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# It's heartless and cold | 0:00:28 | 0:00:33 | |
# In the dust of the prairie | 0:00:33 | 0:00:37 | |
# And a man can't grow old | 0:00:37 | 0:00:40 | |
# Where there's women and gold | 0:00:40 | 0:00:45 | |
# The story is told | 0:00:45 | 0:00:48 | |
# In the dust of the prairie | 0:00:48 | 0:00:52 | |
# That a man can't grow old | 0:00:52 | 0:00:56 | |
# Where there's women and gold. # | 0:00:56 | 0:01:00 | |
# A stranger in town | 0:02:17 | 0:02:21 | |
# Where a stranger ain't welcome | 0:02:21 | 0:02:25 | |
# Should take some advice | 0:02:25 | 0:02:28 | |
# And turn right around | 0:02:28 | 0:02:32 | |
# The stranger should flee | 0:02:32 | 0:02:35 | |
# Go back where he came from | 0:02:35 | 0:02:39 | |
# And live a long life | 0:02:39 | 0:02:42 | |
# Away from this town | 0:02:42 | 0:02:46 | |
# He'd live a long life | 0:02:46 | 0:02:49 | |
# Away from this town. # | 0:02:49 | 0:02:53 | |
-Evening, stranger. -You must know everybody in town. | 0:02:53 | 0:02:57 | |
-Everybody but one. I don't know you. -You do now. Got a vacant room? | 0:02:57 | 0:03:02 | |
-Day, week or month? -I don't know. And from the way you look at it, a man can't be too sure in this town. | 0:03:02 | 0:03:09 | |
I've been here six years and I ain't dead yet. A week. 8 cash in advance. | 0:03:09 | 0:03:14 | |
-From Kansas, eh? -No. I put down where I'm going next so I won't forget. | 0:03:16 | 0:03:20 | |
Room 10 at the end of the hall. Make your own bed, supply your own towels. | 0:03:20 | 0:03:25 | |
Thanks for the key. | 0:03:28 | 0:03:30 | |
PIANO PLAYS IN DISTANCE | 0:03:38 | 0:03:41 | |
Seven. You lose. | 0:04:32 | 0:04:35 | |
All right, get your bets down, boys. ..Number seven, the winner. | 0:04:36 | 0:04:41 | |
Get your money down. Man's getting lucky. ..Eleven. Man wins again. | 0:04:41 | 0:04:46 | |
Get your bets down, boys. | 0:04:46 | 0:04:50 | |
Let her go. Eight's your point. Number eight's your point. | 0:04:50 | 0:04:55 | |
Eight the hard way. Yes... | 0:04:55 | 0:04:58 | |
No, thanks. ..There you are, dealer. | 0:05:05 | 0:05:07 | |
Next shooter. | 0:05:10 | 0:05:12 | |
# Some time remind me to tell you | 0:05:12 | 0:05:17 | |
# How much you mean to me | 0:05:17 | 0:05:23 | |
# Some time remind me to tell you | 0:05:23 | 0:05:28 | |
# How happy we could be | 0:05:29 | 0:05:34 | |
# Some time remind me to whisper | 0:05:35 | 0:05:40 | |
# Each dream, each plan, each vow | 0:05:40 | 0:05:46 | |
# But why wait around | 0:05:46 | 0:05:49 | |
# For some time? | 0:05:49 | 0:05:54 | |
# Might as well tell you now. # | 0:05:54 | 0:05:59 | |
Whiskey. ..Like you'd pour it for yourself. | 0:06:04 | 0:06:07 | |
-Don't you know it's no fun to drink alone? -Not till after the first one. | 0:06:07 | 0:06:12 | |
You a stranger here? | 0:06:14 | 0:06:16 | |
-What kind of whiskey was that? -On the bottle it says rye. The way you take it, does it make a difference? | 0:06:18 | 0:06:25 | |
-Another rye. -You didn't answer my question. -I'm a stranger everywhere. | 0:06:25 | 0:06:30 | |
-Got a job? -I know that one too, soldier. | 0:06:30 | 0:06:34 | |
"Got a job? No? Why don't you join the Army? Three meals a day, nice, warm uniform." | 0:06:34 | 0:06:40 | |
-It has more than that. -Yeah, one thing more that I could never take. It's got second lieutenants. | 0:06:40 | 0:06:47 | |
-You want to make this a personal matter? -I don't make it anything. | 0:06:47 | 0:06:52 | |
-Beat it. -If I weren't in uniform, I'd teach you a few manners. | 0:06:52 | 0:06:57 | |
If you could teach me ANYTHING, you wouldn't be in uniform. | 0:06:57 | 0:07:02 | |
-You couldn't be looking for trouble, could you? -I could, but I'm not. | 0:07:03 | 0:07:07 | |
-Good, cos this is one of the best places to find it. -I thought it might be. -That lieutenant's a nice boy. | 0:07:07 | 0:07:15 | |
I don't doubt it. But his mouth is too big. Like your ears. | 0:07:15 | 0:07:20 | |
-You look much better at this table. -And you must like to pick fights. -..Only with second lieutenants. | 0:07:31 | 0:07:39 | |
We like second lieutenants. Here, everybody fights EXCEPT the Army. | 0:07:39 | 0:07:44 | |
-I wouldn't know. -So, if you don't like the Army... | 0:07:44 | 0:07:48 | |
I know what you mean. But I'll have to come back. You see, I like the way you sing. | 0:07:48 | 0:07:54 | |
Captain Iles, commander of the post. ..Mr Haven, sir. | 0:09:04 | 0:09:08 | |
Well, Lieutenant, I see you've FINALLY got here. | 0:09:08 | 0:09:12 | |
-I seem to finally get everywhere. -Mrs Caslon, Mr Haven. | 0:09:12 | 0:09:17 | |
-How do you do? -How do you do? | 0:09:17 | 0:09:20 | |
You've met Mr Stellman. | 0:09:20 | 0:09:23 | |
It came off beautifully, sir. He picks a good fight. I think I'm still a little sore at him. | 0:09:23 | 0:09:30 | |
-Sit down, Mr Haven. -Thank you, Captain. | 0:09:30 | 0:09:33 | |
All this mumbo jumbo is characteristic of the Military Information Department. | 0:09:33 | 0:09:39 | |
We try to use it as sparingly as possible. | 0:09:39 | 0:09:42 | |
-I've been in this territory for many years. It's a bit rougher than a Washington DC suburb. -Very possibly. | 0:09:42 | 0:09:50 | |
-Why has MID sent you here? -Two soldiers have been murdered. | 0:09:50 | 0:09:54 | |
-They were escorting one of the gold stages. -Is escorting gold one of the functions of your command? | 0:09:54 | 0:10:01 | |
The functions of my command look very pretty on paper, but they're not very practical in this territory! | 0:10:01 | 0:10:07 | |
-What's happening to the gold? -I've allowed it to be stored on the post. | 0:10:07 | 0:10:12 | |
Captain, you're in a bad way. Wells Fargo won't convoy gold. You tried and failed. Two men are dead. | 0:10:12 | 0:10:19 | |
Gold's piling up at the post - which is undermanned - and can't be moved. | 0:10:19 | 0:10:25 | |
You want to replace 70 uniforms sent to the freight office... | 0:10:25 | 0:10:29 | |
-The freight building burned down with the uniforms! I'm not running a fire department! -That doesn't concern me! | 0:10:29 | 0:10:36 | |
-Well, what does?! -The killing of two soldiers. -They were my men. I'm trying to find out who murdered them. | 0:10:36 | 0:10:43 | |
-So will I. -It may be harder than you think. This is a dangerous job that can get you killed! | 0:10:43 | 0:10:50 | |
You make it sound very difficult. Why don't you just head back east? | 0:10:50 | 0:10:55 | |
-Look here, Lieutenant... -Yes? | 0:10:55 | 0:10:58 | |
-How will I know what you're doing? -I'll let you know. -Very obliging(!) | 0:10:58 | 0:11:03 | |
