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FOGHORN SOUNDS | 0:01:07 | 0:01:10 | |
I wouldn't do that if I were you. | 0:02:12 | 0:02:14 | |
Wouldn't you? How do I know she ain't going to jump? | 0:02:14 | 0:02:17 | |
She's all right. | 0:02:17 | 0:02:18 | |
She's not going to do anything. | 0:02:18 | 0:02:20 | |
Just going to stand there. She'll walk up and down. | 0:02:20 | 0:02:24 | |
Then she'll go lean against that bollard | 0:02:24 | 0:02:26 | |
and just stand there and look out to sea. | 0:02:26 | 0:02:28 | |
She's got no right to be there without a pass. | 0:02:28 | 0:02:31 | |
She could have a pass to the White House | 0:02:31 | 0:02:34 | |
if she wanted it. | 0:02:34 | 0:02:35 | |
You push her around, you'll get into trouble. | 0:02:35 | 0:02:37 | |
She's a somebody. | 0:02:37 | 0:02:39 | |
Speaking of passes, where's yours? | 0:02:39 | 0:02:41 | |
Oh, you're new here, aren't you? | 0:02:41 | 0:02:43 | |
Ship's master, huh? | 0:02:50 | 0:02:53 | |
I came ashore on a dinghy. | 0:02:53 | 0:02:55 | |
It's tied up down at the end of the pier. | 0:02:55 | 0:02:59 | |
There, you see? I told you she was all right. | 0:02:59 | 0:03:02 | |
What's she going to do now? | 0:03:02 | 0:03:04 | |
Just look. | 0:03:04 | 0:03:06 | |
She's watching for a ship to come in. | 0:03:06 | 0:03:09 | |
Only it's sitting at the bottom of the Atlantic. | 0:03:09 | 0:03:12 | |
What ship is that? | 0:03:12 | 0:03:13 | |
It used to be called the Fortuna. | 0:03:13 | 0:03:15 | |
Yeah, that gambling ship used to dock here. | 0:03:15 | 0:03:18 | |
That's right. | 0:03:18 | 0:03:19 | |
I was on pier 27... | 0:03:19 | 0:03:21 | |
Yeah, I know. | 0:03:21 | 0:03:22 | |
She was owned by a boss gambler called Joe the Greek. | 0:03:22 | 0:03:26 | |
Ever hear of him? | 0:03:26 | 0:03:27 | |
Everybody that read the newspaper did. | 0:03:27 | 0:03:30 | |
Er, did you know him? | 0:03:30 | 0:03:32 | |
Yep. I was master of the Fortuna. | 0:03:32 | 0:03:35 | |
Say, tell me, was he...was he really a Greek? | 0:03:35 | 0:03:38 | |
Nobody ever knew what he was, | 0:03:38 | 0:03:40 | |
except tough. | 0:03:40 | 0:03:42 | |
He wasn't just ordinary tough, he was double tough. | 0:03:42 | 0:03:45 | |
And too smart for his own good. | 0:03:45 | 0:03:48 | |
Hmm... Crossed you up, huh? | 0:03:48 | 0:03:50 | |
Oh, no. | 0:03:50 | 0:03:52 | |
Crossed himself up. | 0:03:52 | 0:03:54 | |
How? | 0:03:54 | 0:03:56 | |
That's how. | 0:03:56 | 0:03:58 | |
Right here on this pier is the last time she ever saw him. | 0:03:58 | 0:04:02 | |
When was that? | 0:04:02 | 0:04:03 | |
Back a ways when we had the Fortuna tied up here. | 0:04:03 | 0:04:06 | |
We weren't operating then. | 0:04:06 | 0:04:08 | |
We were broke and full of trouble. | 0:04:08 | 0:04:10 | |
One day Joe comes breezing in | 0:04:10 | 0:04:12 | |
with his face full of fine and dandy | 0:04:12 | 0:04:15 | |
and his heart full of ice water. | 0:04:15 | 0:04:17 | |
We'd been driven off the west coast by the law, | 0:04:17 | 0:04:20 | |
and put in here to raise a bankroll | 0:04:20 | 0:04:23 | |
so we could operate in Havana. | 0:04:23 | 0:04:25 | |
Joe was kind of up against it. | 0:04:25 | 0:04:27 | |
A little Greek sailor aboard at that time, | 0:04:27 | 0:04:30 | |
guy named Bascopolous... | 0:04:30 | 0:04:31 | |
MAN WHISTLES "Give Me Something To Remember You By" | 0:04:39 | 0:04:43 | |
How's Bascopolous? | 0:04:58 | 0:05:00 | |
Looks like he's going to join Barnum and Bailey, Joe. | 0:05:00 | 0:05:03 | |
What did the doc say? | 0:05:03 | 0:05:05 | |
According to the doc, he's already gone. | 0:05:05 | 0:05:08 | |
Said he wouldn't last over an hour two hours ago. | 0:05:08 | 0:05:11 | |
All gone inside. | 0:05:11 | 0:05:12 | |
How did it go uptown today? | 0:05:12 | 0:05:14 | |
Swell, thanks, Swede. | 0:05:14 | 0:05:15 | |
I got the plaster taken off the boat. | 0:05:15 | 0:05:18 | |
We can sail any time. | 0:05:18 | 0:05:20 | |
Good. Those mugs of yours have been getting restless. | 0:05:20 | 0:05:22 | |
Let me know when he goes. | 0:05:22 | 0:05:24 | |
Right. | 0:05:24 | 0:05:26 | |
HE WHISTLES "Give Me Something To Remember You By" | 0:05:26 | 0:05:28 | |
COINS DROP | 0:05:30 | 0:05:33 | |
Hey, Blubber, fix this thing! | 0:05:34 | 0:05:36 | |
Something wrong, boss? | 0:05:36 | 0:05:38 | |
It paid. | 0:05:38 | 0:05:39 | |
There ain't no customers. | 0:05:39 | 0:05:40 | |
There's going to be customers where we're going. | 0:05:40 | 0:05:42 | |
Fix it. | 0:05:42 | 0:05:43 | |
OK. | 0:05:43 | 0:05:44 | |
HE WHISTLES | 0:05:44 | 0:05:47 | |
Hello, boys. | 0:05:47 | 0:05:48 | |
Well, I got it. | 0:05:48 | 0:05:49 | |
Cost me ten grand, but it was worth it. | 0:05:49 | 0:05:52 | |
Took seven lawyers to write it, Joe to fix it. | 0:05:52 | 0:05:54 | |
Put it in the safe, Zepp. | 0:05:54 | 0:05:56 | |
We're sailing for Havana when Bascopolous kicks off. | 0:05:56 | 0:05:59 | |
Forget it. This ship ain't going nowhere. | 0:05:59 | 0:06:01 | |
Who says so? | 0:06:01 | 0:06:03 | |
Your uncle Sam. | 0:06:03 | 0:06:04 | |
What is this, a rib? | 0:06:04 | 0:06:06 | |
Yeah. Take a gander at those kites. | 0:06:06 | 0:06:09 | |
"J Bascopolous, G Zepp, J Adams." Huh? | 0:06:11 | 0:06:15 | |
1A? They can't do this to me. I'm a civilian. | 0:06:18 | 0:06:22 | |
It's OK, chief. | 0:06:22 | 0:06:24 | |
I got it all fixed. | 0:06:24 | 0:06:25 | |
We can hop a plane for Mexico city in two hours. | 0:06:25 | 0:06:28 | |
What? | 0:06:28 | 0:06:29 | |
We'll fly to Rio. | 0:06:29 | 0:06:31 | |
You can work South America till this blows over. | 0:06:31 | 0:06:33 | |
Take it easy, Crunk. | 0:06:33 | 0:06:35 | |
Lots of guys with big dough there. | 0:06:35 | 0:06:37 | |
Well, relax. Thanks, Crunk. | 0:06:37 | 0:06:38 | |
J Bascopolous, | 0:06:38 | 0:06:40 | |
what did he get? | 0:06:40 | 0:06:42 | |
4F? What's that? | 0:06:42 | 0:06:45 | |
It means they don't want him. | 0:06:45 | 0:06:47 | |
He's physically unfit. Lucky stiff. | 0:06:47 | 0:06:50 | |
Yeah, he's physically unfit all right. | 0:06:50 | 0:06:53 | |
Or is he? | 0:06:54 | 0:06:55 | |
All right, boys. Get lost. | 0:06:55 | 0:06:59 | |
One of us is out of the army, Joe. | 0:07:05 | 0:07:09 | |
Who declared you in? | 0:07:09 | 0:07:11 | |
We're partners, ain't we? | 0:07:11 | 0:07:12 | |
That's a 50-50 proposition in my book. | 0:07:12 | 0:07:15 | |
What do you want, half the card? | 0:07:15 | 0:07:17 | |
I'll trade my half of the boat for the card. | 0:07:17 | 0:07:20 | |
What good would that be? | 0:07:20 | 0:07:22 | |
Whoever gets the card gets the boat, too. | 0:07:22 | 0:07:24 | |
Who gets it, Joe? | 0:07:24 | 0:07:25 | |
Want to cut for it? | 0:07:25 | 0:07:27 | |
Poker dice. | 0:07:27 | 0:07:29 | |
You got a deal. | 0:07:29 | 0:07:30 | |
I'll get the box. | 0:07:30 | 0:07:32 | |
Wait. Can't you wait and make the thing legal? | 0:07:32 | 0:07:36 | |
What's wrong with poker dice? | 0:07:36 | 0:07:37 | |
Nothing, only he ain't dead yet. | 0:07:37 | 0:07:40 | |
I never took anything off a pal. | 0:07:40 | 0:07:42 | |
After he joins the circus, that's different. | 0:07:42 | 0:07:44 | |
Come on. | 0:07:44 | 0:07:47 | |
Nervous. | 0:07:47 | 0:07:48 | |
Take your best shot, Zepp. | 0:07:53 | 0:07:56 | |
Three kings, Joe. | 0:08:03 | 0:08:06 | |
Have a smoke, Crunk. | 0:08:14 | 0:08:16 | |
Four kings, Joe, | 0:08:27 | 0:08:30 | |
in two rolls. | 0:08:30 | 0:08:32 | |
Beat it. | 0:08:32 | 0:08:33 | |
Can you hold it a minute, chief? | 0:08:34 | 0:08:36 | |
Shoot. | 0:08:40 | 0:08:41 | |
Three aces. | 0:08:49 | 0:08:50 | |
What did you think this was, amateur night? | 0:08:53 | 0:08:56 | |
I don't get you, Joe. | 0:08:56 | 0:08:58 | |
Didn't you see an elephant walk across the table with muddy feet? | 0:08:58 | 0:09:02 | |
I didn't pull a switch. | 0:09:02 | 0:09:03 | |
Didn't you? | 0:09:03 | 0:09:04 | |
Then blow on it for luck. | 0:09:04 | 0:09:07 | |
Go on, blow. | 0:09:07 | 0:09:09 | |
I wouldn't shove around my own partner. | 0:09:10 | 0:09:13 | |
Sure you wouldn't. | 0:09:13 | 0:09:15 | |
One more ace, that's it. | 0:09:15 | 0:09:17 | |
Yeah, that's it. | 0:09:17 | 0:09:19 | |
There it is. | 0:09:23 | 0:09:25 | |
Well, looks like the army needs men like you. | 0:09:26 | 0:09:29 | |
Take good care of yourself. | 0:09:30 | 0:09:33 | |
I'll have a nice big service flag | 0:09:33 | 0:09:35 | |
with a single star | 0:09:35 | 0:09:36 | |
hanging in my office, just for you. | 0:09:36 | 0:09:38 | |
Swede, see you later. | 0:09:38 | 0:09:40 | |
Where you going, Joe? | 0:09:40 | 0:09:41 | |
Uptown to raise a bankroll. | 0:09:41 | 0:09:43 | |
I thought you lifted the plaster. | 0:09:43 | 0:09:45 | |
Sure, but we need 50 grand to start operating. | 0:09:45 | 0:09:47 | |
Where you going to get it? | 0:09:47 | 0:09:49 | |
I can raise that in one afternoon. | 0:09:49 | 0:09:52 | |
Shake hands with the new Joe Bascopolous. | 0:09:52 | 0:09:54 | |
Huh? | 0:09:54 | 0:09:55 | |
Take this dough and give Joe Adams a swell funeral. | 0:09:55 | 0:09:59 | |
Lots of white flowers. | 0:09:59 | 0:10:00 | |
The guy had a lot of good in him. | 0:10:00 | 0:10:03 | |
What's he talking about? | 0:10:03 | 0:10:04 | |
You explain while I change. | 0:10:04 | 0:10:06 | |
Well, I guess that's enough of that. | 0:10:12 | 0:10:15 | |
Yeah. | 0:10:15 | 0:10:16 | |
You anxious to get in the service? | 0:10:16 | 0:10:18 | |
You don't know what it cost me. | 0:10:18 | 0:10:21 | |
That's too bad. Your blood pressure's 210. We can't use you. | 0:10:21 | 0:10:25 | |
Ah, you can't use... | 0:10:25 | 0:10:26 | |
We can't use you. I'm sorry. | 0:10:26 | 0:10:28 | |
Will it hurt if I get drunk? | 0:10:28 | 0:10:31 | |
It won't do you any good. | 0:10:31 | 0:10:32 | |
I'll get drunk and stay drunk. | 0:10:32 | 0:10:34 | |
Too bad. A fine, patriotic fellow. | 0:10:34 | 0:10:37 | |
It's been a shock to him. | 0:10:37 | 0:10:40 | |
Throw that thing away. | 0:10:44 | 0:10:46 | |
Did you raise the wind? | 0:10:46 | 0:10:48 | |
I couldn't even raise a good cough. | 0:10:48 | 0:10:50 | |
I don't know what happened to this town. | 0:10:50 | 0:10:53 | |
How about those soft touches? | 0:10:53 | 0:10:54 | |
The heat's on. They either got caught in the draft | 0:10:54 | 0:10:57 | |
or paid their income taxes. | 0:10:57 | 0:10:59 | |
How you going to raise the dough? | 0:10:59 | 0:11:01 | |
How do I know? I tried everyone I knew. | 0:11:01 | 0:11:04 | |
Looks like our luck is out. | 0:11:04 | 0:11:06 | |
Don't do that! | 0:11:06 | 0:11:07 | |
But look! | 0:11:07 | 0:11:08 | |
One, two, three, four, five... six naturals! | 0:11:08 | 0:11:11 | |
This is strictly from heaven. | 0:11:11 | 0:11:13 | |
Come on, let's do it. | 0:11:13 | 0:11:15 | |
You do it. I'll wait here. | 0:11:15 | 0:11:17 | |
It's no good if we both don't do it. | 0:11:17 | 0:11:20 | |
You trying to jinx it? | 0:11:20 | 0:11:22 | |
This is a sure thing. | 0:11:22 | 0:11:24 | |
Can't miss. | 0:11:24 | 0:11:25 | |
Sit down, boss. | 0:11:28 | 0:11:30 | |
OK, Joe. | 0:11:34 | 0:11:35 | |
Fine. | 0:11:35 | 0:11:37 | |
Take it easy, bud. | 0:11:37 | 0:11:38 | |
Come on. The fella's getting nervous. | 0:11:38 | 0:11:40 | |
Thanks, pal. | 0:11:40 | 0:11:42 | |
How do you do? | 0:11:45 | 0:11:46 | |
How do you do? | 0:11:47 | 0:11:49 | |
Can I send you a ticket to our charity ball? | 0:11:49 | 0:11:52 | |
Sure. | 0:11:52 | 0:11:53 | |
One or two? | 0:11:53 | 0:11:54 | |
Two. | 0:11:55 | 0:11:57 | |
They're 50 apiece. | 0:11:57 | 0:11:58 | |
Oh, I know they're frightfully expensive, | 0:11:58 | 0:12:00 | |
but we're trying to raise 100,000. | 0:12:00 | 0:12:03 | |
Are you, now? | 0:12:03 | 0:12:05 | |
That's a coincidence. | 0:12:05 | 0:12:07 | |
What's it for, sister? | 0:12:07 | 0:12:08 | |
War Relief Incorporated. | 0:12:08 | 0:12:10 | |
Hmm. I'm interested in relief. | 0:12:10 | 0:12:12 | |
Where are your headquarters? | 0:12:12 | 0:12:14 | |
The address is on the ticket. | 0:12:14 | 0:12:16 | |
Uh-huh. | 0:12:16 | 0:12:17 | |
Thanks. | 0:12:17 | 0:12:18 | |
I'll look you up. | 0:12:18 | 0:12:21 | |
I may throw something your way. | 0:12:23 | 0:12:26 | |
Thank you. | 0:12:26 | 0:12:28 | |
Where can I find the big boss? | 0:12:50 | 0:12:53 | |
I'm sorry. They're all very busy just now. | 0:12:53 | 0:12:55 | |
INAUDIBLE | 0:12:55 | 0:12:56 | |
I want to make a donation. | 0:12:56 | 0:12:58 | |
INAUDIBLE | 0:13:01 | 0:13:03 | |
What kind of donation did you want to make? | 0:13:04 | 0:13:07 | |
70, 80,000...dollars. | 0:13:07 | 0:13:11 | |
Just wait. | 0:13:11 | 0:13:13 | |
THEY CHATTER | 0:13:18 | 0:13:21 | |
Where is he? Oh, is that him? | 0:13:21 | 0:13:23 | |
There's a man over there who's going to give us... | 0:13:26 | 0:13:30 | |
Where is he? Is that him? | 0:13:30 | 0:13:32 | |
Our Captain Steadman would like to see you, Mr, er... | 0:13:37 | 0:13:40 | |
Just a moment, Mrs Ostrander. | 0:13:40 | 0:13:42 | |
Did you say 70 or 700? | 0:13:42 | 0:13:45 | |
70,000. | 0:13:45 | 0:13:46 | |
I told you. This way, please. | 0:13:46 | 0:13:49 | |
(70,000!) | 0:13:49 | 0:13:52 | |
Captain Steadman, this is Mr, er... | 0:13:52 | 0:13:53 | |
