Browse content similar to Alan Partridge: Alpha Papa. Check below for episodes and series from the same categories and more!
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This film contains strong language. | 0:00:09 | 0:00:17 | |
WAVES LAP | 0:00:53 | 0:00:54 | |
MUSIC: Koyaanisqatsi by Philip Glass | 0:00:58 | 0:01:00 | |
CHANTING | 0:01:04 | 0:01:06 | |
GULLS CRY | 0:01:08 | 0:01:09 | |
# Koyaanisqatsi | 0:01:17 | 0:01:19 | |
# Koyaanisqatsi... # | 0:01:24 | 0:01:25 | |
ALAN IMPROVISES | 0:01:28 | 0:01:29 | |
ALAN HUMS | 0:01:33 | 0:01:34 | |
That music was very foreboding. It's made a shiver go down my spine. | 0:01:38 | 0:01:41 | |
-That'll be the air-conditioning. -I would've taken it off sooner | 0:01:41 | 0:01:44 | |
but I was having a fascinating conversation with the proud father | 0:01:44 | 0:01:47 | |
of Norfolk's most sun-tanned child. | 0:01:47 | 0:01:49 | |
Just passed his details on to the Social Services. | 0:01:49 | 0:01:51 | |
The time is 11:59 and 55 seconds. | 0:01:51 | 0:01:55 | |
-It's midday. -Well, no... Well, yeah, it is now. | 0:01:55 | 0:01:58 | |
You're listening to Mid-Morning Matters. | 0:01:58 | 0:02:00 | |
-JINGLE -Mid-Morning Matters with Alan Partridge. | 0:02:00 | 0:02:04 | |
Music and chat for the Norfolk generation. | 0:02:04 | 0:02:07 | |
KEYBOARD FLOURISH | 0:02:07 | 0:02:08 | |
Sorry, it's the other way. | 0:02:08 | 0:02:10 | |
Later, we'll be taking dedications | 0:02:10 | 0:02:12 | |
for anyone wrongly turned down for planning permission. | 0:02:12 | 0:02:14 | |
Also, I'll be asking - which is the worst monger? | 0:02:14 | 0:02:17 | |
Fish, iron, rumour or war? Pretty clear, that one. | 0:02:17 | 0:02:20 | |
Now it's time for today's large question. | 0:02:20 | 0:02:22 | |
ECHOING CHANT: Large question. | 0:02:22 | 0:02:25 | |
It's the near future. | 0:02:25 | 0:02:27 | |
An unprovoked chemical attack from France, or possibly China, | 0:02:27 | 0:02:31 | |
has left us without a sense of smell. | 0:02:31 | 0:02:33 | |
In a whiff-free world, what smell would you miss the most? | 0:02:33 | 0:02:36 | |
-Tom in Diss? -Petrol. | 0:02:36 | 0:02:38 | |
Nice. Wrongly referred to by the Americans as "gas". | 0:02:38 | 0:02:41 | |
It's petrol, not gas. | 0:02:41 | 0:02:43 | |
-Dominic in Castle Acre? -Money. | 0:02:43 | 0:02:44 | |
-HE SNIFFS -Yep. Joe in Holt? | 0:02:44 | 0:02:46 | |
-My wife's nightie. -You kinky get. | 0:02:46 | 0:02:48 | |
-Saucy sod. -She died, you see. | 0:02:48 | 0:02:50 | |
-Smells matter. -They do. | 0:02:52 | 0:02:53 | |
Hey, Greg. | 0:02:56 | 0:02:57 | |
This is a great station, a real cracker. | 0:02:57 | 0:03:01 | |
Yeah. Hi, Pat. Um...this is Jason Tresswell. | 0:03:01 | 0:03:04 | |
-Managing Director of... -Goredale Media. | 0:03:04 | 0:03:06 | |
Our new owners, huh? I googled you on Yahoo. | 0:03:06 | 0:03:10 | |
That's Pat Farrell. Does week nights, 10-12. | 0:03:10 | 0:03:13 | |
Sleepy-time slot. | 0:03:13 | 0:03:15 | |
-So, are you on your way out? -You tell me. | 0:03:15 | 0:03:18 | |
-ALAN: -Gillian writes to ask - | 0:03:18 | 0:03:19 | |
is it true you're being taken over by a bunch of corporate whores? | 0:03:19 | 0:03:23 | |
Er...Gillian, I'm 99% certain that's not true. | 0:03:23 | 0:03:28 | |
We've got a text here from Joy in Diss who says - | 0:03:28 | 0:03:31 | |
An easy way to solve the problems in Israel... | 0:03:31 | 0:03:33 | |
-A thorny issue. -..would be for Judaism and Islam to merge. | 0:03:33 | 0:03:36 | |
Wouldn't hold your breath. | 0:03:36 | 0:03:38 | |
-They both hate pigs. -True enough. | 0:03:38 | 0:03:39 | |
You could call it Jislam. | 0:03:39 | 0:03:42 | |
I think you can go in circles, can't you, trying to think of names for something? | 0:03:42 | 0:03:46 | |
Even, er...a cat. | 0:03:46 | 0:03:48 | |
Well, nettles cause 'em, dock leaves cure 'em. | 0:03:48 | 0:03:50 | |
It's a sting. It's Sting. | 0:03:50 | 0:03:52 | |
MUSIC: Roxanne by The Police | 0:03:52 | 0:03:54 | |
-Sorry. -Never, never criticise Muslims. | 0:03:54 | 0:03:57 | |
Only, only Christians. And Jews a little bit. | 0:03:57 | 0:04:01 | |
Alan, it's started. They're here. | 0:04:04 | 0:04:06 | |
We're being taken over. | 0:04:06 | 0:04:08 | |
So? | 0:04:12 | 0:04:14 | |
# Roxanne | 0:04:14 | 0:04:17 | |
# You don't have to put on the red light | 0:04:17 | 0:04:20 | |
# Those days are over | 0:04:22 | 0:04:24 | |
# You don't have to sell your body to the night... # | 0:04:24 | 0:04:27 | |
ALAN SINGING | 0:04:28 | 0:04:30 | |
Hello? | 0:04:30 | 0:04:31 | |
Are you in the business centre? | 0:04:35 | 0:04:37 | |
# Coconut, everybody | 0:04:37 | 0:04:39 | |
# Like de coconut | 0:04:39 | 0:04:42 | |
# Coconut, coconut... # | 0:04:42 | 0:04:44 | |
SHE LAUGHS | 0:04:44 | 0:04:46 | |
# Coconut, coconut... # | 0:04:48 | 0:04:50 | |
Oh, hello, Lynn. Just reading about how ospreys died out in Britain | 0:04:50 | 0:04:54 | |
and had to be reintroduced from Scandinavia in the early '90s. | 0:04:54 | 0:04:57 | |
Now I think there are almost 500 of them. | 0:04:59 | 0:05:02 | |
HE TYPES | 0:05:02 | 0:05:03 | |
Yeah. 480. | 0:05:03 | 0:05:04 | |
It shows we should treasure and value our wildlife. | 0:05:04 | 0:05:07 | |
So, what you got, girl? | 0:05:08 | 0:05:10 | |
Well, the butchers want you to do another voiceover. | 0:05:10 | 0:05:13 | |
"Bannan's the Butcher's. | 0:05:13 | 0:05:14 | |
"Yesterday's meat at today's prices." | 0:05:14 | 0:05:18 | |
You've had the mayor of Hickling get in touch. | 0:05:18 | 0:05:20 | |
He listens to your show and wants to offer you the freedom of the village. | 0:05:20 | 0:05:23 | |
-It doesn't even have a post office. -They give you a big key. | 0:05:23 | 0:05:26 | |
-How big? -That big. | 0:05:26 | 0:05:28 | |
Tell him I accept. | 0:05:28 | 0:05:30 | |
MESSAGE ALERT | 0:05:30 | 0:05:31 | |
Everything seems to be tugging along nicely. | 0:05:31 | 0:05:34 | |
Everything OK, Alan? | 0:05:34 | 0:05:35 | |
Michael's just sent a text saying he hasn't bought toilet paper in 18 months. | 0:05:35 | 0:05:39 | |
-How does he...? -He steals it from a pub. | 0:05:39 | 0:05:42 | |
-Oh. -That's a relief. | 0:05:42 | 0:05:43 | |
Shared a bag of salty popcorn with him last week. | 0:05:43 | 0:05:45 | |
# Roll out the barrel... # Hi, I'm Pat Farrell. | 0:05:47 | 0:05:49 | |
Join me tonight at ten, for a hearty casserole of tunes, cheer and chinwag. | 0:05:49 | 0:05:53 | |
Local folk trio Will-o'-the-wisp will be playing live in the studio, | 0:05:53 | 0:05:57 | |
and I'll be taking your calls on my ever popular fireside phone-in. | 0:05:57 | 0:06:01 | |
Don't miss it. | 0:06:01 | 0:06:02 | |
OK, for those who haven't slipped into a coma, | 0:06:04 | 0:06:07 | |
you are listening to the Breakfast Show with Danny Sinclair and these muppets. | 0:06:07 | 0:06:11 | |
WHOOPING | 0:06:11 | 0:06:13 | |
-How we feeling this morning, guys? -Better than you, by the look of things. | 0:06:13 | 0:06:16 | |
-I had it large. I got on it. -Take it easy tonight, then. | 0:06:16 | 0:06:19 | |
I would but we've got the launch tonight. | 0:06:19 | 0:06:21 | |
North Norfolk Digital are changing their name to... | 0:06:21 | 0:06:23 | |
Shape - The Way You Want It To Be. | 0:06:23 | 0:06:26 | |
ELECTRONIC JINGLE: # Shape the way you want it to be | 0:06:26 | 0:06:29 | |
Coming up next, Alan Partridge. God bless him, how old is he? | 0:06:29 | 0:06:33 | |
-60 or something. -Got to be, hasn't he? | 0:06:33 | 0:06:35 | |
55. | 0:06:35 | 0:06:37 | |
Alan, we love you, mate. We love you really. | 0:06:37 | 0:06:39 | |
This one's for you, if you're listening. | 0:06:39 | 0:06:41 | |
It's Roachford. | 0:06:41 | 0:06:43 | |
MUSIC: Cuddly Toy by Roachford | 0:06:45 | 0:06:47 | |
MIMING: # Well, I don't pour out my heart like this to everyone | 0:06:55 | 0:06:59 | |
# Not anyone that I meet | 0:06:59 | 0:07:02 | |
# And I know it ain't the wine, cos I feel just fine | 0:07:02 | 0:07:06 | |
# Can't you see, baby? | 0:07:06 | 0:07:08 | |
# I'm still on my feet | 0:07:08 | 0:07:09 | |
# Oh, but a cuddly toy | 0:07:09 | 0:07:11 | |
# That's my only joy waiting for me when I get home, yeah | 0:07:11 | 0:07:17 | |
# And what I need is a girl like you | 0:07:17 | 0:07:20 | |
# All I need, yeah, to call my very own | 0:07:20 | 0:07:24 | |
# So you gotta feel for me, baby Feel for me, baby | 0:07:24 | 0:07:27 | |
# Yeah, you gotta feel for me, baby Feel for me, baby | 0:07:27 | 0:07:31 | |
# Girl, you gotta feel for me, baby Feel for me, baby | 0:07:31 | 0:07:34 | |
# Oh, gimme some love | 0:07:34 | 0:07:37 | |
# Come on, now... # | 0:07:37 | 0:07:39 | |
Your fog lamps are on. | 0:07:43 | 0:07:45 | |
Your fog lamps are on. There's no fog. | 0:07:47 | 0:07:49 | |
There's no fog. | 0:07:50 | 0:07:52 | |
No fog. | 0:07:52 | 0:07:53 | |
# Oh, a cuddly toy | 0:07:53 | 0:07:55 | |
# That's my only joy | 0:07:55 | 0:07:57 | |
# Waiting for me when I get home | 0:07:57 | 0:07:59 | |
# Nana | 0:07:59 | 0:08:01 | |
# And what I need | 0:08:01 | 0:08:03 | |
# Is a girl like you | 0:08:03 | 0:08:05 | |
# Just to call, call my very own | 0:08:05 | 0:08:08 | |
# So, you gotta feel for me, baby Feel for me, baby | 0:08:08 | 0:08:11 | |
# Yeah, you gotta feel for me, baby Feel for me, baby | 0:08:11 | 0:08:15 | |
# You gotta feel for me, baby Feel for me, baby | 0:08:15 | 0:08:18 | |
# Oh, gimme some love... # | 0:08:18 | 0:08:21 | |
-ALARM BEEPS -Love that noise. | 0:08:21 | 0:08:23 | |
Michael, do it outside. | 0:08:23 | 0:08:25 | |
-Morning, Michael. -Morning, Mr Partridge. | 0:08:26 | 0:08:29 | |
-Paper. -I was doing a fist bump. | 0:08:31 | 0:08:33 | |
-You would say that now you've lost. -It's instead of a handshake. | 0:08:33 | 0:08:37 | |
Some people say it's more hygienic than a handshake. | 0:08:37 | 0:08:39 | |
But who's to say you can't get shit on your fist? | 0:08:39 | 0:08:42 | |
-Did you hear him making fun of you? -I did, but as Oscar Wilde said, | 0:08:42 | 0:08:46 | |
"There's only one thing worse than being talked about." | 0:08:46 | 0:08:48 | |
-Cancer. -No. "Not being talked about." | 0:08:48 | 0:08:50 | |
Oscar Wilde said that's worse than cancer? | 0:08:50 | 0:08:52 | |
Yeah. I think he was at a party. | 0:08:52 | 0:08:55 | |
Probably just being a gay show-off. | 0:08:55 | 0:08:57 | |
# Shape, Shape, Shape... # | 0:08:57 | 0:08:59 | |
Do you know what I really like? I like waking up in the morning, breathing in the air and er... | 0:08:59 | 0:09:03 | |
actually realising I've made it through the night and I haven't wet the bed. | 0:09:03 | 0:09:06 | |
No, I am joking, obviously, but er... | 0:09:06 | 0:09:08 | |
they were, of course, very, very dark days indeed. | 0:09:08 | 0:09:13 | |
But they're all behind me now. | 0:09:13 | 0:09:15 | |
-Morning, Angela. -Morning, Alan. | 0:09:15 | 0:09:17 | |
'Alan Partridge has just walked into the building.' | 0:09:17 | 0:09:19 | |
Walking and talking, like The West Wing. | 0:09:19 | 0:09:21 | |
-'Hope he hasn't hurt himself!' -"Mr President, we have a code red." | 0:09:21 | 0:09:24 | |
-I've never seen the show. -No, me neither. | 0:09:24 | 0:09:28 | |
Corner coming up. | 0:09:28 | 0:09:30 | |
You never know what's round the corner. | 0:09:30 | 0:09:32 | |
More corners, usually. | 0:09:34 | 0:09:35 | |
Imagine a world without corners. | 0:09:38 | 0:09:40 | |
No-one would be able to cut any. Everyone would be going round in circles. | 0:09:40 | 0:09:44 | |
HE SIGHS | 0:09:48 | 0:09:49 | |
Wow. | 0:09:49 | 0:09:50 | |
I enjoyed that. | 0:09:52 | 0:09:54 | |
'I will tell you one thing. | 0:09:54 | 0:09:56 | |
'When I was going through my bad times,' | 0:09:56 | 0:09:58 | |
I found Norfolk was perhaps maybe not the place to be and... | 0:09:58 | 0:10:03 | |
just-just because it's so flat and there was a sort of a... | 0:10:03 | 0:10:06 | |
a bleakness about the place, but obviously now... | 0:10:06 | 0:10:09 | |
You're a good broadcaster, Alan. Don't forget that. | 0:10:09 | 0:10:12 | |
-I wasn't planning to, Pat. -You seen this memo? | 0:10:12 | 0:10:14 | |
"Exciting new phase. Here's to the future." | 0:10:14 | 0:10:16 | |
-My days are numbered. -No-one's getting sacked. | 0:10:16 | 0:10:19 | |
It's like Bobby Brushes, the caretaker, when the swimming pool allegations came out. | 0:10:19 | 0:10:22 | |
-He was in bits. -Yeah. | 0:10:22 | 0:10:24 | |
It turned out he was just helping those lads towel off. He was being nice. | 0:10:24 | 0:10:27 | |
-He didn't even know them. -Yeah, but where is he now? | 0:10:27 | 0:10:30 | |
-He runs his own business. -There. He's back on his feet. | 0:10:30 | 0:10:33 | |
Rents out bouncy castles. | 0:10:33 | 0:10:35 | |
For adults, yeah? | 0:10:35 | 0:10:37 | |
-Look at this memo. -I've seen the memo. It's quite simple. | 0:10:37 | 0:10:40 | |
Goredale Media are simply reimagining our core brand values | 0:10:40 | 0:10:43 | |
and giving it a name more fitting to multi-platform content delivery. | 0:10:43 | 0:10:47 | |
-They're people people. -People people sack people. | 0:10:47 | 0:10:49 | |
No, Pat. People sack people. People people please people. | 0:10:49 | 0:10:52 | |
-Can you have a word with them, Alan? -Would you? | 0:10:52 | 0:10:55 | |
