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|---|---|---|---|
This film contains strong language. | 0:00:02 | 0:00:12 | |
For many people, the name Stoke-on-Trent | 0:00:32 | 0:00:35 | |
conjures up images of 19th century smoke and grime. | 0:00:35 | 0:00:40 | |
Of steelworks, coalmines, | 0:00:40 | 0:00:41 | |
and the centre of England's pottery industry. | 0:00:41 | 0:00:45 | |
But Stoke today couldn't be more different. | 0:00:45 | 0:00:48 | |
# Hey, yeah! # | 0:00:50 | 0:00:52 | |
Whether you're young or not so young, Stoke has plenty going on. | 0:00:52 | 0:00:57 | |
It may not have all the glamorous attractions of neighbouring | 0:00:57 | 0:01:01 | |
Liverpool, Manchester or Birmingham, but come the weekend, | 0:01:01 | 0:01:04 | |
Stoke folk really know how to let their hair down. | 0:01:04 | 0:01:08 | |
THE CROWD CHEER | 0:01:08 | 0:01:10 | |
Come on, Russ! | 0:01:13 | 0:01:16 | |
It's another hit from Mud for all you love tigers out there. | 0:01:18 | 0:01:24 | |
# That you love to be | 0:01:24 | 0:01:27 | |
# Oh, well, now, you've been layin' it down | 0:01:27 | 0:01:30 | |
# You got your hips swingin' out of bounds | 0:01:30 | 0:01:33 | |
# And I like the way you do what you're doin' to me | 0:01:33 | 0:01:37 | |
# All right! | 0:01:37 | 0:01:38 | |
# Well that's right, that's right, that's right, that's right | 0:01:38 | 0:01:41 | |
# I really love your tiger light | 0:01:41 | 0:01:44 | |
# And that's neat, that's neat, that's neat, that's neat | 0:01:44 | 0:01:46 | |
# I really love your tiger feet | 0:01:46 | 0:01:49 | |
# I really love your tiger feet | 0:01:49 | 0:01:51 | |
# Your tiger feet... | 0:01:51 | 0:01:52 | |
What the fuck do you think you are? | 0:01:52 | 0:01:55 | |
# Your tiger feet... | 0:01:55 | 0:01:56 | |
Twat. | 0:01:56 | 0:01:57 | |
# Your tiger feet | 0:01:57 | 0:02:00 | |
# All right! # | 0:02:00 | 0:02:02 | |
HE LAUGHS | 0:02:02 | 0:02:03 | |
Bringing the curtain down on another Purple Onion Saturday. | 0:02:03 | 0:02:07 | |
The house of L-O-V-E. | 0:02:07 | 0:02:10 | |
Come on, bastard! | 0:02:15 | 0:02:17 | |
THEY STRUGGLE WITH THE LOCK | 0:02:17 | 0:02:19 | |
Shhh! | 0:02:32 | 0:02:33 | |
-Fuck's sake, Russ. -No names, man. I told you. | 0:02:35 | 0:02:38 | |
DOOR OPENS | 0:02:38 | 0:02:40 | |
Yes, we're in. | 0:02:40 | 0:02:42 | |
Wait till they see what we've got. | 0:02:46 | 0:02:49 | |
Oh, look! He's got digital watches. | 0:02:54 | 0:02:56 | |
A WATCH BEEPS | 0:02:56 | 0:02:58 | |
Give it some hurry up, will you? | 0:02:58 | 0:03:00 | |
-You can have one as well! -The coats is what we came for, nowt else. | 0:03:00 | 0:03:03 | |
Get in, get the coats, gone. | 0:03:03 | 0:03:06 | |
-All right. -So let's get fucking gone! | 0:03:06 | 0:03:08 | |
METAL CLATTERS | 0:03:09 | 0:03:10 | |
Bobby, I've just heard something in the yard. | 0:03:10 | 0:03:12 | |
HE PANTS | 0:03:12 | 0:03:14 | |
Oi! | 0:03:18 | 0:03:20 | |
Move! | 0:03:20 | 0:03:21 | |
Fucking hell, man! Fucking open it! | 0:03:23 | 0:03:25 | |
Fucking stop and fucking open it! | 0:03:25 | 0:03:28 | |
He's coming! | 0:03:31 | 0:03:33 | |
Bastard. | 0:03:37 | 0:03:38 | |
ENGINE STRUGGLES TO START | 0:03:38 | 0:03:41 | |
ENGINE STARTS Yes! Come on! | 0:03:41 | 0:03:43 | |
ENGINE DIES | 0:03:43 | 0:03:44 | |
Come on. Get the fucker going! | 0:03:45 | 0:03:47 | |
Bastards! | 0:03:47 | 0:03:49 | |
ENGINE STARTS | 0:03:49 | 0:03:51 | |
Bastards! | 0:03:53 | 0:03:55 | |
# Hips swingin' out of bounds | 0:03:55 | 0:03:57 | |
# And I like the way you do what you're doin' to me | 0:03:57 | 0:04:00 | |
# All right! | 0:04:00 | 0:04:02 | |
# Well that's right, that's right, that's right, that's right | 0:04:02 | 0:04:04 | |
# I really love your tiger light... # | 0:04:04 | 0:04:07 | |
CAR HORN BEEPS | 0:04:07 | 0:04:09 | |
KNOCK ON DOOR | 0:04:11 | 0:04:13 | |
Joe! It's gone half past! | 0:04:13 | 0:04:15 | |
CAR HORN BEEPS | 0:04:19 | 0:04:21 | |
Joe! Are you coming or what? | 0:04:21 | 0:04:24 | |
'Look at the state the country's in. | 0:04:26 | 0:04:28 | |
'The IRA are bombing their way around the country, | 0:04:28 | 0:04:31 | |
'we've had the miners' strikes...' | 0:04:31 | 0:04:32 | |
ENGINE STARTS | 0:04:32 | 0:04:36 | |
'..The people of this country deserve leadership. | 0:04:36 | 0:04:39 | |
'Two general elections in the same year...' | 0:04:44 | 0:04:46 | |
What's this? Your job or a bloody hobby? | 0:04:46 | 0:04:49 | |
Another grand weekend by the look of things. | 0:04:52 | 0:04:55 | |
You wouldn't believe it. | 0:04:55 | 0:04:57 | |
I'll tell you, whatever they're serving in that Purple Onion, | 0:04:57 | 0:05:00 | |
it's not doing you any good. | 0:05:00 | 0:05:02 | |
CAR HORN BEEPS | 0:05:14 | 0:05:15 | |
Joe. | 0:05:25 | 0:05:27 | |
SHE TURNS MUSIC ON | 0:05:27 | 0:05:29 | |
# He doesn't love you the way I do... # | 0:05:30 | 0:05:33 | |
-Monica. -Brendan. -How are you today? -A bit tired, you know. | 0:05:37 | 0:05:40 | |
You work too hard, you should rest more in your condition. | 0:05:40 | 0:05:43 | |
Chance would be a fine thing. | 0:05:43 | 0:05:45 | |
Wait till I show you, Tom Jones, new Vegas look. | 0:05:45 | 0:05:49 | |
Oh, he's sexy. | 0:05:50 | 0:05:52 | |
Do you know in Vegas, the women are throwing their panties at him? | 0:05:52 | 0:05:55 | |
Well, he could have mine any time, all he needs do is ask. | 0:05:55 | 0:05:59 | |
SHE GIGGLES | 0:05:59 | 0:06:01 | |
# I saw the face, the face of a loser | 0:06:01 | 0:06:03 | |
# I saw the face, the face of... # | 0:06:03 | 0:06:04 | |
SHE TURNS MUSIC OFF | 0:06:04 | 0:06:06 | |
Now, Paddy, blown up anywhere nice lately? | 0:06:06 | 0:06:10 | |
Now, Bobby, you know I'm not into that sort of thing. | 0:06:10 | 0:06:14 | |
Nah, that'd be some other Irish bastard, I suppose. | 0:06:14 | 0:06:18 | |
THEY CHUCKLE | 0:06:18 | 0:06:19 | |
Do you know owt about sheepskin coats? | 0:06:21 | 0:06:24 | |
Sheepskin coats? | 0:06:24 | 0:06:26 | |
You know, like what sheep wear, except better tailored. | 0:06:26 | 0:06:29 | |
Cos some thieving turd's been in my lock-up | 0:06:29 | 0:06:31 | |
and been off with a whole fucking rail of them. | 0:06:31 | 0:06:34 | |
Me? You're thinking me? | 0:06:34 | 0:06:37 | |
I know you, bog trotter. I know you. Always after what's not your own. | 0:06:37 | 0:06:43 | |
If I ever find out who did do it... | 0:06:47 | 0:06:49 | |
HE CHOPS HEAVILY | 0:06:49 | 0:06:51 | |
Two tins of undercoat, a dozen bog rolls... | 0:06:56 | 0:06:58 | |
Spuds. | 0:06:58 | 0:07:00 | |
Spuds. | 0:07:00 | 0:07:01 | |
Holy Mother Divine Jesus. | 0:07:02 | 0:07:05 | |
Now, there's a thing of beauty. 12.00, Joe. | 0:07:05 | 0:07:09 | |
She's out of my league. | 0:07:12 | 0:07:14 | |
-Not at all. -Don't be daft, she's gorgeous. | 0:07:14 | 0:07:18 | |