I don't believe I got your name. | 0:13:53 | 0:13:56 | |
Joe. How are you? | 0:13:56 | 0:13:57 | |
Joe? | 0:13:57 | 0:13:58 | |
Joe. | 0:13:58 | 0:13:59 | |
Joseph! Don't you understand? Mr Joseph. | 0:13:59 | 0:14:01 | |
Do sit down. | 0:14:01 | 0:14:02 | |
Close the door as you go out. | 0:14:02 | 0:14:05 | |
You couldn't have come at a more timely moment. | 0:14:05 | 0:14:08 | |
Our ticket sales have been so disappointing. | 0:14:08 | 0:14:10 | |
We have to send a shipload of medical supplies to Europe. | 0:14:10 | 0:14:14 | |
We have to raise the money as quickly as possible. | 0:14:14 | 0:14:17 | |
I hope you want to make your donation in cash. | 0:14:17 | 0:14:20 | |
I always do business in cash. | 0:14:20 | 0:14:22 | |
That's splendid. | 0:14:22 | 0:14:23 | |
You'll have to help me, though. | 0:14:23 | 0:14:25 | |
Of course. | 0:14:25 | 0:14:26 | |
You see, I'm a boss gambler. | 0:14:26 | 0:14:28 | |
That's my business. | 0:14:28 | 0:14:29 | |
We never inquire into one's associations. | 0:14:29 | 0:14:31 | |
This charity affair, that's made to order. | 0:14:31 | 0:14:34 | |
You just have to give me the gambling concession. | 0:14:34 | 0:14:37 | |
Gambling? | 0:14:37 | 0:14:38 | |
Sure. Blackjack, chuck-a-luck, roulette. | 0:14:38 | 0:14:39 | |
I'll raise the dough in one evening. | 0:14:39 | 0:14:41 | |
I don't understand. | 0:14:41 | 0:14:43 | |
Well, it's simple. | 0:14:43 | 0:14:44 | |
You're giving a ball. We take rooms next door. | 0:14:44 | 0:14:47 | |
You steer the customers in. | 0:14:47 | 0:14:49 | |
I supply everything. You rake in the winnings. | 0:14:49 | 0:14:52 | |
Are there always winnings? Supposing you lose? | 0:14:52 | 0:14:55 | |
Last winter in Palm Beach... | 0:14:55 | 0:14:57 | |
Sure. That's my point. | 0:14:57 | 0:14:58 | |
I bet you dropped a packet. | 0:14:58 | 0:15:00 | |
Well, look. | 0:15:00 | 0:15:01 | |
Show you what I mean. You roll the dice. | 0:15:01 | 0:15:04 | |
You're the customer. | 0:15:04 | 0:15:05 | |
Shall I? | 0:15:05 | 0:15:06 | |
Sure. Go on, roll them. | 0:15:06 | 0:15:08 | |
Snake eyes. See? | 0:15:10 | 0:15:11 | |
Now watch the difference. | 0:15:11 | 0:15:13 | |
7. | 0:15:13 | 0:15:14 | |
See the difference? I'm lucky. I can't lose. | 0:15:14 | 0:15:17 | |
Now roll them again. | 0:15:17 | 0:15:19 | |
You're still the customer. | 0:15:19 | 0:15:20 | |
Try a dump shot. | 0:15:20 | 0:15:22 | |
Put them in the glass. | 0:15:22 | 0:15:23 | |
That's it. | 0:15:23 | 0:15:24 | |
See? 4. | 0:15:24 | 0:15:25 | |
Tough point to make. | 0:15:25 | 0:15:26 | |
Watch this. | 0:15:26 | 0:15:28 | |
7. | 0:15:29 | 0:15:30 | |
How do you do it? | 0:15:30 | 0:15:31 | |
Influence. Bring me the right people, I'll get you 100,000. | 0:15:31 | 0:15:35 | |
But it's gambling. | 0:15:35 | 0:15:36 | |
Not the way I do it. | 0:15:36 | 0:15:38 | |
TAPPING ON DOOR | 0:15:38 | 0:15:39 | |
How much do you figure to raise? | 0:15:39 | 0:15:41 | |
Between 15 and 20,000. | 0:15:41 | 0:15:43 | |
But you're aiming at 100 grand. | 0:15:43 | 0:15:45 | |
String along with me, and you're home, James. | 0:15:45 | 0:15:48 | |
But you won't get it listening to that woodpecker. | 0:15:48 | 0:15:51 | |
It so happens that gambling is against the law. | 0:15:51 | 0:15:54 | |
In Reno it's as legal as selling groceries. | 0:15:54 | 0:15:56 | |
We're in New York. | 0:15:56 | 0:15:58 | |
What a pity. | 0:15:58 | 0:15:59 | |
Dorothy, this is Mr Joseph. | 0:15:59 | 0:16:01 | |
My lieutenant, Miss Bryant. | 0:16:01 | 0:16:02 | |
I've already had the pleasure. | 0:16:02 | 0:16:04 | |
It so happens | 0:16:04 | 0:16:05 | |
we have a committee of financial advisers. | 0:16:05 | 0:16:09 | |
Strange they've never hit upon your plan. | 0:16:09 | 0:16:11 | |
Not everyone can do it, lieutenant. It's kind of, um... | 0:16:11 | 0:16:15 | |
Dangerous. That's what I mean. | 0:16:15 | 0:16:16 | |
I'm afraid Miss Bryant's right. > | 0:16:16 | 0:16:19 | |
Perhaps if you'd send us a letter detailing your plan. | 0:16:19 | 0:16:21 | |
We'll take it up at our next meeting. | 0:16:21 | 0:16:24 | |
But you're in a hurry for this dough. | 0:16:24 | 0:16:27 | |
We can't afford to sponsor something we might later regret. | 0:16:27 | 0:16:30 | |
Goodbye, Mr Joseph, and thank you. | 0:16:30 | 0:16:33 | |
Ah-ah, look out. Don't let it get in your blood, captain. | 0:16:33 | 0:16:36 | |
It's bad. | 0:16:36 | 0:16:37 | |
Excuse me. | 0:16:37 | 0:16:39 | |
Dorothy, don't forget your appointment at the bank. | 0:16:39 | 0:16:41 | |
All right. | 0:16:41 | 0:16:42 | |
Mother, come here. What bank is that? | 0:16:44 | 0:16:46 | |
Why, it's at 31 East 39th. | 0:16:46 | 0:16:49 | |
Thanks, Toots. | 0:16:49 | 0:16:51 | |
Where to, boss? | 0:16:51 | 0:16:53 | |
The bank. | 0:16:53 | 0:16:54 | |
Oh, no! | 0:17:02 | 0:17:03 | |
Shh! | 0:17:03 | 0:17:04 | |
Next. | 0:17:09 | 0:17:11 | |
Good afternoon. | 0:17:18 | 0:17:19 | |
Hello, Miss Bryant. | 0:17:19 | 0:17:21 | |
This is your third visit, isn't it? | 0:17:21 | 0:17:22 | |
Yes. | 0:17:22 | 0:17:24 | |
We'll have your silver button waiting for you. | 0:17:24 | 0:17:27 | |
Thank you. | 0:17:27 | 0:17:28 | |
Well, hello. | 0:17:37 | 0:17:40 | |
Next, please. | 0:17:45 | 0:17:46 | |
That's you, chum. | 0:17:46 | 0:17:47 | |
Everybody move up, please. | 0:17:47 | 0:17:49 | |
Up one. | 0:17:49 | 0:17:50 | |
Thanks, bud. | 0:17:50 | 0:17:51 | |
Well, | 0:17:52 | 0:17:54 | |
this is quite a surprise. | 0:17:54 | 0:17:56 | |
Not particularly. | 0:17:56 | 0:17:56 | |
It so happens I rather expected it. | 0:17:56 | 0:17:59 | |
If you think your persistence | 0:17:59 | 0:18:01 | |
is going to have any effect on me, you're mistaken. | 0:18:01 | 0:18:05 | |
I can't see how you can pass up 80,000 for the cause. | 0:18:05 | 0:18:10 | |
For whose cause? | 0:18:10 | 0:18:11 | |
If you're so interested in serving a cause, | 0:18:11 | 0:18:14 | |
why don't you join the army? | 0:18:14 | 0:18:16 | |
Next, please. > | 0:18:16 | 0:18:17 | |
Ohh. | 0:18:17 | 0:18:18 | |
4F. | 0:18:20 | 0:18:21 | |
You look 1A to me. | 0:18:21 | 0:18:23 | |
You don't look so bad yourself. | 0:18:23 | 0:18:26 | |
Well, it's my arteries. | 0:18:26 | 0:18:27 | |
Should you be giving blood? | 0:18:27 | 0:18:30 | |
Well, my blood's 1A. | 0:18:30 | 0:18:31 | |
Just my arteries are 4F. | 0:18:31 | 0:18:35 | |
J Bas... | 0:18:35 | 0:18:37 | |
Bascopolous. | 0:18:37 | 0:18:38 | |
I thought you said your name was Joseph. | 0:18:38 | 0:18:41 | |
Well, if a fella went around calling himself Bascopolous, | 0:18:41 | 0:18:44 | |
think what the other people would call him. | 0:18:44 | 0:18:48 | |
Look, er, | 0:18:48 | 0:18:49 | |
why didn't you let me finish | 0:18:49 | 0:18:51 | |
what I was trying to tell the captain? | 0:18:51 | 0:18:54 | |
It so happens I don't trust your motives. | 0:18:54 | 0:18:57 | |
Yeah. Here I am giving my life's blood, | 0:18:57 | 0:18:59 | |
and she don't trust my motives. | 0:18:59 | 0:19:01 | |
Next. > | 0:19:01 | 0:19:03 | |
The person who gets your life's blood | 0:19:03 | 0:19:05 | |
will probably develop a sudden passion for the dump shot. | 0:19:05 | 0:19:08 | |
The poor soldier that gets your blood, | 0:19:08 | 0:19:11 | |
they'll use him for an ice cube. | 0:19:11 | 0:19:13 | |
Next. > | 0:19:13 | 0:19:14 | |
It so happens... | 0:19:14 | 0:19:16 | |
What is that "so happens" routine? | 0:19:16 | 0:19:18 | |
It so happens that's a phrase I use. | 0:19:18 | 0:19:20 | |
Next, please. > I'm offering... | 0:19:20 | 0:19:21 | |
Goodbye, and the answer is still no. | 0:19:21 | 0:19:24 | |
This isn't the way out. | 0:19:24 | 0:19:26 | |
Don't bother me. | 0:19:26 | 0:19:27 | |
You can't go now. | 0:19:27 | 0:19:29 | |
You've got to rest for 20 minutes. | 0:19:29 | 0:19:30 | |
Look, sister, take a walk. | 0:19:30 | 0:19:32 | |
I feel like a million dollars. But you... | 0:19:32 | 0:19:34 | |
I feel great. Hiya, boss. | 0:19:34 | 0:19:36 | |
How was it, Crunk? | 0:19:36 | 0:19:37 | |
They only took a pint. | 0:19:37 | 0:19:39 | |
Tomorrow I'll give them a gallon. This... | 0:19:39 | 0:19:42 | |
What did I tell you? | 0:19:42 | 0:19:43 | |
What say, Crunk? | 0:20:16 | 0:20:18 | |
I thought we had rat guards on this boat. | 0:20:18 | 0:20:22 | |
How'd you get on? | 0:20:22 | 0:20:23 | |
Joe up? | 0:20:23 | 0:20:25 | |
What are you doing back? | 0:20:25 | 0:20:27 | |
I'll do my talking to Joe if you don't mind. | 0:20:27 | 0:20:29 | |
RADIO: 'From Athens, heroic Greek troops | 0:20:29 | 0:20:31 | |
'were tonight defending Greece's mountain passes | 0:20:31 | 0:20:33 | |
'against invading German and Italian forces. | 0:20:33 | 0:20:35 | |
'Despite their desperate efforts...' | 0:20:35 | 0:20:36 | |
Hey, boss, 1A is back. | 0:20:36 | 0:20:38 | |
Can't hear you. Turn that thing off. | 0:20:38 | 0:20:40 | |
'Heavy fighting's reported in the Vardar valley...' | 0:20:40 | 0:20:42 | |
< What's doing, Joe? | 0:20:42 | 0:20:44 | |
How come you're not in uniform? | 0:20:44 | 0:20:46 | |
Got a couple of weeks before I go to camp. | 0:20:46 | 0:20:50 | |
Ain't got any place to flop. | 0:20:50 | 0:20:52 | |
OK if I stay on the boat? | 0:20:52 | 0:20:54 | |
JOE: Sure, why not? | 0:20:54 | 0:20:56 | |
Thanks. How you coming with the bankroll? | 0:20:56 | 0:20:57 | |
I got a crack | 0:20:57 | 0:20:59 | |
at the biggest bankroll in New York if it works. | 0:20:59 | 0:21:02 | |
< What's holding it up? | 0:21:02 | 0:21:03 | |
An iceberg, but I'll melt her down. | 0:21:03 | 0:21:06 | |
Yeah. OK if I get something to eat? | 0:21:06 | 0:21:09 | |
Sure. Go down to the galley. | 0:21:09 | 0:21:11 | |
Thanks, Joe. | 0:21:11 | 0:21:12 | |
Thanks a lot. | 0:21:12 | 0:21:14 | |
When you clean out a guy like Zepp, | 0:21:14 | 0:21:17 | |
you shouldn't keep him around. | 0:21:17 | 0:21:19 | |
That any way to treat a soldier? | 0:21:19 | 0:21:21 | |
I'm telling you, chief... | 0:21:21 | 0:21:22 | |
Never give a sucker an even break, | 0:21:22 | 0:21:24 | |
and always keep an eye on a pal. | 0:21:24 | 0:21:27 | |
Remember that. | 0:21:27 | 0:21:29 | |
Where can I get a car? | 0:21:29 | 0:21:30 | |
I got to put on the dog. | 0:21:30 | 0:21:32 | |
I know a fella's got a sedan. | 0:21:32 | 0:21:34 | |
Get it and meet me in 30 minutes. OK. | 0:21:34 | 0:21:36 | |
HORN HOOTS | 0:21:39 | 0:21:41 | |
So long, Crunk. | 0:21:44 | 0:21:46 | |
Joe! | 0:21:46 | 0:21:47 | |
HE WHISTLES | 0:21:47 | 0:21:49 | |
We'll just have to sell more tickets. | 0:21:52 | 0:21:55 | |
Wish I knew how. | 0:21:55 | 0:21:56 | |
If we sold the lot, it wouldn't be enough. | 0:21:56 | 0:21:59 | |
INTERCOM BUZZES | 0:21:59 | 0:22:00 | |
Yes? | 0:22:02 | 0:22:03 | |
'Miss Bryant, there's a recruit out here. | 0:22:03 | 0:22:05 | |
'I don't know what to do.' | 0:22:05 | 0:22:06 | |
Hang on to her. We can use anybody. | 0:22:06 | 0:22:08 | |
'Miss Bryant, it's rather a special case.' | 0:22:08 | 0:22:10 | |
Send her in before she changes her mind. | 0:22:10 | 0:22:12 | |
I've got a hundred things to do. | 0:22:12 | 0:22:14 | |
She may have scads of money | 0:22:14 | 0:22:15 | |
and will buy blocks of tickets. | 0:22:15 | 0:22:17 | |
I'm her. | 0:22:17 | 0:22:18 | |
I've been thinking over what you said yesterday, | 0:22:20 | 0:22:22 | |
and I wondered why you couldn't use me here. | 0:22:22 | 0:22:25 | |
You mean you want to enlist in this organisation? | 0:22:25 | 0:22:29 | |
It's time for every man to do his bit. | 0:22:29 | 0:22:31 | |
If not for this weak heart... | 0:22:31 | 0:22:33 | |
Arteries. | 0:22:33 | 0:22:35 | |
Arteries. Same thing. How about it? | 0:22:35 | 0:22:36 | |
What about all this gambling at the ball? | 0:22:36 | 0:22:38 | |
Oh, I forgot it. Too bad. Great idea. | 0:22:38 | 0:22:41 | |
Yep, good for the cause. | 0:22:41 | 0:22:43 | |
Well, let it go. | 0:22:43 | 0:22:44 | |
Well, as personnel officer, | 0:22:46 | 0:22:47 | |
I have no right to refuse any enlistment. | 0:22:47 | 0:22:50 | |
However, I should warn you, | 0:22:50 | 0:22:51 | |
we've had men before, but they all asked to be transferred | 0:22:51 | 0:22:55 | |
to more active branches. | 0:22:55 | 0:22:56 | |
So many women around get on their nerves. | 0:22:56 | 0:22:59 | |
Oh, well, that won't bother me. | 0:22:59 | 0:23:01 | |
< I might have known. | 0:23:01 | 0:23:02 | |
Perhaps you'd better read this. | 0:23:04 | 0:23:05 | |
We expect a lot of our workers. | 0:23:05 | 0:23:08 | |
Thank you. Do you mind if I sit? | 0:23:08 | 0:23:10 | |
Oh, of course not. | 0:23:10 | 0:23:11 | |
SHE MOUTHS | 0:23:15 | 0:23:17 | |
SHE MOUTHS | 0:23:17 | 0:23:22 | |
How do you do? | 0:23:26 | 0:23:28 | |
I gather you want to enlist. | 0:23:28 | 0:23:29 | |
Yes, ma'am. | 0:23:29 | 0:23:30 | |
Sure you know what you're doing? | 0:23:30 | 0:23:32 | |
I'd do anything to help the cause. Anything. | 0:23:32 | 0:23:34 | |
I think that's wonderful. Don't you, Dorothy? | 0:23:34 | 0:23:36 | |
We need a man in this office. | 0:23:36 | 0:23:38 | |
You said so yesterday. | 0:23:38 | 0:23:40 | |
Why waste time looking around? | 0:23:40 | 0:23:41 | |
