Browse content similar to Two Tickets to Broadway. Check below for episodes and series from the same categories and more!
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I'm not hungry now. I was hungry last night, but not now. | 0:01:46 | 0:01:51 | |
My brain keeps telling my stomach that my teeth are out of order! | 0:01:51 | 0:01:56 | |
My stomach found out a long time ago that my brain is a liar! | 0:01:56 | 0:02:02 | |
This Reader's Digest says you can go 72 hours without food, | 0:02:02 | 0:02:06 | |
-then your body begins consuming your fat. -From where? -Doesn't say. | 0:02:06 | 0:02:11 | |
I don't want a big meal. | 0:02:11 | 0:02:13 | |
Just so I'll have strength enough to pull a trigger on a gun! | 0:02:13 | 0:02:19 | |
-Where you gonna get one? You have to buy a gun. -Right. | 0:02:19 | 0:02:23 | |
We have a knife at home, haven't we? | 0:02:23 | 0:02:26 | |
-Stab a man, they put you in jail. -Lou Conway is a rat. | 0:02:26 | 0:02:30 | |
True, but legally, he's a man. | 0:02:30 | 0:02:32 | |
No, the smart thing to do is take him up the Empire State Building and push him off! | 0:02:32 | 0:02:38 | |
-No witnesses! -But it costs a dollar apiece to go up. | 0:02:38 | 0:02:43 | |
I think you characters are being awfully unfair to Lou. | 0:02:43 | 0:02:47 | |
Nobody asked you. Would you scratch my back? | 0:02:47 | 0:02:50 | |
You thought it great when he got us the show! | 0:02:50 | 0:02:53 | |
He forgot to say SHOWBOAT on Lake Chickamussie! | 0:02:53 | 0:02:57 | |
Conway couldn't book Bob Hope in an army camp! | 0:02:57 | 0:03:01 | |
He couldn't help the boat sinking! | 0:03:01 | 0:03:04 | |
When we hit New York, you better shop around for a new boyfriend, | 0:03:04 | 0:03:09 | |
because Mr Conway will be dead D-A-I-D, daid! | 0:03:09 | 0:03:14 | |
SIRENS WAIL | 0:03:27 | 0:03:29 | |
Boys? We're just trying to get to town before the bus, Officer. | 0:03:34 | 0:03:39 | |
We're late to see Nancy Peterson off! | 0:03:39 | 0:03:41 | |
Is Nancy leaving today? In that case, go ahead! | 0:03:41 | 0:03:45 | |
BRASS BAND PLAYS | 0:04:02 | 0:04:04 | |
# Pelican Falls, Pelican Falls, Pelican Falls High | 0:04:10 | 0:04:14 | |
# Wonderful school, wonderful school, nobody will deny | 0:04:14 | 0:04:18 | |
# We're ready to fight, we're ready to bite, we're ready to do or die | 0:04:18 | 0:04:21 | |
# For Pelican Falls, Pelican Falls, Pelican Falls | 0:04:21 | 0:04:25 | |
# Pelican Falls High! # | 0:04:25 | 0:04:30 | |
HURRAY! # Nancy's ready Sis-Boom-Bah Nancy's leaving Boom-Rah-Rah! # | 0:04:30 | 0:04:36 | |
-< Let's hear a song from Nancy! -Our school song, please. | 0:04:36 | 0:04:40 | |
# As on through life I wander | 0:04:45 | 0:04:50 | |
# Here, or there, or yonder | 0:04:50 | 0:04:54 | |
# I'll miss our dear old high school | 0:04:54 | 0:04:59 | |
# It's humble, but it's my school | 0:04:59 | 0:05:08 | |
# Pelican Falls, Pelican Falls, Pelican Falls High | 0:05:08 | 0:05:12 | |
# Wonderful school, wonderful school, nobody will deny | 0:05:12 | 0:05:15 | |
# We're ready to fight, we're ready to bite, we're ready to do or die | 0:05:15 | 0:05:18 | |
# For Pelican Falls, Pelican Falls, for Pelican Falls High! # | 0:05:18 | 0:05:23 | |
# Pelican Falls, Pelican Falls, Pelican Falls High | 0:05:23 | 0:05:26 | |
# Wonderful school, wonderful school, nobody will deny | 0:05:26 | 0:05:29 | |
# We're ready to fight, we're ready to bite, we're ready to do or die | 0:05:29 | 0:05:32 | |
# For Pelican Falls, Pelican Falls, for Pelican Falls High! # | 0:05:32 | 0:05:36 | |
CHEERING | 0:05:36 | 0:05:38 | |
FANFARE | 0:05:38 | 0:05:40 | |
TO THE TUNE OF "AULD LANG SYNE" # The classmates who have voted you | 0:05:40 | 0:05:45 | |
# Most likely to succeed | 0:05:45 | 0:05:49 | |
# Are gathered here to say adieu | 0:05:49 | 0:05:54 | |
# And wish you God's speed | 0:05:54 | 0:06:01 | |
# God's speed | 0:05:58 | 0:06:01 | |
# Good luck, dear Nancy Peterson | 0:06:01 | 0:06:06 | |
# We knew that you'd go far | 0:06:06 | 0:06:10 | |
# You're Broadway bound, and you are bound | 0:06:10 | 0:06:16 | |
# To be a Broadway star. # | 0:06:16 | 0:06:25 | |
CHEERING | 0:06:25 | 0:06:26 | |
The driver took your bag. Here's the check. | 0:06:27 | 0:06:31 | |
BEEPING All aboard, New York! | 0:06:31 | 0:06:33 | |
# She's our Nancy, she's our Nancy! # | 0:06:33 | 0:06:37 | |
HOORAY! | 0:06:37 | 0:06:38 | |
TO "YANKEE DOODLE" # Nancy had a freckled nose back in kindergarten | 0:06:38 | 0:06:42 | |
# Now she'll have her name in lights, the same as Mary Martin! | 0:06:42 | 0:06:46 | |
# Keep the music playing loud, keep the rhythm prancing | 0:06:46 | 0:06:50 | |
# We're a very merry crowd and very proud of Nancy! | 0:06:50 | 0:06:52 | |
# Though we hate to see her go, why be sad or solemn? | 0:06:52 | 0:06:56 | |
# Soon her name will be in every syndicated column! | 0:06:56 | 0:07:00 | |
# Keep the music playing loud, keep the rhythm prancing | 0:07:00 | 0:07:04 | |
# We're a very merry crowd and very proud of Nancy! | 0:07:04 | 0:07:07 | |
# What's the difference if she was Latin, French or German? | 0:07:07 | 0:07:10 | |
# Nancy's gonna knock 'em cold, same as Ethel Merman! | 0:07:10 | 0:07:14 | |
# Keep the music playing loud, keep the rhythm prancing | 0:07:14 | 0:07:18 | |
# We're a very merry crowd... # | 0:07:18 | 0:07:20 | |
That reminds me. I oughta write my mother. | 0:07:20 | 0:07:23 | |
After two years? The shock'll kill her! | 0:07:23 | 0:07:26 | |
I made you lunch fried chicken and potato salad! | 0:07:28 | 0:07:32 | |
-Don't forget to wire us when you arrive! -I won't. Bye! | 0:07:34 | 0:07:38 | |
# Pelican Falls, Pelican Falls, Pelican Falls High | 0:07:47 | 0:07:51 | |
# Wonderful school, wonderful school, nobody will deny | 0:07:51 | 0:07:55 | |
# We're ready to fight, we're ready to bite, we're ready to do or die | 0:07:55 | 0:07:58 | |
# For Pelican Falls, Pelican Falls, for Pelican Falls High! | 0:07:58 | 0:08:02 | |
# Pelican Falls, Pelican Fa-a-alls | 0:08:06 | 0:08:12 | |
# Hi-i-i-i-igh! # | 0:08:12 | 0:08:21 | |
-Go ahead and cry, honey. Get it out of your system. -It's silly. | 0:08:31 | 0:08:36 | |
-That was quite a send off. -Weren't they great? | 0:08:36 | 0:08:39 | |
They gave me one in Indiana. | 0:08:39 | 0:08:42 | |
Only trouble with those is, if you don't make good, you can't go back! | 0:08:42 | 0:08:48 | |
-Can I squeeze in? -Sure. -I'll put your shoes up here. | 0:08:48 | 0:08:52 | |
-No, Ma packed me a lunch. -What a dear thing for her to do! | 0:08:52 | 0:08:57 | |
After all that excitement, shouldn't you have some nourishment to calm your nerves? | 0:08:57 | 0:09:04 | |
Food is a wonderful nerve tonic. I wouldn't wait for lunch. | 0:09:04 | 0:09:09 | |
-I'm not nervous. -You're excited, and excitement leads to nervousness. | 0:09:09 | 0:09:14 | |
Oh, well, maybe I should. | 0:09:14 | 0:09:17 | |
There, you feel better already, don't you? | 0:09:28 | 0:09:32 | |
-There's nothing like mother's cooking. -Would you like some? | 0:09:32 | 0:09:36 | |
-I can't eat in a moving vehicle. -Me either. I get nervous. | 0:09:36 | 0:09:41 | |
If you're nervous, maybe we'd better eat! | 0:09:41 | 0:09:45 | |
How did you know my name? Oh, the banners! | 0:09:45 | 0:09:49 | |
They didn't say "So long, George"! | 0:09:49 | 0:09:53 | |
-I'm Joyce Campbell. This is Hannah Holbrook. -I'm SF Rogers. | 0:09:53 | 0:09:57 | |
SF is for Silver Fox. Her mother expected a coat! | 0:09:57 | 0:10:01 | |
-So, you're gonna be a Broadway star, huh? -I'm gonna try. -Nice. | 0:10:01 | 0:10:05 | |
-We're in showbiz, too. -Really? What do you do? | 0:10:05 | 0:10:10 | |
Go ahead and tell her, Hannah. | 0:10:10 | 0:10:12 | |
-We just closed in a real turkey. -No, we SANK! | 0:10:12 | 0:10:16 | |
-The showboat on Lake Chickamussie?! -You heard about it? | 0:10:16 | 0:10:20 | |
Everybody has. It was the laughing stock of Vermont! | 0:10:20 | 0:10:24 | |
Yeah, it was hysterical(!) | 0:10:24 | 0:10:26 | |
Maybe you can help us. How do they kill rats in Pelican Falls? | 0:10:26 | 0:10:31 | |
Conway, you're a rat! | 0:10:31 | 0:10:34 | |
-It's lucky you wear glasses! -You've double crossed me for the last time! | 0:10:35 | 0:10:40 | |
-No more stealing my clients' jobs for Danny Carter! -Your clients? You've just got a desk! | 0:10:40 | 0:10:47 | |
And you've a drawer in MY desk! Here, take your office and take your Danny Carter! | 0:10:47 | 0:10:54 | |
I'll get out, but when I make a star of Dan Carter, you'll be begging for a drawer in MY office! | 0:10:54 | 0:11:01 | |
-MUSIC: "O SOLE MIO" -# There's no tomorrow | 0:11:02 | 0:11:09 | |