That's your problem, isn't it? | 0:07:18 | 0:07:20 | |
Why wouldn't you be good enough for the likes of her? | 0:07:20 | 0:07:22 | |
It's all about having a bit of self-belief. | 0:07:22 | 0:07:26 | |
A fine looking fella like you. If you don't ask, you get nothing. | 0:07:26 | 0:07:28 | |
Joe! | 0:07:30 | 0:07:32 | |
Is this it? | 0:07:42 | 0:07:44 | |
Kim Weston, she's a soul singer. | 0:07:44 | 0:07:49 | |
Does that look like a soul album? | 0:07:49 | 0:07:51 | |
Ah, there it is. Kim Weston. | 0:07:56 | 0:08:00 | |
DOOR OPENS | 0:08:04 | 0:08:06 | |
Hey, Joe. | 0:08:07 | 0:08:09 | |
Do you know about her, Dee Dee? | 0:08:09 | 0:08:13 | |
She turned up about a month ago on a rainbow, from the land of love. | 0:08:13 | 0:08:15 | |
Orders imports from the States | 0:08:15 | 0:08:18 | |
like Dean Parish, Dobie Grey, Yvonne Baker. | 0:08:18 | 0:08:20 | |
When she orders, she give a name? | 0:08:20 | 0:08:22 | |
Let's have a look. Right. | 0:08:22 | 0:08:24 | |
Jane Rogers. | 0:08:24 | 0:08:26 | |
Trimmer's. What's Trimmer's? | 0:08:26 | 0:08:29 | |
A hairdresser's in town. | 0:08:29 | 0:08:31 | |
You wouldn't know it. | 0:08:31 | 0:08:32 | |
Need an appointment? | 0:08:55 | 0:08:56 | |
I'll see if I can fit you in(!) | 0:09:01 | 0:09:03 | |
MUSIC: "Double Cookin'" by Checkerboard Squares | 0:09:25 | 0:09:28 | |
-Pretty good, that. -SHE LAUGHS POLITELY | 0:09:34 | 0:09:36 | |
Not the Four Tops, is it? | 0:09:36 | 0:09:39 | |
Right. It's not. | 0:09:39 | 0:09:41 | |
-So, what's the Twisted Wheel? -SHE LAUGHS | 0:09:48 | 0:09:51 | |
You'll be cracking on you know nowt about Wigan next! | 0:09:51 | 0:09:54 | |
A club. | 0:09:56 | 0:09:57 | |
The Wheel was a soul club in Manchester. | 0:09:59 | 0:10:01 | |
-They shut it. Said people were having too much fun. -In Wigan? | 0:10:03 | 0:10:06 | |
It opened last year. 2-8. | 0:10:08 | 0:10:10 | |
No divvies allowed. | 0:10:10 | 0:10:13 | |
Might see you there, then. | 0:10:13 | 0:10:15 | |
-Stranger things happen. -Groovy. | 0:10:15 | 0:10:18 | |
MUSIC STOPS | 0:10:20 | 0:10:23 | |
It'll take a day or so to settle. | 0:10:32 | 0:10:33 | |
RUSS: Got no change. Sorry. | 0:10:49 | 0:10:51 | |
-CHILDREN GROAN -Blimmin' 'eck! | 0:10:51 | 0:10:53 | |
-I like it, right? -RUSS SNORTS | 0:10:59 | 0:11:02 | |
ICE CREAM VAN TUNE PLAYS | 0:11:02 | 0:11:04 | |
Wigan? I'd rather set meself on fire, mate. | 0:11:08 | 0:11:10 | |
"Great sounds, all night dancing." | 0:11:10 | 0:11:13 | |
The only dance I know is the dying fly. | 0:11:13 | 0:11:15 | |
Fly's not a dance. You made it up. | 0:11:15 | 0:11:17 | |
Every dance is made up by someone! | 0:11:17 | 0:11:19 | |
Anyway, Saturday nights, we're at The Onion. | 0:11:19 | 0:11:21 | |
And I'm pig sick of it! | 0:11:21 | 0:11:23 | |
This place, it'll blow your mind! Look. | 0:11:23 | 0:11:26 | |
"If you're into soul, Wigan Casino will blow." | 0:11:26 | 0:11:28 | |
But I'm not into soul. | 0:11:28 | 0:11:30 | |
Not yet. | 0:11:30 | 0:11:32 | |
MUSIC: "The Snake" by Al Wilson | 0:11:36 | 0:11:39 | |
# On her way to work one morning | 0:11:39 | 0:11:42 | |
# Down the path alongside the lake... # | 0:11:42 | 0:11:44 | |
CAR HORN BEEPS | 0:11:44 | 0:11:46 | |
# A tender-hearted woman saw a poor half-frozen snake | 0:11:46 | 0:11:52 | |
# His pretty coloured skin had been all frosted with the dew | 0:11:52 | 0:11:58 | |
# "Oh, well!" she cried, "I'll take you in..." # | 0:11:58 | 0:12:02 | |
Oh, yeah. Did I mention the chicks? | 0:12:02 | 0:12:05 | |
# "Take me in, oh, tender woman | 0:12:05 | 0:12:08 | |
-# Take me in... # -VAN BACKFIRES | 0:12:08 | 0:12:11 | |
MUSIC STOPS Oh, fucking 'ell, man! | 0:12:11 | 0:12:13 | |
Who are all this lot? CROWD CHATTERS | 0:12:21 | 0:12:25 | |
MUSIC: "A Lot of Love" by Homer Banks | 0:12:25 | 0:12:27 | |
All right? | 0:12:44 | 0:12:45 | |
Been to a wedding? | 0:12:45 | 0:12:48 | |
No, erm... | 0:12:48 | 0:12:50 | |
..remember me? I come in to the salon. | 0:12:52 | 0:12:55 | |
I thought... | 0:12:57 | 0:12:58 | |
My name's Joe. | 0:12:58 | 0:13:00 | |
You trying to make some kind of point with that or what? | 0:13:00 | 0:13:03 | |
It's the best haircut I've ever had. | 0:13:13 | 0:13:16 | |
Who's that? | 0:13:20 | 0:13:21 | |
Ah, just some bird. | 0:13:21 | 0:13:23 | |
It was her that turned me on to this. | 0:13:23 | 0:13:25 | |
Just some bird? | 0:13:25 | 0:13:27 | |
I could drink her bathwater, me. | 0:13:27 | 0:13:29 | |
Still make The Onion. | 0:13:31 | 0:13:33 | |
Joe McCain, right? And Russ... | 0:13:36 | 0:13:38 | |
-Mountjoy. -Mountjoy! | 0:13:38 | 0:13:40 | |
Monster. | 0:13:40 | 0:13:42 | |
Charlie Hodgson? | 0:13:42 | 0:13:44 | |
Only now it's Dexie. | 0:13:44 | 0:13:47 | |
Everyone calls me Dexie. | 0:13:47 | 0:13:48 | |
First time, right, you two? | 0:13:48 | 0:13:50 | |
First time for the Cas? | 0:13:50 | 0:13:52 | |
Oh, man, you've got something ahead of you. | 0:13:52 | 0:13:54 | |
-If you're into soul, the Casino's going to blow your mind. -We heard. | 0:13:54 | 0:13:57 | |
-Listen, Charlie. -Dexie. | 0:13:57 | 0:13:59 | |
Everyone calls me Dexie. | 0:13:59 | 0:14:01 | |
Listen, DEXIE, don't want to be rude or nowt, but... | 0:14:01 | 0:14:04 | |
Hey, remember our Mandy? | 0:14:04 | 0:14:06 | |
All right? | 0:14:06 | 0:14:07 | |
-All right. -All right. | 0:14:07 | 0:14:10 | |
Cool haircut. | 0:14:10 | 0:14:12 | |
-Thanks. -I'm telling you, | 0:14:14 | 0:14:15 | |
you've no idea how monster this night's going to be for you. | 0:14:15 | 0:14:19 | |
Anyway, we'll speak later, right? | 0:14:22 | 0:14:23 | |
Monster. | 0:14:23 | 0:14:25 | |
Charlie bloody Hodgson? | 0:14:27 | 0:14:29 | |
Mind you, Mandy Hodgson's come on a bit since I saw her last. | 0:14:32 | 0:14:36 | |
CHEERING | 0:14:37 | 0:14:41 | |
MUSIC: "The In Crowd" by Dobie Gray | 0:14:41 | 0:14:44 | |
# I'm in with the in crowd | 0:14:47 | 0:14:51 | |
# And I know what the in crowd knows | 0:14:51 | 0:14:54 | |
# Any time of the year Don't you hear | 0:14:56 | 0:15:00 | |
# Dressing fine, making time | 0:15:02 | 0:15:05 | |
# We breeze up and down the street | 0:15:05 | 0:15:10 | |
# We get respect from the people we meet... # | 0:15:10 | 0:15:12 | |
< Come on love, move on. | 0:15:14 | 0:15:16 | |
EXCITED CHATTER | 0:15:18 | 0:15:22 | |
Any time now. Any time. | 0:15:39 | 0:15:42 | |
It's going to be monster. Just you wait. | 0:15:42 | 0:15:45 | |
EXCITED CHEERING | 0:16:12 | 0:16:15 | |
Stop pushing in the back. | 0:16:16 | 0:16:18 | |
MUSIC: "Breakaway Part 2" by Jimmy Radcliffe/Steve Karmen Big Band | 0:16:23 | 0:16:26 | |
Jesus, what a dump. | 0:16:39 | 0:16:41 | |
And there's no bar on. There's no frigging bar on. | 0:16:43 | 0:16:46 | |
Drink? Not where this place is at. | 0:16:46 | 0:16:49 | |
The ace movers pretty much own the floor. | 0:16:51 | 0:16:54 | |