-I don't want to visit the Army post. -Then report through Mrs Caslon here. | 0:11:03 | 0:11:08 | |
You can be a friend of her late husband - he owned the Argos mine - IF it meets with your approval. | 0:11:08 | 0:11:15 | |
-Only if it meets with hers. -I'd be delighted to help. | 0:11:15 | 0:11:20 | |
-Is that all? -Yes, I think so. | 0:11:20 | 0:11:23 | |
He really isn't that abrupt, he's... | 0:11:27 | 0:11:30 | |
-Good night, Mary. -Good night, George. | 0:11:30 | 0:11:33 | |
-You see? -I see. -I think he secretly likes you. -He can certainly keep a secret. | 0:11:36 | 0:11:42 | |
-Would you like some sherry? -Only if you'll have some. | 0:11:42 | 0:11:46 | |
-What mine did the two soldiers try to convoy the gold from? -The Argos. | 0:11:46 | 0:11:52 | |
-It's mine. -I'd decided not to ask the next question. -I'll answer it. | 0:11:52 | 0:11:57 | |
-Captain Iles has asked me to marry him. -I can understand that. | 0:11:57 | 0:12:01 | |
-But not why Captain Iles is involved in the gold business? -I do now. | 0:12:01 | 0:12:06 | |
-There's a lot of gold from all over the territory stored at the post. -How much? -As much as half a million. | 0:12:09 | 0:12:16 | |
-In fact, I have about 50,000 in my safe now. -Really? Tell me... | 0:12:16 | 0:12:21 | |
-who's taking all this gold? -I don't know. | 0:12:21 | 0:12:25 | |
-That's the worst part of it - not knowing. -I might find out. | 0:12:25 | 0:12:30 | |
-Don't get into trouble. -That's why I'm here. -But... -Don't worry. | 0:12:30 | 0:12:34 | |
Trouble and I are old enemies. We understand each other. Good night. | 0:12:34 | 0:12:40 | |
Good luck. | 0:12:40 | 0:12:42 | |
# ..How happy we could be... # | 0:12:43 | 0:12:49 | |
Every time I come in here, you stop singing. Why is that? | 0:13:03 | 0:13:07 | |
-You don't have to come in. -I'm not here to fight. -Why are you here? | 0:13:07 | 0:13:12 | |
If you'll invite me to sit down, you might find out. | 0:13:12 | 0:13:17 | |
It might be better if you found another table, and another girl. | 0:13:17 | 0:13:21 | |
No, it wouldn't. I looked. | 0:13:21 | 0:13:24 | |
-Could that be Charlie? -No. | 0:13:29 | 0:13:32 | |
-His eyes follow you around like a couple of flies. -Only to see that strangers don't annoy me. | 0:13:32 | 0:13:39 | |
-Only strangers? -No-one else would be so foolish. | 0:13:39 | 0:13:43 | |
Waiter, bring me a bottle of wine. | 0:13:43 | 0:13:46 | |
You're beautiful, I like the way you sing and you're a woman of mystery. | 0:13:46 | 0:13:52 | |
-I don't want to be a stranger, so I'll have to be foolish. -You like to take chances. -If I feel lucky. | 0:13:52 | 0:13:59 | |
-I advise you to try the dice table. -I'd rather get lucky here. | 0:13:59 | 0:14:03 | |
Every man has a right to his own funeral. | 0:14:03 | 0:14:07 | |
I, er, I could be your cousin from Waxahachie. | 0:14:10 | 0:14:13 | |
I could be Cousin John, a missionary on his way to China. | 0:14:13 | 0:14:18 | |
-So, Charlie probably runs the town? -Why do you care? | 0:14:24 | 0:14:29 | |
I'm gonna spend some time here. I'd like to know who winds the clock. | 0:14:29 | 0:14:34 | |
It's been a nice conversation. I hate it to end. | 0:14:38 | 0:14:42 | |
-Who's this? -Mick, this is Cousin John. -From Waxahachie. | 0:14:47 | 0:14:53 | |
-Cousin John is a missionary on his way to China. -What's keeping him? | 0:14:53 | 0:14:57 | |
He thinks he might do more good here. | 0:14:57 | 0:15:00 | |
-You ain't too friendly. -I like to pick my friends. | 0:15:01 | 0:15:06 | |
-You pick 'em too easy, like cousins. -Ask her. | 0:15:06 | 0:15:09 | |
I never saw him before in my life. | 0:15:09 | 0:15:13 | |
-You're too little to make that big a mistake. -You gonna correct me? -..Bring him outside. | 0:15:24 | 0:15:31 | |
-What happened? -He wanted to be my cousin. -She hasn't any aunts or uncles. | 0:15:38 | 0:15:44 | |
-Mick'll kill him! That's ten to one. -Always bet on a champion. | 0:16:11 | 0:16:17 | |
-I'll take it. -Done. | 0:16:17 | 0:16:19 | |
First time Mick ever got it. You done a fine job, stranger. | 0:18:02 | 0:18:07 | |
I can't believe it. Mick Marrion loses a fight and I win a thousand. | 0:18:07 | 0:18:12 | |
Give it to him, Prince. | 0:18:12 | 0:18:15 | |
..In chips. | 0:18:15 | 0:18:17 | |
-Have some coffee? -..Yeah. Thanks. | 0:18:45 | 0:18:48 | |
-They told me who was fighting. I was getting ready to rent your room. Sugar or cream? -Cream. | 0:18:48 | 0:18:55 | |
-Myself, I'd rather fight a forest fire. -So would I. | 0:19:06 | 0:19:10 | |
# When a man fights a man | 0:19:10 | 0:19:13 | |
# Because of a woman | 0:19:14 | 0:19:17 | |
# It means that the woman | 0:19:18 | 0:19:21 | |
# Has made the man bold | 0:19:21 | 0:19:25 | |
# But fighting's no good | 0:19:25 | 0:19:28 | |
# Cos it just leads to trouble | 0:19:29 | 0:19:33 | |
# And a man can't grow old | 0:19:33 | 0:19:36 | |
# Where there's women and gold | 0:19:36 | 0:19:40 | |
# No, a man can't grow old Where there's women and gold... # | 0:19:40 | 0:19:47 | |
KNOCK ON DOOR | 0:19:55 | 0:19:58 | |
Come in. | 0:20:01 | 0:20:04 | |
How do you feel? | 0:20:16 | 0:20:18 | |
-Like a million dollars. -You just cost me a thousand. | 0:20:18 | 0:20:23 | |
I brought your hat and coat. | 0:20:23 | 0:20:26 | |
Are you always this sweet to the men who fight over you? | 0:20:52 | 0:20:56 | |
-Only the winners. -Oh. | 0:20:56 | 0:20:59 | |
-Tell me something. -What? -That fella could have killed me. | 0:21:00 | 0:21:05 | |
Where do you bury the losers? | 0:21:05 | 0:21:09 | |
You talk too much. | 0:21:09 | 0:21:11 | |
Oh, what do you want?! The next dance? | 0:21:11 | 0:21:16 | |
I think you'd better sit this one out. | 0:21:17 | 0:21:21 | |
-Have some coffee. -Thanks. The way you run this place, I knew you must be good at something else. | 0:21:47 | 0:21:54 | |
-Some folks call me the town poet, others the village idiot. How do you feel? -Like I crawled from Kansas. | 0:21:54 | 0:22:01 | |
-You're pretty famous. Lot of folks been asking for you. -Who? | 0:22:01 | 0:22:05 | |
-That gold-mine lady Mrs Caslon. -That's nice. -Couldn't do better. | 0:22:05 | 0:22:10 | |
-And Charlie. -Charlie? -No less. -You seem impressed. | 0:22:10 | 0:22:14 | |
-Why not? Charlie owns a piece of everything. -Stage line too? | 0:22:14 | 0:22:20 | |
Everything but the Bible class. Even owns a piece of me. | 0:22:20 | 0:22:24 | |
Takes your money while you're here, makes you pay to leave. | 0:22:24 | 0:22:28 | |