# When love is here | 0:11:09 | 0:11:13 | |
# Now is forever | 0:11:13 | 0:11:18 | |
# When love is true | 0:11:18 | 0:11:23 | |
# So kiss me and hold me tight | 0:11:23 | 0:11:33 | |
# There's no tomorrow | 0:11:33 | 0:11:37 | |
# There's just tonight | 0:11:37 | 0:11:43 | |
# Ma na tu sole | 0:11:43 | 0:11:48 | |
# Chiu belo oi ne | 0:11:48 | 0:11:52 | |
# O sole mio | 0:11:52 | 0:11:56 | |
# Sta infronte a te | 0:11:56 | 0:12:00 | |
# O sole, O sole mio | 0:12:00 | 0:12:10 | |
# Sta infronte a te | 0:12:10 | 0:12:14 | |
# Sta infronte a te | 0:12:14 | 0:12:19 | |
HUMS THE MELODY | 0:12:19 | 0:12:22 | |
# There's no tomorrow | 0:12:34 | 0:12:41 | |
# When love is new | 0:12:41 | 0:12:45 | |
# Now is forever | 0:12:45 | 0:12:50 | |
# When love is true | 0:12:50 | 0:12:55 | |
# So kiss me and hold me tight | 0:12:55 | 0:13:05 | |
# There's no tomorrow | 0:13:05 | 0:13:10 | |
# There's just tonight. # | 0:13:10 | 0:13:18 | |
LOUD CHATTER | 0:13:49 | 0:13:51 | |
'We gotta get back to the studio in ten minutes.' | 0:13:51 | 0:13:54 | |
-'Made that baloney and cheese? -What am I? A magician?' | 0:13:54 | 0:13:59 | |
-What's holding up the salami? -The string. I didn't take it out yet! | 0:13:59 | 0:14:05 | |
GENERAL CHATTER | 0:14:05 | 0:14:07 | |
People, please! Is there a book-keeper in the crowd? A bookmaker? | 0:14:07 | 0:14:14 | |
A bookmaker I got. I want a book-keeper. < I was one. | 0:14:14 | 0:14:18 | |
Thanks, tell me, count up, how many arms have I got? Two! | 0:14:18 | 0:14:22 | |
On each I only got one hand! What am I, an octopus? | 0:14:22 | 0:14:26 | |
And what's good enough for my partner, same for me! | 0:14:26 | 0:14:29 | |
When you're slicing, no talking! | 0:14:29 | 0:14:32 | |
-Don't raise your voice at me. DON'T YOU DARE! -If corn beef was cheaper, I'd hit you with one. | 0:14:32 | 0:14:38 | |
Don't get excited. Remember your blood pressure. | 0:14:38 | 0:14:42 | |
-You're the one with blood pressure! -A better reason! | 0:14:42 | 0:14:46 | |
Come on, Harry! | 0:14:46 | 0:14:48 | |
You'll see us in ten minutes. If we don't go, we won't be ON! | 0:14:48 | 0:14:53 | |
Too bad you're not a woman. I could have married you and left you! | 0:15:01 | 0:15:06 | |
If I was a woman, I'd be so beautiful I wouldn't look on you! | 0:15:06 | 0:15:10 | |
-Hello, boys. -Hello, Dan! | 0:15:10 | 0:15:12 | |
-If you were a woman, you'd be so ugly, I wouldn't marry you! -Is that so? | 0:15:12 | 0:15:17 | |
-Two turkey sandwiches to go. -For Dan, anything. | 0:15:17 | 0:15:21 | |
Since when do we let a customer interfere with an argument? | 0:15:21 | 0:15:25 | |
-Especially one who owes us 9.00. -It's 11.00. | 0:15:25 | 0:15:29 | |
-OK, with Conway's share. -Danny is good for it! | 0:15:29 | 0:15:33 | |
-Actors are good for nothing! -Harry, I'm not an actor any more. | 0:15:33 | 0:15:37 | |
-In that case, I'll trust you. -You've trusted me long enough. | 0:15:37 | 0:15:42 | |
-This should do it. -This is a deli, not a pawn shop! | 0:15:42 | 0:15:45 | |
-Let me see that watch. -It's a good watch. | 0:15:45 | 0:15:48 | |
-It's worth 20.00. -With these, it comes to 12.50 he owes us. | 0:15:48 | 0:15:53 | |
-Here's an 8 watch change. -And the sandwiches. | 0:16:00 | 0:16:03 | |
Thanks, Leo... Harry. Well, I'll see you around. | 0:16:03 | 0:16:08 | |
Next time I'm in New York. | 0:16:09 | 0:16:12 | |
-What? He's not an actor any more? -When WAS he an actor? | 0:16:14 | 0:16:18 | |
To me, you ain't an actor unless you're on stage! | 0:16:18 | 0:16:21 | |
Here's the corn beef. So with a bit of help it couldn't be a sandwich? | 0:16:21 | 0:16:27 | |
So help the corn beef, never mind actors! | 0:16:27 | 0:16:30 | |
-Can we pay the meat man with watches? -He's got to know the time! | 0:16:30 | 0:16:35 | |
-YOU don't know what time it is! -I don't know(!) | 0:16:35 | 0:16:38 | |
-He wants to help actors(!) -I can help actors if I like it! | 0:16:38 | 0:16:44 | |
You like it? Well, I don't like it! | 0:16:44 | 0:16:46 | |
-Do I ask you to like it? -Then don't ask me to ask you, don't you! | 0:16:46 | 0:16:51 | |
-I'm liking actors! -With my money! | 0:16:51 | 0:16:54 | |
So I made mistakes investing in shows, but everybody does! | 0:16:54 | 0:16:58 | |
The Great Zeigfield, he made some mistakes. | 0:16:58 | 0:17:03 | |
-George Peabody made some mistakes. -Who is he? | 0:17:03 | 0:17:06 | |
He made nothing but mistakes! | 0:17:06 | 0:17:09 | |
Harry, Leo, have you guys seen Dan?! | 0:17:09 | 0:17:12 | |
He was just here. Where did he go? | 0:17:12 | 0:17:15 | |
Who knows? He paid your bill with a watch and ordered two to go. | 0:17:15 | 0:17:20 | |
To go? He went? But... Oh, no! | 0:17:20 | 0:17:23 | |
-Did Hannah get you on the phone? -They're up in Vermont. | 0:17:23 | 0:17:28 | |
They were! She's been calling from every bus stop! | 0:17:28 | 0:17:32 | |
That means the show has folded! | 0:17:32 | 0:17:35 | |
It means the show has folded and you're cooked! | 0:17:35 | 0:17:39 | |
Oh, well, one problem at a time. | 0:17:39 | 0:17:41 | |
-I'll cross that bridge when I come to it. Jump off it! -To your left! | 0:17:41 | 0:17:46 | |
MUSIC DROWNS SPEECH | 0:17:59 | 0:18:01 | |
-Lou! -Ahh! -What are you doing? -Where do you think you're going? | 0:18:43 | 0:18:49 | |
-I'm going home to Denver! -Oh, yeah? | 0:18:49 | 0:18:51 | |
-You're crazy! -You give up too easy. | 0:18:51 | 0:18:54 | |
-Two empty years isn't easy! -Two empty years is just an intermission! | 0:18:54 | 0:18:59 | |
-I've got good news. -Good news? -Remember the Lake Chickamussie show? | 0:18:59 | 0:19:04 | |
-It's a smash! -No kidding? -I got a call from Vermont. | 0:19:04 | 0:19:08 | |
Biggest show ever. They're bringing it to Broadway! | 0:19:08 | 0:19:12 | |
-What's that got to do with me? -The male lead is the only weak thing. | 0:19:12 | 0:19:17 | |
-Sings like a rusty hinge. They want you to replace him. -When? -When(?) | 0:19:17 | 0:19:23 | |
When... | 0:19:26 | 0:19:28 | |
-Well? -Oh? Oh, when?! Er... | 0:19:30 | 0:19:32 | |
Well, er... | 0:19:32 | 0:19:34 | |
-Why are you so nervous? -No, I'm excited! | 0:19:39 | 0:19:43 | |
-We have to wait for the call. -How long for? -I'll cash your ticket. | 0:19:43 | 0:19:48 | |
-But you... -I used to handle a magician! | 0:19:48 | 0:19:52 | |
"Arrived safely. Will wire details later. Love Nancy." | 0:19:52 | 0:19:56 | |
-You said 68 cents? -Yes. | 0:19:56 | 0:19:58 | |
Oh, my bag! | 0:20:03 | 0:20:05 | |
Oh, my bag's missing! Somebody's taken my...! | 0:20:05 | 0:20:09 | |
Officer, those men are stealing my bag! | 0:20:14 | 0:20:16 | |
INAUDIBLE | 0:20:16 | 0:20:18 | |
-Hold it, boys. -What's the matter? | 0:20:22 | 0:20:24 | |
-I don't like to be nosy, but is that your bag? -It's MINE! | 0:20:24 | 0:20:29 | |
Did he steal her bag? She said so! | 0:20:29 | 0:20:32 | |
-You're mistaken, Miss. -I'm not! -Make him open it up! | 0:20:32 | 0:20:36 | |
An excellent idea, but before we do, can you describe the contents? | 0:20:36 | 0:20:41 | |
-Or is it too personal? -No... -If it is, perhaps he'd like to describe HIS contents! | 0:20:41 | 0:20:49 | |
-On top is a green dress with white polka dots. -White polka dots? | 0:20:49 | 0:20:53 | |
Now then, with this fascinating clue, we'll proceed. OPEN IT! | 0:20:53 | 0:20:59 | |
-That's MY mother, I'm sure of that. -Oh, I'm terribly sorry! | 0:21:09 | 0:21:13 | |
If that's HIS mother, how can this be her bag? | 0:21:13 | 0:21:18 | |
Thank you, Mrs District Attorney! | 0:21:18 | 0:21:21 | |
-Is this yours, Miss? I picked it up by mistake. -Oh, yes, thank you. | 0:21:21 | 0:21:26 | |
I'm sorry, I thought it was my bag! You can see that they're practically identical. | 0:21:26 | 0:21:32 | |
I...I...Oh, bye! | 0:21:32 | 0:21:35 | |
Thank goodness! I do so hate to arrest people. | 0:21:35 | 0:21:39 | |
TAXI! TAXI! | 0:21:48 | 0:21:51 | |
Hey... Well, of ALL the nerve! | 0:21:59 | 0:22:02 | |
-Friendly little island, eh? -I'll get a cab. -They don't have to be so... | 0:22:02 | 0:22:07 | |
-Oh! -You haven't seen anything. Try the subway! | 0:22:07 | 0:22:12 | |
Wait a minute, friend, the lady's from out of town! | 0:22:12 | 0:22:16 | |
Who isn't? | 0:22:16 | 0:22:18 | |
Thanks! | 0:22:21 | 0:22:22 | |
Some dame, huh? Bag! | 0:22:24 | 0:22:27 | |
I'll wash up, then we'll go get some coffee. | 0:22:27 | 0:22:31 | |
-What about that call? -The call? Oh, THAT! | 0:22:31 | 0:22:34 | |
They'll call any minute and THEN we'll get some coffee. | 0:22:34 | 0:22:39 | |
Say, how am I gonna look in a green dress with white polka dots? | 0:22:39 | 0:22:45 | |
Very pretty! | 0:22:45 | 0:22:47 | |
Oh, no! | 0:22:48 | 0:22:50 | |
How will she look in a four-year-old tuxedo? | 0:22:50 | 0:22:53 | |
-You better get that back to her. -Yeah, poor kid! | 0:22:53 | 0:22:57 | |
-Where did she tell the cab driver? -Er...the... -Theatre Club! | 0:22:57 | 0:23:02 | |
I'd go, but I don't want to blow this call. See you at the deli at 10.30. | 0:23:02 | 0:23:07 | |
