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THUNDER RUMBLES | 0:00:20 | 0:00:22 | |
RAIN POURS | 0:00:28 | 0:00:30 | |
I did, I did. I thought I was a cat. Ooh! | 0:00:31 | 0:00:34 | |
Kind of, kind of. I identified with cats. | 0:00:34 | 0:00:37 | |
I kind of did. I wonder why that was? | 0:00:37 | 0:00:40 | |
They bite when you stroke them. | 0:00:40 | 0:00:42 | |
Maybe I was a sad cat. Was I? Yeah, yeah, I wondered about cats. | 0:00:42 | 0:00:47 | |
Truly I did, I did. Cos I was a fuddy-duddy. | 0:00:47 | 0:00:50 | |
Kissed them all, always kissed cats. | 0:00:50 | 0:00:52 | |
If a cat'd let me kiss it, I would. | 0:00:52 | 0:00:55 | |
See a cat on the fence, I'd kiss it. Always, didn't I? | 0:00:55 | 0:00:59 | |
THUNDER RUMBLES | 0:01:02 | 0:01:04 | |
RAIN POURS | 0:01:08 | 0:01:10 | |
Ho-ho! | 0:01:15 | 0:01:16 | |
Life's a perpetual risk, isn't it? | 0:01:16 | 0:01:18 | |
I think it is. | 0:01:18 | 0:01:20 | |
I was different then, wasn't I? | 0:01:20 | 0:01:22 | |
I gotta be different again, got to be different again. | 0:01:22 | 0:01:25 | |
Can a leopard change its spots? Who knows? | 0:01:25 | 0:01:27 | |
Ho-ho! | 0:01:30 | 0:01:32 | |
It's a blood sport, I think so. It's true. It seems to be true. | 0:01:32 | 0:01:36 | |
Or is it a blank? | 0:01:36 | 0:01:38 | |
Bit of a scrabble. Hoooooy! | 0:01:38 | 0:01:39 | |
Put the pieces together. See if you make words. Ho! | 0:01:39 | 0:01:43 | |
That's funny, that's funny. | 0:01:43 | 0:01:44 | |
It's a mystery, it's a mystery. | 0:01:44 | 0:01:46 | |
-MAN: -Oh, thank you, thank you. | 0:02:16 | 0:02:19 | |
-Here we go. -Bye. | 0:02:23 | 0:02:24 | |
-WOMAN: -Take care. | 0:02:24 | 0:02:26 | |
Bye-bye. | 0:02:27 | 0:02:29 | |
We're closed! | 0:02:39 | 0:02:41 | |
HE KNOCKS REPEATEDLY | 0:02:45 | 0:02:48 | |
What's the problem, mate? | 0:02:51 | 0:02:53 | |
Sorry, sorry, mate, I'm the problem. | 0:02:53 | 0:02:55 | |
Ho-ho. Such a problem. I'm wet, oh! | 0:02:55 | 0:02:57 | |
But it's not an ideal world, is it? | 0:02:57 | 0:02:59 | |
We must make the most of it, but it's more ideal than before. | 0:02:59 | 0:03:03 | |
Because, I mean, we're privileged, right? | 0:03:03 | 0:03:05 | |
Not long ago, people would've been burnt at the stake, maybe. | 0:03:05 | 0:03:09 | |
-It's Tony. Who are you? -Not maybe. Tony, Tony. | 0:03:09 | 0:03:12 | |
Who knows, Tony. I don't know myself. Ah! | 0:03:12 | 0:03:14 | |
I'm David, David. How does that sound? | 0:03:14 | 0:03:17 | |
-Hi, David. How can Sylvia help? -Is it Sylvia? Oh! | 0:03:17 | 0:03:20 | |
Pleased to meet you, Sylvia, oh! SHE GASPS | 0:03:20 | 0:03:22 | |
Schubert, wasn't it? He said, "Who's Sylvia, what is she?" | 0:03:22 | 0:03:25 | |
-What can we do for you, David? -Do for me? | 0:03:25 | 0:03:29 | |
-Got to stop talking. It's a problem. -No, it's all right. | 0:03:29 | 0:03:32 | |
Just tell Sylvia why you're here. | 0:03:32 | 0:03:34 | |
-A mystery. -Are you lost? | 0:03:34 | 0:03:35 | |
-That's it! How does that sound? -Yes? | 0:03:35 | 0:03:38 | |
Oh, is that your piano, beautiful Sylvia? | 0:03:38 | 0:03:40 | |
Oh, isn't Sylvia beautiful, Toby? SHE LAUGHS | 0:03:40 | 0:03:43 | |
Not Toby - Tony. You're beautiful too, Tony! Oh! | 0:03:43 | 0:03:45 | |
Perhaps I could play it? | 0:03:45 | 0:03:47 | |
-MAN: -Like hell, baby. -> Could I? You say. | 0:03:47 | 0:03:50 | |
-Shut up, Sam. -Hell baby, oh, the devil. Diablerie! | 0:03:50 | 0:03:53 | |
-David. -Get out of here. Go on. | 0:03:53 | 0:03:55 | |
-Sylvia, Sylvia, could I play? -David, your name and address. | 0:03:55 | 0:03:58 | |
Leave it, Sylvia. Leave, leave it. | 0:03:58 | 0:04:00 | |
That's very important, isn't it? Molto, molto. | 0:04:00 | 0:04:03 | |
Then again, it's a lifelong struggle, isn't it Sylvia, Tony? | 0:04:03 | 0:04:06 | |
To live, to survive. | 0:04:06 | 0:04:07 | |
To survive undamaged, not destroy any creature. | 0:04:07 | 0:04:10 | |
Wrongdoers are punished for the rest of your life. | 0:04:10 | 0:04:13 | |
-Is it a lifelong struggle? -Yep. | 0:04:13 | 0:04:15 | |
To keep your head above water, not get it chopped off. | 0:04:15 | 0:04:18 | |
I'm not disappointing you, am I Sylvia-Tony-Tony-Sylvia? | 0:04:18 | 0:04:21 | |
-Sam, yay, Sam! Oh! -Oh, no. Get off. | 0:04:21 | 0:04:23 | |
DAVID LAUGHS | 0:04:23 | 0:04:25 | |
Helfgott, what a name, oh! ALL LAUGH | 0:04:25 | 0:04:28 | |
Helfgott - with the help of God. That's what it means. How's that? | 0:04:28 | 0:04:32 | |
You see, Daddy's daddy was very religious, strict, and a meanie. | 0:04:32 | 0:04:35 | |
But he got exterminated. God didn't help him. Whooahhh. | 0:04:35 | 0:04:38 | |
Not very funny. Very sad, really. | 0:04:38 | 0:04:40 | |
I'm callous. Callous and a bit of a meanie. | 0:04:40 | 0:04:44 | |
Sorry, Sylvia. I mustn't damage Sylvia. | 0:04:44 | 0:04:46 | |
Perhaps I haven't got a soul. | 0:04:46 | 0:04:48 | |
-What makes you say that? -Daddy said there's no such thing. | 0:04:48 | 0:04:51 | |
-That's ridiculous. -Right. I'm ridiculous and callous. | 0:04:51 | 0:04:54 | |
Ridiculous and callous, uh, because it was a tragedy, a tragedy. | 0:04:54 | 0:04:58 | |
A ridiculous tragedy. | 0:04:58 | 0:05:00 | |
SLOW-MOTION APPLAUSE BEGINS | 0:05:00 | 0:05:03 | |
BOY: (I'm going to win. I'm going to win.) | 0:05:10 | 0:05:12 | |
(I'm going to win!) | 0:05:12 | 0:05:14 | |
(I'm going to win.) | 0:05:17 | 0:05:19 | |
David's going to play the piano for us. | 0:05:27 | 0:05:29 | |
-Aren't you, David? -Yes. | 0:05:29 | 0:05:30 | |
What are you going to play? | 0:05:30 | 0:05:33 | |
David? | 0:05:33 | 0:05:34 | |
David. What are you going to play? | 0:05:36 | 0:05:38 | |
-MAN: -Excuse me. | 0:05:38 | 0:05:39 | |
Chopin. The Polonaise. | 0:05:39 | 0:05:41 | |
AUDIENCE CLAPS | 0:05:43 | 0:05:45 | |
BELL RINGS | 0:06:00 | 0:06:02 | |
PIANO SCRAPES AGAINST FLOOR | 0:06:37 | 0:06:39 | |
PIANO STOOL SCREECHES | 0:06:41 | 0:06:43 | |
STOOL SCREECHES | 0:06:44 | 0:06:45 | |
This is crazy. The piano! | 0:06:49 | 0:06:52 | |
The piano! | 0:06:52 | 0:06:54 | |
That is crazy. The piano. | 0:06:57 | 0:06:59 | |
This kid's good. | 0:06:59 | 0:07:00 | |
He's great! | 0:07:00 | 0:07:02 | |
He is my son. | 0:07:05 | 0:07:07 | |
My son. | 0:07:08 | 0:07:10 | |
-GIRL: -Here they come. | 0:07:24 | 0:07:26 | |
Did he win or lose? | 0:07:27 | 0:07:28 | |
Margaret! | 0:07:28 | 0:07:31 | |
He lost. | 0:07:31 | 0:07:32 | |
Now we'll cop it. | 0:07:33 | 0:07:35 | |
It's your turn. | 0:07:53 | 0:07:55 | |
Uh? | 0:07:55 | 0:07:57 | |
It's your turn, Daddy. | 0:07:58 | 0:07:59 | |
Ah, let me see. Let me see. | 0:08:00 | 0:08:04 | |
Ah, let me see. | 0:08:05 | 0:08:06 | |
HE CHUCKLES | 0:08:07 | 0:08:10 | |
You're losing. You're losing. You're losing. | 0:08:10 | 0:08:13 | |
David, always win! | 0:08:13 | 0:08:16 | |
Always... | 0:08:16 | 0:08:18 | |
win! | 0:08:18 | 0:08:19 | |
You know, when I... | 0:08:19 | 0:08:21 | |
When I was a boy your age I bought a violin, | 0:08:21 | 0:08:24 | |
a beautiful violin. | 0:08:24 | 0:08:26 | |
I saved for this violin. | 0:08:26 | 0:08:28 | |
-And you know what happened to it? -Yes. | 0:08:28 | 0:08:30 | |
He smashed it. | 0:08:30 | 0:08:32 | |
Yeah...he smashed it. | 0:08:32 | 0:08:34 | |
David... | 0:08:36 | 0:08:38 | |
you're a very lucky boy. | 0:08:38 | 0:08:40 | |
My father never let me have music. | 0:08:40 | 0:08:43 | |
I know. | 0:08:43 | 0:08:44 | |
You're a very lucky boy. | 0:08:44 | 0:08:46 | |
Say it. | 0:08:46 | 0:08:48 | |
I'm a very lucky boy. | 0:08:48 | 0:08:50 | |
Very...lucky. | 0:08:51 | 0:08:53 | |
Now shall I play for you? | 0:08:54 | 0:08:56 | |
No. Pick up this piece. | 0:08:56 | 0:08:59 | |
-MARGARET: -I bet I could have won. -You would have been too scared. | 0:09:14 | 0:09:17 | |
-Sssh! -CLASSICAL RECORD PLAYS | 0:09:17 | 0:09:19 | |
CHESS PIECES CLUNK | 0:09:19 | 0:09:21 | |
DAVID! Sh! | 0:09:21 | 0:09:23 | |
Have a listen, have a listen. | 0:09:24 | 0:09:25 | |
KNOCK AT DOOR | 0:09:37 | 0:09:38 | |
Margaret! | 0:09:40 | 0:09:41 | |
I told you, tell your friends not to come. | 0:09:41 | 0:09:44 | |
TRAIN BELL RINGS | 0:09:53 | 0:09:56 | |
-GIRL: -I spy... | 0:10:01 | 0:10:03 | |