Don't try doing a thing over there without an invite. | 0:16:54 | 0:16:57 | |
-Who's that? -Alan's the main man. | 0:16:57 | 0:16:58 | |
You don't want to know, I mean, you really don't want to know. | 0:16:58 | 0:17:02 | |
The floor's been talc'd. | 0:17:17 | 0:17:19 | |
-So? -Stack heels feel like dancing on stilts. | 0:17:19 | 0:17:22 | |
Leather, see? Less friction. Glide as if you're on ice. | 0:17:22 | 0:17:25 | |
Glide like you're on ice? Ought to be right up your street, this, Joe. | 0:17:27 | 0:17:31 | |
MUSIC: "Tainted Love" by Gloria Jones | 0:17:37 | 0:17:39 | |
# Sometimes I feel I've got to | 0:17:42 | 0:17:46 | |
# Run away, I've got to | 0:17:46 | 0:17:49 | |
# Get away from the pain you drive into the heart of me | 0:17:49 | 0:17:54 | |
# The love we share | 0:17:54 | 0:17:57 | |
# Seems to go nowhere | 0:17:57 | 0:18:00 | |
# And I've lost my right | 0:18:00 | 0:18:03 | |
# For I toss and turn I can't sleep at night | 0:18:03 | 0:18:07 | |
# Once I ran to you | 0:18:07 | 0:18:10 | |
# Now I'll run from you | 0:18:10 | 0:18:13 | |
# The tainted love you've given | 0:18:13 | 0:18:16 | |
# I give you all a girl could give you | 0:18:16 | 0:18:19 | |
# Take my tears and that's not nearly all | 0:18:19 | 0:18:22 | |
# Oh, tainted love | 0:18:22 | 0:18:24 | |
# Tainted love | 0:18:24 | 0:18:26 | |
# Now I know I've got to | 0:18:26 | 0:18:30 | |
# Run away I've got to... # | 0:18:30 | 0:18:32 | |
Going for a scout about. | 0:18:32 | 0:18:34 | |
Think I'll get a feel of things here. | 0:18:34 | 0:18:37 | |
You'll get your black America here. Rarer than rare. | 0:18:41 | 0:18:45 | |
Hand clappers, foot stompers, floor fillers. | 0:18:45 | 0:18:48 | |
Get them while the getting's good. | 0:18:48 | 0:18:50 | |
We've got new Tobi Legend, Jimmy Radcliffe, Yvonne Baker. | 0:18:50 | 0:18:54 | |
Looking for anyone in particular? | 0:18:54 | 0:18:56 | |
-What? -Records. What you after? | 0:18:56 | 0:18:59 | |
Yvonne Baker. | 0:18:59 | 0:19:00 | |
Storming. Help you look, shall I? | 0:19:00 | 0:19:02 | |
Here's one, good price as well. | 0:19:05 | 0:19:09 | |
Jane. Jane! | 0:19:09 | 0:19:11 | |
MUSIC: "Too Late" by Larry Williams/Johnny Watson | 0:19:13 | 0:19:19 | |
# Hey, Mr Watson, listen in to what the lady told me. She said... | 0:19:19 | 0:19:22 | |
# Larry, I'm sorry I've got to go | 0:19:22 | 0:19:25 | |
# Cos I've found me a new love that I love more | 0:19:25 | 0:19:28 | |
# I know that must have been a bitter pill for you to take | 0:19:28 | 0:19:31 | |
# Sure was, man | 0:19:31 | 0:19:32 | |
# It make your poor heart want to break | 0:19:32 | 0:19:34 | |
# Guess what I told her? | 0:19:34 | 0:19:35 | |
# You and your new love Keep on keepin' on | 0:19:35 | 0:19:37 | |
# I know that lovin' feeling is gone | 0:19:37 | 0:19:40 | |
# I'm too late | 0:19:40 | 0:19:42 | |
# Way too late, baby | 0:19:42 | 0:19:44 | |
# Too late | 0:19:44 | 0:19:45 | |
# You messed up your good thing | 0:19:45 | 0:19:48 | |
# I'm through with you, girl | 0:19:48 | 0:19:50 | |
# Tell her to keep that love, man, if that's what she call it | 0:19:50 | 0:19:53 | |
# She done mess around and went made you an alcoholic. # | 0:19:53 | 0:19:56 | |
Do you want to give it a whack, then? | 0:19:56 | 0:19:57 | |
Show these clowns what they're doing wrong? | 0:19:57 | 0:19:59 | |
Don't look much wrong from here. | 0:19:59 | 0:20:01 | |
How about you? | 0:20:01 | 0:20:02 | |
I'm sober, man. | 0:20:02 | 0:20:04 | |
I can't dance sober. | 0:20:04 | 0:20:05 | |
How do you know? You've never tried. | 0:20:05 | 0:20:08 | |
MUSIC: "The Girl's Got It" by Billy Preston | 0:20:11 | 0:20:14 | |
Fuck off. | 0:20:48 | 0:20:50 | |
I'm fucking off. | 0:20:53 | 0:20:55 | |
What? | 0:20:55 | 0:20:56 | |
-Fucking off where? -Anywhere. Home. | 0:20:56 | 0:20:58 | |
Cos you fell over? | 0:20:58 | 0:21:00 | |
Cos I made a twat of myself. | 0:21:00 | 0:21:01 | |
I make a twat of myself wherever I go. | 0:21:01 | 0:21:03 | |
Does that stop me going? | 0:21:03 | 0:21:05 | |
That's you. Maybe you're used to it. | 0:21:05 | 0:21:07 | |
You don't get used to it. | 0:21:07 | 0:21:10 | |
Besides, the coach don't leave for hours yet. | 0:21:10 | 0:21:12 | |
Got thumbs, haven't we? | 0:21:12 | 0:21:14 | |
What have I told you about dealing in here, eh? | 0:21:30 | 0:21:35 | |
Eh? | 0:21:35 | 0:21:37 | |
Ow! | 0:21:37 | 0:21:38 | |
Oh! | 0:21:38 | 0:21:39 | |
HE SCREAMS | 0:21:39 | 0:21:42 | |
Come on. Come on! | 0:21:42 | 0:21:44 | |
It didn't happen. | 0:21:58 | 0:22:00 | |
What you said about fucking off... | 0:22:05 | 0:22:07 | |
MUSIC: "Our Love Is Getting Stronger" by Jason Knight | 0:22:17 | 0:22:20 | |
Ready? | 0:22:25 | 0:22:26 | |
Joe! | 0:22:28 | 0:22:30 | |
CAR ENGINE | 0:22:44 | 0:22:46 | |
-# Freak on it -(Freak) -Freak on it | 0:23:51 | 0:23:55 | |
# Freak on it, baby | 0:23:55 | 0:23:58 | |
-# Freak on it -(Freak) -Freak on it | 0:23:58 | 0:24:02 | |
# Freak on it, baby... # | 0:24:02 | 0:24:04 | |
-Are you a friend of Joe's from ice-skating? -No, no... -Oh. | 0:24:16 | 0:24:20 | |
-He was in my brother's year at school. -Oh, right. | 0:24:20 | 0:24:25 | |
# Freak on it | 0:24:25 | 0:24:27 | |
# Freak on it, baby... # | 0:24:27 | 0:24:31 | |
Joe! | 0:24:33 | 0:24:35 | |
Have you seen all his things from ice-skating? | 0:24:37 | 0:24:40 | |
-These are all Joe's, you know. -Oh, really? -Oh, yes. | 0:24:40 | 0:24:43 | |
Second prize, second prize. | 0:24:43 | 0:24:46 | |
-Second prize. -Did he ever come first? | 0:24:48 | 0:24:51 | |
All right? | 0:24:57 | 0:24:58 | |
All right? | 0:24:58 | 0:25:00 | |
Dexie told me where you lived. | 0:25:02 | 0:25:04 | |
You Didn't Say a Word. | 0:25:04 | 0:25:06 | |
About what? | 0:25:06 | 0:25:08 | |
Yvonne Baker. | 0:25:08 | 0:25:09 | |
Record bought, You Didn't Say a Word. | 0:25:11 | 0:25:12 | |
Hardly a mark on it. | 0:25:14 | 0:25:15 | |
You best come up. | 0:25:18 | 0:25:20 | |
THEY TALK OVER EACH OTHER | 0:25:33 | 0:25:35 | |
SHE LAUGHS | 0:25:35 | 0:25:36 | |
Right. | 0:25:38 | 0:25:39 | |
-I know I've made a prat of myself. -Only a bit. | 0:25:40 | 0:25:43 | |
-I fell on my arse. -So? | 0:25:43 | 0:25:45 | |
We all fall sometimes. | 0:25:45 | 0:25:47 | |
The trick is getting back up. | 0:25:47 | 0:25:48 | |
Right, I'll be off then. Just dropped by to give you the record and that. | 0:25:58 | 0:26:01 | |
If I was you, I'd just lose some of them moves. You know, them... | 0:26:04 | 0:26:09 | |
Top Of The Pops ones. | 0:26:09 | 0:26:11 | |
It's all in the basic step. When you get that down, everything follows. | 0:26:11 | 0:26:15 | |
Maybe... | 0:26:19 | 0:26:20 | |
Maybe you could show me. | 0:26:23 | 0:26:25 | |
OK. | 0:26:27 | 0:26:28 | |
SOUL MUSIC PLAYS | 0:26:29 | 0:26:30 | |
