Night Song


Night Song

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Transcript


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Here we are, children - Chez Mamie.

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Doesn't look to me like Mamie's at home!

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Is this what Donnie's been raving about, this alley?

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I thought little girls were warned

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by their mothers to stay away from alleys.

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Wait till you see the inside. It could be priceless.

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In that case, it's a good thing I brought my chequebook.

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What band did you say was here?

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You've never heard of them, dear. Chick and his Swing Six.

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-Isn't he cute?

-I'm more interested in Mamie.

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-Is she cute?

-You'll find out.

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SWING MUSIC PLAYS

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Bon soiree and welcome. We're a little crowded.

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Rain always brings in the amateurs.

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Cute is hardly the right word.

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Here we are.

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Mike!

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When do you have to return the clothes?

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Isn't this priceless? Already I feel like a new woman.

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At the symphony, I'm just another ermine coat,

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but here I begin to live.

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I guess I'm just a patron of the lower arts.

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-How do you like the band?

-Very solid.

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Where did this Mamie play football?

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Isn't she priceless? Is that music solid or not?

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The symphony's over, dear.

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You can take your hair down and be human again.

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Shall I put a ring through my nose?

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-See what I mean?

-So she's a square.

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Hey, how did you ever find this dive?

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I got a traffic ticket one night looking for a really riff band,

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and the cops sent me here.

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APPLAUSE

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How long's the intermission?

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Oh, maybe 15 minutes. Maybe not.

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So, you wanted to hear some riff music and got a traffic ticket?

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-PIANO MUSIC PLAYS

-I went out to get a pack of

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cigarettes and came to in a cabana in Acapulco.

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It's what I get for telling the truth.

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Once when I was seven, I told the truth

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and they locked me in my bedroom all one Saturday afternoon.

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Since then, I only tell the truth

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when I want to get locked in my bedroom!

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I wonder whatever happened to Cathy?

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Did I say something?

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Light me a torch, will you, chum?

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You're probably half-drunk

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and want me to play a song that reminds you of some guy.

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Well, you're out of luck till this gets finished.

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I call it A Concerto For Sweeney and I'm never going to end it.

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-How does it sound?

-Hey, Miss M,

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don't you think you better come back to the table?

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Why should she, buddy? I'm exhibit A around here.

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I'm the blind piano player.

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She wants to know how I can find the keys with only my fingers.

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You tell her it's a Braille piano.

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That's what I like about you - you're such a friendly guy.

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But you still have something, brother,

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that not even a mink coat can keep out.

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I've got something that'll keep out a mink coat.

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She certainly went for that music,

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so she has brains to go with the diamonds.

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Fall in love on your own time.

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You seem pretty unhappy so I think I ought to say something.

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Now, this is a very hospitable clip joint and Mamie doesn't like

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for anyone to be unhappy unless it makes them to want to drink more,

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so I thought I ought to apologise for my friend at the piano.

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I didn't know he was blind.

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Oh, a lot of very nice people are blind.

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He's nice himself.

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Except when he gets around music, something happens to him.

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Do you see what I mean?

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No.

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Well, that's the way the world goes.

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Oh, Connie, this is Mr...

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Hello and very solid.

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Perhaps we'd better go.

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That's not Tchaikovsky.

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-No.

-I'm an old woman, my left foot in the grave.

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I forget what happens in the world after midnight,

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but something's happened to you.

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-I didn't wake you, did I?

-I haven't missed hearing you come in

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since you first got kissed by the football captain.

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Where did you get that music?

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-Someone played it tonight.

-He did?

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It's lovely music.

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It's not that lovely.

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Oh, don't be such a wise old ogre!

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I just can't make it sound as beautiful as it really is.

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I'm your aunt, which is a blood relationship.

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I also run this house.

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I don't want to be a nagging old crow,

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so tell me and get it over with.

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What, Auntie darling?

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I'm not completely immunised to love's young dream.

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What does he look like?

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Who?

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So, you went somewhere after the symphony.

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Someone played this nice music for you. Describe him.

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Well, I think he was tall.

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He had dark hair.

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His face was strong and very sad.

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He had marvellous fingers.

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What did he think of you?

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He was blind.

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HE SINGS

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When are you going to finish that thing?

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HE PLAYS A CHEERFUL TUNE

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-Come on, the beer.

-I know, you hear it foam.

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I may not be the poor man's Stokowski,

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but I've been around music ever

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-since I was knee-high to a clarinet and I think it's good.

-So it's good.

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You play sweet piano, but so do a lot of other guys.

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Maybe not as good as Jose Iturbi, but a lot better than Jose Doakes.

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That's not the point.

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And so?

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You are a hard guy to talk to.

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Go ahead, I'm listening.

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I'm hanging on every word.

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The point is you write music.

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You dream it up. I think you're a genius.

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Coming from a schmo, that won't impress you.

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You're wrong twice.

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First, you're not a schmo and I am impressed.

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Oh, when you get in this artistic mood, you can be a bore,

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but never a schmo.

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I can understand that when a guy goes blind,

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it's a bit tougher than tripping over his own shoelace.

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-It depends.

-No, it don't!

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You can trip and kill yourself and

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that leaves you practically no problem,

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or you can break a wrist and eat with one hand for a while,

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but when a guy goes blind...

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Yeah.

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-Thanks.

-But you shouldn't let it get to your music.

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So you're blind! But Schubert's dead.

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It isn't the guy, it's the music.

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Can you see what I mean?

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No.

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I can't see.

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You should've gammed that mink coat.

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Just pure white gown, blue eyes and red nails.

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Sounds like a flag.

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Character.

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You know,

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that's what you miss.

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I can feel rain or snow, can touch a diamond or a fog,

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smell a rose or a river,

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but colour...

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Hey, let's hit the kip.

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How did it go?

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-Is that it?

-Mm-hm.

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I don't like to bring a crass note into your daydreaming,

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but I have some cheques here for you to sign.

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Put them on the desk, darling.

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Membership renewal for the Symphony Society,

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box for the ballet

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and that benefit concert.

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-Am I boring you?

-Yes.

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There's also a letter from your mother.

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Florida's beginning to bore her.

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She's thinking of going to London. In London, she thinks

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she'll be able to find out if Paris is habitable again.

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She wonders if the idea might intrigue you.

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Would you like to go to Paris and buy a new dress?

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-Would you?

-No.

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Paris reminds me of my youth - a horrible thought!

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-Willey?

-Yes, I'm still here.

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Sun Valley, Palm Beach, Paris, Capri -

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walking through the Louvre

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as though it was the Saks Fifth Avenue of culture.

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That was all right before the war. I didn't know any better.

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This is worse than I thought.

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Everything I can do doesn't mean anything.

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It has to mean something now.

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I wish your father were around to hear all this.

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He always wanted to do something,

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but all he ever did was make a million dollars.

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There are easier things to do,

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but not as hard as what he wanted to do.

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He wanted to create something.

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He wanted to write music.

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You don't create a million dollars -

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you make it or steal it or earn it or trap it.

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Music you've got to create.

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Then you've done something. However good or bad it is, it's yours.

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It means something and it's beautiful.

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Like a 20 bill never is.

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Nobody despises money like rich people.

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-That isn't it.

-Well...

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If it's economics, I don't understand it, but if it's love,

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which I suspect, you have my permission.

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You don't even believe me.

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I'm a cynical old girl, but I believe you.

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We can't do anything about it today.

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This afternoon, you're going to the Coles' Musicale.

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-Remember?

-No.

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That's what I'm here for - I keep files, ledgers, books.

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You could always burn 'em.

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CLASSICAL MUSIC PLAYS

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There's something obscene about music in the afternoon.

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People should be selling stocks or bonds or playing golf.

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Tonight, I'm going to take a long hot bath and read a detective story.

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You can't think of the profound pleasure there is

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in such a prospect, especially after...

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-Where are you going?

-What?

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-Think nothing of it.

-Oh, I'm sorry.

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-You mean tonight?

-Mm.

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-I'm going dancing.

-Very good idea.

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-With George.

-Very nice young man.

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-Doesn't he want to marry you?

-Usually.

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The sort of young man women should be happy to marry.

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-Yes.

-Ssh!

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They seldom are. They like rascals and vagabonds.

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They only marry a George.

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It's one of the tragedies of life.

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You can't put salt and pepper in the same shaker.

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George is all right.

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That's what I mean.

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SSH!

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MUSIC STOPS

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APPLAUSE

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It can't be that late.

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Where's George?

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I came home in a cab.

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Have some coffee.

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No, thanks.

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What happened with George?

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Oh, he's an absolute 24-carat idiot.

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About 18-carat, I think.

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-Willey?

-Yes?

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-I'm going back there.

-To George?

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No.

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Well, I wouldn't go if I were you.

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If I were you, you might wind up like me.

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-I hope I do.

-I'll go with you.

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They say it's never too late.

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Plato didn't learn Greek till he was 80.

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-I'm going alone.

-I begin to see what happened to George.

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You don't approve, do you?

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I'll let you know when you get back.

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# Who killed her?

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# Who killed the black wid-er?

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# Who took a broom and a frying pan

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# Hit her on the head and took it on the lam?

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# Who killed her?

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# Who killed the black wid-er?

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# Who beat her up till she was dead

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# And left poor me in a jam now?

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# I'm the district attorney

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# A very intelligent mouse

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# How could that villain escape me

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# When I was right here in her house

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# Who killed her?

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# Who killed the black wid-er?

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# Who threw her out in the garbage can

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# And left without a clue?

