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MUSIC: Circle of Life from The Lion King | :01:08. | :03:54. | |
CHEERING AND APPLAUSE | :03:55. | :04:01. | |
ALAN DEDICOAT: This is Strictly Come Dancing - The Results. Please | :04:02. | :04:03. | |
welcome your hosts, Tess Daly and Claudia Winkleman. | :04:04. | :04:17. | |
Hello and welcome to our Musicals Results show. | :04:18. | :04:23. | |
What an incredible opening to the show. | :04:24. | :04:25. | |
A huge thank you to our professional dancers joined by | :04:26. | :04:30. | |
the cast of The Lion King - currently playing in the | :04:31. | :04:32. | |
Saturday night saw our six couples take to the | :04:33. | :04:35. | |
stage and high kick their way through the | :04:36. | :04:37. | |
It was a night full of surprises and all change at the top of the | :04:38. | :04:41. | |
leaderboard. But sadly with only five places | :04:42. | :04:43. | |
available in next week's show, one Your votes have been combined with | :04:44. | :04:45. | |
the judges' scores and the two couples with | :04:46. | :04:49. | |
the lowest overall points will face Their fate then lies in the hands | :04:50. | :04:52. | |
of four people who know how to make Len Goodman and Bruno Tonioli | :04:53. | :04:56. | |
and Craig Revel Horwood and Also on the bill tonight, | :04:57. | :05:05. | |
performing a classic from The Wizard And the judges will be taking | :05:06. | :05:25. | |
another look Soon we'll reveal the first | :05:26. | :05:31. | |
couple to face the dance-off. But before that, | :05:32. | :05:35. | |
here's a look back at Saturday's It's week 11 on Strictly Come | :05:36. | :05:53. | |
Dancing. Not only is it the quarterfinals, it's also Musicals | :05:54. | :05:55. | |
Week. It's quarterfinals. I cannot believe | :05:56. | :06:03. | |
I'm here and wearing a wig. The stand soared really high. I think | :06:04. | :06:07. | |
everybody has upped their game this week. This week I'm trying hard to | :06:08. | :06:11. | |
look like a scruffy musician. Watch this space, there is going to be | :06:12. | :06:17. | |
quite the transformation. It's nearly showtime. | :06:18. | :06:23. | |
It feels like I'm in a musical. Nobody can call who is going to be | :06:24. | :06:27. | |
in the dance-off tonight. I just hope it is not me. This is going to | :06:28. | :06:29. | |
be the best night of the series. Good luck everybody. Come on. Let's | :06:30. | :06:46. | |
dance. Ladies and gentlemen, please take your seats, the performance is | :06:47. | :06:52. | |
about to begin. You were a picture of loveliness out there. It was | :06:53. | :07:00. | |
brilliant. Well done. That's exactly what we want from you. The | :07:01. | :07:04. | |
confidence, you oozed. It was brilliant. Fabulous movement. | :07:05. | :07:09. | |
Beautiful lines. A very, very accomplished performance. Thank you. | :07:10. | :07:17. | |
Well done. Good job. I like it when you are happy. | :07:18. | :07:22. | |
This dance has exposed all your weak points. It exposed the fact that | :07:23. | :07:32. | |
your feet were flexed, that you have a tendency towards pigeon toes. At | :07:33. | :07:36. | |
times your footwork got a little bit behind and a little bit sloppy. You | :07:37. | :07:41. | |
worked hard, it was hard. It wasn't easy. It was crazy at one point. | :07:42. | :07:45. | |
That's the only thing I felt that maybe you weren't on top of it all. | :07:46. | :07:51. | |
Very strong, very impactful. Be careful of balance issues. You have | :07:52. | :07:55. | |
to keep the strength all the way through, in spite of everything | :07:56. | :07:58. | |
going on around you. You know I could have done it better. I wish I | :07:59. | :08:04. | |
had for Aljaz. I thought it was absolutely delightful. In fact, I'd | :08:05. | :08:13. | |