# I can't deny we go better close together | 0:26:32 | 0:26:36 | |
# Too close it feels to be talking about the weather | 0:26:39 | 0:26:44 | |
# I was so happy then | 0:26:47 | 0:26:51 | |
# The moment you walked in. # | 0:26:51 | 0:26:54 | |
-And they say white guys can't move. Ha. -Listen. | 0:26:54 | 0:26:57 | |
"Get ready, because soul, | 0:26:59 | 0:27:01 | |
"rare soul is all set to grab the world by its ears and scream, get up and dance." | 0:27:01 | 0:27:05 | |
This is your chance to be on the start, Dee Dee. | 0:27:05 | 0:27:07 | |
Who knows how big it's going to be? | 0:27:07 | 0:27:10 | |
Wigan? You said fucking Wigan? | 0:27:10 | 0:27:13 | |
The explosion that's going to take the world by storm is from Wigan? | 0:27:13 | 0:27:17 | |
Wigan, like in Lancashire? | 0:27:17 | 0:27:19 | |
-Yeah. -You are on some serious drugs, mate. | 0:27:19 | 0:27:22 | |
Where do you get your gear? | 0:27:22 | 0:27:24 | |
-Do you have any Tom Jones? -Oi, try the comedy, yeah? | 0:27:24 | 0:27:27 | |
All right, so I stake you to buy these records... | 0:27:30 | 0:27:32 | |
-Which you sell here for a profit. -And you buy more records... | 0:27:32 | 0:27:36 | |
To make you more profit. Which we split 50-50. | 0:27:36 | 0:27:39 | |
A dreamer of dreams, Joe. A man of vision. 80-20. | 0:27:42 | 0:27:46 | |
25. | 0:27:46 | 0:27:48 | |
Done. Let's skin one up to celebrate, yeah? | 0:27:48 | 0:27:52 | |
# He doesn't love you the way I do | 0:27:56 | 0:28:00 | |
# Ba-da, ba, ba, ba, ba, ba | 0:28:00 | 0:28:03 | |
# They said he is wholly unto you | 0:28:03 | 0:28:07 | |
# He won't let you go, ba, ba | 0:28:09 | 0:28:12 | |
# But, baby I know, ba, ba | 0:28:12 | 0:28:15 | |
# Tonight... | 0:28:15 | 0:28:18 | |
# When I look at him | 0:28:18 | 0:28:21 | |
# I saw the face The face of a loser... # | 0:28:21 | 0:28:25 | |
I tell you your problem, Joey boy, you don't appreciate good music. | 0:28:25 | 0:28:30 | |
# Tonight... | 0:28:30 | 0:28:32 | |
# When I look at him | 0:28:32 | 0:28:35 | |
# I saw the face The face of a loser | 0:28:37 | 0:28:41 | |
# I saw the face The face of a loser | 0:28:41 | 0:28:46 | |
# And I know I can't wait. # | 0:28:47 | 0:28:50 | |
-All right? I was just passing... -Get the top. | 0:28:57 | 0:29:00 | |
New, is it? | 0:29:00 | 0:29:02 | |
Kind of. | 0:29:03 | 0:29:05 | |
Looks the part now, doesn't he, Jane? Proper little soul boy. | 0:29:05 | 0:29:10 | |
Just imagine he'd gone the whole hog, eh? | 0:29:10 | 0:29:12 | |
Long leather, Adidas bag, pair of Spencers. | 0:29:12 | 0:29:15 | |
-Couldn't keep your hands off him, could you? -Just imagine. | 0:29:15 | 0:29:19 | |
What do you think, Mavis? | 0:29:19 | 0:29:21 | |
See, even Mavis approves. | 0:29:23 | 0:29:25 | |
Best be getting back. | 0:29:27 | 0:29:29 | |
Thanks for stopping by, showing us your new top. | 0:29:29 | 0:29:32 | |
THEY GIGGLE | 0:29:36 | 0:29:37 | |
# Any time that you want me | 0:29:47 | 0:29:51 | |
# Just let me know | 0:29:51 | 0:29:55 | |
# If I'm not around | 0:29:55 | 0:29:58 | |
# Leave a note on my door | 0:29:58 | 0:30:01 | |
# Because you know how I feel | 0:30:01 | 0:30:04 | |
# You know my love is real | 0:30:05 | 0:30:08 | |
# So, baby, feel free... # | 0:30:08 | 0:30:10 | |
Look what I've just scored. | 0:30:12 | 0:30:15 | |
-What are they? -I don't know exactly. | 0:30:15 | 0:30:17 | |
But they're keeping this lot dancing all night. | 0:30:17 | 0:30:21 | |
When did you last get tapped up, Russ? | 0:30:30 | 0:30:32 | |
-With a girl? -No, a Shetland fucking pony. | 0:30:32 | 0:30:35 | |
I mean, what is it with chicks? | 0:30:36 | 0:30:38 | |
Give them a genuine guy or some tosser that drives a Ford Capri | 0:30:38 | 0:30:41 | |
and nine times out of ten you know who they're going to pick. | 0:30:41 | 0:30:44 | |
That's a biology thing, mate. Money, fast cars. | 0:30:44 | 0:30:47 | |
Just the stuff chicks dig. | 0:30:47 | 0:30:48 | |
But if they stopped to see under that shit, to the genuine guy for what he is... | 0:30:48 | 0:30:52 | |
You wouldn't see 'em for dust. | 0:30:52 | 0:30:53 | |
Easy, fella! | 0:32:31 | 0:32:34 | |
There's plenty more space to dance back there. | 0:32:34 | 0:32:36 | |
I saw the friendly warning. | 0:32:43 | 0:32:45 | |
Friendly?! | 0:32:45 | 0:32:46 | |
I told you once, only the best dance front of stage. Got to earn it! | 0:32:46 | 0:32:50 | |
What's the damage? | 0:33:06 | 0:33:07 | |
Call it 40, yeah? | 0:33:08 | 0:33:10 | |
Call it 35. | 0:33:10 | 0:33:11 | |
You're joking me, mate. Eddie Foster on white label? | 0:33:12 | 0:33:14 | |
That's worth three and a half of anyone's money. | 0:33:14 | 0:33:17 | |
See you next week. | 0:33:21 | 0:33:23 | |
Monster. Does that mean we've got a thing going, then? | 0:33:23 | 0:33:25 | |
So, what's new? | 0:33:25 | 0:33:26 | |
Nowt, you little divvy, that's the whole point. | 0:33:26 | 0:33:28 | |
# Up and down the highway | 0:33:43 | 0:33:46 | |
# Travelling all over the land | 0:33:46 | 0:33:48 | |
# Sailing all over the waters | 0:33:48 | 0:33:51 | |
# Crossing the desert sand | 0:33:51 | 0:33:54 | |
# Meeting all kinds of women | 0:33:54 | 0:33:57 | |
# From Algiers to the London Bay | 0:33:57 | 0:34:00 | |
# But there's only one who impressed me | 0:34:00 | 0:34:04 | |
# And I love that girl to death | 0:34:04 | 0:34:07 | |
# Oh, she's quite a woman | 0:34:07 | 0:34:10 | |
# The girl that I adore | 0:34:10 | 0:34:13 | |
# Soul Galore | 0:34:13 | 0:34:16 | |
# Soul Galore, baby | 0:34:16 | 0:34:18 | |
# Soul Galore | 0:34:19 | 0:34:22 | |
# Soul Galore... # | 0:34:22 | 0:34:24 | |
Weren't bad, was it? | 0:34:28 | 0:34:29 | |
Starting to get into the place, me. | 0:34:29 | 0:34:31 | |
Maybe I'll buy one of them bags and a long leather coat. | 0:34:31 | 0:34:34 | |
-Hey, Joe, do you think I should buy...? -The dying fly?! | 0:34:34 | 0:34:36 | |
The dying fucking fly?! | 0:34:36 | 0:34:38 | |
How come you always have to play the divvy? | 0:34:38 | 0:34:40 | |
Fly's funny. | 0:34:40 | 0:34:42 | |
I do it at The Onion and you fall about. | 0:34:42 | 0:34:44 | |
You still haven't sussed it, have you? This isn't The Onion! | 0:34:44 | 0:34:48 | |
Comfy? | 0:35:00 | 0:35:02 | |
I hear you're a collector. | 0:35:05 | 0:35:07 | |
Records? | 0:35:09 | 0:35:11 | |
Bits and pieces. | 0:35:11 | 0:35:13 | |
Business thing. | 0:35:13 | 0:35:15 | |
So show. | 0:35:15 | 0:35:16 | |
Kim Weston... | 0:35:26 | 0:35:28 | |
Jane digs her... | 0:35:28 | 0:35:30 | |
Yvonne Baker - You Didn't Say A Word. | 0:35:31 | 0:35:34 | |
How much do you want for it? | 0:35:38 | 0:35:40 | |
Not for sale. | 0:35:40 | 0:35:41 | |
It was a present. | 0:35:41 | 0:35:43 | |
Oh, everything is for sale! | 0:35:43 | 0:35:44 | |
Gie you ten quid. | 0:35:46 | 0:35:48 | |
Ten? | 0:35:50 | 0:35:51 | |
