Browse content similar to The Triple Cross. Check below for episodes and series from the same categories and more!
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EXPLOSION | 0:00:07 | 0:00:10 | |
JAZZ MUSIC PLAYS OUTSIDE | 0:00:12 | 0:00:15 | |
BANGS FROM OUTSIDE | 0:00:21 | 0:00:24 | |
BANGS FROM OUTSIDE | 0:00:27 | 0:00:29 | |
BAND PLAYS | 0:00:31 | 0:00:35 | |
CAR ENGINE REVS AND BACKFIRES | 0:00:35 | 0:00:38 | |
JAZZ MUSIC CONTINUES OUTSIDE | 0:00:49 | 0:00:53 | |
CAR BACKFIRES | 0:00:58 | 0:01:00 | |
CAR BACKFIRES | 0:01:06 | 0:01:08 | |
MUSIC BECOMES LOUDER | 0:01:33 | 0:01:36 | |
Give us a hand, will you? | 0:01:40 | 0:01:42 | |
ENGINE STARTS UP | 0:01:45 | 0:01:48 | |
-Thank you. -Mornin', guvnor. | 0:01:48 | 0:01:50 | |
Move along, then. THEY STOP PLAYING | 0:01:55 | 0:01:58 | |
RADIO: 'This is the BBC. In a spectacular burglary last night, | 0:01:58 | 0:02:03 | |
'the Gelignite Gang struck again. | 0:02:03 | 0:02:06 | |
'A street musician has been released after assisting police. | 0:02:06 | 0:02:11 | |
'Lord Beaverbrook today stated that war is impossible in our time. | 0:02:11 | 0:02:16 | |
'Speaking at a banquet...' | 0:02:16 | 0:02:17 | |
EXPLOSION | 0:02:17 | 0:02:19 | |
'It was reliably reported today | 0:02:21 | 0:02:24 | |
'that the explosive used by the so-called "Gelignite Gang" | 0:02:24 | 0:02:29 | |
'in their series of burglaries in and around London | 0:02:29 | 0:02:33 | |
'may, in reality, be a secret, new compound, introduced from abroad.' | 0:02:33 | 0:02:38 | |
EXPLOSION | 0:02:38 | 0:02:41 | |
RADIO: '..confidence in the Maginot line. | 0:04:43 | 0:04:46 | |
'Scotland Yard says it has detailed 17 top personnel | 0:04:46 | 0:04:51 | |
'to halt the operations of the Gelignite Gang. | 0:04:51 | 0:04:55 | |
'At each of the recent burglaries, | 0:04:55 | 0:04:58 | |
'quantities of discarded chewing gum have been discovered, | 0:04:58 | 0:05:03 | |
'suggesting the crimes are the work of foreigners, possibly Americans.' | 0:05:03 | 0:05:07 | |
BANG FROM OUTSIDE | 0:05:07 | 0:05:09 | |
BANG | 0:05:11 | 0:05:12 | |
MOTOR REVS AND ENGINE BACKFIRES | 0:05:12 | 0:05:16 | |
BANGING OUTSIDE CONTINUES | 0:05:19 | 0:05:22 | |
RADIO: '..raid on the Union Cinema in Hampstead, | 0:05:30 | 0:05:34 | |
'police were interviewing all persons known to have participated | 0:05:34 | 0:05:39 | |
'in safe-breaking activities of a more conventional kind.' | 0:05:39 | 0:05:44 | |
'With war clouds gathering over France, | 0:05:45 | 0:05:48 | |
'Britons are turning to the Channel Islands for their holidays. | 0:05:48 | 0:05:53 | |
'At St Helier, on Jersey, hotel accommodation is at a premium. | 0:05:53 | 0:05:58 | |
'Public houses report record business...' | 0:05:58 | 0:06:02 | |
-Excuse me. BBC. May I know your profession? -Financier. | 0:06:02 | 0:06:05 | |
-I handle money. -Why Jersey? -Well, they tell me that, er... | 0:06:05 | 0:06:10 | |
friendships ripen quickly here. | 0:06:10 | 0:06:14 | |
KNOCK AT DOOR Open up the door, Chapman! | 0:06:17 | 0:06:20 | |
KNOCKING AT THE DOOR CONTINUES | 0:06:21 | 0:06:24 | |
-Eddie Chapman, you're under arrest. -Je ne comprends pas anglais. | 0:06:25 | 0:06:30 | |
Grab him! | 0:06:30 | 0:06:33 | |
RADIO: 'Apart from its many diversions - water sports, golf - | 0:06:33 | 0:06:38 | |
'Jersey today is renowned for its tranquillity and repose. | 0:06:38 | 0:06:42 | |
'Many Britons think of retiring here. | 0:06:42 | 0:06:46 | |
'They speak of its fortunate climate, | 0:06:46 | 0:06:49 | |
'the silence that permeates the landscape...' | 0:06:49 | 0:06:53 | |
AIRCRAFT ROAR OVERHEAD | 0:06:53 | 0:06:57 | |
'In sunny Jersey, it is said, | 0:06:58 | 0:07:02 | |
'every day is exactly the same as every other.' | 0:07:02 | 0:07:06 | |
BAND PLAYS | 0:07:08 | 0:07:12 | |
MILITARY BAND PLAYS ROUSING TUNE | 0:07:19 | 0:07:23 | |
Room service! | 0:07:38 | 0:07:40 | |
Come on, you lousy bunch of screws! | 0:07:40 | 0:07:44 | |
Move your fat bottoms! Come on! | 0:07:44 | 0:07:47 | |
-Ain't there enough trouble round here? -Come here. Look. | 0:07:49 | 0:07:53 | |
-Those Germans. There's a war on, isn't there? -Haven't heard, Chapman? | 0:07:53 | 0:07:58 | |
10 months solitary. How the hell can I know? | 0:07:58 | 0:08:01 | |
Is there a war on or not? I thought so. | 0:08:01 | 0:08:05 | |
So, they've taken Jersey, have they? | 0:08:05 | 0:08:08 | |
Don't show off your medals, Grandad. | 0:08:08 | 0:08:11 | |
-They might think you killed Germans the last time. -What do you want? | 0:08:11 | 0:08:16 | |
-I want the German commandant! -Not that again! -Yes! | 0:08:16 | 0:08:20 | |
-I don't like to be kept waiting. -You're a cocky one. -Look... | 0:08:20 | 0:08:25 | |
If we don't push ourselves, nobody else ever will. | 0:08:25 | 0:08:30 | |
Let me tell you, the more scared you are, talk louder. | 0:08:30 | 0:08:35 | |
Now go and tell the commandant I want to see him! | 0:08:35 | 0:08:39 | |
-GERMAN ACCENT: -Outrageous! You think he wants to burn down the prison? | 0:08:39 | 0:08:43 | |
He was trying to set light to himself, sir. | 0:08:43 | 0:08:48 | |
-What's the meaning of this? -Shut the door, there's a draft. | 0:08:52 | 0:08:56 | |
-On your feet in the presence of the commandant. -Look who's giving orders! | 0:08:56 | 0:09:01 | |
This seemed the only way to get in touch. | 0:09:01 | 0:09:04 | |
-You are in touch. What object did you have? -I want to save your job. | 0:09:04 | 0:09:09 | |
-Save my job for me? -Yes. | 0:09:09 | 0:09:12 | |
-You'll lose it if you don't do what I ask. -Do what YOU ask? | 0:09:12 | 0:09:17 | |
-I could have you shot. -I'm asking you, in front of witnesses, | 0:09:17 | 0:09:21 | |
to get a message to your German intelligence. | 0:09:21 | 0:09:25 | |
I'd hate to be in your shoes if you don't pass it. | 0:09:25 | 0:09:28 | |
-Why should they care? -They will, when they know it's an Englishman | 0:09:28 | 0:09:34 | |
who wants to help them, and who can. | 0:09:34 | 0:09:36 | |
-That's all you want? Just that? -Just that. | 0:09:36 | 0:09:41 | |
Have the lock of this door changed. | 0:09:42 | 0:09:45 | |
Every day! | 0:09:45 | 0:09:47 | |
CAR HORN HOOTS | 0:09:53 | 0:09:55 | |
HORN HOOTS | 0:09:56 | 0:09:58 | |
Heil Hitler! | 0:10:07 | 0:10:09 | |
CHEERING AND WHISTLING | 0:10:20 | 0:10:23 | |
Quiet! | 0:10:33 | 0:10:35 | |
As impressive a list of honours as we have seen for many a day. | 0:11:02 | 0:11:08 | |
Wanted by Scotland Yard for thirty broken safes, | 0:11:08 | 0:11:10 | |
two escapes from prison, read the rest for yourself. | 0:11:10 | 0:11:15 | |
Facing 14 years further imprisonment. Interesting. | 0:11:15 | 0:11:21 | |
For what we have in mind I think he has possibilities. | 0:11:21 | 0:11:24 | |
You've got possibilities too! | 0:11:24 | 0:11:27 | |
I like you, Herr Chapman. I like his wicked tongue. | 0:11:27 | 0:11:31 | |
Wicked tongues can be dangerous. | 0:11:31 | 0:11:34 | |
Chapman, evidently you are clever. | 0:11:34 | 0:11:36 | |
Are you clever enough to see that now you've met all of us, | 0:11:36 | 0:11:41 | |
you could identify us and will probably be shot? | 0:11:41 | 0:11:46 | |
That is to say... | 0:11:46 | 0:11:48 | |
That is to say unless you hire me? | 0:11:48 | 0:11:51 | |
Who are you, Chapman? | 0:11:57 | 0:11:59 | |
Three hours of questioning, 22 cigarettes, I thought you'd understand by now. | 0:12:00 | 0:12:05 | |
I'm a realist, I'm in prison and I want to get out. | 0:12:05 | 0:12:09 | |
I don't give a damn for Germany or England. Why should I? | 0:12:09 | 0:12:13 | |
-You haven't finished? -Damn right. I'm going to be on the winning side. | 0:12:13 | 0:12:18 | |
-Whichever it is? -Yes, whichever it is. | 0:12:18 | 0:12:21 | |
If it's England, God help me. I'll have fifteen years behind bars. | 0:12:21 | 0:12:25 | |
Fourteen. | 0:12:25 | 0:12:27 | |
England? England will be no more. It will be erased to the ground. | 0:12:27 | 0:12:34 | |
Have I a choice? I'd rather live for Germany than die for England. | 0:12:34 | 0:12:38 | |
And if we wanted you to die... for Germany? | 0:12:38 | 0:12:44 | |
Price would be the same. High, of course. | 0:12:47 | 0:12:51 | |
Of course. | 0:12:52 | 0:12:54 | |
Take him back to his cell. | 0:12:54 | 0:12:58 | |
Herr Chapman? | 0:13:01 | 0:13:03 | |
It is possible you will hear from us. | 0:13:03 | 0:13:06 | |
-More probably you will not. -That file speaks for itself. | 0:13:06 | 0:13:10 | |
You don't see recommendations like that every day. | 0:13:10 | 0:13:15 | |
Well? | 0:13:31 | 0:13:34 | |
Much too soon to say. | 0:13:34 | 0:13:36 | |
-It is obvious, he's a risk. -Why do you say that? | 0:13:36 | 0:13:38 | |
Judging from his dossier he cares too much for women. | 0:13:38 | 0:13:43 | |
Acute observation, they say. That cigarette will make exactly 23. | 0:13:43 | 0:13:50 | |
ORDERS SHOUTED IN GERMAN | 0:13:56 | 0:13:59 | |
Chapman! | 0:14:13 | 0:14:15 | |
-Wouldn't listen, would you? -I'll put in a word for you, see you promoted! | 0:14:20 | 0:14:27 | |
Chapman! | 0:14:30 | 0:14:32 | |
What is it? | 0:14:35 | 0:14:36 | |
Sign here. | 0:14:37 | 0:14:39 | |
-What for? -What do you think? | 0:14:39 | 0:14:42 | |
Check 'em. | 0:14:45 | 0:14:46 | |
Get in, then. | 0:14:54 | 0:14:56 | |
OFFICER WHISTLES | 0:15:09 | 0:15:11 | |
Where are you taking me? | 0:15:13 | 0:15:15 | |
HE CONTINUES TO WHISTLE | 0:15:15 | 0:15:17 | |
At least it is in the direction of Paris. Yes? | 0:15:17 | 0:15:23 | |
Charming(!) | 0:15:24 | 0:15:27 | |
-Make yourself at home, Englander. -Well, thank you! | 0:15:50 | 0:15:53 | |
It's for the foreigners. I hope you stay alive to enjoy it(!) | 0:15:53 | 0:15:57 | |
Just like home, isn't it? | 0:16:03 | 0:16:05 | |
-Chapman. -Laars Veriman. | 0:16:11 | 0:16:14 | |
-Where are you from? -Stockholm. | 0:16:14 | 0:16:17 | |
What are you in here for? | 0:16:17 | 0:16:18 | |
They picked me up in Paris, my papers weren't in order. | 0:16:18 | 0:16:23 | |
-Where are we? -Romanville. | 0:16:23 | 0:16:26 | |
10km north of Paris, sort of a transit camp. | 0:16:26 | 0:16:30 | |
Some of us they send on, most of us they shoot. | 0:16:30 | 0:16:35 | |
Any way out? | 0:16:41 | 0:16:42 | |
No, there's not enough time to plan an escape route. | 0:16:42 | 0:16:47 | |
Get in here! | 0:16:47 | 0:16:50 | |
Bastards! | 0:16:50 | 0:16:52 | |
Bastards! | 0:16:53 | 0:16:56 | |
