Great Expectations

Line	From	To
SHIPS' BELLS RING IN DISTANCE	0:01:26	0:01:29
GEESE HONK	0:01:35	0:01:36
CLANKING OF CHAINS	0:02:33	0:02:34
-PIP CRIES OUT -Hold your noise!	0:02:34	0:02:36
Hold your noise, you little devil, or I'll out your throat!	0:02:36	0:02:38
-Tell us your, name! Quick! -Pip!	0:02:40	0:02:42
-Once more! Give it mouth! -Pip!	0:02:42	0:02:43
-Shh! -Pip, sir! No, sir, please!	0:02:43	0:02:47
-You got wittles on you, boy? You got wittles on you? -No, sir!	0:02:47	0:02:50
Come here.	0:02:51	0:02:53
What fat cheeks you got.	0:02:53	0:02:55
Darn me if I couldn't eat 'em.	0:02:55	0:02:57
Where's your mother?	0:02:57	0:02:59
STAMMERING: There, sir!	0:02:59	0:03:01
Also Georgiana, sir.	0:03:01	0:03:02
My mother and brothers, too.	0:03:02	0:03:04
Orphan, eh?	0:03:04	0:03:05
Who d'you live with? That supposin' I let you live.	0:03:05	0:03:08
My sister, sir, Mrs Joe Gargery,	0:03:08	0:03:10
wife of Joe Gargery, the blacksmith.	0:03:10	0:03:13
Blacksmith, eh?	0:03:13	0:03:14
You know what a file is?	0:03:15	0:03:17
-You know what wittles is? -Yes, sir, food, sir.	0:03:17	0:03:19
I ain't alone, as you may think I am.	0:03:19	0:03:22
There's a young man hid with me in comparison with which I am an angel,	0:03:22	0:03:26
and he has a secret way of getting at a boy, and at his heart,	0:03:26	0:03:30
and at his liver, so that they may be roasted and ate.	0:03:30	0:03:32
It is in vain for a boy to hide from that young man.	0:03:32	0:03:36
Now, you bring me tomorrow morning early, in this graveyard,	0:03:36	0:03:40
that file and them wittles,	0:03:40	0:03:42
never daring to say a word,	0:03:42	0:03:45
and I will do what I can to keep that young man out of your insides.	0:03:45	0:03:49
-Understand? Speak it out! -Yes, sir! -Now get you home.	0:03:49	0:03:53
CHAINS JANGLE	0:03:56	0:03:57
There you are, Pip! Ah, your sister's been out a dozen times looking for you.	0:04:22	0:04:26
-Now, listen, she's on the rampage and she's got Tickler with her. -WOMAN YELLS OUTSIDE	0:04:26	0:04:30
Now, I'll do what I can but you best get in there behind the door.	0:04:30	0:04:34
-Now... You ready? -WOMAN: -Where have you been?	0:04:34	0:04:36
Wearing me out with fret and worry!	0:04:37	0:04:39
-I said, "Where have you been?" -MAN GRUNTS	0:04:39	0:04:41
-The churchyard. -The churchyard! If it weren't for me	0:04:41	0:04:44
you would've been to the churchyard years ago, and stayed there!	0:04:44	0:04:46
-Who brought you up by hand? -BOTH: -You did!	0:04:46	0:04:48
Why did I, I should like to know! Fetch the tar water!	0:04:48	0:04:51
There's no need for tar water, my love. It's Christmas.	0:04:51	0:04:53
-Fetch it! -PIP GROANS	0:04:53	0:04:55
Bad enough having to be a blacksmith's wife, without having to mother you, too.	0:04:55	0:04:59
-You're driving me to the churchyard. -You all right?	0:04:59	0:05:02
-You'd like that, both of you, I suppose. -Tar water. You be careful.	0:05:02	0:05:06
Table! Now!	0:05:08	0:05:09
DISTANT EXPLOSION	0:05:11	0:05:13
There's another convict escaped from the Hulks.	0:05:13	0:05:16
-What might he have done, the convict? -Murder most likely.	0:05:17	0:05:21
That's why they put them in the Hulks, because they murder.	0:05:21	0:05:24
-"Murder"? -Murder and robbing. That's too many questions!	0:05:24	0:05:27
Where's that bread gone?	0:05:28	0:05:29
I ate it.	0:05:32	0:05:33
-You did, did you? -HE MOUTHS	0:05:35	0:05:37
SNORING	0:05:56	0:05:59
Sir. Sir...	0:06:43	0:06:45
MAN GRUNTS, PIP GASPS	0:06:45	0:06:47
Did you bring it, boy?	0:07:23	0:07:25
Yes, sir. Here.	0:07:25	0:07:28
What's in the bottle?	0:07:29	0:07:32
-Brandy. -Here. Here.	0:07:32	0:07:34
HE GASPS	0:07:36	0:07:38
HE COUGHS	0:07:38	0:07:40
HE GAGS	0:07:40	0:07:41
HE SIGHS	0:07:41	0:07:43
-You brought no-one with you? -No, sir!	0:07:49	0:07:51
-And you asked no-one to follow? -I wouldn't do that, sir.	0:07:51	0:07:54
I'm glad you enjoy the pie.	0:07:59	0:08:01
Oh, thank 'ee, my boy, I do. I do.	0:08:01	0:08:03
-There'll be none left for him! -"Him"?	0:08:03	0:08:06
-Who's "him"? -The young man you spoke of. Who wants to eat my liver.	0:08:06	0:08:10
Oh, him! HE CHUCKLES	0:08:10	0:08:14
-He won't want no pie. -LAUGHING	0:08:14	0:08:17
He looked as if he did.	0:08:18	0:08:20
Looked? What d'you mean, looked?	0:08:20	0:08:22
-I saw him. -When? -Just now.	0:08:22	0:08:25
-Where? -Down by the river.	0:08:25	0:08:27
What with... Dressed like me with a bruised face?	0:08:27	0:08:30
-Here? Badly bruised? -Yes, sir. -Give me the file, boy!	0:08:30	0:08:33
Hunt him down like a dog, I will.	0:08:36	0:08:39
-Goodbye, then, sir. -Let him go free? -Merry Christmas, sir.	0:08:39	0:08:42
-Let him make a fool of me again? -Goodbye.	0:08:42	0:08:45
That villain. I'll take him to the bottom of the river...	0:08:45	0:08:49
# ..On Christmas day, on Christmas day	0:08:51	0:08:54
# And all the souls on earth shalt sing	0:08:54	0:08:56
# On Christmas day in the morning	0:08:56	0:08:59
# Then let us all rejoice and sing	0:08:59	0:09:01
# On Christmas day, on Christmas day... #	0:09:01	0:09:03
CHEERING	0:09:03	0:09:05
Beautiful.	0:09:05	0:09:07
ALL LAUGH	0:09:07	0:09:12
A beautiful piece of meat, that is.	0:09:12	0:09:15
For the great feast we are about to receive, thanks to you, ma'am...	0:09:16	0:09:19
-Hear, hear! -May the good Lord make us truly thankful.	0:09:19	0:09:23
-Amen. -ALL: Amen!	0:09:23	0:09:26
Did you hear that? Be grateful!	0:09:26	0:09:27
Especially, my boy, as to those what brought you up by hand.	0:09:27	0:09:31
Why is it that the young are never grateful?	0:09:31	0:09:34
ALL SIGHING	0:09:34	0:09:35
-Naturally wicious! -Wicious little ferret. What? ALL LAUGH	0:09:35	0:09:39
-They're lovely! -They're not lovely. They're wicious.	0:09:39	0:09:41
More gravy, Mr Wopsle?	0:09:41	0:09:43
ALL CHATTER	0:09:43	0:09:46
Mm-hm.	0:09:46	0:09:48
ALL MUNCH	0:09:48	0:09:50
Oh, I nearly forgot! Ladies and gentlemen,	0:09:50	0:09:53
please do leave a little room for the savoury pork pie	0:09:53	0:09:57
so kindly provided for by dear Mr Pumblechook.	0:09:57	0:10:00
No more than you deserve, ma'am.	0:10:00	0:10:02
I'll get it now. Shall I get it now?	0:10:02	0:10:05
I'll get it now.	0:10:05	0:10:07
I often say, a slice of savoury pork pie	0:10:07	0:10:10
-will sit on top of anything you care to mention... -< Are you all right?	0:10:10	0:10:13
..and do no harm.	0:10:13	0:10:14
Especially with a little brandy.	0:10:14	0:10:16
Wise words, as always.	0:10:16	0:10:17
It's in here somewhere.	0:10:17	0:10:19
At least it was here. It's gone!	0:10:19	0:10:22
HE SPLUTTERS AND COUGHS	0:10:22	0:10:25
-There's tar water in the brandy! -Pip!	0:10:25	0:10:28
Where do you think you're going, boy?	0:10:29	0:10:31
HE GASPS	0:10:31	0:10:32
CLAMOUR	0:10:32	0:10:34
-Oh, that is hot, yeah. -Well done, blacksmith. Well done.	0:10:34	0:10:37
Nasty vicious characters, both of them.	0:10:40	0:10:42
Not the kind you'd want to stumble upon alone, eh?	0:10:42	0:10:44
Anybody here seen anything of such a gang?	0:10:44	0:10:46
-Nothing, Sergeant. -Thank you, ma'am.	0:10:46	0:10:47
Your health, sir.	0:10:50	0:10:51
Thank you, sir. A fine job.	0:10:51	0:10:54
We found them filed clean through.	0:10:54	0:10:56
But no matter. We'll have 'em back on him in no time.	0:10:56	0:11:00
Course, if any of you gentlemen fancy some sport...	0:11:00	0:11:03
-Oh, yes. -Willingly.	0:11:03	0:11:05
Right, outside. Fall in.	0:11:05	0:11:06
Jump to it!	0:11:06	0:11:08
Come on, let's be having you.	0:11:08	0:11:10
Out you come, Pip.	0:11:10	0:11:11
I hope we don't find 'em, Joe.	0:11:21	0:11:22
I hope so too, old chap.	0:11:22	0:11:24
I hope so too.	0:11:24	0:11:25
-INDISTINCT SHOUTING MAN: -Over here, Sergeant!	0:11:37	0:11:41
Come here!	0:11:41	0:11:42
INDISTINCT SHOUTING	0:11:42	0:11:44
-SERGEANT: -You, man, break it off.	0:11:44	0:11:47
Break it off.	0:11:48	0:11:50
Get them. Go.	0:11:50	0:11:51
-GRUNTING, PUNCHES LAND -Get out there, you cowardly bastard.	0:11:51	0:11:54
Move. Move.	0:11:54	0:11:56
HE GRUNTS	0:11:56	0:11:57
I've got him!	0:11:57	0:11:59
-HE GRUNTS -Break it off! Break it off!	0:11:59	0:12:01
CHAINES JANGLE, THUMPING	0:12:01	0:12:03
What are you waiting for? Get out there!	0:12:03	0:12:05
HE GROANS	0:12:05	0:12:06
Go on, get in!	0:12:06	0:12:08
GRUNTING	0:12:08	0:12:10
-CONVICT 1: -Let me at him! Let me at him!	0:12:11	0:12:14
-He tried to murder me! -OFFICERS SHOUT	0:12:14	0:12:19
-I took him! -Get those leg irons over here.	0:12:19	0:12:21
He tried to murder me!	0:12:21	0:12:23
Let him go free? Let him profit from me again and again?	0:12:23	0:12:26
Let's put him down.	0:12:26	0:12:27
-He tried to murder me! -Quiet, you!	0:12:27	0:12:30
I should have been a dead man, if you hadn't got here!	0:12:30	0:12:33
I wish to say something.	0:12:38	0:12:40
-A confession if you like. -Wait.	0:12:40	0:12:43
Go on.	0:12:43	0:12:44
A man can't starve.	0:12:44	0:12:46
I took, stole, some wittles up at the village.	0:12:46	0:12:50
And a file, too.	0:12:50	0:12:52
And I'll tell you from where.	0:12:52	0:12:54
The blacksmith's.	0:12:54	0:12:55
Brandy and a pie.	0:12:55	0:12:57
Have you missed such an article as a pie, blacksmith?	0:12:57	0:12:59
-My wife did. -So you're the blacksmith, are you?	0:12:59	0:13:03
Then I'm sorry to say I've eat your pie.	0:13:04	0:13:07
God knows you're welcome to it.	0:13:07	0:13:09
We don't know what you've done,	0:13:09	0:13:11
but we wouldn't wish you to starve to death for it, would us, Pip?	0:13:11	0:13:14
No.	0:13:15	0:13:16
Pip?	0:13:18	0:13:20
Move on!	0:13:20	0:13:21
CHAINS JANGLE	0:13:21	0:13:23
-MAN: -Swing your legs in there.	0:13:32	0:13:34
I say, Pip, old chap!	0:14:03	0:14:05
What a scholar you are!	0:14:05	0:14:06
I should like to be, some day.	0:14:06	0:14:09
Here, read it, Joe.	0:14:09	0:14:10
Read it.	0:14:12	0:14:13
Read it.	0:14:15	0:14:16
"My dear Joe,	0:14:23	0:14:25
"I hope you are quite well.	0:14:25	0:14:29
"I shall soon be able for to teach you, Joe.	0:14:29	0:14:35
-"And what larks!" -"Larks"!	0:14:35	0:14:38
It's a J.	0:14:38	0:14:39
An O.	0:14:39	0:14:41
-HE STAMMERS -That's the best O I ever saw.	0:14:41	0:14:43
-It's astonishing! -PIP CHUCKLES	0:14:43	0:14:45
How interesting this reading is!	0:14:45	0:14:47
-Perhaps I could teach you one day, Joe. -Perhaps.	0:14:47	0:14:51
Be it so, be it so.	0:14:52	0:14:54
But I fear I am most awful... awful...dull.	0:14:54	0:14:58