go as far to say enchanting. There were beautiful moments when you | :08:14. | :08:15. | |
hovered in every transition. Beautiful. | :08:16. | :08:21. | |
Belle. It was like a knees up down the Old Vic. It was great. Not | :08:22. | :08:32. | |
elegant had absolutely no class darling and was commons a, as inyou | :08:33. | :08:41. | |
know, what LOVED it. -- common as, and you know what. You | :08:42. | :08:49. | |
brought tears to my eyes. It was fabulous. You have done an amazing | :08:50. | :08:54. | |
job, with an extremely difficult dance. Tonight you have convinced me | :08:55. | :08:55. | |
you are a terrific dancer. 10. What a night of pure theatre. Here | :08:56. | :09:28. | |
is how the leaderboard looks after Saturday's performances. Up at the | :09:29. | :09:32. | |
top we have Jay and Aliona and at the bottom Anita and Gleb. Have your | :09:33. | :09:36. | |
votes at home change everything? With just five places left in next | :09:37. | :09:42. | |
week's semifinal, no-one wants the curtain to come down just yet. The | :09:43. | :09:44. | |
results are in. In no particular order, the first | :09:45. | :09:52. | |
couple safely through to next week is... | :09:53. | :10:03. | |
Jay and Aliona. APPLAUSE | :10:04. | :10:46. | |
Thank you. And now the first couple that must | :10:47. | :10:56. | |
fight for survival in the dance-off is... | :10:57. | :11:06. | |
Helen and Aljaz. The rest of you, I'm afraid, will have to wait a bit | :11:07. | :11:17. | |
longer to find out if you are safe. Helen and Aljaz, please come and | :11:18. | :11:23. | |
join me. Goodness me. None of us saw this coming. Not at all. Top. | :11:24. | :11:28. | |
Leaderboard last week, dance-off this week. How are you feeling? | :11:29. | :11:33. | |
Nervous about doing it again. But love doing it. I'm proud of Aljaz | :11:34. | :11:39. | |
for choreographing such a wonderful number. I love doing it. He is so | :11:40. | :11:43. | |
clever. And you two have been great together. Let's go to the judges for | :11:44. | :11:47. | |
advice. Craig, you said Helen made a mistake at the beginning of the | :11:48. | :11:50. | |
routine and had balance issues at the end. If she can fix those, does | :11:51. | :11:54. | |
she skr a chance of surviving? Absolutely. I mean this is a | :11:55. | :11:58. | |
fantastic and incredible routine. You are going to get the opportunity | :11:59. | :12:03. | |
to come on, do it again and be better. You know, you are suchal | :12:04. | :12:07. | |
brilliant dancer, you really, really are. -- you are such a brilliant | :12:08. | :12:14. | |
dancer. It is shocking to see you here at this point. We wish you the | :12:15. | :12:19. | |
best of luck. There is a lot resting on this dance-off, a place in the | :12:20. | :12:23. | |
semis. Over to you, Claudia. I'm joined by two semifinalists. I have | :12:24. | :12:27. | |
to say, they are shaking and happiness. You were in the dance-off | :12:28. | :12:32. | |
last week. Did you think - I'm going to do this dance again? I really did | :12:33. | :12:36. | |
think we were going to be in the dance-off again. We are the only | :12:37. | :12:40. | |
couple left in this competition that have been in the dance-off and we | :12:41. | :12:43. | |
have been in it twice. We were pretty convinced. How does it feel | :12:44. | :12:47. | |
to be a semifinalist? Oh, I'm very excited. Trying not to get over | :12:48. | :12:50. | |
excited but I am really, really happy. I can tell. Two dances next | :12:51. | :12:56. | |
week. With this girl's schedule, how will that work? I have absolutely no | :12:57. | :13:02. | |
idea. No sleep for either of using. Jay, you also have two dance, | :13:03. | :13:06. | |
