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# I belong to a restless breed | 0:00:12 | 0:00:15 | |
# Lots of action is what I need | 0:00:15 | 0:00:19 | |
# No more rules that will topple me | 0:00:19 | 0:00:23 | |
# Restless breed, restless breed | 0:00:23 | 0:00:27 | |
# I live my life with a lack of fear | 0:00:27 | 0:00:31 | |
# Got nobody to mind or heed | 0:00:31 | 0:00:35 | |
# I just go where the four winds lead | 0:00:35 | 0:00:39 | |
# Restless breed, restless breed | 0:00:39 | 0:00:43 | |
# I do what I want to, I live like I want to | 0:00:43 | 0:00:47 | |
# In no way approving, but things they keep moving | 0:00:47 | 0:00:51 | |
# A strange lonely burning That still leaves us yearning | 0:00:51 | 0:00:55 | |
# That seems to be trying to be all at one | 0:00:55 | 0:00:59 | |
# I belong to the restless breed | 0:00:59 | 0:01:03 | |
# Playing hard for the day I'm free | 0:01:03 | 0:01:07 | |
# Only true love will do the deed | 0:01:07 | 0:01:11 | |
# Restless breed, restless breed | 0:01:11 | 0:01:15 | |
# Restless, restless, restless breed. # | 0:01:15 | 0:01:20 | |
Since the end of the civil war, this band of cold-blooded killers, known as Newton's Raiders, | 0:01:37 | 0:01:43 | |
have been smuggling arms over the border | 0:01:43 | 0:01:46 | |
and straight through to Maximillian. | 0:01:46 | 0:01:49 | |
We want to help General Lorres defeat him | 0:01:49 | 0:01:52 | |
and create a republic of Mexico. | 0:01:52 | 0:01:55 | |
This is the area to which your father was assigned | 0:01:55 | 0:01:59 | |
to carry out his investigations. | 0:01:59 | 0:02:02 | |
He was found dead in the little border town of Mission, Texas. | 0:02:02 | 0:02:07 | |
Mission, huh? | 0:02:14 | 0:02:16 | |
Headquarters of Newton's Raiders. | 0:02:16 | 0:02:19 | |
The Department has granted your request to keep his badge and gun. | 0:02:21 | 0:02:27 | |
-Did anyone in Mission know who my father was? -Only one man - | 0:02:33 | 0:02:38 | |
an unordained preacher, a lay evangelist - Reverend Simmons. | 0:02:38 | 0:02:42 | |
He has a small mission on the edge of town. | 0:02:42 | 0:02:46 | |
It's where your father stayed. | 0:02:46 | 0:02:48 | |
He told us of your father's death. | 0:02:48 | 0:02:51 | |
Anyone see what happened? | 0:02:58 | 0:03:01 | |
The reports of our investigators | 0:03:01 | 0:03:04 | |
have given us a very graphic picture. | 0:03:04 | 0:03:06 | |
'James Allan, a young, would-be killer and informer of Newton's, | 0:03:06 | 0:03:11 | |
'apparently overheard the plans laid out by your father and the reverend | 0:03:11 | 0:03:16 | |
'to trap Newton. | 0:03:16 | 0:03:18 | |
'Later, he was seen riding towards the Mexican border. | 0:03:24 | 0:03:30 | |
'Now, Newton's hideout is unknown. | 0:03:30 | 0:03:33 | |
'He's contacted through relays of different riders.' | 0:03:33 | 0:03:37 | |
'The following night, | 0:03:57 | 0:04:00 | |
'Newton returned alone with Allan.' | 0:04:00 | 0:04:03 | |
ANOTHER SHOT RINGS OUT | 0:05:37 | 0:05:41 | |
'Newton is clever and elusive. | 0:05:48 | 0:05:51 | |
'As far as we know, | 0:05:51 | 0:05:52 | |
'he's not returned to Texas since killing your father.' | 0:05:52 | 0:05:56 | |
Doesn't give me much to go on. | 0:05:58 | 0:06:01 | |
Wait - stick to your law practice. | 0:06:01 | 0:06:04 | |
Your father's friend US Marshal Steve Evans requested the assignment. | 0:06:04 | 0:06:09 | |
-He's in charge. -I don't take orders. | 0:06:09 | 0:06:11 | |
Your father wouldn't like that kind of talk. I know you're upset... | 0:06:11 | 0:06:16 | |
Yes, I'm upset. And I'll probably stay that way for a long time. | 0:06:16 | 0:06:21 | |
-Marshal Evans will keep in touch with you. -That's not necessary. | 0:06:21 | 0:06:25 | |
And I won't be needing this. | 0:06:25 | 0:06:28 | |
Stay out of everybody's way - | 0:07:14 | 0:07:17 | |
people get killed for looking the wrong way. | 0:07:17 | 0:07:20 | |
I'll keep my eyes closed. | 0:07:20 | 0:07:23 | |
How much do I owe you? | 0:07:25 | 0:07:27 | |
Ten bucks - including your ride back to Edinburg. | 0:07:27 | 0:07:30 | |
You're not sure I'll meet you on Wednesday? | 0:07:30 | 0:07:33 | |
If you decide not to go back up north, you won't owe me anything. | 0:07:33 | 0:07:39 | |
I'll see you Wednesday. | 0:07:39 | 0:07:42 | |
EXCITED ATMOSPHERE | 0:07:46 | 0:07:49 | |
-Yeah? -whiskey. | 0:07:51 | 0:07:54 | |
-What's going on? -Cock fight. | 0:08:00 | 0:08:03 | |
-Twenty on the big grey. -Give me part of it, too. | 0:08:11 | 0:08:14 | |
Where can I find the boss? | 0:08:22 | 0:08:25 | |
-I'm Jim Daley. Can I help? -I said the boss. | 0:08:27 | 0:08:30 | |
-You wanna see Ed Newton? -Do I? | 0:08:35 | 0:08:39 | |
He's away on a business trip. | 0:08:39 | 0:08:41 | |
When's he coming back? | 0:08:42 | 0:08:44 | |
-A day or two, maybe. Why? -I'll take that up with him. | 0:08:44 | 0:08:49 | |
You're kinda nervous with that! | 0:08:54 | 0:08:57 | |
Who do I tell Newton was asking for him? | 0:08:57 | 0:09:00 | |
I'll be around. I'll tell him myself. | 0:09:02 | 0:09:06 | |
