Browse content similar to The Harder They Come. Check below for episodes and series from the same categories and more!
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This programme contains some strong language | 0:00:02 | 0:00:08 | |
and some scenes of a sexual nature. | 0:00:08 | 0:00:15 | |
# You can get it if you really want | 0:00:25 | 0:00:29 | |
# You can get it if you really want | 0:00:29 | 0:00:32 | |
# You can get it if you really want | 0:00:32 | 0:00:35 | |
# But you must try | 0:00:35 | 0:00:37 | |
# Try and try | 0:00:37 | 0:00:39 | |
# Try and try | 0:00:39 | 0:00:41 | |
# You'll succeed at last | 0:00:41 | 0:00:43 | |
# Persecution, you must hear | 0:00:50 | 0:00:54 | |
# Win or lose, you've got to get your share | 0:00:54 | 0:00:58 | |
# Got your mind set on a dream | 0:00:58 | 0:01:01 | |
# You can get it, you wanna receive now | 0:01:01 | 0:01:05 | |
# You can get it if you really want | 0:01:05 | 0:01:09 | |
# You can get it if you really want... # | 0:01:09 | 0:01:12 | |
HORNS BEEP | 0:01:12 | 0:01:15 | |
-What dat, sister? -Bus crash up out dere now. | 0:01:20 | 0:01:23 | |
Driver, don't move! | 0:01:23 | 0:01:24 | |
Man, you have any more? | 0:01:30 | 0:01:32 | |
Taking this for my mother, yunno. | 0:01:32 | 0:01:34 | |
# You'll succeed at last | 0:01:36 | 0:01:38 | |
# I know it | 0:01:39 | 0:01:41 | |
# Rome was not built in a day | 0:01:44 | 0:01:48 | |
# Opposition will come your way | 0:01:48 | 0:01:51 | |
# But the harder the battle seems | 0:01:51 | 0:01:55 | |
# It's the sweeter the victory, now! | 0:01:55 | 0:01:59 | |
# You can get it if you really want | 0:01:59 | 0:02:02 | |
# You can get it if you really want | 0:02:02 | 0:02:06 | |
# You can get it if you really want | 0:02:06 | 0:02:09 | |
# But you must try | 0:02:09 | 0:02:11 | |
# Try and try | 0:02:11 | 0:02:12 | |
# Try and try | 0:02:12 | 0:02:15 | |
# You'll succeed at last... # | 0:02:15 | 0:02:17 | |
HORN TOOTS | 0:02:50 | 0:02:52 | |
Country boy, get out man. Move! | 0:02:52 | 0:02:54 | |
-Wait a minute. You know the way to Milk Lane? -D'you have money? | 0:02:54 | 0:02:57 | |
If you have money, go anywhere. | 0:02:57 | 0:02:59 | |
But if you have naa money, you fucked! Better you stay home. | 0:02:59 | 0:03:03 | |
-How much? -Give me 50 cents and help me push. | 0:03:03 | 0:03:06 | |
DUB REGGAE PLAYS | 0:03:11 | 0:03:14 | |
HORN TOOTS | 0:03:14 | 0:03:16 | |
Hey, this is a red light, man. That means stop, you know. | 0:03:26 | 0:03:29 | |
That's why you country boys end up dead in town. | 0:03:29 | 0:03:34 | |
Mark Winston! | 0:03:34 | 0:03:36 | |
He owes me money, but he won't dodge me today. Hey! | 0:03:38 | 0:03:43 | |
That guy sent me for his money. | 0:03:56 | 0:03:59 | |
Where's the guy now? | 0:04:02 | 0:04:04 | |
Hey, come back 'ere, man! | 0:04:11 | 0:04:14 | |
Come back 'ere, man. | 0:04:16 | 0:04:17 | |
Hold on, man. | 0:04:20 | 0:04:22 | |
QUIET CONVERSATION | 0:04:45 | 0:04:48 | |
Whassat?! | 0:04:50 | 0:04:53 | |
You staying, pardner? | 0:04:53 | 0:04:55 | |
Excuse me, does this lady live round here? | 0:04:57 | 0:05:00 | |
Over there. | 0:05:00 | 0:05:02 | |
My play? Me draw! | 0:05:08 | 0:05:10 | |
Ivan... All right, come inside. | 0:05:10 | 0:05:13 | |
-You sick, Momma? -Yes. | 0:05:18 | 0:05:20 | |
Ivan, where your grandmother? What you come for? | 0:05:20 | 0:05:24 | |
Grandma dead. | 0:05:24 | 0:05:26 | |
Dead? | 0:05:26 | 0:05:28 | |
She can't dead and I never know. | 0:05:28 | 0:05:31 | |
We tried to get you but the telegram came back. | 0:05:31 | 0:05:35 | |
And when she going to bury? | 0:05:35 | 0:05:36 | |
-She buried already, Momma. -Already? | 0:05:36 | 0:05:39 | |
Bury already and I never get to go to the funeral? | 0:05:39 | 0:05:43 | |
Oh God! Oh God! | 0:05:43 | 0:05:46 | |
SHE SOBS | 0:05:46 | 0:05:48 | |
Don't cry, it's OK. | 0:05:48 | 0:05:52 | |
And what happened to the place? | 0:05:57 | 0:06:00 | |
Grandma sold the place before she died. | 0:06:00 | 0:06:03 | |
What happened to the money? | 0:06:03 | 0:06:05 | |
Said she wanted a big funeral. | 0:06:05 | 0:06:08 | |
She used the money for a big funeral and I didn't even get to go. | 0:06:08 | 0:06:12 | |
The money finish? | 0:06:12 | 0:06:15 | |
A little bit left. | 0:06:15 | 0:06:16 | |
Do you have it? | 0:06:16 | 0:06:18 | |
-Is only this left? -Yes. | 0:06:30 | 0:06:33 | |
Then you'll go back to country tonight. | 0:06:36 | 0:06:38 | |
I'm not going back. | 0:06:38 | 0:06:41 | |
Then where are you going? You can't stay here cos I can't help you. | 0:06:41 | 0:06:45 | |
I staying in town. | 0:06:45 | 0:06:47 | |
You think town is easy? How you going to live? | 0:06:47 | 0:06:50 | |
I could make a record. I can sing. | 0:06:50 | 0:06:54 | |
You think this is a joke? | 0:06:54 | 0:06:56 | |
I can get a job then. | 0:06:57 | 0:06:59 | |
What kind of job, outside of a criminal? | 0:06:59 | 0:07:02 | |
Why you say a thing like that? | 0:07:02 | 0:07:04 | |
Why you say a thing like that 'bout me? | 0:07:04 | 0:07:07 | |
Don't ask. Go back to Country. | 0:07:07 | 0:07:10 | |
All right. | 0:07:15 | 0:07:17 | |
Since you are determined, I'll give you the name of someone will help. | 0:07:17 | 0:07:22 | |
If you behave yourself, he may try and get a little job for you. | 0:07:24 | 0:07:28 | |
See here? | 0:07:30 | 0:07:32 | |
-Preacher? -Yes. | 0:07:35 | 0:07:37 | |
Him can help you. | 0:07:38 | 0:07:40 | |
OK, Momma. | 0:07:43 | 0:07:45 | |
You didn't even bring me a mango from Country? | 0:07:45 | 0:07:48 | |
Mango season was bad this year. | 0:07:48 | 0:07:50 | |
Got three on here! | 0:07:56 | 0:07:58 | |
THEY LAUGH AND CHATTER | 0:08:03 | 0:08:07 | |
One blank, down here, so. | 0:08:18 | 0:08:21 | |
-You find Daisy? -Yes. | 0:08:23 | 0:08:26 | |
-You just come from the Country? -Yes. | 0:08:26 | 0:08:29 | |
-Pass? -Yes. | 0:08:31 | 0:08:33 | |
Five. | 0:08:36 | 0:08:37 | |
She's your old lady? | 0:08:37 | 0:08:39 | |
You've sold up and come to live in town? | 0:08:43 | 0:08:46 | |
Don't call it that. | 0:08:47 | 0:08:49 | |
Your play, man. What you laugh about? | 0:08:53 | 0:08:56 | |
I don't want to play that game until you pay me that 50 cents. You owe me too much now. | 0:09:04 | 0:09:08 | |
I can't pay till tomorrow. | 0:09:08 | 0:09:11 | |
Too much action around town for people who can't pay. | 0:09:11 | 0:09:14 | |
I'll show you Rialto. | 0:09:16 | 0:09:17 | |
What you know about Rialto, you just come from Country? | 0:09:17 | 0:09:20 | |
I read 'bout it, man. | 0:09:20 | 0:09:22 | |
-You want to go to The Rialto? -Yes. | 0:09:22 | 0:09:25 | |
Come then, now. | 0:09:25 | 0:09:26 | |
-I come with you? -Yes. | 0:09:26 | 0:09:28 | |
THEY SHOUT AND LAUGH | 0:09:38 | 0:09:41 | |
You shut your mouth! You think the hero dies before the last reel? | 0:10:06 | 0:10:10 | |
BOOMING REGGAE MUSIC PLAYS | 0:10:38 | 0:10:42 | |
Let's try some beginner's luck. | 0:10:58 | 0:11:01 | |
RADIO: 'Get your hits from Hilton's! For records, record players and musical instruments, | 0:11:21 | 0:11:27 | |
'and every sound around from beat to Bach and back. | 0:11:27 | 0:11:30 | |
Hilton's has everything in music. | 0:11:30 | 0:11:32 | |
Hilton! | 0:11:34 | 0:11:35 | |
Mr Hilton! | 0:11:35 | 0:11:37 | |
Mr Hilton! | 0:11:40 | 0:11:42 | |
Mr Hilton. We've been waiting for you, sir. | 0:11:55 | 0:11:59 | |
-Since 11 o'clock we been here. -What about? | 0:11:59 | 0:12:02 | |
-Mr Kenton sent me. -You have a tune? | 0:12:02 | 0:12:04 | |
-Yes, sir. -Sing it for me, then. | 0:12:04 | 0:12:07 | |
# We are all one big brother | 0:12:18 | 0:12:21 | |
# All belong to one father | 0:12:21 | 0:12:24 | |
# You tread on one, you hurt another | 0:12:24 | 0:12:27 | |
# Yeah, yeah, yeah, yeah | 0:12:27 | 0:12:30 | |
# We were fashioned perfect, see? | 0:12:30 | 0:12:33 | |
# Made to live in unity | 0:12:33 | 0:12:36 | |
# Let peace be... # | 0:12:36 | 0:12:38 | |
That's all right. Can't use it. Too slow. | 0:12:38 | 0:12:41 | |
-What kind of work you do? -Carpenter. | 0:12:55 | 0:12:57 | |
Go and see Mr Jackson. Next! | 0:12:57 | 0:13:00 | |
-What can you do? -Anything you want. | 0:13:00 | 0:13:03 | |
Pour concrete? Do carpentry work? | 0:13:03 | 0:13:06 | |