Sure you know what you're doing? | 0:23:41 | 0:23:44 | |
Definitely. | 0:23:44 | 0:23:45 | |
< Perhaps you're right. | 0:23:45 | 0:23:46 | |
The discipline will be good for him, too. | 0:23:46 | 0:23:48 | |
Fill in the application. I'll get you a button. | 0:23:48 | 0:23:51 | |
Thank you. | 0:23:51 | 0:23:52 | |
Sign on the bottom line, Mr Bascapolis. | 0:23:52 | 0:23:54 | |
Bascopolous. | 0:23:54 | 0:23:56 | |
I didn't think you'd forget me. | 0:23:56 | 0:23:58 | |
I don't intend to. | 0:23:58 | 0:23:59 | |
Like it? | 0:24:08 | 0:24:09 | |
Like it? I'm fascinated. | 0:24:09 | 0:24:12 | |
Here you are. Now you're one of us, Mr... | 0:24:14 | 0:24:17 | |
Bascopolous. | 0:24:17 | 0:24:18 | |
Oh, yes, of course. Bascopolous? | 0:24:18 | 0:24:21 | |
Greek? | 0:24:21 | 0:24:22 | |
American. Naturalised. | 0:24:22 | 0:24:23 | |
Oh, yes. Well, you get to work. | 0:24:23 | 0:24:25 | |
Dorothy will take care of you. | 0:24:25 | 0:24:27 | |
See me later and tell me how you're getting on. | 0:24:27 | 0:24:29 | |
I think it's perfectly wonderful. | 0:24:29 | 0:24:32 | |
Everything's fixed. I'm in. | 0:24:36 | 0:24:38 | |
Stand up. Take your hat off my desk. | 0:24:38 | 0:24:40 | |
Put out that cigarette. | 0:24:40 | 0:24:42 | |
Recruits are not allowed to smoke during office hours. | 0:24:42 | 0:24:44 | |
Put a fresh bottle of water on that cooler. | 0:24:44 | 0:24:47 | |
Yes. | 0:24:47 | 0:24:48 | |
How would you like to begin | 0:25:03 | 0:25:04 | |
with a propaganda project? | 0:25:04 | 0:25:06 | |
< Yes, sir or madam. | 0:25:06 | 0:25:07 | |
Do you know how to knit? | 0:25:07 | 0:25:09 | |
Knit? | 0:25:11 | 0:25:12 | |
I asked you if you knew how to knit. | 0:25:12 | 0:25:15 | |
Knit? | 0:25:16 | 0:25:17 | |
In England, incapacitated men | 0:25:17 | 0:25:18 | |
knit without hesitation. | 0:25:18 | 0:25:21 | |
Knit! | 0:25:21 | 0:25:22 | |
The best knitter I ever saw | 0:25:22 | 0:25:23 | |
was wing commander Barnstable. | 0:25:23 | 0:25:24 | |
He picked it up while in a plaster cast. | 0:25:24 | 0:25:27 | |
I don't knit. | 0:25:27 | 0:25:29 | |
That's exactly the attitude we're trying to combat. | 0:25:29 | 0:25:32 | |
Look, I don't mind... | 0:25:32 | 0:25:33 | |
We want a group of obviously masculine men | 0:25:33 | 0:25:36 | |
to take up knitting, | 0:25:36 | 0:25:37 | |
do it perfectly casually in public places. | 0:25:37 | 0:25:39 | |
Think I'm strong enough? | 0:25:39 | 0:25:40 | |
I'm quite serious. | 0:25:40 | 0:25:42 | |
Half the women who were knitting last year | 0:25:42 | 0:25:44 | |
are now learning to drive ambulances and run buses. | 0:25:44 | 0:25:48 | |
Do I get to trim a hat? | 0:25:48 | 0:25:49 | |
You haven't caught the idea | 0:25:51 | 0:25:53 | |
of the organisation you've just joined, Mr Bascopolous. | 0:25:53 | 0:25:56 | |
We're people who can't get into the actual fighting. | 0:25:56 | 0:25:59 | |
We resent that fact, so we take our resentment out | 0:25:59 | 0:26:02 | |
in doing our best to help when and how we can. | 0:26:02 | 0:26:06 | |
I'm not backing out. | 0:26:06 | 0:26:07 | |
I don't know how to knit. That settles it. | 0:26:07 | 0:26:10 | |
Report to Mrs Van Every. | 0:26:10 | 0:26:11 | |
She's our best instructor. | 0:26:11 | 0:26:13 | |
Or do I tear this up? | 0:26:13 | 0:26:14 | |
OK, knit. | 0:26:14 | 0:26:16 | |
And take your hat. | 0:26:16 | 0:26:18 | |
OK, hat. | 0:26:18 | 0:26:19 | |
INAUDIBLE | 0:26:28 | 0:26:31 | |
INAUDIBLE | 0:26:39 | 0:26:43 | |
Sit down with the rest of the girls, | 0:26:50 | 0:26:53 | |
and I'll be glad to show you. | 0:26:53 | 0:26:55 | |
Now, let me look at your hands. | 0:26:55 | 0:26:57 | |
They're really very clever hands. | 0:26:57 | 0:26:59 | |
You should have no trouble. | 0:26:59 | 0:27:00 | |
The first thing you do is learn how to hold the needles. | 0:27:00 | 0:27:04 | |
Hold the knitting in this left hand, so. | 0:27:04 | 0:27:06 | |
Yeah. | 0:27:06 | 0:27:07 | |
And now, here you take the needle - | 0:27:07 | 0:27:09 | |
we'll educate those little piggies - | 0:27:09 | 0:27:11 | |
you take the needle and stick it so into the stitch, | 0:27:11 | 0:27:14 | |
you see? | 0:27:14 | 0:27:15 | |
And then make a loop and throw the yarn over | 0:27:15 | 0:27:18 | |
and bring it through - | 0:27:18 | 0:27:19 | |
come, come, come, come, come. | 0:27:19 | 0:27:22 | |
And here. Now you try one. You see? | 0:27:22 | 0:27:24 | |
Here, hold the needle in this hand. | 0:27:24 | 0:27:27 | |
Yes! | 0:27:27 | 0:27:29 | |
Now you see how simple it is. | 0:27:29 | 0:27:32 | |
Hmm. | 0:27:32 | 0:27:34 | |
Now... | 0:27:36 | 0:27:37 | |
Now I'm going to show you how to rib. | 0:27:41 | 0:27:44 | |
You knit one just as you've been doing, | 0:27:44 | 0:27:46 | |
and then...then you purl one. | 0:27:46 | 0:27:49 | |
Now this is a purl. | 0:27:49 | 0:27:50 | |
Not the kind you cast before swine, | 0:27:50 | 0:27:52 | |
but P-U-R-L. | 0:27:52 | 0:27:54 | |
Now, look, you bring your needle so | 0:27:54 | 0:27:56 | |
from the back to the front. | 0:27:56 | 0:27:58 | |
That's the boy. | 0:27:58 | 0:28:00 | |
Yes. | 0:28:00 | 0:28:01 | |
Throw the yarn over in front | 0:28:01 | 0:28:03 | |
instead of in back. | 0:28:03 | 0:28:04 | |
That's the difference between a purl and a knit. | 0:28:04 | 0:28:07 | |
There! You did it. | 0:28:07 | 0:28:09 | |
Bless his heart! | 0:28:09 | 0:28:10 | |
Now, take it up. There you have it. | 0:28:10 | 0:28:12 | |
Now, you see? It's knitting one, purl one, | 0:28:12 | 0:28:15 | |
knit one, purl one. | 0:28:15 | 0:28:16 | |
Be calm, be patient, be exact. | 0:28:16 | 0:28:19 | |
Oh. | 0:28:42 | 0:28:43 | |
Hey, could you help me? | 0:28:44 | 0:28:46 | |
I dropped me purl. | 0:28:46 | 0:28:47 | |
I'm beginning to like it. | 0:28:47 | 0:28:49 | |
You're my little pioneer. | 0:29:23 | 0:29:24 | |
Pioneers are always persecuted | 0:29:24 | 0:29:26 | |
because of their great moral bravery. | 0:29:26 | 0:29:28 | |
Sure, moral brav... | 0:29:28 | 0:29:29 | |
Boss, people are watching. | 0:29:29 | 0:29:30 | |
So what? | 0:29:30 | 0:29:32 | |
What will they think? | 0:29:32 | 0:29:33 | |
I almost dropped a stitch. | 0:29:33 | 0:29:35 | |
Aw, for Pete's sake. | 0:29:35 | 0:29:36 | |
Mrs Van Every, this is the Crunk, my driver. | 0:29:36 | 0:29:39 | |
How do you do? | 0:29:39 | 0:29:41 | |
Take off your hat. | 0:29:41 | 0:29:42 | |
Get rid of that cigarette. | 0:29:42 | 0:29:44 | |
Now, sit down. | 0:29:44 | 0:29:45 | |
Give him the needles. | 0:29:45 | 0:29:46 | |
Don't be alarmed, young man. | 0:29:46 | 0:29:48 | |
Let me look at your hands. | 0:29:48 | 0:29:50 | |
Show the old goat your hands. | 0:29:50 | 0:29:52 | |
Where's your moral bravery? | 0:29:52 | 0:29:54 | |
They look as though they'd be quite skilful | 0:29:54 | 0:29:57 | |
at picking up things. | 0:29:57 | 0:29:58 | |
First you'll learn how to hold the needles. | 0:29:58 | 0:30:01 | |
Hold this in this hand. | 0:30:01 | 0:30:03 | |
Joe! | 0:30:03 | 0:30:04 | |
Then hold the other needle so. | 0:30:04 | 0:30:06 | |
Take the gimmick and stick it in here. | 0:30:06 | 0:30:09 | |
Then you put the string between the two gimmicks. | 0:30:09 | 0:30:12 | |
Then you just haul it off. | 0:30:12 | 0:30:14 | |
That's all there is to it. | 0:30:14 | 0:30:16 | |
< Hey, Crunk. | 0:30:16 | 0:30:17 | |
This thing kind of gets you. | 0:30:17 | 0:30:19 | |
Did you show them how to purl? | 0:30:19 | 0:30:21 | |
I haven't gotten to that yet. | 0:30:21 | 0:30:23 | |
You shouldn't have left me | 0:30:23 | 0:30:25 | |
at that table with all those wacky wrens. | 0:30:25 | 0:30:27 | |
I wanted to talk to the head of the joint | 0:30:27 | 0:30:30 | |
while that dame was busy. | 0:30:30 | 0:30:32 | |
How'd you do? | 0:30:32 | 0:30:33 | |
She's going to tell her where to get off. | 0:30:33 | 0:30:36 | |
Get to bed. Early call tomorrow. | 0:30:36 | 0:30:38 | |
How you making out with that iceberg? | 0:30:38 | 0:30:41 | |
You thaw her out yet? | 0:30:41 | 0:30:42 | |
I got a better idea. | 0:30:42 | 0:30:44 | |
I'm working my way around her. | 0:30:44 | 0:30:46 | |
Good night. | 0:30:46 | 0:30:47 | |
Good night. | 0:30:47 | 0:30:48 | |
SPINS ROULETTE WHEEL | 0:30:48 | 0:30:50 | |
You accepted my blankets, | 0:30:52 | 0:30:53 | |
and you didn't say nothing about the cost. | 0:30:53 | 0:30:55 | |
I'm losing money on these as it is. | 0:30:55 | 0:30:58 | |
You're trying to get the best of me. | 0:30:58 | 0:31:01 | |
That's not the understanding we had. | 0:31:01 | 0:31:03 | |
I'm only a housewrecker. | 0:31:03 | 0:31:05 | |
I never would've tore down that hotel | 0:31:05 | 0:31:07 | |
except I wanted them blankets. | 0:31:07 | 0:31:09 | |
Please don't shout so. | 0:31:09 | 0:31:10 | |
Good morning. What seems to be the trouble? | 0:31:10 | 0:31:13 | |
She owes me 2,400 bucks. | 0:31:13 | 0:31:15 | |
He's charging 6 apiece for these secondhand blankets. | 0:31:15 | 0:31:18 | |
I could've got 10. | 0:31:18 | 0:31:19 | |
Refugees shivering in tents, and you hold us up. | 0:31:19 | 0:31:22 | |
You should be ashamed, raising prices because blankets are scarce. | 0:31:22 | 0:31:25 | |
That's the old law of supply and demand. | 0:31:25 | 0:31:28 | |
Six bucks apiece. Where's my cheque? | 0:31:28 | 0:31:31 | |
I tell you we haven't it in our account. | 0:31:31 | 0:31:33 | |
Let's not be too hasty. | 0:31:33 | 0:31:35 | |
Don't you think we ought to examine the blankets? | 0:31:35 | 0:31:38 | |
Would you mind holding my knitting, please? | 0:31:38 | 0:31:40 | |
Thank you. | 0:31:40 | 0:31:41 | |
Oh, yeah, well, pretty good stuff. | 0:31:43 | 0:31:45 | |
That's a 6 value. | 0:31:45 | 0:31:46 | |
But we haven't got it. | 0:31:46 | 0:31:48 | |
Oh. That's the trouble, Mr... | 0:31:48 | 0:31:49 | |
< McDougal. | 0:31:49 | 0:31:51 | |
They haven't got it, but you're a good sport. | 0:31:51 | 0:31:53 | |
Tell you what. I'll flip you - 12 or 4. | 0:31:53 | 0:31:57 | |
Oh, but we couldn't possibly afford 12. | 0:31:57 | 0:32:00 | |
Oh, well, don't worry. | 0:32:00 | 0:32:01 | |
If I lose, I'll pay for it. | 0:32:01 | 0:32:04 | |
I wouldn't want shivering refugees on my conscience. | 0:32:04 | 0:32:07 | |
What do you say, Mr McDougal? | 0:32:07 | 0:32:08 | |
12 or 4? You're on. | 0:32:08 | 0:32:10 | |
Heads. | 0:32:10 | 0:32:11 | |
I couldn't do it with that coin. | 0:32:11 | 0:32:14 | |
It's got tails on each side. | 0:32:14 | 0:32:16 | |
It belonged to a gambler. | 0:32:16 | 0:32:18 | |
You would have lost. | 0:32:18 | 0:32:19 | |
Let's do that old... | 0:32:21 | 0:32:22 | |
Behind the back? Sure. Go on. | 0:32:22 | 0:32:24 | |
Are you all ready? | 0:32:24 | 0:32:26 | |
I'm ready. | 0:32:26 | 0:32:27 | |
We got the blankets for 4. | 0:32:35 | 0:32:38 | |
You've got that, haven't you? | 0:32:38 | 0:32:40 | |
Let me try to break even. | 0:32:40 | 0:32:42 | |
Double or nothing. | 0:32:42 | 0:32:43 | |
I couldn't do that, Mr McDougal. | 0:32:43 | 0:32:46 | |
No, that wouldn't be right. | 0:32:46 | 0:32:48 | |
Some of the main guys here don't like gambling. | 0:32:49 | 0:32:52 | |
All right. We ready? | 0:32:53 | 0:32:55 | |
I'm ready. | 0:32:55 | 0:32:56 | |
Double or nothing. | 0:32:56 | 0:32:57 | |
That wouldn't happen again in a thousand times. | 0:33:02 | 0:33:05 | |
It won't happen again to me. | 0:33:05 | 0:33:07 | |
You'll sleep well tonight | 0:33:07 | 0:33:09 | |
because you did a good deed for a worthy cause. | 0:33:09 | 0:33:12 | |
Here. | 0:33:12 | 0:33:13 | |
Now you're one of us. | 0:33:13 | 0:33:16 | |
"I have contributed to War Relief Incorporated." | 0:33:16 | 0:33:21 | |
I have been TAKEN by War Relief Incorporated. | 0:33:21 | 0:33:24 | |
What do you mean they won't unload the trucks? | 0:33:31 | 0:33:34 | |
It so happens they're medical supplies. | 0:33:34 | 0:33:37 | |
Serums. They're important to save lives. | 0:33:37 | 0:33:39 | |
Tell them what I said. | 0:33:39 | 0:33:41 | |
If there's any more trouble, call me back. | 0:33:41 | 0:33:43 | |
Come in. | 0:33:43 | 0:33:44 | |
I've been trying to think of some way | 0:33:47 | 0:33:50 | |
to thank you for getting us the blankets. | 0:33:50 | 0:33:52 | |
The percentage was in our favour. | 0:33:52 | 0:33:54 | |
The other guy was guessing. | 0:33:54 | 0:33:56 | |
Mrs Steadman was talking to me yesterday. | 0:33:56 | 0:33:59 | |
Oh, yeah? | 0:33:59 | 0:34:00 | |
About the gambling. It's off. | 0:34:00 | 0:34:02 | |
Oh, I get it. You still don't trust me? | 0:34:02 | 0:34:06 | |
No, and I've been trying to figure out why. | 0:34:06 | 0:34:09 | |
Should a guy put his heart on a plate | 0:34:09 | 0:34:12 | |
before you'll trust him? | 0:34:12 | 0:34:13 | |
What will you get out of this? | 0:34:13 | 0:34:15 | |
I'm just trying to do my bit. | 0:34:15 | 0:34:18 | |
That doesn't explain anything. | 0:34:18 | 0:34:20 | |
Well, I just don't like to talk about it, that's all. | 0:34:22 | 0:34:26 | |
You ever hear of the Vardar valley? | 0:34:35 | 0:34:38 | |
In Greece? | 0:34:38 | 0:34:39 | |
Yeah. The name of Bascopolous | 0:34:39 | 0:34:41 | |
goes back 500 years in that section. | 0:34:41 | 0:34:44 | |
How do I know what's happened to my family? | 0:34:44 | 0:34:47 | |