At least they left me with these. | 0:17:00 | 0:17:03 | |
Have one? | 0:17:03 | 0:17:04 | |
And you? | 0:17:07 | 0:17:09 | |
Superstitious. | 0:17:20 | 0:17:23 | |
What else are you? | 0:17:23 | 0:17:25 | |
Maltese. | 0:17:26 | 0:17:29 | |
So why bring me here? Malta's not at war with Hitler. | 0:17:29 | 0:17:34 | |
What did they grab you boys for? | 0:17:35 | 0:17:38 | |
Me, I was a waiter at the Savoy grill. | 0:17:38 | 0:17:42 | |
-They thought I was a spy. -Are you? | 0:17:42 | 0:17:46 | |
You must have a great sense of humour. | 0:17:49 | 0:17:51 | |
If I told you... | 0:17:51 | 0:17:53 | |
THEY SPEAK GERMAN | 0:17:55 | 0:17:59 | |
You've got a nerve asking the Commander to come down here. | 0:18:01 | 0:18:05 | |
Yes, I thought you might understand German. | 0:18:05 | 0:18:09 | |
Now look, you may be a pigeon they've planted, or not, | 0:18:09 | 0:18:12 | |
but unless you want to wake up stiff one morning, keep out of my way. | 0:18:12 | 0:18:18 | |
And another thing... I'm superstitious too. | 0:18:18 | 0:18:24 | |
In my book, three's a crowd. | 0:18:24 | 0:18:30 | |
-Nice to know there's women here. -This place has everything. | 0:18:38 | 0:18:42 | |
Qu'est-ce qu'il y a dedans? | 0:18:47 | 0:18:49 | |
Where d'you get 'em from? | 0:18:49 | 0:18:52 | |
One of the guards. | 0:18:52 | 0:18:55 | |
-Can you get us some? -Have one now! -Next time. | 0:18:55 | 0:18:57 | |
There may not be a next time. | 0:18:57 | 0:18:59 | |
-What's your name? -Collette. -There'll be a next time. | 0:18:59 | 0:19:04 | |
DISTANT CONVERSATION | 0:19:55 | 0:19:58 | |
Come on, come on now. Come on. | 0:20:05 | 0:20:08 | |
Get the ball now. Look at me. | 0:20:08 | 0:20:11 | |
Come on. Look at me now. | 0:20:12 | 0:20:15 | |
It's just a ball. | 0:20:15 | 0:20:17 | |
KITTEN MIAOWS One, two and three. | 0:20:17 | 0:20:20 | |
Get down now. | 0:20:20 | 0:20:23 | |
Ah, there you are. | 0:20:42 | 0:20:45 | |
You rascal. | 0:20:48 | 0:20:50 | |
Where have you been, huh? | 0:20:50 | 0:20:53 | |
-What happened? -Ssh. | 0:21:02 | 0:21:05 | |
-At the far end, on the other side. And who are you? -Franz. I'll call on you sometime. | 0:21:05 | 0:21:11 | |
Life is so dull here. | 0:21:11 | 0:21:14 | |
-What are you doing?! -Ssh, nothing to worry about. | 0:21:25 | 0:21:29 | |
-They'll send you to Germany or shoot you! -How long have you been here? | 0:21:29 | 0:21:35 | |
A month, but what's that do with it? | 0:21:35 | 0:21:39 | |
Everything. | 0:21:39 | 0:21:41 | |
You're right, you're so right. | 0:21:55 | 0:21:58 | |
-Move along there. -Good night, Chapman. | 0:22:23 | 0:22:27 | |
-I must know your name. -Does it matter? -Quiet! -Sorry I got you into this. -I'll say it was my fault. | 0:22:27 | 0:22:34 | |
Silence! | 0:22:34 | 0:22:35 | |
-Paulette, Paulette Gehehr. -QUIET! | 0:22:39 | 0:22:42 | |
Inventory, sign here. | 0:22:52 | 0:22:55 | |
-What for? -Property of EA Chapman. | 0:22:55 | 0:22:58 | |
£24 in notes, six shillings in silver, one gold-plated watch. | 0:22:58 | 0:23:04 | |
Gold-plated? I never wear imitation! | 0:23:04 | 0:23:06 | |
Well...put down solid gold. | 0:23:06 | 0:23:12 | |
-And what address where they can be sent to? -Address? -So they can be restored after the war. | 0:23:12 | 0:23:19 | |
Put them with the other things you're holding for Paulette Gehehr. | 0:23:22 | 0:23:28 | |
A charming thought. She can have them if and when she ever gets out. | 0:23:28 | 0:23:34 | |
-You know what they're going to do with me? -I have an idea. | 0:23:34 | 0:23:38 | |
-Having been a waiter, you know the difference between a sheep and a goat. -I don't get you. | 0:23:38 | 0:23:45 | |
For either one they hang you! | 0:23:45 | 0:23:48 | |
Take him away! | 0:23:48 | 0:23:52 | |
OUT! OUT! | 0:23:52 | 0:23:54 | |
Back to work, go on. | 0:23:56 | 0:23:59 | |
'RAUS! | 0:23:59 | 0:24:01 | |
-This man is dangerous. He's a public menace. -Not for long. | 0:24:01 | 0:24:07 | |
Goodbye, goodbye. Gawd bless you! | 0:24:07 | 0:24:09 | |
So long, Eddie. | 0:24:09 | 0:24:12 | |
Our turn next! | 0:24:12 | 0:24:14 | |
-Anything to say, Chapman? -Well, it's been a great life. | 0:24:38 | 0:24:43 | |
Achtung! | 0:24:51 | 0:24:53 | |
Weg und...feuer! | 0:24:53 | 0:24:58 | |
"Shot while attempting to escape." | 0:25:00 | 0:25:03 | |
-But why a Jersey newspaper? -For circulation in England to those who matter. | 0:25:03 | 0:25:10 | |
As an added precaution, your little friend was released - Paulette something. | 0:25:10 | 0:25:16 | |
-If as we think, she's in the Resistance, they will pass that back. -Yeah, but the date. -Tomorrow's date. | 0:25:16 | 0:25:23 | |
Your name is Franz Grauman, private, second-class, in the Germany Army. | 0:25:23 | 0:25:28 | |
-Franz who? -Grauman, remember it. | 0:25:28 | 0:25:31 | |
Grauman, lovely. | 0:25:31 | 0:25:33 | |
What else must I remember? | 0:25:33 | 0:25:36 | |
Not to ask questions. | 0:25:36 | 0:25:39 | |
Not to go near the radio room, unless accompanied. | 0:25:40 | 0:25:44 | |
Not to mix with men from other sections, listen to whatever I say. | 0:25:44 | 0:25:50 | |
WHATEVER. | 0:25:52 | 0:25:54 | |
Whatever. | 0:25:54 | 0:25:56 | |
-Oh. -Yes? -I'm sorry. Was I crowding you? -Any time. | 0:26:10 | 0:26:16 | |
Franz, you are about to meet your new chief, | 0:26:16 | 0:26:21 | |
the head of your unit, Colonel Baron Von Grunen. | 0:26:21 | 0:26:25 | |
Be careful with him. He is, well...unpredictable. | 0:26:25 | 0:26:31 | |
-But a very, very remarkable man. -Uh-huh. | 0:26:31 | 0:26:35 | |
-I thought all the servants left before darkness. -They used to. | 0:26:41 | 0:26:46 | |
Report to me. Come on. | 0:26:46 | 0:26:49 | |
Go on in. | 0:26:51 | 0:26:53 | |
-Don't you salute? -It takes time to learn how to salute. | 0:27:17 | 0:27:22 | |
-Are you well, Countess? -Well enough. Long motor trips are tiring. -I suggest you get some sleep. | 0:27:22 | 0:27:28 | |
-Tomorrow morning at nine, Herr Steinhager. -Nine o'clock. -Good night. -Good night. | 0:27:28 | 0:27:35 | |
Deutsche Ordnung - German order. | 0:27:44 | 0:27:48 | |
Sit down. | 0:27:48 | 0:27:49 | |
You're a safe-cracker, prisoner, private, second-class, | 0:27:52 | 0:27:57 | |
and a potential member of the most successful espionage group in the army. | 0:27:57 | 0:28:03 | |
A long way in one day. | 0:28:03 | 0:28:07 | |
-To your health, Grauman. -I thought you only drank the Fuhrer's health. | 0:28:07 | 0:28:13 | |
-To the health of the king of England. -I'll drink to mine. | 0:28:13 | 0:28:18 | |
-You might be called a businessman. -Makes a change, brandy with a pedigree. | 0:28:18 | 0:28:25 | |
-This object also has a pedigree. -It's Persian, six, seven hundred years old, isn't it? | 0:28:25 | 0:28:31 | |
And it can be destroyed in a fraction of a second. | 0:28:31 | 0:28:36 | |
You were once one of His Majesty's footguards. They taught you to shoot? | 0:28:36 | 0:28:41 | |
Yes. | 0:28:41 | 0:28:42 | |
From there, shoot the head of this animal. | 0:28:45 | 0:28:49 | |
You obey orders in a roundabout way. | 0:29:17 | 0:29:20 | |
-But that happens to suit me. -You didn't really want me to do that. | 0:29:20 | 0:29:25 | |
The shot you just fired either broke the microphone that I believe is hidden in this room, | 0:29:25 | 0:29:32 | |
or the eardrums of the man listening in. | 0:29:32 | 0:29:36 | |
In the paintings or the lamps, no doubt. I tell you as a warning. Mistrust EVERYBODY. | 0:29:36 | 0:29:44 | |
-Oh, I always have. -I mean EVERYBODY without exception. Clear? | 0:29:44 | 0:29:49 | |
Good night. | 0:29:51 | 0:29:52 | |
And Grauman, tomorrow you will say "Colonel" or "Sir". | 0:29:56 | 0:30:01 | |
You will salute properly as in the army by clicking your heels | 0:30:01 | 0:30:06 | |
or touching your cap. | 0:30:06 | 0:30:09 | |
All right, Baron. | 0:30:09 | 0:30:11 | |
Goodnight. | 0:30:11 | 0:30:15 | |
GENTLE TINKLING PIANO MUSIC PLAYS | 0:30:24 | 0:30:29 | |
DEE-DEE, DA-DA, some people can't distinguish the difference. | 0:31:08 | 0:31:12 | |
Hopeless to try and teach them. | 0:31:12 | 0:31:15 | |
The best place to hide the igniter - the join in the rails. | 0:31:21 | 0:31:25 | |
Cover the wire with a dead fly or a piece of dirt. | 0:31:25 | 0:31:31 | |
Or anything. | 0:31:31 | 0:31:33 | |
Keep codes as simple as possible - the Bible, any well-known book. | 0:31:33 | 0:31:38 | |
An agent mustn't carry incriminating equipment. It all must be home-made. | 0:31:38 | 0:31:44 | |
Improvise. Flash powder with sugar and saltpetre. This you can find in a hardware store. | 0:31:44 | 0:31:51 | |
Paper and saltpetre gives a five-second fuse. | 0:31:51 | 0:31:55 | |
The same number as a psalm - your key for codes. | 0:31:55 | 0:31:59 | |
To make a time fuse - an ordinary watch. | 0:31:59 | 0:32:02 | |
Use the either the minute or the hour hand to make the contact. | 0:32:02 | 0:32:07 | |
Watch the light bulb. A substitute for an explosion. | 0:32:07 | 0:32:12 | |
A human igniter can be even better. The spring of a rat trap. | 0:32:12 | 0:32:17 | |
You don't need much weight. | 0:32:17 | 0:32:20 | |
Send XXX at the end of each message or we know you've been captured. | 0:32:23 | 0:32:28 | |
A home-made detonator out of a child's toy. A construction set. | 0:32:28 | 0:32:35 | |
Let someone else do the job for you. | 0:32:35 | 0:32:38 | |
This is one of our own manufacture. | 0:32:38 | 0:32:41 | |
A gun for firing round corners. You see the enemy in the mirror. He can't see you. | 0:32:41 | 0:32:48 | |
Everything there you can find in hardware stores, | 0:32:48 | 0:32:52 | |
all to make an explosive. | 0:32:52 | 0:32:55 | |
Set if off with any friendly, familiar object. | 0:32:55 | 0:32:59 | |
Secret radio frequencies of other agents. | 0:32:59 | 0:33:03 | |
He should be ready in two months. | 0:33:03 | 0:33:05 | |
-I have certain doubts about him. -I told you he was your responsibility, Countess. | 0:33:05 | 0:33:12 | |
Study him thoroughly - it could be worthwhile. | 0:33:12 | 0:33:17 | |
The English Secret Service trained him and imprisoned him in Jersey, | 0:33:17 | 0:33:21 | |
so he could infiltrate himself into our service. | 0:33:21 | 0:33:26 | |
-His criminal past is a fiction meant to deceive us. -I say he endangers our work here. | 0:33:26 | 0:33:34 | |
You have a personal prejudice against him. Steinhager, you discovered and investigated him. | 0:33:34 | 0:33:41 | |
