Browse content similar to The Gay Divorce. Check below for episodes and series from the same categories and more!
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# Don't let it bother you When things go wrong | 0:01:53 | 0:01:58 | |
# Some good luck will come along | 0:01:58 | 0:02:02 | |
# Don't let it bother you If now and then | 0:02:02 | 0:02:07 | |
# You may stumble, never grumble Count from one to ten! | 0:02:07 | 0:02:12 | |
# A frown is a smile upside down So turn that frown upside down! | 0:02:12 | 0:02:17 | |
# So smile and sing "Oooh-la-la-la-la!" | 0:02:17 | 0:02:21 | |
# Don't let it bother you If skies are grey | 0:02:21 | 0:02:25 | |
# Learn to grin, Take it on the chin, Everything will be OK. # | 0:02:25 | 0:02:31 | |
MUSIC CONTINUES | 0:02:31 | 0:02:34 | |
It's no use, Guy. Mine has housemaid's knee! | 0:03:27 | 0:03:32 | |
I think you show tendencies towards Terpsichorean excellence! | 0:03:32 | 0:03:38 | |
Well! My inner soul has always wanted to express itself in dance. | 0:03:38 | 0:03:43 | |
-What should I do? -Stick to Law! | 0:03:43 | 0:03:48 | |
Garcon, l'addition, s'il vous plait. | 0:03:48 | 0:03:52 | |
-Spoken like a real native! Recognise it? -No! | 0:03:52 | 0:03:56 | |
-Voila, monsieur. -Oh, my! | 0:03:56 | 0:03:59 | |
Guy, this is an expensive place. | 0:03:59 | 0:04:03 | |
Guy, I must have left my wallet in that other suit. | 0:04:09 | 0:04:15 | |
Egbert, what would you do without me? | 0:04:15 | 0:04:19 | |
I mean... | 0:04:19 | 0:04:22 | |
We're just passing through Paris on our way to London. We're taking the boat tomorrow. | 0:04:26 | 0:04:34 | |
I am the proprietor. | 0:04:36 | 0:04:40 | |
-We'll have to mail you the money. -But I do not KNOW you. | 0:04:40 | 0:04:45 | |
This man's father is Sir Frederick Fitzgerald, the lawyer. | 0:04:45 | 0:04:51 | |
Yes. And I'm a lawyer too. | 0:04:51 | 0:04:54 | |
YOU?! | 0:04:54 | 0:04:57 | |
My friend here is Guy Holden, the American dancer. You must have heard of him. | 0:04:57 | 0:05:04 | |
Yes. I've heard of Guy Holden. But have you any identification? | 0:05:04 | 0:05:10 | |
Well, you see, we...eh... | 0:05:11 | 0:05:14 | |
Left it in the other suit. Yes, yes... | 0:05:14 | 0:05:18 | |
Well...I... | 0:05:19 | 0:05:22 | |
I...I have it! Look here, if my friend DANCES like Holden, that proves he IS Holden. Right? | 0:05:22 | 0:05:31 | |
Go on, Guy, dash them off a polka. | 0:05:31 | 0:05:35 | |
-I'm on vacation. I'm not dancing! -WAITERS DISCUSS THIS | 0:05:35 | 0:05:40 | |
They'll make us wash dishes. | 0:05:40 | 0:05:43 | |
There! | 0:05:52 | 0:05:54 | |
-That means nothing. -Then YOU try it! | 0:05:55 | 0:06:01 | |
Suppose you do it over there... | 0:06:01 | 0:06:03 | |
-With all these people around? -If you ARE Guy Holden, people won't disturb you. -No. | 0:06:03 | 0:06:11 | |
-WAITERS BABBLE IN FRENCH -The dishes will be difficult to wash! | 0:06:11 | 0:06:17 | |
BAND STRIKES UP | 0:06:25 | 0:06:28 | |
MUSIC STOPS | 0:07:07 | 0:07:10 | |
MUSIC BEGINS AGAIN | 0:07:32 | 0:07:35 | |
Guy! | 0:07:38 | 0:07:40 | |
TELEGRAM BOY: Mr Fitzgerald! Mr Fitzgerald! | 0:08:09 | 0:08:14 | |
Mr Fitzgerald! Mr Fitzgerald! | 0:08:14 | 0:08:17 | |
-What do you want? -Mr PINKIE Fitzgerald? -Yes. | 0:08:18 | 0:08:23 | |
Pinkie? THAT'S a new one! | 0:08:23 | 0:08:26 | |
It must be from Father. He's called me "Pinkie" since I was a little tot. | 0:08:26 | 0:08:33 | |
-Tip that boy, will you? Read that for me. I'm busy. -Thank you, Captain. | 0:08:33 | 0:08:41 | |
Your father says, "Leaving for Scotland. | 0:08:41 | 0:08:45 | |
-"Take charge of office." -He's leaving me in charge. -I haven't finished. | 0:08:45 | 0:08:52 | |
-"But don't DO anything. Just SIT." -Let me see that. | 0:08:52 | 0:08:57 | |
You've been in charge before! | 0:08:57 | 0:09:00 | |
The lady in Section D... she's an American, and you know how THEY are! | 0:09:00 | 0:09:07 | |
Can you help? Look after this man. Come with me. | 0:09:07 | 0:09:13 | |
I'm the Chief Inspector. Anything I can do for you? | 0:09:13 | 0:09:18 | |
Yes! This man wants to mess up my trunks after I've carefully packed them! | 0:09:18 | 0:09:25 | |
Sorry. We must inspect all luggage. | 0:09:25 | 0:09:29 | |
Ohhh! How much DID you pay for this? | 0:09:29 | 0:09:34 | |
How much? It was an awful lot... Where did you buy it? | 0:09:34 | 0:09:40 | |
Where did I buy it? Let me see... What's the name of that town? | 0:09:40 | 0:09:45 | |
Paris? | 0:09:46 | 0:09:48 | |
Paris? No. It wasn't Paris. | 0:09:48 | 0:09:50 | |
< Lyons? | 0:09:50 | 0:09:52 | |
No. But you're getting warmer! | 0:09:52 | 0:09:56 | |
Nice? | 0:09:56 | 0:09:58 | |
Yes! That's who I'm waiting for. | 0:09:58 | 0:10:01 | |
What? My NIECE. She's to meet me here. | 0:10:01 | 0:10:06 | |
Where IS she? I don't know. | 0:10:06 | 0:10:10 | |
-This is the only other place she might be. -Oh, there she is! Thank you. | 0:10:10 | 0:10:17 | |
-Mimi, dear! -Hortense! How are you? | 0:10:17 | 0:10:20 | |
-You look marvellous! -Don't I? | 0:10:20 | 0:10:23 | |
This is my niece, Mimi. Her life's mixed up, but I've come over to straighten it out. | 0:10:23 | 0:10:31 | |
Please straighten THIS matter out first. | 0:10:31 | 0:10:35 | |
What do you want me to do? Come with me! | 0:10:35 | 0:10:41 | |
-Put those things in while I lock this trunk. -These? | 0:10:41 | 0:10:46 | |
-Yes. Hold this for me. -Did you have a nice trip? -Yes. | 0:10:46 | 0:10:51 | |
I enjoyed every minute of it! | 0:10:51 | 0:10:55 | |
I won't be long dear. Come on! | 0:11:02 | 0:11:05 | |
Porter! Porter! | 0:11:24 | 0:11:27 | |
-Porter! -Sorry, I'm busy, ma'am. | 0:11:27 | 0:11:30 | |
Porter! | 0:11:32 | 0:11:34 | |
Oh, porter! Porter! | 0:11:36 | 0:11:39 | |
Porter! | 0:11:45 | 0:11:47 | |
Porter! | 0:11:47 | 0:11:49 | |
Porter! | 0:11:50 | 0:11:52 | |
Can I be of any assistance? | 0:11:52 | 0:11:56 | |
-My aunt is in the Inspector's office, would you call her? -Yes. -Thank you. -With pleasure. | 0:11:56 | 0:12:04 | |
You're an American, aren't you? | 0:12:07 | 0:12:10 | |
-Yes. -So am I. | 0:12:10 | 0:12:13 | |
-So is my aunt. You know, the one you were going to call for me? -Why, yes. | 0:12:13 | 0:12:20 | |
Anything you want me to tell her? | 0:12:22 | 0:12:25 | |
Tell her that my dress is caught. | 0:12:26 | 0:12:31 | |
Oh, your dress is caught! | 0:12:31 | 0:12:34 | |
Tch-tch! My, my! | 0:12:34 | 0:12:37 | |
-Locked! -Yes. -You want me to call your aunt? | 0:12:37 | 0:12:41 | |
Yes! | 0:12:41 | 0:12:43 | |
A third party might spoil this! | 0:12:44 | 0:12:47 | |
-Porter! -Porter! | 0:12:47 | 0:12:50 | |
Oh, porter! | 0:12:50 | 0:12:52 | |
There's no reason why I can't handle this myself. | 0:12:52 | 0:12:57 | |
-Let me see... -R-R-I-I-I-P ! | 0:12:57 | 0:13:01 | |
Maybe I should have called your aunt. | 0:13:01 | 0:13:05 | |
I'm awfully sorry. Please take this. | 0:13:05 | 0:13:09 | |
-Please forgive me. -Where can I return this to you? | 0:13:13 | 0:13:18 | |
-May I save you the trouble and call for it? -No. | 0:13:18 | 0:13:24 | |
Oh. | 0:13:24 | 0:13:26 | |
Well, eh...here's my address. | 0:13:26 | 0:13:29 | |