PHONE RINGS | 0:23:07 | 0:23:10 | |
-Hello? -Is that the call? -It's long distance! | 0:23:10 | 0:23:14 | |
-Hello? -Hello, Lou? It's me, Hannah. | 0:23:14 | 0:23:17 | |
Oh, er...yes, sir. | 0:23:17 | 0:23:21 | |
Sir? Lou, the showboat sank! The girls are furious! They're coming to get you! | 0:23:21 | 0:23:26 | |
Sorry, the terms are just the same | 0:23:26 | 0:23:29 | |
300 a week, plus a run of the play contract. Decide by 10.00 tonight. | 0:23:29 | 0:23:34 | |
-No, take anything! -If we don't hear by then, we double the salary. | 0:23:34 | 0:23:39 | |
-What are you doing?! -I'm working a deal! They're desperate! | 0:23:39 | 0:23:43 | |
They're sunk! Go get your bag, you may have to leave tonight! | 0:23:43 | 0:23:48 | |
Leaving tonight... | 0:23:48 | 0:23:50 | |
MOUTHS | 0:23:58 | 0:24:00 | |
-Ah-ha! -AHH! -Sneaking out as usual! -I wasn't sneaking out! I... | 0:24:06 | 0:24:11 | |
ANGRY SHOUTING | 0:24:15 | 0:24:17 | |
Get away! Get away! | 0:24:36 | 0:24:39 | |
-Lou, darling, are you all right? -Yes. -Are you sure? -Yes. | 0:24:39 | 0:24:43 | |
-KNOCKING > Miss Peterson? -Yes? | 0:24:50 | 0:24:53 | |
-There's a gentleman downstairs about a suitcase. -Oh, there is? -Yes. | 0:24:53 | 0:24:58 | |
Tell him I'll be right down! | 0:25:01 | 0:25:04 | |
Hi. | 0:25:15 | 0:25:16 | |
Hi. | 0:25:16 | 0:25:18 | |
The green dress with white polka dots wrong size. | 0:25:19 | 0:25:23 | |
Oh, thank goodness! You don't know what I've...well, I've... | 0:25:23 | 0:25:28 | |
I...hnn! | 0:25:28 | 0:25:30 | |
-What's the matter? -I tried to find out who you were, | 0:25:30 | 0:25:35 | |
-or where you were. I ransacked your bag looking for an address! -Easy. | 0:25:35 | 0:25:40 | |
-How did you know where to get me? -You told the cab driver. | 0:25:40 | 0:25:45 | |
-Oh. -That's better. | 0:25:45 | 0:25:47 | |
Everything I own is in that bag. All my clothing and 120. | 0:25:47 | 0:25:52 | |
-I didn't know about that. -I don't think it would have made a difference. | 0:25:52 | 0:25:57 | |
I'll be sure I've got the right one this time. My mother made this. | 0:25:57 | 0:26:03 | |
If you'll wait a few minutes, I'll repack it neatly. | 0:26:03 | 0:26:07 | |
It's OK, besides, I've only got 12 minutes. | 0:26:07 | 0:26:10 | |
Club rules visitors on weekdays till 10.00. | 0:26:10 | 0:26:13 | |
11.00 weekends, no males above the first floor at any time. | 0:26:13 | 0:26:18 | |
Oh. Well, would you like to sit down for the 12 minutes? | 0:26:18 | 0:26:23 | |
Thanks. | 0:26:23 | 0:26:25 | |
Evidently, you've been here often. | 0:26:29 | 0:26:32 | |
-I know a lot of the kids. -Are you in showbiz? | 0:26:32 | 0:26:35 | |
-More or less. Mostly less. Cigarette? -Thanks. | 0:26:35 | 0:26:39 | |
-What do you do? -Well, I sing...I think. | 0:26:39 | 0:26:43 | |
-What about you? -I sing, I'm beginning to doubt. | 0:26:43 | 0:26:47 | |
-Professionally? -Professionally, but seldom. | 0:26:47 | 0:26:50 | |
Oh, that would suit me, even seldom. | 0:26:50 | 0:26:54 | |
New York's a pretty tough town. | 0:26:54 | 0:26:56 | |
My father said New York is just like Pelican Falls, only taller. | 0:26:56 | 0:27:02 | |
-Danny Carter! -Tina! -How have you been? | 0:27:02 | 0:27:06 | |
Fine. | 0:27:06 | 0:27:07 | |
-Tina Moore, best screamer in radio. -Screamer? | 0:27:08 | 0:27:12 | |
-Gets 45 a scream, that's minimum union scale. -Really? -Sure! | 0:27:12 | 0:27:17 | |
Danny how does that line go after "The great big city's a wondrous toy"? | 0:27:17 | 0:27:24 | |
# Just made for a girl and boy... # | 0:27:24 | 0:27:27 | |
-Come and sing it for us. -Please do! -Do you know the kids? -Not yet. | 0:27:27 | 0:27:33 | |
-What's your name? -Nancy Peterson. | 0:27:33 | 0:27:35 | |
-I'd like you to meet an old friend of mine, Nancy Peterson. Tina Moore. -Hello. -Hello. | 0:27:35 | 0:27:42 | |
-Sarah Lee Marshall. -Hi. -Come on, Danny. | 0:27:42 | 0:27:45 | |
# Summer journeys to Niagra | 0:27:45 | 0:27:47 | |
# And to other places aggravate all our cares | 0:27:47 | 0:27:51 | |
# We'll save our fares | 0:27:51 | 0:27:53 | |
# I've a cosy little flat in what is known as old Manhattan | 0:27:53 | 0:27:58 | |
# We'll settle down right here in town | 0:27:58 | 0:28:03 | |
# We'll have Manhattan, the Bronx and Staten Island too | 0:28:03 | 0:28:09 | |
# It's lovely going through the zoo | 0:28:09 | 0:28:17 | |
# It's very fancy on old Delancey Street, you know | 0:28:18 | 0:28:23 | |
# The subways charm us so | 0:28:23 | 0:28:27 | |
# When balmy breezes blow to and fro | 0:28:27 | 0:28:33 | |
# And tell me what street compares with Mott Street in July | 0:28:33 | 0:28:37 | |
# Sweet pushcarts gently gliding by | 0:28:37 | 0:28:45 | |
# The great big city's a wondrous toy | 0:28:45 | 0:28:50 | |
# Just made for a girl and boy | 0:28:50 | 0:28:54 | |
# We'll turn Manhattan into an isle of joy... # | 0:28:54 | 0:29:03 | |
-Come on. -But I can't...! -You can! | 0:29:03 | 0:29:06 | |
# And tell me what street compares with Mott Street in July | 0:29:06 | 0:29:11 | |
# Sweet pushcarts gently gliding by | 0:29:11 | 0:29:17 | |
# The great big city's a wondrous toy | 0:29:18 | 0:29:22 | |
# Just made for a girl and boy | 0:29:22 | 0:29:26 | |
# We'll turn Manhattan into an isle of wonderful, wonderful, wonderful, wonderful joy. # | 0:29:26 | 0:29:32 | |
OK, come on, that new girl routine! | 0:29:35 | 0:29:38 | |
Curtain going up! Get your tickets! | 0:29:38 | 0:29:41 | |
They do this great. | 0:29:43 | 0:29:45 | |
TAXI! TAXI! | 0:30:14 | 0:30:16 | |
# It's very fancy on old Delancey Street, you know | 0:31:02 | 0:31:08 | |
# The subway charms us so | 0:31:08 | 0:31:11 | |
# When balmy breezes blow to and fro | 0:31:11 | 0:31:16 | |
# Doo doo doo-doo-doo doo doo doo-doo-doo doo doo doo | 0:31:16 | 0:31:21 | |
COUGH > | 0:31:21 | 0:31:23 | |
Uh, uh, uh! | 0:31:31 | 0:31:34 | |
# And South Pacific is a terrific show they say | 0:31:43 | 0:31:48 | |
-I've seen it! -# We both may see it close someday | 0:31:48 | 0:31:53 | |
-I doubt that. Can you read? -# The city's bustle can never spoil | 0:31:53 | 0:31:58 | |
# The dreams of a boy and GOIL! | 0:31:58 | 0:32:03 | |
# The great big city's a wondrous toy | 0:32:12 | 0:32:16 | |
# But every girl ought to have a boy | 0:32:16 | 0:32:22 | |
# Oooh-ooh! They'll turn Manhattan into an isle of joy! | 0:32:22 | 0:32:33 | |
# Aaah! # | 0:32:33 | 0:32:35 | |
PHONE RINGS | 0:32:35 | 0:32:37 | |
MUSIC DROWNS CHATTER | 0:32:39 | 0:32:41 | |
Oh, it's beautiful. Just beautiful! | 0:32:44 | 0:32:47 | |
Actually, Pelican Falls isn't very different from New York. | 0:32:47 | 0:32:52 | |
We see the same movies, eat the same breakfast foods. | 0:32:52 | 0:32:56 | |
-Right. -Maybe years ago, girls from small towns were different, | 0:32:56 | 0:33:01 | |
but I think we're just the same now. | 0:33:01 | 0:33:04 | |
I couldn't tell you from a girl born in New York. | 0:33:04 | 0:33:07 | |
People attracted to show business are especially sophisticated. | 0:33:07 | 0:33:12 | |
-Do you believe that? -I do. | 0:33:12 | 0:33:15 | |
Our whole thinking is sophisticated. | 0:33:15 | 0:33:19 | |
-Yes, it is. -Even our behaviour. | 0:33:19 | 0:33:21 | |
That's why we fit. We're extroverts. | 0:33:21 | 0:33:24 | |
-We are. -And extroverts let their emotions go. | 0:33:24 | 0:33:28 | |
-Part of showbiz. You can't have one without the other. -No, of course not. | 0:33:28 | 0:33:33 | |
The moment I saw you, I knew you belonged in showbiz. | 0:33:33 | 0:33:37 | |
-Your sophistication. -I suppose it shows. | 0:33:37 | 0:33:40 | |
-You sure are sophisticated. -I...I'm not always. | 0:33:40 | 0:33:44 | |
It comes...and goes. | 0:33:44 | 0:33:47 | |
-Why are you trembling? -I'm not trembling. | 0:33:47 | 0:33:50 | |
You little, small town hick. | 0:33:50 | 0:33:52 | |
What do you mean by letting a strange man talk you into this? | 0:33:52 | 0:33:57 | |
-Extrovert(!) You don't even know what it means! -I do! It's... | 0:33:57 | 0:34:02 | |
No. | 0:34:03 | 0:34:04 | |
No. No difference between Pelican Falls and New York? | 0:34:04 | 0:34:08 | |
You act like a small town girl and you ARE a small town girl! | 0:34:08 | 0:34:13 | |
-Well, I'm sorry! -Know what you remind me of? My sister. | 0:34:13 | 0:34:17 | |
And the little one, not the big one! | 0:34:17 | 0:34:20 | |
Next time somebody gives you a routine about sophistication, what'll you do? | 0:34:20 | 0:34:26 | |
Lean forward. | 0:34:26 | 0:34:28 | |
That's the only place you're to be kissed by anybody. | 0:34:30 | 0:34:35 | |
-Ever? -Well...for a long time. | 0:34:35 | 0:34:38 | |
How will I know when to switch? | 0:34:38 | 0:34:41 | |
I'll tell you when. | 0:34:41 | 0:34:44 | |
