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'It all began with a sleigh ride along the Caribbean. | 0:01:20 | 0:01:24 | |
'Dominic hooked me in with his sea sled. | 0:01:24 | 0:01:27 | |
'He was hauling me along in his latest brainwave, a treasure hunt. | 0:01:27 | 0:01:32 | |
'I wasn't worried about treasure. I was just along for the ride. | 0:01:32 | 0:01:37 | |
'I must have salt-water blood, the way I go for these sunken junkets. | 0:01:48 | 0:01:53 | |
'But Dom was setting the course for the rotting timbers of an old ship, | 0:01:53 | 0:01:58 | |
'which just had to be some ancient Spanish gal sunk with a million in gold. I knew better. | 0:01:58 | 0:02:03 | |
'Down here, every island has its sunken ruin, but you sure eat up the oxygen trying to chase it down. | 0:02:11 | 0:02:17 | |
'Sand drifts and shifts with every tide, so what you think you saw turns out to be a ghost. | 0:02:17 | 0:02:24 | |
'Then I almost fell off the sled. | 0:02:24 | 0:02:26 | |
'I'd found Dom's ship - what was left of it. | 0:02:26 | 0:02:30 | |
'The sleigh ride was over. I backtracked to what I'd seen. | 0:02:32 | 0:02:35 | |
'The floors of these waters are paved with wrecks, but all wrecks aren't paved with gold. | 0:04:32 | 0:04:38 | |
'Not one out of 100 turns out to be worth salvaging. | 0:04:38 | 0:04:42 | |
'First, you collect evidence - saves wasting time and equipment ploughing through some old pineapple skin, | 0:04:42 | 0:04:49 | |
'or an empty hull that's already been tapped. | 0:04:49 | 0:04:52 | |
'Photographs are a big help too, when you want to tag a wreck. | 0:04:56 | 0:05:00 | |
'Not that I expected much from this heap of barnacles. | 0:05:00 | 0:05:04 | |
'But this junk might lead to finding out her name and the date she sailed and what she was carrying. | 0:05:04 | 0:05:09 | |
'I was having my kicks browsing, | 0:05:11 | 0:05:14 | |
'but Dom was acting like he had fallen into a mint. | 0:05:14 | 0:05:19 | |
'That shooting iron was no .45 automatic. | 0:05:19 | 0:05:23 | |
'I was trying to keep my head and not start climbing up to cloud nine like old Dom. | 0:05:24 | 0:05:29 | |
'But it wasn't easy. Excitement hits you before you know it, and I was being hit.' | 0:05:29 | 0:05:38 | |
-I was right, eh, Johnny? -You were right! | 0:06:11 | 0:06:13 | |
There's a fortune down there. Gold bullion waiting for us to scoop it up. | 0:06:13 | 0:06:19 | |
-Do I have to convince you of that, too? -Bullion, eh? -We are rich! -When we bring it up. -We'll bring it up. | 0:06:19 | 0:06:27 | |
Hola. | 0:06:48 | 0:06:49 | |
Que tal? Buenos dias. | 0:06:49 | 0:06:52 | |
Que te pasa? No hablas espanol? | 0:06:52 | 0:06:55 | |
What's the matter? Don't you speak Spanish? | 0:06:55 | 0:06:58 | |
Ah-h! | 0:06:58 | 0:07:00 | |
Al fin saliste! Buenos dias. | 0:07:00 | 0:07:03 | |
-Buenos dias. -You were down there a long time. I watched the bubbles, then I fell asleep. | 0:07:03 | 0:07:10 | |
-My name's Herrera, Rico Herrera. -I'm Dominic, Dominic Casada. This is my friend Johnny Grant. | 0:07:10 | 0:07:19 | |
Mucho gusto. | 0:07:19 | 0:07:21 | |
Miguel Vega. Deaf. | 0:07:21 | 0:07:23 | |
-I've never seen you in these waters before. Where are you from? -Havana. | 0:07:23 | 0:07:28 | |
We work for the Science Institute. | 0:07:28 | 0:07:32 | |
Ah, so. | 0:07:32 | 0:07:34 | |
-And you! Where do you come from? -Puerto Bravo, down the coast. | 0:07:34 | 0:07:38 | |
-What do you do down there that takes so long? -We look for rocks. -A scientific study. | 0:07:38 | 0:07:45 | |
It's a long way just for rocks. | 0:07:45 | 0:07:47 | |
Ah, buena puteria! Es muy grande! | 0:07:57 | 0:08:00 | |
Good shot, yes? It leans either way, one of you lies dead. | 0:08:00 | 0:08:05 | |
-Does he know? We were sure talking loud enough when we came up. -Maybe he was asleep like he said. | 0:08:15 | 0:08:22 | |
-Maybe the other one IS deaf. -Shark hunters, huh? -Uh-huh. | 0:08:22 | 0:08:27 | |
-A tough way to make a living. -With rifles. -Oh, sure, they sell the sharks' liver. I know. | 0:08:27 | 0:08:34 | |
I've done it myself. A tough way to make a living. | 0:08:34 | 0:08:38 | |
'Back in Cuba, they told us at the university that those hunks of evidence were real. | 0:08:48 | 0:08:53 | |
'We knew they were the McCoy, but we needed 5,000 bucks for a good-size boat, supplies | 0:08:53 | 0:09:00 | |
'and oxygen to stay down for days. | 0:09:00 | 0:09:03 | |
'And all the capital Dom had was the gold in his teeth. My problem was a lot bigger than capital. | 0:09:03 | 0:09:09 | |
'I had to tell Theresa. That would be the toughest part of all. | 0:09:09 | 0:09:16 | |
'How to tell Theresa.' | 0:09:17 | 0:09:19 | |
-Leave it on the dock, please! -I don't want to be left on the dock! -Johnny! Hiya, mi bonito, bonito! | 0:09:20 | 0:09:27 | |
-Why didn't you tell me you were coming? Look at me. I'm a mess. -You're beautiful. | 0:09:29 | 0:09:33 | |
Five whole days! | 0:09:37 | 0:09:39 | |
Ah, que cara alli! | 0:09:39 | 0:09:42 | |
-Dominic! I ought to cut your ears off for staying away for much too long. -Much too long, chiquita linda. | 0:09:42 | 0:09:50 | |
Ah, mi diablo alegre! Come in here where I can see you. | 0:09:50 | 0:09:55 | |
Ole! | 0:09:57 | 0:09:58 | |
-You're all right, huh? No troubles in your face. -No troubles. | 0:09:58 | 0:10:03 | |
There is something. You're in love! | 0:10:03 | 0:10:06 | |
Some pretty chiquita finally got the bachelor Dominic! | 0:10:06 | 0:10:10 | |
-I swear there is no-one. -Come on, below, Dom. We'll buy you a drink. | 0:10:10 | 0:10:14 | |
-Funny, I can always tell. -In the home of Theresa and Johnny, you see love in my face. | 0:10:14 | 0:10:21 | |
It'll come to me. Come on. | 0:10:21 | 0:10:24 | |
-When we were home, we saw your mama. -She told me. She sends her love to you. | 0:10:24 | 0:10:30 | |
-She said you were in Brazil, doing something big in Roble. -I was until he snapped in my face. | 0:10:30 | 0:10:36 | |
Oh, you couldn't have brought me a nicer present. | 0:10:36 | 0:10:40 | |
