, | 0:09:21 | 0:09:23 | |
-so let's go and have a look at something else. -Yes. -He's so eager! | 0:09:23 | 0:09:26 | |
He wants to go... He's desperate to look at something else. | 0:09:26 | 0:09:29 | |
-We've only got an hour, let's go. -Come on. | 0:09:29 | 0:09:31 | |
Good call, Andy. There's plenty of things to look at today, | 0:09:31 | 0:09:34 | |
but don't forget, time is of the essence. | 0:09:34 | 0:09:37 | |
But after a few minutes there's some news for the Blues | 0:09:37 | 0:09:40 | |
about the price of the chair. | 0:09:40 | 0:09:41 | |
-Hello, Catherine. -Hello. -Yes, we phoned the dealer. | 0:09:41 | 0:09:44 | |
He will do a deal on it, but the very best he can do is £60. | 0:09:44 | 0:09:48 | |
If we carry on looking round, maybe you could just see | 0:09:48 | 0:09:50 | |
if he can edge it a little bit more? | 0:09:50 | 0:09:52 | |
He would do it for 55, without me having to go back to him, to be fair. | 0:09:52 | 0:09:55 | |
-Can we hold it...? -You can put a reserve on it, yes. | 0:09:55 | 0:09:58 | |
At 55, we hold it for a little while and then we'll come back? | 0:09:58 | 0:10:00 | |
Yes, I'll put a reserve on it. | 0:10:00 | 0:10:02 | |
£40 discount, eh? Very nice. | 0:10:02 | 0:10:04 | |
Thank you, Jim. Thank you. | 0:10:04 | 0:10:05 | |
So, the Blues are going to sit on the decision | 0:10:05 | 0:10:07 | |
over their first purchase. | 0:10:07 | 0:10:09 | |
Back with the Reds, and it looks as if Stewart's | 0:10:14 | 0:10:16 | |
preparing for what could be an explosive performance. | 0:10:16 | 0:10:20 | |
So, we've got the three shell cases in this little mahogany frame. | 0:10:20 | 0:10:25 | |
-Do these shell cases have different notes? -Yes. | 0:10:25 | 0:10:28 | |
They're different sizes, therefore they'd make a different note. | 0:10:28 | 0:10:31 | |
Can you give us a tune? | 0:10:31 | 0:10:32 | |
SHELL CASE JINGLES | 0:10:32 | 0:10:34 | |
-And that's the next one. Oh, that's actually lower. -It's lower. | 0:10:34 | 0:10:38 | |
Maybe a bum note or two there, Stewart. | 0:10:38 | 0:10:40 | |
Oh, that's a nice tune, isn't it? | 0:10:40 | 0:10:42 | |
LAUGHTER | 0:10:42 | 0:10:44 | |
-Do you like this? Have you fallen in love with it? -I do, but... | 0:10:45 | 0:10:48 | |
-I think it's a lot for our budget. -It's a bit pricey. | 0:10:48 | 0:10:50 | |
-We said we wouldn't spend a whole load on one. -Uh-huh. | 0:10:50 | 0:10:54 | |
With the price of this instrument falling on deaf ears, | 0:10:54 | 0:10:58 | |
the Reds move on. | 0:10:58 | 0:11:00 | |
Meanwhile, the Blues are still struggling to find their first item. | 0:11:00 | 0:11:03 | |
-How is it going? -Nothing very old. -Found anything? | 0:11:03 | 0:11:05 | |
There are some modern things in here that are quite cheap, | 0:11:05 | 0:11:08 | |
and there's these silver bowls... | 0:11:08 | 0:11:10 | |
-Bonbon dishes. -Bonbon, yeah. | 0:11:10 | 0:11:12 | |
-But I said... -Not very pretty. | 0:11:12 | 0:11:13 | |
Andy liked the fact there was a pair, but I said a pair | 0:11:13 | 0:11:16 | |
of two things that I don't like is still two things that I don't like. | 0:11:16 | 0:11:19 | |
-You can't argue with that. Come on. -Let's get cracking. | 0:11:19 | 0:11:21 | |
Let's go and find something. | 0:11:21 | 0:11:23 | |
So, whilst the Blues continue to search for their first purchase, | 0:11:23 | 0:11:27 | |
let me show you something of interest that I found today. | 0:11:27 | 0:11:30 | |
I do love an enigma, don't you? | 0:11:37 | 0:11:39 | |
So, what is there that's enigmatic | 0:11:39 | 0:11:42 | |
in this otherwise clock-filled corner | 0:11:42 | 0:11:45 | |
of the antiques centre? | 0:11:45 | 0:11:47 | |
Well, actually, it's this table. | 0:11:47 | 0:11:50 | |
Now, according to the label, | 0:11:50 | 0:11:51 | |
this is a "Wonderful Mahogany table circa 1820." | 0:11:51 | 0:11:56 | |
Well, it certainly doesn't date from 1820 | 0:11:56 | 0:12:00 | |
and there's not much of a mahogany about it. | 0:12:00 | 0:12:03 | |
But if I pick it up, this is a type of table | 0:12:03 | 0:12:06 | |
that has a concave-sided base. | 0:12:06 | 0:12:09 | |
That's the concave-sided triangular form of this base. | 0:12:09 | 0:12:13 | |
And in a good quality table of this type, | 0:12:13 | 0:12:16 | |
you'd have some pegs of lead let it to the timber underneath here | 0:12:16 | 0:12:20 | |
to make it as heavy as possible. | 0:12:20 | 0:12:23 | |
If you look at these scroll-bracket feet, | 0:12:23 | 0:12:26 | |
they've been carved by a late-Victorian routing machine. | 0:12:26 | 0:12:30 | |
This is a mass-produced series of three level feet that have | 0:12:30 | 0:12:35 | |
been screwed on to this concave-sided base | 0:12:35 | 0:12:38 | |
that's then had some rather measly mahogany veneer stuck to it. | 0:12:38 | 0:12:43 | |
The next section is technically a barley twist. | 0:12:43 | 0:12:46 | |
It looks like a twist of old-fashioned barley sugar, | 0:12:46 | 0:12:51 | |
and that's the idea in this design. | 0:12:51 | 0:12:54 | |
It's actually a lump of cheapish walnut | 0:12:54 | 0:12:57 | |
that's been turned on the lathe | 0:12:57 | 0:12:59 | |
and then covered in a varnish which has gone all crizzly, | 0:12:59 | 0:13:03 | |
and that's why it's got all this crazing | 0:13:03 | 0:13:06 | |
on the outer bits of the barley twist. | 0:13:06 | 0:13:09 | |
That could be restored, but I don't think I'd bother | 0:13:09 | 0:13:12 | |
because it's part and parcel | 0:13:12 | 0:13:14 | |
of the confection of what this table is - | 0:13:14 | 0:13:17 | |
in effect, a series of separate bits that've been put together. | 0:13:17 | 0:13:21 | |
The last bit, ie the top, is absolutely spectacular. | 0:13:21 | 0:13:27 | |
Here we've got a near-perfect square that's been geometrically veneered | 0:13:27 | 0:13:31 | |
with slices of laburnum veneer. | 0:13:31 | 0:13:35 | |
Now, the laburnum tree doesn't grow to a great girth, | 0:13:35 | 0:13:39 | |
and in the 17th century its timber - veneered - was highly prized. | 0:13:39 | 0:13:46 | |
