Browse content similar to Chicago. Check below for episodes and series from the same categories and more!
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MUTED HORN PLAYS SULTRY JAZZ MELODY | 0:00:16 | 0:00:21 | |
Five, six, seven, eight... BAND STRIKES UP LIVELY JAZZ | 0:00:31 | 0:00:36 | |
Anybody seen the Kelly sisters? | 0:00:56 | 0:00:58 | |
You, you're up in five. | 0:01:02 | 0:01:03 | |
Keep the change, Charlie. Thanks. | 0:01:10 | 0:01:12 | |
Velma, where ya been? And where's Veronica? | 0:01:30 | 0:01:33 | |
She's not herself tonight. | 0:01:33 | 0:01:35 | |
But they paid to see a sister act. | 0:01:35 | 0:01:38 | |
Don't sweat it. I can do it alone. | 0:01:38 | 0:01:40 | |
(Shit!) | 0:01:56 | 0:01:58 | |
Come on, Velma. Move it! Move it! Hurry up! | 0:02:08 | 0:02:10 | |
Yeah. You're killing me here! | 0:02:10 | 0:02:12 | |
Ladies and gentlemen, the Onyx Club is proud to present | 0:02:13 | 0:02:18 | |
Chicago's hottest dancing duo, | 0:02:18 | 0:02:21 | |
two jazz babes moving as one - | 0:02:21 | 0:02:24 | |
the Kelly Sisters! | 0:02:24 | 0:02:27 | |
APPLAUSE | 0:02:27 | 0:02:29 | |
AUDIENCE MURMURS | 0:02:32 | 0:02:36 | |
# Come on, babe, why don't we paint the town? | 0:02:40 | 0:02:44 | |
# And all that jazz | 0:02:45 | 0:02:47 | |
# I'm gonna rouge my knees and roll my stockings down | 0:02:47 | 0:02:51 | |
# And all that jazz | 0:02:53 | 0:02:56 | |
# Start the car, I know a whoopee spot | 0:02:56 | 0:02:59 | |
# Where the gin is cold, but the piano's hot | 0:02:59 | 0:03:03 | |
# It's just a noisy hall where there's a nightly brawl | 0:03:03 | 0:03:07 | |
# And all...that...jazz... # | 0:03:07 | 0:03:14 | |
Skidoo. | 0:03:14 | 0:03:16 | |
# ..And all that jazz... # | 0:03:16 | 0:03:18 | |
(Hotcha!) | 0:03:18 | 0:03:20 | |
(Whoopee!) | 0:03:20 | 0:03:21 | |
# And all that jazz... # | 0:03:24 | 0:03:26 | |
# Slick your hair and wear your buckle shoes | 0:03:47 | 0:03:50 | |
# And all that jazz | 0:03:51 | 0:03:54 | |
# I hear that Father Dip is gonna blow the blues | 0:03:54 | 0:03:58 | |
# And all that jazz | 0:03:59 | 0:04:01 | |
# Hold on, hon, we're gonna bunny hug | 0:04:01 | 0:04:04 | |
# I bought some aspirin down at United Drug | 0:04:04 | 0:04:08 | |
# In case you shake apart and want a brand-new start | 0:04:08 | 0:04:11 | |
# To do... | 0:04:11 | 0:04:13 | |
# That... | 0:04:13 | 0:04:14 | |
# Jazz! # | 0:04:14 | 0:04:18 | |
MAN: Let's go, babe. But I didn't even meet your friend. | 0:04:18 | 0:04:22 | |
That manager guy. Don't worry, Roxie. | 0:04:22 | 0:04:24 | |
It's all taken care of. | 0:04:24 | 0:04:26 | |
You told him about me? Yeah, kid, it's all arranged. | 0:04:26 | 0:04:30 | |
# ..Find a flask, we're playing fast and loose | 0:04:30 | 0:04:33 | |
# And all that jazz | 0:04:35 | 0:04:36 | |
# Right up here is where I store the juice | 0:04:36 | 0:04:39 | |
# And all that jazz | 0:04:41 | 0:04:43 | |
# Come on, babe, we're gonna brush the sky | 0:04:43 | 0:04:46 | |
# I betcha Lucky Lindy never flew so high | 0:04:46 | 0:04:49 | |
# Cos in the stratosphere how could he lend an ear | 0:04:49 | 0:04:53 | |
# To all...that...jazz? | 0:04:53 | 0:04:59 | |
# Oh, you're gonna see your Sheba shimmy-shake | 0:05:00 | 0:05:04 | |
# And all that jazz | 0:05:04 | 0:05:06 | |
# Oh, she's gonna shimmy till her garters break | 0:05:06 | 0:05:11 | |
# And all that jazz | 0:05:11 | 0:05:13 | |
# Show her where to park her girdle | 0:05:13 | 0:05:16 | |
# Oh, her mother's blood'd curdle | 0:05:16 | 0:05:19 | |
# If she'd hear her baby's queer | 0:05:19 | 0:05:22 | |
# For all... | 0:05:22 | 0:05:24 | |
# That... | 0:05:24 | 0:05:26 | |
# Jazz. # | 0:05:26 | 0:05:28 | |
Oh! | 0:05:30 | 0:05:31 | |
GIGGLES Hello, Mrs Borusewicz. | 0:05:31 | 0:05:34 | |
Mrs Hart. | 0:05:34 | 0:05:36 | |
This is Fred. | 0:05:36 | 0:05:37 | |
He's my brother. | 0:05:39 | 0:05:40 | |
# All... | 0:05:42 | 0:05:43 | |
# That... | 0:05:43 | 0:05:45 | |
# Jazz | 0:05:45 | 0:05:48 | |
# Come on, babe, why don't we paint the town? | 0:05:52 | 0:05:55 | |
-# And all that jazz -And all that jazz | 0:05:55 | 0:05:57 | |
# I'm gonna rouge my knees and roll my stockings down | 0:05:57 | 0:06:01 | |
-# And all that jazz -And all that jazz | 0:06:01 | 0:06:04 | |
# Start the car, I know a whoopee spot | 0:06:04 | 0:06:08 | |
# Where the gin is cold, but the piano's hot | 0:06:08 | 0:06:10 | |
# It's just a noisy hall where there's a nightly brawl | 0:06:10 | 0:06:13 | |
# And all... # HE MOANS | 0:06:13 | 0:06:15 | |
# That... # THEY MOAN | 0:06:15 | 0:06:17 | |
(Jazz.) | 0:06:17 | 0:06:19 | |
ROXIE: Say it again, Fred. | 0:06:19 | 0:06:21 | |
You're a star, kid. My little shootin' star. | 0:06:21 | 0:06:25 | |
# ..No, I'm no-one's wife, but, oh, I love my life | 0:06:27 | 0:06:33 | |
# And all... | 0:06:33 | 0:06:36 | |
# That... | 0:06:36 | 0:06:40 | |
# Jazz That jazz. # | 0:06:41 | 0:06:45 | |
APPLAUSE | 0:06:45 | 0:06:48 | |
ROXIE: Oh, say it again, Fred. | 0:06:48 | 0:06:50 | |
Hey, where's the fire, huh? Amos ain't home till midnight. | 0:06:56 | 0:07:01 | |
Freddy? | 0:07:03 | 0:07:05 | |
Fred? | 0:07:07 | 0:07:08 | |
HE URINATES | 0:07:11 | 0:07:14 | |
Hey, um...I don't want you to feel like I'm naggin' or anything, | 0:07:14 | 0:07:18 | |
but don't you think it's about time that I met your friend at the Onyx? | 0:07:18 | 0:07:22 | |
I mean, it's been a month since you told him about me. | 0:07:22 | 0:07:26 | |
JAZZ PLAYS ON GRAMOPHONE And I know, | 0:07:26 | 0:07:29 | |
cos that was the night Velma Kelly plugged her husband and her sister. | 0:07:29 | 0:07:33 | |
TOILET FLUSHES | 0:07:33 | 0:07:35 | |
You know they say that she found 'em in the kip together? | 0:07:35 | 0:07:38 | |
Gosh, if I ever found Amos slippin' it to somebody else, | 0:07:38 | 0:07:42 | |
boy, I'd throw 'em a party! A great big goin' away party. | 0:07:42 | 0:07:45 | |
It's gettin' late. | 0:07:45 | 0:07:47 | |
I have been thinkin' about my act. | 0:07:47 | 0:07:49 | |
Whenever I get a good idea, | 0:07:49 | 0:07:50 | |
I write it in my diary before I forget it. | 0:07:50 | 0:07:53 | |
And it occurred to me the other day | 0:07:53 | 0:07:55 | |
that all the really, really knockout acts have, | 0:07:55 | 0:07:59 | |
you know, somethin' a little different goin' on. | 0:07:59 | 0:08:02 | |
Like a...a signature bit. | 0:08:02 | 0:08:05 | |
And I thought, I thought... | 0:08:05 | 0:08:07 | |
that my thing could be... | 0:08:07 | 0:08:09 | |
aloof, you know? | 0:08:09 | 0:08:11 | |
Give 'em just enough to get 'em good and hungry, | 0:08:11 | 0:08:14 | |
but always leave 'em wanting more. | 0:08:14 | 0:08:16 | |
Hey, and once I get a name for myself, well, maybe... | 0:08:17 | 0:08:21 | |
maybe we could open up a club of our own. | 0:08:21 | 0:08:23 | |
You could run it and I could be the headliner. | 0:08:23 | 0:08:26 | |
What's the idea? Wake up, kiddo. You ain't never gonna have an act. | 0:08:27 | 0:08:32 | |
Says who? | 0:08:32 | 0:08:33 | |
Face it, Roxie. You're a two-bit talent with skinny legs. | 0:08:33 | 0:08:36 | |
And I'm just a furniture salesman. | 0:08:36 | 0:08:38 | |
Yeah, but you got connections. | 0:08:38 | 0:08:40 | |
That guy down at the club. There is no guy. | 0:08:40 | 0:08:42 | |
Yeah, that night... It was the first time I set foot in that joint. | 0:08:42 | 0:08:46 | |
I was collectin' on a bet from the trombone player. | 0:08:46 | 0:08:48 | |
So you never told anyone about me? | 0:08:48 | 0:08:51 | |
Sugar, you were hot stuff. I woulda said anything | 0:08:51 | 0:08:55 | |
to get a piece of that. | 0:08:55 | 0:08:57 | |
And now? Now? We had some laughs. Let's just leave it at that. | 0:08:57 | 0:09:02 | |
Fred! | 0:09:02 | 0:09:04 | |
You can't do this to me. Would you get off?! | 0:09:06 | 0:09:10 | |
Huh?! | 0:09:11 | 0:09:13 | |
You touch me again, I'll put your lights out! | 0:09:14 | 0:09:17 | |
Wait... Your husband'll be home soon. | 0:09:19 | 0:09:21 | |
Wash yourself before you hit the sheets again. | 0:09:21 | 0:09:23 | |
You're a liar, Fred. Yeah, so what? | 0:09:23 | 0:09:26 | |
You lied to me. | 0:09:26 | 0:09:28 | |
You lied! | 0:09:28 | 0:09:30 | |
That's life, sweetheart. You lied to me, you son of a bitch! | 0:09:30 | 0:09:35 | |
You're a son of a bitch! | 0:09:44 | 0:09:46 | |
MUSIC ENDS | 0:09:46 | 0:09:48 | |
(Hotcha!) | 0:09:52 | 0:09:53 | |
(Whoopee!) | 0:09:55 | 0:09:58 | |
Why you botherin', Sal? This one's all wrapped up. | 0:09:58 | 0:10:01 | |
It's a new city record. From killin' to confession in an hour flat. | 0:10:01 | 0:10:05 | |
Where did she get the murder weapon? | 0:10:05 | 0:10:07 | |
I keep a gun in the underwear drawer, just in case of trouble, you know. | 0:10:07 | 0:10:10 | |
Well, that's just fine. Sign right there, Mr Hart. | 0:10:10 | 0:10:13 | |
Freely and gladly. Mind you don't say we beat it out of you. | 0:10:13 | 0:10:19 | |
No, I gave myself up. Surrendered of my own free will. | 0:10:19 | 0:10:22 | |
Isn't he the cheerful murderer? Shootin' a burglar ain't murder. | 0:10:22 | 0:10:25 | |
Last week, a jury thanked a man. | 0:10:25 | 0:10:27 | |
I'm always grateful for citizens who know the law. Get in there. | 0:10:27 | 0:10:30 | |
You, too. | 0:10:32 | 0:10:33 | |
Sit down. | 0:10:35 | 0:10:36 | |
OK, from the top. | 0:10:38 | 0:10:41 | |
Well, a man's got a right to protect his home and his loved ones, right? | 0:10:41 | 0:10:45 | |
Of course he has. | 0:10:45 | 0:10:46 | |
I come home and see him climbing through the window, | 0:10:46 | 0:10:49 | |
with my wife, Roxie, layin' there, | 0:10:49 | 0:10:51 | |
sleepin' like an angel. | 0:10:51 | 0:10:53 | |
That true, Mrs Hart? I'm telling you, it's the God's honest truth. | 0:10:53 | 0:10:57 | |
My wife wouldn't hurt a worm. | 0:10:57 | 0:10:59 | |
SLOW PIANO INTRO BEGINS It wasn't till I fired the first shot she even opened her eyes. | 0:10:59 | 0:11:04 | |
She's some heavy sleeper. I always said she could sleep through the St Paddy's Day parade. | 0:11:04 | 0:11:08 | |
What would have happened if I went out for a beer instead of coming straight home? | 0:11:08 | 0:11:13 | |
Well, it makes you sick even thinkin' about it. | 0:11:13 | 0:11:16 | |
BANDLEADER: For her first number, Miss Roxie Hart would like to sing a song of love and devotion | 0:11:16 | 0:11:21 | |
dedicated to her dear husband, Amos. | 0:11:21 | 0:11:24 | |
# Sometimes I'm right, sometimes I'm wrong | 0:11:27 | 0:11:31 | |
# But he doesn't care, he'll string along | 0:11:31 | 0:11:38 | |
# He loves me so | 0:11:38 | 0:11:40 | |
# That funny honey of mine | 0:11:40 | 0:11:45 | |
# Sometimes I'm down, sometimes I'm up | 0:11:49 | 0:11:53 | |
# But he follows 'round like some droopy-eyed pup | 0:11:53 | 0:12:00 | |
# He loves me so | 0:12:00 | 0:12:03 | |
# That funny honey of mine... # AMOS: Even after I shot him, | 0:12:03 | 0:12:07 | |
he kept comin' at me, so I had to pull the trigger again. | 0:12:07 | 0:12:10 | |
# ..He ain't no sheik, that's no great physique | 0:12:10 | 0:12:15 | |
# And Lord knows, he ain't got the smarts | 0:12:15 | 0:12:20 | |
# But look at that soul, I tell you, that whole | 0:12:20 | 0:12:26 | |
# Is a whole lot greater than the sum of his parts | 0:12:26 | 0:12:33 | |
# And if you knew him like me, I know you'd agree | 0:12:34 | 0:12:44 | |
# What if the world slandered my name? | 0:12:45 | 0:12:50 | |
# Why, he'd be right there, taking the blame | 0:12:50 | 0:12:56 | |
# He loves me so | 0:12:56 | 0:12:59 | |
# And it all suits me fine | 0:12:59 | 0:13:05 | |
# That funny, sunny, honey hubby of mine... # | 0:13:05 | 0:13:14 | |
I mean, supposin' he had violated her, or somethin'. | 0:13:14 | 0:13:18 | |
You know what I mean, violated? I know. | 0:13:18 | 0:13:20 | |
That would have been terrible. It's a good thing I got home from work on time, | 0:13:20 | 0:13:24 | |
I'm tellin' ya that. # ..He loves me so... # | 0:13:24 | 0:13:27 | |
I say, I'm tellin' you that. # ..That funny honey of mine... # | 0:13:27 | 0:13:31 | |
- Name of deceased, Fred Casely. - Fred Casely? | 0:13:31 | 0:13:34 | |
He's not a burglar. My wife knows him. He sold us our furniture. | 0:13:34 | 0:13:37 | |
He gave us 10% off. | 0:13:38 | 0:13:40 | |
# ..Lord knows, he ain't got the smarts... # | 0:13:40 | 0:13:44 | |
You told me he was a burglar. | 0:13:44 | 0:13:46 | |
He was already dead? He's covered in a sheet | 0:13:46 | 0:13:48 | |
and she's talkin' about this burglar, and how I oughtta say I did it | 0:13:48 | 0:13:52 | |
cos I was sure to get off. "Help me, Amos," she says. "It's my goddamn hour of need." | 0:13:52 | 0:13:57 | |
# ..Now he's shot off his trap | 0:13:57 | 0:13:59 | |
# I can't stand that sap | 0:13:59 | 0:14:02 | |
- # Look at him go... # - I believed her. | 0:14:02 | 0:14:04 | |
- # ..Rattin' on me... # - Tramp! | 0:14:04 | 0:14:06 | |
- Two-timing me. - # ..With just one more brain... # | 0:14:06 | 0:14:09 | |
- She can swing for all I care. - # ..A half-wit he'd be... # | 0:14:09 | 0:14:11 | |
- I'm working 14 hours a day... - # ..If they string me up... # | 0:14:11 | 0:14:15 | |
# ..He'll bring the twine... # And she's up here tramping around | 0:14:15 | 0:14:18 | |
like some floozy! Thought she could fool me. | 0:14:18 | 0:14:21 | |
- # ..That scummy, crummy... # - I wasn't born yesterday. | 0:14:21 | 0:14:23 | |
- Some things, a man can't take. - # ..Dummy hubby... # | 0:14:23 | 0:14:27 | |