Er...sure. As soon as I can get them all in the same room together. | 0:10:55 | 0:10:58 | |
-They're all up in the boardroom now. -That's great. | 0:10:58 | 0:11:01 | |
Thank you. Thank you, Alan. You're a pal. | 0:11:01 | 0:11:03 | |
Well, pals is pals. | 0:11:03 | 0:11:05 | |
If we're all looking at the last quarterly figures for North Norfolk on page 6. | 0:11:07 | 0:11:11 | |
Then if you turn to page 5. | 0:11:11 | 0:11:13 | |
KNOCKING | 0:11:13 | 0:11:15 | |
Hi, guys, don't want to be an agenda-bender, but any chance of a wawa? | 0:11:15 | 0:11:19 | |
-It's not a good time, Alan. -It's fine, we've time. Come in. | 0:11:19 | 0:11:23 | |
Oh, we moved the other thing. Yeah, it's a good time. | 0:11:23 | 0:11:26 | |
Alan, Alan Partridge. | 0:11:26 | 0:11:28 | |
Jason Tresswell, MD of Goredale Media. | 0:11:28 | 0:11:30 | |
It's not "Alan Alan Partridge". It's "Alan, comma, Alan Partridge". | 0:11:30 | 0:11:33 | |
I know some people do have two names. | 0:11:33 | 0:11:35 | |
Zsa Zsa Gabor, for instance. | 0:11:35 | 0:11:37 | |
Duran Duran. | 0:11:37 | 0:11:39 | |
Yeah, that's not as good. | 0:11:39 | 0:11:41 | |
Um... Kris Kristofferson. | 0:11:41 | 0:11:44 | |
Excellent small talk. Gentlemen, to business. | 0:11:44 | 0:11:47 | |
I am here as one of the more senior D-jocks at this station. | 0:11:47 | 0:11:50 | |
I'm here to talk about jobs. | 0:11:50 | 0:11:52 | |
Like a Nazi officer this, isn't it? | 0:11:54 | 0:11:56 | |
Should er...snap my heels together. | 0:11:56 | 0:11:58 | |
-Achtung! -Guten Tag. | 0:11:58 | 0:11:59 | |
Silence! Sorry. I meant to miss you. | 0:11:59 | 0:12:01 | |
I want you to do something for me. | 0:12:01 | 0:12:04 | |
I want you to take all your prejudices, put them in a box marked "prejudices", | 0:12:04 | 0:12:09 | |
put it to one side, wipe the prejudice juice off your hands... | 0:12:09 | 0:12:12 | |
Can I just stop you there? Change is healthy, you shouldn't fear it. | 0:12:12 | 0:12:14 | |
I'm not scared of anything. Not even an elephant, | 0:12:14 | 0:12:17 | |
which is interesting, because there's one in this room. | 0:12:17 | 0:12:20 | |
-Want to know his name? -> Pat Farrell. | 0:12:20 | 0:12:22 | |
It's Pat Farrell. Pat's audience is old. | 0:12:22 | 0:12:24 | |
Old people, much like dogs, are blindly loyal. | 0:12:24 | 0:12:27 | |
And if Pat hightails it to Cedar FM and they follow, | 0:12:27 | 0:12:30 | |
you've got a grey exodus on your hands. A grexodus. | 0:12:30 | 0:12:34 | |
Hm. That prejudices box doesn't seem quite so cool any more, does it? | 0:12:34 | 0:12:38 | |
Yeah, but we bought Cedar FM as well. | 0:12:38 | 0:12:41 | |
I didn't know that. I did not know that. | 0:12:41 | 0:12:43 | |
SUSPENSEFUL MUSIC | 0:12:45 | 0:12:46 | |
-The point is... -You were talking about Pat Farrell. | 0:12:51 | 0:12:54 | |
Pat Farrell is a great guy. | 0:12:54 | 0:12:56 | |
He's always the first to speak up at union meetings, | 0:12:56 | 0:13:01 | |
being a member of a union. | 0:13:01 | 0:13:03 | |
He's also Irish, which again, weirdly, a plus point, if you like swearing. | 0:13:03 | 0:13:08 | |
He's often on his show - "Feckin' dis" and "Feckin' dat". | 0:13:08 | 0:13:11 | |
Some Irish people say "Feck off" isn't as bad as "Fuck off", | 0:13:11 | 0:13:13 | |
but I think that's bullshit or bellshit. | 0:13:13 | 0:13:15 | |
-The bottom line is, he swears too much. -This is all very interesting... | 0:13:15 | 0:13:19 | |
I can sum up Pat Farrell in ten words. | 0:13:19 | 0:13:21 | |
Pat isn't very good so let him go, guys, seriously. | 0:13:21 | 0:13:25 | |
I can condense that to three words. | 0:13:25 | 0:13:27 | |
Just sack Pat. | 0:13:33 | 0:13:35 | |
That completes my presentation. | 0:13:35 | 0:13:37 | |
Gentlemen, I'll leave you to your biscuits. | 0:13:38 | 0:13:41 | |
HE PANTS | 0:13:41 | 0:13:43 | |
Gloves. | 0:13:47 | 0:13:49 | |
(Oh, fuck.) | 0:13:50 | 0:13:52 | |
Glove. | 0:13:52 | 0:13:54 | |
# Shape | 0:13:54 | 0:13:55 | |
# The way you want it to be... # | 0:13:55 | 0:13:58 | |
Ahhh! That was soft rock cocaine enthusiasts, Fleetwood Mac. | 0:13:58 | 0:14:03 | |
And this was Mid-Morning Matters. | 0:14:03 | 0:14:05 | |
Where once again, | 0:14:05 | 0:14:06 | |
-mid-morning... -Mattered. -Mattered. | 0:14:06 | 0:14:08 | |
Supposed to do it in sync. | 0:14:08 | 0:14:11 | |
-Always leave a gap. -Sorry. | 0:14:11 | 0:14:13 | |
Simple. Very simple. | 0:14:13 | 0:14:15 | |
You're listening to Shape - The Way You Want It To Be. | 0:14:15 | 0:14:19 | |
Mm-hm. Right. And will it take long? | 0:14:23 | 0:14:26 | |
It will take long. OK. Hi, Pat. I'll catch you later. | 0:14:28 | 0:14:32 | |
-I'm not happy about it, but... -MOBILE RINGTONE | 0:14:32 | 0:14:34 | |
I'll just have to go along with it, won't I? | 0:14:34 | 0:14:36 | |
RINGTONE STOPS | 0:14:36 | 0:14:38 | |
The... The-the problem is that the phone rings even when I'm speaking on it, | 0:14:38 | 0:14:44 | |
so it sounds bloody weird. | 0:14:44 | 0:14:46 | |
HE SNORTS | 0:14:46 | 0:14:47 | |
In fact, I think it just did it then. Did you hear it? Yes? | 0:14:47 | 0:14:51 | |
Yeah. He heard it too. | 0:14:51 | 0:14:53 | |
OK, well, I'll leave it with you. | 0:14:53 | 0:14:55 | |
Mm-hm. Yep. | 0:14:55 | 0:14:57 | |
Yep. | 0:14:57 | 0:14:59 | |
All right. Thanks, Susan. | 0:14:59 | 0:15:01 | |
If Geoff Susan doesn't mend that phone, there'll be hell to pay. | 0:15:03 | 0:15:06 | |
They wouldn't even let me say goodbye to my listeners. | 0:15:06 | 0:15:09 | |
Just gave me 30 minutes to clear out my locker. | 0:15:09 | 0:15:12 | |
Well, at least I'm getting their mugs dirty. | 0:15:12 | 0:15:15 | |
Thanks, Alan. You always stuck up for me. | 0:15:15 | 0:15:18 | |
Not like the others. | 0:15:18 | 0:15:20 | |
Well, I'll let you get back to...Geoff. | 0:15:21 | 0:15:23 | |
-Who's Geoff? -Geoff Susan. | 0:15:26 | 0:15:28 | |
Oh, yes, of course. | 0:15:28 | 0:15:30 | |
BUZZING | 0:15:34 | 0:15:35 | |
Ahhhhh... I did the right thing, didn't I, Lynn? | 0:15:35 | 0:15:38 | |
I mean, I think he knew his days were numbered. | 0:15:39 | 0:15:42 | |
More of an assisted suicide, really. | 0:15:42 | 0:15:44 | |
I just flew him to Switzerland and filled out a few forms and... | 0:15:44 | 0:15:49 | |
sloped off to the airport. | 0:15:49 | 0:15:51 | |
I've got to be honest, Lynn, I'm feeling pretty crummy. | 0:15:51 | 0:15:54 | |
Pat's Irish, isn't he? | 0:15:54 | 0:15:56 | |
To be sure. | 0:15:56 | 0:15:57 | |
Why don't you donate £50 to Sinn Fein? | 0:15:57 | 0:16:00 | |
Perfect. | 0:16:00 | 0:16:02 | |
-ALARM BEEPS -Love that noise. | 0:16:02 | 0:16:05 | |
Keep me away from the sausage rolls. | 0:16:05 | 0:16:06 | |
I'm wearing my chubby clothes again. | 0:16:06 | 0:16:08 | |
I noticed. What, the chub, or the clothes? | 0:16:08 | 0:16:10 | |
-My pad! -My pad. | 0:16:10 | 0:16:12 | |
-SHE GIGGLES -Not that funny, Lynn. | 0:16:12 | 0:16:14 | |
MUSIC: Bounce by Calvin Harris | 0:16:14 | 0:16:17 | |
CHATTER | 0:16:17 | 0:16:19 | |
-I used to go with prostitutes. -Brilliant. | 0:16:19 | 0:16:21 | |
Cocaine - that was a trigger. Cocaine, prostitutes. | 0:16:21 | 0:16:24 | |
Bit of a cycle. Puking up the old... luminous green bile. | 0:16:24 | 0:16:28 | |
Yeah, I was withdrawing. | 0:16:29 | 0:16:31 | |
THEY LAUGH HEARTILY | 0:16:31 | 0:16:32 | |
I've got my minder with me. | 0:16:32 | 0:16:33 | |
-Lynn? -She might not seem tough, | 0:16:33 | 0:16:35 | |
but I once saw her stamp on 50 cockroaches in a minute. | 0:16:35 | 0:16:38 | |
He didn't see. He was in the next room. | 0:16:38 | 0:16:39 | |
-It was in Wales. -It's true, yeah. | 0:16:39 | 0:16:41 | |
All I could hear was crunch, crunch, crunch, stamp, stamp, stamp. | 0:16:41 | 0:16:44 | |
I thought she was country dancing whilst eating cereal. | 0:16:44 | 0:16:47 | |
I thought it was the End of Days. They were legion. | 0:16:47 | 0:16:50 | |
Lynn likes The Bible. | 0:16:50 | 0:16:52 | |
I've never understood moths. | 0:16:52 | 0:16:54 | |
They only come out at night, yet they're attracted to the light. | 0:16:54 | 0:16:57 | |
I don't know why they just don't come out during the day. | 0:16:57 | 0:16:59 | |
I've nothing to add to that. If you substituted butterfly... | 0:16:59 | 0:17:02 | |
Could you go and get me some sausage rolls? | 0:17:02 | 0:17:04 | |
If you substituted butterfly for moth, I think it would sound like poetry, yeah. | 0:17:04 | 0:17:08 | |
Unfortunately, Wordsworth didn't say - | 0:17:08 | 0:17:09 | |
"I wandered lonely as a moth to eat some jumpers in a drawer." | 0:17:09 | 0:17:14 | |
"As if that wasn't bad enough, it ate my sock upon the moor." | 0:17:14 | 0:17:19 | |
HE SIGHS AND CLICKS TONGUE | 0:17:19 | 0:17:20 | |
Yeah. It's just... I don't know why a sock could be on the moor. | 0:17:23 | 0:17:26 | |
A mitten, maybe. | 0:17:26 | 0:17:28 | |
I actually spewed up some of my stomach lining. | 0:17:28 | 0:17:31 | |
I don't know if you've ever done er...done any horse, have you? | 0:17:31 | 0:17:34 | |
-I've ridden a donkey. -No, no, no, I mean heroin. | 0:17:34 | 0:17:36 | |
I know what you mean. No, I've not done heroin. | 0:17:36 | 0:17:39 | |
-I don't like subtitles in my films. -If you can read, read a book. | 0:17:39 | 0:17:42 | |
Citizen Kane - black and white. I haven't seen that. | 0:17:42 | 0:17:44 | |
I tell you what, the best film for me, ever, is still The Godfather. | 0:17:44 | 0:17:48 | |
-Ah, amazing film. -Perfect film. | 0:17:48 | 0:17:50 | |
"I'm going to make him an offer he can't refuse." | 0:17:50 | 0:17:52 | |
-Amazing acting, though. -Great acting. | 0:17:52 | 0:17:54 | |
I tell you what's even better, | 0:17:54 | 0:17:56 | |
a lot of people are shocked when I say this - the camera angles. | 0:17:56 | 0:17:59 | |
Alan, I need a word. | 0:17:59 | 0:18:00 | |
> Camera angles? | 0:18:00 | 0:18:02 | |
It's rather delicate. | 0:18:02 | 0:18:04 | |
Remember when you took me for that Christmas meal at the ice rink? | 0:18:04 | 0:18:07 | |
You remember that woman disinfecting the boots? | 0:18:07 | 0:18:10 | |
The one that took a shine to you? | 0:18:10 | 0:18:11 | |
I went home and you and her... | 0:18:11 | 0:18:13 | |
Well, it's...none of my business. | 0:18:15 | 0:18:17 | |
It is none of your business, but for the record, went back to her place, | 0:18:17 | 0:18:20 | |
watched Air Crash Investigation, then I fell asleep in her big armchair. | 0:18:20 | 0:18:23 | |
A perfectly normal woman. | 0:18:23 | 0:18:25 | |
Well, she's here. | 0:18:25 | 0:18:27 | |
Lynn, get rid of her. She's a drunk racist. | 0:18:27 | 0:18:29 | |
-I'll tolerate one, but not both. -Fine. | 0:18:29 | 0:18:32 | |
But you said I could pop by any time. | 0:18:32 | 0:18:34 | |
I know, but my career's hanging by a thread. | 0:18:34 | 0:18:36 | |
-And I'm an embarrassment, am I? -No, no. | 0:18:36 | 0:18:38 | |
You just wanted sex, you used me. | 0:18:38 | 0:18:41 | |
Well, maybe you used me. | 0:18:41 | 0:18:42 | |
I-I didn't have much of a say over what went on that night. | 0:18:42 | 0:18:46 | |
Didn't hear you complaining. | 0:18:46 | 0:18:48 | |
-I couldn't speak. -See you round mine again, then. | 0:18:48 | 0:18:51 | |
I...don't know, I'm... I'm... | 0:18:51 | 0:18:52 | |
-What's wrong with my place? -Well...all those dogs barking. | 0:18:52 | 0:18:56 | |
But it's their bedroom too. | 0:18:56 | 0:18:58 | |
May I have a word? | 0:18:58 | 0:19:00 | |
-BETTIE: -You're talking clap... crap! | 0:19:05 | 0:19:07 | |
I sound like a fucking Chinky when I'm pissed! | 0:19:07 | 0:19:11 | |
BANGS AND SCREAMS | 0:19:11 | 0:19:13 | |
There we go. All done. | 0:19:14 | 0:19:17 | |
-What did you say to her? -I told her that God loves everyone... | 0:19:17 | 0:19:21 | |
even sluts. | 0:19:21 | 0:19:23 | |
-Goodnight, Lynn. -Night, Alan. | 0:19:23 | 0:19:25 | |
MUSIC CONTINUES | 0:19:29 | 0:19:31 | |
Hello? | 0:19:50 | 0:19:52 | |
V funny. Tee-hee. | 0:19:52 | 0:19:55 | |
Very impressive. | 0:19:55 | 0:19:57 | |
Oh, they must have left in a hurry. Something weird's happened. | 0:19:57 | 0:20:00 | |
HE SIGHS | 0:20:04 | 0:20:05 | |
All right, you freaked me out, so just... Pack it... | 0:20:08 | 0:20:12 | |
There you are! | 0:20:12 | 0:20:13 | |
Pat? Agh! | 0:20:13 | 0:20:15 | |
GUNSHOT | 0:20:15 | 0:20:16 | |
I'm down. | 0:20:22 | 0:20:23 | |
MAN GRUNTS | 0:20:29 | 0:20:31 | |
You... | 0:20:31 | 0:20:32 | |
You step to me? | 0:20:32 | 0:20:35 | |
Simon! | 0:20:35 | 0:20:36 | |
HE GROANS | 0:20:36 | 0:20:37 | |
Er... | 0:20:37 | 0:20:39 | |
Yeah, all right. I'll go on without you. | 0:20:39 | 0:20:41 | |
HE GRUNTS | 0:20:49 | 0:20:50 | |
HE PANTS | 0:20:52 | 0:20:53 | |
Stop! Stop! Stop! | 0:20:56 | 0:20:57 | |
TYRES SCREECH | 0:20:57 | 0:20:59 | |
-I need to commandeer this vehicle. -WOMAN: What? | 0:20:59 | 0:21:01 | |
There's a mad man with a gun. Um... | 0:21:01 | 0:21:03 | |
-He's Irish! -Get in. | 0:21:03 | 0:21:05 | |
Why do you sit so close to the wheel? I could steer with my balls! | 0:21:06 | 0:21:10 | |
-Where's the nearest police station? -Just here. | 0:21:11 | 0:21:14 | |
Oh...thanks. | 0:21:14 | 0:21:16 | |
Are you Alan Partrid...? | 0:21:16 | 0:21:18 | |
Assault, battery, kidnap, chronic thuggery, | 0:21:20 | 0:21:24 | |