Viennese waltz I believe and the Charleston. Two completely different | :13:07. | :13:10. | |
dances. How are you going to fit both of those in? I think we'll put | :13:11. | :13:16. | |
in the hours, work dusk till dawn. I like because they are quite | :13:17. | :13:19. | |
different, I won't mix them up. I think you could mix them up again. | :13:20. | :13:26. | |
Yes, smile, did the splits, fan. Alyoenia, you have been with this | :13:27. | :13:31. | |
boy 11 weeks. How much has he changed? He is still the same Jay | :13:32. | :13:38. | |
but a dancer and performer he has grown so much. I'm proud that | :13:39. | :13:44. | |
everything he worked on and how hard he worked on everything and everyone | :13:45. | :13:47. | |
will appreciate that, and that's rewarding. Well, huge | :13:48. | :13:51. | |
congratulations. He is so cute! Well done. Time for some music with | :13:52. | :14:01. | |
Somewhere Over The Rainbow from the Wizard of Oz, it is the magnificent, | :14:02. | :14:04. | |
Josh grow an. -- Josh Groban. # There's a land that I heard | :14:05. | :14:23. | |
of once in a lullaby # And the dreams that you dare | :14:24. | :15:00. | |
to dream really do come true # And wake up where | :15:01. | :15:35. | |
the clouds are far behind me # Where troubles melt | :15:36. | :15:49. | |
like lemon drops # If happy little blue birds | :15:50. | :15:58. | |
fly beyond the rainbow Thank you so much to Josh Groban. It | :15:59. | :17:38. | |
is now time to welcome our Barry and Rossi, and the others! It is the | :17:39. | :17:41. | |
judges! This is when you can expand a little | :17:42. | :17:55. | |
on what you might have said on Saturday night. Can we do this | :17:56. | :18:04. | |
alone?! No! Welcome, Len's Lens. First things first, Len, it was | :18:05. | :18:12. | |
quite a lively panel, I think we are all agreed, on Saturday night. Here | :18:13. | :18:18. | |
is a reminder. It has to be cut like knives! Sorry! But you know... What | :18:19. | :18:40. | |
can I say?! Give over! Go and have a shave! Let's talk about Jay and | :18:41. | :18:52. | |
Aliona. Because Len's Lens was focusing just on his feet. Know | :18:53. | :18:59. | |
he'll lead. This is a variation on a step called the sliding doors. It is | :19:00. | :19:05. | |
a basic step. Watch his feet, from the toe to the ball and then onto | :19:06. | :19:14. | |
the... There he goes. And this is perfect rumba technique. It's as | :19:15. | :19:21. | |
though you are pushing a match. I used to put matches on the floor for | :19:22. | :19:25. | |
my kids and get them to just push through and get that lovely toe-ball | :19:26. | :19:34. | |
feeling. He did it beautifully just when you think he has got all of the | :19:35. | :19:38. | |
other bits and pieces to remember as well - I congratulate him. Thank you | :19:39. | :19:45. | |
so much. RC, I would like to talk to you about Helen. You have said | :19:46. | :19:48. | |
before that her legs are too straight. Did you want more shape? | :19:49. | :19:52. | |
This girl has so much beautiful posture. She is so divine in | :19:53. | :19:58. | |
ballroom but this is difficult. I would like more exaggeration, more | :19:59. | :20:04. | |
curves, more shape in the arms, everything. She could use her waist | :20:05. | :20:11. | |
more. Show us...? It is all of that. Don't you start! Don't get me going! | :20:12. | :20:20. | |
It was still a beautiful dance but we just want more because we have | :20:21. | :20:25. | |
such high expectations. Quite pernickety on Saturday if you do not | :20:26. | :20:29. | |
mind me saying. Craig, I know that sometimes you can be obsessed by | :20:30. | :20:35. | |
hands. I am. In the quarterfinal, let's have a look at the girls in | :20:36. | :20:39. | |
