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Every week there is pressure. But it is being ramped up now because it is | :00:12. | :00:18. | |
the quarterfinals. The competition is really tight. It is serious now. | :00:19. | :00:24. | |
I think everybody is capable of pulling out amazing dances. A couple | :00:25. | :00:29. | |
of mistakes and we could easily end up in the dance-off. I want to stay | :00:30. | :00:34. | |
until next week. It is going to be incredibly difficult to get to the | :00:35. | :00:38. | |
quarterfinals because the judges are expecting so much more. The pressure | :00:39. | :00:42. | |
is on now. To go home at this stage would be tough. It is crucial. I | :00:43. | :00:48. | |
have got to nail it. Have to hold your nerve. There is only six of us | :00:49. | :00:54. | |
left. It is also bought a call. It is the quarterfinals. Here we go. -- | :00:55. | :00:57. | |
it is impossible to call. This programme contains scenes of | :00:58. | :01:31. | |
repetitive flashing images. MUSIC: That's Entertainment | :01:32. | :01:50. | |
by Judy Garland Ladies and gentleman, | :01:51. | :03:55. | |
please be seated, it's the Strictly And here are your hosts, Tess Daly | :03:56. | :04:06. | |
and Claudia Winkleman. Hello and welcome to the Strictly | :04:07. | :04:17. | |
Come Dancing Musicals Special! Hats off to our entire cast | :04:18. | :04:29. | |
for that amazing opening routine. If you haven't already guessed | :04:30. | :04:35. | |
from the massive letters behind me, tonight our stars will be bringing | :04:36. | :04:39. | |
the show tunes to Strictly. Sadly, | :04:40. | :04:43. | |
last week we waved goodbye to our music man, Peter Andre, who lost out | :04:44. | :04:45. | |
to Kellie Bright in the Dance Off. We are now left with six | :04:46. | :04:49. | |
celebrities, only five will make it through to | :04:50. | :04:54. | |
next week and they're all hoping to Bruno Tonioli, Darcey Bussell, Len | :04:55. | :04:57. | |
Goodman, and Craig Revel Horwood. Now, | :04:58. | :05:20. | |
that's what I call entertainment. Our couples have been rehearsing | :05:21. | :05:35. | |
all week, and tonight they're hoping that the judges' comments | :05:36. | :05:37. | |
will be music to their ears. EastEnders actress Kellie Bright | :05:38. | :05:40. | |
and her partner, Kevin Clifton. TV presenter Anita Rani | :05:41. | :05:50. | |
and her partner, Gleb Savchenko. From BBC Proms | :05:51. | :05:53. | |
and Radio 3 presenter Katie Derham Star of Call The Midwife | :05:54. | :05:57. | |
Helen George and her partner, Actress Georgia May Foote | :05:58. | :06:02. | |
and her partner, Giovanni Pernice. And finally, from The Wanted, | :06:03. | :06:10. | |
popstar Jay McGuiness There they all are, | :06:11. | :06:13. | |
our very own chorus line One guy, five dolls - all hoping for | :06:14. | :06:29. | |
an extended run to the semi-final. Treading the boards first tonight is | :06:30. | :06:35. | |
Georgia May Foote and her partner, They're doing a Foxtrot to the | :06:36. | :06:43. | |
theme from Beauty and the Beast. It's | :06:44. | :06:51. | |
a routine that involves some dancing crockery and they're really hoping | :06:52. | :06:54. | |
it will be the Judges' cup of tea. I actually enjoyed the paso doble. | :06:55. | :07:15. | |
What a dynamic routine! But you were tense on the shoulders. This becomes | :07:16. | :07:22. | |
this. Otherwise, you rocked! No shoulders next week! This week we | :07:23. | :07:33. | |
are dancing the dance to Beauty And The Beast. I always wanted to be a | :07:34. | :07:39. | |
princess. Would you like to come to a party with me and my friends? | :07:40. | :07:44. | |
Sounds good. I will show you. They invited me for a special party, and | :07:45. | :07:48. | |
seriously I cannot wait. What are you wearing? It does not matter. Get | :07:49. | :07:55. | |
this on. I think he was a bit confused and he thought he was | :07:56. | :08:00. | |
meeting my friends. No. It was my cousins and nephew for a princess | :08:01. | :08:05. | |
party. All little kids, dead excited. I don't think he is coping | :08:06. | :08:12. | |
very well with these princesses. But I know that deep down he secretly | :08:13. | :08:20. | |
loves it. Do you think Georgia is a princess? This Saturday is the | :08:21. | :08:25. | |
quarterfinals and all I want to do is go out there and perform the | :08:26. | :08:29. | |
dance as beautifully as I can, like a real live princess. | :08:30. | :08:33. | |
Dancing the Foxtrot from the musical, | :08:34. | :08:36. | |
Beauty and the Beast, Georgia May Foote and Giovanni Pernice. | :08:37. | :08:49. | |
MUSIC: Beauty And The Beast | :08:50. | :09:22. | |