-Well, I'd like to hear the next verse of that song. -I can't find a word to rhyme with Mick Marrion. | 0:22:28 | 0:22:35 | |
-Try carrion. -Carrion, yeah! | 0:22:35 | 0:22:38 | |
Yeah, carrion. | 0:22:38 | 0:22:40 | |
-Perfectly ridiculous! -Now, now, George. Please don't get excited. | 0:22:42 | 0:22:47 | |
What was it about? Not a woman?! That's what I heard, sir. | 0:22:47 | 0:22:52 | |
Who started it? I don't know, but Haven finished it. | 0:22:52 | 0:22:57 | |
I need someone who can use his brains, not his fists! | 0:22:57 | 0:23:01 | |
KNOCK ON DOOR Come in! | 0:23:01 | 0:23:04 | |
Captain. ..Mrs Caslon, I... | 0:23:10 | 0:23:12 | |
Mr Haven! We have a strict post regulation against brawling in the town! | 0:23:12 | 0:23:19 | |
-Would you like to explain what happened last night? -I came here to return Mrs Caslon's call. | 0:23:19 | 0:23:25 | |
-Sit down! -Thank you. -This book is the Army Register 1882. | 0:23:25 | 0:23:30 | |
I am now going to read from it. | 0:23:30 | 0:23:33 | |
"Haven, John Martin. Born Ohio, 1852. Appointed second lieutenant, | 0:23:33 | 0:23:37 | |
"promoted first lieutenant 20th Infantry, March 1880. | 0:23:37 | 0:23:41 | |
"Reduced in rank to second lieutenant, January 12th 1881." | 0:23:41 | 0:23:46 | |
-Is that correct? -It's the Army Register. | 0:23:46 | 0:23:49 | |
-Young man, you're trying to carry your authority too far! -Well, perhaps I am, Captain. | 0:23:49 | 0:23:56 | |
You know, we had an arrangement not to meet, except through Mrs Caslon. | 0:23:56 | 0:24:02 | |
It's important to keep it that way. | 0:24:02 | 0:24:05 | |
And I like it better. | 0:24:07 | 0:24:09 | |
-Doesn't he ever stop playing? -Sam? It don't bother him, he's deaf. | 0:24:25 | 0:24:30 | |
-Where do I find the boss? -First door, top of the stairs. | 0:24:30 | 0:24:35 | |
-Mick been around? -He's indisposed. | 0:24:35 | 0:24:38 | |
Come in. | 0:24:54 | 0:24:56 | |
-You wanted to see me? -I -did. | 0:25:02 | 0:25:05 | |
-They said Charlie. -Yes. | 0:25:05 | 0:25:08 | |
-You're Charlie? -That's right. | 0:25:08 | 0:25:12 | |
-This is Prince. Don't ever gamble with him. -You mean with his equipment. -She means either. | 0:25:12 | 0:25:19 | |
-You surround yourself with very affable characters. -It makes me feel at home. | 0:25:19 | 0:25:26 | |
You're not that sinister. Last night, you were Florence Nightingale. Ouch! | 0:25:26 | 0:25:32 | |
-Tell me, why did you start that fight? -I thought YOU did. -Really? | 0:25:34 | 0:25:39 | |
-Well, you could have insisted I was your cousin. -Maybe that's not the way I felt about you. | 0:25:39 | 0:25:46 | |
-Where did you get the name Charlie? -From my father. My name is Charlene. -Charlene? I like that better. | 0:25:48 | 0:25:54 | |
-This'll be the first time I ever worked for a woman. -You think you're working for me? -You sent for me. | 0:25:56 | 0:26:02 | |
All right, I sent for you. I was doing a nice, quiet little business because everyone was afraid of Mick. | 0:26:02 | 0:26:10 | |
-Now every time a man has enough to drink, he'll try to do what you did. -I wouldn't. -THEY will. | 0:26:10 | 0:26:16 | |
It's not the kind of job I want. I'm not starting at the bottom. Been there. It's too crowded. | 0:26:16 | 0:26:23 | |
-Where do you want to start? -With the money. | 0:26:23 | 0:26:26 | |
What'll you do for it? | 0:26:26 | 0:26:29 | |
Anything, except hang. | 0:26:29 | 0:26:32 | |
-How's that? -Beautiful. | 0:26:32 | 0:26:35 | |
Where did you get all this? | 0:26:39 | 0:26:41 | |
From my father. | 0:26:41 | 0:26:44 | |
He taught me one thing. As long as men think they can beat the tables, all you have to do is get a table. | 0:26:44 | 0:26:51 | |
If they run out of cash, I end up with new responsibilities. | 0:26:51 | 0:26:55 | |
-Such as? -A couple of stores. -I can't see myself behind a counter. | 0:26:55 | 0:27:00 | |
A sawmill and a logging camp. The camp's a long way from town. | 0:27:00 | 0:27:05 | |
..Oh. ..No. | 0:27:05 | 0:27:08 | |
-I own a stage line from here to West Rim City, but that's a dud. -Why? | 0:27:08 | 0:27:13 | |
Outlaws. The money was in shipping gold. Now the mines won't ship it. | 0:27:13 | 0:27:18 | |
-I'll take that job. -You mean ride shotgun? | 0:27:18 | 0:27:21 | |
I mean run the line. For any gold I get through, I want a commission. | 0:27:21 | 0:27:26 | |
-That should buy you a small beer. -Glad to get it. | 0:27:26 | 0:27:30 | |
It's pretty dangerous. Even Wells Fargo quit trying. | 0:27:30 | 0:27:35 | |
Give me a letter of authorisation. | 0:27:35 | 0:27:38 | |
I can't bet against you twice. | 0:27:38 | 0:27:41 | |
-Who steals the gold? -Who doesn't? | 0:27:49 | 0:27:52 | |
All they have to do is put on a mask and they all look like Black Bart. | 0:27:52 | 0:27:57 | |
-I forgot you to ask you one thing. -Ask me anything. | 0:27:59 | 0:28:03 | |
-How do I know I can trust you? -You don't. -..Can I? | 0:28:03 | 0:28:08 | |
Only with money. | 0:28:11 | 0:28:14 | |
OK, boss? | 0:28:16 | 0:28:18 | |
-What's your business with me? -I'm the new manager. | 0:28:21 | 0:28:26 | |
-Wait. You're not fired. -I gotta be! There ain't work enough here for one man, let alone two. | 0:28:30 | 0:28:36 | |
-Two can loaf as easy as one. -..Whitey! | 0:28:36 | 0:28:41 | |
This is the new boss. Just took over. | 0:28:41 | 0:28:44 | |
Whitey runs freight to the sawmill. Jim Goddard's the stage driver. | 0:28:44 | 0:28:49 | |
-Hello, fellas. ..I'll need the keys. -Right. | 0:28:49 | 0:28:52 | |
-That fight was a beauty. -Don't talk about it. It hurts my hand. | 0:28:52 | 0:28:57 | |
-I have to leave for the sawmill. Is that all right, Mr Haven? -I guess so. -Thank you. | 0:28:57 | 0:29:04 | |
-What happened to you? -My last run, I stopped a bullet. -Did you get a look at him? -I wish I had. | 0:29:04 | 0:29:10 | |
The only things here that work. Son, I waste my time, I might as well waste some advice. | 0:29:10 | 0:29:17 | |
This whole thing has got something wrong with it. | 0:29:17 | 0:29:21 | |
He only got a nick in the knee. You may not be so lucky. | 0:29:21 | 0:29:25 | |
-I might depend on something besides luck. -Like what? | 0:29:25 | 0:29:29 | |
-The fact they don't shoot so straight. -They don't need to when they shoot so often. | 0:29:29 | 0:29:36 | |
-I think I'm gonna need you, and not on one leg. Take it easy. -Yes, sir. | 0:29:36 | 0:29:41 | |
-Say, what's all this? -Something, ain't it? | 0:29:43 | 0:29:48 | |
-Yeah. Whose is it? -Miss Charlie's. | 0:29:48 | 0:29:51 | |
-Where do you drive her? -Same places. Round the hill, down the river. Every afternoon. -Really? | 0:29:51 | 0:29:57 | |