the ballroom. Isn't it lovely when you see a beautiful hand just set | :20:40. | :20:44. | |
deliciously on the end of someone's shoulder? It is lovely. Because you | :20:45. | :20:53. | |
like it placed. I know at the beginning of the competition, you | :20:54. | :21:00. | |
are just like, holding on! We are getting really precise now. Here is | :21:01. | :21:04. | |
a clip. That's the spirit! There you go! I | :21:05. | :21:35. | |
know you loved it. Thank you so much. The judges! So far, two | :21:36. | :21:45. | |
couples have secured their place in the competition. But who will join | :21:46. | :21:53. | |
them? Of the three remaining couples, two of them will make it | :21:54. | :21:59. | |
through to the semifinal. One will face Helen and Aljaz in the | :22:00. | :22:02. | |
dance-off. It is the moment of truth. In no particular order, | :22:03. | :22:06. | |
safely through to next week are... So that means, Georgia and Giovanni | :22:07. | :22:44. | |
and Katie and Anton, one of you is through to the semifinal and one of | :22:45. | :22:47. | |
you is in the dance-off. I can reveal that the couple who will | :22:48. | :22:56. | |
compete in the dance-off is... Georgia and Giovanni. So, Katie and | :22:57. | :23:06. | |
Anton, congratulations, you are through to next Saturday. Georgia | :23:07. | :23:11. | |
and Giovanni, please come and join me. Come on over. You have been so | :23:12. | :23:24. | |
consistent in the competition. Are you shocked to be here right now? | :23:25. | :23:29. | |
Not at all. The standard is unbelievable this year. Everyone is | :23:30. | :23:34. | |
just amazing so... It is going to be close. So close, honestly. I have | :23:35. | :23:42. | |
had an amazing time so far so I am just turn my best. It is all I can | :23:43. | :23:49. | |
do. Bruno, what is your advice? I am completely shocked because you are | :23:50. | :23:56. | |
beautiful, you are equally as good in Latin and in ballroom. That dance | :23:57. | :24:01. | |
was beautiful. A tiny little flour maybe. But this is just like a tiny, | :24:02. | :24:11. | |
Tinie Tempah key on a diamond. You are shiny, beautiful and gorgeous. | :24:12. | :24:17. | |
Just go on and dance and enjoy it. You are great. It is never easy | :24:18. | :24:26. | |
being in this position. We wish you all the best of luck. See you later | :24:27. | :24:33. | |
in the dance-off. Over to Claudia. I am here with two more semifinalists. | :24:34. | :24:41. | |
I mean...! When you first signed up, Katie Derham, did you say to | :24:42. | :24:45. | |
your family, I will see you in about three weeks? And here you are in the | :24:46. | :24:51. | |
semifinals... I cannot believe it. I thought it would be a bit of an | :24:52. | :24:57. | |
autumnal prance, and here I am. I do not know when I will be doing my | :24:58. | :25:01. | |
Christmas shopping! But I am extremely excited. Look at his face! | :25:02. | :25:08. | |
He is properly in shock! You have never had a ten, ever. All right! | :25:09. | :25:14. | |
Don't have to bring that up! It is just a fact. You have two chances | :25:15. | :25:24. | |
next week, a waltz and a Charleston. Basically you will not be leaving | :25:25. | :25:30. | |
the training room? No, I am going to get a camp bed. But what a way to | :25:31. | :25:35. | |
spend your weekend, in the semifinal! Now, Anita Rani, did you | :25:36. | :25:43. | |
assume you would be in the dance-off? Of course. I just want to | :25:44. | :25:49. | |
say thank you so much for your support to everybody who voted. It | :25:50. | :25:56. | |
means so much. I am having the best time with Gleb. We have worked so | :25:57. | :26:01. | |
hard every week. I am just amazed, genuinely. Thank you. Let's see what | :26:02. | :26:10. | |