I? Come on, wait! | 0:10:03 | 0:10:05 | |
Good boy. | 0:10:07 | 0:10:08 | |
Hello. | 0:10:08 | 0:10:10 | |
Daddy, there's somebody here! | 0:10:11 | 0:10:13 | |
Hello. | 0:10:16 | 0:10:17 | |
I hope I'm not interrupting. | 0:10:17 | 0:10:20 | |
-Ben Rosen. I was one of the judges. -Yes? | 0:10:22 | 0:10:25 | |
You left before all the prizes were announced. | 0:10:25 | 0:10:28 | |
You were very good this afternoon, David. | 0:10:28 | 0:10:30 | |
Thank you. | 0:10:30 | 0:10:32 | |
He can play better. | 0:10:32 | 0:10:34 | |
Maybe he was a little too good. Some people don't like that. | 0:10:34 | 0:10:38 | |
We gave him a special prize for his courage. | 0:10:38 | 0:10:41 | |
A difficult piece you chose, David. | 0:10:45 | 0:10:47 | |
Daddy chose it. | 0:10:47 | 0:10:49 | |
Even great pianists think twice before attacking the Polonaise. | 0:10:49 | 0:10:52 | |
-A prize for losing? -I wouldn't call him a loser. | 0:10:52 | 0:10:55 | |
Das genugt, das genugt. | 0:10:55 | 0:10:56 | |
Sie spielt aber gut. | 0:10:56 | 0:10:58 | |
They all, they all play. | 0:11:00 | 0:11:03 | |
I'm quite sure... | 0:11:03 | 0:11:05 | |
David could win lots of competitions with the right tuition. | 0:11:05 | 0:11:09 | |
My card. | 0:11:09 | 0:11:11 | |
-I teach him. -You've obviously done very well. | 0:11:11 | 0:11:13 | |
Yeah. No-one taught me. | 0:11:13 | 0:11:15 | |
No music teachers, Mr Rosen. | 0:11:16 | 0:11:19 | |
No, of course. It's just a... | 0:11:19 | 0:11:21 | |
A few bad habits is the difference between winning or losing. | 0:11:21 | 0:11:26 | |
Perhaps you'd like to think about it. Mmm? | 0:11:26 | 0:11:28 | |
GENTLE PIANO TUNE | 0:11:38 | 0:11:41 | |
Rachmaninoff. | 0:12:05 | 0:12:06 | |
It's beautiful. | 0:12:09 | 0:12:10 | |
Yeah. You taught yourself? | 0:12:10 | 0:12:13 | |
From the record. | 0:12:13 | 0:12:15 | |
Oh, yeah. It's... it's very difficult. | 0:12:15 | 0:12:19 | |
It's very difficult. | 0:12:19 | 0:12:21 | |
It's... | 0:12:21 | 0:12:22 | |
It's, uh, the hardest piece in the world, you know. | 0:12:23 | 0:12:27 | |
Will you teach me? | 0:12:27 | 0:12:29 | |
You know... | 0:12:35 | 0:12:36 | |
one day you will play it. | 0:12:36 | 0:12:39 | |
You will make me very proud, very proud of you, David. | 0:12:39 | 0:12:43 | |
Yes. | 0:12:43 | 0:12:45 | |
Mmm. | 0:12:46 | 0:12:48 | |
And, uh... | 0:12:52 | 0:12:54 | |
next time... | 0:12:54 | 0:12:55 | |
what are we going to do? | 0:12:55 | 0:12:58 | |
-We're going to win. -We are going to win, yes. | 0:12:58 | 0:13:02 | |
So... Good night. | 0:13:02 | 0:13:05 | |
Good night, Daddy. | 0:13:05 | 0:13:08 | |
HE SIGHS | 0:13:34 | 0:13:35 | |
Come, come, come, come. | 0:14:05 | 0:14:07 | |
DOORBELL RINGS | 0:14:20 | 0:14:21 | |
Don't touch it, don't touch it. | 0:14:24 | 0:14:26 | |
Yes? | 0:14:29 | 0:14:30 | |
Mr Rosen, I have decided I would like... | 0:14:30 | 0:14:33 | |
you teach David...this. | 0:14:33 | 0:14:36 | |
Rachmaninoff. Don't be ridiculous. | 0:14:39 | 0:14:41 | |
He can play it already. | 0:14:41 | 0:14:43 | |
He's just a boy. He can't express that sort of passion! | 0:14:43 | 0:14:46 | |
You are a passionate man, Mr Rosen. | 0:14:46 | 0:14:48 | |
You will teach him, no? | 0:14:48 | 0:14:50 | |
No! | 0:14:50 | 0:14:52 | |
I'll teach him what I think's best. | 0:14:52 | 0:14:55 | |
Rachmaninoff is best. | 0:14:55 | 0:14:56 | |
But... | 0:14:59 | 0:15:01 | |
You are his teacher. I'll let you decide. | 0:15:01 | 0:15:04 | |
Thank you. | 0:15:04 | 0:15:05 | |
We'll start with Mozart. | 0:15:06 | 0:15:08 | |
Mr Rosen... | 0:15:08 | 0:15:10 | |
I can't afford to pay. | 0:15:10 | 0:15:13 | |
THUNDERSTORM BREAKS | 0:15:22 | 0:15:25 | |
SCALES PLAYED ON PIANO | 0:15:25 | 0:15:29 | |
Come on, David. Sylvia's getting wet. | 0:15:37 | 0:15:39 | |
-Sorry, Sylvia, sorry. Bye, Tony. -See you later. | 0:15:39 | 0:15:42 | |
It's raining cats and dogs, dogs and pussycats. | 0:15:42 | 0:15:45 | |
Ho-ho-ho-ho-ho! | 0:15:45 | 0:15:46 | |
-Ho, look out! -Oh. | 0:15:46 | 0:15:48 | |
Ha-ha-ha-ha-ha-ha! | 0:15:48 | 0:15:49 | |
-You'll be right then, David? -I'm fine. Home sweet home. | 0:15:53 | 0:15:57 | |
-Oh, you CAN play! -Oh, kind of, kind of play, Sylvia. | 0:15:57 | 0:16:01 | |
Chopin, Sylvia, Chopinzee! The Pole-popolski. | 0:16:01 | 0:16:03 | |
Like Daddy and his family before they were concentrated. | 0:16:03 | 0:16:06 | |
-How long have you been here? -Golly, a few years. | 0:16:06 | 0:16:09 | |
Aeons, how does that sound? | 0:16:09 | 0:16:10 | |
And Schubert, nothing wrong with Schubert, except syphilis. | 0:16:10 | 0:16:13 | |
Then typhoid on top of that, so we lost him. | 0:16:13 | 0:16:17 | |
-A bit careless of us. -So, you're back. -> | 0:16:17 | 0:16:19 | |
Oh, Jim! I've been a naughty boy. Was I a naughty boy? | 0:16:19 | 0:16:23 | |
-I almost sent out a search party. -A party. I won't be invited... | 0:16:23 | 0:16:27 | |
-He came to my restaurant a bit lost. -He's very good at that, thanks. | 0:16:27 | 0:16:32 | |
-..have a party... -Bye, David. | 0:16:32 | 0:16:33 | |
It's time for a wine and a very fine time, mardis gras and a long cigar. | 0:16:33 | 0:16:37 | |
HEAVY RAIN BECOMES... | 0:16:43 | 0:16:45 | |
APPLAUSE The winner... | 0:16:45 | 0:16:47 | |
our youngest state champion... CROWD CHEERS | 0:16:47 | 0:16:49 | |
..David Helfgott. | 0:16:49 | 0:16:51 | |
-Rosen, we won, we won. -Thanks to Mozart, hmm? | 0:16:54 | 0:16:57 | |
-And now he can play Rachmaninoff. -ROSEN SIGHS | 0:16:57 | 0:17:00 | |
To present David with the prize money, | 0:17:00 | 0:17:03 | |
our very special guest from America, ladies and gentlemen. | 0:17:03 | 0:17:05 | |
Currently on tour in Australia, Mr Isaac Stern. | 0:17:05 | 0:17:08 | |
-AUDIENCE APPLAUDS -Isaac...Isaac Stern. | 0:17:08 | 0:17:10 | |
You have a very special talent, David. | 0:17:19 | 0:17:21 | |
Thank you, thank you, Mr Stern. So do you. | 0:17:21 | 0:17:25 | |
AUDIENCE LAUGHS | 0:17:25 | 0:17:26 | |
How much are you prepared to give to your music, David? | 0:17:26 | 0:17:30 | |
-How much? -Everything, EVERYTHING! | 0:17:30 | 0:17:32 | |
Sh! | 0:17:32 | 0:17:33 | |
Ah, uh, everything. | 0:17:33 | 0:17:35 | |
But, uh, I do like tennis and, uh, chemistry too. AUDIENCE TITTERS | 0:17:35 | 0:17:39 | |
Do you play tennis as well as you play Mozart? | 0:17:39 | 0:17:42 | |
I bounce the ball against the wall at home mainly. | 0:17:42 | 0:17:46 | |
How would you like to go to a special American school | 0:17:46 | 0:17:49 | |
where MUSIC bounces off walls? | 0:17:49 | 0:17:50 | |
America? | 0:17:50 | 0:17:52 | |
You know - land of the free, home of the brave, Mickey Mouse! | 0:17:52 | 0:17:56 | |
Ladies and gentlemen, what an honour for our young state champion - | 0:17:56 | 0:18:00 | |
an invitation to study in America! | 0:18:00 | 0:18:02 | |
AUDIENCE CHEERS AND APPLAUDS | 0:18:02 | 0:18:05 | |
-GIRL: -And now, all the way from America... | 0:18:14 | 0:18:17 | |
David Helfgott! Woooo! | 0:18:17 | 0:18:20 | |
-Thank you, thank you. -He's not from America. | 0:18:20 | 0:18:23 | |
He's going to America, | 0:18:23 | 0:18:24 | |
and when he comes back, he'll be coming from there, won't you? | 0:18:24 | 0:18:28 | |
-I suppose so. BOY: -(Margaret.) | 0:18:28 | 0:18:30 | |
Ooooh! | 0:18:33 | 0:18:35 | |
No, I have no money to send David to America. | 0:18:40 | 0:18:43 | |
Well, um... | 0:18:43 | 0:18:44 | |
-We'll raise it! -What? | 0:18:44 | 0:18:48 | |
Bar Mitzvah. | 0:18:53 | 0:18:55 | |
David hasn't yet had his Bar Mitzvah. | 0:18:55 | 0:18:57 | |
Religion is nonsense. | 0:19:06 | 0:19:07 | |
It's also a goldmine if you know where to dig. | 0:19:09 | 0:19:11 | |
And one day I'll play with an orchestra. | 0:19:18 | 0:19:21 | |
Wow! Can I come when you do? | 0:19:21 | 0:19:23 | |
You can ride in my Cadillac. | 0:19:23 | 0:19:25 | |
Where will you live in America? | 0:19:25 | 0:19:27 | |
With a nice Jewish family, they said. | 0:19:27 | 0:19:30 | |
Here is not a nice family? | 0:19:30 | 0:19:33 | |
Oh, yes, Daddy. It's very nice. | 0:19:33 | 0:19:36 | |
You're very lucky to have a family, David. | 0:19:36 | 0:19:39 | |
-MARGARET LAUGHS BOY: -She was down there with him. | 0:19:42 | 0:19:45 | |