I never do it before. | 0:13:06 | 0:13:07 | |
You can mason? You can paint? | 0:13:07 | 0:13:10 | |
-I can do it. -What do you mean, you CAN do it? | 0:13:10 | 0:13:13 | |
We want skilled people. | 0:13:13 | 0:13:14 | |
Just give me a break. | 0:13:15 | 0:13:17 | |
Leave the place, man. Next! | 0:13:17 | 0:13:19 | |
YOU again? | 0:13:22 | 0:13:25 | |
Leave, man. Leave the place, man. | 0:13:25 | 0:13:28 | |
# Many rivers to cross | 0:13:45 | 0:13:48 | |
# But I can't seem to find | 0:13:50 | 0:13:54 | |
# My way over... # | 0:13:54 | 0:13:57 | |
-How do you do? -What are you doing there? | 0:13:58 | 0:14:01 | |
-I'm looking for work. -I don't have any. | 0:14:01 | 0:14:04 | |
-I can wash your car. -My husband gets the car washed downtown. | 0:14:04 | 0:14:09 | |
I can do gardening. | 0:14:09 | 0:14:11 | |
We have a gardening service to do that. | 0:14:11 | 0:14:14 | |
I can do anyt'ing, you know, ma'am. | 0:14:16 | 0:14:19 | |
Look, there's nothing you can do for me. Nothing you can do for me. | 0:14:19 | 0:14:23 | |
Have you got ten cents, then? | 0:14:23 | 0:14:26 | |
What's the matter with you young healthy boys?! All you know to do is beg, beg, beg. | 0:14:26 | 0:14:32 | |
-How you got in here, anyway? -The gate was open, ma'am. | 0:14:32 | 0:14:36 | |
Well, make sure you lock the gate behind you. | 0:14:36 | 0:14:39 | |
Who left the gate open?! | 0:14:50 | 0:14:52 | |
# Wandering I am lost | 0:14:52 | 0:14:55 | |
# As I travel along | 0:14:57 | 0:15:00 | |
# The white cliffs of Dover | 0:15:01 | 0:15:04 | |
# Many rivers to cross | 0:15:06 | 0:15:09 | |
# And it's only my will | 0:15:10 | 0:15:14 | |
# That keeps me alive | 0:15:14 | 0:15:17 | |
# I've been licked, washed up for years | 0:15:19 | 0:15:22 | |
# And I merely survive | 0:15:23 | 0:15:27 | |
# Because of my pride | 0:15:28 | 0:15:31 | |
# And this loneliness won't leave me alone | 0:15:34 | 0:15:38 | |
# It's such a drag to be on your own | 0:15:41 | 0:15:44 | |
# My woman left me, she didn't say why | 0:15:47 | 0:15:51 | |
# Well, I guess I have to try | 0:15:54 | 0:15:58 | |
# Many rivers to cross | 0:15:59 | 0:16:03 | |
# But just where to begin | 0:16:04 | 0:16:08 | |
# I'm playing for time | 0:16:08 | 0:16:12 | |
# There'll be times I find myself... # | 0:16:12 | 0:16:17 | |
Have you got ten cents, man? I was washing your car. | 0:16:19 | 0:16:23 | |
No, the steward always look after my car, man. | 0:16:23 | 0:16:25 | |
He not here all the time, you know, sir. | 0:16:25 | 0:16:27 | |
If you want the ten cents, come back and scrub it. | 0:16:27 | 0:16:30 | |
What you doin' there? Get out, man, get out. | 0:16:35 | 0:16:38 | |
GET OUT, man! | 0:16:38 | 0:16:40 | |
Get outta here! | 0:16:40 | 0:16:42 | |
# Just a closer walk with Thee | 0:16:45 | 0:16:50 | |
# Love me, Jesus, hear my plea | 0:16:53 | 0:17:00 | |
# Daily walking close to Thee | 0:17:01 | 0:17:08 | |
# And with you always, let it be | 0:17:08 | 0:17:16 | |
# Just a closer walk with Thee | 0:17:16 | 0:17:21 | |
# Love me, Jesus, hear my plea | 0:17:23 | 0:17:28 | |
# Daily walking close to Thee | 0:17:30 | 0:17:38 | |
# And with you always, let it be. # | 0:17:38 | 0:17:44 | |
-Morning. -Morning, Preacher. | 0:18:07 | 0:18:10 | |
-Morning, young man. -Morning, Preacher. | 0:18:11 | 0:18:14 | |
-How you getting along? -Not too bad, sir. | 0:18:14 | 0:18:16 | |
I'll be back in a while. | 0:18:16 | 0:18:18 | |
REGGAE MUSIC PLAYS | 0:18:24 | 0:18:27 | |
Hey, pretty boy. | 0:18:30 | 0:18:32 | |
Pretty hat. | 0:18:32 | 0:18:35 | |
Johnny Too Bad... | 0:18:35 | 0:18:38 | |
bring me the hammer. | 0:18:38 | 0:18:39 | |
Wh'appen, you can't get it yourself? | 0:18:39 | 0:18:41 | |
No, man, you bring it to me. | 0:18:41 | 0:18:44 | |
You have a pretty hat this morning. | 0:18:50 | 0:18:53 | |
You like it? | 0:18:53 | 0:18:54 | |
You really look like Johnny Too Bad. | 0:18:54 | 0:18:58 | |
You only have to have a gun to look like Johnny. | 0:18:58 | 0:19:01 | |
But before you get a gun, get the broom and sweep out the shop. | 0:19:01 | 0:19:06 | |
I'll see about the preacher's work. | 0:19:09 | 0:19:12 | |
Get the broom and sweep out the shop, you're a little boy. | 0:19:12 | 0:19:15 | |
Hey, wha'appen. Can I see you? | 0:19:37 | 0:19:40 | |
You don't want to see me. Where were you at choir practice last night? | 0:19:40 | 0:19:44 | |
Why? D'you miss me? | 0:19:46 | 0:19:48 | |
Personally, no. But the preacher's asking for you. | 0:19:48 | 0:19:53 | |
-Why you call him preacher? Don't he's your father? -No. | 0:19:54 | 0:19:58 | |
-Ohh! -Why say it like that? | 0:19:58 | 0:20:01 | |
Nothing. | 0:20:01 | 0:20:03 | |
He's me guardian. Ever since me father and mother died. | 0:20:03 | 0:20:07 | |
That's why he's so strict wid you. | 0:20:07 | 0:20:10 | |
It's for me own good. Excuse me. | 0:20:10 | 0:20:13 | |
-Who this bicycle frame belong to? -Preacher. | 0:20:15 | 0:20:19 | |
-You think he'll want it? -Don't have no use. | 0:20:19 | 0:20:22 | |
I could fix it up. Maybe you and I could go for a ride. | 0:20:22 | 0:20:26 | |
I don't think so, you know. | 0:20:26 | 0:20:29 | |
Jus' a ride. | 0:20:29 | 0:20:31 | |
Perhaps. Depends. | 0:20:31 | 0:20:33 | |
On what? | 0:20:33 | 0:20:34 | |
If you are a true Christian. The res' o' boys too rude. | 0:20:34 | 0:20:39 | |
Some Christians rude, too. | 0:20:39 | 0:20:41 | |
I wouldn't know about that. | 0:20:41 | 0:20:43 | |
Mind how you play in preacher's garden. | 0:20:56 | 0:20:59 | |
Preacher has tended that cherry tree for a long time now. | 0:20:59 | 0:21:04 | |
When the fruit's ripe, if preacher don't pick it, I'll pick it. | 0:21:04 | 0:21:10 | |
Looks like it'll soon be ripe. | 0:21:10 | 0:21:13 | |
"Consider the lilies of the field, how they grow; | 0:21:15 | 0:21:19 | |
"they toil not, neither do they spin, | 0:21:19 | 0:21:24 | |
"And yet I say unto you that even Solomon, in all his glory, | 0:21:24 | 0:21:28 | |
"was not arrayed like one of these. | 0:21:28 | 0:21:31 | |
"Wherefore, if God, so clothe the grass of the field, | 0:21:31 | 0:21:35 | |
"which today is, and tomorrow is cast into the oven, | 0:21:35 | 0:21:39 | |
"shall he not much more clothe you, O ye of little faith?" | 0:21:39 | 0:21:45 | |
Brothers and sisters, before you leave, I'd like to inform you | 0:21:46 | 0:21:50 | |
that you won't be able to pick up your records for the rally today. | 0:21:50 | 0:21:55 | |
The master record has not arrived from America. I'll let you know later in the week. | 0:21:55 | 0:22:01 | |
Now let us stand and sing and praise. | 0:22:01 | 0:22:05 | |
# When I, a poor lost sinner, | 0:22:07 | 0:22:09 | |
# Before the Lord, did fall | 0:22:09 | 0:22:12 | |
# And in the name of Jesus | 0:22:12 | 0:22:15 | |
# For mercy then did call | 0:22:15 | 0:22:18 | |
# He heard the supplication | 0:22:18 | 0:22:22 | |
# And soothed the weak, the strong | 0:22:22 | 0:22:25 | |
# For Jesus took my burden | 0:22:25 | 0:22:28 | |
# And left me with a song | 0:22:28 | 0:22:31 | |
# Yes, Jesus took my burden | 0:22:31 | 0:22:34 | |
# I could not help but bear | 0:22:34 | 0:22:37 | |
# Yes, Jesus took my burden | 0:22:37 | 0:22:41 | |
# In answer to my prayer | 0:22:41 | 0:22:44 | |
# My anxious fears subsided | 0:22:44 | 0:22:47 | |
# My spirit was made strong | 0:22:47 | 0:22:50 | |
# O Jesus took my burden | 0:22:50 | 0:22:53 | |
# And left me with a song. # | 0:22:53 | 0:22:58 | |
RADIO: # Oh-oh, steppin' | 0:23:02 | 0:23:05 | |
# Oh-oh, steppin' | 0:23:06 | 0:23:10 | |
# At the ocean... # | 0:23:11 | 0:23:13 | |
-Who turned off...? -I did! | 0:23:13 | 0:23:15 | |
-You let the Lord find you doing this? -Doin' what, preacher? -Boogie-woogyin' in my yard! | 0:23:15 | 0:23:20 | |
They don't have boogie-woogie any more, Preacher! | 0:23:20 | 0:23:24 | |
I don't care what you call it! I don't want it in my yard. | 0:23:24 | 0:23:28 | |
All right. Finished for the night, sir. | 0:23:28 | 0:23:31 | |
And furthermore, what are you doing here at this time of the night? | 0:23:39 | 0:23:44 | |
-Fixin' a bike. -Fixing your bicycle?! | 0:23:44 | 0:23:46 | |
You should be readin' your Bible. Readin' your BIBLE! | 0:23:46 | 0:23:49 | |