brandishment, actual bodily harm, grievous bodily harm... | 0:21:24 | 0:21:27 | |
-harm. -Just stick to what you saw | 0:21:27 | 0:21:30 | |
and we'll decide if it's ABH or GBH. | 0:21:30 | 0:21:32 | |
-You mean aitch? -That's what I said. | 0:21:32 | 0:21:34 | |
Nearly, you said haitch. | 0:21:34 | 0:21:36 | |
"Ha" is the sound of the letter, aitch is its name. | 0:21:36 | 0:21:38 | |
One is ha, the other is aitch. Neither is "haitch". | 0:21:38 | 0:21:40 | |
-I'm sorry, I'm a bit nervous. -Mr Partridge? | 0:21:40 | 0:21:42 | |
-There's something else we need to talk about. -Oh... | 0:21:42 | 0:21:44 | |
-You're not in trouble. -Oh, fine. | 0:21:44 | 0:21:46 | |
I've never been in a police car before. | 0:21:49 | 0:21:51 | |
May I lower the window, please? | 0:21:51 | 0:21:53 | |
POLICE RADIO: Foxtrot Sierra. Alpha Papa arriving at the school building. | 0:21:57 | 0:22:01 | |
-Officer. -Mr Partridge. | 0:22:01 | 0:22:03 | |
-You were at the police station. -I was just in the car with you. | 0:22:03 | 0:22:06 | |
-If you want to follow me, please. -Huh. | 0:22:06 | 0:22:08 | |
-This way, please, sir. -Yep. | 0:22:08 | 0:22:10 | |
Let's do it. | 0:22:12 | 0:22:14 | |
Mr Partridge, this is the Gold Commander of the operation. | 0:22:16 | 0:22:19 | |
ALAN CHUCKLES | 0:22:19 | 0:22:21 | |
-Seriously, is that what you're called? -On this operation, yes. | 0:22:21 | 0:22:24 | |
I'm Acting Chief Constable Janet Whitehead. | 0:22:24 | 0:22:26 | |
-An honour. -And I'm Martin Fitch... | 0:22:26 | 0:22:29 | |
Send. | 0:22:29 | 0:22:30 | |
..from Scotland Yard's Hostage and Crisis Unit. | 0:22:30 | 0:22:33 | |
Here to lead the negotiation. | 0:22:33 | 0:22:35 | |
Er...little bit awkward. Who's in charge? | 0:22:35 | 0:22:37 | |
Make no mistake, this lady is in charge. | 0:22:37 | 0:22:40 | |
So here's the situation. Pat is refusing to speak to us directly. | 0:22:40 | 0:22:44 | |
He's willing to give us three hostages, but only if he can talk to us through you. | 0:22:44 | 0:22:48 | |
Now, we need to know why Pat has done this so we can draw things to a peaceful conclusion. | 0:22:48 | 0:22:52 | |
Yeah, sure, I'll talk to him. Deal. | 0:22:52 | 0:22:54 | |
Sorry, wrong person. | 0:22:54 | 0:22:57 | |
Come here. | 0:22:57 | 0:22:58 | |
OK. Now, are you on any medication? | 0:23:01 | 0:23:04 | |
Er... Just some cream. | 0:23:04 | 0:23:06 | |
I've got very aggressive athlete's foot but that's the only thing about me that is. | 0:23:06 | 0:23:10 | |
Do you suffer from any nervous conditions, such as panic attacks? | 0:23:10 | 0:23:13 | |
HE SNIGGERS | 0:23:13 | 0:23:14 | |
Do I look like I suffer from panic attacks? | 0:23:14 | 0:23:16 | |
I've had one panic attack in a car wash. | 0:23:16 | 0:23:18 | |
It was a perfect storm of no sleep, no wife, | 0:23:18 | 0:23:22 | |
and angry brushes whirring towards me. | 0:23:22 | 0:23:25 | |
By the time the giant hairdryer came on, I was in the footwell. | 0:23:25 | 0:23:28 | |
Does the idea of weaponry trouble you? | 0:23:30 | 0:23:33 | |
Er...no. I've fired several rifles - at funfairs, and won prizes. | 0:23:33 | 0:23:36 | |
But I've never fired one in anger, or at a cat. | 0:23:36 | 0:23:40 | |
CLEARING THROAT: We'll have you fully briefed by the tactical firearms team. | 0:23:40 | 0:23:43 | |
Cool. | 0:23:43 | 0:23:44 | |
We'll keep in regular phone contact with you when you go in. | 0:23:44 | 0:23:46 | |
Very cool. Sorry, go in? | 0:23:46 | 0:23:48 | |
-What, into the building? -Mm-hm. | 0:23:48 | 0:23:51 | |
-To speak to Pat in person? -Yes, is that not what you...? | 0:23:51 | 0:23:54 | |
-Erm... -Everything OK? | 0:23:55 | 0:23:58 | |
I'm just a little nervous about going into a car wash...er...siege. | 0:23:58 | 0:24:02 | |
So what do you say, Al? Will you help us? | 0:24:02 | 0:24:04 | |
HE SIGHS | 0:24:06 | 0:24:08 | |
CONTEMPLATIVE PIANO MUSIC | 0:24:09 | 0:24:11 | |
Yep. | 0:24:13 | 0:24:14 | |
Guys, none of us choose the hand we're dealt... | 0:24:14 | 0:24:17 | |
-You know... -We do need an answer, I'm afraid. | 0:24:19 | 0:24:22 | |
Do you have another siege to go to? | 0:24:22 | 0:24:23 | |
It's my understanding that if you say yes, you're allowed a few words. | 0:24:23 | 0:24:26 | |
-So you are saying yes? -I was leaving that to the end. | 0:24:26 | 0:24:28 | |
-If you'd like to come with me. -Sure. | 0:24:28 | 0:24:30 | |
Can I get a copy of that? | 0:24:30 | 0:24:32 | |
-Let's keep this simple, shall we? -Roger, that. | 0:24:32 | 0:24:35 | |
-No heroics. -Ten-four, good buddy. | 0:24:35 | 0:24:37 | |
Do not physically engage him. | 0:24:37 | 0:24:39 | |
-Fight a gun, flee a knife, yeah? -Where do you read that? | 0:24:39 | 0:24:41 | |
Big fans of you guys in TFU. | 0:24:41 | 0:24:43 | |
If I had my way, all police officers would carry firearms. | 0:24:43 | 0:24:46 | |
I think that firearms should remain in the hands of specialists. | 0:24:46 | 0:24:49 | |
I was going to say that only specialists should be allowed to fire them. | 0:24:49 | 0:24:52 | |
If you think I've just made that up, you can call my assistant. | 0:24:52 | 0:24:55 | |
Alan! Read my lips. | 0:24:55 | 0:24:57 | |
If you jeopardize the safety of any of my men, | 0:24:57 | 0:25:00 | |
or any of those hostages because you've not been listening to me, | 0:25:00 | 0:25:03 | |
I will take off this police uniform and I will make you pay for it. | 0:25:03 | 0:25:06 | |
You want me to buy your police uniform off you? | 0:25:08 | 0:25:10 | |
No. I'll give you a fucking good hiding, is that clear? | 0:25:10 | 0:25:13 | |
Yes, that's clear. Yes. That's clear. | 0:25:13 | 0:25:15 | |
(You're close to me.) | 0:25:15 | 0:25:17 | |
Now, you're a smart bloke, I know you can handle it. | 0:25:18 | 0:25:20 | |
-I know you won't disappoint me. -I won't. | 0:25:20 | 0:25:22 | |
I aim to please you, and I... I hope to impress you. | 0:25:22 | 0:25:25 | |
-Good man. -Yeah, you're a good man too. | 0:25:25 | 0:25:29 | |
Right, well, Dom will fill you in. | 0:25:29 | 0:25:30 | |
He has to say all that shit for the insurance. | 0:25:36 | 0:25:38 | |
-Right. -Tell me this much, mate. | 0:25:38 | 0:25:40 | |
-What's your favourite siege? -Iranian Embassy. | 0:25:40 | 0:25:43 | |
Same. Why? | 0:25:43 | 0:25:44 | |
They used the sound of a pneumatic drill | 0:25:44 | 0:25:46 | |
to disguise the noise of them removing bricks from a neighbouring wall. | 0:25:46 | 0:25:49 | |
-So they could smash through and... -Take them out the game. | 0:25:49 | 0:25:52 | |
BOTH: It's just a great siege. | 0:25:52 | 0:25:54 | |
Right. | 0:25:55 | 0:25:56 | |
Do you want to see me gun? | 0:25:57 | 0:25:59 | |
Does erm... Yes, please. | 0:25:59 | 0:26:02 | |
HEAVY THUD AND SLIDE | 0:26:02 | 0:26:03 | |
Let's clock the Glock. | 0:26:04 | 0:26:06 | |
You'll have to move quicker than that. | 0:26:08 | 0:26:09 | |
-Any last messages for your kids? -Oh... Er... | 0:26:09 | 0:26:12 | |
No, they don't speak to me any more. | 0:26:12 | 0:26:14 | |
Yeah, "Why don't you speak to me any more?" | 0:26:14 | 0:26:16 | |
I wouldn't know the answer, would I? | 0:26:16 | 0:26:18 | |
So just um... Just... tell them I love them. | 0:26:18 | 0:26:21 | |
Pat, Alan's coming in now. | 0:26:29 | 0:26:31 | |
HELICOPTER ROTORS WHIR | 0:26:31 | 0:26:33 | |
-Greg! -Oh... Hey, Alan. Thanks. | 0:26:46 | 0:26:48 | |
-They let you go as well? -I'm relieved to be getting out of there. | 0:26:48 | 0:26:51 | |
-Aren't there still women in there? -Yeah, well... | 0:26:51 | 0:26:54 | |
I think it would be a bit sexist to let ALL the women go out first. | 0:26:54 | 0:26:57 | |
Yeah. Sleep well, Greg. | 0:26:57 | 0:27:00 | |
Thanks. | 0:27:00 | 0:27:01 | |
Pat? | 0:27:06 | 0:27:07 | |
Pat? | 0:27:10 | 0:27:12 | |
Pat? | 0:27:12 | 0:27:13 | |
-Prepare to die. -I'm not ready to! | 0:27:22 | 0:27:24 | |
Alan, it's OK, it's OK, it's me. | 0:27:24 | 0:27:26 | |
It's me - Pat. | 0:27:26 | 0:27:29 | |
God, you... | 0:27:29 | 0:27:30 | |
I just thought a little jokey costume would, you know, put you at ease, | 0:27:30 | 0:27:33 | |
-give you a giggle. -Well...mission accomplished. | 0:27:33 | 0:27:36 | |
Oh, God. | 0:27:37 | 0:27:38 | |
-It's great to see you. -Good to see you, too. | 0:27:38 | 0:27:40 | |
I bought you some cake, not that you deserve it after that. | 0:27:40 | 0:27:43 | |
I should just crush it in my hand. Oh, I already have. | 0:27:43 | 0:27:46 | |
-How the devil are you? -Yeah, not bad, not bad. | 0:27:46 | 0:27:49 | |
How are you feeling? | 0:27:49 | 0:27:50 | |
-Great! -Good. | 0:27:50 | 0:27:52 | |
Oh, er...the police told me to bring you this. | 0:27:52 | 0:27:54 | |
It's just a standard field phone, | 0:27:54 | 0:27:56 | |
should you feel the inclination to communicate with ze authorities. | 0:27:56 | 0:27:59 | |
Good thing about these things, they're immune to the problems and glitches | 0:27:59 | 0:28:03 | |
you get with satellite phones. | 0:28:03 | 0:28:05 | |
But, like I say, it's just an option, really. | 0:28:05 | 0:28:08 | |
I just realised, when you asked me now how I was feeling, you meant... | 0:28:08 | 0:28:13 | |
Yes, I did. | 0:28:13 | 0:28:15 | |
PAT CHUCKLES | 0:28:15 | 0:28:17 | |
-Does this answer your question? -Yes, it does. | 0:28:17 | 0:28:19 | |
Oh, hello. Didn't see you there. | 0:28:19 | 0:28:22 | |
Someone's been in the wars. | 0:28:22 | 0:28:24 | |
-That's just Simon. -Can he breathe through that? | 0:28:24 | 0:28:26 | |
Of course. It's just like wearing a mask. | 0:28:26 | 0:28:28 | |
At least when someone puts you in a mask, you've got a safe word, | 0:28:28 | 0:28:31 | |
like "air bag", or "crayfish". | 0:28:31 | 0:28:33 | |
What's the er...? That thing? | 0:28:34 | 0:28:36 | |
Oh, we made that. It's a head holster. | 0:28:36 | 0:28:39 | |
-Never heard of one of those. -Yeah, I'll show you. Simon? | 0:28:39 | 0:28:43 | |
You insert the shotgun. | 0:28:43 | 0:28:45 | |
Place on stand. And...voila. | 0:28:45 | 0:28:47 | |
Hands free. I can move around the studio, do anything I want. | 0:28:47 | 0:28:50 | |
And if something happens... I don't even have to look. | 0:28:50 | 0:28:54 | |
Boom. Hit the target. | 0:28:54 | 0:28:55 | |
Yeah... Well, you don't need an accomplice. | 0:28:55 | 0:28:58 | |
Well, I've got you now. | 0:28:58 | 0:29:00 | |
Yeah. | 0:29:00 | 0:29:02 | |
Thank you. | 0:29:02 | 0:29:04 | |
So you're with the police now? | 0:29:07 | 0:29:09 | |
Oh, this... No, this is just... | 0:29:11 | 0:29:13 | |
I think it's Velcro. There you go. | 0:29:13 | 0:29:16 | |
Feck the police. | 0:29:16 | 0:29:17 | |
I think they thought that if they did take a pot shot at you... | 0:29:17 | 0:29:20 | |
it's a siege, you've got a gun, | 0:29:20 | 0:29:22 | |
that the bullet might pass through you and hit me. | 0:29:22 | 0:29:24 | |
Unless they use dumdums, which explode inside the body. | 0:29:24 | 0:29:26 | |
I said, "Do not use dumdums on Pat Ferrell, Farrell, Ferrell. | 0:29:26 | 0:29:29 | |
"Just use a high-velocity round that passes through his body | 0:29:29 | 0:29:32 | |
"because he's a friend of mine." | 0:29:32 | 0:29:34 | |
And I suppose if I want to shoot you, I can always aim for the head. | 0:29:34 | 0:29:37 | |
Exactly. Exactly. | 0:29:37 | 0:29:38 | |
Um... I don't even know why I'm wearing it. | 0:29:38 | 0:29:41 | |
-So take it off. -I'll happily take it off. | 0:29:41 | 0:29:43 | |
Go on, then. | 0:29:43 | 0:29:44 | |
-If you want me to, I'll take it off. -Fucking take it off! | 0:29:44 | 0:29:47 | |
Oh, Pat, now you're making me want to wear it! | 0:29:47 | 0:29:49 | |
This is not my bag. | 0:29:49 | 0:29:51 | |
I'm-I'm-I'm...a disc jockey. | 0:29:51 | 0:29:53 | |
I'm sorry you got the sack. | 0:29:53 | 0:29:55 | |
I'm 55 years old, I should be at home in bed watching funny videos on YouTube. | 0:29:55 | 0:29:59 | |
"Sneezing panda" or "Charlie bit my finger". | 0:30:00 | 0:30:04 | |
Have you seen "Fat woman falls down the hole"? | 0:30:04 | 0:30:06 | |
THEY LAUGH | 0:30:07 | 0:30:10 | |
-That's hilarious. Isn't it? -Yeah. | 0:30:10 | 0:30:12 | |
I've seen it before, but, yeah. | 0:30:12 | 0:30:14 | |
That... That should be fenced off, really, but erm... I'm glad it wasn't. | 0:30:14 | 0:30:19 | |
Great. | 0:30:19 | 0:30:20 | |
Oh, yeah, I'm supposed to ask, where are the hostages? | 0:30:20 | 0:30:23 | |
In there. | 0:30:23 | 0:30:25 | |
Oh, my God! | 0:30:27 | 0:30:29 | |
That's like some sort of zoo from Planet Of The Apes. | 0:30:29 | 0:30:32 | |
Danny looks a bit...bruised. | 0:30:33 | 0:30:36 | |
I lost my temper a couple of times. | 0:30:36 | 0:30:38 | |
-Three times. -Yeah. Yeah, yeah, it was three. | 0:30:38 | 0:30:41 | |
Go and say hello. | 0:30:41 | 0:30:43 | |
-Give him a slap yourself, if you want. -Oh, no... | 0:30:43 | 0:30:46 | |
No, I'll just... I'll just say hello. | 0:30:47 | 0:30:50 | |
-Alan... -Look, do the police know we're here? | 0:30:50 | 0:30:53 | |
Alan! What the hell's going on? | 0:30:53 | 0:30:55 | |
ALL TALK AT ONCE | 0:30:55 | 0:30:56 | |
Hey! Hey, hey, hey! | 0:30:56 | 0:30:58 | |
Cool it with the crosstalk, you're professional broadcasters. | 0:30:58 | 0:31:01 | |
-I'm not, I'm a writer. -We'll get through this with each other. | 0:31:01 | 0:31:04 | |