- # ..Of mine! # - The little chiseller. | 0:14:27 | 0:14:29 | |
Boy, what a sap I was! | 0:14:29 | 0:14:31 | |
You double-crosser! You big blabbermouth! | 0:14:31 | 0:14:35 | |
You promised you'd stick. You been stringin' me, Roxanne! | 0:14:35 | 0:14:38 | |
God damn it! You said he was a burglar! You been jazzin' him! | 0:14:38 | 0:14:42 | |
You are a disloyal husband! | 0:14:42 | 0:14:44 | |
Look, it's true, I shot him. | 0:14:47 | 0:14:49 | |
But it was self-defence. He was trying to burgle me. | 0:14:49 | 0:14:52 | |
From what I hear, he's been burgling you three times a week for a month. | 0:14:52 | 0:14:56 | |
So what do you say, missus? That's him, all right. | 0:14:56 | 0:15:00 | |
Thank you. | 0:15:00 | 0:15:01 | |
Your story doesn't wash, Mrs Hart, so try this on for size. | 0:15:01 | 0:15:05 | |
Fred Casely was a good time, with Goofy here | 0:15:05 | 0:15:07 | |
as a meal ticket. Meal ticket? | 0:15:07 | 0:15:09 | |
He couldn't buy my liquor. And Fred Casely could? | 0:15:09 | 0:15:13 | |
With a wife and five little Caselys? Or didn't he mention them? | 0:15:13 | 0:15:16 | |
W-w-what? All his. | 0:15:17 | 0:15:21 | |
ROXIE: (That bastard!) | 0:15:21 | 0:15:23 | |
That... | 0:15:23 | 0:15:25 | |
That bastard! Yeah, I killed him and I would kill him again. | 0:15:25 | 0:15:29 | |
Once was enough, dearie. Take her downtown. Come on! | 0:15:29 | 0:15:32 | |
MAN: This is it. 264½. | 0:15:33 | 0:15:35 | |
Here they come. This way, honey! It's a shame to hide such a beautiful face. | 0:15:36 | 0:15:40 | |
Why'd you shoot him? Give us a profile with a little smile. | 0:15:40 | 0:15:45 | |
Enjoy it while you can. | 0:15:45 | 0:15:46 | |
Take this down. "Assistant DA Harrison says it's a hanging case." | 0:15:46 | 0:15:50 | |
I'm ready to go to the jury. What do you mean, "hanging"? | 0:15:50 | 0:15:53 | |
Not so tough any more. Take her to Cook County jail. | 0:15:53 | 0:15:55 | |
Come on, we need a headline. Did he beat you? Was he fooling around? | 0:15:55 | 0:15:59 | |
Hey...! What do you mean, "hanging"? | 0:15:59 | 0:16:02 | |
REPORTERS SHOUT | 0:16:02 | 0:16:06 | |
Use morphine? Opium? Cocaine? | 0:16:19 | 0:16:22 | |
WOMAN: Arm length...31 inches. | 0:16:23 | 0:16:25 | |
MAN: Arm length, 31 inches. | 0:16:25 | 0:16:27 | |
WOMAN: Height, 66 inches... | 0:16:27 | 0:16:29 | |
The matron's on her way, so don't get too cosy. | 0:16:31 | 0:16:34 | |
Put out that cigarette! | 0:16:35 | 0:16:38 | |
Ever had Morton before? | 0:16:40 | 0:16:42 | |
She's fine... long as you keep her happy. | 0:16:48 | 0:16:51 | |
And now, ladies and gentlemen, the Keeper of the Keys, | 0:16:53 | 0:16:58 | |
the Countess of the Clink, the Mistress of Murderers' Row, | 0:16:58 | 0:17:01 | |
Matron Mama Morton! FANFARE PLAYS | 0:17:01 | 0:17:07 | |
CHEERS AND APPLAUSE | 0:17:07 | 0:17:10 | |
RAUNCHY INTRO PLAYS | 0:17:10 | 0:17:14 | |
# Ask any of the chickies in my pen | 0:17:14 | 0:17:18 | |
# They'll tell you I'm the biggest mother... | 0:17:19 | 0:17:22 | |
# Hen AUDIENCE WHOOPS | 0:17:22 | 0:17:24 | |
# I love them all, and all of them love me | 0:17:24 | 0:17:29 | |
# Because the system works | 0:17:29 | 0:17:31 | |
# The system called reciprocity... # | 0:17:31 | 0:17:38 | |
GUARD: On your feet! | 0:17:38 | 0:17:40 | |
Welcome, ladies. | 0:17:43 | 0:17:45 | |
# ..Got a little motto, always sees me through | 0:17:45 | 0:17:50 | |
# When you're good to Mama, Mama's good to you... # | 0:17:50 | 0:17:55 | |
You might think I'm here to make your life hell, but that's not true. | 0:17:55 | 0:17:59 | |
# ..There's a lot of favours I'm prepared to do | 0:18:00 | 0:18:05 | |
# You do one for Mama, she'll do one for you... # | 0:18:05 | 0:18:10 | |
I'd like to be your friend. So if something upsets you, | 0:18:10 | 0:18:13 | |
or makes you unhappy in any way... | 0:18:13 | 0:18:16 | |
don't shoot your mouth off to me cos I don't give a shit! Move it out! | 0:18:16 | 0:18:19 | |
# ..They say that life is tit for tat | 0:18:19 | 0:18:22 | |
# And that's the way I live | 0:18:22 | 0:18:24 | |
# So I deserve a lot of tat | 0:18:24 | 0:18:27 | |
# For what I've got to give | 0:18:27 | 0:18:29 | |
# Don't you know that this hand washes that one, too? | 0:18:30 | 0:18:35 | |
# When you're good to Mama | 0:18:35 | 0:18:38 | |
# Mama's good to you! # | 0:18:38 | 0:18:44 | |
Let's go! | 0:18:47 | 0:18:48 | |
You must be Hart. | 0:18:49 | 0:18:50 | |
Ain't you the pretty one? | 0:18:50 | 0:18:52 | |
Thank you, ma'am. | 0:18:52 | 0:18:54 | |
Oh, no, call me Mama. | 0:18:54 | 0:18:56 | |
I'm here to take care of you. | 0:18:56 | 0:18:59 | |
You'll be habitating in the east block. Murderess Row, we call it. | 0:18:59 | 0:19:02 | |
Oh... Is that nicer? | 0:19:02 | 0:19:05 | |
MUSIC CONTINUES AUDIENCE WHISTLES AND HOOTS | 0:19:06 | 0:19:10 | |
I don't belong in here. I didn't actually do anything wrong. | 0:19:15 | 0:19:18 | |
Don't tell me, honey. I ain't never heard of a man getting killed | 0:19:18 | 0:19:22 | |
who didn't deserve it. | 0:19:22 | 0:19:23 | |
Hey, Mama! Come here. Come here. | 0:19:23 | 0:19:26 | |
Velma Kelly. You're THE Velma Kelly. | 0:19:26 | 0:19:30 | |
You know, I was there the night that you got arrested. | 0:19:30 | 0:19:34 | |
Yeah, you and half of Chicago. Look at this, Mama. | 0:19:34 | 0:19:37 | |
Ooh! An editorial denouncing me in Redbook magazine. | 0:19:37 | 0:19:41 | |
"Not in memory do we recall so fiendish and horrible a double homicide." | 0:19:41 | 0:19:46 | |
You couldn't buy that kind of publicity. No? | 0:19:46 | 0:19:49 | |
I guess I can keep this, then. | 0:19:52 | 0:19:54 | |
Nice try. | 0:19:55 | 0:19:57 | |
# ..If you want my gravy | 0:19:57 | 0:20:00 | |
# Pepper my ragout | 0:20:00 | 0:20:02 | |
# Spice it up for Mama | 0:20:02 | 0:20:05 | |
# She'll get hot for you | 0:20:05 | 0:20:08 | |
# When they pass that basket | 0:20:12 | 0:20:14 | |
# Folks contribute to | 0:20:14 | 0:20:17 | |
# You put in for Mama | 0:20:17 | 0:20:19 | |
# She'll put out for you | 0:20:19 | 0:20:22 | |
# The folks atop the ladder | 0:20:26 | 0:20:29 | |
# Are the ones the world adores | 0:20:29 | 0:20:31 | |
# So boost me up my ladder, kid | 0:20:31 | 0:20:34 | |
# And I'll boost you up yours | 0:20:34 | 0:20:37 | |
# Let's all stroke together | 0:20:37 | 0:20:40 | |
# Like the Princeton crew | 0:20:40 | 0:20:43 | |
# When you're strokin' Mama | 0:20:43 | 0:20:46 | |
# Mama's strokin' you | 0:20:46 | 0:20:49 | |
# So what's the one conclusion I can bring this number to? | 0:20:49 | 0:20:54 | |
# When you're good to Mama | 0:20:54 | 0:20:58 | |
# Mama's good to you! # | 0:20:58 | 0:21:09 | |
Ah...yes! CHEERING | 0:21:09 | 0:21:13 | |
ROXIE: Mama? | 0:21:13 | 0:21:15 | |
Um...it's kind of, er... freezing in here. | 0:21:15 | 0:21:18 | |
You think maybe there's something wrong with the heat? | 0:21:18 | 0:21:21 | |
Not that I'm complaining, mind you. | 0:21:21 | 0:21:23 | |
But, you know, if you got a couple extra blankets tucked away... | 0:21:23 | 0:21:27 | |
MAMA: Lights out, ladies. | 0:21:30 | 0:21:32 | |
Oh... | 0:21:43 | 0:21:44 | |
HER BREATH QUIVERS | 0:21:44 | 0:21:47 | |
(OK.) | 0:21:47 | 0:21:48 | |
SHE SNIFFLES | 0:21:52 | 0:21:54 | |
STIFLING SOBS: OK... | 0:21:58 | 0:22:00 | |
LOUD DRIP | 0:22:02 | 0:22:04 | |
DRIP! | 0:22:12 | 0:22:13 | |
DRIP! DRIP! | 0:22:16 | 0:22:18 | |
DRIP! DRIP! | 0:22:19 | 0:22:20 | |
THUD! DRIP! DRIP! | 0:22:20 | 0:22:22 | |
THUD! DRIP! DRIP! | 0:22:22 | 0:22:24 | |
THUD! DRIP! DRIP! | 0:22:24 | 0:22:26 | |
THUD! DRIP! DRIP! | 0:22:26 | 0:22:28 | |
DRUMMING THUD! DRIP! DRIP! | 0:22:28 | 0:22:30 | |
DRUMMING THUD! DRIP! DRIP! | 0:22:30 | 0:22:32 | |
DRUMMING Pop! DRIP! DRIP! | 0:22:32 | 0:22:34 | |
DRUMMING Six. | 0:22:34 | 0:22:35 | |
DRIP! DRIP! Squish. | 0:22:35 | 0:22:37 | |
DRUMMING Uh-uh. | 0:22:37 | 0:22:39 | |
DRIP! DRIP! Cicero. | 0:22:39 | 0:22:41 | |
DRUMMING Lipschitz. | 0:22:41 | 0:22:43 | |
DRUMS TAKE UP THE RHYTHM | 0:22:43 | 0:22:47 | |
And now, the six merry murderesses | 0:22:47 | 0:22:50 | |
of the Cook County jail in their rendition of... | 0:22:50 | 0:22:54 | |
the Cell Block Tango. | 0:22:54 | 0:22:56 | |
Cicero. | 0:22:56 | 0:22:57 | |
Lipschitz. | 0:22:57 | 0:22:59 | |
DRUMS PLAY TANGO BEAT | 0:22:59 | 0:23:03 | |
Pop. | 0:23:03 | 0:23:04 | |
Six. | 0:23:05 | 0:23:06 | |
Squish. | 0:23:07 | 0:23:08 | |
Uh-uh. | 0:23:09 | 0:23:09 | |
Cicero. | 0:23:10 | 0:23:12 | |
Lipschitz. | 0:23:13 | 0:23:14 | |
Pop. | 0:23:14 | 0:23:15 | |
Six. | 0:23:15 | 0:23:16 | |
Squish. | 0:23:16 | 0:23:17 | |
Uh-uh. | 0:23:17 | 0:23:18 | |
Cicero. | 0:23:18 | 0:23:20 | |
Lipschitz. | 0:23:20 | 0:23:22 | |
- Pop. - Six. | 0:23:22 | 0:23:23 | |
- Squish. - Uh-uh. | 0:23:23 | 0:23:24 | |
- Cicero. - Lipschitz. | 0:23:24 | 0:23:26 | |
- Pop. - Six. | 0:23:26 | 0:23:27 | |
- Squish. - Uh-uh. | 0:23:27 | 0:23:28 | |
- Cicero. - Lipschitz. | 0:23:28 | 0:23:29 | |
ALL: # He had it comin' | 0:23:30 | 0:23:31 | |
# He had it comin' | 0:23:32 | 0:23:33 | |
# He only had himself to blame | 0:23:33 | 0:23:37 | |
# If you'd have been there | 0:23:37 | 0:23:39 | |
# If you'd have seen it | 0:23:39 | 0:23:41 | |
# I betcha you would have done the same! # | 0:23:41 | 0:23:44 | |
Pop. Six. | 0:23:44 | 0:23:45 | |
Squish. Uh-uh. | 0:23:45 | 0:23:46 | |
Cicero. Lipschitz. | 0:23:46 | 0:23:48 | |
Pop. Six. | 0:23:48 | 0:23:49 | |
Squish. Uh-uh. | 0:23:49 | 0:23:49 | |
Cicero. Lipschitz. | 0:23:49 | 0:23:51 | |
WOMEN SING QUIETLY You know how people have little habits that get you down? | 0:23:51 | 0:23:55 | |
Like Bernie. | 0:23:55 | 0:23:57 | |
Bernie liked to chew gum. ..No, not chew. | 0:23:57 | 0:24:01 | |
Pop. | 0:24:01 | 0:24:02 | |
So I came home this one day, and I am really irritated, | 0:24:02 | 0:24:06 | |
and I'm looking for sympathy, and there's Bernie, | 0:24:06 | 0:24:08 | |
lyin' on the couch, drinkin' a beer and chewin'. | 0:24:08 | 0:24:11 | |
No, not chewin'. | 0:24:11 | 0:24:13 | |
Poppin'! | 0:24:13 | 0:24:14 | |
So I said to him, I said, "You pop that gum one more time..." | 0:24:14 | 0:24:19 | |
And he did. | 0:24:20 | 0:24:22 | |
So I took the shotgun off the wall, and I fired two warning shots... | 0:24:22 | 0:24:26 | |
..into his head. | 0:24:27 | 0:24:30 | |
ALL: # He had it comin' He had it comin' | 0:24:31 | 0:24:34 | |
# He only had himself to blame | 0:24:34 | 0:24:38 | |
# If you'd have been there If you'd have heard it | 0:24:38 | 0:24:42 | |
# I betcha you would have done the same... # | 0:24:42 | 0:24:45 | |
WOMEN SING QUIETLY I met Ezekial Young from Salt Lake City about two years ago. | 0:24:50 | 0:24:55 | |
He told me he was single and we hit it off right away. | 0:24:55 | 0:24:59 | |
So we started living together. | 0:24:59 | 0:25:01 | |
He'd go to work. He'd come home. | 0:25:01 | 0:25:03 | |
I'd fix him a drink. We'd have dinner. | 0:25:03 | 0:25:05 | |
And then I found out. | 0:25:05 | 0:25:07 | |
Single, he told me. | 0:25:07 | 0:25:09 | |
Single, my ass! Not only was he married... | 0:25:09 | 0:25:13 | |
Oh, no. He had six wives. | 0:25:13 | 0:25:15 | |
One of those Mormons, you know? | 0:25:15 | 0:25:18 | |
So that night, when he came home from work, | 0:25:18 | 0:25:21 | |
I fixed him his drink, as usual. | 0:25:21 | 0:25:23 | |
You know, some guys just can't hold their arsenic. | 0:25:25 | 0:25:29 | |
-ALL: # He had it comin' -Pop -Six | 0:25:29 | 0:25:31 | |
-# He had it comin' -Cicero -Lipschitz | 0:25:31 | 0:25:33 | |
-# He took a flower in its prime -Pop -Six -Squish -Uh-uh -Cicero -Lipschitz | 0:25:33 | 0:25:37 | |
# And then he used it | 0:25:37 | 0:25:38 | |
-Pop -# And he abused it | 0:25:38 | 0:25:39 | |
-Six -# It was a murder | 0:25:39 | 0:25:41 | |
-# But not a crime -Squish -Uh-uh -Cicero -Lipschitz... # | 0:25:41 | 0:25:44 | |
Now I'm standing in the kitchen, carvin' the chicken for dinner, | 0:25:44 | 0:25:48 | |
minding my own business. | 0:25:48 | 0:25:49 | |
In storms my husband, Wilbur, in a jealous rage. | 0:25:49 | 0:25:53 | |
"You been screwin' the milkman," he says. | 0:25:53 | 0:25:55 | |
He was crazy. He kept on screamin', "You been screwin' the milkman!" | 0:25:55 | 0:25:59 | |
And then he ran into my knife. | 0:25:59 | 0:26:01 | |
He ran into my knife ten times. | 0:26:01 | 0:26:04 | |
DRUM ROLL | 0:26:04 | 0:26:06 | |
CHORD | 0:26:06 | 0:26:07 | |
ALL: # ..If you'd have been there | 0:26:07 | 0:26:08 | |
# If you'd have seen it | 0:26:08 | 0:26:10 | |
# I betcha you would have done the same... # | 0:26:10 | 0:26:13 | |
Mit keresek, en itt? | 0:26:13 | 0:26:15 | |
Azt mondjok, hogy a hires lakem lefogta a ferjemet | 0:26:15 | 0:26:18 | |
en meg lecsaptam a fejet. | 0:26:18 | 0:26:21 | |
De nem igaz, | 0:26:21 | 0:26:23 | |
en artatlan vagyok. | 0:26:23 | 0:26:24 | |
Nem tudom... | 0:26:24 | 0:26:26 | |
mert mondja Uncle Sam hogy en tettem. | 0:26:26 | 0:26:29 | |
Probaltam a rendorsegen megmagyarazni | 0:26:29 | 0:26:31 | |
de nem ertettek meg... | 0:26:31 | 0:26:34 | |
Yeah, but did you do it? | 0:26:34 | 0:26:36 | |
Uh-uh...not guilty. | 0:26:36 | 0:26:39 | |
# ..He had it comin'... # | 0:26:39 | 0:26:42 | |
My sister Veronica and I had this double act, | 0:26:42 | 0:26:45 | |
and my husband Charlie travelled around with us. | 0:26:45 | 0:26:50 | |
For our last number, we did 20 acrobatic tricks in a row - one, two, | 0:26:50 | 0:26:54 | |
three, four, five - splits, back flips, flip-flops, one right after the other. | 0:26:54 | 0:26:59 | |