GUITAR PLAYS SOFTLY | 0:09:44 | 0:09:47 | |
Angelita, it's time the children were in bed. | 0:11:13 | 0:11:17 | |
-Yes, young man? -Reverend Simmons? | 0:11:33 | 0:11:36 | |
Yes - but I'm not an ordained minister. These are my children - | 0:11:36 | 0:11:41 | |
by adoption. | 0:11:41 | 0:11:43 | |
Angelita, children. | 0:11:43 | 0:11:47 | |
I hear you have a place I might stay. | 0:11:50 | 0:11:54 | |
If you don't mind staying in a converted stall. | 0:11:54 | 0:11:57 | |
-That'll do fine. -There's no charge. | 0:11:57 | 0:12:00 | |
Come with me. | 0:12:00 | 0:12:02 | |
This way! > | 0:12:10 | 0:12:12 | |
-How about making a contribution to the mission? -That would be welcome. | 0:12:16 | 0:12:21 | |
I'll have a light here in a minute. | 0:12:21 | 0:12:24 | |
-You really take a lot of burdens on yourself, don't you? -Someone has to. | 0:12:30 | 0:12:36 | |
The Indians don't want these half-breeds, nor do their fathers. | 0:12:36 | 0:12:40 | |
-Those kids are half-breed Indians? -Yes. | 0:12:40 | 0:12:44 | |
Here you go, Reverend. | 0:12:44 | 0:12:47 | |
May the good Lord bless you. | 0:12:50 | 0:12:53 | |
I don't know who you are, | 0:12:53 | 0:12:55 | |
but this is one of the worst places in the world. | 0:12:55 | 0:12:58 | |
-Most border towns are alike. -Not this one. | 0:12:58 | 0:13:03 | |
Our town is run by a gang of killers. | 0:13:03 | 0:13:06 | |
They're hired for protection by smugglers | 0:13:06 | 0:13:08 | |
who deal in guns over the border. | 0:13:08 | 0:13:12 | |
I thought the government stopped that. | 0:13:12 | 0:13:15 | |
Not yet. It's not an easy job. | 0:13:15 | 0:13:18 | |
They killed a secret service man sent from Washington. | 0:13:18 | 0:13:22 | |
He laid in that bed. | 0:13:22 | 0:13:24 | |
-I still don't know how Ed Newton found out about him. -Ed Newton? | 0:13:29 | 0:13:35 | |
GUNFIRE | 0:13:35 | 0:13:38 | |
See what I mean? | 0:13:41 | 0:13:44 | |
Wearing a gun in this town is an invitation to murder. | 0:13:56 | 0:14:00 | |
Mike Williams, our new sheriff. | 0:14:07 | 0:14:10 | |
He's been here ten days. Our third in two months. | 0:14:10 | 0:14:14 | |
Don't go in, Sheriff. It's a set-up. | 0:14:31 | 0:14:35 | |
GUN FIRES | 0:14:35 | 0:14:38 | |
Morton! | 0:14:46 | 0:14:48 | |
Come down off of there. | 0:14:48 | 0:14:51 | |
Leave him alone, Sheriff. | 0:14:54 | 0:14:57 | |
-He's just having some fun. -Stay out of this, Cherokee. | 0:14:57 | 0:15:01 | |
You were told to get out of town. | 0:15:01 | 0:15:04 | |
Yeah, I know. | 0:15:04 | 0:15:06 | |
Always spoiling the fun. | 0:15:06 | 0:15:10 | |
Go ahead. | 0:15:10 | 0:15:12 | |
Draw. | 0:15:13 | 0:15:15 | |
No. | 0:15:18 | 0:15:20 | |
Let's leave things just as they are. | 0:15:20 | 0:15:23 | |
Morton! | 0:15:23 | 0:15:25 | |
Look behind you, Sheriff. | 0:15:27 | 0:15:30 | |
What for? | 0:15:30 | 0:15:33 | |
So you can shoot me in the back? | 0:15:33 | 0:15:36 | |
You'll be damned in hell! | 0:16:09 | 0:16:13 | |
I didn't draw on him. I warned him! | 0:16:17 | 0:16:20 | |
Have mercy on this man's soul... Amen. | 0:16:38 | 0:16:42 | |
A dead man lies at my feet, murdered in cold blood. | 0:17:07 | 0:17:11 | |
Who among you is man enough to speak up, | 0:17:13 | 0:17:16 | |
-and name the killer? -You can do better than that! | 0:17:16 | 0:17:20 | |
Again I say, if there's a God-fearing man among you, | 0:17:20 | 0:17:25 | |
let him speak up! | 0:17:25 | 0:17:27 | |
Name the murderer. ..Let me go! Let me go! | 0:17:27 | 0:17:31 | |
It's better up there, Preacher! | 0:17:32 | 0:17:34 | |
Is murder a subject for amusement? | 0:17:37 | 0:17:39 | |
-Louder! -I ask for witnesses, for identification of the killer! | 0:17:39 | 0:17:46 | |
Come on, play! Good and loud! | 0:17:46 | 0:17:50 | |
Point out the killer. | 0:17:50 | 0:17:53 | |
Is there not one speechless coward | 0:17:55 | 0:17:57 | |
who can find his tongue and his soul? | 0:17:57 | 0:18:00 | |
You're the devil's agent! Let me go! | 0:18:03 | 0:18:07 | |
Let me go! He's like the devil! | 0:18:09 | 0:18:13 | |
He won't admit it, but you did him a favour. | 0:18:22 | 0:18:26 | |
Is that right? | 0:18:26 | 0:18:29 | |
Yeah. Things could have got rough. | 0:18:29 | 0:18:32 | |
Shut the noise down for a minute. | 0:18:32 | 0:18:35 | |
I've got something to say. | 0:18:36 | 0:18:39 | |
Hold everything. | 0:18:39 | 0:18:42 | |
We got another speech coming up. | 0:18:42 | 0:18:46 | |
As long as I'm in this town there'll be no more of this. | 0:18:46 | 0:18:50 | |
Who says? | 0:18:50 | 0:18:53 | |
This. | 0:18:57 | 0:18:59 | |
Do you know him, Cherokee? Who is he? | 0:19:05 | 0:19:08 | |
I don't know - but he's pushing his luck. | 0:19:08 | 0:19:11 | |
-Fill it up. -I hope he's bluffing. | 0:19:11 | 0:19:15 | |
Another sheriff murdered. | 0:19:16 | 0:19:19 | |
Mayor Johnson! | 0:19:22 | 0:19:24 | |
The new fella told 'em | 0:19:24 | 0:19:27 | |
if there was any more killing, they'd answer to him. | 0:19:27 | 0:19:30 | |
-It's unbelievable. -He told 'em. | 0:19:30 | 0:19:33 | |
Who knows? This may be the beginning! | 0:19:33 | 0:19:36 | |