What a start! Magical! What a reaction from the crowd! | :09:23. | :10:31. | |
A beautiful dance from a beautiful princess. | :10:32. | :10:35. | |
You threw everything at that but the kitchen sink! | :10:36. | :10:39. | |
Before we hear from the critics, let's say thank you | :10:40. | :10:46. | |
for the music to our brilliant live singers - Hayley, Lance, Andrea, | :10:47. | :10:48. | |
Tommy and, of course, Dave Arch and his wonderful orchestra. | :10:49. | :10:51. | |
Did she light up the ballroom? 100%. If you went from South Pacific to | :10:52. | :11:05. | |
Oklahoma you would be hard pressed to find a better dance. It was | :11:06. | :11:09. | |
charming. It had a lovely ease about it, lovely flowing movement. Could | :11:10. | :11:14. | |
have driven off slightly more. But it was a fairy tale - and it wasn't | :11:15. | :11:24. | |
grim! Bruno, were the shoulders and frame but tonight? Yes, it was, my | :11:25. | :11:29. | |
darling. You were a picture of loveliness out there. Loveliness and | :11:30. | :11:34. | |
goodness! Before we go to the technical side, I think we were all | :11:35. | :11:41. | |
transported by the magic of it all. Really involving. Dance is very, | :11:42. | :11:47. | |
very difficult. It demands a lot of control and you did that with ease. | :11:48. | :11:51. | |
The arch of your high-end much better. Just a tiny little bit, it | :11:52. | :11:56. | |
was actually on the side extensions, you lifted! You remember, you used | :11:57. | :12:04. | |
to do that?! A a bit too much! Otherwise, beautiful. I thought it | :12:05. | :12:20. | |
was absolutely delightful. In fact I would go as far as to say, | :12:21. | :12:26. | |
enchanting, darling. And I do not often use those sort of words. We | :12:27. | :12:33. | |
know it! The holding was effortless and the phrasing was fantastic. You | :12:34. | :12:39. | |
really deserved to be there. Oh, my goodness! Darcey? Yes, more praise. | :12:40. | :12:45. | |
You excel in this, Georgia, you really do. Great gliding quality. | :12:46. | :12:53. | |
And there were beautiful moments where you hovered in every | :12:54. | :12:57. | |
transition. And that control was really beautiful. It was absolutely | :12:58. | :13:07. | |
captivating. You are crying! Fantastic start. | :13:08. | :13:10. | |
Congratulations. You are an emotional creature. You cried. Yes, | :13:11. | :13:35. | |
I was nervous tonight. I don't know why. Going first is hard. And also | :13:36. | :13:40. | |
fulfilling your childhood dream. I believe it was your favourite film. | :13:41. | :13:43. | |
You have already said you are not taking the dress off. I am going to | :13:44. | :13:49. | |
bed with this! I loved it. It was such a beautiful dance. | :13:50. | :13:53. | |
If you enjoyed that dancing teapot and if you think that's big, | :13:54. | :14:32. | |
you should see the size of our dishwasher, call: | :14:33. | :14:35. | |
6 22 52 09 from your mobile, 09015 22 52 09 from your landline or vote | :14:36. | :14:39. | |
It's time for the terms and conditions and as tonight is | :14:40. | :14:43. | |
all about musicals, let us give them to you through the medium of song. | :14:44. | :14:46. | |
# Calls will cost you 15p plus your network's access charge. | :14:47. | :14:49. | |
# Make sure to ask the bill payers permission. | :14:50. | :14:52. | |
# To vote online visit bbc.co.uk/strictly. | :14:53. | :14:55. | |
# Where you'll also find terms and | :14:56. | :14:57. | |
# Remember that voting won't open until | :14:58. | :15:03. | |
# If you call before that then your vote it won't count. | :15:04. | :15:08. | |
# You may find you still have been charged! | :15:09. | :15:17. | |
Our next couple is Anita Rani and her partner, Gleb Savchenko. | :15:18. | :15:21. | |
Tonight, she's doing an Argentine Tango from the musical Chicago and | :15:22. | :15:26. | |
But unlike most prisoners, Anita doesn't want to go home. | :15:27. | :15:30. | |
In fact, she's desperate for another two weeks of hard labour. | :15:31. | :15:50. | |
contemporary. It was a different style of dance to anything I had | :15:51. | :15:54. | |
done before. We are taking a risk. We have got to. The competition is | :15:55. | :16:02. | |
so tight now that even a really good score like 31 can put you right down | :16:03. | :16:05. | |
at the bottom. And that is where we were! We are dancing to Chicago. So | :16:06. | :16:12. | |
you are taking me to Shikhar Dhawan E no, I am taking you to the Tower | :16:13. | :16:19. | |
of London. She is a prisoner and I am the guard. So what better place | :16:20. | :16:24. | |
to take me down the oldest prison in Britain? Wow! Shall we? It would be | :16:25. | :16:31. | |
