Week 10 Strictly Come Dancing


Week 10

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This week on Strictly, with six couples remaining, and the

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competition tougher than it's ever been, as the workload intensified

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its all about the steps, the technique, and the flower. One

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celebrity, one professional, one training room. Were going to stay

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here for as many hours as is needed. There will be no room for error. The

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toughest week yet. One dance was hard enough, but now we've got to

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learn two. No looking back. I hope this training pays off. And the one

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celebrity, nope strictly future. Anyone could be going home. It's

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terrifying. We have to get it right. Nobody is safe.

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Live from the BBC, this is Strictly Come Dancing!

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It's Saturday night and we're live from the Strictly ballroom!

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We've just about recovered from last week's Blackpool special, where

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sadly it was fifth time unlucky for Jamelia and Tristan and their

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We're now left with seven celebrities who have had seven days

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not only to learn a brand new routine,

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but also to prepare themselves for tonight's Quickstepathon!

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Yes, seven couples, 28 elbows, legs and hands, all flying around

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And with so much ballroom business to get through we need the help

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of our awesome foursome - please welcome the Judges!

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Our couples are all backstage and with double the dances, they're

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EastEnders actress Kellie Bright, and her partner Kevin Clifton.

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TV presenter Anita Rani, and her partner Gleb Savchenko.

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From BBC Proms and Radio 3, presenter Katie Derham,

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Star of Call The Midwife, Helen George,

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Actress Georgia May Foote, and her partner Giovanni Pernice.

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Singer and TV personality Peter Andre,

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And finally from the Wanted, pop star Jay McGuiness,

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There they all are - our sensational seven.

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All of them have been in the top two of the leaderboard, all of

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Dancing first tonight is Kellie Bright and her partner

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Last week Kellie scored her first ten.

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Tonight, they're dancing a salsa to a classic

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from the Jackson 5, and they're really hoping the Judges will say

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Blackpool was honestly one of the best nights ever. I loved it so

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much. You might have noticed! Tight, clean, I loved it.

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CHEERING AND APPLAUSE Honestly, the utter amazement that

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we get to stay each week is just brilliant.

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This week, Kevin Clifton and I are doing a salsa. We've got the

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quickstep to prepare as well, so I don't know how we're going to make

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it work. I'm nearly 40, and throwing myself around like a teenager! Every

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muscle hurts, all down the top of my back is on fire. The hardest routine

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I've ever done. Great, just finished a full day of training. My body

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feels broken. I'm now already on my way to rehearsal. I haven't stopped

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thinking about the routine and the lifts. There's a drop that we do

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which I don't think there's ever been done before on strictly. I've

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never seen anything like it. If we get this even a millimetre wrong,

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she could end up with a broken nose, like that. I'm worried about the

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lifts. If we pull it off, it will be amazing. That's the case with the

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whole routine, if we don't, it will be awful.

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Dancing the Salsa, Kellie Bright and Kevin

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CHEERING AND APPLAUSE Oh, yes! I know you are so pleased

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with yourself! You survived those lifts! I'm so relieved. That was

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absolutely brilliant. Before we hear from the judges, get your breath

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back. That's welcome our brilliant lights thing is, Hayley, Patrick,

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Andrea, Tommy, and of course the live orchestra.

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Len, pressure is on tonight, they've had to master two dances.

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I'm going to put it into text talks, G, R, eight. Now you were like two

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sizzling sausages on a barred the queue, hot, rhythm, your bomb was

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bionic, coming out of your special lift was a bit wobbly but other than

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that I saw nothing but fabulous. CHEERING AND APPLAUSE

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And the bionic bottom! You scored them ten last week, how did that

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compare? The first of the magnificent seven has started

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beautifully, this evening. It could not have started better. You were

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flying, you are like two courting fireflies, all over the place,

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extremely fast, extremely difficult, all the steps you put in, I don't

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know how you managed to deliver them. Just a tiny tiny dismount,

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overall though, great. CHEERING AND APPLAUSE

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Very good. Craig. I quite liked the Joan Collins stroppy opening,

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throwing the drink over them, great hits, fantastic energy, you always

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bring that to the States, which I absolutely love. It did lose a bit

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of ability in and out of the lifts, but apart from that, absolutely

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great. Those lifts are so daring. Darcey, what did you think? It's

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true what the boys were saying about the lifts, they are difficult and

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it's another skill to have. You asked at such a strong dancer and

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you are putting too much effort into it. Get him to do all the work! It's

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funny, because you are strong and I continue going for it and you throw

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him and it's such a thing to have experienced but I have to say you

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pulled off the rest of the dance. I loved how you flirted with him until

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the end, very nice. CHEERING AND APPLAUSE

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Unanimous from the judges, what a strong start. Take your bionic

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bottom upstairs, carry on the party, Claudia, off you go.

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CHEERING AND APPLAUSE I didn't fall over! You said this

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could either go either really well or terribly wrong committee said it

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is the hardest dance you've ever done. All credit to Kellie, it's not

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very often we get through this whole routine without going wrong and I

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kept saying, shall we simplify the bit and Kellie said no, I really

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want to do it and get it right she blogs about it. You must have loved

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the judges' comments, sizzling sausages. Bionic bum and sizzling

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sausages! This has been our most exhausting routine yet, I've never

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done lifts before so trying to find a lift that works for us, we changed

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it halfway through the week, but I loved it. The scores are end.