I'll be waiting to hear from you. | 0:13:29 | 0:13:32 | |
-Y-you didn't say goodbye. -No. -Wonderful. That means I'll see you again. | 0:13:33 | 0:13:40 | |
-All right, I'll pay it. -I've just had an embarrassing experience. | 0:13:48 | 0:13:54 | |
-A man tore my dress. -Anyone we know? | 0:13:54 | 0:13:58 | |
-Ohh! -Here you are, madam. | 0:13:58 | 0:14:02 | |
Oh, for me? I DO adore fruit baskets! | 0:14:02 | 0:14:06 | |
You shouldn't have! After all, we've just met. | 0:14:06 | 0:14:11 | |
MAIL BOY WHISTLES | 0:14:21 | 0:14:24 | |
EGBERT JOINS IN | 0:14:30 | 0:14:33 | |
Not bad. Time for an encore? | 0:14:42 | 0:14:45 | |
-My time's too valuable. -Sorry! | 0:14:45 | 0:14:48 | |
-Don't you want to know who sent that? -All right. Tell me. | 0:14:48 | 0:14:54 | |
The young lady asked me not to tell! | 0:14:54 | 0:14:58 | |
Oh, oh, yes! I see! | 0:15:00 | 0:15:03 | |
"Asked me not to tell". | 0:15:03 | 0:15:06 | |
Guy! Package for you. | 0:15:08 | 0:15:11 | |
Oh, that's my raincoat. | 0:15:11 | 0:15:14 | |
-That must be her handwriting. -I studied handwriting. Very neat. | 0:15:14 | 0:15:20 | |
The "O"s and "A"s are open, that means extravagance. | 0:15:20 | 0:15:26 | |
Little circles instead of dots, that's a sign of vanity. | 0:15:26 | 0:15:31 | |
-Guy, what's the matter? You seem to be under a spell. -I am. For the first time ever! | 0:15:31 | 0:15:39 | |
-What are you looking for? -Where's the note? -Oh, NO note. | 0:15:39 | 0:15:44 | |
-No note?! -No note. -Did you talk to the messenger? -She told him not to tell where it came from. | 0:15:44 | 0:15:52 | |
-I wonder if she resented my tearing her skirt? -Probably. What did you do that for? | 0:15:52 | 0:15:59 | |
-She couldn't move! -Sounds unsporting of you, Guy. | 0:15:59 | 0:16:04 | |
-It was an accident. -It usually is! | 0:16:04 | 0:16:08 | |
-What's her name? -I don't know. -Address? -I don't know. -Interesting romance(!) | 0:16:08 | 0:16:15 | |
I hoped she'd send a note with her address. | 0:16:15 | 0:16:19 | |
Well, I would hazard that she doesn't want to see you. | 0:16:19 | 0:16:25 | |
Hmmm. Ha-aaaa. Yes. | 0:16:25 | 0:16:28 | |
Well, I'm going to the office. What are you going to do? | 0:16:28 | 0:16:34 | |
I'm going to look for her. I'll find her. | 0:16:34 | 0:16:38 | |
Shouldn't be difficult. There are only 3 million women in London! | 0:16:38 | 0:16:45 | |
# It's just like looking for a needle in a haystack | 0:16:54 | 0:17:00 | |
# Searching for a moonbeam in the blue | 0:17:00 | 0:17:04 | |
# Still, I've gotta find you | 0:17:04 | 0:17:07 | |
# It's just like looking for a raindrop in the ocean | 0:17:09 | 0:17:15 | |
# Searching for a dewdrop in the dew | 0:17:15 | 0:17:19 | |
# Still, I've gotta find you | 0:17:19 | 0:17:22 | |
# I'll roam the town in hope that we'll meet | 0:17:24 | 0:17:29 | |
# Look at each face I'll pass on the street | 0:17:29 | 0:17:33 | |
# Sometimes I hear the beat of your feet But it's just imagination | 0:17:33 | 0:17:40 | |
# Oh, it's like looking for a needle in a haystack | 0:17:40 | 0:17:45 | |
# Still, I'll follow every little clue | 0:17:45 | 0:17:49 | |
# Cos I've gotta find you | 0:17:49 | 0:17:52 | |
# It's just like looking for a needle in a haystack | 0:17:54 | 0:18:00 | |
# Searching for a moonbeam in the blue | 0:18:00 | 0:18:04 | |
# Still, I've got to find you | 0:18:04 | 0:18:07 | |
# It's just like looking for a raindrop in the ocean | 0:18:08 | 0:18:14 | |
# Searching for a dewdrop in the dew | 0:18:14 | 0:18:18 | |
# Still, I've gotta find you | 0:18:19 | 0:18:22 | |
# I'll roam the town in hope that we'll meet | 0:18:22 | 0:18:27 | |
# Look at each face I pass on the street | 0:18:27 | 0:18:31 | |
# Sometimes I hear the beat of your feet | 0:18:31 | 0:18:35 | |
# But it's just imagination | 0:18:35 | 0:18:39 | |
# Though it's like looking for a needle in a haystack | 0:18:39 | 0:18:46 | |
# Still, I'll follow every little clue Cos I gotta find you! # | 0:18:46 | 0:18:54 | |
HIS CAR HITS THE ONE IN FRONT | 0:21:10 | 0:21:13 | |
Hello! | 0:21:15 | 0:21:17 | |
I've been looking for you. | 0:21:18 | 0:21:21 | |
Wait! | 0:21:21 | 0:21:24 | |
Stop! | 0:22:10 | 0:22:12 | |
-Isn't it peaceful here(?) -Would you mind moving your car or don't you want it any more? | 0:23:02 | 0:23:10 | |
"Yes, Guy, it IS peaceful." | 0:23:10 | 0:23:13 | |
In a moment, the air will be full of fenders! | 0:23:14 | 0:23:18 | |
-Hit it just about THERE, the cigarette lighter never did work. -I warned you! | 0:23:18 | 0:23:26 | |
Porter! Porter! | 0:23:30 | 0:23:33 | |
Can't do it! Guess I'm too economical. | 0:23:37 | 0:23:41 | |
Now, then, can I offer you something? Cointreau? Benedictine? Marriage? | 0:23:47 | 0:23:54 | |
-What was that last? -Benedictine. -No. After THAT. | 0:23:54 | 0:24:00 | |
-Marriage. -Do you always propose marriage so casually? -No. I've given it thought. | 0:24:01 | 0:24:08 | |
-I've spent the last two weeks looking for you. -Didn't you get your coat? -Yes. | 0:24:08 | 0:24:17 | |
But I'd hoped for a note. | 0:24:17 | 0:24:21 | |
I've got to know something about you. | 0:24:21 | 0:24:25 | |
What flowers you like, favourite books, music... | 0:24:25 | 0:24:30 | |
Where can I get in touch with you? | 0:24:30 | 0:24:34 | |
You can't. | 0:24:36 | 0:24:38 | |
I'm staying with friends. | 0:24:39 | 0:24:42 | |
I wouldn't know what you'd do next! | 0:24:42 | 0:24:46 | |
Well, if you won't give me YOUR number, here's MINE. | 0:24:48 | 0:24:53 | |
Just wasting paper! | 0:24:59 | 0:25:02 | |
Ah! I thought you were economical! | 0:25:07 | 0:25:11 | |
That's better. | 0:25:11 | 0:25:14 | |
May I go now(?) | 0:25:14 | 0:25:17 | |
All right. You WILL call me tomorrow? | 0:25:17 | 0:25:21 | |
I'll be waiting. I'll rest at night so I can wait some more! | 0:25:21 | 0:25:27 | |
I say! Let us through! | 0:25:31 | 0:25:34 | |
Rath-er! Right you are! Cheerio! | 0:25:34 | 0:25:37 | |
Right you are! Awfully sorry! | 0:25:39 | 0:25:41 | |
I bought this in the sporting goods store. | 0:25:44 | 0:25:48 | |
You didn't tell me your name! | 0:25:57 | 0:26:00 | |
Mimi! | 0:26:01 | 0:26:03 | |
Mimi? | 0:26:04 | 0:26:06 | |
Mimi! | 0:26:07 | 0:26:09 | |
I'll tell Mr Fitzgerald... Thank you. | 0:26:22 | 0:26:26 | |
It's hopeless. I don't know why we're here. | 0:26:26 | 0:26:30 | |
Egbert's an old friend. He doesn't know much about Law, it's his father who's the brains. | 0:26:30 | 0:26:38 | |
Oh, dear Egbert! He was nearly my third husband. | 0:26:38 | 0:26:43 | |
He would have been, but he left for India on an elephant hunt. | 0:26:43 | 0:26:49 | |
He went off... when he could have married ME ! | 0:26:49 | 0:26:53 | |
Mrs Deluwelle, Mr Fitzgerald doesn't recall your name. | 0:26:55 | 0:27:00 | |
What do you mean...? | 0:27:00 | 0:27:03 | |
Of course! I've been married again. He wouldn't know that name. | 0:27:03 | 0:27:09 | |
-What name DID Egbert know me by? -Hortense, darling! -I didn't marry in '29 or '30. | 0:27:09 | 0:27:15 | |
That was the year of the crash, and men didn't know if they had money. | 0:27:15 | 0:27:22 | |
I tell you! Just say "Peanuts". He'll know! | 0:27:22 | 0:27:26 | |