rude not to. How can I not be inspired by the Tower of London? | :16:32. | :16:34. | |
Shall we get back to training? How do we get out of here? I think we | :16:35. | :16:39. | |
want to go this way. I have had a fantastic morning but I need to get | :16:40. | :16:44. | |
back to the rehearsal room. The Argentine tango is a beautiful | :16:45. | :16:48. | |
dance. It is one of those that I was a script to do. It is so difficult. | :16:49. | :16:56. | |
We are in the quarterfinal. I still cannot believe we have come so far. | :16:57. | :17:01. | |
I have not got time now to just go, I have never done this before! I | :17:02. | :17:05. | |
have just got this thing in the back of my head that I really want to | :17:06. | :17:07. | |
nail it this week. Dancing the Argentine Tango | :17:08. | :17:13. | |
from the musical Chicago, How about that, ladies and | :17:14. | :19:13. | |
gentlemen? They are going wild in the ballroom. | :19:14. | :19:24. | |
APPLAUSE Spectacular! Nearly took the set | :19:25. | :19:29. | |
with us? I saw that. Anita who says crime doesn't pay? Hi, Gleb. Time to | :19:30. | :19:35. | |
face the judges. Bruno? First, I want to praise you for taking on | :19:36. | :19:41. | |
such an iconic number. This is one of the most recognisable of all of | :19:42. | :19:47. | |
Chicago's numbers. To just attempt it, credit to you. | :19:48. | :19:49. | |
APPLAUSE It has to be danced with the | :19:50. | :19:55. | |
murderous, criminal intent with a ruthless hussy. That is just the | :19:56. | :20:00. | |
character. Then the steps have to live up to the character. You went | :20:01. | :20:04. | |
for it. The thing is, when you have so many things to portray at times | :20:05. | :20:09. | |
your foot work got a little bit behind and a little bit sloppy. You | :20:10. | :20:14. | |
can't do everything at once. There is a lot to take on because those | :20:15. | :20:23. | |
placements, those moves have to be cut like a knife. You've got to go! | :20:24. | :20:30. | |
There are no half measures. There really isn't. I'm a fanatic. I want | :20:31. | :20:36. | |
to see all of that. I think what you did, with your ability, was very, | :20:37. | :20:41. | |
very good. It needed to be a little bit more sharp. Yeah? Thank you, | :20:42. | :20:50. | |
Bruno. Craig, did she raise the bar? This dance, unfortunately, has | :20:51. | :20:54. | |
exposed all your weak points. Really? It exposed the fact that | :20:55. | :21:00. | |
your feet were flexed. That you have a tendency towards pigeon toes. | :21:01. | :21:06. | |
You're feet aren't brushing through and coming together. That's so | :21:07. | :21:10. | |
important to make this look like an Argentine Tango. I felt like you | :21:11. | :21:18. | |
lost connection. That means you weren't following the lead - The | :21:19. | :21:22. | |
hills are alive with the sound of booing, Craig. On your finer points, | :21:23. | :21:26. | |
the reason why the audience stood and everyone was thrilled is because | :21:27. | :21:31. | |
you have a great sense of drama. You have a dramatic integrity. | :21:32. | :21:37. | |
APPLAUSE A great performance, that is without doubt. Darcey. It's a | :21:38. | :21:44. | |
difficult dance. Iconic as, Bruno said. You know the energy, the | :21:45. | :21:48. | |
attitude and the intent you have is extraordinary. You have no fear. | :21:49. | :21:55. | |
That is wonderful to see. Gleb has asked a lot of you. To be able to | :21:56. | :22:03. | |
produce those lines and those lifts these are tiny picky things when we | :22:04. | :22:06. | |
get to lines where the feet, if they are slightly turned in, it ruins it | :22:07. | :22:11. | |
altogether. That is - it's another skill altogether. You're drama and | :22:12. | :22:16. | |
attack was there. APPLAUSE Len? It was like a cowpat | :22:17. | :22:27. | |
on Countryfile - hot and steamy! I do understand what my colleagues are | :22:28. | :22:33. | |
saying here. However, I ignore - I'm not going to compare this to a | :22:34. | :22:41. | |
movie. I'm just looking at you two out there dancing an Argentine Tango | :22:42. | :22:46. | |
to a difficult piece of music, and I thought you did it spectacularly | :22:47. | :22:53. | |
well. So did we. You certainly got this Jailhouse Rocking. Well done, | :22:54. | :22:55. | |
my darling. We thought it was fantastic. | :22:56. | :23:13. | |
Electric up here. Were you surprised Gleb, do you want to answer | :23:14. | :23:17. | |
Craig'ses comments? Is I'm so proud. You know, the person who has never | :23:18. | :23:22. | |
danced before, here Week 11, quarter-finals. You are doing that | :23:23. | :23:26. | |
is almost impossible. You really are. Thank you. We know about the | :23:27. | :23:33. | |