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You must be over the moon? Three less than last week and also I could

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see you when you got the eights, I'm happy with that. If you enjoyed

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seeing them argue over a text message, let's be honest, we have

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all done it. Call: Later, we have the Quickstepathon

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which involves all the couples dancing at the same time. It's time

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for a TV first, this is the terms and conditions athon.

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Voting won't open until after the Quickstepathon. Your vote won't

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count and you may still be charged. Thank you. Tests. -- test.

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Our next couple is Katie Derham and her partner Anton Du Beke.

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They're doing the Argentine tango.

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It's a dance where a lot of attention is on the legs.

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Mind you, with legs like Katie's, whenever she dances, there's lot

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Dancing the Argentine tango, Katie Derham and Anton Du Beke.

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Dancing with Anton was pretty special. It was your best dance.

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That's nearly 40 four stop I'm going to call it 40, because I don't know

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what's that like. It was fantastic to get a score like that in

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Blackpool, doing a dance I loved. Job done. Step and step. The

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Argentine tango, there's a lot of impressive kicks and flicks and

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sliding the feet up and down your legs, his legs. So far I've been

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mostly kicking myself. This time I was doing a scissor kick and scissor

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kicked my foot. It looks like it's done. Made me sore. I have been

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putting the hours in nobody said it would be a walk in the park. We have

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to find as much time as we can rehearsals. That's it, we've had our

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training for today. Anton, I have to get this right. I'm sorry. Next time

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we do this, we will be in the studio. Scary. I can practice at

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home and I will, no question about that. It always feels so much more

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real rehearsing in this studio. Now I just want I hope that on Saturday

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night we can do a really great job in front of the audience.

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Dancing the Argentine tango, Katie Derham and Anton Du Beke.

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CHEERING AND APPLAUSE Gorgeous. Putting those

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legs to good use. Bruno, did that ignite your passion? Drop dead

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gorgeous. A high-class court San, with an irresistible appeal in the

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body of evidence. You can't afford it Anton. She's going to run rings

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around you. The lines you've done tonight are some of the best you've

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ever done. Really. But you've got the legs for it. Beautifully

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choreographed routine. It showed off your best quality, your legs. A

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couple of things, just the hooks, a bit sharper. It's like kicking

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somebody in the bum, it has to have that action and retraction. That's

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the only thing I could see that could be improved upon.

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Craig? Yes, he's I ring about the ganchos they need to bounce off

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Anton's inner thighs. You need to explore that a bit more. You can

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afford to... Erm...... Turn your foot out in lunges just a fraction.

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They're a bit turned in. You were reacting a little late to Anton's

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leads, which would just make you go up. You wobbled out of that spin as

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well. You lost your balance and picking your feet up too much. Apart

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from that, darling, it was wonderful.

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Ended on a high. Darcey could these lovely legs take Katie to the

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quarter finals? I think so definitely. You are very beautiful.

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It's the impact you make as soon as you come on the dance floor. The

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difficulty and complexity of this dance is how hard it is for,

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especially the woman, to be able to feel in control and I did feel that

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the clarity is still missing, you know? You know what it is, it's

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trying to exaggerate the still moments. So after you've done a

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flick, I don't need to still shaking. That's when I feel unsure.

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The improvement you made, the intent and work, I can see, has gone in.

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Well done E -- well done. Len, last week, you

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said that Katie had her best dance yet. How did this compare? Well,

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there's no doubt about it, it was a fantastic dance. The amount of work

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that went into that and the cleverness of the choreography and

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the foot work was wonderful. What, for me, was lacking a little bit, it

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lacked, on occasions, a little bit of compact. It was a little bit

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open. I wasn't really transported to the quayside at Argentina. I nearly

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brought a hard hat in tonight and I wish I had now! Overall, a great

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job. Well done. Overall great comments from all four

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judges. Thank you judges. Walk those legs up to Claudia. Well done, Katie

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and Anton! APPLAUSE

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Absolutely nuts for it up here. Hola. You wanted to be part of this

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whole thing so you could do the Argentine tango. Fact. Was it

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everything you wanted it to be? I loved it. This is such a beautiful,

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dramatic dance. We've had a great week learning it. I loved performing

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it. Bruno says the best line he's seen you provide in the competition.

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That's a very nice thing to hear. Excellent lines. Anton, did you ever

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think you would stay in long enough to do an Argentine tango? Oh, aren't

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you just... We're all surprised. The scores are in:

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That's a good score. Not quite as high as last week, but still...

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Thafrz OK. That's OK. If you were hooked by Katie's leg wraps, please

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call: or vote online when the vote opens later. I know you're reading

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and all that. Lots of 30s. Yeah, you're happy? He's over the moon.

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Still to come Peter Andre gets out his cupcakes. Don't worry, that

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isn't code. Our next couple is Helen George

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and her partner Aljaz Skorjanec. They're doing a Viennese waltz, and

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Helen is playing the part of a woman Don't tell me Aljaz is still up

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in Blackpool. Last Saturday's show was incredible.

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It was our most theatrical dance. It needed to be messed up a little bit.