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# Well, I'm beginning to believe it was you

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# Who killed her?

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# Who killed the black wid-er?

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# Who took a broom to her spider web

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# Pulled her by the hair right out of her bed?

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# Who killed her?

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# Who killed the black wid-er?

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# Who beat her up with a kitchen chair

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# And hid her body in bed?

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# Now I just got a confession

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# The butler told me the deal

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# I caught him in the pantry

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# With a bloodstain on his heel

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# He killed her

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# He killed the black wid-er

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# He told me she'd poisoned him

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# But he got her instead

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# So case is dismissed It's self-defence

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# And I'm mighty glad she's dead. #

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APPLAUSE

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-Table for two?

-For one.

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We've got a rule here, sister.

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-Really?

-Against dames sitting alone.

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Er, but I think, er...

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-Well, don't think any more.

-No chance!

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No, it ain't him. He quit last night.

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He quits about once a month.

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Very unpredictable character, Miss Mallory.

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What'll you have?

0:20:400:20:41

Do you mind if I have a cup of coffee?

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-Two coffees, please.

-How did you know my name?

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I saw your picture in the paper when you joined the army,

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and I was in that London hospital

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when you brought Kleister to play for us.

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Small world.

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Was he blinded in the war?

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No, afterward. He had his own band before the war.

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I started with him. Now he's with me.

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-What happened?

-When he went blind, he went sour.

0:21:020:21:06

That music he was playing the other night, was it something of his own?

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The piano concerto he started two, three years ago.

0:21:100:21:13

He won't finish it.

0:21:130:21:15

Won't finish it?

0:21:150:21:17

He's Mr Blind Man and nobody with eyes can tell him anything.

0:21:170:21:21

How about somebody without eyes?

0:21:210:21:23

You know somebody?

0:21:230:21:26

I was just thinking.

0:21:260:21:29

I don't get you.

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You've got a jillion dollars and a pretty boyfriend.

0:21:290:21:33

What do you keep slumming after him for?

0:21:330:21:35

The music. I can't get it out of my head.

0:21:350:21:37

I think it's fine and I want to help

0:21:370:21:39

a man who can write like that any way I can, that's all.

0:21:390:21:42

-You couldn't help him.

-I could try, couldn't I?

0:21:420:21:45

I live with him, I know the guy.

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I pour his beer, I make his bed, I read books to him.

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I spell out the big words and I take him walking on the beach.

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I know the guy and the only thing he wants from somebody like you

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is to be left alone.

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I think you're on the level, but that won't get it.

0:21:580:22:01

We forgot the marinated herring for the seagulls.

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Come on, let's take a walk.

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One of these times, we'll fish in the surf.

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The only fish I ever caught

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was a silverfish in the pocket of an old tuxedo.

0:22:580:23:01

You might charm a halibut with that clarinet.

0:23:010:23:04

-Ouch!

-Just don't let the fresh air go to your head.

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You forget how old and soft you are.

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Many people on the beach?

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No, just a girl.

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-Chick.

-Yeah?

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I thought I recognised your voice.

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-Hello there.

-My companion left me for a while.

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-He did?

-No, she.

0:23:330:23:35

-You really do remember me, don't you?

-Oh, sure.

0:23:350:23:38

Maybe you don't know my friend Dan Evans.

0:23:380:23:40

-Dan, this is Miss...

-Mary Willey, in case you've forgotten.

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-Mary Willey.

-How do you do?

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You may be holding out your hand, Mr Evans, but if you are, I can't see.

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I'm blind.

0:23:520:23:54

Blind?

0:23:540:23:57

Er, yes, I told you about him, didn't I?

0:23:570:24:00

Of course, Dan Evans, the pianist.

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Look, why don't you two sit down and I'll go back and get the beer?

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Sure.

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I... I hear you're a fine musician.

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So, you're blind?

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Do you like music?

0:24:290:24:31

I love it.

0:24:310:24:33

-What do you like?

-Oh, Bach, Debussy, Stravinsky...

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-Classics.

-I like Gershwin, the Duke, Bix.

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Beiderbecke?

0:24:420:24:43

-You know his stuff?

-People think he was just a man with a horn,

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but he played a good piano.

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He died too soon.

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Yeah.

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I'd like to hear you play sometime.

0:24:530:24:55

No, I don't play any more.

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-I just trade boogie-woogie for beer and hamburger.

-Why?

0:24:570:25:01

Because I like to eat.

0:25:010:25:03

I wish you'd teach me to play.

0:25:060:25:08

You must like to be around blind people.

0:25:090:25:12

I don't.

0:25:120:25:15

I didn't think of it that way.

0:25:150:25:18

It's just that music is about all I have to live for.

0:25:180:25:21

I asked him to teach me to play the piano and now I think he's angry.

0:25:260:25:30

He's an angry man.

0:25:300:25:32

Now, if you want to take up clarinet,

0:25:320:25:34

maybe we could talk business.

0:25:340:25:35

-Have some suds?

-No, thank you.

0:25:350:25:38

Do you, er, do you play at all?

0:25:390:25:42

-A little.

-What do you care?

0:25:420:25:45

She's busted. She couldn't pay you anything.

0:25:450:25:48

He's a very mercenary character.

0:25:480:25:51

That's why he's a second-rate musician.

0:25:510:25:53

Come on, Chick, let's walk.

0:25:550:25:57

-I'll see you around, Miss...?

-Mary.

0:26:010:26:04

Mary.

0:26:040:26:05

Well, what do you think?

0:26:080:26:10

I don't know. With him, you never know.

0:26:100:26:13

Are you with me or against me?

0:26:130:26:15

I'm right where you put me - dead in the middle.

0:26:150:26:17

You don't think I can get away with it?

0:26:170:26:19

You can try. One thing.

0:26:190:26:21

-Yes?

-You can't pull anything in that Nob Hill palace -

0:26:210:26:23

no mink coats, no limousines.

0:26:230:26:25

-No.

-Nobody loves a millionaire except politicians, models and me.

0:26:250:26:31

Be poor. Get some job with a piano and a hot plate.

0:26:310:26:34

You know, clean but crummy.

0:26:340:26:36

It's a high one. And duck.

0:27:010:27:03

Like the man said, clean but crummy.

0:27:100:27:12

They should be here any minute.

0:27:120:27:14

How do you really feel about this?

0:27:140:27:16

Scared to death. Oh, you remember who you are, don't you?

0:27:160:27:19

This is my badge of office.

0:27:190:27:21

You're still my aunt and companion, but now you paint.

0:27:210:27:23

I paint. I can't even bear the smell of turpentine.

0:27:230:27:26

DOORBELL

0:27:260:27:28

I'm Chick Morgan, this is Dan Evans.

0:27:340:27:36

-I'm Miss Willey.

-How do you do?

0:27:360:27:38

-How do you do? Would you come in?

-Thank you.

0:27:380:27:40

Hello. I brought the maestro.

0:27:420:27:45

I'm so glad you came.

0:27:450:27:46

Who's been painting something?

0:27:480:27:50

That's Aunt Willey. She's an artist.

0:27:500:27:53

Here.

0:27:530:27:54

I just dashed off a magazine cover.

0:27:570:27:58

She's very clever.

0:27:580:27:59

One of the reasons I like to live with her - she can respect my work cos she can't see it.

0:28:020:28:05

I'd like to see some of your stuff.

0:28:080:28:09

-You would?

-Mm-hmm.

-Come with me.

0:28:090:28:12

You ever painted, Mr Morgan?

0:28:120:28:14

I once painted things with iodine.

0:28:140:28:17

I had my piano tuned.

0:28:250:28:26

Oh?

0:28:270:28:28

-What is it?

-A Steinway.

0:28:390:28:41

-Baby grand?

-No, concert.

0:28:410:28:43

-Concert!

-It belonged to my father.

0:28:430:28:45

It's all I have left.

0:28:450:28:46

He was very good when he was young.

0:28:480:28:51

-What happened to him?

-He got married.

0:28:510:28:54

-So did Mozart.

-This was different.

0:28:540:28:56

-He's dead now.

-Let's hear how you play.

0:28:570:29:01

How about Schumann's Carnaval?

0:29:150:29:16

How about it?

0:29:160:29:17

SHE PLAYS

0:29:200:29:22

MUSIC DRIFTS THROUGH

0:29:400:29:42

What did you put in this brew?

0:29:420:29:44

It's a secret formula - took me years of research.

0:29:440:29:46

So, you're Miss Willey?

0:29:480:29:50

You sound as if you're looking at the Washington Monument for the first time.

0:29:500:29:54

What do you think of this blind man's bluff?

0:29:560:29:58

I haven't thought for 20 years,

0:29:590:30:01

but I tell you this -

0:30:010:30:02

I wouldn't be surprised if she played better than he did.

0:30:020:30:05

SHE CONTINUES TO PLAY

0:30:070:30:10

That's a nice thing.

0:30:190:30:21

Of course, it says rubato and you play it straight,

0:30:210:30:24

but, anyway, I recognised it.

0:30:240:30:25

Was it as bad as that?

0:30:250:30:27

I wish you'd show me how.

0:30:270:30:29

HE PLAYS

0:30:450:30:50

She seems to be improving already.

0:31:070:31:09

You see, you should play it with more feeling,

0:31:340:31:36

not so much like a metronome.

0:31:360:31:38

I shouldn't play after that.

0:31:380:31:40

Hi, Chick.

0:31:410:31:43

Why don't we all have dinner together and go to the concert?

0:31:430:31:45

I'm giving one at the Chez Mamie.