CHATTER CONTINUES | 0:19:45 | 0:19:47 | |
DOG BARKS | 0:19:49 | 0:19:50 | |
I've gotta go. | 0:19:50 | 0:19:52 | |
It's one of the finest music schools in the world. | 0:19:55 | 0:19:57 | |
It is for his father to decide. | 0:19:57 | 0:19:59 | |
He would be well looked after, I promise. | 0:19:59 | 0:20:03 | |
Rachel, please. | 0:20:03 | 0:20:04 | |
David could be one of the truly great pianists. | 0:20:04 | 0:20:07 | |
He is just a boy, Mr Rosen. | 0:20:07 | 0:20:10 | |
He still wets his bed. | 0:20:10 | 0:20:12 | |
DOOR SHUTS | 0:20:14 | 0:20:15 | |
Take this one, the brown one. | 0:20:29 | 0:20:31 | |
Yes. | 0:20:32 | 0:20:33 | |
You see...how fit I am, how strong? | 0:20:52 | 0:20:55 | |
Show me the lion scratches when you worked in the circus, Daddy. | 0:20:55 | 0:20:59 | |
HE HUMS A TUNE | 0:21:01 | 0:21:04 | |
Yeah. That what happens when you're too close to the bars, eh? | 0:21:04 | 0:21:08 | |
David, come here. | 0:21:08 | 0:21:10 | |
-Hit me. -OK. | 0:21:11 | 0:21:12 | |
-Hit me. -Arggh! | 0:21:12 | 0:21:14 | |
-Yeah, as hard as you can. You too. -Me too, Daddy! | 0:21:14 | 0:21:18 | |
You see - a man of steel. | 0:21:18 | 0:21:21 | |
No-one can hurt me. | 0:21:21 | 0:21:23 | |
Because in this world only the fit survive. | 0:21:23 | 0:21:26 | |
-The weak get crushed like insects. -HE LAUGHS | 0:21:26 | 0:21:29 | |
Like grasshoppers, Daddy? | 0:21:29 | 0:21:30 | |
Believe me. If you want to survive in America... | 0:21:30 | 0:21:33 | |
you have to be fit and strong. | 0:21:33 | 0:21:37 | |
-Like you, Daddy? -Yeah! Ha-ha. | 0:21:37 | 0:21:40 | |
Like me. Yes! Ha-ha. | 0:21:40 | 0:21:43 | |
Yeah, that's good. | 0:21:43 | 0:21:47 | |
SOFT TAPPING AT TYPEWRITER | 0:21:48 | 0:21:50 | |
PAPER IS TORN | 0:21:57 | 0:21:59 | |
MAN LAUGHS | 0:22:14 | 0:22:16 | |
See you next week, David. Don't forget to study. | 0:22:16 | 0:22:19 | |
Thank you, Rabbi. | 0:22:19 | 0:22:21 | |
Mr Helfgott! It is exciting, isn't it? | 0:22:39 | 0:22:43 | |
David, the Lord Mayor is dying to meet you! | 0:22:43 | 0:22:46 | |
-Peter. -Mr Rosen. | 0:22:49 | 0:22:52 | |
Ladies and gentlemen, can I have your attention, please? | 0:22:52 | 0:22:55 | |
I would like to thank our wonderful Lord Mayor | 0:22:56 | 0:23:00 | |
for establishing this fund to send David to America. | 0:23:00 | 0:23:04 | |
APPLAUSE | 0:23:04 | 0:23:05 | |
And now to play for us, our very own David Helfgott! | 0:23:05 | 0:23:09 | |
APPLAUSE | 0:23:09 | 0:23:11 | |
'These people are a disgrace!' | 0:23:34 | 0:23:36 | |
They think they are so important. | 0:23:36 | 0:23:38 | |
What do they know, with their furs and their diamonds? | 0:23:38 | 0:23:41 | |
It makes me sick to the stomach! That Rosen - what kind of man is he? | 0:23:41 | 0:23:46 | |
He's not married. He has no children. | 0:23:46 | 0:23:49 | |
MUFFLED: Don't ever talk to me about Rosen. | 0:23:50 | 0:23:53 | |
He only wants for David the same as you have always wanted. | 0:23:53 | 0:23:56 | |
Don't ever compare me to him. | 0:23:56 | 0:23:57 | |
What has he suffered? Not a day in his life! | 0:23:57 | 0:24:00 | |
What does he know... What does he know about families? | 0:24:00 | 0:24:04 | |
About how your sisters died? And my mother and father? | 0:24:05 | 0:24:11 | |
Thank you! Thank you, David! | 0:25:22 | 0:25:24 | |
Thank you, Comrade Helfgott! Your son is a credit to you! | 0:25:24 | 0:25:28 | |
On behalf of the Soviet Friendship Society, we applaud you! | 0:25:31 | 0:25:35 | |
Meet Katherine Prichard. | 0:25:41 | 0:25:44 | |
You play beautifully. | 0:25:53 | 0:25:55 | |
Thank you. | 0:25:55 | 0:25:57 | |
My name's Sonia. | 0:25:57 | 0:25:59 | |
I-I'm David. | 0:25:59 | 0:26:00 | |
I know who you are. | 0:26:00 | 0:26:02 | |
You've got the most wonderful hands. | 0:26:03 | 0:26:06 | |
So do you. | 0:26:06 | 0:26:08 | |
So, um...are you... You're going to America? | 0:26:10 | 0:26:14 | |
That's right, yeah. | 0:26:14 | 0:26:15 | |
One day you'll go to Russia too. | 0:26:15 | 0:26:18 | |
Why not? | 0:26:18 | 0:26:20 | |
David! | 0:26:23 | 0:26:24 | |
I-I'm here. | 0:26:26 | 0:26:28 | |
There's someone important who wants to meet you. | 0:26:28 | 0:26:30 | |
I'd better go. | 0:26:32 | 0:26:34 | |
I've never met anyone who plays the piano as beautifully as you, David. | 0:26:45 | 0:26:50 | |
I've never met a writer before, Mrs Prichard. | 0:26:50 | 0:26:52 | |
You must be very proud of him. | 0:26:52 | 0:26:54 | |
As proud as a father can be. | 0:26:54 | 0:26:56 | |
I have a long-suffering old piano at home. | 0:26:56 | 0:26:59 | |
Ah, suffering piano! | 0:26:59 | 0:27:00 | |
From neglect. | 0:27:00 | 0:27:02 | |
Perhaps you'll play it for me one day. | 0:27:02 | 0:27:04 | |
Yes...anything to help. | 0:27:04 | 0:27:06 | |
I'd like that very much. | 0:27:06 | 0:27:08 | |
Me too. | 0:27:08 | 0:27:09 | |
TAPS ON GLASS | 0:27:09 | 0:27:11 | |
Your attention, comrades. I wish to propose a toast. | 0:27:11 | 0:27:14 | |
That's my cue. | 0:27:14 | 0:27:15 | |
To our founder and very special guest this evening, | 0:27:15 | 0:27:18 | |
Katherine Susannah Prichard. | 0:27:18 | 0:27:20 | |
You will learn much from this old woman. | 0:27:20 | 0:27:22 | |
She has been to the Soviet Union. | 0:27:22 | 0:27:24 | |
America! | 0:27:50 | 0:27:52 | |
"We have been informed of your exceptional talent | 0:27:52 | 0:27:55 | |
"and can only say how privileged we feel to have you stay with us. | 0:27:55 | 0:28:00 | |
"You'll feel very much at home here and you'll be pleased to know | 0:28:00 | 0:28:03 | |
"we're having the Bosendorfer tuned especially. | 0:28:03 | 0:28:06 | |
"We eagerly await your innement arrival..." | 0:28:06 | 0:28:09 | |
-"Imminent". -I wonder if they've got a Cadillac! | 0:28:09 | 0:28:12 | |
"..imminent arrival and look forward to hearing you play for us. | 0:28:12 | 0:28:16 | |
"Kindest wishes, Simon and Basha Mickleburg." | 0:28:16 | 0:28:20 | |
Read it again! | 0:28:20 | 0:28:21 | |
Shush! You'll wake the baby! | 0:28:21 | 0:28:24 | |
"You'll enjoy the company of our parakeet | 0:28:24 | 0:28:26 | |
"and our poodle, called Margaret." | 0:28:26 | 0:28:29 | |
-SHE LAUGHS -Hey! It is not! | 0:28:29 | 0:28:30 | |
-Pig! -It is too! | 0:28:30 | 0:28:33 | |
Enough! Enough! | 0:28:33 | 0:28:35 | |
Turn it off! Give me the letter. | 0:28:35 | 0:28:37 | |
MUSIC OFF | 0:28:37 | 0:28:39 | |
David is not going anywhere. | 0:28:39 | 0:28:40 | |
Daddy! | 0:28:44 | 0:28:45 | |
What are you looking at, you fools? He's not going to America. | 0:28:46 | 0:28:50 | |
I won't let anyone destroy THIS FAMILY! | 0:28:50 | 0:28:53 | |
Please, Daddy, don't! | 0:28:53 | 0:28:55 | |
I know, David, what is best, because I'm your father. | 0:28:58 | 0:29:02 | |
I am your father and THIS IS YOUR FAMILY! | 0:29:02 | 0:29:06 | |
David! David, come back! | 0:29:09 | 0:29:12 | |
Come back! | 0:29:12 | 0:29:13 | |
SHE SHOUTS ANGRILY IN YIDDISH | 0:29:13 | 0:29:17 | |
I know what's best. Believe me. | 0:29:18 | 0:29:22 | |
Close the door! | 0:29:22 | 0:29:24 | |
Mr Rosen! | 0:29:32 | 0:29:34 | |
Mr Rosen, please! It's David! | 0:29:36 | 0:29:39 | |
Mr Rosen! | 0:29:41 | 0:29:43 | |
LOUD DRIP | 0:30:08 | 0:30:10 | |
DRIP | 0:30:13 | 0:30:14 | |
Time to get out, David. It's my turn for the bath. | 0:30:25 | 0:30:29 | |
Are you feeling better now? Have you stopped shivering? | 0:30:29 | 0:30:32 | |
You know, a bath is always the best, David. | 0:30:32 | 0:30:34 | |
Always... | 0:30:34 | 0:30:36 | |
Hmmm. You disgusting animal. | 0:30:36 | 0:30:40 | |
To shit in the bath. To do this to me. | 0:30:40 | 0:30:44 | |
You DISGUSTING ANIMAL! | 0:30:44 | 0:30:48 | |
HE SINGS FROM THE TORAH | 0:31:04 | 0:31:06 | |
Peter! | 0:31:57 | 0:31:59 | |
I know you can hear me. | 0:32:01 | 0:32:03 | |
Don't do this to David! | 0:32:04 | 0:32:06 | |
You mustn't stop him going! Peter! | 0:32:07 | 0:32:11 | |
Whatever you do, don't you dare inflict bloody Rachmaninoff on him. | 0:32:29 | 0:32:34 | |
He's not ready! | 0:32:34 | 0:32:35 | |
SCREEN DOOR SLAMS | 0:32:39 | 0:32:41 | |
CAR DOOR CLOSES | 0:32:45 | 0:32:47 | |
CAR ENGINE STARTS | 0:32:47 | 0:32:49 | |
CAR DRIVES OFF | 0:32:51 | 0:32:53 | |