I don't want those guys walking into my mother's kitchen. | 0:34:47 | 0:34:50 | |
I lie awake nights figuring how to help. | 0:34:50 | 0:34:53 | |
They turned me down for military service, | 0:34:53 | 0:34:56 | |
so I raise dough for those poor people. | 0:34:56 | 0:34:58 | |
So now you know. | 0:34:58 | 0:35:00 | |
Oh, I'm... I'm terribly sorry. | 0:35:01 | 0:35:04 | |
That's all right. Don't apologise. | 0:35:04 | 0:35:05 | |
I'm sorry I had to tell you, that's all. | 0:35:05 | 0:35:08 | |
Oh, Mr Joe! Mr Joe! | 0:35:11 | 0:35:13 | |
You forgot your knitting. | 0:35:13 | 0:35:15 | |
Oh, yeah, mustn't forget that. | 0:35:15 | 0:35:16 | |
I can't thank you enough for your help. | 0:35:16 | 0:35:18 | |
I'd do as much to a total stranger. | 0:35:18 | 0:35:21 | |
Mr Bascopolous. | 0:35:21 | 0:35:22 | |
I have to go down to the dock. | 0:35:22 | 0:35:25 | |
We're having a little trouble | 0:35:25 | 0:35:27 | |
about getting some supplies unloaded. | 0:35:27 | 0:35:29 | |
Will you... Will you go with me? | 0:35:29 | 0:35:32 | |
Sure. | 0:35:32 | 0:35:33 | |
We can use my car. | 0:35:34 | 0:35:36 | |
Break it up, will you? | 0:35:38 | 0:35:39 | |
Hey, look out. | 0:35:39 | 0:35:41 | |
Look out, fella. Hey, buddy. | 0:35:41 | 0:35:43 | |
You call that purling? | 0:35:44 | 0:35:46 | |
You dropped a stitch. | 0:35:46 | 0:35:47 | |
Wait till I tell Mrs Van Every. | 0:35:47 | 0:35:50 | |
Where to, boss? | 0:35:51 | 0:35:53 | |
North river, downtown. | 0:35:53 | 0:35:54 | |
Promise me something, Joe. | 0:35:58 | 0:35:59 | |
Hmm? What? | 0:35:59 | 0:36:00 | |
Never, never knit again. Please. | 0:36:00 | 0:36:02 | |
Oh, you're asking a lot. | 0:36:02 | 0:36:04 | |
What is that? | 0:36:10 | 0:36:11 | |
Hmm? Roll of dimes. | 0:36:11 | 0:36:13 | |
Why do you carry it? | 0:36:13 | 0:36:15 | |
Habit. Fits nice in your hand. | 0:36:15 | 0:36:17 | |
Oh. | 0:36:17 | 0:36:19 | |
Where's Mr Comstock? | 0:36:43 | 0:36:44 | |
He went to use the phone. | 0:36:44 | 0:36:46 | |
I'm Miss Bryant. | 0:36:46 | 0:36:47 | |
I'm taking care of this trouble. | 0:36:47 | 0:36:49 | |
Please start unloading this truck, | 0:36:49 | 0:36:51 | |
and I'll straighten it out with Mr Comstock. | 0:36:51 | 0:36:54 | |
OK, miss. All right, boys. | 0:36:54 | 0:36:56 | |
Hey! Not so fast, brother. | 0:36:57 | 0:37:00 | |
Wait a minute. | 0:37:00 | 0:37:01 | |
Next time you touch that stuff | 0:37:01 | 0:37:03 | |
without this release, | 0:37:03 | 0:37:05 | |
you'll be tangled up with the law. | 0:37:05 | 0:37:07 | |
I told you relief people | 0:37:07 | 0:37:09 | |
it was pay on delivery. | 0:37:09 | 0:37:10 | |
We agreed to pay you Saturday. | 0:37:10 | 0:37:12 | |
I don't do business that way. | 0:37:12 | 0:37:14 | |
1,300 bucks - that's what you owe. | 0:37:14 | 0:37:16 | |
Do I get it now, | 0:37:16 | 0:37:17 | |
or do I take it back? | 0:37:17 | 0:37:19 | |
We can't pay until Saturday. | 0:37:19 | 0:37:21 | |
OK. Saturday will be 10% more. | 0:37:21 | 0:37:24 | |
Oh, Mr Comstock, I beg your pardon. | 0:37:24 | 0:37:27 | |
Who's this? | 0:37:27 | 0:37:28 | |
I work for Miss Bryant. | 0:37:28 | 0:37:30 | |
You ought to get what you're asking for. | 0:37:30 | 0:37:32 | |
Joe! | 0:37:32 | 0:37:34 | |
I'll give you my personal cheque. | 0:37:34 | 0:37:36 | |
How do I know your cheque's any good? | 0:37:36 | 0:37:39 | |
If I can get to a telephone, | 0:37:39 | 0:37:41 | |
I'll verify it for you. | 0:37:41 | 0:37:43 | |
Telephone up in the office. | 0:37:43 | 0:37:44 | |
Thank you. | 0:37:44 | 0:37:45 | |
HORN HONKS | 0:37:47 | 0:37:48 | |
Go ahead. | 0:37:48 | 0:37:50 | |
TRUCK ENGINE REVS | 0:37:51 | 0:37:53 | |
TRUCK ENGINE DIES | 0:38:07 | 0:38:10 | |
Everything's OK, boys. | 0:38:21 | 0:38:23 | |
All signed. Start unloading. | 0:38:23 | 0:38:24 | |
Here, grab. | 0:38:24 | 0:38:25 | |
Hello. Let's get back to the jute mill. | 0:38:25 | 0:38:29 | |
You misunderstood Mr Comstock - | 0:38:29 | 0:38:31 | |
nice fella, family man. | 0:38:31 | 0:38:32 | |
What happened to your dimes? | 0:38:32 | 0:38:35 | |
I tipped a guy. | 0:38:35 | 0:38:37 | |
Did you have to hit him very hard? | 0:38:37 | 0:38:39 | |
What, me fight? | 0:38:39 | 0:38:41 | |
Go on. I'm a peace-loving citizen. | 0:38:41 | 0:38:44 | |
Joe! | 0:38:44 | 0:38:45 | |
What? | 0:38:45 | 0:38:46 | |
He might have killed you with that baling hook. | 0:38:46 | 0:38:49 | |
It's a scratch. | 0:38:49 | 0:38:50 | |
Do you mind stopping at the tailor's to sew my fiddle? | 0:38:50 | 0:38:54 | |
Your what? | 0:38:54 | 0:38:55 | |
My fiddle-and-flute. My suit. | 0:38:55 | 0:38:56 | |
What kind of double-talk is that? | 0:38:56 | 0:38:59 | |
It's a language I picked up in Australia. | 0:38:59 | 0:39:01 | |
Like hat - tit-for-tat. | 0:39:01 | 0:39:03 | |
Shoes - ones-and-twos. | 0:39:03 | 0:39:06 | |
Sounds like poetry. | 0:39:06 | 0:39:07 | |
Yeah, that's the idea. It jingles. | 0:39:07 | 0:39:09 | |
Like, you're a girl - twist-and-twirl. | 0:39:09 | 0:39:12 | |
Oh, what are you? | 0:39:12 | 0:39:14 | |
Me? I'm a bloke. That's a heap-of-coke. | 0:39:14 | 0:39:16 | |
This twist-and-twirl | 0:39:16 | 0:39:18 | |
is going to take care of the heap-of-coke's...um... | 0:39:18 | 0:39:21 | |
cabbage-patch - scratch. | 0:39:21 | 0:39:23 | |
My house is on the way. | 0:39:23 | 0:39:25 | |
Anybody home? | 0:39:25 | 0:39:26 | |
No. | 0:39:26 | 0:39:27 | |
The Crunk and me are in this coffee joint | 0:39:31 | 0:39:33 | |
when in comes a pot-and-pan with his cheese-and-kisses. | 0:39:33 | 0:39:36 | |
Pot-and-pan - that's a man. | 0:39:36 | 0:39:37 | |
Cheese-and-kisses - that's the missus. | 0:39:37 | 0:39:39 | |
Well? | 0:39:39 | 0:39:41 | |
Well, the Crunk said, | 0:39:41 | 0:39:42 | |
"Piper-heidsieck the I-suppose | 0:39:42 | 0:39:43 | |
on that guy's storm-and-strife in the Tommy-Horner." | 0:39:43 | 0:39:46 | |
Wait a minute. I'm lost. Pipe... | 0:39:46 | 0:39:48 | |
Piper-heidsieck - that's just pipe. | 0:39:48 | 0:39:50 | |
Take a look... | 0:39:50 | 0:39:52 | |
At the I-suppose... | 0:39:52 | 0:39:53 | |
Oh, the nose. | 0:39:53 | 0:39:55 | |
On that guy's storm-and-strife in the Tommy-Horner. | 0:39:55 | 0:39:57 | |
On his wife... in the corner. | 0:39:57 | 0:40:00 | |
Well, what happened? | 0:40:00 | 0:40:02 | |
He punched the Crunk in the snoot. | 0:40:02 | 0:40:04 | |
Why? | 0:40:04 | 0:40:05 | |
He was from Australia. | 0:40:05 | 0:40:06 | |
Oh. | 0:40:06 | 0:40:08 | |
Thanks, chum. I'll finish it myself. | 0:40:08 | 0:40:10 | |
Yes, sir. | 0:40:10 | 0:40:11 | |
Bang, bang, fella. | 0:40:17 | 0:40:18 | |
(Miss Dorothy.) | 0:40:21 | 0:40:22 | |
Yes? | 0:40:22 | 0:40:23 | |
Shall I telephone for a bottle-and-stopper? | 0:40:23 | 0:40:25 | |
A what? | 0:40:25 | 0:40:26 | |
A copper in the American vernacular. | 0:40:26 | 0:40:28 | |
Don't tell me you've been to Australia. | 0:40:28 | 0:40:31 | |
That's where I met me storm-and-strife - Mrs Foster. | 0:40:31 | 0:40:34 | |
Please forgive me, Miss Dorothy, | 0:40:34 | 0:40:36 | |
but are you aware of this gentleman's character? | 0:40:36 | 0:40:38 | |
I think so. Why? | 0:40:38 | 0:40:40 | |
Do you know he carries a lady-from-Bristol? | 0:40:40 | 0:40:42 | |
A what? | 0:40:42 | 0:40:43 | |
In American parlance... | 0:40:43 | 0:40:46 | |
..a rod, if you get what I mean. | 0:40:46 | 0:40:48 | |
Don't be alarmed, Foster. | 0:40:48 | 0:40:50 | |
I think it's part of his character. | 0:40:50 | 0:40:52 | |
He carries it for balance. | 0:40:52 | 0:40:54 | |
Yes, Miss Dorothy. | 0:40:54 | 0:40:55 | |
How you coming with the fiddle? | 0:41:29 | 0:41:32 | |
You do that with a knife and fork? | 0:41:32 | 0:41:34 | |
I never could sew. | 0:41:34 | 0:41:36 | |
Take a lesson from Van Every. | 0:41:36 | 0:41:38 | |
Foster thought I should send for a bottle-and-stopper. | 0:41:38 | 0:41:41 | |
What for? | 0:41:41 | 0:41:42 | |
The lady-from-Bristol. | 0:41:42 | 0:41:44 | |
Oh...that. | 0:41:44 | 0:41:46 | |
I wouldn't feel dressed without one. | 0:41:46 | 0:41:48 | |
Have you ever killed anyone? | 0:41:48 | 0:41:50 | |
No, I'm too good a shot. | 0:41:50 | 0:41:52 | |
I'm a gambler, not a gangster. | 0:41:52 | 0:41:55 | |
Tell me some more. | 0:41:55 | 0:41:56 | |
What? | 0:41:56 | 0:41:57 | |
Some more jingle talk. | 0:41:57 | 0:41:59 | |
Oh, that. | 0:41:59 | 0:42:00 | |
Now, look. | 0:42:01 | 0:42:03 | |
If we were going together, | 0:42:03 | 0:42:04 | |
you'd be my Briny-Marlin - my darling, see? | 0:42:04 | 0:42:07 | |
Um... | 0:42:07 | 0:42:09 | |
Then I'd give you that Simple-Simon | 0:42:09 | 0:42:11 | |
for your long-and-linger. | 0:42:11 | 0:42:13 | |
The guy what give me this Simple-Simon was my mother. | 0:42:13 | 0:42:17 | |
Ah, yes. | 0:42:17 | 0:42:18 | |
More. | 0:42:18 | 0:42:19 | |
Well...barnet-fair's your hair. | 0:42:19 | 0:42:22 | |
Dots-and-dyes... | 0:42:22 | 0:42:25 | |
the I-suppose... | 0:42:25 | 0:42:27 | |
north-and-south. | 0:42:27 | 0:42:29 | |
Joe. | 0:42:31 | 0:42:32 | |
Take off your mask. You're with friends. | 0:42:33 | 0:42:36 | |
Don't be silly. | 0:42:36 | 0:42:37 | |
Come on, Briny-Marlin, don't play games. | 0:42:37 | 0:42:40 | |
I'm not. | 0:42:40 | 0:42:42 | |
Then don't give me those baby blues. | 0:42:42 | 0:42:44 | |
You think I brought you here because... because... | 0:42:44 | 0:42:47 | |
Didn't you? | 0:42:47 | 0:42:48 | |
Or have you changed your mind? | 0:42:49 | 0:42:51 | |
We seem to be talking in circles. | 0:42:51 | 0:42:54 | |
Yeah. It so happens there's a difference of opinion. | 0:42:54 | 0:42:57 | |
Suppose we settle it | 0:42:57 | 0:42:58 | |
with that game you played with McDougal. | 0:42:58 | 0:43:01 | |
What? You mean that, er... | 0:43:01 | 0:43:03 | |
Mm-hmm. | 0:43:03 | 0:43:04 | |
OK. | 0:43:04 | 0:43:06 | |
Well, er... You ready? | 0:43:06 | 0:43:09 | |
All right. | 0:43:09 | 0:43:10 | |
Now, relax. Don't get excited. | 0:43:12 | 0:43:13 | |
Which hand? | 0:43:15 | 0:43:16 | |
Neither. | 0:43:16 | 0:43:18 | |
Aw, come on. Play fair. You got to guess. | 0:43:18 | 0:43:20 | |
Neither. Open them both. | 0:43:20 | 0:43:22 | |
OK. | 0:43:22 | 0:43:24 | |
Well, looks like you lost. | 0:43:28 | 0:43:30 | |
Well... Well, when you played it with McDougal you... | 0:43:30 | 0:43:33 | |
Yeah. Well, that was different. | 0:43:33 | 0:43:35 | |
Never give a sucker an even break, | 0:43:35 | 0:43:37 | |
but don't cheat a friend. | 0:43:37 | 0:43:39 | |
I believe in that. I live by it. | 0:43:39 | 0:43:42 | |
You don't think I'd play phoney with you? | 0:43:42 | 0:43:44 | |
Well...you lost. | 0:43:44 | 0:43:46 | |
Oh, but I didn't know the rules of the game. | 0:43:46 | 0:43:50 | |
OK. | 0:43:51 | 0:43:53 | |
Where's my tit-for-tat? | 0:43:53 | 0:43:55 | |
Joe. | 0:43:58 | 0:43:59 | |
What? | 0:43:59 | 0:44:02 | |
Will you run the gambling concession at the ball? | 0:44:02 | 0:44:05 | |
Well, well. | 0:44:06 | 0:44:08 | |
Are you sure you can trust me? | 0:44:08 | 0:44:11 | |
Now I know I can. | 0:44:11 | 0:44:13 | |
OK. You got a deal. | 0:44:13 | 0:44:16 | |
She laid it in my lap. | 0:44:17 | 0:44:18 | |
She asked me to run the games. | 0:44:18 | 0:44:20 | |
We'll clean up and clear for Havana. | 0:44:20 | 0:44:23 | |
What's the cut? | 0:44:23 | 0:44:24 | |
We're taking the take. | 0:44:24 | 0:44:26 | |
The gaff is on. Anything goes. | 0:44:26 | 0:44:28 | |
We'll leave some chicken feed. | 0:44:28 | 0:44:29 | |
Make it look legitimate. | 0:44:29 | 0:44:31 | |
I'll need five or six grand to get those games rolling | 0:44:31 | 0:44:33 | |
in case there's some hit-and-run players. | 0:44:33 | 0:44:35 | |
Anybody got a bankroll? | 0:44:35 | 0:44:37 | |
Not a thing. | 0:44:37 | 0:44:38 | |
Get it from the war relief people. | 0:44:38 | 0:44:41 | |
How would it look asking those people, | 0:44:41 | 0:44:43 | |
"Give me a quarter to see the movie?" | 0:44:43 | 0:44:45 | |
Queer the whole thing. | 0:44:45 | 0:44:46 | |
Then where? | 0:44:46 | 0:44:47 | |
I'll pick it off a tree. | 0:44:47 | 0:44:49 | |
Come on. | 0:44:49 | 0:44:50 | |
Huh? | 0:44:54 | 0:44:56 | |
I beg pardon, sir. | 0:44:56 | 0:44:58 | |
Oh. | 0:44:58 | 0:44:59 | |
Miss Dorothy's just come in, sir. | 0:44:59 | 0:45:02 | |
Oh. Leave us alone, Foster. | 0:45:02 | 0:45:04 | |
Yes, sir. | 0:45:04 | 0:45:05 | |
Hello, you old darling. | 0:45:06 | 0:45:08 | |
Come here, Dot. | 0:45:08 | 0:45:09 | |
Wait till I powder my I-suppose. | 0:45:09 | 0:45:12 | |
Where on earth did you pick up such gibberish? > | 0:45:12 | 0:45:15 | |
From Foster. | 0:45:15 | 0:45:16 | |
DISHES RATTLE | 0:45:16 | 0:45:17 | |
It's wonderful slang. You should talk to him. | 0:45:17 | 0:45:19 | |
I've been talking to Foster. | 0:45:19 | 0:45:21 | |
Oh? | 0:45:21 | 0:45:22 | |
What do you mean | 0:45:22 | 0:45:23 | |
by bringing a gangster here? | 0:45:23 | 0:45:25 | |
Don't tell me you're worrying about me, Grandfather? | 0:45:25 | 0:45:28 | |
I'd give you odds against any seven gangsters in town, | 0:45:28 | 0:45:31 | |
but I don't want them in my house. | 0:45:31 | 0:45:34 | |
What were you doing with him? | 0:45:34 | 0:45:36 | |