-Johnny's tough, but you just have to bear it. -Dominic's not for anyone. | 0:10:40 | 0:10:45 | |
The midwife handed her to me. I held her by the ankles and I slapped her. | 0:10:45 | 0:10:51 | |
-She let out a yell like a coyote. -She still does. | 0:10:51 | 0:10:55 | |
-Where did you run into each other? Aguabacoa? -I never got there. -No? | 0:10:55 | 0:11:00 | |
-You didn't get us a place for the tourists to camp? -Tourists? Honey, make us a drink, will you? | 0:11:00 | 0:11:07 | |
All right. But, Johnny, we could've made a lot of money if we'd had a nice camping-out place for tourists. | 0:11:07 | 0:11:14 | |
-800 or 900. -She calls that money. -Pitiful. -But she's a good kid. | 0:11:14 | 0:11:19 | |
-I never got to Aguabacoa. -He went with me for a little boat ride. | 0:11:19 | 0:11:24 | |
-That's what I saw in your face! -What did you see? -In love with a little chiquita?! | 0:11:24 | 0:11:31 | |
-You two are up to some crazy plan again! -Theresa, this time... -What is it? -We're gonna make you rich. | 0:11:31 | 0:11:38 | |
-Madre de Dios! We still owe the bank after his last venture! -It's a sunken ship full of gold. | 0:11:38 | 0:11:45 | |
-We can't afford it. -A Jesuit priest who's studied these things says there's treasure down there. | 0:11:45 | 0:11:52 | |
-He should be ashamed of himself! -He's coming, too. -When we told him what was down there, he went crazy. | 0:11:52 | 0:11:59 | |
And what was down there? | 0:11:59 | 0:12:02 | |
HE HUMS, THEN WHISTLES "Cherry Pink And Apple Blossom White" | 0:12:02 | 0:12:08 | |
This. | 0:12:23 | 0:12:25 | |
-A million dollars. -1640. -And all the ships that sailed before 1640 that didn't carry gold | 0:12:25 | 0:12:32 | |
-were ashamed to leave the harbour. -This navigational instrument steered that ship into the rocks. | 0:12:32 | 0:12:39 | |
-Theresa, I've seen it with my own eyes. -Johnny, you've seen it with HIS eyes. -I invested my last peso. | 0:12:39 | 0:12:47 | |
-Would he have done that if this was just a bubble? -He's done it before. | 0:12:47 | 0:12:52 | |
What about the time you were going to corner the market in avocados? | 0:12:52 | 0:12:57 | |
So, what do we do? | 0:13:02 | 0:13:04 | |
Do? I'll tell you. I looked at that wreck and said to myself, "Johnny, you're the head of the family. | 0:13:04 | 0:13:13 | |
"I'll go back to Havana and hock the boat, invest in the expedition and bring back all that loot." | 0:13:13 | 0:13:18 | |
Ole! | 0:13:18 | 0:13:20 | |
Ole. | 0:13:22 | 0:13:23 | |
Well, that was down there. Back here, I take a look at my wife, look at my boat, | 0:13:24 | 0:13:30 | |
think of my responsibilities, and I say, "Johnny, you're doing just fine as it is." | 0:13:30 | 0:13:35 | |
-Dom, we can't go. -I understand. I just wanted to give you and Theresa a chance to get rich. | 0:13:37 | 0:13:44 | |
-We can't afford it. I know you hoped to use this boat. -There are other boats. | 0:13:44 | 0:13:50 | |
-I mean to raise the money. -Never mind. I attract it like a magnet. | 0:13:50 | 0:13:56 | |
You buy me dinner tonight at the Three Seagulls by the waterfront? Goodbye, chiquita bonita. | 0:13:56 | 0:14:02 | |
-I see you later. -Dominic! | 0:14:06 | 0:14:09 | |
-Huh? -Aren't you forgetting something? | 0:14:09 | 0:14:12 | |
Oh, I forgot! | 0:14:12 | 0:14:15 | |
Here, Johnny, you help me. | 0:14:15 | 0:14:17 | |
Ah, don't worry, Johnny. We had fun for a few days. | 0:14:19 | 0:14:24 | |
We dived together for the first time since we were in the Frogs. Now forget it. We never went. | 0:14:24 | 0:14:29 | |
There is no wreck. There is no treasure. There is no gold. There is nothing. | 0:14:29 | 0:14:38 | |
Wipe everything away from your mind, huh? | 0:14:38 | 0:14:41 | |
I see you later. | 0:14:42 | 0:14:44 | |
-I'm sorry, Johnny. -No. Nobody said this rainbow was for real. | 0:14:59 | 0:15:05 | |
-I know, but you really want to go, don't you? -Oh, forget it. | 0:15:05 | 0:15:09 | |
Don't you think we ought to talk about it? | 0:15:09 | 0:15:13 | |
Sure. | 0:15:13 | 0:15:15 | |
I think I'll make you a nice Collins. I'll put three times as much gin in it. | 0:15:17 | 0:15:22 | |
OK? | 0:15:22 | 0:15:24 | |
Fine. | 0:15:24 | 0:15:26 | |
And just because I love you, I'm gonna spike it with a mickey. | 0:15:26 | 0:15:31 | |
-You'd like that, too, uh? -Swell. | 0:15:31 | 0:15:34 | |
It's gonna make you sick as a dog, you know. That's OK, uh? | 0:15:34 | 0:15:37 | |
-Great. -All right, here it is. | 0:15:38 | 0:15:42 | |
-I ought to throw you overboard for that! -Go ahead! | 0:15:44 | 0:15:48 | |
-We'll have a big fight and divorce and never see each other again! -What are you talking about? -You wanna go. | 0:15:48 | 0:15:55 | |
-You've got no idea. -Then why pretend you don't? -I want to stay here, too. | 0:15:55 | 0:15:59 | |
Split right down the middle. | 0:16:02 | 0:16:03 | |
Pobrecito. | 0:16:10 | 0:16:12 | |
Johnny, how long did we go together before we were married? | 0:16:14 | 0:16:18 | |
Two weeks. Two and a half. | 0:16:18 | 0:16:20 | |
And we've only been married a year. It's not a very long time. | 0:16:20 | 0:16:24 | |
Listen, Johnny, in some ways, we're still strangers. | 0:16:27 | 0:16:30 | |
And if you don't let me know you, I can't be any more interested in you than any other stranger. | 0:16:30 | 0:16:36 | |
Do you remember when you gave me this? | 0:16:43 | 0:16:46 | |
-Sure. -You said that down there the natives wear them all the time. | 0:16:47 | 0:16:52 | |
That's right. They're afraid if they show their real faces, they might get hurt. | 0:16:52 | 0:16:56 | |
-They take them off if they're alone or with someone they love and trust. -That's how it has to be with us. | 0:17:00 | 0:17:07 | |
It's true. That's why we have to talk. | 0:17:07 | 0:17:11 | |
All right, we'll talk about it. | 0:17:13 | 0:17:15 | |
DOM ASKS DIRECTIONS | 0:17:31 | 0:17:34 | |
Hello! Miss Warrender? | 0:18:01 | 0:18:02 | |
Miss Warrender? | 0:18:11 | 0:18:13 | |
Hello? | 0:18:15 | 0:18:16 | |
