Browse content similar to A Very Unsettled Summer. Check below for episodes and series from the same categories and more!
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This film contains some very strong language | 0:00:02 | 0:00:09 | |
and some scenes of a sexual nature. | 0:00:09 | 0:00:16 | |
'Total darkness. | 0:00:51 | 0:00:53 | |
'Only my voice.' | 0:00:53 | 0:00:55 | |
'Total darkness.' | 0:01:05 | 0:01:06 | |
BEEPING 'Only my voice.' | 0:01:06 | 0:01:09 | |
'This is the frame. | 0:01:11 | 0:01:13 | |
'Don't expect to see anything outside.' | 0:01:13 | 0:01:15 | |
'He - Scottish.' | 0:01:17 | 0:01:20 | |
'Journalist.' | 0:01:22 | 0:01:24 | |
'A woman-hunter.' | 0:01:25 | 0:01:27 | |
'Lost in an Eastern country.' | 0:01:38 | 0:01:41 | |
'Opiates. | 0:01:44 | 0:01:46 | |
'Condom. | 0:01:46 | 0:01:47 | |
'Voice recorder.' | 0:01:47 | 0:01:50 | |
'Books.' | 0:01:52 | 0:01:53 | |
'And wine. | 0:01:55 | 0:01:57 | |
'Which must be good. | 0:01:57 | 0:01:59 | |
'She - Romanian.' | 0:01:59 | 0:02:02 | |
'Architect. | 0:02:04 | 0:02:06 | |
'She wants to make the world a better place.' | 0:02:06 | 0:02:10 | |
BIRDSONG | 0:02:10 | 0:02:12 | |
'Objects.' | 0:02:12 | 0:02:14 | |
'Bra. | 0:02:16 | 0:02:17 | |
'Strawberries.' | 0:02:17 | 0:02:18 | |
'Green shit.' | 0:02:23 | 0:02:24 | |
'Models.' | 0:02:27 | 0:02:29 | |
'At this moment, Daniel has a life.' | 0:02:32 | 0:02:36 | |
'A real one. | 0:02:40 | 0:02:42 | |
'With dreams.' | 0:02:42 | 0:02:44 | |
'I dreamt I was in this giant castle and...' | 0:02:52 | 0:02:55 | |
'..and that I'd been condemned to death.' | 0:02:58 | 0:03:00 | |
'I was going to be executed before dawn so... | 0:03:02 | 0:03:06 | |
'I'd never see the morning again.' | 0:03:06 | 0:03:08 | |
'Then you said...' | 0:03:11 | 0:03:12 | |
'.."Look at the stars." ' | 0:03:14 | 0:03:16 | |
'And I looked up and...' | 0:03:20 | 0:03:23 | |
'..and then I awoke. It was morning.' | 0:03:24 | 0:03:27 | |
TAPPING ON KEYBOARD | 0:03:41 | 0:03:44 | |
'Oh, there is still his ex.' | 0:03:52 | 0:03:56 | |
'Objects - weather...' | 0:03:58 | 0:04:00 | |
RAIN SPATTERS | 0:04:00 | 0:04:02 | |
'..knives...' | 0:04:04 | 0:04:07 | |
KNIVES CLANG | 0:04:07 | 0:04:09 | |
'..letter box...' | 0:04:09 | 0:04:11 | |
'..other men.' | 0:04:16 | 0:04:18 | |
'And also, the rabbit.' | 0:04:23 | 0:04:25 | |
'I almost forgot.' | 0:04:29 | 0:04:31 | |
HE INHALES AND EXHALES | 0:04:31 | 0:04:33 | |
'There is also me. I'm Danish. | 0:04:33 | 0:04:36 | |
'I used to be a journalist but now I'm a writer. | 0:04:36 | 0:04:39 | |
'Objects - laptop.' | 0:04:39 | 0:04:42 | |
'Motorcycle. | 0:04:44 | 0:04:46 | |
'Lost family.' | 0:04:46 | 0:04:47 | |
'Coffee and cigarettes.' | 0:04:49 | 0:04:51 | |
'No, beer and cigarettes.' | 0:04:53 | 0:04:55 | |
'Just to be clear, the camera will be steady. | 0:04:59 | 0:05:02 | |
'I usually sit... | 0:05:02 | 0:05:04 | |
'or lie down. | 0:05:04 | 0:05:06 | |
'The story takes place in Bucharest.' | 0:05:06 | 0:05:09 | |
'Characteristic sound - a drill.' | 0:05:11 | 0:05:13 | |
DRILL WHIRRS | 0:05:13 | 0:05:15 | |
I don't think about him. | 0:05:15 | 0:05:17 | |
DRILL STOPS | 0:05:17 | 0:05:19 | |
Most of the time. | 0:05:19 | 0:05:20 | |
He doesn't exist for me. | 0:05:23 | 0:05:26 | |
I got on with my life. | 0:05:26 | 0:05:28 | |
If he turns up at your door, | 0:05:28 | 0:05:30 | |
would you let him in? | 0:05:30 | 0:05:32 | |
No. | 0:05:32 | 0:05:34 | |
-DRILL WHIRRS -Well...maybe yeah. | 0:05:35 | 0:05:39 | |
I... What the hell? | 0:05:39 | 0:05:40 | |
DRILL STOPS | 0:05:40 | 0:05:42 | |
You'd go back to him? | 0:05:44 | 0:05:45 | |
Clean your ears, Alex. Once was enough. | 0:05:47 | 0:05:50 | |
He's a cunt-hound. | 0:05:50 | 0:05:51 | |
Cunt-hound? | 0:05:51 | 0:05:53 | |
How do you say that in Romanian? | 0:05:53 | 0:05:55 | |
SHE REPLIES IN ROMANIAN | 0:05:55 | 0:05:57 | |
But you're not fair. | 0:06:00 | 0:06:01 | |
He is together with that girl now. | 0:06:01 | 0:06:04 | |
Oh, yeah. | 0:06:04 | 0:06:05 | |
I wouldn't want to be in her shoes, poor little thing. | 0:06:07 | 0:06:10 | |
I'd rather fall in love with a...skin disease. | 0:06:10 | 0:06:13 | |
DRILL WHIRRS | 0:06:13 | 0:06:15 | |
It's like a drug. | 0:06:15 | 0:06:17 | |
You know? | 0:06:17 | 0:06:18 | |
You keep... | 0:06:20 | 0:06:21 | |
..going back to the source of illness. | 0:06:22 | 0:06:26 | |
I'm only asking because he's in your story. | 0:06:27 | 0:06:30 | |
DRILL WHIRRS | 0:06:33 | 0:06:35 | |
Yeah, that's right. He's a character in my story. | 0:06:35 | 0:06:38 | |
-Yeah, but that's based on him. -Irrelevant. | 0:06:38 | 0:06:41 | |
HE SIGHS | 0:06:43 | 0:06:45 | |
Just that you mentioned once that... | 0:06:45 | 0:06:48 | |
-I should stop telling you things, Alex. -You were in that bar. | 0:06:48 | 0:06:50 | |
Oh, yeah, the bar. | 0:06:50 | 0:06:52 | |
He said loads of crap, you know. | 0:06:52 | 0:06:55 | |
All the usual cliches, like, um, "We're too different. | 0:06:55 | 0:06:59 | |
"It's better to end it now. | 0:06:59 | 0:07:01 | |
-"You're a wonderful person but..." -"It's not you, it's me." -Yeah. | 0:07:01 | 0:07:05 | |
Blah, blah, blah! He'd already met someone else. | 0:07:05 | 0:07:07 | |
What about all that in your story about | 0:07:07 | 0:07:10 | |
pretending to be a prostitute? | 0:07:10 | 0:07:13 | |
Offering him the last fuck for money? | 0:07:13 | 0:07:16 | |
What about it? | 0:07:16 | 0:07:18 | |
You made that up? | 0:07:19 | 0:07:21 | |
I'm not telling you. | 0:07:25 | 0:07:27 | |
But at the same time, she wants revenge. | 0:07:30 | 0:07:33 | |
Yeah. | 0:07:33 | 0:07:35 | |
Yeah. | 0:07:37 | 0:07:38 | |
Read it out. | 0:07:41 | 0:07:43 | |
Among all the knives. | 0:07:45 | 0:07:46 | |
Wait, I want to record it. | 0:07:46 | 0:07:48 | |
VOICE RECORDER BEEPS | 0:07:50 | 0:07:52 | |
And do it slowly. | 0:07:53 | 0:07:55 | |
"We were in the kitchen with all the knives. | 0:07:58 | 0:08:01 | |
"I looked at him and offered him another glass. | 0:08:01 | 0:08:05 | |
"He nodded readily, and I poured. | 0:08:05 | 0:08:07 | |
"He was excited...and edgy... | 0:08:07 | 0:08:09 | |
"..like a rabbit scared of being caught. | 0:08:10 | 0:08:13 | |
"He was all shiny-eyed, looking forward to the fun. | 0:08:13 | 0:08:17 | |