feet. We worked on that. I've had feet like this for 38 years. I'm | :23:34. | :23:39. | |
trying every week. It takes a while. Everyone in this room. We thought | :23:40. | :23:43. | |
you were absolutely fantastic. I really enjoyed this week. | :23:44. | :23:46. | |
Well done. Same score as last week. Great. The six shocked everyone. | :23:47. | :24:14. | |
If you think it would be a crime for Anita to leave, | :24:15. | :24:17. | |
call: 6 22 52 03 from your mobile, 09015 22 52 03 from your landline | :24:18. | :24:21. | |
Still to come, Jay and Aliona have a piano. | :24:22. | :24:29. | |
Don't worry, I made her go backwards. | :24:30. | :24:33. | |
Our next couple is Kellie Bright and her partner, Kevin Clifton. | :24:34. | :24:42. | |
They're doing a Viennese Waltz to the song | :24:43. | :24:44. | |
Oom Pah Pah and Kelly's hoping this "Twist" on a song from Oliver will | :24:45. | :24:47. | |
Well done on that salsa. Oh, my goodness. Hardest routine we've done | :24:48. | :25:02. | |
yet - by a mile. By a country mile. I loved it! Kellie and Kevin. I | :25:03. | :25:07. | |
couldn't believe we had to do it again. I was like - oh, my goodness. | :25:08. | :25:14. | |
Somehow we knead through. Survived. We are in the quarter-finals. This | :25:15. | :25:21. | |
week we are doing a Viennese Waltz from Oliver. Saturday is my little | :25:22. | :25:26. | |
boy's fourth birthday. I won't be there. Oh, dear. We have a really | :25:27. | :25:34. | |
crazy full on schedule with training I wondered if I could bring him to | :25:35. | :25:38. | |
one of our training sessions? That would be awesome. Hiya, Freddie. | :25:39. | :25:45. | |
What was your favourite dance? When you went crazy. When I went crazy! | :25:46. | :25:51. | |
We showed Freddie a bit of our Viennese Waltz. I think he liked it | :25:52. | :26:00. | |
# I'm on top of the world... # I haven't been able to spend much | :26:01. | :26:05. | |
time with him at all. Getting extra time with him was really lovely. We | :26:06. | :26:11. | |
got Freddie a little present. Kevin bought him a dancing robot. A robot! | :26:12. | :26:15. | |
It was really sweet. Thank you. Dancing the Viennese Waltz | :26:16. | :26:27. | |
from the musical Oliver, What a performance. Goodness me. | :26:28. | :28:29. | |
That's gone down a storm! I knew we could count on you. That is the | :28:30. | :28:41. | |
first time I've seen a Viennese Waltz that was not elegant, had | :28:42. | :28:48. | |
absolutely no class, darling. Had no grace whatsoever and was common as. | :28:49. | :28:50. | |
You know what - I loved it! APPLAUSE. | :28:51. | :29:06. | |
Dance Off last week, has she bounced back? Oh, yeah! Kevin, well done, | :29:07. | :29:13. | |
because that was made perfectly for Kellie. To see the enjoyment flowing | :29:14. | :29:18. | |
out of you. Not just through the dance, through the character and | :29:19. | :29:21. | |
everything. It was absolutely devine. Not easy. You could get | :29:22. | :29:27. | |
carried away with that music and punch it. Go | :29:28. | :29:33. | |
# Oom Pah Pah... # Sorry! You kept the sway, it was brilliant. | :29:34. | :29:42. | |
Well done! Is did you like that, Len? . Yeah Len?. | :29:43. | :29:48. | |
# Oom Pah Pah, stick it up your jumper... # | :29:49. | :29:52. | |
I was reviewing the situation! I loved it. Oh, yes. It was like a | :29:53. | :30:00. | |
knees up down the Old Vic. So much fun much you got the character of | :30:01. | :30:04. | |
the dance, but also the character of that musical. Listen, my yardstick, | :30:05. | :30:09. | |
would I like to just watch it again - yes, I would. It was great. We | :30:10. | :30:16. | |
would all love to see it again. Not tonight. I don't mean that. We don't | :30:17. | :30:23. | |
want to see it again. Bruno? Consider yourself at home | :30:24. | :30:27. | |
# Consider yourself part of the family... # | :30:28. | :30:32. | |
You owned it. It was a Viennese Waltz by the people, for the people. | :30:33. | :30:37. | |
It really was. Devil-may-care attitude. It was Happy Hour at | :30:38. | :30:43. | |
Strictly Come Dancing. Wasn't it just. We loved every moment. Bruno | :30:44. | :30:50. | |
is singing, it's musical night hechl was bound to get theatrical. They | :30:51. | :30:56. | |
loved it. One last thing, happy birthday to your beautiful little | :30:57. | :31:00. | |
boy. If he's watching - happy birth. She did so well your mum. | :31:01. | :31:03. | |
Get yourself up the apples and pears and go and see Claudia. | :31:04. | :31:06. | |
You really enjoyed it, didn't you? We did, didn't we? Because you | :31:07. | :31:30. | |
really wanted to do it and you were like, you through yourself into it. | :31:31. | :31:36. | |
