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CHEERING AND APPLAUSE | :00:51. | :03:15. | |
CHEERING AND APPLAUSE This is Strictly Come Dancing: The Results. | :03:16. | :03:35. | |
Please welcome your hosts, Tess Daly and Claudia Winkleman. | :03:36. | :03:45. | |
CHEERING AND APPLAUSE Good evening and welcome to Strictly Come | :03:46. | :03:48. | |
Dancing: The Results. Thank you. What a brilliant opening from our | :03:49. | :03:53. | |
professional dancers. On Saturday night our remaining couples took to | :03:54. | :03:58. | |
the floor. We saw some fantastic dances and at one point seven of | :03:59. | :04:05. | |
them at the same time, as we enjoyed some quickstep-a-thon. One couple | :04:06. | :04:09. | |
must take their final curtain call tonight. The judges scores and your | :04:10. | :04:17. | |
votes have been combined. The decision of who will dance another | :04:18. | :04:21. | |
day is down to our fabulous four. It is time to welcome the judges. | :04:22. | :04:32. | |
Len Goodman and Bruno Tonioli. Craig Revel Horwood and Darcey Bussell. | :04:33. | :04:44. | |
APPLAUSE Thank you very much, judges. Gorgeous, Darcey. Smoking! | :04:45. | :04:55. | |
We have music from Adam Lambert plus Il Divo will be performing. Yes! | :04:56. | :05:00. | |
I will be discussing Saturday's double dance action with the judges | :05:01. | :05:06. | |
in Len's Lens. Let's remind ourselves of the drama from Saturday | :05:07. | :05:09. | |
night. APPLAUSE | :05:10. | :05:22. | |
It is week ten and they have two dances to accomplish. Who will | :05:23. | :05:31. | |
conquer and who will fall? This week has been quite hard learning two | :05:32. | :05:37. | |
dances. The quickstep-a-thon is not merely for show, it means whether or | :05:38. | :05:40. | |
not you are going to be here next week. Who knows what is going to | :05:41. | :05:45. | |
happen on the night. It has been extra busy. Everyone is practising | :05:46. | :05:49. | |
in every spare second. It is the quarterfinals, and everyone would | :05:50. | :05:52. | |
love to be there, and it is getting a little bit tense. It is all about | :05:53. | :05:58. | |
tonight and doing this dance now. 30 seconds to show time. I tell you | :05:59. | :06:01. | |
what ladies and gentlemen, it is going to be a bumpy ride! | :06:02. | :06:12. | |
APPLAUSE You are bionic, flying about. You | :06:13. | :06:16. | |
rock, kid! You are such a treasure to watch. | :06:17. | :06:28. | |
The little pocket rockets. What a dynamic routine. Fantastic. It was a | :06:29. | :06:33. | |
little bit too aggressive for me, but a lovely performance. They were | :06:34. | :06:40. | |
like two courting s fire flies. You come out of your special lift a | :06:41. | :06:44. | |
little bit wobbly, but other than that, I saw nothing, but fabulous. | :06:45. | :06:59. | |
Nine. Lacked a little swing, lacked a little sway. I thought he were | :07:00. | :07:03. | |
holding back. Everything has to flow. I wasn't really transported to | :07:04. | :07:10. | |
the quayside. You wobbled out of that spin. You lost your balance and | :07:11. | :07:13. | |
you're picking your feet up too much. Apart from that darling, it | :07:14. | :07:18. | |
was wonderful. Drop dead gorgeous! | :07:19. | :07:30. | |
Nine. It was a little bit spiky for my liking. You did a difficulty and | :07:31. | :07:36. | |
you're not supposed to. What is all that through the legs business? For | :07:37. | :07:45. | |
me it was a polished. It is not my cup of tea. That was a mango of a | :07:46. | :07:50. | |
tango! Delicious! So strong. So compelling. So focussed. You are | :07:51. | :07:56. | |
just working as one. That was my favourite dance. That's the thing. | :07:57. | :08:07. | |
Lovely movement across the floor. The story telling I have to say was | :08:08. | :08:13. | |
gorgeous. That close to perfection. This was a | :08:14. | :08:20. | |
match made in heaven. It looked weightless as if you were dancing on | :08:21. | :08:32. | |
a cloud. Ten! Please welcome all the couples to the floor for the | :08:33. | :08:39. | |