So this one night before the show, | 0:26:59 | 0:27:01 | |
we're down at the Hotel Cicero, | 0:27:01 | 0:27:02 | |
the three of us boozin', havin' a few laughs, | 0:27:02 | 0:27:06 | |
and we'd run out of ice, so I go out to get some. | 0:27:06 | 0:27:10 | |
I come back, open the door, | 0:27:10 | 0:27:13 | |
and there's Veronica and Charlie doing number 17... | 0:27:13 | 0:27:17 | |
the spread eagle. | 0:27:17 | 0:27:19 | |
Well, I was in such a state of shock, | 0:27:20 | 0:27:23 | |
I completely blacked out. I can't remember a thing. | 0:27:23 | 0:27:26 | |
It wasn't until later, when I was washin' the blood off my hands, | 0:27:26 | 0:27:30 | |
I even knew they were dead. | 0:27:30 | 0:27:32 | |
-# They had it comin' -They had it comin' | 0:27:32 | 0:27:34 | |
-# They had it comin' -They had it comin' | 0:27:34 | 0:27:36 | |
# They had it comin' all along | 0:27:36 | 0:27:39 | |
-# I didn't do it -She didn't do it | 0:27:39 | 0:27:41 | |
-# But if I'd done it -But if she'd done it | 0:27:41 | 0:27:43 | |
# How could you tell me that I was wrong? | 0:27:43 | 0:27:47 | |
-# They had it comin' -They had it comin' | 0:27:48 | 0:27:50 | |
-# They had it comin' -They had it comin' | 0:27:50 | 0:27:52 | |
-# They had it comin' all along -They took a flower in its prime | 0:27:52 | 0:27:56 | |
-# I didn't do it -And then they used it | 0:27:56 | 0:27:57 | |
# But if I'd done it | 0:27:57 | 0:27:58 | |
-# And they abused it -How could you tell me that I was wrong? | 0:27:58 | 0:28:03 | |
WOMEN SING QUIETLY I loved Al Lipschitz more than I could say. | 0:28:03 | 0:28:07 | |
He was a real artistic guy... sensitive...a painter. WHISTLE BLOWS | 0:28:07 | 0:28:11 | |
But he was always trying to find himself. | 0:28:11 | 0:28:14 | |
He'd go out every night looking for himself and on the way... WHISTLE | 0:28:14 | 0:28:17 | |
..he found Ruth, Gladys, Rosemary... | 0:28:17 | 0:28:20 | |
and Irving. | 0:28:20 | 0:28:22 | |
I guess you could say we broke up because of artistic differences. | 0:28:22 | 0:28:25 | |
He saw himself as alive, | 0:28:25 | 0:28:28 | |
and I saw him dead. | 0:28:28 | 0:28:30 | |
ALL: # The dirty bum | 0:28:30 | 0:28:31 | |
# Bum, bum, bum, bum, bum | 0:28:31 | 0:28:34 | |
# The dirty bum, bum, bum, bum, bum | 0:28:34 | 0:28:37 | |
# They had it comin' | 0:28:37 | 0:28:39 | |
# They had it comin' | 0:28:39 | 0:28:41 | |
# They had it coming all along | 0:28:41 | 0:28:44 | |
# Cos if they used us | 0:28:44 | 0:28:46 | |
# And they abused us | 0:28:46 | 0:28:48 | |
# Don't you tell us that we were wrong | 0:28:48 | 0:28:50 | |
# He had it comin' | 0:28:51 | 0:28:53 | |
# He had it comin' | 0:28:53 | 0:28:55 | |
# He only had himself to blame | 0:28:55 | 0:28:58 | |
# If you'd have been there | 0:28:58 | 0:29:00 | |
# If you'd have seen it | 0:29:00 | 0:29:02 | |
# I betcha you would have done the same! # | 0:29:02 | 0:29:04 | |
- You pop that gum... - Single, my ass! | 0:29:04 | 0:29:07 | |
- Ten times! - Miert csukott Uncle Sam bortonbe. | 0:29:07 | 0:29:09 | |
- The spread eagle. - Artistic differences. | 0:29:09 | 0:29:12 | |
Pop. | 0:29:12 | 0:29:12 | |
Six. | 0:29:13 | 0:29:14 | |
Squish. | 0:29:15 | 0:29:16 | |
Uh-uh. | 0:29:17 | 0:29:18 | |
Cicero. | 0:29:19 | 0:29:20 | |
Lipschitz. | 0:29:21 | 0:29:22 | |
SONG ENDS WITH A CRASH | 0:29:22 | 0:29:25 | |
STEAM HISSES | 0:29:25 | 0:29:26 | |
Who belongs to them? What's it to you? | 0:29:29 | 0:29:31 | |
Nothin'. I heard they were Velma's. | 0:29:31 | 0:29:34 | |
Yeah, the Hunyak does all her laundry for a buck a week. | 0:29:34 | 0:29:37 | |
Fresh towels for the can. Make it quick. | 0:29:47 | 0:29:50 | |
WOMEN CONVERSING INDISTINCTLY | 0:29:52 | 0:29:55 | |
MAMA: Hear me out on this. | 0:29:55 | 0:29:57 | |
Now, Billy Flynn's set your trial date for March 5th. | 0:29:57 | 0:30:00 | |
March 7th, you'll be acquitted, and March 8th... | 0:30:00 | 0:30:02 | |
Do you know what Mama's gonna do? Put you back on the vaudeville circuit. | 0:30:02 | 0:30:07 | |
VELMA: So now you're an agent? | 0:30:07 | 0:30:08 | |
MAMA: Until you get a private line in your cell, all calls go through me. | 0:30:08 | 0:30:12 | |
What kinda dough are we talking about? | 0:30:12 | 0:30:14 | |
It's a crazy world. | 0:30:14 | 0:30:16 | |
Babe Ruth is wearing rouge and playing the Palace for 5,000 a week. | 0:30:16 | 0:30:19 | |
And what about someone with REAL talent? | 0:30:19 | 0:30:22 | |
MAMA: I been talkin' to the boys at William Morris. | 0:30:22 | 0:30:24 | |
Due to your recent sensational activities, they think they can get you 2,500. | 0:30:24 | 0:30:29 | |
2,500! | 0:30:29 | 0:30:30 | |
The most me and Veronica made was 350. | 0:30:30 | 0:30:33 | |
MAMA: Well, that's what happens with the right representation. | 0:30:33 | 0:30:36 | |
VELMA: I always wanted to play Big Jim Colisimo's. | 0:30:36 | 0:30:39 | |
Do you think you can get me that? | 0:30:39 | 0:30:41 | |
- Big Jim's? - Yeah. | 0:30:41 | 0:30:42 | |
I don't know. | 0:30:42 | 0:30:44 | |
That'll take another phone call. | 0:30:44 | 0:30:45 | |
How much is that gonna cost? | 0:30:45 | 0:30:48 | |
Come on, Vel, you know how I feel about you. You're like family to me. | 0:30:48 | 0:30:51 | |
Oh, yeah(!) I'll do it for 50 bucks. | 0:30:51 | 0:30:53 | |
VELMA: Fifty bucks for a phone call?! | 0:30:53 | 0:30:56 | |
You must get a lot of wrong numbers, Mama. | 0:30:56 | 0:30:59 | |
FOOTSTEPS APPROACH | 0:30:59 | 0:31:01 | |
Oh, Miss Kelly. | 0:31:03 | 0:31:05 | |
Got your personals. Freshly pressed by yours truly. | 0:31:05 | 0:31:08 | |
No, no, it's my pleasure. | 0:31:08 | 0:31:09 | |
Hey, listen, um... can I ask you somethin'? | 0:31:11 | 0:31:13 | |
You know that Harrison guy? | 0:31:14 | 0:31:16 | |
Well, he said that what I done is a hanging case, and that he's prepared to ask for the maximum penalty. | 0:31:16 | 0:31:22 | |
Yeah, so? | 0:31:22 | 0:31:23 | |
So...I'm scared, and I sure would appreciate some advice. | 0:31:23 | 0:31:27 | |
I mean, especially from someone I admire as much as you. See, | 0:31:27 | 0:31:31 | |
I always wanted to be on the stage. Really? | 0:31:31 | 0:31:34 | |
What's your talent? Washing? | 0:31:34 | 0:31:36 | |
No, no. I-I danced in the chorus. | 0:31:36 | 0:31:39 | |
Oh. That was before I met my husband. | 0:31:39 | 0:31:41 | |
Look, honey, you want some advice? | 0:31:41 | 0:31:43 | |
Here it is, direct from me to you. | 0:31:43 | 0:31:46 | |
Keep your paws off my underwear. OK? | 0:31:46 | 0:31:49 | |
Yeah, OK. | 0:31:52 | 0:31:53 | |
Thanks... | 0:31:54 | 0:31:55 | |
..for nothin'. | 0:31:57 | 0:31:58 | |
She's something, ain't she? | 0:31:58 | 0:32:00 | |
No matter how big she gets, | 0:32:00 | 0:32:02 | |
she's still as common as ever. | 0:32:02 | 0:32:04 | |
I'd like to help you, dearie. | 0:32:04 | 0:32:05 | |
Take a load off. | 0:32:08 | 0:32:10 | |
So, what do you figure on using for grounds? | 0:32:11 | 0:32:15 | |
What grounds? What are you gonna tell the jury? | 0:32:15 | 0:32:17 | |
I just figured I'd tell them the truth. | 0:32:17 | 0:32:19 | |
- The truth? - Yeah. | 0:32:19 | 0:32:21 | |
That's a ticket to the death house. Holy Mother of God! | 0:32:21 | 0:32:25 | |
Oh, relax. I mean, in this town, murder's a form of entertainment. | 0:32:25 | 0:32:28 | |
Besides, in 47 years, Cook County ain't never hung a woman yet. | 0:32:28 | 0:32:32 | |
So the odds are 47-1 that they won't hang you. Jesus, Mary and Joseph! | 0:32:32 | 0:32:37 | |
You're talking to the wrong people. What you need is Billy Flynn. | 0:32:37 | 0:32:41 | |
Who? | 0:32:41 | 0:32:42 | |
Billy Flynn - the best criminal lawyer in all of Illinois. | 0:32:42 | 0:32:45 | |
What he don't know about juries and women! | 0:32:45 | 0:32:48 | |
How do you get this Billy Flynn? | 0:32:48 | 0:32:50 | |
Well, not by praying, dearie. First, you give me 100. | 0:32:50 | 0:32:53 | |
Then I make a phone call. 100? Well, you just... | 0:32:53 | 0:32:56 | |
I mean, it seems pretty steep for a phone call. | 0:32:56 | 0:33:00 | |
Oh, but he's worth every cent. | 0:33:00 | 0:33:02 | |
I mean, he's never lost a case for a female client yet. | 0:33:02 | 0:33:06 | |
And with a sweet little puss like yours, well... | 0:33:06 | 0:33:09 | |
justice ain't so blind in Chicago. | 0:33:09 | 0:33:11 | |
He's never lost a case? Never. | 0:33:11 | 0:33:14 | |
Every girl in this place would kill to have Billy Flynn represent her. | 0:33:14 | 0:33:18 | |
# Give us Billy | 0:33:18 | 0:33:21 | |
# We want Billy | 0:33:21 | 0:33:28 | |
# B-I-double-L-Y | 0:33:28 | 0:33:34 | |
# We're all his | 0:33:34 | 0:33:41 | |
# He's our kind of a guy | 0:33:41 | 0:33:47 | |
# And, ooh, what luck! | 0:33:47 | 0:33:50 | |
# Cos here he is... # | 0:33:50 | 0:33:58 | |
Ladies and gentlemen, | 0:33:58 | 0:33:59 | |
presenting the silver-tongued prince of the courtroom - | 0:33:59 | 0:34:03 | |
the one...the only...Billy Flynn! | 0:34:03 | 0:34:05 | |
BAND PLAYS LIVELY INTRO | 0:34:06 | 0:34:09 | |
# I don't care about expensive things | 0:34:13 | 0:34:15 | |
# Cashmere coats, diamond rings | 0:34:15 | 0:34:20 | |
# Don't mean a thing All I care about is love | 0:34:20 | 0:34:24 | |
-# That's what I'm here for -That's what he's here for | 0:34:24 | 0:34:27 | |
# I don't care for wearing silk cravats | 0:34:27 | 0:34:30 | |
# Ruby studs, satin spats | 0:34:30 | 0:34:33 | |
# Don't mean a thing | 0:34:33 | 0:34:35 | |
-# All I care about is love -All he cares about is love | 0:34:35 | 0:34:40 | |
# Give me two eyes of blue softly saying... | 0:34:40 | 0:34:45 | |
# "I need you" | 0:34:45 | 0:34:47 | |
# Let me see her standin' there | 0:34:47 | 0:34:50 | |
# And honest, mister, I'm a millionaire... # | 0:34:50 | 0:34:54 | |
INSTRUMENTAL INTERLUDE | 0:34:54 | 0:34:57 | |
# ..I don't care for any fine attire | 0:35:01 | 0:35:04 | |
# Vanderbilt might admire | 0:35:04 | 0:35:07 | |
# No, no, not me... # GEARS RATCHET | 0:35:07 | 0:35:10 | |
-# ..All I care about is love -All he cares about is love. # | 0:35:10 | 0:35:15 | |
HE WHISTLES MELODY | 0:35:15 | 0:35:18 | |
Good morning, ladies. | 0:35:19 | 0:35:21 | |
HUNYAK: Mr Flynn, not guilty! You tell 'em, sweetheart. | 0:35:21 | 0:35:24 | |
SHE SPEAKS HUNGARIAN | 0:35:24 | 0:35:26 | |
DOOR CLOSES | 0:35:26 | 0:35:27 | |
# That's what he's here for... # | 0:35:27 | 0:35:29 | |
REPORTERS SHOUT QUESTIONS Excuse me, gentlemen. | 0:35:29 | 0:35:32 | |
Miss Kelly, do you remember anything at all about that night? | 0:35:32 | 0:35:36 | |
I passed out, Miss Sunshine. I can't remember a thing. | 0:35:36 | 0:35:39 | |
Only that I didn't do it. Any idea who did? | 0:35:39 | 0:35:41 | |
No, but there's a reward for anyone with information about this crime. | 0:35:41 | 0:35:45 | |
How much is the reward, Miss Kelly? I dunno. How much? | 0:35:45 | 0:35:48 | |
We'll work it out after the trial. Now, Miss Kelly and I have a lot of work to do. | 0:35:48 | 0:35:52 | |
REPORTERS SHOUT | 0:35:52 | 0:35:54 | |
What's this about a reward? | 0:35:55 | 0:35:57 | |
Awfully dumb, reporters. They'll write it up wrong. You deny it later on. Thank you. | 0:35:57 | 0:36:02 | |
One more question! | 0:36:02 | 0:36:03 | |
# ..All he cares about is love. # | 0:36:03 | 0:36:06 | |
Mr Flynn, I'm Roxie Hart. Who? Mama talked to you about me. | 0:36:06 | 0:36:09 | |
Oh, right - the cute one. I was hoping that you might represent me. | 0:36:09 | 0:36:13 | |
You got 5,000? | 0:36:13 | 0:36:15 | |
Gee, that's a lot of money! | 0:36:15 | 0:36:18 | |
- Mmm. - Mama didn't say anything about 5,000. | 0:36:18 | 0:36:21 | |
Well... Lookit, um...Mr Flynn... | 0:36:21 | 0:36:23 | |
I'm not very good at this sort of thing. | 0:36:23 | 0:36:25 | |
Maybe we could, er...make some sort of arrangement between us? | 0:36:25 | 0:36:30 | |
I can be an awfully good sport. | 0:36:30 | 0:36:33 | |
Good, that's out of your system. | 0:36:33 | 0:36:35 | |
Now, listen - you mean just one thing to me. | 0:36:35 | 0:36:38 | |
You call me when you got 5,000. | 0:36:38 | 0:36:40 | |
# ..All he cares about is love | 0:36:41 | 0:36:44 | |
# Show me long raven hair | 0:36:44 | 0:36:47 | |
# Flowin' down, about to there | 0:36:47 | 0:36:51 | |
# When I see her runnin' free | 0:36:51 | 0:36:54 | |
# Keep your money, that's enough for me | 0:36:54 | 0:36:58 | |
# I don't care for drivin' Packard cars | 0:37:01 | 0:37:04 | |
# Or smoking long buck cigars | 0:37:04 | 0:37:09 | |
# No, no, not me... # | 0:37:09 | 0:37:11 | |
GIRLS: Whoo! # ..All I care about | 0:37:11 | 0:37:13 | |
# Is doin' the guy in Who's pickin' on you | 0:37:13 | 0:37:17 | |
# Twistin' the wrist that's turnin' the screw | 0:37:17 | 0:37:22 | |
# All I care about is | 0:37:23 | 0:37:31 | |
# Love! # | 0:37:31 | 0:37:38 | |
Oh. Oh, he'll see you now. | 0:37:43 | 0:37:45 | |
Well, hello, Andy. | 0:37:49 | 0:37:51 | |
- Amos. My name is Amos. - That's right. Take a seat. | 0:37:51 | 0:37:54 | |
You know, you're a remarkable man. | 0:37:56 | 0:37:59 | |
Huh? Your wife two-times you, | 0:37:59 | 0:38:01 | |
plugs the guy, then tries to pin it on you. Most men'd let her swing. But, no, you're sticking by her. | 0:38:01 | 0:38:06 | |
That makes you a hero in my eyes. That's right. I'm a hero. | 0:38:06 | 0:38:10 | |
- Did you bring the money? - I didn't do as well as I hoped, | 0:38:10 | 0:38:14 | |
but I will, Mr Flynn, I will. | 0:38:14 | 0:38:18 | |
