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Of the 420,000 flowering plants on our planet, | 0:00:03 | 0:00:08 | |
only a fraction of them have entranced us enough | 0:00:08 | 0:00:12 | |
for us to bring them in from the wild, | 0:00:12 | 0:00:14 | |
and grow them in our gardens. | 0:00:14 | 0:00:16 | |
But many of the plants we know and love today | 0:00:20 | 0:00:23 | |
look totally different from their ancestors. | 0:00:23 | 0:00:27 | |
Evolution and mankind have conspired | 0:00:27 | 0:00:31 | |
to shape a multitude of diverse forms. | 0:00:31 | 0:00:34 | |
How spectacular! | 0:00:34 | 0:00:36 | |
GONG BOOMS | 0:00:36 | 0:00:38 | |
This is my Plant Odyssey. | 0:00:39 | 0:00:41 | |
I love that one. | 0:00:43 | 0:00:44 | |
This is one of a kind. There's only one in the world. | 0:00:44 | 0:00:46 | |
I'm going to trace some of our favourite plants... | 0:00:48 | 0:00:51 | |
..from their earliest origins, | 0:00:52 | 0:00:55 | |
and, through their captivating stories, | 0:00:55 | 0:00:57 | |
reveal why they have such significance in our culture... | 0:00:57 | 0:01:02 | |
Ohh, it's glorious! | 0:01:02 | 0:01:04 | |
..and such a special place in our hearts. | 0:01:04 | 0:01:07 | |
We are looking at a flower that's instantly recognised... | 0:01:13 | 0:01:17 | |
..that's universally loved... | 0:01:18 | 0:01:20 | |
..for its exquisite fragrance, and the diversity of its blooms. | 0:01:22 | 0:01:26 | |
It's a flower that can make romances... | 0:01:28 | 0:01:31 | |
..or break hearts. | 0:01:32 | 0:01:34 | |
It's the rose. | 0:01:38 | 0:01:39 | |
The rose has always meant SO much to the British. | 0:01:41 | 0:01:44 | |
It's embedded in our history, | 0:01:45 | 0:01:47 | |
our fairytales, | 0:01:47 | 0:01:49 | |
and our hearts. | 0:01:49 | 0:01:50 | |
Look at these wonderful flowers! | 0:01:51 | 0:01:54 | |
So huge and voluptuous. | 0:01:54 | 0:01:56 | |
We all have our rose memories. | 0:01:57 | 0:01:59 | |
They're tied in with people, places and special times. | 0:01:59 | 0:02:04 | |
And it's because of my personal memories | 0:02:04 | 0:02:07 | |
that the rose means so much to me. | 0:02:07 | 0:02:10 | |
ENGINE GROWLS | 0:02:10 | 0:02:12 | |
I'm taking you on an odyssey around our islands. | 0:02:12 | 0:02:16 | |
My quest begins when the rose first evolved. | 0:02:18 | 0:02:21 | |
I'll explore why it was | 0:02:22 | 0:02:24 | |
that the rose became an intrinsic part of Roman culture... | 0:02:24 | 0:02:27 | |
..how it uses chemical warfare to battle aphid attack, | 0:02:28 | 0:02:33 | |
and discover how a union between roses from East and West | 0:02:33 | 0:02:38 | |
resulted in the plethora of varieties we enjoy today. | 0:02:38 | 0:02:43 | |
There were roses in some of the gardens of my childhood, | 0:02:48 | 0:02:52 | |
and in the countryside that I occasionally escaped to. | 0:02:52 | 0:02:56 | |
I remember another red car, | 0:02:58 | 0:03:00 | |
my dad's Austin Atlantic, | 0:03:00 | 0:03:02 | |
and flying up into the North Wales countryside, | 0:03:02 | 0:03:05 | |
tumbling out, | 0:03:05 | 0:03:07 | |