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I'm a little bit embarrassed that I got emotional. I wanted them to

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enjoy the dance. But there are worse things that can happen. This week,

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we're doing a beautiful Viennese waltz. The judges are definitely

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going to be looking for perfection. I think we have a lot of work to do.

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No pressure. No pressure. Don't change your posture for a

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second. Sometimes I have off days, but today is an off day. We're

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struggling a bit. It's very traditional. Natural turns. Keep

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this shoulder down. Reverse turns. Wow, I've forgotten it all. The

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Viennese waltz is not as easy as I thought. I've lost my confidence a

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bit. Talk me through it before we do it. I keep tripping up. I've been

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putting too much pressure on myself. It's the pressure of wanting to do a

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good job for Aljaz. You don't want to put that person down. I can see

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his face getting disappointed when I'm not doing the hold. It's the

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worst thing in the world. I'm going to go out there on Saturday night,

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having worked hard all work and do well for Aljaz and impress the

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judges and the audience. Dancing the Viennese waltz,

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Helen George and Aljaz Skorjanec. CHEERING AND

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APPLAUSE Exquisite! Beautiful. Thank you. Goose bumps then. Thank you.

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Gorgeous. That looking perfect from where I was standing. Let's ask the

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experts. Craig, you were critical last week. Was this week better?

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Yeah, a lot better actually. Beautiful rotation around the floor.

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Lovely movement across the floor. The story telling, I have to say,

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was absolutely excellent - in and out of hold. Normally when you go

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back in hold the story's lost. You maintained it all the way through.

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It was absolutely gorgeous. Darcey, you look enraptured

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throughout that. It was like being in your dream. I have to say, you

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are such a treasure to watch. Together, that close to perfection.

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The details, the feeling, the gliding, how you use the floor. You

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know, the story did not stop for me, thank you. I loved it.

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Len, you're smiling. Tickle my bum and call me Donald. Honestly!

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Dancing is a marriage between music and movement. This was a match made

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in heaven. Wofrl. -- wonderful. Bruno, make it a full house. I'm

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charmed to the core with this dance. Everything came together perfectly.

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The sweeping movement, but above all, it's the lightness of the foot

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work, it really looked weightless, as if you were dancing on a cloud.

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It just had a quality that you've never actually achieved this season.

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This is your breakthrough dance, my darling.

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I wanted him to be proud, of course. This was beautiful. You haven't had

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a ten yet. Would you like one? Well, you know, it would be nice. Let's

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see, the scores are in. The judges have their scores.

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You wait for one and three,! That's joint top of the series. Oh, my

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goodness, that's amazing. Thank you so much. If you don't want to see

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Helen in tomorrow night's Dance Off, which will be straight after you see

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that gramophone on the antiques road show, please call:

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You are shaking. In a good way! Three couples have danced, but we

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still have all of this to come. At this point I feel what the tango is.

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I don't necessarily do it all the time but I'm finally getting the

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vibe. What did I do, what did I do? We're trying to get an American

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Smooth, it's still a bit of an Aussie rough. All I can think is I

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looked like a sausage, rolling down his leg like a sausage roll. Two,

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three and four. When I'm learning I have to pretend to Gleb that I know

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what I'm doing even though I haven't got a clue.

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CHEERING AND APPLAUSE I'm looking forward to the

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Quickstepathon, it's going to be really exciting. I know how to make

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it even more exciting, Tess. How? Marbles.

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Our next couple is Jay McGuiness and his partner Aliona Vilani.

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Their routine tonight is full of drama and intensity, and at this

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stage of the competition, nothing less than 100% commitment will do.

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It's time for Jay to put the "go" into "tango".

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Don't worry, Jay, we will clearly is up for your! Claudia, behave! Last

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Saturday our salsa performance was Cuba seemed and it went pretty well.

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# the way you make me feel #. Finally, we are seeing some facial

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expression. It's setting a precedent as opposed to being a blip. Your

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natural hit action, the isolation was all there there, it was

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fantastic. You go over the technique with a fine tooth comb, so that is

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like gold. This week, we are doing the tango to Prince's when doves

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cry. Isle of Dogs the song so much. I'm excited to see what the end

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result is going to look like -- I love the song so much. Every week is

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the Fayoum process, the way I teach Jay. I'd try to figure out how I

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want things to look. When it's formed, she will show me my moves

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and I will copy all the things she's doing. But worse! And then, she will

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work on placement. Because inevitably, everything is in the

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wrong place. Then with music, dancing is better. I'm absolutely

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love learning the tango this week, now I hope all the jigsaw pieces

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come together nicely and I perform well this Saturday night.

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Dancing the Tango, Jay McGuiness and Aliona Vilani.

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What about that, ladies and gentlemen? What a reaction!

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Listen to that! I think they liked it. The intensity between these two

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is like nobody else was in the room. Loved it. Darcey, takes two

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the tango. What do you think of their relationship on the floor? Oh,

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my, I... She's overcome, she has no words. You know, there was

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something, you were just working as one. You know, the music... The

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music, how you were using that music how you both hearing it, it was

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superb. I mean, just the delivery of the steps.

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CHEERING AND APPLAUSE The position, it was all there. But

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what I really liked is how modern the use of the choreography, the

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approach you gave, that intensity was all there. That was my favourite

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dance. Lennon? -- Lens-macro? UMIST missed more two of your leads. I do

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look at the feet. You were like a chest master, you plotted your way

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around that floor. Every move carefully placed -- chess master.