How dare you snoop around this boat? Get out! I told you I didn't have any money! Get out! | 0:18:35 | 0:18:42 | |
-How DARE you! -Ow! | 0:18:42 | 0:18:44 | |
Take it easy. Don't you remember me? It's Dominic. Dominic Casada. | 0:18:46 | 0:18:50 | |
Remember? | 0:18:50 | 0:18:52 | |
Oh. Hello. | 0:18:52 | 0:18:53 | |
-Hello. -Please, don't be nice to me. It makes me want to cry. | 0:18:53 | 0:18:58 | |
Thanks. | 0:19:00 | 0:19:02 | |
-What happened to your boss, old JP? -Oh, I don't know. He just vanished. | 0:19:02 | 0:19:07 | |
Everybody expects me to know. I was only his secretary. | 0:19:07 | 0:19:11 | |
Oh-h, now, that's enough. That's enough. He didn't leave any address? | 0:19:11 | 0:19:16 | |
-No, he didn't. They all ask me that. -The government? | 0:19:16 | 0:19:21 | |
Yes, and half the other men in Cuba. Even some from Florida. They all ask me where Mr Robinson is. | 0:19:21 | 0:19:28 | |
-They get angry and yell at me, shake their fingers at me and threaten me. -Aw-w. -I don't blame them. | 0:19:28 | 0:19:35 | |
-He owes them money. -He doesn't owe me anything. I have a proposition he might be interested in. | 0:19:35 | 0:19:41 | |
-You have no idea where I can find him? -He didn't even leave money to pay the crew. They quit a week ago. | 0:19:41 | 0:19:49 | |
-They yelled at me, too. -Aw-w. -They think I have access to Mr Robinson's money, but I haven't! -I believe you. | 0:19:49 | 0:19:57 | |
-He didn't leave a penny. I've been living on peanut butter. -Why don't you stay at the club and charge it? | 0:19:57 | 0:20:04 | |
-His credit's no good. All I have to my name is this yacht. -What? -All I have to my name is this yacht. | 0:20:04 | 0:20:11 | |
-What do you mean? -Mr Robinson keeps it in my name. A business precaution. | 0:20:12 | 0:20:17 | |
Legally, I'm the owner. | 0:20:17 | 0:20:19 | |
-YOU have the papers? -Of course. | 0:20:20 | 0:20:23 | |
HE WHISTLES "Cherry Pink And Apple Blossom White" | 0:20:23 | 0:20:28 | |
THEY PLAY "Cherry Pink And Apple Blossom White" | 0:20:35 | 0:20:40 | |
-Hola, Perez. -Hola. -Es mi esposo Juanito. -Hello. -Perez Brown. -Hi. | 0:21:01 | 0:21:06 | |
Es para mi? | 0:21:06 | 0:21:09 | |
-Despues - Maria Elena, huh? -Si, si. | 0:21:09 | 0:21:11 | |
Ole! | 0:21:14 | 0:21:16 | |
-Gloria, these are my two best friends, Theresa and Johnny. -Hi. -Hello. -Sit down, chiquita bonita. | 0:21:16 | 0:21:21 | |
Hey, Johnny, I got a boat. She owns it, she has the papers and she's going to join the expedition. | 0:21:26 | 0:21:34 | |
-She's going to have full share of the treasure. -That's nice. -Right? | 0:21:34 | 0:21:39 | |
-Right. That is, I think it's right. I hope it's right. -Don't worry, gringuita. | 0:21:39 | 0:21:45 | |
-You can trust me. -In the Navy, he was known as Dependable Dominic, the honest sailor. | 0:21:45 | 0:21:52 | |
-He never even stole one battleship. -I'm impressed. -You must see this boat. Hay, mamacita! | 0:21:52 | 0:21:59 | |
It's a beauty. A 50-foot, two-masted schooner. Room for six. 135 horsepower. | 0:21:59 | 0:22:06 | |
-Well, I guess he can use our money, anyway. -Gasoline, groceries, supplies. | 0:22:17 | 0:22:22 | |
-What money? -The money we got for hocking the Theresa. -The 4,800. | 0:22:22 | 0:22:27 | |
-You knew we'd get the money. -After you left, I kept looking at the astrolabe. -That's why you left it. | 0:22:27 | 0:22:35 | |
-Did I leave it? -"Did I leave it?"! -Anyway, we're going. -We are?! -Yes. | 0:22:35 | 0:22:40 | |
-Sure. 4,800 and a 50-foot schooner, how could we resist? -Ah, Johnny, gringuita... | 0:22:40 | 0:22:47 | |
you, you son-of-a-gun, I shoulda never let you out of my sight. | 0:22:47 | 0:22:53 | |
BAND PLAYS THERESA'S REQUEST | 0:22:53 | 0:22:55 | |
-OK, Johnny? -Sure. | 0:22:55 | 0:22:57 | |
-Why did you keep the girl a secret? -No secret. | 0:23:13 | 0:23:17 | |
-I never said more than hello and goodbye to her until today. -Ah! | 0:23:17 | 0:23:22 | |
Wait till you see the boat. Ay, chihuahua, she's beautiful! | 0:23:24 | 0:23:28 | |
-So is the girl. And speaking of such matters... -I know, I know. Why don't I settle down and get married? | 0:23:28 | 0:23:36 | |
-Si. -That's all I hear from Mama. I say to her, "Mama, let's plant some chilli peppers in the garden." | 0:23:36 | 0:23:43 | |
And she says, "That's a very good idea. Speaking of chilli peppers... when are you going to get married?" | 0:23:43 | 0:23:51 | |
-Having fun? -Yes! Even if it turns out like those depressing stories | 0:24:00 | 0:24:04 | |
-where no-one finds the treasure, but they all find their souls. -Me, too. -Hey, Johnny! | 0:24:04 | 0:24:11 | |
-Let's send a telegram to the padre, eh? -Padre? Already have. | 0:24:11 | 0:24:16 | |
Hiya, stranger. | 0:24:16 | 0:24:18 | |
'You know how a kid feels getting up before dawn to go fishing? That's how Dom and I felt.' | 0:24:25 | 0:24:32 | |
Graciously hear our prayers, O Lord, and with thy holy hand, bless this boat and all who sail thereon. | 0:24:32 | 0:24:39 | |
Send thy holy angel from Heaven to guard this boat and keep it safe from every peril, along with all on board. | 0:24:39 | 0:24:47 | |
Comfort thy servants with a calm voyage and the desired harbour. | 0:24:47 | 0:24:53 | |
Having transacted their business, recall them again when the time comes to happiness of country and home. | 0:24:53 | 0:25:00 | |
Amen. | 0:25:00 | 0:25:01 | |
'The sea owed us a living for the time we'd put in combing her reefs and scratching around sharp coral. | 0:25:16 | 0:25:22 | |
'Sometimes you'd dive for pennies. Sometimes for pink shells. | 0:25:22 | 0:25:27 | |
'But this time, I was a mercenary. And this time, she was going to pay off. | 0:25:27 | 0:25:34 | |
'Father Cannon received permission to leave the university to look for a lost page out of the past. | 0:25:34 | 0:25:41 | |
'And us, we were chasing the future, our future. | 0:25:41 | 0:25:45 | |
'Every man has to go after his own Holy Grail. | 0:25:45 | 0:25:49 | |
'I guess that Gulf wind in your face can build you up pretty high. | 0:26:49 | 0:26:53 | |