0:31:450:31:47

They're playing Mussorgsky and Delius.

0:31:470:31:49

-Delius, huh?

-Yeah, why don't you?

0:31:490:31:52

What do we do about tickets?

0:31:520:31:54

Oh, Aunt Willey can always get some.

0:31:540:31:56

The first violinist proposed to me in 1917.

0:31:560:31:59

We could go to Petropolis up the street and have spaghetti.

0:32:010:32:04

-Spaghetti...

-Yeah, how can you go against that?

0:32:040:32:07

Delius and spaghetti!

0:32:070:32:09

I'm afraid I can't.

0:32:120:32:14

ORCHESTRA PLAYS

0:32:190:32:21

Come in.

0:32:440:32:46

Just put your things over on the settee.

0:32:490:32:51

-How does it look in here?

-Very clean and neat.

0:32:540:32:57

A tribute to a nice friend.

0:32:570:32:59

Chick? Not a chance.

0:32:590:33:00

A gal comes up here afternoons and teases the place with a dust rag.

0:33:000:33:04

She cheats. Look.

0:33:040:33:05

I'll fix the drinks.

0:33:050:33:07

-What'll it be?

-Could we have coffee?

0:33:070:33:10

-If you've got to.

-I'd like some coffee too.

0:33:100:33:13

-OK, I'll fix it.

-No, I'll do it.

0:33:130:33:15

No man ever made coffee for me and no man ever will.

0:33:150:33:17

-Where's the kitchen?

-There.

0:33:170:33:19

That's where I belong. You show Cathy around.

0:33:190:33:21

-Cathy?

-Oh, that's me, Mary Catherine.

0:33:210:33:24

-You see, Aunt Willey hates the name of Mary. It's her name.

-Oh.

0:33:240:33:27

Maybe you'd like to try a good piano?

0:33:310:33:33

Of course, it's not a concert grand like yours,

0:33:330:33:35

but it does have all the keys.

0:33:350:33:36

-SHE BEGINS TO PLAY

-Sounds like the keys are yellow.

0:33:410:33:43

They are. Kind of old and loose.

0:33:430:33:46

Oh, please like Aunt Willey's coffee.

0:33:460:33:48

It's horrible. She pours a handful into boiling water cowboy-style.

0:33:480:33:52

You worry about hurting people's feelings.

0:33:520:33:55

That's real nice. You want a torch?

0:33:550:33:57

No, thanks.

0:33:590:34:01

SHE PLAYS

0:34:020:34:05

Very pretty.

0:34:110:34:13

What?

0:34:150:34:17

You play real pretty, real sweet.

0:34:170:34:19

How long have you been blind?

0:34:200:34:23

Since I was a child.

0:34:230:34:25

Yeah, sure, that's what I figured.

0:34:250:34:27

-Why?

-Because you play like you've had a nice, sheltered kind of life.

0:34:270:34:30

We sit over here.

0:34:320:34:33

Why don't you ask me how long I've been blind?

0:34:420:34:44

-I...

-You've been wanting to ask me ever since we met.

0:34:440:34:47

If you want to ask something, ask it.

0:34:470:34:48

If you want to do something, do it.

0:34:480:34:50

If you live like that... Oh, forget it.

0:34:500:34:53

-How long have you been blind?

-A year and a half.

0:34:560:34:59

Too long or not long enough, I don't know yet which.

0:35:000:35:03

What do you see when you play?

0:35:050:35:07

I mean, what pictures do you get in your mind?

0:35:070:35:10

I don't know. Sometimes I remember

0:35:110:35:15

the sun on the lattice,

0:35:150:35:17

the rain on the windowpane...

0:35:170:35:19

..or flowers, a whole field.

0:35:210:35:23

That's real pretty.

0:35:250:35:26

Rain on the windowpane and you nice and safe and warm behind the window.

0:35:280:35:32

That's not what rain means to me.

0:35:340:35:36

It's trying to find a job in the rain,

0:35:390:35:41

keeping a newspaper under your shirt - best way to keep you warm.

0:35:410:35:45

Only pretty soon the paper gets soggy and the water drips down

0:35:450:35:49

into your shoes. Rotten, cold rain.

0:35:490:35:51

It never stops, you hate it.

0:35:510:35:53

Did you ever in your life really hate anything?

0:35:560:35:59

Field of flowers, she says.

0:36:040:36:06

No.

0:36:070:36:08

It's a kid finding out somebody on the block just died -

0:36:090:36:12

old Mrs Halloran, maybe.

0:36:120:36:14

It's running like crazy to Mr Kilp the undertaker.

0:36:140:36:16

If it was a funeral that paid well,

0:36:170:36:19

Kilp would turn his back and let you take some of the flowers.

0:36:190:36:21

You could sell them, maybe make enough to see a movie.

0:36:210:36:24

Oh, it was a happy day

0:36:240:36:25

when you found there was a funeral on the block.

0:36:250:36:27

Not very pretty, is it?

0:36:310:36:33

No, not very pretty. But you do make me see what you mean.

0:36:360:36:40

Sure.

0:36:410:36:42

The pictures in my mind...

0:36:440:36:45

..put them all together and they make music.

0:36:480:36:50

Music for Sweeney - half-down on paper and it'll never get finished.

0:36:510:36:57

-Why not?

-Because the picture stopped a year and a half ago.

0:36:570:37:02

-How did you...?

-How did I get blind?

0:37:030:37:06

I told you, if you want to ask something, ask it.

0:37:060:37:09

Yes. I was going to ask you that.

0:37:090:37:10

OK, I'll tell you.

0:37:110:37:13

HE PLAYS

0:37:170:37:19

I spent four years in the war, two years overseas.

0:37:210:37:24

Never got a scratch.

0:37:250:37:27

And then I came home and became a nice, safe civilian again.

0:37:270:37:32

I was sitting in a drug store at the fountain.

0:37:320:37:34

A drunken driver crashed into the plate glass window.

0:37:340:37:37

The glass flew all over the place.

0:37:370:37:39

DISSONANT CHORD

0:37:410:37:42

Hearts and Flowers, that's one you ought to know.

0:37:420:37:45

The thing I like about coffee, it keeps me awake.

0:37:500:37:52

Nothing more ridiculous than lying unconscious on a bed.

0:37:520:37:56

Besides, I have insomnia.

0:37:560:37:57

I like to blame it on the coffee instead of my conscience.

0:37:570:38:01

-How do you take it?

-Straight.

0:38:010:38:03

Don't you believe her? She's one of those awful heart of gold villains.

0:38:030:38:06

My heart's an old wastepaper basket,

0:38:070:38:10

filled with unpaid bills and paperback novels.

0:38:100:38:13

How's the coffee?

0:38:140:38:16

A work of art.

0:38:160:38:18

What's this music manuscript?

0:38:180:38:20

-It's nothing.

-I heard you play this afternoon.

0:38:200:38:23

I know music when I hear it, I know music when I see it.

0:38:230:38:27

-Do you mind if I try it?

-No.

0:38:270:38:29

SHE PLAYS

0:38:320:38:34

I'll play it.

0:38:340:38:36

HE PLAYS

0:38:440:38:46

Hello, Mother! I'm home.

0:39:160:39:18

You shouldn't stay out so late, Son.

0:39:180:39:20

Cigarettes and loss of sleep is bad for your wind.

0:39:200:39:23

-You won't be able to blow your horn when you're a big boy.

-Huh!

0:39:230:39:26

You know, Chick, you're not a bad musician.

0:39:270:39:30

You're too good for that dump.

0:39:300:39:33

Well, that's what I keep telling myself, but nobody answers.

0:39:330:39:36

Come on in and listen to something.

0:39:380:39:40

You know that piece of music?

0:39:460:39:47

-For Sweeney?

-Yeah. Light me up.

0:39:470:39:49

I've got something new for it.

0:39:550:39:57

Shoot.

0:39:570:39:59

HE PLAYS

0:40:000:40:02

I can do it like that or like this.

0:40:130:40:15

HE PLAYS STACCATO

0:40:150:40:17

Keep them both!

0:40:230:40:24

This is singing, all right. It's different.

0:40:280:40:31

Yeah, it's like rain. Rain on the windowpane,

0:40:310:40:34

simple as that.

0:40:340:40:35

It's beautiful, baby - very, very pure.

0:40:420:40:44

Good to see you back in the groove again after a year in the mothballs.

0:40:450:40:49

Thanks.

0:40:490:40:50

I've got news for you.

0:40:530:40:55

We're being evicted again.

0:40:550:40:57

I'm going back to the Chez Mamie.

0:40:590:41:01

-How did it go tonight?

-Delius was a little ragged,

0:41:030:41:06

but the spaghetti was perfect.

0:41:060:41:08

-That girl, what's her name?

-You know her name.

0:41:120:41:15

Mary.

0:41:160:41:18

-What's she look like?

-Oh, not too big, not too small,

0:41:200:41:23

not too bad to look at, not too bad to be around.

0:41:230:41:26

But not red, white and blue, huh?

0:41:260:41:30

Listen, she's the kind that,

0:41:300:41:31

no matter how crowded the streetcar was, or how tired you were,

0:41:310:41:34

you'd get up and give her your seat.

0:41:340:41:36

-Is that clear enough?

-It'll have to do.

0:41:360:41:38

Too bad she's blind.

0:41:400:41:42

Yeah, ain't it(?)

0:41:440:41:46

ORCHESTRA PLAYS

0:41:470:41:50

INDISTINCT CHATTER

0:41:500:41:52

-Am I late?