# The great big city's a wondrous toy | 0:34:45 | 0:34:49 | |
# Just made for a girl and boy | 0:34:49 | 0:34:54 | |
BOTH: # We'll turn Manhattan into an isle of joy. # | 0:34:54 | 0:35:03 | |
Cats are cats, no matter how many legs they've got! | 0:35:07 | 0:35:11 | |
-What, dear? -For a girl who loves me, you got a pretty good left! | 0:35:11 | 0:35:16 | |
-If I didn't love you, would I nurse you? -Is this OK on top of an aspirin? | 0:35:16 | 0:35:21 | |
Of course, as long as I gave you the bicarbonate first. | 0:35:21 | 0:35:25 | |
Ooh! | 0:35:27 | 0:35:29 | |
Lou, you should have sent us bus fare! | 0:35:29 | 0:35:32 | |
For a quiz show, it might interest you that the average Vermont turkey | 0:35:32 | 0:35:38 | |
-has 4,654 feathers... -Uh-huh. -Including the neck! | 0:35:38 | 0:35:42 | |
-Lou, I want to ask you a question. -The Vermont turkey has... | 0:35:42 | 0:35:47 | |
No, I'm serious. And I want an honest answer. | 0:35:47 | 0:35:50 | |
-Do you still have my engagement ring? -Certainly! | 0:35:50 | 0:35:54 | |
What?! It's at the jeweller's! | 0:35:54 | 0:35:57 | |
You said you wanted it tightened. | 0:35:57 | 0:35:59 | |
I want it so tight you can't slip it off! | 0:35:59 | 0:36:03 | |
-It's been in hock so much, I'm nearly engaged to the pawnbroker! -It's at the jeweller's. Believe me! | 0:36:03 | 0:36:10 | |
Why doesn't anybody ever take MY word?! | 0:36:10 | 0:36:14 | |
Everybody's against me! It's a plot! The world doesn't want me around. | 0:36:14 | 0:36:19 | |
I think I'll resign from the human race. | 0:36:19 | 0:36:23 | |
-Aren't you going to stop me? -Nope. | 0:36:29 | 0:36:32 | |
Then this is the end. Goodbye. | 0:36:35 | 0:36:37 | |
Bye. | 0:36:37 | 0:36:39 | |
Oh, baby! Oh, baby! | 0:36:39 | 0:36:41 | |
When I hold you like this, I get such wonderful ideas! | 0:36:47 | 0:36:52 | |
I... | 0:36:55 | 0:36:56 | |
-I just got the greatest idea of my life! -What? | 0:36:58 | 0:37:02 | |
-Television! -I think somebody already thought of it. | 0:37:02 | 0:37:06 | |
I mean you, Foxy, Joyce, Dan all my clients in one package. | 0:37:06 | 0:37:11 | |
-All of us together? -It's a sensational act! | 0:37:11 | 0:37:14 | |
If you can get the girls, I'll swing Dan! | 0:37:14 | 0:37:17 | |
-But it takes money. Material, costumes! -I can swing that. | 0:37:17 | 0:37:21 | |
Poor Harry and Leo shouldn't slave all their lives in some deli. | 0:37:21 | 0:37:26 | |
They're such dolls. They deserve something better. | 0:37:26 | 0:37:30 | |
If I let them invest in this act, why, they can retire in a year! | 0:37:30 | 0:37:35 | |
Sure... if they sell the store! | 0:37:35 | 0:37:38 | |
They won't fall for another of your schemes! | 0:37:38 | 0:37:41 | |
Wait, I just have to tell them that I'm not in on it. | 0:37:41 | 0:37:45 | |
Shrewd, baby! Are you with me? | 0:37:45 | 0:37:48 | |
Aren't I always? | 0:37:49 | 0:37:51 | |
Oh, Hannah, from now on, we'll head straight for the top! | 0:37:51 | 0:37:55 | |
I'll wrap that beautiful body in mink, | 0:37:55 | 0:37:58 | |
I'll get your ring out of hock, and... | 0:37:58 | 0:38:01 | |
-Take one step towards me and I'll jump! -I knew it! | 0:38:01 | 0:38:05 | |
You're no good! I need a psychiatrist. I must be nuts! | 0:38:05 | 0:38:09 | |
I know you for what you are, but I love you! | 0:38:09 | 0:38:13 | |
Oh, baby! | 0:38:14 | 0:38:16 | |
You'll never be sorry! | 0:38:16 | 0:38:19 | |
# Baby, you'll never be blue | 0:38:19 | 0:38:22 | |
# On the other hand, the things that we planned | 0:38:22 | 0:38:27 | |
# Might not exactly come true | 0:38:27 | 0:38:31 | |
# Baby, you'll never be sorry | 0:38:31 | 0:38:34 | |
# Neither will I ever be | 0:38:34 | 0:38:38 | |
# You deserve the best. Put me to the test | 0:38:38 | 0:38:42 | |
# And leave the rest to me! | 0:38:42 | 0:38:46 | |
Oh! Go back! I mean...er... | 0:38:47 | 0:38:50 | |
# You're a fake and you're fickle and you're not worth a nickel | 0:38:50 | 0:38:54 | |
# But I love you! | 0:38:54 | 0:38:57 | |
# You're a flop and you fizzle and you cheat and you chisel! | 0:38:57 | 0:39:01 | |
# But I love you! | 0:39:01 | 0:39:03 | |
# You remind me of a comic valentine! | 0:39:03 | 0:39:07 | |
# And I know you're only handing me a line | 0:39:07 | 0:39:11 | |
# Honey, you're too suspicious, but your lips look delicious | 0:39:11 | 0:39:15 | |
# And they should be pressed to mine! | 0:39:15 | 0:39:18 | |
-# No sirree, no surrender! -I could be very tender, if you'd let me! | 0:39:18 | 0:39:24 | |
# I'm a slave in your power | 0:39:24 | 0:39:27 | |
# And in less than an hour, you'd forget me! | 0:39:27 | 0:39:31 | |
# If you ever need a friend, I'll never fail | 0:39:32 | 0:39:35 | |
# But to find you, I would have to go to JAIL! | 0:39:35 | 0:39:39 | |
# Yes, I guess I'm a mess | 0:39:44 | 0:39:48 | |
# But I blushingly confess | 0:39:48 | 0:39:52 | |
# You're the mess for me! | 0:39:52 | 0:39:56 | |
GEE! | 0:39:56 | 0:39:59 | |
# Baby, you'll never be sorry! | 0:39:59 | 0:40:02 | |
# Baby, you'll never be blue! | 0:40:02 | 0:40:05 | |
# You're a counterfeit, and yet I admit | 0:40:05 | 0:40:09 | |
# I've got a feeling for you | 0:40:09 | 0:40:12 | |
# Baby, we're gonna be wealthy | 0:40:12 | 0:40:15 | |
# Honey, I've got it all planned | 0:40:15 | 0:40:18 | |
# Maybe I'm a dope | 0:40:18 | 0:40:20 | |
# Still I'm always hopeful when you hold my hand | 0:40:20 | 0:40:26 | |
# Baby, ain't love grand? | 0:40:26 | 0:40:32 | |
# Baby, ain't love grand? # | 0:40:40 | 0:40:46 | |
That was a very pretty girl you came in with the other night. | 0:40:52 | 0:40:56 | |
She reminds me of another pretty girl I knew, who was also pretty. | 0:40:56 | 0:41:01 | |
-Nancy is a pretty girl. -That's what I was saying! | 0:41:01 | 0:41:06 | |
-Why are you still living with Conway? -It's not Lou's fault I'm a failure. | 0:41:06 | 0:41:11 | |
First you gotta do something and fail and from THIS you become a failure! | 0:41:11 | 0:41:17 | |
He's right, but don't listen, he's always wrong! | 0:41:17 | 0:41:20 | |
Do you handle cigarettes? Handle? We sell them. | 0:41:20 | 0:41:25 | |
-In the machine! -Oh, yes, thank you. | 0:41:25 | 0:41:29 | |
-Say, but aren't you Dan... Dan...? -Carter. -Dan Carter, of course! | 0:41:29 | 0:41:34 | |
I heard you at the Runyon Benefit last month, but you got away before I could see you. | 0:41:34 | 0:41:40 | |
-Oh, yes, at the Winter Garden. -What a voice! | 0:41:40 | 0:41:44 | |
Bob Crosby said to me that you were going places! | 0:41:44 | 0:41:48 | |
-Bob Crosby? -Yes. My name is Denis McGiven. | 0:41:48 | 0:41:52 | |
-I produce Bob's show. -The television show? | 0:41:52 | 0:41:56 | |
-Of course. -Well, I'm glad to know you. | 0:41:56 | 0:41:59 | |
-Won't you join me? -Thank you. I have a moment. | 0:41:59 | 0:42:03 | |
-Did you hear what he said? Bob Crosby. -I can say that, too Bob Crosby! | 0:42:03 | 0:42:09 | |
You are an excellent baritone, Mr Carter. | 0:42:09 | 0:42:12 | |
But Bob feels, and I agree, that if you could whip up some sort of production, | 0:42:12 | 0:42:19 | |
say, surround yourself with a few girls, | 0:42:19 | 0:42:22 | |
talented girls, I'm sure your agent can... | 0:42:22 | 0:42:26 | |
-You do have an agent, of course? -Oh, sure. Lou Conway. | 0:42:26 | 0:42:32 | |
Conway? He's been trying to see me for weeks about a singer! | 0:42:32 | 0:42:36 | |
-This IS a coincidence! -Just shows, you never know! | 0:42:36 | 0:42:40 | |
When you're ready, have Lou contact me and I guarantee you a spot! | 0:42:40 | 0:42:46 | |
Mr McGiven, this is the break I've been waiting for! | 0:42:46 | 0:42:50 | |
Compliments of the Palace Delicatessen. | 0:42:50 | 0:42:53 | |
Thank you. Now, get to work on that, Dan. | 0:42:53 | 0:42:56 | |
-Yes, sir! -Goodbye. My regards to Conway. -Bye, Mr McGiven! | 0:42:56 | 0:43:01 | |
See? Talent! | 0:43:01 | 0:43:03 | |
Well? Ah, magnificent! | 0:43:03 | 0:43:06 | |
The hook has been given, the fish but await the fisherman. | 0:43:06 | 0:43:11 | |
Great! | 0:43:11 | 0:43:12 | |
Lou, I was just calling you. | 0:43:21 | 0:43:24 | |
-Call me anything. I'm through! -What happened you wouldn't believe unless you saw it with my own eyes! | 0:43:24 | 0:43:30 | |
I'll tell him, and if you hear good news from me, it's impossible! | 0:43:30 | 0:43:35 | |
-Lou, know who was here? A friend of yours, Denis McGiven. -FRIEND(?) | 0:43:35 | 0:43:39 | |
-I can't get in to see him! -He promised me a TV spot. | 0:43:39 | 0:43:43 | |
-With girls. -Pretty girls. I heard it! | 0:43:43 | 0:43:46 | |
-No. -If you told us, we wouldn't believe it, but we're telling you! | 0:43:46 | 0:43:51 | |
You're trying to make me feel good. I wouldn't if you'd a headache and | 0:43:51 | 0:43:58 | |
This is the break we've been dying for! | 0:43:58 | 0:44:01 | |
The more I think of his idea, the more I like it. | 0:44:01 | 0:44:05 | |