He's on our side, be sure of that. | 0:19:36 | 0:19:39 | |
Young man! | 0:19:42 | 0:19:44 | |
-We're proud of you. -This town is indebted to you. -Nobody owes me anything. | 0:19:44 | 0:19:50 | |
Was it because of what they did to Reverend Simmons? | 0:19:50 | 0:19:54 | |
-Not exactly. -Then what prompted you to make that challenge? | 0:19:54 | 0:19:59 | |
I don't like to see a representative of the law killed in cold blood. | 0:19:59 | 0:20:04 | |
-Was the sheriff a friend of yours? -I never saw him before. | 0:20:04 | 0:20:08 | |
-If you're bringing law and order to us, you'll need this. -No, thanks. | 0:20:08 | 0:20:13 | |
-You can't take the law in your own hands. -They did! | 0:20:13 | 0:20:16 | |
-I say we should call his bluff. Fire the guns, Morton. -Let's forget it. | 0:20:17 | 0:20:22 | |
He'll run clear out of Texas! | 0:20:22 | 0:20:25 | |
Who are you, and where are you from? | 0:20:25 | 0:20:28 | |
-It's not important. -We should know for your own good. | 0:20:28 | 0:20:32 | |
-What if something happens to you? -Don't be concerned about me. | 0:20:32 | 0:20:37 | |
-Get up on the platform. -I've had enough. | 0:20:43 | 0:20:46 | |
Get up on the platform! | 0:20:46 | 0:20:49 | |
All right, all right. | 0:20:49 | 0:20:51 | |
-Clear the room, gentlemen. -Cover the door. | 0:20:55 | 0:20:58 | |
GUNSHOT | 0:21:02 | 0:21:05 | |
They're at it again. | 0:21:09 | 0:21:11 | |
Well... | 0:21:11 | 0:21:14 | |
Looks like they're calling my hand. | 0:21:17 | 0:21:21 | |
GUNSHOTS CONTINUE | 0:21:27 | 0:21:30 | |
Don't go - they're baiting you like they did the sheriff. | 0:21:32 | 0:21:36 | |
If I back down now, you'll never be rid of them. | 0:21:40 | 0:21:43 | |
Stay here or you'll be hurt. | 0:21:43 | 0:21:47 | |
-He's on his way. -Hide behind the bar. Stand by! | 0:21:56 | 0:22:00 | |
-You said he wouldn't come back. -Worried? -I don't like it. | 0:22:00 | 0:22:05 | |
Drop the guns. | 0:22:16 | 0:22:19 | |
He's just a hopeless drunk. | 0:22:21 | 0:22:23 | |
What kind of a man are you? | 0:22:23 | 0:22:26 | |
The kind who'll shoot him in the belly if he doesn't do what I say. | 0:22:26 | 0:22:31 | |
Now! | 0:22:31 | 0:22:33 | |
If you knew what was good for you, greenhorn, you'd have left town. | 0:22:40 | 0:22:45 | |
The first man who drops his arms to his side will die in that position. | 0:22:48 | 0:22:53 | |
I ought to finish you off right now. | 0:23:14 | 0:23:16 | |
Make one more move and I will. | 0:23:16 | 0:23:20 | |
-It's how they wanted it. -Wholesale slaughter! -They killed the sheriff. | 0:23:31 | 0:23:36 | |
-What are you doing? -We have no doctor. I've had medical training. | 0:23:40 | 0:23:44 | |
-Get your hands off me. -You'll die of lead poisoning. -That's my worry. | 0:23:44 | 0:23:50 | |
You'll have to operate against his will. | 0:23:50 | 0:23:54 | |
-You shouldn't have thrown that drink at him! -He'll be treated with care. | 0:23:54 | 0:23:59 | |
I know that, but HE doesn't! | 0:23:59 | 0:24:01 | |
-He still ain't touching me. -That's just fine! I'll be at your funeral. | 0:24:01 | 0:24:06 | |
Hey, Daley, we could have the wake here. | 0:24:06 | 0:24:10 | |
A good cockfight will cheer us up. | 0:24:10 | 0:24:13 | |
JOLLY MUSIC PLAYS | 0:24:22 | 0:24:25 | |
CHILDREN SING ALONG | 0:24:26 | 0:24:29 | |
COFFEE POT SIZZLES | 0:24:53 | 0:24:56 | |
This is gonna hurt. You better bite that belt. | 0:25:11 | 0:25:15 | |
You better know what you're doing. | 0:25:15 | 0:25:18 | |
Angelita! Angelita! | 0:25:21 | 0:25:23 | |
-Where is he? -The Reverend? -No, the stranger. -Something wrong? | 0:25:27 | 0:25:32 | |
The Reverend's operating on Cherokee. I tried to warn him... | 0:25:32 | 0:25:36 | |
-About what? -Cherokee's men - | 0:25:36 | 0:25:39 | |
they'll kill him if anything goes wrong. Tell the stranger to hurry. | 0:25:39 | 0:25:44 | |
I'll be at the hotel. | 0:25:44 | 0:25:46 | |
-Seems I've got quite a reputation! -Hurry, in case something happens. | 0:25:50 | 0:25:55 | |
Anyone would think I was a professional gunman! | 0:25:55 | 0:25:59 | |
-Aren't you? -No. Are you disappointed? | 0:25:59 | 0:26:04 | |
If you're not, what are you? | 0:26:04 | 0:26:06 | |
I'd better see what's going on. | 0:26:06 | 0:26:10 | |
Give me a bandage. | 0:26:37 | 0:26:39 | |
Hurry - they're in room ten. | 0:26:41 | 0:26:44 | |
He'll be all right in a day or so. | 0:26:58 | 0:27:00 | |
-The device of the devil. -Beautiful. | 0:27:05 | 0:27:08 | |
Did you thank him, Cherokee? | 0:27:08 | 0:27:11 | |
-I didn't ask him to do it. -I wouldn't have bothered. | 0:27:11 | 0:27:15 | |
He's just trying to prove something. | 0:27:15 | 0:27:18 | |
-"Turn the other cheek"? -It'll be in his next sermon. | 0:27:18 | 0:27:22 | |
Thank him, Cherokee. | 0:27:22 | 0:27:24 | |
I ain't thanking you. All you do is meddle where you don't belong. | 0:27:24 | 0:27:29 | |
-Son, you better thank God. -You ain't heard the last of this, mister. | 0:27:29 | 0:27:35 | |
You're not as tough as you think, Cherokee. | 0:27:35 | 0:27:39 | |
-Oh, you scared me. -Angelita. | 0:27:55 | 0:27:58 | |