I loved it. The Viennese waltz is a gorgeous dance to do. When I heard | :31:37. | :31:40. | |
we were going to be do it to this one, I thought, really?! But I | :31:41. | :31:48. | |
really loved it. He is so clever. You are. When you come out, what do | :31:49. | :31:55. | |
you say every time before you go out to dance? I always say, it is just | :31:56. | :32:03. | |
you and me. I always say, just do it like we did it in training. | :32:04. | :32:05. | |
More than last week. Congratulations. | :32:06. | :32:32. | |
If you enjoyed seeing Kellie as the landlady of an East End pub - | :32:33. | :32:39. | |
and when are you ever going to see that again...call... | :32:40. | :32:43. | |
6 22 52 01 from your mobile, 09015 22 52 01 from | :32:44. | :32:46. | |
your landline or vote online free of charge when the vote opens later. | :32:47. | :32:49. | |
Three dances down and we have all of this still to come. | :32:50. | :32:56. | |
Getting those steps in time with the music and trying to get the | :32:57. | :33:00. | |
technique is doubly hard. I am struggling. It is romantic and since | :33:01. | :33:07. | |
you will. Things that I am not usually described as. I am basically | :33:08. | :33:12. | |
loving the dance but there is a load of detail. The shape, the feet, the | :33:13. | :33:18. | |
heel turns. I have got a long way to go. | :33:19. | :33:21. | |
I'm looking forward to the second half of our Musicals Show. | :33:22. | :33:25. | |
Claud, did you manage to get us those choc ices? | :33:26. | :33:27. | |
Our next couple is Jay McGuiness and his partner, Aliona Vilani. | :33:28. | :33:39. | |
They're dancing a rumba to a song from the musical Once. | :33:40. | :33:46. | |
It's a story of unrequited love between a busker and a piano player, | :33:47. | :33:49. | |
but let's hope tonight they can make sweet music together. | :33:50. | :33:54. | |
You've got a little something on the corner of your... | :33:55. | :34:05. | |
On Saturday one of the things I enjoyed most was feeling like we | :34:06. | :34:10. | |
were really in it. We were working as one. It was just superb. Overall | :34:11. | :34:19. | |
we got a 38, which is our highest score so far. I am on cloud nine. So | :34:20. | :34:26. | |
this week we are dancing a rumba. The musical is Once and the soul is | :34:27. | :34:37. | |
called Falling Slowly. I have arranged for someone to come in and | :34:38. | :34:41. | |
help us with the dance. Ronan was in the musical in the West End so he | :34:42. | :34:45. | |
knows the characters and the story and the songs inside out. This guy | :34:46. | :34:53. | |
in the show falls in love with this girl who is married and has somebody | :34:54. | :34:56. | |
else. She makes him fall in love with his music again. I know you are | :34:57. | :35:00. | |
getting stick from the judges because they say you are not showing | :35:01. | :35:04. | |
your emotion on your face. I understand that because I have to | :35:05. | :35:07. | |
work on that myself because you are acting. Every night you have to show | :35:08. | :35:11. | |
the people that you mean it when you are singing it. This is the perfect | :35:12. | :35:18. | |
song for him. He is going to show people what he can do this week. | :35:19. | :35:21. | |
That was amazing. Estimate. It is the quarterfinals. It is so | :35:22. | :35:26. | |
important that we do well. I just hope that people love it and that | :35:27. | :35:27. | |
they feel what we are feeling. Dancing the Rumba | :35:28. | :35:32. | |
from the musical Once, Never mind falling slowly, | :35:33. | :35:35. | |
the audience has just fallen, head It was very tender, wasn't it? He is | :35:36. | :37:48. | |
our last male celebrity standing. How did he do, Darcey? Well, you | :37:49. | :37:53. | |
both brought tears to my eyes. That was... | :37:54. | :38:00. | |
APPLAUSE It was really... That story that you | :38:01. | :38:05. | |
created, that intimacy, it was so real, it was really well done. | :38:06. | :38:10. | |
Sometimes you come across a little bit embarrassed. And that was not | :38:11. | :38:15. | |
embarrassing at all. The way you were able to do that and still feel | :38:16. | :38:19. | |
strong and everything and show that compassion to her through those | :38:20. | :38:27. | |
moves. Technically, you were able to make the rotation, the continuity of | :38:28. | :38:35. | |
the movements. It was fabulous. Moved to tears! You have been | :38:36. | :38:42. | |
critical of some of the rumbas in this series, so what did you think | :38:43. | :38:48. | |
of that one, Len? Well, it was lovely of you to dress up for the | :38:49. | :38:53. | |