I want everyone to shake hands with everyone else. Now! Whether you want to or not. | 0:31:04 | 0:31:08 | |
DANNY: This is ridiculous. | 0:31:08 | 0:31:10 | |
ANGELA: Ow. | 0:31:10 | 0:31:11 | |
Hello, er...Connor. | 0:31:11 | 0:31:13 | |
-Paper. -Hi. | 0:31:16 | 0:31:18 | |
OK. Pat will not communicate directly with the police. | 0:31:18 | 0:31:21 | |
Only through me. | 0:31:21 | 0:31:23 | |
So as of now, I am bullhorn. | 0:31:23 | 0:31:26 | |
-But I think we're going to be OK. -OK? He hit me! | 0:31:26 | 0:31:29 | |
Let's not get into who hit who or, you know, who may have deserved it. | 0:31:29 | 0:31:32 | |
You need to keep him away from me. Understand? | 0:31:32 | 0:31:35 | |
What I NEED to do, Danny, | 0:31:35 | 0:31:36 | |
in conjunction with Jason, is crisis management. | 0:31:36 | 0:31:39 | |
I'm sure he'll agree there has been plenty of crisis... | 0:31:39 | 0:31:41 | |
-But no management. -Cowabunga. Walk with me. | 0:31:41 | 0:31:43 | |
Alan, you do realise you're in the box seat here? | 0:31:45 | 0:31:48 | |
-You've got the guy's confidence. -Yeah. I don't know why. | 0:31:48 | 0:31:50 | |
I go for a curry with him once a year, and even then I don't have a starter. | 0:31:50 | 0:31:54 | |
Trouble is, he does. | 0:31:54 | 0:31:55 | |
All I need to know is - can you handle it? | 0:31:55 | 0:31:57 | |
Well, er... | 0:31:57 | 0:31:58 | |
Would you ask that of a man who'd gone paintballing, | 0:31:58 | 0:32:01 | |
realised he'd left his goggles at reception but carried on anyway? | 0:32:01 | 0:32:04 | |
-Why? -You're looking at him. | 0:32:04 | 0:32:06 | |
OK, guys, quick wawa. | 0:32:06 | 0:32:08 | |
Just had a powwow with Jase, upshot is... | 0:32:08 | 0:32:11 | |
I'm going to be his right-hand man on this one. | 0:32:11 | 0:32:13 | |
He'll be, um... My left-hand man. | 0:32:13 | 0:32:17 | |
-Er... -Sorry. | 0:32:17 | 0:32:19 | |
The point is, Pat has not gone mad. | 0:32:19 | 0:32:22 | |
He has a grievance. He needs some sort of outlet. | 0:32:22 | 0:32:24 | |
JINGLE PLAYS | 0:32:24 | 0:32:25 | |
This is Pat Farrell, welcoming you to Roll Out The Farrell on North Norfolk Digital. | 0:32:25 | 0:32:30 | |
OK. Pat may have... May have gone mad. | 0:32:30 | 0:32:33 | |
He may have gone mad. | 0:32:33 | 0:32:35 | |
And now we have a text from Cynthia in Holt, who writes, | 0:32:35 | 0:32:39 | |
Dear Pat, we are sending you a bottle... | 0:32:39 | 0:32:41 | |
-Ma'am, you'd better listen to this... -..of our home-made plum brandy. | 0:32:41 | 0:32:44 | |
We use it to make brandy butter... | 0:32:44 | 0:32:46 | |
-Why am I listening to shit radio? -That's Pat Farrell, ma'am. | 0:32:46 | 0:32:49 | |
He's broadcasting from the siege. | 0:32:49 | 0:32:51 | |
Mm, yum, Cynthia. Can't wait. | 0:32:51 | 0:32:53 | |
Can you gently remind Pat that we had an agreement? | 0:32:53 | 0:32:56 | |
You are there to communicate with us. | 0:32:56 | 0:32:58 | |
Listen, I don't know what it says in your police operation manual... | 0:32:58 | 0:33:02 | |
-or in Psychobabble Weekly... -Penguin Book of Sieges. | 0:33:02 | 0:33:05 | |
..or The Penguin Book of Sieges, | 0:33:05 | 0:33:07 | |
but out here in the field, it's plenty different. | 0:33:07 | 0:33:10 | |
I've got a guy with a gun and a gripe to grind, and he say, "No speaky." | 0:33:10 | 0:33:15 | |
I would really like to establish a dialogue here, Alan. | 0:33:15 | 0:33:18 | |
A simple trilateral exchange, from Pat, to you, to me, to you, to Pat. | 0:33:18 | 0:33:21 | |
-Do you understand? -No more interruptions, or else! | 0:33:21 | 0:33:24 | |
You think I don't have balls? I've got plenty of balls! | 0:33:24 | 0:33:27 | |
I've got balls coming out of my arse! | 0:33:27 | 0:33:29 | |
-Er...did you hear that? -Yes. | 0:33:31 | 0:33:34 | |
Well, that's... that's the end of the call. Bye. | 0:33:34 | 0:33:37 | |
You are listening to North Norfolk Digital. | 0:33:38 | 0:33:40 | |
# Shape | 0:33:42 | 0:33:43 | |
# The Way You Want It To Be. | 0:33:43 | 0:33:45 | |
# Shape- The way you want it to be | 0:33:45 | 0:33:47 | |
-Where are all my jingles? -Jason wanted them deleted. | 0:33:47 | 0:33:50 | |
-He won't have deleted them all. -He did delete them all. | 0:33:50 | 0:33:52 | |
-He did delete them all, Pat. -What? | 0:33:52 | 0:33:54 | |
-It was jingle genocide. -That's not helping, Simon. | 0:33:54 | 0:33:57 | |
The bastard. Alan, take over for me. | 0:33:57 | 0:34:00 | |
-No. -I'm going to straighten him out. | 0:34:00 | 0:34:03 | |
MUFFLED GASPS | 0:34:03 | 0:34:05 | |
Oh, and...keep it light. | 0:34:05 | 0:34:07 | |
Right, um... OK. | 0:34:07 | 0:34:08 | |
SCREAMING | 0:34:08 | 0:34:10 | |
You're listening to the Pat and Alan Show. | 0:34:10 | 0:34:12 | |
-Mainly Pat. -You, Jason. Yeah, you. | 0:34:12 | 0:34:14 | |
We'll be asking...w-what time... | 0:34:14 | 0:34:17 | |
..does mike paper slider switch to... To... | 0:34:18 | 0:34:23 | |
to mouse his chocolate cups? | 0:34:23 | 0:34:27 | |
-It doesn't make sense. -It doesn't make sense, | 0:34:27 | 0:34:30 | |
but if you can rearrange to make sense then you could win...bins... | 0:34:30 | 0:34:33 | |
and win... | 0:34:33 | 0:34:35 | |
THUD | 0:34:35 | 0:34:36 | |
...and windows. | 0:34:36 | 0:34:38 | |
-Alan, help me! -So that's our win a bin and window, | 0:34:38 | 0:34:41 | |
rearrange the sentence, keep it light, competition. | 0:34:41 | 0:34:44 | |
SCREAMING | 0:34:44 | 0:34:45 | |
Oh, shit. | 0:34:45 | 0:34:46 | |
This is the theme from Ski Sunday. | 0:34:46 | 0:34:49 | |
Sorry for swearing. | 0:34:49 | 0:34:50 | |
MUSIC: Theme from Ski Sunday | 0:34:50 | 0:34:52 | |
-MUFFLED: -I've put up with shits like you for most of my life... | 0:34:55 | 0:34:59 | |
THUMPING AND SCREAMING | 0:34:59 | 0:35:01 | |
THUD | 0:35:04 | 0:35:05 | |
One hour. | 0:35:07 | 0:35:09 | |
And if that jingle isn't word for word what I just said, | 0:35:09 | 0:35:13 | |
I am going to shoot you in the feet, then the knees, then the hands. | 0:35:13 | 0:35:17 | |
And basically anything you've got two of, like your face. | 0:35:17 | 0:35:21 | |
Oh, yeah. Two-faced. | 0:35:22 | 0:35:24 | |
One hour. | 0:35:24 | 0:35:26 | |
One hour? This is impossible. I'm going to fucking die. | 0:35:29 | 0:35:33 | |
What are we going to do? | 0:35:33 | 0:35:35 | |
You can't do a top-quality jingle in an hour. | 0:35:35 | 0:35:37 | |
We can do this. Let me tell you a story, um... | 0:35:37 | 0:35:40 | |
Back in the day, I was MC-ing a conference for Reynard Pharmaceuticals. | 0:35:40 | 0:35:44 | |
Some of the marketing guys were doing karaoke. | 0:35:44 | 0:35:46 | |
I didn't join in, I tended to shun Japanese culture. | 0:35:46 | 0:35:49 | |
This was the mid-'90s, it was more acceptable. | 0:35:49 | 0:35:51 | |
But high on a cocktail of champagne and cheap Fosters lager, | 0:35:51 | 0:35:55 | |
I lunged at the microphone. | 0:35:55 | 0:35:57 | |
A few minutes later, I was making grown men cry | 0:35:57 | 0:35:59 | |
with my rendition of Summer Of '69 by Bryan Adams. | 0:35:59 | 0:36:02 | |
Thing is, I twisted the lyrics to the Summer Of '29, | 0:36:02 | 0:36:05 | |
evoking memories of the Wall Street Crash and German hyperinflation. | 0:36:05 | 0:36:08 | |
-Remember, these guys were in sales. -Alan, where are you going with this?! | 0:36:08 | 0:36:12 | |
The point is, he didn't think he was any good at singing, | 0:36:12 | 0:36:14 | |
and it turns out he was quite good. | 0:36:14 | 0:36:16 | |
-Yeah, that. -And that if you really, really try, | 0:36:16 | 0:36:19 | |
-you can do anything. -And that. | 0:36:19 | 0:36:21 | |
I don't care! I'm going to fucking die! | 0:36:21 | 0:36:23 | |
Hey, hey, I'm trying to save your head, shoulders, knees and toes. | 0:36:23 | 0:36:26 | |
-ANGELA: -Knees and toes. -OK, man up, musos. | 0:36:26 | 0:36:29 | |
-I played synth in a jazz funk band. -Great, who else? | 0:36:29 | 0:36:32 | |
I used to be the drummer in Marillion. | 0:36:32 | 0:36:34 | |
-ALL EXCLAIMING: Really? -There's no time for that. | 0:36:34 | 0:36:36 | |
-But wow and great. -What are you going to do first? | 0:36:36 | 0:36:39 | |
HE PLAYS RANDOM NOTES | 0:36:39 | 0:36:41 | |
I'm going to lay down a rhythm track. | 0:36:43 | 0:36:45 | |
MULTIPLE LOCKS CLICK | 0:36:48 | 0:36:50 | |
Oh. | 0:36:53 | 0:36:54 | |
Lynn Benfield? | 0:36:54 | 0:36:56 | |
-I am she. -Do you know Mr Alan Partridge? | 0:36:56 | 0:36:59 | |
OK. | 0:36:59 | 0:37:00 | |
He wasn't stealing crisps. | 0:37:00 | 0:37:02 | |
He just gets flustered at self-service checkouts | 0:37:02 | 0:37:05 | |
-and takes things without scanning them. -Miss Benfield... | 0:37:05 | 0:37:07 | |
He doesn't like being told to put things in bagging areas by automated women. | 0:37:07 | 0:37:11 | |
No, Miss Benfield, we're here because Mr Partridge is | 0:37:11 | 0:37:14 | |
currently involved in an armed siege. | 0:37:14 | 0:37:16 | |
-Oh. -We're informing you as his next of kin. | 0:37:16 | 0:37:19 | |
Take me to him. | 0:37:22 | 0:37:23 | |
# Pat Farrell had a loyal following in | 0:37:25 | 0:37:29 | |
# The local community | 0:37:29 | 0:37:31 | |
# But Goredale Media fucked him over | 0:37:31 | 0:37:34 | |
# Cos they don't care about loyalty | 0:37:34 | 0:37:37 | |
# The only things they give a shit about | 0:37:37 | 0:37:40 | |
# Is the profit margins | 0:37:40 | 0:37:43 | |
# And if they don't reinstate him | 0:37:43 | 0:37:46 | |
# He'll take it out on the hostages | 0:37:46 | 0:37:49 | |
# Even the ones with kids | 0:37:49 | 0:37:51 | |
# Better get yourself some body bags. # | 0:37:51 | 0:37:54 | |
That was beautiful. | 0:37:58 | 0:37:59 | |
-Could you make me some more? -ALL: Ooh. -Er... | 0:37:59 | 0:38:02 | |
-ALL: Definitely! -Yes, maybe(!) | 0:38:02 | 0:38:04 | |
Local folk trio Will-o'-the-wisp won't be coming in now. | 0:38:08 | 0:38:11 | |
Apparently, there are road closures in Norwich due to a major police... | 0:38:11 | 0:38:15 | |
RADIO OFF | 0:38:15 | 0:38:16 | |
Thanks for waiting, Miss Benfield. | 0:38:16 | 0:38:17 | |
We're speaking to anyone who can help us build a picture of Pat Farrell. | 0:38:17 | 0:38:21 | |
-You said you know him? -Ah, well... | 0:38:21 | 0:38:22 | |
I made three cakes for him over the last year. | 0:38:22 | 0:38:25 | |
But there was nothing in them that would have led him to do this. | 0:38:25 | 0:38:28 | |
-They were very plain. -That's not one of our lines of investigation. | 0:38:28 | 0:38:31 | |
Just tell us what you know about Pat. | 0:38:31 | 0:38:33 | |
Irish. Shock of brown, curly hair. | 0:38:33 | 0:38:36 | |
He's a strong man, with strong arms and a good walk. Moves well. | 0:38:36 | 0:38:40 | |
-That's very helpful, Lynn. -Oh. | 0:38:40 | 0:38:42 | |
-Thank you. -Now, how about some coffee? | 0:38:42 | 0:38:44 | |
Oh, of course. How do you take it? | 0:38:44 | 0:38:46 | |
No, no, we'll get it for you. Just sit there, I'll be back. | 0:38:46 | 0:38:50 | |
Oh... | 0:38:50 | 0:38:51 | |
MUSIC: Wichita Lineman by Glen Campbell | 0:38:51 | 0:38:54 | |
I hate all this shit. Telling us how to speak. | 0:38:57 | 0:38:59 | |
They think they're giving us an identity but they're... | 0:38:59 | 0:39:02 | |
Turning us into nobodies. | 0:39:02 | 0:39:03 | |
We're just unit-shifters for the money men. | 0:39:03 | 0:39:06 | |
Sounds quite good. | 0:39:06 | 0:39:07 | |
Alan, did you ever imagine what life would be like in your 50s? | 0:39:11 | 0:39:15 | |
I had hopes and dreams. I think we all did. | 0:39:15 | 0:39:18 | |
Penny for them. | 0:39:19 | 0:39:21 | |
Keep the penny, you've got a gun. | 0:39:21 | 0:39:23 | |
But yeah, I used to dream that one day I'd drive a brand-new Range Rover | 0:39:23 | 0:39:27 | |
towing a speedboat. | 0:39:27 | 0:39:28 | |
I used to dream about growing old with someone I love. | 0:39:28 | 0:39:32 | |
Hm. Both valid. | 0:39:32 | 0:39:34 | |
It's not going to happen now, is it? | 0:39:34 | 0:39:36 | |
I miss my Molly so much. | 0:39:42 | 0:39:44 | |
-Who's this chap? -That's Molly. | 0:39:47 | 0:39:51 | |
Yes, of course. | 0:39:51 | 0:39:52 | |
She's got such...brown hair. | 0:39:54 | 0:39:57 | |
A year after that was taken, the angels took her. | 0:39:59 | 0:40:03 | |
Must have been a few of them. | 0:40:06 | 0:40:08 | |
Now I've nobody. No wife. | 0:40:08 | 0:40:11 | |
No family. No kids. | 0:40:11 | 0:40:13 | |
I've got to say, Pat, kids don't make you happy. | 0:40:18 | 0:40:20 | |
Some of the unhappiest times of my life have been with my kids. | 0:40:20 | 0:40:23 | |
I remember... | 0:40:23 | 0:40:25 | |
a holiday on the beach in Prestatyn. | 0:40:25 | 0:40:28 | |
The kids came over to me and said, "Papa, Papa! Follow me..." | 0:40:28 | 0:40:33 | |
and...you know... | 0:40:33 | 0:40:35 | |
I followed them about 200 yards across the sand dunes. | 0:40:35 | 0:40:38 | |
When I got there, finally, all they'd done was dug a big hole. | 0:40:38 | 0:40:42 | |
Miserable. | 0:40:44 | 0:40:45 | |
Sounds lovely. | 0:40:48 | 0:40:50 | |
PAT SIGHS HEAVILY | 0:40:54 | 0:40:57 | |
# And the Wichita lineman | 0:40:57 | 0:41:01 | |
# Is still on the line... # | 0:41:02 | 0:41:07 | |
Gooood morning! | 0:41:15 | 0:41:16 | |
Crayfish! | 0:41:16 | 0:41:18 | |
I feel absolutely great. | 0:41:19 | 0:41:21 | |
There's a lot to be said for a good sleep and a hot shower. | 0:41:21 | 0:41:25 | |