This is only a thousand. | 0:38:20 | 0:38:21 | |
Plus there's 300 I borrowed from the guys down at the garage and then there's seven... | 0:38:21 | 0:38:26 | |
700 from the building and loan fund. | 0:38:26 | 0:38:29 | |
2,000? | 0:38:29 | 0:38:30 | |
And that's all I got so far, but I'll give you 20 off my salary every week. | 0:38:30 | 0:38:36 | |
I'll give you interest till every cent is paid. | 0:38:36 | 0:38:38 | |
- I promise. - Yesterday, I didn't ask you if she was guilty or innocent. | 0:38:38 | 0:38:42 | |
I didn't ask if she was a drunk or a dope fiend. No. | 0:38:42 | 0:38:45 | |
All I said was, "Do you have 5,000?" You said yes. | 0:38:45 | 0:38:48 | |
But you don't HAVE 5,000, | 0:38:48 | 0:38:50 | |
so I figure you're a dirty liar, and I don't waste my time with dirty liars. | 0:38:50 | 0:38:55 | |
Look...I'm real sorry, Mr Flynn. | 0:38:59 | 0:39:03 | |
On the other hand, | 0:39:05 | 0:39:06 | |
your devotion to your wife is really very, very touching. | 0:39:06 | 0:39:10 | |
I took your wife's case, and I'll keep it, | 0:39:10 | 0:39:12 | |
because I play square. | 0:39:12 | 0:39:14 | |
DRAWER SLAMS Now, look, Hart, | 0:39:15 | 0:39:17 | |
I don't like to blow my own horn, but believe me, | 0:39:17 | 0:39:20 | |
if Jesus Christ had lived in Chicago today, | 0:39:20 | 0:39:23 | |
if he had 5,000 and he'd come to me, things would have turned out differently. | 0:39:23 | 0:39:27 | |
Right, this is what we do. | 0:39:28 | 0:39:30 | |
I'm gonna have Roxie's name on the front page of every newspaper. | 0:39:30 | 0:39:34 | |
Sweetest little jazz killer ever to hit Chicago. | 0:39:34 | 0:39:37 | |
LIVELY JAZZ STARTS That's my angle. | 0:39:37 | 0:39:39 | |
We'll announce an auction to raise some money for her defence. | 0:39:39 | 0:39:43 | |
They'll buy everything she's ever touched. Everything! | 0:39:43 | 0:39:46 | |
BILLY: Your shoes, dresses, perfume, underwear. | 0:39:46 | 0:39:49 | |
ROXIE: Victrola records. Like the one I was playing when I shot the bastard. | 0:39:49 | 0:39:53 | |
I didn't hear that. Not that I didn't have grounds. | 0:39:53 | 0:39:56 | |
What are they? That's for the trial. | 0:39:56 | 0:39:58 | |
Look, nobody's going to care what your defence is unless they care about YOU. | 0:39:58 | 0:40:02 | |
So we gotta work up some sympathy from the press. | 0:40:02 | 0:40:05 | |
They're not all pushovers like Mary Sunshine. But one thing they can never resist | 0:40:05 | 0:40:09 | |
is a reformed sinner. | 0:40:09 | 0:40:13 | |
So tell me, what was your favourite subject in school? | 0:40:13 | 0:40:15 | |
Oh, I was a real dummy. There must have been something you were good at. | 0:40:15 | 0:40:19 | |
I got high marks in courtesy and hygiene. | 0:40:19 | 0:40:22 | |
- Perfect. You wanted to be a nun. - A nun!? | 0:40:22 | 0:40:25 | |
Where were you born? On a chicken farm outside of Lubbock. | 0:40:25 | 0:40:28 | |
A home of luxury and refinement. Where are your parents now? | 0:40:28 | 0:40:32 | |
- Probably on the front porch in their rocking chairs. - Parents dead. | 0:40:32 | 0:40:36 | |
Family fortune swept away, you were educated at the Sacred Heart. | 0:40:36 | 0:40:40 | |
You fell into a runaway marriage - left you miserable, alone, unhappy. | 0:40:40 | 0:40:44 | |
And of course you got all swept up in the mad whirl of the city - jazz, cabarets, liquor - | 0:40:44 | 0:40:48 | |
drawn like a moth to the flame. | 0:40:48 | 0:40:50 | |
- A moth. - Now the mad whirl | 0:40:50 | 0:40:52 | |
has ceased and you are a butterfly crushed on the wheel. | 0:40:52 | 0:40:56 | |
So, which is it? Is it the moth or the butterfly? | 0:40:56 | 0:40:59 | |
- You have sinned and you are sorry. - God, that's beautiful! | 0:40:59 | 0:41:02 | |
Cut out God. Stay where you're better acquainted. | 0:41:03 | 0:41:07 | |
FLYNN: Kid, when I'm through, not only will you be acquitted, | 0:41:07 | 0:41:10 | |
every man on that jury'll want to take you home to meet his mother. | 0:41:10 | 0:41:14 | |
I was born on a beautiful southern convent. What? | 0:41:14 | 0:41:18 | |
Oh, holy shit! I'm never gonna get this straight! | 0:41:18 | 0:41:21 | |
Pipe down on the swearing. You say nothing rougher than, "Oh, dear." | 0:41:21 | 0:41:25 | |
Now try again. I was born on a... | 0:41:25 | 0:41:29 | |
BILLY: Come on, come on, come on! | 0:41:29 | 0:41:30 | |
LIVELY JAZZ PLAYS | 0:41:30 | 0:41:32 | |
VELMA: I came up with some more things to do on the witness stand. | 0:41:56 | 0:42:00 | |
I thought I'd get all teary, then ask to borrow your handkerchief. | 0:42:00 | 0:42:03 | |
Then I thought I'd take a peek at the jury - flash 'em a bit of thigh. | 0:42:03 | 0:42:07 | |
What do you think? | 0:42:07 | 0:42:09 | |
Sounds great. | 0:42:09 | 0:42:10 | |
Don't you want to hear the rest? | 0:42:16 | 0:42:18 | |
Tomorrow, kiddo. You're at the top of my list. | 0:42:18 | 0:42:21 | |
Well, well, well, well. | 0:42:21 | 0:42:23 | |
Sorry to be late... Mr Flynn. | 0:42:23 | 0:42:25 | |
Uh-huh. Hope you weren't too bored. | 0:42:25 | 0:42:27 | |
BILLY: I like it. | 0:42:27 | 0:42:29 | |
I like it. | 0:42:33 | 0:42:35 | |
Hey, Pollyanna. | 0:42:35 | 0:42:38 | |
I heard your press conference is tomorrow. | 0:42:38 | 0:42:41 | |
Yeah. What's it to you? | 0:42:41 | 0:42:42 | |
Well, you wanted my advice, right? | 0:42:42 | 0:42:44 | |
Well, here it is. | 0:42:44 | 0:42:46 | |
Don't forget Billy Flynn's number one client is Billy Flynn. | 0:42:46 | 0:42:50 | |
Meaning what? | 0:42:50 | 0:42:51 | |
Meaning...don't let him hog the spotlight. | 0:42:52 | 0:42:56 | |
You're the one they pay to see. | 0:42:56 | 0:42:59 | |
BILLY: Remember, we can only sell them one idea at a time. | 0:43:02 | 0:43:05 | |
ROXIE: I still see him comin' at me with that awful look in his eyes. | 0:43:05 | 0:43:08 | |
And? | 0:43:08 | 0:43:09 | |
We both reached for the gun. | 0:43:09 | 0:43:11 | |
Right. You both reached for the gun. Ready? | 0:43:11 | 0:43:14 | |
Yeah. | 0:43:15 | 0:43:16 | |
REPORTERS SHOUT | 0:43:17 | 0:43:19 | |
Good day, gentlemen, Miss Sunshine. | 0:43:24 | 0:43:27 | |
My client has just entered a plea of not guilty, | 0:43:27 | 0:43:30 | |
and we look forward to a trial at the earliest possible date. Questions? | 0:43:30 | 0:43:33 | |
ALL SHOUT | 0:43:33 | 0:43:36 | |
Miss Sunshine. | 0:43:36 | 0:43:38 | |
As you know, my paper is dry. | 0:43:38 | 0:43:40 | |
Can you advise girls seeking to avoid a life of jazz and drink? | 0:43:40 | 0:43:44 | |
Absolutely. Yes. Mrs Hart feels it was | 0:43:44 | 0:43:46 | |
the combination of liquor and jazz which led to her downfall. Next question? | 0:43:46 | 0:43:50 | |
SOUTHERN ACCENT: I would just like to say how flattered I am that y'all came to see me. | 0:43:50 | 0:43:55 | |
Yes, Mrs Hart... | 0:43:55 | 0:43:56 | |
You see, I was a moth... crushed on the wheel. You know, a butterfly drawn to the... | 0:43:56 | 0:44:01 | |
to the... ROXIE SIGHS | 0:44:01 | 0:44:03 | |
I bet you wanna know why I shot the bastard. | 0:44:03 | 0:44:06 | |
CROWD LAUGHS Shut up, dummy. | 0:44:06 | 0:44:09 | |
Mr Billy Flynn and the Press Conference Rag. | 0:44:10 | 0:44:12 | |
Notice how his mouth never moves. | 0:44:12 | 0:44:14 | |
Almost. | 0:44:15 | 0:44:16 | |
Where'd you come from? | 0:44:16 | 0:44:18 | |
MAN'S VOICE: # Mississippi... # | 0:44:18 | 0:44:20 | |
And your parents? | 0:44:20 | 0:44:21 | |
# Very wealthy... # | 0:44:21 | 0:44:23 | |
Where are they now? | 0:44:23 | 0:44:25 | |
# Six feet under... # | 0:44:25 | 0:44:27 | |
But she was granted one more start. | 0:44:27 | 0:44:29 | |
# The convent of the Sacred Heart... # | 0:44:29 | 0:44:31 | |
ALL SHOUT | 0:44:31 | 0:44:33 | |
SWANEE WHISTLE | 0:44:33 | 0:44:34 | |
TICK! TOCK! TICK! TOCK! | 0:44:34 | 0:44:35 | |
CLOCKWORK WINDS | 0:44:35 | 0:44:37 | |
# When'd you get here? | 0:44:37 | 0:44:39 | |
# 1920 | 0:44:39 | 0:44:40 | |
# How old were you? | 0:44:40 | 0:44:42 | |
# Don't remember | 0:44:42 | 0:44:44 | |
# Then what happened? | 0:44:44 | 0:44:46 | |
# I met Amos, and he stole my heart away | 0:44:46 | 0:44:49 | |
# Convinced me to elope one day... # | 0:44:49 | 0:44:51 | |
Poor dear! I can't believe what you've been through! | 0:44:51 | 0:44:53 | |
A convent girl. A runaway marriage! Now tell us, Roxie... | 0:44:53 | 0:44:57 | |
# Who's Fred Casely? | 0:44:57 | 0:44:59 | |
# My ex-boyfriend | 0:44:59 | 0:45:01 | |
# Why'd you shoot him? | 0:45:01 | 0:45:03 | |
# I was leavin' | 0:45:03 | 0:45:04 | |
# Was he angry? | 0:45:04 | 0:45:06 | |
# Like a madman | 0:45:06 | 0:45:07 | |
# Still I said, "Fred, move along..." # | 0:45:07 | 0:45:09 | |
She knew that she was doing wrong. | 0:45:09 | 0:45:11 | |
# ..Then describe it | 0:45:11 | 0:45:13 | |
# He came toward me | 0:45:13 | 0:45:14 | |
# With the pistol? | 0:45:14 | 0:45:16 | |
# From my bureau | 0:45:16 | 0:45:18 | |
# Did you fight him? | 0:45:18 | 0:45:19 | |
# Like a tiger... # | 0:45:19 | 0:45:21 | |
He had strength and she had none. | 0:45:21 | 0:45:23 | |
# ..Yet we both reached for the gun | 0:45:23 | 0:45:24 | |
# Oh, yes, oh, yes, oh, yes, we both, oh, yes, we both | 0:45:24 | 0:45:27 | |
# Oh, yes, we both reached for the gun, the gun, the gun, the gun | 0:45:27 | 0:45:30 | |
# Oh, yes, we both reached for the gun, for the gun | 0:45:30 | 0:45:32 | |
# Oh, yes, oh, yes, oh, yes, they both | 0:45:32 | 0:45:34 | |
# They both, oh, yes, they both reached for the gun, the gun | 0:45:34 | 0:45:36 | |
# The gun, oh, yes, they both reached for the gun, for the gun | 0:45:36 | 0:45:39 | |
# Understandable | 0:45:39 | 0:45:41 | |
# Understandable | 0:45:41 | 0:45:44 | |
# Yes, it's perfectly understandable | 0:45:44 | 0:45:48 | |
# Comprehensible, comprehensible | 0:45:48 | 0:45:52 | |
# Not a bit reprehensible | 0:45:52 | 0:45:55 | |
# It's so defensible | 0:45:55 | 0:46:01 | |
# How ya feelin'? | 0:46:02 | 0:46:04 | |
# Very frightened | 0:46:04 | 0:46:05 | |
# Are you sorry...? # | 0:46:05 | 0:46:07 | |
Are you kidding? | 0:46:07 | 0:46:09 | |
# ..That's your statement? | 0:46:09 | 0:46:11 | |
# All I'd say is | 0:46:11 | 0:46:12 | |
# Though my choo-choo jumped the track I'd give my life to bring him back | 0:46:12 | 0:46:15 | |
-# And? -Stay away from | 0:46:15 | 0:46:17 | |
-# What? -Jazz and liquor | 0:46:17 | 0:46:19 | |
-# And? -And the men who | 0:46:19 | 0:46:20 | |
-# What? -Play for fun | 0:46:20 | 0:46:22 | |
-# And what? -That's the thought that | 0:46:22 | 0:46:24 | |
-# Yeah? -Came upon me | 0:46:24 | 0:46:26 | |
-# When...? # -When we both reached for the gun! | 0:46:26 | 0:46:29 | |
# Understandable | 0:46:29 | 0:46:31 | |
# Understandable | 0:46:31 | 0:46:33 | |
# Yes, it's perfectly understandable | 0:46:33 | 0:46:37 | |
# Comprehensible, comprehensible | 0:46:37 | 0:46:42 | |
# Not a bit reprehensible | 0:46:42 | 0:46:45 | |
# It's so defensible... # | 0:46:45 | 0:46:52 | |
TING! | 0:46:52 | 0:46:53 | |
# Oh, yes, oh, yes, oh, yes, they both | 0:46:53 | 0:46:59 | |
# Oh, yes, they both, oh, yes, they both reached for... # | 0:46:59 | 0:47:03 | |
Let me hear it. | 0:47:03 | 0:47:04 | |
# The gun, the gun, the gun, the gun | 0:47:04 | 0:47:05 | |
# Oh, yes, they both reached for the gun, for the gun... # | 0:47:05 | 0:47:08 | |
Louder. | 0:47:08 | 0:47:09 | |
# Oh, yes, oh, yes, oh, yes, they both | 0:47:09 | 0:47:12 | |
# Oh, yes, they both, oh, yes, they both... # | 0:47:12 | 0:47:13 | |
Oh, yeah! | 0:47:13 | 0:47:14 | |
# The gun, the gun, the gun, oh, yes, they both | 0:47:14 | 0:47:16 | |
# Reached for the gun, for the gun. # Now you got it! | 0:47:16 | 0:47:19 | |
# Oh, yes, oh, yes, oh, yes, they both, oh, yes, they both | 0:47:19 | 0:47:23 | |
# Reached for the gun, the gun, the gun, the gun, oh, yes, they both | 0:47:23 | 0:47:25 | |
# Reached for the gun, for the gun | 0:47:25 | 0:47:28 | |
# Oh, yes, oh, yes, oh, yes, they both, oh, yes, they both | 0:47:28 | 0:47:30 | |
# Oh, yes, they both reached for the gun, the gun, the gun | 0:47:30 | 0:47:33 | |
# The gun, the gun, the gun, the gun, the gun | 0:47:33 | 0:47:35 | |
# The gun, the gun, the gun, the gun, the gun, the gun, the gun, the gun | 0:47:35 | 0:47:38 | |
# Both reached for the... | 0:47:38 | 0:47:45 | |
# Gun... | 0:47:45 | 0:47:50 | |
The gun, the gun, the gun, the gun, the gun, the gun, the gun, the gun | 0:47:47 | 0:47:50 | |
-# Gun... -The gun, the gun, the gun, the gun, the gun, the gun, the gun, the gun | 0:47:50 | 0:47:53 | |
# Both reached for the gun! # | 0:47:53 | 0:47:55 | |
NEWSREEL: 'Move over, Al Capone. The Windy City has taken a new criminal to its heart. | 0:47:59 | 0:48:04 | |
'Roxie Hart is the sweetest little lady ever accused of murder in Chicago. | 0:48:04 | 0:48:09 | |
'Women want to look like her. Fellas want to go out with her. | 0:48:09 | 0:48:13 | |
'Some little girls even want to take her home. Don't get any ideas, little lady! | 0:48:13 | 0:48:17 | |
'On the other side of town, the assistant DA promises | 0:48:17 | 0:48:20 | |
'the game little sharpshooter will swing before the year is out. | 0:48:20 | 0:48:24 | |
'If he lives up to his word, assistant DA Harrison might become Governor Harrison someday. | 0:48:24 | 0:48:30 | |
'Back at the scene of the crime, everybody wants a little piece of Roxie Hart. | 0:48:30 | 0:48:35 | |
'This jar of cold cream set her husband back 20! | 0:48:35 | 0:48:38 | |