"'It's coming, bunny, the fun is coming.'" | 0:08:17 | 0:08:19 | |
And then it ends? | 0:08:25 | 0:08:27 | |
You think I can get it published? | 0:08:31 | 0:08:33 | |
I want it to be something someone else can read. | 0:08:33 | 0:08:37 | |
Then you should show it to him. | 0:08:38 | 0:08:41 | |
To Daniel. | 0:08:41 | 0:08:42 | |
Here's the story. | 0:08:44 | 0:08:45 | |
A man gets a story from his ex. | 0:08:45 | 0:08:49 | |
-OK. -Discovering that he's a character in her story. | 0:08:50 | 0:08:55 | |
You haven't been thinking about her | 0:08:56 | 0:08:59 | |
but reading her story unsettles him. | 0:08:59 | 0:09:01 | |
He can't stop thinking about her. | 0:09:01 | 0:09:05 | |
Yeah. | 0:09:07 | 0:09:09 | |
One day, out of the blue... | 0:09:09 | 0:09:12 | |
'..you're coming home from work... | 0:09:13 | 0:09:16 | |
-'He's finding his...' -You're going to steal my story. | 0:09:16 | 0:09:19 | |
'Everybody steals everybody else's stories, OK?' | 0:09:19 | 0:09:24 | |
'You imagine him, like, coming home from work, | 0:09:27 | 0:09:30 | |
'opening his inbox and finding... | 0:09:30 | 0:09:33 | |
'No, no, no. It has to be... | 0:09:33 | 0:09:35 | |
-'in his hands. -Like a solid object? -Like a solid object, yeah. | 0:09:35 | 0:09:39 | |
'All sweaty, | 0:09:39 | 0:09:41 | |
'opening his postbox, | 0:09:41 | 0:09:43 | |
'taking out this envelope, | 0:09:43 | 0:09:45 | |
'ripping it open, pressing "play".' | 0:09:45 | 0:09:47 | |
'Pressing "play"? | 0:09:50 | 0:09:52 | |
-'I'm going to record it. -What? | 0:09:52 | 0:09:54 | |
'Pressing "play", hearing the title of the story, | 0:09:54 | 0:09:56 | |
'"How I Became A Whore." | 0:09:56 | 0:09:58 | |
'Well... | 0:09:58 | 0:10:00 | |
'Well, anyway, it's a good title. | 0:10:00 | 0:10:02 | |
'Thank you.' | 0:10:02 | 0:10:04 | |
LIFT CLANGS | 0:10:04 | 0:10:06 | |
You just have to set the tone, | 0:10:09 | 0:10:11 | |
like, it's a fucking hot summer. | 0:10:11 | 0:10:13 | |
'It is a fucking hot summer.' | 0:10:30 | 0:10:32 | |
'The story starts in summer.' | 0:10:39 | 0:10:42 | |
'An electric summer with hot days | 0:10:43 | 0:10:46 | |
'and with oppressive humidity.' | 0:10:46 | 0:10:48 | |
TRANSLATION: | 0:10:48 | 0:10:51 | |
SHE CONTINUES IN ROMANIAN | 0:10:53 | 0:10:55 | |
'And as the night comes, | 0:11:03 | 0:11:05 | |
'the clouds make final sense and break, | 0:11:05 | 0:11:08 | |
'and you feel you have been holding your breath the whole day. | 0:11:08 | 0:11:11 | |
'You can breathe again. | 0:11:11 | 0:11:13 | |
'The city lit up and trembling with thunder and wetness.' | 0:11:13 | 0:11:17 | |
THUNDER CRASHES | 0:11:17 | 0:11:19 | |
'The horizon is cracking with electricity. | 0:11:19 | 0:11:22 | |
'It is quite beautiful.' | 0:11:22 | 0:11:24 | |
HE SIGHS | 0:11:38 | 0:11:40 | |
HE YAWNS | 0:11:45 | 0:11:47 | |
DOOR CLOSES | 0:12:03 | 0:12:05 | |
'His past comes with an envelope. | 0:12:07 | 0:12:10 | |
'Once he opens it, he starts to play with fire, | 0:12:10 | 0:12:15 | |
'like a rabbit in front of a gun.' | 0:12:15 | 0:12:17 | |
KNIVES CLANG 'Start game.' | 0:12:18 | 0:12:21 | |
VOICE RECORDER BEEPS | 0:12:21 | 0:12:22 | |
'How I Became A Whore. | 0:12:22 | 0:12:24 | |
'We were in a bar, he's talking to me, | 0:12:24 | 0:12:26 | |
'but his words spread into the room without touching me.' | 0:12:26 | 0:12:29 | |
'Come on. | 0:12:30 | 0:12:32 | |
'Come on, Daniel, you must listen to this voice talking to you.' | 0:12:32 | 0:12:36 | |
VOICE RECORDER BEEPS | 0:12:42 | 0:12:43 | |
'He'd met someone else. | 0:12:43 | 0:12:46 | |
'He thinks he's a good liar, but I see right through him.' | 0:12:46 | 0:12:49 | |
'I just sat there and let him talk. | 0:12:51 | 0:12:53 | |
'Then he congratulated me on taking it so well. | 0:12:53 | 0:12:57 | |
'I started the only game I knew he couldn't resist. | 0:12:57 | 0:13:00 | |
'I knew he would take the bait. | 0:13:00 | 0:13:03 | |
'It was a fantasy he'd long had.' | 0:13:03 | 0:13:05 | |
' "Listen, baby, my stake costs 50 an hour, money upfront. | 0:13:06 | 0:13:09 | |
' "You have it or not?" | 0:13:09 | 0:13:11 | |
'He needed a minute to answer. | 0:13:11 | 0:13:13 | |
' "Yes, I have it. Where are we going?" ' | 0:13:13 | 0:13:15 | |
Hey! | 0:13:17 | 0:13:19 | |
The tram took 45 minutes. | 0:13:22 | 0:13:25 | |
Everyone was sweating and bitching. | 0:13:25 | 0:13:27 | |
Hey. | 0:13:28 | 0:13:30 | |
'She'll say, "You smell good." ' | 0:13:31 | 0:13:34 | |
You smell good. | 0:13:36 | 0:13:38 | |
Just showered. | 0:13:38 | 0:13:39 | |
You smell good even when you sweat. | 0:13:39 | 0:13:42 | |
Yeah, so I'm just going to walk from now on. | 0:13:47 | 0:13:50 | |
I think that's better. | 0:13:50 | 0:13:52 | |
'And now the strawberries time!' | 0:13:52 | 0:13:57 | |
I got strawberries. | 0:13:57 | 0:13:58 | |
-Yay! -Wow. | 0:13:58 | 0:14:00 | |
Strawberry time. | 0:14:00 | 0:14:02 | |
-They're good. -Hmm. | 0:14:10 | 0:14:12 | |
No, don't spit the... | 0:14:15 | 0:14:17 | |
SHE SPEAKS IN ROMANIAN | 0:14:17 | 0:14:18 | |
Please. | 0:14:18 | 0:14:20 | |
The green shit, you mean? | 0:14:20 | 0:14:22 | |
-Yeah, the green shit. -OK. | 0:14:22 | 0:14:24 | |
HE SPITS | 0:14:25 | 0:14:27 | |
No! I just told you not to do that. | 0:14:27 | 0:14:29 | |
-It's my favourite part of it. -No! | 0:14:29 | 0:14:32 | |
-Take it out. -If you do it, I'll do it. | 0:14:32 | 0:14:34 | |
OK. Let's do it together. | 0:14:34 | 0:14:37 | |
-OK. -After three... | 0:14:37 | 0:14:39 | |
-OK. -Oh! | 0:14:39 | 0:14:41 | |
-'Look at them.' -One... -One...two... | 0:14:41 | 0:14:44 | |
THEY SPIT | 0:14:44 | 0:14:46 | |
No! Oh, you spat in my ear. | 0:14:46 | 0:14:48 | |
'They are so sweet.' | 0:14:48 | 0:14:51 | |
-I just got your eye. -Come on. | 0:14:52 | 0:14:54 | |
OK. | 0:14:54 | 0:14:56 | |
I'll do it again. | 0:14:56 | 0:14:57 | |
-Fair enough. That way? -Mm-hmm. | 0:14:57 | 0:14:59 | |
'So perfect.' | 0:14:59 | 0:15:01 | |
-Three! -'So honeymoon...' | 0:15:01 | 0:15:04 | |
VOICE RECORDER BEEPS | 0:15:24 | 0:15:25 | |
'I looked at him and offered him another glass. | 0:15:25 | 0:15:28 | |
'He nodded readily, and I poured. | 0:15:28 | 0:15:30 | |
'He was excited...and edgy...' | 0:15:30 | 0:15:32 | |
'..like a rabbit scared of being caught.' | 0:15:33 | 0:15:37 | |