If you imagine my arm is the branch of a laburnum tree | 0:13:46 | 0:13:51 | |
and, were I to chop my hand off, the remaining bit of the branch, | 0:13:51 | 0:13:55 | |
if it was sliced like a salami into veneers, | 0:13:55 | 0:14:00 | |
would create these shapes. | 0:14:00 | 0:14:03 | |
See this? | 0:14:03 | 0:14:04 | |
This is a perfect curve that then fits against another perfect curve, | 0:14:04 | 0:14:10 | |
and these are called oysters of laburnum wood | 0:14:10 | 0:14:13 | |
that make these gorgeous shell-shaped patterns. | 0:14:13 | 0:14:18 | |
The secret to this top is that it dates from a piece that | 0:14:18 | 0:14:21 | |
was made in the golden age of English cabinet-making towards | 0:14:21 | 0:14:26 | |
the end of the 17th century - say between 1660 and 1700. | 0:14:26 | 0:14:32 | |
It probably was a panel in a much larger piece of furniture | 0:14:32 | 0:14:36 | |
that had got into a bad state and, at the end of the Victorian era, | 0:14:36 | 0:14:39 | |
rather than throw it away, | 0:14:39 | 0:14:41 | |
they simply incorporated it into another piece, hence this table. | 0:14:41 | 0:14:46 | |
All in all, though, it goes to make up, in my mind, | 0:14:47 | 0:14:50 | |
a very interesting piece. | 0:14:50 | 0:14:52 | |
This colour and the nature of these oysters | 0:14:52 | 0:14:56 | |
is absolutely gorgeous. | 0:14:56 | 0:14:58 | |
If you went out and you tried to buy | 0:14:58 | 0:15:01 | |
an oyster-veneered chest of drawers, it would probably cost you | 0:15:01 | 0:15:04 | |
the thick end of £10,000. | 0:15:04 | 0:15:06 | |
One of those secretaire abattants with an oyster-veneered full front | 0:15:06 | 0:15:11 | |
would be a similar sum. | 0:15:11 | 0:15:13 | |
For this table, even though it is a confection - a made-up piece - | 0:15:13 | 0:15:19 | |
at £269 I reckon it's as cheap | 0:15:19 | 0:15:24 | |
as the proverbial fried potato. | 0:15:24 | 0:15:27 | |
Back with the shopping, and Elaine is in a hurry to show Stewart | 0:15:37 | 0:15:40 | |
and Anita a find all of her own. | 0:15:40 | 0:15:42 | |
I've got something I want to show you. | 0:15:42 | 0:15:45 | |
-Oh, she's fallen in love again. -Typical. | 0:15:45 | 0:15:48 | |
It's on the wall over here. Just look at that. | 0:15:48 | 0:15:51 | |
Musical, beautiful, I just love that. | 0:15:53 | 0:15:56 | |
What do we have here? | 0:15:56 | 0:15:58 | |
We have a little watercolour, and it's the Baby March. | 0:15:58 | 0:16:04 | |
-Tell me what drew you to it. -Well, I saw it was musical straight away... | 0:16:04 | 0:16:08 | |
We like that sort of thing. | 0:16:08 | 0:16:09 | |
And then I looked at it and I saw it was handwritten, | 0:16:09 | 0:16:12 | |
and it's written for a little child's first birthday, | 0:16:12 | 0:16:15 | |
and there's an inscription on the back as well. | 0:16:15 | 0:16:17 | |
-Let's see the inscription. -"Wycliffe's birthday." | 0:16:17 | 0:16:21 | |
And it's dated 1860, so it's fairly early. | 0:16:21 | 0:16:26 | |
-Wycliffe's birthday, signed LW Taylor. -And that's an original. | 0:16:26 | 0:16:29 | |
You don't get anything like that. You can't reproduce that. | 0:16:29 | 0:16:32 | |
-That's unique, isn't it? -Yeah. | 0:16:32 | 0:16:33 | |
-Yes. -Are you able to sing that? | 0:16:33 | 0:16:37 | |
-Sing it? Oh! -Let's have a look. | 0:16:37 | 0:16:40 | |
HE HUMS | 0:16:40 | 0:16:43 | |
ELAINE LAUGHS | 0:16:44 | 0:16:47 | |
Bravo, Stewart. | 0:16:52 | 0:16:54 | |
That's great. That's absolutely great. | 0:16:54 | 0:16:57 | |
-I love that. -And I think that it's absolutely perfect for you. | 0:16:57 | 0:17:01 | |
And I think that, if we get the right buyers, | 0:17:01 | 0:17:03 | |
people would just fall in love with it the same way that you have. | 0:17:03 | 0:17:07 | |
-Shall we offer 90? -Let's offer 90. | 0:17:07 | 0:17:08 | |
I think that this is the type of thing that's worth... | 0:17:08 | 0:17:12 | |
-Yes. -..taking a chance on. -I do. | 0:17:12 | 0:17:14 | |
-If you fall in love with something, follow your heart. -Absolutely. | 0:17:14 | 0:17:18 | |
-Gorgeous. -I've had a word with the dealer | 0:17:19 | 0:17:22 | |
-and they're willing to do it for £100. -Brilliant! | 0:17:22 | 0:17:24 | |
-It's very unique, isn't it? -Well, there isn't another one. | 0:17:24 | 0:17:28 | |
You're happy with that, Anita? | 0:17:28 | 0:17:30 | |
I'm absolutely delighted, it's just really for you, | 0:17:30 | 0:17:33 | |
it has all the elements, it's got a wee story, | 0:17:33 | 0:17:36 | |
it's got a lovely little watercolour and, of course, music. | 0:17:36 | 0:17:40 | |
-Perfect. -Perfect. | 0:17:40 | 0:17:41 | |
-This item was waiting for these two to come along. -It was! | 0:17:41 | 0:17:46 | |
Thank you very much, Debbie, that's wonderful. Thank you. | 0:17:46 | 0:17:49 | |
So, with two items bought, the Reds are marching out in front. | 0:17:51 | 0:17:55 | |
30 minutes have gone, it's past the halfway point | 0:17:57 | 0:18:00 | |
and the Blues only have one item but, luckily, | 0:18:00 | 0:18:03 | |
it looks as if Catherine has spotted something of interest. | 0:18:03 | 0:18:06 | |
Antique? No, it's not. This is copper. Can you see there, | 0:18:06 | 0:18:09 | |
-that little stamp at the top? -Yeah. | 0:18:09 | 0:18:11 | |
I like the style, but I don't think that it's functional now, | 0:18:11 | 0:18:15 | |
so I think it's decorative. | 0:18:15 | 0:18:16 | |
Cos I think we could get quite a good price on this. | 0:18:16 | 0:18:19 | |
It's Keswick School of Industrial Art, so this was made... | 0:18:19 | 0:18:22 | |
-It's all handmade. Not interested? -Can I have a look? | 0:18:22 | 0:18:25 | |
-People collect this kind of stuff? -People do collect, yeah. | 0:18:25 | 0:18:28 | |
The ticket price is 39 and I think we could possibly get that for 20. | 0:18:28 | 0:18:32 | |
If I say to you, if we can get it for £15, I will absolutely | 0:18:32 | 0:18:37 | |
guarantee to you that we will get a profit... | 0:18:37 | 0:18:41 | |
If you feel so confident that there's a profit in it then I'm... | 0:18:41 | 0:18:43 | |