'When evening tossed out stars like shining dice, I could only see diamonds round Theresa's throat.' | 0:26:53 | 0:27:00 | |
Ay, ay, ay, Dominic! | 0:27:05 | 0:27:08 | |
I have heard music with more alegria. | 0:27:08 | 0:27:12 | |
No alegria tonight, little one. | 0:27:12 | 0:27:14 | |
You're sad tonight. Why? | 0:27:16 | 0:27:19 | |
I have been drinking sad wine. | 0:27:19 | 0:27:22 | |
HE WHISTLES AND PLAYS "Cherry Pink And Apple Blossom White" | 0:27:22 | 0:27:25 | |
Mi diablo alegre, eh? | 0:27:25 | 0:27:27 | |
Hi. | 0:27:35 | 0:27:36 | |
-Those are my pyjamas. What happened to your nightgown? -Well, I couldn't have you, so... -So? | 0:27:37 | 0:27:45 | |
Johnny, tie the wheel off. | 0:27:51 | 0:27:54 | |
What? | 0:27:54 | 0:27:56 | |
-Let the boat go. She'll take care of herself. -Let the boat go! | 0:27:56 | 0:28:01 | |
All right for you! | 0:28:01 | 0:28:04 | |
Such gloom! | 0:28:10 | 0:28:13 | |
Tomorrow we get to the wreck. | 0:28:15 | 0:28:17 | |
-Suppose there's nothing down there but a lot of fish and shells? -It's a fine time to be thinking of that! | 0:28:17 | 0:28:25 | |
-Don't make fun. -Who's making fun? | 0:28:25 | 0:28:27 | |
What happens to dreams when hot blood turns cold and fires burn low? | 0:28:27 | 0:28:32 | |
Chasing rainbows. Sometimes I wonder if I can go on for ever chasing them. | 0:28:32 | 0:28:39 | |
Each time it takes a little more strength, a little more energy to keep up the hope and the enthusiasm. | 0:28:39 | 0:28:47 | |
What happened to faith? | 0:28:47 | 0:28:49 | |
-I've been cashing a lot of cheques of mine. -Dominic, do me a favour. | 0:28:49 | 0:28:55 | |
Go find some happy wine. | 0:28:55 | 0:28:58 | |
Dominic, is this a photograph of the wreck you and Johnny found? | 0:28:58 | 0:29:02 | |
-Yes, it is. -Why didn't you show it to me before? -It wasn't developed. | 0:29:02 | 0:29:07 | |
-And this astrolabe, you found that in this wreck? -Johnny and I found it. | 0:29:07 | 0:29:12 | |
-That's impossible. -Why? -Just as you wouldn't use the steering gear of the Queen Elizabeth on a harbour cutter, | 0:29:12 | 0:29:20 | |
-this navigational device was never used on such a small vessel. -We found it there. -You salted that wreck. | 0:29:20 | 0:29:28 | |
-Salted? -You found the wreck, then decorated it with some of these. | 0:29:28 | 0:29:33 | |
Uh-huh. I did. | 0:29:33 | 0:29:36 | |
-Johnny! -Yeah? | 0:29:37 | 0:29:40 | |
-Come down here. -And leave the boat go? -We're not going anywhere. | 0:29:40 | 0:29:46 | |
-What did you say, honey? -Dominic has been doing a little window-dressing. | 0:29:48 | 0:29:54 | |
-What do you mean? -Those relics of yours... -Yes. -He sprinkled them over the wreck. -Just this one. | 0:29:54 | 0:30:02 | |
-Where did you get it, Dominic? -It's a fake. -No, it's real. It came up in a fisherman's net. | 0:30:02 | 0:30:09 | |
I bought it from him, Johnny. He got it the same place where I took you. | 0:30:09 | 0:30:14 | |
-I threw it overboard near the wreck. -Just like that? -Uh-huh. | 0:30:14 | 0:30:19 | |
-You did? You conned your old pal. -I didn't make this thing. | 0:30:19 | 0:30:24 | |
I didn't put that ship down there. It sank. | 0:30:24 | 0:30:27 | |
-In 1640. -You just put candles in the birthday cake. -Sure. Take away the candles... -It's still a cake. | 0:30:27 | 0:30:35 | |
-Don't worry, Dominic. You've got lots of faith. -Yes, I have. | 0:30:35 | 0:30:40 | |
So have I. Not because of the window-dressing, but I did see that wreck. | 0:30:40 | 0:30:46 | |
I'm here to dive down into it. That's what I'm gonna do. | 0:30:46 | 0:30:51 | |
-You say the fisherman found this at Cabo Fuente? -Yes, he did. | 0:30:51 | 0:30:56 | |
In the cathedral at Panama, there once stood a statue of the Virgin, life-sized, made by the Indians. | 0:30:56 | 0:31:03 | |
The Madonna held the Christ-child. | 0:31:03 | 0:31:05 | |
The Christ-child held the terrestrial globe surmounted by a cross. | 0:31:05 | 0:31:10 | |
In January 1671, the people of Panama got word that the English pirate Morgan was coming to raid their city. | 0:31:10 | 0:31:19 | |
The good fathers got the church treasure out of the city and over the isthmus. | 0:31:19 | 0:31:26 | |
How they managed with that statue, I'll never know. | 0:31:26 | 0:31:30 | |
When they arrived at Nombre de Dios, they were able to charter a galleon, | 0:31:30 | 0:31:35 | |
so they put all of the treasure - candlesticks tall as a man and the statue - all aboard the galleon. | 0:31:35 | 0:31:43 | |
They found a small pilot vessel that could lead them to Europe, and a man-of-war as an escort. | 0:31:43 | 0:31:50 | |
When the flames of the city were still raging in the sky, the little convoy took off for Europe. | 0:31:50 | 0:31:57 | |
A hurricane got up and they were never heard from again. | 0:31:57 | 0:32:02 | |
You think that our wreck was the pilot ship of the convoy? | 0:32:02 | 0:32:07 | |
That I do. The name of the galleon that carried the treasure was the Santo Bello, and look... | 0:32:07 | 0:32:14 | |
"L.L.O." | 0:32:14 | 0:32:16 | |
Father, the statue of the Madonna on the galleon? | 0:32:19 | 0:32:23 | |
Yes. Life-sized, pounded out of nuggets by the Indians, solid gold and encrusted with precious gems. | 0:32:23 | 0:32:30 | |
-Solid gold? -Oh, its monetary value was several millions of dollars, | 0:32:30 | 0:32:35 | |
-but its historical value to the Church...it's incalculable. -You think we have stumbled on the convoy? | 0:32:35 | 0:32:43 | |
I'll go out on a limb and say, "Yes." | 0:32:43 | 0:32:46 | |
Johnny, we hit the jackpot. | 0:32:48 | 0:32:51 | |
We'll start the search with the sled. | 0:32:51 | 0:32:55 | |
-We can find her underwater. -How big was it, Father? -16 guns. -Good. | 0:32:55 | 0:33:00 | |
-We'll begin in the west and move at intervals of 100 yards. -50 yards. -Right. | 0:33:00 | 0:33:05 | |
'Theresa wasn't letting me go under alone. I had to have company. | 0:33:24 | 0:33:28 | |