FOOTSTEPS APPROACH SLOWLY | 0:32:57 | 0:32:59 | |
-PETER: -David. My boy. | 0:32:59 | 0:33:02 | |
It's a terrible thing, to hate your father. | 0:33:04 | 0:33:07 | |
Life is cruel, but...but music... | 0:33:10 | 0:33:15 | |
Music, it will always... always be your friend. | 0:33:16 | 0:33:20 | |
Everything else... will let you down in the end. | 0:33:20 | 0:33:24 | |
Everything. Believe me - everything. | 0:33:24 | 0:33:26 | |
-HE SPEAKS YIDDISH -David. Don't hate me. | 0:33:26 | 0:33:31 | |
Life is cruel. | 0:33:34 | 0:33:36 | |
But you have...you have to... you have to survive. | 0:33:37 | 0:33:43 | |
You have to survive. | 0:33:46 | 0:33:48 | |
Say it. | 0:33:49 | 0:33:51 | |
You have to survive, Dad. You have to survive. | 0:33:51 | 0:33:55 | |
No-one...will love you like me. | 0:34:06 | 0:34:11 | |
You can't trust anyone. | 0:34:13 | 0:34:15 | |
But I will always...be there. | 0:34:16 | 0:34:21 | |
David...give me a hug. | 0:34:23 | 0:34:27 | |
I will always be with you, for ever and ever. | 0:34:28 | 0:34:32 | |
For ever and ever, Dad. | 0:34:33 | 0:34:35 | |
MUSIC: Fast Zu Ernst by Schumann | 0:35:15 | 0:35:19 | |
Each time you play for me, | 0:35:35 | 0:35:38 | |
it expresses so completely the...inexpressible. | 0:35:38 | 0:35:44 | |
Is that good? | 0:35:44 | 0:35:46 | |
It's divine. | 0:35:46 | 0:35:48 | |
-Inexpressibly divine. -Quite. | 0:35:48 | 0:35:51 | |
HE RESUMES PLAYING Tell me a story, Katherine. | 0:35:54 | 0:35:56 | |
What's the story today? | 0:35:56 | 0:35:58 | |
A new story - drops of water. | 0:35:58 | 0:36:02 | |
-Raindrops? -Yes, raindrops. | 0:36:03 | 0:36:07 | |
Perfect. I shall treasure this till the day I die. | 0:36:21 | 0:36:25 | |
"To you, all these wild weeds and wind flowers of my life, | 0:36:37 | 0:36:41 | |
"I bring, my Lord and lay them at your feet. | 0:36:41 | 0:36:45 | |
"They're not frankincense or myrrh, | 0:36:45 | 0:36:47 | |
"but you are Krishna, Christ and Dionysus, | 0:36:47 | 0:36:51 | |
"in your beauty, tenderness and strength." | 0:36:51 | 0:36:56 | |
MUSICIANS TUNE INSTRUMENTS | 0:37:08 | 0:37:12 | |
APPLAUSE | 0:37:26 | 0:37:30 | |
-ANNOUNCER: -'That was our final contestant, David Helfgott, | 0:37:30 | 0:37:33 | |
'with a very stirring Rachmaninoff. | 0:37:33 | 0:37:36 | |
'Well, what a close contest we have, | 0:37:36 | 0:37:38 | |
'with the national championship almost certainly going | 0:37:38 | 0:37:41 | |
'to one of the two pianists.' | 0:37:41 | 0:37:43 | |
Bravo, David! | 0:37:43 | 0:37:44 | |
'It'll be difficult for the judges to separate them, either one a worthy winner. | 0:37:44 | 0:37:50 | |
'The judges are now conferring.' | 0:37:50 | 0:37:52 | |
It's a tough game, isn't it, Roger? | 0:38:01 | 0:38:03 | |
It's a blood sport. | 0:38:03 | 0:38:05 | |
Ladies and gentlemen, I'm pleased to announce the winner | 0:38:38 | 0:38:41 | |
of this year's Instrumental and Vocal Competition. | 0:38:41 | 0:38:44 | |
Our new National Champion is... | 0:38:44 | 0:38:48 | |
-..Roger Woodward. -ENTHUSIASTIC APPLAUSE | 0:38:50 | 0:38:53 | |
APPLAUSE CONTINUES | 0:39:17 | 0:39:19 | |
What was he like, Katherine? | 0:39:48 | 0:39:51 | |
Your father. | 0:39:51 | 0:39:53 | |
He was for ever busy in his study. | 0:39:55 | 0:39:58 | |
"Go away, Kattie, I'm writing", he'd always say. | 0:39:58 | 0:40:02 | |
One day - oh, I was very young - I got so annoyed | 0:40:02 | 0:40:07 | |
that I upset the ink pots all over his desk | 0:40:07 | 0:40:11 | |
and scrawled on his work - pages of it. | 0:40:11 | 0:40:14 | |
When he saw it, he just stood there, SEETHING with anger - | 0:40:15 | 0:40:19 | |
I could feel it. | 0:40:19 | 0:40:21 | |
"What are you doing?!" he shouted. | 0:40:21 | 0:40:23 | |
There was this terrible silence. | 0:40:24 | 0:40:27 | |
And I just stared at him and said, "Go away, Daddy, I'm writing." | 0:40:29 | 0:40:33 | |
-SHE LAUGHS -He ran at me and he picked me up and cuddled me breathless. | 0:40:33 | 0:40:40 | |
My first literary effort, he always called it. | 0:40:43 | 0:40:47 | |
SHE CHUCKLES | 0:40:48 | 0:40:50 | |
David, what is it? | 0:40:53 | 0:40:55 | |
Royal College of Music. | 0:41:07 | 0:41:09 | |
A scholarship. | 0:41:11 | 0:41:13 | |
Oh, David, that's MARVELLOUS! | 0:41:14 | 0:41:16 | |
Daddy won't cuddle ME, Katherine. Oh, no. | 0:41:18 | 0:41:21 | |
He can't stop you, David. | 0:41:22 | 0:41:24 | |
He's such an angry lion, Katherine. | 0:41:24 | 0:41:26 | |
Oh, nonsense, he's a pussycat. | 0:41:26 | 0:41:28 | |
I'll miss you. | 0:41:32 | 0:41:34 | |
These were for my son, but YOU better have them. | 0:41:43 | 0:41:46 | |
It gets very, very cold in London. | 0:41:46 | 0:41:50 | |
BIRDS SING | 0:41:58 | 0:42:00 | |
David. | 0:42:29 | 0:42:31 | |
Where have you been? | 0:42:32 | 0:42:33 | |
Um...I missed the train. | 0:42:33 | 0:42:35 | |
That Prichard woman! | 0:42:35 | 0:42:37 | |
What is this? | 0:42:38 | 0:42:40 | |
The gloves? | 0:42:40 | 0:42:41 | |
Look at me. | 0:42:47 | 0:42:49 | |
Look at me! | 0:42:50 | 0:42:51 | |
HE CHUCKLES | 0:43:03 | 0:43:05 | |
And you think you can just do as you please? | 0:43:07 | 0:43:11 | |
I...I want to go... | 0:43:13 | 0:43:15 | |
and, um...you can't stop me. | 0:43:15 | 0:43:16 | |
David. | 0:43:16 | 0:43:18 | |
I am your father, who has done EVERYTHING for you! | 0:43:18 | 0:43:22 | |
-Everything! -DAVID WHIMPERS | 0:43:22 | 0:43:24 | |
You cruel, callous boy! | 0:43:24 | 0:43:25 | |
Mama! Margaret! | 0:43:25 | 0:43:27 | |
-You stupid, stupid boy! -MUM! | 0:43:27 | 0:43:28 | |
Leave me! Leave him! | 0:43:28 | 0:43:30 | |
-Leave me alone! -Margaret! | 0:43:30 | 0:43:31 | |
Don't hurt him! Don't hurt him! | 0:43:31 | 0:43:34 | |
DAVID! | 0:43:34 | 0:43:36 | |
You want to go - go! | 0:43:36 | 0:43:37 | |
You want to go - go! | 0:43:37 | 0:43:39 | |
-Out! Out! -MARGARET: -I'll call the police! | 0:43:39 | 0:43:41 | |
-Out! Out! Out! -Stop it! | 0:43:41 | 0:43:43 | |
HE GASPS | 0:43:44 | 0:43:46 | |
Leave him! | 0:43:46 | 0:43:47 | |
He is all right. | 0:43:47 | 0:43:48 | |
Are you all right, David? | 0:43:48 | 0:43:51 | |
Are you all right? | 0:43:52 | 0:43:54 | |
Yeah? Come on, David. | 0:43:54 | 0:43:56 | |
He is all right. | 0:43:57 | 0:43:59 | |
I'm old enough to make up my own mind. | 0:43:59 | 0:44:03 | |
He thinks he's going to London. | 0:44:03 | 0:44:05 | |
I've been accepted into the Royal College of Music. | 0:44:05 | 0:44:09 | |
What do you think will happen to you in London? | 0:44:09 | 0:44:12 | |
David...if you go... | 0:44:15 | 0:44:17 | |
you will never come back into this house again. | 0:44:17 | 0:44:20 | |
You will never be anybody's son. | 0:44:20 | 0:44:23 | |
The girls will lose a brother. | 0:44:23 | 0:44:26 | |
Is that what you want? | 0:44:26 | 0:44:28 | |
You want.... | 0:44:28 | 0:44:30 | |
You want to destroy...your family? | 0:44:30 | 0:44:33 | |
I'm sorry. I'm sorry. | 0:44:33 | 0:44:35 | |
David! | 0:44:37 | 0:44:39 | |
David, if you love me, you will stop this nonsense. | 0:44:39 | 0:44:42 | |
You will not step out...that door. | 0:44:42 | 0:44:44 | |
David... | 0:44:44 | 0:44:46 | |
..if you go, you will be punished... | 0:44:47 | 0:44:51 | |
..for the rest of your life. | 0:44:52 | 0:44:54 | |
My David...don't go. | 0:44:54 | 0:44:57 | |
(I'm sorry.) | 0:45:01 | 0:45:02 | |
(I'm sorry.) | 0:45:02 | 0:45:04 | |
DAVID! | 0:45:08 | 0:45:10 | |
Don't make me do it! | 0:45:10 | 0:45:12 | |
HE SOBS | 0:45:27 | 0:45:29 | |
He has the most fantastic hands. | 0:46:15 | 0:46:18 | |
Not connected to anything above his shoulders. | 0:46:18 | 0:46:20 | |
Yes. He's a bit fragile, certainly. | 0:46:21 | 0:46:23 | |
A Chopinzee! | 0:46:23 | 0:46:25 | |
I've seen enough to suggest | 0:46:25 | 0:46:27 | |
he could make the finals of the concerto trials. | 0:46:27 | 0:46:30 | |
And what have you seen, Cecil? | 0:46:30 | 0:46:32 | |
Moments of genius. | 0:46:32 | 0:46:34 | |
Genius? | 0:46:34 | 0:46:36 | |
Really! | 0:46:37 | 0:46:38 | |
HE CHUCKLES | 0:46:42 | 0:46:43 | |
'Come on, David!' | 0:46:43 | 0:46:45 | |
Boldness of attack! | 0:46:45 | 0:46:47 | |
PROFESSOR SLAMS DISCORDANT KEYS Whoa! | 0:46:47 | 0:46:49 | |
-Diablerie! -Whoa! | 0:46:49 | 0:46:50 | |