-I think I'll give you the afternoon off. -I shouldn't let you do this, sir. But I am. | 0:29:57 | 0:30:03 | |
-Miss Charlie might not like this. -I will. | 0:30:04 | 0:30:07 | |
-Does this Haven move me out? Is that the play? -I wouldn't part with you. | 0:30:20 | 0:30:24 | |
-No. I always come up empty. -Not quite. -No. | 0:30:24 | 0:30:29 | |
-What's the matter, Prince? -I don't like Haven. -You said that before. | 0:30:31 | 0:30:36 | |
-What do you know about him? -Will I look him up in the social register(?) | 0:30:36 | 0:30:42 | |
-A man walks in out of nowhere... -He went against your table. Did he play like a gambler? | 0:30:44 | 0:30:50 | |
-Well, he knew something. -Yes, and he took Mick. -So he knows how to fight! ..You like that part, don't you? | 0:30:50 | 0:30:57 | |
I'll tell you one thing, Prince. I don't like this part. | 0:30:57 | 0:31:01 | |
You know, Prince, I always find you in good company. | 0:31:04 | 0:31:08 | |
Stand there a second. | 0:31:08 | 0:31:10 | |
You look different every time I see you. But you always look beautiful. | 0:31:10 | 0:31:15 | |
-Why is that? -I always have someone to lie to me. -You can take my hand if you won't squeeze it. | 0:31:15 | 0:31:22 | |
-Now tell me what you're doing with my buggy. -It's my work. I'm the new transportation boss. You hired me. | 0:31:22 | 0:31:29 | |
-Where to? -I'm going to call on a gentleman. -At this hour? | 0:31:36 | 0:31:41 | |
-He's Mark Bristow. At any hour, it'd be strictly business. -The way you say it, he may need a lawyer. | 0:31:41 | 0:31:48 | |
-He's a lawyer himself, but it won't help him. -No? -What good is a lawyer if he never gets into court? -Oh! | 0:31:48 | 0:31:55 | |
-Like a doctor in a graveyard. Where is he? -Across the street. | 0:31:55 | 0:32:01 | |
-Think I should take the horses back and give 'em a rubdown? -Think they've gone far enough? -I haven't. | 0:32:16 | 0:32:23 | |
Maybe you'd better come in with me. | 0:32:23 | 0:32:26 | |
-Hello, Mrs Caslon. -How do you do? -Would you do me a favour? -Surely. | 0:32:27 | 0:32:32 | |
-It's a big favour. I wouldn't blame you if you refused. -What is it? | 0:32:34 | 0:32:40 | |
-I want to run some gold from your mine. -That is a big favour. | 0:32:40 | 0:32:45 | |
I know it seems impossible, but I'm here to find out what makes it impossible. | 0:32:45 | 0:32:51 | |
-Isn't that very risky? -That's why I couldn't go to anyone but you. | 0:32:51 | 0:32:56 | |
I'm wondering if we should speak to Captain Iles first. | 0:32:56 | 0:33:00 | |
You know he'd advise against it. But if it works my way, it might clear everything up. | 0:33:00 | 0:33:06 | |
For everybody. For Iles too. | 0:33:06 | 0:33:09 | |
The War Department doesn't like all that gold round an Army post. | 0:33:09 | 0:33:14 | |
-Well, I... -We're working in the dark. This may be the only way. | 0:33:14 | 0:33:18 | |
-Who else will know of it? -Just us, that's all. And that's the idea. | 0:33:18 | 0:33:23 | |
I'll arrange it. | 0:33:23 | 0:33:26 | |
Good. Don't look so grim. | 0:33:26 | 0:33:29 | |
It's only your gold and my skin. And smile when you walk away, | 0:33:29 | 0:33:34 | |
-as though we've been discussing the weather. -Thank you. -Goodbye. | 0:33:34 | 0:33:38 | |
Charlie, I haven't the money. | 0:33:38 | 0:33:41 | |
These are gambling IOUs. They add up to 6,000. You want to count them? | 0:33:41 | 0:33:47 | |
No. | 0:33:48 | 0:33:50 | |
-Your credit's over, Mark. -My luck can turn. -Not on my table. | 0:33:50 | 0:33:54 | |
I never thought I'd fall into this trap. | 0:33:54 | 0:33:58 | |
-Nobody does. Prince will come in and look over your books. -But I... | 0:33:58 | 0:34:03 | |
That's the way it is. I pay off on the line and I expect to get paid. | 0:34:03 | 0:34:08 | |
You reminded me back there of a character I read about in a book. | 0:34:21 | 0:34:26 | |
-I had an idea you'd read a book. Who was the character? -Simon Legree. | 0:34:26 | 0:34:31 | |
Mark is mixed up. He's either crooked without being smart, or honest without being lucky. | 0:34:31 | 0:34:38 | |
-That's no good. -I wouldn't want to owe you money, even if I was honest. | 0:34:38 | 0:34:43 | |
-Even? -When I was seven, I robbed my own piggy bank. | 0:34:43 | 0:34:47 | |
-I can't imagine you being seven. -I ate a lot of candy. -So you robbed your piggy bank? | 0:34:47 | 0:34:53 | |
-No, I robbed it so I could run away from home. -Did you do it? | 0:34:53 | 0:34:58 | |
-Yeah. But I had to go back. -Why? -Got dark. | 0:34:58 | 0:35:03 | |
-Got the finish to that song? -I never finish anything. -You shouldn't start things you can't finish. | 0:35:25 | 0:35:32 | |
Maybe you should try that yourself. Don't hitch your horses to the wrong buggy. | 0:35:32 | 0:35:38 | |
That depends on knowing where you're headed. | 0:35:40 | 0:35:44 | |
# Don't go too far too fast... # | 0:35:44 | 0:35:49 | |
-What brings you here? -I had a dream that you'd be back here tonight. | 0:36:09 | 0:36:15 | |
-Why? -Maybe because you took the keys. -Don't they go with the job? | 0:36:15 | 0:36:20 | |
In my dream, I got the idea you were going to try something. | 0:36:20 | 0:36:25 | |
-Like what? -Maybe like running a shipment. | 0:36:25 | 0:36:29 | |
-Then what happened? -I wanted to be some help with it. -You've been some help. | 0:36:29 | 0:36:35 | |
-Go back to sleep. I'll finish the dream. -I'm riding shotgun with you. | 0:36:35 | 0:36:41 | |
-You got more than your leg hurt. -I like to ride in the moonlight, if nothing happens. -And if it does? | 0:36:41 | 0:36:48 | |
Then I've got a right to be there. | 0:36:48 | 0:36:50 | |
Nice guy like you probably has a girl or a wife somewhere. | 0:36:52 | 0:36:57 | |
-What are we going to do? Have a chat about women? -Some other time. | 0:36:57 | 0:37:02 | |
All right, get up there. | 0:37:02 | 0:37:04 | |
Hold it there! | 0:38:38 | 0:38:41 | |
Hold those horses! | 0:38:41 | 0:38:44 | |
Get down from there and stand aside. > | 0:38:44 | 0:38:48 | |
Get down. | 0:38:53 | 0:38:56 | |
Get over there. | 0:39:02 | 0:39:05 | |
-Keep 'em up. -Take it easy. They hang you just the same. | 0:39:20 | 0:39:26 | |
All right, Goddard, get moving. ..Go on. | 0:39:26 | 0:39:29 | |
Keep 'em up. | 0:39:33 | 0:39:36 | |
That's far enough. Turn around. | 0:39:38 | 0:39:41 | |
GUNSHOT | 0:39:46 | 0:39:49 | |
"This certifies that the bearer, James Goddard, is operating as a legally deputised...detective | 0:40:38 | 0:40:47 | |
"for Wells Fargo Stage and Express Company." | 0:40:47 | 0:40:50 | |