Learning things. | 0:45:36 | 0:45:37 | |
Yeah? | 0:45:37 | 0:45:38 | |
You'd like him. You have a lot in common. | 0:45:38 | 0:45:41 | |
In the name of sweet reason, what? | 0:45:41 | 0:45:43 | |
You're both tough. Oh, I know. | 0:45:43 | 0:45:46 | |
You're tough in a highly moral and civilised way, | 0:45:46 | 0:45:49 | |
but fundamentally it's the same thing. | 0:45:49 | 0:45:51 | |
It's character. | 0:45:51 | 0:45:52 | |
Nonsense. | 0:45:52 | 0:45:53 | |
What can you see in a fellow like that? | 0:45:53 | 0:45:55 | |
Joe's the first man I'm afraid of. | 0:45:55 | 0:45:58 | |
It's exciting. | 0:45:58 | 0:45:59 | |
This fellow hasn't been making advances to you, has he? | 0:45:59 | 0:46:03 | |
Of course. He kissed me. | 0:46:03 | 0:46:05 | |
Right on the north-and-south. | 0:46:05 | 0:46:07 | |
I pretended to be angry, but I liked it. | 0:46:07 | 0:46:10 | |
I will not have this sort of thing... | 0:46:10 | 0:46:12 | |
Oh, Grandfather. | 0:46:12 | 0:46:13 | |
Don't worry. I'm quite safe. | 0:46:13 | 0:46:15 | |
Get rid of him, child. | 0:46:15 | 0:46:17 | |
As soon as he's served his purpose. | 0:46:17 | 0:46:19 | |
I agree. | 0:46:19 | 0:46:20 | |
I think he'd be too hard to tame. | 0:46:20 | 0:46:23 | |
Good night, Grandfather. | 0:46:23 | 0:46:25 | |
Dot, what's his name? | 0:46:25 | 0:46:26 | |
The heap-of-coke? | 0:46:26 | 0:46:27 | |
You'll never believe me. | 0:46:27 | 0:46:29 | |
Joe Bascopolous. | 0:46:29 | 0:46:30 | |
Joe what? | 0:46:30 | 0:46:32 | |
Bascopolous. | 0:46:32 | 0:46:34 | |
Do you wonder why I call him by his first name? | 0:46:34 | 0:46:37 | |
Good night, Briny-Marlin. | 0:46:37 | 0:46:38 | |
Dorothy, we've had the busiest morning. | 0:46:57 | 0:46:59 | |
Suddenly a solid stream of people wanted to buy tickets for the ball. | 0:46:59 | 0:47:04 | |
Did they find out about the gambling? | 0:47:04 | 0:47:06 | |
How could they? | 0:47:06 | 0:47:07 | |
Mr Bascopolous emphatically said not to tell anyone. | 0:47:07 | 0:47:09 | |
That's what he told me. | 0:47:09 | 0:47:11 | |
And you didn't tell anyone? | 0:47:11 | 0:47:12 | |
Well, I-I... I-I... | 0:47:12 | 0:47:14 | |
Well, I... | 0:47:14 | 0:47:15 | |
In strictest confidence... | 0:47:15 | 0:47:16 | |
I-I... | 0:47:16 | 0:47:17 | |
I'll get another 500 tickets by noon, | 0:47:17 | 0:47:20 | |
or I'll get another printer. | 0:47:20 | 0:47:22 | |
CLICKS TONGUE | 0:47:22 | 0:47:24 | |
Good morning. | 0:47:24 | 0:47:25 | |
Hello, genius. | 0:47:25 | 0:47:26 | |
I didn't think you'd be late. | 0:47:26 | 0:47:28 | |
I've been downtown trying to charter a steamship. | 0:47:28 | 0:47:30 | |
What's the matter? | 0:47:30 | 0:47:31 | |
That tit-for-tat. | 0:47:31 | 0:47:33 | |
Don't you like it? | 0:47:33 | 0:47:34 | |
Like it? | 0:47:34 | 0:47:35 | |
I'm fascinated. | 0:47:35 | 0:47:37 | |
Veronica, do we have 6,000 in our chequing account? | 0:47:37 | 0:47:41 | |
Of course not, dear. What for? | 0:47:41 | 0:47:42 | |
The war convoy commission is expecting a freighter in Monday. | 0:47:42 | 0:47:46 | |
They won't hold it for us without a 6,000 deposit today. | 0:47:46 | 0:47:49 | |
Oh, dear. | 0:47:49 | 0:47:50 | |
Don't worry about it. | 0:47:50 | 0:47:52 | |
I'll send Mr Hargraves my personal cheque. | 0:47:52 | 0:47:55 | |
I'll get it from the proceeds Friday night. | 0:47:55 | 0:47:58 | |
You're a darling. | 0:47:58 | 0:47:59 | |
Would like me to take that cheque downtown for you? | 0:47:59 | 0:48:03 | |
You could. | 0:48:03 | 0:48:04 | |
Look up the commission. Somewhere on Fulton Street. | 0:48:04 | 0:48:07 | |
Hello, angel. | 0:48:08 | 0:48:10 | |
What's all this nonsense about gambling at your affair? | 0:48:10 | 0:48:13 | |
Where did you hear that? | 0:48:13 | 0:48:15 | |
They're discussing it even on the floor of the exchange. | 0:48:15 | 0:48:18 | |
That's wonderful! | 0:48:18 | 0:48:19 | |
Now, now. Stop being frivolous. | 0:48:19 | 0:48:21 | |
I know who's behind this - that scoundrel Bosco... | 0:48:21 | 0:48:24 | |
Bosco something or other. | 0:48:24 | 0:48:25 | |
Grandfather, you're being absurd. | 0:48:25 | 0:48:27 | |
What? | 0:48:27 | 0:48:28 | |
I was blockheaded at first, too. | 0:48:28 | 0:48:30 | |
That money's going to send a shipload of supplies. | 0:48:30 | 0:48:32 | |
Find some other way. | 0:48:32 | 0:48:34 | |
Didn't you tell me that great-great grandfather Bryant | 0:48:34 | 0:48:36 | |
used lotteries to raise money for the American Revolution? | 0:48:36 | 0:48:39 | |
That was different. I'll not permit it. | 0:48:39 | 0:48:42 | |
All right. Then you give us | 0:48:42 | 0:48:44 | |
your personal cheque for 100,000. | 0:48:44 | 0:48:46 | |
I'm not going to bribe you, and I won't argue. | 0:48:46 | 0:48:49 | |
I'm giving an order. | 0:48:49 | 0:48:50 | |
Oh, Grandfather, stop being your age. | 0:48:50 | 0:48:52 | |
I refuse to have my name associated with that of a... | 0:48:52 | 0:48:55 | |
a common crook! | 0:48:55 | 0:48:56 | |
Now, remember, I've warned you. | 0:48:56 | 0:48:59 | |
Now I'm going to act. | 0:48:59 | 0:49:01 | |
Get out of here. Get your greasy black head out of here. | 0:49:09 | 0:49:14 | |
Fair warning! | 0:49:14 | 0:49:15 | |
Tickets for the ball? | 0:49:18 | 0:49:19 | |
Aarghh! | 0:49:19 | 0:49:20 | |
Hey, who's that old biscuit-face? | 0:49:23 | 0:49:25 | |
My grandfather. And he isn't a biscuit-face. | 0:49:25 | 0:49:28 | |
He doesn't like me. | 0:49:28 | 0:49:29 | |
He goes off in a fizz, but he settles down. Don't worry. | 0:49:29 | 0:49:34 | |
I'm not worrying. | 0:49:34 | 0:49:36 | |
This the cheque for the freighter? | 0:49:36 | 0:49:38 | |
Give it to Mr Hargraves personally. | 0:49:38 | 0:49:40 | |
I want to be sure we get that boat. | 0:49:40 | 0:49:42 | |
The war convoy commission's form AP127-O, | 0:49:50 | 0:49:53 | |
acknowledging receipt, will be in the afternoon's post. | 0:49:53 | 0:49:56 | |
Goodbye, sir. | 0:49:56 | 0:49:58 | |
Are you going to take their cheque? | 0:49:58 | 0:49:59 | |
I beg your pardon? | 0:49:59 | 0:50:01 | |
What do you mean? | 0:50:01 | 0:50:03 | |
Nothing. | 0:50:03 | 0:50:04 | |
Nothing. Except there's an ugly story | 0:50:04 | 0:50:06 | |
spreading around town. | 0:50:06 | 0:50:08 | |
A story? | 0:50:08 | 0:50:09 | |
Yeah. Yeah. | 0:50:09 | 0:50:11 | |
That you aren't cooperating with the relief organisations. | 0:50:11 | 0:50:14 | |
Not cooperating? What on Earth are you talking about? | 0:50:14 | 0:50:17 | |
I'd like to have your suggestions | 0:50:17 | 0:50:19 | |
as to how I can explain why that money | 0:50:19 | 0:50:22 | |
that those ladies need to finance their ball tomorrow night | 0:50:22 | 0:50:25 | |
must be given to you today. | 0:50:25 | 0:50:27 | |
We had no idea there was any difficulty about the deposit. | 0:50:27 | 0:50:31 | |
Well, you see how it looks. It looks bad. | 0:50:31 | 0:50:34 | |
The heart of my organisation | 0:50:34 | 0:50:36 | |
is very much with your people, | 0:50:36 | 0:50:38 | |
but there are certain members | 0:50:38 | 0:50:40 | |
who think that Greece, China, Czechoslovakia could use some... | 0:50:40 | 0:50:43 | |
What? | 0:50:43 | 0:50:44 | |
Perhaps that would put you personally | 0:50:44 | 0:50:47 | |
in a very awkward spot. | 0:50:47 | 0:50:49 | |
Sir, I assure you that as far as I'm concerned... | 0:50:49 | 0:50:53 | |
Well, maybe I shouldn't have spoken. | 0:50:53 | 0:50:55 | |
But those fine ladies of mine had faith in you. | 0:50:55 | 0:50:58 | |
Yes... | 0:50:58 | 0:50:59 | |
I take it you feel very strongly about this cheque. | 0:50:59 | 0:51:02 | |
I certainly do. | 0:51:02 | 0:51:05 | |
Well, now, let's see. | 0:51:05 | 0:51:06 | |
Suppose I hold the ship without a deposit. | 0:51:06 | 0:51:09 | |
I wouldn't want you to break any rules. | 0:51:09 | 0:51:11 | |
Oh, no, no. I'm sure in this case it's perfectly, um... | 0:51:11 | 0:51:15 | |
I'll write a letter to Miss Bryant and return the cheque. | 0:51:15 | 0:51:19 | |
Oh, I'll save you the trouble. | 0:51:19 | 0:51:21 | |
And you don't have to write a letter. | 0:51:25 | 0:51:28 | |
Your word's good enough for me. | 0:51:28 | 0:51:29 | |
Oh, thanks. | 0:51:29 | 0:51:30 | |
It's a deal. | 0:51:30 | 0:51:31 | |
Right. | 0:51:31 | 0:51:32 | |
Goodbye, Mr Hargraves. | 0:51:32 | 0:51:34 | |
What kind of thing is that? | 0:51:38 | 0:51:40 | |
That? That's a hand-knitted tea cosy. | 0:51:40 | 0:51:43 | |
Oh, hand-knitted. | 0:51:43 | 0:51:44 | |
Pretty flowers. Nice piece of work. | 0:51:46 | 0:51:49 | |
Glad you like it. | 0:51:49 | 0:51:51 | |
Regular needles? | 0:51:53 | 0:51:54 | |
Oh, yes, yes. | 0:51:54 | 0:51:55 | |
Mr Hargraves out there? | 0:52:06 | 0:52:08 | |
No, sir. | 0:52:08 | 0:52:09 | |
Let him have the cash. | 0:52:16 | 0:52:17 | |
Yes, Mr Bryant. | 0:52:17 | 0:52:19 | |
How would you like it, sir? | 0:52:19 | 0:52:22 | |
'Yes, Mr Bryant?' | 0:52:23 | 0:52:24 | |
Get me the police department. | 0:52:24 | 0:52:26 | |
'Yes, sir.' | 0:52:26 | 0:52:27 | |
Miss Bryant? | 0:52:31 | 0:52:32 | |
Yes? | 0:52:32 | 0:52:33 | |
Where will I find | 0:52:33 | 0:52:34 | |
Joe Bascopolous? | 0:52:34 | 0:52:36 | |
He isn't here. | 0:52:36 | 0:52:38 | |
Where's his desk? | 0:52:38 | 0:52:39 | |
Out there. | 0:52:39 | 0:52:40 | |
Wait. | 0:52:42 | 0:52:43 | |
I'm so glad you came. | 0:52:43 | 0:52:45 | |
My grandfather sent for you, didn't he? | 0:52:45 | 0:52:47 | |
I asked him to. | 0:52:47 | 0:52:49 | |
I thought there was something wrong | 0:52:49 | 0:52:50 | |
with Mr Bascopolous. | 0:52:50 | 0:52:52 | |
What is it? | 0:52:52 | 0:52:53 | |
We want to talk with him. | 0:52:53 | 0:52:55 | |
Anything serious? | 0:52:55 | 0:52:56 | |
When a guy's been convicted three times, | 0:52:56 | 0:52:59 | |
carrying a gun is plenty serious. | 0:52:59 | 0:53:01 | |
Oh... | 0:53:01 | 0:53:02 | |
Who's that? | 0:53:09 | 0:53:10 | |
Oh...that's the man from the water company. | 0:53:10 | 0:53:13 | |
I've been expecting him all afternoon. | 0:53:13 | 0:53:15 | |
Ask him to come in a minute. | 0:53:15 | 0:53:18 | |
Inspector, it's about time you showed up. | 0:53:21 | 0:53:24 | |
I telephoned the water company several times. | 0:53:24 | 0:53:26 | |
Is this your idea of reliability? | 0:53:26 | 0:53:29 | |
Three bottles and stoppers arrived this afternoon with no coolers. | 0:53:29 | 0:53:33 | |
Three bottles and stoppers? | 0:53:33 | 0:53:35 | |
Is this the best service your office can give us? | 0:53:35 | 0:53:38 | |
I've just about made up my mind | 0:53:38 | 0:53:41 | |
to take our business elsewhere. | 0:53:41 | 0:53:42 | |
Where, for instance? | 0:53:42 | 0:53:44 | |
The Plaza Fountain Place will serve our future needs. | 0:53:44 | 0:53:46 | |
Goodbye. | 0:53:46 | 0:53:47 | |
OK, lady. | 0:53:47 | 0:53:49 | |
Will you sit down, gentlemen? | 0:53:50 | 0:53:52 | |
You'll have to wait. | 0:53:52 | 0:53:54 | |
What are you doing with that? | 0:53:54 | 0:53:56 | |
Looking for a glass. | 0:53:56 | 0:53:57 | |
Plaza Fountain. 59th. | 0:53:59 | 0:54:00 | |
Got a date with a smart girl. | 0:54:00 | 0:54:03 | |
Well, put it there. | 0:54:24 | 0:54:26 | |
Why should the cops try to pick me up? | 0:54:26 | 0:54:28 | |
Get in. | 0:54:28 | 0:54:29 | |
Grandfather. You will carry a lady from Bristol. | 0:54:29 | 0:54:32 | |
For packing a rod, I get sprung in a couple of hours. | 0:54:32 | 0:54:35 | |
Get in. | 0:54:35 | 0:54:36 | |
I got my own car. | 0:54:36 | 0:54:38 | |
I've told him to go home. | 0:54:38 | 0:54:40 | |
Put this on and don't ask questions. | 0:54:40 | 0:54:42 | |
We're not only out of town, we're out of state. | 0:54:45 | 0:54:48 | |
Is it all right to ask questions, please, teacher? | 0:54:48 | 0:54:51 | |
I have to talk to Grandfather. | 0:54:51 | 0:54:52 | |
Well, he's... | 0:54:52 | 0:54:53 | |
On the phone. | 0:54:53 | 0:54:55 | |
We passed thousands of phones. | 0:54:55 | 0:54:56 | |
This call must come from the right locality. Grandfather's no fool. | 0:54:56 | 0:55:00 | |
How far is the right locality? | 0:55:00 | 0:55:02 | |
Pretty far. | 0:55:02 | 0:55:04 | |
You want me to drive? | 0:55:04 | 0:55:06 | |
If you don't mind. | 0:55:06 | 0:55:07 | |
Hold still a minute. | 0:55:20 | 0:55:21 | |
Hey! | 0:55:21 | 0:55:23 | |
There! I've wanted to do that since I first saw you. | 0:55:23 | 0:55:26 | |
What for? | 0:55:26 | 0:55:27 | |
I've had this for several days. | 0:55:27 | 0:55:29 | |
I couldn't get up the courage to give it to you. | 0:55:29 | 0:55:32 | |
May I show you how to tie it properly? | 0:55:32 | 0:55:35 | |
HONK HONK HONK | 0:55:35 | 0:55:36 | |
HONK HONK | 0:55:36 | 0:55:37 | |
Look. | 0:55:41 | 0:55:43 | |
You hold this end... | 0:55:43 | 0:55:45 | |
Keep your eye on the road. | 0:55:45 | 0:55:47 | |
How can I look... | 0:55:47 | 0:55:48 | |
You start tying an ordinary knot, | 0:55:48 | 0:55:50 | |
but instead, you go over to the other side... | 0:55:50 | 0:55:54 | |
down... | 0:55:54 | 0:55:55 | |
then you go all the way around... | 0:55:56 | 0:55:58 | |
up, and you're finished tying the tie. | 0:55:58 | 0:56:01 | |
Oh. | 0:56:01 | 0:56:02 | |
They call it a Windsor knot. | 0:56:05 | 0:56:07 | |