evening! It was a musical from Once and I will tell you this, you will | :38:54. | :38:59. | |
not be dancing twice! That is in the semifinal! I have been critical of | :39:00. | :39:07. | |
the rumbas, lack of content and all that. This is a hard dance, | :39:08. | :39:12. | |
especially for men. Too hard, too soft. You got it right! It was | :39:13. | :39:18. | |
fantastic. I have not been convinced totally by your dancing. Tonight you | :39:19. | :39:24. | |
have convinced me. You are a fantastic dancer. Bruno, did that | :39:25. | :39:33. | |
rumba stir you? Well, I have been saying that that was a pitch perfect | :39:34. | :39:40. | |
interpretation of the theme, on both levels, as a performer and as a | :39:41. | :39:45. | |
dancer. It was irresistibly romantic, touching, emotionally | :39:46. | :39:47. | |
involving. And you did the wonderful thing that we always ask of our | :39:48. | :39:53. | |
dancer - using your legs, stretching from your legs into the floor. You | :39:54. | :39:59. | |
use your feet like hands. It caresses, it envelops you. You have | :40:00. | :40:11. | |
done an amazing job. Craig? This character actually suited | :40:12. | :40:16. | |
unilaterally I think. That's why it came across story wise so | :40:17. | :40:21. | |
brilliantly. I thought you presented Aliona so well, it was absolutely | :40:22. | :40:27. | |
wonderful. The control you had to go into a pirouette was brilliant. The | :40:28. | :40:33. | |
hip action I could not complain about whatsoever. The only thing I | :40:34. | :40:37. | |
could pick my finger on... There is always something! It was just to | :40:38. | :40:44. | |
dance through it a little bit more through the fall. Just keeping it | :40:45. | :40:50. | |
alive. I thought sometimes... ALL SPEAK AT ONCE It is advice for the | :40:51. | :41:09. | |
final, darling, if you get there! Thank you, judges. Pretty much a | :41:10. | :41:11. | |
chorus line of approval. Huge congratulations to both of you. | :41:12. | :41:32. | |
You must be so proud, Aliona. I was watching you, and you made Darcey | :41:33. | :41:40. | |
cry! No, she will be all right! But also it is such a dance. Did you | :41:41. | :41:46. | |
enjoy it? I really loved it. It is hard to look like a guy and lead. | :41:47. | :41:52. | |
But I think you have been really patient and great, so cheers. And I | :41:53. | :41:57. | |
am so proud. I have been proud since day one. But as a dancer and as a | :41:58. | :42:03. | |
performer I think he grew so much. It was wonderful but Len said, I was | :42:04. | :42:08. | |
not convinced - now I am convinced. I know your mum watches with the | :42:09. | :42:13. | |
same group of people. Shall we say hello to Bernie? Hi, Bernie! | :42:14. | :42:21. | |
That is the joint highest score in this competition. Very well done. | :42:22. | :42:53. | |
For a rumba as well! If you don't want them "falling | :42:54. | :42:55. | |
slowly" out of the competition, Still to come, | :42:56. | :42:58. | |
Helen does a Paso Doble in France. Or as the French call it, | :42:59. | :43:10. | |
Le Paso Doble. Our next couple is Katie Derham and | :43:11. | :43:13. | |
her partner, Anton Du Beke. They're doing a Foxtrot to a song | :43:14. | :43:21. | |
from Cabaret. With Katie by his | :43:22. | :43:24. | |
side this year, could the song's title be a sign of things to come | :43:25. | :43:27. | |
for Anton? They are dancing to Maybe This | :43:28. | :43:29. | |
Time. I've always loved watching the | :43:30. | :43:40. | |
Argentine Tango on Strictly. It was a particular thrill to have | :43:41. | :43:44. | |
performed one myself. I felt it went pretty well. Gorgeous. I got | :43:45. | :43:48. | |
wonderful comments. It was a fantastic dance. Well done. Thank | :43:49. | :43:53. | |
you. It's quarter-finals. Who would have thought? It's something I'm | :43:54. | :43:57. | |
unfamiliar with, to be dancing in December. I'm not used to it. | :43:58. | :44:02. | |
Foxtrot next, in the quarter-finals. I know. Musicals week, to boot. Pie | :44:03. | :44:10. | |
cup runneth over. Anton's favourite dance is the Foxtrot. Our song is | :44:11. | :44:19. | |
from Cabaret. My daughter was it in a school production. I thought it | :44:20. | :44:23. | |
would be fantastic if if she could come to training to give me advice. | :44:24. | :44:27. | |
The dance numbers in your show were amazing. How should we approach your | :44:28. | :44:32. | |
number. Snoop Sally does what she wants. Dance like the judges aren't | :44:33. | :44:36. | |
judging you. That is excellent advice. At the end of the number I | :44:37. | :44:46. | |
do chairogrphy. Do it like you have purpose. She is helping me pose | :44:47. | :44:49. | |