PIP SIGHS	0:14:58	0:14:59
-Not like you, young scholar! -BOTH CHUCKLE	0:14:59	0:15:02
HE SIGHS	0:15:04	0:15:05
Ever the best of friends. Thanks, Pip.	0:15:07	0:15:10
Ever the best of friends, Joe.	0:15:10	0:15:11
And when you're apprenticed to me, what larks.	0:15:11	0:15:16
-MRS JOE: -Gargery!	0:15:16	0:15:17
-She must be, what, two mile off? -THEY LAUGH	0:15:19	0:15:22
-MRS JOE: -GARGERY!	0:15:24	0:15:26
Best be getting back, old chap.	0:15:26	0:15:28
MRS GARGERY SCREAMS IN DISTANCE	0:15:28	0:15:31
You're not too quick for me yet!	0:15:34	0:15:36
Now, if this boy ain't grateful, he never will be.	0:15:36	0:15:40
I only hope he won't be pampered.	0:15:40	0:15:42
She ain't in that line, ma'am, have no fear.	0:15:42	0:15:44
-"She"? -Well, Miss Havisham ain't a he, is she?	0:15:44	0:15:46
Even you ain't as dull as that!	0:15:46	0:15:47
Well put, ma'am. Good indeed.	0:15:47	0:15:49
-Mr Pumblechook... -Her tenant, don't you see?	0:15:49	0:15:51
..goes to pay his rent and Miss Havisham says,	0:15:51	0:15:54
does he know a boy who might go and play there for her pleasure?	0:15:54	0:15:58
And Mr Pumblechook always being considerate and thoughtful of us...	0:15:58	0:16:02
No more than you deserve, ma'am.	0:16:02	0:16:03
..mentions this boy prancing here	0:16:03	0:16:05
to go straightaway!	0:16:05	0:16:07
For all we know our fortune might be made and all he has to do is play!	0:16:07	0:16:10
I don't want to.	0:16:10	0:16:11
-You listen to me, ungrateful wretch! -PIP GRUNTS	0:16:11	0:16:13
Want to mix with people of quality and breeding	0:16:13	0:16:15
or stay here and rot with this great lumpen noodle?	0:16:15	0:16:19
-Stay here. -What?!	0:16:21	0:16:22
-What? -SHE GRUNTS	0:16:24	0:16:26
SHE GASPS	0:16:27	0:16:29
-Breathe in. Breathe. -SHE YELLS	0:16:31	0:16:35
Six sixes.	0:16:38	0:16:40
36.	0:16:40	0:16:42
-Minus 35. -One.	0:16:42	0:16:46
Plus 119.	0:16:46	0:16:48
119...	0:16:48	0:16:50
Um, 120.	0:16:50	0:16:52
Divided by 84.	0:16:52	0:16:53
Your answer, please, boy. Your answer.	0:16:55	0:16:57
So start again.	0:16:57	0:16:59
12 times 39...	0:16:59	0:17:03
Four times 17.	0:17:14	0:17:15
Too slow! 68.	0:17:15	0:17:17
Nine times 13.	0:17:17	0:17:19
117...	0:17:19	0:17:20
Now, boy, remember your station	0:17:28	0:17:31
and let your conduct be a credit	0:17:31	0:17:33
as to those which brought you up by hand.	0:17:33	0:17:35
Ow! PIP GRUNTS	0:17:35	0:17:37
-Look, the clock's stopped. -Never mind the clock...	0:17:39	0:17:42
CHAIN RATTLES	0:17:48	0:17:51
-What name? -Pumblechook.	0:18:01	0:18:04
Quite right.	0:18:04	0:18:05
Do you wish to see Miss Havisham?	0:18:05	0:18:07
-Well, if Miss Havisham wishes to see me! -She don't.	0:18:08	0:18:11
Come along, boy.	0:18:11	0:18:13
Boy!	0:18:13	0:18:14
Are you frightened?	0:18:31	0:18:32
STAMMERING: I don't know.	0:18:33	0:18:35
Go in, then.	0:18:40	0:18:41
NERVOUSLY: After you, miss.	0:18:42	0:18:43
Who is it?	0:19:18	0:19:19
Pip, ma'am.	0:19:20	0:19:22
Pip?	0:19:23	0:19:24
Pumblechook's boy,	0:19:24	0:19:26
come to, er, play.	0:19:26	0:19:29
Oh.	0:19:29	0:19:30
Ah, yes. Um...	0:19:32	0:19:34
Come nearer.	0:19:35	0:19:36
Let me look at you.	0:19:36	0:19:37
Look at me!	0:19:44	0:19:45
You're not afraid of a woman who's never seen the sun since you were born?	0:19:47	0:19:50
NERVOUSLY: No, ma'am.	0:19:51	0:19:53
Then come closer.	0:19:53	0:19:55
Hmm.	0:19:58	0:19:59
Now, I sometimes have sick fancies.	0:20:09	0:20:13
And, um, I have a sick fancy that I want to see some play.	0:20:13	0:20:18
Um, so...play.	0:20:18	0:20:20
Go on, play. Play.!	0:20:20	0:20:22
-Are you sullen and obstinate? -No, ma'am!	0:20:25	0:20:28
I am very sorry for you and sorry that I can't play.	0:20:28	0:20:31
But if you complain of me I will get into trouble with my sister,	0:20:31	0:20:35
so I would play if I could, but it's just so new here.	0:20:35	0:20:39
Call Estella! Estella!	0:20:39	0:20:41
Estella!	0:20:41	0:20:43
Mmm.	0:20:48	0:20:49
SHE CHUCKLES	0:20:53	0:20:54
(Your own one day, my dear,	0:20:54	0:20:57
(and you will use it well.)	0:20:57	0:20:59
Now. Let me see you play cards with him.	0:21:02	0:21:05
(But he's a common labouring boy.	0:21:05	0:21:08
(You can break his heart.)	0:21:08	0:21:10
What do you play, boy?	0:21:11	0:21:13
Nothing but Beggar My Neighbour, miss.	0:21:13	0:21:16
So...	0:21:16	0:21:18
Beggar him.	0:21:18	0:21:19
SHE CACKLES	0:21:19	0:21:22
-PIP: The jack of diamonds. ESTELLA: -"Jack"!	0:21:36	0:21:38
He calls the knaves "jack", this boy.	0:21:38	0:21:40
And what coarse hands he has,	0:21:41	0:21:44
and what thick boots.	0:21:44	0:21:47
He's nothing but a stupid, clumsy, labouring boy.	0:21:47	0:21:50
What do you think of her?	0:21:54	0:21:55
You say nothing of her.	0:21:55	0:21:57
I don't like to say.	0:21:58	0:22:01
Whisper in my ear.	0:22:01	0:22:03
Hm.	0:22:07	0:22:08
What do you think?	0:22:08	0:22:10
I think she is very proud.	0:22:10	0:22:13
-Anything else? -I think...	0:22:13	0:22:15
I think she is very pretty.	0:22:17	0:22:19
Anything else?	0:22:19	0:22:21
I think she is very insulting.	0:22:21	0:22:24
I think I should like to go home.	0:22:26	0:22:27
What?	0:22:29	0:22:30
And never see her again?	0:22:30	0:22:32
I think I'd like to see her again.	0:22:32	0:22:34
Then you shall.	0:22:34	0:22:36
Then you shall.	0:22:38	0:22:39
-But when, when shall I have you here again? -Today is Wednesday.	0:22:41	0:22:44
No Wednesdays, Thursdays, Fridays here,	0:22:44	0:22:46
no days of the week, no weeks of the year.	0:22:46	0:22:49
No... Come again after six nights.	0:22:50	0:22:54
Estella, take him down.	0:22:54	0:22:56
Feed him.	0:22:56	0:22:57
"And the Lord said unto...unto..." CLAMOURING	0:23:14	0:23:17
"...unto Aaron,	0:23:17	0:23:19
"Thou and thy sons and thy father's house..."	0:23:19	0:23:24
CHATTER AND LAUGHTER PIP CONTINUES	0:23:24	0:23:29
Good gracious, what is going on?! Enough! Enough, I say!	0:23:29	0:23:33
Back to your form, Pip.	0:23:33	0:23:35
HE SNORES	0:23:35	0:23:38
Now, let us read together.	0:23:39	0:23:42
Quietly.	0:23:42	0:23:45
ALL: "And the Lord said...	0:23:45	0:23:47
"Unto Aaron..." BELL TOLLS	0:23:47	0:23:51
"Thou and thy sons..."	0:23:51	0:23:54
INDISTINCT CHATTER	0:23:54	0:23:57
I wonder if you might teach me.	0:23:57	0:23:59
Teach you what, Pip?	0:23:59	0:24:01
Everything.	0:24:01	0:24:02
I want to know everything.	0:24:02	0:24:05
-SHE LAUGHS -Everything?	0:24:05	0:24:07
Goodness, well,	0:24:07	0:24:09
that might take a little time.	0:24:09	0:24:12
Pip, whatever for?	0:24:12	0:24:14
Do you know the name of the house, boy?	0:24:14	0:24:18
It is Satis House.	0:24:18	0:24:20
Is that Greek or Latin?	0:24:20	0:24:23
Greek or Latin or Hebrew or all three, for "enough".	0:24:23	0:24:28
-"Enough House". That's a curious name. -Don't loiter!	0:24:28	0:24:32
It meant, when it was given, that whoever had this house	0:24:32	0:24:35
would want for nothing else.	0:24:35	0:24:37
They must have been easily satisfied.	0:24:37	0:24:40
-WOMAN 1: -Is this him? Is this the boy?	0:24:43	0:24:45
-None of your business. -MAN: -Well! Of all the...	0:24:45	0:24:47
Will she see us today? We have been waiting!	0:24:47	0:24:49
-WOMAN 2: -Waiting all morning! -MAN: -Waiting all morning!	0:24:49	0:24:52
-We only wish to help. -We only wish to help.	0:24:52	0:24:54
Miss Havisham's poor relations.	0:24:54	0:24:56
-She calls them her vultures. -The little bitch! -Ignore them.	0:24:56	0:25:00
-PIP: So are they your relations, too? ESTELLA: -Certainly not.	0:25:03	0:25:05
I have no relations.	0:25:05	0:25:07
-Then Miss Havisham is not your... -Well?	0:25:07	0:25:10
-Well, miss? -Am I pretty?	0:25:10	0:25:13
Yes. You are very pretty.	0:25:13	0:25:15
Am I insulting?	0:25:19	0:25:21
No.	0:25:21	0:25:22
Well, not so much as last time.	0:25:22	0:25:25
-HE GROANS -Why don't you cry?	0:25:25	0:25:28
Because I don't want to.	0:25:28	0:25:30
Whom have we here?	0:25:30	0:25:31
Ah. So you're the boy, are you?	0:25:32	0:25:36
Well, I have a pretty large experience of boys,	0:25:36	0:25:39
and you're a bad set of fellows.	0:25:39	0:25:41
Behave yourself.	0:25:41	0:25:42
You're to wait here in the ballroom.	0:25:44	0:25:47
-HAVISHAM: -What do you think it is?	0:25:55	0:25:56
A cake.	0:25:57	0:25:59
A bride's cake.	0:25:59	0:26:01
Mine!	0:26:01	0:26:02
Take my hand, walk with me.	0:26:05	0:26:07
Today is my birthday.	0:26:10	0:26:13
-Many happy ret... -I will not have it spoken of!	0:26:13	0:26:15
No. On this day of the year, long before you were born,	0:26:17	0:26:22
this heap of decay was brought here...	0:26:22	0:26:24
We've worn away together.	0:26:24	0:26:26
Mice have gnawed at it.	0:26:26	0:26:28
And sharper teeth than mice have gnawed at me.	0:26:28	0:26:30
When the ruin is complete,	0:26:33	0:26:35
when they lay me dead in my bride's dress,	0:26:35	0:26:39
on the bride's table,	0:26:39	0:26:41
the curse will be finished on him.	0:26:41	0:26:43
On who, Miss Havisham?	0:26:43	0:26:45
MURMUR OF VOICES	0:26:45	0:26:46
Miss Havisham. How well you look!	0:26:46	0:26:49
-Happy birthday. -MAN: -Indeed!	0:26:49	0:26:50
Ah, the vultures.	0:26:52	0:26:55
Estella, feed the boy.	0:26:56	0:26:59
ESTELLA HUMS	0:27:03	0:27:07
Who are you? Who let you in?	0:27:47	0:27:51
Who gave you leave to prowl about?	0:27:51	0:27:53
Estella.	0:27:53	0:27:54
Estella?	0:27:54	0:27:55
That witch!	0:27:55	0:27:56
-Take that back! -I will not!	0:27:56	0:27:58
-You will take that back. -Fight me, then.	0:27:58	0:28:01
Regular rules.	0:28:01	0:28:02
Come to the ground!	0:28:02	0:28:04
HE HUFFS	0:28:06	0:28:08
HE GRUNTS	0:28:09	0:28:11
-Fight me, fight me. -HE GRUNTS	0:28:19	0:28:22
HE GROANS	0:28:23	0:28:24
That means you won.	0:28:31	0:28:33
Honour is satisfied. Much obliged. Good afternoon!	0:28:33	0:28:36
You are to return the day after tomorrow at noon,	0:28:44	0:28:47
alternate days after that.	0:28:47	0:28:49
Expect no reward.	0:28:50	0:28:52
You may kiss me.	0:28:55	0:28:57
If you like.	0:28:57	0:28:58
Now, then, the Kings of England.	0:29:25	0:29:27
-Henry Ill, Richard... -Edward I...	0:29:27	0:29:30
-Edward I -..II and III.	0:29:30	0:29:34
-Richard. -Richard the... -Richard II. -Henry the...	0:29:34	0:29:37
How do you manage it, Biddy?	0:29:37	0:29:39
Manage what?	0:29:39	0:29:41
To know so much!	0:29:41	0:29:43
I suppose I catch it.	0:29:43	0:29:46
Like a cough.	0:29:46	0:29:48
HE WHISTLES	0:29:48	0:29:52