'Maybe this pretty little lady will get some of that famous Roxie style. | 0:48:38 | 0:48:42 | |
'It seems everybody these days is rooting for Roxie Hart.' | 0:48:42 | 0:48:47 | |
MAMA: Take those wiltin' flowers over to the orphanage. | 0:48:50 | 0:48:53 | |
So, kiddo... | 0:48:55 | 0:48:57 | |
given any thought to what you wanna do after Billy gets you off? | 0:48:57 | 0:49:00 | |
Yeah. I think I'd like to go on the stage. | 0:49:00 | 0:49:02 | |
I figured as much. I already called the Morris office. | 0:49:02 | 0:49:05 | |
Really? How much is that gonna cost me? | 0:49:05 | 0:49:09 | |
My standard deal. 10% of all your takings. | 0:49:09 | 0:49:12 | |
Yeah, well, we'll see, Mama. Besides, | 0:49:12 | 0:49:15 | |
I don't even have an act yet. | 0:49:15 | 0:49:16 | |
Killing Fred Casely WAS your act. | 0:49:16 | 0:49:19 | |
All the audience want is to see somebody famous. | 0:49:19 | 0:49:21 | |
That's a freak act. | 0:49:21 | 0:49:23 | |
And besides... | 0:49:23 | 0:49:25 | |
-I -am better than that. Of course you are, cupcake. | 0:49:25 | 0:49:28 | |
I mean, you could be as big as Sophie Tucker. | 0:49:28 | 0:49:31 | |
You really think so? Bigger than Cantor and Jolson combined. | 0:49:31 | 0:49:35 | |
I always wanted to have my name in all the papers. | 0:49:35 | 0:49:38 | |
You know, before I met Amos, I used to date this well-to-do, ugly bootlegger. | 0:49:38 | 0:49:43 | |
He used to like to take me out and show me off. | 0:49:43 | 0:49:45 | |
Ugly guys like to do that. | 0:49:45 | 0:49:47 | |
AN AUDIENCE LAUGHS | 0:49:47 | 0:49:50 | |
ROXIE: Once it said in the paper, "Gangland's Al Capelli seen at Chez Vito | 0:49:50 | 0:49:55 | |
"with cute blonde chorine." | 0:49:55 | 0:49:57 | |
That was me. | 0:49:57 | 0:49:58 | |
I clipped it and I saved it. | 0:49:58 | 0:50:01 | |
You know, all my life, I wanted to have my own act. | 0:50:01 | 0:50:06 | |
But, no. | 0:50:06 | 0:50:07 | |
No, no, no, no. It was always no. They always turned me down. | 0:50:07 | 0:50:11 | |
One big world full of "no". | 0:50:11 | 0:50:13 | |
SULTRY, VAMPING INTRO | 0:50:13 | 0:50:16 | |
And then Amos came along. AUDIENCE: Ah! | 0:50:16 | 0:50:19 | |
Safe, sweet Amos... | 0:50:19 | 0:50:22 | |
..who never says no. | 0:50:24 | 0:50:26 | |
MUTED TRUMPET PLAYS Oh, lookit... | 0:50:27 | 0:50:30 | |
I've never done this before. | 0:50:30 | 0:50:33 | |
But, you know, it is such a special night, | 0:50:33 | 0:50:36 | |
and you are such a great audience. APPLAUSE AND CHEERING | 0:50:36 | 0:50:39 | |
And... | 0:50:39 | 0:50:40 | |
and I just... I really feel like I can... | 0:50:40 | 0:50:43 | |
I can talk to you, you know? | 0:50:43 | 0:50:45 | |
So forget what you've read in the papers, | 0:50:46 | 0:50:48 | |
and forget what you've heard on the radio, because...because... | 0:50:48 | 0:50:52 | |
well, because I'm gonna tell you the truth. | 0:50:52 | 0:50:55 | |
Not that the truth really matters... | 0:50:55 | 0:50:58 | |
LAUGHTER | 0:50:58 | 0:50:59 | |
But I'm gonna tell you, anyway. | 0:50:59 | 0:51:02 | |
SULTRY VAMP CONTINUES In the bed department... | 0:51:02 | 0:51:05 | |
..Amos was... | 0:51:06 | 0:51:08 | |
..zero. | 0:51:09 | 0:51:10 | |
LAUGHTER I mean, when he made love to me, | 0:51:10 | 0:51:14 | |
it was like...it was like he was fixin' a carburettor or somethin'. | 0:51:14 | 0:51:18 | |
LOW, SHAKY VOICE: "I love ya, honey. I love ya." | 0:51:18 | 0:51:21 | |
LAUGHTER | 0:51:21 | 0:51:23 | |
Anyway... I started foolin' around. | 0:51:23 | 0:51:26 | |
Then I started screwin' around, | 0:51:27 | 0:51:29 | |
which is foolin' around without dinner. | 0:51:29 | 0:51:32 | |
RIM SHOT | 0:51:32 | 0:51:34 | |
LAUGHTER Then I met Fred Casely, who said that he could get me into vaudeville. | 0:51:34 | 0:51:39 | |
But that didn't quite work out like I planned. | 0:51:40 | 0:51:43 | |
It didn't really work out too great for Fred, either. | 0:51:44 | 0:51:47 | |
So I gave up on the whole vaudeville idea, | 0:51:48 | 0:51:51 | |
cos you kinda figure, after all those years... | 0:51:51 | 0:51:54 | |
opportunity's just passed you by. | 0:51:54 | 0:51:57 | |
# But it ain't | 0:51:57 | 0:51:59 | |
# Oh, no, no, no, no | 0:51:59 | 0:52:00 | |
# Well, it ain't... # | 0:52:00 | 0:52:02 | |
And now? | 0:52:02 | 0:52:04 | |
Well, if this Flynn guy gets me off, | 0:52:04 | 0:52:07 | |
with all this publicity, | 0:52:07 | 0:52:09 | |
I got me a world full of "YES"! | 0:52:09 | 0:52:12 | |
# The name on everybody's lips | 0:52:12 | 0:52:16 | |
# Is gonna be Roxie | 0:52:16 | 0:52:18 | |
# The lady rakin' in the chips | 0:52:19 | 0:52:23 | |
# Is gonna be Roxie | 0:52:23 | 0:52:25 | |
# I'm gonna be a celebrity | 0:52:26 | 0:52:28 | |
# That means somebody everyone knows | 0:52:28 | 0:52:32 | |
# They're gonna recognise my eyes | 0:52:33 | 0:52:35 | |
# My hair, my teeth, my boobs, my nose | 0:52:35 | 0:52:39 | |
# From just some dumb mechanic's wife | 0:52:43 | 0:52:47 | |
# I'm gonna be Roxie | 0:52:47 | 0:52:50 | |
# Who says that murder's not an art? | 0:52:50 | 0:52:57 | |
# And who, in case she doesn't hang | 0:52:57 | 0:53:00 | |
# Can say she started with a bang? | 0:53:00 | 0:53:04 | |
# Roxie Hart... # | 0:53:06 | 0:53:09 | |
JAZZY HORN INTERLUDE | 0:53:13 | 0:53:18 | |
Boys... | 0:53:26 | 0:53:28 | |
# They're gonna wait outside in line | 0:53:29 | 0:53:32 | |
# To get to see Roxie | 0:53:32 | 0:53:35 | |
# Think of those autographs I'll sign, "Good luck to ya | 0:53:36 | 0:53:41 | |
# "Roxie" | 0:53:41 | 0:53:42 | |
# And I'll appear in a lavaliere | 0:53:43 | 0:53:45 | |
# That goes all the way down to my waist | 0:53:45 | 0:53:48 | |
# Here a ring, there a ring Everywhere a ring-a-ling | 0:53:49 | 0:53:52 | |
# But always in the best of taste... # | 0:53:52 | 0:53:56 | |
Mmm... I'm a star! | 0:53:57 | 0:54:01 | |
And the audience loves me, | 0:54:01 | 0:54:04 | |
and I love them. | 0:54:04 | 0:54:06 | |
And they love me for lovin' them, and I love them for lovin' me. | 0:54:07 | 0:54:12 | |
And we love each other. | 0:54:12 | 0:54:15 | |
And that's cos none of us got enough love in our childhoods. | 0:54:15 | 0:54:20 | |
And that's showbiz... | 0:54:20 | 0:54:23 | |
kid. | 0:54:23 | 0:54:24 | |
UP-TEMPO JAZZY HORNS PLAY | 0:54:24 | 0:54:26 | |
# She's givin' up her humdrum life | 0:54:26 | 0:54:30 | |
# I'm gonna be... # | 0:54:30 | 0:54:31 | |
Sing it! # ..Roxie | 0:54:31 | 0:54:33 | |
# She made a scandal and a start | 0:54:33 | 0:54:39 | |
# And Sophie Tucker'll shit, I know | 0:54:39 | 0:54:43 | |
# To see her name get billed below | 0:54:43 | 0:54:47 | |
# Roxie Hart! | 0:54:48 | 0:54:51 | |
(Roxie) | 0:54:50 | 0:54:51 | |
# Roxie Hart! | 0:54:51 | 0:54:53 | |
(Roxie) | 0:54:53 | 0:54:55 | |
(Roxie) | 0:54:57 | 0:54:59 | |
(Roxie) | 0:55:00 | 0:55:03 | |
(Rox...ie) | 0:55:03 | 0:55:05 | |
(Roxie...) | 0:55:07 | 0:55:10 | |
(Roxie.) | 0:55:10 | 0:55:13 | |
I can't take it any more! Everyone's talking about that dumb tomato! | 0:55:18 | 0:55:22 | |
Oh, no, Mama. Not you, too. | 0:55:24 | 0:55:28 | |
I have some bad news, kid. The tour's been cancelled. | 0:55:28 | 0:55:31 | |
What? Your name's been out of the papers too long. | 0:55:31 | 0:55:34 | |
All you read about today is that Hart kid. She's hot. | 0:55:34 | 0:55:38 | |
And, er...what am I supposed to do, huh? | 0:55:39 | 0:55:42 | |
Suck up to her like everybody else? | 0:55:42 | 0:55:45 | |
- It couldn't hurt. - Over my dead body. | 0:55:45 | 0:55:49 | |
Mind if I join you? | 0:55:49 | 0:55:51 | |
GUARD OVER TANNOY: Lights out in ten minutes. | 0:55:52 | 0:55:55 | |
Smoke? | 0:55:55 | 0:55:56 | |
Look what some Johnny sent me. | 0:55:59 | 0:56:01 | |
Triple cream caramels, all the way from San Francisco. | 0:56:01 | 0:56:06 | |
Oh, I'm watching my figure. | 0:56:06 | 0:56:08 | |
You know, the trial. | 0:56:08 | 0:56:10 | |
Hey, great mention of you in the Trib today, huh? | 0:56:13 | 0:56:16 | |
You know, there have been so many, I just can't keep track. | 0:56:16 | 0:56:20 | |
Hey, did I ever tell you, you are exactly the same size as my sister? | 0:56:22 | 0:56:25 | |
You'd fit into her costumes perfectly. | 0:56:25 | 0:56:28 | |
Really(?) Yeah. | 0:56:28 | 0:56:30 | |
And I was thinking, with all the publicity that's piled up between us, | 0:56:30 | 0:56:34 | |
and when Billy gets us off, we'd be a natural to do an act together. | 0:56:34 | 0:56:38 | |
You think so, huh? | 0:56:38 | 0:56:39 | |
BANDLEADER OVER TANNOY: Ladies and gentlemen, | 0:56:40 | 0:56:44 | |
Miss Velma Kelly, in an act of desperation. | 0:56:44 | 0:56:50 | |
# My sister and I had an act that couldn't flop | 0:56:50 | 0:56:53 | |
# My sister and I were headed straight for the top | 0:56:54 | 0:56:58 | |
# My sister and I earned a thou a week, at least | 0:56:59 | 0:57:03 | |
# Oh, yeah | 0:57:03 | 0:57:04 | |
# But my sister is now, unfortunately, deceased | 0:57:04 | 0:57:08 | |
# I know it's sad, of course, but a fact is still a fact | 0:57:09 | 0:57:14 | |
# And now all that remains is the remains | 0:57:15 | 0:57:19 | |
# Of a perfect | 0:57:19 | 0:57:21 | |
# Double act... # | 0:57:22 | 0:57:24 | |
Watch this. | 0:57:26 | 0:57:27 | |
Now, you have to imagine it with two people. | 0:57:27 | 0:57:30 | |
It's swell with two people. # First, I'd... # | 0:57:30 | 0:57:33 | |
UPBEAT JAZZ PLAYS | 0:57:33 | 0:57:36 | |
# ..Then she'd... # | 0:57:36 | 0:57:37 | |
TORRID MUSIC | 0:57:37 | 0:57:40 | |
# ..Then we'd... # | 0:57:40 | 0:57:41 | |
UPBEAT JAZZ | 0:57:41 | 0:57:43 | |
# ..But I can't do it alone | 0:57:44 | 0:57:46 | |
# Then she'd... | 0:57:46 | 0:57:47 | |
BOUNCY MUSIC | 0:57:47 | 0:57:49 | |
# ..Then I'd... # | 0:57:50 | 0:57:51 | |
BOUNCY MUSIC | 0:57:51 | 0:57:53 | |
# ..Then we'd... # | 0:57:54 | 0:57:55 | |
SWIRLING MUSIC | 0:57:55 | 0:57:57 | |
# ..But I can't do it alone | 0:57:58 | 0:58:00 | |
# She'd say, "What's your sister like?" | 0:58:00 | 0:58:03 | |
# I'd say, "Men" | 0:58:03 | 0:58:04 | |
# She'd say, "You're the cat's meow" | 0:58:05 | 0:58:08 | |
# Then we'd wow the crowd again, when she'd go... # | 0:58:08 | 0:58:12 | |
EXOTIC MUSIC | 0:58:12 | 0:58:14 | |
# ..I'd go... # | 0:58:14 | 0:58:16 | |
EXOTIC MUSIC | 0:58:16 | 0:58:17 | |
# ..We'd go... # | 0:58:17 | 0:58:19 | |
EXOTIC MUSIC | 0:58:19 | 0:58:22 | |
# ..Then those ding-dong daddies started to roar | 0:58:24 | 0:58:27 | |
# Whistled, stomped, and stamped on the floor | 0:58:27 | 0:58:30 | |
# Yelling, screamin', beggin' for more | 0:58:30 | 0:58:33 | |
# And we'd say, "OK, fellas, keep your socks up | 0:58:33 | 0:58:36 | |
# "Cos you ain't seen nothin' yet..." # | 0:58:36 | 0:58:38 | |
DRUMBEATS | 0:58:38 | 0:58:40 | |
UPBEAT JAZZ | 0:58:40 | 0:58:42 | |
# ..But I simply cannot do it | 0:58:47 | 0:58:50 | |
# Alone. # | 0:58:50 | 0:58:53 | |
So what do you think, huh? | 0:58:53 | 0:58:55 | |
Come on, you can say. | 0:58:55 | 0:58:57 | |
BLOWS RASPBERRY | 0:59:00 | 0:59:02 | |
I know, you're right, the first part's shit. | 0:59:02 | 0:59:04 | |
But the second part, the second part | 0:59:04 | 0:59:07 | |
is really nifty. | 0:59:07 | 0:59:09 | |
OK. | 0:59:09 | 0:59:11 | |
# She'd go... | 0:59:11 | 0:59:12 | |
# I'd go... | 0:59:17 | 0:59:19 | |
# We'd go... | 0:59:23 | 0:59:26 | |
# And then those two-bit Johnnies did it up brown | 0:59:35 | 0:59:39 | |
# To cheer the best attraction in town | 0:59:39 | 0:59:41 | |
# They nearly tore the balcony down... # | 0:59:41 | 0:59:44 | |
And we'd say, "OK boys, we're going home, | 0:59:44 | 0:59:47 | |
"but before we go, here's a few more partin' shots!" | 0:59:47 | 0:59:51 | |
And this, this we did in perfect unison. | 0:59:51 | 0:59:54 | |
DRUMBEATS | 0:59:54 | 0:59:55 | |
LIVELY MUSIC | 0:59:55 | 0:59:58 | |
# Now you've seen me goin' through it | 1:00:02 | 1:00:05 | |
# You may think there's nothin' to it | 1:00:05 | 1:00:08 | |
# But I simply cannot do it | 1:00:08 | 1:00:13 | |
# Alone! # | 1:00:13 | 1:00:18 | |
So where was the part where you blew her brains out? | 1:00:20 | 1:00:23 | |
OK, Roxie, I'll level with you... | 1:00:23 | 1:00:26 | |
Oh, no, no, no. Don't bother. | 1:00:26 | 1:00:28 | |
You think you're foolin' me? | 1:00:28 | 1:00:29 | |
You're all washed up, and it's me they want now. | 1:00:29 | 1:00:32 | |
And I'm a BIG star... | 1:00:32 | 1:00:35 | |
single. | 1:00:35 | 1:00:37 | |
Oh, I almost forgot. You were in the paper today, too. | 1:00:37 | 1:00:40 | |
In the back, | 1:00:40 | 1:00:42 | |
with the obituaries. | 1:00:42 | 1:00:44 | |
"Velma Kelly's trial has been postponed... | 1:00:44 | 1:00:47 | |
"indefinitely." | 1:00:47 | 1:00:48 | |
Aw(!) | 1:00:48 | 1:00:49 | |
Seven words. Wow! | 1:00:51 | 1:00:53 | |
Oh... | 1:00:54 | 1:00:56 | |
and here's a little piece of advice, | 1:00:56 | 1:00:58 | |
direct from me to you. | 1:00:58 | 1:01:01 | |
Lay off the caramels. | 1:01:01 | 1:01:03 | |
SOULFUL MUSIC PLAYS | 1:01:04 | 1:01:09 | |
BANDLEADER: And now, for all you Chicago stay-up-laters, | 1:01:12 | 1:01:15 | |
you night owls who only come alive after dark, | 1:01:15 | 1:01:19 | |
we dedicate this tune - | 1:01:19 | 1:01:22 | |
Chicago After Midnight. | 1:01:22 | 1:01:25 | |
ROMANTIC BIG BAND MUSIC PLAYS | 1:01:25 | 1:01:28 | |
BILLY: ...Now, this, er...this all took place on Lake Shore Drive? | 1:01:30 | 1:01:34 | |
Incredible! Incredible! | 1:01:34 | 1:01:36 | |
All right, yeah. ..Thanks, Tom. | 1:01:37 | 1:01:39 | |