Peanuts?! | 0:27:26 | 0:27:28 | |
Yes! You know, the association of ideas. | 0:27:28 | 0:27:34 | |
Peanuts - elephants - elephant hunt - ME ! "Peanuts", madam. | 0:27:34 | 0:27:40 | |
Ahem! | 0:27:47 | 0:27:49 | |
Yes, yes, yes? | 0:27:49 | 0:27:53 | |
She said to say "Peanuts". | 0:27:53 | 0:27:56 | |
Tell her I don't want any. | 0:27:56 | 0:27:59 | |
She also mentioned elephant hunting. | 0:28:00 | 0:28:05 | |
That makes it peanuts, India, elephant hunting. That doesn't make sense. Horte... | 0:28:05 | 0:28:11 | |
Oh, no! It couldn't be! Tell her I'm out of town! | 0:28:11 | 0:28:17 | |
EGBERT! | 0:28:17 | 0:28:19 | |
Don't mind him, he's so impetuous! | 0:28:19 | 0:28:23 | |
You look just the same. That sweet smile and dear little eyes! | 0:28:23 | 0:28:29 | |
Meet my niece, Mrs Glossip. | 0:28:29 | 0:28:32 | |
-Mrs Glossip. How do you do? -Glad to know you. | 0:28:32 | 0:28:36 | |
-Sit down, sit down. -Thank you. | 0:28:36 | 0:28:39 | |
Mimi is unhappily married. Isn't that criminal? | 0:28:39 | 0:28:46 | |
-It's no crime to be married. -Egbert, are you proposing to me again? -No! | 0:28:46 | 0:28:54 | |
No! NO! | 0:28:54 | 0:28:56 | |
Mrs Glossip has a problem? | 0:28:57 | 0:29:00 | |
Yes, I have. There are so many things... I don't know where to begin. | 0:29:00 | 0:29:06 | |
-Well... -Sit down. I'll tell you about it. | 0:29:06 | 0:29:11 | |
She's been married two years. She never sees her husband unless he wants money. | 0:29:11 | 0:29:18 | |
Tch-tch! | 0:29:18 | 0:29:20 | |
-I met him at school. -He's a geometrist. | 0:29:20 | 0:29:25 | |
Oh! | 0:29:25 | 0:29:27 | |
-No. A GEOLOGIST. -Oh! Geologist! | 0:29:27 | 0:29:30 | |
What difference does it make? Same thing! | 0:29:30 | 0:29:35 | |
-You know, rocks and things. -Oh! He threw them? -No! He digs them! He DIGS them! | 0:29:35 | 0:29:43 | |
Have you asked your husband for a divorce? | 0:29:43 | 0:29:47 | |
Yes. He refuses to discuss it. | 0:29:47 | 0:29:50 | |
Well, obtaining a divorce in England is a difficult thing, | 0:29:50 | 0:29:56 | |
unless the husband agrees to grant it. | 0:29:56 | 0:30:00 | |
Ohh, Egbert! I didn't know you liked dolls! | 0:30:01 | 0:30:05 | |
Mother instinct! | 0:30:10 | 0:30:12 | |
Ladies, as your legal adviser, I would suggest that we resort to...eh... | 0:30:14 | 0:30:20 | |
thingummyjig. | 0:30:20 | 0:30:22 | |
-Flagrant! -Why? Oh, yes! -I had one in my second divorce. | 0:30:22 | 0:30:28 | |
The details are simple... a seaside hotel... | 0:30:28 | 0:30:33 | |
I'll do anything you say. | 0:30:33 | 0:30:36 | |
-I'll leave it to you two. -It would be better for me if you remained. -Run along, dear! | 0:30:36 | 0:30:44 | |
-I'll fix everything! -Thank you. | 0:30:44 | 0:30:47 | |
-I feel comfortable in your hands. -I'll work my brain to the bone! -Goodbye! | 0:30:47 | 0:30:54 | |
Goodbye. | 0:30:54 | 0:30:55 | |
Now, right down to business. | 0:31:04 | 0:31:06 | |
Ohh! Oh, Egbert! | 0:31:06 | 0:31:09 | |
-I mean the hotel. -Oh. -I know a new one, the Hotel Bella Vista. | 0:31:10 | 0:31:16 | |
Easy to remember! I had a cook named Bella. Or was it a masseuse? | 0:31:16 | 0:31:22 | |
Anyway, I'll have my niece meet you at the Maryland Hotel. That wasn't it! A girl's name... | 0:31:22 | 0:31:30 | |
-Take this. -Oh, "The Bella Vista". Of course! That's what I said in the first place. | 0:31:30 | 0:31:39 | |
Oh, goodbye, Egbert. | 0:31:39 | 0:31:42 | |
Divorces make me so sentimental. | 0:31:42 | 0:31:45 | |
Don't you wish it was ours? | 0:31:45 | 0:31:48 | |
Yes, miss. I understand, miss. | 0:31:52 | 0:31:55 | |
-Who was it? -A lady, sir. | 0:31:55 | 0:31:58 | |
-Did she leave a message? -Yes. -Well...? -It was the wrong number! | 0:31:58 | 0:32:04 | |
Get everything ready. Hurry! I'm leaving for the seashore. | 0:32:04 | 0:32:11 | |
-Did another woman propose to you? -Yes. No! I've got a case! -A case of what? -A DIVORCE case! | 0:32:11 | 0:32:20 | |
-I'll handle it all myself. -Oh! | 0:32:20 | 0:32:23 | |
-Hurry, man! Pack my things. -Mr Guy's also? | 0:32:23 | 0:32:27 | |
Splendid idea! Guy, come along. The change will do you good. | 0:32:27 | 0:32:33 | |
-You look liverish. -It isn't liver, it's LOVE, sir! | 0:32:33 | 0:32:38 | |
I can't leave London. I'm waiting for a call. | 0:32:38 | 0:32:43 | |
You're not pining for that girl? | 0:32:43 | 0:32:46 | |
Pining?! Men don't pine. | 0:32:46 | 0:32:49 | |
GIRLS pine. Men just...suffer! | 0:32:49 | 0:32:55 | |
Guy, she hasn't called you. She's not interested. | 0:32:56 | 0:33:01 | |
You pulled her gown... she pulled your leg! | 0:33:01 | 0:33:06 | |
-Maybe you're right. -Of course. -I've waited two weeks! | 0:33:06 | 0:33:12 | |
-Where are we going? -Brighton. The Hotel Mabel...Margaret... Oh, confound that woman! | 0:33:12 | 0:33:20 | |
Come along! Sea air, sunshine, gaiety, girls! | 0:33:20 | 0:33:25 | |
# You're my type of a shy type | 0:33:42 | 0:33:45 | |
-# Of a beau, dear -Pardon? | 0:33:45 | 0:33:48 | |
-# So let's do things I'll teach you a few things -Me?! | 0:33:48 | 0:33:54 | |
-# For I know, dear -I'm reading... | 0:33:54 | 0:33:58 | |
-# I'm not bashful I'm pash-ful ! -I sense that! | 0:33:58 | 0:34:04 | |
# When you're near I feel so... Let's play houses | 0:34:04 | 0:34:07 | |
-# Oh, you make me feel so Mickey Mouse-ish! -What a place! | 0:34:07 | 0:34:14 | |
# You're sweet and so agreeable I feel so gosh-oh-gee-able! | 0:34:14 | 0:34:19 | |
# You warm me or I'll freeze and let's k-knock k-knees | 0:34:19 | 0:34:24 | |
# You are so bill and coo-able I'm so I-love-you-able | 0:34:24 | 0:34:30 | |
-# Come cuddle closer, please And let's k-knock k-knees -Is it a game? | 0:34:30 | 0:34:36 | |
# They say make hay while the sun shines | 0:34:36 | 0:34:40 | |
# So let's make hey-hey-hey while the moon shines! | 0:34:40 | 0:34:44 | |
# My heart's so tick-tock-tickable | 0:34:44 | 0:34:47 | |
# Your lips are so lipstick-able! | 0:34:47 | 0:34:50 | |
# You know your A,B,Cs so let's k-knock k-knees! | 0:34:50 | 0:34:55 | |
# It's so incomprehensible It doesn't seem quite sensible | 0:34:55 | 0:35:01 | |
# And yet I like it, please Let's k-knock k-knees | 0:35:01 | 0:35:07 | |
# It's almost hoi polloi-able And yet it's quite enjoyable | 0:35:07 | 0:35:12 | |
# Oooh, I'm full of rhapsody... # (Not here!) | 0:35:12 | 0:35:16 | |
# Flipping, skipping Lightly bounding | 0:35:16 | 0:35:21 | |
-# Stop it! Knock it! -Really, this is most astounding! | 0:35:21 | 0:35:27 | |
-# It makes one feel so thrill-able -I've exhausted every syllable | 0:35:27 | 0:35:32 | |
-# I crave frivolity -Let's k-knock... -# Ouch! | 0:35:32 | 0:35:37 | |
# Let's k-knock k-knees! # | 0:35:56 | 0:35:58 | |
# Let's knock knees! # | 0:37:32 | 0:37:34 | |
Oh, hello! | 0:37:34 | 0:37:37 | |
Oh! | 0:38:05 | 0:38:06 | |
Thank you! Thank you! | 0:38:07 | 0:38:10 | |
I've been looking for you! | 0:38:10 | 0:38:13 | |
-Just dancing. -Is THAT what it was? | 0:38:13 | 0:38:17 | |
This is a marvellous place, isn't it, Guy? | 0:38:24 | 0:38:28 | |
I think it's wonderful. | 0:38:28 | 0:38:31 | |