The angel. Oh, come here. | 0:27:58 | 0:28:01 | |
-Let me go. You think it's funny? -I think it's wonderful. | 0:28:01 | 0:28:05 | |
The price of having a fast gun in town comes high. | 0:28:22 | 0:28:26 | |
Haven't you ever tried to steal a kiss? | 0:28:31 | 0:28:33 | |
There's a legend about gun towns: | 0:28:33 | 0:28:36 | |
the man with the fastest draw owns everything. | 0:28:36 | 0:28:39 | |
You're jumping to conclusions. | 0:28:42 | 0:28:45 | |
-Leave Angelita alone. -If that's how she wants it, I will. | 0:28:45 | 0:28:50 | |
Regardless of how she wants it. I'm trying to bring her up decently. | 0:28:50 | 0:28:55 | |
If she had her way, she'd be a bar room dancer. | 0:28:55 | 0:29:00 | |
She needs someone with tenderness, compassion and understanding. | 0:29:03 | 0:29:07 | |
I don't have any of those qualities? | 0:29:07 | 0:29:10 | |
I've never met a gunfighter who did. | 0:29:10 | 0:29:13 | |
KNOCK AT DOOR Angelita? | 0:29:42 | 0:29:46 | |
Come in. | 0:29:46 | 0:29:48 | |
It's late - you should be asleep, child. | 0:29:48 | 0:29:52 | |
-Is everything all right? -Yes, everything. | 0:29:52 | 0:29:56 | |
This stranger - do you like him? | 0:29:58 | 0:30:01 | |
He is nice. | 0:30:03 | 0:30:05 | |
Angelita... | 0:30:07 | 0:30:08 | |
You must not allow yourself to like this man. | 0:30:08 | 0:30:12 | |
-Is there ever to be a man I can like? -He's no good. | 0:30:12 | 0:30:16 | |
-If you'd only tell me why. -He's a gunfighter. | 0:30:16 | 0:30:21 | |
Each day can be his last one. These men are killers. | 0:30:21 | 0:30:25 | |
They make enemies wherever they go, taking what they can, when they can. | 0:30:25 | 0:30:30 | |
Are you interested in such a man? | 0:30:30 | 0:30:32 | |
No. | 0:30:32 | 0:30:34 | |
Then for you he must not exist. | 0:30:34 | 0:30:37 | |
Goodnight, my child. God be with you. | 0:30:37 | 0:30:40 | |
HE KNOCKS | 0:30:44 | 0:30:47 | |
-Please, go away. -Do you believe all his sermons? | 0:30:54 | 0:30:59 | |
Yes, I do. | 0:30:59 | 0:31:01 | |
He can't change what you are. | 0:31:05 | 0:31:08 | |
What is it you think I am? | 0:31:08 | 0:31:10 | |
Half angel, half woman. | 0:31:12 | 0:31:15 | |
I've never met anybody so... | 0:31:15 | 0:31:17 | |
KNOCK AT DOOR Goodnight, Angelita. | 0:31:26 | 0:31:31 | |
CONGREGATION SINGS | 0:31:58 | 0:32:01 | |
Well... | 0:32:19 | 0:32:21 | |
-Are you an archangel? -An archangel? | 0:32:23 | 0:32:28 | |
Reverend Simmons says they're sent from Heaven to protect people. | 0:32:28 | 0:32:32 | |
Not me, honey. | 0:32:32 | 0:32:35 | |
-Where did you come from? -A place where there are no angels at all. | 0:32:35 | 0:32:40 | |
Not from down there, either! | 0:32:40 | 0:32:43 | |
Where did you get such a gun? | 0:32:44 | 0:32:47 | |
-From my father. -He gave it to you? | 0:32:47 | 0:32:50 | |
No, he just didn't have any more use for it. | 0:32:52 | 0:32:56 | |
CHILDREN'S VOICES FILTER IN | 0:32:58 | 0:33:01 | |
Remember - never shoot a gun unless you really have to. | 0:33:01 | 0:33:06 | |
Children! Get back inside! | 0:33:06 | 0:33:09 | |
-What have you been telling them? -Oh, that I wasn't an archangel - | 0:33:20 | 0:33:25 | |
just a human being, like you. | 0:33:25 | 0:33:28 | |
Angelita, how did the other sheriffs get killed? | 0:33:29 | 0:33:33 | |
Street ambush. | 0:33:35 | 0:33:37 | |
They'll probably try to take me the same way. | 0:33:37 | 0:33:42 | |
Cherokee puts faith in past success. | 0:33:42 | 0:33:44 | |
Street ambush sounds about right. | 0:33:44 | 0:33:47 | |
Are you gonna walk right into it? | 0:33:47 | 0:33:50 | |
I waited till the service was over! | 0:33:50 | 0:33:53 | |
You can't just let them shoot at you! | 0:33:57 | 0:34:00 | |
Angelita, may I speak with you? | 0:34:03 | 0:34:05 | |
Do you know what he's going to do? | 0:34:13 | 0:34:15 | |
He's going out there to get himself killed. | 0:34:15 | 0:34:19 | |
Don't move! | 0:35:08 | 0:35:10 | |
Keep facing that window. | 0:35:11 | 0:35:14 | |
Throw your gun over here. | 0:35:14 | 0:35:16 | |
Hurry up! | 0:35:16 | 0:35:18 | |
-Where's the back door? -Through there. | 0:36:01 | 0:36:05 | |
Drop it. | 0:36:19 | 0:36:21 | |
Walk over to that tree. | 0:36:25 | 0:36:27 | |
Stop. | 0:36:39 | 0:36:41 | |
Drop that gun. | 0:36:41 | 0:36:43 | |
Get down from there. | 0:36:51 | 0:36:53 | |
Turkey-step over to Jim Daley's. | 0:36:57 | 0:37:00 | |
Higher! | 0:37:00 | 0:37:02 | |
Higher! | 0:37:05 | 0:37:07 | |
Up on the platform. | 0:37:14 | 0:37:16 | |
Let's hear some music for 'em! | 0:37:16 | 0:37:19 | |
-HONKY-TONK MUSIC -Now dance, come on - higher! | 0:37:19 | 0:37:24 | |
-I was afraid you'd have caused more bloodshed. -They wanted to kill me. | 0:37:32 | 0:37:37 | |
It's gone far enough. | 0:37:37 | 0:37:40 | |
Hold it! | 0:38:12 | 0:38:14 | |
Get over here! | 0:38:15 | 0:38:18 | |
Now, get out of town, you two, and stay out! | 0:38:19 | 0:38:23 | |
Go on! | 0:38:23 | 0:38:25 | |
Is that better? | 0:38:40 | 0:38:42 | |
You might have been killed. | 0:38:50 | 0:38:53 | |