VOICE RECORDER BEEPS | 0:15:39 | 0:15:40 | |
'Hey. You are in the game now. | 0:15:42 | 0:15:45 | |
'Start playing!' | 0:15:45 | 0:15:47 | |
Meeting in an hour. | 0:15:51 | 0:15:54 | |
TRANSLATION: | 0:15:56 | 0:15:57 | |
'One hour!' | 0:15:59 | 0:16:01 | |
'The story starts in summer. | 0:16:15 | 0:16:17 | |
'An electric summer | 0:16:17 | 0:16:20 | |
'with hot days and with oppressive humidity.' | 0:16:20 | 0:16:23 | |
'Go! Come on. Go!' | 0:16:36 | 0:16:39 | |
VOICE RECORDER BEEPS | 0:17:13 | 0:17:15 | |
'I started the only game I knew he couldn't resist. | 0:17:15 | 0:17:18 | |
'I knew he would take the bait.' | 0:17:18 | 0:17:20 | |
'It was a fantasy he had long had.' | 0:17:22 | 0:17:24 | |
' "Listen, baby, my stake costs 50 an hour. Money upfront. | 0:17:26 | 0:17:29 | |
' "You have it or not?" ' | 0:17:29 | 0:17:31 | |
'He needed a minute to answer. | 0:17:33 | 0:17:35 | |
' "Yes, I have it. Where are we going?" ' | 0:17:35 | 0:17:38 | |
VOICE RECORDER BEEPS | 0:17:38 | 0:17:40 | |
Anyway, she's written a story, and I'm a character in it. | 0:17:40 | 0:17:44 | |
Wow. | 0:17:45 | 0:17:46 | |
Whew. | 0:17:52 | 0:17:53 | |
DRINK POURS | 0:17:53 | 0:17:55 | |
Well, now... | 0:17:59 | 0:18:02 | |
-You want to see her again, after this? -No. No, no. | 0:18:02 | 0:18:05 | |
Why not? | 0:18:05 | 0:18:07 | |
Maybe. | 0:18:11 | 0:18:13 | |
I went round to her place. | 0:18:17 | 0:18:19 | |
Didn't knock. | 0:18:21 | 0:18:23 | |
I didn't see her. | 0:18:23 | 0:18:25 | |
I just went round there and left. | 0:18:27 | 0:18:30 | |
For a second... | 0:18:55 | 0:18:56 | |
..he wanted... | 0:18:59 | 0:19:00 | |
..to fuck... | 0:19:02 | 0:19:04 | |
..the shit... | 0:19:05 | 0:19:07 | |
..out...of her. | 0:19:08 | 0:19:11 | |
"For a second, he wanted to fuck the shit out of her." | 0:19:49 | 0:19:52 | |
Next day, | 0:19:53 | 0:19:56 | |
Daniel... | 0:19:56 | 0:19:58 | |
..went to... | 0:19:59 | 0:20:01 | |
..her place... | 0:20:03 | 0:20:05 | |
..again. | 0:20:06 | 0:20:07 | |
'He thinks the story is over. | 0:20:35 | 0:20:38 | |
'Well, he is far from perfect.' | 0:20:38 | 0:20:42 | |
Let me do your front, too. | 0:21:45 | 0:21:47 | |
I know why cities get so hot. | 0:22:02 | 0:22:04 | |
Because of the concrete. | 0:22:08 | 0:22:11 | |
A city is like a skin. It can't breathe. | 0:22:15 | 0:22:18 | |
Sometimes gets hotter and hotter. | 0:22:20 | 0:22:23 | |
The world's going to hell. | 0:22:27 | 0:22:29 | |
What do you have a motorcycle for, anyway? | 0:22:32 | 0:22:34 | |
HE TYPES | 0:22:36 | 0:22:38 | |
I'd like to send him another story. | 0:22:40 | 0:22:43 | |
What do you think about it? | 0:22:44 | 0:22:46 | |
Like, really twist the man's nerves. | 0:22:46 | 0:22:50 | |
You know? | 0:22:50 | 0:22:51 | |
And the story would be something like this, | 0:22:51 | 0:22:54 | |
just, I'm walking home. Well, the character is walking home one night | 0:22:54 | 0:22:58 | |
and he is right behind me. | 0:22:58 | 0:23:01 | |
When they reach the apartment, | 0:23:06 | 0:23:09 | |
he forces himself into the apartment with me and... | 0:23:09 | 0:23:13 | |
..he kind of rapes me. | 0:23:15 | 0:23:18 | |
THUNDER RUMBLES | 0:23:24 | 0:23:26 | |
THUNDER CRASHES | 0:23:36 | 0:23:38 | |
'Black clouds are gathering on the sky | 0:23:38 | 0:23:41 | |
'of his new, peaceful life. | 0:23:41 | 0:23:43 | |
'And the story goes on.' | 0:23:43 | 0:23:45 | |
VOICE RECORDER BEEPS | 0:23:55 | 0:23:57 | |
'He's lying on the bed, | 0:23:57 | 0:23:59 | |
'confused and exhausted, | 0:23:59 | 0:24:01 | |
'sweating, | 0:24:01 | 0:24:03 | |
'not knowing what he's done and why. | 0:24:03 | 0:24:05 | |
'She begins to laugh, softly at first, | 0:24:05 | 0:24:08 | |
'and then more loudly.' | 0:24:08 | 0:24:10 | |
'He looks at her, not understanding.' | 0:24:12 | 0:24:14 | |
VOICE RECORDER BEEPS | 0:24:14 | 0:24:16 | |
'This is a story.' | 0:24:25 | 0:24:27 | |
'Everyone is playing a game.' | 0:24:28 | 0:24:30 | |
'As you saw, I make the rules.' | 0:24:31 | 0:24:34 | |
'He can replay the scene with softer emotion. | 0:24:38 | 0:24:42 | |
'He also has options at the end of the scene.' | 0:24:42 | 0:24:45 | |
PHONE BEEPS | 0:25:06 | 0:25:08 | |
Alex, you won't believe what she just sent me. | 0:25:16 | 0:25:19 | |
Same shit. | 0:25:21 | 0:25:23 | |
INAUDIBLE | 0:25:23 | 0:25:25 | |
'Character like her, character like me, | 0:25:25 | 0:25:27 | |
'she has me trail her back to her place, I break in, then fuck her. | 0:25:27 | 0:25:31 | |
'Well, my character would be walking home one evening, | 0:25:33 | 0:25:37 | |
'and he'd be following me.' | 0:25:37 | 0:25:40 | |
'You can't tell if it's a rape or a game. | 0:25:41 | 0:25:44 | |
'We reach my apartment and I take out the keys to open the door | 0:25:44 | 0:25:49 | |
'and then he kind of, like, forces himself in.' | 0:25:49 | 0:25:52 | |
And then I... | 0:25:52 | 0:25:54 | |
I kind of want to have him rape me. | 0:25:54 | 0:25:57 | |
Too feminine? | 0:25:59 | 0:26:00 | |
Too desperate? | 0:26:02 | 0:26:04 | |
Why did you tell me that? | 0:26:20 | 0:26:22 | |
That he was following me and stalking me? | 0:26:23 | 0:26:26 | |
You're only using me for material. | 0:26:27 | 0:26:29 | |
Admit it. | 0:26:31 | 0:26:33 | |
What are you writing there? | 0:26:35 | 0:26:37 | |
Still the weather? | 0:26:41 | 0:26:43 | |
You have no right to ask me that. | 0:26:55 | 0:26:58 | |
Hmm? | 0:27:03 | 0:27:04 | |
Hmm? | 0:27:06 | 0:27:08 | |
SHE LAUGHS | 0:27:57 | 0:28:00 | |
'Come on, Daniel.' | 0:29:11 | 0:29:14 | |
I've quit. | 0:29:27 | 0:29:29 | |
-Clean life? -Hmm. | 0:29:29 | 0:29:31 | |
You can go on having your last cigarette. | 0:31:02 | 0:31:05 | |
'To celebrate our final fuck...' | 0:31:11 | 0:31:13 | |
To celebrate our final fuck? | 0:31:13 | 0:31:15 | |
You don't have to worry. I won't complicate your life, or anything. | 0:31:15 | 0:31:20 | |
Do I look worried? | 0:31:20 | 0:31:22 | |
DRINK POURS | 0:31:28 | 0:31:30 | |
Still enjoy drinking? | 0:31:39 | 0:31:41 | |
So you're a writer now? | 0:31:41 | 0:31:44 | |
Someone told me it's good therapy. | 0:31:46 | 0:31:49 | |
Oh, did they? | 0:31:49 | 0:31:50 | |
It's quite healing... | 0:31:52 | 0:31:54 | |
to see things coldly. | 0:31:54 | 0:31:56 | |