Where's Joe? Something's gone wrong. | 0:44:24 | 0:44:27 | |
I know one thing. He was born on a horse and he didn't just fall off this one. Go look for him. | 0:44:27 | 0:44:33 | |
-Hello, Whitey. -Hello there, Mr Haven! -What are you hauling? -Grub for the sawmill. | 0:45:11 | 0:45:17 | |
-How would you like to ride my horse to town? -What about the wagon? -I'll finish the haul. -You're the boss. | 0:45:17 | 0:45:25 | |
Anything exciting happen in town? | 0:45:27 | 0:45:30 | |
-I don't know. I left town before daybreak. -Take it easy with him. He's tired. -I'll give him a rubdown. | 0:45:30 | 0:45:37 | |
-Hey, you! Did you see a rider coming up? -No. | 0:46:13 | 0:46:17 | |
-You sure? -I'm sure. | 0:46:17 | 0:46:20 | |
-Where do I put this stuff? -Where did you put it before? -I'm a new driver. | 0:46:20 | 0:46:25 | |
Take it over to the cook shack. | 0:46:25 | 0:46:28 | |
Hey. You the cook? | 0:46:38 | 0:46:40 | |
-No! I just wear this hat to keep the flies off my hair(!) -It don't matter to me, I only haul this grub! | 0:46:40 | 0:46:47 | |
Well, take it round the corner. | 0:46:47 | 0:46:50 | |
-Any luck? -No sign of Joe, but there's tracks of another horse. | 0:47:20 | 0:47:25 | |
That's bad. Let's go take a look at that new driver again. | 0:47:25 | 0:47:31 | |
Hey, driver! > | 0:47:43 | 0:47:45 | |
You! Come here! | 0:47:48 | 0:47:51 | |
Are you sure you didn't see no rider? | 0:47:53 | 0:47:56 | |
You want me to say I saw a rider, I'll say it. Makes no difference. | 0:47:56 | 0:48:01 | |
-When did you get the job? -Yesterday. -Why? -It's the system. If I don't work, I don't eat. -Who hired you? | 0:48:01 | 0:48:09 | |
I'm working! I haul this stuff here, nobody tells me where to dump it. | 0:48:09 | 0:48:15 | |
Everybody wants to know where I've been, what I've seen! I don't know! | 0:48:15 | 0:48:20 | |
-Forget it. I've a load for you to take in when you've finished. -Sure. | 0:48:20 | 0:48:25 | |
-I haven't eaten anything but dust since daylight. -Grab it quick. | 0:48:25 | 0:48:30 | |
-What do you think? -We risk him, that's all. Work on this stuff. | 0:48:34 | 0:48:39 | |
How about a handout? | 0:48:45 | 0:48:47 | |
Help yourself. | 0:48:49 | 0:48:51 | |
-Looks pretty good. -Ought to be. Used to cook for 600 men a day. | 0:48:51 | 0:48:57 | |
-Where was that? -Leavenworth. | 0:48:57 | 0:49:00 | |
-Who's the boss around here? -I am. -I mean the whole works. -You talked with the man when you came in. | 0:49:02 | 0:49:09 | |
-A tough-looking fella? -They're all tough till they get to Mick Marrion. | 0:49:09 | 0:49:13 | |
-Mick come here often? -Last night. Looked like someone got to him. | 0:49:13 | 0:49:18 | |
-How's that? -Face all beat up. ..Like your knuckles. | 0:49:18 | 0:49:23 | |
I had bad luck with a crate of cauliflower. | 0:49:23 | 0:49:27 | |
That's what he brought up here - cauliflower face. Did you fight him? | 0:49:27 | 0:49:32 | |
Mick? Do I look like I would? | 0:49:32 | 0:49:35 | |
Just the knuckles. | 0:49:35 | 0:49:38 | |
-Hey, you! Driver! Hurry up! -I'll be right out. | 0:49:41 | 0:49:45 | |
-Not many of the hands here, are there? -All up at the logging camp. | 0:49:47 | 0:49:51 | |
Well, I gotta go. | 0:49:51 | 0:49:54 | |
-Much obliged. This was real fine. -I make it better with cauliflower. | 0:49:55 | 0:50:00 | |
Tis good, isn't it? | 0:50:04 | 0:50:06 | |
Maybe this ain't such a good idea. | 0:50:06 | 0:50:10 | |
You! Come over here. | 0:50:10 | 0:50:13 | |
-See this box? -Yeah. -It goes to Prince. You know who Prince is? -No. | 0:50:16 | 0:50:21 | |
-He runs things for Charlie. You know who Charlie is? -Sure. -All right, get up there. | 0:50:21 | 0:50:27 | |
One thing. The gearbox you're hauling in has got to be repaired. | 0:50:28 | 0:50:34 | |
-Tell Charlie if it ain't repaired, we might have to shut down quick. You got that? -I got it. -Then get out. | 0:50:34 | 0:50:41 | |
Draw the blinds, Bristow. | 0:52:02 | 0:52:04 | |
Light it up. | 0:52:22 | 0:52:25 | |
-Can't you put that gun away? -I can, but it helps to quieten my nerves. | 0:52:34 | 0:52:39 | |
-Drink? -No. -We...we'd given you up for dead. -Who? | 0:52:39 | 0:52:43 | |
Who? Why, everybody. | 0:52:43 | 0:52:46 | |
They found Goddard's body. | 0:52:47 | 0:52:50 | |
-What happened? -Sit down. | 0:52:50 | 0:52:54 | |
If you're trying to imply that you frighten me, then you're quite right. | 0:52:55 | 0:53:00 | |
I'm not a hero or a fool. They killed Goddard. Why didn't they kill you? | 0:53:00 | 0:53:05 | |
-Someone must have wanted me alive. -What for? -I don't know. -What do you want from me? | 0:53:05 | 0:53:12 | |
-I want you to write and notarise a statement. -Is that all? -Yeah. | 0:53:12 | 0:53:16 | |
-Then put it where it can't be stolen or tampered with. -I have a safe. | 0:53:17 | 0:53:22 | |
-I can see that. -Meaning you don't trust me? | 0:53:22 | 0:53:26 | |
-I do. I just don't think you trust yourself. -Where do you want it put? | 0:53:26 | 0:53:31 | |
-Mrs Caslon has a safe. A nice, fat one. -I think I can arrange it. | 0:53:31 | 0:53:36 | |
All right. Here's the statement. | 0:53:36 | 0:53:38 | |
I solemnly swear...that on Thursday last...about 11pm... | 0:53:40 | 0:53:46 | |
the stagecoach I was driving... | 0:53:46 | 0:53:49 | |
..was held up by five armed bandits. | 0:53:51 | 0:53:54 | |
The gold I was hauling... was stolen... | 0:53:55 | 0:53:59 | |
..and Jim Goddard, the guard, was murdered in cold blood. | 0:54:00 | 0:54:06 | |
Are you sure it was Haven you met? | 0:54:09 | 0:54:12 | |
Don't I know my own boss? Go and get a beer. | 0:54:12 | 0:54:16 | |
Wagon's across the street. He must be back in town. | 0:54:16 | 0:54:20 | |
After I left the sawmill... I broke the box open... | 0:54:20 | 0:54:24 | |
The gold was in it. | 0:54:24 | 0:54:27 | |
-That's all. -..Not quite. | 0:54:29 | 0:54:32 | |
-What did you do with the gold? -I came to the conclusion that I finally had enough money to need a lawyer. | 0:54:32 | 0:54:39 | |
-Have you seen the sheriff? -I heard about him. Still came to you. -I see. | 0:54:39 | 0:54:44 | |
-My advice... -I didn't come here for advice! -What do you get out of this? | 0:54:44 | 0:54:49 | |
-Makes me more valuable to someone alive than dead. -Who? -I don't know. ..Yet. | 0:54:49 | 0:54:56 | |
-I'm wondering what -I -get out of this. | 0:54:56 | 0:55:00 | |
Charlie has 6,000 of your IOUs. You're busted. This'll get you even. | 0:55:00 | 0:55:05 | |
Now you're wondering why we don't take all that gold and go round the world. Monte Carlo. Taj Mahal. | 0:55:09 | 0:55:16 | |