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That was a mango of eight tango, delicious. He loved it. Bruno, you

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are a very passionate guy. Did it get your blood pumping? It's boiling

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over with delight! Is Jay a match show on a mission? So strong, so

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compelling, so focused, but there's one thing you do which is

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incredible. You have the ability of splitting the musical beat right in

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the centre. You never under, you are never over, you are always on it,

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and you do it your body in a way that I find brilliant. I love to see

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that. That is what makes a great dancer. It just thrills me, to seize

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the way doodads. Were you thrilled with his tango face, Craig? You hear

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the music and that's what I adore about you and it's true, Bruno, you

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hear it, you were clean, its sharp, its staccato, I wasn't too fond of

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the hitch kick you did but that's personal taste, personal takes. But

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I absolutely adored it. CHEERING AND APPLAUSE

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They all adored it, so did we. Brilliant, brilliant, off you go.

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Jay and Aliona, let's hear it. CHEERING AND APPLAUSE

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Congratulations, the judges were saying the way you listened to the

0:37:120:37:17

music because Aliona, as a choreographer, you don't let him

0:37:180:37:21

listen to the music for the first two days of training, is that true?

0:37:220:37:26

The first day, then we go into the music very much. Did you enjoy

0:37:270:37:32

that? That song was awesome. The choreography was hard but I loved

0:37:330:37:35

every second. I'm lost for words. The scores are in. The scores are

0:37:360:37:39

in. 38, that is the highest score, you

0:37:400:38:04

were... Are you happy? So happy, yes. If you enjoyed that routine and

0:38:050:38:10

don't want these two does the cry, call:

0:38:110:38:17

Still to come, three words, Anita, Gleb, Rumba. I know, and a fourth

0:38:180:38:24

word, Tess. Our next couple is Peter Andre

0:38:250:38:27

and his partner Janette Manrara. They're doing an American

0:38:280:38:29

smooth, set in a bakery. They're even going to have lots

0:38:300:38:32

of real yummy cup cakes Let's make no mistake. I deserved to

0:38:330:38:53

be in the bottom two. Peter and Janette. You go out there, you do

0:38:540:38:57

it, you enjoy the performance, but we've got to understand that there

0:38:580:39:01

are highs and lows. Peter and Janette to stay on strictly. It's

0:39:020:39:05

BNR eye-opener for me, you never know what's going to happen now. I

0:39:060:39:11

know we had a rough week at Blackpool, but this week, we're

0:39:120:39:15

doing and American Smooth. It's hard to do a week like that but I'm still

0:39:160:39:20

here, so yes, American Smooth sounds good. It's set in a bakery and I

0:39:210:39:26

thought the lift your spirits, cupcakes. You can only have it if

0:39:270:39:32

you work hard in rehearsal. Promise. So I did lose a bit of confidence

0:39:330:39:36

after the weekend. I'm just having this mental block. I have to push

0:39:370:39:43

you. Of course. Don't stress. I'm trying to snap out of it, just a

0:39:440:39:48

matter of me believing it. He's working hard this week. I can do

0:39:490:39:56

this. Much better, you see? We need a fight attitude about him so he

0:39:570:40:01

stays in the competition. If I hold my posture and do the lifts

0:40:020:40:05

correctly, if I get the quickstep correct... That was so smooth, you

0:40:060:40:10

can do this. Then I will be really happy.

0:40:110:40:12

Dancing the American smooth, Peter Andre and Janette Manrara.

0:40:130:40:17

CHEERING AND APPLAUSE So you did! Thank you. Get it off

0:40:180:42:13

your nose! Well done, my darling. I think I'll give it a miss, thanks.

0:42:140:42:17

You two looked good enough to eat. Thank you, Janette, she's been so

0:42:180:42:24

good to me this week. You two are great partnership. Len, did it leave

0:42:250:42:30

you hungry for more? Two things Peter, that the ladies love,

0:42:310:42:35

cupcakes and Peter. What I love about your dancing, it was joyful.

0:42:360:42:40

It made you feel good. The music was great, your performance was really

0:42:410:42:43

good, especially out of hole. In hold, it got a bit crunchy but I

0:42:440:42:51

just enjoyed watching the pair rock you dance, so well done for that.

0:42:520:42:59

Thank you. He always gives 110%, Peter. Did it show tonight? Of

0:43:000:43:05

course, it was so sweet, I got a sugar rush. You were like two kids

0:43:060:43:08

in a candy store and you always interpret. You have a knack of

0:43:090:43:13

interpreting the theme that has been given to you, after our comments in

0:43:140:43:17

the first few weeks. Now, you are really embracing that which is good.

0:43:180:43:20

It's called American Smooth. It requires with all of that playacting

0:43:210:43:25

to maintain smoothness throughout, not just side-by-side. As Len said

0:43:260:43:31

everything has to flow, especially in hold. Don't start getting

0:43:320:43:35

overexcited because then what happens, all of this part goes off a

0:43:360:43:40

little bit. That is my comment. Otherwise, the performance was

0:43:410:43:46

great. Craig? I wouldn't like to have seen -- I would like to have

0:43:470:43:50

seen longer lines, particularly in small details. When you are putting

0:43:510:43:54

the cupcake down, you don't throw it, you have to dance that moment.