# Old Clem, beat it out, beat it out	0:29:52	0:29:55
# Old Clem, with a clink for the stout	0:29:55	0:29:59
# Old Clem, with a... #	0:29:59	0:30:01
Something wrong, old chap?	0:30:01	0:30:02
I wish you hadn't taught me to call knaves jacks!	0:30:02	0:30:05
What's that, Pip?	0:30:05	0:30:06
I wish my boots weren't so thick and my hands so coarse.	0:30:06	0:30:09
I wish I wasn't common!	0:30:09	0:30:10
-'May I tell you a secret? BIDDY: -I suppose you may.'	0:30:12	0:30:15
I don't... I don't want to be a blacksmith.	0:30:17	0:30:21
I want to be a gentleman.	0:30:22	0:30:24
Oh, I wouldn't if I was you.	0:30:24	0:30:26
-Aren't you fond of the forge? And Joe? -Yes.	0:30:26	0:30:29
Then don't you think you'd be happier as you are?	0:30:29	0:30:31
I have particular reasons.	0:30:31	0:30:35
To do with a certain young lady, I suppose.	0:30:35	0:30:38
Your princess.	0:30:39	0:30:41
One, two, three, four.	0:30:41	0:30:44
One, two, three, four.	0:30:44	0:30:47
BOTH: One, two, three, four...	0:30:54	0:30:56
One, two, three, four...	0:30:56	0:30:59
One, two, three...	0:31:07	0:31:10
Estella.	0:31:10	0:31:11
What are you doing?	0:31:12	0:31:14
Teaching Pip to dance.	0:31:14	0:31:16
Like a gentleman.	0:31:16	0:31:18
Bring the blacksmith to See me.	0:31:22	0:31:24
Joe.	0:31:35	0:31:36
Oh.	0:31:51	0:31:53
So you are the husband of the sister of the boy?	0:31:53	0:31:56
-Being that I have been married to your sister... -Just say yes, Joe.	0:31:59	0:32:02
-By which I mean to say... -Joe! -Yes, Miss Havisham.	0:32:02	0:32:06
And you have reared the boy	0:32:06	0:32:07
with the intention of making him your apprentice?	0:32:07	0:32:10
You know, Pip, as you and I ever were the best of friends,	0:32:12	0:32:15
and it were look for'ard to betwixt us	0:32:15	0:32:17
as being calculated to lead to larks.	0:32:17	0:32:19
The boy has made no objection to the trade?	0:32:26	0:32:29
-Larks being the great wish of his heart. -Oh, enough! Estella.	0:32:29	0:32:32
Um, bring me that purse.	0:32:32	0:32:34
Yes, um...	0:32:36	0:32:38
Pip has earned a premium here.	0:32:38	0:32:41
Here are five and 20 guineas.	0:32:41	0:32:44
Give it to your new master, Pip.	0:32:44	0:32:46
Now...	0:32:53	0:32:55
You are now a blacksmith.	0:32:55	0:32:57
Goodbye.	0:32:57	0:32:59
-You are not ashamed of being a blacksmith, are you? -No.	0:33:04	0:33:08
-Then you are a blacksmith. -Goodbye.	0:33:08	0:33:11
But...	0:33:12	0:33:13
Am I to come again?	0:33:13	0:33:15
No. Goodbye, Pip.	0:33:16	0:33:19
You have been a good boy.	0:33:19	0:33:21
Goodbye. Goodbye.	0:33:21	0:33:23
Come on. Let's go.	0:33:29	0:33:30
Perhaps we shall meet again. One day.	0:33:44	0:33:48
It seems unlikely.	0:33:52	0:33:53
Pip. Pip.	0:34:00	0:34:02
Come on, boy.	0:34:04	0:34:05
Pip.	0:34:50	0:34:52
Joe, may I?	0:34:52	0:34:53
THEY LAUGH	0:34:57	0:35:00
Biddy, I wish...	0:35:53	0:35:54
Go on.	0:35:56	0:35:57
Pip?	0:35:57	0:35:58
-Biddy, I wish I could fall in love with you. -Oh.	0:36:03	0:36:07
-Can I say this to you? -Don't mind me.	0:36:07	0:36:12
I wish I could love you and my work	0:36:13	0:36:15
and that I could settle down with Joe at the forge,	0:36:15	0:36:17
and that we could be sitting here together,	0:36:17	0:36:20
two completely different people.	0:36:20	0:36:22
I do wish I could be content, but...	0:36:22	0:36:25
You cannot.	0:36:27	0:36:28
Might you be content with me?	0:36:35	0:36:36
I might.	0:36:38	0:36:39
But then, I'm easily pleased.	0:36:40	0:36:42
Do you think of her very often?	0:36:48	0:36:50
'CLANGING'	0:37:01	0:37:03
Pip. Pip!	0:37:04	0:37:07
Gentleman to see you.	0:37:07	0:37:08
You are Philip Pirrip,	0:37:10	0:37:12
more commonly known as Pip, am I right?	0:37:12	0:37:16
-Yes, sir. -And this is your brother-in-law...	0:37:16	0:37:19
-Joseph, or "Joe" Gargery? -I am that man.	0:37:19	0:37:21
-And your wife, Mr Gargery? -Dead, sir. Bad heart.	0:37:21	0:37:25
Passed away five years since, while on the rampage. I miss her.	0:37:25	0:37:29
-I miss her... -Condolences, yes.	0:37:29	0:37:31
My name is Jaggers. I'm a lawyer in London.	0:37:31	0:37:33
I'm pretty well known.	0:37:33	0:37:35
And I have some unusual business to transact with you.	0:37:35	0:37:38
Joseph Gargery, I am the bearer of an offer...	0:37:42	0:37:44
to relieve you of this young fellow, your apprentice.	0:37:44	0:37:48
I am here to inform you that he has great expectations.	0:37:48	0:37:52
He has come into a handsome fortune,	0:37:54	0:37:57
and it is the desire of the present possessor of the fortune	0:37:57	0:38:01
that he be removed from his present circumstances	0:38:01	0:38:04
and brought up as a gentleman in London.	0:38:04	0:38:07
Do you have any objections?	0:38:10	0:38:13
-I don't think so. -There are conditions, of course.	0:38:13	0:38:16
The first being that you always retain the name Pip.	0:38:16	0:38:19
-You've no objections to that, I dare say. -I have no objection.	0:38:19	0:38:23
And the second stipulation,	0:38:23	0:38:24
is that the name of the liberal benefactor remain a profound secret.	0:38:24	0:38:30
You are positively prohibited	0:38:30	0:38:32
from making any enquiries into this question. Do you understand?	0:38:32	0:38:36
I understand.	0:38:36	0:38:37
-Mr Gargery? -Hm?	0:38:37	0:38:40
Mr Gargery, this is for you.	0:38:40	0:38:42
20 guineas.	0:38:42	0:38:44
As compensation for the loss of his services.	0:38:44	0:38:47
Very generous, I think you'd agree.	0:38:51	0:38:53
If you think money can make compensation	0:38:53	0:38:56
for the loss of the little orphan what come to the forge and was...	0:38:56	0:38:58
-It's time for us, Joe. -Yes, yes, yes, very noble sentiment.	0:38:58	0:39:01
Very touching, I'm sure. Do you want the money or no?	0:39:01	0:39:03
-If you're a man, come on! -Joe!	0:39:03	0:39:05
Bear-baiting and badgering me in my own home.	0:39:05	0:39:06
-Come on, I say! -Joe!	0:39:06	0:39:08
-Come on, I say! -Joe! Enough! Enough!	0:39:08	0:39:09
Joe! CHAINS RATTLES	0:39:09	0:39:11
Well, Mr Pip, the sooner you leave here, the better.	0:39:22	0:39:24
Shall we say one week?	0:39:24	0:39:26
And what will I do in London?	0:39:27	0:39:29
"Do"?	0:39:29	0:39:30
What will be my trade?	0:39:30	0:39:33
My profession?	0:39:33	0:39:34
A gentleman. You will be a gentleman.	0:39:34	0:39:37
You will please consider me your guardian now.	0:39:37	0:39:39
Good evening.	0:39:42	0:39:43
-PUMBLECHOOK: -Thing is, I always say, you need your inexpressibles	0:39:47	0:39:51
in something fine, clingy!	0:39:51	0:39:53
-A nice lute string, ladies. -LADIES CHUCKLING	0:39:53	0:39:55
No point your inexpressibles being in nankeen, now, is there?	0:39:55	0:39:59
No point at all.	0:39:59	0:40:00
Nothing clings. Nothing is expressed.	0:40:00	0:40:02
LAUGHTER CONTINUES Mr Pumblechook.	0:40:02	0:40:04
Oh, seven times 16, your answer, please.	0:40:06	0:40:09
-Mr Pumblechook. -Too slow, too slow.	0:40:09	0:40:12
-Mr Pumblechook, I have some news. -Oh?	0:40:12	0:40:13
I've...	0:40:13	0:40:15
Well, I've come into some property.	0:40:15	0:40:17
Oh.	0:40:22	0:40:23
This is a very sweet article for light summer wear.	0:40:23	0:40:26
-May I? -You may.	0:40:26	0:40:28
Ah... Feel the knap? Do you feel that?	0:40:28	0:40:31
Yah.	0:40:31	0:40:32
See how it catches the light? Extra superfine	0:40:32	0:40:35
and quite in vogue amongst the London gentry. Number five...	0:40:35	0:40:38
This is you as well.	0:40:40	0:40:42
This is very you.	0:40:42	0:40:43
That will be evening and that will be daytime.	0:40:43	0:40:46
So, best to get them both.	0:40:46	0:40:48
-What about some gentleman's boots? -We don't do boots.	0:40:48	0:40:52
Astonishing!	0:40:55	0:40:57
Oi! JOE LAUGHS	0:41:00	0:41:02
For luck!	0:41:02	0:41:04
-Bye, boy. -Bye, Pip.	0:41:08	0:41:10
SHE SOBS	0:41:16	0:41:18
BELLS RING	0:41:28	0:41:30
So we thought you might like a little erm...	0:41:30	0:41:32
A little something to tempt your appetite.	0:41:33	0:41:35
A cup of tea? You might enjoy the chocolate...	0:41:35	0:41:38
Pip.	0:41:39	0:41:42
Come closer, come closer.	0:41:42	0:41:43
Come join us.	0:41:43	0:41:45
How handsome you look in your finery.	0:41:45	0:41:48
You remember my cousin Sarah Pocket.	0:41:48	0:41:50
She works for me now.	0:41:50	0:41:52
I employ her.	0:41:52	0:41:54
Miss Havisham, I...	0:41:54	0:41:56
-I came to take my leave of you. You see, I've... -Yes, yes.	0:41:56	0:41:59
I've seen Mr Jaggers. I know all about it.	0:41:59	0:42:02
You are adopted by a mysterious benefactor?	0:42:03	0:42:07
ALL GASP	0:42:07	0:42:08
Yes, Miss Havisham.	0:42:08	0:42:10
Isn't that wonderful news, everyone?	0:42:10	0:42:12
-Yes, quite... -Wonderful.	0:42:12	0:42:14
-Wonderful. -Go now. -Everyone, go.	0:42:14	0:42:16
All of you, go.	0:42:16	0:42:18
Hmph.	0:42:18	0:42:19
I was, er, hoping that...	0:42:23	0:42:25
She's abroad, Pip.	0:42:25	0:42:27
Educating for a lady.	0:42:27	0:42:29
Far out of reach. Prettier than ever.	0:42:29	0:42:31
Admired by all who see her.	0:42:31	0:42:35
Do you feel you have lost her, Pip?	0:42:35	0:42:38
Be patient.	0:42:38	0:42:39
I'm sure your paths will cross.	0:42:39	0:42:41
-I hope so. -Mm.	0:42:41	0:42:45
Miss Havisham, I wished to say how grateful...	0:42:45	0:42:47
Uh-uh-uh-uh-uh. Hush now, Pip.	0:42:47	0:42:50
You will always keep the name of Pip, you know.	0:42:51	0:42:54
Go.	0:42:59	0:43:00
Goodbye, Pip.	0:43:04	0:43:05
COACHMAN SPURS HORSES	0:43:10	0:43:12
GEESE HONK	0:43:17	0:43:18
VENDORS SHOUT INDISTINCTLY	0:43:26	0:43:28
Here, sir, you want some offal?	0:43:49	0:43:51
CROWD CHATTERS	0:43:54	0:43:56
-MAN: -Get off!	0:43:56	0:43:58
ANIMALS LOW AND BLEAT	0:43:58	0:44:00
CLAMOUR	0:44:00	0:44:03
INDISTINCT CONVERSATION	0:44:03	0:44:06
Excuse me, sir.	0:44:06	0:44:07
CLAMOUR OF VOICES AND ACTIVITY	0:44:07	0:44:10
-VENDOR: -Meat!	0:44:31	0:44:34
Lovely meat!	0:44:34	0:44:35
-WEMMICK: -Mr Pip? Mr Jaggers will be with you shortly, Mr Pip.	0:44:38	0:44:42
He's at the Bailey, getting evidence together.	0:44:42	0:44:44
Whose likenesses are they?	0:44:48	0:44:49
Likenesses?	0:44:49	0:44:51
Why, this is their true selves!	0:44:51	0:44:54
Casts made in Newgate, fresh from the gallows.	0:44:54	0:44:56
Murderer, and a forger of wills.	0:44:58	0:45:01
Very crafty in particular, this one.	0:45:01	0:45:03
But the evidence was too strong.	0:45:03	0:45:05
Not so crafty now, are you, my friend?	0:45:05	0:45:08