Or find the gold yourself, plant the deposition and let me hang for it. | 0:55:16 | 0:55:22 | |
-You'd be rich and you won't even need to travel. -That might take some doing. | 0:55:22 | 0:55:28 | |
-And some nerve. ..Where do I sign? -Here. | 0:55:28 | 0:55:32 | |
Good evening, Captain. Any news about this man Haven? | 0:55:40 | 0:55:44 | |
I just saw Haven. Alive? Very much alive. | 0:55:44 | 0:55:48 | |
-Good evening, George. -Good evening, Mary. | 0:55:54 | 0:55:58 | |
-You look tired. Why don't you sit down? -Thanks. I am. | 0:55:59 | 0:56:03 | |
I suppose you've heard the news? The hold-up and poor Jim Goddard. | 0:56:03 | 0:56:09 | |
I heard it - last, as usual. | 0:56:09 | 0:56:11 | |
-I'm afraid you're going to be very angry with me. -Why? | 0:56:13 | 0:56:17 | |
Haven was running my gold. | 0:56:17 | 0:56:19 | |
-YOUR gold?! -Don't get so excited. | 0:56:19 | 0:56:22 | |
I'm perfectly calm! How could you allow that scoundrel to transport gold when you...? | 0:56:22 | 0:56:29 | |
-That "scoundrel" may be dead! -Or he may be in town! How could you do such a thing?! | 0:56:29 | 0:56:35 | |
-I did it for your sake. -MY sake?! -He represents the government! -Whom do you think -I -represent?! -I... | 0:56:35 | 0:56:41 | |
-And why was Mark Bristow here?! -You KNOW he's my lawyer! | 0:56:41 | 0:56:46 | |
Don't tell me that scoundrel is trying to help me too! ..I'm sorry. | 0:56:46 | 0:56:51 | |
Sometimes you're a little too sure about too many things. ..At least we're always wrong together. | 0:56:51 | 0:56:58 | |
Mark gave me this. That's why he was here. | 0:56:59 | 0:57:02 | |
You're not going to open it? | 0:57:02 | 0:57:05 | |
"To whom it may concern." This may concern me. | 0:57:05 | 0:57:09 | |
It does. | 0:57:14 | 0:57:16 | |
Your friend Mr Haven still has your gold. | 0:57:16 | 0:57:20 | |
Those nitwits in Washington sending a demoted lieutenant out here to poke around in my business! | 0:57:20 | 0:57:27 | |
-You're getting to be a hard man to deal with. -I'm dealing with some hard men. | 0:57:27 | 0:57:33 | |
-Rye? -Yeah. ..Better make it two. | 0:58:17 | 0:58:20 | |
-This is no good. -The bourbon's just as bad. | 0:58:31 | 0:58:35 | |
-I don't mean that. -You want to leave? -Something's going to happen! | 0:58:35 | 0:58:39 | |
-Yeah. -Why don't we do something? -We're doing something. -What? -Waiting for something to happen. | 0:58:39 | 0:58:46 | |
Charlie wants to see you upstairs. | 0:58:46 | 0:58:50 | |
-See? -Do...do I go with you? | 0:58:50 | 0:58:54 | |
Think you can make it? | 0:58:55 | 0:58:58 | |
Looks like a board meeting. | 0:59:18 | 0:59:21 | |
-What's he doing with you? -I thought I might need a lawyer. -I doubt it. | 0:59:21 | 0:59:26 | |
-I realise how legal technicalities seldom annoy you, but this one might. -What's that? | 0:59:26 | 0:59:33 | |
Just a story about a man who got murdered, a thief who got shot and a gearbox I failed to deliver. | 0:59:33 | 0:59:40 | |
Probably nobody would believe it... unless I got killed for it. | 0:59:41 | 0:59:45 | |
-Who else have you told? -Only Mark. | 0:59:45 | 0:59:49 | |
-He's a lawyer and a notary. He finally gets to court. -I merely wrote the deposition! | 0:59:49 | 0:59:55 | |
-You shut up! -Ask your lawyer if this doesn't sound like blackmail. | 0:59:55 | 1:00:00 | |
-..He can't think very clearly in the presence of a gun. -But it doesn't bother you? -No. | 1:00:00 | 1:00:07 | |
Pete, go downstairs and watch the stairway. > | 1:00:07 | 1:00:10 | |
-What you want is a cut. -That's right. | 1:00:15 | 1:00:19 | |
It boils down to this. We can make a deal and all be very happy together. | 1:00:19 | 1:00:24 | |
-How? -When I deliver the gold. -You mean the gearbox. | 1:00:24 | 1:00:28 | |
I can forget I looked inside. So I stole a gearbox. I'm still a thief. | 1:00:28 | 1:00:34 | |
-What does he get? -Even. -You've lost your mind. -He lost his money. | 1:00:34 | 1:00:39 | |
All right. Prince will give him the IOUs when the gearbox is delivered. | 1:00:39 | 1:00:44 | |
I think that's all. | 1:00:44 | 1:00:47 | |
Haven. ..You can stay. | 1:00:50 | 1:00:52 | |
You'll excuse me, Prince? | 1:00:52 | 1:00:55 | |
You know, you roll nice dice. You bet 'em jam up too. | 1:00:55 | 1:00:59 | |
But one day you'll slip and I'll be around to catch you. | 1:00:59 | 1:01:03 | |
You know, I think he will. | 1:01:06 | 1:01:09 | |
-You should be more careful. -I suppose so. | 1:01:09 | 1:01:13 | |
I almost had to have you killed. I'd have hated it. | 1:01:14 | 1:01:18 | |
-So would I. -I'd have missed you too much. -And too long. | 1:01:18 | 1:01:24 | |
-Did you ever tell a woman you loved her? -All of them. -How did you get away? | 1:01:26 | 1:01:32 | |
I was always in the doorway when I said it. | 1:01:32 | 1:01:36 | |
Never said it to me. | 1:01:36 | 1:01:38 | |
Let's get over to the doorway. | 1:01:39 | 1:01:42 | |
I always end up like this with you. I suppose it goes with loaded dice and crimped cards and a fixed wheel. | 1:01:50 | 1:01:57 | |
-Isn't it your business? -Not my life! | 1:01:57 | 1:02:00 | |
You told me you were a missionary. That's the most I ever found out. | 1:02:00 | 1:02:05 | |
-You're working for me, yes. How do I know you're not working for someone else? -Like Goddard? -Why not? | 1:02:05 | 1:02:12 | |
You know, I think I'd better bring you that gold. | 1:02:12 | 1:02:17 | |
-Haven. -Hello, Lieutenant. Recruiting again? -This time it's a little different. | 1:02:17 | 1:02:23 | |
-How's that? -I've been ordered to take you into custody. | 1:02:23 | 1:02:27 | |
-You heard the man. -I think the best thing for you is to come along. | 1:02:27 | 1:02:32 | |
That's what I like - the best thing for me. | 1:02:32 | 1:02:36 | |
Very friendly with everybody, isn't he? Wells Fargo detectives, the Army. How far can he go? | 1:02:41 | 1:02:48 | |
Exactly where he's headed. To jail. | 1:02:48 | 1:02:51 | |
-The quartermaster wants three sworn statements before he'll replace those 70 uniforms. -Three statements? | 1:02:56 | 1:03:03 | |
I've told him all I know! The uniforms were in the freight office and the building burned down! | 1:03:03 | 1:03:10 | |
-All right, fix the papers. -Yes, sir. -..Come in. | 1:03:10 | 1:03:15 | |
-Nice to see you're alive. -Dumb luck. -You've been living quite an adventurous life. | 1:03:15 | 1:03:21 | |
-Is that why I'm under arrest? -That's indefinite. -Then consult the Army blue book and be definite! | 1:03:21 | 1:03:28 | |
-You're quite right - unless the officer concerned is one-half as far out of line as you. -How far is that? | 1:03:28 | 1:03:35 | |