15, 20, you know, we'll see what we can get it for. | 0:18:43 | 0:18:46 | |
Get Jim onside and see what you can do. | 0:18:46 | 0:18:49 | |
Jimbo, hi, this item here... | 0:18:49 | 0:18:51 | |
-Now, it has 39. -It does. | 0:18:51 | 0:18:54 | |
We're wondering whether there's any possibility, | 0:18:54 | 0:18:56 | |
considering I am a black belt second dan in martial arts... | 0:18:56 | 0:19:00 | |
-I'm sure we can do something, then. -Could we...? | 0:19:00 | 0:19:03 | |
Is there a possibility we could go as low as 15? Could we do that? | 0:19:03 | 0:19:06 | |
Be careful what you say here. | 0:19:06 | 0:19:08 | |
Not 15, I know the dealer won't go to 15, unfortunately. | 0:19:08 | 0:19:11 | |
-What...? -He will go to 18, would be the very best. -18... | 0:19:11 | 0:19:15 | |
Because it is... You know, it's Keswick School. | 0:19:15 | 0:19:17 | |
-You can't go wrong with it, really. -OK. | 0:19:17 | 0:19:19 | |
If you don't make a profit on that | 0:19:19 | 0:19:21 | |
-you won't make a profit on anything. -18? -Yeah. -OK. | 0:19:21 | 0:19:23 | |
-ANDY: -Shake the man's hand, let's do it. | 0:19:23 | 0:19:25 | |
-Got away with that. -Thank you very much, thank you. | 0:19:25 | 0:19:27 | |
Sold. One item down... | 0:19:27 | 0:19:29 | |
Hang on a second. | 0:19:29 | 0:19:31 | |
-Do we want to buy the chair, now, as well? -I'm missing the chair. | 0:19:31 | 0:19:34 | |
Could this be two items? | 0:19:34 | 0:19:36 | |
-ANDY: -You were saying you can do 50 on the chair? | 0:19:36 | 0:19:38 | |
We can do 50 on the chair. | 0:19:38 | 0:19:40 | |
-ANDY: -Brilliant. That's two in ten seconds. | 0:19:40 | 0:19:43 | |
Sold, and sold again. | 0:19:43 | 0:19:46 | |
Two items bought, double congratulations, Blues, | 0:19:46 | 0:19:48 | |
that could be a Bargain Hunt record. | 0:19:48 | 0:19:50 | |
And, continuing their musical theme, Stewart and Elaine | 0:19:54 | 0:19:57 | |
have found something they just might not be able to resist. | 0:19:57 | 0:20:01 | |
-Are you guys having a little orchestrated fun? -Yes! We are. | 0:20:01 | 0:20:07 | |
This is a nice-looking thing. African stringed instrument. | 0:20:07 | 0:20:10 | |
Turn it over, look, it's carved out. Look at that, that's incredible. | 0:20:10 | 0:20:14 | |
What does it say in there? Stradivarius? | 0:20:14 | 0:20:16 | |
-THEY LAUGH -We wish! | 0:20:16 | 0:20:19 | |
What I like about it is the carving and the attention to detail. | 0:20:19 | 0:20:24 | |
I love this face here. This is like a mythical horse, really. | 0:20:24 | 0:20:29 | |
-And this rather proud-looking rider. -Warrior almost. -He's a warrior, yes. | 0:20:29 | 0:20:35 | |
But I like the detail where we have carving here, | 0:20:35 | 0:20:38 | |
-so it hasn't just been churned out. -No. | 0:20:38 | 0:20:41 | |
So, you've looked at two instruments here. | 0:20:41 | 0:20:44 | |
Now, which one do you want to buy? | 0:20:44 | 0:20:46 | |
Or do you want to buy both of them and make up a wee band? | 0:20:46 | 0:20:49 | |
Yeah, I was thinking we might able to buy both of them | 0:20:49 | 0:20:52 | |
if we're allowed to do that, as one lot. | 0:20:52 | 0:20:54 | |
So that one's 34 and this one's 40. | 0:20:54 | 0:20:58 | |
They are two allied items, | 0:20:58 | 0:21:01 | |
and I think that it might be quite nice to have two of them. | 0:21:01 | 0:21:05 | |
-Two for one. -That would be good. | 0:21:05 | 0:21:07 | |
Hello, Debbie. We're really interested in these two, | 0:21:07 | 0:21:11 | |
we want to do them together. We wondered how much you can do them... | 0:21:11 | 0:21:14 | |
OK, let's see what's on the tickets. | 0:21:14 | 0:21:16 | |
34 on this one and what have they got on this? So that's 74. | 0:21:16 | 0:21:21 | |
Erm, how about 50? | 0:21:21 | 0:21:23 | |
-Yes! -OK. -Yes, are you happy with that? -£50. | 0:21:24 | 0:21:28 | |
Sounds like that's music to Elaine's ears. | 0:21:28 | 0:21:31 | |
We've got a wee orchestra now | 0:21:31 | 0:21:33 | |
and we could maybe do a bit of busking this afternoon. | 0:21:33 | 0:21:36 | |
Oh, great idea! | 0:21:36 | 0:21:38 | |
40 minutes gone and that's all three items bought by the Reds. | 0:21:38 | 0:21:42 | |
Well done, team. | 0:21:42 | 0:21:44 | |
But, after a confident start and a nifty double purchase, | 0:21:44 | 0:21:47 | |
time is starting to run out for the Blues, | 0:21:47 | 0:21:49 | |
and they still have one item left to buy. | 0:21:49 | 0:21:52 | |
-OK, we've got seven minutes. -We're running out of time, Em. | 0:21:53 | 0:21:57 | |
The clock has nearly reached it's hour, but could this be promising? | 0:21:57 | 0:22:02 | |
Oh, that's nice. Oh, this is good. This is a magic lantern slide. | 0:22:02 | 0:22:06 | |
So, you put it in the magic lantern, you turn the handle, | 0:22:06 | 0:22:09 | |
and different parts of it would move. | 0:22:09 | 0:22:11 | |
We're talking sort of Victorian era here, or early 20th century. | 0:22:11 | 0:22:14 | |
On a big screen you'd have all these spirals, all these colours, | 0:22:14 | 0:22:17 | |
-all moving. -I've just noticed, | 0:22:17 | 0:22:19 | |
with the way the light is glinting off the glass, it looks like there's | 0:22:19 | 0:22:22 | |
-a big crack right across the middle. -Oh, no. Where? | 0:22:22 | 0:22:24 | |
Ah, good spot, Andy. | 0:22:24 | 0:22:26 | |
But, with only two minutes left to find your final item, | 0:22:26 | 0:22:29 | |
that does leave the Blues in a spot of bother. | 0:22:29 | 0:22:32 | |
-Obviously, it's going to affect it. -Aw! Yep. No, I think that's a no-no, | 0:22:32 | 0:22:35 | |
-to be honest, yeah. -Has it really destroyed it? -Yeah. -OK. | 0:22:35 | 0:22:37 | |
-We have got literally two minutes. -Come on, Blues, | 0:22:37 | 0:22:40 | |
if you don't find something soon | 0:22:40 | 0:22:42 | |
you could be going to auction with only two items. | 0:22:42 | 0:22:45 | |
Let's do a cabinet each. | 0:22:45 | 0:22:46 | |
-Look. -What? No, we haven't got time. | 0:22:46 | 0:22:49 | |
We are really, really, really up against it. | 0:22:49 | 0:22:52 | |