to discover honeysuckle and wild dog roses clambering through the hedges. | 0:03:07 | 0:03:13 | |
Heaven. | 0:03:13 | 0:03:14 | |
Oh, look! Here it is, here it is! | 0:03:18 | 0:03:20 | |
Just look at this. | 0:03:23 | 0:03:25 | |
How spectacular! | 0:03:26 | 0:03:27 | |
This is our own native dog rose, Rosa Canina. | 0:03:28 | 0:03:32 | |
And it instantly gives you a clue to what those very first roses | 0:03:32 | 0:03:36 | |
that appeared on the earth must have looked like. | 0:03:36 | 0:03:39 | |
It has these... | 0:03:39 | 0:03:40 | |
Oh, beautiful. | 0:03:41 | 0:03:43 | |
Incredibly simple flowers and yet so elegant. | 0:03:43 | 0:03:47 | |
Such a masterpiece of evolution and design. | 0:03:47 | 0:03:50 | |
For a few short weeks each summer, | 0:03:52 | 0:03:55 | |
they festoon the hedgerows, | 0:03:55 | 0:03:58 | |
great swags of them. | 0:03:58 | 0:04:00 | |
These pale pink petals, just five of them, | 0:04:02 | 0:04:05 | |
lure in the insects. | 0:04:05 | 0:04:07 | |
And in the centre, there is this plethora, | 0:04:07 | 0:04:09 | |
this absolute powder puff of stamens and their anthers. | 0:04:09 | 0:04:13 | |
And roses don't produce any nectar at all, | 0:04:17 | 0:04:20 | |
so what lures all those pollinating insects in | 0:04:20 | 0:04:23 | |
is the pollen, | 0:04:23 | 0:04:25 | |
because they're rich in pollen. | 0:04:25 | 0:04:26 | |
And the insects come and dust themselves in it | 0:04:32 | 0:04:35 | |
and fly off to another flower. | 0:04:35 | 0:04:36 | |
BEE BUZZES | 0:04:37 | 0:04:39 | |
We find these simple, perfect roses | 0:04:40 | 0:04:43 | |
growing wild across the northern hemisphere, | 0:04:43 | 0:04:46 | |
but almost never in the southern. | 0:04:46 | 0:04:48 | |
This tells us they evolved around 150 million years ago, | 0:04:49 | 0:04:55 | |
after the ancient northern and southern landmasses split, | 0:04:55 | 0:04:59 | |
but before North America and Eurasia drifted apart. | 0:04:59 | 0:05:04 | |
Isn't it incredible that this flower hasn't changed | 0:05:05 | 0:05:09 | |
in millions of years, | 0:05:09 | 0:05:11 | |
and when you look at it, | 0:05:11 | 0:05:13 | |
you're transported to a time when the continents were one. | 0:05:13 | 0:05:17 | |
It can grow right through a host, | 0:05:20 | 0:05:23 | |
if it's growing at the edge of woodland. | 0:05:23 | 0:05:25 | |
Or it can just scramble around, as it is doing here. | 0:05:25 | 0:05:29 | |
And when it sends out these great, arching branches, | 0:05:29 | 0:05:32 | |
it encourages these small side shoots to grow, laterals, | 0:05:32 | 0:05:36 | |
and on them there are buds, and buds and more buds. | 0:05:36 | 0:05:40 | |
Just look at them here! | 0:05:40 | 0:05:41 | |
But why has the dog rose been so successful | 0:05:43 | 0:05:46 | |
for so many millions of years? | 0:05:46 | 0:05:49 | |
One of its secrets is a perfect but brutal feat of evolution. | 0:05:53 | 0:05:59 | |
The prickle. | 0:06:00 | 0:06:01 | |
Rose prickles may be small, | 0:06:02 | 0:06:04 | |
but they're very effective. | 0:06:04 | 0:06:06 | |
We always talk about a rose's thorns, | 0:06:08 | 0:06:11 | |
but they don't actually have any. | 0:06:11 | 0:06:13 | |