Oh, they do, huh? | 0:56:07 | 0:56:08 | |
Take it easy. Just a minute. | 0:56:11 | 0:56:14 | |
There. Isn't that much better? | 0:56:14 | 0:56:16 | |
Kind of big, isn't it? | 0:56:18 | 0:56:19 | |
Well, it's better than that stingy little nothing you wear. | 0:56:19 | 0:56:23 | |
Do you like the tie? | 0:56:26 | 0:56:28 | |
Yeah, I suppose so. | 0:56:28 | 0:56:29 | |
Well, say thank you. | 0:56:29 | 0:56:31 | |
All right. Thank you. | 0:56:31 | 0:56:33 | |
How long has it been since anyone had any control over you? | 0:56:34 | 0:56:39 | |
Nobody ever had, and nobody ever will. | 0:56:39 | 0:56:42 | |
And I'm tying my own knots. | 0:56:44 | 0:56:46 | |
Where do I turn on the lights? | 0:56:52 | 0:56:54 | |
They're not connected. | 0:56:54 | 0:56:56 | |
Oh. | 0:56:56 | 0:56:57 | |
Hey, this the old man's place? | 0:56:57 | 0:56:59 | |
It's mine - from the side of the family | 0:56:59 | 0:57:02 | |
that was always getting into trouble. | 0:57:02 | 0:57:03 | |
The kind of trouble I'd like to get into. | 0:57:03 | 0:57:06 | |
Lend me your matches, Joe. | 0:57:06 | 0:57:08 | |
What's this? | 0:57:14 | 0:57:15 | |
Just a little sitting room. | 0:57:15 | 0:57:17 | |
It's all right. | 0:57:17 | 0:57:18 | |
This is where I used to entertain my beaus. | 0:57:20 | 0:57:23 | |
After tea we'd sit in front of the fire and hold hands. | 0:57:23 | 0:57:27 | |
Will you light the fire, Joe? | 0:57:27 | 0:57:29 | |
'Hello?' | 0:57:36 | 0:57:37 | |
Operator? | 0:57:37 | 0:57:38 | |
'Who's this?' | 0:57:38 | 0:57:39 | |
It's all right. This is Miss Bryant. | 0:57:39 | 0:57:41 | |
Oh, I'm fine, thank you. | 0:57:41 | 0:57:44 | |
I want to talk to my grandfather | 0:57:44 | 0:57:47 | |
in New York. | 0:57:47 | 0:57:49 | |
Yes, that's the number. | 0:57:49 | 0:57:50 | |
Will you ring? | 0:57:50 | 0:57:52 | |
For a family that was always getting into trouble, they did all right. | 0:57:53 | 0:57:57 | |
They just never seemed to behave | 0:57:57 | 0:57:59 | |
the way people expected them to. | 0:57:59 | 0:58:01 | |
Look at them, the crazy darlings. | 0:58:01 | 0:58:04 | |
Maybe it'll give you some idea why I don't make sense. | 0:58:04 | 0:58:08 | |
What did he do? | 0:58:08 | 0:58:09 | |
He was a great admirer of the ladies. | 0:58:09 | 0:58:11 | |
He was a hunter and maker of 19th-century love. | 0:58:11 | 0:58:15 | |
Where'd he get his dough? | 0:58:15 | 0:58:17 | |
From him. | 0:58:17 | 0:58:18 | |
He wrote poetry, privately printed at his own expense. | 0:58:18 | 0:58:21 | |
Yeah? Where'd he get his dough? | 0:58:21 | 0:58:23 | |
From him. | 0:58:23 | 0:58:24 | |
He wasted his entire life | 0:58:24 | 0:58:26 | |
trying to spend the family fortune. It finally killed him. | 0:58:26 | 0:58:29 | |
Where's the guy who made the dough in the first place? | 0:58:29 | 0:58:32 | |
Over here. | 0:58:32 | 0:58:34 | |
My great-great grandfather. | 0:58:34 | 0:58:36 | |
From log cabin to riches. | 0:58:36 | 0:58:38 | |
Know how he died? | 0:58:38 | 0:58:39 | |
He was shot in a mill at Harper's Ferry. | 0:58:39 | 0:58:42 | |
He joined John Brown's fight to free the slaves. | 0:58:42 | 0:58:45 | |
He owned slaves himself, but he listened to a crazy Yankee farmer | 0:58:45 | 0:58:49 | |
and caught fire from his words. | 0:58:49 | 0:58:51 | |
The family had quite a time living him down. | 0:58:51 | 0:58:54 | |
They did, huh? | 0:58:54 | 0:58:55 | |
TELEPHONE RINGS | 0:58:55 | 0:58:57 | |
Hello. | 0:59:00 | 0:59:02 | |
Oh. Will you call me when you get a line through? | 0:59:02 | 0:59:06 | |
It's quite important. | 0:59:06 | 0:59:07 | |
Thank you. | 0:59:07 | 0:59:08 | |
What are you going to use for an argument with him? | 0:59:18 | 0:59:22 | |
I'm not going to say much. He'll do most of the talking. | 0:59:22 | 0:59:25 | |
He'll talk about your three convictions. I'll say I don't care. | 0:59:25 | 0:59:29 | |
What three convictions? | 0:59:29 | 0:59:30 | |
Don't pretend, Joe. It's all right. | 0:59:30 | 0:59:33 | |
No, no. What are you talking about? | 0:59:33 | 0:59:36 | |
I know all about it. The policemen told me. | 0:59:36 | 0:59:39 | |
I never took a rap in my life. | 0:59:39 | 0:59:42 | |
Please, Joe. Be honest. | 0:59:42 | 0:59:44 | |
I haven't always been on the level, | 0:59:44 | 0:59:47 | |
but my ears are clean where John Law is concerned. | 0:59:47 | 0:59:50 | |
TELEPHONE RINGS | 0:59:50 | 0:59:51 | |
Hello? | 0:59:56 | 0:59:57 | |
Grandfather? | 0:59:57 | 0:59:59 | |
Now, don't get excited. I'm in Maryland. | 0:59:59 | 1:00:02 | |
Maryland! | 1:00:02 | 1:00:04 | |
You sent those policemen to the office, didn't you? | 1:00:06 | 1:00:10 | |
'I'm going to have that man put behind bars for life.' | 1:00:10 | 1:00:14 | |
You know the laws of Maryland, don't you? | 1:00:14 | 1:00:16 | |
'See here, Dot...' | 1:00:16 | 1:00:17 | |
Unless you give me your word of honour | 1:00:17 | 1:00:20 | |
to call off the police, I'm going to marry him. | 1:00:20 | 1:00:23 | |
Marry him! | 1:00:23 | 1:00:24 | |
Oh, I can't, can't I? | 1:00:24 | 1:00:27 | |
'I don't believe it!' | 1:00:27 | 1:00:28 | |
You have ten seconds to make up your mind. | 1:00:28 | 1:00:30 | |
One, two, three, | 1:00:30 | 1:00:33 | |
four, five, six... | 1:00:33 | 1:00:36 | |
'You're trying to bluff me!' | 1:00:36 | 1:00:37 | |
Well, call my bluff, then. Eight, nine... Time's up. | 1:00:37 | 1:00:42 | |
Give me your word, then. | 1:00:44 | 1:00:46 | |
Your solemn word. | 1:00:46 | 1:00:47 | |
Thank you, darling. | 1:00:50 | 1:00:51 | |
Don't worry. Good night. | 1:00:51 | 1:00:53 | |
Well, didn't I tell you to leave it up to me? | 1:00:54 | 1:00:58 | |
Yeah. You were great. | 1:00:58 | 1:00:59 | |
It worked. | 1:00:59 | 1:01:00 | |
Why wouldn't it work? | 1:01:00 | 1:01:01 | |
You had a swell club to smack him with - me. | 1:01:01 | 1:01:04 | |
The worst thing that could happen to you is marrying me? | 1:01:04 | 1:01:07 | |
To you people, folks like me are animals. | 1:01:07 | 1:01:10 | |
We're so bad, | 1:01:10 | 1:01:12 | |
and you're so very good. | 1:01:12 | 1:01:14 | |
Do you expect credit for it? | 1:01:14 | 1:01:16 | |
You couldn't be different, the way you began. | 1:01:16 | 1:01:19 | |
You should be horsewhipped if you didn't turn out right. | 1:01:19 | 1:01:22 | |
Why are you so high and mighty? | 1:01:22 | 1:01:24 | |
What did you ever do? | 1:01:24 | 1:01:25 | |
He's the guy who made your dough, | 1:01:25 | 1:01:27 | |
and he was born in a log cabin. | 1:01:27 | 1:01:30 | |
Know where I grew up? | 1:01:30 | 1:01:31 | |
In a one-room shack with a dirt floor. | 1:01:31 | 1:01:35 | |
You talk about this and that side of your family. | 1:01:35 | 1:01:38 | |
We only had one side - it was awful poor. | 1:01:38 | 1:01:40 | |
I ran away when I was nine. | 1:01:40 | 1:01:43 | |
I got tired of being hungry | 1:01:43 | 1:01:45 | |
and seeing my mother go hungry until she died. | 1:01:45 | 1:01:48 | |
Oh, please, Joe. | 1:01:48 | 1:01:49 | |
I'm not complaining. It's OK with me. | 1:01:49 | 1:01:52 | |
I got a lesson on what gives with your kind. | 1:01:52 | 1:01:56 | |
My kind? | 1:01:56 | 1:01:57 | |
I just know your kind can look through me | 1:01:57 | 1:02:00 | |
like I was dirty glass. | 1:02:00 | 1:02:02 | |
Oh, it's not me, Joe. It's...it's people like Grandfather. | 1:02:02 | 1:02:05 | |
I thought you knew how I felt. | 1:02:05 | 1:02:08 | |
Sure, I know. Anything for the cause. | 1:02:08 | 1:02:10 | |
I'm not kidding myself. I know how I stand with you after you cash in on me. | 1:02:10 | 1:02:16 | |
You're wrong about me, Joe. | 1:02:17 | 1:02:19 | |
Come on. | 1:02:22 | 1:02:24 | |
We can quarrel all the way back to New York. | 1:02:30 | 1:02:34 | |
Will you scatter the fire? | 1:02:37 | 1:02:39 | |
You meant that about me being wrong. | 1:02:57 | 1:03:00 | |
I should have slapped your face. | 1:03:01 | 1:03:03 | |
Why didn't you? | 1:03:03 | 1:03:05 | |
Because you'd have slapped mine back. | 1:03:06 | 1:03:08 | |
I don't know what to make of a dame like you. | 1:03:11 | 1:03:15 | |
Neither do I. | 1:03:15 | 1:03:16 | |
Yes, I do. | 1:03:21 | 1:03:22 | |
Hey. | 1:03:51 | 1:03:52 | |
Hey, you're home. | 1:03:52 | 1:03:54 | |
You'd better take the car, darling. | 1:04:02 | 1:04:04 | |
OK. | 1:04:04 | 1:04:05 | |
Won't you say something? | 1:04:10 | 1:04:12 | |
Don't you like it? | 1:04:22 | 1:04:23 | |
I don't know. | 1:04:23 | 1:04:25 | |
I don't know whether I like it or not. | 1:04:25 | 1:04:28 | |
He says... | 1:04:56 | 1:04:57 | |
I don't quite understand it, | 1:04:57 | 1:04:58 | |
but he says he's a heap of coke. | 1:04:58 | 1:05:01 | |
A heap of... | 1:05:02 | 1:05:04 | |
That's what he said, miss. | 1:05:04 | 1:05:06 | |
Hey, tie that thing again for me, will you? | 1:05:15 | 1:05:18 | |
Yeah. I liked it. | 1:05:39 | 1:05:40 | |
I don't want any slip-ups. | 1:05:50 | 1:05:52 | |
< Start spreading at 7.30, ready to spring at 8.00. | 1:05:52 | 1:05:55 | |
The Crunk will be in the cage with six Gs to start with. | 1:05:55 | 1:05:58 | |
I'm taking the false-bottom cash boxes to the motel. | 1:05:58 | 1:06:02 | |
See those dames don't get them - hey, watch that. | 1:06:02 | 1:06:05 | |
Soon as we fold, everybody back to the boat. | 1:06:05 | 1:06:08 | |
That's all. | 1:06:08 | 1:06:09 | |
Hey, Swede. You set to sail tonight? | 1:06:09 | 1:06:12 | |
I've ordered the tugs, | 1:06:12 | 1:06:13 | |
and the tide'll be just right. | 1:06:13 | 1:06:15 | |
Swede, what do you know about Bascopolous? | 1:06:15 | 1:06:17 | |
Not me - the dead sailor, my namesake. | 1:06:17 | 1:06:20 | |
Nothing much, Joe. Why? | 1:06:20 | 1:06:21 | |
I don't know. I might've got somebody wrong. | 1:06:21 | 1:06:24 | |
A letter came for him the other day. | 1:06:24 | 1:06:27 | |
Give me that shirt. | 1:06:27 | 1:06:28 | |
For Bascopolous? | 1:06:28 | 1:06:29 | |
Yeah. I was going to tear it up. Wait - | 1:06:29 | 1:06:32 | |
I've got it on me. | 1:06:32 | 1:06:33 | |
Yeah. Here it is. | 1:06:33 | 1:06:34 | |
Open it. | 1:06:34 | 1:06:36 | |
What's it say? | 1:06:42 | 1:06:43 | |
It's in Greek. | 1:06:43 | 1:06:44 | |
Anybody on the boat read Greek? | 1:06:44 | 1:06:46 | |
No. | 1:06:46 | 1:06:47 | |
Too bad. I'd like to know about him. | 1:06:47 | 1:06:50 | |
You know, there's a Greek church a block from the pier. | 1:06:50 | 1:06:53 | |
Have the priest read it to you on your way. | 1:06:53 | 1:06:56 | |
Yeah. I might do that. | 1:06:56 | 1:06:58 | |
Came to say so long. | 1:07:00 | 1:07:02 | |
Got my call for tomorrow. | 1:07:02 | 1:07:04 | |
Want to go to our party? | 1:07:04 | 1:07:06 | |
No, thanks. | 1:07:06 | 1:07:07 | |
Need any dough? | 1:07:07 | 1:07:08 | |
No, I'm OK. | 1:07:08 | 1:07:09 | |
All right, soldier. All the luck. | 1:07:09 | 1:07:12 | |
Thanks, Joe. | 1:07:12 | 1:07:13 | |
SINGING IN LATIN | 1:07:14 | 1:07:17 | |
Er... | 1:07:35 | 1:07:37 | |
You wish to see me? | 1:07:37 | 1:07:39 | |
Yeah, Father. I got a letter here. | 1:07:39 | 1:07:42 | |
It's written in Greek. I can't read Greek. | 1:07:42 | 1:07:44 | |
I'm in a hurry, | 1:07:44 | 1:07:46 | |
but I'll pay you if you read it for me. | 1:07:46 | 1:07:49 | |
Drop it in the poor box. | 1:07:49 | 1:07:50 | |
I help those who need it. | 1:07:50 | 1:07:52 | |
From your mother, hmm? | 1:08:02 | 1:08:05 | |
Oh. | 1:08:05 | 1:08:07 | |
Yes, so it is. | 1:08:07 | 1:08:08 | |
Your mother has a very good name - | 1:08:08 | 1:08:12 | |
Maria, a holy name. | 1:08:12 | 1:08:14 | |
"Joseph, my beloved son, | 1:08:14 | 1:08:18 | |
"God grant this letter reaches you. | 1:08:18 | 1:08:21 | |
"Always you have broken my heart | 1:08:21 | 1:08:24 | |
"by the wicked things you have done. | 1:08:24 | 1:08:27 | |
"Yet surely when you hear of the terrible thing | 1:08:30 | 1:08:34 | |
"that has happened to those who love you, | 1:08:34 | 1:08:36 | |
"I believe that God will open your eyes | 1:08:36 | 1:08:39 | |
"and cleanse your heart." | 1:08:39 | 1:08:41 | |
That's enough, Father. I just wanted to know who it was from. | 1:08:41 | 1:08:45 | |
"I write to tell you of my great pride | 1:08:45 | 1:08:48 | |
"in my other sons, your brothers. | 1:08:48 | 1:08:52 | |
"Now it must be your pride, too, | 1:08:52 | 1:08:55 | |
"as well as your sorrow." | 1:08:55 | 1:08:58 | |
Ahem. | 1:08:58 | 1:09:01 | |
"It happened two Sundays ago | 1:09:01 | 1:09:03 | |
"as we were coming from church. | 1:09:03 | 1:09:06 | |
"There was a roaring in the sky, | 1:09:06 | 1:09:10 | |
"and suddenly, | 1:09:10 | 1:09:11 | |
"great parachutes began to drift down | 1:09:11 | 1:09:14 | |
"toward the meadow below the village. | 1:09:14 | 1:09:17 | |
"We were too startled | 1:09:17 | 1:09:20 | |
"to do more than stare | 1:09:20 | 1:09:22 | |
"with open mouths, | 1:09:22 | 1:09:23 | |
"save for your brother Petros. | 1:09:23 | 1:09:27 | |
"His face grew black with anger. | 1:09:27 | 1:09:31 | |
"Men of Greece, | 1:09:31 | 1:09:32 | |
"he shouted to the others, | 1:09:32 | 1:09:35 | |
"the carrion birds are falling upon our flocks. | 1:09:35 | 1:09:39 | |
"Come with me. | 1:09:39 | 1:09:41 | |
"There were five guns in our village, | 1:09:41 | 1:09:45 | |