quickstep-a-thon. It is like a F1 Grand Prix to music. Whoever comes | :08:40. | :08:44. | |
first in the quickstep-a-thon will second an extra seven marks until | :08:45. | :08:48. | |
the bottom couple will receive just the one extra mark and those will be | :08:49. | :08:53. | |
added to their existing scores. There are so many things to be taken | :08:54. | :08:56. | |
into consideration. The variety of steps, if they keep the timing, if | :08:57. | :09:01. | |
he is smooth. They have done an amazing job the you consider when we | :09:02. | :09:07. | |
first saw them. APPLAUSE | :09:08. | :09:16. | |
Second is Georgia and Giovanni Pernice. Our winners are Helen and | :09:17. | :09:23. | |
Aljaz. It will be an incredible night. | :09:24. | :09:28. | |
Let's remind you of the leaderboard. At the top we have got Helen and | :09:29. | :09:36. | |
Aljaz and at the bottom is Peter and Janette. All of our couples want to | :09:37. | :09:45. | |
be in next week's quarterfinals, whose Strictly final could be | :09:46. | :09:50. | |
nearing an end? The results are in. In no particular order, the first | :09:51. | :09:53. | |
couple safely through to next week is... Georgia and Giovanni. | :09:54. | :10:12. | |
Yes! CHEERING AND APPLAUSE Thank you! | :10:13. | :10:23. | |
Thank you! Also returning are... Helen and | :10:24. | :10:47. | |
Aljaz. APPLAUSE | :10:48. | :10:50. | |
And now the first couple who must fight for survival in the dance-off | :10:51. | :11:04. | |
is... Kellie and Kevin. The rest of you will have to wait a | :11:05. | :11:08. | |
little bit longer to find out if you're safe. Kellie and Kevin, | :11:09. | :11:15. | |
please come and join me. APPLAUSE | :11:16. | :11:19. | |
I'm so sorry. It is OK. I know you've been here once before and I | :11:20. | :11:23. | |
know how much you want to be in the quarterfinals next week. How are you | :11:24. | :11:25. | |
feeling? I'm feeling all right. I'm feeling all right. At this point in | :11:26. | :11:31. | |
the competition, everyone is so strong and you know, our place on | :11:32. | :11:36. | |
the leaderboard changed quite dramatically after the | :11:37. | :11:39. | |
quickstep-a-thon. I was sort of ready in my head. It is tough, isn't | :11:40. | :11:44. | |
it? It is so, so close. Let's get some advice from the judges. Len on | :11:45. | :11:48. | |
Saturday night you said that Kellie's lifts were a little bit | :11:49. | :11:52. | |
wobbly, so what do you suggest to improve them in the dance-off? One | :11:53. | :11:58. | |
of the lifts was a little bit wobble bleu foffly, I thought your salsa | :11:59. | :12:02. | |
was fantastic. Don't do anything different, just come out and do it | :12:03. | :12:09. | |
again because it was brilliant. APPLAUSE | :12:10. | :12:11. | |
We will all be rooting for you later on. Best of luck, darling. Let's see | :12:12. | :12:15. | |
the salsa again. Claudia, over to you. Thank you, Tess. It is getting | :12:16. | :12:25. | |
so much quieter up here. You are through to next week's | :12:26. | :12:30. | |
quarterfinals. We are just working so hard. I just want to make people | :12:31. | :12:35. | |
proud and to get through to the quarterfinals is amazing. Oh really | :12:36. | :12:40. | |
well done and it is our musical special. You have a little cry. I | :12:41. | :12:45. | |
will talk to him! Huge congratulations because this is your | :12:46. | :12:49. | |
year on Strictly and you're through to the quarterfinals. | :12:50. | :12:51. | |
APPLAUSE And you're doing a foxtrot. | :12:52. | :13:03. | |
You are the best. It is like a dream come true. Really well done. Cudding | :13:04. | :13:09. | |
her. Thank you very much. You did brilliantly on Saturday night. Three | :13:10. | :13:14. | |
tens. I can't believe it. APPLAUSE | :13:15. | :13:16. | |
It is fantastic. Are you ready for next week? Do you think you are? Are | :13:17. | :13:24. | |
you looking forward to getting into the training room? We have enjoyed | :13:25. | :13:27. | |
ourselves and taken the pressure off and worked hard and enjoyed it as | :13:28. | :13:32. | |