-Are you still moping over that girl? The world's FULL of girls. -I know. But not like her. | 0:38:32 | 0:38:40 | |
She's music, the buzzing of the bees, | 0:38:40 | 0:38:44 | |
she's water lapping on the shore... | 0:38:44 | 0:38:48 | |
She sounds like a series of strange noises to me! | 0:38:48 | 0:38:53 | |
Well...cheer up, Guy, cheer up. | 0:38:53 | 0:38:56 | |
-You may chance across her again. -I will. | 0:38:56 | 0:39:00 | |
And it won't be chance. Chance is the fool's name for fate. | 0:39:00 | 0:39:06 | |
What was that last? "The fool's name for fate"? Where did you get it? | 0:39:06 | 0:39:13 | |
A line from my last show. | 0:39:13 | 0:39:17 | |
It would make a good song! | 0:39:17 | 0:39:20 | |
# Chance is the fool's name for fate, my lad... # | 0:39:20 | 0:39:25 | |
Mind if I use it in conversation? | 0:39:25 | 0:39:28 | |
Spring it on your father! | 0:39:28 | 0:39:31 | |
"Chance is the fool's name..." | 0:39:36 | 0:39:39 | |
If father could only see me upholding the professional dignity of the firm. | 0:39:42 | 0:39:50 | |
-I'll wait for my client. -I'll see you later. -I'll be here. | 0:39:50 | 0:39:56 | |
Pardon, you rang, sir? | 0:39:58 | 0:40:01 | |
What is there to ring with? | 0:40:01 | 0:40:04 | |
Pardon, sir. It's just a figure of speech. | 0:40:04 | 0:40:08 | |
Oh. Oh. Uh-huh. Well, bring me a... Let me have a... | 0:40:08 | 0:40:15 | |
Your figure of speech has made me forget what I wanted! | 0:40:15 | 0:40:20 | |
Do you require crumpets? | 0:40:21 | 0:40:24 | |
No. I never ring for crumpets. | 0:40:24 | 0:40:27 | |
Would you ring for a toasted scone, sir? | 0:40:30 | 0:40:34 | |
Scone? Well, now, eh... No. No. Try me again. | 0:40:34 | 0:40:41 | |
-Can you imagine yourself with a hankering for a nice gooseberry tart? -No! | 0:40:41 | 0:40:49 | |
No crumpets, no scones... gooseberry tarts... | 0:40:50 | 0:40:54 | |
That lands both of us in the cul-de-sac. | 0:40:54 | 0:40:59 | |
Of course. | 0:40:59 | 0:41:01 | |
I hate to leave you like this. You, torn with doubts, and me, with my duty undischarged. | 0:41:01 | 0:41:09 | |
Cheer up. It'll come to me. | 0:41:09 | 0:41:13 | |
Was it Animal or Vegetable, sir? | 0:41:14 | 0:41:17 | |
No. | 0:41:17 | 0:41:19 | |
That leaves Mineral, then. | 0:41:19 | 0:41:22 | |
Now, sir, was it a half 'n' half... | 0:41:23 | 0:41:27 | |
a noggin of ale, a pipkin of porter... | 0:41:27 | 0:41:31 | |
a stoup of stout... or a beaker of beer? | 0:41:31 | 0:41:35 | |
Tea. | 0:41:38 | 0:41:40 | |
Tea?! | 0:41:40 | 0:41:42 | |
Well, isn't it a small world? | 0:41:42 | 0:41:45 | |
-Hello, Mrs Glossip. -Hello. | 0:41:59 | 0:42:03 | |
Ready for graduation day? | 0:42:03 | 0:42:06 | |
Egbert! | 0:42:06 | 0:42:08 | |
Oh, no, it... It IS! | 0:42:08 | 0:42:11 | |
-I came down to help you. -So good of you(!) | 0:42:11 | 0:42:16 | |
-I'm anxious to have a few last words with you? -LAST words? -Yes. | 0:42:16 | 0:42:23 | |
If you don't mind. | 0:42:23 | 0:42:26 | |
-Now, eh... -Oh, Egbert! | 0:42:26 | 0:42:29 | |
Now... | 0:42:32 | 0:42:33 | |
It will be necessary for someone to discover you with someone, | 0:42:33 | 0:42:40 | |
just as a matter of form. | 0:42:40 | 0:42:43 | |
I can't go through with it! | 0:42:43 | 0:42:46 | |
Don't be silly, get it over with. Think of Cyril Gotham. I knew that would do it! | 0:42:46 | 0:42:53 | |
The young man is on his way. It wouldn't be correct for me to introduce you. | 0:42:53 | 0:43:02 | |
-He will present himself. -We need a password! Wonderful! -I have the password. | 0:43:02 | 0:43:09 | |
-He will say, "Chance is the fool's name for fate." -Shakespeare? -It's my own! | 0:43:09 | 0:43:16 | |
-"Chance is the fool's name for fate." -Good! Now, you must have a name. | 0:43:16 | 0:43:25 | |
Your name will be... eh...Mrs Green. | 0:43:25 | 0:43:29 | |
Green! I DO adore green! Very soothing to the eye. | 0:43:29 | 0:43:34 | |
-Are you coming with us? -Hortense, you can't stay with her. | 0:43:34 | 0:43:39 | |
-You can't have a clandestine affair between three people! -That's what YOU say! | 0:43:39 | 0:43:46 | |
MAN SINGS "SANTA LUCIA" | 0:43:48 | 0:43:52 | |
# La-la-la la-la-la... # | 0:43:57 | 0:44:00 | |
-By any chance, are you Mr Tornetti? -Rudolfo Tornetti at your serveece! | 0:44:08 | 0:44:15 | |
Yes, well, I am Mr Fitzgerald. | 0:44:15 | 0:44:18 | |
Mr Feetzgerald? I am delightful. | 0:44:18 | 0:44:22 | |
I shouldn't doubt it, old man. | 0:44:22 | 0:44:25 | |
Don't you think a co-respondent should come to work quietly? | 0:44:25 | 0:44:31 | |
I will do a feerst-class job! | 0:44:31 | 0:44:34 | |
The lady is very sensitive, you must treat her accordingly. | 0:44:34 | 0:44:39 | |
-Whicheever way the wind blows, that's the way I sail. -Sit down. | 0:44:39 | 0:44:45 | |
Tea. | 0:44:45 | 0:44:47 | |
-Your life, Mr Tornetti, must be full of excitement. -And danger! -From the husbands? | 0:44:53 | 0:45:01 | |
-No. From the ladies. -Interesting! | 0:45:01 | 0:45:04 | |
But, Tornetti, he know what to do! | 0:45:04 | 0:45:07 | |
Sometimes the lady and I have conversation, sometimes I play concertina, | 0:45:07 | 0:45:14 | |
but mostly I seeeng. | 0:45:14 | 0:45:17 | |
My wife, he do not like me to seeeng. | 0:45:17 | 0:45:20 | |
A woman of great perspicacity. | 0:45:20 | 0:45:23 | |
Oh, signor, you bet! | 0:45:23 | 0:45:26 | |
You're sure, Mr Tornetti, that my client will be safe? | 0:45:28 | 0:45:33 | |
Oh, signor! With me, strictly beezness! | 0:45:33 | 0:45:38 | |
"Your wife is safe with Tornetti, he prefers spaghetti!" | 0:45:38 | 0:45:44 | |
Now, listen, I'll give you the password. | 0:45:46 | 0:45:50 | |
When you see the lady, you say, "Chance is the fool's name for fate." | 0:45:50 | 0:45:57 | |
-"Chance is the foolish name...." -"The FOOL'S name for fate." -What's eet mean? | 0:45:57 | 0:46:05 | |
You have to have some method... | 0:46:05 | 0:46:08 | |
Oh, never mind what it means! Just say it. | 0:46:08 | 0:46:13 | |
Now, remember, I want delicacy, tact, assurance, finesse. | 0:46:13 | 0:46:18 | |
I have brought everytheeeng. | 0:46:18 | 0:46:21 | |
And now I go inside to make call to tell my wife I am safely arrived. | 0:46:22 | 0:46:29 | |
Arrivederci. | 0:46:29 | 0:46:32 | |
"Fate is no fooling..." No, no. | 0:46:32 | 0:46:35 | |
"Chances are..." Scusi. | 0:46:35 | 0:46:38 | |
Madam, can I be of service to you? | 0:46:43 | 0:46:47 | |
I doubt it! Let me have the menu. | 0:46:47 | 0:46:51 | |
What have you? | 0:46:51 | 0:46:54 | |
Eh...crumpets! Does it run in the family? | 0:46:54 | 0:46:59 | |
That's very whumsical. | 0:47:01 | 0:47:04 | |
What? Very whumsical, ma'am. | 0:47:04 | 0:47:07 | |
Like Sir James Barrie. | 0:47:07 | 0:47:10 | |
You mean "whimsical" ? Well, yes, ma'am. Why not "whimsical", then? | 0:47:10 | 0:47:17 | |
"Whumsical" is much more whimsical than whamsical. | 0:47:17 | 0:47:22 | |
You're beginning to fascinate me, and I resent that in any man! | 0:47:22 | 0:47:27 | |
I was just going to order. | 0:47:27 | 0:47:30 | |
-I can't eat a thing. -You must! You can't have a divorce on an empty stomach. | 0:47:31 | 0:47:38 | |
What's the matter? You look like you've seen your husband! | 0:47:42 | 0:47:47 | |