-Pretty lucky, I guess. -I don't want to be unfriendly, | 0:38:53 | 0:38:57 | |
and I'm grateful to you, but... | 0:38:57 | 0:39:00 | |
-You still don't trust me, is that it? -Yes. | 0:39:00 | 0:39:03 | |
As long as we don't know who or what you are, you must leave. | 0:39:03 | 0:39:07 | |
Now, look... | 0:39:07 | 0:39:08 | |
I can't risk the reputation of our mission | 0:39:08 | 0:39:11 | |
-or the safety of my wards by harbouring an outlaw. -Uh-huh? | 0:39:11 | 0:39:15 | |
Earlier you were pleased cos I saved you and ran two guys out of town. | 0:39:15 | 0:39:20 | |
If you won't reveal your identity, I'm forced to draw conclusions. | 0:39:20 | 0:39:25 | |
Thanks, Reverend. | 0:39:25 | 0:39:28 | |
-Why are you making him leave? -It's for the best. -It always is! | 0:39:31 | 0:39:36 | |
-He's helped you! -Don't question me. | 0:39:36 | 0:39:39 | |
-We'll never see him again. -I pray so. | 0:39:39 | 0:39:43 | |
I've a feeling about him. He's here for some purpose - a sinful purpose. | 0:39:43 | 0:39:49 | |
SHE SOBS | 0:40:00 | 0:40:03 | |
Now, is that any way to act? | 0:40:53 | 0:40:55 | |
-Why all the tears? -You shouldn't be here. Please go. | 0:40:55 | 0:41:00 | |
You don't want me to go, do you? | 0:41:00 | 0:41:02 | |
-Yes, I do. Last night I let you kiss me, but... -I know. I'm sorry. | 0:41:02 | 0:41:08 | |
I was only having fun. | 0:41:08 | 0:41:11 | |
But this morning, before the ambush, it wasn't funny any more. | 0:41:11 | 0:41:15 | |
I saw a scared look in your eyes. | 0:41:15 | 0:41:18 | |
You did? | 0:41:18 | 0:41:21 | |
Yes. | 0:41:21 | 0:41:23 | |
-I don't want anyone to worry about me like that. -Why not? | 0:41:23 | 0:41:28 | |
Cos... One way or the other, I won't be here very long. | 0:41:28 | 0:41:34 | |
It mustn't matter to anyone. | 0:41:36 | 0:41:38 | |
But it will, to me. | 0:41:38 | 0:41:41 | |
I don't even know your name. | 0:41:41 | 0:41:43 | |
Promise not to tell anyone else? | 0:41:43 | 0:41:47 | |
-I promise. -It's Mitchell. | 0:41:47 | 0:41:50 | |
Is that your first or last name? | 0:41:51 | 0:41:53 | |
My first. Everybody calls me Mitch. | 0:41:53 | 0:41:56 | |
-Mitch. -That's enough for now. | 0:41:56 | 0:42:00 | |
All right? | 0:42:00 | 0:42:01 | |
All right, Mitch. | 0:42:01 | 0:42:03 | |
Where do you come from? | 0:42:03 | 0:42:06 | |
-Where did you learn how to use... -Just like a woman, asking questions. | 0:42:06 | 0:42:11 | |
Ah-ha! | 0:42:16 | 0:42:18 | |
-Tell us! -We won't tell anyone... | 0:42:22 | 0:42:25 | |
Mitch. | 0:42:25 | 0:42:27 | |
-So you were listening, huh? -Were you an Indian or cowboy? | 0:42:27 | 0:42:31 | |
He doesn't know if he's a redskin or a paleface. | 0:42:31 | 0:42:35 | |
Pal, when I was little, about your age and size, | 0:42:35 | 0:42:41 | |
I had a father who I thought was the greatest man in the world. | 0:42:41 | 0:42:46 | |
He taught me how to hunt and fish, | 0:42:46 | 0:42:48 | |
swim and how to shoot a gun - | 0:42:48 | 0:42:53 | |
better than any other boy my own age and size. | 0:42:53 | 0:42:56 | |
He didn't want me to be a gunman. | 0:42:56 | 0:42:58 | |
He wanted me to be on the side of law and order and go to school | 0:42:58 | 0:43:03 | |
and be very smart. | 0:43:03 | 0:43:06 | |
I loved him very deeply. | 0:43:06 | 0:43:09 | |
So even though I liked shooting, I did exactly what he asked me to. | 0:43:09 | 0:43:14 | |
He made you go to school?! | 0:43:16 | 0:43:18 | |
-For years and years. -Then why didn't you get smart? | 0:43:18 | 0:43:22 | |
-You don't think I'm smart? -You use a gun. | 0:43:22 | 0:43:26 | |
-Yes, I do still use a gun. -It's a pretty one, though. | 0:43:32 | 0:43:36 | |
-Come on, now, both of you. -Do what Angelita tells you. | 0:43:36 | 0:43:41 | |
Tell me why you still use a gun. | 0:43:46 | 0:43:49 | |
That's something I can't tell you, Angelita. | 0:43:49 | 0:43:53 | |
The Reverend was right. You are here for a reason - | 0:43:53 | 0:43:58 | |
a terrible reason. | 0:43:58 | 0:44:00 | |
What difference does it make? | 0:44:00 | 0:44:03 | |
A great deal. | 0:44:03 | 0:44:06 | |
Disappointed in me? | 0:44:06 | 0:44:09 | |
Yes. | 0:44:09 | 0:44:12 | |
Thought I was somebody special, huh? | 0:44:12 | 0:44:15 | |
Yes. | 0:44:15 | 0:44:17 | |
Somebody very special. | 0:44:17 | 0:44:19 | |
Well, you thought wrong. | 0:44:23 | 0:44:26 | |
WHISTLING | 0:45:00 | 0:45:02 | |
I'm sorry. I meant to have this stuff out of here. | 0:45:20 | 0:45:24 | |
Don't forget this. | 0:45:24 | 0:45:26 | |
I got it for the waitress down the street. | 0:45:27 | 0:45:30 | |
Never did give it to her. | 0:45:30 | 0:45:32 | |
-Did all three former sheriffs live in this room? -One at a time. | 0:45:32 | 0:45:36 | |
You're gonna have company all right. | 0:45:44 | 0:45:48 | |
You'll have to share with Mr Evans. | 0:45:48 | 0:45:51 | |
Marshal. What brings you back here so soon? | 0:45:51 | 0:45:54 | |
There's a new man. Killed two of Newton's men last night. | 0:46:11 | 0:46:16 | |
Who is he? This is him coming now. | 0:46:16 | 0:46:20 | |
-Hello, Steve. -Got the word you were headed here. | 0:46:26 | 0:46:30 | |