You hear me?! Readin' your Bible! Three times a day. | 0:23:49 | 0:23:53 | |
Don't walk away. You're impertinent! | 0:23:53 | 0:23:56 | |
PREACHER SHOUTS | 0:23:56 | 0:23:58 | |
-Preacher no happy tonight? -I wanna know why. | 0:23:58 | 0:24:02 | |
He musta noticed what we noticed. | 0:24:02 | 0:24:04 | |
What has Preacher got to do with that? | 0:24:05 | 0:24:07 | |
Preacher is a man of Lord, but... | 0:24:07 | 0:24:09 | |
-Him is a man. -Him is a man. | 0:24:09 | 0:24:11 | |
The Lord say, "Go forth and multiply." He don't multiply yet. | 0:24:11 | 0:24:16 | |
Preacher will always be my guardian and that's that. | 0:24:16 | 0:24:21 | |
When nothing else could help... | 0:24:21 | 0:24:25 | |
..then love | 0:24:26 | 0:24:29 | |
came down. | 0:24:29 | 0:24:31 | |
It rescued the perishing, | 0:24:31 | 0:24:34 | |
healed the dying, | 0:24:34 | 0:24:38 | |
snatch us in pity, | 0:24:38 | 0:24:41 | |
rise us from the grave. | 0:24:41 | 0:24:45 | |
Tonight, here is love. | 0:24:45 | 0:24:48 | |
Praise God! | 0:24:48 | 0:24:51 | |
We say it is a gift of God! | 0:24:51 | 0:24:53 | |
Amen! | 0:24:53 | 0:24:55 | |
Tonight, the wages of sin is not common. | 0:24:55 | 0:25:00 | |
It's death. It's damnation. | 0:25:00 | 0:25:03 | |
It's derogation. But here is the love of God! | 0:25:03 | 0:25:07 | |
Love hath no end. Love thinketh no evil! | 0:25:07 | 0:25:13 | |
Love never dies, not easy to provoke. | 0:25:13 | 0:25:17 | |
-Let us give thanks to Jesus. -ALL: Thanks, Jesus. | 0:25:18 | 0:25:22 | |
Let's say hallelujah! HALLELUJAH! | 0:25:22 | 0:25:24 | |
Let's hear you sing! | 0:25:24 | 0:25:26 | |
LOUD GOSPEL SONG | 0:25:26 | 0:25:29 | |
-Lionel, where's that boy? -I don't know, Preacher. | 0:27:47 | 0:27:50 | |
-He might be in his automobile. -His automobile, huh? | 0:27:50 | 0:27:53 | |
Where have you been? | 0:29:04 | 0:29:06 | |
-Jus' been for a ride, sir. -Skylarking and I can't find you. | 0:29:06 | 0:29:10 | |
All I can find is nastiness in the place. You get in the house. | 0:29:10 | 0:29:15 | |
Do you know how long we been waiting for this?! | 0:29:15 | 0:29:19 | |
-I can tek it down right now. -By the time you get there it closed. | 0:29:19 | 0:29:23 | |
-I'll tek it right now. -Be sure you come back in a hurry! | 0:29:23 | 0:29:26 | |
# Hey, hey, did your hear my woman cry? | 0:29:29 | 0:29:33 | |
# Mama says you must wipe her eye | 0:29:33 | 0:29:36 | |
# Papa says you're fool in life you never been to school at all | 0:29:36 | 0:29:41 | |
# It is no wonder | 0:29:41 | 0:29:43 | |
# He is a perfect bounder | 0:29:43 | 0:29:46 | |
# While they were dancin' in the ballroom last night | 0:29:46 | 0:29:53 | |
# Doesn't care if a woman frets | 0:29:53 | 0:29:55 | |
# Or if they lose their heads | 0:29:55 | 0:29:58 | |
# And he say he'll not be fool or like | 0:29:58 | 0:30:00 | |
# It's not time for his weddin' day | 0:30:00 | 0:30:03 | |
# It's no wonder | 0:30:03 | 0:30:05 | |
# He is a perfect bounder | 0:30:05 | 0:30:08 | |
# While they were dancin' in the ballroom last night | 0:30:08 | 0:30:14 | |
# One more thing for the weddin' cake | 0:30:14 | 0:30:17 | |
# Twenty bottle of cola wine | 0:30:17 | 0:30:20 | |
# All the people dressed up in white | 0:30:20 | 0:30:23 | |
# Just to eat some weddin' cake | 0:30:23 | 0:30:25 | |
# It's no wonder | 0:30:25 | 0:30:27 | |
# He is a perfect bounder | 0:30:27 | 0:30:30 | |
# While they were dancin' in the ballroom last night... # | 0:30:30 | 0:30:33 | |
KNOCK AT DOOR | 0:30:33 | 0:30:36 | |
# It is no wonder | 0:30:47 | 0:30:50 | |
# He is a perfect bounder | 0:30:50 | 0:30:52 | |
# While they were dancin' | 0:30:52 | 0:30:55 | |
# In that ballroom last night | 0:30:55 | 0:30:58 | |
# Doesn't care if a woman frets | 0:30:58 | 0:31:01 | |
# Or if they lose their heads | 0:31:01 | 0:31:04 | |
# And he say he'll not be fool or like | 0:31:04 | 0:31:07 | |
# It's not time for his weddin' day | 0:31:07 | 0:31:09 | |
# It is no wonder | 0:31:09 | 0:31:12 | |
# He's a perfect bounder | 0:31:12 | 0:31:15 | |
# While they were dancin' in that ballroom last night | 0:31:15 | 0:31:21 | |
# One more thing for the weddin' cake | 0:31:21 | 0:31:24 | |
# Twenty bottle of cola wine | 0:31:24 | 0:31:27 | |
# All the people dressed up in white | 0:31:27 | 0:31:29 | |
# Just to eat some weddin' cake... # | 0:31:29 | 0:31:31 | |
Stop! | 0:31:31 | 0:31:33 | |
Hold on, hold on! | 0:31:33 | 0:31:35 | |
-What d'you want? -I bring the records for the rally. | 0:31:36 | 0:31:39 | |
-I can sing. I'd like the chance to make a record. -Everybody wants to. | 0:31:43 | 0:31:47 | |
-Ready? -But I have a boss song! It mus' sell! | 0:31:48 | 0:31:52 | |
-What time is the audition? -Tomorrow. | 0:31:53 | 0:31:55 | |
Let's go. | 0:31:55 | 0:31:57 | |
-What time tomorrow? -Tomorrow. We're ready. | 0:31:57 | 0:32:00 | |
Let's go! | 0:32:00 | 0:32:02 | |
# Did you hear my woman cry? | 0:32:06 | 0:32:08 | |
# Mama says you must wipe her eye | 0:32:08 | 0:32:10 | |
# Papa says you're a fool in life | 0:32:10 | 0:32:13 | |
# You never been to school at all | 0:32:13 | 0:32:15 | |
# It is no wonder | 0:32:15 | 0:32:18 | |
# He's a perfect bounder | 0:32:18 | 0:32:20 | |
# While they were dancin' in that ballroom last night... # | 0:32:20 | 0:32:26 | |
-KNOCK AT DOOR -(Elsa! Elsa!) | 0:32:32 | 0:32:35 | |
-Who that? -Ivan. | 0:32:35 | 0:32:38 | |
Comin'. | 0:32:38 | 0:32:40 | |
Fantastic news! Fantastic news! | 0:32:44 | 0:32:47 | |
-D'you remember the man Hilton I was trying to see? -Yeah. -Saw him today. | 0:32:47 | 0:32:52 | |
-I can record tomorrow. -Great! | 0:32:52 | 0:32:55 | |
-I want you to help me out. -Yes! | 0:32:55 | 0:32:58 | |
-Will you lend me the key to go in the church? -You must be mad! | 0:32:58 | 0:33:03 | |
-Preacher don't have to know. I'll turn the amplifier down. -No, Ivan. | 0:33:03 | 0:33:07 | |
-Why not? -I jus' can't do it. | 0:33:07 | 0:33:12 | |
You'd do it for the preacher. | 0:33:12 | 0:33:14 | |
That music can't play in the church. If he caught me, my life finish. | 0:33:14 | 0:33:18 | |
Finish with him but start with me. | 0:33:18 | 0:33:21 | |
What d'you mean? | 0:33:21 | 0:33:23 | |
When this song hits, you know what that means for you and me? | 0:33:23 | 0:33:27 | |
This is my big chance! What I been waitin' for since I come to town. | 0:33:27 | 0:33:32 | |
Nothin' can stop me now, you know. | 0:33:32 | 0:33:35 | |
I don't have to worry no more after this song. It's for you and me. | 0:33:35 | 0:33:38 | |
-No, Ivan. -You're not gonna live in preacher's house all your life. | 0:33:38 | 0:33:44 | |
You're not gonna live with him as man and wife. | 0:33:44 | 0:33:46 | |
You're a big girl now. You're not a child any more. | 0:33:46 | 0:33:51 | |
You have to mek up your mind. | 0:33:51 | 0:33:53 | |
Between me and Preacher. | 0:33:53 | 0:33:57 | |
Where is the song? | 0:33:57 | 0:33:59 | |
I have the words in me back pocket. Arthur's outside. | 0:33:59 | 0:34:02 | |
I'm trusting you now, Ivan. | 0:34:11 | 0:34:13 | |
All right. | 0:34:15 | 0:34:16 | |
One... | 0:34:21 | 0:34:22 | |
Two... | 0:34:22 | 0:34:23 | |
One, two, three, four! | 0:34:23 | 0:34:25 | |
HE HUMS TO GUITAR INTRO | 0:34:25 | 0:34:30 | |
# Tell me of the pie up in the sky | 0:34:35 | 0:34:39 | |
# Waitin' for me, when I die | 0:34:39 | 0:34:43 | |
# Yes. # | 0:34:43 | 0:34:44 | |
HE HUMS | 0:34:44 | 0:34:47 | |
# And as sure as the sun will shine | 0:34:51 | 0:34:54 | |
# Up... # | 0:34:54 | 0:34:56 | |
What are you doin' in my church this time o' night? | 0:34:56 | 0:34:59 | |
And playin' this kind of music? | 0:34:59 | 0:35:02 | |
I'm callin' the police to arrest you for breakin' in! | 0:35:02 | 0:35:05 | |
-We had a key, Preacher. -A key?! | 0:35:05 | 0:35:08 | |
You gave him the keys to my church? | 0:35:14 | 0:35:15 | |
-Yes. -Why? | 0:35:15 | 0:35:17 | |
I had to. | 0:35:17 | 0:35:18 | |
-What else do you give him? -Nothing! | 0:35:18 | 0:35:21 | |
-I gave him nothing! -You're lying! | 0:35:23 | 0:35:25 | |
-No! -You been fornicating with him! | 0:35:25 | 0:35:29 | |
-No! -You gave him your lips! | 0:35:29 | 0:35:32 | |
-You gave him your body! -No! -Look at you! -No! | 0:35:32 | 0:35:35 | |
SHE SOBS BITTERLY | 0:35:35 | 0:35:38 | |