-You're a woman.

0:41:570:41:59

-Let's sit in a booth, shall we?

-Uh-huh.

-This way, please.

0:41:590:42:02

William?

0:42:090:42:10

A lemonade, please.

0:42:140:42:16

A glass of beer and a saucer of milk.

0:42:160:42:18

-I beg your pardon, sir?

-A glass of beer and a saucer of milk.

0:42:200:42:23

Thank you, sir.

0:42:260:42:28

-I bought the guy a cat. It's his birthday.

-Oh, Dan's?

0:42:280:42:30

Yes, he likes cats.

0:42:300:42:32

-He thinks they can sing.

-Oh, he's singing now.

0:42:320:42:34

Huh? Oh, here. Hurry, quick.

0:42:340:42:37

CAT MEOWS

0:42:530:42:54

I want to talk to you about Dan.

0:42:580:43:00

-Why, sure.

-How is he?

0:43:000:43:02

Oh, I guess you performed a miracle - he's back at the Mamie and I think he's writing on that music.

0:43:020:43:06

Oh, that's wonderful! Chick...

0:43:060:43:08

You know, the good thing about this animal

0:43:080:43:10

is it gives him something to roustabout instead of me.

0:43:100:43:12

-Or me!

-You ain't seen nothing.

0:43:120:43:15

Oh?

0:43:150:43:16

Maybe it's because he pities me, huh?

0:43:180:43:19

Well, wasn't that the idea?

0:43:190:43:21

I suppose so. Only now I feel funny.

0:43:210:43:26

Well, think nothing of it

0:43:260:43:27

because it's just as dangerous to go back now as it is to go ahead.

0:43:270:43:30

-Well, that's what I wanted to talk to you about - going ahead.

-Where?

0:43:300:43:34

About Dan's eyes - what did the doctors say?

0:43:350:43:38

Is there anything that can be done?

0:43:380:43:39

Sure, a trick operation - it works sometimes, sometimes no.

0:43:390:43:43

But the only guy he'll let touch him is a big shot surgeon in New York.

0:43:430:43:46

Well?

0:43:460:43:48

You know that stuff they keep in banks?

0:43:480:43:50

-Why can't I...?

-Because he's a very independent guy.

0:43:520:43:55

I'm sorry, baby, you were rather late.

0:43:560:43:59

-I've got a rehearsal.

-I'll drop you, shall I?

0:43:590:44:01

Thank you.

0:44:010:44:02

Why couldn't I give you the money and you give it to him?

0:44:050:44:08

Same thing.

0:44:080:44:09

I know what - he could win a prize in a musical competition.

0:44:100:44:13

A big cash prize.

0:44:130:44:15

Very good, if there was a big cash prize and if you could get him to

0:44:150:44:19

write the music and his music won it.

0:44:190:44:21

You forget - I'm Catherine Mallory.

0:44:210:44:23

I give it. I become a foundation.

0:44:230:44:24

I give an award.

0:44:240:44:25

-Well, I've got it.

-What is it?

0:44:310:44:33

We all get even, it's right here in the paper.

0:44:330:44:35

It ain't no good reading those newspapers, they just make you unhappy.

0:44:350:44:38

Listen, I'm skipping the build-up,

0:44:380:44:39

but a dame named Mallory is giving a big prize.

0:44:390:44:41

-Now, let's see.

-Oh, fine, who's Mallory?

0:44:410:44:44

Somebody with a jillion dollars. You want to hear it or not?

0:44:440:44:47

I do. Go ahead.

0:44:470:44:48

All right, so Mallory is a dame,

0:44:480:44:50

so if they can give five grand for a golf tournament or a puzzle contest

0:44:500:44:54

or the cutest man at Yale, this dame is going to do the same thing

0:44:540:44:57

for the best piece of music lying around.

0:44:570:44:59

-Why not?

-Well, here it is.

0:44:590:45:01

"Submitted compositions may be in any major musical form for a piano and orchestra." Hmm!

0:45:010:45:07

"Compositions must be submitted within three months of above date.

0:45:070:45:11

"First prize will be 5,000."

0:45:110:45:14

5,000!

0:45:140:45:16

Yes, can you pick that up at Telegraph Hill on a rainy night?

0:45:160:45:19

That's wonderful!

0:45:190:45:21

Now you can go to work and get us all fat.

0:45:210:45:23

Sure, I'll just whip up a boogie-woogie of Old Black Joe(!)

0:45:240:45:27

My mistake.

0:45:320:45:34

Is there anything in the ice box?

0:45:350:45:37

I think so.

0:45:370:45:38

You could win it, Dan. The piece you played for me -

0:45:400:45:43

all you'd have to do is finish it.

0:45:430:45:44

-Oh, just like that, huh?

-I know my opinion doesn't count for much,

0:45:440:45:47

but Chick knows something about it, doesn't he?

0:45:470:45:49

-And he thinks it's great.

-He's slightly prejudiced.

0:45:490:45:51

-But...

-If I could have finished it, I'd have finished it.

0:45:510:45:55

My luck's gone, flown out the window.

0:45:550:45:58

The plate glass window of a drug store, remember?

0:45:580:46:01

When your luck's gone, it's gone.

0:46:010:46:03

That's that.

0:46:030:46:04

All I wanted to say was that your music had meant so much to me

0:46:040:46:08

and I thought perhaps...

0:46:080:46:09

-Are you ready?

-Let's go.

0:46:140:46:15

DOOR SHUTS

0:46:400:46:41

SHE PLAYS

0:46:480:46:51

HE PLAYS WITH GUSTO

0:47:230:47:27

MUSIC DRIFTS THROUGH

0:47:270:47:29

-Chick?

-Yeah?

-Not bad, is it?

-How many times do I have to say it?

0:47:390:47:43

That second theme needs development.

0:47:570:48:00

It ought to be scored for full orchestra.

0:48:000:48:02

That's right.

0:48:020:48:04

If I have to tear this piano apart, I'm going to do it.

0:48:040:48:06

Now you're talking, baby. Tear it apart!

0:48:060:48:08

-Well, what are you waiting for? Go out and get some manuscript paper.

-I just left!

0:48:080:48:12

DAN RESUMES PLAYING

0:48:120:48:15

Cathy? Well, the man just went to work.

0:48:180:48:22

He had more trouble making up his mind than I do a bed, but he did it.

0:48:220:48:26

Yeah. 88 to the bar, too.

0:48:260:48:29

# Oh, the sheriff he came too He came too

0:48:310:48:35

# Oh, the sheriff he came too with his little boys in blue... #

0:48:350:48:41

So, we're stumped. Let's go to sleep on it.

0:48:480:48:51

What a rotten occupation - a blind man grabbing music out of the air!

0:48:510:48:55

I should have got a pencil concession.

0:48:550:48:57

You may yet.

0:48:570:48:58

Why don't you get out of here and live a normal life?

0:48:580:49:02

I'm too happy with you.

0:49:020:49:03

I'd miss your friendly smile(!)

0:49:030:49:06

You and that girl, you pushed me into this.

0:49:060:49:08

Nothing you can't push yourself out of.

0:49:080:49:11

PIANO MUSIC DRIFTS THROUGH

0:49:190:49:23

Get this.

0:49:480:49:49

You got it! Is the left hand chromatic all the way?

0:49:570:49:59

No, it doubles back, like this.

0:49:590:50:01

All right, go ahead.

0:50:110:50:13

Horns and strings in unison.

0:50:130:50:16

HE RESUMES PLAYING

0:50:160:50:19

HE HUMS

0:50:190:50:21

Strings start moving after first quarter, right?

0:50:240:50:28

Right. Piano again, starting with D flat and left hand's the same,

0:50:280:50:33

only this time with seventh chords.

0:50:330:50:35

HE RESUMES PLAYING

0:50:350:50:38

That puts the finale in F minor.

0:50:450:50:48

Swell for orchestra.

0:50:480:50:49

HE RESUMES PLAYING

0:50:490:50:51

-What happens now?

-It goes to the committee of critics

0:51:180:51:21

and if they agree with Catherine Mallory, it wins the first prize.

0:51:210:51:25

And if they don't?

0:51:250:51:26

Then it will lose.

0:51:300:51:31

You're a strange girl.

0:51:330:51:36

Even if it does lose, it so happens that Arthur Rubinstein is on

0:51:360:51:39

the committee. He's also a very good friend of Miss Mallory's.

0:51:390:51:42

If he likes it, maybe she can get him to play it.

0:51:420:51:44

I don't want to sound corrupt, but if Miss Mallory's a friend of

0:51:440:51:48

Mr Rubinstein, perhaps she could do some business with him.

0:51:480:51:51

Not a chance in the world!

0:51:530:51:54

It seems we might arrange

0:51:540:51:56

this whole thing a little more on the frame-up side.

0:51:560:51:59

Aunt Willey, I'm ashamed of you.

0:51:590:52:01

No, this doesn't need it.

0:52:010:52:03

It's first-rate.

0:52:030:52:04

And you better get ready.

0:52:050:52:07

-Where am I going?

-Where the man said - fishing!

0:52:070:52:10

My father always said a fishing rod had a hook at one end

0:52:270:52:31

-and an idiot at the other.

-That's only when your old man went fishing.

0:52:310:52:35

Don't splash the oars so much.

0:52:350:52:37

-What will we catch?

-Rainbow, cutthroat.

0:52:370:52:40

I've never caught a fish in my life.

0:52:400:52:42

Maybe the fish are asleep.