Let's look. We need to find something in two minutes. | 0:22:53 | 0:22:56 | |
-Here. This one, here. -Where is it? Right. -In there. | 0:22:56 | 0:22:59 | |
-Do we like that? -Yes. -Shall we get it out? -Yeah. -Yes. -OK. | 0:22:59 | 0:23:01 | |
-People collect these, don't they? -People collect gavels. | 0:23:01 | 0:23:04 | |
People also collect sewing accessories, and I think that's | 0:23:04 | 0:23:07 | |
-probably Georgian. -Could be Georgian. | 0:23:07 | 0:23:09 | |
-Could be. -That'd be brilliant. -It's the original pincushion. | 0:23:09 | 0:23:12 | |
Sometimes they've been replaced, which is not nice, | 0:23:12 | 0:23:14 | |
but this is original. I think it's lovely. | 0:23:14 | 0:23:16 | |
-I think it's good fun. -It's cute. -Do you want to go off and have | 0:23:16 | 0:23:19 | |
-a word with Jim, see what he can get it for? -Sure. | 0:23:19 | 0:23:21 | |
-Because we are desperate now. -It's 67. -OK. We need it for... | 0:23:21 | 0:23:24 | |
-40? -30. -30, 40. | 0:23:24 | 0:23:26 | |
-35. Yeah, something like that. -OK. -Go for it. | 0:23:26 | 0:23:29 | |
-It's lovely that it has got the original pincushion. -Yeah. | 0:23:29 | 0:23:32 | |
So often, these get replaced. So that's nice. | 0:23:32 | 0:23:34 | |
-It's nearly 200 years old, yeah, to have the material on there is brilliant. -It's brilliant. | 0:23:34 | 0:23:38 | |
Is it good news? | 0:23:38 | 0:23:39 | |
I've spoken to the dealer, they say they can do it for 40. | 0:23:39 | 0:23:42 | |
That's the best price, 40. | 0:23:42 | 0:23:44 | |
-Four is my lucky number. -Is it? -Yes. | 0:23:44 | 0:23:46 | |
Don't tell them that - they'll make you pay 44! | 0:23:46 | 0:23:48 | |
-I wondered that, it went through my head. -40's good. -40? | 0:23:48 | 0:23:51 | |
And he said the dealer's confirmed that it's definitely Georgian. | 0:23:51 | 0:23:55 | |
-Oh, brilliant. -So, I think... | 0:23:55 | 0:23:56 | |
You're happy with Georgian. Four is your lucky number. | 0:23:56 | 0:23:59 | |
-I think we should do it. -Yeah. -Sold? -Sold. -Yeah. Brilliant. | 0:23:59 | 0:24:03 | |
Time's up! | 0:24:03 | 0:24:04 | |
Wow, that was a close call, with only seconds to spare. | 0:24:04 | 0:24:08 | |
Congratulations, both teams. That's a full house all-round. | 0:24:08 | 0:24:12 | |
Let's check out what the Red Team bought. | 0:24:12 | 0:24:14 | |
Elaine and Stewart are looking to string out a profit | 0:24:14 | 0:24:17 | |
with a pair of vintage Pelham puppets bought for £30, | 0:24:17 | 0:24:21 | |
want to score high with a 19th-century watercolour | 0:24:21 | 0:24:24 | |
and music composition bought for £100, | 0:24:24 | 0:24:27 | |
and, for £50, aim for sweet music with the African string instrument | 0:24:27 | 0:24:31 | |
and wood-carved glockenspiel. | 0:24:31 | 0:24:33 | |
Well, did you have a nice shop? | 0:24:33 | 0:24:35 | |
A lovely time. Really, really lovely time. Really enjoyed it. | 0:24:35 | 0:24:38 | |
-Brilliant fun. Thank you. -Which is your favourite piece? | 0:24:38 | 0:24:41 | |
My favourite piece is the little tune, | 0:24:41 | 0:24:44 | |
the march that was written for a year-old baby | 0:24:44 | 0:24:47 | |
for his birthday. And it's framed with a little picture across it. | 0:24:47 | 0:24:51 | |
-1860 or so. -That's your favourite. | 0:24:51 | 0:24:53 | |
-And which is your favourite? -Well, that's exactly the same. | 0:24:53 | 0:24:56 | |
Brilliant. Which piece is going to bring the biggest profit? | 0:24:56 | 0:24:58 | |
-Mm. -I think the African instruments. -Yeah. | 0:24:58 | 0:25:01 | |
-Yeah, same. -Would you agree with that? | 0:25:01 | 0:25:03 | |
-Absolutely. -Always best to agree with the wife. | 0:25:03 | 0:25:06 | |
-LAUGHTER -And how much should you spend in total? -180. -180. | 0:25:06 | 0:25:09 | |
I'd like £120 of leftover lolly, please. | 0:25:09 | 0:25:11 | |
-Thank you very much. 120. Straight over to Anita. -Thank you very much. | 0:25:11 | 0:25:15 | |
Well, plenty of choice in here, Anita. | 0:25:15 | 0:25:17 | |
Plenty of choice and plenty of money, | 0:25:17 | 0:25:19 | |
and I would like to hear | 0:25:19 | 0:25:21 | |
a sweet tune of success with what I buy. | 0:25:21 | 0:25:24 | |
-Oh, I love that! -No doubt, you'll strike the right note. | 0:25:24 | 0:25:27 | |
Anyway, moving on. Let's check out what the Blue Team bought, shall we? | 0:25:27 | 0:25:30 | |
The Blues splashed out £18 | 0:25:30 | 0:25:32 | |
on the Keswick School of Industrial Art copper jug. | 0:25:32 | 0:25:36 | |
They hope to carve out a profit | 0:25:37 | 0:25:39 | |
with a 1920s elm country Carver chair, bought for £50. | 0:25:39 | 0:25:43 | |
And they struck a deal with a 19th-century | 0:25:44 | 0:25:46 | |
novelty gavel-shaped pincushion for £40. | 0:25:46 | 0:25:50 | |
-Well, that was it. -Yeah. -Tight to the line. -Yes! | 0:25:52 | 0:25:55 | |
-Absolutely. -To the end. -A bit dramatic! -Well, I know. | 0:25:55 | 0:25:58 | |
Anyway, you did get your third item, which is brilliant. | 0:25:58 | 0:26:01 | |
-What did you spend in total, again? -108. -108. -Yes. | 0:26:01 | 0:26:05 | |
-Then I would like 192 of leftover lolly, please. -OK. | 0:26:05 | 0:26:08 | |
-Which is a small fortune by anybody's standards. -Here you go. | 0:26:08 | 0:26:12 | |
Which is your favourite piece? | 0:26:12 | 0:26:14 | |
Um...I like the pincushion best. | 0:26:14 | 0:26:17 | |
We have, like, a little golden gavel - a little pincushion. | 0:26:17 | 0:26:21 | |
You're not predicting anything here, are you? | 0:26:21 | 0:26:24 | |
-The golden gavel? -I like it! | 0:26:24 | 0:26:26 | |
-That slipped out, didn't it? -It did. | 0:26:26 | 0:26:28 | |
-It shows. It's a psychological flaw in your make-up. -Yep. | 0:26:28 | 0:26:30 | |
-Which is your favourite piece? -I really like the chair. | 0:26:30 | 0:26:33 | |
-The chair is something that we would have bought ourselves. -Yeah. | 0:26:33 | 0:26:36 | |
But not necessarily going to make the biggest profit, | 0:26:36 | 0:26:38 | |
but we do very much like it. | 0:26:38 | 0:26:40 | |
What is going to bring the biggest profit? | 0:26:40 | 0:26:42 | |