'And so at 50-yard intervals, the search pattern for the rest of the convoy began. | 0:33:46 | 0:33:50 | |
'Day after day, we were gliding through the submarine canyons like a pair of happy marlin searching. | 0:33:50 | 0:33:58 | |
'Searching... | 0:34:15 | 0:34:17 | |
'searching... | 0:34:17 | 0:34:19 | |
'..around every coral corner. | 0:34:20 | 0:34:23 | |
'All of a sudden, something was there. | 0:34:24 | 0:34:28 | |
'We were on our own now with a few minutes breathing time left in our bags. | 0:35:12 | 0:35:16 | |
'Skin-diving towards the tomb of the ship like a couple of grave robbers. | 0:35:16 | 0:35:20 | |
'Now even Theresa knew. This time was no pipe dream.' | 0:36:36 | 0:36:41 | |
-They're guns. -Ship's guns. When the ropes that tied them down rotted, they elevated. | 0:36:57 | 0:37:04 | |
Yes. | 0:37:04 | 0:37:06 | |
It's the man-of-war, Johnny. | 0:37:06 | 0:37:08 | |
-The convoy was heading for the beach here. -They tried to come about in the heavy sea. -It sank...here. | 0:37:10 | 0:37:17 | |
Hmm. Pilot ship, man-of-war. | 0:37:17 | 0:37:20 | |
But the pilot ship would be first. | 0:37:20 | 0:37:23 | |
No, with the hurricane raging, they'd have sent the treasure ship in first. | 0:37:23 | 0:37:28 | |
The treasure ship should be somewhere around here, Johnny. | 0:37:29 | 0:37:34 | |
-Then we search along the cliff, eh? -Right. -What if it's out in 800 fathoms? -Then we go home, Father. | 0:37:34 | 0:37:42 | |
GLORIA WHISTLES | 0:37:42 | 0:37:43 | |
You'll dazzle the fish! | 0:37:43 | 0:37:46 | |
-Fancy, eh? It's deep down and dark. We have to see each other. -Which is mine, dear? -Cut it out! | 0:37:46 | 0:37:53 | |
HUMMING OF ENGINE, FOLLOWED BY A BANG | 0:37:53 | 0:37:56 | |
Ah, you're back! | 0:38:00 | 0:38:03 | |
-Yeah, we've come back. -You didn't get enough rocks last time? | 0:38:03 | 0:38:08 | |
That's right. Not enough rocks. | 0:38:08 | 0:38:10 | |
-That Science Institute has a love for rocks, yes? -A real passion. | 0:38:10 | 0:38:16 | |
-So they send you back with a ship big enough to hold tons of rocks, eh? -That's right. | 0:38:16 | 0:38:22 | |
- Buenos dias. - Good morning. | 0:38:22 | 0:38:26 | |
And a padre comes, too! | 0:38:26 | 0:38:28 | |
-And ladies! -They're our assistants. | 0:38:28 | 0:38:31 | |
What an operation! What an enthusiasm for rocks! Education is a remarkable thing. | 0:38:31 | 0:38:38 | |
-It is. How's the hunting? -Had I an education, I might have an interest in such studies. -How's the hunting? | 0:38:38 | 0:38:46 | |
Oh, in this area, very good, but there's so little demand these days. Could you let me have some garbage? | 0:38:46 | 0:38:53 | |
-We have no garbage. -What do you want the garbage for? | 0:38:53 | 0:38:58 | |
Ah, an enquiring mind. Without it, you would not be scientists. | 0:38:58 | 0:39:03 | |
They scatter garbage in the water to attract sharks. Sharks are scavengers. | 0:39:03 | 0:39:09 | |
-Si, senorita. I hope my hunting will not interfere with your collection of rocks. -Not if you're far enough away. | 0:39:09 | 0:39:17 | |
I'll take care. I have a vast respect for science. | 0:39:17 | 0:39:22 | |
-Good luck. -Please, save the garbage for me. It will help you while you search for the rocks. | 0:39:22 | 0:39:29 | |
'Men who live by sharks get to live like them. You could almost smell the way that guy was thinking. | 0:39:31 | 0:39:37 | |
'We looked fat and he was hungry.' | 0:39:37 | 0:39:39 | |
-Who are your friends? -A couple of shark hunters we met last time. | 0:39:41 | 0:39:46 | |
-He sure asked a lot of questions. -He sure did. | 0:39:46 | 0:39:50 | |
-The official greeter in these parts, eh? -Yeah. | 0:39:54 | 0:39:58 | |
Come on, Johnny, let's go to work. | 0:39:58 | 0:40:00 | |
Are they under us still? | 0:40:37 | 0:40:40 | |
No, they're out in that direction now. You can hardly see the bubbles. | 0:40:40 | 0:40:45 | |
When you don't see the bubbles, that is the time to worry, little one. | 0:40:45 | 0:40:50 | |
HE IS SPEAKING - WORDS ARE INAUDIBLE | 0:42:15 | 0:42:18 | |
'Tick-tack-toe, there she was, sleeping out the centuries on that coral mountain. | 0:42:40 | 0:42:45 | |
'The sea had washed off her make-up and the worms had eaten her skin, | 0:43:04 | 0:43:07 | |
'but to us at that moment, this hulk was a living doll.' | 0:43:07 | 0:43:12 | |
'The currents had started to uncover her deck, | 0:43:29 | 0:43:32 | |
'exposing the stump of a mainmast, hatch and pieces of rail. | 0:43:32 | 0:43:37 | |
'She had torn her belly out, trying to climb this reef and had become stuck on the edge of a cliff. | 0:43:37 | 0:43:43 | |
'This hatchway should lead to the captain's quarters and the strong room.' | 0:43:58 | 0:44:05 | |
-It's the Santa Bella, beyond any doubt. -I knew it. -Me, too. | 0:44:31 | 0:44:34 | |
As soon as I looked at it, I felt it in here. | 0:44:34 | 0:44:39 | |
-This long shadow, is that the edge of the cliff? -That's right. | 0:44:39 | 0:44:44 | |
-Is it very deep? -About 200 fathoms. | 0:44:44 | 0:44:47 | |
-They almost made it. -I will shed tears for them some other time. Now I want to go down and look for it. | 0:44:47 | 0:44:54 | |
-It'll be a long wait until morning. -Let's do something, eh? | 0:44:54 | 0:44:59 | |
'The statue of the Madonna, life-sized. Solid gold. | 0:45:14 | 0:45:19 | |
'Encrusted with precious gems.' | 0:45:21 | 0:45:23 | |
WHISTLING | 0:45:23 | 0:45:26 | |
It's about time. What kept you? | 0:45:34 | 0:45:37 | |
You're getting grouchy, honey. | 0:45:38 | 0:45:41 | |
Rameses's boat, it's shrinking. There are people all over it. | 0:45:41 | 0:45:45 | |
-Well, let's take a ride. -Yeah, very funny. | 0:45:45 | 0:45:49 | |
Hey, how long has that been there? | 0:45:54 | 0:45:56 | |
-What? The island? -Yeah. | 0:45:56 | 0:45:58 | |
-As long as we've been here. And a million years before that. -This is the first time I've really seen it. | 0:45:58 | 0:46:06 | |
You've been busy and... | 0:46:06 | 0:46:08 | |
-That's a beautiful island. -Mm-hm. You want to go ashore? -Yes. | 0:46:08 | 0:46:14 | |