Hi. Hear you resigned the post, man. | 0:35:58 | 0:36:01 | |
-What you doin' here? -Come for my bicycle. | 0:36:01 | 0:36:03 | |
-Which bicycle? -That same one. | 0:36:03 | 0:36:06 | |
This bicycle's yours? | 0:36:08 | 0:36:10 | |
Since when? Where you buy it from? | 0:36:10 | 0:36:13 | |
I didn't have to buy it. It was layin' out the back. | 0:36:13 | 0:36:17 | |
-This is Preacher's bicycle, from Preacher's premises. -I fix it up. | 0:36:17 | 0:36:22 | |
Who told you to fix it? The Preacher give it to me. | 0:36:22 | 0:36:26 | |
It took me three weeks to fix the bicycle. | 0:36:26 | 0:36:29 | |
I paid six dollars for the wheels alone. | 0:36:29 | 0:36:32 | |
That's your bad luck. | 0:36:32 | 0:36:34 | |
Don't joke with your life. Give me my bicycle. | 0:36:34 | 0:36:38 | |
If it's your bicycle, take it. | 0:36:38 | 0:36:40 | |
Him cut me! | 0:36:43 | 0:36:45 | |
-You want dead? -Aghh! | 0:37:27 | 0:37:30 | |
I will kill you. | 0:37:30 | 0:37:32 | |
Don't...fuck...with...me. | 0:37:32 | 0:37:37 | |
Aghh! | 0:37:37 | 0:37:38 | |
'You've had every chance to make good. | 0:37:40 | 0:37:43 | |
'You've been taken into the Church | 0:37:43 | 0:37:45 | |
'and given a chance to lead a good Christian life. | 0:37:45 | 0:37:49 | |
'Instead, you've gone and filled your head with foolishness and violence. | 0:37:49 | 0:37:56 | |
'Since this is your first offence, | 0:37:56 | 0:37:58 | |
'I'm not going to send you to jail. | 0:37:58 | 0:38:00 | |
'I'm giving you a chance to come to your senses. | 0:38:00 | 0:38:03 | |
'Either it will bring you down to earth or...there's no hope for you. | 0:38:03 | 0:38:09 | |
'Eight strokes of the switch.' | 0:38:09 | 0:38:12 | |
Agh! | 0:38:39 | 0:38:40 | |
# Well, you tell me of the pie up in the sky | 0:38:57 | 0:39:02 | |
# Waitin' for me when I die | 0:39:03 | 0:39:07 | |
# But between the day you're born and when you die | 0:39:07 | 0:39:11 | |
# Never seem to hear even your cry | 0:39:12 | 0:39:16 | |
# So as sure as the sun will shine | 0:39:17 | 0:39:21 | |
# I'm gonna get my share, what's mine | 0:39:21 | 0:39:26 | |
# And then the harder they come | 0:39:26 | 0:39:28 | |
# The harder they fall, one and all. | 0:39:28 | 0:39:32 | |
MUSIC DROWNS SPEECH | 0:39:34 | 0:39:36 | |
# The harder they come | 0:39:36 | 0:39:39 | |
# The harder they fall, one and all | 0:39:39 | 0:39:42 | |
# Well, the oppressors are trying to keep me down | 0:39:45 | 0:39:50 | |
# Makin' me feel like a clown | 0:39:50 | 0:39:53 | |
# And they think that they have got me on the run | 0:39:55 | 0:39:59 | |
# I say, "Forgive them, Lord, they know not what they've done" | 0:39:59 | 0:40:04 | |
# Cos as sure as the sun will shine | 0:40:04 | 0:40:09 | |
# I'm gonna get my share now, what's mine | 0:40:09 | 0:40:14 | |
# And then the harder they come | 0:40:14 | 0:40:16 | |
# The harder they fall, one and all | 0:40:16 | 0:40:20 | |
# Harder they come | 0:40:23 | 0:40:26 | |
# The harder they fall, one and all | 0:40:26 | 0:40:30 | |
# Cos they think that they have got me on the run | 0:40:51 | 0:40:56 | |
# Tell them that they don't know take no fun | 0:40:56 | 0:41:01 | |
# And I'd rather die than live and be a slave | 0:41:01 | 0:41:05 | |
# Yes, I'd rather be right in my grave | 0:41:05 | 0:41:10 | |
# So as sure as the sun will shine | 0:41:10 | 0:41:14 | |
# I'm gonna get my share right now, what's mine | 0:41:14 | 0:41:19 | |
# And then the harder they come | 0:41:19 | 0:41:22 | |
# Harder they fall, one and all | 0:41:22 | 0:41:25 | |
# Ooh, the harder they come | 0:41:29 | 0:41:31 | |
# The harder they fall, one and all | 0:41:31 | 0:41:36 | |
# Yeah, yeah, yeah | 0:41:36 | 0:41:39 | |
# Harder they come | 0:41:39 | 0:41:41 | |
# Harder they fall, one and all | 0:41:41 | 0:41:44 | |
# What I sing one time | 0:41:44 | 0:41:47 | |
# Sometime, sometime I feel a hurt | 0:41:55 | 0:41:58 | |
# One more time, one more time | 0:42:04 | 0:42:07 | |
# One more time, now... # | 0:42:14 | 0:42:16 | |
All right, that's enough. | 0:42:19 | 0:42:21 | |
-That's all right - we can use it. -When will you release it? | 0:42:29 | 0:42:33 | |
Read this first. | 0:42:33 | 0:42:34 | |
-What's the meanin' of this? -You get 20 dollars for the record. | 0:42:40 | 0:42:45 | |
20 dollars? That don't sound right. | 0:42:45 | 0:42:48 | |
How much d'you think it's worth? | 0:42:48 | 0:42:50 | |
I don't really know, y'know. | 0:42:50 | 0:42:52 | |
You must have an idea! How much is it worth? | 0:42:52 | 0:42:55 | |
I think it'd be about 200 dollars, y'know. | 0:42:57 | 0:43:00 | |
ALL LAUGH | 0:43:00 | 0:43:03 | |
I don't think I'm signing this for 20 dollars. | 0:43:10 | 0:43:13 | |
I see. You'd like to have a new producer? | 0:43:13 | 0:43:18 | |
I wish you luck. | 0:43:20 | 0:43:22 | |
-Numero Uno! -Hi, brother, how y'doin'? | 0:43:27 | 0:43:30 | |
-Not bad. I've got a record I'd like you to play for me. -Let's see. | 0:43:30 | 0:43:34 | |
You're on a Hilton's label! | 0:43:34 | 0:43:36 | |
-No, well, I use his studio - I like the sound. -I see. | 0:43:37 | 0:43:42 | |
I deal direct with Hilton's, man. | 0:43:42 | 0:43:44 | |
This is my personal record, y'know. | 0:43:47 | 0:43:49 | |
It's personally mine. I'm an independent producer as well. | 0:43:51 | 0:43:55 | |
I deal with Hilton's direct. This is showbusiness, baby. No business... | 0:43:55 | 0:44:00 | |
no show. | 0:44:00 | 0:44:02 | |
CAR DOOR SLAMS | 0:44:02 | 0:44:04 | |
# The oppressors, they're trying to keep me down | 0:44:04 | 0:44:08 | |
# Makin' me feel like a clown... # | 0:44:08 | 0:44:12 | |
You're jokin'! | 0:44:12 | 0:44:14 | |
After Hilton cuts my supply of records, will you supply me? | 0:44:16 | 0:44:19 | |
Mr Hilton doesn't want this played. | 0:44:19 | 0:44:21 | |
You can sell the record without Mr Hilton. We want money now. | 0:44:23 | 0:44:29 | |
# ..Get my share now, what's mine | 0:44:29 | 0:44:32 | |
# And then the harder they come | 0:44:32 | 0:44:35 | |
# The harder they fall, one and all. # | 0:44:35 | 0:44:38 | |
What you want, sonny? | 0:44:45 | 0:44:48 | |
-To make another record? -Not exactly, no. | 0:44:48 | 0:44:51 | |
-What, then? -I want the money. -Which money? Which money? | 0:44:51 | 0:44:55 | |
You'll take the 20 dollars? | 0:44:55 | 0:44:57 | |
Yes, I'll settle for that. | 0:45:01 | 0:45:02 | |
Damn right, you will! | 0:45:02 | 0:45:04 | |
I even have the contract here. | 0:45:04 | 0:45:07 | |
-What you say your name is? -Ivan O'Martin. | 0:45:07 | 0:45:09 | |
Ivan O'what? | 0:45:11 | 0:45:13 | |
Martin. | 0:45:13 | 0:45:15 | |
Sign here, and remember - | 0:45:15 | 0:45:17 | |
next time you cut a record - that I control this business. | 0:45:17 | 0:45:22 | |
Understand? | 0:45:22 | 0:45:23 | |
OK? | 0:45:23 | 0:45:25 | |
And remember somethin' else - | 0:45:25 | 0:45:27 | |
I make hits, not the public. | 0:45:27 | 0:45:29 | |
-I -tell the DJs what to play. | 0:45:29 | 0:45:31 | |
Understand? | 0:45:31 | 0:45:32 | |
What you doin' or what? | 0:45:33 | 0:45:35 | |
Ivan no payin' you yet? | 0:45:35 | 0:45:37 | |
But Ivan's supposed to pay you. | 0:45:37 | 0:45:39 | |
I not supposed to give you no money. | 0:45:39 | 0:45:41 | |
Anyhow, come. | 0:45:41 | 0:45:42 | |
Let this be a lesson to you. Learn something from this. | 0:45:44 | 0:45:48 | |
Remember the fella wouldn't sign a contract? You can release his song. | 0:45:52 | 0:45:55 | |
He signed up? Yeah, but don't push it. | 0:45:55 | 0:45:58 | |
Tell the DJs I just want to get back my money. | 0:45:58 | 0:46:01 | |
But it's a good record. I know. | 0:46:01 | 0:46:04 | |
But he's a trouble-maker. I don't want to build him up. OK? | 0:46:04 | 0:46:07 | |
OK. | 0:46:07 | 0:46:09 | |
HE TOOTS HORN | 0:46:11 | 0:46:12 | |
-What happened? -Trouble, sir. | 0:46:27 | 0:46:30 | |
What kind of trouble? | 0:46:30 | 0:46:31 | |
They shot Pedro's wife this evening. | 0:46:31 | 0:46:33 | |
-Who shot her? -The army, sir. | 0:46:33 | 0:46:36 | |
-She had grass on her? -Pedro got away with that. | 0:46:38 | 0:46:41 | |
All right. Leave it to me. | 0:46:41 | 0:46:43 | |
What must I tell the traders? | 0:46:43 | 0:46:47 | |
We'll have to hold off a couple of days. | 0:46:47 | 0:46:50 | |