-You arranged for him to be watched. Do you have second thoughts? -Baron, I trust no-one. | 0:33:41 | 0:33:47 | |
I'm a security officer. It's my duty to suspect everyone. | 0:33:47 | 0:33:53 | |
Are you going to say that you also suspect the Fuhrer? | 0:33:53 | 0:33:58 | |
I didn't go to the University of Heidelberg like yourself. | 0:33:58 | 0:34:04 | |
Before the army, I was a policeman. | 0:34:04 | 0:34:07 | |
-And as a policeman, I know men. -The discussion is closed. | 0:34:07 | 0:34:12 | |
Franz Grauman will be trained for an extremely important mission. | 0:34:12 | 0:34:17 | |
You don't have to know about it for now. | 0:34:17 | 0:34:21 | |
Report to me anything he says or does, no matter how charming and pleasant a companion he is. | 0:34:21 | 0:34:29 | |
You seem determined to force me into his bed. Anybody would think I need a procure. | 0:34:29 | 0:34:35 | |
-Procurer, manager. -Yes, that's how you saw it always. | 0:34:35 | 0:34:40 | |
I saw that in your case, someone was needed to develop your latent possibilities. | 0:34:40 | 0:34:47 | |
Charmingly put. | 0:34:47 | 0:34:50 | |
You had costly training in England. I hope to see the results now. | 0:34:50 | 0:34:56 | |
One day I'll tell you how costly it has been. | 0:34:56 | 0:35:00 | |
You already have, several times. | 0:35:00 | 0:35:04 | |
Grauman. | 0:35:06 | 0:35:08 | |
Back to work. Good hunting. | 0:35:08 | 0:35:11 | |
Who sent you in here? | 0:35:20 | 0:35:23 | |
I couldn't sleep. | 0:35:23 | 0:35:26 | |
You didn't try hard enough. | 0:35:26 | 0:35:29 | |
-What's the matter? -Couldn't sleep. | 0:35:31 | 0:35:34 | |
I could read you a nursery rhyme. Or sing you a lullaby. | 0:35:34 | 0:35:39 | |
-Just you try. -You should hear me sing. A voice like a cornflake on a stormy night. | 0:35:39 | 0:35:46 | |
-Tell me, what is the matter? -This place is getting me down. | 0:35:50 | 0:35:55 | |
-I'm not surprised. They work you like a mad man. -That parachute training - I can hardly move. | 0:35:55 | 0:36:02 | |
Come on, turn over - I'll give you a rub. | 0:36:02 | 0:36:06 | |
-Turn my back on you? Are you out of your mind? -Don't be a fool - I am in charge of the English section. | 0:36:06 | 0:36:13 | |
You are in the English section. | 0:36:13 | 0:36:16 | |
-What's so funny? -Oh, this whole business. | 0:36:18 | 0:36:22 | |
Every little spy is spy is a... | 0:36:22 | 0:36:25 | |
Well, it's a shabby business. But you're not training for the priesthood. The money is good. | 0:36:25 | 0:36:32 | |
-I haven't seen any of it yet. -You're not the only one! There. -Oh. | 0:36:32 | 0:36:38 | |
Yes, boss. I suppose... | 0:36:38 | 0:36:43 | |
-What, you suppose? -If anyone can be honest in this business, it's you. | 0:36:43 | 0:36:48 | |
Yes, honest little Helga Lindstrohm. The poor man's Mata Hari. | 0:36:48 | 0:36:54 | |
Who, if she could give me away, would do it. | 0:36:54 | 0:36:58 | |
I wouldn't enjoy it. | 0:36:58 | 0:37:01 | |
-But you would. -That's what I'm paid for, isn't it? -I think I like you. | 0:37:01 | 0:37:06 | |
Helga Lindstrohm. | 0:37:06 | 0:37:10 | |
-I do like you. -I'm glad you do. | 0:37:10 | 0:37:14 | |
It's not part of the deal, but I prefer it like this. | 0:37:14 | 0:37:18 | |
SIREN WAILS | 0:37:21 | 0:37:25 | |
They must be on their way. | 0:37:25 | 0:37:28 | |
Well, at least we can both say it isn't one of ours. | 0:37:28 | 0:37:32 | |
THEY SHOUT ORDERS IN GERMAN | 0:37:44 | 0:37:48 | |
-Got a light? -Yes. | 0:37:51 | 0:37:53 | |
Gentlemen, there is very little time. | 0:37:53 | 0:37:56 | |
British and Canadian forces landed an hour ago at Dieppe - | 0:37:56 | 0:38:01 | |
a diversion from an all-out invasion elsewhere. | 0:38:01 | 0:38:04 | |
We must suspend all training activities | 0:38:04 | 0:38:07 | |
and round up potential Resistance French personnel. | 0:38:07 | 0:38:12 | |
I'm handing over control to Colonel Steinhager. His experience in these matters is far greater than mine. | 0:38:12 | 0:38:20 | |
Yes, Colonel. Men, we meet in 30 minutes. | 0:38:20 | 0:38:25 | |
HE SHOUTS ORDERS IN GERMAN | 0:38:57 | 0:39:00 | |
This way. | 0:39:00 | 0:39:02 | |
MORE SHOUTING Open up! | 0:39:02 | 0:39:05 | |
Open up, I say! | 0:39:05 | 0:39:08 | |
Quick, finish your message and hide your radio. | 0:39:08 | 0:39:12 | |
Come on, come on! | 0:39:12 | 0:39:15 | |
-HEAVY KNOCKING I'm finished. -Go to the bedroom. | 0:39:15 | 0:39:19 | |
-Take the back staircase. -Open up! | 0:39:19 | 0:39:23 | |
-German police! -Hurry up! | 0:39:23 | 0:39:26 | |
-Open this door! -Quick. -Open up this door! -What is it? | 0:39:26 | 0:39:31 | |
Yes. | 0:39:31 | 0:39:32 | |
Come in. | 0:39:32 | 0:39:34 | |
Papers? | 0:39:37 | 0:39:39 | |
Search them, always do that first. | 0:39:39 | 0:39:42 | |
Where did you get that watch? | 0:39:49 | 0:39:52 | |
Where?! | 0:39:53 | 0:39:55 | |
I didn't take it. | 0:39:55 | 0:39:57 | |
-Who from? -It was given to me. -By whom? | 0:39:58 | 0:40:01 | |
-A girl. -Her name? | 0:40:01 | 0:40:04 | |
-Her name? -Just a girl. | 0:40:04 | 0:40:08 | |
Tell me where she is. | 0:40:08 | 0:40:09 | |
Tell me where she is. | 0:40:09 | 0:40:11 | |
Bravo, Grauman. You're beginning to learn the business. | 0:40:20 | 0:40:24 | |
All right, I'll look after them now. | 0:40:24 | 0:40:27 | |
You search the other apartments. | 0:40:27 | 0:40:29 | |
Get up. | 0:40:34 | 0:40:35 | |
Now I want to talk to you. | 0:40:39 | 0:40:42 | |
-Get up. -Eddie, that's you... -Quiet! | 0:40:53 | 0:40:57 | |
Why are you wearing that uniform? | 0:41:02 | 0:41:05 | |
-You gave this away. -They said that you were dead. | 0:41:05 | 0:41:08 | |
You have to get out of here now, otherwise you're finished. | 0:41:08 | 0:41:12 | |
Leave an address with someone in this house and don't give this away. | 0:41:12 | 0:41:16 | |
Ah. | 0:41:19 | 0:41:21 | |
-Am I intruding? -You intrude? Never. | 0:41:21 | 0:41:25 | |
No, that's not your type, surely? | 0:41:39 | 0:41:43 | |
We're after bigger fish than that. | 0:41:43 | 0:41:45 | |
She's not even small fry. | 0:41:45 | 0:41:47 | |
Name? | 0:42:40 | 0:42:42 | |
Proceed. | 0:42:44 | 0:42:45 | |
-Name? -Gilligan, Duncan. | 0:42:45 | 0:42:48 | |
-I don't want to interrupt you. -113030. | 0:42:48 | 0:42:53 | |
Name's James. I'm a sergeant. | 0:42:53 | 0:42:57 | |
483295. | 0:42:57 | 0:42:59 | |
-Rank? -Lieutenant. | 0:43:00 | 0:43:03 | |
-Number? -632051. | 0:43:03 | 0:43:07 | |
Huh! He has a wife in a million. | 0:43:07 | 0:43:09 | |
"This is to certify that while overseas, Sergeant William Daniels, my husband, | 0:43:09 | 0:43:15 | |
"has full permission to consort with any pretty girl." | 0:43:15 | 0:43:19 | |
-You speak it well. -Four years in night school, you pick it up. | 0:43:19 | 0:43:23 | |
One of them, are you? Take a look. | 0:43:23 | 0:43:25 | |
Another bloody renegade... | 0:43:25 | 0:43:28 | |
SHOUTING | 0:43:28 | 0:43:30 | |
Push off, will you? | 0:43:35 | 0:43:37 | |
Well, as I was saying, before I was interrupted... | 0:43:37 | 0:43:41 | |
One lighter, one 20 size packet of Players containing 12 cigarettes, | 0:43:41 | 0:43:46 | |
three-penny bus ticket, bar of chocolate, | 0:43:46 | 0:43:50 | |
-hotel bill, box of matches... -Leave the rest here, Keller. | 0:43:50 | 0:43:55 | |
Does it mean that against my recommendation you will use Grauman? | 0:43:55 | 0:43:59 | |
It means check items listed, nothing more. | 0:43:59 | 0:44:02 | |
-Do you approve the contract? -It seems all right, but why a contract? | 0:44:03 | 0:44:08 | |
-THEY SPEAK GERMAN -This is a personal contract between you and me. | 0:44:08 | 0:44:14 | |
It gives me control of you. | 0:44:14 | 0:44:15 | |
The Luftwaffe can't have the use of your services | 0:44:15 | 0:44:18 | |
-without my permission. -They want me? | 0:44:18 | 0:44:22 | |
-Succeed in this assignment and they'll want you. -I don't know what this assignment is. | 0:44:22 | 0:44:26 | |
You won't know till the last moment. | 0:44:26 | 0:44:29 | |
Unless the British paid their troops in counterfeit money that's Sterling. | 0:44:47 | 0:44:52 | |
We took over £1 million at Dunkirk alone. | 0:44:52 | 0:44:55 | |
Are you ready to sign the contract or do you have any more questions? | 0:44:55 | 0:45:00 | |
Two questions - the 100,000 marks I get paid - when and how? | 0:45:00 | 0:45:04 | |
When you succeed and in any currency you wish. | 0:45:04 | 0:45:06 | |
Are they in there? | 0:45:08 | 0:45:11 | |
-The safe. -Sign. | 0:45:12 | 0:45:15 | |
I think this calls for a celebration. | 0:45:33 | 0:45:35 | |
If I'd been running the Savoy Grill, you'd have been fired the first day. | 0:45:37 | 0:45:41 | |
Your navigation, Major... Swimming the Channel was never an ambition. | 0:45:41 | 0:45:46 | |
Your people live very well. | 0:45:46 | 0:45:48 | |
But of course. Can't you see? We literally lack nothing here. | 0:45:48 | 0:45:53 | |
Nothing at all. | 0:45:53 | 0:45:55 | |
My people are special. Exceptional talents deserve exceptional treatments. | 0:45:55 | 0:46:00 | |
Are all of them equally special? | 0:46:00 | 0:46:03 | |
You have a mission tonight. You mustn't flirt with me. | 0:46:03 | 0:46:07 | |
Some of the most highly trained specialists in the world are here. | 0:46:07 | 0:46:10 | |
-Ah. -Care to see a demonstration? | 0:46:10 | 0:46:13 | |
In this watch is a time fuse. | 0:46:14 | 0:46:17 | |
He will blow up one of the trees outside at the stroke of nine. | 0:46:17 | 0:46:22 | |
Let me go with him, keep an eye on him. | 0:46:24 | 0:46:26 | |
-Good idea - you haven't been drinking. -I have been drinking! | 0:46:26 | 0:46:32 | |
HE IMITATES A BRASS INSTRUMENT | 0:46:36 | 0:46:39 | |
Now he has gone. | 0:46:44 | 0:46:47 | |
-Nine o'clock. -It must be fast. My people don't make mistakes. | 0:47:05 | 0:47:10 | |
-Not of this sort. -I heard you - what a fox. | 0:47:10 | 0:47:14 | |
I'll check it with the nine o'clock on the BBC. | 0:47:14 | 0:47:17 | |
You listen to the British?! | 0:47:17 | 0:47:18 | |
You heard the Colonel - special treatment. | 0:47:18 | 0:47:21 | |
RADIO: This is the BBC Home And Forces programme. | 0:47:21 | 0:47:24 | |
This is the Nine O'Clock news... EXPLOSION | 0:47:24 | 0:47:27 | |
CONFUSED SHOUTING | 0:47:27 | 0:47:31 | |
Grauman! | 0:48:32 | 0:48:34 | |
Where are you, Grauman? Grauman! | 0:48:37 | 0:48:40 | |