This was his as well. Made a gift of it to me, just before the end.	0:45:08	0:45:11
They're not worth much, but they're portable,	0:45:11	0:45:14
and they're property.	0:45:14	0:45:15
That's my guiding star, Mr Pip.	0:45:15	0:45:17
-Get hold of portable property. -I have no more to say to you!	0:45:17	0:45:20
-That's Mr Jaggers now. -MEN ARGUING INDISTINCTLY	0:45:20	0:45:23
I wish to know no more than I know. ..Good day, Mr Pip.	0:45:23	0:45:25
-Any more news, Mr Jaggers? -MAN: -Get your hands off me!	0:45:25	0:45:28
-Have you paid Mr Wemmick? -Yes. -Now let go of my coat.	0:45:28	0:45:30
I trust your journey was satisfactory.	0:45:30	0:45:32
Mr Jaggers, have you had any feelings about my claim?	0:45:32	0:45:35
"Feelings"? "Feelings"?	0:45:35	0:45:37
We'll have no "feelings" here.	0:45:37	0:45:39
Come on in, Mr Pip.	0:45:39	0:45:40
CLAMOUR	0:45:40	0:45:42
Move back!	0:45:42	0:45:44
-You've met Mr Wemmick. -Sorry, sir.	0:45:44	0:45:47
He keeps the money, so doubtless you will be seeing a lot of him.	0:45:47	0:45:50
SLAMMING DOORS	0:45:50	0:45:52
Dear Lord, is that your new suit?	0:45:52	0:45:54
Here.	0:45:54	0:45:55
Tailor, hatter, bootmaker, hosier.	0:45:55	0:46:00
Your credit will be good with all of them.	0:46:00	0:46:02
I've taken the liberty of enrolling you in a gentlemen's club.	0:46:02	0:46:05
The Finches of the Grove. Just the thing for gentlemen of distinction.	0:46:05	0:46:09
Your allowance, Mr Pip.	0:46:09	0:46:11
I trust you will find it generous.	0:46:11	0:46:13
Your temporary lodgings will be at Barnard's Inn.	0:46:13	0:46:18
-Quite near here, so I might keep an eye on you... -There you are, sir.	0:46:18	0:46:21
..and pull you up when I find you going wrong.	0:46:21	0:46:25
And, you will go wrong, Mr Pip...	0:46:25	0:46:28
..not through any fault of mine.	0:46:29	0:46:33
CROWD CHATTERS INDISTINCTLY	0:46:33	0:46:35
HERBERT SINGS INDISTINCTLY	0:47:05	0:47:07
-Mr Pip? -Mr Pocket?	0:47:08	0:47:10
I am extremely sorry, but I thought that,	0:47:10	0:47:14
coming from the country, you might like a little fruit.	0:47:14	0:47:17
-Strawberries! -Oh.	0:47:17	0:47:19
-Oh. -Strawberry jam!	0:47:19	0:47:20
Mm. Have you seen your lodgings?	0:47:21	0:47:24
-No. -They're by no means splendid,	0:47:24	0:47:26
but I'm sure that we shan't come to blows.	0:47:26	0:47:29
Put them up.	0:47:36	0:47:37
Come on.	0:47:38	0:47:40
Come on.	0:47:40	0:47:41
Come on.	0:47:42	0:47:43
Stand your ground. Regular rules apply.	0:47:44	0:47:47
I beg your pardon?	0:47:47	0:47:48
HE HUFFS	0:47:48	0:47:50
HE LAUGHS	0:47:52	0:47:54
-HE GROWLS -The prowling boy.	0:47:54	0:47:56
The pale, young gentleman! HE CHUCKLES	0:47:59	0:48:02
I was there with my Aunt Sarah on a trial visit.	0:48:03	0:48:07
Miss Havisham fancied that she wanted to see me play.	0:48:07	0:48:11
KNOCK ON DOOR	0:48:11	0:48:12
Clearly she didn't take much of a fancy to me.	0:48:19	0:48:21
Poor taste on her part but just as well.	0:48:21	0:48:24
Otherwise, I might have been what-d'-you-called it to Estella.	0:48:24	0:48:27
Affianced. Betrothed.	0:48:27	0:48:30
Engaged.	0:48:30	0:48:31
But, it was not to be.	0:48:32	0:48:36
I'm very sorry.	0:48:36	0:48:37
Sorry?	0:48:37	0:48:39
The girl's a Tartar.	0:48:39	0:48:41
Hard and haughty and... ..Thank you.	0:48:41	0:48:44
..Capricious to the last degree.	0:48:44	0:48:45
Brought up by Miss Havisham to wreak revenge on all the male sex.	0:48:45	0:48:50
Why should she wreak revenge?	0:48:52	0:48:54
Lord, Mr Pip. Don't you know?	0:48:56	0:48:58
Miss Havisham was very rich and very proud, a spoilt child.	0:49:00	0:49:05
Her mother died when she was young and her father married again.	0:49:05	0:49:08
His cook, would you believe?	0:49:08	0:49:11
And they had a son, Arthur.	0:49:11	0:49:13
-Who was... -How might I put this? -...Not entirely legitimate.	0:49:13	0:49:17
At this point, I might break off and mention	0:49:18	0:49:20
that in London it's not the custom to put the knife in the mouth,	0:49:20	0:49:23
-for fear of accidents. -Sorry.	0:49:23	0:49:25
And also the fork is not generally used underhand but over.	0:49:27	0:49:30
-Of course. Of course. -Do you mind?	0:49:30	0:49:32
No, not at all. I'm gra'eful.	0:49:32	0:49:35
-HE MOUTHS -Er... Ts, Mr Pip.	0:49:35	0:49:38
You are GRATEFUL.	0:49:38	0:49:40
Grateful. Sorry.	0:49:40	0:49:43
Now, um...	0:49:43	0:49:44
Miss Havisham met a certain man	0:49:45	0:49:47
and she loved this man, devotedly, passionately.	0:49:47	0:49:50
Idolised him.	0:49:50	0:49:52
And soon, they were engaged.	0:49:52	0:49:55
He persuaded her to buy her half-brother's share of the brewery	0:49:56	0:49:58
at an immense price, so that when he was her husband,	0:49:58	0:50:00
he could hold and manage it all.	0:50:00	0:50:03
Well...	0:50:04	0:50:05
'The happy day arrived.	0:50:07	0:50:09
'The wedding dresses were bought, the wedding tour planned out.	0:50:09	0:50:12
'The wedding guests were invited, my parents among them.'	0:50:12	0:50:15
The feast was laid out.	0:50:16	0:50:18
'A great bride cake made.	0:50:18	0:50:19
'And the groom wrote her a letter.	0:50:21	0:50:23
'And she received the letter from her brother, Arthur...'	0:50:24	0:50:28
-As she was dressing for marriage? -At 20... -20 minutes to nine.	0:50:28	0:50:31
'Of course. All those stopped clocks.	0:50:31	0:50:33
'It was a conspiracy between the groom and her brother,	0:50:33	0:50:38
'to defraud Miss Havisham and break her heart.'	0:50:38	0:50:40
No!	0:50:44	0:50:45
SHE SCREAMS BITTERLY	0:50:45	0:50:49
And, in that they most surely succeeded.	0:51:02	0:51:05
So, 'erbert, what's your line of business?	0:51:07	0:51:10
Well, trade.	0:51:10	0:51:12
That's where the money is.	0:51:12	0:51:13
In the future, I shall trade to Egypt for silks and spices.	0:51:13	0:51:18
Ceylon for elephant tusks.	0:51:18	0:51:21
But for now? MEN SINGING DRUNKENLY HEARBY	0:51:21	0:51:24
But for now, I am a clerk in a counting house,	0:51:24	0:51:27
with a sweetheart whom I can't afford to marry.	0:51:27	0:51:30
-Is there profit in being a clerk? -No.	0:51:30	0:51:32
None whatsoever.	0:51:32	0:51:34
Not a penny.	0:51:34	0:51:36
BOTH LAUGH	0:51:36	0:51:38
You know, I don't much care for the name Mr Pip.	0:51:38	0:51:40
I'll tell you what I should like. Seeing as we are so harmonious	0:51:41	0:51:45
and you have been a blacksmith,	0:51:45	0:51:46
would you mind Handel for a familiar name?	0:51:46	0:51:49
The Harmonious Blacksmith. It's by Handel.	0:51:51	0:51:52
HE HUMS	0:51:52	0:51:54
-Do you mind? -I would like it very much. -Good!	0:52:00	0:52:03
As Bullfinch of this Grove,	0:52:07	0:52:09
and in the name of the most honoured Chaffinch...	0:52:09	0:52:11
-ALL: Fringillae! -..Goldfinch...	0:52:11	0:52:12
ALL: Carduelis!	0:52:12	0:52:14
..And Hawfinch.	0:52:14	0:52:15
Coccothraustes!	0:52:15	0:52:16
May the present promotion of good feeling ever reign predominant	0:52:16	0:52:20
among the Noble Finches of the Grove. Gentlemen...	0:52:20	0:52:23
ALL: Huzzah! Huzzah!	0:52:25	0:52:27
For the Finches of the Grove!	0:52:27	0:52:28
GLASSES SMASH	0:52:31	0:52:33
ALL CHATTER INDISTINCTLY	0:52:35	0:52:36
I am assured that they are the most fashionable people.	0:52:41	0:52:43
-Believe me. -Oh.	0:52:43	0:52:45
You there! New boy. Yes, you there.	0:52:45	0:52:47
Partridge.	0:52:48	0:52:50
Throw me a partridge!	0:52:51	0:52:52
Come on, come on.	0:52:55	0:52:56
HE LAUGHS	0:52:58	0:52:59
Oh, dear. I don't think he shall do well, here.	0:53:01	0:53:04
-FINCH: -Pip, isn't it?	0:53:05	0:53:07
-Er, Pip? -Pirrip.	0:53:07	0:53:09
Pirrip?	0:53:11	0:53:13
Pip Pirrip?	0:53:14	0:53:15
Oh. How remarkable.	0:53:17	0:53:18
And where are your people from?	0:53:19	0:53:21
-My people? -From Kent.	0:53:23	0:53:25
They're the Kentish Pirrips.	0:53:25	0:53:27
You sound like some sort of apple.	0:53:27	0:53:28
HE LAUGHS	0:53:28	0:53:30
ALL CHATTERING INDISTINCTLY	0:53:30	0:53:32
SHOUTING	0:53:35	0:53:37
Huzzah! For Finches of the Grove!	0:53:46	0:53:49
CROWD LAUGHS	0:53:49	0:53:51
This will just take a moment, my dear.	0:53:58	0:54:00
-He seems very keen. -I'm sure.	0:54:00	0:54:02
Handel, this is my beloved fiancee, Clara.	0:54:02	0:54:05
-Aren't I the lucky one? -Herbert, please!	0:54:05	0:54:08
So pleased to meet you. Shall we?	0:54:08	0:54:11
(This is far too expensive for you, Herbert. What are we doing here?)	0:54:15	0:54:19
There you are, sir.	0:54:20	0:54:23
Well? What do you think?	0:54:23	0:54:25
-It would be at my expense, of course. -(You're a clerk, Herbert Pocket.)	0:54:27	0:54:32
Well?	0:54:35	0:54:36
Well...	0:54:38	0:54:39
MAN SPEAKING INDISTINCTLY	0:54:41	0:54:43
..Hurry. I'd like to meet these extravagant Finches of yours.	0:54:43	0:54:47
Tomorrow evening. No ceremony. No dinner dress.	0:54:47	0:54:51
Six o'clock, say?	0:54:51	0:54:53
Give him the money, Wemmick.	0:54:53	0:54:55
Very well, sir.	0:54:55	0:54:56
MAN SHOUTING IN THE DISTANCE	0:54:56	0:54:58
What shall I make of him, Mr Wemmick?	0:54:58	0:55:01
He's a deep one. Deep.	0:55:03	0:55:06
As Australia.	0:55:07	0:55:09
Don't take it personal, Mr Pip. It's professional.	0:55:09	0:55:11
Only professional.	0:55:11	0:55:13
I say, if tonight you have nothing better to do,	0:55:13	0:55:16
why don't you come home to Walworth with me?	0:55:16	0:55:18
I don't have much to show you but there's a garden	0:55:18	0:55:20
and one or two curiosities.	0:55:20	0:55:22
-What? -Watch this.	0:55:22	0:55:25
I know what you're thinking.	0:55:25	0:55:27
It's like living in the country.	0:55:27	0:55:29
All my own doing.	0:55:31	0:55:33
-CHICKENS CLUCK -Please, now...	0:55:34	0:55:37
Let me introduce you to the Aged Parent.	0:55:37	0:55:40
-Well, Aged P, how are you? -All right, John, my boy. All right.	0:55:43	0:55:47
This is Mr Pip, Aged P. Not that he can hear a word I'm saying.	0:55:47	0:55:51
(Just nod away at him, if you don't mind. Nod and wink.)	0:55:51	0:55:53
-Now, John... -Nod.	0:55:53	0:55:55
-Now... -(And wink. Keep nodding. One more.)	0:55:55	0:55:57
Nearly time, Aged P. (You keep nodding, I'll heat the poker.)	0:55:57	0:56:00
Down the stairs, that's right.	0:56:00	0:56:03
CHILDREN CHATTER AND LAUGH	0:56:03	0:56:04
Now, John. Now.	0:56:08	0:56:10
Mr Pip. Mr Pip, if you'd care to do the honours.	0:56:10	0:56:13
BOOM! Ooh!	0:56:17	0:56:19
CHILDREN SHOUT ALL THREE LAUGH	0:56:19	0:56:20
I heard it! I heard it!	0:56:20	0:56:22
-Does Mr Jaggers admire it? -Never seen it. Never heard of it.	0:56:23	0:56:27