But the traders pay me protection money, and one got shot. | 0:46:50 | 0:46:55 | |
Just cool it for a couple of days and leave it to me. | 0:46:55 | 0:46:59 | |
What about Pedro's wife, sir? | 0:46:59 | 0:47:02 | |
Find somebody to take her place. Check with me later. | 0:47:02 | 0:47:06 | |
-Check me at the police station. -All right. | 0:47:06 | 0:47:08 | |
Get me the police commissioner. Detective Jones calling. | 0:47:13 | 0:47:16 | |
Hello, Commissioner. | 0:47:17 | 0:47:19 | |
..Yes, sir. The army shot one of my people's women. | 0:47:19 | 0:47:23 | |
'It's a series of raids.' | 0:47:23 | 0:47:25 | |
Nobody told me! | 0:47:25 | 0:47:27 | |
-Who did they kill? -'An informer in the ganja trade.' | 0:47:27 | 0:47:31 | |
I can't be concerned with who is an informer. | 0:47:31 | 0:47:34 | |
'Well, I am concerned. | 0:47:34 | 0:47:36 | |
'How can I control crime if my informants can't operate freely?' | 0:47:36 | 0:47:40 | |
Look, I know you use the trade as a form of control. | 0:47:40 | 0:47:45 | |
But I can't explain that officially. | 0:47:45 | 0:47:48 | |
I can only ask the army to co-operate. | 0:47:48 | 0:47:51 | |
Explain that if anybody controls what comes into town it's me. | 0:47:51 | 0:47:55 | |
Rupert, your mother's dead, she can't help you again. Come along. | 0:48:09 | 0:48:15 | |
RADIO PLAYS REGGAE | 0:48:25 | 0:48:27 | |
Hi, baby! Get any work today? | 0:48:30 | 0:48:33 | |
Big night, tonight, y'know. | 0:48:37 | 0:48:40 | |
Look what I buy you. | 0:48:40 | 0:48:41 | |
Ivan, you take your money and buy that? | 0:48:41 | 0:48:44 | |
It's a mini. It's sexy! | 0:48:44 | 0:48:46 | |
Where's the food I asked you to buy? | 0:48:53 | 0:48:56 | |
Do you have any money left at all? | 0:48:56 | 0:48:58 | |
Don't worry! After my record... | 0:48:58 | 0:49:00 | |
You sold out the record to Hilton for 20 - there's no more money to get. | 0:49:00 | 0:49:05 | |
Wait until the other producers hear my record tonight. | 0:49:05 | 0:49:08 | |
Drive away from this place tomorrow. | 0:49:08 | 0:49:11 | |
Lend me 2 for tonight? | 0:49:13 | 0:49:14 | |
Where I must get it from? | 0:49:14 | 0:49:16 | |
-You have it in your bosom. -I only have 2 left! | 0:49:16 | 0:49:19 | |
-That will do! -I need it to buy food and I'm going to church tomorrow. | 0:49:21 | 0:49:26 | |
Come with me - you don't even have to dance. | 0:49:26 | 0:49:31 | |
No, I'm tired. | 0:49:31 | 0:49:33 | |
I've been walkin' and lookin' for work all day - not like you. | 0:49:33 | 0:49:38 | |
You want me to go and beg work when I have a record? | 0:49:38 | 0:49:41 | |
-I done with that. -I not done with it, though. I was walkin' all day. | 0:49:41 | 0:49:45 | |
What you walkin' for? | 0:49:46 | 0:49:48 | |
You don't believe I gonna make it? You think I'm just jokin'? | 0:49:48 | 0:49:52 | |
All I'm telling you is that I'm tired. | 0:49:52 | 0:49:55 | |
You want me to beg work for 10 a week for the rest of my life? | 0:49:55 | 0:49:59 | |
I tried that - I'd rather die! | 0:49:59 | 0:50:02 | |
And I don't have to, cos I'm gonna make it. | 0:50:02 | 0:50:05 | |
Ivan, you're a dreamer. | 0:50:07 | 0:50:09 | |
Me, dreamer? | 0:50:11 | 0:50:13 | |
Who's a bigger dreamer than you? | 0:50:13 | 0:50:15 | |
All this talk about milk an' honey! | 0:50:15 | 0:50:17 | |
Ain't no milk an' honey in the sky. | 0:50:17 | 0:50:21 | |
It's right down here an' I want mine now, tonight! | 0:50:21 | 0:50:24 | |
I'll just get out of this place of yours. | 0:50:25 | 0:50:27 | |
Sit tight and listen keenly | 0:50:31 | 0:50:33 | |
while I play a new musical biscuit from the Hilton empire. | 0:50:33 | 0:50:38 | |
It's a brand-new song called The Harder They Fall, by the man called "Ivan". | 0:50:38 | 0:50:43 | |
# Well, you tell me of the pie up in the sky | 0:50:53 | 0:50:57 | |
# Waitin' for me when I die | 0:50:59 | 0:51:01 | |
# But between the day you're born and when you die | 0:51:03 | 0:51:07 | |
# Never seem to hear even your cry... # | 0:51:08 | 0:51:12 | |
What you think of this song? | 0:51:13 | 0:51:15 | |
Not bad. | 0:51:15 | 0:51:18 | |
Listen to the beat. I think it's a hit. | 0:51:18 | 0:51:21 | |
It's all right. | 0:51:23 | 0:51:24 | |
# ..harder they fall, one and all | 0:51:24 | 0:51:29 | |
# The harder they come | 0:51:32 | 0:51:34 | |
# The harder they fall, one and all | 0:51:34 | 0:51:38 | |
# The oppressors are trying to keep me down | 0:51:41 | 0:51:46 | |
# Makin' me feel like a clown | 0:51:46 | 0:51:50 | |
# And they think that they have got me on the run | 0:51:50 | 0:51:55 | |
# I say, "Forgive them, Lord, they know not what they've done" | 0:51:55 | 0:51:59 | |
# Cos as sure as the sun will shine | 0:51:59 | 0:52:04 | |
# I'm gonna get my share now, what's mine | 0:52:04 | 0:52:09 | |
# And then the harder they come | 0:52:09 | 0:52:12 | |
# The harder they fall, one and all | 0:52:12 | 0:52:17 | |
# Harder they come | 0:52:19 | 0:52:22 | |
# The harder they fall, one and all | 0:52:22 | 0:52:26 | |
# Sometimes, sometimes I feel a hurt | 0:52:28 | 0:52:31 | |
# One more time, one more time... # | 0:52:38 | 0:52:40 | |
What's happening, Jose? My song was just played, you know. | 0:52:44 | 0:52:49 | |
You're moving up! | 0:52:49 | 0:52:52 | |
The girl didn't come here to dance, then. | 0:52:52 | 0:52:55 | |
I showed him around when he first came to town. | 0:52:59 | 0:53:01 | |
What you drinkin'? Babycham. | 0:53:01 | 0:53:05 | |
One Babycham for my girl. | 0:53:05 | 0:53:07 | |
My singer friend here is standing the drinks. | 0:53:08 | 0:53:14 | |
-Beer... -Jose... | 0:53:14 | 0:53:17 | |
-I have to go somewhere. -Where? | 0:53:17 | 0:53:20 | |
Don't worry, I soon come back. | 0:53:20 | 0:53:22 | |
All right. Beer for my friend, here. | 0:53:22 | 0:53:24 | |
You control things till I come back. | 0:53:24 | 0:53:28 | |
What happened? | 0:53:29 | 0:53:31 | |
What's the big joke? What's the big hurry? | 0:53:49 | 0:53:52 | |
I have to collect some money. | 0:53:52 | 0:53:55 | |
All right. Come. I'll give you a ride. | 0:53:55 | 0:53:57 | |
No. | 0:53:57 | 0:53:58 | |
I like how you slid out of the bar. | 0:53:58 | 0:54:01 | |
You've learnt a lot in town, but don't try to fool me. | 0:54:01 | 0:54:04 | |
What you mean? | 0:54:04 | 0:54:06 | |
-Where did you make that record? -Hilton's. | 0:54:06 | 0:54:09 | |
I bet you didn't get 20 dollars for it. | 0:54:09 | 0:54:12 | |
Don't tell me a lie. I know the scene. | 0:54:12 | 0:54:16 | |
Even if it reaches number one, you won't get another cent. | 0:54:16 | 0:54:20 | |
-How you know? -Think you can handle big money? | 0:54:20 | 0:54:23 | |
Yes. | 0:54:23 | 0:54:25 | |
I think I can work up something for you, you know. | 0:54:25 | 0:54:28 | |
-Like what? -I'll work out something. | 0:54:28 | 0:54:31 | |
-OK. -Come on. | 0:54:31 | 0:54:33 | |
# You can get it if you really want | 0:54:33 | 0:54:37 | |
# You can get it if you really want | 0:54:37 | 0:54:40 | |
# You can get it if you really want | 0:54:40 | 0:54:43 | |
# But you must try, try and try | 0:54:43 | 0:54:47 | |
# Try and try | 0:54:47 | 0:54:50 | |
# You'll succeed at last. # | 0:54:50 | 0:54:52 | |
Pedro, there's a policeman ahead, what if he stops us? | 0:54:54 | 0:55:00 | |
You ask too much question, man. Just enjoy the ride. | 0:55:00 | 0:55:03 | |
Wave! | 0:55:03 | 0:55:04 | |
Rupert, have you been to school this morning? | 0:55:09 | 0:55:12 | |
-Yes. -Good. | 0:55:12 | 0:55:16 | |
Don't go too near the fire, you might get sick again. | 0:55:16 | 0:55:19 | |
MOTORBIKE PULLS UP | 0:55:19 | 0:55:23 | |
Hear Daddy comin'? | 0:55:23 | 0:55:25 | |
-You didn't give Miss Elsa any trouble today? -No. -You took your medicine? | 0:55:35 | 0:55:40 | |
Here's a sweetie for your medicine. | 0:55:40 | 0:55:42 | |
You bring something for me, Ivan? | 0:55:43 | 0:55:45 | |
This is for Pedro. | 0:55:45 | 0:55:46 | |
-Catch any fish today? -No. Sea's rough. | 0:55:46 | 0:55:50 | |
You have a good girl. She's cared for my Rupert since his mother died. | 0:55:53 | 0:55:57 | |
Go over to the bar with this. Say we'll collect tonight. | 0:56:10 | 0:56:15 | |
MUSIC PLAYS ON RADIO | 0:56:20 | 0:56:24 | |
CHATTER INAUDIBLE | 0:56:24 | 0:56:27 | |
-Stout, for me. -Stout, not beer? | 0:56:29 | 0:56:31 | |