Where's Grauman? I've looked everywhere. | 0:49:08 | 0:49:11 | |
Where were you? | 0:49:15 | 0:49:18 | |
-I cut it on some broken glass. -Let me look at it for you. | 0:49:18 | 0:49:23 | |
Oh, dear. | 0:49:34 | 0:49:35 | |
HE TUTS | 0:49:39 | 0:49:41 | |
You don't think I cut it myself? Now, really! | 0:49:42 | 0:49:46 | |
-Good luck. -Thank you. | 0:49:52 | 0:49:55 | |
-Eddie. -Oh. | 0:49:57 | 0:49:59 | |
Now, here are your special instructions. | 0:50:02 | 0:50:06 | |
Within 15 minutes of landing in England, you must get on the air to us with a safe landing signal. | 0:50:06 | 0:50:10 | |
That's a must, or we'll send another plane with a replacement. | 0:50:10 | 0:50:15 | |
-15 minutes - clear? -You'll hear from me in much less time than that. | 0:50:15 | 0:50:19 | |
Heil Hitler! | 0:50:19 | 0:50:22 | |
-Bye. -Heil Hitler! -Oh, heil Hitler. | 0:50:22 | 0:50:25 | |
Colonel, they are transmitting. | 0:50:42 | 0:50:45 | |
CODE COMES THROUGH | 0:50:45 | 0:50:49 | |
They are circling the landing area. | 0:50:49 | 0:50:51 | |
We are here. Stand by. | 0:51:02 | 0:51:04 | |
Hey, you bloody fool! | 0:51:09 | 0:51:11 | |
The release check. | 0:51:15 | 0:51:17 | |
He's not going to transmit. I can tell you exactly what he's doing right now. | 0:52:25 | 0:52:29 | |
He's given up every intention of carrying out his mission. | 0:52:29 | 0:52:33 | |
He's trying to get a ride into the nearest town. | 0:52:33 | 0:52:36 | |
Still nothing yet. | 0:52:49 | 0:52:51 | |
Are you convinced now, Colonel? That makes 40 minutes. | 0:52:51 | 0:52:54 | |
We'll wait another 30 minutes. | 0:52:54 | 0:52:56 | |
Made in France? | 0:53:09 | 0:53:11 | |
Bastards! | 0:53:28 | 0:53:30 | |
I want you to bring him back to me - dead or alive. | 0:53:30 | 0:53:34 | |
-He can't have anywhere to hide. -The cars are ready outside. | 0:53:34 | 0:53:38 | |
Come on. | 0:53:48 | 0:53:50 | |
I'm convinced you are making a mistake. It may be woman's intuition but I feel something's happened. | 0:53:53 | 0:53:59 | |
Colonel Steinhager was right to impose this test, or a serious mistake might have been made. | 0:53:59 | 0:54:04 | |
If you have caught him, I'm glad it wasn't I who caught him for you. I'm going to bed. | 0:54:04 | 0:54:10 | |
CODE COMES THROUGH | 0:54:35 | 0:54:38 | |
Wait! Wait! I've got something. | 0:54:51 | 0:54:54 | |
-I've got him now. -What is it? -Grauman is transmitting. | 0:54:56 | 0:55:00 | |
Tell him to stay where he is, we're coming for him. | 0:55:00 | 0:55:04 | |
Your feminine intuition, Countess, is remarkable. | 0:55:04 | 0:55:08 | |
-Come on! -FRANTIC CLICKING | 0:55:16 | 0:55:18 | |
DISTANT SHOUTING | 0:55:32 | 0:55:35 | |
Grauman! | 0:55:35 | 0:55:37 | |
What kept you, you imbeciles? Who do you think you are? | 0:55:37 | 0:55:43 | |
-Is that a bat or a strong box? -Right in the middle of that tree! | 0:55:43 | 0:55:48 | |
Stop that! | 0:55:48 | 0:55:51 | |
-I had to put you to the test. -Charming(!) | 0:55:51 | 0:55:55 | |
Last time I'm jumping, that's all. Thank you very much. | 0:55:55 | 0:55:58 | |
-Next time will be the real thing. -My nerves won't take it. | 0:55:58 | 0:56:02 | |
-It's a shock. I'm scared to hell of it. -Really? -Yes. | 0:56:02 | 0:56:07 | |
It's gonna take a bigger shock than that to get me back to normal. | 0:56:07 | 0:56:11 | |
-By that you mean...? -An extra thousand pounds. | 0:56:11 | 0:56:15 | |
HE SIGHS | 0:56:21 | 0:56:24 | |
-Who sent you in here? -I couldn't sleep. -Try harder. | 0:56:37 | 0:56:43 | |
At least you'll be sure of one thing for now. | 0:56:43 | 0:56:48 | |
Is that all you have to say to me? | 0:56:48 | 0:56:51 | |
No. Heil Hitler(!) | 0:56:51 | 0:56:53 | |
-SHE GIGGLES -Heil Hitler! | 0:56:53 | 0:56:57 | |
The factory entrance. Only one policeman on duty. | 0:56:58 | 0:57:01 | |
Power plant. | 0:57:01 | 0:57:03 | |
The position for explosives. | 0:57:03 | 0:57:05 | |
Thank you, Lars. | 0:57:05 | 0:57:08 | |
-You won't forget all the codewords I taught you? -No, no, no. | 0:57:08 | 0:57:13 | |
-And the XXX at the end? -Clear as mud. | 0:57:13 | 0:57:16 | |
-See you later. -These photographs are much more detailed. | 0:57:16 | 0:57:20 | |
-Study them. -I've been on this for five days, I know them backwards. | 0:57:20 | 0:57:26 | |
Know them frontwards too. This is your last chance. | 0:57:26 | 0:57:30 | |
Grauman, always remember one thing, | 0:57:31 | 0:57:35 | |
you're under contract to me. | 0:57:35 | 0:57:38 | |
These are clean. | 0:57:48 | 0:57:50 | |
One lighter. Box of matches. | 0:57:50 | 0:57:53 | |
-You'd better drop me in the right place or else. -All right. | 0:57:53 | 0:57:56 | |
-Put this on, it will make you feel better. -What is it? | 0:57:56 | 0:58:00 | |
Tonic for your nerves. It's a thousand pounds. | 0:58:00 | 0:58:03 | |
I hope it's all right. I don't like passing counterfeit. | 0:58:03 | 0:58:07 | |
Sling me one of those, would you? | 0:58:11 | 0:58:13 | |
May I have a cigarette, please? | 0:58:23 | 0:58:26 | |
One last thing. | 0:58:43 | 0:58:45 | |
If you're captured, take this. | 0:58:45 | 0:58:49 | |
It's very effective. | 0:58:49 | 0:58:51 | |
-It kills instantly. -Thank you, how touching(!) | 0:58:51 | 0:58:54 | |
If I don't hear from you in three days, I'll write you off. | 0:58:54 | 0:58:57 | |
-I'll be back in three days. -GUNFIRE | 0:58:57 | 0:59:01 | |
-Safer up there than down here. -I'll bring Chapman. | 0:59:14 | 0:59:18 | |
ENGINES HUM SOFTLY | 0:59:19 | 0:59:22 | |
-Have we crossed the English Channel yet? -We have crossed it. | 0:59:22 | 0:59:28 | |
ANTI-AIRCRAFT FIRE | 0:59:28 | 0:59:30 | |
I thought I was unpopular, but this is ridiculous! | 0:59:30 | 0:59:34 | |
Green light, stand by! | 0:59:34 | 0:59:36 | |
BEEPING Position report, sir. | 0:59:44 | 0:59:47 | |
BEEPING CONTINUES Aircraft...circling...dropping zone. | 0:59:47 | 0:59:52 | |
Altitude... | 0:59:52 | 0:59:54 | |
-1,200. -Leo, go and tell the colonel. | 0:59:54 | 0:59:59 | |
COWS MOO | 1:00:05 | 1:00:08 | |
COCK CROWS | 1:00:14 | 1:00:17 | |
HE KNOCKS DOG BARKS | 1:00:48 | 1:00:51 | |
-Stop that noise! What do you want? -I'm a British airman. | 1:00:53 | 1:00:56 | |
-May I use your telephone? -Telephone? -I've got to get to the police. | 1:00:56 | 1:01:01 | |
It all checks, sir. | 1:01:07 | 1:01:09 | |
This frequency was on our intercept list of enemy agents in Norway. | 1:01:09 | 1:01:13 | |
Looks like he is telling the truth. | 1:01:13 | 1:01:15 | |
Produce Eddie Chapman's criminal record I can answer any question. | 1:01:15 | 1:01:19 | |
I'll be blunt. | 1:01:19 | 1:01:21 | |
Our position is that the real Eddie Chapman was executed in Jersey. | 1:01:21 | 1:01:26 | |
HE LAUGHS | 1:01:26 | 1:01:30 | |
I dropped out of the sky up there to make a deal with you down here. | 1:01:31 | 1:01:38 | |
But my bargaining position is getting weaker every second. | 1:01:38 | 1:01:41 | |
This is the third day! | 1:01:41 | 1:01:44 | |
Who'll be responsible for not buying some of the best intelligence? You will. | 1:01:44 | 1:01:50 | |
Pretty uniforms and your old school ties. | 1:01:50 | 1:01:54 | |
By having nerve, you got away with murder with your German friends. | 1:01:56 | 1:02:01 | |
-But it's not going to work here. -It worked before, it can work again. | 1:02:01 | 1:02:05 | |
If you try it on, you won't be allowed to transmit that message. | 1:02:05 | 1:02:11 | |
Or you may find yourself back in prison for those 14 years. | 1:02:11 | 1:02:16 | |
What do you have to say about that? | 1:02:16 | 1:02:19 | |
Sir, I'd say... | 1:02:19 | 1:02:21 | |
"It would all be a terrible waste." | 1:02:22 | 1:02:25 | |
Hmm. | 1:02:28 | 1:02:30 | |
Frankly, so would I. | 1:02:30 | 1:02:32 | |
CLICKING | 1:02:32 | 1:02:36 | |
Remember the three Xs. | 1:02:41 | 1:02:44 | |
Oh, thank you. | 1:02:56 | 1:02:57 | |
-If we don't hear anything, we'll try again. -Yes. | 1:02:57 | 1:03:01 | |
BEEPING | 1:03:01 | 1:03:05 | |
Blow up... | 1:03:05 | 1:03:07 | |
Vickers... | 1:03:07 | 1:03:10 | |
Thursday... | 1:03:10 | 1:03:12 | |
03.00... | 1:03:12 | 1:03:15 | |
hours. | 1:03:15 | 1:03:16 | |
"Repeat 03.00 hours precisely for reconnaissance check. | 1:03:16 | 1:03:21 | |
"Jolly Albert terra terra." What's that last bit? | 1:03:21 | 1:03:24 | |
It's a private joke, one of the chaps is called Albert. | 1:03:24 | 1:03:29 | |
-Spare us the details. -Right, sir. | 1:03:29 | 1:03:32 | |
Reconnaissance check means they must be taking this seriously. | 1:03:32 | 1:03:36 | |
-Or don't they trust you? -They'll have to if he does the job. | 1:03:36 | 1:03:40 | |
You're not going to actually blow up Vickers. | 1:03:40 | 1:03:44 | |
It'll be worthwhile if you fall in with what we have in mind for you. | 1:03:44 | 1:03:48 | |
I'm always open to a proposition. | 1:03:48 | 1:03:51 | |
Even if it means going back to the Germans? Working for us, this time. | 1:03:51 | 1:03:56 | |
-This time on an exclusive basis. -Exclusive, that comes extra. | 1:03:56 | 1:04:01 | |
At least you're consistent, Chapman. I'll say that. | 1:04:01 | 1:04:05 | |
Going back there, my life will be in danger. | 1:04:05 | 1:04:09 | |
It's in danger now. | 1:04:09 | 1:04:12 | |
A man who drops into England by parachute with a German radio | 1:04:12 | 1:04:17 | |
and the ID of a man who's been reported dead, you could hang. | 1:04:17 | 1:04:22 | |
That's rather nasty. Not what I expected from British fair play. | 1:04:22 | 1:04:26 | |
We've established that you're not going back for patriotic reasons, | 1:04:26 | 1:04:32 | |
what else would interest you? | 1:04:32 | 1:04:35 | |
£10,000. Half in advance, in cash. I don't trust banks, | 1:04:35 | 1:04:39 | |
people keep robbing them. | 1:04:39 | 1:04:42 | |
£10,000, that's all? | 1:04:42 | 1:04:44 | |
A free pardon. | 1:04:44 | 1:04:47 | |
And a nice, shiny medal like the one he's got on. | 1:04:47 | 1:04:50 | |
It's a pleasure to do business. You know so clearly what you want. | 1:04:50 | 1:04:54 | |
In case we don't through with this Vickers sabotage, | 1:04:54 | 1:04:58 | |
-you were a guardsman, weren't you? -Mm-hmm. | 1:04:58 | 1:05:01 | |
Your call-up papers for the army will be served on you by breakfast. | 1:05:01 | 1:05:06 | |
Blackmail. This war has destroyed all moral values, really. | 1:05:06 | 1:05:12 | |
I'm a pacifist. I'm against all wars. | 1:05:12 | 1:05:16 | |
That makes two of us. | 1:05:16 | 1:05:19 | |