"but there were pitchforks and scythes | 1:09:45 | 1:09:49 | |
"and men of great strength. | 1:09:49 | 1:09:51 | |
"Your brother Petros | 1:09:51 | 1:09:54 | |
"and your brother Euladio | 1:09:54 | 1:09:57 | |
"led the other men into the meadow. | 1:09:57 | 1:10:00 | |
"There were patches of white lilies, | 1:10:00 | 1:10:04 | |
"and before the hour was done, | 1:10:04 | 1:10:07 | |
"it was as though | 1:10:07 | 1:10:09 | |
"the field were covered with red lilies. | 1:10:09 | 1:10:14 | |
"Not one of our men lived, | 1:10:17 | 1:10:20 | |
"but 100 Germans died. | 1:10:20 | 1:10:24 | |
"And Greek honour lived for an added hour. | 1:10:24 | 1:10:29 | |
"They possess our village, of course. | 1:10:32 | 1:10:34 | |
"I earn food by making their beds | 1:10:34 | 1:10:38 | |
"and washing their dishes at the inn, | 1:10:38 | 1:10:42 | |
"yet I am sustained by my God | 1:10:42 | 1:10:46 | |
"and my great pride. | 1:10:46 | 1:10:48 | |
"Thy mother, Maria." | 1:10:48 | 1:10:52 | |
May God comfort you. | 1:10:59 | 1:11:01 | |
Let's say a prayer together. | 1:11:05 | 1:11:08 | |
Kneel down. | 1:11:09 | 1:11:10 | |
Our Father, | 1:11:15 | 1:11:17 | |
thou who seest all human suffering, | 1:11:17 | 1:11:20 | |
we beseech thee to bring consolation | 1:11:20 | 1:11:24 | |
to the heart of this mother | 1:11:24 | 1:11:26 | |
and to all the mothers | 1:11:26 | 1:11:28 | |
of this war-torn world. | 1:11:28 | 1:11:31 | |
And to the hearts of their sons, | 1:11:31 | 1:11:35 | |
bring courage | 1:11:35 | 1:11:37 | |
and the will to oppose evil, | 1:11:37 | 1:11:40 | |
as this woman | 1:11:40 | 1:11:42 | |
hath brought it to her son Joseph, | 1:11:42 | 1:11:45 | |
who in thine eyes | 1:11:45 | 1:11:47 | |
is the brother of all men. | 1:11:47 | 1:11:51 | |
MUSIC PLAYS | 1:12:21 | 1:12:23 | |
Joe, do you know what time it is? | 1:12:28 | 1:12:32 | |
Why have you stayed away? | 1:12:32 | 1:12:35 | |
Have any trouble with the old man? | 1:12:35 | 1:12:37 | |
He's out of town. | 1:12:37 | 1:12:39 | |
He told Foster he was going to Washington | 1:12:39 | 1:12:42 | |
to find Mr Hargraves. | 1:12:42 | 1:12:43 | |
How's the party? | 1:12:43 | 1:12:44 | |
Awful. | 1:12:44 | 1:12:45 | |
Look, there's nobody here. | 1:12:45 | 1:12:48 | |
Yeah. What? | 1:12:48 | 1:12:49 | |
It's wonderful. | 1:12:49 | 1:12:51 | |
Everyone's upstairs, and they're simply throwing away money. | 1:12:51 | 1:12:55 | |
Dance with me? | 1:12:55 | 1:12:57 | |
Later. | 1:12:58 | 1:12:59 | |
Hi, boss. | 1:13:08 | 1:13:09 | |
Joe, where have you been all this time? | 1:13:09 | 1:13:11 | |
Going to let me win tonight, Joe? | 1:13:11 | 1:13:13 | |
Hello, Joe. Haven't seen you since Rio. | 1:13:13 | 1:13:16 | |
What happened to that boat? | 1:13:16 | 1:13:17 | |
Going south this winter? | 1:13:17 | 1:13:19 | |
Hello, Joe. | 1:13:19 | 1:13:20 | |
I'm going to win! I'm going... | 1:13:20 | 1:13:22 | |
Oh, hello. | 1:13:24 | 1:13:25 | |
Hello. | 1:13:25 | 1:13:26 | |
Hiya, boss. | 1:13:28 | 1:13:30 | |
I was going to send Herbie to look for you. | 1:13:30 | 1:13:33 | |
How's it coming? | 1:13:33 | 1:13:34 | |
Like shooting fish in a barrel. | 1:13:34 | 1:13:35 | |
Open up. | 1:13:35 | 1:13:37 | |
We just passed the 100,000 mark. | 1:13:39 | 1:13:42 | |
Get me six Gs. | 1:13:42 | 1:13:43 | |
You sure picked a soft touch, boss. | 1:13:57 | 1:13:59 | |
Our grab ought to be over 200 grand. | 1:13:59 | 1:14:01 | |
Ever sit on a park bench for two hours | 1:14:01 | 1:14:05 | |
and look at yourself? | 1:14:05 | 1:14:06 | |
Our grab is nothing. | 1:14:06 | 1:14:08 | |
Huh? But I thought you said | 1:14:08 | 1:14:10 | |
we were taking the whole thing! | 1:14:10 | 1:14:12 | |
I'm keeping enough to pay off the boys. | 1:14:12 | 1:14:14 | |
The rest goes to war relief. | 1:14:14 | 1:14:16 | |
But, Joe! | 1:14:16 | 1:14:17 | |
You don't mind if I double-cross myself, do you? | 1:14:17 | 1:14:21 | |
KNOCK ON DOOR | 1:14:21 | 1:14:22 | |
See who that is. | 1:14:22 | 1:14:23 | |
Look out. | 1:14:26 | 1:14:27 | |
I got to see Joe. | 1:14:27 | 1:14:29 | |
Listen, Joe, there are a couple of parole officers | 1:14:29 | 1:14:32 | |
down at the boat. | 1:14:32 | 1:14:33 | |
What do they got on you? | 1:14:33 | 1:14:35 | |
Not me. J Bascopolous. | 1:14:35 | 1:14:36 | |
It turns out he's a three-time loser | 1:14:36 | 1:14:39 | |
under the Baumes law. | 1:14:39 | 1:14:40 | |
Three convictions? | 1:14:40 | 1:14:42 | |
Yeah. I knew that put you on the spot, | 1:14:42 | 1:14:44 | |
so I checked up, | 1:14:44 | 1:14:45 | |
and I found this letter from the parole board... | 1:14:45 | 1:14:48 | |
in some old clothes he left behind. | 1:14:48 | 1:14:51 | |
One more rub with the law, | 1:14:57 | 1:14:59 | |
and Bascopolous goes up for life. | 1:14:59 | 1:15:01 | |
You better beat it, Joe. | 1:15:01 | 1:15:02 | |
Not tonight. | 1:15:02 | 1:15:04 | |
I stalled them off, but suppose they come here? | 1:15:04 | 1:15:06 | |
My neck's clean. | 1:15:06 | 1:15:08 | |
That worries me, Joe. | 1:15:08 | 1:15:09 | |
You got a roscoe on you, ain't you? | 1:15:09 | 1:15:11 | |
Sure. | 1:15:11 | 1:15:12 | |
You better stash that, boss. | 1:15:12 | 1:15:14 | |
Why take a chance? | 1:15:14 | 1:15:15 | |
OK. | 1:15:15 | 1:15:16 | |
Thanks for the tip. | 1:15:19 | 1:15:21 | |
That's all right, Joe. | 1:15:21 | 1:15:22 | |
Anything I can do to help? | 1:15:22 | 1:15:24 | |
If you see those bulls in the crowd, give me the office. | 1:15:24 | 1:15:29 | |
How we doing, checker-upper? | 1:15:30 | 1:15:32 | |
When the boss ain't here, this cage is private. | 1:15:32 | 1:15:36 | |
OK, Crunky... | 1:15:36 | 1:15:38 | |
So it's private. | 1:15:38 | 1:15:40 | |
Who's in the gas box? | 1:15:40 | 1:15:42 | |
The sandwiches are for the boys. | 1:15:42 | 1:15:44 | |
I'll have a talk with them - | 1:15:44 | 1:15:46 | |
I mean the boys, not the sandwiches. | 1:15:46 | 1:15:48 | |
Hiya, boys. | 1:15:48 | 1:15:49 | |
Hello, Zepp. | 1:15:49 | 1:15:51 | |
What's the matter, Briny-Marlin? | 1:15:52 | 1:15:54 | |
Hmm-hmm. | 1:15:54 | 1:15:55 | |
Bad? | 1:15:55 | 1:15:56 | |
I woke up. | 1:15:56 | 1:15:58 | |
Something happened to me, too. | 1:15:59 | 1:16:01 | |
Yeah? What? | 1:16:01 | 1:16:03 | |
I was struck by lightning. | 1:16:03 | 1:16:05 | |
Nobody dancing. | 1:16:11 | 1:16:13 | |
Does it matter? | 1:16:13 | 1:16:15 | |
Remember this - I didn't lie to you, | 1:16:19 | 1:16:22 | |
but you were right, and I was wrong. | 1:16:22 | 1:16:25 | |
For me, you were right, always. | 1:16:25 | 1:16:28 | |
You'll get everything you want. | 1:16:30 | 1:16:32 | |
You'll get enough to fill two ships, maybe three. | 1:16:32 | 1:16:36 | |
There's something else I want. | 1:16:37 | 1:16:39 | |
You stay away from guys like me. | 1:16:39 | 1:16:42 | |
You'll only get hurt. | 1:16:42 | 1:16:44 | |
I'm clearing out tonight. | 1:16:44 | 1:16:46 | |
Oh, take me with you, Joe. | 1:16:48 | 1:16:50 | |
< Dot. | 1:16:50 | 1:16:52 | |
I believe you know Mr Hargraves. | 1:16:52 | 1:16:54 | |
This is Captain Costello of the police department. | 1:16:54 | 1:16:56 | |
They're here at my request. | 1:16:56 | 1:16:58 | |
Grandfather, you broke your word. | 1:16:58 | 1:16:59 | |
Nothing of the kind. Captain Costello's here to stop this gambling. | 1:16:59 | 1:17:03 | |
But first, I'm going to prove to you what this blackguard is. | 1:17:03 | 1:17:07 | |
Don't you know he's a thief? | 1:17:07 | 1:17:09 | |
Grandfather! | 1:17:09 | 1:17:10 | |
He cashed your cheque for 6,000. | 1:17:10 | 1:17:12 | |
Did you get the money? | 1:17:12 | 1:17:14 | |
No. I thought he tore up the cheque. | 1:17:14 | 1:17:16 | |
Relax, chum. | 1:17:18 | 1:17:19 | |
You were out of town. I couldn't find you. | 1:17:19 | 1:17:22 | |
Here. 6,000 even. | 1:17:22 | 1:17:23 | |
Well, I suppose I really... | 1:17:25 | 1:17:27 | |
That's all right. Don't apologise. | 1:17:27 | 1:17:29 | |
Everything clear now? | 1:17:29 | 1:17:31 | |
No, everything's not clear, not until you get out of here. | 1:17:31 | 1:17:34 | |
I want this gambling stopped. | 1:17:34 | 1:17:35 | |
I don't want any scandal. | 1:17:35 | 1:17:37 | |
If you don't stop it immediately, this officer will do it. | 1:17:37 | 1:17:40 | |
All right. You're far enough ahead. | 1:17:40 | 1:17:43 | |
Send a committee to the cage. We'll count up. | 1:17:43 | 1:17:46 | |
Dot, my child... | 1:17:49 | 1:17:50 | |
Excuse me. I have to find the committee. | 1:17:50 | 1:17:53 | |
All bets down. | 1:17:55 | 1:17:56 | |
Stop the play. | 1:17:56 | 1:17:58 | |
Make this your last game. | 1:17:58 | 1:18:00 | |
Oh, no! | 1:18:00 | 1:18:01 | |
Tell them we're closing up. | 1:18:01 | 1:18:03 | |
Have the dealers bring the cash boxes into the cage. | 1:18:03 | 1:18:05 | |
Yes, sir. | 1:18:05 | 1:18:07 | |
Monty, stop the play. | 1:18:07 | 1:18:08 | |
OK, Joe. | 1:18:08 | 1:18:09 | |
That will be all, ladies and gentlemen. | 1:18:09 | 1:18:12 | |
Crunk, we're clos... | 1:18:19 | 1:18:20 | |
The law's downstairs. | 1:18:24 | 1:18:26 | |
We're closing up the games. | 1:18:26 | 1:18:29 | |
Where's the Crunk? | 1:18:36 | 1:18:37 | |
Who did you think you were fooling, Joe? | 1:18:45 | 1:18:47 | |
We knew that dame had the ring through your nose | 1:18:47 | 1:18:50 | |
since the first night. | 1:18:50 | 1:18:52 | |
I'm declaring myself back in the old partnership. | 1:18:52 | 1:18:54 | |
Any arguments? | 1:18:54 | 1:18:55 | |
All that parole board needs to know is Bascopolous operated this game - | 1:18:55 | 1:18:59 | |
those one-way doors clank shut for good. | 1:18:59 | 1:19:02 | |
I can prove I'm not Bascopolous. | 1:19:02 | 1:19:04 | |
OK. Then you're Joe Adams, the draft dodger. | 1:19:04 | 1:19:07 | |
That's good for ten years in Leavenworth. | 1:19:07 | 1:19:11 | |
Better be a good boy, Joe. | 1:19:11 | 1:19:13 | |
OK. I know when I'm licked. | 1:19:13 | 1:19:16 | |
Here come the dames. | 1:19:16 | 1:19:17 | |
Let them in. | 1:19:17 | 1:19:18 | |
When those cash boxes come in, | 1:19:18 | 1:19:20 | |
don't fool around with those false bottoms, | 1:19:20 | 1:19:23 | |
cos things might happen. | 1:19:23 | 1:19:25 | |
KNOCK ON DOOR | 1:19:25 | 1:19:26 | |
Oh, Mr Bascopolous, isn't it wonderful? | 1:19:28 | 1:19:30 | |
I'm utterly impoverished and utterly happy. | 1:19:30 | 1:19:33 | |
Everyone's penniless. | 1:19:33 | 1:19:34 | |
Ladies, these are some of our boys. | 1:19:34 | 1:19:36 | |
Here come the cash boxes. | 1:19:36 | 1:19:38 | |
Crap table three. | 1:19:38 | 1:19:40 | |
Step up and check your profits. | 1:19:40 | 1:19:42 | |
Now, how does this one open? | 1:19:42 | 1:19:44 | |
Crap table number one. | 1:19:44 | 1:19:46 | |
Oh, what lovely money. | 1:19:46 | 1:19:47 | |
It's just like Christmas. | 1:19:47 | 1:19:49 | |
Isn't very much. | 1:19:50 | 1:19:52 | |
37, 38, 39, 40, 41... | 1:19:52 | 1:19:55 | |
Why, it's only 41. | 1:19:55 | 1:19:57 | |
We had very bad luck the last hour. | 1:19:57 | 1:20:00 | |
Only 94. | 1:20:00 | 1:20:01 | |
Bad night, lady. | 1:20:01 | 1:20:02 | |
Maybe this one will be nice and full. | 1:20:02 | 1:20:05 | |
This one feels a little heavier. | 1:20:05 | 1:20:07 | |
5, 6, 7, 8, | 1:20:07 | 1:20:10 | |
9, 10, and 5 is 15. | 1:20:10 | 1:20:13 | |
16, 17. | 1:20:13 | 1:20:14 | |
120, 1, 2. | 1:20:14 | 1:20:16 | |
I can't believe it. | 1:20:16 | 1:20:17 | |
What are we going to tell people? | 1:20:17 | 1:20:20 | |
Better think up something. | 1:20:20 | 1:20:21 | |
Oh, this is awful. | 1:20:21 | 1:20:23 | |
Mary, how much have you got? | 1:20:23 | 1:20:25 | |
Oh, Veronica, only 208. | 1:20:25 | 1:20:26 | |
Oh! | 1:20:26 | 1:20:28 | |
Is that the last box? | 1:20:30 | 1:20:32 | |
That's all. 87. What's the total? | 1:20:32 | 1:20:34 | |
I'll have it in a moment. | 1:20:34 | 1:20:36 | |
KNOCK ON DOOR | 1:20:36 | 1:20:37 | |
Joe... | 1:20:37 | 1:20:39 | |
Joe, how much did we make? | 1:20:39 | 1:20:41 | |
They're adding it up now. | 1:20:41 | 1:20:44 | |
812, total! | 1:20:44 | 1:20:46 | |
Oh! | 1:20:46 | 1:20:47 | |
Run of bad luck for the house. | 1:20:47 | 1:20:49 | |
Enormous sums changed hands. I saw it. | 1:20:49 | 1:20:52 | |
Nothing you can do about it now. | 1:20:52 | 1:20:55 | |
Well, there's something I can do about it. | 1:20:55 | 1:20:58 | |
There's a policeman downstairs. | 1:20:58 | 1:20:59 | |
Wait a minute. I knew we were losing, | 1:20:59 | 1:21:02 | |
but I didn't think it would be this bad. | 1:21:02 | 1:21:05 | |
But how did you know? | 1:21:05 | 1:21:07 | |
Joe told me. | 1:21:07 | 1:21:08 | |
Didn't you, Joe? | 1:21:08 | 1:21:11 | |
That's right. | 1:21:11 | 1:21:12 | |
I've known for the last hour. | 1:21:12 | 1:21:14 | |
But you know perfectly well... | 1:21:14 | 1:21:16 | |
No, I don't. | 1:21:16 | 1:21:17 | |
We'd better go downstairs and make up a story. | 1:21:17 | 1:21:20 | |
Oh, but, Dorothy, what sort of story do we make up? | 1:21:22 | 1:21:25 | |
All right, boys. | 1:21:28 | 1:21:29 | |
Get busy on the boxes. Come on. | 1:21:29 | 1:21:32 | |
So you tipped off the dame they were losing? | 1:21:36 | 1:21:39 | |
Yeah. | 1:21:39 | 1:21:40 | |