15, then. | 0:35:53 | 0:35:54 | |
Fuck you playing at?! | 0:36:04 | 0:36:06 | |
My goods, bought and paid for. | 0:36:06 | 0:36:08 | |
And my goods are fuck all to do with you. Do you hear? | 0:36:08 | 0:36:11 | |
GIRLS GIGGLING | 0:36:11 | 0:36:13 | |
All right? You took your time. | 0:36:13 | 0:36:15 | |
You weren't worried, were you? | 0:36:15 | 0:36:17 | |
Whoa. | 0:36:17 | 0:36:19 | |
There's nothing here to worry about. | 0:36:20 | 0:36:22 | |
Isn't that right, pal? | 0:36:23 | 0:36:25 | |
Ladies. | 0:36:25 | 0:36:27 | |
Your chariot awaits. | 0:36:27 | 0:36:28 | |
Come on, get in. | 0:36:30 | 0:36:31 | |
Mind your legs. | 0:36:34 | 0:36:36 | |
Get your fucking bag off the car and fuck off. | 0:36:38 | 0:36:41 | |
Say there was this lad, right, and he wanted to get with a girl... | 0:37:54 | 0:37:58 | |
..not just any girl... | 0:37:59 | 0:38:00 | |
..someone he really thought was the business, you know... | 0:38:02 | 0:38:05 | |
..but he's a bit iffy about asking her out | 0:38:07 | 0:38:09 | |
in case he gets knocked back. | 0:38:09 | 0:38:11 | |
Would this be just any lad or someone in particular? | 0:38:14 | 0:38:18 | |
All right...me. | 0:38:18 | 0:38:20 | |
He might start by just asking. | 0:38:23 | 0:38:25 | |
Yeah, but... | 0:38:27 | 0:38:28 | |
..say I wanted to do something first... | 0:38:30 | 0:38:32 | |
..something to make the girl see I was worth taking a tumble on. | 0:38:33 | 0:38:36 | |
Maybe she sees that already? | 0:38:40 | 0:38:41 | |
All the same... | 0:38:44 | 0:38:46 | |
if the girl was you, say... | 0:38:46 | 0:38:49 | |
..what could I do that'd work? | 0:38:51 | 0:38:53 | |
Telling me how you really feel would be a good place to start. | 0:38:55 | 0:39:00 | |
Girls dig a guy who can open up about themselves. | 0:39:02 | 0:39:04 | |
Show 'em what's truly going on inside. | 0:39:06 | 0:39:09 | |
Inside? | 0:39:09 | 0:39:11 | |
You mean in me head? | 0:39:11 | 0:39:13 | |
In your heart's better. | 0:39:14 | 0:39:16 | |
Joe?! | 0:39:22 | 0:39:23 | |
Got to see someone. See you a bit later. | 0:39:23 | 0:39:25 | |
-Who loves you, baby? -You silly bastard! | 0:39:36 | 0:39:39 | |
What you doing creeping about? You could have given me a bloody heart attack! | 0:39:39 | 0:39:43 | |
Sorry. | 0:39:44 | 0:39:45 | |
What the hell do you want anyhow? | 0:39:45 | 0:39:47 | |
Thought we might go dancing. | 0:39:49 | 0:39:51 | |
Trust me. | 0:40:14 | 0:40:15 | |
-# I want you, understand -Want to know | 0:40:19 | 0:40:23 | |
-# I'm your girl and you're my man -I want to say | 0:40:23 | 0:40:26 | |
-# With you I'd go anywhere -Anywhere | 0:40:26 | 0:40:30 | |
# You name it, I'll be there | 0:40:30 | 0:40:32 | |
# I'm gonna love you a long, long time | 0:40:32 | 0:40:36 | |
# I'm gonna love you a long, long time | 0:40:36 | 0:40:39 | |
-# Let me tell you, honey -You'd better believe it | 0:40:39 | 0:40:41 | |
-# I'm your baby -You'd better believe it | 0:40:41 | 0:40:44 | |
-# I'm your baby for ever -For ever and ever... # | 0:40:44 | 0:40:50 | |
Think you're something else, don't you? | 0:40:50 | 0:40:52 | |
Good enough. | 0:40:55 | 0:40:57 | |
I've watched you at the Casino... | 0:40:57 | 0:40:59 | |
..you're good enough there. | 0:41:00 | 0:41:02 | |
Good as Alan? | 0:41:02 | 0:41:03 | |
Alan's a mover, everyone knows that. | 0:41:05 | 0:41:08 | |
He owned the floor at the Twisted Wheel. | 0:41:08 | 0:41:11 | |
But the Wheel shut... | 0:41:12 | 0:41:14 | |
three years ago. | 0:41:14 | 0:41:15 | |
Meaning? | 0:41:16 | 0:41:18 | |
Meaning maybe what he moves best these days are pills. | 0:41:18 | 0:41:21 | |
Sorry. | 0:41:26 | 0:41:28 | |
Used to be an ice-skater, me. | 0:41:35 | 0:41:37 | |
When I was a kid, like. | 0:41:38 | 0:41:39 | |
Got up to competition level. | 0:41:39 | 0:41:42 | |
You win any? | 0:41:43 | 0:41:45 | |
Not good enough? | 0:41:47 | 0:41:49 | |
Something like that. | 0:41:49 | 0:41:50 | |
See... | 0:41:53 | 0:41:55 | |
skating, dancing... | 0:41:55 | 0:41:57 | |
..pretty much the same thing, you know. | 0:41:58 | 0:42:00 | |
More or less. | 0:42:00 | 0:42:01 | |
I could do just about anything... | 0:42:02 | 0:42:04 | |
..except spin. | 0:42:05 | 0:42:07 | |
I'd get round once or twice and then pfft! | 0:42:08 | 0:42:10 | |
Flat on me arse. | 0:42:10 | 0:42:12 | |
Every time! | 0:42:12 | 0:42:13 | |
Could never find that... | 0:42:14 | 0:42:17 | |
point of focus. | 0:42:17 | 0:42:19 | |
Well, use me as your point of focus. | 0:42:23 | 0:42:26 | |
Sorry. | 0:42:41 | 0:42:42 | |
Said it would take time to settle in, didn't I? | 0:42:48 | 0:42:51 | |
# All of my life | 0:42:55 | 0:42:56 | |
# I've been longing for you, girl | 0:42:58 | 0:43:02 | |
# Still I go on after you | 0:43:03 | 0:43:06 | |
# I can't understand | 0:43:09 | 0:43:11 | |
# How I'll get by | 0:43:12 | 0:43:14 | |
# Cos I need you tonight | 0:43:14 | 0:43:17 | |
# In all of my life... # | 0:43:17 | 0:43:19 | |
Back in a minute. | 0:43:19 | 0:43:21 | |
# All of my life | 0:43:21 | 0:43:22 | |
# The sun was shining The rain might never fall... # | 0:43:25 | 0:43:28 | |
-Monica. -Brendan. | 0:43:29 | 0:43:31 | |
# But my love for you keeps growing more and more | 0:43:31 | 0:43:35 | |
# Oh, please believe me, baby | 0:43:37 | 0:43:40 | |
# That's how much I love you | 0:43:40 | 0:43:43 | |
# Please stay with me, girl | 0:43:43 | 0:43:45 | |
# All of my life | 0:43:45 | 0:43:47 | |
# Yeah, right by my side | 0:43:48 | 0:43:51 | |
# Yeah, my life... # | 0:43:51 | 0:43:55 | |
Monica. | 0:43:56 | 0:43:57 | |
Brendan said I was to give you this. | 0:43:59 | 0:44:02 | |
I've just seen... | 0:44:02 | 0:44:03 | |
Why? | 0:44:03 | 0:44:04 | |
Said you'd understand. | 0:44:04 | 0:44:07 | |
MUSIC: "I'm Gonna Love You A Long Time" by Patti & The Emblems | 0:44:14 | 0:44:17 | |
# But I'm cracked up over you and there ain't nothing I can do | 0:44:17 | 0:44:20 | |
# So I'm gonna love you | 0:44:20 | 0:44:22 | |
# Oh, yes, I am | 0:44:22 | 0:44:24 | |
# Cracked up over you | 0:44:24 | 0:44:25 | |
# Oh-oh, yes, I am | 0:44:25 | 0:44:27 | |
# Cracked up over you | 0:44:27 | 0:44:28 | |
# Baby, you don't love me | 0:44:28 | 0:44:30 | |
# And I know it | 0:44:30 | 0:44:34 | |
# Baby, you don't love me... # | 0:44:34 | 0:44:37 | |
That's it. | 0:44:37 | 0:44:39 | |
Go on. Go on, do it, go for the spin. Go on. | 0:44:39 | 0:44:42 | |
What's wrong? | 0:44:48 | 0:44:49 | |
Nothing's wrong. | 0:44:49 | 0:44:51 | |
Tired. | 0:44:51 | 0:44:53 | |
You can dance, Joe. | 0:44:53 | 0:44:54 | |
You can really move. You've just got to let go, that's all. | 0:44:54 | 0:44:58 | |
What's that? | 0:44:58 | 0:45:00 | |
It must have fallen out of my bag. | 0:45:00 | 0:45:02 | |
What is it? | 0:45:02 | 0:45:04 | |
It's a Degas. | 0:45:04 | 0:45:05 | |