-The devil, David! -Mustn't break the piano. | 0:46:50 | 0:46:53 | |
Liszt broke plenty of strings. | 0:46:53 | 0:46:55 | |
Right, right, right. | 0:46:55 | 0:46:56 | |
Come on! | 0:46:56 | 0:46:58 | |
Fill in for this useless arm of mine. | 0:46:58 | 0:47:00 | |
The notes first. | 0:47:00 | 0:47:02 | |
Interpretation comes on top of them. | 0:47:02 | 0:47:04 | |
On top, yes. Yes, yes. | 0:47:04 | 0:47:06 | |
-DAVID PLAYS -You agree, do you? | 0:47:06 | 0:47:08 | |
Oh, yes. I always agree, Professor. | 0:47:08 | 0:47:10 | |
Is that wise? | 0:47:10 | 0:47:11 | |
I don't know. Is it? | 0:47:11 | 0:47:13 | |
Don't forget, it's on the page! | 0:47:14 | 0:47:17 | |
Yes. Well, the...the notes are on the page. | 0:47:17 | 0:47:20 | |
But not the feeling, the emotion. That's what I feel. | 0:47:20 | 0:47:23 | |
You mustn't sacrifice everything to emotion. | 0:47:23 | 0:47:25 | |
It's all a question of balance. | 0:47:25 | 0:47:27 | |
Oh...is that the question, Professor? | 0:47:27 | 0:47:29 | |
Precisely. | 0:47:29 | 0:47:31 | |
Uh-huh. I thought so. | 0:47:31 | 0:47:33 | |
That's what I thought. | 0:47:33 | 0:47:35 | |
THEY PLAY LISZT'S "LA CAMPENELLA" | 0:47:36 | 0:47:39 | |
-MAN: -'Mr Helfgott!' | 0:47:49 | 0:47:50 | |
-Your allowance cheque! -Thank you, Mr Wright! | 0:47:50 | 0:47:53 | |
Sorry, sorry, sorry. | 0:47:53 | 0:47:54 | |
I'll...I'll just stand still here. | 0:47:54 | 0:47:56 | |
Be careful, David. | 0:47:56 | 0:47:58 | |
Oh. By all means, Sarah. | 0:47:58 | 0:47:59 | |
-You look lovely today, Sarah. -Thank you, David. | 0:47:59 | 0:48:02 | |
You too, Muriel! | 0:48:02 | 0:48:03 | |
Ease up, Helfgott. | 0:48:03 | 0:48:05 | |
-DAVID MUMBLES -Sarah! | 0:48:05 | 0:48:06 | |
David! You missed the bank. | 0:48:06 | 0:48:08 | |
-You'll have to wait until tomorrow. -Can't bank on the bank. | 0:48:08 | 0:48:11 | |
-We know someone who'll cash it. -Do we, Robert? | 0:48:11 | 0:48:15 | |
# Long before this dance has reached the end | 0:48:15 | 0:48:19 | |
# Bom ba ba ba baa Bom ba ba ba | 0:48:19 | 0:48:22 | |
# To you across the floor My love, I'll sing | 0:48:22 | 0:48:27 | |
# Bom ba ba ba baa Bom ba ba ba | 0:48:27 | 0:48:31 | |
# I just hope and pray | 0:48:31 | 0:48:33 | |
# That I'll find a way to say | 0:48:34 | 0:48:37 | |
# Can I dance with you? | 0:48:37 | 0:48:39 | |
# Bom ba ba ba baa Bom ba ba ba... # | 0:48:39 | 0:48:43 | |
PIGEON COOS | 0:48:43 | 0:48:46 | |
HE SIGHS | 0:48:51 | 0:48:52 | |
DAVID: 'Got to concentrate, Katherine. | 0:49:08 | 0:49:10 | |
'Got to practise, practise, practise. | 0:49:10 | 0:49:12 | |
'Because there's three important things, ah...Professor Parkes says. | 0:49:12 | 0:49:15 | |
'And that's work, work, work. | 0:49:15 | 0:49:16 | |
DAVID ON TAPE: 'That's what I have to do | 0:49:16 | 0:49:19 | |
'to make the finals for the Concerto Medal, | 0:49:19 | 0:49:22 | |
'the winner of which gets to play at the Royal Albert Hall. | 0:49:22 | 0:49:26 | |
'You see, I bought a piano, Katherine. | 0:49:26 | 0:49:28 | |
'A beautiful piano. | 0:49:28 | 0:49:30 | |
'It's a suffering piano, like yours.' | 0:49:30 | 0:49:32 | |
Ah...I wrote to Daddy. | 0:49:32 | 0:49:34 | |
So that's a...a positive. | 0:49:34 | 0:49:36 | |
It's a positive, isn't it? | 0:49:36 | 0:49:38 | |
Well, it seems to be. | 0:49:38 | 0:49:39 | |
He didn't write back, but, um... ha, ha, ha! | 0:49:39 | 0:49:42 | |
BABY CRIES IN THE DISTANCE | 0:49:42 | 0:49:45 | |
How did we manage to get into the finals, David? | 0:49:56 | 0:49:59 | |
-You're a conductor's nightmare. -It's true. | 0:49:59 | 0:50:02 | |
And what will we do? | 0:50:02 | 0:50:03 | |
-We're going to win, Ashley-Robert. -Won't we! | 0:50:03 | 0:50:05 | |
-PROFESSOR PARKES: -Rachmaninoff? | 0:50:07 | 0:50:10 | |
Are you sure? | 0:50:10 | 0:50:12 | |
Um....ah...kind of. | 0:50:12 | 0:50:13 | |
I'm never really sure about anything, Mr Parkes. | 0:50:13 | 0:50:16 | |
The Rach' 3. | 0:50:16 | 0:50:18 | |
It's monumental. | 0:50:19 | 0:50:20 | |
See, it's a mountain. | 0:50:20 | 0:50:22 | |
It's the hardest piece you could everest play. | 0:50:22 | 0:50:25 | |
No-one's ever been mad enough to attempt the Rach' 3. | 0:50:25 | 0:50:28 | |
Am I...mad enough, Professor? | 0:50:29 | 0:50:32 | |
Am I? | 0:50:32 | 0:50:33 | |
HE PLAYS RACHMANINOFF'S PIANO CONCERTO NO.3 | 0:50:36 | 0:50:40 | |
-PROFESSOR PARKES: -Think of it as two separate melodies | 0:50:40 | 0:50:42 | |
jousting for supremacy. | 0:50:42 | 0:50:44 | |
The hands are giants, ten fingers each! | 0:50:46 | 0:50:50 | |
Performing's a risk, you know? | 0:50:53 | 0:50:55 | |
No safety net! | 0:50:55 | 0:50:57 | |
Make no mistake, David. It's dangerous! | 0:50:57 | 0:51:01 | |
People get hurt. | 0:51:01 | 0:51:02 | |
You have to learn to be able to play it blindfolded. | 0:51:03 | 0:51:06 | |
The page, for God's sake! The notes! | 0:51:09 | 0:51:10 | |
Sorry. I was forgetting them, Professor. | 0:51:10 | 0:51:13 | |
Would it be asking too much to learn them first? | 0:51:13 | 0:51:16 | |
-And THEN forget them? -Precisely. | 0:51:16 | 0:51:19 | |
Just give me the fingering. | 0:51:19 | 0:51:21 | |
RACHMANINOFF'S CONCERTO NO. 3 CONTINUES | 0:51:43 | 0:51:47 | |
David! Come on, my boy. | 0:52:01 | 0:52:03 | |
We're going to rest the muscles and fingers today. | 0:52:03 | 0:52:06 | |
Try to exercise the imagination. | 0:52:06 | 0:52:08 | |
First Movement. Cadenza. | 0:52:08 | 0:52:11 | |
Let's pick it up from, er... | 0:52:11 | 0:52:14 | |
# ..pom...pom-pom... | 0:52:14 | 0:52:16 | |
-# Pom-pom! -Pom-pom pom-pom... # | 0:52:16 | 0:52:18 | |
DAVID AND PROFESSOR CONTINUE POMMING | 0:52:18 | 0:52:21 | |
Your hands must form the unbreakable habit of playing the notes | 0:52:23 | 0:52:26 | |
so you can forget all about them... | 0:52:26 | 0:52:29 | |
..and let it come from here. | 0:52:30 | 0:52:32 | |
The heart! That's where it comes from. | 0:52:32 | 0:52:34 | |
Don't you just love those big fat chords?! | 0:52:47 | 0:52:51 | |
You have to tame the piano, David, or it'll get away from you! | 0:52:51 | 0:52:55 | |
It's a monster! | 0:52:55 | 0:52:56 | |
Tame it, or it'll swallow you whole! | 0:52:56 | 0:52:59 | |
METAL TWANGS PROFESSOR LAUGHS | 0:53:01 | 0:53:03 | |
Coming along nicely, David. | 0:53:03 | 0:53:05 | |
Morning, Mrs Perkins. | 0:53:52 | 0:53:53 | |
DOOR SLAMS | 0:54:01 | 0:54:03 | |
(Katherine.) | 0:54:16 | 0:54:17 | |
-PROFESSOR PARKES: -I call this my little mausoleum, David. | 0:55:06 | 0:55:10 | |
Ah! Liszt! | 0:55:11 | 0:55:12 | |
Warts and all. | 0:55:12 | 0:55:14 | |
HE CHUCKLES | 0:55:14 | 0:55:15 | |
They made this after he was dead. | 0:55:15 | 0:55:17 | |
Poor Franz. Dead as a post. | 0:55:19 | 0:55:21 | |
You can still get these on the Left Bank, you know? | 0:55:21 | 0:55:24 | |
Quite cheap. | 0:55:24 | 0:55:25 | |
I've got Rachmaninoff in here somewhere. | 0:55:32 | 0:55:35 | |
Ah! | 0:55:36 | 0:55:37 | |
Magnificent fingers. | 0:55:39 | 0:55:41 | |
So virile. | 0:55:41 | 0:55:43 | |
You know, I played the Rach' 3 for him once. | 0:55:47 | 0:55:50 | |
Really? | 0:55:50 | 0:55:52 | |
Yes. | 0:55:53 | 0:55:55 | |
He said he could hear himself in my playing. | 0:55:55 | 0:55:58 | |
He said it seemed... as if I had touched his soul. | 0:55:59 | 0:56:03 | |
That wasn't so bad, was it? | 0:56:04 | 0:56:07 | |
Not too bad at all, Professor. | 0:56:07 | 0:56:09 | |
Now, it's your turn, David. | 0:56:09 | 0:56:11 | |
Remember...once you've done it, | 0:56:11 | 0:56:14 | |
nobody can ever take it away from you. | 0:56:14 | 0:56:17 | |
And you must play... | 0:56:18 | 0:56:20 | |
as if there was no tomorrow. | 0:56:20 | 0:56:22 | |
APPLAUSE | 0:56:26 | 0:56:29 | |
Come on, David. Don't let me down. | 0:56:43 | 0:56:45 | |
How many moments of genius today, Cecil? | 0:56:50 | 0:56:52 | |
APPLAUSE DIES DOWN | 0:56:59 | 0:57:01 | |
ORCHESTRA PLAYS SWEEPING MELODY WITH PIANO | 0:58:05 | 0:58:08 | |
ORCHESTRAL MUSIC RISES AND FALLS WITH PIANO | 0:58:34 | 0:58:38 | |
DAVID'S PIANO SOLO PLAYS ON TAPE RECORDER | 0:58:53 | 0:58:57 | |
ORCHESTRAL MUSIC SWELLS TO A CRESCENDO | 0:59:45 | 0:59:48 | |
STRIDENT, RHYTHMICAL STRINGS | 0:59:55 | 0:59:58 | |