Coming? | 1:05:29 | 1:05:32 | |
Well, my instructions were precise. | 1:05:35 | 1:05:37 | |
-Join in with the rest of the nightshift. -Stop, here. | 1:05:37 | 1:05:41 | |
And go through one of the gates, like that one. | 1:05:41 | 1:05:43 | |
'I was told to join in with the workers. Listen to what they say.' | 1:05:43 | 1:05:48 | |
-Hello, Charlie! -Hello, Charlie! | 1:05:48 | 1:05:52 | |
Hello, Bert! | 1:05:56 | 1:05:59 | |
Hey, you! > | 1:06:11 | 1:06:13 | |
Your cap. | 1:06:13 | 1:06:15 | |
'You have to go to a washroom and hide there until midnight. | 1:06:21 | 1:06:25 | |
'When there's a meal, join the mob again. | 1:06:25 | 1:06:28 | |
'This gets you into the main factory area. | 1:06:28 | 1:06:30 | |
'The next part's much worse. | 1:06:51 | 1:06:53 | |
'One crewman told me the food is ghastly. He wasn't fooling. | 1:06:53 | 1:06:59 | |
'My orders were then to follow the others out, staying till last. | 1:07:01 | 1:07:05 | |
'The end building houses the generator - | 1:07:05 | 1:07:09 | |
'the main dynamo that supplies power to the whole factory. | 1:07:09 | 1:07:13 | |
'22 paces from the north corner of the building... | 1:07:35 | 1:07:39 | |
'..plant your plastic explosive. | 1:07:41 | 1:07:45 | |
'Insert the igniter. | 1:07:54 | 1:07:57 | |
'Set your wrist-watch time fuse for a seven-hour delay. | 1:08:05 | 1:08:09 | |
'My orders were then to go back to the washroom, | 1:08:20 | 1:08:23 | |
'hide in there, until 6am when the night staff goes off. | 1:08:23 | 1:08:28 | |
'Then, like the rest of them, make your way home. | 1:08:28 | 1:08:32 | |
-Now, do you believe me? -Interesting, anyway. | 1:08:36 | 1:08:40 | |
Sitting out here, I've been thinking. | 1:08:40 | 1:08:43 | |
If I can persuade the War Cabinet would you do your part of the deal? | 1:08:43 | 1:08:48 | |
What do you mean? | 1:08:48 | 1:08:51 | |
Well, for instance, justice. | 1:08:51 | 1:08:54 | |
Lord Beaverbrook has been held up by the Prime Minister, | 1:08:55 | 1:08:59 | |
but he's on his way. He apologises. | 1:08:59 | 1:09:02 | |
But speaking for the Ministry of Aircraft Production, | 1:09:02 | 1:09:06 | |
I can only say that we would take a very dim view of your blowing up our biggest factory, | 1:09:06 | 1:09:12 | |
as your memorandum suggests. | 1:09:12 | 1:09:15 | |
We were keen to have him destroy the works to indicate that he's more successful than they thought. | 1:09:15 | 1:09:20 | |
The problem is, if Chapman fails to carry out this mission, the Germans will know there's something fishy. | 1:09:20 | 1:09:26 | |
-His value to us as an agent is destroyed. -I must confess my ignorance as to his activities here. | 1:09:26 | 1:09:33 | |
However valuable his services, | 1:09:33 | 1:09:36 | |
you can't expect the Ministry of Aircraft Production to allow a plant | 1:09:36 | 1:09:42 | |
-to be put out of action for a whole month. -My friend, I have news. | 1:09:42 | 1:09:47 | |
After I've seen Lord Beaverbrook, that's precisely what I do expect. | 1:09:47 | 1:09:53 | |
First time a cop carried my tools to and from a job. | 1:10:08 | 1:10:12 | |
-You'd make a good nightman. In prison, you'll be my first choice. -In business, you'll be mine. | 1:10:12 | 1:10:19 | |
BELL | 1:10:19 | 1:10:22 | |
EXPLOSION | 1:10:30 | 1:10:33 | |
An unidentified aircraft in sight of the coast | 1:10:34 | 1:10:37 | |
coming in at southeast minus ten. | 1:10:37 | 1:10:40 | |
Thank you. | 1:10:45 | 1:10:47 | |
Call all anti-aircraft battery, let the unidentified aircraft through. | 1:10:47 | 1:10:51 | |
-It's one of ours back from mission. -No, sir. The aircraft is German. | 1:10:51 | 1:10:57 | |
-You said it might be. So they are sending one? -It's just as I... | 1:10:57 | 1:11:02 | |
TELEPHONE RINGS | 1:11:02 | 1:11:05 | |
Battery 554 states the aircraft is out of range, continuing on its way. | 1:11:05 | 1:11:10 | |
That's funny. | 1:11:12 | 1:11:15 | |
It's even burning on the roofs we didn't go near. | 1:11:19 | 1:11:23 | |
Someone else must have been smoking. | 1:11:23 | 1:11:26 | |
Let's get back. | 1:11:29 | 1:11:31 | |
17:35, the Admiral, | 1:11:36 | 1:11:38 | |
Brigadier Dalrymple, | 1:11:38 | 1:11:41 | |
WAAF officer, name unknown. | 1:11:41 | 1:11:44 | |
Well, you seem to be very comfortable here. | 1:11:44 | 1:11:48 | |
It's a bit racier than most prisons I know. | 1:11:48 | 1:11:52 | |
This is Squadron Officer Laurence - one of our top camouflage people. | 1:11:52 | 1:11:57 | |
She's proud of the work they did last night. Show him. | 1:11:57 | 1:12:01 | |
Those false buildings on fire should have fooled the Germans. | 1:12:01 | 1:12:05 | |
Ah! It's taken in the dark. | 1:12:05 | 1:12:08 | |
-Yes - infrared film. -A-ha. | 1:12:08 | 1:12:11 | |
You didn't tell me you did that much damage. | 1:12:11 | 1:12:15 | |
So it looks to me and I'm an expert. | 1:12:15 | 1:12:18 | |
-And this - taken not more than five minutes after the German plane had gone. -So his photos would be... | 1:12:18 | 1:12:24 | |
-Similar to that one. -The factory - how long will that be out of action? | 1:12:24 | 1:12:29 | |
The night shift will be on at midnight. | 1:12:29 | 1:12:33 | |
Sir, they're calling Chapman on the radio. | 1:12:33 | 1:12:36 | |
-Answer for me, will you? -They could identify your finger on the tapper. | 1:12:36 | 1:12:41 | |
Take care of this. | 1:12:43 | 1:12:46 | |
HE TAPS KEYS | 1:12:51 | 1:12:54 | |
BEEPING | 1:13:08 | 1:13:10 | |
No... | 1:13:10 | 1:13:13 | |
..submarine possible. | 1:13:15 | 1:13:17 | |
Proceed... | 1:13:19 | 1:13:21 | |
Lisbon...by ship. | 1:13:21 | 1:13:24 | |
Last message. | 1:13:26 | 1:13:29 | |
That's funny. | 1:13:32 | 1:13:35 | |
Good show, well done. | 1:13:35 | 1:13:38 | |
Last message sounds like breaking off contact, doesn't it? | 1:13:40 | 1:13:44 | |
I can't say I like it. | 1:13:45 | 1:13:47 | |
I can't say I like it at all. | 1:13:47 | 1:13:50 | |
There's a funny smell to it. Something's not quite right. | 1:13:50 | 1:13:55 | |
It's because we're concerned for your welfare that we're having this talk. | 1:13:55 | 1:14:00 | |
I'm not sure it's safe for you to go back. | 1:14:00 | 1:14:04 | |
If it was made worth my while... | 1:14:04 | 1:14:07 | |
The financial terms have already been agreed. | 1:14:07 | 1:14:11 | |
Also the matter of the Distinguished Service Order - no. | 1:14:11 | 1:14:15 | |
I wear it when I'm in uniform. I'm a snob about whoever else wears it. | 1:14:15 | 1:14:20 | |
If you do go back now, | 1:14:21 | 1:14:24 | |
it will be on my terms. | 1:14:24 | 1:14:27 | |
The day of the private war of Eddie Chapman has come to an end. | 1:14:27 | 1:14:31 | |
-Are you with me? -I'm not sure I'm WITH you, but I'm beginning to get what you have in mind. | 1:14:31 | 1:14:37 | |
It lives 600ft down in the sea, between the rocks | 1:14:38 | 1:14:42 | |
and it eats small fish and it's also fond of human flesh. | 1:14:42 | 1:14:47 | |
So far, you've had it pretty good. | 1:14:47 | 1:14:49 | |
You've been working for von Grunen - an old-school gentleman, | 1:14:49 | 1:14:54 | |
but you're NOT working for a gentleman now. | 1:14:54 | 1:14:57 | |
You've got to decide who's going to win this war and God help you if the Germans get to London. | 1:14:57 | 1:15:03 | |
They'll find tons of official and secret documents | 1:15:03 | 1:15:07 | |
in beautiful crumbling ashes. | 1:15:07 | 1:15:10 | |
In a convenient fireplace in MI5, | 1:15:10 | 1:15:12 | |
they'll find the half-burnt dossier of Edward Arnold Chapman. | 1:15:12 | 1:15:18 | |
That half will be enough to get a rope round your neck or a bullet through your brain within the hour. | 1:15:18 | 1:15:24 | |
I don't know what's happened to the British sense of justice. | 1:15:24 | 1:15:28 | |
Well, all right. Now, remember the first 5,000. | 1:15:28 | 1:15:33 | |
And no cheques. Hmm? | 1:15:33 | 1:15:35 | |
Fine. | 1:15:36 | 1:15:39 | |
We have to do is get you back to the Germans in the best condition. | 1:15:39 | 1:15:44 | |
The first time here, you complained of your treatment. | 1:15:46 | 1:15:50 | |
I told you, | 1:15:50 | 1:15:52 | |
it was... | 1:15:52 | 1:15:54 | |
It was be... | 1:15:54 | 1:15:56 | |
-And the time of the train? -Just before six. I told you. | 1:15:56 | 1:16:01 | |
Corridor or no corridor? | 1:16:01 | 1:16:04 | |
-None, as I remember. -I want a definite answer. | 1:16:04 | 1:16:08 | |
No corridor. | 1:16:08 | 1:16:10 | |
Look, I'm tired now. | 1:16:10 | 1:16:13 | |
I've got to get some sleep. | 1:16:13 | 1:16:16 | |
Give him another drink - that should wake him. | 1:16:16 | 1:16:20 | |
You'll take over in half an hour. | 1:16:20 | 1:16:23 | |
-That film you saw the first night in London? -A pretty girl called... | 1:16:29 | 1:16:34 | |
Sally, er... | 1:16:34 | 1:16:37 | |
Grey and Anton Walbrook and er... | 1:16:37 | 1:16:41 | |
Warsaw Concerto, that was the name, something like that. | 1:16:41 | 1:16:45 | |
-Which cinema? -Marble Arch. | 1:16:45 | 1:16:48 | |
-And the colour of your railway ticket to London? -White. -No, no - | 1:16:48 | 1:16:53 | |
green, white's first-class. There is no first class on local railways. | 1:16:53 | 1:16:58 | |
-One mistake like that with the real boys and you'll be a goner. -Please, | 1:16:58 | 1:17:03 | |
-I've been here days. -15 hours and they'll keep you 30 straight. -Make him finish the bottle. | 1:17:03 | 1:17:09 | |
Grill him for another four hours. If he survives, it will be safe for him to catch the ship tomorrow night. | 1:17:15 | 1:17:21 | |
Gentlemen, thank you. You've taught me one thing - | 1:17:21 | 1:17:25 | |
never let the Polish catch you. | 1:17:25 | 1:17:28 | |
And Chapman, | 1:17:28 | 1:17:31 | |
in case we never meet again, I'm relying on you to do a good job. | 1:17:31 | 1:17:36 | |
After all, you do represent a considerable investment. | 1:17:36 | 1:17:41 | |
-HE GROANS -Now, sugar ration - | 1:17:44 | 1:17:48 | |
-how many ounces a week? -Oh! | 1:17:48 | 1:17:51 | |
-I adore you! -Why? | 1:18:49 | 1:18:51 | |
Because you never, never change. | 1:18:51 | 1:18:54 | |
I don't have time for backchat. | 1:18:54 | 1:18:57 | |
-It was you in the black car? -Yes. | 1:18:57 | 1:19:00 | |
-I had to reach you before Schnapps or Keller. -Where's von Grunen? | 1:19:00 | 1:19:05 | |
-On the Russian front. -Russia? | 1:19:05 | 1:19:08 | |
Why? | 1:19:08 | 1:19:10 | |
