Without Reservations


Without Reservations

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BROADCASTER: America On The March brings you a special event.

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'When war ended last year,

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'numberless plans were proposed for the advancement of peace and prosperity.

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'One has captured the imagination of the world.

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'Its popularity enhanced by the fact that it's presented in the form of a novel.

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'Here Is Tomorrow offers the daring concept that man can shape his own destiny.

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'Mark Winston, the hero, has become the centre of a storm of controversy

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'which could not be greater were he a leader of the people.

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'Here's fortunate publisher, Philip Jerome.

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Here Is Tomorrow has led the bestselling list for 16 consecutive weeks.

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It has been translated for worldwide distribution.

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'As with all bestsellers, Here Is Tomorrow goes to Hollywood to be produced by Henry Baldwin

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'with Cary Grant as Mark Winston and Lana Turner as the girl. Says producer Baldwin...'

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I am proud of bringing Here Is Tomorrow to the screen -

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the most important picture of my career.

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-Beautiful speech, Mr Baldwin.

-Later, Charlie, later.

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'People in every walk of life have been influenced by it. From the highest...'

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For my money, this book offers the best answer yet to all our problems.

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'To the lowest...'

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I come to America 32 years ago. It's great country.

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Here Is Tomorrow will sure get us out of the hole.

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'Each one finds in it something for himself, or herself.'

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I didn't understand the deep things in the book but it's got a beautiful love story.

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Mark Winston's a wonderful guy. Not like my customers.

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'The younger generation too takes its place in the struggle.'

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Number 12 of the Chipmunk Patrol of Pennsylvania.

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-We're behind Here Is Tomorrow 100%.

-YEAH!

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'And in the Senate of the United States.'

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Everyone should read this book.

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It is a blueprint for happiness - politically, socially and spiritually.

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It gives me great pride that it was a member of my own sex who pointed the way.

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Christopher Madden is a woman. A girl in shining armour. An American Joan of Arc.

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'Now the authoress, Miss Christopher Madden,

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'parrying questions from the press of the world

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'before her departure for Hollywood to adapt her book for the screen.'

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How does it feel to be called America's Joan of Arc?

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I only wrote a book. I didn't intend to head a movement!

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So did Harriet Beecher Stowe and look what happened.

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Did you model Mark Winston after an actual person?

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Any resemblance between Mark Winston and any living person is coincidental.

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But he's very real to me. I lived with him for two years as I wrote the book.

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I know everything about him - his tastes, habits, the books he reads, the music he likes.

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It's an experience I won't forget.

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'Whether Christopher Madden and Mark Winston will make history, only time can tell.

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'America On The March.'

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-You've done a wonderful job.

-Thanks. This reel will be in every theatre.

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-Get Miss Madden in New York.

-It's too late. It's four o'clock there.

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Did you send out the invitations?

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The mayor will speak at the station. The governor at dinner.

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-I want everyone there.

-We've invited everybody.

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-Did you wire Miss Madden about Cary Grant?

-She should be receiving it now.

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The whole office was upset. We didn't tell Mr Baldwin.

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It's an upper, but from Chicago you'll have a drawing room.

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-I like travelling on Pullmans. You meet the people.

-Nothing but people.

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-Our man has the tickets for the drawing room.

-Call if you need me.

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-I will.

-Miss Madden!

-Yes.

-A telegram.

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-Here you are, son.

-Thank you, sir. Thank you.

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-Anything else?

-I'd like to ask a question.

-What?

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It's about my girl. Since she read the book, she says all she feels for me is a glandular attraction.

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What is a glandular attraction?

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It's from Baldwin. "Cary Grant informs me he cannot be Mark Winston due to commitments.

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"This would have been a setback, but it came to me how wrong it would be to have a known actor.

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"It should be a new face. My staff are searching for the right man.

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"This will be a bigger search than for Scarlett O'Hara.

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"Don't worry, we have Lana Turner.

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-"Regards."

-Lana Turner! Lana Turner! Oh, boy!

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And that is a glandular attraction.

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-I sold the story to Baldwin because he promised me Cary Grant.

-All aboard.

-Wait!

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I won't have an amateur! You call him up immediately and tell him I insist on Cary Grant.

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Call him and tell him. And be firm!

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-Take care.

-Louis Burt will meet you.

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Never mind calling Baldwin. I will.

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-Goodbye!

-Goodbye.

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Oh! Oh, I'm so sorry.

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Huh! An intellectual.

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-Here you are.

-Thanks.

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-Ah!

-Want it? It would make a lovely scarf.

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-No, thanks.

-OK.

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-Nice day, isn't it?

-Mm-hm.

-Are you travelling by yourself?

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Yes, I'm travelling by myself.

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-Kind of lonesome, isn't it?

-I haven't had a chance to find out.

-Oh, it is. Take it from me.

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Oh, well, I always find something to do, if people let me.

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I can get so lonesome.

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Here. You take this and go back to your seat and read it, huh?

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Thanks, but I read awfully fast.

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WHISTLING

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-Rusty.

-What?

-You were right.

-Yeah. You chase around and find what you want in your own back yard.

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Three times we walked through and we didn't see a thing.

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You said if we relaxed everything would be lovely.

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It's like that French story about kids who looked for a bluebird.

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-They chased around all night then, guess what?

-What?

-They found it in their back yard.

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-What happened then?

-It flew away.

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-But this bluebird won't fly away.

-That's right.

-Are you gonna do something about it?

-Sure.

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Hello.

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Hello.

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Hello.

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-You up there?

-Uh-huh.

-I'm down here.

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-Uh-huh.

-He sleeps over there.

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Uh-huh.

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Oh!

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M-M-Maurice Medalinc is Belgian.

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-Do we know him?

-Apparently.

-Does he know us?

-He's the author of The Bluebird. He got the Nobel Prize.

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-He deserved it.

-Yes, well, he's Belgian, not French.

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-This girl is repeating herself.

-It's nice the way things turn out. You sleep up there. Rusty down here.

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-I'm over there. Everything's chummy.

-That's what I like about travelling. People are more relaxed.

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Rusty can relax anywhere.

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I know.

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Oh!

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No, I mean. He seems the sort of person who's naturally friendly.

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Oh, if everybody could be like that!

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If everyone in the whole world could get together with that relaxed spirit.

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If people could brush aside their differences and let down their back fences.

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Isn't it crowded in here?

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Oh!

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Oh, I guess I talk too much.

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No! But doesn't that yacking make you thirsty? Come to the club car for a drink.

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-Thanks, but I'll see you later. I've things to do.

-Good deal. ..A beetle!

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SHE HUMS LOUDLY

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Yep. A beetle.

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"Dear Mr Baldwin,

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"After mature consideration, I subscribe to your plan of having unknown play Mark Winston.

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"But search is NOT necessary as I have met Mark Winston in the flesh.

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"It's incredible, but it's true.

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"I instinctively feel this dark-haired, deep-voiced marine flier is our man.

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"Stop.

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"I am thrilled. Stop.

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"How shall I proceed?

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"Regards. Madden."

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-Oh, porter. Porter, would you take care of this wire for me?

-Yes, ma'am.

-Thank you.

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HUMMING CONTINUES

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-Where ya goin'?

-Hollywood.

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-Got a job?

-Uh-huh.

-You got a boyfriend in Hollywood?

-Uh-uh.

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Well, whaddya wanna go to Hollywood for? It's full of dames. You wanna wait tables in San Diego.

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-25 bucks a week, tips and two meals. The union takes care of you.

-Are you a member?

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Yes. My guy's an organiser. If you're interested in a guy you've got to be sympathetic to his cause.

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That's where lots of girls lose out.

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-A relationship without mental accord is sterile.

-You bet.

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Say that again.

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So many girls chose a man for the excitement or social security it gives them.

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According to Professor Metcalfe's book...

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Books are no good. If you give in to a fellow on the unimportant things you get what you want.

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Oh.

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Does it hurt me if I encourage his union work? Does it cost me? No.

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It makes him feel so good that when I say, why doesn't he take me to the Ritz roof,

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he says, it's full of reactionaries, but he takes me.

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-He doesn't like reactionaries?

-No, so I agree with him.

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The Ritz roof is expensive

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but does a fella have respect for a girl satisfied with a cheap old bottle of wine and a hamburger?

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Is he gonna praise the girl who lets him burn cigarette holes in her sofa? No, he'll find a blonde.

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-And she's different?

-You bet.

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-But what about the girl who let him burn the cigarette holes?

-Oh.

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She's spending nickels calling him up. Does he say he likes someone better? He does not.

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He's saying he's too busy. He's saying he's doing overtime.

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He's also worried about his mother. If she calls, he gives her the KO.

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-You mean hits her?

-No, the brushoff.

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That's when a fella tells a girl she's too good for him. She should find someone who appreciates her.

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Honey, when a girl gets that routine, she knows she's through. She's washed up completely.

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Well, I'm sorry for her.

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I am not! She's a dope. A girl has to look into the future. She's got to keep an eye on her pitching.

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Oh, brother, will Joe get sore when he gets a load of that! He'll start worrying about who bought it.

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An orchid gives a girl prestige.

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It cost five bucks and I'm not gonna waste it on GIs.

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HUMS AGAIN

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-A-ah!

-You want it? I took it off a storm trooper.

-Thank you, no.