0:43:550:43:58

You have to dance it through, you can't just throw it on the table. He

0:43:590:44:05

didn't throw it! Then take bigger steps, darling! A little swing, a

0:44:060:44:11

little sway in hold, but you know what, Peter, I love your

0:44:120:44:15

performance. Your performance skills are absolutely brilliant.

0:44:160:44:20

CHEERING AND APPLAUSE Darcey, Dance Off last week, was he

0:44:210:44:25

better this week? It certainly was. I know how difficult it is to come

0:44:260:44:30

out of a Dance Off and have that confidence to get back on and you

0:44:310:44:34

can see you have worked very hard and you have worked in very hard.

0:44:350:44:39

Well done. Your charm, the storytelling, it was sweet, it was

0:44:400:44:43

lovely, it carried all the way through. There was a very impressive

0:44:440:44:47

one-handed lift aren't you held it here. All of those things, always

0:44:480:44:56

added details, I saw that. It looked careful in places. That would be the

0:44:570:44:59

only thing. I thought you were holding back. You are normally more

0:45:000:45:04

natural and relaxed but you were a bit careful, but still a very

0:45:050:45:09

impressive performance. Off you go, thank you so much, Peter. And Jenas.

0:45:100:45:11

CHEERING AND APPLAUSE Thank you very much. Cream has gone.

0:45:120:45:27

I know you were nervous about the lifts. I'm not going to lie, this is

0:45:280:45:33

the most nervous I've ever been, ever! I've been shaking all day. She

0:45:340:45:37

said just snap out of it. I'm still nervous. Yeah, you know, I needed to

0:45:380:45:43

work hard. I needed to work hard. He needs a cuddle. You pushed him hard.

0:45:440:45:48

It's a delicate line with us pros. We want to encourage them to be the

0:45:490:45:52

best they can be and push them but still stay positive and happy about

0:45:530:45:56

it. I think we got there this week. You worked so hard. I'm so proud of

0:45:570:46:00

you. Thank you. Thank you. The scores are in:

0:46:010:46:19

31, yeah? Higher than last week. Now if you want our baker -- if you

0:46:200:46:27

don't want our baker to be whisked out of the competition, please call:

0:46:280:46:35

or vote online when the vote opens later. It's the yeast you can do!

0:46:360:46:41

Still to come - Georgia and Giovanni are rockers. That's the musical

0:46:420:46:45

sort. Not a pair of comfortable chairs.

0:46:460:46:47

Our next couple is Anita Rani and her partner Gleb Savchenko.

0:46:480:46:52

This week they're doing a rumba, the dance of love.

0:46:530:46:57

And, as Gleb is such a hard taskmaster,

0:46:580:47:00

he made Anita practise all the romantic moves again and again

0:47:010:47:03

Performing my paso on Saturday was like an out of body experience.

0:47:040:47:19

Performing in that place was so awesome. The reaction I got, that

0:47:200:47:23

standing ovation that seemed to go on for ages. A ten from Darcey! I'm

0:47:240:47:29

totally overwhelmed. There are only seven couples left in the

0:47:300:47:32

competition. Everybody is good. The pressure is definitely on. This week

0:47:330:47:39

is rumba. It's difficult because it's really different to the paso. I

0:47:400:47:45

have to be sensual, sexual. It's the dance of love. No, make it pretty,

0:47:460:47:49

not ugly I need to find that person in me. It's very exposing. A little

0:47:500:47:54

bit more relaxed, not so tight. I need to get over that.

0:47:550:48:00

The rumba is the hottest dance of all the dances. She just needs to

0:48:010:48:05

let it go. I'm thinking about the arms. I whole dance is not

0:48:060:48:11

comfortable for me at the moment. It's OK.

0:48:120:48:14

I don't really see myself as that kind of woman.

0:48:150:48:18

Do I move my hips or my knee? What's happening here? You have to not just

0:48:190:48:25

do steps, but start feeling. I don't understand what my body's meant to

0:48:260:48:28

be doing. On the dance floor Saturday night I need to bring that

0:48:290:48:30

sexy, passionate woman to the rumba. Dancing the rumba,

0:48:310:48:34

Anita Rani and Gleb Savchenko. CHEERING AND

0:48:350:50:29

APPLAUSE Getting hot in here. Wow. I bet the viewers...

0:50:300:50:30

CHEERING I bet the viewers TV dinners just

0:50:310:50:45

fell right off that laps, that was so passionate. I didn't know where

0:50:460:50:48

to look. Gorgeous. Bruno, did you fall in love? It was a true tale of

0:50:490:50:55

endless love, unfolding in front of my eyes. So soft, so rounded and you

0:50:560:51:01

use your body in a way, I felt you were speaking to each other with

0:51:020:51:05

every single move. I have to point out one thing, at the beginning of

0:51:060:51:09

this competition, you were always so angular, all that is gone, by magic.

0:51:100:51:14

It really is. Just one tiny thing, a couple of

0:51:150:51:19

times you put a pronounced -- you could have pronounced a little bit

0:51:200:51:22

of hip action. Maybe it was the dress, but it was beautiful though.