Thorns are modified branches. | 0:06:14 | 0:06:17 | |
The rose has prickles, | 0:06:17 | 0:06:19 | |
which are growths on the outer layers of its stems. | 0:06:19 | 0:06:23 | |
They are the rose's first line of defence. | 0:06:24 | 0:06:27 | |
And it's easy to see why. | 0:06:27 | 0:06:30 | |
Roses have even evolved a type of biological warfare. | 0:06:31 | 0:06:34 | |
Their prickles harbour bacteria and fungi | 0:06:35 | 0:06:39 | |
that can poison their unfortunate assailants. | 0:06:39 | 0:06:42 | |
But prickles aren't there just for protection. | 0:06:44 | 0:06:47 | |
Now, out here, | 0:06:48 | 0:06:50 | |
the rose is scrambling around, | 0:06:50 | 0:06:52 | |
cos the whole idea is that those flowers should be exposed | 0:06:52 | 0:06:55 | |
to as much sun and as many pollinating insects as possible... | 0:06:55 | 0:06:59 | |
..and it's got a cunning way of doing that. | 0:07:01 | 0:07:03 | |
There's nothing random about the layout or the form of the prickles. | 0:07:08 | 0:07:12 | |
They encircle the stems, | 0:07:13 | 0:07:15 | |
and they all point backwards. | 0:07:15 | 0:07:17 | |
They act as tiny crampons, | 0:07:17 | 0:07:19 | |
helping the rose to haul itself up. | 0:07:19 | 0:07:22 | |
It can use these to thrust its stems into any woody branches, | 0:07:25 | 0:07:30 | |
any leaves, anything which will enable it to climb into the canopy. | 0:07:30 | 0:07:34 | |
What a brilliant policy, | 0:07:39 | 0:07:41 | |
and how successful a plant it is. | 0:07:41 | 0:07:43 | |
It must be just as those first simple roses grew on earth, | 0:07:44 | 0:07:50 | |
millions and millions of years ago. | 0:07:50 | 0:07:53 | |
The dog rose is a living fortress, | 0:07:54 | 0:07:57 | |
impregnable and ever-expanding, | 0:07:57 | 0:08:00 | |
but mesmerising, and somehow enchanting. | 0:08:00 | 0:08:04 | |
It's so easy to see how roses became the stuff of fairytales, | 0:08:06 | 0:08:12 | |
of magical briars, | 0:08:12 | 0:08:14 | |
and sleeping princesses. | 0:08:14 | 0:08:16 | |
ENGINE RUMBLES | 0:08:22 | 0:08:24 | |
I can clearly remember being bowled over by one particular rose. | 0:08:24 | 0:08:29 | |
I must have been about eight years old. | 0:08:29 | 0:08:32 | |
It was in Mrs Morton's garden, | 0:08:33 | 0:08:35 | |
which I passed on my way to my grandad's house. | 0:08:35 | 0:08:38 | |
I always looked in everyone's gardens, | 0:08:39 | 0:08:41 | |
but on this day, | 0:08:41 | 0:08:43 | |
I came face-to-face with Mrs Morton's prize rose. | 0:08:43 | 0:08:47 | |
It was enormous! | 0:08:48 | 0:08:50 | |
Pale yellow petals, touched with apricot. | 0:08:50 | 0:08:54 | |
I was stopped in my tracks. | 0:08:54 | 0:08:55 | |
Mrs Morton told me its name. | 0:08:57 | 0:08:59 | |
It was Peace. | 0:08:59 | 0:09:00 | |
The rose has been a feature of Western civilisation | 0:09:04 | 0:09:08 | |
ever since the ancient Greek and Roman empires. | 0:09:08 | 0:09:11 | |
For the Romans in particular, | 0:09:11 | 0:09:14 | |
it played a huge role in everyday life. | 0:09:14 | 0:09:18 | |
Not only did they grow it in their gardens, | 0:09:18 | 0:09:20 | |