You mean to have control? | 0:31:59 | 0:32:01 | |
Anyway... | 0:32:05 | 0:32:07 | |
..Alex is writing the story now. | 0:32:09 | 0:32:11 | |
We're just characters in it. | 0:32:12 | 0:32:14 | |
Alex? | 0:32:14 | 0:32:16 | |
Wait till he hears that you broke into my apartment and raped me. | 0:32:17 | 0:32:21 | |
He's going to be up all night writing about that. | 0:32:21 | 0:32:24 | |
'Black clouds are gathering on his new, peaceful life.' | 0:32:31 | 0:32:35 | |
THUNDER RUMBLES | 0:32:35 | 0:32:37 | |
THUNDER CRASHES | 0:32:37 | 0:32:40 | |
'And the story's going on. | 0:32:42 | 0:32:44 | |
'And as the night comes, the clouds make final sense and break, | 0:33:34 | 0:33:39 | |
'and you feel you have been holding your breath the whole day | 0:33:39 | 0:33:43 | |
'and can breathe again.' | 0:33:43 | 0:33:45 | |
'The last fuck... | 0:34:08 | 0:34:10 | |
'may be the last fuck.' | 0:34:10 | 0:34:12 | |
'He can replay the scenes with softer emotion.' | 0:34:53 | 0:34:56 | |
Something came up. I'm on my way, OK? | 0:35:08 | 0:35:11 | |
See you soon. Bye. | 0:35:11 | 0:35:13 | |
Know what? | 0:35:29 | 0:35:31 | |
I'm going to quit smoking. | 0:35:31 | 0:35:33 | |
-And drinking? -Whoa, I didn't say that. | 0:35:34 | 0:35:37 | |
You'll blame me for that and then we'll fight. | 0:35:39 | 0:35:42 | |
So what? We'll fight anyway. | 0:35:42 | 0:35:44 | |
-What do you mean? -We live together, we'll fight. | 0:35:44 | 0:35:48 | |
That's what people do. | 0:35:48 | 0:35:50 | |
I get lonely when I've got no-one to fight with. | 0:35:50 | 0:35:53 | |
Did I ever tell you about what happened to me in the mountains? | 0:36:00 | 0:36:03 | |
-No. -'I had a strange dream...' | 0:36:03 | 0:36:05 | |
I had a strange dream, | 0:36:05 | 0:36:07 | |
like an epiphany. | 0:36:07 | 0:36:10 | |
It didn't last long, but by now it was getting dark | 0:36:12 | 0:36:15 | |
-and I tried to set a fire, but everything was damp. -Was it cold? | 0:36:15 | 0:36:18 | |
No, it was warm. It was very warm, in fact. | 0:36:18 | 0:36:21 | |
I just wanted the fire for light. | 0:36:21 | 0:36:23 | |
-You're afraid of the dark? -That's what you discover. | 0:36:23 | 0:36:27 | |
It's not just the darkness and your imagination | 0:36:27 | 0:36:30 | |
-that freaks you out. -What is it? | 0:36:30 | 0:36:33 | |
Well, it's like... | 0:36:33 | 0:36:35 | |
..you're afraid of darkness itself, in a primitive way. | 0:36:36 | 0:36:40 | |
You just lie there, | 0:36:41 | 0:36:43 | |
and you can feel the planet turning away from the sun. | 0:36:43 | 0:36:47 | |
I just stared into complete blackness | 0:36:49 | 0:36:51 | |
and wished that I could sleep and that morning would come again. | 0:36:51 | 0:36:55 | |
And then? | 0:36:55 | 0:36:56 | |
I did fall asleep. | 0:36:58 | 0:37:00 | |
Finally. | 0:37:01 | 0:37:02 | |
'Maria told me that you helped her write those stories.' | 0:37:33 | 0:37:37 | |
'That you encouraged her | 0:37:38 | 0:37:40 | |
'and told her to send them to me.' | 0:37:40 | 0:37:43 | |
'You are a character in her story, | 0:37:48 | 0:37:51 | |
'and I am writing about her.' | 0:37:51 | 0:37:54 | |
'You're writing about her, not me? | 0:37:56 | 0:37:58 | |
'You are a character in her story, yeah, | 0:37:58 | 0:38:01 | |
'but you can choose... | 0:38:01 | 0:38:03 | |
'if you want to be in the story.' | 0:38:03 | 0:38:05 | |
-VOICE RECORDER BEEPS -'I prepared a rabbit. | 0:38:13 | 0:38:16 | |
'Marinated it in red wine then cooked it slowly.' | 0:38:16 | 0:38:19 | |
'I looked at him and offered him another glass.' | 0:38:20 | 0:38:24 | |
VOICE RECORDER BEEPS | 0:38:24 | 0:38:25 | |
PHONE BEEPS | 0:38:29 | 0:38:31 | |
Alex. How are you doing? | 0:38:37 | 0:38:39 | |
Are you at home? | 0:38:41 | 0:38:42 | |
Yeah, I knew it. | 0:38:44 | 0:38:46 | |
'OK, I'm coming over.' | 0:38:46 | 0:38:48 | |
You'll have the interview tomorrow. | 0:38:50 | 0:38:53 | |
I promise it. | 0:38:55 | 0:38:56 | |
CAR HORN TOOTS | 0:39:01 | 0:39:04 | |
HORN TOOTS REPEATEDLY | 0:39:07 | 0:39:10 | |
HORN TOOTS | 0:39:16 | 0:39:17 | |
TAPPING ON KEYBOARD | 0:39:20 | 0:39:23 | |
How are you doing, Alex? | 0:39:23 | 0:39:25 | |
Typing. | 0:39:25 | 0:39:27 | |
INDISTINCT | 0:39:28 | 0:39:29 | |
Let me read it. | 0:39:29 | 0:39:31 | |
I don't like people to read what I'm working on. | 0:39:32 | 0:39:35 | |
Come on, for fuck's sake. Let me read it. | 0:39:35 | 0:39:38 | |
Maria told me that you helped her write these stories. | 0:40:03 | 0:40:07 | |
That you encouraged her. | 0:40:11 | 0:40:13 | |
And told her to send them to me. | 0:40:13 | 0:40:16 | |
I was imagining the situation, yeah. | 0:40:18 | 0:40:21 | |
Yeah. And she also said that you're writing shit about me. Why?! | 0:40:21 | 0:40:25 | |
Daniel... | 0:40:28 | 0:40:30 | |
You fucking her? | 0:40:34 | 0:40:36 | |
No. | 0:40:39 | 0:40:41 | |
You'd like to fuck her, though, wouldn't you? | 0:40:41 | 0:40:44 | |
Well, I haven't had sex for six months, so... | 0:40:44 | 0:40:48 | |
No, I don't want to fuck her. | 0:40:48 | 0:40:50 | |
You've always wanted to fuck her. | 0:40:52 | 0:40:54 | |
TAPPING ON KEYBOARD | 0:40:54 | 0:40:57 | |
'He wants to be in control, | 0:41:01 | 0:41:03 | |
'and he tries to take her out of the play.' | 0:41:03 | 0:41:06 | |
DOOR SLAMS | 0:41:06 | 0:41:08 | |
'He has a plan. | 0:41:08 | 0:41:10 | |
'We fuck each other till one of us is out.' | 0:41:10 | 0:41:14 | |
'Especially her.' | 0:41:21 | 0:41:23 | |
'But it is not so easy.' | 0:41:25 | 0:41:28 | |
DOOR CREAKS SHUT | 0:41:28 | 0:41:30 | |
TAPPING ON KEYBOARD | 0:41:30 | 0:41:33 | |
Take your trousers down. | 0:42:10 | 0:42:13 | |
All right. | 0:42:15 | 0:42:17 | |
And your pants. | 0:42:24 | 0:42:26 | |
Isn't this moving a bit quickly? | 0:42:29 | 0:42:31 | |
-I'm so easy, aren't I? -Hmm. | 0:42:40 | 0:42:43 | |
I'm not your wife, you know? I'm not going to call out for you. | 0:43:32 | 0:43:36 | |
It's no big deal. I was just... | 0:43:36 | 0:43:38 | |
-Why are you making a fucking problem about it? -Who's making a problem? | 0:43:38 | 0:43:42 | |
-I came home, there was no note. What about that? -OK, OK, OK, OK. | 0:43:42 | 0:43:45 | |
We're not kids. Just because we live together, | 0:43:45 | 0:43:48 | |
it doesn't mean we can't do stuff with other people. | 0:43:48 | 0:43:50 | |