We'll do an act with three girls in the background. | 0:44:05 | 0:44:09 | |
Good idea. Why didn't I think of it? | 0:44:09 | 0:44:13 | |
-Foxy, Joyce and Hannah! -And Nancy. We'd work great. | 0:44:13 | 0:44:17 | |
OK. We'll whip up the flashiest act TV's ever seen! | 0:44:17 | 0:44:22 | |
Danny Carter and his Girlfriends! | 0:44:22 | 0:44:25 | |
Enough! | 0:44:26 | 0:44:28 | |
Come on, let's get the girls on the phone! | 0:44:28 | 0:44:31 | |
Wait a minute! We were all getting excited. | 0:44:31 | 0:44:34 | |
We can't put an act together with just ideas. | 0:44:34 | 0:44:38 | |
We need material, arrangements, costumes. That takes money. | 0:44:38 | 0:44:43 | |
It won't take mine! But we could make such a smash act, | 0:44:43 | 0:44:48 | |
there's must be somebody smart enough to put up the money? | 0:44:48 | 0:44:52 | |
Anybody smart enough to have money won't even talk to you! | 0:44:52 | 0:44:57 | |
-I'm going to shut up. -For pity's sake, why aggravate yourself? | 0:44:57 | 0:45:01 | |
-Did he ASK you for money? -I know the way he thinks! | 0:45:01 | 0:45:05 | |
Before he asks, my answer is a negative yes and that's a positive no! | 0:45:05 | 0:45:10 | |
Is that so? To my way of thinking, your way of thinking is no way of thinking! | 0:45:10 | 0:45:17 | |
-Lou, how much would it take? -What difference? We haven't got it. | 0:45:17 | 0:45:23 | |
But if you ain't got it, maybe somebody else has got it. | 0:45:23 | 0:45:27 | |
Maybe somebody else won't give it! | 0:45:27 | 0:45:30 | |
If somebody else doesn't, maybe somebody else might. | 0:45:30 | 0:45:34 | |
And that somebody else will make a fortune! | 0:45:34 | 0:45:38 | |
But you can spend your life slicing salami and stuff. | 0:45:38 | 0:45:43 | |
A man would be a fool to pass this up. | 0:45:43 | 0:45:46 | |
If you put up the money, you'd own 10% of the act! | 0:45:46 | 0:45:50 | |
-What 10%? 20%! -What 20%? 40%! You got a deal! | 0:45:50 | 0:45:54 | |
Say Lou, let's take the Yucatan number. | 0:45:59 | 0:46:03 | |
That wasn't bad, but you need to take the end better. | 0:46:24 | 0:46:28 | |
Someday, you'll be sorry! I'll be a big man! | 0:46:32 | 0:46:36 | |
Hey, look! Joyce, look! My picture's in the paper! | 0:47:13 | 0:47:17 | |
-Must you always be so clumsy! -I'm sorry, Dan. -Watch it! | 0:47:28 | 0:47:32 | |
OK, let's hear the music again. | 0:47:32 | 0:47:35 | |
# Baby, you'll never be sorry | 0:47:35 | 0:47:39 | |
# Baby, you'll never be blue | 0:47:39 | 0:47:43 | |
# On the other hand, the things that you planned | 0:47:43 | 0:47:47 | |
# Might not exactly come true... # | 0:47:47 | 0:47:51 | |
Oh, thank you. Hello, Harry, is Dan here? | 0:48:15 | 0:48:19 | |
-He's outside, playing piano. -In the rain? -Where he's playing, it isn't raining. | 0:48:19 | 0:48:25 | |
-Hi, Dan. -Hi, want to hear a great tune? | 0:48:35 | 0:48:38 | |
-Yes, but first hear this letter. -OK. | 0:48:38 | 0:48:41 | |
-Coffee? -No, thanks. -Cigarette? -No. It's from my mother. | 0:48:41 | 0:48:46 | |
"Dear Nancy, your letter arrived last week...Dad's back is better..." | 0:48:46 | 0:48:51 | |
Oh, here's the part "Everyone in Pelican Falls is excited about your big chance. | 0:48:51 | 0:48:57 | |
"It was even more thrilling when Hugo Sanders..." He's editor of the paper. | 0:48:57 | 0:49:03 | |
"..volunteered to put a large television set in the school auditorium | 0:49:03 | 0:49:09 | |
-"so everyone can watch your TV debut together." -We're a hit before we start! | 0:49:09 | 0:49:15 | |
-What about the new tune? -Oh, the tune! | 0:49:15 | 0:49:18 | |
Come on, sit down. I've been working on it. | 0:49:18 | 0:49:22 | |
-I thought it might be right for us. -Really? | 0:49:22 | 0:49:25 | |
# The closer you are | 0:49:25 | 0:49:28 | |
I like it! | 0:49:28 | 0:49:30 | |
# The brighter the stars glow | 0:49:30 | 0:49:34 | |
# Which shows that the stars know | 0:49:34 | 0:49:38 | |
# The way I feel | 0:49:38 | 0:49:42 | |
It's pretty. | 0:49:42 | 0:49:44 | |
# The closer you are | 0:49:44 | 0:49:46 | |
# The stronger my arms grow | 0:49:46 | 0:49:51 | |
# Which shows that my arms know | 0:49:51 | 0:49:55 | |
# My love is real | 0:49:55 | 0:50:00 | |
# Hold me till the silver dawn | 0:50:00 | 0:50:07 | |
# Even if you leave | 0:50:07 | 0:50:11 | |
# Never will the thrill be gone | 0:50:11 | 0:50:18 | |
# The closer you are | 0:50:18 | 0:50:23 | |
# The wilder my heart goes | 0:50:23 | 0:50:27 | |
# For even my heart knows | 0:50:27 | 0:50:31 | |
# You should be | 0:50:31 | 0:50:38 | |
# Closer and closer | 0:50:38 | 0:50:45 | |
# To me. # | 0:50:46 | 0:50:52 | |
Oh, that's beautiful! | 0:50:54 | 0:50:57 | |
-Like it? -Yes. | 0:50:57 | 0:50:59 | |
# The closer you are | 0:51:17 | 0:51:21 | |
# The brighter the stars glow... # | 0:51:21 | 0:51:26 | |
APPLAUSE | 0:52:26 | 0:52:27 | |
# The closer you are | 0:52:30 | 0:52:35 | |
# The wilder my heart goes | 0:52:35 | 0:52:40 | |
# For even my heart knows | 0:52:40 | 0:52:44 | |
# You should be | 0:52:44 | 0:52:48 | |
# Closer and closer... # | 0:52:48 | 0:52:55 | |
THUNDERCLAP | 0:52:55 | 0:52:56 | |
Hi ho, Silver! | 0:53:16 | 0:53:19 | |
Hiya, Daisy! | 0:53:19 | 0:53:22 | |
I've had enough of this. It reminds me of Lake Chickamussie! | 0:53:24 | 0:53:28 | |
Keep rowing. TV makes you ten pounds heavier! | 0:53:28 | 0:53:32 | |
-QUIVERY VOICE -# The closer you are, the brighter the stars grow | 0:53:32 | 0:53:37 | |
# Which shows that the stars know the way I feel! # | 0:53:37 | 0:53:40 | |
Lovely, lovely, thank you(!) | 0:53:40 | 0:53:43 | |
-Foxy, I don't know why you're trying to lose weight. -She's just trying to rearrange it. | 0:53:45 | 0:53:51 | |
-Hope I didn't reduce my caboose for nothing. -Nothing? | 0:53:51 | 0:53:55 | |
-The Crosby Show's nothing? -No, but when do we go on? | 0:53:55 | 0:53:59 | |
Don't blame Lou. Rome wasn't built in a day. | 0:53:59 | 0:54:03 | |
If Lou had been involved, Rome never would have been! | 0:54:03 | 0:54:07 | |
-You oughta know, you worked on it! -Come on, what we need is fresh air. | 0:54:07 | 0:54:12 | |
That's a swell idea! Wait for me. | 0:54:12 | 0:54:14 | |
Hey, can someone turn it off! Turn it off! | 0:54:15 | 0:54:19 | |
You know something? My motor's still running! | 0:54:23 | 0:54:27 | |
Wouldn't it be great to rehearse in Central Park? | 0:54:36 | 0:54:40 | |
-Be better if we could get to work, already! -You sound like Harry. | 0:54:40 | 0:54:45 | |
Save some peanuts, Nancy. If we don't work soon, we'll need them! | 0:54:45 | 0:54:49 | |
-We'll work when Crosby sees the act. Dan promised. -That's good enough for me. | 0:54:49 | 0:54:55 | |
-When do we audition? -Dan doesn't want us to be seen until we're perfect. | 0:54:55 | 0:55:01 | |
-So we just rehearse! -I don't want a break when I'm old and ugly. | 0:55:01 | 0:55:06 | |
I want one while I'm young and ugly. | 0:55:06 | 0:55:08 | |
You'll make me worry and Nancy worry, and the act will be known as Dan Carter and his Four Worry Birds! | 0:55:08 | 0:55:16 | |
-Hannah's absolutely right. -Well, look who is here! -What is that? | 0:55:16 | 0:55:21 | |
Get a load of that schnozz! | 0:55:21 | 0:55:23 | |
-That's...an Australian worry-bird. -What? | 0:55:23 | 0:55:27 | |
-Girls, your worries are over? -Why? | 0:55:27 | 0:55:30 | |
# Everyone has his share of care and woe | 0:55:30 | 0:55:35 | |
# Even in Lover's Lane there's rain and snow | 0:55:35 | 0:55:41 | |
# We all have to pay the piper | 0:55:41 | 0:55:44 | |
# So why be a gloomy griper? | 0:55:44 | 0:55:48 | |
# Forget regret, don't let it get you low | 0:55:48 | 0:55:52 | |
# No | 0:55:52 | 0:55:54 | |
-# Let the worry-bird worry for you -What? | 0:55:54 | 0:55:58 | |
-# Let the worry-bird fuss and stew -Huh? | 0:55:58 | 0:56:01 | |
-# He's a wonderful pet and when you get the jitters... -Yes? | 0:56:01 | 0:56:05 | |
-# He twitters. -Oh! | 0:56:05 | 0:56:07 | |
# Let the worry-bird worry his head | 0:56:07 | 0:56:09 | |
# Have the time of your life instead | 0:56:09 | 0:56:12 | |
# What's a tumble or two as long as you can keep well | 0:56:12 | 0:56:17 | |
# Sleep well? | 0:56:17 | 0:56:19 | |
# Every cloud is silver lined | 0:56:19 | 0:56:24 | |
# Bear that in mind | 0:56:24 | 0:56:26 | |
# When Old Man Trouble gets tough and the going gets rough | 0:56:26 | 0:56:30 | |
# Let the worry-bird worry for you | 0:56:30 | 0:56:33 | |
# It's remarkable what he'll do | 0:56:33 | 0:56:36 | |
# He'll consider it fun to be your understudy | 0:56:36 | 0:56:40 | |
# So, buddy | 0:56:40 | 0:56:43 | |
# Why should you be blue? | 0:56:43 | 0:56:45 | |
# Let the worry-bird sing the blues for you... # | 0:56:45 | 0:56:49 | |
Worry-bird! | 0:58:04 | 0:58:05 | |
Worry-bird! | 0:58:06 | 0:58:08 | |
Worry-bird! | 0:58:09 | 0:58:11 | |