Some say it was your doing. | 1:19:10 | 1:19:13 | |
-Ah! -Senor? -Una manzanilla, por favor. | 1:19:13 | 1:19:17 | |
What am I being blamed for now? | 1:19:17 | 1:19:19 | |
Three of our best people in England | 1:19:19 | 1:19:22 | |
were liquidated within days of your arrival. | 1:19:22 | 1:19:25 | |
-The arm of coincidence can't be that long. You do follow? -Oh, yes. | 1:19:25 | 1:19:31 | |
-You'll be interrogated for three days. I hope your story's good. -Yes. | 1:19:31 | 1:19:37 | |
Neither of us can be safe | 1:19:41 | 1:19:44 | |
-unless von Grunen is brought back and you can do it. -How? | 1:19:44 | 1:19:48 | |
There's information that you can give to him. | 1:19:48 | 1:19:52 | |
-No. But he owes me a lot of money. -Can you prove that? | 1:19:52 | 1:19:56 | |
-It's in the contract. -As soon as they are satisfied at the chateau, | 1:19:56 | 1:20:02 | |
-I might get the right people by telephone. -Agente provocatrice. | 1:20:02 | 1:20:06 | |
Hey, you're working too hard. | 1:20:06 | 1:20:09 | |
Why? | 1:20:09 | 1:20:11 | |
Does it show? | 1:20:11 | 1:20:13 | |
-Why don't you stop? This is a man's game. -Yes, I will stop. | 1:20:13 | 1:20:18 | |
One must stop, sometimes. | 1:20:18 | 1:20:21 | |
At the moment, I have to be clever. | 1:20:22 | 1:20:24 | |
Let's both be clever. | 1:20:24 | 1:20:27 | |
DOORBELL | 1:20:33 | 1:20:36 | |
This way. | 1:20:44 | 1:20:46 | |
Come in. | 1:20:56 | 1:20:59 | |
You are Franz Grauman? | 1:21:10 | 1:21:13 | |
Unless you're the military attache, no I'm not. | 1:21:13 | 1:21:17 | |
Whatever I am is not your business. | 1:21:17 | 1:21:19 | |
You will please go to that table | 1:21:19 | 1:21:22 | |
and write down all of your activity from when you arrived in England. | 1:21:22 | 1:21:27 | |
You will omit nothing. | 1:21:30 | 1:21:33 | |
You both seem overjoyed to see me. | 1:21:42 | 1:21:45 | |
Of course we are. | 1:21:45 | 1:21:48 | |
Welcome back. | 1:21:48 | 1:21:50 | |
There's only one Franz Grauman - he's the man. | 1:21:50 | 1:21:54 | |
He hasn't changed, not one bit. | 1:21:56 | 1:21:59 | |
At least life will be more gay at the chateau now he's back. | 1:21:59 | 1:22:03 | |
Just when we'd given him up forever. | 1:22:03 | 1:22:06 | |
-Given me up? -I never thought you'd dare come back | 1:22:06 | 1:22:10 | |
after all that has happened. | 1:22:10 | 1:22:13 | |
-Well, why not? -It takes courage to do what you are doing now. | 1:22:13 | 1:22:18 | |
Walking into the lion's den like this. | 1:22:18 | 1:22:22 | |
Well... | 1:22:22 | 1:22:24 | |
I've come back for my money. | 1:22:24 | 1:22:26 | |
-What money? -100,000 marks the baron owes me. -Who is no longer with us. | 1:22:26 | 1:22:32 | |
May no longer be with anybody. | 1:22:32 | 1:22:35 | |
Conditions on the Eastern Front are appalling. | 1:22:35 | 1:22:39 | |
-This is defeatist talk. -Yes, all right. | 1:22:39 | 1:22:43 | |
Everybody knows that our glorious armed forces are winning victory after victory on the Eastern Front. | 1:22:43 | 1:22:50 | |
A few more triumphs and we'll be fighting in Berlin itself. | 1:22:50 | 1:22:54 | |
-Colonel Steinhager, please. -Yes. | 1:22:54 | 1:22:57 | |
In the meantime, put down on paper your experiences in England. | 1:22:57 | 1:23:02 | |
It should make fascinating reading. | 1:23:06 | 1:23:09 | |
Omitting nothing. | 1:23:11 | 1:23:13 | |
-You have time? -Oh yes, we have time. | 1:23:13 | 1:23:16 | |
After all, time is on our side, isn't it? | 1:23:17 | 1:23:22 | |
Your possibility of political asylum has been lost, Franz. | 1:23:54 | 1:23:58 | |
We have crossed the border. | 1:23:58 | 1:24:01 | |
I don't know what you're getting at. | 1:24:01 | 1:24:03 | |
You were in neutral territory. Now you're not. | 1:24:03 | 1:24:07 | |
-Franz, come on. -Eddie. | 1:24:33 | 1:24:36 | |
Good luck. | 1:24:40 | 1:24:42 | |
-Heil Hitler. -Heil Hitler. | 1:24:49 | 1:24:51 | |
Heil Hitler. | 1:24:51 | 1:24:53 | |
For you. | 1:24:54 | 1:24:57 | |
Oh, yes. They are waiting. | 1:24:57 | 1:24:59 | |
-They have been waiting quite a time. They don't like to wait. -Come on. | 1:24:59 | 1:25:05 | |
Come on! | 1:25:05 | 1:25:07 | |
-What is it, huh? -Is there somewhere I can...? -Bathroom through there. | 1:25:12 | 1:25:17 | |
KNOCK AT DOOR | 1:25:35 | 1:25:37 | |
Grauman! | 1:25:37 | 1:25:40 | |
Open this door! | 1:25:40 | 1:25:42 | |
-KNOCKING CONTINUES -All right. | 1:25:42 | 1:25:48 | |
What's the matter with you? You look terrible. | 1:25:51 | 1:25:55 | |
I had no food I suppose. | 1:25:55 | 1:25:57 | |
Drink this. A man must put something into his stomach. | 1:25:57 | 1:26:01 | |
I know someone who was just about to. | 1:26:01 | 1:26:03 | |
Grauman. | 1:26:09 | 1:26:11 | |
OK, gentlemen, that is about all for now. We shall discuss this later. | 1:26:18 | 1:26:23 | |
Take these papers. | 1:26:26 | 1:26:28 | |
Go on. | 1:26:31 | 1:26:33 | |
Field Marshall Rundstedt, may I present to you Lieutenant Special Service Franz Grauman? | 1:26:39 | 1:26:45 | |
They told me your story. I've been looking forward to meeting you. | 1:26:45 | 1:26:49 | |
Read it. | 1:26:54 | 1:26:56 | |
"To Lieutenant Special Service Franz Grauman | 1:26:56 | 1:26:59 | |
"for successful achievements on behalf of the German Army, | 1:26:59 | 1:27:03 | |
"culminating in an exploit that resulted in the destruction of the Vickers Aircraft factory in England. | 1:27:03 | 1:27:10 | |
"At personal risk, and requiring specialised skills. Your award is made herewith of the Iron Cross. | 1:27:10 | 1:27:16 | |
"In the name of the Fuhrer, Adolf Hitler. | 1:27:16 | 1:27:20 | |
"It is worthy of further notice that Grauman is the first Englishman to become a recipient of this honour." | 1:27:20 | 1:27:26 | |
In the name of the Fuhrer, Adolf Hitler. | 1:27:27 | 1:27:31 | |
Now that you have been promoted to Lieutenant, the first thing you need is a visit to my tailor, | 1:27:31 | 1:27:38 | |
-and a different uniform. -That's very kind of you. | 1:27:38 | 1:27:41 | |
Is there anything else you want? Anything I can do for you? | 1:27:41 | 1:27:45 | |
Well, yes, I... I don't quite know how to put it. | 1:27:45 | 1:27:49 | |
There is, actually. | 1:27:49 | 1:27:51 | |
There most certainly is. | 1:27:52 | 1:27:54 | |
-We're glad to see you back, sir. -No need for speeches. I'm glad to be back. | 1:28:11 | 1:28:16 | |
Your buttons need shining. | 1:28:16 | 1:28:20 | |
I think that includes all my personal documents. | 1:28:32 | 1:28:35 | |
These are the files on the general administration. | 1:28:35 | 1:28:39 | |
Thank you, Steinhager. I'm sorry to make you clear everything out. | 1:28:39 | 1:28:44 | |
It's better to start off the way I intend to continue. | 1:28:44 | 1:28:48 | |
How did you get a hold of this? | 1:28:59 | 1:29:01 | |
-What? -This aerial photo. | 1:29:01 | 1:29:05 | |
What is it an aerial photo of, Franz? Tell us. | 1:29:07 | 1:29:11 | |
And where have you seen it before? Hmm? Tell us. | 1:29:12 | 1:29:17 | |
It's the Vickers factory of course. | 1:29:17 | 1:29:20 | |
Look, I spent four days learning the layout, looking at pictures... | 1:29:21 | 1:29:26 | |
in this very room. | 1:29:26 | 1:29:29 | |
I've seen it before. | 1:29:29 | 1:29:32 | |
No, Franz. Pictures, drawings, but not aerial photographs. | 1:29:32 | 1:29:36 | |
And certainly not aerial photographs of a factory on fire. | 1:29:36 | 1:29:40 | |
Don't you think you have made a dangerous little slip-up this time? | 1:29:40 | 1:29:46 | |
Hmm? Don't you? | 1:29:46 | 1:29:48 | |
-My English friend. -Oh, give over, Steinhager. You're getting as nutty as Keller. | 1:29:48 | 1:29:54 | |
-Once a policeman, always a policeman. Is that how the saying goes? -Yes. | 1:29:54 | 1:29:59 | |
And it doesn't make me angry, as you would like it to. | 1:29:59 | 1:30:04 | |
I am proud of being a policeman and grateful. We policeman have to be kept on no matter what the regime. | 1:30:04 | 1:30:10 | |
Whether Germany is ruled by an emperor or communists or national socialists, the state needs policemen | 1:30:10 | 1:30:16 | |
-and the policeman is asking you one more question! -Hurry it up, then! | 1:30:16 | 1:30:20 | |
You said, "How on earth did you get hold of this?!" | 1:30:20 | 1:30:24 | |
As if it were surprising for us, the Germans, to have this picture. | 1:30:24 | 1:30:29 | |
Why would you ask that if you had seen this picture before, | 1:30:29 | 1:30:33 | |
-when you were studying here? Why? -It's meant to be of the highest security rating, kept in a safe. | 1:30:33 | 1:30:40 | |
Now they're flogging them around for one and all to see. | 1:30:40 | 1:30:44 | |
-Until the baron returned, -I -was in charge! I wasn't one and all. | 1:30:44 | 1:30:50 | |
Oh, Franz, you disappoint me. | 1:30:52 | 1:30:56 | |
-You disappoint me that you cannot think of anything better! -Steinhager... | 1:30:56 | 1:31:02 | |
if you feel so strongly that you have a case against Grauman, then you must make a formal charge, | 1:31:02 | 1:31:08 | |
press for an investigation. | 1:31:08 | 1:31:11 | |
But if you are wrong... it will be your responsibility. | 1:31:11 | 1:31:17 | |
-Are you willing to take the risk? -What would be the use? Franz seems to have friends in...high places. | 1:31:17 | 1:31:24 | |
No, it's just that I am disappointed professionally. | 1:31:24 | 1:31:29 | |
Cruelly disappointed. | 1:31:29 | 1:31:32 | |
That is the first time I feel sympathy for that man. | 1:31:36 | 1:31:40 | |
And, of course, he is right... | 1:31:40 | 1:31:43 | |
he's bound to survive. | 1:31:43 | 1:31:46 | |
-Why him? -He's doing his job... | 1:31:46 | 1:31:49 | |
he enjoys it. That's what makes him dangerous. | 1:31:49 | 1:31:54 | |
Ah, well, Baron... | 1:31:54 | 1:31:56 | |
welcome home. | 1:31:56 | 1:32:00 | |
CAR HORN BEEPS | 1:32:10 | 1:32:13 | |
BEEPING CONTINUES | 1:32:15 | 1:32:18 | |
This certainly is not the German army that conquered Poland, Norway and France in under one year of war. | 1:32:21 | 1:32:28 | |
No, it certainly isn't. | 1:32:28 | 1:32:31 | |
Strange. | 1:32:31 | 1:32:33 | |
I am part of this army... | 1:32:33 | 1:32:35 | |
and yet I like to think of myself as a pacifist. | 1:32:35 | 1:32:39 | |
I'm a pacifist myself. | 1:32:39 | 1:32:42 | |
I wonder, Eddie... all the time I wonder... | 1:32:44 | 1:32:49 | |
what you really are. | 1:32:49 | 1:32:52 | |
Helene, a packet of Gauloises, s'il vous plait. | 1:33:03 | 1:33:07 | |