0:51:230:51:30

As if by magic. Craig, were you moved? I have to go opposite Bruno

0:51:310:51:35

there. I felt it was a little bit spiky for my liking. I felt like a

0:51:360:51:40

little bit too much attack. I must have been looking at a different

0:51:410:51:45

dance, obviously. I have to say I do love the contemporary feel of this

0:51:460:51:49

dance. I love what you've done with it, Gleb. A bit more pressure on the

0:51:500:51:52

ball of your foot to the floor would have made and a straighter leg would

0:51:530:51:56

have created more of the hip action that we look for in this. But you

0:51:570:52:00

have turned into a really fine actress, I've got to say. Darcey,

0:52:010:52:08

the rumba is notoriously difficult to pull off. It's very exposing. How

0:52:090:52:13

did Anita do? It's very difficult. For me, that was a very pollish

0:52:140:52:19

performance. Your -- polished performance, your focus, your

0:52:200:52:22

intent. I believe in you. When you come out you're describing an the

0:52:230:52:26

feeling you're trying to get hold of. He is working you well. He

0:52:270:52:34

really S sorry, in a nice way! There was maybe, maybe there were little

0:52:350:52:37

things missing technically. As the boys were saying, you know the

0:52:380:52:41

pressure along the feet, more resistance, maybe the lines could be

0:52:420:52:44

slightly more turned out. Slightly turned in on a lot of things but I

0:52:450:52:48

really enjoyed it. Thank you. So did we. Len? I didn't enjoy it. I

0:52:490:52:58

can only tell the truth. You know, I don't come here just to blabber on.

0:52:590:53:04

Rumba is a story of a developing romance. Now, first of all, you did

0:53:050:53:08

a lift. And you're not supposed to. There you go. That I think, well...

0:53:090:53:14

He did a lift, what do you want me to say - he didn't do a lift? I'm

0:53:150:53:21

sorry everyone. What's all that through the legs business, throwing

0:53:220:53:25

her through your legs? Where's all the basic rumba. You went out to

0:53:260:53:29

fan, but then you let her go and she wafted along. I'm sorry to - you

0:53:300:53:37

know I'm a fan. Last week... It's fine, it's good. BOO. I'm a senior

0:53:380:53:45

citizen. Respect your elders. Sorry, it wasn't my cup of tea.

0:53:460:53:49

He's a traditionalist. Thank you very much judges. We all loved it.

0:53:500:53:55

It was hot. Claudia's upstairs with a bucket of water to cool down.

0:53:560:53:59

Anita and Gleb! APPLAUSE

0:54:000:54:08

Honestly, did you hear Jay shouting "amazing" all the pros up there

0:54:090:54:14

saying it was the best rumba. It's sad that Len didn't like it. It's

0:54:150:54:19

fine. It's absolutely fine. We knew, even with the choreography, he knew

0:54:200:54:23

he was taking a risk. I enjoyed it. The lyrics of that song are perfect.

0:54:240:54:27

I feel like I'm fiebding a -- finding a voice I never knew I had.

0:54:280:54:30

Thanks, thanks, mate. Well done. The scores are in:

0:54:310:54:51

I thought it was brilliant - nine! A strange split in the judges.

0:54:520:55:01

Everyone in this room adored it. If you liked that routine, first

0:55:020:55:03

recreate it in your kitchen and then call: or you can vote for free

0:55:040:55:15

online when the vote opens later. For all the behind-the-scenes news

0:55:160:55:20

and gossip go to Facebook, Twitter or our website. Gleb, am I correct

0:55:210:55:23

in saying you just did the box splits? I tried to.

0:55:240:55:33

Shall I try again? Why not, sure. Merry Christmas everyone.

0:55:340:55:37

Couch. -- ouch. Our final couple to take to

0:55:380:55:41

the floor before the Quickstepathon begins is Georgia May Foote

0:55:420:55:44

and her partner Giovanni Pernice. For

0:55:450:55:46

the last two weeks they've scored Tonight they're doing a paso doble

0:55:470:55:48

to "The Final Countdown", and in the countdown to our final, they're

0:55:490:55:54

desperate to be on top again. Last weekend was amazing. Not only

0:55:550:56:06

did we dance in the Tower Ballroom, but I was wearing my great grandma's

0:56:070:56:11

jewellery that Shh... She used to dance in. My actual grandma was

0:56:120:56:14

there. You can't get much better than that. Pure ballroom bliss.

0:56:150:56:23

Fantastic. We got two tens, 38. Top of the leaderboard. It was just

0:56:240:56:30

amazing. This week we are doing paso doble. What's the song.

0:56:310:56:34

# It's the final count down... # Great title, as it is the final

0:56:350:56:38

count down. If we get through this week, we've made it to the quarter

0:56:390:56:44

finals. Show me your paso face. It's a difficult dance because you need

0:56:450:56:48

to be really bad boy and girl. That's the character I've got to

0:56:490:56:53

find. It's hard when you're still learning the dance. I'm Italian. I

0:56:540:56:59

can't be without passion. The only anger I can find at the moment is

0:57:000:57:06

when Giovanni frustrates me. We're like brother and sister. We fall out

0:57:070:57:09

and then make friends. We have to put that fire into the paso doble.