-It's the man I told you about! -Did you send him an invitation?! | 0:47:47 | 0:47:52 | |
I didn't know he was here! | 0:47:55 | 0:47:57 | |
Mimi! MIMI! | 0:47:57 | 0:48:00 | |
Mimi! | 0:48:02 | 0:48:04 | |
-You mustn't run like that. -Why not? -It's bad for my health! | 0:48:12 | 0:48:18 | |
-What are you doing here? -Same as you. -What?! | 0:48:18 | 0:48:23 | |
I came here looking for pieces of my heart. | 0:48:23 | 0:48:27 | |
No! Know what I've been doing? Thinking of you. I haven't left my telephone. | 0:48:27 | 0:48:34 | |
You gave me a LONDON number. | 0:48:34 | 0:48:37 | |
Oh, ehm... well, I had to come here... a little business. | 0:48:37 | 0:48:43 | |
I saw a few of them in bathing suits. | 0:48:43 | 0:48:47 | |
Oh, no! Nothing like that. | 0:48:47 | 0:48:50 | |
-Why didn't you leave a message? -I did. -You did?! | 0:48:50 | 0:48:55 | |
-But they said that you'd left London. -Mimi, you DID call. | 0:48:55 | 0:49:00 | |
-Wonderful. -I'd better leave now. | 0:49:00 | 0:49:03 | |
Please don't go. There's a gala night... | 0:49:03 | 0:49:08 | |
-It's usually terrible! -Well, it's worth staying here to miss it! | 0:49:08 | 0:49:14 | |
-Don't ask me to stay. -I won't. | 0:49:14 | 0:49:17 | |
Don't go. I've so many things to say to you. | 0:49:17 | 0:49:21 | |
# Like the beat, beat, beat of the tom-tom When the jungle shadows fall | 0:49:21 | 0:49:27 | |
# Like the tick, tick, tock of the stately clock as it stands against the wall | 0:49:27 | 0:49:32 | |
# Like the drip, drip, drip of the raindrops when the summer shower is through | 0:49:32 | 0:49:38 | |
# So a voice within me keeps repeating you, you, you! | 0:49:38 | 0:49:43 | |
# Night and day, you are the one | 0:49:43 | 0:49:48 | |
# Only you beneath the moon and under the sun | 0:49:48 | 0:49:54 | |
# Whether near to me or far | 0:49:55 | 0:49:58 | |
# It's no matter, darling, where you are | 0:49:58 | 0:50:02 | |
# I think of you night and day | 0:50:02 | 0:50:06 | |
# Day and night why is it so? | 0:50:07 | 0:50:12 | |
# That this longing for you follows wherever I go? | 0:50:12 | 0:50:18 | |
# In the roaring traffic's boom | 0:50:18 | 0:50:22 | |
# In the silence of my lonely room | 0:50:22 | 0:50:25 | |
# I think of you night and day | 0:50:25 | 0:50:30 | |
# Night and day under the hide of me | 0:50:30 | 0:50:35 | |
# There's an oh, such a hungry yearning burning inside of me | 0:50:35 | 0:50:42 | |
# This torment won't be through Till you let me spend my life making love to you | 0:50:42 | 0:50:49 | |
# Day and night night and day! # | 0:50:49 | 0:50:54 | |
Cigarette? | 0:53:43 | 0:53:45 | |
I still don't know what you're doing here. | 0:53:48 | 0:53:53 | |
I came down with my aunt. | 0:53:54 | 0:53:57 | |
I'm here with MY aunt - Aunt Egbert. | 0:53:57 | 0:54:02 | |
Egbert? | 0:54:03 | 0:54:05 | |
Egbert Fitzgerald, a lawyer friend. We're here on a case. | 0:54:05 | 0:54:11 | |
When two people are destined to come together, as we are, there's no use in struggling. | 0:54:11 | 0:54:19 | |
-Do you believe in destiny? -There's no such thing as chance. | 0:54:19 | 0:54:25 | |
Chance is the fool's name for fate! | 0:54:25 | 0:54:29 | |
YOU?! | 0:54:33 | 0:54:35 | |
YOU?! | 0:54:35 | 0:54:37 | |
Me? | 0:54:42 | 0:54:44 | |
Why, yes, of course it is. | 0:54:44 | 0:54:47 | |
-So, YOU'RE the man I've been waiting for! -None other! | 0:54:47 | 0:54:53 | |
I'll be waiting for you in my room, 216, at midnight. | 0:54:53 | 0:54:59 | |
It's 12 o'clock! It feels like New Year's Eve! | 0:55:21 | 0:55:27 | |
-Good luck! -Don't leave me. | 0:55:27 | 0:55:30 | |
He seemed so different! | 0:55:30 | 0:55:33 | |
There's nothing different about ANY of them, except their ties! | 0:55:33 | 0:55:38 | |
HIM, of all people! Aren't you astonished? | 0:55:38 | 0:55:42 | |
ME, astonished? I haven't been astonished since I was eight! | 0:55:42 | 0:55:49 | |
I'll give him the most miserable night of his business career! | 0:55:49 | 0:55:56 | |
You're going to a lot of trouble! | 0:55:56 | 0:56:00 | |
-It's so degrading! -After all, a co-respondent must be something of an artiste. | 0:56:00 | 0:56:07 | |
He has to have a sense of balance. Like a mountain goat! | 0:56:07 | 0:56:12 | |
I'll get Egbert. He must be lost without me. | 0:56:12 | 0:56:17 | |
Don't run away. I knew you were coming here. | 0:56:29 | 0:56:33 | |
-You knew? -Of course. I'm Mimi's aunt. | 0:56:33 | 0:56:38 | |
-I know, but I have relatives too. This isn't exactly old home week. -Nothing is ever done without me. | 0:56:38 | 0:56:46 | |
-You're not planning to be there? -Of course not! -Just a moment... | 0:56:46 | 0:56:52 | |
-I don't know Mimi very well. Would you tell me about her? -I'll let HER tell you. | 0:56:52 | 0:57:00 | |
-If she has to keep you here, she'll want something to talk about. -Keep me here? | 0:57:00 | 0:57:07 | |
-She has to! -Which one of us is crazy? -It's not ME! | 0:57:07 | 0:57:12 | |
-This is a bit of a shock to me. -Your being here is a shock to Mimi. -But it's her own doing. | 0:57:12 | 0:57:20 | |
It's better to settle this now, then she can start a new life. | 0:57:20 | 0:57:25 | |
A...eh...new life? | 0:57:25 | 0:57:28 | |
BRAND new. She'll make a clean sweep. | 0:57:28 | 0:57:32 | |
-I see. -Yes! You're the broom. | 0:57:32 | 0:57:35 | |
I'll be right out. | 0:58:09 | 0:58:12 | |
I'm sorry I've kept you waiting. | 0:59:01 | 0:59:04 | |
-Mimi. Mimi, there's something I want to get straight. -Yes? | 0:59:06 | 0:59:12 | |
-At first you were so shy and reserved, then you were... -What was I ? | 0:59:12 | 0:59:20 | |
-Lovely. -Was I ? -Yes. But that's not what I'm trying to say. | 0:59:21 | 0:59:27 | |
-What ARE you trying to say? -I'm trying to describe the shock. You see, eh... | 0:59:27 | 0:59:34 | |
That negligee is charming. From Paris, isn't it? | 0:59:34 | 0:59:39 | |
You ought to know. You've seen plenty! | 0:59:39 | 0:59:44 | |
-Well...a few, of course. -Of course(!) | 0:59:44 | 0:59:48 | |
Oh, but never one like that. | 0:59:50 | 0:59:53 | |
-Mimi... -Stay where you are! -What? | 0:59:53 | 0:59:56 | |
Keep your distance. I want you to sit THERE. | 0:59:56 | 1:00:02 | |
What's the matter with it? | 1:00:05 | 1:00:08 | |
We're going through with this in a dignified silence. | 1:00:12 | 1:00:15 | |
I'd prefer it. | 1:00:15 | 1:00:19 | |
It's warm, isn't it? | 1:00:28 | 1:00:31 | |
Do you mind if I recite capitals? | 1:00:33 | 1:00:36 | |
What?! | 1:00:36 | 1:00:38 | |
Capitals of States. North Dakota - Bismarck... I used to do it as a boy. | 1:00:38 | 1:00:45 | |
-I don't care what you did as a boy. -Well, I did nothing as a girl. | 1:00:45 | 1:00:52 | |
-Oh, Mimi... -Keep your place. | 1:00:54 | 1:00:57 | |
Geev me a name for chance, and I'm a fool. Captain! Captain! | 1:01:02 | 1:01:09 | |
Maybe I make meestake. | 1:01:09 | 1:01:12 | |
Fate is a foolish theeng to take chances with. | 1:01:16 | 1:01:21 | |
So are you! | 1:01:21 | 1:01:23 | |
Oh...scusi. You are not the lady. | 1:01:24 | 1:01:28 | |
-Stay where you are! -I thought that after the few lovely moments we've had... | 1:01:47 | 1:01:54 | |