0:52:420:52:44

I never thought of that. Do fish sleep?

0:52:440:52:46

-Sure, they sleep.

-How do you know?

0:52:460:52:49

I've seen them.

0:52:490:52:50

Together?

0:52:500:52:51

I've got a bite, I've got a bite.

0:52:510:52:54

Snub him. Snub him!

0:52:540:52:56

What's that poor little fish ever done to her

0:52:560:52:58

-that she should snub him?

-She has to get the fish on the hook.

0:52:580:53:00

Jerk, then, if you're so fussy about words.

0:53:000:53:02

Reel in - easy.

0:53:020:53:03

-Take your time.

-Take the pole! Take the pole!

0:53:030:53:05

I can't, I've got one myself.

0:53:050:53:08

Just reel in easy and watch it,

0:53:080:53:09

don't let any slack get in your line.

0:53:090:53:11

Now, keep it taut. Hey, look at him break water!

0:53:110:53:14

I never knew a fish could dance.

0:53:160:53:17

He's doing a first class hula.

0:53:170:53:19

Keep reeling in.

0:53:200:53:21

Bring him over towards the boat. Ah, looks like a rainbow.

0:53:230:53:27

That's it, bring him in.

0:53:270:53:28

It's a good thing you don't have twin hooks on your lines,

0:53:280:53:31

I'd need a couple more hands!

0:53:310:53:33

-What did I get, Chick?

-Well, you got...

0:53:400:53:42

Let me feel mine.

0:53:420:53:43

Here, Dan.

0:53:480:53:49

Oh, this is a beauty!

0:53:490:53:51

Oh, I think I caught a guppy. I better put him back.

0:53:510:53:54

If the poor little thing had had any strength, I'd never have landed him.

0:53:540:53:57

At 60 cents a pound, we're doing all right.

0:53:570:53:59

Well, how's the aroma?

0:54:060:54:09

-Wonderful!

-The French say a fish must swim three times -

0:54:090:54:12

in water, sauce and wine.

0:54:120:54:14

Here's to Mary's promise.

0:54:140:54:15

And to yours, sir.

0:54:150:54:16

I think I'll fix some hamburger.

0:54:220:54:24

-Hamburger?

-You don't like fish?

0:54:250:54:27

She loves fish.

0:54:270:54:28

Not this particular fish.

0:54:280:54:29

-I can't eat it.

-What's the matter with this fish? It's good fish.

0:54:290:54:32

-I caught it.

-And I cooked it.

0:54:320:54:35

But I met this fish this afternoon.

0:54:350:54:37

I saw him swimming. He was alive and happy.

0:54:370:54:40

I was an accessory before the fact of his death.

0:54:400:54:42

She's kidding, of course.

0:54:420:54:44

This morning, he had his life before him.

0:54:440:54:46

Now, he's lying on my plate, coated with cracker crumbs.

0:54:460:54:49

I'm sorry, but I can't eat him.

0:54:490:54:51

How can you eat that potato?

0:54:510:54:53

It was torn out of the ground,

0:54:530:54:54

peeled and boiled before your very eyes.

0:54:540:54:56

What about a hamburger?

0:54:560:54:58

Yes, you eat beef, don't you? They slaughter beef.

0:54:580:55:00

I don't witness the execution.

0:55:000:55:02

I don't spend the afternoon with a cow.

0:55:020:55:05

Let's see - four, five, six...

0:55:190:55:22

Don't tell me, I'm your opponent.

0:55:220:55:24

Oh.

0:55:240:55:26

Remember now - three or more cards

0:55:260:55:28

in sequence in the same suit, or three or more of a kind

0:55:280:55:30

make a spread and when your whole hand's that way,

0:55:300:55:33

you discard and say "gin rummy".

0:55:330:55:35

I discard? You do.

0:55:350:55:36

Gin rummy.

0:55:390:55:40

40,

0:55:450:55:46

50, 60,

0:55:460:55:47

67 and 20. For gin, 87.

0:55:470:55:50

Deal, deal, deal.

0:55:500:55:51

# I'll be in Scotland before you

0:56:060:56:11

SHE HUMS LOCH LOMOND

0:56:110:56:14

# Will never meet again

0:56:140:56:17

# On the bonnie, bonnie banks

0:56:170:56:19

# Of Loch Lomond. #

0:56:190:56:22

-Nice.

-The song?

0:56:240:56:25

No, about the fish.

0:56:270:56:28

What about the fish?

0:56:290:56:30

You saw to it that I got the big one.

0:56:300:56:33

Chick told me.

0:56:330:56:34

I've been fishing before, I can tell an anchovy from a whale.

0:56:340:56:38

-SHE LAUGHS

-I suppose it was silly of me.

0:56:380:56:40

Well, now I owe you for two things.

0:56:410:56:43

I owe you for a fish.

0:56:430:56:46

And I owe you something else.

0:56:460:56:48

I know about the fish, but...

0:56:490:56:51

A long time ago, I had the band up in Buffalo.

0:56:520:56:55

I was playing a one-night date.

0:56:550:56:57

The manager had a sign above his desk that said...

0:56:570:57:00

"I don't want to be a millionaire.

0:57:010:57:03

"I just want to live like one."

0:57:030:57:05

Well, with me, it's always been kind of the opposite.

0:57:070:57:12

I didn't want to live like a composer.

0:57:120:57:14

I wanted to BE one.

0:57:140:57:16

I wanted to be one bad.

0:57:170:57:19

Now I've written a piece of music,

0:57:200:57:22

it's on its way and I'm what I wanted to be.

0:57:220:57:25

You'd have been that anyway, without me.

0:57:250:57:28

No, you added it all up.

0:57:290:57:30

I don't know what's going to happen about the contest, who will win it,

0:57:320:57:36

but that's not important.

0:57:360:57:38

The point is I've written something and, win or lose, I'm a composer.

0:57:380:57:41

Yes, Dan.

0:57:430:57:45

So...

0:57:450:57:47

that's why I'm saying thanks.

0:57:470:57:48

Thanks for the fish.

0:57:500:57:52

And...

0:57:520:57:53

..thanks for...

0:57:540:57:55

-Dan?

-Yeah?

0:57:570:57:58

Your music's going to win that prize.

0:57:590:58:01

I know it. You're going to get your sight back and be famous.

0:58:010:58:04

I can feel it.

0:58:040:58:05

I'll be anything you predict.

0:58:070:58:08

You have beautiful hands.

0:58:150:58:16

FOOTSTEPS APPROACH

0:58:340:58:35

-Chick?

-Yeah?

0:58:370:58:39

How do you stand?

0:58:390:58:41

I think about 50 years ago, she was a 21 dealer in Reno.

0:58:410:58:45

LAUGHTER

0:58:450:58:47

What on Earth are you trying to do?

0:58:590:59:01

Painting. I thought I might have a small whirl at it.

0:59:010:59:03

After all, I'm supposed to be an artist.

0:59:030:59:05

What is it supposed to represent?

0:59:050:59:07

You wouldn't dare say that in front of a Picasso.

0:59:070:59:09

As a matter of fact, I started to paint Dan sitting at the piano

0:59:090:59:12

and it turned out to be the piano sitting on Dan.

0:59:120:59:14

No talent at all, no flair.

0:59:140:59:17

Have you heard from Chick or anybody?

0:59:170:59:19

There's a telegram over there.

0:59:190:59:21

-A telegram?

-On the piano.

0:59:210:59:23

Oh.

0:59:240:59:26

I want to built out a Christmas tree.

0:59:260:59:28

I've beginning to feel at home here. I'm really a Bohemian at heart.

0:59:280:59:31

-Why don't you open it?

-I'm afraid to.

0:59:310:59:34

-What if they reject it?

-Fire them and get another bunch of critics.

0:59:340:59:38

I'll open it. I've been rejected before.

0:59:380:59:41

ORGAN PLAYS

0:59:460:59:48

I'll get the car and come back for you.

0:59:560:59:59

Dan, I've got something for you.

0:59:591:00:01

It's a telegram. Chick read it to me.

1:00:011:00:03

-We've got the news, huh?

-I memorised it.

1:00:051:00:07

Go ahead, I'm ready.

1:00:091:00:12

It said...

1:00:121:00:13

"Delighted to inform you, your concerto awarded Mallory Prize.

1:00:131:00:17

"Proud to give it first performance this spring at Carnegie Hall.

1:00:171:00:20

"Artur Rubinstein."

1:00:201:00:22

You've won!

1:00:231:00:25

Now you go to your doctor in New York.

1:00:251:00:28

You'll see again.

1:00:281:00:29

No.

1:00:311:00:32

You did this.

1:00:341:00:36

If it hadn't been for you, it never would have happened.

1:00:361:00:39

You're going.

1:00:391:00:40

It wouldn't be any use.

1:00:421:00:44

I can't do anything without my eyes.

1:00:441:00:47

If you did it for me...

1:00:481:00:49

You said you did.

1:00:501:00:52

That's what I said.

1:00:521:00:53

Then go on for me.

1:00:551:00:56

I'll be back.

1:01:001:01:02

ORGAN PLAYS

1:01:021:01:04

What's this?

1:01:081:01:10

It's the Christmas music, I suppose.

1:01:101:01:12

Holy smoke, I won it!

1:01:141:01:16

I won it!

1:01:171:01:20

Here's your daily vitamin.

1:01:241:01:26

Thank you.

1:01:261:01:27

I had wicked old aunt who used to quote,

1:01:271:01:30

"Man's love is of his life a thing apart.