0:57:100:57:13

This week the competition becomes so strong. I know I've got to go out

0:57:140:57:17

there and fight. What better dance to go out and fight with than the

0:57:180:57:18

paso doble. Dancing the paso doble,

0:57:190:57:22

Georgia May Foote CHEERING AND

0:57:230:59:26

APPLAUSE Come on. A fiery, full-on paso. You got the place rocking.

0:59:270:59:33

CHEERING Well done, brilliant! They're stamping their feet

0:59:340:59:36

upstairs. A modern spin on a traditional dance. Craig, what due

0:59:370:59:42

think? I missed a little bit of the full Spanish line, what I mean is

0:59:430:59:44

getting your shoulders back, that's all. What a dynamic routine.

0:59:450:59:50

Fantastic. Darcey, did that rock you? There was

0:59:510:59:54

plenty of drama, plent yip of energy. -- plenty of energy. I

0:59:550:59:58

believe you take too much strength in the shoulders. It's hard to hold

0:59:591:00:03

those down and not show the power. You get a little soft in the arms. I

1:00:041:00:06

think you're supple in the shoulders. You can fix the lines a

1:00:071:00:09

bit more, and we'll get a better performance. But fabulous energy.

1:00:101:00:16

Len? I thought you were brave to start alone. It was a bit too much

1:00:171:00:20

dress wafting for me on occasion. But as they said, it was die flappic

1:00:211:00:25

and full of energy. In fact, to a point, it got a little bit too

1:00:261:00:28

aggressive for me. I'd have liked it, sometimes a little bit less is

1:00:291:00:32

more. But lovely performance. Great way to end this part.

1:00:331:00:39

Bruno, do you agree? Georgia, the little pocket rocket rocked the paso

1:00:401:00:44

doble. She was like Mad Max. Because of all of that, you did Laos a

1:00:451:00:48

couple of Spanish lines because you tense in the shoulder. If you tense

1:00:491:00:51

on the shoulder, then this becomes this. Careful. Otherwise you rock,

1:00:521:00:59

kid! You rocked us too. Rock on up to Claudia. Well done, beautiful job

1:01:001:01:03

Georgia and Giovanni! APPLAUSE

1:01:041:01:15

Well done, absolutely fantastic. Cheers. Did you love it? Yes, I

1:01:161:01:26

loved it. The scores are in. The judges' scores are in.

1:01:271:01:40

APPLAUSE Very well done. Do your paso face.

1:01:411:01:48

Now do your quickstep face. Oh, good. If you don't want these rock

1:01:491:01:53

stars to organise a farewell tour, please call:

1:01:541:02:04

Off you go, you have about 14 seconds to get ready. Do it fast.

1:02:051:02:12

For all of us. While they get changed in record time, let's see

1:02:131:02:13

how the Leader Board looks. At the top, Helen and Aljaz, down at

1:02:141:02:29

the bottom, Peter and Janette and Anita and Gleb.

1:02:301:02:33

But with an extra seven marks up for grabs in the Quickstepathon,

1:02:341:02:36

It's probably the toughest "athon" we've ever had -

1:02:371:02:39

and that's just pronouncing it - but how exactly does it work,

1:02:401:02:42

it's back. The chance to see all of our couples on the floor at the same

1:02:431:02:58

time, like a good old proper dancing competition. This year, all of our

1:02:591:03:04

couples are doing a quickstep. So hold on to your feeds! This is going

1:03:051:03:08

to be fast! But there are some rules. Rules one, there will be

1:03:091:03:15

seven couples competing in our Quickstepathon. The couples have

1:03:161:03:18

already drawn their starting positions out of a hat. Everything

1:03:191:03:26

fair and square. Rule two, all the couples must stay on the dance floor

1:03:271:03:30

for the whole time and they've got to stay in hold. If any of our

1:03:311:03:36

couples break hold or do lifts, they'll be automatically

1:03:371:03:40

disqualified. I'll be watching! Here is rule three, make sure you nail

1:03:411:03:44

that technique. They will be penalised if we see any bad hold on

1:03:451:03:49

any bad footwork, or bad floor craft. Now rule four, couples must

1:03:501:03:56

be careful not to break the rules regarding line of dance. They have

1:03:571:04:02

to keep going round that floor anticlockwise and no bashing,

1:04:031:04:05

pushing or shoving. It's going to be fast and if they start bumping into

1:04:061:04:11

each other, I'm going to be furious. Rule number five, the weakest couple

1:04:121:04:15

in the opinion of the judges will get one mark. However, the strongest

1:04:161:04:20

couple will get seven. These marks will be combined with their

1:04:211:04:24

individual dances and that has the potential to turn the Leader Board

1:04:251:04:31

upside down. So get ready, it's time to get that quickstep on.

1:04:321:04:37

So whoever comes first in the Quickstepathon will get

1:04:381:04:43

an extra seven marks, whoever comes second will get

1:04:441:04:45

an extra six marks, and so on, until the bottom couple will receive

1:04:461:04:49

just one extra mark, and those will be added to their existing scores.