Never seen the Aged. Never heard of him.	0:56:27	0:56:29
When I come into The Castle, I leave Mr Jaggers behind.	0:56:29	0:56:32
And if it's not in any way disagreeable to you,	0:56:32	0:56:34
you'll oblige me by doing the same.	0:56:34	0:56:36
-Of course. I understand. -I will give you one piece of advice, though.	0:56:36	0:56:41
When you dine with Mr Jaggers tomorrow,	0:56:41	0:56:44
you take a look at his housekeeper, Molly.	0:56:44	0:56:46
'His housekeeper? Why?	0:56:46	0:56:47
'Just take a look at his housekeeper and see, a wild beast tamed.'	0:56:47	0:56:52
Now, gentlemen! Gentlemen!	0:56:52	0:56:54
Our generous host, Mr Bentley Drummle.	0:56:54	0:56:57
ALL SHOUTING INDISTINCTLY	0:56:57	0:56:59
Oh...	0:56:59	0:57:01
May the present promotion of good feeling	0:57:01	0:57:04
ever reign predominant over the Noble Finches of the Grove.	0:57:04	0:57:07
See, Bentley, I told you, you could do it.	0:57:08	0:57:10
GLASS SMASHES	0:57:12	0:57:15
Tell me, Pip. Who is the Spider?	0:57:15	0:57:18
That blotchy, sprawly, sulky fellow?	0:57:18	0:57:21
That's Bentley Drummle. The richest young man in England.	0:57:21	0:57:25
-Is it now? -He owns most of Derbyshire, apparently.	0:57:25	0:57:27
Bentley Drummle, you say?	0:57:28	0:57:30
Most promising.	0:57:30	0:57:32
Molly.	0:57:32	0:57:33
Make sure that fellow does not have an empty glass all evening.	0:57:33	0:57:36
-MAN: -Come on! -ALL CHEERING	0:57:43	0:57:45
-MAN 2: -My money's on Bentley! I raise you five!	0:57:46	0:57:50
ALL: Oh!	0:57:50	0:57:51
A fluke. Pure chance.	0:57:52	0:57:54
Come, come, Bentley, concede defeat. Pip beat you fair and square.	0:57:54	0:57:58
I was under the impression that the Finches was a club for gentlemen.	0:57:58	0:58:02
I can't be expected to compete against country boys.	0:58:02	0:58:06
What do you mean, Mr Drummle?	0:58:06	0:58:08
No slight, I assure you.	0:58:08	0:58:09
In fact, I salute you, Kentish Pirrip!	0:58:11	0:58:13
You have the arms of a blacksmith!	0:58:15	0:58:16
Molly, more wine here.	0:58:18	0:58:20
You talk of strength.	0:58:22	0:58:24
I'll show you strength.	0:58:24	0:58:26
Show them your wrists, Molly. Come on.	0:58:26	0:58:28
-Master, don't! -Show them both. Show them. Show them.	0:58:28	0:58:31
-MAN: -What is that?	0:58:36	0:58:38
Mm.	0:58:38	0:58:40
There's power.	0:58:40	0:58:41
Very few men have the power this woman has.	0:58:43	0:58:46
Gentlemen, I propose a toast.	0:58:50	0:58:53
I drink to you, Mr Drummle.	0:58:54	0:58:57
-To your good health, Bentley! -ALL MURMUR	0:58:57	0:59:00
I apologise if anything disagreeable...	0:59:03	0:59:05
Oh, no, no. That's all right.	0:59:05	0:59:07
-I do like that Spider fellow, though. -Do you? I don't.	0:59:08	0:59:11
No. No, you're right, of course. Stay as clear of him as you can.	0:59:12	0:59:16
He does have great promise, though.	0:59:18	0:59:22
Indeed, if I were a fortune teller.	0:59:22	0:59:25
But I'm not a fortune teller.	0:59:27	0:59:28
You know what I am, don't you?	0:59:30	0:59:32
Go to bed, Pip. Goodnight.	0:59:34	0:59:37
-KNOCKING ON DOOR -Sir.	0:59:46	0:59:48
Come on! Come on, sir!	0:59:48	0:59:50
-Get up! -PIP MOANS	0:59:50	0:59:52
Someone to see you, sir.	0:59:53	0:59:55
Pepper, I've told you I'm not to be woken unless the...	0:59:57	1:00:00
How are you, Pip?	1:00:01	1:00:03
I brought you a toasting fork as a present,	1:00:20	1:00:22
you know, for crumpets and the like.	1:00:22	1:00:25
-But I see you have no need. -That's... It's perfect, Joe. Thank you.	1:00:25	1:00:28
-Tea or coffee, sir? -Oh! Tea, sir, please, if you don't mind.	1:00:29	1:00:32
I find the coffee a little powerful.	1:00:32	1:00:34
-Us two now being alone, sir... -Sir?	1:00:38	1:00:41
Joe, how can you call me sir?	1:00:41	1:00:43
Us two being now alone, Pip,	1:00:43	1:00:46
I might tell you the reason for me being in the abode of a gentleman,	1:00:46	1:00:49
which is that I've had a communication with a certain Miss A.	1:00:49	1:00:54
"Miss A", Joe?	1:00:57	1:00:58
Miss 'Avisham. She wishes to see you on a matter of great import.	1:01:00	1:01:03
DOOR OPENS	1:01:03	1:01:05
Joe, this is my good friend Herbert Pocket.	1:01:05	1:01:09
-Mr Gargery, I've heard a great deal about you. -Nice to meet you.	1:01:09	1:01:12
-Oh? What is there to say? -A very great deal.	1:01:12	1:01:16
Now, suppose we have a celebration?	1:01:16	1:01:19
CROWD CHATTERING INDISTINCTLY	1:01:19	1:01:21
It takes some getting used to, eh, Joe?	1:01:28	1:01:31
Now, this place may look a little rough but don't be deceived.	1:01:31	1:01:34
In my opinion, this is the finest place in London.	1:01:34	1:01:38
Oh, and the pressed duck is superb.	1:01:39	1:01:41
Let him take it, Joe.	1:01:46	1:01:48
Joe.	1:01:56	1:01:57
How do you find London, Mr Gargery?	1:02:04	1:02:07
London! What a place! What a place!	1:02:07	1:02:09
Course, I wouldn't keep a pig in it myself.	1:02:09	1:02:12
Biddy sends her regards. She's a teacher now, a good one.	1:02:24	1:02:28
She taught me.	1:02:28	1:02:30
Fork. F-O-R-K.	1:02:30	1:02:31
-Knife. N-I-F-E. I know it's not! -HE CHUCKLES	1:02:31	1:02:33
-More wine, Mr Gargery? -Yes, please.	1:02:33	1:02:35
Joe, please! There's really no need	1:02:37	1:02:39
to be so conscientious in emptying your glass.	1:02:39	1:02:41
The rim should never touch your nose, Joe.	1:02:43	1:02:46
Gentlemen, if you'll excuse me.	1:02:51	1:02:53
Well, business concluded,	1:03:03	1:03:05
I'll be off.	1:03:05	1:03:07
-You're going now? -Yes, I am.	1:03:07	1:03:09
-Please, put your money away, Joe. -No. No, I insist.	1:03:09	1:03:12
-You will not stay the night? -No, I won't.	1:03:12	1:03:14
-Sir! -HE WHISTLES	1:03:14	1:03:16
-Sir! -For God's sake, Joe, put your money away!	1:03:16	1:03:19
HITS ARM	1:03:19	1:03:21
CROWD CHATTERS	1:03:38	1:03:40
Joe!	1:03:40	1:03:41
-At least, let me walk you to the coach. -I'll find my own way.	1:03:42	1:03:45
But we have barely spoken, Joe. I wished to show you some sights.	1:03:45	1:03:49
You and me are not two figures to be together in London.	1:03:49	1:03:52
I'm wrong outside the forge, and the kitchen and the marshes.	1:03:52	1:03:56
You come sometime and you, put your head in at the window at the forge	1:03:56	1:03:59
and you'll see Joe the blacksmith, and what larks we'll have!	1:03:59	1:04:03
But here, Pip, here I am most awful dull.	1:04:03	1:04:05
So God bless you, dear old Pip, old chap. God bless you!	1:04:06	1:04:09
You know the way.	1:04:25	1:04:26
-SHE GASPS -Pip.	1:04:31	1:04:33
How do you do?	1:04:33	1:04:35
You kiss my hand as if I was a queen.	1:04:38	1:04:40
-You wished to see me? -Mm.	1:04:41	1:04:43
Pip.	1:05:03	1:05:04
I am to be sent to London.	1:05:14	1:05:16
I am to go on show, myself and the jewels.	1:05:16	1:05:19
Do you wish to go on show?	1:05:25	1:05:26
Why ask?	1:05:28	1:05:29
We have no choice, you and I, but to obey instructions.	1:05:29	1:05:33
ESTELLA GIGGLES	1:05:34	1:05:36
I watched you, you know, that day.	1:05:36	1:05:39
Fighting for my honour.	1:05:39	1:05:42
I must have been a strange little creature to hide and watch,	1:05:42	1:05:46
but I did. I enjoyed it very much.	1:05:46	1:05:48
You rewarded me very much.	1:05:48	1:05:50
Did I?	1:05:50	1:05:52
You kissed me.	1:05:55	1:05:57
Poor Pip.	1:05:58	1:05:59
You imagine yourself a young knight from a child's story,	1:06:06	1:06:09
tearing away the cobwebs and thorns, letting in the sunshine.	1:06:09	1:06:13
Marrying the princess.	1:06:13	1:06:15
But you must know, Pip, I have no heart.	1:06:19	1:06:22
I don't believe it. How can there be beauty without a heart?	1:06:22	1:06:24
Oh, I have a heart to be stabbed in or shot in,	1:06:24	1:06:27
and if it ceased to beat,	1:06:27	1:06:29
I should cease to be.	1:06:29	1:06:31
But there's no...softness there.	1:06:31	1:06:33
No sympathy.	1:06:33	1:06:36
Sentiment.	1:06:36	1:06:38
Nonsense. I've been made that way.	1:06:40	1:06:43
-Oh, I... -I am serious, Pip.	1:06:44	1:06:46
If we're to be thrown together, you must believe me.	1:06:47	1:06:51
For both our sakes.	1:06:51	1:06:52
I'm sorry, I cannot.	1:06:53	1:06:56
I will not.	1:06:56	1:06:57
Very well. It is said at any rate.	1:06:58	1:07:00
Come, Miss Havisham will be expecting you at your old post.	1:07:05	1:07:08
'Is she beautiful?'	1:07:11	1:07:13
Is she graceful?	1:07:13	1:07:14
Is she well-grown?	1:07:14	1:07:16
Do you admire her?	1:07:16	1:07:18
-Of course. -Then love her. Love her, Pip.	1:07:18	1:07:21
If she wounds you, love her. If she fails you, love her.	1:07:21	1:07:24
If she tears your heart to pieces, as it gets older, it will tear deeper,	1:07:24	1:07:27
but love her, love her, love her!	1:07:27	1:07:29
I adopted her to be loved. I bred her to be loved.	1:07:29	1:07:31
I educated her and I developed her into what she is.	1:07:32	1:07:36
You know what love is, Pip?	1:07:36	1:07:38
It is blind devotion.	1:07:38	1:07:40
It is self-humiliation.	1:07:40	1:07:42
It is degradation. It is utter submission,	1:07:42	1:07:44
giving up your heart and soul as I did to that man.	1:07:44	1:07:47
Miss Havisham!	1:07:47	1:07:50
Enough excitement for one day.	1:07:50	1:07:52
Pip, you've been requested to escort Estella to London in the morning.	1:07:52	1:07:56
I suggest an early night.	1:07:56	1:07:58
Miss Havisham.	1:08:03	1:08:04
Shall we take a trip?	1:08:06	1:08:08
Once round?	1:08:10	1:08:11
HE HUMS HAPPILY	1:08:29	1:08:31
# Old Clem, with a thump and a sound	1:08:36	1:08:39
# Old Clem	1:08:40	1:08:41
# Beat it out, beat it out	1:08:41	1:08:43
# Old Clem with a... #	1:08:43	1:08:45
HE HUMS	1:08:45	1:08:47
Mrs Brandley is to be paid a large sum of money to introduce me to society.	1:09:07	1:09:12
The jewels and I.	1:09:13	1:09:15
-We are to be shown to people... -Hurry up!	1:09:15	1:09:18
..and people are to be "shown" to us.	1:09:18	1:09:20
-And may I come and see you? -Of course.	1:09:20	1:09:23
Miss Havisham expects it.	1:09:23	1:09:26
If my time permits.	1:09:26	1:09:28
I see bills from vintners, bills from jewellers, from bookmakers.	1:09:31	1:09:36
I suspected you would go wrong, Pip, but really you are excelling yourself.	1:09:36	1:09:40
-I'll endeavour to show more restraint. -Oh, do as you will, it's no business of mine.	1:09:40	1:09:43
Will you make sure that Mr Pip gets the money he requires.	1:09:45	1:09:47
Thank you, Wemmick? Excuse me.	1:09:47	1:09:50
Ah. Good day to you, sir.	1:09:51	1:09:53