Come on, then. | 0:46:14 | 0:46:17 | |
-Oh, we don't have to, er... -We should ask. | 0:46:22 | 0:46:28 | |
Nobody down there wants to go ashore, do they? | 0:46:33 | 0:46:35 | |
-Ashore? What for? -Oh, just to look around. | 0:46:35 | 0:46:40 | |
-Hey, how about a picnic? -Yeah! -Johnny, we'll have a picnic. | 0:46:40 | 0:46:45 | |
-Get the radio, gringuita. -All right. | 0:46:45 | 0:46:48 | |
-THERESA LAUGHS -I'll start the outboard. | 0:46:48 | 0:46:52 | |
MUSIC PLAYS | 0:46:53 | 0:46:57 | |
'Being this near rich can make a man scared his luck won't hold out. | 0:46:59 | 0:47:05 | |
'It can almost make him forget what he's got already.' | 0:47:07 | 0:47:10 | |
-SHE SQUEALS -Johnny, Johnny! No, no! | 0:47:58 | 0:48:02 | |
No more jitters, huh? | 0:48:17 | 0:48:20 | |
What jitters? | 0:48:20 | 0:48:22 | |
Hey, remember me. | 0:48:22 | 0:48:24 | |
Well, maybe a little buck fever with all that loot down there. | 0:48:25 | 0:48:30 | |
-Johnny, let me dive with you and Dominic tomorrow. -Why? | 0:48:32 | 0:48:37 | |
-Because I want to see it. -Oh. | 0:48:37 | 0:48:40 | |
-A little different from cornering the avocado market. -Don't be smart! | 0:48:40 | 0:48:45 | |
-I could be wrong once. -Oh, no, that could never happen! | 0:48:45 | 0:48:49 | |
No, but you will let me go with you, won't you? Whither thou goest... | 0:48:49 | 0:48:55 | |
OK. | 0:48:55 | 0:48:56 | |
Travel. | 0:49:03 | 0:49:05 | |
-Hmm? -We'll travel, you and I, with all the money. -Right. | 0:49:05 | 0:49:10 | |
-We'll go to South America, huh? -Uh-huh. Marrakech, Morocco, Casablanca. | 0:49:10 | 0:49:17 | |
It's nice there. | 0:49:17 | 0:49:19 | |
Mm-hm. Even during the War. | 0:49:19 | 0:49:22 | |
Beautiful. | 0:49:22 | 0:49:24 | |
Lots of pretty girls? | 0:49:24 | 0:49:26 | |
Oh, I wouldn't know. Like most of us fellows in the service, I thought only of duty. | 0:49:26 | 0:49:33 | |
Don't give me that, Johnny Grant! | 0:49:33 | 0:49:35 | |
-I was a clean-cut fellow in those days. -Yeah. | 0:49:35 | 0:49:39 | |
Well, I like you better as you are now. | 0:49:42 | 0:49:46 | |
DOOR CREAKS | 0:51:50 | 0:51:54 | |
'A salvage job takes patience. | 0:52:38 | 0:52:41 | |
'You have to pry and pry until a wreck gets to know you and tells you her secrets.' | 0:52:41 | 0:52:48 | |
'And here was the door that didn't open. | 0:53:06 | 0:53:09 | |
'And I wasn't wasting any time looking for a key. | 0:53:09 | 0:53:12 | |
'There were slower, safer ways to pull a ship apart, but every trip was stacking the cards against us, | 0:53:12 | 0:53:20 | |
'so it had to be dynamite.' | 0:53:20 | 0:53:23 | |
'Those sand shrimp weren't used to entertaining visitors. | 0:55:34 | 0:55:38 | |
'There must have been thousands of them, chattering like old ladies in the porch of a summer hotel. | 0:55:38 | 0:55:44 | |
'With that many sand shrimp, there was plenty of sand.' | 0:55:44 | 0:55:48 | |
HE SPEAKS INDISTINCTLY | 0:56:19 | 0:56:23 | |
'The bends, we used to call it. | 0:57:27 | 0:57:31 | |
'There's a lot of fancy medical names for what hit Dom. | 0:57:31 | 0:57:34 | |
'Sometimes nitrogen gets into the blood and louses up the metabolic balance of the system. | 0:57:36 | 0:57:42 | |
'Sometimes it's just from being too old and going too deep that one extra time.' | 0:57:42 | 0:57:47 | |
'Whatever the cause, Dom was depth-drunk. | 0:58:12 | 0:58:17 | |
'And once it begins to hit you, your diving days are numbered.' | 0:58:18 | 0:58:24 | |
'I should've been worrying a lot more about Dom that night. | 0:58:56 | 0:59:00 | |
'I should've remembered the way that drowned hulk shook and sank, | 0:59:00 | 0:59:05 | |
'or the way Theresa hadn't been looking at me all through supper. | 0:59:05 | 0:59:10 | |
'But all I could hear in my brain was that shark hunter's 30-30. | 0:59:10 | 0:59:16 | |
'That crazy Rico out there, shooting at moonbeams, just to let me know he was there, | 0:59:16 | 0:59:21 | |
'hanging around in the dark like bad luck, never too near, never too far. | 0:59:21 | 0:59:28 | |
'Just waiting to move in on the jackpot. I had to figure some way to dry-dock him.' | 0:59:28 | 0:59:33 | |
SHE WHISTLES | 0:59:44 | 0:59:46 | |
Hello, lovey. | 0:59:50 | 0:59:52 | |
Hi. | 0:59:52 | 0:59:53 | |
It's tough being alone together for a while, huh? | 1:00:02 | 1:00:05 | |
Yeah. | 1:00:05 | 1:00:07 | |
It's better than being rich. | 1:00:08 | 1:00:11 | |
We still got a lot to do. | 1:00:11 | 1:00:12 | |
You know, Johnny, I've dived for pennies in my time. | 1:00:21 | 1:00:25 | |
-And I love the idea of being rich, but... -But what? | 1:00:25 | 1:00:29 | |
-Well, I don't like the idea of you wriggling around in that rotten old hulk, for one. -It's solid. | 1:00:31 | 1:00:38 | |
-It's held together with rust and we all know it. -I can swim. | 1:00:38 | 1:00:43 | |
Si, bonito, you can swim. | 1:00:45 | 1:00:48 | |
One can sink, too. | 1:00:48 | 1:00:50 | |
GUNSHOTS | 1:00:50 | 1:00:53 | |
I won't sink as long as Dom's there. | 1:00:57 | 1:01:00 | |
That's not what I mean. | 1:01:00 | 1:01:02 | |
-It's what -I -mean. | 1:01:03 | 1:01:04 | |
GUNSHOT | 1:01:04 | 1:01:06 | |
What are you going to do? | 1:01:10 | 1:01:12 | |
Tomorrow I'm going to punch a hole in that wreck. | 1:01:18 | 1:01:22 | |
I'm going to hook a line... | 1:01:24 | 1:01:26 | |
to the wall of the strong room... | 1:01:26 | 1:01:29 | |
make it fast... | 1:01:29 | 1:01:31 | |
turn on the power... and pull it out, like a tooth. | 1:01:31 | 1:01:36 | |
Ole. | 1:01:39 | 1:01:41 | |
Buenas noches. | 1:01:58 | 1:02:00 | |
'A lousy fortune sitting under our keel and I wasn't losing any part of it, not to woman, sand, devil | 1:02:05 | 1:02:12 | |
'or deep water.' | 1:02:12 | 1:02:13 | |
ENGINE STARTS | 1:03:03 | 1:03:07 | |
CREAKING | 1:04:02 | 1:04:05 | |
LOUD RUMBLING | 1:04:07 | 1:04:12 | |
CRASH | 1:05:24 | 1:05:26 | |
- Are you all right? - What happened? | 1:06:34 | 1:06:36 | |
All right. | 1:06:36 | 1:06:38 | |
Cave in. Look. | 1:06:38 | 1:06:41 | |
Look. Hey, Johnny. | 1:06:41 | 1:06:43 | |