1:04:501:04:52

Len, this really could mean the difference between the Dance Off

1:04:531:05:03

This is like a ballroom competition. What advice do you have

1:05:041:05:10

for our couples? In a normal ballroom competition the couples

1:05:111:05:12

come on the floor at the same time, so you get I direct comparison. This

1:05:131:05:18

one is not much cop, or this one. So you can actually see every thing. We

1:05:191:05:22

are fortunate, we have the best seats in the house and there won't

1:05:231:05:28

be any ties, so we will get that all clear and it's going to be like an

1:05:291:05:32

F1 Grand Prix the music. There are going to be -- they are going to be

1:05:331:05:38

moving around that floor, all in the same direction, anticlockwise, no

1:05:391:05:44

bumping, keep dancing. The time for talk is over. The time for dancing

1:05:451:05:49

is that now. That's welcome our seven couples back onto the dance

1:05:501:05:50

floor. Please welcome all the couples to

1:05:511:05:54

the floor for the Quickstepathon. Yes! That was brilliant! It was

1:05:551:08:02

like... More fun. More fun. Happy. Let's see what the judges thought.

1:08:031:08:10

Our first Quickstepathon, they are still conferring. We are conferring,

1:08:111:08:14

we have to consider so many things. The variety of steps, how they hold

1:08:151:08:20

the frame, how if there is any mistake, if they keep the timing, if

1:08:211:08:24

they are smooth, there are moments it should never be jagged, it should

1:08:251:08:28

flow all the time. There are so many points to be taken into

1:08:291:08:31

consideration. We cannot rush this. It has to be done correctly. I don't

1:08:321:08:37

want to rush you too much, but love... We are live! Craig, while

1:08:381:08:42

you are scoring can I just asked you? You can, darling. Thank you so

1:08:431:08:48

much. You are adorable. How brilliantly do you think our couples

1:08:491:08:52

have done? I think they've done an amazing job. When you consider when

1:08:531:08:57

we first saw them. APPLAUSE

1:08:581:09:01

I know I'm particularly hard on them but they've done such an incredible

1:09:021:09:04

job. I don't think I could actually go through what they are going

1:09:051:09:07

through. I really couldn't. I'm much safer... Particularly difficult in

1:09:081:09:13

this particular instance for the celebrity men to actually glide the

1:09:141:09:19

floor, because they are not used to what we call... Cornering people,

1:09:201:09:26

getting out, well done. Head judge Len, starting in seventh place could

1:09:271:09:32

you please reveal the results of the Quickstepathon. In seventh place is

1:09:331:09:36

Peter and Janette. APPLAUSE

1:09:371:09:48

Six is Kellie and Kevin. This is Dave and Aliona. Fourth is Anita and

1:09:491:10:02

Gleb. Third is Katie and Anton. Second is Georgia and Giovanni.

1:10:031:10:09

APPLAUSE Which means our winners are Helen

1:10:101:10:18

and Aljaz. IQ very much to the judges -- thank you very much. You

1:10:191:10:26

have an extra seven marks, congratulations to you both.

1:10:271:10:29

Commiserations to Peter and Janette, who finished last and receive just

1:10:301:10:36

one extra mark. I'm so sorry. Darcey, why did our winners

1:10:371:10:41

impressed you the most? It's all about being light and spirited. You

1:10:421:10:45

have to have no gapping. There should be no bounds. It has to be

1:10:461:10:50

calm and composed on top, while it's crazy underneath. It also not to be

1:10:511:10:55

affected by anybody else. And they did that. They kept their cool. They

1:10:561:11:00

did, wonderfully. Craig, just because we need to know, why did

1:11:011:11:04

Peter and Janette impress you the least? It's largely due to the fact

1:11:051:11:08

he had the lead actually for the first time and its floor craft,

1:11:091:11:13

which takes years and years of practice. That's why it's a bit

1:11:141:11:16

difficult for the celebrity men. But they all did really, really well.

1:11:171:11:24

Yes, they did. Thank you. Let's have a look at

1:11:251:11:29

at the top are Helen and Aljaz, with 46 points. Down at the bottom, Peter

1:11:301:11:37

and Janette, with a score of 32. It's not just about the judges'

1:11:381:11:42

scores, you can change everything by picking up the phone or going online

1:11:431:11:46

to vote for your favourites. The voting is now, I need help, judges,

1:11:471:11:51

audience, everyone at home. The vote lines are now three, two, one, open.

1:11:521:11:54

CHEERING audience, everyone at home. The vote

1:11:551:11:55

lines are now three, two, one, open. CHEERING AND APPLAUSE

1:11:561:12:14

the vote closes at 8:30pm. Don't vote if you are watching OnDemand.

1:12:151:12:21

And to help you decide, here's a reminder

1:12:221:12:23

of tonight's performances and the all-important vote information.

1:12:241:14:27

What a busy night of ballroom brilliance. Vote for your favourites

1:14:281:14:34

bid for 8:30pm tonight. The votes will be combined with the judges'

1:14:351:14:39

scores and the couple with the overall lowest will those -- will

1:14:401:14:42

dampen tomorrow night's show. Only six couples will make it

1:14:431:14:46

through to next week, It could be one

1:14:471:14:48

of the closest quarter finals ever Also tomorrow, if you like your boy

1:14:491:14:52

bands a bit classy, you're in luck Plus, you might have seen him

1:14:531:14:57

performing with Queen - And our professional dancers will

1:14:581:15:01

get you in a spin, with an incredible group performance

1:15:021:15:05

set in a laundrette. So for all of that,

1:15:061:15:07

make sure you tune in at 7.20pm

1:15:081:15:12

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