Yeah. | 0:41:25 | 0:41:27 | |
Sleep well, Alan? | 0:41:27 | 0:41:29 | |
Er...yes, thank you. | 0:41:29 | 0:41:31 | |
As the Shape siege enters its first morning, | 0:41:32 | 0:41:35 | |
police are refusing to confirm | 0:41:35 | 0:41:36 | |
the number or identities of the hostages | 0:41:36 | 0:41:38 | |
still being held at gunpoint | 0:41:38 | 0:41:40 | |
by sacked DJ Pat Farrell. | 0:41:40 | 0:41:42 | |
Fellow-DJ Alan Partridge | 0:41:42 | 0:41:44 | |
is in contact with the police, | 0:41:44 | 0:41:45 | |
who are now set up at the school behind me. | 0:41:45 | 0:41:48 | |
What would you like us to play, Iris? | 0:41:48 | 0:41:50 | |
Always On My Mind by Willie Nelson. | 0:41:50 | 0:41:52 | |
Aw. | 0:41:52 | 0:41:53 | |
I would love to, Iris, but unfortunately that's not in the system. | 0:41:53 | 0:41:56 | |
We are only allowed play-approved tracks. | 0:41:56 | 0:41:59 | |
But, Pat, you've got a gun. You can play whatever you like. | 0:41:59 | 0:42:02 | |
Leave it with me and I'll see what I can do, OK? | 0:42:02 | 0:42:05 | |
Remember we used to choose our own records? | 0:42:06 | 0:42:08 | |
Yeah. Or put on a compilation album if you were tired | 0:42:08 | 0:42:11 | |
or couldn't be bothered. | 0:42:11 | 0:42:13 | |
-LAUGHING: -Yeah. | 0:42:13 | 0:42:14 | |
You like country music, Alan? | 0:42:14 | 0:42:16 | |
Can't say I do, Pat. | 0:42:16 | 0:42:18 | |
It's just jilted spouses complaining whilst drunk. | 0:42:18 | 0:42:22 | |
Also known as a date, if you're over 40. | 0:42:22 | 0:42:24 | |
When a listener asks for a song and I don't have it, | 0:42:24 | 0:42:27 | |
I feel like I've let them down. | 0:42:27 | 0:42:29 | |
And Willie Nelson was Molly's favourite too. | 0:42:29 | 0:42:32 | |
And Always On My Mind was her favourite song. | 0:42:32 | 0:42:35 | |
SUSPENSEFUL MUSIC | 0:42:36 | 0:42:38 | |
Do you remember that? The old roadshow bus. | 0:42:44 | 0:42:47 | |
Remember it? I took my family camping in that. | 0:42:47 | 0:42:49 | |
-Yeah? -That was a tough nine days. | 0:42:49 | 0:42:51 | |
You see, this bus brought joy to hundreds. | 0:42:51 | 0:42:54 | |
I wonder where it is now. | 0:42:54 | 0:42:56 | |
Probably impounded after it crushed those scouts. | 0:42:56 | 0:42:59 | |
No, no, it's in the basement. | 0:42:59 | 0:43:00 | |
-Oh? -Yeah. | 0:43:00 | 0:43:02 | |
-Did not know that. -I used... Oh! | 0:43:02 | 0:43:04 | |
-Forgot the record. Hold that, will you? -Sure. | 0:43:04 | 0:43:06 | |
-Give me the gun, Alan. -Yeah. | 0:43:18 | 0:43:20 | |
-The gun, Alan. -I was looking at my clothes before. | 0:43:22 | 0:43:25 | |
Some people call it gear, don't they? Others call it an outfit. | 0:43:25 | 0:43:28 | |
-CLEARING THROAT: -But I call it clobber! | 0:43:28 | 0:43:30 | |
GUNSHOT | 0:43:31 | 0:43:32 | |
Jesus! | 0:43:32 | 0:43:33 | |
Alan! Alan! | 0:43:33 | 0:43:34 | |
Alan! Alan, give me the gun! | 0:43:34 | 0:43:36 | |
-Armed police, stay where you are! -Give me the gun. | 0:43:36 | 0:43:39 | |
Drop the weapon! | 0:43:39 | 0:43:40 | |
Alan! | 0:43:43 | 0:43:45 | |
Alan, open the door. | 0:43:45 | 0:43:46 | |
I'm just trying to find some way to escape. | 0:43:46 | 0:43:50 | |
Alan! Alan! | 0:43:50 | 0:43:51 | |
HAMMERS AT DOOR | 0:43:51 | 0:43:54 | |
Ayatollah! | 0:43:54 | 0:43:55 | |
He's got a shooter. | 0:43:58 | 0:43:59 | |
Aargh! | 0:44:03 | 0:44:04 | |
-You all right, Alan? -Yeah, I'm fine. | 0:44:07 | 0:44:09 | |
Cuddle me, cop! | 0:44:09 | 0:44:11 | |
Argh! | 0:44:11 | 0:44:13 | |
Target down. | 0:44:13 | 0:44:14 | |
Yours, I believe. | 0:44:14 | 0:44:16 | |
You probably thought I was gay when I gave you that cuddle. | 0:44:16 | 0:44:19 | |
Don't worry, I'm not. | 0:44:19 | 0:44:20 | |
-You're really cool, Alan. -Yeah, we think you're cool. | 0:44:20 | 0:44:23 | |
Thank you. Sorry, who are you? | 0:44:23 | 0:44:26 | |
Jason Statham. | 0:44:27 | 0:44:29 | |
Jason Bourne. | 0:44:29 | 0:44:30 | |
Jason Argonaut. | 0:44:30 | 0:44:32 | |
-Jason Argonaut? -Mm. | 0:44:32 | 0:44:35 | |
-It's Jason AND the Argonauts. -Yes. | 0:44:35 | 0:44:38 | |
Are you all right? | 0:44:38 | 0:44:39 | |
You just said, "clobber" and then "Jason and the Argonauts". | 0:44:39 | 0:44:43 | |
-Oh, sorry. -All right. | 0:44:43 | 0:44:46 | |
-We go? -Yeah. | 0:44:46 | 0:44:49 | |
Oh, er...by the way, thanks for not taking the gun. | 0:44:49 | 0:44:51 | |
Oh...that's fine. | 0:44:51 | 0:44:53 | |
-RADIO: -You're listening to Pat Farrell and this is Willie Nelson, | 0:44:53 | 0:44:56 | |
Always On My Mind. | 0:44:56 | 0:44:58 | |
For someone who's always on my mind, my late wife Molly. | 0:44:58 | 0:45:01 | |
# Maybe I didn't love you | 0:45:01 | 0:45:04 | |
# Quite as often as I could have | 0:45:07 | 0:45:10 | |
# Maybe I didn't treat you... # | 0:45:14 | 0:45:17 | |
-Does that man look 59 to you? -I didn't look. | 0:45:21 | 0:45:23 | |
-I just put his name into Google Images. -This is Pat Farrell! | 0:45:23 | 0:45:27 | |
That is a Pat Farrell. Do I have to do everything? | 0:45:27 | 0:45:31 | |
Ma'am, you'd better hear this. | 0:45:31 | 0:45:33 | |
It's taken from the transcript of the broadcast. | 0:45:33 | 0:45:35 | |
0100 hours. "Partridge: | 0:45:35 | 0:45:37 | |
"I wish this was abroad, because it would make a brilliant Banged Up Abroad. | 0:45:37 | 0:45:40 | |
"Farrell: What's Banged Up Abroad? | 0:45:40 | 0:45:42 | |
"Partridge: You don't know Banged Up Abroad? Farrell: No. | 0:45:42 | 0:45:45 | |
"Partridge: Everyone knows Banged Up Abroad. | 0:45:45 | 0:45:47 | |
"Farrell: I don't. What is Banged Up Abroad? | 0:45:47 | 0:45:49 | |
"Partridge: You seriously don't know Banged Up Abroad? | 0:45:49 | 0:45:52 | |
"You have to be shitting me. | 0:45:52 | 0:45:53 | |
"Farrell: I've never even heard of..." | 0:45:53 | 0:45:55 | |
Just get to the bit where they stop saying Banged Up Abroad. | 0:45:55 | 0:45:58 | |
"Sidekick Simon: I once banged up a broad." | 0:46:01 | 0:46:05 | |
"Partridge: That's the best you've got, even with a gun to your head?" | 0:46:05 | 0:46:08 | |
He's got a gun to his head. | 0:46:08 | 0:46:11 | |
I remember once coming to in a skip in the middle of the afternoon | 0:46:11 | 0:46:14 | |
with my underpants in my mouth. | 0:46:14 | 0:46:16 | |
And then I realised: "Oh, these are not my pants!" | 0:46:16 | 0:46:18 | |
HE LAUGHS | 0:46:18 | 0:46:20 | |
Oh, I can laugh about it now but, you know, back then... | 0:46:20 | 0:46:23 | |
Sssh, ssh. What's that? | 0:46:23 | 0:46:25 | |
HELICOPTER ROTORS | 0:46:25 | 0:46:27 | |
POLICE RADIO: Move into position, over. | 0:46:27 | 0:46:29 | |
It's the police. | 0:46:29 | 0:46:31 | |
If you like canapes that are on the turn, we've hit the mother lode. | 0:46:31 | 0:46:35 | |
Oblong plate, square bowl. Go figure. Whatever happened to circles? | 0:46:35 | 0:46:38 | |
I mean, I've heard of a square meal but that's ridiculous. | 0:46:38 | 0:46:41 | |
HE LAUGHS | 0:46:41 | 0:46:42 | |
I was just saying I've heard of a square meal. | 0:46:42 | 0:46:44 | |
Alan! Alan! Ssh, ssh. | 0:46:44 | 0:46:46 | |
-We think it's the police. -Wait. | 0:46:46 | 0:46:48 | |
QUIET BUMP | 0:46:48 | 0:46:49 | |
-That definitely came from in there. -That's just a cupboard. | 0:46:49 | 0:46:51 | |
-It's not even an outside wall. -Careful. | 0:46:51 | 0:46:54 | |
-No, Jason... -I'll protect you. | 0:46:54 | 0:46:56 | |
JASON: It's not an outside wall. Look, I'll show you. Look. | 0:46:56 | 0:46:59 | |
-Michael? -Aye, aye, Mr Partridge. | 0:47:01 | 0:47:03 | |
What are you hiding in there for? | 0:47:03 | 0:47:05 | |
I found myself a place of concealment, like when I was on manoeuvres. | 0:47:05 | 0:47:08 | |
Take your light off. You're blinding everyone you speak to. | 0:47:08 | 0:47:11 | |
Now it's flashing. Sorry. | 0:47:11 | 0:47:13 | |
Michael, you look like some sort of big Geordie Anne Frank. | 0:47:13 | 0:47:17 | |
-How long have you been here? -All night. | 0:47:17 | 0:47:19 | |
-What did you eat? -I had me lunch box. | 0:47:19 | 0:47:21 | |
-Where did you go to the toilet? -No. | 0:47:21 | 0:47:22 | |
I had me lunch box. ALL GROAN | 0:47:22 | 0:47:24 | |
Thank God it's got a smoky finish with an airtight seal. | 0:47:24 | 0:47:27 | |
I tell you what. It seals in the freshness. | 0:47:27 | 0:47:29 | |
No, Michael. It seals out the freshness. | 0:47:29 | 0:47:31 | |
What is going on in here? | 0:47:31 | 0:47:33 | |
Michael's just visiting us from the cupboard. | 0:47:33 | 0:47:35 | |
No need to get shouty-shouty. | 0:47:35 | 0:47:36 | |
-Did those Goredale bastards put you up to this? -No. | 0:47:36 | 0:47:39 | |
No, no. I've been in here a few nights. | 0:47:39 | 0:47:41 | |
-No, one night. -No, a few nights. | 0:47:41 | 0:47:43 | |
A few nights this week and the week before. | 0:47:43 | 0:47:45 | |
-Why? -Me brother wanted the bed to himself. | 0:47:45 | 0:47:47 | |
Ah, yes. Michael suffers from night terrors. | 0:47:47 | 0:47:49 | |
He thrashes about like a big salmon. | 0:47:49 | 0:47:51 | |
What's in the box? | 0:47:51 | 0:47:53 | |
Er...Michael... Michael let himself down. | 0:47:53 | 0:47:56 | |
I'm really sorry, I done a shit in the box. | 0:47:59 | 0:48:01 | |
Well, get rid of it. Throw it out the window. | 0:48:01 | 0:48:04 | |
Fall back! Fall back! | 0:48:07 | 0:48:09 | |
Armed police! | 0:48:12 | 0:48:13 | |
Identify yourself! Identify yourself! | 0:48:13 | 0:48:15 | |
Alan Partridge. Who the f...? Alan Partridge! | 0:48:15 | 0:48:18 | |
You know who I am. I haven't been off the TV that long. | 0:48:18 | 0:48:21 | |
-"Identify yourself"(!) -MEGAPHONE: Alan, it's OK, I'm here. You're safe. | 0:48:21 | 0:48:24 | |
Yeah, tell them to stop pointing their guns at me. | 0:48:24 | 0:48:26 | |
-Lower your weapons. -Yeah, lower your weapons. | 0:48:26 | 0:48:29 | |
Take your hand off your gun. Take your hand off your gun. | 0:48:30 | 0:48:33 | |
And the other hand. I can wait here all day. | 0:48:33 | 0:48:36 | |
Do as he says. | 0:48:36 | 0:48:37 | |
Thank you. Why do you have to turn it into a competition? | 0:48:37 | 0:48:40 | |
Just because I won. OK. | 0:48:40 | 0:48:42 | |
OK. Stop. Pat, stop tugging me. | 0:48:42 | 0:48:44 | |
I told you, I've got a very sensitive tummy. | 0:48:44 | 0:48:46 | |
Who are you talking to, Alan? | 0:48:46 | 0:48:47 | |
I've got Pat on the end of the line in both senses. | 0:48:47 | 0:48:49 | |
I'm tethered to the building via this rope and relaying messages | 0:48:49 | 0:48:52 | |
from Pat via this state-of-the-art Sennheiser 1000 head set. | 0:48:52 | 0:48:55 | |
Nice bit of kit. Yeah, I'm telling them that now. | 0:48:55 | 0:48:58 | |
If you'd listened, you'd know I'm telling them. | 0:48:58 | 0:49:00 | |
-Pat says "Hi". -Hi, Pat. | 0:49:00 | 0:49:03 | |
And hi to your fellow officers. | 0:49:03 | 0:49:06 | |
OTHERS: Hi. Hi, Pat. | 0:49:06 | 0:49:08 | |
Alan, listen. Pat works with us here, this can all end well. OK? | 0:49:08 | 0:49:12 | |
-I give him my word. -OK, just... Yep. | 0:49:12 | 0:49:14 | |
OK. Pat, you've got to... you're rambling. | 0:49:14 | 0:49:16 | |
You've got to be more concise. What do you want? "I want a helicopter." | 0:49:16 | 0:49:19 | |
That's just an example, by the way. | 0:49:19 | 0:49:21 | |
Yeah, OK. He wants a helicopter. | 0:49:22 | 0:49:24 | |
MARTIN: That might not be possible, Alan. | 0:49:24 | 0:49:26 | |
But let's dialogue. What else can we do for him? | 0:49:26 | 0:49:29 | |
SCREAMING | 0:49:32 | 0:49:34 | |
Pat says, "Fucking stupid pigs. What the hell's going on?" | 0:49:35 | 0:49:38 | |
Pat, listen to me. That was not an attack, OK? | 0:49:38 | 0:49:41 | |
We just had to dispose of a box around the corner in a controlled manner. | 0:49:41 | 0:49:45 | |
Pat would prefer it if you spoke through me, as would I. | 0:49:45 | 0:49:47 | |
Martin says they deployed a remote RV fitted with a disruptor | 0:49:47 | 0:49:51 | |
to neutralise a suspected IED. He doesn't know what you're talking about. He's quite angry. | 0:49:51 | 0:49:55 | |
-He's honking in my ear like a mad Irish goose. -LAUGHTER | 0:49:55 | 0:49:58 | |
MAN: Aha! WOMEN: We love you, Alan! | 0:49:58 | 0:50:00 | |
Um...do you mind? It's not a radio roadshow. | 0:50:00 | 0:50:02 | |
-I'm trying to host a siege here. -We love you, Alan! | 0:50:02 | 0:50:06 | |
Get away. Who said that? | 0:50:06 | 0:50:09 | |
What's it like in there? | 0:50:09 | 0:50:10 | |
Ah...scary, stressful, lots of shouting. | 0:50:10 | 0:50:14 | |
A bit like being married again. | 0:50:14 | 0:50:16 | |
LAUGHTER | 0:50:16 | 0:50:17 | |
And there's a crazy person running around with a gun. | 0:50:17 | 0:50:20 | |
So it's a lot like being married again. | 0:50:20 | 0:50:22 | |
LAUGHTER | 0:50:22 | 0:50:24 | |
And er...when I saw a guy with a shotgun in his mouth begging for mercy, then... | 0:50:24 | 0:50:28 | |
-LAUGHTER -You're ahead of me. | 0:50:28 | 0:50:30 | |
You're ahead of me. A lot of you are. | 0:50:30 | 0:50:32 | |
He's still got his hand on his gun. He thinks I don't know. Yeah, you. | 0:50:32 | 0:50:35 | |
-I'm looking at you. Peripheral vision. -Alan. | 0:50:35 | 0:50:37 | |
-I'm not retreating, Pat's tugging me off. -LAUGHTER | 0:50:37 | 0:50:40 | |