How can you have the impudence to speak of that now? | 1:01:54 | 1:01:59 | |
-I suppose it's the callousness of your kind. -MY kind? -You didn't fool me for a moment. | 1:01:59 | 1:02:07 | |
I know how you make a living. | 1:02:07 | 1:02:10 | |
-Well, it DOES bring in a decent income. -Some people will do ANYTHING for money. | 1:02:10 | 1:02:18 | |
It's not that bad. | 1:02:18 | 1:02:21 | |
-I bring pleasure to thousands... -THOUSANDS?! -Tens of thousands. | 1:02:21 | 1:02:26 | |
-I bring romance to shopgirls, servants... -Spare me, Bluebeard! | 1:02:26 | 1:02:32 | |
-Mimi... -KNOCK ON DOOR | 1:02:34 | 1:02:37 | |
-Are you expecting someone? -Of course. But not till morning. | 1:02:38 | 1:02:44 | |
Who is it? | 1:02:44 | 1:02:47 | |
I'd better get outta here! | 1:02:47 | 1:02:50 | |
I have something important to tell you! Now, what was it? It was something about that man. | 1:02:54 | 1:03:02 | |
-What man? -Oh, yes! Have you got the right one? -He gave me the password. | 1:03:02 | 1:03:10 | |
Well, a man downstairs said something about fate to me, | 1:03:10 | 1:03:15 | |
then he said, "You're not the lady." | 1:03:15 | 1:03:19 | |
-Now, I can't be sure... -Wouldn't it be awful if I'd made a mistake? -Go and ask him. | 1:03:19 | 1:03:26 | |
-But I'll have to confess why I'm here. -Don't ask, then. But find out all you can! | 1:03:26 | 1:03:34 | |
-How shall I treat him? -Be feminine and sweet. | 1:03:34 | 1:03:39 | |
I must go and find Egbert and tell him about this. | 1:03:39 | 1:03:44 | |
You don't think Egbert is hiding from me, do you? | 1:03:46 | 1:03:50 | |
May I...run along now? | 1:03:58 | 1:04:01 | |
Oh, must you go just yet? | 1:04:01 | 1:04:04 | |
Won't you come in and sit down for a while? | 1:04:04 | 1:04:09 | |
I didn't do so well in here. | 1:04:09 | 1:04:12 | |
Well, if you'd rather stay out there... | 1:04:12 | 1:04:16 | |
Guy, do you think it was fair NOT to tell me something of your work? | 1:04:20 | 1:04:27 | |
I've been trying to forget about it. | 1:04:27 | 1:04:31 | |
Well, er...how did you get started in your career? | 1:04:31 | 1:04:37 | |
Oh, I was started by a well-known actress. | 1:04:37 | 1:04:41 | |
Oh. | 1:04:41 | 1:04:43 | |
And the thousands and thousands came later! | 1:04:43 | 1:04:47 | |
She encouraged me from my first step. | 1:04:47 | 1:04:51 | |
-First step? -Yes. | 1:04:51 | 1:04:54 | |
DANCE step. I'm a dancer. You knew that, of course. | 1:04:54 | 1:04:59 | |
-Do you mind? -Ohh! | 1:05:00 | 1:05:03 | |
Oh, why, no... No, I'm GLAD! | 1:05:03 | 1:05:06 | |
I'm GLAD! | 1:05:06 | 1:05:09 | |
You're the most emotionally unstable girl I've ever met. | 1:05:09 | 1:05:14 | |
I am fate to take foolish chances weeth. | 1:05:18 | 1:05:23 | |
-MAN HITS MR TORNETTI! -Tornetti! | 1:05:23 | 1:05:25 | |
Tornetti. | 1:05:29 | 1:05:30 | |
I cannot find the lady. I give everywhere the password. Everywhere I get the slaps. | 1:05:33 | 1:05:41 | |
I forgot to tell you her name! Mrs Green, room 216. | 1:05:41 | 1:05:46 | |
-Si, senor. Scusi. -No more prowling round this hotel. | 1:05:46 | 1:05:51 | |
-Be sure the lady doesn't leave her room before morning. -I stay till detectives arrive. | 1:05:51 | 1:05:59 | |
Right, and... Oh, my word! | 1:05:59 | 1:06:02 | |
I forgot about the detectives! | 1:06:02 | 1:06:05 | |
Detectives or no detectives, Tornetti he gets paid! | 1:06:05 | 1:06:10 | |
I'll rush to London and bring the detectives back! | 1:06:10 | 1:06:15 | |
-Egbert! -Detectives... | 1:06:17 | 1:06:20 | |
-Where were you going? -I...I was looking for YOU. -I have something to tell you. | 1:06:20 | 1:06:28 | |
-I've got to go to London. -I must tell you! -What is it? | 1:06:28 | 1:06:33 | |
I can't remember what it is! | 1:06:33 | 1:06:36 | |
You drive everything out of my head. | 1:06:36 | 1:06:40 | |
-Well, I can't wait. -I'll go to London with you. | 1:06:40 | 1:06:45 | |
-What? -It'll come back to me. Besides, you mustn't ride alone at night. | 1:06:45 | 1:06:51 | |
-I bet you say that to every man you marry! -Oh, Egbert! -Come on! | 1:06:51 | 1:06:57 | |
-Aren't the shadows on the sand lovely? -Yes. -And the light on the water...and the moon... | 1:07:16 | 1:07:25 | |
Look, the moon's coming out. Look, Guy. | 1:07:27 | 1:07:31 | |
-It came out! -Oh, isn't it BEAUTIFUL? | 1:07:32 | 1:07:37 | |
-I wonder what causes that peculiar effect? -That's what I'M wondering. | 1:07:41 | 1:07:48 | |
-Mimi, who is that man who went into your room? -Man? | 1:07:48 | 1:07:53 | |
-How many men did you invite here tonight? -Oh... -Mimi, are you married? | 1:07:53 | 1:08:00 | |
-Wh-what? -Is it your husband? -Husband? -Yes. | 1:08:00 | 1:08:04 | |
Oh, scusi, please, scusi. | 1:08:08 | 1:08:11 | |
-What are you doing here? -Chances are that fate is foolish! | 1:08:11 | 1:08:16 | |
Oh...oh...will you please stay here just a minute? | 1:08:16 | 1:08:21 | |
-It...it's no-one. -No-one?! | 1:08:24 | 1:08:27 | |
-Mimi, what's he doing here? -He's...he's here on business! | 1:08:27 | 1:08:32 | |
-Business? -Mmm. | 1:08:32 | 1:08:34 | |
-Let's look at the moon. -I'll throw him out. -You can't! -Who is he? | 1:08:34 | 1:08:42 | |
Well, he's... | 1:08:42 | 1:08:44 | |
-I AM married. -You? Married? | 1:08:45 | 1:08:48 | |
To a geologist. | 1:08:48 | 1:08:51 | |
-Then it IS your husband! -No! I won't be married for long. | 1:08:51 | 1:08:56 | |
I'm getting a divorce, and he's here to help me get it. | 1:08:56 | 1:09:01 | |
Wait a minute... | 1:09:01 | 1:09:04 | |
-Are you the woman whose divorce Egbert Fitzgerald is handling? -Mmm. -Oh-oh! | 1:09:04 | 1:09:11 | |
-And you thought -I -was your co-respondent? How could you? | 1:09:11 | 1:09:18 | |
-Well, you said the right words. -What right words? | 1:09:18 | 1:09:23 | |
Oh, scusi, please, scusi. | 1:09:25 | 1:09:28 | |
Fate is the foolish thing! Take a chance! | 1:09:28 | 1:09:33 | |
-Are YOU the co-respondent? -Rudolfo Tornetti at your serveece! | 1:09:33 | 1:09:40 | |
-You are no longer needed. -What? -I am taking your place. -Are you a Union man? | 1:09:42 | 1:09:50 | |
Are you hired by Mr Egbert too? | 1:09:54 | 1:09:57 | |
Mr Tornetti, this gentleman isn't going to stay. | 1:09:57 | 1:10:02 | |
-Then you DO need me. -No. Get out. | 1:10:02 | 1:10:06 | |
-But, Guy... -He might be a tenor! | 1:10:06 | 1:10:09 | |
Si, si, senor! Leesten! HE SINGS LA DONNA E MOBILE | 1:10:09 | 1:10:13 | |
I was wrong(!) | 1:10:13 | 1:10:16 | |
-I'm gonna throw him out! -Guy! | 1:10:16 | 1:10:19 | |
I have contract! I sue! First, for my ear... | 1:10:19 | 1:10:24 | |
-second, for my honour... -I'm here for a divorce. Mr Tornetti must stay. | 1:10:24 | 1:10:31 | |
-If HE stays, -I -stay. I feel crowded, but that's life. | 1:10:31 | 1:10:36 | |
TELEPHONE RINGS At last, my call, she comes! | 1:10:36 | 1:10:42 | |
Hello. | 1:10:44 | 1:10:46 | |
Hello, Maria! | 1:10:46 | 1:10:49 | |
Six times I call you, and you are boozy. | 1:10:49 | 1:10:54 | |
Yes, the boozy signal. | 1:10:54 | 1:10:57 | |
Oh, si, I am all right. No. Blonde. | 1:10:57 | 1:11:01 | |
Just a blonde. | 1:11:01 | 1:11:05 | |
Excusez, I talk to zee wife. She want to know all about you. | 1:11:05 | 1:11:10 | |