-How goes it this week? -Not too bad, Pedro. | 0:56:35 | 0:56:38 | |
We split that. | 0:56:49 | 0:56:51 | |
-Who that for? -Didn't Jose say how it works? | 0:56:51 | 0:56:56 | |
-No. -Well, this is for Jose. | 0:56:56 | 0:57:01 | |
What for? | 0:57:01 | 0:57:03 | |
He gets something from everybody. | 0:57:03 | 0:57:07 | |
He collects from everybody? | 0:57:07 | 0:57:10 | |
Everyone who makes more than one trip. | 0:57:10 | 0:57:12 | |
How come Jose's not rich? | 0:57:17 | 0:57:19 | |
-It's not just Jose, you know. -Who it go to? | 0:57:19 | 0:57:23 | |
You ask too many questions. Aren't you taking out? | 0:57:23 | 0:57:27 | |
Well, so far. | 0:57:27 | 0:57:28 | |
Give Jose 15 dollars a week, and then everything's all right. | 0:57:28 | 0:57:33 | |
Hey, what happen, Pedro? | 0:57:33 | 0:57:36 | |
This is from me and the new brother. | 0:57:51 | 0:57:55 | |
Got a light, no? | 0:57:57 | 0:57:59 | |
PIPE BUBBLES | 0:58:05 | 0:58:08 | |
-You're new to this? -Sort of. | 0:58:27 | 0:58:31 | |
-You need some protection. -Like what? | 0:58:31 | 0:58:34 | |
How much? | 0:58:44 | 0:58:46 | |
Twenty dollars for the pair, man. | 0:58:46 | 0:58:48 | |
-You sure it work? -Yes, man. It's good. | 0:58:48 | 0:58:51 | |
-It's expensive, man. -Cheap, for your life! | 0:58:57 | 0:59:00 | |
Pedro, do you think I should take them? | 0:59:05 | 0:59:09 | |
Are you out to kill somebody? | 0:59:09 | 0:59:11 | |
-No, I don't plan on killing anybody. -Then leave it, man. | 0:59:11 | 0:59:14 | |
AMERICAN SHAMPOO ADVERT ON TV | 1:00:08 | 1:00:11 | |
Serve them right. | 1:00:25 | 1:00:27 | |
Who? | 1:00:27 | 1:00:29 | |
They held a plane in Florida loaded with ganja. It came from here. | 1:00:29 | 1:00:34 | |
"100,000." | 1:00:40 | 1:00:43 | |
They say the US government will aid the army to clamp down on them. | 1:00:47 | 1:00:54 | |
-Where's Pedro? -I don't know. | 1:00:54 | 1:00:57 | |
All right. I'll soon come. | 1:00:57 | 1:00:59 | |
Jose, you read the newspaper? | 1:01:04 | 1:01:06 | |
Mm-hmm. Your play. | 1:01:07 | 1:01:09 | |
They catch a plane. | 1:01:13 | 1:01:15 | |
Two got through. | 1:01:15 | 1:01:17 | |
Somebody making plenty money. Not us. | 1:01:19 | 1:01:24 | |
I'm only getting spit. | 1:01:24 | 1:01:25 | |
Who making all the money? | 1:01:29 | 1:01:32 | |
Ask no questions, hear no lies. | 1:01:32 | 1:01:35 | |
We could sell some direct. | 1:01:38 | 1:01:40 | |
You and I. | 1:01:40 | 1:01:42 | |
Your play. | 1:01:43 | 1:01:45 | |
Selling for export, at least we should get a little extra. | 1:01:49 | 1:01:52 | |
I'm the one who's taking the risk. | 1:01:52 | 1:01:55 | |
You want to split? | 1:01:55 | 1:01:57 | |
I don't want to split, I just want more money. | 1:01:57 | 1:02:00 | |
You're making a living. When I met you, your arse was hanging out. | 1:02:00 | 1:02:06 | |
I don't like what's going on. | 1:02:06 | 1:02:08 | |
Are you stoned? Finish that game out. | 1:02:10 | 1:02:14 | |
That is all we're getting this week? After bills, we won't have anything. | 1:02:40 | 1:02:44 | |
I owe the doctor, too. | 1:02:44 | 1:02:46 | |
Let Jose take our share from the money they make in America. | 1:02:46 | 1:02:50 | |
I explained the position. | 1:02:51 | 1:02:53 | |
It's them that caused the army to burn the fields. | 1:02:53 | 1:02:56 | |
Jose, I can't pay all this week. My baby's sick. | 1:03:09 | 1:03:13 | |
That's not my concern. I just deal with 15 dollars. | 1:03:13 | 1:03:17 | |
I don't want no soft words - just 15 dollars. | 1:03:19 | 1:03:22 | |
So it's just money you deal with? | 1:03:24 | 1:03:26 | |
I'm paying you 5 this week, Jose. | 1:03:30 | 1:03:32 | |
-Keep it till you come out. -From where? | 1:03:34 | 1:03:38 | |
Tell him, Pedro. | 1:03:38 | 1:03:40 | |
I'm not afraid of you, Jose. | 1:03:40 | 1:03:42 | |
You think it's me? | 1:03:42 | 1:03:44 | |
Hello. | 1:03:54 | 1:03:56 | |
'The guy I got to help Pedro is giving me a lot of trouble. | 1:03:56 | 1:04:00 | |
'Better lock him up a while and teach him a lesson.' | 1:04:00 | 1:04:03 | |
SIREN WAILS | 1:04:11 | 1:04:14 | |
Haven't I seen you with Jose somewhere before? | 1:04:42 | 1:04:45 | |
Which Jose is that? | 1:04:45 | 1:04:47 | |
The one who sent the policeman after me. | 1:04:47 | 1:04:51 | |
You're a bad man. | 1:04:51 | 1:04:53 | |
-Yeah! -I see what you mean. | 1:04:53 | 1:04:57 | |
Hey... | 1:05:02 | 1:05:04 | |
Oh! Hey - ease up now, man! | 1:05:04 | 1:05:08 | |
SHE MOANS | 1:05:08 | 1:05:11 | |
Stay there. | 1:05:27 | 1:05:29 | |
What happened? | 1:05:32 | 1:05:34 | |
Hey? What happened? | 1:05:34 | 1:05:36 | |
GUNFIRE | 1:05:47 | 1:05:50 | |
GUNFIRE | 1:05:54 | 1:05:56 | |
MAN: All right! | 1:06:11 | 1:06:13 | |
Shut up! | 1:06:13 | 1:06:15 | |
POLICE SIRENS APPROACH | 1:06:15 | 1:06:18 | |
Who is that? | 1:06:26 | 1:06:29 | |
You have a gun and you don't have any pants! | 1:06:29 | 1:06:33 | |
You're stupid! | 1:06:33 | 1:06:35 | |
MAN: I want every possible car in the area! | 1:06:37 | 1:06:39 | |
ANOTHER MAN: That comes to 14 of us. | 1:06:39 | 1:06:41 | |
Give me a pen and a paper. | 1:06:49 | 1:06:51 | |
Look what a fellow just brought in. | 1:06:55 | 1:06:57 | |
"I've made a record of..." You think the guy is serious? | 1:07:01 | 1:07:05 | |
-Enough to kill three of my men. -You're joking! Three men? | 1:07:05 | 1:07:10 | |
I know because the man was in my office three minutes ago. | 1:07:10 | 1:07:15 | |
Yeah! | 1:07:15 | 1:07:17 | |
WOMAN: What you doing there so long? You thinking? | 1:07:17 | 1:07:19 | |
You mean you can't think of a story to fool me with tonight? | 1:07:19 | 1:07:23 | |
Make up your story, man. | 1:07:23 | 1:07:26 | |
What a day when I catch you out and no story can help you. | 1:07:27 | 1:07:31 | |
That's the day I'm waiting for. | 1:07:31 | 1:07:33 | |
Give me a gun, sir. I must find him in my area. | 1:07:42 | 1:07:45 | |
-Elsa? -Ivan, what happen? | 1:07:45 | 1:07:48 | |
-Hear anything on the radio? -Policeman outside is looking for you. | 1:07:48 | 1:07:52 | |
-Where's the radio? -What happen, Ivan? He say you shoot a policeman. | 1:07:52 | 1:07:58 | |
I killed three! | 1:07:58 | 1:08:01 | |
God forgive you. | 1:08:01 | 1:08:03 | |
There's just music on the radio. You'll hear a news-flash later. | 1:08:03 | 1:08:07 | |
Where you goin' now? Where you goin' to hide? | 1:08:09 | 1:08:13 | |
Hide?! I'm not hidin'! | 1:08:13 | 1:08:15 | |
Everybody will be looking for you! | 1:08:15 | 1:08:18 | |
You didn't believe me. | 1:08:18 | 1:08:20 | |
Didn't I say I'd be famous one day? | 1:08:20 | 1:08:23 | |
You're mad. | 1:08:23 | 1:08:25 | |
Tell Pedro to meet me tonight - he'll know where. | 1:08:25 | 1:08:28 | |
Tell him to bring money and some more bullets. | 1:08:30 | 1:08:33 | |
Tell him I want to find Jose. | 1:08:33 | 1:08:35 | |
Why do you want to see Jose? | 1:08:35 | 1:08:37 | |
Read about that tomorrow. | 1:08:37 | 1:08:40 | |
Oh, it's you! | 1:08:44 | 1:08:46 | |
-Where's Jose? -Why do you want him? | 1:08:46 | 1:08:49 | |
-I have something for him. -Give it to me - I'll give it to him. | 1:08:49 | 1:08:53 | |
So you want to give it to him? | 1:08:55 | 1:08:57 | |
I have something for you, too. | 1:08:57 | 1:09:00 | |
My God! | 1:09:00 | 1:09:02 | |
Look what I'm getting myself into. | 1:09:02 | 1:09:05 | |
This is for double-crossing me. | 1:09:07 | 1:09:09 | |
Jesus Christ! Jesus Christ! Jesus Christ, have mercy! No! | 1:09:09 | 1:09:13 | |
No! No, don't shoot! | 1:09:13 | 1:09:17 | |
GUNSHOTS AND SCREAMS | 1:09:17 | 1:09:20 | |
RADIO NEWSREADER: '..holding up a policeman three days ago. | 1:09:20 | 1:09:23 | |
'Last night, the wanted man | 1:09:23 | 1:09:25 | |
'held up a pedestrian and took his clothes. | 1:09:25 | 1:09:28 | |
'He also went to Jose Smith's house, who he suspected of informing on him. | 1:09:28 | 1:09:33 | |
'There, he shot and wounded a woman | 1:09:33 | 1:09:35 | |
'who he found in Smith's room. | 1:09:35 | 1:09:37 | |
'She was the woman who was with the fugitive when police tried to arrest him.' | 1:09:37 | 1:09:42 | |
MAN: 'I gave him a bike, money, a place to live. | 1:09:45 | 1:09:48 | |
'When I find him today he'll be dead and dead. | 1:09:48 | 1:09:52 | |