well. The standard is just ridiculously high, you know, to be | :13:33. | :13:35. | |
into the quarterfinal, it is incredible. Well, congratulations to | :13:36. | :13:40. | |
both couples. It is time for some music. Singing Another Lonely Night. | :13:41. | :13:43. | |
Please go nuts for Adam Lambert. # Alone in the dark, hole in my | :13:44. | :14:13. | |
heart, turn on the radio. # And the words fall out, but they | :14:14. | :14:21. | |
got no place to go. # Wasted on you, high on the fumes. | :14:22. | :14:29. | |
# Know I should let you go. # But the world won't stop. | :14:30. | :14:33. | |
# And all I got is your ghost, oh, oh oh. | :14:34. | :14:40. | |
# Another day, another lonely night. # I would do anything to have you by | :14:41. | :14:54. | |
my side. # No time to sleep, all that I see, | :14:55. | :15:01. | |
are old memories of you. # Yeah I try my best, but there's no | :15:02. | :15:05. | |
one left for me to lose. # Tear in my eye, I drive through | :15:06. | :15:17. | |
the night, as far as I can from you. # And I don't care if the sun comes | :15:18. | :15:20. | |
up, yeah. # It's just another... | :15:21. | :15:29. | |
# Another day, another lonely night. # I would do anything to have you by | :15:30. | :15:36. | |
my side. # Another day, another lonely night. | :15:37. | :15:45. | |
# Don't wanna throw away another lonely life. | :15:46. | :16:03. | |
# No I don't give a damn if the sun comes up, yeah. | :16:04. | :16:12. | |
# It's just another... # Another day, another lonely night. | :16:13. | :16:21. | |
# I would do anything to have you by my side. | :16:22. | :16:36. | |
# Another day, another lonely night. # Don't wanna throw away another | :16:37. | :16:38. | |
lonely life. # It is now time to welcome dance | :16:39. | :17:14. | |
royalty, it's # I got rhythm... Thank you so much. | :17:15. | :17:27. | |
It's the judges. This is when we expand on things you might have said | :17:28. | :17:30. | |
on Saturday night. Could we do it alone? No! Let's welcome Len's Lens. | :17:31. | :17:53. | |
I would like to talk to you this is how the professionals work. Yes, | :17:54. | :18:12. | |
lovely jubbly. Let me talk to you about Peter and Janette. They came | :18:13. | :18:17. | |
bottom on the quickstep-a-thon, why? The footwork was floppy and flappy. | :18:18. | :18:34. | |
Darcey, let's talk about Helen and Aljaz because you said almost | :18:35. | :18:37. | |
perfection. Here they are from Saturday night. Well, we have to | :18:38. | :18:41. | |
have the acting skills to pull it off. It is not just about the | :18:42. | :18:44. | |
technique and she brought everything to it, but things are never going to | :18:45. | :18:48. | |
be perfect. We have to keep trying and keep working on things. | :18:49. | :19:00. | |
They were absolutely gorgeous. Craig, the tango was wonderful, | :19:01. | :19:10. | |
Len's Lens was looking at his face. That is a great tango face. He has | :19:11. | :19:15. | |
come out of his shell and his acting skills have improved enormously | :19:16. | :19:16. | |
since he first started. I have been rabbiting on for weeks | :19:17. | :19:26. | |
about getting emotion in the dance routines and now he is committing to | :19:27. | :19:30. | |
it 100% and it is fantastic to see, it makes the dance fly. Anita and | :19:31. | :19:39. | |
Gleb, quite a few kerfuffles, one of you said it was smooth, one of you | :19:40. | :19:43. | |
said it was spiky. Why did you love it? I thought she was on it from the | :19:44. | :19:52. | |
beginning. Look at that. She moves excellently. Perfection. Just | :19:53. | :20:04. | |
flowing. Let's show another clip. Craig, you said it was spiky. I felt | :20:05. | :20:09. | |
the arms were not reaching the point of focus. She wasn't retracting, it | :20:10. | :20:18. | |
was like taking it out, Spike... The intention, I thought, Bruno, forgive | :20:19. | :20:25. | |
me... There was too much power behind each move. It was expressing | :20:26. | :20:32. | |
the music as well, though. I don't want another argument otherwise I | :20:33. | :20:36. | |