Yes. Keeess the kiddies for me. | 1:11:11 | 1:11:14 | |
What? What? Maria! | 1:11:15 | 1:11:20 | |
Who is that a-speaking to you? | 1:11:20 | 1:11:23 | |
What? | 1:11:23 | 1:11:25 | |
No! No possible! | 1:11:26 | 1:11:29 | |
What do you theenk? My son, Rudolfo, heez voice is changing! | 1:11:29 | 1:11:36 | |
Goodnight, sweetheart. | 1:11:41 | 1:11:44 | |
You stay. Tornetti does not care. But no monkey beezness! | 1:11:46 | 1:11:52 | |
-The lady must not leave the room. -We're prisoners?! | 1:11:52 | 1:11:57 | |
-I won't take the lady away. -I will see that you don't. -Thanks. | 1:11:57 | 1:12:03 | |
-Maybe you want to play breedge? -No, thank you. -No? -Not a bit. | 1:12:03 | 1:12:09 | |
All right. I play solitaire. Remember not to leave. I watch. | 1:12:09 | 1:12:15 | |
I don't want to drag you into this. | 1:12:15 | 1:12:19 | |
But I WANT to be in it! | 1:12:19 | 1:12:22 | |
I don't think it'll be so bad being a prisoner here. | 1:12:22 | 1:12:27 | |
Hello, hello! | 1:12:27 | 1:12:29 | |
-MUSIC PLAYS -Doesn't sound like a prisoner's song! | 1:12:30 | 1:12:35 | |
-Not a bad tune. What is it? -It's the newest thing over here, "The Continental". | 1:12:37 | 1:12:44 | |
-"The Continental"? -Mmm. -Oh. | 1:12:44 | 1:12:47 | |
I like it. | 1:12:47 | 1:12:49 | |
That's another thing I'd like to take home with me! | 1:12:50 | 1:12:55 | |
-You know the words? -Mmm. | 1:12:55 | 1:12:58 | |
# Beautiful music | 1:12:58 | 1:13:01 | |
# Dangerous rhythm | 1:13:03 | 1:13:06 | |
# It's something daring The Continental, a way of dancing that's really ultra-new | 1:13:06 | 1:13:12 | |
# It's subtle, The Continental It does what you want it to do | 1:13:12 | 1:13:17 | |
# It has passion, The Continental | 1:13:19 | 1:13:22 | |
# An invitation to moonlight and romance | 1:13:22 | 1:13:26 | |
# It's a fashion, The Continental Tell of your love as you dance | 1:13:26 | 1:13:31 | |
# Your lips whisper so tenderly | 1:13:31 | 1:13:34 | |
# Her eyes answer your song | 1:13:36 | 1:13:39 | |
# Two bodies swaying, The Continental | 1:13:39 | 1:13:43 | |
# Saying what you're dreaming of | 1:13:43 | 1:13:46 | |
# Keep on dancing, The Continental A song of romance and of love! | 1:13:46 | 1:13:49 | |
# Kiss while you're dancing... # | 1:13:53 | 1:13:55 | |
-Not a bad idea! -# It's continental Mmmm! Continental! | 1:13:55 | 1:14:02 | |
# You sing while you're dancing | 1:14:02 | 1:14:05 | |
# Your voice is gentle and sentimental | 1:14:05 | 1:14:10 | |
# You stroll together arm-in-arm | 1:14:10 | 1:14:14 | |
# Nonchalantly glide along with grace and charm | 1:14:14 | 1:14:19 | |
# You will find while you're dancing | 1:14:19 | 1:14:23 | |
# There's a rhythm in your heart and soul Rhythm that you can't control | 1:14:23 | 1:14:30 | |
# You'll do The Continental all the time! # | 1:14:30 | 1:14:34 | |
Oh, can't we join the fun? | 1:14:45 | 1:14:48 | |
-What if our gaoler catches us? -I forgot about him! | 1:14:48 | 1:14:53 | |
-What is it? -An idea! An idea! | 1:15:02 | 1:15:06 | |
Is this one of those...? | 1:15:08 | 1:15:11 | |
I know how we can get out without our friend missing us! | 1:15:13 | 1:15:19 | |
This is something I used to do as a boy! | 1:15:19 | 1:15:23 | |
-BOTH: I don't care what you did as a boy! -I know! | 1:15:23 | 1:15:29 | |
This might work, though. | 1:15:29 | 1:15:32 | |
-You've got me cutting out paper dolls! -Oh, I see! | 1:15:32 | 1:15:38 | |
Well, I'll go change! | 1:15:38 | 1:15:41 | |
-That's cute! -THAT'S beautiful! Come on! | 1:16:30 | 1:16:35 | |
BAND PLAYS THE CONTINENTAL | 1:16:53 | 1:16:57 | |
What's this? Stand back! | 1:17:13 | 1:17:17 | |
Look! | 1:20:47 | 1:20:49 | |
# Beautiful music | 1:21:03 | 1:21:07 | |
# Dangerous rhythm | 1:21:07 | 1:21:11 | |
# It's something daring, The Continental, a way of dancing That's really ultra-new | 1:21:11 | 1:21:18 | |
# It's subtle, The Continental It does what you want it to do | 1:21:18 | 1:21:23 | |
# It has passion, The Continental An invitation to romance | 1:21:23 | 1:21:28 | |
# It's in fashion, The Continental Tell of your love as you dance | 1:21:28 | 1:21:34 | |
# Your lips whisper so tenderly | 1:21:34 | 1:21:39 | |
# Her eyes answer your song | 1:21:39 | 1:21:41 | |
# Two bodies swaying, The Continental Saying what you're thinking of | 1:21:41 | 1:21:47 | |
# Keep on dancing The Continental | 1:21:47 | 1:21:51 | |
# It's a song of romance and love | 1:21:51 | 1:21:54 | |
# You kiss while you're dancing | 1:21:55 | 1:21:59 | |
# It's continental The Continental | 1:21:59 | 1:22:03 | |
# You sing while you're dancing | 1:22:05 | 1:22:08 | |
# Your voice is gentle so sentimental | 1:22:08 | 1:22:12 | |
# You know before the dance is through | 1:22:12 | 1:22:16 | |
# That you're in love with she and she's in love with you! | 1:22:16 | 1:22:21 | |
# You'll find while you're dancing | 1:22:21 | 1:22:24 | |
# There's a rhythm in your heart and soul | 1:22:24 | 1:22:29 | |
# You'll do The Continental all the time! # | 1:22:29 | 1:22:33 | |
# Dukes and lords of noble station love the new sophistication of The Continenta-a-a-a-l! | 1:23:34 | 1:23:42 | |
# In a Belgian hallroom In a Monte Carlo ballroom You will see The Continental! | 1:23:42 | 1:23:50 | |
# In a Paris bistro crowded with the pash | 1:23:50 | 1:23:54 | |
# You will see The Continental in the best French fashion | 1:23:54 | 1:23:59 | |
# Spain and Italy, Transylvannia, Norway, Sweden and Rumania do The Continental! | 1:23:59 | 1:24:06 | |
# On the dykes of the Zider Zee Wooden shoes have found the key To the Continenta-a-l! | 1:24:06 | 1:24:14 | |
# It's like a fever It's like a plague | 1:24:15 | 1:24:20 | |
# It's swept all Europe | 1:24:20 | 1:24:23 | |
# From Moscow to the Hague! | 1:24:23 | 1:24:26 | |
# You kiss while you're dancing | 1:24:29 | 1:24:32 | |
# The Continental drivin' you wild! | 1:24:32 | 1:24:36 | |
# The Continental it isn't so mild! | 1:24:36 | 1:24:40 | |
# You sing while you're dancing | 1:24:40 | 1:24:44 | |
# His voice is gentle The Continental A metre that you understand | 1:24:44 | 1:24:51 | |
# You know before the dance is through That you're in love with her | 1:24:51 | 1:24:58 | |
# And she's in love with you! | 1:24:58 | 1:25:00 | |
# You'll find while you're dancing | 1:25:00 | 1:25:03 | |
# There's a rhythm in your heart and soul A certain rhythm you can't control | 1:25:03 | 1:25:08 | |
# The Continental! | 1:25:08 | 1:25:11 | |
# The Continental! | 1:25:11 | 1:25:13 | |
# The Continenta-a-a-a-a-a-al! # | 1:25:13 | 1:25:17 | |
He's gone! Come on! | 1:26:51 | 1:26:54 | |
BIRDS SING | 1:28:41 | 1:28:44 | |
-Why did you do theese? -To be sure of you. -Oh, signor! | 1:29:13 | 1:29:18 | |
KNOCK ON DOOR | 1:29:18 | 1:29:21 | |
-Who is thees? -I don't know! You've done this before. | 1:29:21 | 1:29:26 | |
-I know. But you upset my routine. -Answer it! | 1:29:26 | 1:29:30 | |
Who ees it? < The waiter! | 1:29:35 | 1:29:38 | |
-The waiter. -Ask him what he wants. -What do you want? | 1:29:38 | 1:29:43 | |
-< Breakfast. What shall we do? -Wait. Mimi! | 1:29:43 | 1:29:47 | |