Possibly the jug, that we have a guarantee on, | 0:26:42 | 0:26:44 | |
-will bring a profit. We're looking forward to that one, aren't we? -Mm. | 0:26:44 | 0:26:47 | |
And you're going to go along with that, are you, for the jug? | 0:26:47 | 0:26:50 | |
Well, I love that one, so... | 0:26:50 | 0:26:52 | |
No, I think that might bring the biggest profit, | 0:26:52 | 0:26:55 | |
but I'd like to think that maybe the gavel will do the best. | 0:26:55 | 0:26:58 | |
OK, fine. Well, we've got Lots of sentiments mixed up here. | 0:26:58 | 0:27:02 | |
-Anyway, there you go, Catherine. Look at that. -Thank you. | 0:27:02 | 0:27:04 | |
-Loads of cash for you. -Lots of wonga there. -Yeah. | 0:27:04 | 0:27:07 | |
-She's a very difficult lady to please, though, Tim. -Is she? | 0:27:07 | 0:27:10 | |
But I will do my best to find you something special. | 0:27:10 | 0:27:13 | |
No-one better qualified for the job. | 0:27:13 | 0:27:14 | |
Well done, Catherine, good luck with that. | 0:27:14 | 0:27:16 | |
You're going to have to be slippy, though, | 0:27:16 | 0:27:18 | |
because we're shoving off to the auction very shortly. | 0:27:18 | 0:27:21 | |
Well, how lovely is this? | 0:27:33 | 0:27:34 | |
We've come trundling along all the way to Newbury | 0:27:34 | 0:27:37 | |
to Special Auction Services saleroom | 0:27:37 | 0:27:40 | |
to be with proprietor and number-one man Thomas Plant. | 0:27:40 | 0:27:44 | |
-Thomas. -Hello, Tim. -Lovely to see you. -Thank you. | 0:27:44 | 0:27:46 | |
A treat. Now, what a variety of goods we've got | 0:27:46 | 0:27:50 | |
-today, haven't we? -Absolutely. | 0:27:50 | 0:27:52 | |
And they've sort of covered theatrical objects on this side. | 0:27:52 | 0:27:57 | |
They must be sort of a team of thespians. | 0:27:57 | 0:28:00 | |
-Musicians, actually. -Oh, travelling minstrels. -Exactly. | 0:28:00 | 0:28:03 | |
-They start off with the entertaining Pelham puppets. -Yes. | 0:28:03 | 0:28:05 | |
Is there anything special about these, Tom? | 0:28:05 | 0:28:08 | |
We see a lot of Pelham puppets, | 0:28:08 | 0:28:10 | |
and the teacher is rarer than others. | 0:28:10 | 0:28:13 | |
However, it's still only worth | 0:28:13 | 0:28:16 | |
-between 15 and £18. -Oh, yes? | 0:28:16 | 0:28:17 | |
And the pussycat is a similar sort of price. | 0:28:17 | 0:28:20 | |
-That could be £30-£40, though? -Yes. | 0:28:20 | 0:28:22 | |
-Our lot paid the right price, right? They paid £30. -Good. | 0:28:22 | 0:28:25 | |
So, 30-40. If you can make £40 in the sale in a minute, | 0:28:25 | 0:28:27 | |
that would be marvellous. | 0:28:27 | 0:28:28 | |
And their second item is fascinating, Tom. | 0:28:28 | 0:28:31 | |
The piece of musical score, | 0:28:31 | 0:28:33 | |
with the lovely watercolour of the Amorini | 0:28:33 | 0:28:36 | |
-trotting along the top. Do you like it? -I love it. | 0:28:36 | 0:28:38 | |
Does it work for you, though, as a collectable, Tom? | 0:28:38 | 0:28:41 | |
-It's very difficult. I've looked up Taylor, the... -LW Taylor, yeah. | 0:28:41 | 0:28:45 | |
-LW Taylor. I can't find anything. -Really? | 0:28:45 | 0:28:47 | |
The watercolour isn't signed. | 0:28:47 | 0:28:48 | |
-It's done by, actually, quite a competent hand. -Yes. | 0:28:48 | 0:28:50 | |
It's quite sweet. I think the whole thing's delightful. | 0:28:50 | 0:28:54 | |
We've put £50-£80 on it. | 0:28:54 | 0:28:56 | |
Quite frankly, somebody's got to fall in love with it to pay £50. | 0:28:56 | 0:29:00 | |
Well, how much in love with it do they have to be to pay £100? | 0:29:00 | 0:29:02 | |
-A lot. -Cos that's what our team paid. | 0:29:02 | 0:29:05 | |
Going down the musical instrument theme, again, | 0:29:05 | 0:29:07 | |
we've got this seriously oddball stringed instrument. | 0:29:07 | 0:29:11 | |
I love the decoration. | 0:29:11 | 0:29:13 | |
The beautiful man's face there, that's really stylish. | 0:29:13 | 0:29:16 | |
I think, in its own right, | 0:29:16 | 0:29:18 | |
it's a work of art as an ethnographic piece. | 0:29:18 | 0:29:20 | |
-It's a work of art as a musical instrument. -Yes. | 0:29:20 | 0:29:22 | |
I think that's got a lot of potential, that fellow. | 0:29:22 | 0:29:25 | |
-And then we've got this xylophone. -We call it a glockenspiel. | 0:29:25 | 0:29:28 | |
-Cos it's metal. -Is it? | 0:29:28 | 0:29:29 | |
-Xylophone is from wood, from Greek, etc. -OK, fine. | 0:29:29 | 0:29:32 | |
It's a bit amateur. Yeah, I get it, it makes a nice noise. | 0:29:32 | 0:29:36 | |
But I think the money is all in this | 0:29:36 | 0:29:38 | |
very interesting stringed instrument. | 0:29:38 | 0:29:41 | |
Well, Tom, for the two pieces, in one lot, what's your estimate? | 0:29:41 | 0:29:45 | |
-60 to 80. -OK, £50 paid, so they should make a profit with that. | 0:29:45 | 0:29:48 | |
On that basis, with all this speculative froth, | 0:29:48 | 0:29:51 | |
I don't think they're going to need their Bonus Buy, | 0:29:51 | 0:29:53 | |
but let's go and have a look at it, anyway. | 0:29:53 | 0:29:56 | |
Well, this is exciting, isn't it? You spent £180. | 0:29:56 | 0:29:59 | |
You gave Anita Manning £120. | 0:29:59 | 0:30:01 | |
She went off with an ambition to find you something fabulous. | 0:30:01 | 0:30:04 | |
So, Anita, what did you find? | 0:30:04 | 0:30:07 | |
-Ta-da! -Ooh! | 0:30:07 | 0:30:09 | |
-All right. This is the outside. -Oh, yes. | 0:30:09 | 0:30:11 | |
A lovely little leather case, but look at what I've got inside. | 0:30:11 | 0:30:15 | |
-THEY GASP -Isn't that so pretty? | 0:30:15 | 0:30:19 | |
What we've got inside is a delightful little silver | 0:30:19 | 0:30:22 | |
and faux tortoise-shell vanity set. | 0:30:22 | 0:30:25 | |
And we have the little mirror, here. | 0:30:25 | 0:30:28 | |
A little brush. A pot and a comb. | 0:30:28 | 0:30:31 | |
-Isn't it so sweet? -Oh, it's beautiful. | 0:30:31 | 0:30:35 | |
Oh, I love it. | 0:30:35 | 0:30:36 | |
-I got it for £120. -Which is spot on. | 0:30:36 | 0:30:39 | |
That's your 120, then. | 0:30:39 | 0:30:41 | |
How much do you think it might be...? | 0:30:41 | 0:30:43 | |