# Let the worry-bird worry for you | 0:58:23 | 0:58:28 | |
# Why should you be blue? | 0:58:37 | 0:58:39 | |
# Let the worry-bird sing the blues for you! # | 0:58:39 | 0:58:46 | |
Look, come back Saturday, I don't need a bath! | 0:59:12 | 0:59:16 | |
-Your father's, of course. -I gotta see the real McGiven! | 0:59:18 | 0:59:22 | |
You're in trouble because everyone on Broadway knows you lie! | 0:59:22 | 0:59:26 | |
-It's hereditary! -Your ancestors have lied you into a tight spot. | 0:59:26 | 0:59:31 | |
I'll lie till Crosby sees this act and finds out I wasn't lying! | 0:59:31 | 0:59:36 | |
Lou, the kids are going to find out about Crosby. | 0:59:36 | 0:59:41 | |
-I'll get us out of this mess. -You better. -Don't you believe me? -Sure. | 0:59:41 | 0:59:46 | |
-Atta girl! -There's just one thing you should know. | 0:59:46 | 0:59:49 | |
-What? -I come from a long line of liars myself. | 0:59:49 | 0:59:53 | |
Oh, baby. I know that, but you know I love you... | 0:59:53 | 0:59:57 | |
-I need less rehearsal and more liniment. -I need new legs! | 1:00:01 | 1:00:05 | |
Foxy, I want to run the ballad. Will you play it? Sure. | 1:00:05 | 1:00:10 | |
# The closer you are... # | 1:00:10 | 1:00:12 | |
That's a good tempo. | 1:00:12 | 1:00:14 | |
-# The brighter the stars glow... # -It feels right. | 1:00:14 | 1:00:19 | |
# Which shows that the stars know | 1:00:19 | 1:00:22 | |
# The way I feel... # | 1:00:22 | 1:00:25 | |
-It's no good! The whole thing is no good! -What? It's beautiful! | 1:00:25 | 1:00:31 | |
-What's the trouble? -You're supposed to be in love with her! | 1:00:31 | 1:00:35 | |
But the way you look, you call that love? Friendship, that is! | 1:00:35 | 1:00:39 | |
YOU could do it better, Mr Romeo and Juliet?! | 1:00:39 | 1:00:44 | |
Sing, positively not, but look, absolutely yes! | 1:00:44 | 1:00:48 | |
-Harry, do it! -Sing it Bing! | 1:00:48 | 1:00:51 | |
Show us. Make like I'm a beautiful girl, look on me! | 1:00:51 | 1:00:56 | |
Never mind the singing, but watch how I'm looking! | 1:00:56 | 1:01:00 | |
-Dis is real love! -Yes. | 1:01:02 | 1:01:04 | |
-# The closer you are -# La-dee-dee-da-da | 1:01:04 | 1:01:09 | |
-# The stronger my arms grow -# His arms are growing! | 1:01:09 | 1:01:13 | |
-# Know that my arms know -# Smart arms | 1:01:13 | 1:01:16 | |
-# My love is real -# Fighting with the love! | 1:01:16 | 1:01:21 | |
-# Hold me... -# Don't you let me FALL! # | 1:01:21 | 1:01:24 | |
You see, that's what you call real love! | 1:01:24 | 1:01:27 | |
(Put this over for me.) (Indeed, I shall.) | 1:01:30 | 1:01:33 | |
-Hi, everybody! -Oh, Mr McGiven! -Good afternoon, Dan. | 1:01:33 | 1:01:37 | |
-This is Nancy Peterson. -How do you do? | 1:01:37 | 1:01:40 | |
-You know Harry and Leo. -Gentlemen. -And the rest of the act. | 1:01:40 | 1:01:45 | |
-Girls. > Why, Mr McGiven! -Why, hello! | 1:01:45 | 1:01:50 | |
LOU: Give them the good news. | 1:01:50 | 1:01:52 | |
Of course. Now, Lou has assured me the act is in excellent shape. | 1:01:52 | 1:01:57 | |
-Beautiful! -And that you're ready to be seen. | 1:01:57 | 1:02:02 | |
I've just left Bob Crosby and we've arranged to look at it on Wednesday. | 1:02:02 | 1:02:07 | |
-Wonderful! -But Bob wants to give you every opportunity to look good. | 1:02:07 | 1:02:12 | |
So, instead of auditioning you on a barren stage, | 1:02:12 | 1:02:16 | |
we've arranged for you to play a benefit in the magnificently appointed Plaza Room. | 1:02:16 | 1:02:22 | |
EXCITED BABBLE | 1:02:22 | 1:02:25 | |
-What? -What is this bit? | 1:02:31 | 1:02:33 | |
What bit? It's a benefit. Somebody's bound to be there and like the act. | 1:02:33 | 1:02:39 | |
-And it gives you longer to stall. -Certainly, that's the whole idea! | 1:02:39 | 1:02:44 | |
APPLAUSE | 1:02:50 | 1:02:52 | |
LOU: Kids, you were dynamite! | 1:03:00 | 1:03:03 | |
-Where's Crosby? -Didn't he think Danny was just great? | 1:03:03 | 1:03:07 | |
-Yes, too great. -What do you mean? | 1:03:07 | 1:03:10 | |
Come on, kids, let's take another bow. | 1:03:10 | 1:03:13 | |
They were great! I wish you were the real McGiven! So do I. | 1:03:13 | 1:03:18 | |
-What's going on? -What's this about Crosby? | 1:03:20 | 1:03:24 | |
The dirty heel! Tell them, Mac. | 1:03:24 | 1:03:27 | |
Well, this is very difficult. | 1:03:27 | 1:03:30 | |
After your first number, Bob went back to his own rehearsal. | 1:03:30 | 1:03:34 | |
He felt... he just doesn't want a singer as good as Dan on his show. | 1:03:34 | 1:03:40 | |
A singer as good as Dan...? I don't understand. | 1:03:40 | 1:03:45 | |
That's showbiz. Comics don't want comics, singers don't want singers. | 1:03:45 | 1:03:50 | |
-Right, Hannah? -I've never heard anything like that! | 1:03:50 | 1:03:54 | |
Mike OK. Mike check OK, Marie. Thank you, Charlie. | 1:04:07 | 1:04:13 | |
GENERAL BUSTLE | 1:04:16 | 1:04:18 | |
-Is 15 OK, Bob? -15? That's a nice round number. | 1:04:22 | 1:04:26 | |
-OK, girls, report for fitting. I'll go check on wardrobe. -Fine, Denis. | 1:04:26 | 1:04:32 | |
-What's your name, honey? -June Paul. | 1:04:33 | 1:04:36 | |
June Paul. | 1:04:36 | 1:04:38 | |
-This call was for rehearsal clothes. -I'm not rehearsing, thank you. | 1:04:38 | 1:04:43 | |
-I want to see you, Mr Crosby. -What's your problem, honey? | 1:04:45 | 1:04:49 | |
My father said New York is just like Pelican Falls only taller. | 1:04:49 | 1:04:53 | |
It's taller, meaner and nastier! And you're about the meanest of all! | 1:04:53 | 1:04:58 | |
-Now what did I do? -You oughta be ashamed of yourself! -Me? | 1:04:58 | 1:05:02 | |
You promised Dan Carter a spot if he got an act together and he did! A wonderful act! | 1:05:02 | 1:05:08 | |
Too good for you! Where I come from, a man's promise is more than words! | 1:05:08 | 1:05:14 | |
Whoa! Sit down, take it easy. Start from the top and fill me in. | 1:05:14 | 1:05:19 | |
You finally see us and your petty ego goes to work and you walk out! | 1:05:19 | 1:05:24 | |
-You of all people, Bob Crosby! Your brother wouldn't do that! -Everett's a nice guy. | 1:05:24 | 1:05:30 | |
Bing has other singers on HIS show! | 1:05:30 | 1:05:33 | |
-Bing's not afraid of competition. -Bob? -Nancy Peterson, Denis McGiven. | 1:05:33 | 1:05:38 | |
-How do you do? -Why...he's not Mr McGiven! | 1:05:38 | 1:05:42 | |
Your Mr Carter's been taking you for a Broadway sleigh ride. | 1:05:42 | 1:05:46 | |
Oh, but... | 1:05:47 | 1:05:49 | |
Why would Dan build up an act, build up my hopes? | 1:05:49 | 1:05:53 | |
-Or Harry and Leo and the money they invested? -Now you got it. | 1:05:53 | 1:05:57 | |
Deal like this, I figure, somebody's being taken for a loop. | 1:05:57 | 1:06:02 | |
Oh, no...Dan wouldn't! He...he just couldn't! | 1:06:02 | 1:06:07 | |
Always the guy who wouldn't who does. I think you've got more going for you than just an act. | 1:06:07 | 1:06:14 | |
Your Mr Carter isn't worth it. | 1:06:14 | 1:06:17 | |
-What's that all about? -Must be some kind of a swindle. | 1:06:25 | 1:06:29 | |
FAINTLY: # Good luck to Nancy Peterson | 1:06:38 | 1:06:42 | |
# We knew that you'd go far | 1:06:42 | 1:06:46 | |
# You're Broadway bound and you are bound | 1:06:46 | 1:06:53 | |
# To be a Broadway star. # | 1:06:53 | 1:07:00 | |
-KNOCKING -Come in. | 1:07:55 | 1:07:57 | |
Well, I checked the bus schedule for you. | 1:07:57 | 1:08:01 | |
There's a 9.00 bus to Boston. You can connect there for Pelican Falls. | 1:08:01 | 1:08:06 | |
Thank you. | 1:08:06 | 1:08:07 | |
Are you quite sure, dear, there's nothing more I can do? | 1:08:07 | 1:08:12 | |
-No. -Well, if there is, why, you let me know. | 1:08:12 | 1:08:17 | |
After all, you're one of our very sweetest young ladies and... | 1:08:17 | 1:08:21 | |
Oh! Why, Nancy... why, this is your favourite! | 1:08:22 | 1:08:28 | |
It was. | 1:08:28 | 1:08:30 | |
Oh. If you don't want it any more, one of the girls... | 1:08:30 | 1:08:35 | |
Oh, give it to any of them, I don't care! | 1:08:35 | 1:08:39 | |
I will, indeed, I will. | 1:08:39 | 1:08:41 | |
Remember, dear, if there's anything, anything at all you want, let me know. | 1:08:41 | 1:08:47 | |
If anyone calls, would you tell them you don't know where I am? | 1:08:47 | 1:08:53 | |
-Yes, of course I will. -Thank you. | 1:08:53 | 1:08:56 | |
-Mr Carter, Mr Crosby will see you now. -Thanks, It's about time. | 1:09:00 | 1:09:05 | |
Ssh! | 1:09:10 | 1:09:11 | |
(Please don't rattle the paper. She'll hear. The doorman's been throwing me out every day.) | 1:09:11 | 1:09:18 | |
COUGHING > (Ssh! Please don't cough.) | 1:09:20 | 1:09:23 | |
(I don't want her to hear. The doorman didn't recognise me without a disguise.) | 1:09:23 | 1:09:30 | |
-Just a minute, young man. -Ssshh! | 1:09:31 | 1:09:34 | |
-Have you got a pass? -(Please, the doorman!) | 1:09:34 | 1:09:37 | |