MUSIC DISTORTS | 1:00:24 | 1:00:26 | |
KEYS CREAK AND THUD | 1:00:26 | 1:00:29 | |
HEARTBEAT THUMPS | 1:00:37 | 1:00:41 | |
DISTANT RIPPLING PIANO | 1:00:47 | 1:00:50 | |
KEYS CREAK AND THUD | 1:00:51 | 1:00:54 | |
HEARTBEAT THUMPS | 1:00:56 | 1:01:00 | |
CRESCENDO OF PIANO AND ORCHESTRAL MUSIC | 1:01:03 | 1:01:06 | |
WILD APPLAUSE, CHEERING | 1:01:19 | 1:01:22 | |
Bravo! Bravo! | 1:01:30 | 1:01:32 | |
Bravo! | 1:01:32 | 1:01:33 | |
APPLAUSE FROM TAPE RECORDER | 1:01:34 | 1:01:37 | |
DISTANT CRIES OF "BRAVO" | 1:01:44 | 1:01:46 | |
BREATHES RASPINGLY | 1:01:46 | 1:01:48 | |
HEAVY THUD | 1:01:52 | 1:01:53 | |
DISCORDANT PIANO NOTES ECHO | 1:01:53 | 1:01:54 | |
SILENCE | 1:01:54 | 1:01:57 | |
TELEPHONE RINGS DISTANTLY | 1:02:00 | 1:02:03 | |
FOOTSTEPS APPROACH | 1:02:06 | 1:02:09 | |
TELEPHONE CONTINUES RINGING | 1:02:09 | 1:02:12 | |
ELECTRICITY HUMS | 1:02:14 | 1:02:17 | |
TELEPHONE RINGING INCREASES IN VOLUME | 1:02:27 | 1:02:30 | |
TELEPHONE RINGS | 1:02:37 | 1:02:40 | |
-PETER: -Hello? | 1:02:52 | 1:02:54 | |
Who is this? | 1:02:54 | 1:02:56 | |
Hello? | 1:02:57 | 1:02:59 | |
DAVID: 'Daddy.' | 1:03:00 | 1:03:01 | |
THUNDER CRACKS | 1:03:01 | 1:03:04 | |
Daddy, I'm home. | 1:03:04 | 1:03:06 | |
'Daddy?' | 1:03:06 | 1:03:08 | |
'Hello? Daddy?' | 1:03:10 | 1:03:12 | |
PHONE BEEPS | 1:03:20 | 1:03:23 | |
Someone here to see you, David. | 1:04:20 | 1:04:22 | |
It's me, David. | 1:04:22 | 1:04:24 | |
Suzie. | 1:04:24 | 1:04:26 | |
Suzie. | 1:04:28 | 1:04:30 | |
Suzie. Do we know Suzie? | 1:04:30 | 1:04:32 | |
-Your sister, David. -Oh, sister Suzie. Sister Suzie. | 1:04:32 | 1:04:35 | |
Thank you, sister, sister nurse. Sister Suzie. | 1:04:35 | 1:04:37 | |
David, I won't be able to come and visit so often. | 1:04:43 | 1:04:46 | |
Not so often, sweet Suzie. Not so often. | 1:04:46 | 1:04:49 | |
I'm going to live in Melbourne. | 1:04:49 | 1:04:50 | |
That's the trick. Don't tell Daddy. | 1:04:50 | 1:04:52 | |
The milk. Mustn't cry over spilt milk. | 1:04:52 | 1:04:54 | |
Oh, well. What can you do, Margaret? | 1:04:54 | 1:04:56 | |
Margaret's in Israel, remember? | 1:04:56 | 1:04:58 | |
I remember Margaret. She called me Dopey. | 1:04:58 | 1:05:00 | |
Or was it a pig? It was the poodle. | 1:05:00 | 1:05:03 | |
It was all very complicated, wasn't it? | 1:05:03 | 1:05:06 | |
"Complicato" in Israel. | 1:05:06 | 1:05:08 | |
It...it was a battleground. | 1:05:08 | 1:05:10 | |
War zone. Such a bore. Such a bore. Always a war. Always a war. | 1:05:10 | 1:05:15 | |
It just destroys everything, really, doesn't it? | 1:05:15 | 1:05:17 | |
BIRDS CHIRP | 1:05:41 | 1:05:43 | |
TROLLEY TRUNDLES NOISILY | 1:05:59 | 1:06:01 | |
-David! -That's right, Nurse. That's me. | 1:06:42 | 1:06:44 | |
I knew I'd find you here. | 1:06:44 | 1:06:46 | |
I've been a naughty boy again. I've misbehaved, haven't I, Nurse? | 1:06:46 | 1:06:49 | |
-I think I have. -Come on, David. | 1:06:49 | 1:06:51 | |
I might get punished for the rest of my life. | 1:06:51 | 1:06:54 | |
I'm flawed. I'm fatally flawed. | 1:06:54 | 1:06:56 | |
-That's right. -Silly sausage. | 1:06:56 | 1:06:57 | |
It's f-f-forbidden fruit. The doctor said it's forbidden fruit. | 1:06:57 | 1:07:00 | |
HE MUTTERS INCOHERENTLY | 1:07:14 | 1:07:16 | |
The thing is...he's...he's... he didn't approve, did he? | 1:07:17 | 1:07:22 | |
He was very disapproving. | 1:07:22 | 1:07:24 | |
Oh, he was very disapproving. | 1:07:24 | 1:07:26 | |
HE BABBLES INCOHERENTLY | 1:07:26 | 1:07:28 | |
LIGHT-HEARTED PIANO MUSIC PLAYS | 1:07:32 | 1:07:35 | |
Come on, Charlie. Let's put this over here. | 1:07:47 | 1:07:49 | |
Oh! So you can read music? | 1:07:56 | 1:07:58 | |
Kind of. Kind of. | 1:07:58 | 1:08:00 | |
Perhaps I'm just turning over a new leaf. | 1:08:00 | 1:08:02 | |
That's all right, isn't it? | 1:08:02 | 1:08:04 | |
My name's Beryl Alcott. What's yours? | 1:08:04 | 1:08:06 | |
Alcott. That sounds like my name. | 1:08:06 | 1:08:08 | |
-Helfgott. That's my name. -Helfgott? | 1:08:08 | 1:08:09 | |
That's right. Ridiculous. It means "with the help of God". | 1:08:09 | 1:08:13 | |
What's your first name, Mr Helfgott? | 1:08:13 | 1:08:15 | |
Oh, yes. First names first. | 1:08:15 | 1:08:16 | |
David. I'm David. I'm David. How's that sound? | 1:08:16 | 1:08:19 | |
SHE STOPS PLAYING | 1:08:19 | 1:08:21 | |
-You're David Helfgott? -That's right, Beryl. Right. | 1:08:21 | 1:08:23 | |
That's right. That's right. | 1:08:23 | 1:08:24 | |
I watched you win all those competitions. | 1:08:24 | 1:08:26 | |
Win some, lose some. Can't lose them all. | 1:08:26 | 1:08:29 | |
-Not your fault. -I was a fan. | 1:08:29 | 1:08:31 | |
-Do you still play? -The doctor said I mustn't. | 1:08:36 | 1:08:39 | |
-It'll end in tears if I misbehave. -You mustn't? | 1:08:39 | 1:08:41 | |
I mustn't. That's right. | 1:08:41 | 1:08:43 | |
Is that right? I think so. | 1:08:43 | 1:08:45 | |
The doctor said it might damage me because it did once before. | 1:08:45 | 1:08:48 | |
Long, long, long time ago. That's the story. | 1:08:48 | 1:08:50 | |
So you play, Beryl. You play. | 1:08:50 | 1:08:52 | |
Boldness of attack. | 1:08:52 | 1:08:54 | |
SHE PLAYS "DAISY, DAISY" | 1:08:54 | 1:08:57 | |
Oh, that's good, Beryl. That's good. | 1:08:57 | 1:09:00 | |
Oh, very good left hand. Very good. | 1:09:00 | 1:09:03 | |
You've got to share and care and care and share and just behave. | 1:09:03 | 1:09:06 | |
That's right. That's right. Yes. | 1:09:06 | 1:09:08 | |
This is going to be a stylish marriage. | 1:09:08 | 1:09:10 | |
Ah, it's a stylish marriage, Beryl! | 1:09:10 | 1:09:12 | |
Oh, that's very good, Beryl. Very good. | 1:09:12 | 1:09:16 | |
Mmm. Oh, it's very good. | 1:09:16 | 1:09:18 | |
Oh, it's very good. | 1:09:18 | 1:09:19 | |
Oh! Press those pedals! | 1:09:19 | 1:09:21 | |
They're riding the bicycle, Beryl. Pedal, Beryl. Pedal. | 1:09:21 | 1:09:24 | |
-What goes on in his head? -God only knows. | 1:09:24 | 1:09:27 | |
He's confusing at the best of times. | 1:09:27 | 1:09:30 | |
It's a complex disorder. | 1:09:30 | 1:09:32 | |
-Lives in his own little world. -Poor lost soul. | 1:09:32 | 1:09:35 | |
Mmm. He's a sweetie. | 1:09:35 | 1:09:37 | |
He could leave tomorrow if he had somewhere to go. | 1:09:37 | 1:09:40 | |
BIRDS CHIRP | 1:09:40 | 1:09:42 | |
Come along, David. | 1:09:45 | 1:09:47 | |
Beryl. Beryl. Beryl. | 1:09:47 | 1:09:48 | |
David, you know I can't abide smoke. | 1:09:50 | 1:09:52 | |
Oh, sorry, Beryl. Sorry. | 1:09:52 | 1:09:53 | |
What are you doing? | 1:09:53 | 1:09:55 | |
-I'll walk. I'll walk. -You don't know the way. | 1:09:55 | 1:09:58 | |
-I'll follow you. How does that sound? -Oh... | 1:09:58 | 1:10:00 | |
-SHE CHUCKLES -It's all right. | 1:10:00 | 1:10:02 | |
Get in, David. | 1:10:02 | 1:10:04 | |
SHE LAUGHS | 1:10:04 | 1:10:06 | |
God bless you, David Helfgott! | 1:10:06 | 1:10:09 | |
-How's this, Beryl? This all right? -Oh! | 1:10:09 | 1:10:11 | |
SHE LAUGHS WHOOAAAA! | 1:10:11 | 1:10:13 | |
MUSIC: Gloria by Vivaldi | 1:10:15 | 1:10:18 | |
Is that you, Nurse? | 1:10:31 | 1:10:32 | |
It's all right, David. | 1:10:32 | 1:10:34 | |
-I'm here. -Oh, here, here, never fear. | 1:10:34 | 1:10:36 | |
Where's the nurse? Where's the sister, Beryl? | 1:10:36 | 1:10:38 | |
-This is where you live now, David. -That's right. | 1:10:38 | 1:10:40 | |
I'm fine. I'm fine. Aren't I, Daisy? | 1:10:40 | 1:10:43 | |
Daisy, Daisy, Beryl, Daisy. | 1:10:43 | 1:10:44 | |
Now David Helfgott really gets back on the rails. | 1:10:44 | 1:10:47 | |
Oh, that's the story. That's the story. | 1:10:47 | 1:10:49 | |
Mmm. | 1:10:49 | 1:10:50 | |
Mmm. | 1:10:51 | 1:10:53 | |
That's good, Beryl. That's good. | 1:10:53 | 1:10:55 | |
Oh, ho, ho, ho, ho! | 1:11:05 | 1:11:07 | |
Don't you just love those big fat chords, Beryl? | 1:11:07 | 1:11:10 | |
Oh, ho, ho, ho, ho, ho! | 1:11:10 | 1:11:13 | |
CHOIR SINGS "GLORIA" | 1:11:15 | 1:11:17 | |
Botanical Garden's just down the road. | 1:11:41 | 1:11:44 | |
Nice walk. | 1:11:44 | 1:11:45 | |
You'll be able to come and go as you please. | 1:11:45 | 1:11:48 | |
Mr Minogue's a lovely man. | 1:11:48 | 1:11:51 | |
A real Christian gentleman. | 1:11:51 | 1:11:52 | |