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-Did I scare you?

-That's all right.

-Where are you going?

-The club car.

-Let me buy you a drink.

-No, thanks.

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-Don't you like me?

-I don't know you.

-I don't know YOU but I like you.

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-How could you?

-I don't know, but I do.

-You don't. You're fooling yourself.

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-You're letting your natural impulses run away with you.

-What?

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Just because you won the war your duties aren't over. They're beginning.

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You're coming back to build a better world, a healthier nation.

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A nation is only as strong as its single family unit. That's why you must be careful approaching a girl.

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You have to find out about her. Is she going to be a good friend besides a faithful wife and mother?

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Don't let passing impulses blind you.

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I wasn't thinking about marriage.

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But soon you will and I want you to remember every word I told you. The world's future depends on you.

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-Hello.

-Hello.

-Hello. Have a seat.

-Thank you.

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-What'll you have?

-Orange juice.

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-The beetle is at it.

-Who?

-The beetle.

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-What's a beetle?

-Oh, they're very cute to look at but you've got to keep your eye on them.

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They make out they've no angles. Then they crawl in your hair. They give you mental fatigue.

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Then you can't take up Uncle's planes after the psychiatrist's injections.

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-So beetles are out?

-No.

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-Two bourbons and an orange juice.

-Yes, sir.

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-Oh, I'm sorry.

-I beg your pardon, sir.

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-That book gets around.

-Are you familiar with it?

-We picked it up in a bed in Jacksonville.

-Sickbay.

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The fella next to Rusty was giving that book a hard time. That's how we got these Jap medals.

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-Jap medals?

-Would you like some?

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No, thanks. Would someone mind telling me what the book has to do with Jap medals?

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-I was reading Esquire and this Joe wanted to trade.

-Rusty said no.

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-He said no?!

-Rusty kept reading and the army got desperate.

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1.35.

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We were at the point where the army got desperate.

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Then he offered an Afrika Korps helmet with a Rommel insignia, practically a collector's item.

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-Rusty couldn't resist that?

-I had to save the book from the army.

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It might interest you. They're going to make a picture of the book with Cary Grant and Lana Turner.

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Cary Grant's gonna play the part of that pilot? He always seemed a sharp fellow.

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They're probably giving him a lot of bananas.

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-Grant already HAS a lot of bananas.

-Why shouldn't he play it?

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-Why? Because it would make him look silly.

-Silly?

-Certainly.

-But why?

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Because Lana Turner keeps chasing him and he keeps saying no.

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-To Lana Turner?

-He does.

-Was there something wrong with this pilot guy?

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He's busy fixing up the world for everybody.

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Can't he take care of Lana first?

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He'd like to, Dink, but this pilot is a progressive and Lana Turner is a reactionary.

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Exactly!

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But this reactionary's Lana Turner! What does it matter what she thinks?

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-That's what makes it so silly.

-I just don't understand it.

-Gentlemen, you've missed the point.

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The characters that Grant and Turner play are symbols.

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He of the future and she of the past. The clash between them is ideological.

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-Look. He's a man?

-Well, yes.

-She's a woman?

-Yes.

-That's all.

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I know what you're thinking. You're thinking I know nothing about men.

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Well, don't let that worry you. Neither did the character that wrote that book.

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What would you do if you were Mark Winston?

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I tell you what I'd do if I were Mark Winston, Miss... What IS your name?

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Er...Kit. Kitty...Klotsch.

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Klotsch?

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Is that, er, Polish?

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Lithuanian.

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Very old Lithuanian.

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Well...Miss Klotsch,

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if I were Mark Winston, I would behave like Lana Turner were a woman and argue after.

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But suppose you've just come back from the war and you're sick of it all. Tired!

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Honey... no pilot gets THAT tired.

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(Hello.)

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(Oh, hello.)

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-(Let me help you.)

-Oh, thank you.

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I wonder where the ladder is.

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I, er...haven't seen it lately.

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I think I better call the porter.

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-I'll do that.

-BUZZER

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-I guess he must be out somewhere.

-It doesn't look much without you in it.

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-I'll give you a lift.

-A lift?

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It's simple.

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-Oh.

-It's the only way I can think of.

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Thank you. I'm sure I can manage.

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-Oh, goodnight.

-Goodnight.

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-Night.

-Oh, goodnight.

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-OW!

-(Oh, I'm so sorry!)

-That's all right. Go ahead.

-Thanks.

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-How are you doing?

-So far so good.

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What you need is six weeks' basic training.

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O-oh!

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Oh, I'm sorry.

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-I'll give you a hand.

-Yeah.

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-Can you make it?

-Yes, thank you.

-Are you sure?

-Yes.

-Say, where are you going?

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-To my bed.

-No, I mean where are you heading for?

-California.

-Well, good. We're going to San Diego.

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-Oh, that's fine.

-You know what? You're much lighter than I thought.

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-You're much stronger than I thought.

-I bet I could hold you for 20 minutes.

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-I'm sure you could but I want to go to bed.

-Am I holding you up?

-Yes. Please.

0:24:090:24:16

Thank you. Thank you.

0:24:160:24:18

-Goodnight.

-Goodnight.

0:24:240:24:26

OTHERS: Goodnight!

0:24:260:24:29

Chicago. Chicago is next.

0:24:390:24:42

The next stop is Chicago. Chicago.

0:24:430:24:48

-Oh, for you, miss.

-Thank you.

0:24:480:24:50

-How much time have I got to make The Chief?

-Just time enough.

-Thank you.

0:24:500:24:56

Next stop Chicago. Chicago.

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"Dear Miss Madden, I'm enthusiastic over the marine you feel could play Winston.

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"He sounds perfect. Bring him to Hollywood for a test.

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"Don't let him get away. Regards, Baldwin."

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Excuse me. I'm sorry.

0:25:260:25:28

Pardon me.

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Excuse me.

0:25:310:25:34

-Please, stay back.

-Have you seen those marine fliers?

-No, ma'am.

-Are they in the club car?

-It's closed.

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-If you see them, will you tell them I'm looking for them?

-Yes, ma'am.

-Thank you.

-Chicago!

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Oh, my coat!

0:25:480:25:50

-Rusty! Dink!

-Miss Madden?

0:26:000:26:02

-Yes.

-I'm Burt, from Arrowhead Pictures. I have your drawing room on The Chief. My car's outside.

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-I have something important to do.

-Can I help?

-Could you put my things on The Chief and get my ticket?

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-I'll wait for you.

-No. Just put my things on the train. You should be in bed with that cold.

-Yes, miss.

0:26:170:26:25

-Pardon me. Aren't you Christopher Madden? May I have your autograph?

-Certainly.

0:26:440:26:50

Would you mind putting "To Jack Benny"?

0:26:500:26:54

Jack Ben...

0:26:540:26:57

Thank you.

0:26:570:26:59

Thank you very much.

0:27:010:27:03

-I haven't seen them either.

-They must be somewhere.

-More than likely.

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-Where?

-You're making a big mistake. You should know better than to give in to your passionate impulses.

-Sh!

0:27:170:27:24

You should find out if he's going to be a thoughtful husband. The future depends on you.

0:27:240:27:30

-Hello!

-Miss Klotsch!

-Hello!

-We're happy to see you.

-Oh, thank you.

0:27:490:27:55

-We'd like you to make a purchase for us.

-Oh!

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-Would you buy us a bottle of Scotch?

-Isn't that out of character?

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-We wanted something older than last week.

-The sign says "One bottle of Scotch per customer. Sorry."

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-Sorry is right.

-But our train?

-We'll get a cab.

-Get more than one, we'll get you a bus.

0:28:110:28:17

-I'm afraid it's only gonna be one bottle.

-Yeah.

0:28:170:28:21

Miss Klotsch is an amateur.

0:28:210:28:24

I gotta keep everybody happy, miss. Scotch is still scarce. Take it, or leave it.

0:28:240:28:30

After what I've done for you the least you could do is give me three.

0:28:390:28:44

-What have you done?

-I wrote that book.

0:28:440:28:48

You? Christopher Madden?

0:28:480:28:51

Ah, you're kidding!

0:28:510:28:53

I can prove it to you. Read your last line.

0:28:550:28:59

"Mark Winston looked above him. The land seemed abandoned. Its usefulness ended."

0:29:010:29:07

"But in this vast and empty land his eyes saw something else - a vision of construction,

0:29:070:29:15

"a land that would turn into factories and communities. A frontier of new hopes

0:29:150:29:21

"where men might use opportunities.

0:29:210:29:24

"It was all there. Realisation for tomorrow."

0:29:240:29:28

-Will three be enough?

-That's fine.

-Would you autograph my book?

-Yes.

0:29:280:29:33

-What's your name?

-Timothy Helgalander. Oh, but write T Helgalander. I can't stand Timothy.

0:29:360:29:43

-Planning to do some writing?

-Some rewriting.

-I'll put them in a bag.

-No, thanks. I'm in a hurry. Bye.

0:29:450:29:53

-Well, here you are.

-What happened?

-Nothing. I just smiled.

0:29:530:29:57

-You don't have a three-quart smile.

-What did you write?

-I said I was Christopher Madden and I signed it.

0:29:570:30:05

-He fell for it?

-Hook, line and Scotch.

0:30:050:30:08

-Oh, you promised me a bus!

-The station.