Well, it's such an unusual wee thing. | 0:30:43 | 0:30:45 | |
I mean, we might get a surprise from that. But... | 0:30:45 | 0:30:49 | |
-I never like to guarantee anything. -No. | 0:30:49 | 0:30:52 | |
I can't do that, | 0:30:52 | 0:30:54 | |
-but I feel certain that we should make some profit on it. -I love it. | 0:30:54 | 0:30:56 | |
-I think that's beautiful. -I don't know how she does it. £120. | 0:30:56 | 0:31:00 | |
-I'm so happy that you're pleased. -We love it. | 0:31:00 | 0:31:02 | |
The whole nation will be delighted, I promise you. | 0:31:02 | 0:31:05 | |
On that happy note, for the audience at home, | 0:31:05 | 0:31:08 | |
let's find out what the auctioneer thinks about Anita's little set. | 0:31:08 | 0:31:11 | |
Well, Tom, how about that for the most perfect little handbag? | 0:31:12 | 0:31:16 | |
Do you know, it is delightful, isn't it? | 0:31:16 | 0:31:19 | |
You can imagine a little girl being given this, | 0:31:19 | 0:31:22 | |
-I mean, a very smart little girl. -Rich little girl! | 0:31:22 | 0:31:25 | |
-Rich. Solid silver. George V. -Yeah. | 0:31:25 | 0:31:28 | |
Solid silver gilt in-liner in the box with the mirror there. | 0:31:28 | 0:31:31 | |
Look, put your little rouge and a little bit of powder. | 0:31:31 | 0:31:33 | |
-Nowadays it'd be earrings, and you've got a comb. -Yeah. | 0:31:33 | 0:31:37 | |
Anita's bought such a good lot here. It's delightful. | 0:31:37 | 0:31:40 | |
Well, she had £120 of leftover lolly, | 0:31:40 | 0:31:42 | |
and she spent every penny of it on that, | 0:31:42 | 0:31:45 | |
-but it's a great buy, though, isn't it? -It's a fabulous buy. | 0:31:45 | 0:31:48 | |
I mean, we've estimated this at £70-£100. | 0:31:48 | 0:31:50 | |
I think that is an absolutely riveting clutch of objects, | 0:31:50 | 0:31:54 | |
with every penny spent, which I really like. | 0:31:54 | 0:31:57 | |
Well, that's it for the Reds. | 0:31:57 | 0:31:58 | |
Now, for the Blues and, I have to say, | 0:31:58 | 0:32:00 | |
their offering looks particularly paltry. | 0:32:00 | 0:32:02 | |
-It is, isn't it?! -Thin on the ground. | 0:32:02 | 0:32:05 | |
First of all, though, is the Keswick School pot. | 0:32:05 | 0:32:08 | |
-How do you rate that? -Love it. -Do you? -Absolutely love it. | 0:32:08 | 0:32:11 | |
I mean, I'm a bit of a fan of Keswick. | 0:32:11 | 0:32:12 | |
That is so stylish, isn't it? | 0:32:12 | 0:32:14 | |
-It's immensely - this stylised flower design. -Yeah. | 0:32:14 | 0:32:17 | |
-And the fact it hasn't been polished. -No. | 0:32:17 | 0:32:20 | |
That could have been made anywhere between about 1890 and 1920. | 0:32:20 | 0:32:24 | |
Isn't that roughly the time for Keswick School? | 0:32:24 | 0:32:26 | |
Well, Keswick was 1884 to 1984. | 0:32:26 | 0:32:29 | |
£18 Katherine paid for that. Did she do well? | 0:32:29 | 0:32:33 | |
-60 to 80. -No! -Yes. -Really? -Yes. | 0:32:33 | 0:32:35 | |
Well, that's fantastic. | 0:32:35 | 0:32:37 | |
Next is their Carver chair, | 0:32:37 | 0:32:39 | |
which looks very much like a High Wycombe jobbie, | 0:32:39 | 0:32:42 | |
mass-produced to me. | 0:32:42 | 0:32:43 | |
It does. Well, Wycombe produced a huge amount of chairs, | 0:32:43 | 0:32:47 | |
on a weekly basis. | 0:32:47 | 0:32:49 | |
-And the leg people were called "bodgers." -Yes. | 0:32:49 | 0:32:52 | |
But what's even better is the people who did the seats... | 0:32:52 | 0:32:55 | |
-Are called "seaters?" -No, "bottomers". -Oh, were they? | 0:32:55 | 0:32:58 | |
How lovely is that! | 0:32:58 | 0:32:59 | |
-Anyway, how much for that chair? -I think we put it 50-80 on it. | 0:32:59 | 0:33:02 | |
-Did you? -Yeah. -They paid 50. | 0:33:02 | 0:33:04 | |
So it's about the right price, isn't it? | 0:33:04 | 0:33:06 | |
And then we've got this tiny little pincushion | 0:33:06 | 0:33:08 | |
-in the form of a gavel, I suppose. -Sewing's immensely popular. | 0:33:08 | 0:33:11 | |
Yeah, you sell that stuff a lot, don't you? | 0:33:11 | 0:33:14 | |
-We do do lots of little things. The collectables. -Yeah. | 0:33:14 | 0:33:17 | |
-So, how much for the pincushion? -£60-£80, we put on it. -Perfect. | 0:33:17 | 0:33:21 | |
They paid 40. Anyway, they spent £108. | 0:33:21 | 0:33:23 | |
I think they've done immensely well. | 0:33:23 | 0:33:25 | |
They don't really need the Bonus Buy, | 0:33:25 | 0:33:27 | |
but let's have a look at it anyway. | 0:33:27 | 0:33:29 | |
-Well, team, this is fun, isn't it? -Yeah. | 0:33:29 | 0:33:32 | |
You spent a paltry £108. | 0:33:32 | 0:33:34 | |
You gave a small fortune to Catherine Southon. | 0:33:34 | 0:33:37 | |
£192 - Catherine, what did you spend it on? | 0:33:37 | 0:33:40 | |
Well, would you mind? There we are. | 0:33:40 | 0:33:42 | |
-This is just a small sample of a collection. -OK. | 0:33:42 | 0:33:47 | |
Now, we have fingerplates here, | 0:33:47 | 0:33:49 | |
cos I'm going down the whole copper route. | 0:33:49 | 0:33:51 | |
I thought finger plates. We've got 16 in total, | 0:33:51 | 0:33:55 | |
so that's eight doors. | 0:33:55 | 0:33:57 | |
-OK. -One either side. -You literally nail the plate to the door. | 0:33:57 | 0:34:01 | |
I just think they're so stylish. | 0:34:01 | 0:34:03 | |
They're early 20th century. | 0:34:03 | 0:34:05 | |
-Very stylish. -I just love the design. -Yeah. -It's very simple, | 0:34:05 | 0:34:08 | |
but it's classy and elegant. | 0:34:08 | 0:34:10 | |
-How much did you pay? -£130. | 0:34:10 | 0:34:12 | |
How often do you see a set like that? It's very unusual. | 0:34:12 | 0:34:15 | |
It's the kind of thing I would like to buy, | 0:34:15 | 0:34:17 | |
but not necessarily that will make a big profit. | 0:34:17 | 0:34:19 | |
And they're all in lovely condition, as well. | 0:34:19 | 0:34:21 | |
Let's find out what the auctioneer thinks about the 16 finger plates. | 0:34:21 | 0:34:25 | |
Well, Tom, we've got 16 of these. | 0:34:25 | 0:34:27 | |
-Yes. -They're lovely, aren't they? | 0:34:27 | 0:34:29 | |
They are delightful. These lovely finger plates for doors. | 0:34:29 | 0:34:33 | |
Very Continental Art Nouveau. | 0:34:33 | 0:34:35 | |