-No, come on. We're better than that. Guys, seriously. -Alan, wait! | 0:50:40 | 0:50:44 | |
By the way, there's an extra hostage. Meant to tell you that. | 0:50:44 | 0:50:47 | |
In a surprise development, DJ Alan Partridge | 0:50:51 | 0:50:53 | |
appeared outside the building, while tethered to a rope. | 0:50:53 | 0:50:56 | |
Footage of his address is already one of the most viewed YouTube videos | 0:50:56 | 0:51:00 | |
since "Fat Woman Falls Down Hole". | 0:51:00 | 0:51:02 | |
Mr Partridge, whose Facebook page | 0:51:02 | 0:51:04 | |
lists one of his interests as hand-to-hand combat, | 0:51:04 | 0:51:07 | |
has been acting as mediator between police and the hostage-taker, Pat Farrell. | 0:51:07 | 0:51:11 | |
As people around the world ask, who is Alan Partridge? | 0:51:11 | 0:51:15 | |
-ALAN: -That was a majestic voice. | 0:51:16 | 0:51:18 | |
You can keep Jesus. As far as I'm concerned, Neil Diamond will always be King of the Jews. | 0:51:18 | 0:51:23 | |
You are listening to... | 0:51:23 | 0:51:25 | |
JINGLE: The partridge and the poacher. | 0:51:25 | 0:51:28 | |
SQUAWK AND GUNSHOT | 0:51:28 | 0:51:29 | |
And what I believe is a world first, I, Alan Partridge, a hostage, | 0:51:29 | 0:51:33 | |
broadcasting live from a siege at gunpoint. | 0:51:33 | 0:51:37 | |
Pure class, Alan. | 0:51:37 | 0:51:38 | |
And today, we'll be asking, what was better in the olden days? | 0:51:38 | 0:51:42 | |
OK, Pat, shoot. I mean, you know, start speaking. | 0:51:42 | 0:51:45 | |
-Terry in Necton. -Egypt. | 0:51:45 | 0:51:46 | |
-I'm liking this. -They used to build the pyramids, | 0:51:46 | 0:51:49 | |
now they can't get you a taxi to the airport. | 0:51:49 | 0:51:51 | |
Terry, I like the way you think. Please call again. | 0:51:51 | 0:51:53 | |
-Will do. -Nicholas in Weybourne. | 0:51:53 | 0:51:54 | |
-Nurses were better in the old days. -Bull's-eye. | 0:51:54 | 0:51:57 | |
They used to be these Florence Nightingale-type figures. | 0:51:57 | 0:52:00 | |
These days it's just, you know, short-haired women in trousers | 0:52:00 | 0:52:03 | |
washing their own hands at a sink. | 0:52:03 | 0:52:04 | |
Later on, I'll be asking which vegetable has the greatest torsional strength | 0:52:04 | 0:52:08 | |
ie, which can withstand the greatest twisting load before rupture? | 0:52:08 | 0:52:11 | |
-Caroline in Sprowston. -Beards were better in the olden days. | 0:52:11 | 0:52:14 | |
-Love it. -Sebastian in Holt. | 0:52:14 | 0:52:16 | |
-UK manufacturing. -Good. Good, but dull. | 0:52:16 | 0:52:18 | |
-Paul in East Runton. -Kill 'em all, Pat. | 0:52:18 | 0:52:20 | |
Shoot the women first. | 0:52:20 | 0:52:21 | |
We'll also be asking, have you ever met a genuinely clever bus driver? | 0:52:21 | 0:52:26 | |
I wonder what the listening figures are for this. | 0:52:26 | 0:52:28 | |
Yeah. Can you stop drumming? | 0:52:28 | 0:52:30 | |
OK. Time for fact of the day. | 0:52:30 | 0:52:32 | |
VOICEOVER: Fact of the day. Sponsored by Norfolk Dairies. | 0:52:32 | 0:52:35 | |
COWS MOO | 0:52:35 | 0:52:36 | |
-Cows don't have hymens. -Absolutely correct. | 0:52:36 | 0:52:39 | |
Cows do not have hymens, just a partially opened cervix. | 0:52:39 | 0:52:42 | |
The time is 10:22. | 0:52:42 | 0:52:44 | |
Right now, to your muster stations. It's Bryan Ferry. | 0:52:44 | 0:52:47 | |
MUSIC: Let's Stick Together by Bryan Ferry | 0:52:47 | 0:52:49 | |
Ah...that was...that was er... | 0:52:49 | 0:52:52 | |
-Very good. -Yeah. Radio gravy. | 0:52:52 | 0:52:53 | |
Wow. | 0:52:53 | 0:52:55 | |
I suppose you forget about the gun after a while, don't you? | 0:52:55 | 0:52:58 | |
-No, I don't. -OK. | 0:52:58 | 0:53:00 | |
Good. | 0:53:00 | 0:53:02 | |
Lynn! Lynn Benfield, can we have a word? | 0:53:08 | 0:53:11 | |
Oh, Alan doesn't like me speaking to the press. | 0:53:11 | 0:53:14 | |
-We're not press. We're television. -Well, I'm... I'm not really... | 0:53:14 | 0:53:17 | |
We've got hair and make-up. | 0:53:17 | 0:53:19 | |
Oh! | 0:53:20 | 0:53:22 | |
Back now to Norwich, where DJ Alan Partridge | 0:53:22 | 0:53:25 | |
-continues to bring news of the radio... -Ah, Angela? | 0:53:25 | 0:53:28 | |
-Someone wants a word with you. -Who? | 0:53:28 | 0:53:31 | |
Him. | 0:53:31 | 0:53:32 | |
Tensions on the Korean peninsula continue... | 0:53:32 | 0:53:35 | |
-Why? -..following Kim Jongil... | 0:53:35 | 0:53:37 | |
-Oh...shit. -CHANGES TV CHANNEL | 0:53:37 | 0:53:39 | |
-TV: -Vegas, I was doing kind of... | 0:53:39 | 0:53:41 | |
SURFS CHANNELS | 0:53:41 | 0:53:42 | |
..for anyone's price range... | 0:53:42 | 0:53:43 | |
CONTINUES SURFING | 0:53:43 | 0:53:45 | |
..mounting tensions in North... | 0:53:47 | 0:53:49 | |
CONTINUES SURFING | 0:53:49 | 0:53:50 | |
RAPID SURFING | 0:53:52 | 0:53:55 | |
..erectile dysfunction... | 0:54:02 | 0:54:04 | |
CONTINUES SURFING | 0:54:04 | 0:54:06 | |
-Inside, Partridge seems unfazed... -Ah, him. | 0:54:07 | 0:54:10 | |
-Me on TV. Good photo. -He tried instead | 0:54:10 | 0:54:12 | |
to calm the gunman by joining him in the studio. | 0:54:12 | 0:54:15 | |
Yes, just your basic disabled loo. | 0:54:15 | 0:54:17 | |
You've got your lowered seat pan, back pad, high-vis grab bar, panic cord, lady bin. | 0:54:17 | 0:54:22 | |
Alan, calm down. You're being all hectic. | 0:54:22 | 0:54:23 | |
This is because you're on TV, isn't it? You're all puffed up like a robin. | 0:54:23 | 0:54:27 | |
It's like you can see in me. | 0:54:27 | 0:54:29 | |
Alan, you didn't bring me in here to talk about disabled toilet facilities, did you? | 0:54:29 | 0:54:33 | |
Yeah, I did. No, I didn't. | 0:54:33 | 0:54:35 | |
Oh, wow. Lynn, you look fantastic. | 0:54:38 | 0:54:41 | |
Good gracious. | 0:54:45 | 0:54:47 | |
WHISTLING | 0:54:49 | 0:54:50 | |
I'm sorry about the nasal whistle. It's when I'm anxious. | 0:54:50 | 0:54:53 | |
WHISTLING | 0:54:53 | 0:54:55 | |
WHISTLING STOPS | 0:54:56 | 0:54:58 | |
BOTH MOAN | 0:54:58 | 0:55:00 | |
You know... You know, "Shape - the way you want it to be"? | 0:55:09 | 0:55:13 | |
-Yeah? -Your shape's the way I want it to be. | 0:55:13 | 0:55:16 | |
I'm on about your body. | 0:55:16 | 0:55:17 | |
-What might this be? -That...is my damned todger. | 0:55:20 | 0:55:24 | |
And it's all the fault of a certain Miss Angela... | 0:55:24 | 0:55:29 | |
I'm sorry, I don't know your second name. | 0:55:29 | 0:55:31 | |
He's very brave. He was once feeding ducks in the park. | 0:55:31 | 0:55:34 | |
One took a peck at him and instead of retreating, he hit it with the back of his hand. | 0:55:34 | 0:55:37 | |
HE MOUTHS | 0:55:37 | 0:55:40 | |
TV: DJ Alan Partridge... | 0:55:40 | 0:55:41 | |
-Hi. -You got time for a quick wawa? | 0:55:41 | 0:55:43 | |
-What? -Quick wawa. | 0:55:43 | 0:55:45 | |
-Oh, you mean "wawa"? -Yeah. Yeah. | 0:55:46 | 0:55:48 | |
-Sorry. You just did a different noise. -Sorry. | 0:55:48 | 0:55:50 | |
Look...how are you feeling about this whole media circus? How you feeling? | 0:55:50 | 0:55:54 | |
Between you and me, pretty puffed up. | 0:55:54 | 0:55:55 | |
-Like an owl. -Let's hope you're a wise one. | 0:55:55 | 0:55:58 | |
Nice. I pitched it up, you knocked it out of the park. | 0:55:58 | 0:56:01 | |
Synergy. Oh, no, that's lesbians. | 0:56:01 | 0:56:03 | |
Let me tell you something, Alan. | 0:56:03 | 0:56:05 | |
As far as the press is concerned, you are the face of this siege. | 0:56:05 | 0:56:09 | |
-I am siege face. -Exactly. | 0:56:10 | 0:56:12 | |
After this, you'll get more offers than a whore at our Christmas party. | 0:56:12 | 0:56:15 | |
BOTH LAUGH | 0:56:15 | 0:56:17 | |
I like that. Yeah, I like that. | 0:56:17 | 0:56:19 | |
Yeah. Oh, yeah, yeah, yeah. | 0:56:19 | 0:56:21 | |
You'd know a thing or two about that, wouldn't you? | 0:56:21 | 0:56:23 | |
That would be... "Mmm-hmm," he says. That's a moustache. | 0:56:23 | 0:56:27 | |
Seriously, did you give her one? | 0:56:27 | 0:56:28 | |
Well, I...I gave her a ruddy big kiss she won't forget in a hurry. | 0:56:28 | 0:56:32 | |
Hand on the outside of the bra. Er...you know, reconnaissance. | 0:56:32 | 0:56:35 | |
And then I just held her in my arms because she told me she never knew her mother, and I said, | 0:56:36 | 0:56:41 | |
"Well, my mother raised me and lived to a ripe old age. | 0:56:41 | 0:56:44 | |
"But guess what? I never really knew HER." | 0:56:44 | 0:56:48 | |
Erm...and... | 0:56:48 | 0:56:49 | |
CLEARS THROAT | 0:56:49 | 0:56:50 | |
To get back on track, erm... | 0:56:50 | 0:56:53 | |
Yeah, I mean... Yeah, whoo! | 0:56:53 | 0:56:55 | |
-I like you. -I like you. | 0:56:55 | 0:56:57 | |
He likes me, Lynn. Jason Tresswell likes me. | 0:56:57 | 0:56:59 | |
-Alan? Are you OK? -I've got to be quick. | 0:56:59 | 0:57:01 | |
Pat thinks I've borrowed his phone to play Angry Birds. | 0:57:01 | 0:57:04 | |
-Of course. What is it? -A computerised bird-throwing game. | 0:57:04 | 0:57:06 | |
-No, I meant... -I'm joking, Lynn. | 0:57:06 | 0:57:09 | |
Enjoy me. Everyone else is. | 0:57:09 | 0:57:11 | |
Goredale Media think I'm some sort of Christ 2.0. | 0:57:11 | 0:57:13 | |
Do you know, I'm within a brair's headth of getting the breakfast show. | 0:57:13 | 0:57:16 | |
I'll call myself the Morning Rooster, or the Talking Cock. | 0:57:16 | 0:57:19 | |
-You're not thinking clearly. -Yes, I am. | 0:57:19 | 0:57:22 | |
Lynn, I'll say this once and I'll say it again. | 0:57:22 | 0:57:23 | |
My career's getting a shot in the arm and if I can stay in here to the bitter end, | 0:57:23 | 0:57:27 | |
I will be the biggest thing to come out of Norwich since...Lord Nelson or Trisha. | 0:57:27 | 0:57:31 | |
Think about that and what that means. | 0:57:31 | 0:57:33 | |
Your priority is the welfare of the hostages. | 0:57:33 | 0:57:35 | |
Good, put that out as a press release and say I said it. | 0:57:35 | 0:57:37 | |
Alan, your ego's getting the better of you. | 0:57:37 | 0:57:39 | |
I've just got to stay alert and focused. I'm playing them like an oboe, Lynn. | 0:57:39 | 0:57:43 | |
How effed up is that? | 0:57:43 | 0:57:45 | |
-Alan? Alan? -Oh... | 0:57:46 | 0:57:48 | |
HE GROANS | 0:58:09 | 0:58:10 | |
Ohh! Christ's sake. | 0:58:10 | 0:58:11 | |
Not now. Oh, God. | 0:58:15 | 0:58:17 | |
I'm caught on the latch. | 0:58:18 | 0:58:20 | |
HE GASPS | 0:58:24 | 0:58:25 | |
Oh, come on. Please. | 0:58:33 | 0:58:35 | |
Stop, armed police! Get your hands above your head. | 0:58:44 | 0:58:47 | |
-I've just got... -Get your hands above your head! | 0:58:47 | 0:58:50 | |
-I want to get those trousers. -Do it! Hands above your head. | 0:58:50 | 0:58:53 | |
-They're my trousers. -Get your hands above your head now! | 0:58:53 | 0:58:56 | |
What are you doing? It's weird. | 0:59:00 | 0:59:02 | |
There are paparazzi all over the place | 0:59:03 | 0:59:06 | |
and I do not want them to get a photograph of my genitals. | 0:59:06 | 0:59:08 | |
CAMERA SHUTTER CLICKING | 0:59:08 | 0:59:10 | |
-Oh, come on! -That's it, look at me. | 0:59:10 | 0:59:13 | |
And how were the hostages when you left? | 0:59:20 | 0:59:23 | |
-Crouched. -I mean, what's their state of mind? | 0:59:23 | 0:59:25 | |
Oh. Er... If I'm honest, a bit moany. Yeah. Is someone writing this down? | 0:59:25 | 0:59:29 | |
-Yeah. -Sorry. I thought you were some clothes. | 0:59:29 | 0:59:31 | |
Thanks for the forensic trousers, by the way. | 0:59:31 | 0:59:34 | |
-Could you just um...? -Crikey. Yeah, sorry. | 0:59:34 | 0:59:37 | |
I was actually going to fashion a sort of makeshift modesty sporran | 0:59:37 | 0:59:40 | |
from the vacant arm flaps. | 0:59:40 | 0:59:42 | |
-CLEARS THROAT -OK, I think we're done here. | 0:59:46 | 0:59:50 | |
Any chance of freshening up? I just need to wipe my face with a big hot towel. | 0:59:50 | 0:59:53 | |
Presumably you want to use me as part of your media strat? | 0:59:53 | 0:59:56 | |
No. | 0:59:58 | 1:00:00 | |
-Do you agree? -100%. | 1:00:00 | 1:00:01 | |
Gotcha. | 1:00:01 | 1:00:03 | |
The police said you could do media interviews when the siege is over. | 1:00:03 | 1:00:07 | |
It will be too late then, Lynn. People move on. | 1:00:07 | 1:00:09 | |
Goredale Media will move on. | 1:00:09 | 1:00:12 | |
But you're still being talked about. | 1:00:12 | 1:00:14 | |
Only cos every time I look at the telly, they're showing a picture of my arse. | 1:00:14 | 1:00:18 | |
It's all right for you. Every other time I look, they show a picture of your face. | 1:00:18 | 1:00:21 | |
And then the next time surprise, surprise, my arse again. | 1:00:21 | 1:00:24 | |
I was only telling people about you. | 1:00:24 | 1:00:26 | |
You know, I was Goredale's golden goose, and now I'm just Partridge pie, with peas. | 1:00:26 | 1:00:32 | |
But why do you want to work for people like that? | 1:00:32 | 1:00:34 | |
-Goredale are bullies. -Yeah. And what do you do with a bully? | 1:00:34 | 1:00:37 | |
You make friends with the bully, so they bully someone else. | 1:00:37 | 1:00:40 | |
-"What doth it profit a man..." -Doth? | 1:00:40 | 1:00:43 | |
"..if he gains the whole world yet loses his soul?" Matthew, chapter eight... | 1:00:43 | 1:00:47 | |
Yeah, I know who wrote it. I'm not going to sell my soul, Lynn. | 1:00:47 | 1:00:50 | |
I want to, if you like, lend my soul to Goredale Media | 1:00:50 | 1:00:55 | |