0:30:080:30:12

-Sunrise Limited.

-Yes, sir.

-Sunrise Limited?

-Yeah. Section five. Car 62.

0:30:270:30:33

-What's yours?

-Mine?

0:30:330:30:36

-Er...I think I'm in car 62 too.

-Never mind. Put the bags on my seat. Where ARE your bags?

0:30:360:30:43

-I sent them on. They're on the train.

-Good.

0:30:430:30:47

'The Chief, Kansas City, La Junta, Albuquerque, Los Angeles - leaving on track seven.'

0:30:490:30:56

-What's the matter?

-What's the matter?

-Nothing.

0:30:570:31:01

I wish we were on The Chief.

0:31:050:31:08

I wish we were too.

0:31:110:31:13

'Sunrise Limited - all aboard!'

0:31:130:31:16

Your tickets, please.

0:31:160:31:18

It's gonna be nice, the three of us.

0:31:230:31:26

-It's getting to be a habit.

-Some are healthy.

-It's as if we know you.

0:31:260:31:32

-That's what you told that beetle.

-She said it.

0:31:320:31:36

Then you should have taken her home.

0:31:360:31:39

We were OK, except we mixed our drinks. It was lovely until we had vodka and wine.

0:31:390:31:46

-We shouldn't be telling this girl sordid things.

-Why not? Miss Klotsch is no beetle!

0:31:460:31:51

Your tickets, please.

0:31:510:31:54

Your ticket, please.

0:31:560:31:58

Oh, yes!

0:31:580:32:00

Oh!

0:32:040:32:06

-Oh! I seem to have misplaced it.

-Oh!

0:32:060:32:10

Perhaps you have other identification, Miss, er...?

0:32:100:32:14

Klotsch.

0:32:140:32:16

Oh!

0:32:190:32:20

Now, isn't that funny! I just don't seem to have a thing with me with my name on it.

0:32:200:32:28

Where's your luggage?

0:32:280:32:30

Well...

0:32:310:32:33

Maybe it's on the wrong train.

0:32:360:32:39

Very funny, Miss Klotsch.

0:32:390:32:41

There's a serious penalty for riding trains without tickets and with servicemen.

0:32:410:32:48

Yes, I know, but I really DID have it but something just happened.

0:32:480:32:54

Something always happens.

0:32:540:32:55

-I can vouch for her.

-I can vouch for him.

0:32:550:32:59

-And you can vouch for him?

-Uh-huh.

0:32:590:33:02

I should have you put off right here.

0:33:020:33:06

I'd be glad to buy a compartment.

0:33:080:33:11

-No compartments.

-She'll have no place to sleep?

-Up in the coach.

0:33:110:33:17

-Remember, if there's any trouble, you'll go off the train. Is that clear?

-Yes.

0:33:170:33:25

-Come with me up to the coach, miss.

-Well, goodbye.

-You'll hear from us.

0:33:250:33:32

Brandy, cigars, cigarettes. Brandy, cigars, cigarettes. Brandy, cigars...

0:33:320:33:38

BABY CRIES

0:33:380:33:41

Miss Klotsch? Miss Klotsch?

0:33:410:33:44

-Miss Klotsch?

-Yes?

0:33:440:33:47

-The marine gentlemen are waiting for you for dinner.

-Oh, thank you.

0:33:470:33:52

Klotsch?

0:33:540:33:56

One single? One single?

0:33:590:34:01

-Good evening.

-Good evening.

-Good evening.

-We are happy to have you with us.

-You bet.

0:34:080:34:15

Oh, thank you, gentlemen.

0:34:150:34:18

-For me?

-We thought it would look nice on you.

-Thank you. This makes me feel very grand.

-Freddie's right.

0:34:180:34:26

-He says an orchid makes a woman feel good.

-Is he the psychiatrist?

0:34:260:34:31

-No, he's the barman in the club car.

-Oh. You gentlemen certainly get around.

0:34:310:34:36

Pst! Pst!

0:34:360:34:39

Pst! Pst!

0:34:390:34:42

CHIRRUPS LOUDLY

0:34:420:34:45

-For two.

-We only have a single.

0:34:450:34:48

-Oh.

-Give him a tip. Haven't you ever been around?

0:34:480:34:53

Thank you, sir. Thank you.

0:34:530:34:57

Oh, excuse me. I see some friends.

0:34:570:35:00

-I'm simply starved. Trains make me hungry. I get an appetite from the darnedest things. Hello.

-Hello.

0:35:000:35:07

-I don't think I've met your friends.

-I'm sorry. Captain Rusty...

0:35:070:35:12

-Thomas.

-I'm sure.

0:35:120:35:15

-And Lieutenant Dink...

-Watson.

-Miss, er...?

0:35:150:35:19

Consuela Callaghan. I come from a very old Spanish family. I see you took my advice.

0:35:190:35:25

My orchid's on ice.

0:35:250:35:28

So is your friend the, er, admiral.

0:35:280:35:32

Oh, er, what are you drinking?

0:35:350:35:37

Wine.

0:35:370:35:39

Oh!

0:35:390:35:41

Wine.

0:35:420:35:45

-I haven't seen you. Do you have a compartment?

-I'm in the coach.

0:35:450:35:50

Oh, that's tough. I'm right next to your officer friends. I'm seven. Lucky seven, huh?

0:35:500:35:56

-You're seven?

-But we're still five.

0:35:560:36:01

Oh, well, you're too young for me.

0:36:060:36:09

-I have a two now.

-Oh, fine, thanks.

0:36:090:36:13

-They asked me to stay with them but I told them I was with you.

-That's nice.

0:36:130:36:19

-It never fails to surprise me that there are vast lands still uncultivated.

-Not for long.

0:36:280:36:35

With aeroplanes, people will spread.

0:36:350:36:38

It'll be wonderful to be part of a new world.

0:36:380:36:41

I don't think it'll change much.

0:36:410:36:44

-Oh, but it must!

-Why?

0:36:440:36:46

For too long we've had that laissez faire attitude!

0:36:460:36:51

We must educate ourselves to share the responsibilities of citizenship.

0:36:510:36:57

I read that book too. It certainly made an impression on you but it's hooey!

0:36:570:37:03

Fixing everybody up when they give a first squawk. Giving pointers on government between bottle feeds.

0:37:030:37:11

-Teaching kids not to smack each other.

-It's very easy to make fun of everything.

-Listen, Miss Klotsch,

0:37:110:37:19

have you ever heard of the fellas who first came over here? Do you know what they found?

0:37:190:37:26

A howling wilderness with summers hot and winters freezing

0:37:260:37:30

and unpleasant characters who painted their faces.

0:37:300:37:34

Do you think these pioneers filled out form X6277 saying the Indians were unreasonable?

0:37:340:37:41

Did they have insurance for their old age, for their crops, for their homes? No.

0:37:410:37:47

They looked at the land, the forests and the rivers, their wives, kids and houses.

0:37:470:37:53

-Then they looked up and said, "Thanks, God, we'll take it from here."

-They were rugged.

0:37:530:38:00

-They were men.

-You and I are talking about two entirely different things.

0:38:000:38:06

-Dink, do you know what?

-What?

-This girl is stubborn.

0:38:060:38:11

BOOGIE-WOOGIE PLAYS

0:38:190:38:21

SHE HUMS HAPPILY

0:38:260:38:29

-Oh, it's lovely.

-What's lovely?

0:38:350:38:39

The Blue Danube.

0:38:390:38:41

I love Strauss waltzes.

0:38:410:38:44

How can you think about a waltz when they're playing a boogie?

0:38:440:38:48

-It sounds to me like a waltz.

-If she says so, it IS.

0:38:480:38:52

-Take it easy, Miss Klotsch.

-I love Strauss waltzes.

0:39:100:39:15

That's my orchid!

0:39:150:39:17

-Oh, no. No, it isn't. This is mine.

-I would be a little more careful.

0:39:170:39:22

You can get in trouble accusing innocent people.

0:39:220:39:26

-Where did you get that orchid?

-My friends gave it to me.

0:39:260:39:32

Uh! Who? Who us?

0:39:320:39:34

-We didn't give anybody any orchid.

-No.

-She got that from the president for heroic conduct.

-That's right.

0:39:340:39:42

It's not an orchid. It's a medal. It's the distinguished flying orchid.

0:39:420:39:48

Aren't you going to do anything?

0:39:480:39:51

I can't do anything. She got it from the president.

0:39:510:39:55

Awwww!

0:39:550:39:57

-Are you sure I got this from the president?

-Not exactly.

0:40:000:40:04

We couldn't let Freddie take the rap after giving it to us, even if we had to give him the Jap medals.

0:40:040:40:12

-That's lovely.

-This girl's saying silly things. She's in a tailspin.

0:40:120:40:18

No, it's not a tailspin.

0:40:180:40:20

-I know.

-What do you know?

0:40:220:40:25

I know about tailspins.

0:40:250:40:27

I had four and a half hours once in a cub plane.

0:40:270:40:31

And if you can fly a cub plane, you can fly anything.

0:40:310:40:35

-You should have told us.

-You didn't ask me.

-I'm asking now. Do you know how you make a three-point landing?

0:40:350:40:43

-Oh, sure.

-This girl doesn't wanna fly. She has other things in mind.

0:40:430:40:48

-Yes, I do.