If you were doing up an Arts and Crafts, Art Nouveau house, | 0:34:35 | 0:34:38 | |
to buy these from a reclamation person would be like gold dust. | 0:34:38 | 0:34:42 | |
Well, it would, wouldn't it? | 0:34:42 | 0:34:44 | |
We have put, for the 16, a measly 60-80. | 0:34:44 | 0:34:47 | |
-Do you think they're going to do better? -No. -OK. | 0:34:47 | 0:34:50 | |
I don't see them doing much better. I'll probably eat my words. | 0:34:50 | 0:34:53 | |
-What did she pay? -130. -Oh, gosh. -Will they do that well? | 0:34:53 | 0:34:56 | |
OK, Tom. You have been magnificent. Thank you very much. | 0:34:56 | 0:34:58 | |
-Are you taking the sale, today? -Naturally. -Ah, naturally. | 0:34:58 | 0:35:01 | |
We're in good hands. | 0:35:01 | 0:35:03 | |
Start the bidding with me here at 50. | 0:35:04 | 0:35:07 | |
5, 60, 5 and I'm out at 65. | 0:35:07 | 0:35:10 | |
At 65, once. 65, twice... | 0:35:10 | 0:35:12 | |
Elaine, Stewart, this is exciting. We're on the edge of the auction. | 0:35:13 | 0:35:16 | |
Full of people who are going to bid on your lots, hopefully. | 0:35:16 | 0:35:19 | |
First up is going to be the Pelham puppets, | 0:35:19 | 0:35:21 | |
so let's hope that they pull somebody's strings. Here we go. | 0:35:21 | 0:35:24 | |
Lot number 100. This is two vintage Pelham puppets. | 0:35:24 | 0:35:27 | |
The teacher and the cat. | 0:35:27 | 0:35:29 | |
I can start the bidding with me here at 40. 40, I have. | 0:35:29 | 0:35:32 | |
You're in profit. | 0:35:32 | 0:35:34 | |
Any advance of 40? | 0:35:34 | 0:35:36 | |
£40, has it. | 0:35:36 | 0:35:37 | |
Once at 40. 45, 50. 50 with me here. | 0:35:37 | 0:35:40 | |
Internet, do you want one more? | 0:35:40 | 0:35:42 | |
At £50, it's with me on my book. | 0:35:42 | 0:35:44 | |
-At £50, once. -Come on. | 0:35:44 | 0:35:45 | |
50, twice. All done, then. | 0:35:45 | 0:35:48 | |
-50. -Yes! -£50 is plus £20. | 0:35:48 | 0:35:51 | |
That is a smashing start, isn't it? | 0:35:51 | 0:35:52 | |
Now, here we go with LW Taylor's bit of composition. | 0:35:54 | 0:35:58 | |
And I can start the bidding at 85, | 0:35:58 | 0:36:01 | |
-95, 110. -Yes! | 0:36:01 | 0:36:04 | |
£110 - you're in profit again! | 0:36:04 | 0:36:06 | |
Look! | 0:36:06 | 0:36:07 | |
140, 150. | 0:36:07 | 0:36:09 | |
And 60, Sir, and I'm out. | 0:36:09 | 0:36:11 | |
160, gosh! I knew it was a good thing. | 0:36:11 | 0:36:14 | |
Are we done at 160 once? | 0:36:14 | 0:36:16 | |
-That's amazing! -160, twice. All done. | 0:36:16 | 0:36:18 | |
Selling. 160. | 0:36:18 | 0:36:20 | |
£160. | 0:36:20 | 0:36:22 | |
Well, that's definitely struck the right note. Anyway, plus 60. | 0:36:22 | 0:36:26 | |
-Good. -I can't believe that! -You're plus 80. | 0:36:26 | 0:36:28 | |
Next lot is 102, the African carved string instruments. | 0:36:28 | 0:36:31 | |
Start me here at £30. | 0:36:31 | 0:36:33 | |
35? 35 there is. | 0:36:33 | 0:36:34 | |
Online at £35. Is there 40, anywhere? | 0:36:34 | 0:36:36 | |
Ladies and gentlemen, come on. | 0:36:36 | 0:36:38 | |
-Somebody's going to have great fun with this lot. -Oh, come on! | 0:36:38 | 0:36:41 | |
35. There must be £40 in this audience, somewhere. | 0:36:41 | 0:36:43 | |
-Oh, come on! -No way! -Oh, no! | 0:36:43 | 0:36:46 | |
Once at 35. | 0:36:46 | 0:36:47 | |
Twice at 35. All done. | 0:36:47 | 0:36:50 | |
-Oh, dear. 35. -Aww. -Well... -Oh, no. | 0:36:51 | 0:36:54 | |
You've done extremely well. It's minus £15. | 0:36:54 | 0:36:57 | |
It's only minus £15. | 0:36:57 | 0:36:59 | |
65, 70, so that's plus 65. | 0:36:59 | 0:37:02 | |
Very nice profit. | 0:37:02 | 0:37:04 | |
£65. What are we going to do about the vanity set, then? | 0:37:04 | 0:37:07 | |
We love that vanity set, don't we? There seems to be a decision. | 0:37:07 | 0:37:10 | |
We're going with it. | 0:37:10 | 0:37:12 | |
106, a miniature George V silver and faux tortoiseshell vanity set. | 0:37:12 | 0:37:15 | |
Somebody start me at 50. | 0:37:15 | 0:37:16 | |
5, 60, 5 and I'm out at 65, I have. | 0:37:16 | 0:37:19 | |
70, 5, 80. | 0:37:19 | 0:37:21 | |
-80, I have. -Come on! -Go one more. | 0:37:21 | 0:37:24 | |
At 80, it is once. At 80 twice, and we're done. | 0:37:24 | 0:37:27 | |
-Internet's out. 80, all done. -I don't believe it! | 0:37:27 | 0:37:30 | |
-80, it is. -Aw! -£80! | 0:37:30 | 0:37:33 | |
I can't bear it! It's minus 40. | 0:37:33 | 0:37:35 | |
Equals plus £25. | 0:37:35 | 0:37:37 | |
This has been an erosion! | 0:37:37 | 0:37:40 | |
You are very brave. And don't say a word to the Blues. | 0:37:40 | 0:37:42 | |
-Aww. -We won't say a word to the Blues. | 0:37:42 | 0:37:44 | |
Because plus £25 is still a jolly good score, | 0:37:44 | 0:37:47 | |
and it could be a winning score. | 0:37:47 | 0:37:49 | |
-You never know. Anyway, well played. -Thank you. -Very sporting. | 0:37:49 | 0:37:52 | |
Don't talk to the Blues. | 0:37:52 | 0:37:54 | |
So, your first item is the Keswick School. | 0:38:00 | 0:38:03 | |
Lovely jug and here it comes. | 0:38:03 | 0:38:05 | |
A very nice jug, this one, here. | 0:38:05 | 0:38:07 | |
Start me, here. £20. | 0:38:07 | 0:38:09 | |
20, 20. Any advance at 20? | 0:38:09 | 0:38:11 | |
And 2. And 5. And 8. | 0:38:11 | 0:38:13 | |
-You're in profit. -Yes! | 0:38:13 | 0:38:16 | |
And 40. I have £40. | 0:38:16 | 0:38:17 | |
At 40, at 40, at 40. | 0:38:17 | 0:38:19 | |
More than doubled your money. | 0:38:19 | 0:38:21 | |
Is there 5 anywhere else? It's at £40, | 0:38:21 | 0:38:23 | |
I have in the room. Internet's out at £40. | 0:38:23 | 0:38:26 | |
It is once. 40 twice, and I'm selling. | 0:38:26 | 0:38:28 | |
40 it is. | 0:38:28 | 0:38:29 | |
That's very nice. Plus £22 - you can't sniff at that. | 0:38:29 | 0:38:32 | |
-Now, the chair. -A 1920s elm country Carver. | 0:38:32 | 0:38:35 | |
Start the bidding with me at 30. | 0:38:35 | 0:38:38 | |
Is there any advance at £30? Any advance at 30? | 0:38:38 | 0:38:41 | |
30 it is. At 30. 5. 40. | 0:38:41 | 0:38:44 | |
-5. Go 50. -Come on. | 0:38:44 | 0:38:46 | |
50. 50 there is, at 50. | 0:38:46 | 0:38:48 | |