our couples have been up to with Zoe on It Takes Two. By Monday, there | :26:11. | :26:14. | |
will be five couples left, and here are five more good reasons to watch | :26:15. | :26:22. | |
It Takes Two. True or false? It is elegant, it is a simple... Angelic, | :26:23. | :26:31. | |
just like you! What I do is, I put a Len step in there. I want to Len to | :26:32. | :26:38. | |
be impressed! And that is just for starters. Give me five! See you | :26:39. | :26:45. | |
Monday! One of our couples would love to make it through to the | :26:46. | :26:50. | |
semifinal. Georgia and Giovanni, Helen and Aljaz, only one of you | :26:51. | :26:53. | |
will be there. On Saturday night said it was magical to do that | :26:54. | :26:59. | |
dance. Are you just going to try and recreate that magic now? I hope so. | :27:00. | :27:04. | |
To be able to dance on Strictly is amazing. It is every girl's dream. I | :27:05. | :27:08. | |
will do my best. You will be wonderful. You have become such | :27:09. | :27:13. | |
close friends, so what do you have to say? I just want to say, you were | :27:14. | :27:19. | |
absolutely amazing. Do it again like last night and that is it. Enormous | :27:20. | :27:24. | |
luck. Please get into position. Georgia and Giovanni! Good luck! We | :27:25. | :27:37. | |
are one week away from the semifinal. How much would it mean to | :27:38. | :27:43. | |
be there? It would mean a huge amount. My main concern is letting | :27:44. | :27:47. | |
my partner down. He is brilliant. But if I do go home, it would be | :27:48. | :27:55. | |
because a very worthy -- a very worthy winner would be staying. I | :27:56. | :28:00. | |
know you have got the perfect partner in Helen. How will you | :28:01. | :28:06. | |
advise her to get through this? She is definitely the perfect partner. | :28:07. | :28:09. | |
She has been pushing me to my limits every week. You have been an | :28:10. | :28:14. | |
absolute joy to be around and to work with. We are just going to go | :28:15. | :28:21. | |
out there and smash the paso doble, and that is it! I like the way he | :28:22. | :28:27. | |
said that! The competition has never been closer. Dancing first to keep | :28:28. | :28:33. | |
their place on Strictly, it is Georgia and Giovanni! | :28:34. | :28:41. | |
CHEERING AND APPLAUSE | :28:42. | :30:31. | |
Georgia and Giovanni can do no more. Now dancing for a place in the | :30:32. | :30:37. | |
semifinal, it's Helen and Aljaz. CHEERING AND | :30:38. | :32:19. | |
APPLAUSE Well done to both couples. We'll now | :32:20. | :32:31. | |
find out by couple will be back to dance again next week. Judges, you | :32:32. | :32:35. | |
have seen both couples perform again in the dance-off. Based on that, it | :32:36. | :32:42. | |
is time to decide. I'm about to ask each of you the name of the couple | :32:43. | :32:47. | |
you think deserves to be saved and the reason why. The couple with the | :32:48. | :32:50. | |
most votes will stay in the competition, meaning the other | :32:51. | :32:53. | |
couple is sadly out of Strictly Come Dancing. In the event of a tie, head | :32:54. | :32:57. | |
judge Len, you will have the casting vote. Georgia and Giovanni and Helen | :32:58. | :33:05. | |
and Aljaz, this is it. Craig, who would you like to save and why? Can | :33:06. | :33:11. | |
I say, it wasn't the judges who put you here, it was the public. As far | :33:12. | :33:16. | |
as I'm concerned you are fantastic. Helen you were fantastic. But the | :33:17. | :33:21. | |
couple I'm going to save is Georgia and Giovanni. | :33:22. | :33:24. | |
Darcey, who do you think deserves to stay in the competition and why? | :33:25. | :33:29. | |
Well, I wish I didn't have to choose between you two. We have been so | :33:30. | :33:34. | |