that. If she goes out there it and does it without any fear of what | :44:50. | :44:53. | |
people will think of her, she will be great. The combination of her | :44:54. | :45:04. | |
advice and Anton being King of the Foxtrot we should be in a great | :45:05. | :45:08. | |
position to give a great performance. | :45:09. | :45:11. | |
Dancing the foxtrot from the musical Cabaret, please welcome | :45:12. | :45:13. | |
Anton, over here! Yes! We would all like tickets to that | :45:14. | :47:18. | |
cabaret. We loved it, too. Does our Cabaret star deserve an encore next | :47:19. | :47:22. | |
week I think you do. It was long-winded getting started. It was | :47:23. | :47:26. | |
worth the wait. Once you got into hold and started, fabulous movement. | :47:27. | :47:31. | |
Beautiful lines. A very, very accomplished performance. Thank you. | :47:32. | :47:35. | |
Your daughter would be proud of you. Bruno, what do you think? Katie, my | :47:36. | :47:44. | |
darling, she's like a classic luxury sports car. Under guidance able to | :47:45. | :47:51. | |
pull off a fantastic ride. Next time get started a bit earlier! You were | :47:52. | :47:56. | |
parked by the kerb for hours. Beautiful. Once you started moving | :47:57. | :48:07. | |
and firing on all cylinders it was beautiful. Craig you choreographed | :48:08. | :48:12. | |
many a musical. How did it look to you? It looked very good. Anton I | :48:13. | :48:16. | |
loved the choreography. I rather liked the opening. I think it could | :48:17. | :48:23. | |
have been sassier with it, add hips when walking down the stairs, then | :48:24. | :48:28. | |
go into hold. I thought it was really, really lovely. Thank you. | :48:29. | :48:33. | |
Darcey, did you? Katie, that's exactly what we want from you. The | :48:34. | :48:38. | |
confidence you oozed, it was brilliant. It really was. If I'm | :48:39. | :48:43. | |
going to be really, really picky, because I know you have more in you | :48:44. | :48:49. | |
to give, those two extensions where you twist, twist, I would like more. | :48:50. | :48:52. | |
Everything, just stretching it out a little bit more every time. | :48:53. | :48:57. | |
Brilliant, well done. Thank you. Thank you, judges. They all loved | :48:58. | :49:04. | |
it. We loved it, too. Well done, my darling. | :49:05. | :49:07. | |
Katie. You look so gorgeous. Well done to both of you. I saw you, I | :49:08. | :49:27. | |
think it was on It Takes Two this week, I'm being taught the Fox fro | :49:28. | :49:37. | |
by the King. Heels, toes. Judy is in the audience. She has watched her | :49:38. | :49:42. | |
sons win the Davis Cup for Britain and now she's watching you dance | :49:43. | :49:49. | |
like that. -- foxtrot. Are you there, Judy? This is the greatest | :49:50. | :49:53. | |
week of her life. It's pretty close to the greatest week of my life! | :49:54. | :49:58. | |
Well done. You enjoyed it? I loved it. I really loved dancing that with | :49:59. | :50:04. | |
you. Jool I love loved dancing it with you. You were joyious, | :50:05. | :50:11. | |
excellent, sophisticated, stylish... Keep going. | :50:12. | :50:15. | |
35. Are you all right? Do you know. I love quarter-finals! It's every | :50:16. | :50:40. | |
week this - 9s! We are still here, Anton! | :50:41. | :50:44. | |
If you don't want our Cabaret star to be calling a cab, dial | :50:45. | :50:47. | |
or vote online when the vote opens later. | :50:48. | :50:52. | |
For all the behind the scenes news and gossip, go to Facebook, | :50:53. | :50:55. | |
Rounding off our Musicals Special tonight is Helen George | :50:56. | :51:01. | |
They're doing a Paso Doble to a song from Les Miserable. | :51:02. | :51:10. | |
It is the show that inspired Helen to become an actress, | :51:11. | :51:12. | |
so what better place to go for some inspiration for her Paso? | :51:13. | :51:22. | |
So wonderful performing our Viennese Waltz. I loved. It We were hoping | :51:23. | :51:29. | |
for a 10 for the whole series now. I can't believe we are in the | :51:30. | :51:32. | |
quarter-finals. It doesn't really feel real. This week we're doing a | :51:33. | :51:42. | |
Paso to At The End of the Day. There are aggressive arms. You can't | :51:43. | :51:48. | |
smile. The steps are so hard. It's the quarter-final. Not this hard. We | :51:49. | :51:54. | |
are going to meet the cast of Les Mis. It's my favourite musicals. If | :51:55. | :52:07. | |
I hadn't been to see Les Mis I wouldn't have been an actress. Oh! . | :52:08. | :52:16. | |
Shall we go up on stage. Can we? Let's go. They told us more about | :52:17. | :52:21. | |
the show. It's about the French Revolution. It ties in your dance. | :52:22. | :52:30. | |