-What do you wanna do?

-Fly.

0:40:480:40:52

-All right, Dink, let's let her fly. A C47.

-Isn't that a little big?

0:40:540:40:59

-That's the problem.

-I'll have a drink.

0:40:590:41:02

-Not on the job.

-Where's my plane?

-That's easy.

0:41:020:41:06

-Would you hold this?

-Certainly.

-Grab a table.

0:41:060:41:10

-What are you doing?

-Getting the plane out.

0:41:100:41:13

-What?

-Getting the plane out. ..Come on.

0:41:130:41:18

-Oh, it's kinda high up there!

-Sure, it's high. It's a plane.

0:41:180:41:22

Gentlemen! Gentlemen! Gentlemen! Gentlemen!

0:41:220:41:26

Be careful. You might get in trouble.

0:41:260:41:29

-It's government business.

-Oh, it's high.

0:41:290:41:32

-What's that?

-Compass, air-speed indicator, altometer.

0:41:320:41:37

-She should be in a Hellcat.

-Why?

-Maybe she should.

-She's ready to go.

0:41:370:41:42

-Where's her copilot?

-Buckling his belt.

0:41:420:41:46

-Why?

-Do you want him to fall out?

-It depends. Is he interesting?

0:41:460:41:51

-The man has 1,400 hours flying time and she wants to know that!

-You're horsing around.

-All right.

0:41:510:41:59

-Our objective is 500 miles south.

-I see it.

0:41:590:42:02

-LAUGHTER

-You cannot see it!

0:42:020:42:07

-Sharpen this parachute.

-I never use 'em.

-What if you have to bail out?

-I'll keep a stiff upper lip.

0:42:070:42:14

-Take her up north-east to 7,000ft.

-She hasn't got her wings yet.

0:42:140:42:20

-And she's flying a C47?

-What if the air inspector finds out?

-He won't.

0:42:200:42:25

-I'm in a draft. Let's meet the head winds.

-Is the gyro-directional set?

-Check the flaps.

-What?

0:42:250:42:32

Where?

0:42:320:42:34

-Take this plane to its hangar.

-Complain to administration. Have you got a pass?

0:42:340:42:41

-You're obstructing a flight.

-I am?

0:42:410:42:45

Has she filed her flight plan?

0:42:450:42:48

-I forgot!

-We better get out of here. Clear on left?

-Clear. Clear on right?

-Clear.

0:42:480:42:54

Clear the runway!

0:42:540:42:57

-You're rolling down the runway at 60mph.

-70.

-80.

-90.

-What am I waiting for?

0:42:570:43:03

-Get off the ground!

-Your landing gear!

-Where is it?

0:43:030:43:08

Left rudder!

0:43:080:43:10

-Hit it! Hit it!

-Hit it!

0:43:120:43:15

-I hit it.

-You crashed.

-I crashed.

0:43:170:43:21

I think the beetle's got an idea. Let's go!

0:43:270:43:31

Here she is! Here she is! I know she's here. Where is she?

0:43:340:43:39

Where is she?

0:43:390:43:42

Come on.

0:43:420:43:44

-(The coach'll be the first place they'll look.

-I hear you.)

0:43:490:43:54

-(A beetle and two bogeys approaching at 12 o'clock.

-OK.)

0:44:010:44:05

(Emergency landing. Our berth.)

0:44:100:44:13

LAUGHTER

0:44:130:44:16

-Shh!

-Shh!

0:44:160:44:19

Conductor, I think I can be of some help.

0:44:240:44:27

OH! AH!

0:44:270:44:30

-But that's their berth!

-Come on, we'll find her.

0:44:300:44:35

MUFFLED GIGGLES Shh!

0:44:350:44:39

A-ha!

0:44:430:44:46

Hm!

0:44:460:44:48

Oh, my orchid!

0:44:500:44:52

I'll have you thrown off the train!

0:44:520:44:55

I don't see how they can do this!

0:45:180:45:21

I'm an immoral character. Kicked off for conduct unbecoming to a lady,

0:45:210:45:26

consorting in a vulgar way with the troops and stealing an orchid.

0:45:260:45:30

You be careful going off alone.

0:45:300:45:34

It isn't like you've us looking out for you.

0:45:340:45:37

-I'll be all right. Will I hear from you?

-Sure. You can write.

0:45:370:45:42

-Where to?

-The Ritz Hotel in San Diego.

0:45:420:45:45

-Will you be in San Diego long?

-You'll have to ask the Navy.

0:45:450:45:50

Give my love to Dink.

0:45:500:45:53

-And what about me?

-Well, er, I'm awfully happy I met you and...

0:45:530:45:57

-And what?

-Look, your train!

0:45:570:45:59

-I know.

-Goodbye.

-We never say goodbye.

0:45:590:46:04

-Oh! You missed it!

-Fancy meeting you in La Junta.

0:46:130:46:17

-Dink!

-It's La HUNTA, you dope! Come on.

0:46:170:46:22

-What now?

-We'll put you on the next train.

0:46:220:46:25

-What about you?

-We'll have to go and catch a plane.

-We have a date.

-A date?

0:46:250:46:32

-Yeah, with a couple of swell...

-Sisters of a friend.

-That's right.

0:46:320:46:37

-Friends of the family, you know.

-Mm-hm. I'm afraid I do.

0:46:370:46:42

-Thanks.

-Thank you.

-Thanks, pal.

0:47:000:47:03

That's OK. Good luck.

0:47:030:47:05

You two stay out here and I'll see what's up.

0:47:150:47:20

-Is there a good chance of you getting on a plane?

-Sometimes. Rusty and I play on luck.

0:47:240:47:31

-What's the matter with you? Are you sore?

-No. I'm not.

-Don't take him seriously.

0:47:330:47:39

He's kind-hearted. He can't pass a stray dog or cat without petting 'em.

0:47:390:47:45

-Is that how he feels about me?

-It's hard to tell with any woman.

0:47:450:47:50

We expect a B32 from Kansas City within the hour.

0:47:500:47:55

-Within the hour?

-It goes straight to San Diego.

-Straight to San Diego?

0:47:550:48:00

Do you want me to put you down?

0:48:040:48:07

I, er... I don't think so. You see, we're really not in such a hurry.

0:48:070:48:12

-Thanks a lot, Lieutenant.

-You're welcome, Captain. And good luck.

0:48:120:48:17

-Sure beats everything. All flights are down.

-What's the matter?

0:48:210:48:26

-There's storms over the Rockies and flights are cancelled.

-Too bad.

0:48:260:48:31

-Well, what next?

-Back to town.

0:48:310:48:35

-It says "Bus stop".

-Let's walk.

0:48:410:48:44

-We've been sitting for days.

-This girl has a mean streak.

0:48:440:48:48

-Do you mean because she's glad we're stuck?

-Guess what?

-What?

0:48:480:48:51

ALL: You're right! LAUGHTER

0:48:510:48:53

-Oh!

-How do you like that? Rain!

0:49:180:49:22

-You said there was gonna be a storm.

-What?

-You said there was gonna be a storm.

0:49:220:49:28

-Oh, yeah. It's good for the crops.

-It's good for Elizabeth Arden.

0:49:280:49:34

Why don't people drive their cars?

0:49:340:49:35

Uncle Sam spends millions to build highways. People don't appreciate it.

0:49:350:49:41

Why does this always have to happen to me? Oh, this is terrible.

0:49:470:49:52

-Watch out! You'll get wet.

-It's too much. I can't stand it.

0:49:520:49:58

-Is something wrong?

-I'm loaded with misery.

0:49:580:50:01

-Well, unload it on us.

-Oh, what's the use?

0:50:010:50:06

Maybe you could help me push it.

0:50:070:50:09

-We not only push troubles, we make 'em vanish.

-This won't.

0:50:090:50:14

I wish it would. It's down the road where I left it.

0:50:140:50:19

-What did you leave?

-The Isota.

0:50:190:50:22

-What's that?

-It's a car. Italian, I think.

-You got a car down the road and we're sweating out a routine?

0:50:220:50:30

-What are we waiting for?

-It'll take more than good wishes to get it going.

0:50:300:50:36

-We'll find out.

-It started when that actor got a contract to go to Hollywood.

0:50:360:50:42

The ham decided to ride there in style. He broke down at my door.

0:50:420:50:46

My wife's hospitable. We took him in. It was nice to talk to someone from the east. I'm from New Jersey.

0:50:460:50:54

We moved west because my wife wanted altitude. I hate it!

0:50:540:50:59

Then that actor came into my life with his miserable Isota.

0:50:590:51:04

He stayed a week and left by train but he sold me the car first.

0:51:040:51:09

I bought it because my wife told me I should. She liked the upholstery! She didn't care about transmission.

0:51:090:51:16

Every time something happens to this car it's expensive. It's raining and something's wrong again.

0:51:160:51:23

I never want to see this car again. There it is, the ingrate!

0:51:230:51:28

-Well, come on. I'll take a look at it. I'll try to start it.

-Optimist!

0:51:320:51:37

Get out of the rain.

0:51:370:51:40

It sure is a beautiful job.

0:51:460:51:48

-O-oh!

-What's the matter?

-I'm cold!

0:51:480:51:51

I've a heater. It has everything except an engine.

0:51:510:51:55

Are you three together?

0:51:550:51:57

I guess so.