'I'm going to shoot him. I control this place from birth.' | 1:09:52 | 1:09:58 | |
Jose! | 1:10:20 | 1:10:22 | |
You lookin' for me? | 1:10:22 | 1:10:24 | |
I've come to shoot you. GUNSHOT | 1:10:24 | 1:10:27 | |
You're running but I'll find you anywhere! | 1:11:07 | 1:11:09 | |
I'll find you, you hear? | 1:11:09 | 1:11:12 | |
-Anyone seen Jose? -Must have gone underground. | 1:11:25 | 1:11:29 | |
Police protection. | 1:11:30 | 1:11:32 | |
Not coming for money this week? | 1:11:32 | 1:11:35 | |
Ivan's fixed him for good. | 1:11:35 | 1:11:36 | |
Something new must happen now. | 1:11:36 | 1:11:38 | |
Whatever happens, Ivan is a boss. | 1:11:38 | 1:11:40 | |
Have you got his tune on the juke box? | 1:11:40 | 1:11:43 | |
-You find the record yet, man? -It was put here a long time ago. | 1:11:45 | 1:11:48 | |
Find the record! Find it! | 1:11:48 | 1:11:50 | |
ANNOUNCER: 'El Numero Uno socks the sound of living soul!' | 1:11:52 | 1:11:56 | |
Good evening! Welcome to the Big T show. | 1:11:56 | 1:12:00 | |
I'm back home where the sweet soul sisters roam. | 1:12:00 | 1:12:03 | |
My mojo workin' and my soul's a-cookin' and smokin'. | 1:12:03 | 1:12:06 | |
The T-thing goes for four hours. | 1:12:06 | 1:12:08 | |
It's the sound of soul and big boss. | 1:12:08 | 1:12:10 | |
I hear my ring-a-ling. Let's see what's going on. | 1:12:10 | 1:12:14 | |
Hello, chic-a-boo, how are you? | 1:12:14 | 1:12:17 | |
You wanna hear that song again? | 1:12:17 | 1:12:19 | |
All the jocks have been gettin' calls for this song by the runaway guy. | 1:12:19 | 1:12:24 | |
I wonder what he's doin' - is he gettin' his thing together? | 1:12:24 | 1:12:28 | |
We'll play it for you - I had it ready, so we'll do it right now. | 1:12:28 | 1:12:33 | |
We're turning the nation over. I'm getting it on for you, here. | 1:12:33 | 1:12:39 | |
It goes like this. Dig it. | 1:12:39 | 1:12:41 | |
# Well, they tell me of the pie up in the sky | 1:12:50 | 1:12:54 | |
# Waitin' for me when I die | 1:12:54 | 1:12:58 | |
# But between the day you're born and when you die | 1:12:58 | 1:13:04 | |
# They never seem to hear even your cry | 1:13:04 | 1:13:08 | |
# So as sure as the sun will shine | 1:13:08 | 1:13:12 | |
# I'm gonna get my share, what's mine | 1:13:13 | 1:13:17 | |
# And then the harder they come | 1:13:17 | 1:13:20 | |
# The harder they'll fall, one and all | 1:13:20 | 1:13:24 | |
# Ooh, the harder they come | 1:13:28 | 1:13:30 | |
# The harder they'll fall, one and all... # | 1:13:30 | 1:13:34 | |
I can't make this record go down. | 1:13:37 | 1:13:39 | |
I can usually do it, but it's in the charts, now. | 1:13:42 | 1:13:46 | |
I always co-operate with the police, but this time... | 1:13:48 | 1:13:53 | |
I know, but I want to catch him myself. | 1:13:53 | 1:13:56 | |
Tell me when you catch him so I can get him to make a record before you string him up! | 1:13:56 | 1:14:01 | |
HE TUNES IN RADIO | 1:14:44 | 1:14:45 | |
What are you doin' in the man's car? | 1:14:52 | 1:14:54 | |
-You can drive? -Yes! | 1:14:57 | 1:14:59 | |
Drive. | 1:14:59 | 1:15:00 | |
# You can get it if you really want | 1:15:44 | 1:15:48 | |
# You can get it if you really want | 1:15:48 | 1:15:51 | |
# You can get it if you really want | 1:15:51 | 1:15:54 | |
# But you must try, try and try | 1:15:54 | 1:15:58 | |
# Try and try | 1:15:58 | 1:16:01 | |
# You'll succeed at last | 1:16:01 | 1:16:03 | |
# Persecution you must bear | 1:16:10 | 1:16:13 | |
# Win or lose, you've got to get your share | 1:16:13 | 1:16:17 | |
# Got your mind set on a dream | 1:16:17 | 1:16:20 | |
# You can get it, though hard it may seem, now | 1:16:20 | 1:16:24 | |
# You can get it if you really want | 1:16:24 | 1:16:28 | |
# You can get it if you really want | 1:16:28 | 1:16:31 | |
# You can get it if you really want | 1:16:31 | 1:16:34 | |
# But you must try... # | 1:16:34 | 1:16:36 | |
GUNFIRE | 1:16:56 | 1:16:59 | |
Sidney, how much time I lock you up? Three times? | 1:17:03 | 1:17:06 | |
Yes, sir. | 1:17:06 | 1:17:09 | |
And how much times I let you off? Plenty times. | 1:17:09 | 1:17:13 | |
Plenty times. | 1:17:13 | 1:17:16 | |
Remember when you go to my yard when you don't want go police station? | 1:17:16 | 1:17:20 | |
-When you need help? -Yes, sir. -Remember the times I helped you? | 1:17:20 | 1:17:23 | |
Yes, sir. | 1:17:25 | 1:17:27 | |
I'm looking for Ivan two weeks an' you hidin' him in the swamp! | 1:17:27 | 1:17:32 | |
Since when another dirty criminal like you mean more to you than me? | 1:17:32 | 1:17:37 | |
Him can help you more than me? Eh? | 1:17:37 | 1:17:39 | |
Him can help you more than me? | 1:17:39 | 1:17:42 | |
-No, sir. -Then why the backside you hidin' him? | 1:17:42 | 1:17:46 | |
You think him smarter than me because him have 100 places to hide and I can't find him? | 1:17:46 | 1:17:51 | |
It's not because him smart I can't find him. | 1:17:51 | 1:17:54 | |
It's because you're foolish. | 1:17:54 | 1:17:56 | |
You believe because I so busy chasin' Ivan I forget about you. | 1:17:56 | 1:18:00 | |
But I stopped chase Ivan now and I start chase you. | 1:18:01 | 1:18:05 | |
All of you! And as of this week, no more ganja comin' in this town. | 1:18:05 | 1:18:09 | |
Not a stick, not a spliff, not even a puff! | 1:18:09 | 1:18:13 | |
I'm going to starve you! | 1:18:14 | 1:18:16 | |
Let's see how much you love Ivan when your belly empty. | 1:18:17 | 1:18:20 | |
MUSIC: "Shanty Town" by Desmond Dekker | 1:18:20 | 1:18:24 | |
-Take one more! -Film finished. | 1:18:51 | 1:18:55 | |
-When I can get them? -About tomorrow. | 1:18:57 | 1:18:59 | |
-Now! -But it will take me at least... -NOW! | 1:18:59 | 1:19:02 | |
All right. Come this way. | 1:19:04 | 1:19:06 | |
-Last one, that? -Yes. | 1:19:09 | 1:19:11 | |
KNOCK AT DOOR MAN: Fitz? | 1:19:11 | 1:19:14 | |
-He's busy. -OK, I'll wait. | 1:19:14 | 1:19:17 | |
They catch the wild guy, yet? | 1:19:26 | 1:19:29 | |
I don't hear the news, but I don't want them catch him. | 1:19:29 | 1:19:32 | |
-I like the excitement - the boy's great! -All right, you can come in. | 1:19:32 | 1:19:36 | |
Fitz, so quiet... | 1:19:42 | 1:19:44 | |
-Backside! -Come... | 1:19:44 | 1:19:46 | |
-Fitz, you have a pen? -What for? | 1:19:52 | 1:19:54 | |
Autograph, man! | 1:19:54 | 1:19:56 | |
Don't you have one to spare? | 1:19:56 | 1:19:58 | |
Thank you, sir! | 1:20:06 | 1:20:09 | |
Rest! | 1:20:09 | 1:20:10 | |
This is the last one, sir. | 1:20:10 | 1:20:13 | |
Send this one to the editor. Make sure him get it. | 1:20:16 | 1:20:19 | |
Backside! | 1:20:22 | 1:20:23 | |
You can't expect me not to publish a picture like this! | 1:20:26 | 1:20:30 | |
But it's fantastic! You don't want to see it? | 1:20:30 | 1:20:33 | |
You banned the record? | 1:20:39 | 1:20:41 | |
-Yes. -You hadn't the courtesy to tell me? | 1:20:41 | 1:20:44 | |
I don't understand you, Hilton. I called you and asked for your help. | 1:20:44 | 1:20:48 | |
So the police are telling people what they can listen to on the radio? | 1:20:48 | 1:20:53 | |
Yes, if it glorifies crime. | 1:20:53 | 1:20:56 | |
-So people get excited about the guy. -They'll catch the criminal anyhow. | 1:20:56 | 1:21:02 | |
It's no big deal. I don't understand why you fool with the hit parade. | 1:21:02 | 1:21:07 | |
If you do that, they KNOW something's wrong! | 1:21:07 | 1:21:10 | |
That's when you make the ganja a big deal. | 1:21:10 | 1:21:12 | |
-I can't stop, now. -I want to talk to you. | 1:21:12 | 1:21:15 | |
I hear you stopped the ganja trade. | 1:21:15 | 1:21:17 | |
Yes, but I didn't know that interests you! | 1:21:17 | 1:21:20 | |
It brings money into the area. | 1:21:20 | 1:21:23 | |
You know something? | 1:21:23 | 1:21:25 | |
No hit parade, no ganja... | 1:21:25 | 1:21:27 | |
You better catch him fast. | 1:21:27 | 1:21:29 | |
Once the jokers get hungry enough to trade without you, you're finished. | 1:21:29 | 1:21:34 | |
Then law and order's finished in the whole area. | 1:21:34 | 1:21:36 | |
You understand? | 1:21:36 | 1:21:38 | |
I'm going. | 1:21:40 | 1:21:42 | |
AIR HISSES OUT OF TYRES | 1:22:34 | 1:22:36 | |
Shoot at that man! Fire! | 1:22:36 | 1:22:39 | |
Why didn't you warn me they was coming? | 1:22:54 | 1:22:57 | |