He had a death grip on it. | 1:06:49 | 1:06:51 | |
And that's not all, amigo. I felt the rest of the statue with my hands. I did, Father. | 1:06:51 | 1:06:58 | |
That's fine. Now we'll get you down to the cabin. | 1:07:00 | 1:07:03 | |
-I'm all right. -Yes, sure. Come on, we'll get you below. | 1:07:03 | 1:07:07 | |
-Gold, huh? -Absolutely. -Solid? -Yes. | 1:07:10 | 1:07:13 | |
-See where it was broken away from the statue? -Look, honey. | 1:07:13 | 1:07:19 | |
Look. Look where the fingers were. | 1:07:22 | 1:07:25 | |
The whole statue is down there, Father. I felt it with my hands. | 1:07:27 | 1:07:30 | |
-The next thing to do is to bring it up. -Right away. -Not so fast. | 1:07:30 | 1:07:35 | |
-How do you feel? -How do I feel? Holding this would revive the dead. | 1:07:35 | 1:07:41 | |
-How goes it with the rocks? -Well. It goes well with the rocks. | 1:07:51 | 1:07:56 | |
Good. | 1:07:56 | 1:07:59 | |
-We have no garbage, my friend. -We're busy with our scientific studies. -Why not come back some other time? | 1:07:59 | 1:08:06 | |
-Manana, maybe. -My business will take but a few minutes. -Some other time. | 1:08:06 | 1:08:10 | |
But I wish to make confession. Con permiso. | 1:08:10 | 1:08:15 | |
Pasa. | 1:08:18 | 1:08:19 | |
Gracias. | 1:08:19 | 1:08:22 | |
Father, out here a priest is rare, yet there's always danger, | 1:08:22 | 1:08:26 | |
and one would not like to die unshriven. | 1:08:26 | 1:08:29 | |
-I understand. -Where do you find the opportunity to sin out here? -There are always evil thoughts. | 1:08:29 | 1:08:36 | |
-Gracias. -Senor...cafe? | 1:08:43 | 1:08:46 | |
Ah, si, por favor, senorita. | 1:08:46 | 1:08:48 | |
-Senora! Perdone. -Si. | 1:08:50 | 1:08:53 | |
-Oh, Father. -No. No, thanks. | 1:08:57 | 1:08:59 | |
-You're too kind! -It's so seldom one has guests in these waters. | 1:08:59 | 1:09:04 | |
I suppose we won't be seeing you any more, huh? | 1:09:08 | 1:09:12 | |
-Que sabe? -You'll probably be moving down the coast. -I follow the sharks. | 1:09:12 | 1:09:17 | |
There's no telling where a shark goes or what he does. | 1:09:17 | 1:09:20 | |
You know what a shark is, senora? A shark is a wandering bottomless stomach. | 1:09:26 | 1:09:33 | |
People call him bad names. Killer, murderer, cannibal. | 1:09:33 | 1:09:37 | |
He's only hungry. | 1:09:38 | 1:09:40 | |
Always on the prowl for something to eat. | 1:09:40 | 1:09:44 | |
And for him, anything is food. | 1:09:44 | 1:09:47 | |
Even rocks. | 1:09:48 | 1:09:51 | |
Si, padre. I have known a shark to swallow even rocks. | 1:09:51 | 1:09:56 | |
-Si, como no? -Es posible. | 1:09:57 | 1:10:01 | |
Gracias. Con permiso. | 1:10:03 | 1:10:04 | |
Adios, padre. Adios, senora. | 1:10:05 | 1:10:08 | |
-Gracias. -De nada. Ah, Senor Herrera. -Si? | 1:10:10 | 1:10:14 | |
-You've got fish on your boat? -I've got some bonito. | 1:10:14 | 1:10:18 | |
Good. You have fish. We have wine. You have dinner with us tonight, uh? | 1:10:18 | 1:10:24 | |
A little party. | 1:10:24 | 1:10:25 | |
You would not find it dull? I'm only a simple fisherman. | 1:10:26 | 1:10:30 | |
-Oh, not at all. -I accept the invitation. Gracias. | 1:10:30 | 1:10:34 | |
Him, too? | 1:10:34 | 1:10:37 | |
Him, too. | 1:10:37 | 1:10:39 | |
And him, too? | 1:10:40 | 1:10:42 | |
Yeah, him, too. | 1:10:43 | 1:10:45 | |
-What time? -About sundown. | 1:10:45 | 1:10:49 | |
Good. Perhaps it will not be too dull for you. | 1:10:49 | 1:10:52 | |
HE WHISTLES | 1:10:52 | 1:10:55 | |
Hasta luego! | 1:10:55 | 1:10:57 | |
-Adios! > -Adios. | 1:10:58 | 1:11:01 | |
Hasta luego! | 1:11:01 | 1:11:02 | |
ENGINE STARTS | 1:11:02 | 1:11:04 | |
-Salud. -Salud. -Salud. | 1:11:07 | 1:11:10 | |
When Prohibition came to an end in the United States of North America, I wept. | 1:11:10 | 1:11:17 | |
-No-one believed more ardently in prohibition than I. Salud. -Salud. | 1:11:17 | 1:11:21 | |
-Salud. -I wish the United States of North America had never repealed the Prohibition law. | 1:11:21 | 1:11:28 | |
-I was making a fortune smuggling rum into Florida. Salud. -Salud. | 1:11:28 | 1:11:33 | |
-Ah, you're too kind. Most hospitable. -A pleasure. | 1:11:33 | 1:11:38 | |
RICO: Excuse me, please, uh? | 1:11:38 | 1:11:41 | |
They're very nice, but uncomfortable. | 1:11:43 | 1:11:45 | |
You know, I find you both sympaticos. | 1:11:48 | 1:11:51 | |
At first I found you antipatico, but now...sympatico! | 1:11:51 | 1:11:56 | |
I'm glad. | 1:11:56 | 1:11:58 | |
-I have an early morning in the morning. Excuse me. Buenas noches, padre. -Good night. | 1:11:58 | 1:12:04 | |
Ah, si, muy sympatico. | 1:12:04 | 1:12:07 | |
Now, when you and Senor Casada get me and Miguel and Jesus drunk, what are you going to do with us? | 1:12:07 | 1:12:15 | |
-What are you talking about, amigo? -I don't get your meaning, friend. -Why have we been invited here? | 1:12:15 | 1:12:22 | |
Because you enjoy his conversation? Or his appearance? Out of long friendship for me? | 1:12:22 | 1:12:30 | |
You are both very subtle, like two elephants trudging around in a circus ring. | 1:12:30 | 1:12:35 | |
I was right, yes? | 1:12:44 | 1:12:47 | |
Arriba, senores. | 1:12:47 | 1:12:49 | |
Arriba. | 1:12:51 | 1:12:53 | |
-Johnny! -Don't worry, Father. Nobody's going to get hurt. | 1:13:13 | 1:13:17 | |
What precautions to safeguard rocks, my friends. | 1:13:30 | 1:13:34 | |
-I hope you don't mind us using your dory. -No, not at all. | 1:13:34 | 1:13:39 | |
Por favor, tell me something. Under the circumstances, it can do no harm. | 1:13:39 | 1:13:45 | |
How much gold have you found? | 1:13:45 | 1:13:47 | |
-You're imagining things. -Gold? | 1:13:48 | 1:13:51 | |
Oh? | 1:13:51 | 1:13:53 | |
That much? Gracias. | 1:13:53 | 1:13:55 | |
RICO LAUGHS | 1:13:55 | 1:13:58 | |
'No, we didn't intend to hurt them. But on the way in, the tide pulled us inside the breaker line. | 1:13:59 | 1:14:06 | |
'I don't know who got at us first, the waves or our dinner guests.' | 1:14:06 | 1:14:11 | |
Go over there and sit on that rock and watch us | 1:15:07 | 1:15:12 | |