0:51:570:51:59

Maybe you would like to buy a car together?

0:51:590:52:03

-Without an engine?

-We couldn't afford it.

0:52:030:52:06

It isn't a question of affording it. Think of the pleasure it would give.

0:52:060:52:11

-Pleasure?

-And who's better entitled to pleasure than war heroes?

0:52:110:52:16

We'd just go to a second-hand lot.

0:52:160:52:19

What have they got? A bunch of lemons and wrecks.

0:52:190:52:24

Even if they had a decent car, what do you get out of it? Anxiety! Headaches!

0:52:240:52:30

EXHAUST FIRES NOISILY

0:52:300:52:34

-Say, how much do you want for this car?

-How much would you offer?

0:52:380:52:43

-I have 300 in traveller's cheques.

-That's good for me.

0:52:430:52:47

-Why would you want this car?

-I'm going to make a splash in Hollywood.

0:52:470:52:53

I can assure you, it'll make a splash.

0:52:530:52:57

EXHAUST FIRES

0:52:570:53:00

But I can't let it go for 300. I spent that much on hotel bills waiting for parts to arrive.

0:53:030:53:10

-You have a valuable item.

-What item?

0:53:100:53:14

A genuine collector's item.

0:53:140:53:17

-The helmet?

-A helmet? What's that to me?

0:53:170:53:20

I was offered 150 for it.

0:53:200:53:23

The longer I keep it the more valuable it is.

0:53:230:53:26

It has the Rommel insignia.

0:53:260:53:28

An antique? Could I perhaps see the item? I'm not saying I'll take it but I'd like to see it.

0:53:280:53:36

-Dink, come 'ere.

-Yeah?

0:53:360:53:40

-What is it?

-Give me that helmet. Well, what do you say?

0:53:400:53:45

You can't buy a thing like that for 150 bananas.

0:53:450:53:49

I'm not interested in money.

0:53:490:53:51

A real souvenir from a real hero of the marines.

0:53:510:53:55

I can't resist it.

0:53:590:54:01

Friends, the car is yours.

0:54:010:54:04

-You know what, boys?

-BOTH: What?

0:54:130:54:15

-We bought a car.

-BOTH: You're right!

0:54:150:54:18

It's really a nice car.

0:54:550:54:57

-With ME driving.

-It's better than the train.

0:54:570:55:02

-Cosier.

-I think so too.

0:55:020:55:05

I want to make a phone call.

0:55:060:55:09

-Do you want to call a friend?

-Dink!

0:55:090:55:12

I just don't want her talking to strangers.

0:55:120:55:16

-Hello, folks!

-Hello.

-Gas?

-Yeah.

0:55:230:55:26

-Do you have a telephone?

-Inside.

0:55:260:55:29

HE WHISTLES

0:55:290:55:32

-Can you reach it?

-You're doggone right I can.

0:55:320:55:37

PHONE RINGS

0:55:400:55:43

Yes? Who? Christopher Madden? Sure, we'll accept the charges. Put her on.

0:55:440:55:50

Hello, Miss Madden. Er, yes, er, just a moment. Mr Baldwin.

0:55:500:55:56

Mr Baldwin, Miss Madden's on the phone.

0:55:560:56:00

Miss Madden!

0:56:000:56:03

-Miss Madden, where are you?

-I'm in Rattan, New Mexico.

0:56:030:56:07

-Where is Rattan, New Mexico?

-In New Mexico.

0:56:070:56:11

That's immpossible. We expect you here. I've arranged a big reception.

0:56:110:56:16

You can't do this. How did this happen?

0:56:160:56:20

-I missed The Chief so I took the Sunrise Limited to La Junta.

-'Why there?'

0:56:200:56:25

-That's where I was taken off it.

-What do you mean taken off?

0:56:250:56:30

-They thought I was a beetle.

-'A what?'

0:56:300:56:34

B, like in Boston, double E, T-L-E.

0:56:340:56:38

-I'll tell you all about it when I see you.

-'That doesn't sound good.'

0:56:380:56:43

Nobody knows who I am, not even the marines.

0:56:430:56:47

How many have you got?

0:56:470:56:49

Only two. Rusty Thomas. He's Mark Winston. And his pal, Dink. Dink's driving my car.

0:56:490:56:56

Oh, yes, I bought an Isota.

0:56:560:56:59

A what? How can I get in touch with you?

0:56:590:57:02

You can't! Rusty musn't find out who I am.

0:57:020:57:06

-Are you letting personal feelings run away with you?

-Of course I am!

0:57:060:57:12

Here Is Tomorrow is all my personal feelings bound together and he IS Mark Winston as I dreamed of him.

0:57:120:57:20

We'll be there Friday or Saturday. I'll call when we get there. Bye!

0:57:200:57:26

Miss Madden! Miss Madden! Miss Madden!

0:57:260:57:29

-See if you can get her back. She's in Rattan, New Mexico.

-Rattan.

0:57:290:57:34

Look, Mr Baldwin. She made the front page. Next to Stalin!

0:57:340:57:39

-To make the early editions I gave them the story early.

-She won't be here.

-What?

-She missed The Chief.

0:57:390:57:46

-She's in New Mexico. Call the mayor, call the governor, call everything off.

-Yes, Mr Baldwin.

0:57:460:57:54

-I hope Dink can fix it.

-Oh, sure. Dink's a first-class mechanic.

0:58:100:58:15

But it'll take a little time.

0:58:150:58:18

How long do you think it'll take?

0:58:190:58:22

Well, if he's half the man I think he is, it'll take him a couple of hours.

0:58:220:58:27

Oh.

0:58:270:58:29

What made you buy a car like that?

0:58:330:58:36

Maybe I just wanted to show off that I could buy it.

0:58:360:58:41

-You know what?

-What?

-I don't think that's why you bought it at all.

-You don't?

-No.

0:58:410:58:48

-Do you want me to tell you why you bought it?

-I don't think so.

0:58:480:58:53

Maybe I won't like why I bought it.

0:58:530:58:55

< HAMMERING

0:58:550:58:58

-Hello.

-How do you do?

0:59:070:59:10

-Am I crowding you?

-Yes.

-Do you mind?

-No.

0:59:150:59:19

-Are you warm enough?

-Yes.

0:59:220:59:25

-Well, what's the joke?

-Nothing.

0:59:270:59:30

-Well, come on. Tell me. What made you laugh?

-Just you and me.

0:59:300:59:35

And what's so funny about us?

0:59:350:59:38

I thought you were going to put your arms around me and you did.

0:59:380:59:44

-I didn't exactly expect to surprise you.

-I know.

0:59:440:59:49

-I guess you have a pretty good idea what I'm gonna do now.

-Uh-huh.

0:59:530:59:56

-Any objections?

-Uh-uh.

0:59:560:59:58

-Did that mean anything to you?

-Yes.

1:00:081:00:11

-What?

-Nice.

1:00:111:00:13

Just nice?

1:00:131:00:16

-Very nice.

-You mean it could have been nicer?

1:00:161:00:20

-Uh-huh.

-How?

1:00:201:00:23

Oh, if it had happened under different circumstances.

1:00:231:00:27

You kissed me because we're out here in a hayfield,

1:00:271:00:31

with the moon shining above and a lot of stars blinking at us.

1:00:311:00:37

If we could know each other better. If we were sure of what's inside us.

1:00:391:00:44

Our tastes, our objectives.

1:00:441:00:47

-That couldn't have made it any better.

-It would.

-I can prove it.

1:00:471:00:51

I told you I could prove it.

1:01:001:01:02

Oh, you're unfair!

1:01:021:01:04

Things like kisses shouldn't be discussed!

1:01:041:01:08

You make them sound like laboratory tests.

1:01:081:01:11

I? You're the one who wants to analyse everything. I'd be willing not to say another word.

1:01:111:01:18

-That's all right with me.

-You're a little crazy.

1:01:181:01:23

Oh, no, please!

1:01:231:01:25

Oh, why don't you stop thinking?

1:01:251:01:28

-No, stop it!

-Shh!

1:01:281:01:31

Oh, no! There you see.

1:01:311:01:34

It's just... It's not good enough to be carried away like this by an errant impulse.

1:01:341:01:40

You know I like you. I'm fond of you. I'm very fond of you but I believe that...

1:01:401:01:47

-"And can we be friends?" I wish I'd met you before you read that book! Finished?

-All finished.

1:01:471:01:55

-Come on.

-Oh!

1:01:561:01:59

-Aren't you tired? You've been driving almost ten hours.

-No.

1:02:141:02:19

-Well, I am.

-Wanna stop?

1:02:191:02:22

-No.

-I think the Isota needs a little water.

-We'll stop at the next ranch.

1:02:231:02:29

-Oh, what's the matter with you?

-Nothing.

-Well, why sit there looking like...like...?

-Like what?

1:02:291:02:36

I don't know, but it's depressing.

1:02:361:02:40

Well, nobody says you have to look.

1:02:401:02:43

It's time to show off my tenor.

1:02:431:02:46

Do you know It Must Be Jelly Cos Jam Don't Shake Like That? No?

1:02:461:02:51

Do you know I'll Buy That Dream?

1:02:511:02:54

# Imagine me with my head on your shoulder

1:02:541:02:58

# And you with your lips growing bolder

1:02:581:03:02

# A skyful of moon and an old mellow tune

1:03:021:03:05

# I'll buy that dream. #

1:03:051:03:08

-Why don't you shut up?