Please come into my office. So good to see you again.	1:09:53	1:09:56
'STRADELLA QUADRILLE PLAYS'	1:09:56	1:09:59
CROWD CHATTER	1:10:04	1:10:06
Finches, Finches, I would like to raise a glass	1:10:22	1:10:24
to a lady of my acquaintance.	1:10:24	1:10:26
ALL: Ooh!	1:10:26	1:10:28
A lady of Richmond.	1:10:29	1:10:31
A peerless beauty.	1:10:32	1:10:33
Miss Estella Havisham!	1:10:35	1:10:37
FINCHES: Miss Estella Havisham! I know that lady.	1:10:37	1:10:40
Do you? Oh, Lord!	1:10:40	1:10:43
And you know nothing of her!	1:10:43	1:10:45
Well, on the contrary, I've had the pleasure of dancing with her.	1:10:45	1:10:48
-Several times. -You lie!	1:10:48	1:10:50
Steady now, Handel.	1:10:50	1:10:52
Indeed.	1:10:52	1:10:54
Then perhaps you might care to follow me.	1:10:55	1:10:57
FINCHES CHATTER EXCITEDLY	1:10:59	1:11:01
MUSIC CONTINUES	1:11:03	1:11:05
-MAN 1: -Out of my way!	1:11:22	1:11:24
-MAN 2: -Out of my way!	1:11:24	1:11:25
-MAN 3: -Out of my way!	1:11:26	1:11:27
MUSIC STOPS, APPLAUSE	1:11:29	1:11:32
-MAN: -Step away from the lady, sir.	1:11:34	1:11:36
A waltz!	1:11:44	1:11:45
WALTZ PLAYS	1:11:49	1:11:51
-The dance is not yet over. -Remove your hand, sir.	1:12:11	1:12:14
Oh, hard luck. Come on!	1:12:21	1:12:23
Pip!	1:12:36	1:12:38
Pip, will you never take warning?	1:12:38	1:12:40
-How can you do it, Estella? -What? -Give your affections to that man.	1:12:40	1:12:44
All sorts of ugly creatures hover about a lighted candle.	1:12:44	1:12:47
-Can the candle help it? -No, but you can. -Perhaps. If I cared.	1:12:47	1:12:52
But you MUST care!	1:12:52	1:12:53
To encourage a man as despised,	1:12:54	1:12:57
as unworthy and boorish as Bentley Drummle.	1:12:57	1:13:00
And this is a man who has nothing to recommend him except money...	1:13:00	1:13:03
Pip, don't let it affect you so.	1:13:03	1:13:06
I can't help it!	1:13:06	1:13:07
To give that man the looks and smiles you never give to me...	1:13:07	1:13:10
Do you want me to deceive you?	1:13:10	1:13:11
-Do you deceive him? -Yes!	1:13:13	1:13:15
Yes, him and many, many other men.	1:13:15	1:13:17
All men.	1:13:17	1:13:19
All men but you.	1:13:20	1:13:22
And why am I to be spared?	1:13:22	1:13:24
Why do you think?	1:13:28	1:13:29
< Lovely evening, isn't it?	1:14:03	1:14:05
A storm later, so they say.	1:14:07	1:14:09
Estella, Mr Drummle requires your presence.	1:14:10	1:14:13
Urgently.	1:14:17	1:14:18
THUNDER RUMBLES	1:14:28	1:14:32
RAIN PATTERS	1:14:32	1:14:35
FIRE CRACKLES	1:14:52	1:14:54
CLOCK CHIMES	1:14:55	1:14:56
Hello?	1:14:58	1:14:59
CLATTERING NEARBY Herbert?	1:15:00	1:15:02
You're back early!	1:15:04	1:15:06
Who's there?	1:15:06	1:15:07
THUNDER RUMBLES	1:15:22	1:15:25
HE GASPS Who are you?	1:15:27	1:15:29
Wait, wait, wait. Shh. Wait.	1:15:29	1:15:32
How'd you get in here?	1:15:32	1:15:33
Good God.	1:15:41	1:15:42
What are you...?	1:15:51	1:15:52
You acted noble, my boy.	1:15:57	1:16:00
Noble, and I have never forgot it.	1:16:01	1:16:04
Look, if you're grateful to me for what I did as a boy...	1:16:04	1:16:07
..it's not necessary.	1:16:08	1:16:10
-Really. You must understand. -What must I understand?	1:16:10	1:16:15
That I cannot renew our acquaintance.	1:16:15	1:16:18
My life has changed since then.	1:16:18	1:16:19
Now, I'm glad that you're well and you've repented.	1:16:19	1:16:23
But really, you must go.	1:16:23	1:16:25
Please?	1:16:25	1:16:26
How about a drink first?	1:16:26	1:16:29
Before I go.	1:16:29	1:16:30
How have you been living?	1:16:34	1:16:36
A sheep farmer...	1:16:37	1:16:38
..stock breeder, in the New World.	1:16:40	1:16:42
Many a thousand mile off.	1:16:44	1:16:46
-You've done well? -I've done wonderful well.	1:16:48	1:16:51
Seems, you've done well, too.	1:16:51	1:16:54
Yes.	1:16:54	1:16:56
Yes. No, I have. Thank you.	1:16:56	1:16:59
I would like, if I may,	1:16:59	1:17:01
to give you this gift.	1:17:01	1:17:02
A token. For old times.	1:17:04	1:17:06
Before you go.	1:17:11	1:17:13
There's your gift.	1:17:27	1:17:28
Might a varmint make so bold as to ask you,	1:17:30	1:17:33
how you've done well...	1:17:33	1:17:35
Since we were on them marshes?	1:17:35	1:17:37
Mmm?	1:17:39	1:17:40
-I've come into some property. -And might he ask whose property?	1:17:40	1:17:44
No, I cannot say her name. There are conditions.	1:17:44	1:17:46
Conditions? Could I make a guess as to your income?	1:17:46	1:17:50
Might the first figure be a...	1:17:52	1:17:54
-A five? -How could you... -And you would have had a guardian?	1:17:54	1:17:58
A lawyer, maybe, with a name beginning with a...a J?	1:17:58	1:18:02
A J, perhaps, who might have sent me your address	1:18:02	1:18:05
when I landed in Portsmouth?	1:18:05	1:18:07
Mr Jaggers, perhaps?	1:18:07	1:18:11
Yes, dear boy. Yes.	1:18:12	1:18:14
I've made a gentleman of you.	1:18:14	1:18:16
I swore that time	1:18:21	1:18:23
as sure as I ever earned a guinea, that guinea should go to you.	1:18:23	1:18:27
-No... -I lived rough that you should live smooth.	1:18:27	1:18:31
I worked hard that you should be above work.	1:18:31	1:18:36
I made you!	1:18:38	1:18:39
-I'm your, your father, Pip. -No. No, no, no. You are not my father!	1:18:40	1:18:44
No, no.	1:18:44	1:18:46
Your second father, then.	1:18:46	1:18:48
You're my son. No...	1:18:48	1:18:50
No, you're more to me than any son.	1:18:50	1:18:53
-Look at you, dear boy! -HE CRIES	1:18:55	1:18:58
Look at these lodgings. They're fit for a lord.	1:18:58	1:19:00
And yeah, this watch and this ring	1:19:00	1:19:04
and your linen and your clothes.	1:19:04	1:19:07
And your, your books, too.	1:19:08	1:19:11
Oh!	1:19:11	1:19:12
You read them all, have you?	1:19:12	1:19:14
You shall read them to me...	1:19:15	1:19:18
And I shall be so proud, to think that I'm the maker of such a man.	1:19:18	1:19:24
I must sleep, long and sound.	1:19:27	1:19:31
It's a long time since I slept.	1:19:31	1:19:33
You'll keep watch, dear boy?	1:19:34	1:19:36
Cos, look here. Here.	1:19:36	1:19:39
Caution is necessary.	1:19:40	1:19:43
I was sent for life.	1:19:43	1:19:45
It's death to come back. I should be hanged if took.	1:19:45	1:19:49
You risked your life to come to me?	1:19:49	1:19:51
That's right, dear boy.	1:19:51	1:19:53
I... I don't even know your name.	1:19:53	1:19:57
Magwitch.	1:19:57	1:19:59
Abel Magwitch.	1:19:59	1:20:02
-Well, is it true? -Do not commit yourself.	1:20:20	1:20:22
Do not tell me anything, I do not want...	1:20:22	1:20:24
-Is what I've been told true? -"Told" implies verbal communication.	1:20:24	1:20:29
You cannot have verbal communication with a man in New South Wales.	1:20:29	1:20:33
-I was always led to believe... -Nothing. Nothing.	1:20:33	1:20:37
You believed what you chose to believe. Mm-hm?	1:20:37	1:20:40
It's not my responsibility.	1:20:41	1:20:44
Now, I understand you have an uncle staying with you.	1:20:44	1:20:47
Yes? Yes?	1:20:48	1:20:49
-Yes. -Right.	1:20:51	1:20:53
May I, suggest you buy him some new clothes,	1:20:53	1:20:56
advise him to spend most of his time in your rooms	1:20:56	1:20:59
and perhaps have a haircut.	1:20:59	1:21:02
Yes?	1:21:02	1:21:03
Meanwhile, if you are writing to your friend in New South Wales,	1:21:03	1:21:08
you may choose to send him that.	1:21:08	1:21:10
The balance of our accounts.	1:21:10	1:21:12
Mm-hm?	1:21:12	1:21:14
My services are ended.	1:21:14	1:21:17
Good day, Mr Pip.	1:21:19	1:21:20
All that time, in Satis House, I was just a...	1:21:25	1:21:27
..a mechanical heart to practise on.	1:21:28	1:21:31
Estella was never meant for me at all.	1:21:32	1:21:35
And you, my "guardian", have known this all along.	1:21:35	1:21:38
WEMMICK CLEARS HIS THROAT	1:21:38	1:21:40
Well...	1:21:41	1:21:43
You may as well hear this from me as anyone else.	1:21:44	1:21:47
Um...	1:21:47	1:21:49
The Spider has played his hand.	1:21:49	1:21:51
Can I help you?	1:22:06	1:22:08
-Open this gate, Drummle, or I swear... -Why, it's the smithy's boy!	1:22:08	1:22:12
Don't lose your temper, smithy's boy.	1:22:13	1:22:16
Seems to me you've lost quite enough already.	1:22:16	1:22:18
Pip?	1:22:30	1:22:32
-Pip. -Oh, enough!	1:22:32	1:22:34
What I have to say to Estella I will say before you.	1:22:36	1:22:38
But, Miss Havisham...	1:22:39	1:22:41
When you first took me from my home,	1:22:43	1:22:45
I came as a kind of servant, to gratify a whim and be paid for it.	1:22:45	1:22:50
-Yes. -And when I fell into my mistake	1:22:50	1:22:51
of imagining that you were my benefactor...	1:22:51	1:22:55
Yes, I... Let you go on.	1:22:55	1:22:56
Was that kind?	1:22:59	1:23:00
"Kind"? Who am I to be kind?	1:23:01	1:23:04
No, it amused me...	1:23:07	1:23:09
To punish my relations.	1:23:10	1:23:12
You were adequately paid, I believe. What else do you want?	1:23:13	1:23:17
Estella.	1:23:21	1:23:22
You know I love you.	1:23:28	1:23:31
I have loved you since I first saw you in this house.	1:23:31	1:23:33
Foolishly, I had hoped that Miss Havisham	1:23:34	1:23:37
had meant us for each other.	1:23:37	1:23:39
Clearly the idea was absurd,	1:23:39	1:23:42
and I hope Miss Havisham will take what pleasure she can	1:23:42	1:23:45
in knowing that I am as unhappy as she ever meant me to be.	1:23:45	1:23:49
These are sentiments,	1:23:49	1:23:51
emotions that I am unable to comprehend.	1:23:51	1:23:54
When you say you love me,	1:23:54	1:23:57
I understand it as a form of words but it touches nothing here.	1:23:57	1:24:01
-I don't believe you. -Did I not warn you?	1:24:01	1:24:03
-Yes. -Did you not think I meant it?	1:24:03	1:24:05
-No. It's not natural! -It is natural in me!	1:24:05	1:24:08
And yet still I love you.	1:24:08	1:24:10
I know that I'll never call you mine, Estella,	1:24:12	1:24:15
yet still, I love you.	1:24:15	1:24:18
I love you and I beg you do not marry Bentley Drummle.	1:24:18	1:24:22
Someone else, anyone, but not that brute.	1:24:22	1:24:25
Too late. It's too late.	1:24:25	1:24:27
I am going to marry him.	1:24:29	1:24:31
The preparations are already under way.	1:24:31	1:24:33
-You can't let Miss Havisham... -It is my own act.	1:24:35	1:24:38
Miss Havisham has urged me to wait, to reconsider.	1:24:38	1:24:41
But I am tired of my life.	1:24:43	1:24:45
We will do well enough.	1:24:47	1:24:49
Give me your hand.	1:24:54	1:24:56
Be happy, Pip...	1:25:00	1:25:03
This will pass in time. I'll be out of your thoughts in a week.	1:25:03	1:25:07
Out of my thoughts?	1:25:08	1:25:11
You're in every thought.	1:25:11	1:25:13