on a long-term basis for cash. | 1:00:55 | 1:00:57 | |
It's a very different thing. | 1:00:57 | 1:00:58 | |
HE CROAKS | 1:00:58 | 1:01:00 | |
I don't know how you can look yourself in the eye. | 1:01:03 | 1:01:05 | |
I can't, Lynn. My nose is in the way. | 1:01:05 | 1:01:07 | |
You can talk, prattling away on every news bulletin. | 1:01:07 | 1:01:09 | |
I mean, who the heck do you think you are? | 1:01:09 | 1:01:11 | |
-I'm Lynn Benfield. -You don't look like Lynn Benfield. | 1:01:14 | 1:01:16 | |
I mean, what has happened to you, with your attitude and your hair? | 1:01:16 | 1:01:20 | |
You've literally become a big head. | 1:01:20 | 1:01:21 | |
-I like it. -I take no pleasure in saying this, Lynn, | 1:01:22 | 1:01:25 | |
but a lot of people think it looks like a photograph of an explosion. | 1:01:25 | 1:01:28 | |
I don't know if I want to work for a man like you. | 1:01:30 | 1:01:32 | |
I don't know that I want to employ someone who looks like a madam. | 1:01:32 | 1:01:35 | |
And I don't mean a Parisian one | 1:01:35 | 1:01:36 | |
I mean, one who lives in a terraced house behind a train station. | 1:01:36 | 1:01:40 | |
NASAL WHISTLE | 1:01:46 | 1:01:48 | |
Doors opening! Armed police! Armed police! | 1:01:52 | 1:01:56 | |
Oh, shut up, will you? Stop shouting. | 1:01:56 | 1:01:59 | |
-Easy, Pat. Mind the steps. -I'm able to walk down steps, all right? | 1:01:59 | 1:02:02 | |
He means because the gun's against my head. | 1:02:02 | 1:02:05 | |
-Everybody has an opinion, huh? -Hear, hear. Well said. | 1:02:05 | 1:02:08 | |
-Oh. -Hi, Pat. | 1:02:08 | 1:02:10 | |
Hey, Alan. What happened? We were in the middle of a show, | 1:02:10 | 1:02:13 | |
and then your arse is all over the internet. | 1:02:13 | 1:02:15 | |
Looked like you had a turkey's head between your legs. | 1:02:15 | 1:02:17 | |
No, it didn't. No, it didn't. It doesn't have a beak. | 1:02:17 | 1:02:20 | |
And, yeah, I took an executive decision | 1:02:20 | 1:02:22 | |
to stow my cock and balls up against my backside. | 1:02:22 | 1:02:24 | |
I can't believe you left me with this nutcase. | 1:02:24 | 1:02:27 | |
Hang on a minute, you're the one with the gun. | 1:02:27 | 1:02:29 | |
-See? He's hilarious. -He's solid. He's solid. | 1:02:29 | 1:02:32 | |
-Pizzas coming through now, Pat. -Hey. Hey, hey. Hold on. Helmet off. | 1:02:32 | 1:02:35 | |
Oh, hello. | 1:02:42 | 1:02:44 | |
Actually, I want Alan to bring them in. | 1:02:47 | 1:02:49 | |
That might not be possible, Pat. Alan's not prepared to do that. | 1:02:51 | 1:02:55 | |
No... I am prepared to do that. | 1:02:55 | 1:02:57 | |
-It's not that simple. -Do you want me to release some people? | 1:02:57 | 1:02:59 | |
Sure. Let's talk about that. | 1:02:59 | 1:03:01 | |
Alan, what do you reckon if I let the women go? | 1:03:01 | 1:03:03 | |
Yeah, let a couple of the women go. Maybe keep Angela. | 1:03:03 | 1:03:07 | |
-But her kids will be worried sick. -She's got kids? | 1:03:07 | 1:03:09 | |
Yeah. Two boys, 14 and 15. | 1:03:09 | 1:03:12 | |
I believe they're a real handful. | 1:03:13 | 1:03:15 | |
Yeah, what was I thinking? Let all the women go. | 1:03:15 | 1:03:17 | |
Pat, give me five minutes with head office. | 1:03:17 | 1:03:20 | |
He's bringing them in now. Alan, come on. | 1:03:20 | 1:03:22 | |
-Top one. -Top one. | 1:03:22 | 1:03:24 | |
-Yeah, yeah, cheers, guys. Top one. -OK, come on, son. | 1:03:24 | 1:03:28 | |
Oh, shit. | 1:03:29 | 1:03:31 | |
Why did you say hello to that delivery guy? | 1:03:34 | 1:03:37 | |
Oh, him? No, he just reminded me of a man I know called Mike Cable, | 1:03:37 | 1:03:42 | |
who did my accounts from '97 to '98. | 1:03:42 | 1:03:46 | |
Actually, no - '99. | 1:03:46 | 1:03:48 | |
Till he stopped because his daughter was very ill. | 1:03:48 | 1:03:50 | |
Yeah, it was touch-and-go, actually. | 1:03:50 | 1:03:52 | |
He and Sandra were in bits, they had to cancel their holiday. | 1:03:52 | 1:03:56 | |
It was a fly-drive to Tuscany. | 1:03:56 | 1:03:57 | |
I must tell him, actually, that there's a policeman that looks just like him. | 1:03:57 | 1:04:02 | |
What's that? | 1:04:02 | 1:04:03 | |
Must tell Mike that there's a pizza man who looks just like him. | 1:04:03 | 1:04:06 | |
I'm famished. | 1:04:07 | 1:04:09 | |
-Ladies, you're free to go. -What? | 1:04:12 | 1:04:14 | |
-Yep. -God bless you, Pat. | 1:04:14 | 1:04:16 | |
See you. Bye. | 1:04:16 | 1:04:17 | |
I'll make you a home-made pizza when you get out. | 1:04:17 | 1:04:19 | |
Yeah, these pizzas are pretty good. | 1:04:19 | 1:04:21 | |
-Cinderella. -Yeah, well... | 1:04:23 | 1:04:25 | |
No, hers was... That was a glass one, wasn't it? | 1:04:25 | 1:04:28 | |
DAVE: Here comes the Tin Man. | 1:04:30 | 1:04:31 | |
-Just trying to find your pizza. -Well, just give me that one. | 1:04:40 | 1:04:43 | |
-Hm? -That one. | 1:04:45 | 1:04:46 | |
-Which one? -The top one! | 1:04:46 | 1:04:48 | |
Oh... | 1:04:50 | 1:04:51 | |
-I'll take the pizzas. -Oh, yeah. Yeah. | 1:04:51 | 1:04:53 | |
-MICHAEL: -Woo-ho, stuffed crust! -Thanks for coming back, Alan. | 1:04:57 | 1:05:00 | |
-What are you doing? -I'm just seeing how you'll look | 1:05:03 | 1:05:05 | |
on the billboard for when you start on The Breakfast Show. | 1:05:05 | 1:05:08 | |
-The Breakfast Show? -Alan, can I have a word? | 1:05:08 | 1:05:11 | |
Yeah, sure. Just bringing the pizza cutter. | 1:05:11 | 1:05:14 | |
Right, how many do you want. Six or eight? | 1:05:15 | 1:05:17 | |
Oh, my God, that's a Taser! | 1:05:17 | 1:05:19 | |
This is no use, it's a pizza cutter. And that is not a pizza. | 1:05:19 | 1:05:23 | |
Thing is, how did it get there? Erm... | 1:05:23 | 1:05:26 | |
Unless the pizza company are running a competition in which you win a Taser. | 1:05:26 | 1:05:30 | |
That doesn't make sense, does it? Do you realise, it's the police? | 1:05:30 | 1:05:33 | |
The ruddy po... Do you know... They've got some brass neck for a bunch of coppers. | 1:05:33 | 1:05:37 | |
I'm actually really angry about that. | 1:05:37 | 1:05:39 | |
You should keep that as an extra weapon. | 1:05:39 | 1:05:41 | |
What kind of fool do you take me for, eh? I'm one step ahead of all of you. | 1:05:41 | 1:05:45 | |
And I'm just a step behind you, mate. | 1:05:45 | 1:05:48 | |
-Ooh. -Never take your eye off the ball, Pat. | 1:05:48 | 1:05:50 | |
First rule of business. | 1:05:50 | 1:05:52 | |
Second rule of business, always be prepared for an opportunity | 1:05:52 | 1:05:54 | |
when it arises, like I was just then. | 1:05:54 | 1:05:57 | |
Yeah. | 1:05:57 | 1:05:59 | |
Course I wouldn't expect you to understand that. It's Darwinian. | 1:05:59 | 1:06:02 | |
-You're a runt. -Is that what you think, Alan? | 1:06:02 | 1:06:05 | |
HE STRUMS | 1:06:05 | 1:06:07 | |
I wouldn't quite, you know, use those words. | 1:06:07 | 1:06:09 | |
Well, I think... I think... | 1:06:09 | 1:06:12 | |
The sort of the gist of what, you know... | 1:06:12 | 1:06:14 | |
I just don't like bullies. | 1:06:14 | 1:06:15 | |
-Um...can I take this off, please? -Oh, yeah. Yeah, sure. | 1:06:16 | 1:06:20 | |
-No, I'm talking to him. -Oh, for fuck's sake. | 1:06:20 | 1:06:22 | |
- Yeah, go ahead. - Thank you. | 1:06:22 | 1:06:25 | |
Are you all right? | 1:06:25 | 1:06:27 | |
Well, I was worried about the old head but I think I've got a handle on it. | 1:06:27 | 1:06:30 | |
- Very witty. - Alan's a smart cookie, Pat. | 1:06:31 | 1:06:33 | |
He's treated this whole crisis like a business opportunity. | 1:06:35 | 1:06:38 | |
He's taken a look around him and he's thought, "How can I make this work for me?" | 1:06:38 | 1:06:44 | |
-Well done, Alan. -Cheers. | 1:06:44 | 1:06:46 | |
-Yeah, well done, Alan. -Thank you. | 1:06:46 | 1:06:49 | |
You know, you and me, we've got something going here. | 1:06:49 | 1:06:51 | |
Pat might be a dinosaur, filling his show with chitchat and phone-ins like it's 1983, | 1:06:51 | 1:06:56 | |
but you're one of us. | 1:06:56 | 1:06:57 | |
You know radio's just business. You'll do well out of this. | 1:06:57 | 1:07:00 | |
And...I'll get you a glamorous assistant with big tits | 1:07:00 | 1:07:03 | |
to take over from that frumpy old cow you've got at the moment. HE LAUGHS | 1:07:03 | 1:07:07 | |
You know, Mrs fucking Doubtfire. | 1:07:07 | 1:07:09 | |
Danny, er... Jason gave me your breakfast show. | 1:07:11 | 1:07:14 | |
-Yeah. -Is that true? | 1:07:15 | 1:07:16 | |
-Well... -Twat. | 1:07:16 | 1:07:18 | |
JASON SCREAMS | 1:07:18 | 1:07:20 | |
Oh, my God. | 1:07:20 | 1:07:22 | |
Go! Go! Go! | 1:07:22 | 1:07:24 | |
ARMED POLICE! | 1:07:27 | 1:07:28 | |
Armed police! Everybody stay down! | 1:07:28 | 1:07:30 | |
-Stay down! Don't move! Don't move! -Have you got any scissors? | 1:07:30 | 1:07:34 | |
Have you got any scissors? | 1:07:34 | 1:07:36 | |
Armed police! Armed police! | 1:07:36 | 1:07:38 | |
Studio's empty. Where's Farrell? Where's Partridge? | 1:07:38 | 1:07:41 | |
ENGINE REVS | 1:07:41 | 1:07:42 | |
LOUDSPEAKERS: # Roll out the barrel... | 1:07:45 | 1:07:48 | |
MUSIC CONTINUES | 1:07:48 | 1:07:50 | |
OFFICER: Get into position, get in front of that bus! | 1:07:53 | 1:07:56 | |
We got three on a bus. Three on a bus. I want a green light on a sniper now. | 1:07:56 | 1:08:01 | |
This cannot be happening. | 1:08:01 | 1:08:03 | |
Jeez, Alan. Look at this. Quite alarming, isn't it? | 1:08:03 | 1:08:06 | |
Er...I think... I think we'll be fine. | 1:08:06 | 1:08:08 | |
Thanks for doing this, Alan. I wanted to stick it to Goredale one more time. | 1:08:08 | 1:08:11 | |
I don't mind in the slightest, Pat. Goredale are tits. | 1:08:11 | 1:08:15 | |
Right, coppers, I've got nae tax, nae insurance, and I'm not wearing a seatbelt. | 1:08:15 | 1:08:19 | |
What are you going to do about it this time? | 1:08:19 | 1:08:21 | |
Start the car! Start the car! Let's go! | 1:08:24 | 1:08:26 | |
SIRENS WAIL | 1:08:26 | 1:08:28 | |
Right, let's give them some stick. | 1:08:31 | 1:08:34 | |
You're listening to Pat and Alan | 1:08:34 | 1:08:36 | |
with a message for the Goredale Medias of this world. | 1:08:36 | 1:08:39 | |
If you think you can take real DJs and turn them into radio robots, | 1:08:39 | 1:08:43 | |
think again, because we're going to get up in your face... | 1:08:43 | 1:08:46 | |
Great. | 1:08:46 | 1:08:47 | |
..with a big fat slice of roadshow radio right here, right now. | 1:08:47 | 1:08:50 | |
-The time is 1:27. -PAT CHUCKLES | 1:08:50 | 1:08:52 | |
This is John Farnham and The Voice. | 1:08:52 | 1:08:55 | |
MUSIC: You're The Voice by John Farnham | 1:08:55 | 1:08:57 | |
Today we're asking, why do people keep their eggs in the fridge? | 1:09:04 | 1:09:07 | |
Once again, why do people INSIST on keeping their eggs in the fridge? | 1:09:07 | 1:09:11 | |
And can a binman reasonably expect a Christmas tip | 1:09:11 | 1:09:15 | |
when he has point-blank refused to dispose of a broken toaster? | 1:09:15 | 1:09:19 | |
-Good question! -And that can be today's large question. | 1:09:19 | 1:09:22 | |
ECHOING VOICES: Large question. | 1:09:22 | 1:09:25 | |
Oh, and we have some travel news. There's slow-moving traffic on the A149. | 1:09:25 | 1:09:30 | |
That'll be due to wacky blokes on a big yellow bus. | 1:09:30 | 1:09:33 | |
BOTH LAUGH | 1:09:33 | 1:09:35 | |
It's competition time, and we 're playing pairs. | 1:09:35 | 1:09:37 | |
-Sid on line two. Black and... -Decker. | 1:09:37 | 1:09:39 | |
-Spick and... -Span. | 1:09:39 | 1:09:40 | |
-Hall and... -Oates. | 1:09:40 | 1:09:42 | |
-Egg and... -Bacon. | 1:09:42 | 1:09:43 | |
Oh, it was gammon! | 1:09:43 | 1:09:44 | |
SID: Can I just say, I think Goredale are awful. | 1:09:44 | 1:09:46 | |
Yeah, they are bastards. | 1:09:46 | 1:09:48 | |
That's why I've washed my hands of them. You know what I always say? | 1:09:48 | 1:09:50 | |
I always say, "What doth it profit a man if he gain the whole world yet lose his soul?" | 1:09:50 | 1:09:57 | |
And people seem to like that. They really do. | 1:09:57 | 1:09:59 | |
# You're the voice, try and understand it | 1:10:05 | 1:10:08 | |
# Make a noise and make it clear | 1:10:08 | 1:10:10 | |
# Whoa, oh, oh, oh, oh-oh | 1:10:10 | 1:10:13 | |
# Whoa-oh, oh, oh-oh, oh, oh! | 1:10:13 | 1:10:16 | |
# We're not gonna sit in silence We're not gonna live with fear | 1:10:16 | 1:10:21 | |
# Whoa-oh, oh, oh, oh, oh-oh... # | 1:10:21 | 1:10:24 | |
It looks like you've touched a nerve, Pat. | 1:10:24 | 1:10:26 | |
These are my listeners, Alan, ordinary working people. | 1:10:26 | 1:10:29 | |
They're not working, it's the middle of the day. Unless they're on flexitime. | 1:10:29 | 1:10:33 | |
Oh, look. I used to live in one of those after my divorce. | 1:10:33 | 1:10:37 | |
TV, kitchen - very nice. | 1:10:37 | 1:10:40 | |
Hey, people, I'm looking at a picture of Goredale Media. | 1:10:40 | 1:10:43 | |
Honestly, look at that bunch of corporate mercenaries. | 1:10:43 | 1:10:46 | |
What's wrong with doing radio for the love of radio? | 1:10:46 | 1:10:49 | |
They would do anything for 30 pieces of silver. | 1:10:49 | 1:10:52 | |
You're listening to the Pat and Alan Show. Radio for the love of radio. | 1:10:53 | 1:10:57 | |
AD MAN: Sponsored by Castrol. | 1:10:57 | 1:10:59 | |
SPEEDING CAR EFFECT | 1:10:59 | 1:11:00 | |