Do you mind, John? No, not at all, Marshal. | 0:46:34 | 0:46:38 | |
Come in. | 0:46:39 | 0:46:41 | |
You look the same, boy. | 0:46:44 | 0:46:47 | |
Your stone face never changes, either. | 0:46:47 | 0:46:51 | |
So you're the new tough guy? | 0:46:51 | 0:46:54 | |
Look, Steve, you know why I'm here. | 0:46:54 | 0:46:58 | |
Yeah. I'm afraid I do. | 0:46:59 | 0:47:01 | |
-And you don't approve. -No, I don't, either personally or professionally. | 0:47:01 | 0:47:07 | |
-Who told you to interfere with the law? -What law? | 0:47:07 | 0:47:12 | |
Your father's death will get special attention. | 0:47:12 | 0:47:16 | |
I'll handle it my own way. | 0:47:16 | 0:47:18 | |
I don't have to answer to anybody. | 0:47:18 | 0:47:21 | |
You're wrong. You'll answer to me. | 0:47:21 | 0:47:25 | |
-To you?! -Yes. | 0:47:25 | 0:47:28 | |
-You've killed two men. -Self-defence. -Now you're waiting for another. | 0:47:28 | 0:47:33 | |
If you kill him, I'll see you hanged. | 0:47:33 | 0:47:36 | |
What are you trying to do, Steve? Save me from myself? | 0:47:36 | 0:47:41 | |
You couldn't make a murder charge stick. | 0:47:41 | 0:47:45 | |
When Newton sees me, he'll draw his guns. What jury would convict me? | 0:47:45 | 0:47:51 | |
I'll tell the jury that I warned you, | 0:47:51 | 0:47:54 | |
and that it was premeditated murder. | 0:47:54 | 0:47:57 | |
You've hardened up since the last time I saw you. | 0:47:59 | 0:48:03 | |
I mean every word I said. | 0:48:03 | 0:48:05 | |
Ed Newton is riding this way with two of the fastest gunmen around. | 0:48:08 | 0:48:12 | |
And he's going to need them. | 0:48:12 | 0:48:16 | |
-See sense, Mitch. -Take your hands off me. -You won't get away with it. | 0:48:16 | 0:48:23 | |
In the name of your father, who was closer to me than any man, | 0:48:24 | 0:48:29 | |
I disown you. | 0:48:29 | 0:48:31 | |
You're not his son. You're a hooligan out for revenge. | 0:48:31 | 0:48:36 | |
Not to satisfy your father's ghost, but your own ego! | 0:48:36 | 0:48:40 | |
Take your hands off me! | 0:48:40 | 0:48:43 | |
Bartender! | 0:49:04 | 0:49:06 | |
-Put a bottle of whiskey right here. -Yes, sir! | 0:49:07 | 0:49:11 | |
I was the last person Mr Baker talked to. | 0:49:24 | 0:49:28 | |
I had no idea Mitch was his son. | 0:49:28 | 0:49:31 | |
I've known them since Mitch was a boy. | 0:49:31 | 0:49:33 | |
Mr Baker was fearless. | 0:49:33 | 0:49:36 | |
Mitch is the same as his father - just as headstrong. | 0:49:36 | 0:49:41 | |
We've closed in on the last of the main gang | 0:49:41 | 0:49:45 | |
who've supplied the smugglers with guns. | 0:49:45 | 0:49:48 | |
It was thanks to Frank Baker that we got close to them. | 0:49:48 | 0:49:53 | |
So Ed Newton is finished? Not in Mitch's eyes. | 0:49:53 | 0:49:57 | |
I've seen men do foolish things. | 0:50:05 | 0:50:08 | |
What are you talking about? | 0:50:08 | 0:50:11 | |
How fast on the draw are you now? | 0:50:11 | 0:50:13 | |
Look...just don't worry about it, huh? | 0:50:19 | 0:50:23 | |
Bet you can't even lift your gun out of the holster. | 0:50:26 | 0:50:30 | |
You mean like...this? | 0:50:34 | 0:50:36 | |
Please... | 0:50:39 | 0:50:41 | |
-Who is it? -It's me, Allan. -Just a minute. | 0:50:53 | 0:50:58 | |
All right, come in. | 0:51:02 | 0:51:04 | |
Cherokee, if you want, I can get him for you. | 0:51:05 | 0:51:10 | |
-Who? -That greenhorn - Mitch Baker. | 0:51:10 | 0:51:13 | |
Baker?! | 0:51:13 | 0:51:15 | |
How do you know his name? | 0:51:15 | 0:51:18 | |
By hanging round Mission. | 0:51:18 | 0:51:22 | |
-Where is he? -Over at Jim Daley's and he's drunk. | 0:51:22 | 0:51:27 | |
-Probably shoot better drunk than you can sober. -Let me try. | 0:51:27 | 0:51:31 | |
No. Newton will take care of him personally. | 0:51:31 | 0:51:36 | |
-I think Baker knows who killed his father. -You talk too much. | 0:51:38 | 0:51:43 | |
Cherokee, you don't suppose he knows | 0:51:49 | 0:51:53 | |
that I was the one who gave his father away? | 0:51:53 | 0:51:56 | |
You got paid, didn't you? Now, get out of here. | 0:51:56 | 0:52:01 | |
HORSE SNORTS | 0:52:47 | 0:52:50 | |
He's crazy! He tried to kill me! | 0:53:46 | 0:53:49 | |
Where's your gun? | 0:53:49 | 0:53:51 | |
I just dropped it. THEY ALL LAUGH | 0:53:51 | 0:53:55 | |
I guess you did! | 0:53:55 | 0:53:57 | |
He's here in town to kill Ed Newton. | 0:53:57 | 0:54:00 | |
Cherokee himself - he told me. | 0:54:04 | 0:54:07 | |
Quit laughing at me. | 0:54:08 | 0:54:10 | |
QUIT LAUGHING AT ME! | 0:54:10 | 0:54:13 | |
Hey! | 0:54:33 | 0:54:35 | |
Wake up. | 0:54:35 | 0:54:37 | |
I AM awake. | 0:54:37 | 0:54:39 | |
Come here. | 0:54:39 | 0:54:41 | |
Please, be quiet. | 0:54:41 | 0:54:43 | |
-I want to talk to you. -You'll wake everybody. | 0:54:43 | 0:54:48 | |
Talk to me or I'll wake everybody in town! | 0:54:48 | 0:54:52 | |
You've been drinking. | 0:54:53 | 0:54:55 | |
The girl in the cage. | 0:54:59 | 0:55:01 | |
I'm sorry. I'm awfully sorry about your father. | 0:55:04 | 0:55:08 | |
What did old Steve tell you? | 0:55:10 | 0:55:13 | |