fortunate because you have produced some stunning dances, both of you. | :33:35. | :33:40. | |
And I can only say the couple I would like to save is because they | :33:41. | :33:43. | |
have delivered technically and understood the style well and that | :33:44. | :33:51. | |
was Georgia and Giovanni. Two votes for you, Georgia and Giovanni. If | :33:52. | :33:54. | |
Bruno votes to save you, you are through to the semifinal. Bruno, who | :33:55. | :33:58. | |
do you want it stay in structly come dancing and why? Well, first I have | :33:59. | :34:04. | |
to say, both of your performances were wonderful. Completely different | :34:05. | :34:07. | |
and extremely power envelope their own way. Both of you should not be | :34:08. | :34:15. | |
here, but I have to choose the couple that added the extra polish | :34:16. | :34:18. | |
and finish that I found tonight beautiful to watch. Your lines | :34:19. | :34:24. | |
sweetie, darling, Georgia and Giovanni, you got that perfectly. | :34:25. | :34:30. | |
That means we are going to have to say goodbye to Helen and Aljaz. Come | :34:31. | :34:38. | |
and join us. Georgia and Giovanni, congratulations, we will see you in | :34:39. | :34:43. | |
next week's semifinal. Len, I know it makes no difference to the | :34:44. | :34:47. | |
result. I totally agree. Georgia and Giovanni deserve to be back. Thank | :34:48. | :34:51. | |
you very much. Helen and Aljaz, come on over and join me. We are so sorry | :34:52. | :34:57. | |
to see you go. You have given us so many memorable moments, like Darcey | :34:58. | :35:00. | |
said on the dance floor, what will you take away from your experience? | :35:01. | :35:04. | |
I have had the most amazing time. And spending this time with Aljaz, | :35:05. | :35:08. | |
he has been the most fantastic teacher but most of all friend. Also | :35:09. | :35:14. | |
I'm taking away a brilliant group of mates who I want to see in the | :35:15. | :35:22. | |
future and I flipping love this. Aljaz, are you going to miss | :35:23. | :35:31. | |
Monday's rehearsals? We are going back to rehearse. I have loved every | :35:32. | :35:36. | |
single week. You have mazed me with the level of your professionalism | :35:37. | :35:38. | |
and commitment to every single dance. It was a pure joy. Thank you | :35:39. | :35:44. | |
so much. Thank you. You have enjoyed every moment. Especially the | :35:45. | :35:50. | |
glamorous foxtrot as Marilyn Monroe, unforgettable. You have been | :35:51. | :35:53. | |
incredible. Thank you so much. Off you go and prepare for your last | :35:54. | :36:01. | |
dance. Thank you. Helen and Aljaz will join Zoe on Monday's It Takes | :36:02. | :36:09. | |
two. You can go to the website for nonstop news. Tess and I will be | :36:10. | :36:16. | |
back next Saturday at 6.50pm when our remaining couples take to the | :36:17. | :36:20. | |
floor with two routines in the fight to become the final 4. For now, | :36:21. | :36:25. | |
dancing us out, it is the wonderful Helen and Aljaz. | :36:26. | :36:44. | |
CHEERING AND APPLAUSE I feel horrible to see | :36:45. | :37:35. | |
Helen G not just because she was an amazing dancer. Someone I looked | :37:36. | :37:38. | |
forward to seeing. I danced like a Princess. Ended up in a bad | :37:39. | :37:44. | |
situation and managed to get out of it. So happily ever after Kellie | :37:45. | :37:49. | |
Bright, you are in the semifinal. I know. Who knew? Who knew. For the | :37:50. | :37:55. | |
next week and Sal sacks Anita is not going to touch the floor. LAUGHTER | :37:56. | :38:03. | |
She is going to stay in the air all the time. One minute, 30 seconds. | :38:04. | :38:09. | |
Semifinal, semifinal. Semifinal. I never thought it really existed, if | :38:10. | :38:10. | |
I'm | :38:11. | :38:11. |