I know you're going to like him, David. | 1:11:52 | 1:11:55 | |
And guess what? You'll even have your own piano! | 1:11:55 | 1:11:58 | |
PLAYS LOUD, VIGOROUS MUSIC | 1:12:01 | 1:12:04 | |
HE MUTTERS INCOHERENTLY | 1:12:39 | 1:12:41 | |
-MAN UPSTAIRS: -Shut up! | 1:12:55 | 1:12:57 | |
-BANGING ON CEILING -For goodness' sake, shut up! | 1:13:00 | 1:13:03 | |
Morning, David. | 1:13:04 | 1:13:06 | |
Wakey, wakey. Rise and shine. | 1:13:06 | 1:13:08 | |
It's breakfast time. | 1:13:08 | 1:13:10 | |
I think it's about time we gave that piano another rest, eh, David? | 1:13:10 | 1:13:14 | |
Here. Sign your cheque. | 1:13:14 | 1:13:16 | |
Ah, look at you. | 1:13:16 | 1:13:18 | |
-You should get out and exercise. -Exercise. Yes. That's right. | 1:13:18 | 1:13:21 | |
Get some fresh air into your lungs, David. | 1:13:21 | 1:13:23 | |
Because the weak get crushed like insects, don't they? | 1:13:23 | 1:13:26 | |
Like grasshoppers. | 1:13:26 | 1:13:28 | |
THUNDER RUMBLES | 1:14:02 | 1:14:04 | |
Whooaa! | 1:14:05 | 1:14:07 | |
Whooaa! | 1:14:08 | 1:14:10 | |
THUNDER RUMBLES | 1:14:49 | 1:14:51 | |
LIGHT PIANO MUSIC | 1:14:51 | 1:14:53 | |
-MAN: -Thank you, thank you. | 1:14:55 | 1:14:57 | |
Hope you enjoyed your evening. | 1:14:57 | 1:15:00 | |
-WOMAN: -It was great. | 1:15:00 | 1:15:02 | |
-Bye. -Bye. | 1:15:02 | 1:15:03 | |
We're closed! | 1:15:18 | 1:15:20 | |
DOOR CLOSES | 1:15:56 | 1:15:58 | |
PEOPLE CHAT AND LAUGH | 1:15:58 | 1:16:00 | |
Sylvia. Your stray dog's back. | 1:16:09 | 1:16:12 | |
-Want me to get rid of him? -No, I'll handle it. | 1:16:12 | 1:16:14 | |
Hey, Baby. What about a tune? | 1:16:17 | 1:16:19 | |
A tune. Sure. No worries. No worries. | 1:16:19 | 1:16:21 | |
Bravo. Bravo. Encore. | 1:16:27 | 1:16:29 | |
-HE CHUCKLES -Oh, sock it to us, Liberace! | 1:16:29 | 1:16:31 | |
-PEOPLE LAUGH -That's enough, Sam. | 1:16:31 | 1:16:33 | |
David... | 1:16:33 | 1:16:35 | |
HE PLAYS "FLIGHT OF THE BUMBLE-BEE" BY RIMSKY-KORSAKOV | 1:16:35 | 1:16:37 | |
ALL APPLAUD LOUDLY AND CHEER | 1:17:40 | 1:17:42 | |
Fantastic! | 1:17:44 | 1:17:45 | |
-MAN: -More! | 1:17:46 | 1:17:48 | |
Thank you! | 1:17:55 | 1:17:57 | |
Thank you. | 1:17:57 | 1:17:59 | |
Two more, mate. | 1:17:59 | 1:18:00 | |
SPEECH IS DROWNED OUT BY APPLAUSE | 1:18:21 | 1:18:24 | |
Oh, I've got a live one! | 1:18:33 | 1:18:34 | |
Hey! Hey! Give us Beethoven's Fifth. | 1:18:34 | 1:18:37 | |
Sure, baby, no worries. Symphony or concerto? | 1:18:37 | 1:18:39 | |
I played quite well tonight, didn't I? | 1:19:16 | 1:19:18 | |
I played quite well. | 1:19:18 | 1:19:20 | |
I deserve a bit of a snack. | 1:19:20 | 1:19:22 | |
TIN THUMPS ON FLOOR | 1:19:22 | 1:19:24 | |
Hello, David. | 1:19:26 | 1:19:27 | |
Hello, Daddy. | 1:19:29 | 1:19:30 | |
H-hello. | 1:19:30 | 1:19:32 | |
Are you feeling well? | 1:19:34 | 1:19:36 | |
Well. Well, well, well. | 1:19:37 | 1:19:39 | |
T-the thing is, the lid, I can't open it. | 1:19:39 | 1:19:41 | |
-There's something wrong. -What could be wrong, David? | 1:19:41 | 1:19:44 | |
It's a mystery. It's a mystery. | 1:19:44 | 1:19:46 | |
Close this. | 1:19:46 | 1:19:48 | |
Give it to me. | 1:19:49 | 1:19:51 | |
I'll show you. | 1:19:51 | 1:19:52 | |
Hmm. | 1:19:54 | 1:19:56 | |
Here. | 1:19:56 | 1:19:57 | |
Hmm. | 1:19:57 | 1:19:59 | |
HE CHUCKLES | 1:20:08 | 1:20:10 | |
You see... | 1:20:11 | 1:20:13 | |
how easy it is? | 1:20:13 | 1:20:15 | |
Couldn't be...couldn't be easier. | 1:20:15 | 1:20:17 | |
That's right. Couldn't be easier. | 1:20:17 | 1:20:19 | |
David. | 1:20:19 | 1:20:21 | |
Here. | 1:20:24 | 1:20:26 | |
Look at me. | 1:20:35 | 1:20:37 | |
You are a lucky boy, David. | 1:20:37 | 1:20:40 | |
That's true. True. That seems to be true. | 1:20:40 | 1:20:42 | |
People...people say that. | 1:20:42 | 1:20:43 | |
-T-they think that I... -David. | 1:20:43 | 1:20:45 | |
Get to the point. | 1:20:45 | 1:20:47 | |
I'm a very lucky boy. | 1:20:47 | 1:20:49 | |
HE BREATHES DEEPLY | 1:20:53 | 1:20:54 | |
No-one will love you like me. | 1:20:58 | 1:21:00 | |
No-one...like me. | 1:21:00 | 1:21:03 | |
You see? | 1:21:11 | 1:21:12 | |
Do you realise what an opportunity you have here? | 1:21:13 | 1:21:18 | |
Opportunity of a lifetime. | 1:21:18 | 1:21:20 | |
That's right, Daddy. | 1:21:20 | 1:21:22 | |
Yes. | 1:21:22 | 1:21:23 | |
When I was a boy... | 1:21:23 | 1:21:25 | |
..I...I bought a violin. | 1:21:28 | 1:21:31 | |
Beautiful violin. | 1:21:31 | 1:21:34 | |
I saved... | 1:21:34 | 1:21:37 | |
..for this violin. | 1:21:38 | 1:21:40 | |
Now, you know...what... | 1:21:40 | 1:21:43 | |
what happened to it? | 1:21:43 | 1:21:45 | |
You know what happened...to it? | 1:21:45 | 1:21:48 | |
No. What happened to it, Daddy? | 1:21:51 | 1:21:53 | |
No, I don't. What happened? I've got no idea. | 1:21:53 | 1:21:56 | |
The thing is, you've got to be fit to survive. | 1:22:06 | 1:22:09 | |
To stay alive. That's right, isn't it? | 1:22:09 | 1:22:11 | |
(Good night, Daddy.) | 1:22:41 | 1:22:43 | |
Where are the kids? | 1:22:51 | 1:22:53 | |
Around somewhere amusing themselves. | 1:22:53 | 1:22:55 | |
I must warn you. I've got someone staying on weekends. | 1:22:57 | 1:22:59 | |
Not another Scorpio, is he? | 1:22:59 | 1:23:01 | |
Very funny, Gills. He's a child prodigy. | 1:23:01 | 1:23:04 | |
-LOUD OPERATIC MUSIC PLAYS -David! | 1:23:04 | 1:23:07 | |
Oh, thanks. | 1:23:10 | 1:23:12 | |
It's a madhouse. | 1:23:12 | 1:23:14 | |
David! | 1:23:14 | 1:23:15 | |
MUSIC STOPS | 1:23:20 | 1:23:22 | |
There. | 1:23:25 | 1:23:27 | |
Is that the water running? | 1:23:28 | 1:23:30 | |
David! | 1:23:30 | 1:23:32 | |
David. | 1:23:34 | 1:23:36 | |
David? | 1:23:36 | 1:23:39 | |
Where in God's earth...? | 1:23:39 | 1:23:41 | |
-Mum! -Hey, Mum! | 1:23:57 | 1:23:59 | |
David's been on it for hours. | 1:23:59 | 1:24:01 | |
-He's so cool! -Whoa! | 1:24:01 | 1:24:03 | |
-David! -That you, Doctor? | 1:24:03 | 1:24:06 | |
There's no more hot water, Sylvia. | 1:24:06 | 1:24:08 | |
-Where does it go? -David, come and meet someone. | 1:24:08 | 1:24:11 | |
There's no more hot water. It's all gone. All gone. | 1:24:11 | 1:24:13 | |
Where does it go? Who can say? | 1:24:13 | 1:24:15 | |
Where does hot water go? | 1:24:15 | 1:24:17 | |
-Gillian's a dear friend of mine. -A friendly doctor. | 1:24:17 | 1:24:20 | |
-Pleased to meet you. -She's not a doctor. | 1:24:20 | 1:24:22 | |
-Not a doctor. -She's an astrologer. | 1:24:22 | 1:24:24 | |
A specialist! A heart surgeon. | 1:24:24 | 1:24:25 | |
An open heart surgeon! | 1:24:25 | 1:24:27 | |
-Don't be ridiculous. -I'm ridiculous. I'm ridiculous. | 1:24:27 | 1:24:29 | |
-Gillian. -Gillian! That's it. | 1:24:29 | 1:24:31 | |
-Gillian might do your chart. -Would she, Sylvia? | 1:24:31 | 1:24:33 | |
-Will you, Gillian? -Of course, David. | 1:24:33 | 1:24:35 | |
-What sort of chart? -An astrological chart. | 1:24:35 | 1:24:37 | |
Oh, the stars! I love the stars. Astronomical. | 1:24:37 | 1:24:39 | |
-And the planets. -Oh, the planets! | 1:24:39 | 1:24:41 | |
Of course. Mercury and Neptune and so forth. | 1:24:41 | 1:24:44 | |
Music of the spheres. | 1:24:44 | 1:24:45 | |
If music be the food of love... Gastronomical! | 1:24:45 | 1:24:47 | |
The food of love! It is, Gillian. | 1:24:47 | 1:24:49 | |
What's he like when he gets to know you better? | 1:24:49 | 1:24:52 | |
Ohh! | 1:24:52 | 1:24:54 | |
DAVID PLAYS SWEEPING, ELEGANT MUSIC | 1:24:54 | 1:24:56 | |
PEOPLE APPLAUD AND CHEER | 1:25:39 | 1:25:41 | |
So what does he do? | 1:25:44 | 1:25:46 | |
Oh, he's an investment adviser. | 1:25:46 | 1:25:48 | |
-That's how I met him. -So far, so good. | 1:25:48 | 1:25:51 | |
-How serious is it? -Oh... | 1:25:51 | 1:25:52 | |
Come on, Gills! On a scale of one to ten? | 1:25:52 | 1:25:55 | |
I'll take that as a ten. | 1:25:57 | 1:25:59 | |
-When's the happy day? -Oh, you know me. | 1:26:00 | 1:26:02 | |
I hate to rush into things. | 1:26:02 | 1:26:04 | |
Lovely, gorgeous hair. Blondes have more fun, don't they? | 1:26:14 | 1:26:17 | |
Hey, my doctor. | 1:26:19 | 1:26:21 | |
Ooh-hoo-hoo. | 1:26:24 | 1:26:26 | |
Better go to my room. | 1:26:26 | 1:26:27 | |
-Oh! Good night, Lucy. Oh! -You were sensational! | 1:26:32 | 1:26:35 | |