What's a Day-ga? | 0:45:05 | 0:45:07 | |
He's an artist. | 0:45:07 | 0:45:09 | |
A really good artist. | 0:45:09 | 0:45:10 | |
Look, if you pass me the sketchbook. | 0:45:12 | 0:45:14 | |
That's Matisse, he's my favourite. | 0:45:19 | 0:45:22 | |
He reckoned dance was the essence of life. | 0:45:25 | 0:45:28 | |
Can you even think what he'd have made of the Casino? | 0:45:28 | 0:45:31 | |
You can't paint that. No-one could. | 0:45:31 | 0:45:33 | |
He could have. He was brilliant. | 0:45:33 | 0:45:34 | |
What, that flutter in your guts while you wait to go in? | 0:45:34 | 0:45:37 | |
Then the music just hits you. No, there's nothing like it. | 0:45:37 | 0:45:41 | |
No, Matisse, | 0:45:41 | 0:45:42 | |
he was a genius. He'd have captured it all. | 0:45:42 | 0:45:45 | |
He would have... | 0:45:45 | 0:45:46 | |
He'd have walked in there and just gone, | 0:45:46 | 0:45:48 | |
"Fuck me, this place is amazing." | 0:45:48 | 0:45:49 | |
Anyway, how do you know so much about art? | 0:45:51 | 0:45:53 | |
I've applied to art school. | 0:45:56 | 0:45:59 | |
In Nottingham. | 0:45:59 | 0:46:00 | |
You did that? | 0:46:04 | 0:46:05 | |
Mm-hm. | 0:46:05 | 0:46:07 | |
It's really good, Mand. | 0:46:07 | 0:46:08 | |
They're only sketches. | 0:46:08 | 0:46:10 | |
Wish I knew what to do with my life. | 0:46:12 | 0:46:15 | |
No, not those. | 0:46:20 | 0:46:21 | |
-Why? -Cos it's private. | 0:46:21 | 0:46:24 | |
What have you got there? Mucky drawings? | 0:46:24 | 0:46:26 | |
-Joe! -I just want to peek at it. | 0:46:26 | 0:46:28 | |
Stop it. | 0:46:28 | 0:46:29 | |
What the hell's going on? | 0:46:34 | 0:46:35 | |
I'm not running a flaming hotel. | 0:46:35 | 0:46:38 | |
Go on. Out! | 0:46:38 | 0:46:40 | |
See you later. | 0:46:41 | 0:46:43 | |
See you at the Casino. | 0:46:43 | 0:46:44 | |
Business is so good right now, babe. | 0:46:45 | 0:46:48 | |
I can set you up anywhere you want to go. Anywhere at all. | 0:46:48 | 0:46:52 | |
But I know where you want to be, babe. I do. | 0:46:53 | 0:46:56 | |
I know where you want to be, babe. | 0:46:57 | 0:47:00 | |
UNZIPPING | 0:47:02 | 0:47:04 | |
There we go. | 0:47:08 | 0:47:10 | |
MUSIC: "All Of My Life" by Detroit Soul | 0:47:11 | 0:47:13 | |
# All of my life | 0:47:13 | 0:47:14 | |
# I've been longin' for you | 0:47:14 | 0:47:17 | |
# Girl | 0:47:17 | 0:47:20 | |
# Till time stands still That's how long I'll need you | 0:47:20 | 0:47:23 | |
# I can't understand | 0:47:26 | 0:47:27 | |
# How I'll get by... # | 0:47:29 | 0:47:32 | |
Something like that? | 0:47:32 | 0:47:34 | |
Yeah, yeah. They're the ones. | 0:47:34 | 0:47:37 | |
HE WHISPERS | 0:47:37 | 0:47:39 | |
# The sun won't shine and the rain might never pour | 0:47:42 | 0:47:46 | |
# But my love for you keeps growing more and more | 0:47:48 | 0:47:51 | |
Taxi to Wigan, sir? | 0:47:55 | 0:47:56 | |
Eh? | 0:47:57 | 0:47:59 | |
If I see one dying fly... | 0:47:59 | 0:48:01 | |
ICE CREAM VAN JINGLE | 0:48:07 | 0:48:09 | |
Bastard thing's stuck. I can't fucking turn it off. | 0:48:09 | 0:48:12 | |
Fucking hell, Joe. Joe! | 0:48:19 | 0:48:20 | |
MUSIC DIES | 0:48:20 | 0:48:21 | |
Get out. | 0:48:21 | 0:48:23 | |
Fucking hell. | 0:48:23 | 0:48:24 | |
Joe. | 0:48:30 | 0:48:32 | |
Joe, Christ's sakes, man. | 0:48:32 | 0:48:35 | |
Open your bag. | 0:48:35 | 0:48:37 | |
Why? | 0:48:37 | 0:48:38 | |
I've got some stuff I want to put in it. | 0:48:38 | 0:48:40 | |
Keeler's got this mate that's a chemist, right? | 0:48:41 | 0:48:44 | |
Says, a slack handful of these and kazzam, | 0:48:44 | 0:48:46 | |
you're the Silver fucking Surfer. | 0:48:46 | 0:48:47 | |
What? | 0:48:50 | 0:48:52 | |
Are you fucking nuts? | 0:48:52 | 0:48:54 | |
I'm not a drug pusher. | 0:48:54 | 0:48:56 | |
And neither am I. | 0:48:56 | 0:48:57 | |
I'm a bloody ice cream man, Joe. | 0:48:57 | 0:48:59 | |
But sometimes it's not enough. | 0:48:59 | 0:49:01 | |
I'm sorry, mate. I'm not doing it. | 0:49:05 | 0:49:07 | |
I promised Keeler. | 0:49:07 | 0:49:08 | |
You know what he's like. | 0:49:08 | 0:49:10 | |
We don't deliver, we both get kicked ugly. | 0:49:10 | 0:49:13 | |
We? | 0:49:13 | 0:49:15 | |
What do you mean, we? | 0:49:15 | 0:49:16 | |
He sees us as a team. | 0:49:16 | 0:49:18 | |
What I get, so do you. | 0:49:18 | 0:49:20 | |
Joe? | 0:49:20 | 0:49:22 | |
-Not now, Mand. -Joe? | 0:49:22 | 0:49:24 | |
I said, "Not now!" | 0:49:24 | 0:49:25 | |
All right? | 0:49:31 | 0:49:33 | |
MUSIC: "If It's All The Same To You Babe" by Luther Ingram/ Anthony Hester | 0:49:38 | 0:49:43 | |
# If it's all the same to you, babe | 0:49:45 | 0:49:50 | |
# I confess, I'm in distress Loneliness is getting me down | 0:49:50 | 0:49:57 | |
# My heart will break... # | 0:49:57 | 0:49:59 | |
What are we going to do? | 0:49:59 | 0:50:00 | |
WE are not going to do anything. YOU are going to do what you came here for. | 0:50:00 | 0:50:04 | |
-Flog pills. -By myself? | 0:50:04 | 0:50:06 | |
This is your deal, Russ. | 0:50:06 | 0:50:07 | |
I'm not into it. None of it. Not any more. | 0:50:07 | 0:50:10 | |
What if I cock up? | 0:50:10 | 0:50:12 | |
You know me, I get stuff wrong. It's what I do. | 0:50:12 | 0:50:15 | |
Hey, pal. Uppers, 15 for a quid. | 0:50:15 | 0:50:17 | |
What are you going to get wrong with that? Go. | 0:50:25 | 0:50:28 | |
MUSIC: "So is the Sun" by World Column | 0:50:30 | 0:50:33 | |
# What makes it hard to find a peace that will last? | 0:50:46 | 0:50:49 | |
# Even if it doesn't we can blow it too fast | 0:50:49 | 0:50:53 | |
# So many years to find nothing is done | 0:50:53 | 0:50:57 | |
# We're making progress but so is the sun | 0:50:57 | 0:51:00 | |
# Ba-ba, ba-ba, ba-ba, ba-ba-ba-ba | 0:51:00 | 0:51:04 | |
# Ba-ba, ba-ba, ba-ba, ba-ba-ba-ba | 0:51:05 | 0:51:08 | |
# Ba-ba, ba-ba, ba-ba, ba-ba-ba-ba | 0:51:09 | 0:51:12 | |
# Ba-ba, ba-ba, ba-ba, ba-ba-ba-ba | 0:51:13 | 0:51:16 | |
# Six billion people, yeah, yeah | 0:51:16 | 0:51:20 | |
# All tired of trying, baby | 0:51:20 | 0:51:24 | |
# To find some happiness... # | 0:51:24 | 0:51:27 | |
Fucking move. | 0:51:27 | 0:51:28 | |
# To keep from dying there | 0:51:28 | 0:51:32 | |
# Nobody takes the time to see | 0:51:33 | 0:51:37 | |
# Do you hear me? Hey! | 0:51:37 | 0:51:41 | |
# Their first concern is always need | 0:51:41 | 0:51:45 | |
# Always need | 0:51:45 | 0:51:47 | |
# Yes, it is, it's all we need! | 0:51:47 | 0:51:50 | |
# You got to come on! | 0:51:50 | 0:51:52 | |
# Ba-ba, ba-ba, ba-ba, ba-ba-ba-ba | 0:51:52 | 0:51:54 | |
# Ba-ba, ba-ba, ba-ba, ba-ba-ba-ba | 0:51:56 | 0:52:00 | |
# What is the answer, yeah, yeah? | 0:52:00 | 0:52:03 | |
# Oh, where can you trace it? | 0:52:03 | 0:52:06 | |
# Is it the meaning, we're just... # | 0:52:06 | 0:52:09 | |
-TANNOY: -Tickets for next week's anniversary do are on sale now | 0:52:12 | 0:52:15 | |