-I'm just trying to be the life of the party.

1:03:081:03:13

Un carro!

1:03:371:03:39

ALL: Carro! Carro! Un carro!

1:03:391:03:44

HUBBUB

1:03:441:03:47

-Buenos dias, amigos! Buenos dias, amigos.

-What's this about?

1:03:471:03:53

They're telling us their names.

1:03:531:03:56

We have nice names - Ramerios, Chucho, Espacion, Landrosa, Otelo.

1:03:561:04:03

Rusty, Kit, Dink.

1:04:031:04:05

Aviators? I too will be an aviator. Padrecito says, "No, too young."

1:04:051:04:10

But I have constructed a plane.

1:04:101:04:13

-That's a pretty good start.

-Perhaps you'd like to look at it?

-Sure.

-Gracias.

1:04:131:04:20

We are not long here. The president wished us to come from Mexico.

1:04:201:04:25

We grow crops and raise sheep.

1:04:251:04:28

-You?

-I watch.

1:04:281:04:30

Only Dolores, she doesn't like it.

1:04:321:04:35

Not enough caballeros to take her out.

1:04:351:04:39

ANGRY SHOUTS AMID HUBBUB

1:04:411:04:44

Please, for me you will forgive their bad manners.

1:04:511:04:55

You are Dolores, I presume?

1:04:551:04:58

Senores, senorita, perhaps you will grace our poor and simple hacienda?

1:05:031:05:09

We had a beautiful hacienda in Mexico. Many rooms, wine, and flowers.

1:05:091:05:14

-Not so.

-Callate!

1:05:141:05:17

We are now prepared for dinner.

1:05:171:05:19

The padrecito, he would be proud to have as his guests - officers.

1:05:191:05:24

He's a patriotic man - padrecito.

1:05:241:05:27

Thank you very much but I'm afraid we must be going.

1:05:271:05:32

Oh, I'm sure we can spare the time as good-neighbour policy.

1:05:321:05:37

Then come in, senores. What is ours is yours.

1:05:371:05:41

-Si, si!

-La casa. La casa.

1:05:411:05:45

Yeah. I see, see, see!

1:05:491:05:51

-It's a P38, as you will recognise. I made it back home.

-It has good lines.

1:05:511:05:58

-Gracias.

-A high-class job. Muchas gracias.

1:05:581:06:01

-And made in Mexico.

-Si, si, si.

1:06:011:06:04

Gracias a Dios.

1:06:141:06:17

Todo poderoso por su infinita bondad al darnos el alimento del cada dia,

1:06:171:06:22

ya si no estaremos eternamente. Amen.

1:06:221:06:26

OK. Have not the bad manners to seat yourself before the guests!

1:06:261:06:29

Please, sit down.

1:06:291:06:32

Sientate!

1:06:351:06:37

Are the hands of the little ones clean? Good.

1:06:371:06:42

You will show our guests hospitality and manners befitting the Ortegas.

1:06:421:06:47

Senores, senorita, it is only a humble meal we have to offer you but we are happy to have you here.

1:06:471:06:55

-Thank you.

-Thank you.

-Arroz con pollo?

1:06:551:06:59

Any time you say.

1:06:591:07:02

-She means do you want chicken and rice?

-Are you sure?

1:07:021:07:07

The senorita looks a little pale. Our peppers will warm her blood.

1:07:091:07:14

In a Mexican family she will grow fat.

1:07:141:07:17

Don't let her worry you. Since we've known her, she's always been thin.

1:07:171:07:22

Papa, you see our guests are fliers and they are big and strong. Perhaps you will let me become a flier?

1:07:221:07:29

It is not in the spirit of hospitality to discuss private matters when guests are present.

1:07:291:07:36

Please, senor, do not let me make you inconvenient.

1:07:461:07:50

Not at all! There's plenty of room.

1:07:501:07:52

You must pardon me, senorita, for the forwardness of my offsprings. They lack the hand of their mother.

1:07:561:08:04

(Papa speaks much nicer about mama since she's gone.)

1:08:041:08:08

# Negrito, por tu amor estoy loca

1:08:111:08:15

# No puedo ya vivir con mi dolor

1:08:151:08:18

# Tu eres tan prieto

1:08:181:08:22

# Llore por tu amor

1:08:221:08:25

# Negrito, te suplico no me deje

1:08:251:08:29

-# Por que si tu murio, morire...

-#

1:08:291:08:32

SINGING CONTINUES

1:08:321:08:35

You do not look happy. Is it because Dolores is making eyes at the senor?

1:08:441:08:50

Of course not. The senor is only a friend of mine.

1:08:501:08:54

Dolores says the senorita loves the aviator. The one with the blue eyes and dark hair pleasing to women.

1:08:541:09:02

-Dolores assumes too much.

-Dolores is 18.

1:09:021:09:06

Dolores knows all about caballeros. She knew lots in Mexico.

1:09:061:09:11

I'll bet.

1:09:111:09:13

-Rusty said we have time for me to do these shirts.

-Rusty has forgotten his date with San Diego.

1:09:131:09:20

-We'll make it.

-Senor, I'll take them.

-When do you two gay caballeros plan on leaving?

1:09:201:09:28

Dolores says we should wait till it cools off.

1:09:281:09:31

That Dolores.

1:09:311:09:33

-Besides, her girlfriend is coming over.

-What does she figure for me to do?

1:09:331:09:39

Rusty thought you needed a little siesta. You look awfully tired.

1:09:391:09:44

Come, I give you my bed.

1:09:491:09:51

SINGING BEGINS

1:09:521:09:55

# Si a tu ventana llega una paloma... #

1:10:301:10:35

-Senorita. That was a very short siesta.

-It's a little warm, isn't it?

1:10:491:10:56

-Sit down, please.

-Thank you.

1:10:561:10:58

You have very nice children, senor.

1:11:011:11:04

I guess. Only for Dolores do I fear. She has too much rich blood.

1:11:041:11:08

LAUGHTER

1:11:081:11:11

She'll calm down when she's kept busy.

1:11:111:11:15

I hope so. And you, what do you occupy yourself with?

1:11:151:11:20

-I'm a writer.

-Oh, an artiste! That is good.

1:11:201:11:24

-And what does the senorita write?

-I've written only one book.

1:11:241:11:29

LAUGHTER

1:11:291:11:32

It concerns a man who can't reconcile his ideals with the woman he loves.

1:11:321:11:37

That is a study of importance. Has the senorita the experience for so deep a philosophy?

1:11:371:11:44

Well, I've kept my eyes open and read a great deal.

1:11:441:11:48

Pardon the observation but, to a man of my years, it would seem best to first live then write a book.

1:11:481:11:55

-That just seems to be full of confusion.

-But it is better to make confusion than to borrow, not live.

1:11:551:12:03

Senor Ortega.

1:12:031:12:06

-It's obvious you're a man of the world.

-Oh, you flatter me, senorita.

1:12:071:12:12

It's that I...

1:12:121:12:15

-I seem to have the wrong idea about love.

-Love!

1:12:161:12:21

You see, I always thought that love, when it's real, should be gentle and considerate.

1:12:211:12:27

-It should have a great deal of dignity.

-Senorita, the reverse!

1:12:271:12:32

It is brutal, selfish and turbulent.

1:12:321:12:35

To be young again, to feel the primitive urge of conquest. Senorita,

1:12:351:12:41

I can remember as yesterday a dancer, skin the colour of ripe corn,

1:12:411:12:46

hair thick and black as the night.

1:12:461:12:48

Constantly she put me to torment.

1:12:481:12:51

She scorned me, hurt me,

1:12:511:12:53

-humiliated me before my friends. She was wonderful!

-Wonderful?

1:12:531:12:58

THIS she gave me when I attempted to arouse her jealousy with another.

1:12:581:13:02

She was a woman!

1:13:021:13:05

-And that's what a man wants?

-That's what a man remembers.

1:13:051:13:10

LAUGHTER

1:13:101:13:12

Senor Ortega, you've honoured me with your confidence.

1:13:161:13:21

I feel I owe you the same sincerity.

1:13:211:13:24

I notice the senorita appears disturbed.

1:13:241:13:28

You're so kind and gracious. You've treated us with respect.

1:13:281:13:32

Senor, we don't deserve it.

1:13:321:13:35

You mustn't be too modest, senorita. It's admirable, but not practical.

1:13:351:13:40

The aviator and I, we've been friends for years.

1:13:431:13:48

-I knew that from the first minute.

-You did?

1:13:481:13:51

-I don't think you understand, senor. We should have been married long ago.

-It's very wrong.

1:13:511:13:58

But not you. LAUGHTER

1:13:581:14:03

I love him but he treats me like a slave.

1:14:031:14:07

He drinks, he stays out with women and when he comes home, he beats me.

1:14:071:14:13

Love and violence walk hand in hand, senorita.

1:14:131:14:17

-Well, all right, but that's not all.

-I know.

-No, you don't!

1:14:201:14:25

-Those two men out there, they're not marine officers. They stole their uniforms.

-Not officers?

-No!

1:14:251:14:33

HUBBUB OF SHOUTS

1:14:331:14:36

Remember your children.

1:14:361:14:39

-Out of my way, senorita.