Just going to use the loo. | 1:11:01 | 1:11:03 | |
SIRENS BLARE | 1:11:14 | 1:11:15 | |
-Alan? -Hi! | 1:11:18 | 1:11:20 | |
Alan, I want to talk to you. | 1:11:20 | 1:11:23 | |
Alan? | 1:11:23 | 1:11:24 | |
CLATTERING AND THUDDING | 1:11:24 | 1:11:26 | |
NASAL WHISTLING | 1:11:37 | 1:11:39 | |
Oh, hi, Pat. | 1:11:47 | 1:11:49 | |
Alan, how did you even get in there? | 1:11:49 | 1:11:51 | |
Um...I just removed an aluminium panel. Slid straight in. | 1:11:51 | 1:11:55 | |
-Er...textbook. It's good, isn't it? -Your voice sounds funny. | 1:11:55 | 1:11:59 | |
I think the conical shape of the toilet's turned it into a sort of a compact amphitheatre. | 1:11:59 | 1:12:03 | |
-It's weird. -It is, Pat. It's bizarre. | 1:12:03 | 1:12:06 | |
It is and was a failed escape attempt, a sort of a Shitshank Redemption, if you will. | 1:12:06 | 1:12:11 | |
Ah. The Armitage Shank Redemption, eh? | 1:12:11 | 1:12:14 | |
Ha-ha-ha, ha-ha! I'm laughing like a drain and I'm in one. | 1:12:14 | 1:12:17 | |
Shake hands, Pat. Friends. Friends, Pat, friends. | 1:12:17 | 1:12:20 | |
Friends? I know what you did, you fucking snake. | 1:12:20 | 1:12:24 | |
"Just sack Pat." Huh? | 1:12:24 | 1:12:26 | |
-You're as bad as the rest of them. -Pat, be reasonable. | 1:12:26 | 1:12:28 | |
Before you think of shooting anyone, just for a second think, | 1:12:28 | 1:12:31 | |
what would drive a man to incarcerate himself in a septic tank? It's pathetic. | 1:12:31 | 1:12:35 | |
-I'm not going to shoot you. -Thank God for that. -That's good news. | 1:12:36 | 1:12:40 | |
Sweet mother of God, no. | 1:12:42 | 1:12:43 | |
Oh, angels and saints preserve us! | 1:12:43 | 1:12:45 | |
Dear God, let them be firm! | 1:12:45 | 1:12:47 | |
CRASHING | 1:12:47 | 1:12:49 | |
Help! | 1:12:50 | 1:12:52 | |
Stop the bus! | 1:12:53 | 1:12:54 | |
TYRES SCREECH | 1:12:54 | 1:12:55 | |
-What's that? -It's a septic tank. You can have it. | 1:12:55 | 1:12:58 | |
SIRENS WAIL | 1:13:01 | 1:13:03 | |
PELLET FIRES | 1:13:36 | 1:13:38 | |
Oh...not again! | 1:13:38 | 1:13:40 | |
Damn gypsies tampered with the sights. | 1:13:43 | 1:13:45 | |
Trust me, Susan. | 1:13:53 | 1:13:56 | |
PELLET FIRES | 1:13:56 | 1:13:57 | |
Ow! Jesus! | 1:13:57 | 1:13:58 | |
Suspect is on Cromer... | 1:14:02 | 1:14:04 | |
You're a fucking clown, Alan. | 1:14:43 | 1:14:46 | |
Ah. Hi, Pat. | 1:14:46 | 1:14:48 | |
I trusted you, Alan. I thought we were friends. | 1:14:50 | 1:14:53 | |
-But you let me down. -Well, I... | 1:14:53 | 1:14:55 | |
-You got me sacked. -Over here! Pat! | 1:14:55 | 1:14:58 | |
Look! | 1:14:58 | 1:14:59 | |
Oh, shit! | 1:15:00 | 1:15:01 | |
SPLASH | 1:15:01 | 1:15:03 | |
What was that? | 1:15:04 | 1:15:05 | |
I think it was supposed to be some sort of distraction. Yeah. | 1:15:05 | 1:15:09 | |
-Brave but pointless. -Excuse me? | 1:15:09 | 1:15:11 | |
Oh, God, get back inside. Quick, now! | 1:15:11 | 1:15:13 | |
-We want to get down there. -Do you mind? -This is an armed standoff. | 1:15:13 | 1:15:16 | |
-Where were we? -I got you sacked. | 1:15:16 | 1:15:17 | |
-Yeah, you let me down. -Pat, listen to me. | 1:15:17 | 1:15:20 | |
-I've got this. -Pardon? | 1:15:20 | 1:15:21 | |
-I said, I've got this. -How long is it going to go on for? | 1:15:21 | 1:15:23 | |
-Shut up! -He's telling you to shut up. | 1:15:23 | 1:15:25 | |
-GARBLED: Calm down. -Didn't get that. | 1:15:25 | 1:15:27 | |
-Too close to your mouth. -Calm down. | 1:15:27 | 1:15:29 | |
-It's too close to your mouth! -Did you get that? | 1:15:29 | 1:15:31 | |
What? | 1:15:31 | 1:15:32 | |
She's saying, if you put your air rifles back, you won't be in too much trouble. | 1:15:32 | 1:15:36 | |
-This is a shotgun. -This is an air rifle. That's a shotgun. | 1:15:36 | 1:15:39 | |
We'll leave you to it. | 1:15:39 | 1:15:41 | |
I surrender. | 1:15:41 | 1:15:43 | |
Pat? | 1:15:51 | 1:15:53 | |
Pat? | 1:15:55 | 1:15:57 | |
-I brought Molly to this pier. -Happy times. | 1:15:57 | 1:16:01 | |
I scattered her ashes here. | 1:16:01 | 1:16:02 | |
Ah. | 1:16:02 | 1:16:04 | |
Buried at sea. | 1:16:04 | 1:16:07 | |
Like Bin Laden. | 1:16:07 | 1:16:10 | |
And now here we are. | 1:16:10 | 1:16:12 | |
The circle of life. | 1:16:13 | 1:16:15 | |
Cirque du Soleil. | 1:16:15 | 1:16:17 | |
Turn your head away. | 1:16:20 | 1:16:22 | |
OK, let's calm down. | 1:16:22 | 1:16:23 | |
-Pat, come on. -Turn your head away. | 1:16:23 | 1:16:25 | |
-Pat, listen to me... -Pat, you're scaring me. | 1:16:25 | 1:16:27 | |
-I won't ask again. -Pat, I need you to stay calm. | 1:16:27 | 1:16:29 | |
Turn your head away. | 1:16:29 | 1:16:32 | |
# Maybe I didn't love you, quite as often as I could have... # | 1:16:34 | 1:16:41 | |
What are you doing? | 1:16:41 | 1:16:42 | |
# Maybe I didn't treat you, quite as good as I should have... # | 1:16:42 | 1:16:50 | |
Stop it! | 1:16:50 | 1:16:52 | |
# And if I made you feel second best | 1:16:52 | 1:16:56 | |
# Girl, I'm sorry I was blind | 1:16:56 | 1:17:00 | |
# But you were always on my mind | 1:17:01 | 1:17:05 | |
# You were always on my mind | 1:17:06 | 1:17:11 | |
-# Maybe I... # -Pat, are you ready to... | 1:17:13 | 1:17:16 | |
Shut up, you dick! | 1:17:16 | 1:17:17 | |
Pat, what are you doing? | 1:17:20 | 1:17:21 | |
-MUFFLED: -I want to be with Molly. | 1:17:21 | 1:17:23 | |
What? | 1:17:23 | 1:17:24 | |
I want to be with Molly. | 1:17:26 | 1:17:28 | |
-Pat, don't do this. -MARTIN: Pat, don't do this! | 1:17:29 | 1:17:31 | |
Unbelievable. | 1:17:31 | 1:17:33 | |
-I can't reach the trigger. -Pat, come on. | 1:17:33 | 1:17:36 | |
Would you do it for me? | 1:17:40 | 1:17:42 | |
Yeah, course I will, mate. | 1:17:43 | 1:17:46 | |
Course I will. | 1:17:47 | 1:17:49 | |
It's over, Pat. | 1:17:51 | 1:17:53 | |
No more hurting. | 1:17:55 | 1:17:57 | |
Ow! | 1:17:57 | 1:17:58 | |
-GUNSHOT -Aaargh! | 1:17:58 | 1:18:01 | |
You fucking idiot! | 1:18:01 | 1:18:03 | |
Shit. | 1:18:05 | 1:18:06 | |
-Stay with me, Alan. Stay with me. -They've blown me to bits, Lynn. | 1:18:07 | 1:18:11 | |
I feel cold. | 1:18:11 | 1:18:13 | |
It's all right, Alan. God is with us. | 1:18:14 | 1:18:17 | |
We had some mad times, didn't we, Lynn? | 1:18:17 | 1:18:19 | |
There's some blood coming from my mouth, Lynn. | 1:18:20 | 1:18:24 | |
-It's just spit. -Is it? Oh, yeah. | 1:18:24 | 1:18:27 | |
-Alan, I'm really sorry. -It's all right, Pat. | 1:18:27 | 1:18:29 | |
-You've still got the gun! -Aargh! | 1:18:29 | 1:18:32 | |
Was I a good man, Lynn? Was I a kind man? | 1:18:34 | 1:18:37 | |
Very kind. | 1:18:37 | 1:18:39 | |
I remember when you were defrosting your freezer and you gave me all that bacon. | 1:18:39 | 1:18:44 | |
-I'm ready, Lynn. -GULL CRIES | 1:18:44 | 1:18:46 | |
I think I'm ready. | 1:18:46 | 1:18:47 | |
WINGS FLUTTERING | 1:18:47 | 1:18:49 | |
Oh. Hello, Mr Seagull. | 1:18:49 | 1:18:51 | |
Have you come to take my spirit away? | 1:18:51 | 1:18:53 | |
GULL CRIES | 1:18:53 | 1:18:55 | |
Go, gull! | 1:18:55 | 1:18:56 | |
Gull...gull...gull. | 1:18:58 | 1:19:01 | |
HOLY MUSIC | 1:19:03 | 1:19:05 | |
-What are you doing? -I'm watching it fly off. | 1:19:21 | 1:19:23 | |
It's weird, Lynn. Yours will be the last face I ever see. | 1:19:25 | 1:19:29 | |
-Oh, good. -Hi there. You're going to be OK. | 1:19:30 | 1:19:32 | |
-I've been shot in the heart. -Your heart's there. That's your shoulder. | 1:19:32 | 1:19:36 | |
No, that...that's my heart. Ow! | 1:19:36 | 1:19:38 | |
-Can I have my job back now? -Yeah, if you want. | 1:19:38 | 1:19:40 | |
MUSIC: Always On My Mind by Willie Nelson | 1:19:41 | 1:19:44 | |
SHE CHUCKLES | 1:19:44 | 1:19:47 | |
# Maybe I didn't love you... # | 1:19:47 | 1:19:50 | |
How long have you been a paramedic? | 1:19:50 | 1:19:52 | |
-About four years. -Right. | 1:19:52 | 1:19:54 | |
And do you start in St John's Ambulance and then work your way up | 1:19:54 | 1:19:57 | |
or are they separate organisations? | 1:19:57 | 1:19:59 | |
-They're separate... -She can answer for herself, Lynn. | 1:19:59 | 1:20:01 | |
-They are separate organisations. -Right. | 1:20:01 | 1:20:04 | |
-Are you courting? -Well... | 1:20:04 | 1:20:06 | |
Not you, Lynn! | 1:20:06 | 1:20:07 | |
JINGLE: North Norfolk Digital - North Norfolk's best music mix. | 1:20:07 | 1:20:11 | |
-ALAN: -We've had a letter from Louise in Thetford, | 1:20:11 | 1:20:13 | |
who says, "I'm sick to the back teeth of people poking fun at garden gnomes. | 1:20:13 | 1:20:18 | |
"They may be small and strange-faced, | 1:20:18 | 1:20:20 | |
"but they bring a lot of pleasure to a lot of people." | 1:20:20 | 1:20:22 | |
Now, that's a letter, once upon a time I would have found offensively dull. | 1:20:22 | 1:20:25 | |
-Yeah. -Not now. | 1:20:25 | 1:20:27 | |
So maybe everything that happened has changed you. | 1:20:27 | 1:20:29 | |
I think I have changed a little bit. | 1:20:29 | 1:20:31 | |
Well, for my part, I was a bit worried about my head... | 1:20:31 | 1:20:34 | |
-Here we go. -But um... | 1:20:34 | 1:20:35 | |
-I think I've got a handle on it now. -Oh, yeah, that's a good joke. | 1:20:35 | 1:20:39 | |
You've used that joke about three or four times now. | 1:20:39 | 1:20:42 | |
-I don't know if you're aware of that. -I use it too much? | 1:20:42 | 1:20:44 | |
I wouldn't say that. I just think we're in that area and...you know. | 1:20:44 | 1:20:47 | |
-What about the hat? -Good for the bin, I reckon. | 1:20:47 | 1:20:50 | |
-Lose it? -Yeah. | 1:20:50 | 1:20:52 | |
But I think, like you say, you're coming on leaps and bounds... | 1:20:52 | 1:20:54 | |
and I think, 12 months' time, | 1:20:54 | 1:20:56 | |
you'll probably have forgotten there ever was a siege. | 1:20:56 | 1:20:58 | |
-What siege? -Er...exactly. That's good. | 1:20:58 | 1:21:01 | |
-You haven't really forgotten? -No. | 1:21:01 | 1:21:03 | |
OK, time now for our weekly phone call with incarcerated DJ Pat Farrell. | 1:21:03 | 1:21:08 | |
-It's... -# Ring-ring from Sing Sing! | 1:21:08 | 1:21:11 | |
CELL DOOR CLANGS SHUT | 1:21:11 | 1:21:12 | |
Hello, Pat. Wagwan! | 1:21:12 | 1:21:14 | |
Er... Hi, Alan. | 1:21:14 | 1:21:16 | |
OK, this week's question comes from Sue, a dental hygienist from Grantham. | 1:21:16 | 1:21:19 | |
She asks, "Prison time is often referred to as porridge | 1:21:19 | 1:21:22 | |
"but do they actually serve porridge? And if so, is it compulsory?" | 1:21:22 | 1:21:27 | |
Yeah, they serve porridge but you can have other things. | 1:21:27 | 1:21:30 | |
Thanks, Pat. We'll have another question for you next week, until then... | 1:21:30 | 1:21:34 | |
JINGLE: Keep your nose clean, boy. | 1:21:34 | 1:21:36 | |
PAT SIGHS | 1:21:36 | 1:21:37 | |
MUSIC: The Number One Song in Heaven by Sparks | 1:21:40 | 1:21:42 | |
# It's number one all over heaven | 1:21:46 | 1:21:49 | |
# It's number one all over heaven | 1:21:49 | 1:21:52 | |
# It's number one all over heaven | 1:21:52 | 1:21:55 | |
# The number one song all over heaven | 1:21:55 | 1:21:59 | |
# If you should die before you awake | 1:21:59 | 1:22:03 | |
# If you should die while crossing the street | 1:22:05 | 1:22:09 | |
# The song that you'll hear, I guarantee... # | 1:22:11 | 1:22:14 | |
-ALAN: -Colby, Philip? If you guys don't dig the sounds, | 1:22:17 | 1:22:19 | |
sling us your pod, I'll dock it. | 1:22:19 | 1:22:22 | |
You won't like it. | 1:22:22 | 1:22:24 | |
Guys, I dig a lot of stuff. | 1:22:24 | 1:22:27 | |
A good beat's a good beat. | 1:22:27 | 1:22:29 | |
MUSIC: All The Wrong Places by Example | 1:22:29 | 1:22:31 | |
# All the wrong places | 1:22:33 | 1:22:35 | |
-MUSIC OFF -Sorry, not listening to that. | 1:22:37 | 1:22:39 | |
# It's number one all over heaven | 1:22:39 | 1:22:42 | |
# It's number one all over heaven | 1:22:42 | 1:22:45 | |
# It's number one all over heaven | 1:22:45 | 1:22:48 | |
# The number one song all over heaven | 1:22:48 | 1:22:51 | |
# The song filters down, down through the clouds | 1:22:51 | 1:22:55 | |
# It reaches the earth and winds all around | 1:22:58 | 1:23:01 | |
# And then it breaks up in millions of ways | 1:23:04 | 1:23:07 | |
# It goes la, la, la, la, la, la, la la | 1:23:09 | 1:23:12 | |
# La, la, la, la, la, la, la, la | 1:23:12 | 1:23:15 | |
# La, la, la la, la, la, la, la | 1:23:15 | 1:23:18 | |
# La, la, la, la, la, la, la, la, la, la, la, la | 1:23:18 | 1:23:22 | |
# Whoo, in cars it becomes a hit... | 1:23:22 | 1:23:26 | |
-ALAN: -For God's sake, if it's that important... | 1:23:29 | 1:23:31 | |
MUSIC RESUMES: All The Wrong Places by Example | 1:23:31 | 1:23:33 | |
# Toe to toe | 1:23:33 | 1:23:35 | |
# We all stand tall | 1:23:35 | 1:23:39 | |
# Row by row | 1:23:39 | 1:23:41 | |
# All eyes glow | 1:23:42 | 1:23:45 | |
# Like a rabbit in the headlights | 1:23:45 | 1:23:48 | |
# Get your head right | 1:23:48 | 1:23:50 | |
# Start a new life Shiver in the moonlight | 1:23:50 | 1:23:53 | |
# You must embrace it cos if not you'll waste it | 1:23:53 | 1:23:56 | |
# You're looking for love in all the wrong places | 1:23:56 | 1:23:59 | |
# All the wrong places... # | 1:24:04 | 1:24:06 | |
-MUSIC OFF -Sorry, that is awful. | 1:24:10 | 1:24:13 | |
MUSIC RESUMES: The Number One Song in Heaven by Example | 1:24:13 | 1:24:17 | |
# Ooh, la, la, la, la, la... # | 1:24:17 | 1:24:20 |