Yeah, this, er... They just arrested this woman for a triple homicide. | 1:01:40 | 1:01:44 | |
Really? Yeah, but get this - she's an heiress! | 1:01:44 | 1:01:47 | |
Yeah, yeah. No, the family's in, er... | 1:01:47 | 1:01:50 | |
What is it? Pineapples? Grapefruit? Some kind of fruit. I dunno. | 1:01:50 | 1:01:53 | |
So, anyway, this dame, er... Kitty something, | 1:01:53 | 1:01:56 | |
'she's, er...she's playing house on the North Side in an apartment with a guy named Harry. | 1:01:56 | 1:02:00 | |
'What Harry does for a living, no-one knows. Anyway, she's footing all the bills. | 1:02:00 | 1:02:05 | |
'Kitty comes home tonight, Harry's in bed, which is par for the course. | 1:02:05 | 1:02:09 | |
'She goes to change. | 1:02:09 | 1:02:11 | |
'When she returns, she notices something...rather odd. | 1:02:11 | 1:02:15 | |
'Extremely odd. | 1:02:18 | 1:02:19 | |
'Kitty disappears for a second, cool as a cucumber. | 1:02:24 | 1:02:27 | |
'When she returns, she gently wakes up Harry.' | 1:02:27 | 1:02:31 | |
DINERS LAUGH | 1:02:31 | 1:02:33 | |
So he says, "What? I'm alone." | 1:02:33 | 1:02:34 | |
She says, "Alone?! You got two other women in bed with you." | 1:02:34 | 1:02:38 | |
'So get this - Harry's... He says, "Come on, doll.' | 1:02:38 | 1:02:42 | |
"Are you gonna believe what you see or what I tell you?" | 1:02:42 | 1:02:45 | |
Good night, folks. | 1:02:55 | 1:02:57 | |
CROWD CLAMOURS | 1:02:57 | 1:03:00 | |
Sunshine from the Evening Star. > | 1:03:04 | 1:03:07 | |
Would you say a word or two? | 1:03:07 | 1:03:09 | |
Sure, I'll say three. Go to hell! | 1:03:09 | 1:03:12 | |
Direct your questions to her counsel. | 1:03:12 | 1:03:14 | |
You're not my counsel and I want my money back. | 1:03:14 | 1:03:17 | |
It's not your money. It's your mother's. | 1:03:17 | 1:03:19 | |
SUNSHINE: Are you sorry? | 1:03:19 | 1:03:20 | |
Sure I'm sorry. Sorry I got caught. | 1:03:20 | 1:03:23 | |
ROXIE: Oh, hey, Miss Sunshine. | 1:03:23 | 1:03:25 | |
Not now, Roxie. I got a letter from a guy. | 1:03:25 | 1:03:27 | |
He's going on a hunger strike until I'm freed. | 1:03:27 | 1:03:30 | |
That's nice, dear. | 1:03:30 | 1:03:31 | |
REPORTER: Miss Baxter, did you know these two ladies personally? | 1:03:31 | 1:03:35 | |
Did I know them personally? Was that your question? | 1:03:36 | 1:03:39 | |
Yeah, that's my que... | 1:03:39 | 1:03:41 | |
High-spirited, isn't she? | 1:03:43 | 1:03:45 | |
Miss Baxter... | 1:03:45 | 1:03:46 | |
Oh, hey! Mr Flynn! | 1:03:46 | 1:03:48 | |
Mr Flynn! Yeah, hi, Trixie. | 1:03:48 | 1:03:50 | |
It's Roxie. Yeah, just kidding. | 1:03:50 | 1:03:52 | |
Did you get my trial date yet? | 1:03:52 | 1:03:54 | |
- Listen, kid... - Yeah. I'm top of your list, right? | 1:03:54 | 1:03:58 | |
Go to hell! | 1:03:58 | 1:03:59 | |
Boy, what a hellion, huh? | 1:03:59 | 1:04:01 | |
A socialite, too. Her mother owns all the pineapples in Hawaii. | 1:04:01 | 1:04:05 | |
What do I care about pineapples? Listen... OK, OK! | 1:04:05 | 1:04:08 | |
Hey! Hey! | 1:04:08 | 1:04:09 | |
All right! Miss Baxter will answer all of your questions, | 1:04:09 | 1:04:12 | |
then I'll be happy to give you an interview myself. | 1:04:12 | 1:04:15 | |
REPORTERS SHOUT | 1:04:15 | 1:04:18 | |
CHORUS BOYS, BREATHILY: Roxie. | 1:04:18 | 1:04:21 | |
VELMA: How's it feel, kid? | 1:04:21 | 1:04:23 | |
J Edgar Hoover couldn't find your name in the papers. | 1:04:23 | 1:04:26 | |
REPORTERS CONTINUE TO SHOUT | 1:04:28 | 1:04:30 | |
Mr Flynn? | 1:04:33 | 1:04:35 | |
BILLY: Open this door immediately! SUNSHINE: Roxie! | 1:04:36 | 1:04:39 | |
What is it, dear? | 1:04:39 | 1:04:40 | |
No, oh... Oh, no, no, no, don't... don't worry about me. | 1:04:43 | 1:04:47 | |
Oh, I only hope the fall didn't hurt the baby. | 1:04:47 | 1:04:51 | |
Baby?! | 1:04:51 | 1:04:52 | |
Shit! | 1:04:52 | 1:04:54 | |
What? | 1:04:54 | 1:04:55 | |
REPORTERS SHOUT | 1:04:55 | 1:04:58 | |
Roxie, when did this happen, darling? | 1:04:59 | 1:05:02 | |
SIREN WAILS | 1:05:12 | 1:05:15 | |
Well, doc, is she or isn't she? | 1:05:22 | 1:05:24 | |
She is. | 1:05:24 | 1:05:26 | |
HE SIGHS | 1:05:26 | 1:05:28 | |
Would you swear to that statement in court? | 1:05:28 | 1:05:31 | |
Yes. | 1:05:31 | 1:05:33 | |
Good. Button your fly. | 1:05:33 | 1:05:35 | |
REPORTERS SHOUT | 1:05:39 | 1:05:42 | |
I would... I would just like to say that, | 1:05:47 | 1:05:49 | |
well, my own life doesn't matter now, just that of my unborn child. | 1:05:49 | 1:05:54 | |
SUNSHINE: You poor dear! To have your baby born in jail! | 1:05:54 | 1:05:57 | |
My readers won't allow it. | 1:05:57 | 1:05:59 | |
That won't happen. She'll come to trial as soon as possible. You can quote me. | 1:05:59 | 1:06:03 | |
I think it's sweet. First time we ever had one of our girls knocked up. | 1:06:03 | 1:06:06 | |
MAN: When's the baby due? | 1:06:06 | 1:06:08 | |
Roxie! | 1:06:08 | 1:06:09 | |
- Hey, Roxie! - Roxie, I just heard the good news! | 1:06:09 | 1:06:14 | |
- I'm the father! I'm the father! - Hey, Roxie, who's the father? | 1:06:14 | 1:06:18 | |
That question is completely out of line. How dare you insult this brave young woman? That's enough. | 1:06:18 | 1:06:24 | |
CLAMOUR | 1:06:24 | 1:06:25 | |
AMOS: Roxie! Roxie, honey! | 1:06:25 | 1:06:27 | |
It's me - Daddy! It's Daddy! | 1:06:27 | 1:06:31 | |
Roxie, I came as soon as I could! | 1:06:32 | 1:06:35 | |
Rox? | 1:06:37 | 1:06:38 | |
AMOS: If someone stood up in a crowd | 1:06:48 | 1:06:50 | |
And raised his voice up way out loud | 1:06:50 | 1:06:53 | |
And waved his arm and shook his leg | 1:06:53 | 1:06:55 | |
# You'd notice him... # | 1:06:55 | 1:06:58 | |
If someone in the movie show | 1:06:59 | 1:07:01 | |
Yelled, "Fire in the second row! | 1:07:01 | 1:07:04 | |
"This whole place is a powder keg!" | 1:07:04 | 1:07:07 | |
# You'd notice him | 1:07:07 | 1:07:09 | |
# And even without clucking like a hen | 1:07:10 | 1:07:13 | |
# Everyone gets noticed now and then | 1:07:14 | 1:07:18 | |
# Unless, of course, that personage should be | 1:07:19 | 1:07:22 | |
# Invisible | 1:07:23 | 1:07:26 | |
# Inconsequential | 1:07:26 | 1:07:28 | |
# Me... # | 1:07:29 | 1:07:33 | |
CYMBAL CLASHES LIGHTLY | 1:07:33 | 1:07:35 | |
# Cellophane | 1:07:35 | 1:07:37 | |
# Mister | 1:07:37 | 1:07:38 | |
# Cellophane | 1:07:38 | 1:07:40 | |
# Shoulda been my name | 1:07:40 | 1:07:43 | |
# Mister | 1:07:43 | 1:07:44 | |
# Cellophane | 1:07:44 | 1:07:46 | |
# Cos you can look right through me | 1:07:46 | 1:07:49 | |
# Walk right by me | 1:07:49 | 1:07:52 | |
# And never know I'm there | 1:07:52 | 1:07:55 | |
# I tell ya | 1:07:55 | 1:07:57 | |
# Cellophane | 1:07:57 | 1:08:00 | |
# Mister | 1:08:00 | 1:08:00 | |
# Cellophane | 1:08:00 | 1:08:02 | |
# Shoulda | 1:08:02 | 1:08:03 | |
# Been my name | 1:08:03 | 1:08:05 | |
# Mister | 1:08:05 | 1:08:06 | |
# Cellophane | 1:08:06 | 1:08:08 | |
# Cos you can look right through me | 1:08:08 | 1:08:11 | |
# Walk right by me | 1:08:11 | 1:08:14 | |
# And never know I'm there. # | 1:08:15 | 1:08:19 | |
FLYNN: Oh, I didn't see you. | 1:08:19 | 1:08:21 | |
Sit down. Sit down. | 1:08:21 | 1:08:23 | |
Look, Andy, | 1:08:24 | 1:08:26 | |
I'm afraid I gotta hit you hard and I can only hope that you'll be big about it. | 1:08:26 | 1:08:30 | |
Amos. My name is Amos. | 1:08:30 | 1:08:32 | |
Who said it wasn't? | 1:08:32 | 1:08:33 | |
Oh, it was the kid's name I was thinking about. | 1:08:33 | 1:08:36 | |
Yeah. | 1:08:36 | 1:08:37 | |
You know when she's due? September. | 1:08:37 | 1:08:40 | |
Oh, but pass out those cigars anyway. I don't want you to give a damn when people... | 1:08:40 | 1:08:45 | |
When people what? | 1:08:45 | 1:08:46 | |
HE SIGHS Laugh. | 1:08:46 | 1:08:48 | |
Laugh? Why would they laugh? Cos they can count. | 1:08:48 | 1:08:51 | |
Can YOU count? September. | 1:08:51 | 1:08:54 | |
Here's a copy of...Roxie's first statement from the DA's office. | 1:08:57 | 1:09:01 | |
It says she hadn't copulated with you for four months. Well, she would know. | 1:09:01 | 1:09:06 | |
Yeah, I guess we hadn't done no copulating since... | 1:09:06 | 1:09:10 | |
Wait a minute. | 1:09:11 | 1:09:13 | |
That don't figure out right. I...I couldn't be the father. | 1:09:13 | 1:09:17 | |
Forget about it. She needs your support. | 1:09:17 | 1:09:19 | |
You mean she needs a meal ticket. | 1:09:19 | 1:09:21 | |
That's all I've ever been, | 1:09:21 | 1:09:23 | |
but this time she's gone too far. What are you going to do? | 1:09:23 | 1:09:26 | |
- Divorce her? - Damn right! I'll divorce her! | 1:09:26 | 1:09:30 | |
She probably won't even notice. PHONE BUZZES | 1:09:32 | 1:09:35 | |
Yeah. ..Yeah. Put him through. | 1:09:38 | 1:09:41 | |
# ..A human being's made of more than air | 1:09:42 | 1:09:46 | |
# With all that bulk, you're bound to see him there | 1:09:46 | 1:09:50 | |
# Unless that human being next to you | 1:09:50 | 1:09:53 | |
# Is unimpressive | 1:09:55 | 1:09:57 | |
# Undistinguished | 1:09:57 | 1:09:59 | |
# You | 1:09:59 | 1:10:00 | |
# Know | 1:10:01 | 1:10:02 | |
# Who... # | 1:10:03 | 1:10:05 | |
You still here, Andy? | 1:10:05 | 1:10:07 | |
Yeah, I'm still here... | 1:10:07 | 1:10:09 | |
..I think. | 1:10:10 | 1:10:11 | |
# ..Shoulda been my name | 1:10:13 | 1:10:15 | |
# Mister | 1:10:15 | 1:10:16 | |
# Cellophane | 1:10:16 | 1:10:18 | |
# Cos you can | 1:10:18 | 1:10:19 | |
# Look right through me | 1:10:19 | 1:10:22 | |
# Walk right by me | 1:10:22 | 1:10:25 | |
# And never know I'm there | 1:10:25 | 1:10:28 | |
# I tell ya | 1:10:28 | 1:10:31 | |
# Cellophane | 1:10:31 | 1:10:33 | |
# Mister Cellophane | 1:10:33 | 1:10:35 | |
# Shoulda | 1:10:35 | 1:10:36 | |
# Been my name | 1:10:36 | 1:10:38 | |
# Mister | 1:10:38 | 1:10:39 | |
# Cellophane | 1:10:39 | 1:10:40 | |
# Cos you can | 1:10:40 | 1:10:41 | |
# Look right through me | 1:10:41 | 1:10:44 | |
# Walk right by me | 1:10:44 | 1:10:47 | |
# And never know I'm there | 1:10:47 | 1:10:52 | |
# Never even | 1:10:52 | 1:10:55 | |
# Know | 1:10:55 | 1:11:00 | |
# I'm there. # | 1:11:02 | 1:11:06 | |
Hope I didn't take up too much of your time. | 1:11:10 | 1:11:13 | |
I've been waiting here for ten minutes. Don't do that again. | 1:11:16 | 1:11:20 | |
This dress makes me look like a Woolworth's lampshade. I'm not wearing this. | 1:11:20 | 1:11:24 | |
You're wearing it. | 1:11:24 | 1:11:25 | |
- I'm not. - And when Andy's on the stand, knit. | 1:11:25 | 1:11:28 | |
Knit?! Oh, for chrissakes! | 1:11:28 | 1:11:30 | |
- A baby garment. - I can't knit. | 1:11:30 | 1:11:32 | |
- Then learn. - That is no way to win a jury's sympathy. | 1:11:32 | 1:11:36 | |
- You don't need advice now? - Lookit here, Mr Mouthpiece. | 1:11:36 | 1:11:39 | |
It seems to me that I am the one who's coming up with the good ideas. | 1:11:39 | 1:11:43 | |
I am sick of being told what to do. | 1:11:43 | 1:11:46 | |
And you treat me like dirt, you know that? | 1:11:46 | 1:11:48 | |
You treat me like I'm some dumb, common criminal. | 1:11:48 | 1:11:50 | |
But you ARE some dumb, common criminal. | 1:11:50 | 1:11:53 | |
Well, that's better than being a greasy, Mick lawyer. | 1:11:53 | 1:11:56 | |
- Who happens to be saving your ass! - Who's out for all he can steal! | 1:11:56 | 1:11:59 | |
Maybe you'd like to appear in court without me. | 1:11:59 | 1:12:02 | |
Maybe I could. Have you read the papers? They love me. | 1:12:02 | 1:12:05 | |
Wise up! They'd love you more if you were hanged. It'd sell more papers. | 1:12:05 | 1:12:09 | |
You're fired! | 1:12:09 | 1:12:11 | |
I quit. | 1:12:11 | 1:12:12 | |
Any lawyer in this town would die to have my case. | 1:12:12 | 1:12:15 | |
You are a phoney celebrity, a flash in the pan. In a couple of weeks, | 1:12:15 | 1:12:20 | |
no-one's gonna give a shit about you. That's Chicago. | 1:12:20 | 1:12:24 | |
WOMAN WAILS | 1:12:27 | 1:12:30 | |
What happened? | 1:12:33 | 1:12:35 | |
It's the Hunyak. She lost her last appeal. | 1:12:35 | 1:12:38 | |
So what's that mean? | 1:12:38 | 1:12:40 | |
Well, that means that, next week, | 1:12:40 | 1:12:43 | |
she's gonna... | 1:12:43 | 1:12:45 | |
VIOLIN PLAYS MOURNFUL MELODY | 1:12:50 | 1:12:53 | |
This is Mary Sunshine coming to you from the Cook County jail, | 1:12:57 | 1:13:01 | |
where history will be made today. Katalin Halenscki | 1:13:01 | 1:13:05 | |
'will become the first woman in the state of Illinois to be executed. | 1:13:05 | 1:13:10 | |
'And so, ladies and gentlemen...' | 1:13:10 | 1:13:12 | |
BANDLEADER: And now, ladies and gentlemen, | 1:13:12 | 1:13:15 | |
we proudly present Katalin Halenscki and her famous Hungarian disappearing act. | 1:13:15 | 1:13:21 | |
DRUM ROLL AND CYMBAL CLASH | 1:13:21 | 1:13:24 | |
DRUM ROLL CONTINUES | 1:13:24 | 1:13:27 | |
DRUM ROLL CONTINUES | 1:13:35 | 1:13:38 | |
DRUM ROLL CONTINUES | 1:13:49 | 1:13:53 | |
DRUM ROLL CONTINUES | 1:14:07 | 1:14:10 | |
CHEERS AND APPLAUSE BEGIN TO FADE | 1:14:40 | 1:14:43 | |
You know, it's really not that bad. | 1:14:54 | 1:14:57 | |
You clear about everything we agreed on? | 1:14:57 | 1:15:00 | |
Yep. I been up all night rehearsing. | 1:15:00 | 1:15:02 | |
What do you do when Harrison comes after you? Look straight ahead. | 1:15:02 | 1:15:06 | |
Never at the jury. And? | 1:15:06 | 1:15:08 | |
And I look modest. And? | 1:15:08 | 1:15:11 | |
And... | 1:15:11 | 1:15:12 | |
And say nothing. That was the deal, right? | 1:15:12 | 1:15:15 | |
Right. You asked me back. I do all the talking. | 1:15:15 | 1:15:18 | |