will openly weep! A lovely clip, we are ten weeks in, the couples are so | :20:37. | :20:42. | |
lose. Before the quickstep-a-thon, Jay and Aliona... A fist bump! Very | :20:43. | :20:49. | |
cute. Thank you very much, the judges! So far, two couples have | :20:50. | :20:55. | |
secured their place in the competition, but who will join them? | :20:56. | :21:03. | |
Tess. Thanks, Claudia. Four couples waiting, three will make it through | :21:04. | :21:07. | |
to next week but one will face Kellie and Kevin in the dance-off. | :21:08. | :21:09. | |
Who will it be? Time to find out. In no particular order, safely | :21:10. | :21:14. | |
through to next week are... Back to dance again next Saturday | :21:15. | :21:23. | |
are... That means Anita and Gleb and Peter | :21:24. | :22:09. | |
and Janette, one of you is safe and one of you is in the dance-off. The | :22:10. | :22:13. | |
couple who will compete in the dance-off is... | :22:14. | :22:20. | |
So Anita and Gleb, congratulations, you are through to the | :22:21. | :22:32. | |
quarterfinals. Peter and Janette, please come and join me. | :22:33. | :22:37. | |
Oh, no, dance-off again. I'm so sorry. How are you feeling? I feel | :22:38. | :22:53. | |
for Janette... Because she works, works, works. She has made me work. | :22:54. | :23:00. | |
But not as much as her, and she is patient and she is lovely. She is a | :23:01. | :23:09. | |
little peanut. And I love her. A brilliant partnership. Let's chat to | :23:10. | :23:18. | |
this lot, shall we? Bruno, you said Peter's dance was lacking a bit of | :23:19. | :23:21. | |
flow. He has a second chance to prove himself. Don't lose the | :23:22. | :23:26. | |
wonderful playful quality you have, it is your strong suit. Maintain it. | :23:27. | :23:31. | |
When you hold, don't tighten up. It is an American smooth, smooth is the | :23:32. | :23:37. | |
word. Everything has to flow continuously. Don't lose the frame. | :23:38. | :23:43. | |
You get over excited, everybody does, I do, I go like that... But | :23:44. | :23:47. | |
when you are dancing, you have to stop and keep in perfect alignment. | :23:48. | :23:54. | |
Combine the two and you will do it. Thank you very much. We wish you all | :23:55. | :23:59. | |
the luck in the world. Claudia, over to you. Thank you, Tess, I am joined | :24:00. | :24:08. | |
by three very relieved couples. Anita, no dance training whatsoever, | :24:09. | :24:12. | |
you are through to the quarterfinals of Strictly Come Dancing, can you | :24:13. | :24:15. | |
believe it? I can't, this is amazing. Every week, it's just this | :24:16. | :24:22. | |
process, slowly sinking in. Maybe something is happening. Loving every | :24:23. | :24:31. | |
minute of it. The quarterfinals! You have the foxtrot, notoriously | :24:32. | :24:37. | |
difficult. Are you worried? No. Not if you dance with me! Supremely | :24:38. | :24:46. | |
simple. You have never been in the dance-off. What would you like to | :24:47. | :24:49. | |
say to the people who have voted for you? Thank you, obviously. All of | :24:50. | :24:56. | |
the fans who have stuck with me, it is so awesome, thank you. Thank you | :24:57. | :25:05. | |
for liking me. Thank you so much, congratulations to you all. Now time | :25:06. | :25:10. | |
for some music. Please welcome the very brilliant Il Divo. | :25:11. | :25:23. | |
# Quien sera la que me quiera a mi, Quien sera, quien sera? | :25:24. | :25:29. | |
# Quien sera la que me de su amor, quien sera, quien sera? | :25:30. | :25:37. | |
# Yo no se si volvere a querer, | :25:38. | :25:48. | |
# He querido volver a vivir, | :25:49. | :25:58. | |
# La pasion y el calor de otro amor, | :25:59. | :26:01. | |
# De otro amor que me hiciera sentir, que me hiciera feliz. | :26:02. | :26:06. | |
# Ay quien sera la que me quiera a mi, quien sera, quien sera? | :26:07. | :26:14. | |
# Quien sera la que me de su amor, Quien sera, quien sera? | :26:15. | :26:19. | |
# Quien sera la que me quiera a mi, quien sera, quien sera? | :26:20. | :26:56. | |
# Quien sera la que me de su amor, Quien sera, quien