More champagne, I think, don't you? | 1:33:09 | 1:33:12 | |
Garcon! | 1:33:12 | 1:33:14 | |
I'm afraid I'll have to leave you. Those friends of mine in the corner, I cannot keep them waiting. | 1:33:14 | 1:33:21 | |
Fearfully top army echelon, are they? | 1:33:23 | 1:33:27 | |
-Bring him another bottle and when he has finished that, put him in a taxi and send him to his hotel. -Yes. | 1:33:27 | 1:33:33 | |
I'll see you in the morning. | 1:33:33 | 1:33:36 | |
-You look so sad and lonely. -I'm a sad and lonely type. | 1:33:42 | 1:33:46 | |
Then don't you think...? | 1:33:46 | 1:33:48 | |
YOU push off. I was here first. | 1:33:48 | 1:33:51 | |
-Bonsoir. -She doesn't belong here! -Run, don't walk. | 1:33:51 | 1:33:55 | |
I know I'm late. I'm sorry. Your telegram was difficult to deliver. And now...I have another name. | 1:34:00 | 1:34:06 | |
-Oh. Legally. -Yes. My husband's name. | 1:34:07 | 1:34:11 | |
-Why did you want to see me? -To ask you the time. | 1:34:11 | 1:34:16 | |
And what else? | 1:34:16 | 1:34:19 | |
Well...the last time I saw you, you had friends with you. Remember? | 1:34:21 | 1:34:27 | |
Friends in the Resistance. | 1:34:27 | 1:34:30 | |
I'm not trying to trap you, believe me. I need help. | 1:34:30 | 1:34:35 | |
-Help from the French underground. I've got to... -< CHAMPAGNE CORK POPS | 1:34:35 | 1:34:40 | |
-I must have radio communication with England. -I can't possibly... | 1:34:48 | 1:34:53 | |
You don't have to admit to anything, just listen. Suppose you knew someone in the Resistance... | 1:34:53 | 1:34:59 | |
and suppose he checked up on me with London...when he found out I was all right, he could contact me. | 1:34:59 | 1:35:07 | |
If I knew such people, what would you want to tell them? | 1:35:07 | 1:35:11 | |
Take a look at that table in the corner. | 1:35:11 | 1:35:14 | |
-One of those generals is Field Marshall Von Kluge. The colonel with him is Von Grunen. -Meaning what? | 1:35:14 | 1:35:20 | |
Von Grunen is using me as a cover to attend that meeting over there. | 1:35:20 | 1:35:23 | |
Today is Tuesday. I only buy books on Fridays and Saturdays. | 1:35:23 | 1:35:29 | |
..So the names really do mean something to you. | 1:35:30 | 1:35:33 | |
Do me a favour, will you? | 1:35:33 | 1:35:36 | |
Get me in touch with England by radio. And then do me another? | 1:35:36 | 1:35:41 | |
Right afterwards... get out of this business. | 1:35:41 | 1:35:45 | |
Deux cents francs, monsieur. | 1:35:55 | 1:35:58 | |
At eight o'clock. At the bistro called Les Bons Nuits, rue Lamartine. | 1:36:09 | 1:36:13 | |
Eight o'clock? | 1:36:13 | 1:36:15 | |
Merci, monsieur. | 1:36:40 | 1:36:42 | |
Let me know straight away. | 1:36:59 | 1:37:01 | |
Well? | 1:37:24 | 1:37:26 | |
We'll come back in a few minutes. | 1:37:26 | 1:37:29 | |
Le rouge? | 1:38:03 | 1:38:05 | |
Paulette? | 1:38:07 | 1:38:09 | |
Bonsoir. | 1:38:14 | 1:38:16 | |
Raymond! | 1:38:16 | 1:38:18 | |
-Raymond. -Coming. | 1:38:18 | 1:38:20 | |
Salut. | 1:38:26 | 1:38:28 | |
-Can we talk here? -Mmm. Nowhere safer. | 1:38:37 | 1:38:40 | |
-Got me cleared with London? -If you have something to say, I may be able to get it across there. | 1:38:40 | 1:38:46 | |
-You're taking an awful risk, talking like that. Openly. -That's the secret. The trick. | 1:38:46 | 1:38:51 | |
Talk openly. I can deny anything. | 1:38:51 | 1:38:54 | |
You have a grudge against me, maybe? | 1:38:55 | 1:38:58 | |
Or you want me out of the way for some reason? | 1:38:58 | 1:39:01 | |
Now, is there still something you want to tell me? | 1:39:02 | 1:39:05 | |
I could've used somebody like you back in the good old days. | 1:39:05 | 1:39:09 | |
-I'll tell you fast. 21st Panzer and the 19th Light have arrived in France. -How do you know? | 1:39:09 | 1:39:14 | |
-The generals were at dinner... -Yes? -Paris, on Tuesday night. | 1:39:14 | 1:39:17 | |
Something pretty funny going on among those generals. The regular army ones, I mean. | 1:39:17 | 1:39:22 | |
It involves a senior officer on the general... | 1:39:22 | 1:39:25 | |
I might have known. | 1:39:30 | 1:39:32 | |
Keller! | 1:39:32 | 1:39:33 | |
I'm surprised to see you here, disreputable dive like this. | 1:39:33 | 1:39:37 | |
I'm not surprised to see YOU, however. | 1:39:37 | 1:39:40 | |
Everybody seems to have his hands in his pockets. | 1:39:40 | 1:39:43 | |
-HE TUTS -What is it, a raid or something? | 1:39:43 | 1:39:46 | |
But you take your hands OUT of your pocket. | 1:39:46 | 1:39:50 | |
Bit jumpy, aren't you, Keller? What seems to be bothering you? | 1:39:56 | 1:40:00 | |
-Cigarette? -You are under arrest. | 1:40:00 | 1:40:02 | |
Oh, Captain, you need your head examined! | 1:40:02 | 1:40:05 | |
-I received your telephone message. I came as soon as I could. -Sorry, it turns out it was a false alarm. | 1:40:17 | 1:40:23 | |
He got away. And you...? What are you doing here? | 1:40:23 | 1:40:28 | |
It's a coincidence. They happened to walk in. Isn't that right? | 1:40:28 | 1:40:32 | |
As Grauman says, sir... A false alarm. | 1:40:33 | 1:40:38 | |
I don't know what's happening here, but I intend to find out. | 1:40:38 | 1:40:43 | |
It had better be important enough to take me from a dinner with the Colonel General! Back to your hotel. | 1:40:43 | 1:40:49 | |
-Stay there until I send for you. -Yes, sir. -We have a rendezvous tomorrow evening. Don't miss it. | 1:40:49 | 1:40:55 | |
Now it's you! | 1:40:57 | 1:41:00 | |
A telephone message. | 1:41:00 | 1:41:02 | |
It's from you? | 1:41:02 | 1:41:03 | |
Better ask Grauman! | 1:41:03 | 1:41:06 | |
He seems to be the only one who knows what's going on. | 1:41:06 | 1:41:10 | |
Night, all. | 1:41:24 | 1:41:26 | |
Leave your coat here. I'll sign for both of us. ..Evening! | 1:41:39 | 1:41:43 | |
Ah, my dear cousin, THIS is your celebrated protege. | 1:41:43 | 1:41:47 | |
-Good evening, gentlemen. -Fuhrer! | 1:41:50 | 1:41:52 | |
-How's your father? Haven't seen him for years! Is he keeping well? -Quite well, sir. -We must all keep well! | 1:41:52 | 1:41:59 | |
-Colonel General, may I present Lieutenant Special Services, Franz Grauman. -Good evening. | 1:41:59 | 1:42:04 | |
-Heil Hitler! -Mm. | 1:42:04 | 1:42:06 | |
Extraordinary how things have changed, isn't it? Instead of "Heil Hitler", he grunts. | 1:42:09 | 1:42:14 | |
- Colonel Steinhager! - Ja? | 1:42:14 | 1:42:18 | |
Nobody is to go in or out until the meeting is quite over. No exceptions, sir? | 1:42:18 | 1:42:23 | |
None. That's an order. | 1:42:23 | 1:42:25 | |
Looks like we're in for a very rough night, my friends! | 1:42:25 | 1:42:29 | |
I say no, no and no. The last mission was entirely for the benefit of the Luftwaffe. | 1:42:32 | 1:42:38 | |
- This time the Kriegsmarine must have a chance! - Grauman belongs to the Army! | 1:42:38 | 1:42:42 | |
-The Navy is the senior of all the services! -Yes, and the smallest. | 1:42:42 | 1:42:47 | |
My dear Admiral, and esteemed friend, your argument is very weak. | 1:42:47 | 1:42:51 | |
This meeting is going to last a week. | 1:42:54 | 1:42:57 | |
< Shan't sleep for a week as it is! | 1:42:57 | 1:43:00 | |
LOUD DISCUSSION > My God, the Luftwaffe are going to bomb the Navy! OUR Navy! | 1:43:02 | 1:43:07 | |
-< I said that it's impossible! -They're running out of steam already. | 1:43:07 | 1:43:13 | |
-I am just waiting for the right moment. -Lower your voices! | 1:43:13 | 1:43:17 | |
You can be heard halfway across Paris! | 1:43:17 | 1:43:19 | |
General Schuler is in there! I demand he receives this message! | 1:43:19 | 1:43:24 | |
My entire career could be destroyed! An SS general being refused a communique?! | 1:43:24 | 1:43:30 | |
You know our instructions! I must insist. | 1:43:30 | 1:43:33 | |
Insist?! You INSIST?! | 1:43:33 | 1:43:36 | |
Sit down at once! | 1:43:36 | 1:43:38 | |
I may not be SS, but by God, | 1:43:38 | 1:43:40 | |
I will court-martial you for disobeying orders! | 1:43:40 | 1:43:45 | |
Give it to me. | 1:43:46 | 1:43:48 | |
Any minute now. | 1:43:50 | 1:43:53 | |
It doesn't look as though that is going to work out either. | 1:44:03 | 1:44:06 | |
-The only solution for this is a mission that will have something for each of them. -So it seems! | 1:44:06 | 1:44:12 | |
-Have you a suggestion? -In England, Colonel General, near Portsmouth, | 1:44:12 | 1:44:16 | |
five heavy bomber stations are airfields for quite specific targets in Germany. Planes from Lakenheath | 1:44:16 | 1:44:23 | |
always bomb Hamburg. And Manston has Berlin for a target. | 1:44:23 | 1:44:27 | |
-We need a man in the Portsmouth area... -Exactly. A man to radio us which airfield they leave from. | 1:44:27 | 1:44:33 | |
The Luftwaffe could then concentrate its night fighters over the target area. | 1:44:33 | 1:44:38 | |
From intelligence, bulletin 317, | 1:44:38 | 1:44:41 | |
we have reports of another American army to be formed in England, possibly under General Patton, | 1:44:41 | 1:44:47 | |
-in the same Portsmouth area. -Identify this US army successfully, | 1:44:47 | 1:44:51 | |
and we can arrange something more interesting than Iron Cross work! | 1:44:51 | 1:44:57 | |
Gentlemen, this sugestion of General von Grunen is inspired! | 1:44:57 | 1:45:03 | |
We've been talking for hours at cross purposes | 1:45:03 | 1:45:06 | |
and now we have a plan of action for our valuable English associate. | 1:45:06 | 1:45:10 | |
Have you no comment to make on this? | 1:45:10 | 1:45:13 | |
When am I going to get any sleep? | 1:45:13 | 1:45:15 | |
-LAUGHTER -Right now because I am going. | 1:45:15 | 1:45:18 | |
Open the windows, please. We need some fresh air. | 1:45:18 | 1:45:22 | |
When you see your father - he was my divisional commander - | 1:45:22 | 1:45:25 | |
-tell him from me that his son would certainly equal his achievements. -I'll tell him. Thank you. | 1:45:25 | 1:45:31 | |
It's difficult to be both a solider and a diplomat. Good night, or good morning rather, gentlemen. | 1:45:31 | 1:45:36 | |
-You did not want to be disturbed, sir. -You carried out your orders well. -These messages are important. | 1:45:36 | 1:45:43 | |
They are very important, sir. I can tell you what it is. | 1:45:43 | 1:45:47 | |
The Allies... | 1:45:47 | 1:45:49 | |
the Allies have landed in Normandy. | 1:45:49 | 1:45:51 | |
-HE LAUGHS -Anything wrong? | 1:46:02 | 1:46:05 | |