1:01:301:01:32

"Tis woman's whole existence."

1:01:321:01:35

Cut me in.

1:01:351:01:36

"As usual, Chick is here, pushing the pen.

1:01:371:01:39

"I want to say again, even in his cynical presence..."

1:01:391:01:42

Never mind that.

1:01:421:01:44

"The big news is that the main event goes on tomorrow."

1:01:451:01:48

That means they operated yesterday.

1:01:501:01:52

Why hasn't Chick called me?

1:01:551:01:56

No news is good news.

1:01:571:01:59

I suppose.

1:02:011:02:02

"My doctor assures me that success is an absolute cinch.

1:02:061:02:09

"You'd go for him - he's a young fat man with a happy face, Chick says,

1:02:111:02:15

"and he has fingers like a card shark,

1:02:151:02:16

"so things look pretty optimistic.

1:02:161:02:18

"Of course, it will be several weeks until the bandages are removed

1:02:181:02:21

"and then I can put away my cane until I break an ankle.

1:02:211:02:25

"So cross your fingers for me."

1:02:251:02:27

Weeks! We've got to wait weeks!

1:02:321:02:34

So does he.

1:02:361:02:37

PHONE RINGS

1:02:411:02:44

Yeah? Oh, fine. California coming through.

1:02:471:02:50

Thank you, lady.

1:02:501:02:52

Give me a torch, will you? SHIP HORN BLOWS

1:02:521:02:54

Mary, how are you?

1:03:001:03:02

Oh, he's getting good food, a nice bed and he has a pretty nurse.

1:03:041:03:07

What's the matter with that?

1:03:071:03:09

Well, they took the bandages off yesterday for a while.

1:03:091:03:12

He'll be all right.

1:03:121:03:13

Just as soon as the croaker says he can travel.

1:03:151:03:18

And don't worry, we'll be there.

1:03:181:03:20

Yes, I sure will. Goodbye.

1:03:221:03:24

What did she say?

1:03:241:03:26

She sent you her love.

1:03:261:03:27

He's all right! They'll be back as soon as he can travel.

1:03:321:03:35

-He's going to be all right!

-Good. SHE LAUGHS

1:03:351:03:37

Oh, this is the happiest day of my life.

1:03:371:03:40

What can I do to show my gratitude?

1:03:411:03:44

Give something to your favourite charity.

1:03:441:03:46

-Which one?

-Me.

1:03:461:03:47

That's an idea. What have you always wanted and never had?

1:03:481:03:52

Peace.

1:03:521:03:53

Let's grab a cab.

1:04:171:04:18

-Let's walk a while.

-OK.

1:04:181:04:19

-Ah!

-LAUGHTER

1:04:221:04:24

Wonderful!

1:04:361:04:37

Look at that!

1:04:441:04:45

Look at that!

1:04:471:04:49

Now I know what they mean by... HE WOLF WHISTLES

1:04:491:04:51

Yeah, you'll have to grow some wolves wool,

1:04:511:04:52

but on that part, take it easy.

1:04:521:04:54

DAN LAUGHS

1:04:541:04:55

Light me a torch, will ya?

1:04:581:05:00

Boy, I need a shave.

1:05:001:05:02

Hey, light it yourself!

1:05:031:05:04

I'll have to get used to that.

1:05:061:05:08

What do you think of yourself?

1:05:141:05:16

Well, I didn't know I was so ugly or that you were so handsome.

1:05:161:05:19

I was afraid of that.

1:05:191:05:20

Boy, you have no idea how much better a cigarette tastes

1:05:221:05:25

when you can see the smoke.

1:05:251:05:26

Come on! Let's see something!

1:05:281:05:30

Two weeks of this. Tougher than a six-day bike race.

1:05:431:05:47

But after a while, I'll be like I was -

1:05:471:05:49

looking without seeing, like you.

1:05:491:05:50

I see.

1:05:501:05:52

There's one thing I don't see, though.

1:05:531:05:55

What's that?

1:05:551:05:56

Why all this stall?

1:05:561:05:58

Every letter she sends you,

1:05:581:05:59

she wants to know when you're coming back.

1:05:591:06:03

I need some time.

1:06:031:06:04

Yeah. The longer you stall, the tougher it'll be.

1:06:041:06:07

PHONE RINGS

1:06:071:06:09

Hello.

1:06:121:06:13

OK, it's Mary.

1:06:131:06:15

-It's her. I'm out.

-What will I tell her?

1:06:151:06:18

Hello, Mary. Yeah, I'm fine, and you?

1:06:201:06:23

Oh, swell.

1:06:231:06:24

No, we haven't been able to get reservations yet.

1:06:251:06:29

On the level, it's tough!

1:06:291:06:31

No, he isn't here right now.

1:06:321:06:35

He'll be very sorry he missed your call.

1:06:351:06:38

I'll wire you just as soon as we're able to get reservations.

1:06:381:06:41

So long, Mary.

1:06:411:06:42

I'm a heel. I know it.

1:06:451:06:47

Well...

1:06:471:06:49

Just so's you know it.

1:06:491:06:50

Well?

1:06:591:07:00

I have a feeling something's wrong.

1:07:001:07:03

Why should Chick say he's all right?

1:07:031:07:05

I don't know.

1:07:051:07:07

I think perhaps they're trying to spare me the shock. Perhaps....

1:07:071:07:10

You're thinking too much, that's the trouble with you.

1:07:101:07:12

You're lonely and you're bored.

1:07:121:07:13

No. No, something's the matter.

1:07:131:07:15

Aunt Willey, what do you think I ought to do?

1:07:161:07:19

Just what you want to do.

1:07:191:07:21

Oh!

1:07:211:07:22

I wish you wouldn't be so smug and full of worldly wisdom.

1:07:221:07:25

You're in love, I'm trying to humour you. It's a form of insanity.

1:07:251:07:28

Well, I happen to think he's still blind.

1:07:281:07:31

Because you haven't talked to him?

1:07:311:07:32

Hasn't it occurred to you he hasn't talked to you,

1:07:321:07:34

because he isn't blind any more?

1:07:341:07:36

Oh.

1:07:381:07:39

Now that you've had that bee added to your bonnetful,

1:07:411:07:44

you want me to do it?

1:07:441:07:45

-Do what?

-Telephone the airport.

1:07:461:07:48

Reservations for New York.

1:07:481:07:50

Isn't that what you've been thinking of?

1:07:501:07:53

-I think he needs me.

-Pack something.

1:07:531:07:55

-Where are the house phones, please?

-Right over there, miss.

1:08:021:08:05

Thank you.

1:08:051:08:06

Mr Chick Morgan, please.

1:08:101:08:12

PHONE RINGS

1:08:121:08:13

Hello.

1:08:171:08:18

Oh, hello, Fran, how's the weather out there today?

1:08:181:08:22

In the lobby, huh? What lobby?

1:08:221:08:24

OK, you stay there. I'll be right down.

1:08:261:08:30

-HE SINGS QUIETLY:

-# Saw Mary in the crowd, in the crowd

1:08:301:08:32

# I saw Mary in the crowd

1:08:321:08:34

-LOUDER:

-# And I shouted right out loud... #

1:08:341:08:36

-Small world!

-It began to get too big for me.

1:08:391:08:42

It never gets any bigger than a man's head.

1:08:421:08:44

Come on, let's get out of this traffic.

1:08:441:08:45

Well, you certainly surprised me.

1:08:451:08:47

How do you like the big city and how's my old friend Willey?

1:08:471:08:50

Yes, I get around sometimes and Willey as well.

1:08:511:08:54

You're not writing me a letter now, you know. You can tell me the truth.

1:08:541:08:57

All right, let's get it where it belongs.

1:08:571:08:59

You should have told me the operation was a failure.

1:08:591:09:01

-Failure?!

-Well?

1:09:011:09:03

Oh, no, baby, it worked.

1:09:031:09:05

He can see. He can see as well as I can.

1:09:051:09:08

All he does is go around seeing.

1:09:081:09:11

-Oh, gee!

-He can see people on Mars.

1:09:111:09:12

-Here.

-Thanks!

1:09:141:09:15

-And you didn't believe me?

-I didn't know what to believe.

1:09:161:09:18

I got kind of frantic when he didn't come back.

1:09:181:09:21

That's what I was stalling about.

1:09:211:09:23

-Why didn't he come back?

-How's the cat?

1:09:261:09:28

The cat is fine. Why didn't he?

1:09:291:09:32

You see, the guy was blind.

1:09:321:09:34

He was in a big black grave as big as this world

1:09:341:09:36

and he suddenly came to life and things fell in place again,

1:09:361:09:39

like trees and streets and beautiful dames...

1:09:391:09:42

Oh, I'm a clarinet player, I can't explain it very good.

1:09:421:09:46

But, anyway, it's a big thing and you can't expect a guy to...

1:09:461:09:50

-Go back to a blind girl?

-Give him time.

1:09:501:09:53

-Hello, Evans, how are you?

-Oh, fine.

1:10:051:10:08

There he is! Same guy!

1:10:081:10:10

-Hey!

-No...

1:10:101:10:12

I heard that new piece of yours the other night. It sounded wonderful.

1:10:131:10:16

-Well, thank you very much. I'm glad you liked it.

-I'll be seeing you.

1:10:161:10:20

Dan, this is...

1:10:211:10:23

I've been so anxious to meet you.

1:10:231:10:24

I'm Catherine Mallory.

1:10:241:10:26

How do you do?

1:10:261:10:27

Catherine Mallory, the Mallory Award - your benefactor.