-You've gotten a man killed and Mrs Caslon's gold stolen. It's right here in your statement. -Oh, I see. | 1:03:35 | 1:03:43 | |
-This deposition is good enough for me. I want these people arrested. -I need more evidence. -For what reason? | 1:03:43 | 1:03:50 | |
For the reason I came here! To find out who killed two soldiers, not to save somebody's gold! | 1:03:50 | 1:03:56 | |
I'll find out who murdered those soldiers THEN I'll haul the net in! | 1:03:56 | 1:04:01 | |
-And Mrs Caslon's gold? -That's between me and her! | 1:04:01 | 1:04:05 | |
I see no reason why you should deliberately get yourself killed! | 1:04:05 | 1:04:10 | |
-It won't be deliberate. -What difference does that make? Where does it leave me? -Where does it leave ME? | 1:04:10 | 1:04:18 | |
You're headed for bad trouble. When it comes, don't expect any help from me. | 1:04:18 | 1:04:24 | |
-Is that clear? -From the beginning. | 1:04:24 | 1:04:27 | |
Good evening. | 1:04:30 | 1:04:33 | |
For you it's not so good. You're in bad trouble. | 1:04:34 | 1:04:38 | |
I don't know how a man can know so much and move so little. | 1:04:38 | 1:04:43 | |
-Want to leave a call? -That's very nice of you. -What time? | 1:04:43 | 1:04:47 | |
Call me just before dawn breaks. If anybody asks, I've gone to jail. | 1:04:47 | 1:04:52 | |
Don't move. Turn around. | 1:04:58 | 1:05:01 | |
-Now, put the gold in the wagon. -Is this a hold-up? -Put it in the wagon. | 1:05:07 | 1:05:11 | |
-Now, is there something you wanted to say? -Yeah. | 1:05:20 | 1:05:24 | |
-I followed one of the bandits here when he cached it. I had to come back for the wagon. -That's a lie. | 1:05:24 | 1:05:32 | |
-Some of it's true. -But not nearly enough. | 1:05:32 | 1:05:36 | |
All right, I'll try it again. | 1:05:36 | 1:05:38 | |
-I -cached it there. I wanted to buy a membership of their club. That was the initiation fee. -50,000? | 1:05:38 | 1:05:46 | |
-You see, I thought it was worth it. -You see, I don't. | 1:05:46 | 1:05:50 | |
You know...what you're doing may get me in trouble. | 1:05:50 | 1:05:55 | |
If you're still in town in 24 hours, I promise you'll be in trouble. | 1:05:55 | 1:06:00 | |
Now, start walking. ..Go on. | 1:06:00 | 1:06:04 | |
-I thought you were in jail. -I talked my way out. -Can you talk your way out of everything? | 1:06:24 | 1:06:30 | |
-Up to a point. -What's that? -A gun. ..Champagne. | 1:06:30 | 1:06:34 | |
Are we celebrating something? | 1:06:34 | 1:06:37 | |
The first time I talked to you, we had champagne. | 1:06:37 | 1:06:41 | |
-Did you bring me something? -No. -But you will? | 1:06:41 | 1:06:45 | |
-No. -No. Just like that. | 1:06:45 | 1:06:49 | |
I went to get it. ..It was there, but so was somebody else. | 1:06:49 | 1:06:55 | |
-Who? -Mrs Caslon. -Alone? | 1:06:55 | 1:06:58 | |
-No, she had a gun with her. -Didn't you have one too? -The one she had was in her hand. | 1:06:58 | 1:07:05 | |
You know, this, er, this could be that slip you mentioned. | 1:07:06 | 1:07:11 | |
So this nice lady held you up and took the gold? | 1:07:11 | 1:07:15 | |
It's like saying I was robbed at Sunday School. It's no good, is it? | 1:07:15 | 1:07:20 | |
No. Mick might have killed you, but you fought him. | 1:07:20 | 1:07:24 | |
-Pete had a gun last night, but that didn't scare you. -But now you run. | 1:07:24 | 1:07:28 | |
-You make it sound very silly. -Or make it sound like what it is. -A lie! | 1:07:28 | 1:07:33 | |
-My word doesn't seem to be very good around here. -You've only got one thing that's any good - some gold. | 1:07:35 | 1:07:42 | |
Is that all I've got? | 1:07:42 | 1:07:45 | |
Not quite. You've got some time. You've got two hours. | 1:07:45 | 1:07:49 | |
-Oh. And you want me to fatten you up before you have me killed, is that it? -I said what I meant. Two hours. | 1:07:49 | 1:07:56 | |
You're sweet. | 1:08:13 | 1:08:15 | |
-I've been looking for you. Where were you? -I took a walk in the country. | 1:08:23 | 1:08:29 | |
-Did you get it for her? -No. | 1:08:31 | 1:08:34 | |
-That was the deal! If you're trying to pull... -Listen! I can't deliver it to her because I no longer have it. | 1:08:34 | 1:08:41 | |
It was taken away from me by Mrs Caslon. | 1:08:41 | 1:08:45 | |
I told Charlie about it and she's very unhappy. | 1:08:45 | 1:08:49 | |
Any idea where a fella can raise 50,000 in a hurry? ..I thought not. | 1:08:49 | 1:08:55 | |
-What are you gonna do? -I don't know. | 1:08:57 | 1:09:00 | |
-We'll have to think of something very good. -I can think of something. | 1:09:00 | 1:09:06 | |
Go ahead, Mike. Go ahead and do it. | 1:09:06 | 1:09:08 | |
Well? Everything's all set. | 1:09:53 | 1:09:56 | |
Get out to the sawmill and get the men into uniform. We hit the post before dawn. | 1:09:56 | 1:10:03 | |
-I don't know what we're waiting for. -I gave him some time. | 1:10:05 | 1:10:09 | |
-He's not doing anything. -I gave him some time! | 1:10:09 | 1:10:13 | |
KNOCK ON DOOR | 1:10:13 | 1:10:16 | |
You want your IOUs? You mean...? | 1:10:32 | 1:10:36 | |
Why?! Did Haven...? No. He didn't. I don't understand. | 1:10:36 | 1:10:41 | |
We don't think they'll be any good. | 1:10:41 | 1:10:43 | |
I didn't have anything to do with it. | 1:10:44 | 1:10:47 | |
-I can still make them good, or I can... -What? | 1:10:47 | 1:10:51 | |
I can still do business. Here. | 1:10:51 | 1:10:54 | |
The deposition. The only copy. What do YOU want? | 1:10:54 | 1:10:58 | |
-Nothing. I never had any part of it. This ought to prove that. -This? | 1:10:58 | 1:11:04 | |
Why...it's a trick! | 1:11:07 | 1:11:10 | |
I...I'll see about this. | 1:11:10 | 1:11:12 | |
Haven can't do this to me! | 1:11:12 | 1:11:15 | |
-I'll see about this. -You see about it. | 1:11:16 | 1:11:19 | |
Here, take this along. | 1:11:25 | 1:11:28 | |
Something left to wait for? | 1:11:37 | 1:11:40 | |
No. | 1:11:48 | 1:11:50 | |
KNOCK ON DOOR | 1:11:53 | 1:11:55 | |
-Who is it? -Bristow. Let me in. | 1:11:59 | 1:12:01 | |
-You gonna kill me, Mark? -You double-crossed me. -I did? | 1:12:12 | 1:12:16 | |
I got the deposition back. It was just a piece of blank paper! | 1:12:16 | 1:12:21 | |
-Don't laugh at me. I ought to kill you. -They want you to. It may be your only out if you do. But I doubt it. | 1:12:21 | 1:12:29 | |
Even if you took them my scalp, it wouldn't buy your life. | 1:12:29 | 1:12:34 | |
You're in debt, you're broke, you're scared and you know far too much. | 1:12:34 | 1:12:39 | |
There isn't any way they can use you alive. | 1:12:39 | 1:12:42 | |