-There's just been so much to do lately. -Yeah, right! OK. | 0:43:50 | 0:43:53 | |
Like, every time, we just go to the fucking IKEA. | 0:43:53 | 0:43:57 | |
I want to go get drunk with my friends, OK? | 0:43:57 | 0:44:00 | |
We're just boring each other to death. | 0:44:00 | 0:44:02 | |
THUNDER CRASHES | 0:44:04 | 0:44:06 | |
-We are? -Yeah, yeah. We are. Yeah. Yeah. OK? | 0:44:08 | 0:44:11 | |
Like, we would peel potatoes together. | 0:44:11 | 0:44:15 | |
It was fun. | 0:44:15 | 0:44:16 | |
It's work, OK? | 0:44:16 | 0:44:18 | |
It's moving. It's this fucking heat, this fucking rain. | 0:44:18 | 0:44:23 | |
It's just everything is just pressure. Pressure. | 0:44:23 | 0:44:26 | |
No, I just think you have second thoughts about us living together. | 0:44:26 | 0:44:29 | |
-That's crazy. Don't start that. -Yeah. OK. | 0:44:29 | 0:44:32 | |
Then... | 0:44:32 | 0:44:34 | |
You're making me feel like I'm tying you down, | 0:44:34 | 0:44:37 | |
and I'm not. And that's fucking wrong, OK? Just... | 0:44:37 | 0:44:40 | |
DOORBELL RINGS | 0:44:42 | 0:44:44 | |
DOORBELL RINGS | 0:44:52 | 0:44:54 | |
DOORBELL RINGS | 0:44:58 | 0:44:59 | |
'This is the last fuck, baby. The last fuck.' | 0:46:23 | 0:46:27 | |
CAR LOCK BEEPS | 0:46:40 | 0:46:42 | |
BEEPS AGAIN | 0:46:44 | 0:46:46 | |
'He thinks he is writing the story.' | 0:46:47 | 0:46:49 | |
'Daniel, you know you are a character in her story.' | 0:46:52 | 0:46:56 | |
'Hey, you are just a character.' | 0:46:58 | 0:47:01 | |
CAR ALARM SOUNDS | 0:47:02 | 0:47:05 | |
LOW RUMBLE | 0:47:34 | 0:47:37 | |
THUNDER CLAPS | 0:47:57 | 0:47:59 | |
'Every time I think of you, I get hard.' | 0:48:06 | 0:48:10 | |
DOOR SQUEAKS OPEN | 0:48:13 | 0:48:15 | |
'He is caught in her again.' | 0:48:15 | 0:48:18 | |
'How it is to fuck someone who is not your girlfriend.' | 0:48:19 | 0:48:24 | |
'The rain is flooding.' | 0:48:26 | 0:48:29 | |
Yeah. | 0:48:52 | 0:48:53 | |
Yeah. | 0:48:56 | 0:48:57 | |
I felt really bad about it. | 0:48:57 | 0:49:00 | |
We just had a fight, don't remember which one. | 0:49:02 | 0:49:05 | |
Didn't even know if it's played up or not. | 0:49:06 | 0:49:09 | |
Anyway, you said some very hurtful things and then you walked out | 0:49:10 | 0:49:15 | |
and then I went out to a bar, got drunk, | 0:49:15 | 0:49:18 | |
and, you know. | 0:49:18 | 0:49:20 | |
No, I don't know. | 0:49:23 | 0:49:25 | |
You want me to draw you a picture? | 0:49:25 | 0:49:28 | |
-Yeah. -'Does he really want that?' | 0:49:28 | 0:49:30 | |
I met this guy. | 0:49:30 | 0:49:32 | |
'Did you cheat on me?' | 0:49:32 | 0:49:34 | |
-Did he use a condom? -Did you use a condom? | 0:49:38 | 0:49:41 | |
-Tell me, did you use a fucking condom? -Yes, OK? | 0:49:41 | 0:49:44 | |
You used to leave me when I needed you the most. | 0:49:44 | 0:49:46 | |
So, are there any more? | 0:49:49 | 0:49:52 | |
Yeah. | 0:49:52 | 0:49:53 | |
There was this guy. | 0:49:56 | 0:49:58 | |
I don't know what I was thinking. He was insane. | 0:49:59 | 0:50:02 | |
He looked like a killer, but I was just so fucking upset with you. | 0:50:02 | 0:50:05 | |
So, did you fuck all them here? | 0:50:05 | 0:50:08 | |
Then there was the time my handbag got stolen. | 0:50:08 | 0:50:11 | |
I didn't have my keys so this guy, this really nice guy, really polite, | 0:50:11 | 0:50:15 | |
said I could sleep over at his place and that he would have the couch. | 0:50:15 | 0:50:19 | |
But when I got there, he started kissing me. | 0:50:21 | 0:50:24 | |
Afterwards, I told him all about you and that we couldn't do it any more. | 0:50:26 | 0:50:29 | |
-It was very sympathetic about it. -I bet he was. | 0:50:29 | 0:50:32 | |
The only one that ever meant anything to me emotionally was... | 0:50:32 | 0:50:36 | |
my ex-boyfriend. | 0:50:36 | 0:50:38 | |
That doesn't count as cheating, when you have unresolved stuff. | 0:50:41 | 0:50:44 | |
You are the only one I ever loved. | 0:50:47 | 0:50:49 | |
You are. | 0:50:52 | 0:50:53 | |
I have to be up early tomorrow morning. | 0:51:10 | 0:51:14 | |
What, I'm leaving? | 0:51:14 | 0:51:16 | |
-Yeah. -You've got to be fucking joking. -I'm not. | 0:51:19 | 0:51:25 | |
'How it is to watch your lover being fucked by someone else. | 0:52:36 | 0:52:41 | |
'Now, when he is inside her, he can be himself and also the other guy.' | 0:52:41 | 0:52:47 | |
Huh? | 0:53:02 | 0:53:04 | |
Now? | 0:53:08 | 0:53:09 | |
Actually, I'm very full. | 0:53:16 | 0:53:18 | |
Yeah. | 0:53:22 | 0:53:24 | |
I have another story for you. | 0:53:40 | 0:53:42 | |
HE PANTS | 0:53:47 | 0:53:50 | |
This is Piazza Victoria. This is how it could be. | 0:54:31 | 0:54:35 | |
Garden of Eden. | 0:54:35 | 0:54:37 | |
Yeah, it's our latest project and I'm in charge of it. | 0:54:41 | 0:54:44 | |
I love that. | 0:54:44 | 0:54:46 | |
A greener life - nice. | 0:54:48 | 0:54:50 | |
Where are all the cars going to park? | 0:54:53 | 0:54:56 | |
It's the point, not to have cars in the centre. | 0:54:57 | 0:55:01 | |
I'll vote for you. | 0:55:03 | 0:55:04 | |
For a more beautiful life. | 0:55:04 | 0:55:06 | |
Greener life. | 0:55:06 | 0:55:08 | |
DOOR SLAMS | 0:55:08 | 0:55:09 | |
MAN SPEAKS IN ROMANIAN | 0:55:17 | 0:55:19 | |
I'm preparing something special. | 0:55:19 | 0:55:20 | |
I've another story for you. | 0:55:43 | 0:55:45 | |
Another story? | 0:55:46 | 0:55:48 | |
It's about a girl. | 0:55:49 | 0:55:51 | |
She loves a man | 0:55:53 | 0:55:55 | |
but the man has a theory... | 0:55:55 | 0:55:56 | |
..that monogamy is an unnatural state for human beings, | 0:55:58 | 0:56:01 | |
even those who love each other very much. | 0:56:01 | 0:56:03 | |
At first, this hurts her but then, she decides to be more like him. | 0:56:04 | 0:56:08 | |
So, one night, she goes out and she meets this really attractive | 0:56:09 | 0:56:13 | |
Israeli pilot called Ari. | 0:56:13 | 0:56:15 | |
You fucked an Israeli pilot? | 0:56:15 | 0:56:16 | |
You got something against Jews? | 0:56:16 | 0:56:18 | |
No. Pilots. | 0:56:18 | 0:56:20 | |
OK. Let's say I didn't fuck an Israeli pilot. | 0:56:20 | 0:56:24 | |
Then why did you say it? | 0:56:24 | 0:56:25 | |
It's a story. Details help you imagine. | 0:56:25 | 0:56:28 | |
OK, I'm imagining. | 0:56:28 | 0:56:30 | |