1:10:271:10:30

Be very nice to her.

1:10:301:10:32

She took us off the streets, remember?

1:10:321:10:34

We're all so happy you won the award.

1:10:341:10:36

Thank you.

1:10:371:10:38

I thought people who gave art prizes were either

1:10:381:10:40

conscience-stricken millionaires or old spinsters

1:10:401:10:43

who cheated Wall Street.

1:10:431:10:44

Have you told her she's having dinner with us tonight?

1:10:461:10:49

PIANO PLAYS

1:10:491:10:50

This is all new stuff he's written.

1:11:321:11:33

The guy writes all the time. He writes in his sleep and mine.

1:11:331:11:36

Are you going to tell him who you are tonight?

1:11:371:11:39

-Shall I?

-Do you want to play a game?

1:11:391:11:41

Never.

1:11:451:11:46

MUSIC ENDS, APPLAUSE

1:11:541:11:55

-Wonderful! Wonderful!

-Thank you. Thank you.

1:11:551:11:57

INDISTINCT CHATTER

1:11:571:12:00

Thank you very much, glad you liked it.

1:12:001:12:02

It's a little rough, but it's better than playing in that joint

1:12:041:12:06

in San Francisco for 75 fish a week.

1:12:061:12:08

Yeah, now you play for millionaires

1:12:081:12:10

and get a martini and a cracker with some anchovy paste.

1:12:101:12:13

He's homesick for the slums.

1:12:131:12:14

-Aren't you?

-Not me.

1:12:141:12:15

I'm a bright lights boy from here on in.

1:12:151:12:17

I lived with a sack over my head for a long time.

1:12:171:12:19

A sack?

1:12:191:12:20

Yeah. I was blind.

1:12:201:12:22

-Oh, yes, I know.

-Chick told me.

-I think it's a marvellous story.

1:12:221:12:25

It's like a bad novel you can't put down.

1:12:251:12:27

You're like a character from a Greek fable.

1:12:271:12:29

So are you.

1:12:291:12:31

Oh, I can't stand this!

1:12:311:12:33

-You mind if I blow?

-LAUGHTER

1:12:331:12:35

I can catch the last grind at a movie.

1:12:351:12:37

That guy knows everything.

1:12:381:12:40

He knows that all evening I've been thinking about you and...

1:12:401:12:43

looking at you, wanting to talk to you, get alone with you.

1:12:431:12:47

How could he guess all those things?

1:12:471:12:49

I don't know. The same way you have.

1:12:491:12:51

Well, I tried to disguise it a little, so...

1:12:511:12:54

I suppose it isn't quite as obvious as the Empire State building.

1:12:541:12:58

There must be some way to get out of here.

1:12:581:12:59

How about the door?

1:12:591:13:01

MUSIC PLAYS

1:13:011:13:02

You're a pretty impulsive young man.

1:13:101:13:12

I'm happy.

1:13:121:13:13

I liked your Park Avenue cakewalk.

1:13:151:13:17

Thank you. Could be better.

1:13:171:13:20

Much better.

1:13:201:13:21

Somehow, maybe I don't get the pictures clear,

1:13:211:13:24

like I used to when I was blind, back in San Francisco.

1:13:241:13:27

Maybe there are more distractions here.

1:13:281:13:31

Tell me about you in San Francisco.

1:13:311:13:33

I worked in a joint called the Chez Mamie, with Chick.

1:13:331:13:36

Lived with a cat called Sam Hall. Chick gave me this cat.

1:13:361:13:39

-Let's talk about somebody else.

-No, no, go on.

1:13:391:13:42

That's the old trick.

1:13:421:13:44

The woman lets the guy unwind.

1:13:441:13:45

No. No tricks. I'm curious.

1:13:451:13:47

What about?

1:13:481:13:50

About the part where a girl comes in.

1:13:501:13:52

One does, doesn't she?

1:13:531:13:55

Yeah. One did.

1:13:551:13:57

This is where the man in that bad book you mentioned

1:14:171:14:19

always says something very effective.

1:14:191:14:22

Well...say something.

1:14:221:14:25

HE CHUCKLES

1:14:251:14:26

All I can think of is, "Ain't it pretty".

1:14:261:14:30

You were telling me about that girl in San Francisco.

1:14:301:14:33

No, I wasn't. You were telling me.

1:14:331:14:35

-You don't want to tell?

-Oh, I'll tell.

1:14:351:14:37

What was she like?

1:14:371:14:38

She was blind, like me.

1:14:401:14:43

And she isn't the girl in your life?

1:14:431:14:45

She's in part of it.

1:14:501:14:52

A part you want to...

1:14:541:14:56

..forget?

1:14:571:14:59

No-one forgets anything.

1:14:591:15:00

Are you going back to her?

1:15:031:15:05

I think you came from a long line of lawyers.

1:15:071:15:10

I suppose I'm interested.

1:15:101:15:11

We were two blind people in a city full of eyes.

1:15:131:15:16

I wasn't anything until she came along.

1:15:161:15:18

I wouldn't even know what she looked like.

1:15:181:15:20

I might know her hand, or her voice...

1:15:201:15:22

Her voice was like yours.

1:15:271:15:29

A little lower, but like yours.

1:15:291:15:31

Like mine?

1:15:311:15:33

Like yours is now, out here.

1:15:331:15:35

So that's how it is.

1:15:391:15:40

I remind you of someone.

1:15:421:15:44

No. Not of anybody in the world.

1:15:451:15:48

And...

1:15:501:15:51

you're not going back?

1:15:511:15:53

From you?

1:15:541:15:55

I don't like looking down on people from a high place.

1:15:591:16:01

They look too insignificant.

1:16:011:16:04

Well, let's go down and be significant.

1:16:041:16:06

I thought this would be a nice place for some conversation.

1:16:221:16:25

And the older I get, the more at home I feel with squirrels.

1:16:251:16:28

All right. What's the matter?

1:16:281:16:30

Last night he checks in about 3am,

1:16:301:16:32

and he sits down to write a song about June and the moon.

1:16:321:16:34

He's walking on air because he's met a dame named Mallory.

1:16:341:16:37

I thought you were going to tip him off.

1:16:371:16:39

I was afraid of how he'd take it.

1:16:391:16:41

How long do you think you can keep it up?

1:16:411:16:43

I don't know. Until he goes back to Mary Willey.

1:16:431:16:46

If he ever goes back.

1:16:461:16:48

But that was a gag. Mary Willey was a gag.

1:16:481:16:51

She was at first, but now she's very real to me.

1:16:511:16:53

She's the girl he said he'd never forget.

1:16:551:16:57

You once wrote me a letter for him, when you first came here.

1:16:571:17:00

In it, he said he'd never been really lonesome

1:17:001:17:03

in his life before, remember?

1:17:031:17:05

That he'd been lonely but never lonesome.

1:17:061:17:08

And that there was a big difference.

1:17:081:17:11

And that he would remember very hard sometimes,

1:17:111:17:13

just to be sure it wasn't another blind man's dream.

1:17:131:17:16

That I, Mary, really did exist

1:17:161:17:18

and was waiting for him.

1:17:181:17:21

So I want him to go back.

1:17:211:17:23

I want him to be great and famous and happy.

1:17:231:17:25

I want him to be a lot of wonderful things.

1:17:251:17:28

And, still, I want him to remain the man he used to be.

1:17:281:17:31

Can you understand that?

1:17:311:17:33

The last time I tried to understand a woman...

1:17:351:17:38

Skip it.

1:17:381:17:40

HE PLAYS

1:17:401:17:41

That's better.

1:17:511:17:53

I thought you were sleeping.

1:17:531:17:54

No. Just practising.

1:17:541:17:56

How did it sound to you?

1:17:581:18:00

Good.

1:18:001:18:02

But not as good as you think I can do, huh?

1:18:021:18:04

It's good.

1:18:041:18:06

I know. It just doesn't add up.

1:18:061:18:08

You shouldn't work it so hard.

1:18:081:18:10

It might be you work the life out of it.

1:18:101:18:12

HE SIGHS

1:18:121:18:14

HE PLAYS A LIVELY TUNE

1:18:141:18:18

Miss Mallory, please.

1:18:371:18:38

Hi.

1:18:411:18:42

Yeah, I wore out another set of keys this afternoon.

1:18:421:18:46

Say, they tell me there's a little restaurant up on Staten Island,

1:18:461:18:49

where the food is unbelievably bad.

1:18:491:18:51

Shall we see for ourselves?

1:18:511:18:53

OK. I'll give you a minute-and-a-half.

1:18:541:18:57

Right.

1:18:571:18:58

Wake me up when you get in.

1:19:001:19:02

Otherwise I'll never get to bed.

1:19:021:19:04

HE GRUNTS

1:19:041:19:06

FERRY RUMBLES

1:19:091:19:10

SLOW ACCORDION TUNE

1:19:121:19:13

How does it feel to be rich?

1:19:211:19:22

Don't know. Never been poor.

1:19:221:19:25

I've been so poor the mice have walked out of the place.

1:19:251:19:27

You're not any more.

1:19:271:19:28

Where all have you lived?

1:19:301:19:32

Here, France, Italy.

1:19:321:19:33

-I was in Italy.

-I studied the piano there.

1:19:351:19:37

I was at Salerno. We didn't have a piano.

1:19:371:19:41

You know, I keep thinking I've known you,

1:19:411:19:44

that I've met you.

1:19:441:19:46

Must be a travelling salesman from Chicago.

1:19:461:19:49

Chick remembered me from a hospital during the war.