-No! No! No, don't!

1:14:391:14:43

SCREAMING

1:14:431:14:46

Oh, wait for me!

1:14:501:14:52

HUBBUB

1:14:521:14:55

SHOT FIRES

1:15:111:15:14

-OK, Miss Klotsch, come clean.

-I have nothing to say.

-Come clean.

-I didn't do anything.

-For the last time.

1:15:311:15:38

-You're wasting time, let's go.

-That's what we'll do.

1:15:381:15:43

-Come on, Dink.

-What?

1:15:431:15:45

What are you doing?

1:15:451:15:48

-Goodbye, Miss Klotsch.

-Goodbye.

-Oh, no! Oh, Rusty!

1:15:481:15:52

DINK! RUSTY!

1:15:521:15:55

Now, don't!

1:15:551:15:58

Oh, come on now, stop that!

1:15:581:16:00

Come here!

1:16:001:16:03

Rusty!

1:16:031:16:04

All right, I confess. I told him you and I were an old story and should have been married long ago.

1:16:041:16:12

I thought that would do the trick but it didn't.

1:16:121:16:16

Then I embellished it a little. I told him you came home late at night and beat me.

1:16:161:16:23

-That's when he took to the gun?

-No, he said love and violence walked hand in hand.

1:16:231:16:29

-What came next?

-You won't like this.

-Never mind.

-You and Rusty are not in the marines.

1:16:291:16:36

-What?

-We aren't?

-No, you stole those uniforms. That's when he got the gun.

1:16:361:16:43

-What made you do a thing like that?

-This girl should be locked up.

1:16:431:16:48

-Rusty, you know what?

-What?

1:16:481:16:50

-The reason she said that was because she didn't want you to have anything to do with Dolores!

-Really?

1:16:501:16:58

I am about to give you a decoration I thought no girl would wear.

1:16:581:17:03

-Do you, Kit, take this man to be the fella you're involved with?

-Dink!

1:17:031:17:09

Do you take this woman to be the beetle you're involved with? I pronounce you all involved.

1:17:091:17:16

# Imagine me with my head on your shoulder

1:17:161:17:19

# And you with your lips growing bolder

1:17:191:17:23

# A skyful of moon and that old mellow tune

1:17:231:17:27

# I'll buy that dream. #

1:17:271:17:30

Some say there are more beautiful beetles in Albuquerque than anywhere in the US. It won't interest you.

1:17:391:17:46

I'm interested in anything that interests you.

1:17:461:17:50

Yes, sir?

1:18:001:18:02

I guess it'll take 35 gallons or so.

1:18:021:18:06

O-oh! A hotel!

1:18:061:18:09

-Would you like to stop?

-A bed would be wonderful.

1:18:091:18:13

Let's see how much we got.

1:18:131:18:16

Let's see, er... Four dollars,

1:18:161:18:18

-35 cents and six yen.

-That's just enough to keep us going.

1:18:181:18:23

-Where is it?

-What are you looking for?

-My bag!

-Are you sure you didn't lose it?

-Oh!

1:18:231:18:29

-It's at the Ortegas.

-That's fine.

-I know where.

-We can't go back.

-My papers are in it.

1:18:291:18:36

-You can face that gun, but not me.

-Could I cash a cheque at the hotel?

-If you're registered.

1:18:361:18:43

Boys, you're my guests for the night!

1:18:431:18:46

BELL RINGS

1:18:551:18:58

-Good evening.

-Yes?

-Do you have three rooms?

1:18:591:19:03

-I have three rooms with a bathroom on each floor.

-Fine.

1:19:031:19:07

-Three dollars a room. A dollar for a bath.

-Fine.

1:19:071:19:10

Would you sign the register, please?

1:19:101:19:13

-You have some baggage?

-In the car at the station. My friends are there.

1:19:131:19:18

What is it? Bring the bags from the car.

1:19:181:19:23

First, see if we have three rooms ready for Miss, er... Christopher Madden.

1:19:231:19:28

Not THE Christopher Madden?

1:19:281:19:30

HARRY! This is Christopher Madden!

1:19:301:19:33

-Who's Christopher Madden?

-The girl who wrote Here Is Tomorrow.

1:19:331:19:39

Oh! Oh, THAT one!

1:19:391:19:42

You didn't like it?

1:19:431:19:46

I don't read. SHE didn't till she joined that club.

1:19:461:19:50

Don't listen to him. I'm honoured and the girls will be thrilled.

1:19:501:19:55

I'll have to ask you to keep my identity a secret.

1:19:551:19:59

I'm travelling as Kit Klotsch. Not even my companions know.

1:19:591:20:03

See? She's ashamed because of that book!

1:20:031:20:07

Not exactly, but I have certain reasons.

1:20:071:20:11

You're the first celebrity to stay.

1:20:111:20:13

There's a legend that Buffalo Bill stayed, but he didn't register. I hope you'll be comfortable.

1:20:131:20:20

Is there anything I could do?

1:20:201:20:22

Yes, would you cash a 50 cheque for me?

1:20:221:20:27

-Of course I will.

-Have you a blank cheque?

-Yes, right here.

-Thanks.

1:20:271:20:32

Christopher Madden. Isn't that wonderful!

1:20:371:20:41

EXCITED CHATTER

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Don't cash it. In ten years her signature will be worth 50.

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I'll get her autograph. ALL: I want one too.

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I promised her not to tell anybody.

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But if you happen to be in the lobby and recognise her,

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well, that's different.

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-She might make a speech.

-Maybe. Act casual.

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Sit down. Sit down.

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EXCITED CHATTER

1:21:151:21:18

(Mr Gibbs.)

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-Hello, Mrs Randall.

-Hello, Gibbs.

1:21:241:21:28

I hear you're telling everybody Christopher Madden's staying.

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I don't know what you're talking about!

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Don't put it in your paper.

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I wouldn't, even if you said she was.

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Why wouldn't you? Don't you think our town should be proud of a visitor like Miss Madden?

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I wouldn't for the reason that she couldn't be in our town.

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I didn't say she was, but why couldn't she be?

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-I already put it in the paper that she arrived in Hollywood.

-Why?

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News services send wires round the country, so I know.

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"Hollywood. Christopher Madden the author of Here Is Tomorrow arrived in Hollywood today.

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"Henry Baldwin who bought the picture rights gave a reception with Lana Turner."

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It can't be!

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-Really, Bertha, you're something of a fool.

-I agree.

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-I cashed her cheque!

-Whose cheque?

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-Miss Madden.

-She's a fake!

-What should I do?

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-I wouldn't do anything. I'd leave it to the police.

-Yes, leave it to the police!

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I'll call 'em.

1:22:381:22:40

Flash. Albuquerque, New Mexico. Police arrested a woman

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'who registered and cashed a cheque as Christopher Madden.

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'The real Miss Madden is in Hollywood.'

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Charlie. Christopher Madden's been arrested in Albuquerque. Get me a plane!

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I'll be ready in ten minutes.

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Beautiful morning, ain't it?

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Will you listen to me? Why can't I make a phone call, or send a wire?

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-Not till you're clear.

-But it's all a mistake!

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My! That sounds familiar.

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O-oh!

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Look, won't someone believe me? I AM Christopher Madden!

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-You ARE?

-Yes.

-In that case you ain't got nothing to worry about.

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OK. SHE GROANS

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-Hiya, Pop.

-Here's the receipt signed by the judge.

-OK.

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Open up.

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Hi, Kit.

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Oh, Rusty! Rusty!

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-The marines have landed.

-We paid the bond.

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-Sorry we took so long.

-I've been so lonesome.

-I know.

-Come on. Let's go.

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Oh, wait a minute! My shoes!

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-Say, you shouldn't do things like this.

-Chicago was a smart trick.

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Signing someone else's name to a cheque is an offence. We'll take the first bus west.

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I need a bath.

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-I'm all crumpled. Goodbye.

-You'll get crumpled in a bus.

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How can I leave? I'm out on bail.

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-That's adding felony to felony.

-If we stay we'll be doing a long stretch.

-You're not involved!

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-Oh, yes, we are. How do you think we got the money for that bail?

-How?

-We sold the Isota to a woman.

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-She's planning some entertainment for us. We won't be around.

-Because the pink slip isn't showing.

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-It's in your purse. The one you left.

-When the lady finds out, she won't be sociable.

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SHRIEKS OF EXCITEMENT

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Smile!

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Forgive me, Miss Madden. It's all Charlie's fault.

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The club will send our formal apologies.

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-Is there anything you want to say?

-Miss Madden has nothing to say!

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-Who are you?

-My assistant.

-Who's he?

-He's my boss.

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-Oh, hello, Mr Baldwin!

-Look what you've done! How could this happen?

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-All I did was tell them I was Christopher Madden.

-She won't do it again.

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-It's publicity we don't want.

-I didn't do it!

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She's sharing headlines with Stalin and she didn't do anything!

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-Are these people bothering you?

-Is this the flier?

-Yes, it is.

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-You told him about me?

-I'd better introduce everybody. This is Henry Baldwin, Hollywood producer.

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Rusty Thomas and Dink Watson.

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We know who everybody is but you. Who are you?

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I'm Christopher Madden.

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He does look like Mark Winston.

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I see your point. We're gonna make a test with you.

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-Rusty, you know what?

-What?