Get some sleep. We'll talk about it tomorrow. | 0:55:13 | 0:55:18 | |
You should've heard what he told me. | 0:55:19 | 0:55:22 | |
It'll be all right. Everything'll be all right. | 0:55:24 | 0:55:28 | |
Will it? | 0:55:28 | 0:55:30 | |
Don't say it like that! | 0:55:32 | 0:55:35 | |
Half angel, | 0:55:45 | 0:55:47 | |
all woman. | 0:55:47 | 0:55:50 | |
Goodnight. | 0:55:53 | 0:55:55 | |
Goodnight. | 0:55:58 | 0:56:01 | |
HE WHISTLES | 0:56:04 | 0:56:07 | |
KNOCK ON DOOR < Angelita, may I speak to you? | 0:56:10 | 0:56:14 | |
Yes. | 0:56:14 | 0:56:16 | |
You heard? | 0:56:20 | 0:56:22 | |
I heard it all. | 0:56:22 | 0:56:24 | |
He's so lonely. | 0:56:26 | 0:56:28 | |
And hurt. | 0:56:28 | 0:56:30 | |
I know. | 0:56:30 | 0:56:33 | |
He needs help. | 0:56:33 | 0:56:35 | |
I'll go to him tomorrow, do what I can. | 0:56:36 | 0:56:39 | |
If you don't stop him, he'll be killed. | 0:56:39 | 0:56:43 | |
I'll do everything in my power to help him, | 0:56:43 | 0:56:47 | |
for your sake and for his. | 0:56:47 | 0:56:51 | |
Goodnight, my child. | 0:56:51 | 0:56:53 | |
-< Cherokee, if you tell Ed Newton, he'll kill me. -You talk too much. | 0:57:02 | 0:57:07 | |
HE WHISTLES | 0:57:29 | 0:57:31 | |
I'm sorry. I forgot I had to share this room with a US marshal. | 0:57:42 | 0:57:49 | |
Leave it on. | 0:57:49 | 0:57:52 | |
This is quite a hotel room. | 0:57:59 | 0:58:03 | |
I've slept in this room many times. | 0:58:03 | 0:58:06 | |
You knew all three of the murdered sheriffs, huh? | 0:58:06 | 0:58:12 | |
And liked 'em all. They were brave, honourable men. | 0:58:12 | 0:58:17 | |
Just like your father. | 0:58:17 | 0:58:19 | |
Did he ever tell you he saved my life once? | 0:58:21 | 0:58:25 | |
No. | 0:58:27 | 0:58:30 | |
We saw a lot of each other in those days. | 0:58:30 | 0:58:33 | |
Are you trying to lead up to something? | 0:58:33 | 0:58:36 | |
-He wouldn't want to see you ruin your life. -You told me that before. | 0:58:38 | 0:58:43 | |
I think you covered everything. | 0:58:43 | 0:58:46 | |
-Do you know what your dad dreamed of for you? -Sure, I know. | 0:58:50 | 0:58:56 | |
But that was all a long time ago. | 0:58:56 | 0:59:00 | |
Look, I'm tired. | 0:59:00 | 0:59:02 | |
You can't stand the truth. | 0:59:03 | 0:59:05 | |
I just don't want to talk about it. | 0:59:07 | 0:59:10 | |
You tried to blind yourself with whiskey, but it didn't work. | 0:59:10 | 0:59:15 | |
You tried to drown your conscience, but you're too good a man. | 0:59:15 | 0:59:20 | |
You're like your father. | 0:59:20 | 0:59:23 | |
Sure you want to do something about his murder. | 0:59:24 | 0:59:28 | |
But let me do it my way. | 0:59:28 | 0:59:30 | |
I'll see that justice is done. | 0:59:30 | 0:59:34 | |
Do you want everything your way? | 0:59:36 | 0:59:39 | |
Maybe I do, Steve. | 0:59:47 | 0:59:49 | |
Maybe I do. | 0:59:54 | 0:59:56 | |
< Marshal! | 1:00:12 | 1:00:14 | |
Cherokee left here, undoubtedly to see Newton. | 1:00:15 | 1:00:19 | |
He'll come riding into town with his gunmen, all primed for a kill. | 1:00:19 | 1:00:24 | |
Is Mitch Baker inside? | 1:00:26 | 1:00:28 | |
Yeah, he's playing poker. | 1:00:28 | 1:00:31 | |
He's tired of me. > | 1:00:31 | 1:00:33 | |
I'll talk to him. | 1:00:33 | 1:00:36 | |
He's not in a mood to listen. | 1:00:36 | 1:00:38 | |
He has to. | 1:00:38 | 1:00:39 | |
Good luck. > | 1:00:41 | 1:00:43 | |
Mitch, I must talk to you. | 1:00:49 | 1:00:51 | |
"Mitch"? Friendly, aren't you, Reverend? | 1:00:51 | 1:00:55 | |
Come on. We could use another player. | 1:00:55 | 1:01:00 | |
Yeah, Reverend, siddown. | 1:01:00 | 1:01:02 | |
-Could I talk to you alone? -No. -It won't take long. -Siddown! | 1:01:02 | 1:01:08 | |
Deal the Reverend in. | 1:01:08 | 1:01:10 | |
Reverend, come on, siddown. | 1:01:10 | 1:01:13 | |
Hey! whiskey! | 1:01:13 | 1:01:15 | |
I don't play cards. | 1:01:15 | 1:01:17 | |
Sorry, I don't gamble. | 1:01:17 | 1:01:20 | |
I'll do the gambling. You just hold the cards. | 1:01:20 | 1:01:25 | |
For ten dollars. | 1:01:48 | 1:01:50 | |
I'll stay. | 1:01:50 | 1:01:53 | |
I'll stay. | 1:01:53 | 1:01:55 | |
The Reverend stays. | 1:01:55 | 1:01:57 | |
I'll stay. | 1:01:58 | 1:02:01 | |
Cards? | 1:02:03 | 1:02:05 | |
Uh, let me have two. | 1:02:05 | 1:02:07 | |
Reverend? | 1:02:07 | 1:02:10 | |
Reverend takes, uh, three. | 1:02:11 | 1:02:14 | |
-Spud? -One. | 1:02:14 | 1:02:16 | |
I'll take three cards. | 1:02:16 | 1:02:19 | |
And the dealer... | 1:02:19 | 1:02:21 | |
takes three. | 1:02:21 | 1:02:23 | |
I'll bet 20 dollars. | 1:02:32 | 1:02:35 | |
-Call. -I'm in. | 1:02:37 | 1:02:41 | |
Reverend stays and raises 20. | 1:02:42 | 1:02:45 | |
-I'm out. -I pass. | 1:02:54 | 1:02:58 | |
Have to see 'em, Reverend. | 1:02:58 | 1:03:00 | |
Two pair. | 1:03:00 | 1:03:02 | |
Straight. | 1:03:03 | 1:03:06 | |
Straight?! Four, five, six, seven, NINE! | 1:03:06 | 1:03:11 | |
Wait a minute. What's the Reverend got? | 1:03:11 | 1:03:15 | |
Three jacks! | 1:03:20 | 1:03:22 | |
You win, Reverend. | 1:03:49 | 1:03:51 | |
It's uncanny. | 1:03:53 | 1:03:55 | |
Let's have a bottle of whiskey. | 1:03:59 | 1:04:02 | |