And much later, the boyfriend finds out. | 0:56:32 | 0:56:34 | |
But they're not together any more. | 0:56:34 | 0:56:37 | |
Now he's just using her as his personal prostitute. | 0:56:37 | 0:56:40 | |
So, she decides to replay the story with the ex-boyfriend, | 0:56:42 | 0:56:46 | |
let's call him... | 0:56:46 | 0:56:48 | |
Daniel. | 0:56:48 | 0:56:49 | |
..Playing the part of the Israeli pilot. | 0:56:49 | 0:56:52 | |
She meets him in the bar where she met Ari. | 0:56:52 | 0:56:54 | |
She even gives him Ari's lines. | 0:56:54 | 0:56:56 | |
You're not you. | 0:56:56 | 0:56:57 | |
-You're not you. -That's the title of the story - You're Not You. | 0:56:57 | 0:57:00 | |
Who's not who? | 0:57:00 | 0:57:01 | |
-You. -Not who? | 0:57:01 | 0:57:02 | |
-You're not. -Who am I not? | 0:57:02 | 0:57:05 | |
You're not you, you're not Daniel, you're Ari. | 0:57:05 | 0:57:07 | |
What the fuck are you talking about? | 0:57:07 | 0:57:10 | |
It's just a game we're playing. | 0:57:10 | 0:57:11 | |
A game? | 0:57:14 | 0:57:15 | |
Will Nina not be missing you? | 0:57:19 | 0:57:21 | |
Irina. | 0:57:21 | 0:57:22 | |
She's staying with a friend. | 0:57:23 | 0:57:26 | |
-You sure? -Mm. | 0:57:26 | 0:57:28 | |
How much time do we have? | 0:57:30 | 0:57:31 | |
How much time do we need? | 0:57:34 | 0:57:35 | |
POP MUSIC PLAYS | 0:58:17 | 0:58:20 | |
Merci. | 0:58:29 | 0:58:31 | |
Excuse me. | 0:59:30 | 0:59:32 | |
Do you speak English? | 0:59:32 | 0:59:33 | |
Mm, Ari! | 1:00:23 | 1:00:24 | |
What? | 1:00:29 | 1:00:30 | |
Fucking bitch! | 1:00:30 | 1:00:31 | |
What? | 1:00:33 | 1:00:35 | |
I'm me. | 1:00:35 | 1:00:36 | |
You're the one who wanted to play in the first place. | 1:00:38 | 1:00:40 | |
I'm me. That's who I am. | 1:00:40 | 1:00:42 | |
-OK, piss off home and be yourself, then. -I'm going. | 1:00:47 | 1:00:50 | |
Don't tell me to go when you can see I'm already going. | 1:00:50 | 1:00:52 | |
And fuck off. | 1:00:53 | 1:00:55 | |
'Come on! Fuck off?' | 1:00:57 | 1:01:00 | |
SHE CRIES | 1:01:00 | 1:01:02 | |
DOOR SLAMS | 1:01:02 | 1:01:04 | |
What time is it? | 1:01:37 | 1:01:38 | |
Not late. | 1:01:39 | 1:01:40 | |
Everything OK? | 1:01:42 | 1:01:43 | |
Yeah, yeah, yeah. | 1:01:43 | 1:01:44 | |
Ssh-ssh. | 1:01:44 | 1:01:45 | |
Go back to sleep. | 1:01:48 | 1:01:49 | |
-You smell. -What? | 1:01:52 | 1:01:54 | |
Were you smoking? | 1:01:56 | 1:01:58 | |
I told you I was doing an interview in a bar. | 1:01:58 | 1:02:01 | |
'He is a character that wants to be a writer.' | 1:03:06 | 1:03:09 | |
HE CLEARS HIS THROAT | 1:03:20 | 1:03:22 | |
Hey, how are you? | 1:03:25 | 1:03:26 | |
Fine. | 1:03:28 | 1:03:30 | |
Thinking of you, in fact. | 1:03:30 | 1:03:31 | |
Listen, I'm free for the next few hours. | 1:03:33 | 1:03:35 | |
Really? Why... | 1:03:37 | 1:03:39 | |
What are you up to? | 1:03:39 | 1:03:40 | |
Stuff? | 1:03:42 | 1:03:43 | |
Who are you doing stuff with? | 1:03:46 | 1:03:48 | |
OK, you do your stuff, I'll do my stuff, | 1:03:52 | 1:03:56 | |
and maybe we can do stuff together sometime. | 1:03:56 | 1:03:58 | |
Are you going out? | 1:04:16 | 1:04:18 | |
Maybe you remember me telling you? | 1:04:18 | 1:04:19 | |
Oh, yeah, yeah. | 1:04:19 | 1:04:22 | |
-To see Elena? -Yeah. | 1:04:22 | 1:04:24 | |
The Garden of Eden. | 1:04:25 | 1:04:27 | |
Exactly. | 1:04:27 | 1:04:28 | |
What's wrong with you? | 1:04:30 | 1:04:33 | |
What? Nothing. | 1:04:33 | 1:04:34 | |
PHONE RINGS | 1:04:34 | 1:04:39 | |
Hallo? | 1:04:39 | 1:04:40 | |
What? | 1:04:51 | 1:04:52 | |
Nothing. | 1:04:52 | 1:04:54 | |
OK. | 1:04:55 | 1:04:57 | |
I'll be on my way now. | 1:04:57 | 1:04:59 | |
Bye. | 1:05:01 | 1:05:03 | |
What time will you be back? | 1:05:05 | 1:05:07 | |
I don't know. In a few hours, when I'll be finished. | 1:05:08 | 1:05:12 | |
Is there a curfew this evening? | 1:05:12 | 1:05:15 | |
Bye! | 1:05:15 | 1:05:16 | |
This fucking script! | 1:05:33 | 1:05:34 | |
You know what's happening to me now? | 1:05:37 | 1:05:39 | |
I'm getting suspicious of Irina. | 1:05:41 | 1:05:43 | |
I'm getting suspicious of Irina. | 1:06:18 | 1:06:20 | |
I know she's not cheating on me. | 1:06:24 | 1:06:26 | |
I didn't think Maria was cheating on me. | 1:06:29 | 1:06:32 | |
I'm just going insane in this fucking heat. | 1:06:34 | 1:06:37 | |
'The story has a hatch... | 1:06:47 | 1:06:50 | |
'to a place with different roots.' | 1:06:50 | 1:06:52 | |
'He is free to visit it.' | 1:06:53 | 1:06:55 | |
'Paradise scene.' | 1:07:09 | 1:07:10 | |
BIRDSONG | 1:07:11 | 1:07:15 | |
I like it. | 1:07:15 | 1:07:16 | |
Interviews with ordinary people. | 1:07:51 | 1:07:53 | |
Workers, retired people, from my neighbourhood. | 1:07:53 | 1:07:56 | |
I want to get inside this city, | 1:07:58 | 1:07:59 | |
not just like some foreigner from outside. | 1:07:59 | 1:08:02 | |
I want to see something. | 1:08:04 | 1:08:06 | |
-I'm going to finish this fucking thing myself. -Uh-huh. | 1:08:21 | 1:08:23 | |
The character finishes with the crazy bitch, Maria, | 1:08:23 | 1:08:27 | |
and then moves into a new apartment with his girlfriend... | 1:08:27 | 1:08:30 | |
..whom he loves. | 1:08:32 | 1:08:33 | |
That's it. | 1:08:34 | 1:08:35 | |
So, you want a happy ending? | 1:08:36 | 1:08:38 | |
WOMAN HUMS A TUNE | 1:08:42 | 1:08:46 | |
IRINA: # And the days aren't cruel enough | 1:09:08 | 1:09:12 | |
# And the nights aren't cool enough | 1:09:12 | 1:09:16 | |
# Love... # | 1:09:16 | 1:09:20 | |
I didn't know you were going to go out tonight. | 1:10:04 | 1:10:07 | |
I was at Alex's. We got talking. | 1:10:08 | 1:10:10 | |
Are you smoking? | 1:10:14 | 1:10:15 | |
No. | 1:10:15 | 1:10:16 | |
You smell. | 1:10:19 | 1:10:21 | |
Thanks(!) | 1:10:21 | 1:10:22 | |
So, how's Alex? | 1:10:28 | 1:10:29 | |
Writing something. | 1:10:30 | 1:10:32 | |
A new book? | 1:10:35 | 1:10:37 | |
A screenplay, I think. | 1:10:37 | 1:10:39 | |
What is it about? | 1:10:43 | 1:10:45 | |
It's a...comedy. | 1:10:47 | 1:10:49 | |
Some sort of comedy. | 1:10:49 | 1:10:50 | |
I can't imagine Alex writing a comedy. | 1:10:53 | 1:10:55 | |
I think that's what it is, I'm not sure. | 1:10:55 | 1:10:57 | |
Daniel, what's wrong? | 1:11:09 | 1:11:11 | |
What? | 1:11:11 | 1:11:12 | |
What's going on? What's wrong? | 1:11:13 | 1:11:15 | |