1:19:491:19:51

No, it's not like that.

1:19:511:19:53

It's like when you think something has happened

1:19:531:19:55

exactly the same way once before.

1:19:551:19:58

And you're sure it has. LIVELY ACCORDION TUNE

1:19:581:20:00

Oh, that's an exploded theory.

1:20:001:20:02

All theories are exploded.

1:20:021:20:04

Why so serious?

1:20:061:20:08

Not serious, I'm just thinking.

1:20:081:20:10

Fine thing to do - go out with a girl and think.

1:20:101:20:13

It was about you.

1:20:151:20:16

Then it's all right.

1:20:171:20:19

I was just wondering why a dozen guys aren't after a girl like you.

1:20:191:20:22

I'm hard to find.

1:20:221:20:24

Yes, I know.

1:20:251:20:27

Took me 30 years.

1:20:271:20:28

LIVELY ACCORDION TUNE

1:20:281:20:30

I'll have to go on a diet to stay with this laundry.

1:20:501:20:53

What's wrong?

1:20:541:20:56

-Nothing.

-Ah, and the world was such a pretty place,

1:20:561:20:59

filled with love songs and a gal named Mallory.

1:20:591:21:02

Did she brush you off, baby?

1:21:021:21:03

Have a little beef?

1:21:051:21:07

-No.

-Is it any of my business?

1:21:071:21:09

No.

1:21:091:21:10

Well, I think you're in love with the little gal out in San Francisco.

1:21:101:21:14

Now, this Mallory's a gorgeous dame and she moves in gorgeous circles,

1:21:141:21:17

but it's still a circle.

1:21:171:21:20

So I think maybe you got yourself mixed up a little bit, I think...

1:21:201:21:23

Let me know how I come out, will you?

1:21:231:21:26

-HE SINGS SAM HALL:

-# Oh, swinging up I go, with the crowd down there below

1:21:261:21:30

# Shouting Chick I told you so.... #

1:21:301:21:33

TRAFFIC RUMBLES

1:21:341:21:37

I like you even when you're sour and gloomy.

1:21:521:21:55

What's the matter? Did you bet on a slow horse?

1:21:551:21:57

Or is it a piece of music you can't finish?

1:21:571:21:59

No, it's not music.

1:21:591:22:00

Seventh Avenue. This is us.

1:22:021:22:03

Daniel Evans and Company.

1:22:121:22:14

Pretty high-class company - Artur Rubinstein,

1:22:141:22:16

Eugene Ormandy and the New York Philharmonic.

1:22:161:22:18

Are you scared?

1:22:181:22:19

-Scared to death.

-I'm kind of scared myself.

1:22:191:22:22

-Why?

-For you.

1:22:221:22:24

We'd better get out of here.

1:22:241:22:25

BEEPING

1:22:251:22:26

What if it's a bust?

1:22:281:22:29

-It can't be.

-Hm.

1:22:291:22:31

Wagner was a bust in Paris one night.

1:22:311:22:33

No, Paris was a bust one night.

1:22:331:22:35

-Anyway, one thing...

-What's that?

1:22:361:22:38

It can't be a bust with me.

1:22:401:22:41

-FAINT MUSIC PLAYS

-Let's go.

1:22:461:22:47

Those rehearsal licks - someday I'm going to do a piece about that.

1:22:521:22:55

Carnegie tune-up. How's that?

1:22:551:22:57

Big thing.

1:22:571:22:58

Well, pal, you're on the eve of fame.

1:23:011:23:03

I was on the eve of Christmas once and nothing happened.

1:23:031:23:05

Not last Christmas.

1:23:051:23:06

-No.

-Now you're a big man in Kashmir, and waiters give you the nod.

1:23:061:23:10

How do you feel? Are you happy?

1:23:101:23:12

Why shouldn't I be? Made the grade, didn't I?

1:23:121:23:14

More than a hop, skip and a jump

1:23:141:23:15

from the Chez Mamie to Carnegie Hall. Try it sometime.

1:23:151:23:18

-I just asked you how you felt.

-I think I'll write a thing...

1:23:181:23:21

Did you write Mary and tell her the broadcast time?

1:23:211:23:24

-Yeah.

-That was sweet of you. How is she these days?

1:23:241:23:26

And what does she say?

1:23:261:23:28

-Oh, not much.

-And what do you say?

1:23:281:23:30

Do you say that Mallory, the millionaire glamour girl,

1:23:301:23:33

is taking you where the woodbine twineth?

1:23:331:23:35

INDISTINCT CHATTER

1:23:381:23:40

-Really, no more seats?

-Sorry, not a thing.

1:23:421:23:45

-Well, this is it.

-I thought it was tough at Salerno.

1:23:491:23:51

Why don't you sit with me?

1:23:511:23:52

I won't be able to sit. I have to be ready to run.

1:23:521:23:54

Don't be silly. If it weren't good, Rubinstein wouldn't play it.

1:23:541:23:57

-And, if he's wrong, anything he plays will sound good.

-Maybe. Maybe.

1:23:571:24:00

If you run, where will you go?

1:24:001:24:01

-That's joint in the village, remember?

-Yes.

1:24:011:24:04

Shall we synchronise watches?

1:24:051:24:06

HE LAUGHS

1:24:061:24:07

Good luck.

1:24:101:24:12

ORCHESTRAL MUSIC

1:24:121:24:16

MUSIC ENDS

1:24:231:24:26

APPLAUSE

1:24:271:24:29

You have just heard the New York Philharmonic Symphony Orchestra,

1:24:311:24:34

under the direction of Eugene Ormandy,

1:24:341:24:36

in Beethoven's 5th Symphony.

1:24:361:24:38

After a brief intermission,

1:24:381:24:40

Artur Rubinstein will join the orchestra as soloist,

1:24:401:24:42

for a first performance of the piano concerto in C minor

1:24:421:24:45

by the young composer Daniel Evans.

1:24:451:24:47

That Beethoven was pretty good.

1:24:491:24:51

-Was it?

-Yeah. Think he'll make the grade?

1:24:511:24:54

You're next. Here.

1:24:541:24:55

Hold my hand.

1:25:001:25:01

Did you know how eccentric he was?

1:25:061:25:08

He stopped right in the middle of the concerto,

1:25:081:25:10

turned to the audience and said, "You like that?

1:25:101:25:12

"I'll play it for you again."

1:25:121:25:13

LAUGHTER

1:25:131:25:15

Are you nervous?

1:25:171:25:18

Me? No, I'm not nervous. Not a bit.

1:25:181:25:20

Ah, well, I'm glad to hear that,

1:25:201:25:22

because if you were there's not a thing to be done about it.

1:25:221:25:25

DAN LAUGHS NERVOUSLY

1:25:251:25:26

THEY LAUGH

1:25:261:25:28

I like your music.

1:25:281:25:29

-I like to play it.

-Oh, thank you, sir.

-We're ready.

1:25:301:25:32

I'm nervous, too.

1:25:361:25:37

-Rabbit's foot.

-Thank you.

1:25:381:25:39

APPLAUSE

1:25:411:25:43

APPLAUSE FADES

1:26:011:26:03

ORCHESTRA PLAYS

1:26:121:26:15

DRAMATIC PIANO MUSIC

1:26:231:26:25

PIANO PLAYS

1:29:581:29:59

PIANO CONTINUES TO PLAY

1:30:281:30:30

STRINGS PLAY

1:30:521:30:55

PIANO PLAYS

1:31:381:31:41

CLARINET PLAYS

1:31:411:31:44

MUSIC SWELLS

1:33:171:33:18

MUSIC ENDS

1:34:091:34:11

APPLAUSE

1:34:111:34:13

Baby, shake my hand!

1:34:201:34:21

-Take a message to Cathy for me, will you?

-But she's waiting for you.

1:34:211:34:24

-Will you take it?

-Yeah.

1:34:241:34:25

-Tell her I've gone.

-Gone?

-To San Francisco.

1:34:251:34:27

Tell her I've gone back to that blind girl.

1:34:271:34:29

You ought to know how. You've buddied for me enough.

1:34:291:34:31

-But wait a minute!

-Tell her, will you?

1:34:311:34:33

APPLAUSE CONTINUES

1:34:351:34:36

Oh, wasn't it thrilling, Chick? Where's Daniel?

1:34:391:34:41

I got news for you. We're leaving for San Francisco.

1:34:411:34:44

Back to Mary. Not supposed to tell you why.

1:34:441:34:46

You see, I've got a gift for the gab

1:34:461:34:48

and I'm supposed to break it to you easy.

1:34:481:34:50

Well, isn't that what you wanted?

1:34:511:34:53

-Mm.

-Oh, tears of joy, huh?

1:34:531:34:55

TRAIN RUMBLES

1:34:591:35:01

-HE SINGS SAM HALL:

-# Oh, I killed a man, they said

1:35:031:35:05

# And I smashed his bleeding head...

1:35:051:35:07

# And I left him lying dead... #

1:35:081:35:11

Says here that you show great promise. Mm.

1:35:111:35:13

Pretty sweet of them, isn't it? This guy calls it promise.

1:35:131:35:17

We might send him a little note.

1:35:171:35:19

Sort of a promissory note, huh?

1:35:191:35:21

Sorry.

1:35:251:35:26

ORCHESTRAL MUSIC PLAYS

1:35:281:35:31

HORN BLARES

1:35:481:35:49

PIANO PLAYS

1:36:171:36:19

DRAMATIC MUSIC PLAYS

1:37:091:37:13

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