sera? | :26:57. | :27:03. | |
# Quien sera la que me quiera a mi, quien sera, quien sera? | :27:04. | :27:12. | |
# Quien sera la que me de su amor, Quien sera, quien sera? | :27:13. | :27:20. | |
# He querido volver a vivir, la pasion y el calor de otro amor, | :27:21. | :27:28. | |
# De otro amor que me hiciera sentir, Que me hiciera feliz. | :27:29. | :27:34. | |
# Quien sera la que me quiera a mi, quien sera, quien sera? | :27:35. | :27:41. | |
# Quien sera la que me de su amor, Quien sera, quien sera? | :27:42. | :27:51. | |
# Yo no se si la podre encontrar, yo no se si volvere a querer, | :27:52. | :28:02. | |
Thank you to Il Divo, joined by Gleb and Natalie. All of our guys and | :28:03. | :28:34. | |
dolls will be putting on the top hats for the Musicals Special, it | :28:35. | :28:37. | |
promises to be a wicked show. You know what next week is? I do, it is | :28:38. | :28:43. | |
Musicals Special, we are dancing to musicals! No business like show | :28:44. | :28:50. | |
business, like no business I know! The costumes, the scenery, the | :28:51. | :28:56. | |
make-up, the props. Let's go on with the show! Let's go on with the | :28:57. | :29:01. | |
show... A little bit too excited for the | :29:02. | :29:08. | |
musicals. We are here with two couples | :29:09. | :29:19. | |
desperate to make it through to our Musicals Special. Kellie and Kevin, | :29:20. | :29:24. | |
Peter and Janette, unfortunately only one couple can survive. You had | :29:25. | :29:28. | |
so much fun on Saturday night, are you just going to do the same and | :29:29. | :29:32. | |
love performing? You know what? I am. It is week ten and I am proud to | :29:33. | :29:38. | |
be here. I have made it this far. I am going to go out and enjoy it like | :29:39. | :29:43. | |
Saturday. Kevin, you have such a close partnership. What advice do | :29:44. | :29:46. | |
you have for Kellie before the dance-off? The thing I love most | :29:47. | :29:52. | |
about Kellie, she will always be about having fun. She puts so much | :29:53. | :29:57. | |
into it, in the training room and on the dance floor. Just keep doing | :29:58. | :29:58. | |
that. Let's hear it for Kellie and Kevin. | :29:59. | :30:03. | |
Good luck. CHEERING AND APPLAUSE. Let's chat to | :30:04. | :30:16. | |
you two. Peter, you love music and next week is our musical special. | :30:17. | :30:20. | |
How much do you want to be there? As much as everybody else, you know, it | :30:21. | :30:25. | |
has again what Kellie says, it has been such an experience and to get | :30:26. | :30:30. | |
to this point there is to shame whenever you're gone, but obviously | :30:31. | :30:34. | |
getting there is something we all stride for, of course. Sure. Janette | :30:35. | :30:38. | |
can you give Peter a boost before he goes out there on in the dance-off? | :30:39. | :30:42. | |
I have had a blast with you every single week that we've danced and we | :30:43. | :30:48. | |
had a blast on Saturday night dancing this dance on Saturday | :30:49. | :30:52. | |
night. We're going to have a blast again! We would love both couples to | :30:53. | :30:57. | |
be with us next week and with only one place available, there is only | :30:58. | :31:03. | |
one place available. Dancing next, it is Kellie and Kevin. | :31:04. | :32:42. | |
CHEERING AND APPLAUSE Kellie and Kevin have done | :32:43. | :32:59. | |
all they can and now dancing to stay in the competition, it is Peter and | :33:00. | :33:01. | |
Janette. CHEERING AND | :33:02. | :34:41. | |
APPLAUSE Well done to you both. We will now | :34:42. | :34:59. | |
find out which couple we would like to dance again. Judges, you have | :35:00. | :35:03. | |
seen both couples perform again in the dance-off and based on that, it | :35:04. | :35:10. | |
is now time to decide. I am about to ask each of you the | :35:11. | :35:15. | |
name of the couple you think should be saved and why. In the event of a | :35:16. | :35:22. | |
tie, head judge Len Goodman, you will have the casting vote. Kellie | :35:23. | :35:25. | |
and Kevin and Peter and Janette there, is it. Craig, who are you | :35:26. | :35:30. | |