Absolutely, Billy. Whatever you say. | 1:15:18 | 1:15:20 | |
BAILIFF: Mr Flynn... His honour is here. | 1:15:20 | 1:15:23 | |
Thank you. | 1:15:23 | 1:15:24 | |
You ready? | 1:15:25 | 1:15:26 | |
Yeah. | 1:15:27 | 1:15:29 | |
Billy? Hmm? | 1:15:31 | 1:15:34 | |
I'm scared. | 1:15:35 | 1:15:37 | |
Ah, don't be. | 1:15:39 | 1:15:40 | |
I've been around a long time - | 1:15:40 | 1:15:42 | |
believe me, you got nothin' to worry about. | 1:15:42 | 1:15:45 | |
It's... | 1:15:45 | 1:15:47 | |
It's all a circus, a three-ring circus. | 1:15:47 | 1:15:51 | |
These trials... the whole world, it's... | 1:15:51 | 1:15:55 | |
it's all show business. | 1:15:55 | 1:15:57 | |
LIGHT MELODY BEGINS But, kid... | 1:15:57 | 1:16:00 | |
you're working with a star. | 1:16:00 | 1:16:03 | |
# Give 'em the old razzle-dazzle | 1:16:09 | 1:16:13 | |
# Razzle-dazzle 'em | 1:16:13 | 1:16:16 | |
# Give 'em an act with lots of flash in it | 1:16:17 | 1:16:21 | |
# And the reaction will be passionate | 1:16:21 | 1:16:24 | |
# Give 'em the old hocus-pocus | 1:16:24 | 1:16:28 | |
# Bead and feather 'em | 1:16:28 | 1:16:32 | |
# How can they see with sequins in their eyes? | 1:16:32 | 1:16:38 | |
# What if your hinges all are rusting? | 1:16:39 | 1:16:43 | |
# What if, in fact, you're just disgusting? | 1:16:43 | 1:16:47 | |
# Razzle-dazzle 'em | 1:16:47 | 1:16:49 | |
# And they'll never catch wise... # | 1:16:49 | 1:16:53 | |
REPORTERS SHOUT QUESTIONS | 1:16:53 | 1:16:56 | |
# Give 'em the old razzle-dazzle | 1:17:06 | 1:17:10 | |
# Razzle-dazzle 'em | 1:17:10 | 1:17:13 | |
# Give 'em a show that's so splendiferous | 1:17:13 | 1:17:17 | |
# Row after row will grow vociferous | 1:17:17 | 1:17:21 | |
# Give 'em the old flim-flam flummox | 1:17:21 | 1:17:25 | |
# Fool and fracture 'em... # SHE GIGGLES | 1:17:25 | 1:17:28 | |
# How can they hear the truth above the roar? | 1:17:28 | 1:17:34 | |
BACKING: # Roar, roar, roar | 1:17:34 | 1:17:36 | |
# Throw 'em a fake and a finagle | 1:17:36 | 1:17:40 | |
# They'll never know you're just a bagel | 1:17:40 | 1:17:44 | |
# Razzle-dazzle 'em | 1:17:44 | 1:17:46 | |
# And they'll beg you for more... # | 1:17:46 | 1:17:51 | |
I object! Sustained. | 1:17:51 | 1:17:53 | |
Your honour, I haven't even asked a question yet! | 1:17:53 | 1:17:56 | |
BELL TINGS | 1:17:56 | 1:17:58 | |
PERCUSSION TAPS | 1:17:59 | 1:18:02 | |
# Give 'em the old double whammy | 1:18:06 | 1:18:10 | |
# Daze and dizzy 'em | 1:18:10 | 1:18:13 | |
# Back since the days of old Methusaleh | 1:18:13 | 1:18:17 | |
# Everyone loves the big bambooz-a-ler | 1:18:17 | 1:18:22 | |
# Give 'em the old three-ring circus | 1:18:22 | 1:18:26 | |
# Stun and stagger 'em | 1:18:26 | 1:18:30 | |
# When you're in trouble go into your dance | 1:18:30 | 1:18:36 | |
# Though you are stiffer than a girder | 1:18:36 | 1:18:41 | |
# They'll let you get away | 1:18:41 | 1:18:43 | |
# With murder | 1:18:43 | 1:18:45 | |
# Razzle-dazzle 'em and you've got a romance... # | 1:18:45 | 1:18:50 | |
Hello, Amos. | 1:18:50 | 1:18:52 | |
Amos! That's right, Mr Flynn. Amos. | 1:18:52 | 1:18:56 | |
Amos, when did you file suit for a divorce? | 1:18:56 | 1:18:58 | |
A month ago. | 1:18:58 | 1:19:00 | |
Was there a reason for filing then? I'll say. | 1:19:00 | 1:19:03 | |
The newspapers said Roxie was expecting a little stranger. | 1:19:03 | 1:19:06 | |
That's hardly grounds for divorce, is it? | 1:19:06 | 1:19:08 | |
A little too much of a stranger. Oh! | 1:19:08 | 1:19:11 | |
By that you mean you doubted the paternity of the child. | 1:19:11 | 1:19:14 | |
Well, sure. Tell me something. | 1:19:14 | 1:19:16 | |
You share a bed with your wife? Yes, sir. Every night. | 1:19:16 | 1:19:20 | |
You expect us to believe that you slept next to THIS woman | 1:19:20 | 1:19:22 | |
every night without exercising your rights as a husband? | 1:19:22 | 1:19:26 | |
I could've if I wanted to. But you didn't? | 1:19:26 | 1:19:28 | |
No, I did. Did what? | 1:19:28 | 1:19:30 | |
Want to. But you didn't. | 1:19:30 | 1:19:31 | |
Didn't what? What you wanted! | 1:19:31 | 1:19:32 | |
I'm gettin' confused here. | 1:19:32 | 1:19:34 | |
Hey, tell me, Hart, you tell me. | 1:19:34 | 1:19:36 | |
Did you ever question Roxie herself? | 1:19:36 | 1:19:38 | |
Did you ask her if you were the father of her child? | 1:19:38 | 1:19:41 | |
No, sir. No, no. | 1:19:41 | 1:19:43 | |
If you became convinced that you were wrong, | 1:19:43 | 1:19:45 | |
you'd be man enough to admit it, wouldn't you? | 1:19:45 | 1:19:47 | |
You'd even be willing to take her back, if Roxie swore | 1:19:47 | 1:19:50 | |
that you were the father, which she does. She does? | 1:19:50 | 1:19:54 | |
She does! She does! | 1:19:56 | 1:19:58 | |
No more questions. You can step down now. | 1:19:58 | 1:20:02 | |
Well done, Andy. | 1:20:02 | 1:20:04 | |
Roxie, I'm so sorry. > | 1:20:04 | 1:20:07 | |
APPLAUSE | 1:20:13 | 1:20:16 | |
# Give 'em the old razzle-dazzle | 1:20:19 | 1:20:23 | |
# Razzle-dazzle 'em | 1:20:23 | 1:20:26 | |
# Show 'em the first-rate sorcerer you are | 1:20:26 | 1:20:33 | |
# Long as you keep 'em way off-balance | 1:20:33 | 1:20:37 | |
# How can they spot you got no talents? | 1:20:37 | 1:20:41 | |
# Razzle-dazzle 'em | 1:20:41 | 1:20:43 | |
# Razzle-dazzle 'em | 1:20:43 | 1:20:45 | |
# Razzle-dazzle 'em... # DRUMROLL | 1:20:45 | 1:20:48 | |
SUNSHINE: This is the moment we've been waiting for. | 1:20:48 | 1:20:51 | |
Roxie Hart finally takes the stand | 1:20:51 | 1:20:53 | |
in her own defence. | 1:20:53 | 1:20:55 | |
# ..And they'll make you a star! # | 1:20:55 | 1:21:05 | |
GAVEL POUNDS | 1:21:06 | 1:21:09 | |
JUDGE: Order. Order. | 1:21:09 | 1:21:11 | |
Proceed, Mr Flynn. | 1:21:11 | 1:21:13 | |
Roxie, I have here a statement in which | 1:21:13 | 1:21:16 | |
you admit to having illicit relations with Fred Casely. | 1:21:16 | 1:21:19 | |
Is this true or false? I'm afraid that's true. | 1:21:19 | 1:21:21 | |
You're an honest girl, Roxie. | 1:21:21 | 1:21:23 | |
When did you first meet Fred Casely? | 1:21:23 | 1:21:26 | |
When he sold Amos and me our furniture. | 1:21:26 | 1:21:29 | |
Your personal relationship with him, when did that begin? | 1:21:29 | 1:21:32 | |
When I permitted him to escort me home one night. | 1:21:32 | 1:21:36 | |
I don't think I would have gone with him | 1:21:36 | 1:21:38 | |
if Mr Hart and me hadn't quarreled that morning. | 1:21:38 | 1:21:40 | |
< Quarreled? Yes, sir. | 1:21:40 | 1:21:42 | |
I suppose it was his fault. | 1:21:42 | 1:21:44 | |
Oh no, sir. It was my fault. | 1:21:44 | 1:21:46 | |
I suppose I just couldn't stop pesterin' him. | 1:21:46 | 1:21:49 | |
Pestering him? About what? | 1:21:49 | 1:21:51 | |
I didn't like him working long hours at the garage. | 1:21:51 | 1:21:54 | |
I wanted him home with me | 1:21:54 | 1:21:56 | |
to darn his socks and iron his shirts. | 1:21:56 | 1:21:59 | |
I wanted a real home and a child. | 1:21:59 | 1:22:01 | |
So you drifted into this illicit relationship | 1:22:01 | 1:22:04 | |
because you were unhappy at home. | 1:22:04 | 1:22:06 | |
Yes. I was most unhappy. | 1:22:06 | 1:22:09 | |
Roxie Hart! | 1:22:10 | 1:22:12 | |
The State has accused you of the murder of Fred Casely. | 1:22:12 | 1:22:15 | |
Are you guilty or not guilty? | 1:22:15 | 1:22:17 | |
I'm not guilty! I'm not guilty! | 1:22:17 | 1:22:19 | |
I killed him, I did, but I'm not a criminal. | 1:22:19 | 1:22:22 | |
I'm not a criminal. | 1:22:22 | 1:22:24 | |
There, there. | 1:22:24 | 1:22:25 | |
Roxie? | 1:22:25 | 1:22:27 | |
Uh-huh? | 1:22:27 | 1:22:30 | |
Now, do you recall the night of January 14? | 1:22:30 | 1:22:32 | |
Uh-huh. Could you tell the jury, | 1:22:32 | 1:22:34 | |
in your own words, the happenings of that night? | 1:22:34 | 1:22:37 | |
Well... | 1:22:37 | 1:22:40 | |
when Fred came over, I told him my good news. | 1:22:40 | 1:22:42 | |
What was that? | 1:22:42 | 1:22:44 | |
That me and Amos were gonna have a baby. | 1:22:44 | 1:22:47 | |
And that it was all over between us. | 1:22:47 | 1:22:49 | |
What happened then? Well, then, er... | 1:22:49 | 1:22:53 | |
Then... | 1:22:56 | 1:22:57 | |
Did he threaten you, Roxie? | 1:22:57 | 1:22:59 | |
Objection, your honour. Counsel's leading the witness. | 1:22:59 | 1:23:03 | |
Sustained. | 1:23:01 | 1:23:03 | |
SHE CRIES | 1:23:03 | 1:23:05 | |
What did Casely say when you told him the news? | 1:23:05 | 1:23:09 | |
"I'll kill you before I see you have another man's child." | 1:23:09 | 1:23:13 | |
Could you tell the audience... The jury! ..what happened next? | 1:23:13 | 1:23:17 | |
In his passion he tore off my robe and he threw me on the bed. | 1:23:17 | 1:23:20 | |
And, and, and, Mr Hart's pistol was lying there between us. | 1:23:20 | 1:23:23 | |
And then? We both reached for the gun, | 1:23:23 | 1:23:26 | |
but I got it first. | 1:23:26 | 1:23:27 | |
And then he came toward me with this funny look in his eyes. | 1:23:27 | 1:23:30 | |
He was angry and wild! Wild! | 1:23:30 | 1:23:33 | |
Wild! Did you think he meant to kill you? | 1:23:33 | 1:23:35 | |
Oh, yes, sir. Yes, sir. So it was his life or yours? | 1:23:35 | 1:23:38 | |
And not just mine. I closed my eyes and I shot. | 1:23:38 | 1:23:42 | |
In defence of your life? | 1:23:42 | 1:23:44 | |
To save my husband's innocent unborn child! | 1:23:44 | 1:23:48 | |
EVERYONE GASPS | 1:23:50 | 1:23:52 | |
Order! | 1:23:52 | 1:23:53 | |
What a bull's-eye, huh? | 1:23:54 | 1:23:57 | |
Order in this court! Roxie! | 1:23:57 | 1:24:00 | |
Clear this court! | 1:24:00 | 1:24:02 | |
'There's pandemonium here in the courtroom.' | 1:24:02 | 1:24:04 | |
SUNSHINE ON RADIO:: 'Mrs Hart's behaviour throughout this ordeal | 1:24:04 | 1:24:08 | |
'has been truly extraordinary.' I bet it has. | 1:24:08 | 1:24:10 | |
'Opening her eyes, she fans herself with her attorney's handkerchief. | 1:24:10 | 1:24:14 | |
'The poor child has had no relief. | 1:24:14 | 1:24:16 | |
'She looks around now, seeming to want something. A glass of water.' | 1:24:16 | 1:24:20 | |
Oh, Mama, that was my bit! | 1:24:20 | 1:24:22 | |
I told Billy I was gonna do that at my trial! Ssh! | 1:24:22 | 1:24:25 | |
'..flutter wildly and she... Mrs Hart has fainted again.' | 1:24:25 | 1:24:29 | |
Oh, jeez. | 1:24:29 | 1:24:30 | |
'She slumps over, her chiffon dress up around her knees, | 1:24:30 | 1:24:33 | |
'revealing a blue garter with a rhinestone buckle.' | 1:24:33 | 1:24:36 | |
Oh, Mama, she stole my garter. She stole my garter! | 1:24:36 | 1:24:39 | |
Velma, don't break my radio! | 1:24:39 | 1:24:41 | |
God! First the slob steals my publicity, | 1:24:41 | 1:24:43 | |
then my lawyer, my trial date, now my goddamn garter. | 1:24:43 | 1:24:46 | |
These days, you get a little success | 1:24:46 | 1:24:49 | |
and it's good riddance to the people who put you there. | 1:24:49 | 1:24:53 | |
There ain't no justice in the world, | 1:24:53 | 1:24:55 | |
and there ain't nothing you can do about it. | 1:24:55 | 1:24:58 | |
Nertz to that. | 1:24:58 | 1:25:00 | |
You think I got you up here just so you could listen to my radio? | 1:25:00 | 1:25:03 | |
People write some interesting things when they think no-one's lookin'. | 1:25:03 | 1:25:07 | |
THEY BOTH LAUGH | 1:25:10 | 1:25:13 | |
Oh, Mama... | 1:25:13 | 1:25:16 | |
Ooh! | 1:25:16 | 1:25:17 | |
HARRISON: 'The state calls a rebuttal witness.' | 1:25:17 | 1:25:20 | |
CROWD MURMURS | 1:25:20 | 1:25:23 | |
Left hand on the Bible. Raise your right hand. | 1:25:30 | 1:25:32 | |
You swear to tell the truth, the whole truth, and nothing but the truth, so help you God? | 1:25:32 | 1:25:34 | |
And then some. Have a seat. | 1:25:34 | 1:25:37 | |
HARRISON: Would you state your name? | 1:25:37 | 1:25:39 | |
Velma Kelly. | 1:25:39 | 1:25:41 | |
Will you please tell the court if the object I am holding | 1:25:41 | 1:25:44 | |
is the one you found in the defendant's cell? | 1:25:44 | 1:25:46 | |
Yes, it is. I submit this as Exhibit X. | 1:25:46 | 1:25:49 | |
Roxie Hart's diary. | 1:25:49 | 1:25:51 | |
I object! | 1:25:51 | 1:25:53 | |
My client has never kept a diary, and even if she did, | 1:25:53 | 1:25:56 | |
this would be invasion of privacy and violation of the fourth amendment, | 1:25:56 | 1:25:59 | |
and illegal search without a warrant. Yeah, and she broke the lock! | 1:25:59 | 1:26:03 | |
CROWD LAUGHS Order! Order! | 1:26:03 | 1:26:06 | |
Well, that settles that. | 1:26:06 | 1:26:08 | |
I'll allow it. What's the big deal? | 1:26:08 | 1:26:10 | |
It's just a bunch of doodlings. | 1:26:10 | 1:26:12 | |
If you would read for us please, Miss Kelly. | 1:26:12 | 1:26:15 | |
I haven't worked in a while. | 1:26:15 | 1:26:17 | |
"What a laugh, pluggin' Fred Casely." | 1:26:18 | 1:26:23 | |
What? "The big baboon had it comin'. | 1:26:21 | 1:26:23 | |
"I'm just sorry I only got to kill him once." | 1:26:23 | 1:26:27 | |
I never wrote that! You... MURMUR IN COURTROOM | 1:26:27 | 1:26:30 | |
She made that up! She made that up! Order! order! > | 1:26:30 | 1:26:33 | |
She made that up! | 1:26:33 | 1:26:35 | |
Mr Flynn, get control of your client. | 1:26:35 | 1:26:37 | |
I'm sorry, your honour. It won't happen again. | 1:26:37 | 1:26:40 | |
( Shut up. It's only making it worse.) | 1:26:40 | 1:26:42 | |
I have no more questions. | 1:26:42 | 1:26:44 | |
Your witness, Mr Flynn. | 1:26:44 | 1:26:46 | |
BANDLEADER: Ladies and gentlemen, a tap dance. | 1:26:48 | 1:26:51 | |