You're part of my existence.	1:25:13	1:25:16
Part of me.	1:25:16	1:25:18
You're in every thought,	1:25:18	1:25:20
in every line I have ever read since I first came here.	1:25:20	1:25:23
You're in the river,	1:25:24	1:25:26
the sails of ships,	1:25:26	1:25:28
the sea, the clouds,	1:25:28	1:25:30
the stones of London.	1:25:30	1:25:32
Until the last hours of my life, you will remain in me...	1:25:33	1:25:37
Part of the little good, part of the evil.	1:25:37	1:25:40
And I will always think of the good.	1:25:42	1:25:44
Goodbye. God bless you.	1:25:53	1:25:55
So proud,	1:25:55	1:25:57
so hard.	1:25:57	1:25:58
I am what you have made me!	1:26:00	1:26:02
You are my mother, and yet I have never seen your face by daylight.	1:26:04	1:26:09
Since I was a baby, you taught me	1:26:09	1:26:10
that there was no such thing as daylight,	1:26:10	1:26:12
that it had blighted you...	1:26:12	1:26:14
And it would blight me, too, if I let it.	1:26:16	1:26:18
Well...	1:26:20	1:26:22
I am what you made me.	1:26:23	1:26:25
This is what you made me.	1:26:29	1:26:31
Estella...	1:26:31	1:26:34
Come with me now.	1:26:34	1:26:35
I'd like to help Mr Pocket. He has been a loyal and decent friend	1:27:18	1:27:22
and I'd like to use the money that remains to do one good thing.	1:27:22	1:27:24
I'd like to purchase him a position. Without his knowledge.	1:27:24	1:27:27
Allowing for debts, which are substantial,	1:27:27	1:27:30
I might add, that's £500, sir.	1:27:30	1:27:32
-All invested in a friend? -Yes, yes. Every last penny.	1:27:32	1:27:35
What's your advice?	1:27:35	1:27:37
HE SCOFFS	1:27:37	1:27:38
Well, sir, if I was in the office,	1:27:38	1:27:40
I would suggest that you take that £500, and choose your bridge.	1:27:40	1:27:43
There are six to choose from up as high as Chelsea Reach	1:27:43	1:27:45
and throw the money off it.	1:27:45	1:27:47
You'll lose it just the same, but it will be quicker and less painful.	1:27:47	1:27:51
Those would be my sentiments...	1:27:51	1:27:53
in the office.	1:27:53	1:27:55
But your home sentiments, your...	1:27:55	1:27:58
Your Walworth sentiments?	1:27:58	1:28:00
My Walworth sentiments...	1:28:00	1:28:04
would be...	1:28:04	1:28:06
I'm going to see what I can do.	1:28:07	1:28:09
CHURCH BELL RINGS	1:28:14	1:28:17
MAN GROANS, CLATTERING	1:28:25	1:28:27
SHOUTING	1:28:27	1:28:28
-Let go of me! -Magwitch!	1:28:30	1:28:34
Leave him! Magwitch! HERBERT WHIMPERS	1:28:34	1:28:37
He wishes to buy us a house!	1:28:37	1:28:39
In Hyde Park!	1:28:39	1:28:41
A coach, horses...	1:28:41	1:28:42
Can't you accept?	1:28:42	1:28:44
How can I?	1:28:44	1:28:46
I've seen him try to murder a man. He might have murdered you.	1:28:47	1:28:50
And yet, he risked his life to find you.	1:28:51	1:28:55
He says I am the son he's never had.	1:28:55	1:28:58
The idea appals me, Herbert...	1:28:58	1:28:59
-..but even so, he must not be captured... -Gentlemen.	1:29:01	1:29:05
Now, I ain't going to tell you my life like a song or a story book,	1:29:08	1:29:11
but give it to you short and handy.	1:29:11	1:29:13
In jail, out of jail. In jail, out of jail.	1:29:13	1:29:17
That's my life... Until I met my boy here.	1:29:17	1:29:21
I've been done everything to except hanged.	1:29:22	1:29:25
I've tramped and begged and thieved, poached...	1:29:25	1:29:28
Anything that doesn't pay and leads to trouble.	1:29:28	1:29:30
And then a matter of 20 years ago...	1:29:31	1:29:34
..when I was out of money and out of luck, not that I'd been in it much,	1:29:35	1:29:39
I met a man.	1:29:39	1:29:41
At Epsom Races.	1:29:41	1:29:43
His name...was Compeyson.	1:29:43	1:29:46
-Compeyson? -Compeyson.	1:29:46	1:29:48
I'm sorry. Go on.	1:29:50	1:29:52
'A gentleman was Compeyson,	1:29:53	1:29:56
'a smooth one, good-looking, too, went to boarding school.	1:29:56	1:29:59
'He was younger than me but he'd got cloth and he'd got learning.	1:29:59	1:30:04
'He and his missus had a plan...	1:30:04	1:30:07
'involving the defrauding of a certain lady by her half-brother.	1:30:07	1:30:11
'It weren't much of a plan to my mind, but I played my part...	1:30:11	1:30:15
'I played my part in a small way.	1:30:15	1:30:18
'I can't say I'm proud of it.'	1:30:18	1:30:19
Well done, Abel.	1:30:19	1:30:21
-I had a missus, too, at that time. -You were married? -No matter.	1:30:25	1:30:29
That was a dark time, that time with Compeyson.	1:30:38	1:30:41
Always in debt to him, always under his thumb,	1:30:41	1:30:44
always getting into danger,	1:30:44	1:30:46
always working, for years and years,	1:30:46	1:30:49
till I was his black slave.	1:30:49	1:30:52
The short of it is, we got committed for felony,	1:30:57	1:31:01
putting forged notes into circulation.	1:31:01	1:31:03
"Separate defences," Compeyson says. "No communication."	1:31:03	1:31:07
HE LAUGHS	1:31:07	1:31:08
I sold everything but the clothes on my back so I could get Jaggers,	1:31:08	1:31:12
for all the good it did me.	1:31:12	1:31:14
Says the counsel for Compeyson, wasn't he the younger	1:31:14	1:31:17
and well brought up and of a good school? Wasn't he...	1:31:17	1:31:19
-LAWYER: -'..A gentleman of a county of Shropshire...'	1:31:19	1:31:22
A gentleman?	1:31:22	1:31:24
'Given your persistence and your malign influence...'	1:31:24	1:31:27
And when the verdict came, wasn't it Compeyson	1:31:27	1:31:29
as was recommended for mercy on account of good character	1:31:29	1:31:32
and bad company and all the damn'd lies he'd given up against me?	1:31:32	1:31:37
And wasn't it me as never got a word...	1:31:37	1:31:39
-..But to find you guilty. -Guilty.	1:31:39	1:31:41
HE GRUNTS	1:31:41	1:31:42
-Guilty. -JUDGE: -Order! Order!	1:31:42	1:31:45
Guilty.	1:31:45	1:31:46
For how long?	1:31:47	1:31:50
14 years.	1:31:50	1:31:51
He got two.	1:31:53	1:31:55
And a few months on, he turns up on my prison ship.	1:31:55	1:31:58
I swore to the Lord, I'd smash his face in...	1:31:58	1:32:00
And I did. And then, thinking, hoping, that he'd drowned,	1:32:01	1:32:05
I swam to the shore and was hiding among the graves there,	1:32:05	1:32:08
envying them that were in them...	1:32:08	1:32:10
And my boy here found me.	1:32:11	1:32:13
My boy.	1:32:15	1:32:17
-Is he dead? -Who? -Compeyson.	1:32:20	1:32:22
'He'll wish I am, if he's alive.'	1:32:22	1:32:25
And he'll wish he was, if I find him.	1:32:25	1:32:28
-And the lady he defrauded. Her name was...? -Havisham.	1:32:29	1:32:32
Miss Havisham.	1:32:34	1:32:35
PIP: 'I need you to tell me about Compeyson.	1:32:52	1:32:55
-JAGGERS: -'Clever fellow. Dangerous.	1:32:55	1:32:58
-'Is he still alive? -To my knowledge, yes.'	1:32:58	1:33:01
I would strongly advise your uncle to pack his bags.	1:33:01	1:33:04
If he's found, he will hang.	1:33:04	1:33:06
And it's fair to presume that Mr Compeyson does not wish him well.	1:33:06	1:33:09
-FOOTSTEPS APPROACHING -Abel's come back!	1:33:09	1:33:11
-You told me he'd never come back. -Calm down, Molly.	1:33:11	1:33:13
He mustn't find out, ever. Poor, poor, Abel.	1:33:13	1:33:15
What did you make me do? It was wicked, wicked!	1:33:15	1:33:17
Abel will never find out. I'll shall ensure that.	1:33:17	1:33:20
-Did I not swear at the time... -You swore that she'd be safe!	1:33:20	1:33:23
You swore she'd have a brand-new life!	1:33:23	1:33:25
PIP: 'Jaggers, you must tell me.'	1:33:28	1:33:29
Who is this "she"?	1:33:31	1:33:32
Magwitch and Molly had a child.	1:33:39	1:33:42
'A girl. A pretty thing.	1:33:42	1:33:44
'But Molly was a fierce one, wild and passionate like her husband,	1:33:44	1:33:47
'and not a woman to let injustice go unpunished.	1:33:47	1:33:51
'Compeyson, of course, was safe in prison.	1:33:51	1:33:53
'His wife, however, was not safe.	1:33:53	1:33:55
'Molly found her.	1:33:55	1:33:57
'A terrible crime.'	1:33:57	1:33:58
BOTH GRUNT	1:33:58	1:34:01
'Cold-blooded and ruthless,	1:34:02	1:34:03
'assuming, of course, that Molly did it.'	1:34:03	1:34:06
But to be guilty and to be found guilty are different things.	1:34:07	1:34:13
Put the case that a woman accused of murder went to see her...	1:34:21	1:34:25
..legal adviser...	1:34:26	1:34:28
..and put the case that same legal adviser	1:34:30	1:34:32
holds a trust to find a child for an eccentric and rich woman	1:34:32	1:34:36
to adopt and bring up.	1:34:36	1:34:38
Put the case that the legal adviser said to the mother of the child...	1:34:40	1:34:45
Give the child into my hands, I will do my best to get you off.	1:34:46	1:34:50
If you are saved, your child is saved.	1:34:50	1:34:53
If you are lost, your child is still saved.	1:34:53	1:34:57
And the child was your fee?	1:35:00	1:35:03
And what of Magwitch?	1:35:06	1:35:08
-The father was told... -No! You say his name!	1:35:10	1:35:13
Magwitch was told that the child had died.	1:35:15	1:35:20
Consumption.	1:35:20	1:35:22
Put the case that she is now safe and wealthy,	1:35:28	1:35:30
and about to marry one of the richest men in England.	1:35:30	1:35:33
And one of the vilest.	1:35:33	1:35:35
Estella is not the Spider's reward.	1:35:36	1:35:38
Estella is his PUNISHMENT.	1:35:40	1:35:42
And you arranged it.	1:35:45	1:35:47
As instructed by my client.	1:35:47	1:35:50
Only as instructed.	1:35:50	1:35:51
'And what did Miss Havisham want with the child?	1:35:55	1:35:57
'Well, you, er, must ask her yourself.'	1:35:57	1:36:00
What did you want with the child?	1:36:22	1:36:23
I just wanted a little girl, to love, and to rear,	1:36:26	1:36:30
to save from my fate.	1:36:30	1:36:33
'One night. he brought her here...	1:36:34	1:36:37
'And I called her Estella.	1:36:38	1:36:40
'Pip, she was so gentle.	1:36:41	1:36:43
'She was so beautiful.	1:36:43	1:36:45
'Pip, believe me, when she first came to me,	1:36:48	1:36:51
'I just meant to save her from misery like my own.	1:36:51	1:36:53
'But as she grew more beautiful, I gradually did worse.	1:36:53	1:36:58
'And with my praises and my jewels and my teachings,	1:36:59	1:37:04
I...I stole her heart away...	1:37:04	1:37:07
'And put ice in its place.	1:37:09	1:37:11
-WHISPERING: -'I stole her heart away...	1:37:13	1:37:17
'..And put ice in its place.'	1:37:19	1:37:21
Pip, are you very unhappy?	1:37:31	1:37:33
Do you hate me very much?	1:37:35	1:37:38
I know you must hate me, but if you can ever bear to forgive me...	1:37:38	1:37:43
SHE SHRIEKS	1:37:44	1:37:47
SHE SCREAMS	1:37:50	1:37:53
SHE WHIMPERS	1:38:03	1:38:05
SHE WHIMPERS	1:38:14	1:38:16