going to save and why? Well, it is really tough now. Both | :35:31. | :35:37. | |
couples improved Kellie for instance improved her fluidity and Peter did | :35:38. | :35:42. | |
it beautifully. The couple I would love to save is Kellie and Kevin. | :35:43. | :35:46. | |
CHEERING AND APPLAUSE. That's one vote for you. Darcey, who do you | :35:47. | :35:50. | |
think deserves to stay in the competition and why? It is | :35:51. | :35:54. | |
incredibly difficult now the competition, but the couple I would | :35:55. | :36:00. | |
like to save on technically more assured performance and confidence | :36:01. | :36:05. | |
is Kellie and Kevin. CHEERING AND APPLAUSE | :36:06. | :36:10. | |
Kellie and Kevin, that's two votes for you, if Bruno chooses to save | :36:11. | :36:17. | |
you, that means we will see you in next week's quarterfinals. Who do | :36:18. | :36:23. | |
you want to save and why? They gave very powerful and entertaining | :36:24. | :36:28. | |
performance, but the one I thought had more contact and was technically | :36:29. | :36:32. | |
more accurate was Kellie and Kevin. That means we're going to have to | :36:33. | :36:36. | |
say goodbye to Peter and Janette. Come and join us. | :36:37. | :36:40. | |
CHEERING AND APPLAUSE. Kellie and Kevin, congratulations, we will see | :36:41. | :36:43. | |
you next week. Len, I know it makes no difference to the result, but did | :36:44. | :36:47. | |
you agree with your fellow judges? I did, indeed. I agreed with my | :36:48. | :36:52. | |
colleagues, Kellie and Kevin. Come on over. Come on over. | :36:53. | :37:00. | |
CHEERING AND APPLAUSE. I'm sorry. We are so sorry to see you go. You have | :37:01. | :37:07. | |
been brilliant. You have been a joy to have around. Endlessly positive | :37:08. | :37:11. | |
and a gentleman and it has been a pleasure. Ah, thank you very much. | :37:12. | :37:16. | |
It has been nothing, but joy and we have come so far. I mean, there is | :37:17. | :37:20. | |
like I said before, there is no shame in leaving. We are so | :37:21. | :37:25. | |
grateful. I always loved, I love everybody. I love you guys up there, | :37:26. | :37:28. | |
too. I do. CHEERING AND APPLAUSE. | :37:29. | :37:32. | |
Thank you very much and you. Janette, have you made a friend for | :37:33. | :37:38. | |
life? I definitely, definitely made a friend for life. We got on | :37:39. | :37:43. | |
straightaway. We worked so hard in rehearsals. I love you and I am so | :37:44. | :37:47. | |
glad to have you as a part of my life. Oh. You worked so hard. You | :37:48. | :37:53. | |
always gave it more than 100%. It has been a pleasure, we have enjoyed | :37:54. | :37:56. | |
every moment. Thank you so much. You have been a joy to watch. Thank you. | :37:57. | :38:14. | |
Thank you. CHEERING AND APPLAUSE On Monday, it is It Takes Two on BBC | :38:15. | :38:20. | |
Two. We are back next Saturday at 6.50pm as our line of Strictly stars | :38:21. | :38:27. | |
will be bringing Broadway to the boards in our musical special. Now | :38:28. | :38:31. | |
dancing us out for one final time, it is Peter and Janette. | :38:32. | :39:35. | |
CHEERING AND APPLAUSE | :39:36. | :39:48. | |
Devastated Peter Andre is officially the nicest man on earth. Peter is | :39:49. | :39:55. | |
like sort of glue that would hold our group together. Always positive | :39:56. | :39:58. | |
and always encouraging. He is such a team player. He has been a wonderful | :39:59. | :40:03. | |
person to get to know. I love him dearly and I will miss him, but we | :40:04. | :40:07. | |
will be great friends forever. I can't believe we are in the | :40:08. | :40:10. | |
quarterfinals. I didn't realise it was the finals next week. I just | :40:11. | :40:14. | |
found out, it is amazing. We have got through. It is musicals week. | :40:15. | :40:23. | |
That's exciting. A double whammy of delight. We love a show song, don't | :40:24. | :40:28. | |
The Hybrid will stand in the ruins of Gallifrey | :40:29. | :40:30. | |
and destroy a billion hearts to heal its own. | :40:31. | :40:34. |