What do you figure the take? | 1:21:40 | 1:21:42 | |
Around 200 Gs. | 1:21:42 | 1:21:43 | |
Leave the dough on the desk. | 1:21:43 | 1:21:45 | |
Get back to the boat. | 1:21:45 | 1:21:47 | |
Gaffer, pay off those extra dealers. | 1:21:47 | 1:21:49 | |
Start moving out the equipment. | 1:21:49 | 1:21:52 | |
Roll it up. Let's get going. | 1:21:55 | 1:21:57 | |
You roll it up. I trust you. | 1:21:57 | 1:22:00 | |
KNOCK ON DOOR | 1:22:04 | 1:22:05 | |
Joe. > | 1:22:05 | 1:22:06 | |
Don't let her in. She might get hurt. | 1:22:06 | 1:22:09 | |
Remember, this is your gun. | 1:22:09 | 1:22:10 | |
KNOCK KNOCK | 1:22:10 | 1:22:12 | |
Let me in, please. | 1:22:12 | 1:22:13 | |
Joe, I... | 1:22:26 | 1:22:27 | |
Oh, Joe. | 1:22:29 | 1:22:31 | |
I lied because I couldn't live | 1:22:34 | 1:22:36 | |
thinking of you locked up, | 1:22:36 | 1:22:37 | |
but whether I live or die, | 1:22:37 | 1:22:39 | |
I can't let you take that money. | 1:22:39 | 1:22:42 | |
Get her out of here. | 1:22:42 | 1:22:44 | |
Please give it to me. | 1:22:44 | 1:22:46 | |
It doesn't belong to either one of us. | 1:22:46 | 1:22:49 | |
Get away. | 1:22:49 | 1:22:50 | |
Get her out of here. | 1:22:50 | 1:22:51 | |
Wait a minute! | 1:22:51 | 1:22:53 | |
Look. | 1:22:53 | 1:22:54 | |
You just aren't any good, are you? | 1:22:54 | 1:22:57 | |
You never were any good. | 1:22:57 | 1:22:58 | |
I've got to take that money, Joe. | 1:22:58 | 1:23:01 | |
No, no! | 1:23:01 | 1:23:02 | |
Joe, let me go! | 1:23:02 | 1:23:03 | |
Now I recognise you, Joe, boy. | 1:23:05 | 1:23:07 | |
Come on. Let's lam. | 1:23:07 | 1:23:09 | |
GUNSHOT | 1:23:24 | 1:23:26 | |
Open up! Open up that door! | 1:23:30 | 1:23:32 | |
BANGING | 1:23:32 | 1:23:33 | |
Open up! Open up that door! > | 1:23:33 | 1:23:36 | |
Open up! | 1:23:37 | 1:23:39 | |
Come on! Open the door! | 1:23:39 | 1:23:40 | |
Break it down! | 1:23:40 | 1:23:42 | |
Miss Bryant, Miss Bryant! | 1:24:23 | 1:24:24 | |
All you all right, my dear? | 1:24:24 | 1:24:26 | |
Call an ambulance. | 1:24:26 | 1:24:27 | |
Get that man to a hospital. | 1:24:27 | 1:24:29 | |
Right away, sir. | 1:24:29 | 1:24:30 | |
Maybe you've got nine lives. | 1:24:57 | 1:24:59 | |
I'll have that slug out of you in a minute. | 1:25:00 | 1:25:04 | |
Here. Bite on it. | 1:25:04 | 1:25:06 | |
How do you feel? | 1:25:09 | 1:25:11 | |
Fine, chum. | 1:25:11 | 1:25:13 | |
Hold it. | 1:25:13 | 1:25:14 | |
Here's somebody now. | 1:25:24 | 1:25:26 | |
No, no. | 1:25:28 | 1:25:29 | |
No, please. No, no. No, no. | 1:25:31 | 1:25:33 | |
Come on! | 1:25:33 | 1:25:34 | |
Wait a minute. | 1:25:34 | 1:25:36 | |
KNOCK ON DOOR | 1:25:36 | 1:25:37 | |
Just give us... just a little time. | 1:25:37 | 1:25:40 | |
Mr Bryant's out, madam, and Miss Dorothy isn't... | 1:25:40 | 1:25:43 | |
You needn't bother to announce us. | 1:25:43 | 1:25:45 | |
We'll go right up. | 1:25:45 | 1:25:46 | |
I'm afraid Miss Dorothy won't see you, madam. | 1:25:46 | 1:25:49 | |
Dorothy. | 1:25:52 | 1:25:53 | |
Dorothy! | 1:25:53 | 1:25:54 | |
Yes. | 1:25:54 | 1:25:56 | |
I've been calling all morning. | 1:25:56 | 1:25:58 | |
We've got to make a statement to the newspapers. | 1:25:58 | 1:26:00 | |
Have you seen the morning papers? Isn't it awful? | 1:26:00 | 1:26:03 | |
I haven't seen them. | 1:26:03 | 1:26:05 | |
Then you haven't heard our freighter was sunk. | 1:26:05 | 1:26:07 | |
So even if we had the money, we couldn't send supplies. | 1:26:07 | 1:26:11 | |
Poor dear. It's been quite a shock. | 1:26:13 | 1:26:15 | |
Well, we'd better decide | 1:26:15 | 1:26:17 | |
what we're going to tell the reporters ourselves. | 1:26:17 | 1:26:19 | |
After all, I made the decision to allow the gambling. | 1:26:19 | 1:26:22 | |
It's all my fault. | 1:26:22 | 1:26:24 | |
What could we say? | 1:26:24 | 1:26:25 | |
Well, we can make a dignified statement. | 1:26:25 | 1:26:28 | |
We were taken in. | 1:26:28 | 1:26:30 | |
Mary, Veronica... | 1:26:30 | 1:26:32 | |
ask the reporters to come into the library. | 1:26:32 | 1:26:35 | |
I'll...I'll see them myself, alone. | 1:26:35 | 1:26:37 | |
Oh, no, Dorothy! | 1:26:37 | 1:26:38 | |
This isn't your fault. It's all mine. | 1:26:38 | 1:26:41 | |
I'm just as responsible. | 1:26:41 | 1:26:42 | |
No, you're not. | 1:26:42 | 1:26:44 | |
There's only one thing for me to do, | 1:26:44 | 1:26:46 | |
and that's tell the truth. | 1:26:46 | 1:26:48 | |
Ask them to come in. | 1:26:48 | 1:26:50 | |
Well, she's not going to see them without me. | 1:26:50 | 1:26:53 | |
Nor me. | 1:26:53 | 1:26:55 | |
Oh, Foster, ask the reporters to go into the library. | 1:26:55 | 1:26:58 | |
Miss Dorothy will see them there. | 1:26:58 | 1:27:00 | |
Yes, madam. | 1:27:00 | 1:27:02 | |
All right, let me in. | 1:27:04 | 1:27:06 | |
Just a moment, please. | 1:27:06 | 1:27:08 | |
Don't let them in. | 1:27:08 | 1:27:09 | |
I want to see Miss Bryant. | 1:27:09 | 1:27:11 | |
Are you Miss Bryant? No, you wouldn't be. | 1:27:11 | 1:27:14 | |
Neither would you. | 1:27:14 | 1:27:15 | |
She's not seeing anybody. | 1:27:15 | 1:27:17 | |
She'll see me. I've got a bundle for her. | 1:27:17 | 1:27:19 | |
You can leave it with me. | 1:27:19 | 1:27:21 | |
I'll give it to her myself. Where's her room? | 1:27:21 | 1:27:24 | |
Excuse me, ladies. | 1:27:24 | 1:27:25 | |
Really! Just a moment! You wouldn't! | 1:27:25 | 1:27:27 | |
Oh! What's this? | 1:27:27 | 1:27:29 | |
What's it look like? | 1:27:29 | 1:27:30 | |
Oh! Oh! | 1:27:30 | 1:27:31 | |
Oh! | 1:27:31 | 1:27:32 | |
Yeah. You'd be the one, all right. | 1:27:32 | 1:27:35 | |
This money's for you. | 1:27:35 | 1:27:37 | |
Wait! Wait a minute. Where is he? | 1:27:37 | 1:27:39 | |
Where's who? | 1:27:39 | 1:27:40 | |
Who sent this money? | 1:27:40 | 1:27:42 | |
A man in the park. | 1:27:42 | 1:27:43 | |
You're lying to me. Where is he? Where's Joe? | 1:27:43 | 1:27:46 | |
I don't know any Joe. | 1:27:46 | 1:27:48 | |
What did the man who sent the money look like? | 1:27:48 | 1:27:51 | |
I don't know. | 1:27:51 | 1:27:52 | |
Never saw him before in my life. | 1:27:52 | 1:27:54 | |
Oh, wait... | 1:27:54 | 1:27:55 | |
You got to give us a break! | 1:27:55 | 1:27:58 | |
Miss Bryant... | 1:27:58 | 1:27:59 | |
Stop him! Stop him! | 1:27:59 | 1:28:00 | |
What happened? | 1:28:01 | 1:28:02 | |
Where'd you get that butt? | 1:28:02 | 1:28:03 | |
I promoted it off a guy. | 1:28:03 | 1:28:06 | |
One cough from you, | 1:28:06 | 1:28:07 | |
and you'll fill the seat with oatmeal. | 1:28:07 | 1:28:09 | |
Look, what happened? | 1:28:09 | 1:28:11 | |
Not a thing. | 1:28:11 | 1:28:12 | |
Did it go all right? | 1:28:12 | 1:28:14 | |
Why wouldn't it? | 1:28:14 | 1:28:17 | |
How did she look? | 1:28:18 | 1:28:20 | |
Just like you said, Joe. | 1:28:21 | 1:28:23 | |
That's how she looked. | 1:28:23 | 1:28:25 | |
Hello. | 1:28:28 | 1:28:29 | |
..Yes? | 1:28:29 | 1:28:30 | |
..But have you checked all the hospitals? | 1:28:31 | 1:28:34 | |
..Yes, keep looking. | 1:28:37 | 1:28:38 | |
Now, see here, Dot, | 1:28:38 | 1:28:41 | |
this has got to stop. You're looking ill. | 1:28:41 | 1:28:43 | |
I know you mean well, Grandfather, | 1:28:43 | 1:28:45 | |
but, please, won't you go away and leave me alone? | 1:28:45 | 1:28:48 | |
If you did find him, what could you do? | 1:28:48 | 1:28:51 | |
What could I do? | 1:28:53 | 1:28:54 | |
I'd put my arms around him | 1:28:55 | 1:28:58 | |
and never let go. | 1:28:58 | 1:28:59 | |
Oh, fiddlesticks. | 1:28:59 | 1:29:01 | |
Hargraves just telephoned, darling. Our relief ship is ready to sail. Isn't it wonderful? | 1:29:03 | 1:29:08 | |
Lucky we got that ship. And the wonderful publicity. | 1:29:08 | 1:29:11 | |
The war relief's the talk of the town. | 1:29:11 | 1:29:13 | |
Donations are simply pouring in. | 1:29:13 | 1:29:15 | |
Mmm. Ahem. Yes. | 1:29:15 | 1:29:17 | |
You know, Dot, I haven't been feeling very well lately. | 1:29:20 | 1:29:24 | |
I've been counting on you | 1:29:24 | 1:29:25 | |
to go for a little trip with me down south. | 1:29:25 | 1:29:28 | |
What do you think? | 1:29:28 | 1:29:30 | |
Palm Beach for a few weeks? | 1:29:30 | 1:29:32 | |
What do you think of it? | 1:29:32 | 1:29:34 | |
Hi, Mr Bryant. Good morning, Miss Bryant. | 1:29:38 | 1:29:41 | |
We solved that case for you. He's dead. | 1:29:41 | 1:29:44 | |
Who's dead? | 1:29:45 | 1:29:46 | |
Bascopolous. | 1:29:46 | 1:29:47 | |
He was a wrong guy, all right. | 1:29:47 | 1:29:49 | |
Look at that record. Three years at San Quentin, | 1:29:49 | 1:29:52 | |
two at Leavenworth, five at Sing Sing, and a whole list of petty violations. | 1:29:52 | 1:29:56 | |
Oh... | 1:30:02 | 1:30:03 | |
Oh, no. | 1:30:03 | 1:30:04 | |
What's the matter? That's not Bascopolous? | 1:30:04 | 1:30:06 | |
That's him, all right. | 1:30:06 | 1:30:08 | |
Me and Sam checked with the coroner's office | 1:30:08 | 1:30:10 | |
and with the captain of the gambling boat he was on. | 1:30:10 | 1:30:13 | |
The owner was missing, and the boat, too, | 1:30:13 | 1:30:16 | |
but we finally ran her down. | 1:30:16 | 1:30:18 | |
Over at pier 48, | 1:30:18 | 1:30:19 | |
they're loading a ship called the Briny-Marlin | 1:30:19 | 1:30:22 | |
with medical supplies from this office. | 1:30:22 | 1:30:24 | |
What? | 1:30:24 | 1:30:27 | |
What did you say the name of the ship was? | 1:30:27 | 1:30:30 | |
The Briny-Marlin. At least, that's what they call it now. | 1:30:30 | 1:30:34 | |
Where's Joe? | 1:31:05 | 1:31:07 | |
Where's Joe? | 1:31:07 | 1:31:08 | |
Please tell me where Joe is! | 1:31:08 | 1:31:11 | |
Joe! | 1:31:22 | 1:31:23 | |
Joe, take me with you, please, darling! | 1:31:23 | 1:31:26 | |
I love you! | 1:31:26 | 1:31:28 | |
Please take me with you! | 1:31:28 | 1:31:30 | |
You don't belong with a grifter like me. | 1:31:30 | 1:31:33 | |
You just got some mud on your dress, that's all. | 1:31:33 | 1:31:35 | |
Give it time. | 1:31:35 | 1:31:37 | |
Let it dry. | 1:31:37 | 1:31:38 | |
It'll brush off. | 1:31:39 | 1:31:41 | |
Oh, no, Joe. | 1:31:41 | 1:31:42 | |
Joe, I love you. | 1:31:42 | 1:31:44 | |
Please take me with you. | 1:31:44 | 1:31:46 | |
Joe! | 1:31:46 | 1:31:47 | |
Please, Joe! | 1:31:47 | 1:31:49 | |
Joe! | 1:31:49 | 1:31:51 | |
Please come back! | 1:31:51 | 1:31:53 | |
SHE SOBS | 1:31:53 | 1:31:54 | |
Joe! | 1:31:55 | 1:31:56 | |
SHE SOBS | 1:31:56 | 1:31:58 | |
Goodbye, Briny-Marlin. | 1:31:59 | 1:32:01 | |
Joe! | 1:32:04 | 1:32:06 | |
Joe! | 1:32:06 | 1:32:07 | |
So that was the end of it. | 1:32:34 | 1:32:37 | |
What happened to the Greek? | 1:32:37 | 1:32:38 | |
What he said would happen. He delivered the stuff, then joined the merchant marine. | 1:32:38 | 1:32:43 | |
Coming back, the Briny-Marlin met with a German torpedo. | 1:32:43 | 1:32:46 | |
Funny - a guy like him winding up that way, huh? | 1:32:46 | 1:32:50 | |
Can't kill a fella like Joe. | 1:32:50 | 1:32:53 | |
Anyway, we been home ten days now. | 1:32:53 | 1:32:56 | |
That's why I'm hanging around. He went uptown for a while. | 1:32:56 | 1:33:00 | |
I said I'd meet him here. | 1:33:00 | 1:33:01 | |
I knew she'd be here, and I was kind of hoping... | 1:33:01 | 1:33:05 | |
Oh, yeah. I see what you mean. | 1:33:05 | 1:33:07 | |
< WHISTLING "Give Me Something To Remember You By" | 1:33:07 | 1:33:11 | |
Hey, Swede, where you been? | 1:33:11 | 1:33:13 | |
Waiting for you. The dinghy's down there. | 1:33:13 | 1:33:16 | |
Let's get back to the ship. | 1:33:16 | 1:33:18 | |
Changed my mind. We're not going back to the ship tonight. | 1:33:18 | 1:33:21 | |
Aw, listen, Joe... | 1:33:21 | 1:33:23 | |
It's our last night. Got a cab waiting. | 1:33:23 | 1:33:25 | |
We're going uptown. | 1:33:25 | 1:33:27 | |
OK, Joe. | 1:33:28 | 1:33:31 | |
Hey, wait. | 1:33:31 | 1:33:32 | |
You got to do something about this. What? | 1:33:32 | 1:33:34 | |
You got a dinghy tied up at the end of the pier. | 1:33:34 | 1:33:37 | |
It can't stay there. It's against regulations. | 1:33:37 | 1:33:41 | |
It's a menace to navigation. | 1:33:41 | 1:33:43 | |
Hey, that's right. | 1:33:43 | 1:33:44 | |
Someone's got to row it back to this end of the slip. | 1:33:44 | 1:33:48 | |
OK. Go ahead, Joe. | 1:33:48 | 1:33:50 | |
Why should I? | 1:33:50 | 1:33:51 | |
I could order you to, you know. | 1:33:51 | 1:33:54 | |
Yeah, but you wouldn't. | 1:33:54 | 1:33:55 | |
< Well, somebody's got to. | 1:33:55 | 1:33:56 | |
Why don't you flip for it? | 1:33:56 | 1:33:59 | |
You gamble, don't you? | 1:33:59 | 1:34:00 | |
Yeah, I've gambled in my time. | 1:34:00 | 1:34:02 | |
Here. I got one. | 1:34:02 | 1:34:03 | |
OK. Now, heads, you bring the dinghy back, and tails, he does. | 1:34:03 | 1:34:08 | |
What do you say? | 1:34:08 | 1:34:10 | |
That's the only way you're going to settle it. | 1:34:10 | 1:34:12 | |
Why not? | 1:34:12 | 1:34:14 | |
OK, you got a deal. | 1:34:14 | 1:34:16 | |
OK. | 1:34:16 | 1:34:18 | |
Heads it is. | 1:34:18 | 1:34:20 | |
HE WHISTLES "Give Me Something To Remember You By" | 1:34:23 | 1:34:26 | |
Joe. | 1:34:36 | 1:34:38 | |
Joe! | 1:34:39 | 1:34:41 | |
Thanks, pal. | 1:34:52 | 1:34:53 | |
Subtitles by The National Captioning Institute | 1:34:59 | 1:35:02 |