SHE WHIMPERS, HE COUGHS	1:38:17	1:38:20
Forgive me. Forgive me. Forgive me.	1:38:41	1:38:45
Forgive me. Forgive me.	1:38:45	1:38:47
Forgive me...	1:38:47	1:38:49
I won't deny there have been too many secrets.	1:39:05	1:39:09
But who would the truth serve?	1:39:11	1:39:13
If Estella... were to discover that her father is a convict,	1:39:17	1:39:22
her mother a murderess,	1:39:22	1:39:25
would she thank you, do you think?	1:39:25	1:39:28
HE WINCES	1:39:28	1:39:29
Hmm?	1:39:35	1:39:36
DISTANT BELLS	1:39:36	1:39:39
Sir. A note for you. Most important, the gentleman said.	1:39:47	1:39:52
PEOPLE TALK INDISTINCTLY	1:40:15	1:40:17
-WOMAN: -Bastard! Where are you? Show your bitchy face!	1:40:17	1:40:20
SHE SPITS	1:40:20	1:40:23
-Did you destroy my note? -I did.	1:40:38	1:40:41
Best not to leave any evidence. They're on to him, Mr Pip.	1:40:41	1:40:43
WHISTLING, SHOUTS	1:40:43	1:40:45
Police.	1:40:45	1:40:47
The reward on his head is substantial.	1:40:48	1:40:50
Every copper and cut-throat in London	1:40:50	1:40:52
is on the hunt for your Antipodean uncle.	1:40:52	1:40:54
It was all your Mr Herbert and I could do to get him out in time.	1:40:54	1:40:57
How do we get him away?	1:40:57	1:40:58
There's a steamer leaving for Antwerp at midnight.	1:40:58	1:41:02
You and your uncle find a way onto it.	1:41:02	1:41:04
Portable property, Mr Pip.	1:41:06	1:41:08
Try and lay hold of portable property.	1:41:08	1:41:11
All is well, Handel. He's quite safe here. Though he is keen to see you.	1:41:13	1:41:16
-Goodness! What happened to your hands? -Where is he?	1:41:16	1:41:19
Listen, the steamer departs at midnight. We'll intercept it shortly after.	1:41:20	1:41:23
The further from the city we can get, the safer it will be.	1:41:23	1:41:26
It's not long now.	1:41:28	1:41:29
Thank 'ee, my boy.	1:41:29	1:41:31
-I love you. -Herbert...	1:41:32	1:41:34
Clara, I will return your fiance safely, I swear.	1:41:37	1:41:40
Apologies, Handel. She thinks you have rather a malign influence on me.	1:41:43	1:41:47
And she's right.	1:41:47	1:41:49
Herbert, are you sure you want to...	1:41:49	1:41:51
Handel, I don't think I've ever been more excited in my life!	1:41:51	1:41:54
RUSTLING	1:42:09	1:42:12
PIP: "The rain pattered dismally against the panes,	1:42:13	1:42:16
"and my candle was nearly burnt out,	1:42:16	1:42:19
"when, by the glimmer of the half-extinguished light,	1:42:19	1:42:22
"I saw the dull yellow eye of the creature open...	1:42:22	1:42:26
"it breathed."	1:42:27	1:42:29
Something wrong, Abel?	1:42:29	1:42:31
Not a bit of it.	1:42:31	1:42:32
To sit here and have my smoke along with my dear boy...	1:42:32	1:42:36
I had a little child once.	1:42:40	1:42:42
I didn't tell you afore.	1:42:43	1:42:45
Pretty little thing. A girl.	1:42:45	1:42:48
Died while I was in prison.	1:42:49	1:42:51
But there weren't a day, as I was rotting on that hulk,	1:42:52	1:42:56
when I didn't think on her face	1:42:56	1:42:59
and what a dear, pretty thing she were.	1:42:59	1:43:01
And when I saw you on them marshes,	1:43:01	1:43:04
well, you brought her to my mind.	1:43:04	1:43:07
Maybe that's why I took to you so strong.	1:43:07	1:43:10
I hope I've been a friend to you this little time we've had.	1:43:11	1:43:15
You speak as if we're parting.	1:43:19	1:43:21
In an hour, we'll be safe aboard.	1:43:21	1:43:23
We can no more see to the bottom of the next few hours	1:43:25	1:43:28
than we can see to the bottom of this river.	1:43:28	1:43:30
Which I catches in my hand.	1:43:31	1:43:34
And it's run through my fingers and gone.	1:43:34	1:43:37
You see?	1:43:39	1:43:40
SHIP WHISTLES IN DISTANCE	1:43:40	1:43:42
Listen!	1:43:42	1:43:43
Can you hear?	1:43:44	1:43:46
DISTANT WHISTLE BLOWS	1:43:46	1:43:49
Get the oars. We'll head down the river and wait.	1:43:49	1:43:52
DISTANT WHISTLE	1:44:27	1:44:29
STEAM ENGINE CHUGS	1:44:42	1:44:45
Go, boys. Go!	1:44:48	1:44:49
ALL GRUNT	1:44:52	1:44:54
Come on, boys, row!	1:44:57	1:44:58
-POLICEMAN: -Stop! Stop that boat! There they are!	1:45:12	1:45:16
-MAGWITCH: -Go on, boys! Put your back into it! Row!	1:45:16	1:45:20
You have a returned convict there!	1:45:25	1:45:27
His name is Abel Magwitch.	1:45:27	1:45:30
I apprehend the man, and call upon him to surrender!	1:45:30	1:45:34
Keep going!	1:45:34	1:45:35
Compeyson!	1:45:35	1:45:38
Row!	1:45:38	1:45:39
-POLICEMAN: -Stop! Stop that boat!	1:45:41	1:45:43
Nearly there!	1:45:48	1:45:50
Turn!	1:45:50	1:45:53
Come on, boys! They're closing on us!	1:45:53	1:45:54
No! No!	1:45:55	1:45:57
Get off!	1:45:57	1:45:58
COMMOTION	1:45:58	1:46:00
Handel! Handel!	1:46:00	1:46:02
-Hang on! -Magwitch, grab my hand!	1:46:08	1:46:11
-WHISTLE BLOWS -Look out, Pip! -Aargh!	1:46:11	1:46:13
Pip!	1:46:24	1:46:25
-Magwitch! -We have to get over there!	1:46:28	1:46:31
THEY GRUNT	1:46:31	1:46:32
Magwitch!	1:46:36	1:46:38
HE GROANS	1:46:38	1:46:40
MEN SHOUT	1:46:44	1:46:47
Up you come. Give me your hand. Give me your hand.	1:47:03	1:47:06
-MAN: -Just get in there!	1:47:08	1:47:10
Come on.	1:47:10	1:47:11
-Abel! -Handel, don't.	1:47:16	1:47:17
No.	1:47:17	1:47:19
Abel!	1:47:20	1:47:21
HE WHEEZES	1:47:27	1:47:29
All is lost.	1:47:32	1:47:34
All is gone.	1:47:34	1:47:36
You've let the whole thing slip through your fingers.	1:47:36	1:47:38
-Will he be tried? -Yes.	1:47:38	1:47:40
He will be tried and found guilty, too, and hanged.	1:47:40	1:47:43
The best that we can hope for	1:47:43	1:47:44
is that he dies before it comes to that.	1:47:44	1:47:46
The money, the land, are all forfeit to the crown.	1:47:47	1:47:51
You have nothing, Pip.	1:47:53	1:47:55
Not a penny.	1:47:55	1:47:57
Can we keep that from him?	1:47:57	1:47:59
I'd like him to think I'm a gentleman still.	1:48:00	1:48:03
I must, amongst you, single out a miserable man	1:48:03	1:48:07
who, after many years of living a peaceable and honest life in exile,	1:48:07	1:48:13
decided, in a fatal moment,	1:48:13	1:48:15
to return to the country where he was expressly proscribed.	1:48:15	1:48:19
Whatever the motive for his return, there can only be one punishment.	1:48:20	1:48:26
A punishment he shall share with all of you here before me today.	1:48:26	1:48:31
ALL MURMUR	1:48:33	1:48:34
CHAINS JANGLE	1:48:36	1:48:37
By the power vested in me by this court,	1:48:37	1:48:40
I sentence you all to death by hanging.	1:48:40	1:48:44
CLAMOUR	1:48:44	1:48:47
May the Lord have mercy on your souls.	1:48:47	1:48:51
Are you in much pain today?	1:49:04	1:49:06
I don't complain, dear boy.	1:49:07	1:49:10
If only you had stayed away...	1:49:12	1:49:14
And not seen this face?	1:49:16	1:49:18
I... I wish I had been more deserving of your love.	1:49:19	1:49:23
Hush.	1:49:24	1:49:26
A gentleman.	1:49:27	1:49:29
My very own.	1:49:32	1:49:33
Magwitch, I must tell you.	1:49:37	1:49:39
Your daughter... whom you loved and lost...	1:49:40	1:49:43
She lived. She lived, and found powerful friends.	1:49:44	1:49:48
She is living now.	1:49:49	1:49:51
She is a lady and very beautiful.	1:49:51	1:49:54
And I...I love her.	1:49:57	1:49:59
HE GASPS	1:50:06	1:50:08
HE SIGHS	1:50:08	1:50:11
HE GASPS	1:50:18	1:50:20
I don't know you.	1:50:30	1:50:31
Concerns a debt, sir.	1:50:31	1:50:33
£125.15s.6d.	1:50:33	1:50:36
-I don't have it. -We didn't think so, sir.	1:50:38	1:50:41
So we've come to arrest you.	1:50:41	1:50:43
Would you come with us, please, sir?	1:50:44	1:50:45
Yes.	1:50:47	1:50:49
Yes, of course.	1:50:49	1:50:50
HE GASPS	1:50:53	1:50:56
-Hello, there. -Is it Joe?	1:51:09	1:51:12
Which it is, old chap.	1:51:12	1:51:14
Forgive me, Joe.	1:51:15	1:51:17
Dear old Pip, old chap,	1:51:17	1:51:20
you and me was ever friends.	1:51:20	1:51:22
Now, you sleep...	1:51:23	1:51:25
And when you're well enough, what larks!	1:51:26	1:51:30
DISTANT BELL RINGS	1:51:31	1:51:34
"Paid in full."	1:51:53	1:51:54
"Paid in full."	1:51:55	1:51:57
"Paid."	1:52:03	1:52:04
SEA BIRDS CALL	1:52:16	1:52:19
METAL CLANKS	1:52:23	1:52:26
BIDDY HUMS	1:52:29	1:52:31
-I came as quickly as I could. I wanted to tell you... -Oh, Pip.	1:52:42	1:52:46
-It's my wedding day! -Biddy, I can't for the life of me get...	1:52:46	1:52:49
FOOTSTEPS APPROACHING	1:52:49	1:52:51
Pip.	1:52:53	1:52:54
Oh, Pip!	1:52:55	1:52:57
-Oh! -Biddy!	1:52:57	1:53:00
Oh!	1:53:00	1:53:01
Right, this way! Come on!	1:53:01	1:53:03
-Forward, troops! -BIDDY LAUGHS	1:53:03	1:53:04
Come on! Or I'll carry you like a big bird	1:53:04	1:53:07
and fly like a bird all the way over there.	1:53:07	1:53:09
ALL LAUGH	1:53:09	1:53:11
Come on, Mrs Gargery. One, two, three, four.	1:53:11	1:53:14
Oh! Oh, my poor old back!	1:53:14	1:53:16
What have you been eating?	1:53:16	1:53:19
Pip! Whoo!	1:53:19	1:53:21
-'Your life savings, Joe! -It's only money, Pip.'	1:53:21	1:53:24
Nevertheless, I will work.	1:53:24	1:53:26
I will pay you back every penny, if it takes me...	1:53:26	1:53:28
Pip. That's enough.	1:53:28	1:53:30
BUSTLE, CHATTERING	1:53:57	1:54:01
-Father! Father! -Charles, be quiet.	1:54:11	1:54:13
How many times do I need to tell you,	1:54:13	1:54:15
-this is a place of business, not a nursery! -I have a letter.	1:54:15	1:54:18
Given by a lady.	1:54:18	1:54:20
Oh, a lady!	1:54:20	1:54:21
How intriguing!	1:54:22	1:54:24
Handel! You've a letter.	1:54:26	1:54:28
LOW CHATTER	1:54:31	1:54:34
CHILDREN TALKING INDISTINCTLY	1:54:42	1:54:44
Drummle died two years ago.	1:55:14	1:55:16
He was kicking his horse, and the horse kicked back.	1:55:17	1:55:20
I'm sorry to hear that.	1:55:20	1:55:22
-Pip... -I'm sorry for anything that brings you sorrow.	1:55:23	1:55:28
Well, rest assured I feel none.	1:55:28	1:55:30
My husband and I made each other perfectly miserable,	1:55:30	1:55:33
just as intended.	1:55:33	1:55:34
I have been bent and broken...	1:55:38	1:55:40
But I hope into a better shape.	1:55:42	1:55:43
I've been travelling a great deal.	1:55:50	1:55:52
I had heard that you were here and thriving...	1:55:55	1:55:58
and I had a desire to see my old friend.	1:55:58	1:56:01
My only friend.	1:56:04	1:56:05
When we last met, you said that you would always think of me.	1:56:08	1:56:12
And I have.	1:56:14	1:56:16
-That you would think of the good in me. -Always.	1:56:16	1:56:18
You are a part of me, Estella.	1:56:23	1:56:25
"You are in the ships," you said, "and the river."	1:56:25	1:56:30
I love you, Estella.	1:56:33	1:56:35
I'm glad.	1:56:43	1:56:45

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