Mitch, may I speak with you? | 1:04:06 | 1:04:09 | |
Don't do this. | 1:04:10 | 1:04:12 | |
Destroy yourself and you destroy those who love and respect you. | 1:04:12 | 1:04:17 | |
You're no longer a stranger. You're one of us. | 1:04:17 | 1:04:21 | |
If you're killed - and I believe you will be - | 1:04:21 | 1:04:25 | |
you will bring shame and disgrace to your father's good name. | 1:04:25 | 1:04:30 | |
Revenge is for the weak, the cruel, | 1:04:33 | 1:04:36 | |
whose emotions lead them away from the path of righteousness. | 1:04:36 | 1:04:41 | |
Please, Mitch. What do I tell Angelita? | 1:04:44 | 1:04:49 | |
There! | 1:05:09 | 1:05:11 | |
He didn't want to take it. | 1:05:11 | 1:05:13 | |
Mitch Baker staked him and played for it, so it belongs to him. | 1:05:13 | 1:05:18 | |
He wouldn't get up from the poker table till he'd lost all his money. | 1:05:18 | 1:05:23 | |
You couldn't do anything? | 1:05:23 | 1:05:25 | |
Nothing. He's dead set, determined to face Newton. | 1:05:25 | 1:05:30 | |
Where'd he go? The hotel? | 1:05:30 | 1:05:33 | |
I suppose. | 1:05:33 | 1:05:34 | |
To the haunted room. | 1:05:34 | 1:05:37 | |
To die needlessly. | 1:05:43 | 1:05:46 | |
A boy who worshipped his father. | 1:05:47 | 1:05:51 | |
If you're looking for Mitch Baker, he's in number nine. | 1:07:03 | 1:07:07 | |
-Why did you come here? -I'm afraid. | 1:07:28 | 1:07:33 | |
Afraid of what? | 1:07:33 | 1:07:35 | |
Mitch, I love you! Oh, Mitch, I love you! | 1:07:36 | 1:07:40 | |
Angelita, I told you before, I don't want you to worry about me. | 1:07:40 | 1:07:47 | |
-I don't care! -Who told you to come here? -No-one. | 1:07:47 | 1:07:51 | |
-The Reverend, huh? -No. | 1:07:51 | 1:07:54 | |
Don't you realise that little girls shouldn't go to a man's hotel room? | 1:07:56 | 1:08:01 | |
I don't care. | 1:08:01 | 1:08:04 | |
Let Marshal Evans take care of Ed Newton. | 1:08:09 | 1:08:14 | |
The only way I can save your reputation is to marry you. | 1:08:14 | 1:08:18 | |
You can't marry anybody if you're dead. | 1:08:18 | 1:08:22 | |
You better go back to the mission. | 1:08:22 | 1:08:25 | |
-Not until you promise... -I'm not promising anything. -Leave town! | 1:08:25 | 1:08:31 | |
-Run away? -Are you afraid of what people think? | 1:08:31 | 1:08:35 | |
I'm not going to run away from the man who killed my father. | 1:08:35 | 1:08:39 | |
I've prayed that you'd change your mind! | 1:08:39 | 1:08:43 | |
Angelita, believe me, if anybody could, it'd be you. | 1:08:43 | 1:08:49 | |
Then, Mitch, please. | 1:08:49 | 1:08:52 | |
Please, change your mind, for me! | 1:08:52 | 1:08:55 | |
That's all for tonight, boys, we're closing up. Go on, get out. | 1:09:17 | 1:09:22 | |
No use anybody getting hurt that don't have to. | 1:09:22 | 1:09:27 | |
You're under federal arrest. | 1:11:49 | 1:11:52 | |
Yeah? For what? | 1:12:00 | 1:12:03 | |
Murder. | 1:12:03 | 1:12:05 | |
That's a pretty serious charge. | 1:12:05 | 1:12:09 | |
You should've thought of that the day you killed Frank Baker. | 1:12:09 | 1:12:14 | |
You can't prove that. | 1:12:15 | 1:12:17 | |
I'll prove it. | 1:12:17 | 1:12:20 | |
I don't think you will. | 1:12:20 | 1:12:23 | |
Lord have mercy on you. | 1:12:54 | 1:12:57 | |
I hereby commiss... | 1:13:11 | 1:13:13 | |
Newton! I'm giving you ten seconds! | 1:13:37 | 1:13:40 | |
Come out with your hands up or I'm coming in. | 1:13:40 | 1:13:44 | |
One... | 1:13:49 | 1:13:50 | |
two... | 1:13:50 | 1:13:53 | |
three... | 1:13:53 | 1:13:55 | |
four... | 1:13:56 | 1:13:58 | |
five... | 1:13:58 | 1:14:00 | |
six... | 1:14:00 | 1:14:03 | |
seven... | 1:14:03 | 1:14:05 | |
eight... | 1:14:05 | 1:14:07 | |
nine... | 1:14:08 | 1:14:10 | |
ten. | 1:14:13 | 1:14:15 | |
Time's up, Baker! I thought you was coming in. | 1:14:15 | 1:14:20 | |
< I am in. | 1:14:21 | 1:14:24 | |
Don't move! | 1:14:24 | 1:14:27 | |
Unless you want to die fast. | 1:14:27 | 1:14:29 | |
Holster your guns. | 1:14:29 | 1:14:32 | |
No! | 1:14:42 | 1:14:44 | |
Turn around, Newton. I want to get a look at your face. | 1:14:50 | 1:14:56 | |
What's the tin badge for? | 1:15:01 | 1:15:04 | |
A licence to kill? | 1:15:06 | 1:15:09 | |
If you resist arrest for murder, yes. | 1:15:11 | 1:15:14 | |
Let me go! | 1:15:32 | 1:15:34 | |
GUNSHOT | 1:15:35 | 1:15:37 | |
Oh, Mitch! | 1:15:53 | 1:15:55 | |
# Angelita! | 1:16:00 | 1:16:04 | |
# My angel, my own | 1:16:04 | 1:16:10 | |
# All the wonder of endless enchantment | 1:16:10 | 1:16:15 | |
# Is in the love we hold | 1:16:15 | 1:16:20 | |
# Angelita! | 1:16:20 | 1:16:24 | |
# I'm forever beside you | 1:16:24 | 1:16:30 | |
# You were free | 1:16:30 | 1:16:32 | |
# Just to lead me there | 1:16:32 | 1:16:39 | |
# Angelita | 1:16:39 | 1:16:43 | |
# True love is divine | 1:16:43 | 1:16:48 | |
# And the key to its mystery is yours and mine | 1:16:48 | 1:16:57 | |
# Angelita | 1:16:57 | 1:17:01 | |
# Angelita | 1:17:01 | 1:17:06 | |
# You have answered | 1:17:06 | 1:17:10 | |
# My every prayer | 1:17:10 | 1:17:18 | |
# Every prayer. # | 1:17:18 | 1:17:23 |