-(Is Bob Crosby in? -Yes, he is.) | 1:09:37 | 1:09:40 | |
-(I'm sneaking in. You just go on with your typing. -Oh, fine.) | 1:09:40 | 1:09:46 | |
That was OK for a rehearsal, but tonight, let's own the horns, OK? | 1:09:51 | 1:09:56 | |
Thank you, Marie. How was the balance? Very good. | 1:09:56 | 1:10:00 | |
Duke, watch those microphone shadows. | 1:10:00 | 1:10:04 | |
Den, that opening commercial, a bit corny? | 1:10:04 | 1:10:08 | |
-Sells the product. -Mr Crosby, I'm Dan Carter. I'd like to talk to you. | 1:10:08 | 1:10:12 | |
-And I you. -Mr Crosby... -This is the kid I saw at the Runyon Benefit. | 1:10:12 | 1:10:18 | |
Must I go through that again? Denis McGiven told me. | 1:10:18 | 1:10:22 | |
-I'm Denis McGiven. -You're McGiven? What IS this? -We'd like to know! | 1:10:22 | 1:10:27 | |
Let's go and talk this thing over. | 1:10:27 | 1:10:30 | |
-We've never been near the Plaza. -My agent said... -Who is your agent? | 1:10:36 | 1:10:41 | |
Lou Conway. You see, he swore up and down to me... Oh, how stupid can a man be?! | 1:10:41 | 1:10:48 | |
If men like Conway would stop hussling and tell the truth, you could have been on weeks ago! | 1:10:48 | 1:10:55 | |
-Danny's really good, huh, Mac? -Even Bing says he's good. | 1:10:55 | 1:11:00 | |
We have three guests. Tonight, we've got the Charlivels. | 1:11:00 | 1:11:04 | |
-The French act? -If we didn't have them, I could put you on tonight. | 1:11:04 | 1:11:09 | |
-I've four girls in the act thanks to the other McGiven. -As many McGivens as Crosbys! | 1:11:09 | 1:11:15 | |
'Mr Crosby, we're need another rehearsal on the Charlivels.' | 1:11:15 | 1:11:20 | |
OK, let's do the whole works. | 1:11:20 | 1:11:22 | |
-Got a minute, Dan. -Sure, Bob. -I'll go with McGiven. You've got a spot next week. | 1:11:22 | 1:11:28 | |
OK, let's go! | 1:11:28 | 1:11:30 | |
Very good fellas, very very good. | 1:16:55 | 1:16:59 | |
Now, as soon as you cool off. Cool...pff-pff...COOL! | 1:16:59 | 1:17:04 | |
Ah, se reposer! Yeah! Then I fix your make up. | 1:17:04 | 1:17:06 | |
THEY SPEAK IN FRENCH | 1:17:06 | 1:17:08 | |
Make up...for the camera? Make up? You know... | 1:17:12 | 1:17:16 | |
Le maquilleur! The maquilleur! | 1:17:16 | 1:17:20 | |
First, you must cool off. You come downstairs to the cooling off room. | 1:17:20 | 1:17:26 | |
The cool room. Huh? Downstairs, this way! | 1:17:26 | 1:17:30 | |
ALL TALK AT ONCE | 1:17:32 | 1:17:36 | |
Inside here. Merci. Merci beaucoup. | 1:17:42 | 1:17:46 | |
HAMMERING ON THE DOOR | 1:17:48 | 1:17:50 | |
-Unintentionally, I'm a heavy. -Forget it. Thanks a lot. | 1:18:10 | 1:18:14 | |
-Nancy and I will catch the show at the deli. -First spot, you're in. | 1:18:14 | 1:18:20 | |
-So long, Dan. -So long, Mac. | 1:18:20 | 1:18:22 | |
Monsieur, will you be so kind as to tell me where is Monsieur McGiven? | 1:18:32 | 1:18:38 | |
-I'm Mr McGiven. -Oh, how do you do? | 1:18:38 | 1:18:41 | |
The French Consul thanks you for releasing the Charlivels from their contract. | 1:18:41 | 1:18:47 | |
-What contract? -Their television contract. | 1:18:47 | 1:18:50 | |
Your co-operation is appreciated by my government. | 1:18:50 | 1:18:54 | |
What is this? This man has let the Charlivels | 1:18:54 | 1:19:00 | |
I didn't. They're on the air in an hour! | 1:19:00 | 1:19:03 | |
But right now they are being sped away by my personal chauffeur. | 1:19:03 | 1:19:09 | |
Merci beaucoup. Au revoir. | 1:19:09 | 1:19:12 | |
-What is this? -I don't know, but I'll find out! | 1:19:12 | 1:19:17 | |
Are the Charlivels still here? They've gone. | 1:19:17 | 1:19:20 | |
C'est bien, monsieur. Thank you. | 1:19:20 | 1:19:23 | |
-(I hope whatever this IS works.) -Vive la television! | 1:19:23 | 1:19:27 | |
-Dan! Dan Carter, can you come here? -Sure, Bob. | 1:19:27 | 1:19:31 | |
-This guy may save us. -Something fishy about this. | 1:19:31 | 1:19:35 | |
-Can you be ready in an hour? -We've been ready two weeks! | 1:19:35 | 1:19:39 | |
-I think we can do it. -We've GOT to do it. -Get going. | 1:19:39 | 1:19:43 | |
Gather round everybody, there's been some changes. | 1:19:43 | 1:19:47 | |
Come out here. Hey, NANCY, will you LISTEN to me?! COME OUT! | 1:20:03 | 1:20:08 | |
Hey, open up! Come on out! | 1:20:11 | 1:20:13 | |
You just made it, buddy. Thanks. | 1:20:16 | 1:20:19 | |
-Nancy, get off. -Not till Pelican Falls! | 1:20:19 | 1:20:21 | |
Ow! Look, you're on the air in ten minutes! | 1:20:21 | 1:20:25 | |
-Oh! -Don't you believe me? -YOU? Huh! | 1:20:25 | 1:20:28 | |
-Then get off for Dan! -I've had enough of your Dan Carter, too! | 1:20:28 | 1:20:32 | |
-You've got to get off! -Miss, is this barracuda bothering you? | 1:20:32 | 1:20:37 | |
-Yes. -No... -Pipe down, mate. -I've got to get her... -Submerge! | 1:20:37 | 1:20:41 | |
Take your seats, please. Take...? No, no! You can't move now! | 1:20:41 | 1:20:47 | |
My name is Bob Crosby. I'm the live one. The other is transcribed! | 1:20:55 | 1:21:00 | |
The Bobcats and I will give you a full hour to make you jump for joy. | 1:21:00 | 1:21:05 | |
So, grab that sofa because we're about to have a ball in your hall! | 1:21:05 | 1:21:10 | |
Nancy, I'm telling you the... Please, stop this bus! | 1:21:21 | 1:21:25 | |
Dan had nothing to do with it! I planned the whole thing! | 1:21:25 | 1:21:30 | |
-I told a few white lies. -WHITE lies?! | 1:21:30 | 1:21:33 | |
OK, big ones, but it was just ME! Ask Hannah. | 1:21:33 | 1:21:36 | |
-I'll drop her a line from Pelican Falls. -Let's get out of here! | 1:21:36 | 1:21:41 | |
-NO! -Nancy, look, will you please come out and MPFF! | 1:21:41 | 1:21:45 | |
-Give me a signal and I'll make him expendable. -I wish you would. | 1:21:45 | 1:21:50 | |
Go salute your admiral! | 1:21:50 | 1:21:52 | |
APPLAUSE | 1:21:54 | 1:21:56 | |
Now, we can have a chuckle if we take this next song in the spirit in which it's intended. | 1:21:56 | 1:22:04 | |
# I don't mean to sound complainful | 1:22:05 | 1:22:08 | |
# But life can be really painful | 1:22:08 | 1:22:10 | |
# When you're known as that useless thing | 1:22:10 | 1:22:13 | |
# The Crosby who isn't...Bing | 1:22:13 | 1:22:17 | |
# I truthfully do not resent it | 1:22:17 | 1:22:20 | |
# Still, it's tough to be contented | 1:22:20 | 1:22:22 | |
# When the people just look and sneer | 1:22:22 | 1:22:25 | |
# The wrong Mr Crosby's here | 1:22:25 | 1:22:28 | |
# My friends all say, "Now, Robbie, let's be fair | 1:22:28 | 1:22:33 | |
# "And if the folks want to compare you to Bing, well, let's compare." | 1:22:33 | 1:22:39 | |
-LAUGHTER -# Let's make comparisons | 1:22:40 | 1:22:43 | |
# Let's make comparisons | 1:22:43 | 1:22:48 | |
# If you wanna make comparisons, let's make comparisons | 1:22:48 | 1:22:53 | |
# It's OK with me | 1:22:53 | 1:22:57 | |
# Starting with the clothes. My style shows | 1:22:57 | 1:23:01 | |
-# Q-U-I-L-T! -Let's make comparisons | 1:23:01 | 1:23:07 | |
# If you wanna make allowances, let's make allowances | 1:23:07 | 1:23:13 | |
# But please, let's not lie | 1:23:13 | 1:23:16 | |
# Take a look at these | 1:23:16 | 1:23:19 | |
# One stiff breeze | 1:23:19 | 1:23:21 | |
-# Brother Bing is apt to fly! -Let's make comparisons | 1:23:21 | 1:23:27 | |
# Now, I know my voice ain't gorgeous | 1:23:27 | 1:23:30 | |
# But I try to sing pleasantly | 1:23:31 | 1:23:35 | |
# Yet when critics go to bat and they say my singing's flat | 1:23:35 | 1:23:39 | |
# Why do Larry, him and Everett agree? | 1:23:39 | 1:23:44 | |
# If you're gonna make comparisons, let's make comparisons | 1:23:44 | 1:23:49 | |
# What is so, is so | 1:23:49 | 1:23:52 | |
# Take a look at my physique | 1:23:52 | 1:23:55 | |
# Trim and sleek | 1:23:55 | 1:23:57 | |
-# F-A-T-S-O! -Let's make comparisons | 1:23:57 | 1:24:02 | |
Money belt! | 1:24:02 | 1:24:05 | |
Honest, there isn't an envious bone in my body. | 1:24:06 | 1:24:09 | |
But I've always been dependant on somebody in the family to make a living. | 1:24:10 | 1:24:15 | |
The first job I ever had was picking cucumbers for a pickle factory. | 1:24:15 | 1:24:20 | |
My dad was a book-keeper in the factory. | 1:24:20 | 1:24:23 | |
My pay check said "Pop Crosby's kid, Bob". | 1:24:23 | 1:24:27 | |
Then I organised The Bobcats, played the road. | 1:24:27 | 1:24:30 | |
Ran out to see my name in lights. It read "Bing Crosby's brother, Bob" | 1:24:30 | 1:24:36 | |
And now, when I walk down the street, people whisper, "There's Gary Crosby's uncle!" | 1:24:36 | 1:24:42 | |
And he's got three more warming up in the bull pen! | 1:24:42 | 1:24:47 | |