Are you having second thoughts? | 1:11:15 | 1:11:17 | |
Like... | 1:11:20 | 1:11:22 | |
We're going to move into the new place, and... | 1:11:22 | 1:11:24 | |
..I've never seen you like this. | 1:11:26 | 1:11:28 | |
Are you having second thoughts? | 1:11:31 | 1:11:32 | |
No, I'm not having second thoughts. | 1:11:32 | 1:11:35 | |
Sounds like you are. | 1:11:35 | 1:11:36 | |
Me? | 1:11:36 | 1:11:37 | |
I know what I'm doing and why. | 1:11:39 | 1:11:41 | |
Sometimes, I just don't know what you're thinking and... | 1:11:46 | 1:11:49 | |
..I start to imagine things. | 1:11:51 | 1:11:53 | |
Come here. | 1:11:57 | 1:11:59 | |
Listen, after we move into the new place and... | 1:12:07 | 1:12:10 | |
all this work is behind us and... | 1:12:10 | 1:12:12 | |
-..the weather cools down a bit... -Yeah, it'll be better. | 1:12:13 | 1:12:17 | |
..we'll save up some money... | 1:12:17 | 1:12:18 | |
..and have your imagination surgically removed. | 1:12:20 | 1:12:23 | |
POP MUSIC PLAYS | 1:12:24 | 1:12:27 | |
SHE GIGGLES | 1:12:27 | 1:12:30 | |
MUSIC FADES AWAY | 1:12:37 | 1:12:40 | |
Do you think we're perverts? | 1:12:41 | 1:12:43 | |
Wow. | 1:12:43 | 1:12:45 | |
You are. | 1:12:45 | 1:12:46 | |
I'm just being helpful. | 1:12:48 | 1:12:49 | |
'What the fuck is that?' | 1:13:00 | 1:13:03 | |
What the fuck is that? | 1:13:03 | 1:13:05 | |
That's it. | 1:13:14 | 1:13:15 | |
You want the happy ending? | 1:13:15 | 1:13:17 | |
What's that? | 1:13:30 | 1:13:31 | |
It's Maria's. | 1:13:31 | 1:13:33 | |
Don't you recognise it? | 1:13:35 | 1:13:37 | |
'The deluge is ongoing.' | 1:13:48 | 1:13:50 | |
'He needs to kill his character to get out of the story.' | 1:13:52 | 1:13:55 | |
DOOR SLAMS OPEN | 1:13:55 | 1:13:57 | |
'She squeezes the balls of the rabbit.' | 1:13:57 | 1:14:00 | |
'And he is gone.' | 1:14:01 | 1:14:02 | |
'There is no more time for you.' | 1:14:07 | 1:14:09 | |
'Game over.' | 1:14:11 | 1:14:12 | |
One evening...with the nearness of her skin... | 1:14:55 | 1:15:00 | |
her smell... | 1:15:00 | 1:15:01 | |
..he noticed it, hanging from a hook in her bedroom. | 1:15:04 | 1:15:07 | |
He'd just asked her... | 1:15:10 | 1:15:12 | |
.."Do you think we're perverts?" | 1:15:14 | 1:15:16 | |
'Do you think we're perverts?' | 1:15:16 | 1:15:18 | |
She had said... | 1:15:19 | 1:15:21 | |
'You are. | 1:15:21 | 1:15:24 | |
'I'm just being helpful.' | 1:15:24 | 1:15:25 | |
What the fuck is that? | 1:15:26 | 1:15:29 | |
That's my bunny. | 1:15:31 | 1:15:33 | |
You've got lots of toys, haven't you? | 1:15:34 | 1:15:36 | |
A bunny isn't for a little girl. | 1:15:39 | 1:15:42 | |
A real woman gets a bunny when she gets hair on her cunt. | 1:15:51 | 1:15:54 | |
The bunny was given to me | 1:15:56 | 1:15:58 | |
as a present by a friend who went to Indonesia, | 1:15:58 | 1:16:01 | |
as a joke. | 1:16:01 | 1:16:02 | |
Apparently, the women in this tribe keep one of these rabbit men | 1:16:02 | 1:16:06 | |
near their beds to keep their men in order. | 1:16:06 | 1:16:08 | |
You don't stick pins in it, do you? | 1:16:11 | 1:16:13 | |
'She had said...' | 1:16:16 | 1:16:17 | |
Silly. | 1:16:17 | 1:16:19 | |
SHE SQUEAKS | 1:16:20 | 1:16:21 | |
'A giant crow settled on his chest...' | 1:16:34 | 1:16:37 | |
..and ripped at his heart with its beak. | 1:16:39 | 1:16:42 | |
He moved. The bird flew off... | 1:16:44 | 1:16:47 | |
..dissolving into the ceiling. | 1:16:48 | 1:16:50 | |
He noticed a doll hanging there. | 1:16:51 | 1:16:53 | |
The word "passion" meant suffering, that which he must pass through. | 1:17:01 | 1:17:06 | |
THUNDER CRASHES | 1:17:11 | 1:17:13 | |
Forget the crow. | 1:17:14 | 1:17:16 | |
He saw the doll hanging there. | 1:17:16 | 1:17:18 | |
He started to feel unwell. | 1:17:19 | 1:17:22 | |
Something in his guts. | 1:17:22 | 1:17:25 | |
THUNDER RUMBLES | 1:17:26 | 1:17:29 | |
He looked at her there beside him... | 1:17:29 | 1:17:31 | |
sleeping peacefully. | 1:17:31 | 1:17:33 | |
'He got up...' | 1:17:36 | 1:17:38 | |
'..quietly grabbed his clothes.' | 1:17:40 | 1:17:43 | |
'Outside on the street, for a moment he feels better.' | 1:17:58 | 1:18:02 | |
'In the distance, the skies crackle and rumble, | 1:18:05 | 1:18:09 | |
'the storm pressing in from the west beyond the city. | 1:18:09 | 1:18:13 | |
'The rain hits the street, accelerating towards him. | 1:18:13 | 1:18:17 | |
'Within seconds, he is drenched with warm water.' | 1:18:17 | 1:18:19 | |
HE RETCHES | 1:18:21 | 1:18:23 | |
'Then a jet of puke explodes from him, | 1:18:26 | 1:18:28 | |
'neon orange beneath the street light.' | 1:18:28 | 1:18:31 | |
HE RETCHES | 1:18:49 | 1:18:51 | |
The world turned liquid. | 1:18:58 | 1:19:00 | |
The sky was liquid, his insides were liquid. | 1:19:03 | 1:19:05 | |
He's weak, incredulous. | 1:19:09 | 1:19:12 | |
He wonders... | 1:19:16 | 1:19:18 | |
if he's hallucinating. | 1:19:18 | 1:19:20 | |
He's part of the storm. | 1:19:26 | 1:19:28 | |
DUSTBIN CLATTERS | 1:19:41 | 1:19:43 | |
HE BREATHES HEAVILY | 1:20:13 | 1:20:15 | |
THUNDER RUMBLES | 1:20:15 | 1:20:18 | |
'As he puts the key in the door, a sharp pain presses his bowels. | 1:20:23 | 1:20:27 | |
'He doubles over. | 1:20:27 | 1:20:29 | |
'He collapses into bed... | 1:21:02 | 1:21:05 | |
'and into nightmares involving giant rabbits and tiny men.' | 1:21:05 | 1:21:09 | |
-ON VOICE RECORDER: -'What happens in the ensuing weeks is this: | 1:21:11 | 1:21:15 | |
'he starts to write the whole thing down | 1:21:15 | 1:21:16 | |
'from the beginning, when he receives a tape from her, | 1:21:16 | 1:21:19 | |
'to the end, when he realises what's going on with him, | 1:21:19 | 1:21:23 | |
'and he ends the story himself.' | 1:21:23 | 1:21:25 | |
'His life with his girlfriend after his period of instability | 1:21:27 | 1:21:30 | |
'returned to normal.' | 1:21:30 | 1:21:33 | |
VOICE RECORDER OFF | 1:21:33 | 1:21:35 | |
A clean ending. | 1:21:36 | 1:21:37 | |
Unlike life. | 1:21:38 | 1:21:40 | |
Starts off pretty realistic, then there's the rabbit stuff, | 1:21:43 | 1:21:46 | |
but I can make that work. | 1:21:46 | 1:21:49 | |
It's the first time I've felt normal all summer. | 1:21:49 | 1:21:51 | |
Yeah... | 1:21:57 | 1:21:58 | |
..good. | 1:22:00 | 1:22:01 | |
THUNDER CRASHES | 1:22:07 | 1:22:09 | |