Can you think of one? | 1:12:43 | 1:12:46 | |
They're...gonna do it. I know it. | 1:12:51 | 1:12:54 | |
They're gonna kill me. Why do they have to kill me? | 1:12:54 | 1:12:58 | |
Us, Mark. | 1:12:58 | 1:13:00 | |
-This must be hers. -Yes. | 1:13:01 | 1:13:04 | |
..She's sweet. | 1:13:04 | 1:13:07 | |
You might get out of town. | 1:13:07 | 1:13:10 | |
-There's not a chance in a thousand. -It's the only one you have. | 1:13:10 | 1:13:15 | |
Yeah...I might get away with it. | 1:13:18 | 1:13:20 | |
-I could try it. -If you do, don't stop for anything. -I have some important papers... | 1:13:20 | 1:13:27 | |
You haven't anything important left except your life. | 1:13:27 | 1:13:31 | |
Get on that horse and ride him till he dies, then run till you crawl. | 1:13:31 | 1:13:35 | |
You might be lucky. | 1:13:35 | 1:13:38 | |
Yeah. ..Yeah. | 1:13:38 | 1:13:41 | |
-Maybe you'll finally finish that song. -If you go out there with that, I will. | 1:15:09 | 1:15:16 | |
-It's not much, is it? -Never come closer to having nothing. ..I'm naturally sentimental... -Naturally. | 1:15:16 | 1:15:24 | |
I keep a bunch of gimcracks - a bullet from a dead bandit, a rosary from a fella they hung... | 1:15:24 | 1:15:30 | |
That's nice. A hobby, huh? | 1:15:30 | 1:15:33 | |
Yeah, in a way. I just wondered if there was something you wanted to leave me? | 1:15:33 | 1:15:39 | |
It's all I seem to have. | 1:15:46 | 1:15:49 | |
An Army button? Where's the uniform that goes with it? | 1:15:55 | 1:15:59 | |
I might even know. I think I'll go find out. | 1:16:03 | 1:16:08 | |
-Where's your gun? -I dropped it back there. | 1:16:35 | 1:16:39 | |
All right, march. | 1:16:44 | 1:16:46 | |
-Is that thing loaded? -Try any tricks and you'll find out. | 1:16:48 | 1:16:53 | |
No tricks, Sheriff. No tricks. | 1:16:53 | 1:16:56 | |
GUNSHOTS | 1:17:01 | 1:17:05 | |
Has that Haven been around? No. | 1:17:25 | 1:17:28 | |
If he shows up, kill him. | 1:17:28 | 1:17:31 | |
Hey! Go on back. Mick wants to see you. | 1:17:52 | 1:17:55 | |
-What happened to you? -Haven slugged me. | 1:18:32 | 1:18:36 | |
GUNSHOTS | 1:19:09 | 1:19:13 | |
Haven. Keep him in here. | 1:19:16 | 1:19:20 | |
-Captain Iles... -I'm gonna tell you something... -No, you're gonna listen. | 1:20:32 | 1:20:37 | |
You thought those uniforms were burned. | 1:20:37 | 1:20:40 | |
-They were. -They weren't. They are now because I set fire to them. -What? | 1:20:40 | 1:20:46 | |
-There are 70 men at the sawmill who were ready to wear them. -What for?! -To get in here and take the gold! | 1:20:46 | 1:20:53 | |
-You're sending men up north on an Indian scare. -Yes. -That Indian scare is a fake. | 1:20:53 | 1:21:00 | |
You know where to send them now. | 1:21:00 | 1:21:03 | |
-I guess I owe you an apology. -You'd better get to the sawmill. They might try it anyway. | 1:21:09 | 1:21:15 | |
I, er... I guess I owe you something too. | 1:21:16 | 1:21:21 | |
-Only 50,000. -I wish there was something I could say or do... | 1:21:21 | 1:21:26 | |
There is. You can give me back my gun. | 1:21:26 | 1:21:30 | |
Give this one to the sheriff. Be careful. It's got bullets in it now. | 1:21:32 | 1:21:37 | |
-I'll always remember what a fool I was. -I'll always try to forget. | 1:21:37 | 1:21:42 | |
-Are you going too? -Not with them. | 1:21:42 | 1:21:45 | |
-Good luck to you and the captain. -Thank you. Good luck to you. | 1:21:48 | 1:21:52 | |
-You wanted to give him time. Well, he took it. -Maybe you should get out before he takes you. -You're staying? | 1:21:54 | 1:22:02 | |
I asked you once if he'd move me out. | 1:22:26 | 1:22:29 | |
I think he's moved us both out together. | 1:22:29 | 1:22:32 | |
Maybe this is better. ..Just as though Haven had never been here. | 1:22:37 | 1:22:42 | |
-You caused me a lot of trouble. -Yes. But I finally brought you something. | 1:23:47 | 1:23:52 | |
-You really didn't think Mark would use that, did you? -Maybe I just wanted to send you a gun. -Maybe. | 1:23:52 | 1:23:59 | |
-I, er, have to arrest you. -For what? -Murder. | 1:23:59 | 1:24:03 | |
I could have shot you just now. I didn't. I didn't kill the two men or Goddard. | 1:24:03 | 1:24:10 | |
-Who did? -Maybe Mick. Maybe Prince. Who knows? -YOU know. | 1:24:10 | 1:24:15 | |
-You'd almost rather be killed than arrest me, wouldn't you? -Almost. | 1:24:20 | 1:24:25 | |
-Which are you - Wells Fargo or Army? -Army. | 1:24:25 | 1:24:28 | |
-I guess it's my turn to wish you'd gone to China. -..I wish I had too. | 1:24:28 | 1:24:35 | |
If you still have the gold - and I think you do - we might make it yet. | 1:24:35 | 1:24:40 | |
-I believe every man has his price. -Some men don't believe that. | 1:24:40 | 1:24:45 | |
-Every woman knows it. -There wouldn't be women on my jury. | 1:24:45 | 1:24:49 | |
That's why you're not as bad off as you think. I could find a dozen men who'd think you capable of anything. | 1:24:49 | 1:24:56 | |
But they might not vote that way after watching you through a trial. Mick and Prince can hang for it. | 1:24:56 | 1:25:03 | |
-Isn't it a little late? -Maybe not. Where is Prince? | 1:25:03 | 1:25:08 | |
-It's no good. -I'll get someone. -No! | 1:25:27 | 1:25:31 | |
Stay here. | 1:25:31 | 1:25:34 | |
Tell me something. | 1:25:35 | 1:25:38 | |
On the square... | 1:25:40 | 1:25:42 | |
did you ever love me? | 1:25:42 | 1:25:45 | |
From the first night and the first time I saw you. | 1:25:45 | 1:25:49 | |
I tried to get away from it... but, every time, it came back. | 1:25:49 | 1:25:55 | |
Every time I tried to get it out of my brain... | 1:25:55 | 1:25:59 | |
I just pushed it deeper into my heart. | 1:25:59 | 1:26:02 | |
-Say it. -I love you. | 1:26:02 | 1:26:06 | |
I love you. | 1:26:09 | 1:26:11 | |
Say you... John... | 1:26:16 | 1:26:20 | |
# Mm-mm-mmm La-di-de de-de-dum | 1:26:50 | 1:26:56 | |
# Li-la-di-di-di | 1:26:56 | 1:27:00 | |
# La-di-di di-di-di | 1:27:00 | 1:27:03 | |
# The sun shining warm | 1:27:03 | 1:27:08 | |
# On the dust of the prairie | 1:27:08 | 1:27:12 | |
# The sun shining warm | 1:27:12 | 1:27:15 | |
# But it's heartless and cold | 1:27:15 | 1:27:20 | |
# It's heartless and cold | 1:27:20 | 1:27:24 | |
# In the dust of the prairie | 1:27:24 | 1:27:28 | |
# And a man can't grow old | 1:27:28 | 1:27:32 | |
# Where there's women and gold | 1:27:32 | 1:27:36 | |
# A man can't grow old | 1:27:36 | 1:27:39 | |
# Where there's women and gold. # | 1:27:39 | 1:27:43 | |
Subtitles by Mary Easton BBC Scotland - 2000 | 1:27:55 | 1:28:00 | |
E-mail [email protected] | 1:28:03 | 1:28:08 |