# Now, to get back to our singing | 1:24:47 | 1:24:50 | |
# Here's a secret I'd love to unravel | 1:24:50 | 1:24:54 | |
# Keep this underneath your lids, we sang the same when we were kids | 1:24:54 | 1:24:59 | |
# Only Bing ate a different kind of gravel | 1:24:59 | 1:25:03 | |
# If you're gonna make comparisons, let's make comparisons | 1:25:03 | 1:25:08 | |
# But now that I am done | 1:25:08 | 1:25:11 | |
# Say, I'm really glad to be in the same family | 1:25:11 | 1:25:18 | |
# And everything I've said was just in fun | 1:25:18 | 1:25:22 | |
# And I'd rather be the brother of Bing than anyone! # | 1:25:22 | 1:25:34 | |
So she comes to Broadway. All this girl needs is a chance! | 1:25:49 | 1:25:53 | |
-I get her that chance and she runs out on it! -Lou, stop! | 1:25:53 | 1:25:57 | |
-Latch your porthole. -No, no, go on! | 1:25:57 | 1:26:02 | |
-If she's good, why's she running away? -Don't put YOUR oar in! | 1:26:02 | 1:26:06 | |
Sailor, I'm big enough to handle my own arguments. | 1:26:06 | 1:26:11 | |
Then you argue on your side, I'll argue on the lady's side. | 1:26:11 | 1:26:16 | |
It's not really an argument. | 1:26:16 | 1:26:19 | |
I'd like to introduce an outstanding singer Danny Carter! | 1:26:21 | 1:26:25 | |
# Si puo? Si puo? | 1:26:39 | 1:26:44 | |
# Signore! Signori! | 1:26:44 | 1:26:52 | |
# Scusatemi se da sol mi presento | 1:26:52 | 1:27:01 | |
# Io sono il prologo | 1:27:01 | 1:27:11 | |
# This prologue I sing to you | 1:27:12 | 1:27:17 | |
# Is from the opera "Il Pagliacci" | 1:27:17 | 1:27:23 | |
# It tells the story of a clown whose heart is broken | 1:27:23 | 1:27:34 | |
# And yet he must bring you laughter | 1:27:34 | 1:27:43 | |
# A clown must keep clowning | 1:27:45 | 1:27:52 | |
# Nobody wants to see a clown who is frowning | 1:27:52 | 1:27:58 | |
# The lonesome course you have charted | 1:27:58 | 1:28:04 | |
# Now you're alone, broken hearted | 1:28:04 | 1:28:12 | |
# And crying for the one you love | 1:28:12 | 1:28:24 | |
# E voi, piuttosto | 1:28:27 | 1:28:33 | |
# Che le nostra povere gabbane d'istroni | 1:28:33 | 1:28:40 | |
# Le notr'anima considerate | 1:28:40 | 1:28:48 | |
# Poiche siam uomini | 1:28:48 | 1:28:52 | |
# Di carne e d'ossa | 1:28:52 | 1:28:57 | |
# E che di que st'orfano mondo | 1:28:57 | 1:29:03 | |
# Al pari di voi | 1:29:03 | 1:29:10 | |
# Spiriamo l'aere! | 1:29:10 | 1:29:16 | |
# Il concetto vi dissi | 1:29:18 | 1:29:24 | |
# Or ascoltate com'egli e svolto | 1:29:24 | 1:29:32 | |
# Andiam. Incominciate! # | 1:29:32 | 1:29:44 | |
HUGE OVATION | 1:29:45 | 1:29:47 | |
Please, Nancy, you GOTTA listen to me! | 1:29:53 | 1:29:57 | |
-How can I believe anything you or Dan tell me? -But you GOTTA! | 1:29:57 | 1:30:02 | |
-Look! NOW believe me! -Dan! | 1:30:02 | 1:30:05 | |
-You see! It's him! That's Dan Carter. -You weren't lying? | 1:30:05 | 1:30:10 | |
Of course not! Do I ever lie? | 1:30:10 | 1:30:14 | |
-Nancy, are you coming back with me or not? -All right, let's go back. | 1:30:18 | 1:30:24 | |
Driver, turn the bus around! I can't go off my route! | 1:30:24 | 1:30:29 | |
BABBLE OF VOICES | 1:30:29 | 1:30:33 | |
-Will you do this for the US Navy, or do I put it on a personal basis? -I'll do it, but it's mutiny! | 1:30:36 | 1:30:44 | |
-Will we make it in time? -We'll make it. | 1:30:50 | 1:30:53 | |
-Here we are! -Give me that! Lou, you take it! -Round the corner! | 1:30:55 | 1:31:00 | |
-I've got the bag, Nancy. -All right, goodbye, everyone! | 1:31:07 | 1:31:11 | |
This is for you and the whole US Navy! | 1:31:11 | 1:31:15 | |
-Hurry up, get going! -Bye! | 1:31:15 | 1:31:17 | |
Look at your forehead! Wanna wipe it off? | 1:31:20 | 1:31:24 | |
No, been in the navy for years, first decoration! | 1:31:24 | 1:31:27 | |
You go ahead and get dressed. I'll tell Crosby you're back. | 1:31:29 | 1:31:34 | |
Lafiette, we are here! OH! | 1:31:35 | 1:31:37 | |
-What? -Nancy's here! -Dan, you're on! | 1:31:37 | 1:31:41 | |
-Fine. -Fine, but where's Nancy? | 1:31:49 | 1:31:53 | |
-Don't worry. -Why not? -Because I am worrying! | 1:31:53 | 1:31:56 | |
# In the valley of the Cimaron | 1:31:56 | 1:32:02 | |
# I am waiting all alone | 1:32:02 | 1:32:06 | |
# When evening shadows softly fall | 1:32:06 | 1:32:09 | |
# My heart is sad as I recall | 1:32:09 | 1:32:12 | |
# The weary days I have known | 1:32:12 | 1:32:18 | |
# In the valley of the Cimaron | 1:32:18 | 1:32:24 | |
# I no longer have to toil | 1:32:24 | 1:32:30 | |
# On my piece of government land | 1:32:30 | 1:32:33 | |
# I dug a hole for water and... | 1:32:33 | 1:32:37 | |
# I found oil! | 1:32:37 | 1:32:41 | |
# When I was poor and humble, I couldn't get a tumble | 1:32:42 | 1:32:46 | |
# From any chick among the Chickasaws | 1:32:46 | 1:32:51 | |
# But now that I am loaded with loot | 1:32:51 | 1:32:54 | |
# Indian maidens tell me I'm cute | 1:32:54 | 1:32:57 | |
# They call me Big Chief Hole In The Ground | 1:32:57 | 1:33:01 | |
# And I'm up to my neck in squaws! | 1:33:01 | 1:33:04 | |
WAR CRY | 1:33:04 | 1:33:06 | |
# On this old reservation, we got our education | 1:33:17 | 1:33:21 | |
# We're smart, but we're not telling all we know | 1:33:21 | 1:33:24 | |
# We've all done very well in love | 1:33:28 | 1:33:31 | |
# We accidentally fell in love | 1:33:31 | 1:33:33 | |
# With a lonesome romeo | 1:33:33 | 1:33:36 | |
# Who has NOTHING... | 1:33:36 | 1:33:38 | |
-# But dough! -How! -Well! | 1:33:38 | 1:33:41 | |
How! | 1:33:43 | 1:33:45 | |
# I'm an Indian buck who couldn't make a buck | 1:33:52 | 1:33:54 | |
# Until the lucky day I struck petroleum | 1:33:54 | 1:33:58 | |
# Petroleum-yum-yum-yum-yum-yum-yum Big Chief Hole In The Ground! | 1:33:58 | 1:34:05 | |
# In these parts, I won a lot of hearts | 1:34:06 | 1:34:08 | |
# Cos when I get to town I start a business boom | 1:34:08 | 1:34:12 | |
# Business boom-boom-boom-boom Big Chief Hole In The Ground! | 1:34:12 | 1:34:18 | |
# I'm not as brave as old Sitting Bull | 1:34:18 | 1:34:22 | |
# But old Sitting Bull didn't have a pocketful | 1:34:22 | 1:34:27 | |
# Couldn't get a ringside table | 1:34:27 | 1:34:29 | |
# Never had a racing stable | 1:34:29 | 1:34:31 | |
# He won his bride with a buffalo hide | 1:34:31 | 1:34:33 | |
# But he never bought her a sable! | 1:34:33 | 1:34:35 | |
# I get my kicks where the chicks are chicks | 1:34:35 | 1:34:38 | |
# And you can tell, from the chicks I picks, I'm not so dumb | 1:34:38 | 1:34:41 | |
# He's not so dumb-dum-dum-dum-dum-dum | 1:34:41 | 1:34:45 | |
# Big Chief Hole In The Ground! | 1:34:45 | 1:34:50 | |
# He's quite a chum and he's not so dumb | 1:35:56 | 1:36:00 | |
# Look what can come from petroleum | 1:36:00 | 1:36:04 | |
HIGH PITCHED: # Yum-yum-yum-yum-yum! | 1:36:04 | 1:36:09 | |
# Big Chief Hole In The... | 1:36:09 | 1:36:16 | |
# Ground! | 1:36:16 | 1:36:20 | |
# Woh-woh woh-woh-woh | 1:36:20 | 1:36:22 | |
# Woh-woh woh-woh-woh | 1:36:22 | 1:36:24 | |
# Woh-woh woh-woh-woh! # | 1:36:24 | 1:36:26 | |
Now ain't you happy I made you put up the money? | 1:36:33 | 1:36:37 | |
-I made YOU put up the money! -That's an even better reason! | 1:36:37 | 1:36:42 | |
# Are you just a beautiful dream | 1:36:54 | 1:37:02 | |
# Sent to me from the blue? | 1:37:02 | 1:37:09 | |
# Are you just a beautiful dream | 1:37:10 | 1:37:17 | |
# That I see and pursue? | 1:37:17 | 1:37:24 | |
# Although you may be a fantasy | 1:37:24 | 1:37:30 | |
# You're here and everywhere | 1:37:30 | 1:37:36 | |
# You waltz upon the air | 1:37:36 | 1:37:42 | |
# I look in my heart and you're there | 1:37:42 | 1:37:51 | |
# I thrill to the touch of your lips on my own | 1:37:51 | 1:38:00 | |
# In the night | 1:38:01 | 1:38:05 | |
# And still when it happens I know I'm alone | 1:38:05 | 1:38:15 | |
# In the night | 1:38:15 | 1:38:18 | |
# If you are an idea | 1:38:18 | 1:38:23 | |
# Something unreal | 1:38:23 | 1:38:27 | |
# Why should I feel as I do? | 1:38:27 | 1:38:35 | |
# Are you just a dream? | 1:38:36 | 1:38:43 | |
# If you are, won't you please come true? | 1:38:45 | 1:38:55 | |
# If you're an idea | 1:39:14 | 1:39:20 | |
# Something unreal | 1:39:20 | 1:39:27 | |
# Why should I feel as I do? | 1:39:27 | 1:39:36 | |
# Are you just a dream? | 1:39:36 | 1:39:44 | |
# If you are, won't you please come true? # | 1:39:46 | 1:40:05 | |
# Pelican Falls, Pelican Falls, Pelican Falls High | 1:40:15 | 1:40:19 | |
# Wonderful school, wonderful school, nobody will deny | 1:40:19 | 1:40:22 | |
# We're ready to fight, we're ready to bite, we're ready to do or die | 1:40:22 | 1:40:26 | |
# For Pelican falls, Pelican Falls, Pelican Falls, for Pelican Falls High! # | 1:40:26 | 1:40:35 | |
# She's our Nancy! She's our Nancy! # HOORAY! | 1:40:35 | 1:40:39 | |
# The closer you are | 1:40:44 | 1:40:48 | |
# The wilder my heart goes | 1:40:48 | 1:40:52 | |
# For even my heart knows | 1:40:52 | 1:40:55 | |
# You should be | 1:40:55 | 1:41:00 | |
# Closer and closer... # | 1:41:00 | 1:41:06 | |
Subtitles by Sharon Backer, TPL, for BBC Subtitling, 2000 | 1:41:06 | 1:41:10 |