-while we get in the skiff, start the motor and get it out through the surf. Is that clear? -Crystal clear. | 1:15:12 | 1:15:19 | |
And no swimming out. You understand? | 1:15:19 | 1:15:23 | |
Si, senor. No swimming out. | 1:15:23 | 1:15:26 | |
Get going. | 1:15:26 | 1:15:28 | |
Vamanos. | 1:15:28 | 1:15:30 | |
A shark on the beach can't hurt anyone. | 1:15:40 | 1:15:43 | |
And a little beachcombing might help cure some of Rico's evil thoughts. | 1:15:43 | 1:15:48 | |
Well, we got 'em on the beach. | 1:15:57 | 1:16:02 | |
-Peaceably? -Yes and no. They jumped us. -Are they all right? | 1:16:02 | 1:16:05 | |
-Sure. We just put them on ice until this is over. -We'll take 'em some supplies in the morning. | 1:16:05 | 1:16:12 | |
-Speaking of the morning, Dominic, are you going under? -Sure. I never felt better. -Knock it off. | 1:16:12 | 1:16:19 | |
-What are you talking about? -She knows. Besides, you're not diving tomorrow. It's too big a risk. | 1:16:19 | 1:16:27 | |
Well...we'll see. | 1:16:27 | 1:16:29 | |
Good night, chiquita. Good night, gringuita. Padre. | 1:16:29 | 1:16:34 | |
-Good night. -Good night, Father. | 1:16:34 | 1:16:36 | |
(Six o'clock.) | 1:16:36 | 1:16:38 | |
Well, good night. | 1:16:41 | 1:16:43 | |
And you are going under, uh? | 1:16:46 | 1:16:48 | |
-Yeah. -Alone? | 1:16:48 | 1:16:51 | |
Uh-huh. | 1:16:51 | 1:16:52 | |
-It's not too risky for you to go under alone? -Oh, no. | 1:16:52 | 1:16:57 | |
-I thought Dominic was your insurance policy. -Well, the insurance lapsed. | 1:16:57 | 1:17:03 | |
Nobody ever got killed for that. What do you want me to do? | 1:17:03 | 1:17:07 | |
-Take what we have and go home. -Oh, what do we have? | 1:17:07 | 1:17:12 | |
Each other, for one thing. And if that isn't enough, 50,000 in gold. | 1:17:12 | 1:17:17 | |
50,000 is nothing. | 1:17:17 | 1:17:20 | |
What's so funny? | 1:17:20 | 1:17:22 | |
-Two weeks ago, you were overjoyed because we'd break even at the end of the season. -I don't get the joke. | 1:17:22 | 1:17:30 | |
-You're not getting very many jokes these days, Johnny. -Well, you just listen to me. | 1:17:30 | 1:17:37 | |
I put in a lot of time during the War doing underwater demolition. | 1:17:37 | 1:17:42 | |
I dived in minefields with half an army shooting at me. | 1:17:42 | 1:17:46 | |
Now, with a million bucks at stake, you think I won't dive alone? I want that jackpot. Understand? | 1:17:46 | 1:17:54 | |
Yes, I understand, Johnny, but how much do you bet? A nickel? A hand? An arm? | 1:17:55 | 1:18:02 | |
-Whatever it takes. -Your life? Somebody else's life? -If you think I'd quit now, you don't know me. | 1:18:02 | 1:18:09 | |
Then that must be it. I don't know you. I guess I never did. | 1:18:10 | 1:18:16 | |
Remember the signals, Father. One tug is steady. | 1:18:34 | 1:18:38 | |
-Two tugs - more power. Three tugs - slack off. -Don't go, Johnny. | 1:18:38 | 1:18:43 | |
-Don't worry, Father. I know what I'm doing. Just watch for the signals. -I know the signals. | 1:18:43 | 1:18:49 | |
ENGINE STALLS | 1:23:34 | 1:23:36 | |
Dom! | 1:24:53 | 1:24:54 | |
-Theresa's caught. What's wrong? -The winch has stalled. -We'll get it started. | 1:24:54 | 1:25:01 | |
Drop down another line. If that thing gets started, give me two. | 1:25:01 | 1:25:06 | |
Right. | 1:25:06 | 1:25:07 | |
HELP! | 1:28:43 | 1:28:46 | |
You OK, honey? | 1:29:39 | 1:29:41 | |
-Dom, you OK? -Yeah. How are you, chiquita? Good. | 1:29:42 | 1:29:46 | |
How'd you get here? | 1:30:04 | 1:30:05 | |
We prayed and that little angel came and fetched us. | 1:30:05 | 1:30:10 | |
I'm sorry, Johnny. I thought they could help, but they locked Father Cannon below. | 1:30:10 | 1:30:17 | |
-They said he'd be safe. -That's all right, Gloria. | 1:30:17 | 1:30:21 | |
Jesus, trae las piedras. | 1:30:26 | 1:30:29 | |
Theresa, honey... | 1:30:33 | 1:30:35 | |
Jesus! | 1:30:37 | 1:30:39 | |
TAPS HIS FOOT | 1:30:40 | 1:30:43 | |
Johnny, they're taking your gold. | 1:30:50 | 1:30:53 | |
Let 'em. | 1:30:55 | 1:30:57 | |
Don't worry, gringuita. It's all right. | 1:31:05 | 1:31:09 | |
Rico! Mira! Mira! | 1:31:09 | 1:31:12 | |
Oh! A cross! | 1:31:12 | 1:31:15 | |
Yeah. | 1:31:19 | 1:31:20 | |
From the Madonna and child we found on the wreck. | 1:31:22 | 1:31:25 | |
Yeah. | 1:31:25 | 1:31:26 | |
-It belonged to the cathedral in Panama. -It belonged to the church? | 1:31:28 | 1:31:33 | |
Que dice? | 1:31:33 | 1:31:34 | |
El senor dice que esto es de la catedral de Panamena. | 1:31:34 | 1:31:38 | |
No, Rico! No! | 1:31:38 | 1:31:40 | |
What are we gonna do now? | 1:31:49 | 1:31:51 | |
-You can get on your boat and leave peacefully. -Decisions, decisions. | 1:31:51 | 1:31:56 | |
What to do? I could kill you. | 1:31:56 | 1:32:00 | |
Try it. See what you get from him. | 1:32:02 | 1:32:05 | |
Go ahead, amigo. | 1:32:05 | 1:32:07 | |
-Try it. -You'd risk your lives? -Make a move and see. | 1:32:07 | 1:32:13 | |
You like gold that much? | 1:32:13 | 1:32:15 | |
This is a matter of principle. | 1:32:17 | 1:32:19 | |
You are very generous. Why? | 1:32:33 | 1:32:36 | |
-You'll never know. -I still find you very, very... -Sympatico? | 1:32:45 | 1:32:51 | |
Si, senor, si! Si! | 1:32:51 | 1:32:53 | |
HE WHISTLES | 1:32:53 | 1:32:56 | |
-Hey, Senor Herrera! -Si? | 1:33:04 | 1:33:06 | |
We still have no garbage. | 1:33:09 | 1:33:12 | |
Idiota! Lo perdiste! Vete! | 1:33:17 | 1:33:19 | |
- Adios, Senor Herrera. - Adios, padre. | 1:33:27 | 1:33:31 | |
Adios, senora. | 1:33:31 | 1:33:34 | |
Adios! Muchas gracias! | 1:33:34 | 1:33:37 | |
Padrecito, the statue of the Madonna is gone. | 1:33:42 | 1:33:47 | |
Lost. | 1:33:47 | 1:33:48 | |
-But the gold cross is just down here in the sand. I'll get it for you. -Thank you, Johnny. | 1:33:50 | 1:33:55 | |
I'll be back. | 1:34:01 | 1:34:03 | |
Will you wait for me? | 1:34:05 | 1:34:06 | |
I have news for you, Juanito. You ARE back. | 1:34:07 | 1:34:11 | |
Hoi! | 1:34:12 | 1:34:14 | |
Subtitles by Red Bee Media Ltd | 1:34:21 | 1:34:24 |