I don't know. It seems in order. | 1:46:05 | 1:46:07 | |
The only thing is the money must be in a Swiss bank in dollars, all 100,000 of them. | 1:46:07 | 1:46:13 | |
I can't blame you. We've lost the war now. It's only a matter of time. | 1:46:13 | 1:46:19 | |
-Sh-sh-sh. -Microphones. | 1:46:19 | 1:46:21 | |
No-one cares any more. Everybody says it. | 1:46:21 | 1:46:25 | |
Hitler has been interfering so much with army strategy, Von Rundstedt has asked to be replaced. | 1:46:25 | 1:46:31 | |
-Von Kluge is taking over. -Ah, who was in the night club with him. | 1:46:31 | 1:46:35 | |
I didn't tell you it was Von Kluge. | 1:46:36 | 1:46:38 | |
Some time ago, that remark of yours might have got you into a lot of trouble. | 1:46:38 | 1:46:45 | |
Now, who cares? Your copy of the signed contract. | 1:46:45 | 1:46:49 | |
They're not serious about sending me on this job, are they? | 1:46:52 | 1:46:56 | |
V1s and V2s, that's all the madman has left up his sleeve. | 1:46:56 | 1:47:00 | |
Secret weapons. | 1:47:00 | 1:47:02 | |
ARTILLERY FIRE | 1:47:02 | 1:47:04 | |
How far are they? | 1:47:04 | 1:47:07 | |
About 35 miles. | 1:47:07 | 1:47:09 | |
American Third Army will be here in less than a week. | 1:47:09 | 1:47:13 | |
Well, I'll be in Paris tomorrow. | 1:47:13 | 1:47:15 | |
Anything I can get you? | 1:47:15 | 1:47:17 | |
No. I have an aircraft waiting. | 1:47:17 | 1:47:20 | |
It's an important journey for me. | 1:47:20 | 1:47:22 | |
-Your radio frequencies. -What was that? | 1:47:40 | 1:47:43 | |
Your radio frequencies. | 1:47:43 | 1:47:46 | |
-You'll memorise them before you leave. -I'll learn them. | 1:47:46 | 1:47:49 | |
Wish I was going with you. | 1:47:49 | 1:47:51 | |
The Countess going back to Sweden, you to England, the place won't be the same. | 1:47:51 | 1:47:57 | |
-Not with the American and British soldiers around, it won't. -I mean... AIRCRAFT OVERHEAD | 1:47:57 | 1:48:03 | |
-Did you see that? Free French. -I'm not particular. We're late. I want to celebrate my last night in Paris. | 1:48:23 | 1:48:30 | |
SHOUTING | 1:48:37 | 1:48:39 | |
SOFT MUSIC PLAYS | 1:48:51 | 1:48:53 | |
When it ends, and it will end, what will you do? | 1:48:53 | 1:48:58 | |
-If I survive? -Oh, you'll survive. | 1:48:58 | 1:49:01 | |
As I will. We're both professional survivors. | 1:49:01 | 1:49:04 | |
In that case, I'll just go on doing what I like best. | 1:49:04 | 1:49:09 | |
Which is? | 1:49:09 | 1:49:11 | |
Looking at pretty things. | 1:49:11 | 1:49:13 | |
If you ever go to Sweden... | 1:49:22 | 1:49:24 | |
Wouldn't work. | 1:49:27 | 1:49:29 | |
Well, we could try. | 1:49:31 | 1:49:34 | |
Oh... | 1:49:36 | 1:49:38 | |
are we too much alike? | 1:49:38 | 1:49:41 | |
Let's just say... | 1:49:41 | 1:49:43 | |
we're very much alike. | 1:49:43 | 1:49:45 | |
Steinhager's here. | 1:49:59 | 1:50:02 | |
Vous restez, monsieur? What? | 1:50:02 | 1:50:04 | |
Can we stop dancing? I don't enjoy it with him watching. | 1:50:04 | 1:50:08 | |
-Table? -No, no. | 1:50:17 | 1:50:19 | |
Ah! | 1:50:19 | 1:50:21 | |
Charming! | 1:50:21 | 1:50:23 | |
-Charming. It makes my heart feel young again just to watch you. -First you'll have to steal a heart. | 1:50:23 | 1:50:28 | |
Tsk, tsk, tsk. Franz... | 1:50:28 | 1:50:31 | |
And the last time we shall be together, huh? | 1:50:31 | 1:50:34 | |
-You've come for me rather early. -They are getting anxious at the airfield, and no Von Grunen. | 1:50:34 | 1:50:39 | |
Do you know where he is? | 1:50:39 | 1:50:41 | |
Come on. | 1:50:42 | 1:50:44 | |
-You coming? -I've had too many farewells in my time. | 1:50:48 | 1:50:52 | |
I'll miss you, Helga. | 1:50:56 | 1:50:58 | |
It's nice to know you remember my name. | 1:50:59 | 1:51:02 | |
I WILL miss you. | 1:51:02 | 1:51:04 | |
Just go. I'll have a little more wine. | 1:51:08 | 1:51:12 | |
-STEINHAGER LAUGHS Ah, Keller! -I was worried about you. | 1:51:33 | 1:51:36 | |
-I thought they'd sent you to the Russian front. -Worry about yourself. -I didn't know you cared(!) | 1:51:36 | 1:51:42 | |
-Colonel, fog is closing in. As soon as you're ready... -We are coming. | 1:51:42 | 1:51:46 | |
-I'd like to have seen the baron. -So would we all. -'Achtung. Achtung. | 1:51:46 | 1:51:50 | |
'This is an important announcement. | 1:51:50 | 1:51:52 | |
'The Fuhrer is well. The Fuhrer is not dead as reported...' Gott! | 1:51:52 | 1:51:57 | |
'..by traitors who seized Radio Stuttgart illegally. | 1:51:57 | 1:52:00 | |
'There has been an attempt on the life of our glorious Fuhrer by some treacherous senior officers. | 1:52:00 | 1:52:05 | |
'But in less than one hour, the Fuhrer himself will speak to you. | 1:52:05 | 1:52:09 | |
'Stay tuned to this station.' MILITARY MUSIC PLAYS | 1:52:09 | 1:52:12 | |
-I suppose that cancels MY trip. -There's no order cancelling it... | 1:52:16 | 1:52:20 | |
Grauman must wait. | 1:52:20 | 1:52:22 | |
Oh, come on, make up your minds. You heard what the pilot said. | 1:52:23 | 1:52:28 | |
That's right. Grauman's mission is urgent. These filthy traitors shouldn't affect you. | 1:52:28 | 1:52:33 | |
Come on - the cars are waiting. | 1:52:33 | 1:52:36 | |
Be ready as soon as I send for you. | 1:52:42 | 1:52:45 | |
Look after yourself, Steinhager. I don't want to come back and find you listed as missing in action. | 1:52:49 | 1:52:54 | |
Always the joker, Franz! Always the joker. | 1:52:54 | 1:52:58 | |
Franz! There's one thing I must ask you. Are you...? | 1:52:58 | 1:53:02 | |
SCREECHING OF TYRES | 1:53:02 | 1:53:05 | |
I know - I heard. | 1:53:19 | 1:53:21 | |
-Already? -On the radio. | 1:53:21 | 1:53:23 | |
We're doomed. When the aristocracy of the German army cannot even blow up one single room at a given time, | 1:53:23 | 1:53:30 | |
we deserve to lose. | 1:53:30 | 1:53:33 | |
PLANE ENGINE REVS | 1:53:33 | 1:53:36 | |
Ja, danke schon, danke schon. Later! | 1:53:39 | 1:53:41 | |
Look, Eddie! Look, Eddie! Tell me one thing. I have to know for myself. | 1:53:41 | 1:53:46 | |
You ARE a British agent, aren't you? | 1:53:46 | 1:53:48 | |
-AREN'T you? -When did you guess? | 1:53:48 | 1:53:50 | |
MARCHING | 1:54:14 | 1:54:17 | |
Colonel Von Grunen, you are under arrest. | 1:54:49 | 1:54:53 | |
I resist arrest, Steinhager. | 1:54:53 | 1:54:55 | |
You resist arrest, sir? | 1:54:57 | 1:54:59 | |
You know what your orders are, | 1:55:02 | 1:55:04 | |
if I resist arrest. | 1:55:04 | 1:55:06 | |
I command you to carry out your orders! | 1:55:14 | 1:55:18 | |
GUNSHOT | 1:55:41 | 1:55:44 | |
It wasn't necessary. | 1:55:50 | 1:55:52 | |
Somebody else would have done it for us. | 1:55:55 | 1:55:58 | |
Aerial reconnaissance is practically out of existence, but thanks to your security, | 1:56:13 | 1:56:18 | |
the German high command have no idea where the V1s are landing or what effect they're having. | 1:56:18 | 1:56:23 | |
My mission is to report the time and position of each explosion, | 1:56:23 | 1:56:27 | |
so they can correct their aim and drop the maximum load on London. | 1:56:27 | 1:56:30 | |
They don't know what a hell of a time they've been giving us?! | 1:56:30 | 1:56:34 | |
Well, gentlemen, let's call the backroom boys together and work out a plan. | 1:56:34 | 1:56:39 | |
We supply the Germans with information AND divert all their secret weapons. | 1:56:39 | 1:56:44 | |
1500 hours. Five bombs - 51 degrees, 15 minutes north, | 1:56:44 | 1:56:49 | |
0 degrees, 10 minutes west. | 1:56:49 | 1:56:51 | |
Pass to you for translating into decoy information. | 1:56:51 | 1:56:54 | |
False reading as follows - 51 degrees, 7 minutes north, | 1:56:54 | 1:56:58 | |
0 degrees, 5 minutes west. | 1:56:58 | 1:57:00 | |
That should fool them all right. Now, put this up on the board. | 1:57:01 | 1:57:05 | |
CLICKING | 1:57:05 | 1:57:07 | |
There you are. | 1:57:07 | 1:57:10 | |
-Good evening, Braid. -Evening, sir. Everything's in order. | 1:57:11 | 1:57:16 | |
Parker! How's it going? | 1:57:18 | 1:57:21 | |
I THINK we're pulling it off, sir. | 1:57:21 | 1:57:23 | |
The bombs all seem to be gradually moving north. | 1:57:23 | 1:57:27 | |
Let's cheer them up. Let's tell them that one was Selfridge's. | 1:57:48 | 1:57:51 | |
CHEERING | 1:57:56 | 1:57:59 | |
Smithson 37 - | 1:58:15 | 1:58:17 | |
beautiful model! | 1:58:17 | 1:58:20 | |
Three minutes to crack that back in the old days. | 1:58:20 | 1:58:23 | |
Those were the OLD days. Now that you've got your free pardon, | 1:58:23 | 1:58:27 | |
you'd better keep it that way. | 1:58:27 | 1:58:29 | |
Have you got the Molyneux robbery down and the post office at Bromley? | 1:58:34 | 1:58:38 | |
Hey! Where's my record? | 1:58:38 | 1:58:41 | |
There's nothing here at all! This doesn't make the pardon legal. | 1:58:41 | 1:58:45 | |
It's legal. Read it! Anything before 1945 - you're in the clear. | 1:58:45 | 1:58:49 | |
I'd better be! | 1:58:49 | 1:58:52 | |
Now that it's all over, I can tell you something else. | 1:58:52 | 1:58:55 | |
-Your own criminal record - your dossier - went up in the Blitz. -What? | 1:58:55 | 1:58:59 | |
A bomb dropped on the records office - everything A to E written off! | 1:58:59 | 1:59:05 | |
You mean...before I landed here the first time? | 1:59:06 | 1:59:10 | |
You mean I went through all this...? | 1:59:10 | 1:59:12 | |
I risked my life...! | 1:59:12 | 1:59:15 | |
-Oh, why the hell did I get mixed up in all this? -Say, Eddie...? -Mmm? | 1:59:16 | 1:59:20 | |
Tell us something. Which side were you REALLY on? | 1:59:20 | 1:59:24 | |
You mean you don't know? | 1:59:24 | 1:59:25 | |
MUSIC: Triple Cross by Tony Allen | 1:59:28 | 1:59:33 | |
# You've been crossed | 1:59:36 | 1:59:40 | |
# And even crossed double | 1:59:40 | 1:59:43 | |
# If you've been around | 1:59:45 | 1:59:47 | |
# That's normal for the course | 1:59:47 | 1:59:52 | |
# But you won't believe the trouble | 1:59:52 | 1:59:56 | |
# You'll find in just one man | 1:59:56 | 2:00:00 | |
# The man of the triple | 2:00:00 | 2:00:06 | |
# Give him love | 2:00:08 | 2:00:11 | |
# He will never stop taking | 2:00:11 | 2:00:14 | |
# He can only win | 2:00:16 | 2:00:19 | |
# And you will take the loss | 2:00:19 | 2:00:23 | |
# So before your world is shaken | 2:00:23 | 2:00:28 | |
# Escape him if you can | 2:00:28 | 2:00:33 | |
# The man of the triple cross | 2:00:33 | 2:00:40 | |
# Triple cross | 2:00:40 | 2:00:44 | |
# Triple cross. # | 2:00:44 | 2:00:49 |