'The electricity and rain moved to fuck another part of the planet.' | 1:22:13 | 1:22:17 | |
BIRDSONG | 1:22:18 | 1:22:20 | |
'And the section of sky he lived under | 1:22:22 | 1:22:25 | |
'enjoyed the clear, sunny summer it had long promised.' | 1:22:25 | 1:22:28 | |
'The happy ending.' | 1:23:02 | 1:23:03 | |
'And he was glad he had written out the madness and left it behind.' | 1:23:03 | 1:23:07 | |
'And the section of sky he lived under | 1:23:10 | 1:23:12 | |
'enjoyed the clear, sunny summer it had long promised. | 1:23:12 | 1:23:16 | |
'People had their picnics and barbecues, | 1:23:16 | 1:23:18 | |
'their trips to the beach, their mountain views.' | 1:23:18 | 1:23:20 | |
'Everything seemed to be going well.' | 1:23:22 | 1:23:24 | |
Fuck this shit. | 1:23:26 | 1:23:28 | |
Nice. | 1:23:30 | 1:23:31 | |
All's well that ends well. | 1:23:33 | 1:23:35 | |
Did he say I fucked all those men? | 1:23:36 | 1:23:39 | |
You know it wasn't like that. | 1:23:46 | 1:23:48 | |
I told him a little story to mess with his mind. | 1:23:48 | 1:23:50 | |
HE fucked around. HE would disappear for days on end, | 1:23:50 | 1:23:53 | |
no phone call, no nothing. | 1:23:53 | 1:23:55 | |
That bullshit. Wasn't he was drugged or something? | 1:24:04 | 1:24:09 | |
That's why he was with me, because he was drugged? | 1:24:09 | 1:24:12 | |
You let him have the last word. | 1:24:18 | 1:24:20 | |
You did it to him. | 1:24:24 | 1:24:26 | |
And he did it to you. | 1:24:26 | 1:24:28 | |
You fucked me over, Alex. | 1:24:29 | 1:24:31 | |
'The happy ending.' | 1:25:06 | 1:25:08 | |
-ON VOICE RECORDER: -'One evening... | 1:25:10 | 1:25:13 | |
'the nearness of her skin, her smell.' | 1:25:13 | 1:25:17 | |
DOOR OPENS | 1:25:17 | 1:25:18 | |
'He noticed it, hanging from a hook in her bedroom.' | 1:25:19 | 1:25:22 | |
'He'd just asked her...' | 1:25:26 | 1:25:28 | |
'.."Do you think we're perverts?" ' | 1:25:30 | 1:25:31 | |
-'She had said...' -VOICE RECORDER OFF | 1:25:35 | 1:25:38 | |
That's just a story Alex started and I was helping him with. | 1:25:50 | 1:25:54 | |
Just a story, that's all. | 1:25:57 | 1:25:59 | |
These are our conversations. | 1:25:59 | 1:26:02 | |
-Is that our words? -Yeah. Yeah. But it's just a story. | 1:26:02 | 1:26:06 | |
Yeah, it certainly is. | 1:26:08 | 1:26:10 | |
It's nothing, OK? | 1:26:14 | 1:26:16 | |
Yeah, you're right, it's nothing. | 1:26:17 | 1:26:19 | |
I thought it was something,, but it's nothing. | 1:26:21 | 1:26:23 | |
You know, Daniel, when you told me something... | 1:26:27 | 1:26:29 | |
..I believed you. | 1:26:31 | 1:26:33 | |
And when you were unhappy, I was worried about you, | 1:26:33 | 1:26:38 | |
and I always thought that maybe I was doing something wrong. | 1:26:38 | 1:26:42 | |
All right, I fucked her. | 1:26:55 | 1:26:57 | |
Big fucking deal. | 1:27:00 | 1:27:03 | |
It's in the past. It's over. | 1:27:03 | 1:27:04 | |
No, no. | 1:27:04 | 1:27:06 | |
Nothing is ever in the past, nothing is over. | 1:27:06 | 1:27:10 | |
Listen... Listen to what I'm telling you. | 1:27:10 | 1:27:12 | |
It's nothing. Compared to this, what we have... | 1:27:13 | 1:27:17 | |
-..that is nothing. -OK, so you wrecked all this for nothing! | 1:27:18 | 1:27:21 | |
-Irina, you're not listening to me! -No, Daniel, just please, just... | 1:27:21 | 1:27:25 | |
Please shut up! OK? | 1:27:25 | 1:27:28 | |
You listen to me, OK? You listen to me now. | 1:27:28 | 1:27:31 | |
There's always a wrong way and a right way of doing things, OK? | 1:27:33 | 1:27:37 | |
And the wrong way is... | 1:27:37 | 1:27:39 | |
is for us to spend the next years... | 1:27:39 | 1:27:42 | |
pulling apart what didn't happen... | 1:27:42 | 1:27:46 | |
..never getting anything right, arguing about this and that | 1:27:48 | 1:27:51 | |
just because you did a mistake and I don't believe you. | 1:27:51 | 1:27:55 | |
Just think about it for five seconds. Which way's better, huh? | 1:27:59 | 1:28:03 | |
HE SIGHS | 1:28:06 | 1:28:08 | |
PHONE BUZZES | 1:28:58 | 1:29:00 | |
Alex? | 1:29:11 | 1:29:13 | |
I have the ending. | 1:29:13 | 1:29:15 | |
Yeah. | 1:29:25 | 1:29:27 | |
Winter. | 1:29:27 | 1:29:29 | |
VOICE RECORDER ON The story is over. | 1:29:33 | 1:29:36 | |
VOICE RECORDER OFF | 1:29:38 | 1:29:39 | |
And I did fall asleep. Finally. | 1:29:41 | 1:29:44 | |
And I dreamt I was in this giant castle | 1:29:46 | 1:29:48 | |
and I was condemned to death. | 1:29:48 | 1:29:50 | |
I was going to be executed before dawn, | 1:29:51 | 1:29:53 | |
so I'd never see morning again and... | 1:29:53 | 1:29:55 | |
..and I was with you. | 1:29:59 | 1:30:01 | |
-I was there too, with you? -Yeah. | 1:30:04 | 1:30:07 | |
And I felt terrible because it would be | 1:30:08 | 1:30:10 | |
the last time we'd ever see each other. | 1:30:10 | 1:30:12 | |
You would go on living without me. | 1:30:12 | 1:30:15 | |
We looked down over the walls and thought of escape, | 1:30:17 | 1:30:19 | |
but it was too high, it was too steep, and then you said... | 1:30:19 | 1:30:22 | |
"Look at the stars." | 1:30:23 | 1:30:25 | |
And I looked up, and then I woke. | 1:30:26 | 1:30:28 | |
It was morning. | 1:30:28 | 1:30:30 | |
And I looked out of the tent and the sun was coming through the trees | 1:30:32 | 1:30:35 | |
and birds were singing and...I was happy. | 1:30:35 | 1:30:38 | |
Happy that I'd woken from that awful dream. | 1:30:40 | 1:30:42 | |
It was just a dream. Bad dream. | 1:30:43 | 1:30:45 | |
You woke up and you were relieved. | 1:30:45 | 1:30:47 | |
Yeah, I'm not saying it was anything else. | 1:30:47 | 1:30:49 | |
But the feeling I had in that moment, it was like... | 1:30:49 | 1:30:52 | |
I was grateful that I'd been given the time | 1:30:52 | 1:30:54 | |
to do everything in life I needed to do. | 1:30:54 | 1:30:56 | |
And I just wanted to come and find you and tell you what had happened. | 1:30:58 | 1:31:01 | |
You never mentioned that. | 1:31:03 | 1:31:05 | |
Because we'd just met. | 1:31:08 | 1:31:10 | |
It felt ridiculous. | 1:31:11 | 1:31:13 | |
But I'm telling you now. | 1:31:15 | 1:31:16 | |
'And the story goes on. | 1:31:16 | 1:31:20 | |
'At this moment, Daniel has a life. | 1:31:20 | 1:31:23 | |
'A real one. | 1:31:23 | 1:31:25 | |
'With dreams.' | 1:31:25 | 1:31:27 |