GUNFIRE | 1:22:59 | 1:23:01 | |
-Elsa, how is Rupert? -He's far gone. | 1:23:15 | 1:23:19 | |
If he doesn't lose more blood, he'll be all right. | 1:23:21 | 1:23:24 | |
The doctor says he must have good food. | 1:23:24 | 1:23:28 | |
Why is the police raging? | 1:23:30 | 1:23:32 | |
Last night, they lock them up till midnight. | 1:23:34 | 1:23:38 | |
What about the fishing? | 1:23:41 | 1:23:43 | |
To tell you the truth, that boat sail a long, long time ago. | 1:23:44 | 1:23:50 | |
-Even when Ivan was here, you never had it? -No. | 1:23:50 | 1:23:53 | |
Have you heard from Ivan? | 1:24:01 | 1:24:03 | |
No. | 1:24:03 | 1:24:05 | |
I wonder how your shoulder getting on. | 1:24:07 | 1:24:09 | |
-What time's Jose coming? -Soon come. | 1:24:12 | 1:24:16 | |
-What are we going to tell him? -A dollar fifty not bad. | 1:24:16 | 1:24:20 | |
Resume. What are they waiting for? | 1:24:20 | 1:24:23 | |
Can't resume just like that. They want something more. | 1:24:23 | 1:24:26 | |
They won't resume until they get Ivan. | 1:24:26 | 1:24:29 | |
-Has anybody seen him? -No. | 1:24:29 | 1:24:31 | |
My belly's empty, my baby's belly's empty too. | 1:24:31 | 1:24:35 | |
We couldn't just give up Ivan like that. | 1:24:35 | 1:24:38 | |
Business is business, you know. | 1:24:38 | 1:24:40 | |
What do you say, Pedro? | 1:24:41 | 1:24:44 | |
Won't you say anything? | 1:24:44 | 1:24:46 | |
Pressure don't reach him yet. | 1:24:46 | 1:24:48 | |
-Ivan. -What? | 1:24:52 | 1:24:55 | |
Over the shoulder. | 1:24:55 | 1:24:56 | |
Painful, you know. | 1:24:56 | 1:25:00 | |
It's supposed to drive away the pain. | 1:25:00 | 1:25:02 | |
I hear some people say they catch me. | 1:25:10 | 1:25:13 | |
No news, man. Propaganda. Pure propaganda. | 1:25:13 | 1:25:18 | |
I send them a picture. How come they don't publish it? | 1:25:18 | 1:25:22 | |
It's compulsory. | 1:25:22 | 1:25:24 | |
Everything's quiet. I don't like it. | 1:25:24 | 1:25:27 | |
What's happening in the trade? | 1:25:30 | 1:25:33 | |
Most of the boys are holding out, but I don't like what I hear. | 1:25:35 | 1:25:40 | |
What? | 1:25:41 | 1:25:43 | |
Jose's offered some of the boys a raise. | 1:25:43 | 1:25:48 | |
Into export. | 1:25:49 | 1:25:51 | |
But that's what I was after. | 1:25:52 | 1:25:55 | |
Some of them will get that now. | 1:25:55 | 1:25:57 | |
-Now they get what they want, they might forget me. -No. | 1:26:00 | 1:26:06 | |
Some of us are still backing you, to get rid of Jose. | 1:26:06 | 1:26:10 | |
But you'd better try to get away before it's too late. | 1:26:12 | 1:26:15 | |
I'm not running, Pedro. | 1:26:16 | 1:26:18 | |
Freddie got a job on a boat and can get you to Cuba. | 1:26:23 | 1:26:27 | |
You'll get a big welcome there. | 1:26:29 | 1:26:31 | |
Yes. | 1:26:33 | 1:26:35 | |
Revolutionary to Ras. | 1:26:35 | 1:26:38 | |
-Could get a doctor to fix my shoulder, too. -Sure. | 1:26:39 | 1:26:43 | |
We'll go to the coast tomorrow and wait there. | 1:26:46 | 1:26:50 | |
The boat will pick you up at the quay. | 1:26:50 | 1:26:53 | |
All right. | 1:26:55 | 1:26:58 | |
But I have to see Elsa and Rupert before I go. | 1:26:58 | 1:27:01 | |
You'll see them, man, you'll see them. | 1:27:01 | 1:27:03 | |
# Sitting here in limbo | 1:27:17 | 1:27:19 | |
# But I know it won't be long | 1:27:21 | 1:27:24 | |
# Sitting here in limbo | 1:27:29 | 1:27:32 | |
# Like a bird without a song | 1:27:32 | 1:27:36 | |
# Well they're putting up resistance | 1:27:40 | 1:27:43 | |
# But I know that my faith will lead me on. | 1:27:43 | 1:27:47 | |
# Sitting here in limbo | 1:27:52 | 1:27:55 | |
# Waiting for the tide to flow | 1:27:55 | 1:27:59 | |
# Sitting here in limbo | 1:28:02 | 1:28:06 | |
# Going back, I have to go | 1:28:06 | 1:28:10 | |
# Well, they're putting up resistance | 1:28:13 | 1:28:16 | |
# But I know that my faith will lead me on | 1:28:16 | 1:28:20 | |
# Sitting in limbo | 1:28:24 | 1:28:27 | |
# Sitting in limbo | 1:28:27 | 1:28:29 | |
# Sitting in limbo | 1:28:29 | 1:28:32 | |
# Sitting in limbo | 1:28:32 | 1:28:35 | |
# Sitting in limbo | 1:28:35 | 1:28:38 | |
# Sitting in limbo... # | 1:28:38 | 1:28:42 | |
It's all right, Rupert, never mind. HE CRIES | 1:28:42 | 1:28:46 | |
I hope the ambulance will come soon and take him to hospital. | 1:28:52 | 1:28:57 | |
When he comes out of hospital, it's the same thing over again. | 1:28:57 | 1:29:01 | |
I can't stand hearing him cry, you know. | 1:29:01 | 1:29:06 | |
When will the trade start again? | 1:29:08 | 1:29:10 | |
They want Ivan, definitely. | 1:29:11 | 1:29:14 | |
The boys are ready to start. | 1:29:14 | 1:29:16 | |
What you say? | 1:29:16 | 1:29:18 | |
I say no. | 1:29:18 | 1:29:20 | |
What you say, Elsa? | 1:29:22 | 1:29:24 | |
You know what I say, Pedro. | 1:29:24 | 1:29:26 | |
Every game I play, I lose. | 1:29:26 | 1:29:31 | |
Yes? | 1:29:53 | 1:29:54 | |
-I want to talk to you. -I was just going out. | 1:29:54 | 1:29:57 | |
But I can spare you a few minutes. | 1:29:59 | 1:30:00 | |
The traders don't know where he is. They'd tell me, they want to start. | 1:30:04 | 1:30:09 | |
They'll start without me and I won't be able to control them. | 1:30:15 | 1:30:19 | |
If they start again, I'll lock them up! | 1:30:19 | 1:30:23 | |
They're desperate, sir. If they start again, I won't control them. | 1:30:23 | 1:30:28 | |
Criminals will come into the trade without paying protection money. | 1:30:28 | 1:30:32 | |
That's your problem! | 1:30:32 | 1:30:34 | |
My problem? Look what policemen you have and you can't find him. | 1:30:34 | 1:30:37 | |
You have a million and one policeman and you can't find him. | 1:30:37 | 1:30:39 | |
You want me to find him! | 1:30:39 | 1:30:41 | |
-You don't understand, Jose? -PHONE RINGS | 1:30:43 | 1:30:45 | |
I stop chasing Ivan now. | 1:30:45 | 1:30:47 | |
I want the traders to bring him to me! | 1:30:47 | 1:30:49 | |
That's the only way it'll start back. | 1:30:49 | 1:30:52 | |
Yes? | 1:31:03 | 1:31:04 | |
Yes, Reverend. | 1:31:05 | 1:31:07 | |
His woman came to you for help? | 1:31:08 | 1:31:11 | |
OK, Corporal! Come, let's go! Start the engines! | 1:31:35 | 1:31:39 | |
The gal say him leaving today. On what boat? | 1:31:58 | 1:32:01 | |
If you don't say, you'll never trade again. | 1:32:01 | 1:32:05 | |
-Shall I hit him again? -No, we'll get another boat. | 1:32:05 | 1:32:08 | |
FOGHORN BLOWS | 1:32:16 | 1:32:19 | |
Swim, Ivan! Swim! | 1:33:10 | 1:33:12 | |
Grab the rope! | 1:33:18 | 1:33:19 | |
Hold on, man! | 1:33:21 | 1:33:23 | |
# You can get it if you really want | 1:34:45 | 1:34:49 | |
# You can get it if you really want | 1:34:49 | 1:34:52 | |
# You can get it if you really want | 1:34:52 | 1:34:55 | |
# But you must try, try and try | 1:34:55 | 1:34:59 | |
# Try and try | 1:34:59 | 1:35:01 | |
# You'll succeed at last. # | 1:35:01 | 1:35:04 | |
MOTORBOAT APPROACHES | 1:35:10 | 1:35:13 | |
THEY CHEER | 1:36:11 | 1:36:13 | |
OFFICER: We're going to do a frontal assault! | 1:36:32 | 1:36:35 | |
All right. Hold on! | 1:36:37 | 1:36:40 | |
Prepare to assault. | 1:36:40 | 1:36:41 | |
All right! | 1:36:45 | 1:36:46 | |
Don't worry with the army business. | 1:36:47 | 1:36:51 | |
One man just come out! | 1:36:51 | 1:36:53 | |
Who's the bad man? Who can draw? | 1:36:55 | 1:36:57 | |
Come on out, one who can draw. | 1:36:59 | 1:37:01 | |
One who can draw - just come out! | 1:37:05 | 1:37:07 | |
Do you think the hero dies before the last reel? | 1:37:10 | 1:37:12 | |
Send out one bad man! | 1:37:12 | 1:37:14 | |
Come on! | 1:37:15 | 1:37:17 | |
Draw! | 1:37:27 | 1:37:28 | |
# Well, the oppressors are trying to keep me down | 1:37:34 | 1:37:38 | |
# Tryin' to drive me underground | 1:37:38 | 1:37:43 | |
# And they think that they have got the battle won | 1:37:43 | 1:37:48 | |
# I say, "Forgive them, Lord, they know not what they've done" | 1:37:48 | 1:37:52 | |
# Cos as sure as the sun will shine | 1:37:52 | 1:37:57 | |
# I'm gonna get my share now, what's mine | 1:37:57 | 1:38:01 | |
# And then the harder they come | 1:38:01 | 1:38:04 | |
# The harder they'll fall, one and all | 1:38:04 | 1:38:08 | |
# Ooh, the harder they come | 1:38:11 | 1:38:13 | |
# The harder they'll fall, one and all. # | 1:38:13 | 1:38:18 |