LAUGHTER AND CONVERSATION CONTINUE | 1:26:43 | 1:26:45 | |
Mind if I come in? | 1:26:50 | 1:26:51 | |
Oh, hello, Doctor. Entrez, entrez, entrez. | 1:26:51 | 1:26:53 | |
-I've got these. Ooh, sorry. -It's not your fault. | 1:26:53 | 1:26:56 | |
It's amazing. It just seems to be getting bigger. | 1:26:56 | 1:26:59 | |
It's amazing what you find when you're not even looking. | 1:26:59 | 1:27:02 | |
-There he is. -Who? | 1:27:02 | 1:27:03 | |
-Roger, Roger, Roger, Roger. -Oh, Roger Woodward. | 1:27:03 | 1:27:06 | |
Oh, Roger, Roger. Yeah, he's a winner. He's a winner. | 1:27:06 | 1:27:09 | |
You've got one going already. | 1:27:09 | 1:27:11 | |
He's a hit, a big hit. | 1:27:11 | 1:27:13 | |
Oh, well, one's more than enough. | 1:27:13 | 1:27:15 | |
I really loved your playing. | 1:27:15 | 1:27:17 | |
-Did you, did you? It was all right? -Mmm. | 1:27:17 | 1:27:20 | |
Do you write music as well? | 1:27:20 | 1:27:22 | |
No, one, two, three, that's the Rach' 3, Rach' 3. | 1:27:22 | 1:27:25 | |
-It started out being a letter. -Yes, I think so. | 1:27:25 | 1:27:28 | |
"Dear Professor Cecil, Royal College..." | 1:27:28 | 1:27:30 | |
Royal College of Music. It's a mystery. | 1:27:30 | 1:27:32 | |
-What is? -He only had one arm. A stroke. | 1:27:32 | 1:27:35 | |
-Poor thing! -Stroke of bad luck. Poor pussycat. | 1:27:35 | 1:27:38 | |
Poor, poor pussycat. His paw damaged beyond repair. | 1:27:38 | 1:27:40 | |
He couldn't do anything with it. | 1:27:40 | 1:27:42 | |
Sad, sad pussycat. He was damaged. | 1:27:42 | 1:27:45 | |
It was just bad luck, really, wasn't it? | 1:27:45 | 1:27:47 | |
-I'm not damaging you, am I? -Not at all. | 1:27:47 | 1:27:50 | |
-What's the matter, David? -The matter, the matter. | 1:27:51 | 1:27:54 | |
It started out... It's a blank, a blank. | 1:27:54 | 1:27:56 | |
It's all such a long, long, long time ago. | 1:27:56 | 1:27:59 | |
That's the story. What can you do? | 1:27:59 | 1:28:00 | |
Inexplicably inexpressible. To express the inexplicable. | 1:28:00 | 1:28:03 | |
Why don't you tell me what you want to say? | 1:28:03 | 1:28:05 | |
What don't I want to say? That's a hard one. | 1:28:05 | 1:28:08 | |
It's not hard. "D-E-A-R", dear. | 1:28:08 | 1:28:10 | |
-That's it, that's it. "Dear". -"Dear Cecil"? | 1:28:10 | 1:28:12 | |
-Dearie me. -Cecil. | 1:28:12 | 1:28:14 | |
-Parkes. Cecil Parkes. -"Dear Mr Parkes". | 1:28:14 | 1:28:16 | |
He touched the soul of Sergei Vassilievich himself | 1:28:16 | 1:28:18 | |
with the Rach' 3 in D minor. | 1:28:18 | 1:28:20 | |
It's a hard piece, piece for elephants - elephantine. | 1:28:20 | 1:28:23 | |
-"Dear Mr Parkes..." -Such a long time ago. | 1:28:23 | 1:28:25 | |
"It's been such a long time and I..." | 1:28:25 | 1:28:28 | |
"..and I...I hope..." Hope, Gillian. How does that sound? | 1:28:28 | 1:28:31 | |
-Is that right? -Sounds good to me. | 1:28:31 | 1:28:33 | |
"..and I hope you remember me and the Rach' 3. | 1:28:33 | 1:28:36 | |
"I'm feeling much better..." I'm feeling better, aren't I? | 1:28:36 | 1:28:39 | |
"..and I've started playing again." | 1:28:39 | 1:28:42 | |
VIRTUOSO PLAYING | 1:28:42 | 1:28:44 | |
DRAMATIC FINAL CHORDS | 1:28:58 | 1:28:59 | |
RAPTUROUS APPLAUSE | 1:28:59 | 1:29:01 | |
Well done, Roger! | 1:29:09 | 1:29:11 | |
That was good. | 1:29:15 | 1:29:17 | |
SEAGULLS SQUAWK | 1:29:17 | 1:29:19 | |
-SYLVIA: -Smile, David! -Come on. | 1:29:41 | 1:29:43 | |
-I am, Sylvia. -At the camera. Here! | 1:29:43 | 1:29:46 | |
-Oh. -Hurray! | 1:29:46 | 1:29:47 | |
-Hurray! -Time to go. | 1:29:47 | 1:29:49 | |
-What can you do? -Look on the bright side. | 1:29:49 | 1:29:52 | |
-Bright side. -You'll see Gillian again one day. | 1:29:52 | 1:29:54 | |
-Life goes on. -Is that what it does? | 1:29:54 | 1:29:57 | |
-Of course. -She has to go. | 1:29:57 | 1:29:59 | |
Little wrigglies to look after. | 1:29:59 | 1:30:00 | |
No, my kids are grown up. | 1:30:00 | 1:30:02 | |
-It's just me. -Just me too. | 1:30:02 | 1:30:04 | |
I never grew up. I grew down! Ha! | 1:30:04 | 1:30:07 | |
I'm a bit of a handful, aren't I? | 1:30:07 | 1:30:09 | |
-Sh. Sh. -Softly, softly, softly. | 1:30:09 | 1:30:11 | |
Softly. | 1:30:11 | 1:30:12 | |
Will you marry me? | 1:30:13 | 1:30:15 | |
It wouldn't be very practical, David. | 1:30:19 | 1:30:21 | |
Not practical? No, of course not. | 1:30:21 | 1:30:23 | |
Neither am I. Neither am I. I'm not very practical. | 1:30:23 | 1:30:26 | |
-SYLVIA: -You'll miss the plane! | 1:30:26 | 1:30:28 | |
It's sweet of you, David. I don't know what to say. | 1:30:28 | 1:30:32 | |
The stars, Gillian, darling! Ask the stars. | 1:30:32 | 1:30:34 | |
-MAN: -'You'd better let her breathe, David!' | 1:32:06 | 1:32:08 | |
GUESTS CHEER | 1:32:08 | 1:32:10 | |
I won't kiss you. I won't kiss you. | 1:32:16 | 1:32:18 | |
-GUESTS: -Awwww. | 1:32:20 | 1:32:22 | |
GUESTS SING ALONG TO "FUNICULI, FUNICULA" | 1:32:22 | 1:32:26 | |
Sorry, darling. Did I damage you? | 1:32:41 | 1:32:43 | |
-SHE CHUCKLES -Far from it. | 1:32:43 | 1:32:44 | |
You made a noise. You went, "Ohhhhhh, David." | 1:32:45 | 1:32:49 | |
SHE LAUGHS | 1:32:49 | 1:32:51 | |
Oh, no. Poor Ravel. | 1:33:07 | 1:33:09 | |
Oh, poor Maurice, he's all unravelled. | 1:33:09 | 1:33:11 | |
-All that rehearsal, well... -It's nearly time to get ready. | 1:33:11 | 1:33:15 | |
-Could I swim some more? -All right. 10 minutes. | 1:33:15 | 1:33:17 | |
Do some Liszt - not a concerto! | 1:33:17 | 1:33:19 | |
Swim "La Campanella". | 1:33:19 | 1:33:21 | |
That should do it. | 1:33:21 | 1:33:23 | |
I've gone wrong, darling, I've gone wrong. | 1:33:27 | 1:33:29 | |
-Keep trying. -I'm trying. I'm very trying. | 1:33:29 | 1:33:31 | |
Damn, page 37's missing. | 1:33:31 | 1:33:33 | |
Oh, that's the coda! It's the beginning of the end! | 1:33:33 | 1:33:36 | |
I'll soak my hands, soak my hands. | 1:33:36 | 1:33:39 | |
David! | 1:33:39 | 1:33:40 | |
Gotcha. | 1:33:45 | 1:33:47 | |
Your first concert in years and you wear odd shoes. | 1:33:52 | 1:33:55 | |
-I'm a sausage. -You certainly are. Sit. | 1:33:55 | 1:33:57 | |
-Sit up straight. -We'll be in the car. | 1:33:57 | 1:33:59 | |
-Sit up straight, sit up straight. -Relax! | 1:33:59 | 1:34:02 | |
Must relax, must relax. | 1:34:02 | 1:34:03 | |
Perfect. | 1:34:05 | 1:34:06 | |
PLAYS "LA CAMPANELLA" BY LISZT | 1:34:08 | 1:34:11 | |
FINAL CHORDS | 1:34:15 | 1:34:17 | |
ENTHUSIASTIC APPLAUSE AND CHEERING | 1:34:20 | 1:34:22 | |
Bravo! | 1:34:30 | 1:34:33 | |
Bravo! | 1:34:53 | 1:34:55 | |
Bravo! | 1:34:58 | 1:35:00 | |
-Hi, darling. -I think they want an encore. | 1:35:07 | 1:35:10 | |
Do they, darling? They want some more? | 1:35:10 | 1:35:12 | |
-What are you going to do? -Win! | 1:35:12 | 1:35:14 | |
Not now, darling. | 1:35:14 | 1:35:16 | |
I'll do some more, I'll do some more. | 1:35:16 | 1:35:18 | |
INAUDIBLE | 1:36:00 | 1:36:02 | |
-GILLIAN: -What do you feel? | 1:36:16 | 1:36:18 | |
The thing is, I feel nothing. | 1:36:18 | 1:36:20 | |
Nothing at all? | 1:36:20 | 1:36:21 | |
Well, I'm shocked, stunned and completely amazed. | 1:36:21 | 1:36:24 | |
How does that sound? | 1:36:24 | 1:36:25 | |
Perhaps it's all my fault. Perhaps it's me, I don't know. | 1:36:25 | 1:36:29 | |
You can't keep blaming yourself for everything that's happened. | 1:36:29 | 1:36:32 | |
That's true, and you can't keep blaming Daddy | 1:36:32 | 1:36:34 | |
because he's not here any more. | 1:36:34 | 1:36:36 | |
-But you are. -I'm here, it's true. | 1:36:36 | 1:36:38 | |
Life goes on, doesn't it? Is that right? | 1:36:38 | 1:36:40 | |
-Yes. -It does? For ever and ever? | 1:36:40 | 1:36:42 | |
-No. -No, never for ever. Not quite. | 1:36:42 | 1:36:44 | |
I mean, life isn't all lamb loin chops, but it goes on | 1:36:44 | 1:36:48 | |
and you just have to keep going too. | 1:36:48 | 1:36:50 | |
-You can't give up. -Certainly not... | 1:36:50 | 1:36:52 | |
Every time blooming Saturn comes along and gives us a jolt. | 1:36:52 | 1:36:56 | |
-Ooh, it's the stars. -Everything has its season. | 1:36:56 | 1:36:58 | |
-It's a mystery. -There's always a reason. | 1:36:58 | 1:37:00 | |
We just need to seize the reason for the season! Ha! | 1:37:00 | 1:37:04 |