It is full of passion and you are fighting for what you believe in. Do | :52:31. | :52:34. | |
you want to see a section of our routine? Absolutely. I felt a little | :52:35. | :52:42. | |
bit intimidating doing my paso on the stage. Coming on the stage has | :52:43. | :52:48. | |
reminded me how theatrical our paso needs to be. It's inspired me. | :52:49. | :52:52. | |
Dancing the paso doble from the musical Les Miserables, | :52:53. | :52:55. | |
I don't think anyone is Les Miserables after that! | :52:56. | :54:55. | |
I love you like that. Bruno - I'm ready for battle, victory. The crowd | :54:56. | :55:12. | |
rising, full of drama. There was so much going on I was punch drunk. I | :55:13. | :55:19. | |
want to win. Go for it. Very strong and impactful. Be careful of balance | :55:20. | :55:23. | |
issues, my darling. You have got to keep that balance. You have to keep | :55:24. | :55:27. | |
the strength all the way through in spite of everything going on around | :55:28. | :55:32. | |
you. Victory, victory! Victory is yours. Let us ask our own Les | :55:33. | :55:39. | |
Miserables what he think is? You were late to start it off. That is | :55:40. | :55:44. | |
what kick-starts it. You are in the line-up, you have to be on it with | :55:45. | :55:48. | |
everybody else or you stand out for all the wrong reasons. The last | :55:49. | :55:53. | |
moment you set your balance too far forward and couldn't control it - | :55:54. | :55:57. | |
Picky, picky. What happened in between those moments, darling, I | :55:58. | :56:00. | |
thought was clean, fiesty, sharp and brilliant. Thank you, Craig. Darcey? | :56:01. | :56:07. | |
There was so much dance content much I don't actually know how you fitted | :56:08. | :56:11. | |
it all in. It was crazy at one point. That's the only thing I felt | :56:12. | :56:16. | |
that maybe you weren't on top of it all. The intent and the resistance | :56:17. | :56:19. | |
through the floor. I could see the face. I could see the drama, the | :56:20. | :56:24. | |
fight within you. I just want to feel it through your body. I felt | :56:25. | :56:29. | |
you were upright. If you could create more curves with the body and | :56:30. | :56:32. | |
shaping with the arms. Still, the energy was there and the intent. But | :56:33. | :56:39. | |
well done. Great energy. Len, our master of house, what do you think? | :56:40. | :56:43. | |
I think it's been a fantastic quarter-final. I think it was a | :56:44. | :56:50. | |
fitting end. You put twists, turns in amongst all that going on. Your | :56:51. | :56:55. | |
facial expression, you were living, that I tell you. I thought it was | :56:56. | :57:00. | |
terrific. Well done. Thank you very much. You go and join the revolution | :57:01. | :57:06. | |
upstairs with Claudia and the gang. Fabulous Paso Doble. | :57:07. | :57:11. | |
APPLAUSE It was so wonderful. You had such a | :57:12. | :57:28. | |
love hate relationship with the Paso Doble. I hate it, I love it? | :57:29. | :57:32. | |
Absolutely. You have to be aggressive in it. Very angry. He | :57:33. | :57:37. | |
choreographed such an amazing production. That is what I loved | :57:38. | :57:41. | |
about the dance. Fantastic. So much going on. The scores are in. | :57:42. | :57:44. | |
If you Dream a Dream of seeing them here next week, | :57:45. | :58:06. | |
or you can vote for free online when the vote opens very shortly. | :58:07. | :58:15. | |
All our couples have danced and it's not long before you can | :58:16. | :58:19. | |
But first, let's take a look at our leaderboard. | :58:20. | :58:27. | |
At the top are Jay and Aliona with a score of 39. At the bottom, with a | :58:28. | :58:33. | |
score of 31, Anita and Gleb. Remember, you can change all that | :58:34. | :58:39. | |
by picking up And, in the spirit of musicals, | :58:40. | :58:41. | |
some one, please, pass me a cane. I caught it! Never mind, one out of | :58:42. | :58:47. | |
two. Thank you, Janet! Calls cost 15p plus | :58:48. | :58:55. | |
your network access charge. Please get the bill payer's | :58:56. | :59:01. | |
permission before you call. Or, alternatively, | :59:02. | :59:03. | |
you can vote online for free where you will also find | :59:04. | :59:05. | |
full terms and conditions. Please don't vote | :59:06. | :59:08. | |
if you're watching on demand. To help you decide, | :59:09. | :59:11. | |
here's a reminder of tonight's performances and | :59:12. | :59:13. | |
the all important vote information. Our dancers will be joining the cast | :59:14. | :01:31. | |
of The Lion King. We will see you tomorrow at 7.20. In the meantime... | :01:32. | :01:34. | |
Keep dancing! What do we do with | :01:35. | :01:41. | |
something like this? | :01:42. | :01:45. |