-They're trying to make an actor out of you.

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An actor?

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Come on, Dink.

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-Do you like home-made jelly?

-Rusty!

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-Rusty!

-Miss Madden?

-You can't leave me.

-Who says?

-Not after what's happened.

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-You've been lying to us, trailing us. I was beginning to believe you were on the level.

-I was!

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-Get my wings back.

-Why?

-I don't want a woman who's telling the world what to do.

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I don't want one to tell ME what to do.

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I want a woman who needs me. I want a Miss Klotsch who's helpless and cute and... Forget it!

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-Let's join the marines!

-How could you do a thing like that?

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Now, here she is - Hollywood reporter, Louella Parsons. What's the news tonight?

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To all of you from Hollywood. Here's our latest Hollywood feud.

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Christopher Madden is battling with producer Henry Baldwin

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over the script of her bestseller Here Is Tomorrow.

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She thinks she had a lot of nerve to tell the world how to cure itself.

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Only yesterday she admitted there are parts of her book she doesn't agree with.

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Henry would like to stick to the book but Kit wants to make changes. Here's more about Kit.

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'She's not one bit upset over her recent smear publicity. She still looks at handsome marines.

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'Kit sleeps in pyjama tops with all the windows open. She detests the cream puff school of fiction.

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'She loathes pink dresses and tuna fish but she's crazy about babies, Beethoven and bad men.

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'In all, she's a pretty swell gal.'

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SWITCHES OFF RADIO

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Boy, she is a swell gal, isn't she?

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-I said, she is a swell gal, isn't she?

-Who?

-Kit. You know who! Come on, Rusty, drop her a line.

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I don't belong to that cream puff school of fiction.

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Well, I do. Give me a little desk space.

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-How do you spell Kit?

-With a J like in La Junta.

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"Dear Kit, I'm not very good at writing letters but Rusty won't write so we're stuck.

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"You're giving us a bad time with all those radio reports especially about pyjama tops and open windows.

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"You might catch cold.

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"Rusty could say this a lot better but what can I do if he doesn't feel like writing?

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"PS - Have you met Dolores Moran? She's the kind of girl I wouldn't mind calling long distance."

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"Dear Dink, I was surprised and very pleased to get your letter.

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"I'm sorry you don't like what they say about me. Surely Rusty doesn't care?

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"Remind him worrying about women will give him mental fatigue.

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"Hollywood is a lovely place to live in. Come and see me.

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"I'll arrange for you to see Dolores Moran. You have good taste. Will write soon. Love - Kit.

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"PS - I'm enclosing the pink slip on the Isota which Rusty can send to the lady in Albuquerque."

1:30:311:30:39

It's from Kit.

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Yeah?

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Want to read it?

1:30:451:30:47

No.

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OK.

1:30:501:30:52

Well, I guess I'll take a shower.

1:30:531:30:56

Well, here's a surprise.

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Last night, Kit Madden was with a well-known director who is rumoured engaged to one of our glamour girls.

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'I must say Kit looked lovely in black lace and a small feathered hat.

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'She dined at a cosy table for two at the La Rue.

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'And later, she was seen dancing with a handsome escort. That gal is certainly getting around.'

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That's Hollywood!

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I've a letter from Kit. Wanna read it?

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Well, I think I'll check up in the back.

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"Dear Dink, It was lovely hearing from you but what do you mean I'm running around with just anybody?

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"The French major was fascinating and 32. He speaks seven languages.

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"In three of them he asked me if I'd like to see his place in France.

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"The director only speaks English and says I'm the one thing saving him from being a misogynist -

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"a gentleman who doesn't like beetles. I don't see why Rusty should find it so hard to write.

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"PS - Come up. We could make a foursome with Dolores Moran and Cary Grant."

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-The boys will never believe this.

-Oh, Dink!

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-It's amazing how these boys make themselves feel at home.

-Come on, let's try it.

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Attaboy, Cary!

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Hm? Oh, attaboy, Lieutenant.

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"Dear Kit, I want to thank you for a wonderful time. I enjoyed your house, especially breakfast in bed.

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"I was telling Rusty how swell you are. I don't know why he got sore.

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"All I said was how beautiful you looked but he's been touchy lately.

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"Yeah, Rusty has changed. Maybe I should talk to the psychiatrist. What do you think? As ever, Dink."

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"PS - would you tell Dolores I'm not hard to get on with?"

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'Kit Madden is seen everywhere now with handsome Paul Gill,

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'selected to play the lead in Here Is Tomorrow.

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'Kit says he's the movie Mark Winston she's been dreaming about.

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'They seem to have a lot in common and there are rumours that Paul will soon be a Benedict.'

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-Hello, Kit.

-Hello, Mr Baldwin.

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-You won't marry that actor?

-Are you worried?

-It would break my heart, but it's your hearse.

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It isn't going to be.

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Attagirl! You ever hear from that fella who'd look good in Technicolor?

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No. Why?

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He's the kind of character I'd like to know better.

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-So would I. I'm working on it.

-I see.

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I met a girl on a train who told me something I hope I'll never forget.

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She said, "You've gotta keep a fella on his toes, keep him worried and upset, make him jealous."

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There's something in that. Well, so long. And thanks for not marrying that actor.

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"Kit Madden and Paul Gill. Kit Madden and Paul Gill." Getting to be like Abbott and Costello!

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Who knows? Maybe he's a good Joe.

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Sure he's a good Joe. At least he does something.

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He's not like you, growing sourer and sourer every day!

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What's it gonna be, boys?

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-It's you! How are you? How did you know I was working here?

-We didn't.

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-How are you, Miss Calhoun?

-It's Callaghan. It used to be Callaghan. I changed it to Sharp.

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-Consuela Sharp.

-Why did you do that?

-If Kit Klotsch can change her name to Madden, I can do it too!

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She changes her name, writes a book and ends up in every gossip column in the country!

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-Two ham and eggs, two coffees and toast.

-This is my last day as a waitress.

-Are you getting married?

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No, I'm gonna write a book, too.

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Have you heard from her lately?

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-Who?

-"Who?" You know who Kit.

1:37:021:37:06

-Sure. I got a letter this morning. Wanna hear it?

-I know you're dying to read it. Go ahead.

1:37:061:37:14

"Dear Dink, A number of very fine-looking beetles have applied for your next weekend, but I..."

1:37:141:37:22

This is a little personal here.

1:37:221:37:25

"..We can make it a foursome. I was very sorry to hear about Rusty. He really sounds quite dull now.

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"Encourage him to get out more.

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-"There must be some nice beetles in San Diego...

-Any good books Rusty would like me to send him?"

1:37:351:37:42

Dink, you'll write her a letter and write what I tell you to write.

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I can get all the nice girls I want and I know where to find them.

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-You know where to find 'em?

-Yes. And I know she's doing this to make me jealous.

-To make you jealous?

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-Know what I'll do about it?

-Get jealous?

-I am. Take a letter.

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"Dear Miss Madden..." Scratch out the "dear".

1:38:061:38:10

"Miss Madden, I..."

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-Oh, I'll see you later, Dink.

-Where are you going?

1:38:131:38:17

I'm going to send her a wire to tell her what I think of her.

1:38:171:38:23

-Really?

-Really.

-When you tell her what you think of her, maybe you'll need these.

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-What for?

-You know how sometimes wings get lost.

1:38:291:38:34

Shut up!

1:38:471:38:50

PHONE RINGS

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I'll get it!

1:38:541:38:57

Hello?

1:39:001:39:02

-Western Union. I have a message for Christopher Madden.

-'This is she.'

1:39:021:39:07

The message reads, "Nobody asked me, but I'll be there at 4 o'clock this afternoon. Rusty."

1:39:071:39:13

-'Have you got it?'

-No, I haven't got it.

1:39:131:39:18

-Say it again.

-'What?'

1:39:181:39:21

-The name.

-'Rusty.

1:39:211:39:23

'RUSTY.'

1:39:231:39:26

Oh, thank you. Thank you so much.

1:39:261:39:30

Alma! Alma!

1:39:301:39:33

-Alma!

-Yes, Miss Kate?

-I have a guest coming at 4 o'clock.

1:39:331:39:38

Get the guest room ready, fix some cocktails and help me get dressed.

1:39:381:39:43

Information, please. Would you get me the phone number of the Sunset Florist on Sunset Boulevard?

1:39:451:39:52

I know it's in the phone book, but I'm too excited... I'm too nervous.

1:39:521:39:58

Thank you.

1:39:581:40:00

Fairfield 820-4. Thank you very much.

1:40:031:40:07

8...

1:40:161:40:18

8...2...

1:40:221:40:24

0...4.

1:40:241:40:27

Sunset Florist? Have you got any orchids?

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No, no, WHITE orchids. I've got to have a white orchid!

1:40:311:40:36

Thank you. Yes Christopher Madden, 1734, Kingswood Drive.

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1734. Thank you so much.

1:40:441:40:48

Alma! Alma, would you get me my new black dress?

1:40:481:40:52

-A white orchid!

-There's nothing like orchids to give a girl prestige.

1:40:521:40:57

Thanks, God. I'll take it from here.

1:41:181:41:22

DOORBELL

1:41:221:41:25

-Hello!

-Hello, Miss Klotsch.

1:41:311:41:34

I brought you back your wings.

1:41:341:41:37

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