-Yes? -The waiter wants breakfast. -What? -The poor fella may be hungry. | 1:29:47 | 1:29:54 | |
It's OUR breakfast. I ordered it. | 1:29:54 | 1:29:57 | |
-It's our breakfast. -I open. -Good morning. | 1:29:57 | 1:30:02 | |
Good morning. Good morning. | 1:30:02 | 1:30:04 | |
-Were you comfortable? -Oh, yes. | 1:30:05 | 1:30:08 | |
-Put that right here. -May I...? | 1:30:08 | 1:30:11 | |
-Mr Tornetti, sit there. Guy, you sit there. -You know... | 1:30:11 | 1:30:18 | |
-I'd like to have breakfast with you EVERY morning. -Yes! | 1:30:18 | 1:30:23 | |
I hope you like what I ordered. | 1:30:23 | 1:30:26 | |
-I've never had breakfast with two men before. -I have. It's no fun! | 1:30:26 | 1:30:32 | |
-When the detectives arrive, be careful. -I hope they don't come soon. I've grown to like you both! | 1:30:32 | 1:30:41 | |
So sweet! | 1:30:41 | 1:30:43 | |
KNOCK ON DOOR | 1:30:43 | 1:30:46 | |
-Guy, you'd better hide. -Let Tornetti hide. -YOU hide! | 1:30:46 | 1:30:51 | |
-You want me to be free, don't you? -Call if you need me. | 1:30:51 | 1:30:56 | |
Not over here! There! Anywhere! | 1:30:58 | 1:31:01 | |
Coffee, ma'am? | 1:31:04 | 1:31:06 | |
I've brought fresh coffee. | 1:31:07 | 1:31:11 | |
-Guy. -Yes, dear? | 1:31:11 | 1:31:13 | |
It's just the waiter. | 1:31:13 | 1:31:16 | |
Next time, use a signal like this. | 1:31:16 | 1:31:20 | |
-I can't dash in and out all the time. -All right, sir. | 1:31:20 | 1:31:25 | |
The gentleman in this case is a scientist? | 1:31:27 | 1:31:31 | |
-A distinguished scientist in his own field. -A geologist. | 1:31:31 | 1:31:37 | |
-Did you mention geology? -Oh-oh! | 1:31:37 | 1:31:40 | |
-I have an unnatural passion for rocks. -You should be ashamed! | 1:31:40 | 1:31:47 | |
It's a wonderful thing, geology. | 1:31:47 | 1:31:49 | |
Geologically speaking, this island of Great Britain is 500,000,003½ years old! | 1:31:49 | 1:31:57 | |
How do you know it's that old? | 1:31:57 | 1:32:00 | |
Professor Brown told me it was 500,000,000 years old, 3½ years ago! | 1:32:00 | 1:32:06 | |
-Who was that? -Professor Brown. | 1:32:06 | 1:32:09 | |
Him and his wife stopped at the last place I worked. | 1:32:09 | 1:32:14 | |
He told me that this sea coast is really an igneous intrusion. | 1:32:14 | 1:32:20 | |
-You know, you're somewhat of an igneous intrusion yourself. -Thank you! | 1:32:20 | 1:32:27 | |
Now... KNOCK ON DOOR | 1:32:34 | 1:32:37 | |
-Is that the way I've to knock? -Yes, thank you. | 1:32:38 | 1:32:44 | |
Thank you! | 1:32:44 | 1:32:46 | |
What a day this is going to be! | 1:32:46 | 1:32:50 | |
-Well, Mrs Glossip... -Hello! -Quiet, please! Oh, Guy! | 1:32:50 | 1:32:55 | |
-THAT'S what I was trying to remember! -Was it? -Yes! | 1:32:55 | 1:33:01 | |
This is my Mimi. | 1:33:01 | 1:33:04 | |
-Oh, really? Tornetti, if you have bungled this job... -Scusi, signor! | 1:33:04 | 1:33:11 | |
-Guy, you're messing this up! -The detectives...? | 1:33:11 | 1:33:16 | |
-Even better! -This'll be good(!) -I have brought Mr Glossip! | 1:33:16 | 1:33:22 | |
-My husband? -Yes. -The husband?! | 1:33:22 | 1:33:25 | |
-Guy, get out! -No more hiding. -Please, Guy. | 1:33:25 | 1:33:30 | |
All right, I'll hide. But call if you need me. | 1:33:30 | 1:33:35 | |
-Call anyhow. -Yes, I will. | 1:33:36 | 1:33:39 | |
-It was MY idea to have your husband here. -Hortense, why did you do that? | 1:33:39 | 1:33:47 | |
-Courage! He won't shoot. -Let's wait for the shooting. Shoot?! | 1:33:47 | 1:33:53 | |
Never before have I met the husband! | 1:33:53 | 1:33:57 | |
-Where are the detectives? -I can't do anything about that, he's on his way! | 1:33:57 | 1:34:04 | |
Do something! Look amorous! | 1:34:04 | 1:34:07 | |
Hortense...never mind. Come on! | 1:34:07 | 1:34:10 | |
This ees too much for Tornetti. | 1:34:10 | 1:34:13 | |
-KNOCK ON DOOR -Oh, quick! | 1:34:13 | 1:34:16 | |
-What shall we do? -Look amorous. Like thees! -You look sick! | 1:34:16 | 1:34:23 | |
Try thees. | 1:34:25 | 1:34:27 | |
Come in! | 1:34:29 | 1:34:32 | |
I hope I knocked the right way. | 1:34:32 | 1:34:35 | |
You've a-spoiled everything. | 1:34:37 | 1:34:40 | |
-I came for the dishes. -Leave them. Do something with him. | 1:34:40 | 1:34:45 | |
-Go quickly there. -Yes. Hide him. | 1:34:45 | 1:34:48 | |
Hurry! | 1:34:48 | 1:34:50 | |
-Please, sir! -Hi, waiter! -Hello, sir. -You hiding too? -Yes, sir. | 1:34:50 | 1:34:57 | |
Now, once more. | 1:34:57 | 1:34:59 | |
KNOCK ON DOOR C-come in! | 1:34:59 | 1:35:03 | |
Cyril! | 1:35:10 | 1:35:12 | |
Who is this fellow? | 1:35:15 | 1:35:18 | |
-This is my husband. -I'm so very please! | 1:35:19 | 1:35:24 | |
-You haven't answered! -I must confess. He's my... | 1:35:24 | 1:35:31 | |
This object? Huh! I don't believe it. | 1:35:31 | 1:35:35 | |
He has all the ear-marks of a hired co-respondent. | 1:35:35 | 1:35:41 | |
That is not true. She love me and I love she! | 1:35:41 | 1:35:46 | |
Mimi, you amuse me. I'd never believe it with HIM, this hairdresser! | 1:35:46 | 1:35:54 | |
Guy! Guy! | 1:35:56 | 1:35:58 | |
I'm sorry to ask you to do this. Kiss me! | 1:35:58 | 1:36:03 | |
I'm not sorry! | 1:36:03 | 1:36:06 | |
Bravo! | 1:36:06 | 1:36:08 | |
And who, pray, is this? | 1:36:08 | 1:36:11 | |
After the divorce, we'll marry! | 1:36:11 | 1:36:14 | |
-WHAT divorce? -Aren't you going to divorce me?! | 1:36:14 | 1:36:19 | |
No, my dear, I'm going to forgive you. | 1:36:19 | 1:36:23 | |
Forgeeve her! CURSES IN ITALIAN | 1:36:23 | 1:36:27 | |
Enough of this nonsense. Mimi, come home at once! | 1:36:29 | 1:36:34 | |
You're a lamb who has strayed. | 1:36:34 | 1:36:37 | |
And you are an ineffectual little puppy! | 1:36:37 | 1:36:41 | |
I'll throw him out. | 1:36:44 | 1:36:47 | |
No, Guy! | 1:36:47 | 1:36:49 | |
May I go? I've got work to do. | 1:36:49 | 1:36:52 | |
-Go ahead. -Hello, Professor Brown. | 1:36:52 | 1:36:56 | |
-Professor Brown?! -How are you, Professor? | 1:36:57 | 1:37:02 | |
-Is this your friend, the rock thrower? -Yes. | 1:37:02 | 1:37:07 | |
He doesn't know what he's talking about. I don't know this man! | 1:37:07 | 1:37:12 | |
Remember the chats we had about rocks, you, me and your wife? | 1:37:12 | 1:37:18 | |
No. I do not. | 1:37:19 | 1:37:22 | |
-Would you know the Professor's wife? -Yes. | 1:37:22 | 1:37:27 | |
-Mmm-hhh! -Am -I -Mrs Brown? | 1:37:27 | 1:37:31 | |
-No. You're Mrs GREEN. -Well, strike me pink! | 1:37:31 | 1:37:37 | |
Mrs Brown was French. She couldn't speak English. | 1:37:37 | 1:37:42 | |
Why, Buster Brown! Most unfossilish of you, sir! | 1:37:43 | 1:37:48 | |
-I've got to catch a train. Let me past. -I will not. | 1:37:48 | 1:37:54 | |
Well? | 1:38:01 | 1:38:03 | |
-Did it work? -Did it work? Meet the future Mrs Holden! | 1:38:03 | 1:38:09 | |
-Father will be proud of me! -Egbert and I are to be married. | 1:38:09 | 1:38:14 | |
Darling, we WERE married last night! | 1:38:14 | 1:38:18 | |
Last night? Why, of course, so we were! | 1:38:18 | 1:38:22 | |
Let's all hurry back to London and have a big celebration! | 1:38:22 | 1:38:28 | |
Scusi! I'm very good at parties! | 1:38:28 | 1:38:32 | |
Subtitles by Janice Hamilton BBC - 1989 | 1:39:57 | 1:40:01 |