UPTEMPO DRUM BEATS | 1:26:51 | 1:26:54 | |
Miss Kelly, did you make a deal with Mr Harrison? | 1:26:57 | 1:27:00 | |
TAPPING | 1:27:00 | 1:27:01 | |
To drop all charges against you in exchange for testifying? | 1:27:01 | 1:27:05 | |
Well, sure. I'm not a complete idiot. | 1:27:05 | 1:27:07 | |
AUDIENCE LAUGHS Good. Good. | 1:27:07 | 1:27:11 | |
Since you gave such an impressive performance for Mr Harrison, | 1:27:11 | 1:27:15 | |
maybe you'd do me the same honour. I'd be delighted. | 1:27:15 | 1:27:20 | |
"Fred Casely assured me he'd get me an audition down at the Onyx. | 1:27:20 | 1:27:25 | |
"He reneged on his pledge and that was my motive for attackin' him." | 1:27:25 | 1:27:29 | |
That's a fancy way of saying "He was a big fat liar | 1:27:29 | 1:27:32 | |
"who welshed on a deal, so I shot him." | 1:27:32 | 1:27:34 | |
TAPPING WITH DRUM BEAT | 1:27:34 | 1:27:37 | |
"Amos accused me of having an affair | 1:27:37 | 1:27:39 | |
"so I told him that the charge was...erroneous." | 1:27:39 | 1:27:43 | |
Objection, your honour. | 1:27:43 | 1:27:45 | |
Mr Flynn is twisting evidence to draw conclusions that are specious, and... | 1:27:45 | 1:27:48 | |
Erroneous? Exactly! | 1:27:48 | 1:27:50 | |
AUDIENCE LAUGHS | 1:27:50 | 1:27:51 | |
Order! Order! | 1:27:51 | 1:27:54 | |
Miss Kelly, do you know the meaning of the word "perjury"? | 1:27:54 | 1:27:58 | |
Yes, I do. Do you also know that it's a crime? | 1:27:58 | 1:28:01 | |
Yes. I mean, if it turns out that you knew that this diary was a fake, | 1:28:01 | 1:28:05 | |
I'd hate to think of you rotting in prison for ten years, | 1:28:05 | 1:28:08 | |
since you just won your freedom. | 1:28:08 | 1:28:10 | |
Look, all I know is what I was told. | 1:28:10 | 1:28:13 | |
AUDIENCE MURMURS | 1:28:13 | 1:28:15 | |
Oh, so... All right, so you didn't find | 1:28:15 | 1:28:19 | |
this diary in Roxie's cell? | 1:28:19 | 1:28:21 | |
No. | 1:28:21 | 1:28:23 | |
Mama - Miss Morton - gave it to me. She said someone sent it to her. | 1:28:23 | 1:28:27 | |
Someone? Any idea who this mysterious benefactor might be? | 1:28:27 | 1:28:31 | |
No. She didn't know. | 1:28:31 | 1:28:33 | |
All right, let's see if we can work this out. Someone who writes about... | 1:28:33 | 1:28:37 | |
hmm...reneging on pledges, and, and, and... | 1:28:37 | 1:28:40 | |
Erroneous charges... | 1:28:40 | 1:28:42 | |
Call me crazy, but doesn't that sound like a lawyer? | 1:28:42 | 1:28:45 | |
A lawyer! A lawyer who obviously had a sample of my client's handwriting. | 1:28:45 | 1:28:50 | |
Mr Harrison, didn't you ask Roxie | 1:28:50 | 1:28:52 | |
to write out a confession for you? Yes, | 1:28:52 | 1:28:55 | |
but you're not suggesting I'd tamper with evidence?! | 1:28:55 | 1:28:57 | |
Don't be ridiculous. No, that's thoroughly and utterly absurd. | 1:28:57 | 1:29:02 | |
But now that you mention it... | 1:29:02 | 1:29:07 | |
Your honour, this is outrageous! | 1:29:03 | 1:29:07 | |
It's outrageous, I agree! | 1:29:04 | 1:29:07 | |
To suggest that the prosecutor would make a thieves' bargain | 1:29:07 | 1:29:10 | |
with the notorious Velma Kelly and then fabricate the very evidence that set her free... | 1:29:10 | 1:29:14 | |
HARRISON: Velma Kelly is not on trial. | 1:29:14 | 1:29:16 | |
...one step closer to the Governor's mansion! | 1:29:16 | 1:29:19 | |
Why it's simply beyond all imagining! | 1:29:19 | 1:29:22 | |
I'll hold you in contempt. No, it is not even conceivable! | 1:29:22 | 1:29:26 | |
But...but if it were, wouldn't it be time to say, "Come clean, Mr Harrison!? | 1:29:26 | 1:29:30 | |
Even in Chicago, this kind of corruption cannot stand! | 1:29:30 | 1:29:33 | |
Will not stand! | 1:29:33 | 1:29:36 | |
That's enough, Mr Flynn! | 1:29:34 | 1:29:36 | |
I agree, your honour, it is enough! | 1:29:36 | 1:29:39 | |
The defence rests. CYMBAL CLASHES | 1:29:40 | 1:29:44 | |
RADIO: 'Ladies and gentlemen, this is Mary Sunshine | 1:29:47 | 1:29:50 | |
'reporting live from the Cook county courthouse. | 1:29:50 | 1:29:52 | |
'The city of Chicago has come to a complete standstill | 1:29:52 | 1:29:56 | |
'as the trial of the century finally draws to a close. | 1:29:56 | 1:30:00 | |
'Mrs Hart sits quietly at the defence table, hands folded, | 1:30:00 | 1:30:04 | |
'wondering what fate has in store for her. | 1:30:04 | 1:30:07 | |
'And now a hush falls over the courtroom | 1:30:07 | 1:30:10 | |
'as the 12 men of the jury file slowly back to their seats.' | 1:30:10 | 1:30:13 | |
GAVEL POUNDS | 1:30:13 | 1:30:15 | |
Gentlemen of the jury, have you reached a verdict? | 1:30:15 | 1:30:18 | |
We have, your honour. | 1:30:18 | 1:30:20 | |
The jury has reached a verdict. | 1:30:20 | 1:30:23 | |
Will the defendant please rise? | 1:30:23 | 1:30:26 | |
What is your verdict? | 1:30:29 | 1:30:32 | |
We, the jury, find the defendant... | 1:30:32 | 1:30:35 | |
UPTEMPO JAZZ TUNE PLAYS | 1:30:35 | 1:30:40 | |
Roxie Hart is innocent! She's innocent! Get your paper! | 1:30:48 | 1:30:51 | |
Roxie Hart is free! She's free! Roxie... | 1:30:51 | 1:30:53 | |
GUNSHOTS | 1:30:53 | 1:30:57 | |
SCREAMS | 1:30:57 | 1:30:59 | |
Come on, move it! | 1:31:10 | 1:31:12 | |
First she shoots the husband, then she plugs the lawyer. | 1:31:12 | 1:31:15 | |
Hey! Hey, don't you... | 1:31:17 | 1:31:20 | |
Don't you want to take my picture? Hey, I... | 1:31:20 | 1:31:23 | |
Hey, I'm the famous Roxie Hart. | 1:31:23 | 1:31:25 | |
Hey, what happened? | 1:31:25 | 1:31:27 | |
Billy, what the hell happened? | 1:31:27 | 1:31:29 | |
This is Chicago, kid. You can't beat fresh blood on the walls. | 1:31:29 | 1:31:33 | |
But my publicity, Billy? My name in the papers. | 1:31:33 | 1:31:35 | |
I was counting on that. | 1:31:35 | 1:31:37 | |
Your gratitude is overwhelming, kid. I saved your life. | 1:31:37 | 1:31:40 | |
And you got 5,000, and what do I get? I get nothin'? | 1:31:40 | 1:31:43 | |
Five? actually it's ten, once I collect from Velma. | 1:31:43 | 1:31:46 | |
I get nothin'? | 1:31:46 | 1:31:48 | |
Hmm. All right, don't forget your blessed diary. | 1:31:48 | 1:31:50 | |
Hope you don't mind. I added a few erroneous phrases in there. | 1:31:50 | 1:31:54 | |
Sorry I couldn't tell you. | 1:31:56 | 1:31:58 | |
Couldn't take a chance. | 1:31:58 | 1:32:00 | |
Never lost a case. | 1:32:00 | 1:32:03 | |
You're a free woman, Roxie Hart. | 1:32:06 | 1:32:09 | |
And God save Illinois. | 1:32:10 | 1:32:13 | |
< Roxie? | 1:32:18 | 1:32:21 | |
What do you want? | 1:32:24 | 1:32:26 | |
I want you to come home. | 1:32:26 | 1:32:29 | |
You said you still wanted to. | 1:32:30 | 1:32:32 | |
And the baby... Baby? What baby? | 1:32:32 | 1:32:36 | |
Oh, Jesus. | 1:32:38 | 1:32:40 | |
What do you take me for? | 1:32:41 | 1:32:43 | |
There ain't no baby. | 1:32:43 | 1:32:46 | |
There ain't no baby? | 1:32:46 | 1:32:49 | |
They didn't even want my picture. | 1:32:53 | 1:32:56 | |
I just... I can't understand that. | 1:32:56 | 1:33:00 | |
Why didn't they even want my picture? | 1:33:04 | 1:33:09 | |
REPORTERS SHOUT | 1:33:09 | 1:33:12 | |
SIREN WAILS | 1:33:12 | 1:33:17 | |
# It's good | 1:33:17 | 1:33:20 | |
# Isn't it grand? | 1:33:20 | 1:33:22 | |
# Isn't it great? | 1:33:22 | 1:33:25 | |
# Isn't it swell? | 1:33:25 | 1:33:27 | |
# Isn't it fun? | 1:33:27 | 1:33:31 | |
# Isn't it | 1:33:31 | 1:33:33 | |
# Nowadays? | 1:33:33 | 1:33:35 | |
BANDLEADER: Ladies and gentlemen, Miss Roxie Hart says... | 1:33:35 | 1:33:39 | |
good night. | 1:33:39 | 1:33:41 | |
# There's men everywhere | 1:33:43 | 1:33:47 | |
# Jazz everywhere | 1:33:47 | 1:33:49 | |
# Booze everywhere | 1:33:49 | 1:33:52 | |
# Life everywhere | 1:33:52 | 1:33:54 | |
# Joy everywhere | 1:33:54 | 1:33:57 | |
# Nowadays | 1:33:57 | 1:34:02 | |
# You can like the life you're living | 1:34:02 | 1:34:07 | |
# You can live the life you like | 1:34:07 | 1:34:11 | |
# You can even marry Harry | 1:34:11 | 1:34:17 | |
# But mess around with Ike | 1:34:17 | 1:34:21 | |
# And that's good | 1:34:21 | 1:34:24 | |
# Isn't it grand? | 1:34:24 | 1:34:26 | |
# Isn't it great? | 1:34:26 | 1:34:28 | |
# Isn't it swell? | 1:34:28 | 1:34:31 | |
# Isn't it fun? | 1:34:31 | 1:34:33 | |
# Isn't it? | 1:34:33 | 1:34:35 | |
# But nothing | 1:34:35 | 1:34:38 | |
# Stays... # | 1:34:38 | 1:34:41 | |
MUSIC SWELLS | 1:34:41 | 1:34:44 | |
# You can like the life you're living | 1:34:47 | 1:34:51 | |
# You can live the life you like... # | 1:34:51 | 1:34:55 | |
Didn't she kill a guy a while back? | 1:34:55 | 1:34:57 | |
Ah, who can keep 'em straight anymore? | 1:34:57 | 1:35:00 | |
# ..But mess around with Ike | 1:35:00 | 1:35:03 | |
# And that's good | 1:35:03 | 1:35:05 | |
# Isn't it grand? | 1:35:05 | 1:35:07 | |
# Isn't it great? | 1:35:07 | 1:35:09 | |
# Isn't it swell? # That's great. | 1:35:09 | 1:35:11 | |
We'll be in touch. | 1:35:11 | 1:35:13 | |
You know, I'm not quite finished yet. I-I have... | 1:35:13 | 1:35:16 | |
Wai-wai-wait. O-o-one more. Um, I could, er... | 1:35:16 | 1:35:18 | |
Just a second. | 1:35:18 | 1:35:20 | |
Goddamn it! | 1:35:20 | 1:35:22 | |
Thank you! | 1:35:23 | 1:35:25 | |
Here's the music, hon. | 1:35:25 | 1:35:27 | |
Thanks. | 1:35:34 | 1:35:36 | |
You know, you're really pretty good. | 1:35:45 | 1:35:47 | |
Yeah, that and a dime. | 1:35:49 | 1:35:51 | |
What are you doing here? | 1:35:52 | 1:35:55 | |
I heard you been, er, makin' the rounds. | 1:35:55 | 1:35:57 | |
If it was up to you, I'd be swingin' by now. | 1:35:57 | 1:36:00 | |
C'mon, I knew Billy'd get you off. | 1:36:00 | 1:36:02 | |
You should learn how to put things behind you. | 1:36:02 | 1:36:04 | |
Oh, thank you. I'll put that at the top of my list, | 1:36:04 | 1:36:07 | |
right after finding a job and an apartment with a john. | 1:36:07 | 1:36:10 | |
Just shut up, and listen. | 1:36:10 | 1:36:11 | |
Oh, you really are somethin'! | 1:36:11 | 1:36:13 | |
Comin' in here like some goddamn queen bee | 1:36:13 | 1:36:16 | |
all full of advice for a poor slob like me. | 1:36:16 | 1:36:19 | |
Well, let me tell you something, Miss Velma Kelly. | 1:36:19 | 1:36:22 | |
I got a new life now, and one of the best things about it is it don't include you. | 1:36:22 | 1:36:27 | |
I just thought we could help each other. Well, you thought wrong. | 1:36:27 | 1:36:30 | |
No, look, listen to me. | 1:36:30 | 1:36:32 | |
I talked to this guy downtown. | 1:36:32 | 1:36:34 | |
He said one jazz killer's nothin' these days, but two... | 1:36:34 | 1:36:38 | |
We could make a coupla hundred a week. | 1:36:47 | 1:36:49 | |
Think about it, Roxie. Our faces back in the papers. | 1:36:49 | 1:36:52 | |
Our names on the marquee. | 1:36:52 | 1:36:54 | |
Velma Kelly and Roxie Hart... | 1:36:54 | 1:36:57 | |
Shouldn't it be alphabetical? That could work. | 1:36:57 | 1:37:00 | |
A coupla hundred? Maybe we could ask for a thou. | 1:37:00 | 1:37:04 | |
We're worth it. | 1:37:04 | 1:37:06 | |
Forget it. It'll never work. | 1:37:07 | 1:37:10 | |
Why not? | 1:37:10 | 1:37:12 | |
Cos I hate you. | 1:37:12 | 1:37:14 | |
There's only one business in the world | 1:37:14 | 1:37:16 | |
where that's no problem at all. | 1:37:16 | 1:37:18 | |
SLOW PIANO TUNE PLAYS | 1:37:18 | 1:37:21 | |
HORNS JOIN IN | 1:37:21 | 1:37:24 | |
BANDLEADER: Ladies and gentlemen, | 1:37:25 | 1:37:28 | |
the Chicago theatre is proud to announce a first. | 1:37:28 | 1:37:31 | |
The first time anywhere there's been an act of this nature. | 1:37:31 | 1:37:35 | |
Not only one little lady, but two! | 1:37:35 | 1:37:38 | |
You've read about them in the papers, | 1:37:38 | 1:37:40 | |
and now here they are - | 1:37:40 | 1:37:42 | |
Chicago's own killer dillers, | 1:37:42 | 1:37:44 | |
those scintillating sinners | 1:37:44 | 1:37:47 | |
Roxie Hart and Velma Kelly. | 1:37:47 | 1:37:49 | |
THUNDEROUS APPLAUSE | 1:37:49 | 1:37:51 | |
# You can like the life you're living | 1:37:51 | 1:37:56 | |
# You can live the life you like | 1:37:56 | 1:38:00 | |
# You can even marry Harry | 1:38:00 | 1:38:05 | |
# But mess around with Ike | 1:38:05 | 1:38:09 | |
# And that's good | 1:38:09 | 1:38:11 | |
# Isn't it grand? | 1:38:11 | 1:38:14 | |
# Isn't it great? | 1:38:14 | 1:38:16 | |
# Isn't it swell? | 1:38:16 | 1:38:18 | |
# Isn't it fun? | 1:38:18 | 1:38:21 | |
# Isn't it? | 1:38:21 | 1:38:22 | |
# But nothin' stays | 1:38:22 | 1:38:26 | |
# In 50 years or so | 1:38:26 | 1:38:30 | |
# It's gonna change, you know | 1:38:30 | 1:38:34 | |
# But, oh, it's heaven | 1:38:34 | 1:38:39 | |
# Nowadays... # | 1:38:39 | 1:38:44 | |
BANDLEADER: OK, you babes of jazz. Let's pick up the pace. | 1:38:44 | 1:38:47 | |
Let's make the parties longer and the skirts shorter. | 1:38:47 | 1:38:50 | |
Let's all go to hell in a fast car and keep it hot! | 1:38:50 | 1:38:53 | |
LIVELY JAZZ TUNE PLAYS | 1:38:53 | 1:38:55 | |
APPLAUSE | 1:38:55 | 1:38:58 | |
PIANO PLAYS TINKLING MELODY | 1:39:09 | 1:39:11 | |
APPLAUSE | 1:39:16 | 1:39:18 | |
LAUGHTER | 1:39:44 | 1:39:47 | |
CHEERS | 1:40:17 | 1:40:19 | |
APPLAUSE AND CHEERS | 1:40:26 | 1:40:29 | |
Me and Roxie would just like to say thank you. | 1:40:44 | 1:40:48 | |
Thank you. | 1:40:49 | 1:40:50 | |
Believe us, we could not have done this without you! | 1:40:50 | 1:40:55 | |
# And all that... | 1:40:55 | 1:41:01 | |
# Jazz. # | 1:41:03 | 1:41:07 | |
BANDLEADER: 5, 6, 7, 8. | 1:41:17 | 1:41:20 | |
Subtitles by Red Bee Media Ltd 2005 | 1:42:45 | 1:42:49 | |
E-mail [email protected] | 1:42:49 | 1:42:52 |