and soon to be rarer than rocking horse shit, | 0:52:15 | 0:52:17 | |
so get them before they're gone. | 0:52:17 | 0:52:19 | |
MUSIC: "If It's For Real Baby" by Porgy & Monarchs | 0:52:39 | 0:52:43 | |
# Tell me that it's not really true | 0:52:45 | 0:52:48 | |
# What you've been saying | 0:52:50 | 0:52:53 | |
# Say you don't mean it | 0:52:55 | 0:52:57 | |
# And tell me that it's still me and you | 0:52:57 | 0:53:01 | |
# It's not a game you're playing | 0:53:01 | 0:53:05 | |
# Say you don't mean it | 0:53:05 | 0:53:08 | |
# And tell me that you break-up and laugh | 0:53:08 | 0:53:12 | |
# And tease me | 0:53:12 | 0:53:14 | |
# When the joke is through | 0:53:14 | 0:53:19 | |
# Is this for real, baby? # | 0:53:19 | 0:53:23 | |
Dave! Cut the music! | 0:53:25 | 0:53:28 | |
Joe, we've got to go now, man. Come on. | 0:53:43 | 0:53:45 | |
The gear was dodgy, man. Let's go. | 0:53:45 | 0:53:47 | |
Joe, don't fuck about. | 0:53:47 | 0:53:49 | |
Come on, we've got to go. | 0:53:49 | 0:53:51 | |
Mandy. Mandy. | 0:53:59 | 0:54:02 | |
-Where's that bloody ambulance? -On its way, boss. -Go and hurry it up! | 0:54:02 | 0:54:05 | |
Mand. | 0:54:05 | 0:54:06 | |
What have I told you about keeping your hands off my goods, eh? Eh? | 0:54:06 | 0:54:10 | |
Get off him. What are you doing? | 0:54:10 | 0:54:12 | |
The place is knee-deep in gear tonight. | 0:54:12 | 0:54:14 | |
You ask where they all got it from. | 0:54:14 | 0:54:16 | |
Check him out. | 0:54:17 | 0:54:18 | |
Clean, boss. | 0:54:22 | 0:54:23 | |
Yeah, well, try his bag. | 0:54:23 | 0:54:26 | |
Bingo. | 0:54:29 | 0:54:30 | |
They're not mine. | 0:54:33 | 0:54:34 | |
Do you want to tell the coppers that? | 0:54:34 | 0:54:37 | |
Get him out of here. | 0:54:48 | 0:54:50 | |
Out, now! | 0:54:50 | 0:54:51 | |
And don't bother coming back. | 0:54:51 | 0:54:54 | |
If I see you again, anywhere, I'll break your fucking legs. | 0:54:54 | 0:54:57 | |
Mand. | 0:56:41 | 0:56:42 | |
Go away. | 0:56:45 | 0:56:47 | |
What? | 0:56:48 | 0:56:50 | |
You heard. Go. | 0:56:50 | 0:56:51 | |
Please. | 0:56:58 | 0:57:00 | |
ALARM CLOCK RINGS | 0:57:26 | 0:57:29 | |
HORN HONKS | 0:57:34 | 0:57:37 | |
Monica. | 0:57:55 | 0:57:57 | |
For the love of Jesus, Monica. | 0:57:57 | 0:58:00 | |
I walked into something. | 0:58:00 | 0:58:02 | |
Teach me to look where I'm going, next time, won't it? | 0:58:02 | 0:58:05 | |
And whatever happened, | 0:58:08 | 0:58:10 | |
it's got nowt to do with you. | 0:58:10 | 0:58:13 | |
Was there owt else? | 0:58:24 | 0:58:25 | |
No, we're all done here. | 0:58:31 | 0:58:33 | |
I won't keep you, then. | 0:58:33 | 0:58:35 | |
You neither. | 0:58:35 | 0:58:37 | |
You did what? | 0:58:53 | 0:58:54 | |
What were you thinking of? | 0:58:54 | 0:58:56 | |
It was just a record. | 0:58:56 | 0:58:58 | |
Records say things, Joe. | 0:58:58 | 0:59:01 | |
Mother of God. | 0:59:02 | 0:59:04 | |
For Christ's sake, will you wake yourself up, Joe? | 0:59:04 | 0:59:07 | |
I just want to know how she is. | 0:59:40 | 0:59:42 | |
Dexie. | 0:59:43 | 0:59:45 | |
Take your coat and piss off. | 0:59:52 | 0:59:54 | |
Dexie? | 1:00:06 | 1:00:08 | |
Who was it? | 1:00:08 | 1:00:10 | |
Nobody. | 1:00:10 | 1:00:11 | |
MUSIC: "Be Young, Be Foolish, Be Happy" by The Tams | 1:00:16 | 1:00:20 | |
# Do-do-doo, doo, do-doo... # | 1:00:20 | 1:00:23 | |
You were on the money about this stuff taking off, Joe. | 1:00:27 | 1:00:30 | |
# Be young, be foolish, but be happy | 1:00:31 | 1:00:35 | |
# Do-do-doo, doo, do-doo | 1:00:35 | 1:00:37 | |
# Be young, be foolish, but be happy | 1:00:37 | 1:00:42 | |
# Do-do-doo, doo, do-doo | 1:00:42 | 1:00:44 | |
# Don't let the rain get you down It's a waste of time | 1:00:44 | 1:00:49 | |
# A waste of time | 1:00:49 | 1:00:51 | |
# Have your fun, live everyday in the bright sunshine... # | 1:00:51 | 1:00:57 | |
KNOCKING ON DOOR | 1:00:57 | 1:00:59 | |
Visitor. | 1:01:01 | 1:01:02 | |
Must say, he scrubs up well. | 1:01:02 | 1:01:04 | |
Fancy a pint? | 1:01:07 | 1:01:08 | |
# So, be young, be foolish But be happy... # | 1:01:10 | 1:01:15 | |
So, the get-up, what do you think? | 1:01:21 | 1:01:24 | |
It's... | 1:01:26 | 1:01:29 | |
very Tom. | 1:01:29 | 1:01:31 | |
Thought it might be a bit much myself. | 1:01:31 | 1:01:34 | |
But if you have it, flaunt it, as I always say. | 1:01:34 | 1:01:37 | |
What do you think of Cork, Joe? | 1:01:43 | 1:01:46 | |
I hear it floats. | 1:01:46 | 1:01:48 | |
No, the city in Ireland. | 1:01:48 | 1:01:50 | |
Good people. Fresh air. | 1:01:50 | 1:01:54 | |
Good place to bring up kids. | 1:01:54 | 1:01:56 | |
It's not the easiest time to be a Paddy in this country, Joe. | 1:01:57 | 1:01:59 | |
You can take that from me. | 1:01:59 | 1:02:01 | |
What we doing here, Brendan? | 1:02:14 | 1:02:16 | |
HE SIGHS | 1:02:18 | 1:02:20 | |
Nothing looks like. | 1:02:20 | 1:02:22 | |
May as well call it a night. | 1:02:23 | 1:02:25 | |
Vegas look. | 1:02:37 | 1:02:40 | |
Suits you. | 1:02:40 | 1:02:41 | |
I thought you wouldn't come. | 1:02:44 | 1:02:46 | |
You thought wrong. | 1:02:46 | 1:02:48 | |
Bobby, he's out with the lads. | 1:02:55 | 1:02:59 | |
We should go. We've got a train to catch. | 1:02:59 | 1:03:02 | |
Brendan. | 1:03:09 | 1:03:11 | |
You look after yourself now, Joe. | 1:03:13 | 1:03:15 | |
I'm away home. | 1:03:15 | 1:03:17 | |
Whisky for the road, please, duck. | 1:03:29 | 1:03:31 | |
-Oh, all right, Russ. -All right, can I get a bottle, please? Thanks. | 1:03:39 | 1:03:44 | |
-You all right, mate? -Yeah. You? | 1:03:51 | 1:03:54 | |
I'm all right. | 1:03:54 | 1:03:56 | |
It's not really your scene any more, this, is it? | 1:03:59 | 1:04:02 | |
I mean, you're crap in a scrap, you can't drink, | 1:04:02 | 1:04:06 | |
and when it comes to pulling girls all you ever did was held me back. | 1:04:06 | 1:04:09 | |
Do yourself a favour, mate. | 1:04:15 | 1:04:17 | |
Go where you belong. | 1:04:17 | 1:04:20 | |
Where the hell is she? Where is she? | 1:05:02 | 1:05:06 | |
-Where is she? -I don't... | 1:05:06 | 1:05:08 | |
-I know she's been seeing you! -What would she want with me? | 1:05:08 | 1:05:12 | |
-I've already hurt you. -All right, all right, all right. | 1:05:12 | 1:05:15 | |
She left with Brendan. | 1:05:15 | 1:05:17 | |
That Paddy? | 1:05:20 | 1:05:22 | |
Heading where? | 1:05:22 | 1:05:24 | |
Las Vegas. Las Vegas. | 1:05:24 | 1:05:27 | |
Vegas? | 1:05:27 | 1:05:30 | |
To see Tom Jones. | 1:05:33 | 1:05:34 | |
COACH PARTY CHEERS | 1:05:40 | 1:05:42 | |
DIGITAL WATCH BEEPS | 1:05:42 | 1:05:43 | |
You! | 1:05:43 | 1:05:46 | |
You thieving little bastard! | 1:05:46 | 1:05:48 | |
CROWD SHOUTS | 1:06:00 | 1:06:02 | |
MUSIC: "I'm On My Way" by Dean Parrish | 1:06:13 | 1:06:17 | |