It's in the room at 50. | 0:38:48 | 0:38:50 | |
£60 I have, at 60. | 0:38:50 | 0:38:52 | |
Are we done? At 60 once. | 0:38:52 | 0:38:54 | |
At 60 twice. £60. | 0:38:54 | 0:38:57 | |
Well done! That's a proper job. | 0:38:57 | 0:38:58 | |
Thank you very much plus £10. | 0:38:58 | 0:39:00 | |
121121 - of sewing interest. | 0:39:00 | 0:39:04 | |
A 19th-century novelty pincushion, | 0:39:04 | 0:39:07 | |
modelled as a gavel. Start me at £30. 5. | 0:39:07 | 0:39:11 | |
I've got 35 online. | 0:39:11 | 0:39:14 | |
-35 I've got online. -One more. | 0:39:14 | 0:39:17 | |
-Oh, no! -Come on, come on, one more. | 0:39:17 | 0:39:19 | |
We're at 35, once. | 0:39:19 | 0:39:20 | |
At 35, twice. | 0:39:20 | 0:39:22 | |
Are we done? | 0:39:22 | 0:39:23 | |
-No. OK. -Aww. | 0:39:23 | 0:39:24 | |
35, it is. Minus 5. Bad luck. | 0:39:24 | 0:39:27 | |
22, 32, that means you are plus £27. | 0:39:27 | 0:39:30 | |
Nothing the matter with plus £27. | 0:39:30 | 0:39:33 | |
£27 is a good number. | 0:39:33 | 0:39:34 | |
Are you going to go with the old Bonus Buy? | 0:39:34 | 0:39:37 | |
The 16 plates for £130. | 0:39:37 | 0:39:38 | |
Well, we love them, but I think we're going to stick. | 0:39:38 | 0:39:41 | |
They've rejected the Bonus Buy, but we're going to see them sell, | 0:39:41 | 0:39:44 | |
those lovely finger plates, and here they come. | 0:39:44 | 0:39:46 | |
Start me here, £40. | 0:39:46 | 0:39:48 | |
At 40, at 40, at 40. | 0:39:48 | 0:39:50 | |
45 I've got online. | 0:39:50 | 0:39:51 | |
Is there 50 anywhere? | 0:39:51 | 0:39:53 | |
Is there 55? And 65, all online. | 0:39:53 | 0:39:56 | |
75, now online. At 80, at 80. | 0:39:56 | 0:39:58 | |
Look at this, Catherine. | 0:39:58 | 0:40:01 | |
At 85. 95 now online. 100, 100 it is. | 0:40:01 | 0:40:04 | |
-Go on, internet. -And 10, 120. | 0:40:04 | 0:40:06 | |
-Go on, go on. -Oh! | 0:40:06 | 0:40:09 | |
-Any advance of 120? -Oh, gosh! | 0:40:09 | 0:40:11 | |
Last chance. Once at 120. | 0:40:11 | 0:40:13 | |
Last chance, twice at 120. | 0:40:13 | 0:40:15 | |
120! | 0:40:15 | 0:40:16 | |
-That is just so close. -So close. | 0:40:16 | 0:40:18 | |
And they could have tickled on. | 0:40:18 | 0:40:20 | |
They could have done another couple of bids. | 0:40:20 | 0:40:22 | |
That's minus £10, but you didn't go with it, so it doesn't matter. | 0:40:22 | 0:40:25 | |
You are plus 27. That is super-duper. Congratulations. | 0:40:25 | 0:40:28 | |
-Thank you. -Very good stuff. | 0:40:28 | 0:40:29 | |
-Well, that was fun, wasn't it? -Yes. -Now, have you been chatting? -No. -No. | 0:40:35 | 0:40:38 | |
-No communication about the score, anyway? -No. | 0:40:38 | 0:40:41 | |
Which is just as well, really, | 0:40:41 | 0:40:42 | |
because we have a really exciting finish to today's show. | 0:40:42 | 0:40:45 | |
Now, I can reveal that both teams have made profits. | 0:40:45 | 0:40:49 | |
-Which is unusual enough. -Yes! | 0:40:49 | 0:40:51 | |
Modest profits, it's true, but nevertheless profits | 0:40:51 | 0:40:54 | |
and that's quite an achievement on Bargain Hunt. | 0:40:54 | 0:40:56 | |
So, well done, everybody. | 0:40:56 | 0:40:58 | |
And I can reveal that the gap between the profit-makers, | 0:40:58 | 0:41:02 | |
-which both teams are today, is very small. -Ooh! | 0:41:02 | 0:41:06 | |
-There is just £2... -THEY GASP | 0:41:06 | 0:41:09 | |
..of profits between the two teams. | 0:41:09 | 0:41:11 | |
I mean, how extraordinary is that? | 0:41:11 | 0:41:14 | |
The helter-skelter of Bargain Hunt does take your breath away. | 0:41:14 | 0:41:18 | |
So, one team is ahead and one team is running up | 0:41:18 | 0:41:21 | |
to the tune of £2. | 0:41:21 | 0:41:23 | |
And the runners-up today to the tune of £2... | 0:41:23 | 0:41:28 | |
..are the Reds. | 0:41:28 | 0:41:29 | |
-Aww! -Oh! | 0:41:29 | 0:41:31 | |
Bad luck, Reds. | 0:41:31 | 0:41:33 | |
Bad luck, because you have £25 coming your way. | 0:41:33 | 0:41:36 | |
-Ooh, thank you very much. -There is the £25. | 0:41:36 | 0:41:39 | |
You had a 20, you had a 60 on the lovely watercolour with the score. | 0:41:39 | 0:41:42 | |
-Yes. -And then we had a little loss, | 0:41:42 | 0:41:44 | |
so that didn't really help your Golden Gavel potential. | 0:41:44 | 0:41:48 | |
And then you were encouraged massively by all around you | 0:41:48 | 0:41:52 | |
to go with the vanity set, and that let you down a bit, too. | 0:41:52 | 0:41:55 | |
So, morally, if there's a victory coming your way, actually, | 0:41:55 | 0:41:59 | |
at one point, you did have plus £65, in fairness. | 0:41:59 | 0:42:02 | |
-But that's the way the cookie crumbles. Right? -Yep. | 0:42:02 | 0:42:04 | |
That's why we're in the game, to have a bit of fun, | 0:42:04 | 0:42:07 | |
and you have been magnificent. | 0:42:07 | 0:42:08 | |
We're going to give that to the Hope School in Bethlehem, | 0:42:08 | 0:42:10 | |
-at our church house. -How lovely is that? | 0:42:10 | 0:42:13 | |
But the victors today, who go home with - surprise, surprise - £27... | 0:42:13 | 0:42:17 | |
Thank you. | 0:42:17 | 0:42:19 | |
..who start out with a jolly nice £22 | 0:42:19 | 0:42:22 | |
on the Keswick School jug, | 0:42:22 | 0:42:24 | |
and then you get your little Windsor chair, that makes you a tenner, | 0:42:24 | 0:42:27 | |
and then you had a maddening small loss to prevent | 0:42:27 | 0:42:30 | |
your Golden Gavel, so I'm sorry about that. | 0:42:30 | 0:42:32 | |
You didn't go with the Bonus Buy, which is just as well. | 0:42:32 | 0:42:36 | |
And you've preserved your £27. | 0:42:36 | 0:42:37 | |
We're going to give it to the eating disorder support service | 0:42:37 | 0:42:40 | |
-that I run in Milton Keynes. -Well, that's very nice. | 0:42:40 | 0:42:42 | |
And a nice generous gesture to your charity of your choice, | 0:42:42 | 0:42:45 | |
which couldn't be nicer, really. Anyway, have we had a great day? | 0:42:45 | 0:42:48 | |
-Brilliant! -We have had a great day. | 0:42:48 | 0:42:50 | |
So great you need to join us soon for some more bargain hunting. Yes? | 0:42:50 | 0:42:53 | |
ALL: Yes! | 0:42:53 | 0:42:55 |