# I'm on my way | 1:06:20 | 1:06:21 | |
# You're out of my mind | 1:06:21 | 1:06:23 | |
# Flying high | 1:06:23 | 1:06:25 | |
# Catch me if you can | 1:06:25 | 1:06:27 | |
# Ain't gonna cry | 1:06:27 | 1:06:28 | |
# What a way to die. # | 1:06:28 | 1:06:30 | |
ENGINE SPLUTTERS | 1:06:34 | 1:06:37 | |
Fuck off! | 1:06:39 | 1:06:41 | |
# Headed for the life of the city | 1:06:42 | 1:06:44 | |
# Gonna spin around | 1:06:44 | 1:06:48 | |
# I need a big city woman | 1:06:48 | 1:06:50 | |
# Gonna pick this town | 1:06:50 | 1:06:54 | |
# Baby, I give you everything I ever had to give | 1:06:54 | 1:06:59 | |
# And now I'm gonna live | 1:06:59 | 1:07:02 | |
# Live | 1:07:02 | 1:07:04 | |
# Here I go, I'm on my way | 1:07:04 | 1:07:08 | |
# Out of your sight | 1:07:08 | 1:07:09 | |
# I'm on my way | 1:07:09 | 1:07:11 | |
# You're out of my mind | 1:07:11 | 1:07:13 | |
# Flying high | 1:07:13 | 1:07:14 | |
# Catch me if you can | 1:07:14 | 1:07:16 | |
# Ain't gonna cry | 1:07:16 | 1:07:18 | |
# What a way to die | 1:07:18 | 1:07:21 | |
# I'm on my way | 1:07:26 | 1:07:29 | |
# Ooh, to the city. # | 1:07:29 | 1:07:31 | |
Eyes skinned tonight, Derek. | 1:07:39 | 1:07:42 | |
Anyone doing a dodgy here tonight with a lord in the house, | 1:07:42 | 1:07:45 | |
and I mean anyone... | 1:07:45 | 1:07:46 | |
Righto, boss. | 1:07:46 | 1:07:48 | |
# I'm on my way out of your sight | 1:07:52 | 1:07:55 | |
# I'm on my way, you're out of my mind | 1:07:55 | 1:07:59 | |
# Flying high, catch me if you can | 1:07:59 | 1:08:03 | |
# Ain't gonna cry | 1:08:03 | 1:08:07 | |
# I'm on my way. # | 1:08:07 | 1:08:08 | |
APPLAUSE | 1:08:08 | 1:08:10 | |
Mandy, I... | 1:08:10 | 1:08:13 | |
Hey, get off him. | 1:08:13 | 1:08:14 | |
You just don't know when to take fuck off for an answer, do you? | 1:08:14 | 1:08:17 | |
Sit down! | 1:08:17 | 1:08:18 | |
I don't want to fight with you. | 1:08:18 | 1:08:21 | |
Oh, there won't be a fight. | 1:08:21 | 1:08:24 | |
-Not here, man. Not tonight. -This place belongs to me, do you hear? | 1:08:24 | 1:08:28 | |
This is MY dance floor! | 1:08:28 | 1:08:31 | |
You fat old fuck. | 1:08:31 | 1:08:32 | |
You can't dance. | 1:08:32 | 1:08:34 | |
What? He's challenging me? | 1:08:34 | 1:08:38 | |
He's challenging ME? | 1:08:38 | 1:08:40 | |
Get out of my way. Get out of my fucking way! | 1:08:40 | 1:08:43 | |
MUSIC: "Breakaway Pt 2" by The Steve Karmen Big Band feat Jimmy Radcliffe | 1:08:44 | 1:08:48 | |
MUSIC STOPS | 1:09:18 | 1:09:21 | |
MUSIC STARTS UP | 1:09:27 | 1:09:30 | |
Spin. | 1:10:04 | 1:10:07 | |
CHEERING | 1:10:48 | 1:10:50 | |
Fuck off! | 1:10:58 | 1:10:59 | |
Dave! | 1:10:59 | 1:11:01 | |
Get off! | 1:11:01 | 1:11:03 | |
Joe. | 1:11:05 | 1:11:07 | |
Mand. | 1:11:21 | 1:11:22 | |
Wait, wait! Mand, Mand! | 1:11:28 | 1:11:30 | |
-You dance really well, Joe. -I don't care. | 1:11:30 | 1:11:35 | |
They think you're great, people here, Jane. | 1:11:35 | 1:11:38 | |
You've won it all, Joe. Go on. | 1:11:38 | 1:11:40 | |
Go back and enjoy it. | 1:11:40 | 1:11:41 | |
You don't understand. I want you. | 1:11:41 | 1:11:45 | |
Listen to yourself, Joe. I want, I want. | 1:11:45 | 1:11:50 | |
You've no idea what you want, have you? | 1:11:50 | 1:11:53 | |
-Mandy. Mand! -You're too late. | 1:12:02 | 1:12:05 | |
I want you. | 1:12:08 | 1:12:10 | |
Art college. | 1:12:13 | 1:12:15 | |
I've been accepted in Nottingham. | 1:12:15 | 1:12:18 | |
The course? | 1:12:18 | 1:12:19 | |
Yeah. | 1:12:19 | 1:12:21 | |
And I'm not going to have you stop me, Joe. | 1:12:21 | 1:12:25 | |
Why would I stop you? | 1:12:25 | 1:12:26 | |
I think you're amazing. You could be like that guy, Madris. | 1:12:28 | 1:12:32 | |
Matisse. | 1:12:32 | 1:12:34 | |
Matisse. | 1:12:34 | 1:12:36 | |
Ann, you're right. | 1:12:38 | 1:12:40 | |
I'm a selfish dickhead, | 1:12:40 | 1:12:42 | |
but I don't want to lose you, not now. | 1:12:42 | 1:12:45 | |
You're the only real thing in my life. | 1:12:49 | 1:12:52 | |
Do you mean it? | 1:12:55 | 1:12:58 | |
I only come here because of you. | 1:12:58 | 1:13:01 | |
Can we start again? | 1:13:29 | 1:13:30 | |
I think so. | 1:13:30 | 1:13:33 | |
CAR HORN BEEPS | 1:13:47 | 1:13:49 | |
MUSIC: "On A Magic Carpet Ride" by Gabriella Cilmi | 1:13:49 | 1:13:51 | |
# They say love has many faces | 1:13:51 | 1:13:54 | |
# And takes your head to other places | 1:13:57 | 1:14:01 | |
# Open up your heart | 1:14:03 | 1:14:07 | |
# Give your life a chance to start moving | 1:14:10 | 1:14:17 | |
# On a magic carpet around | 1:14:17 | 1:14:20 | |
# We can find a place where there is no time | 1:14:20 | 1:14:24 | |
# On a magic carpet ride | 1:14:24 | 1:14:27 | |
# We can touch the sky | 1:14:27 | 1:14:30 | |
# Like a bird we'll fly | 1:14:30 | 1:14:31 | |
# There's no end to what we'll do | 1:14:31 | 1:14:34 | |
# Me and you | 1:14:34 | 1:14:36 | |
# We could live inside a flower. # | 1:14:39 | 1:14:43 | |
We've been waiting for years to have a film recreated | 1:14:46 | 1:14:50 | |
about the true Northern Soul, | 1:14:50 | 1:14:53 | |
especially Wigan Casino where most of us all went. | 1:14:53 | 1:14:56 | |
These are the original Wigan memberships, yeah. | 1:14:56 | 1:14:59 | |
This is a gents, blue, and the ladies, pink. | 1:14:59 | 1:15:02 | |
The last night at Wigan. If you'd hold that. | 1:15:02 | 1:15:06 | |
It took us a lifetime to learn how we dance and practice our moves. | 1:15:06 | 1:15:10 | |
This is my niece. | 1:15:10 | 1:15:12 | |
I'm trying to get her into Northern Soul | 1:15:12 | 1:15:14 | |
to keep it in the next generation, keeping the faith. | 1:15:14 | 1:15:18 | |
It's been absolutely amazing to see all the different costumes | 1:15:18 | 1:15:21 | |
and hear all the music out loud. | 1:15:21 | 1:15:24 | |
A great aesthetic. It's been fantastic. | 1:15:24 | 1:15:26 | |
To actually get a part dancing in something that's been my passion | 1:15:26 | 1:15:30 | |
for over 30 years, it's just, yeah, unreal. | 1:15:30 | 1:15:33 | |
Soul has been part of my life for 34 years. | 1:15:33 | 1:15:36 | |
I know I don't look old enough, but the same with this chap here. | 1:15:36 | 1:15:40 | |
A true Northern Soul person would feel the music. | 1:15:40 | 1:15:42 | |
I'm feeling it now just talking about it. | 1:15:42 | 1:15:44 | |
I get a little bit of a buzz coming over me. | 1:15:44 | 1:15:46 | |
Certain tunes you hear, you might be in conversation with somebody | 1:15:46 | 1:15:49 | |
and one of your favourite tunes will come along and you just... | 1:15:49 | 1:15:52 | |
Or you're at the record bar and you hear that beat, | 1:15:52 | 1:15:55 | |
you know it straightaway. | 1:15:55 | 1:15:56 | |
"Got to go, mate." Sweating all over the vinyl. | 1:15:56 | 1:15:59 | |
-Straight on the dance floor and away you go, like. -That's it. | 1:15:59 | 1:16:02 |