paint images of it over their walls, | 0:09:20 | 0:09:23 | |
they used it in their cookery, and at all their festivities. | 0:09:23 | 0:09:27 | |
Pliny the Elder, | 0:09:31 | 0:09:32 | |
probably ancient Rome's most famous natural philosopher, | 0:09:32 | 0:09:36 | |
gives us the best guide to roses of the time. | 0:09:36 | 0:09:39 | |
His book, Naturalis Historia, | 0:09:40 | 0:09:43 | |
describes 12 different varieties. | 0:09:43 | 0:09:46 | |
What's particularly interesting | 0:09:46 | 0:09:47 | |
about the roses that Pliny writes about | 0:09:47 | 0:09:51 | |
is that they sound nothing like the wild dog rose, | 0:09:51 | 0:09:56 | |
nothing like this. | 0:09:56 | 0:09:57 | |
Instead, he talks about wonderful flowers, with many petals. | 0:09:58 | 0:10:03 | |
In some cases, he describes them as having as many as 100 petals. | 0:10:04 | 0:10:09 | |
But how was a simple, wild rose | 0:10:12 | 0:10:15 | |
transformed into a bloom thick with petals? | 0:10:15 | 0:10:18 | |
Professor Brendan Davis sees plants differently to you and me. | 0:10:20 | 0:10:25 | |
He opens my mind to a side of the rose that verges on science fiction. | 0:10:26 | 0:10:31 | |
-Couldn't really have chosen a better day to inspect roses! -No, it's lovely. -It's beautiful. | 0:10:32 | 0:10:36 | |
There's one here that I think is a really good example | 0:10:36 | 0:10:40 | |
of a kind of halfway house. | 0:10:40 | 0:10:41 | |
BIRDS CHIRP | 0:10:41 | 0:10:43 | |
What do you think? | 0:10:43 | 0:10:44 | |
Yes, you can see that this flower has got many more petals | 0:10:44 | 0:10:48 | |
-than you had in the dog rose. -Yeah, so many more. | 0:10:48 | 0:10:50 | |
So, this rose has gained additional petals at the expense of stamens. | 0:10:50 | 0:10:55 | |
So it's actually got less stamens than a dog rose? | 0:10:55 | 0:10:58 | |
It has, yeah, and more petals, | 0:10:58 | 0:11:00 | |
and that's because some of those stamens have changed into petals. | 0:11:00 | 0:11:04 | |
So, what's happened there | 0:11:04 | 0:11:06 | |
is that one organ has changed into another organ. | 0:11:06 | 0:11:08 | |
So this is just like your nose changing into another ear. | 0:11:08 | 0:11:13 | |
You can see that the petals that are closest to the stamens | 0:11:13 | 0:11:17 | |
even resemble stamens. | 0:11:17 | 0:11:18 | |
But what on earth causes it to do that? | 0:11:18 | 0:11:20 | |
It seems so peculiar, | 0:11:20 | 0:11:22 | |
and yet that must have happened with all these roses. | 0:11:22 | 0:11:24 | |
Yeah, so it's the result of a genetic change, | 0:11:24 | 0:11:27 | |
and what's happened is that there is a gene | 0:11:27 | 0:11:30 | |
that normally works in the middle of the flower | 0:11:30 | 0:11:32 | |
and its role is to make male organs and female organs. | 0:11:32 | 0:11:36 | |
And what happens in this flower is that it's moved away, | 0:11:36 | 0:11:39 | |
it's left some organs there, | 0:11:39 | 0:11:41 | |
and they've become petals, | 0:11:41 | 0:11:42 | |
because they no longer know that they should be reproductive organs. | 0:11:42 | 0:11:45 | |
They no longer know that they should be stamens, | 0:11:45 | 0:11:48 | |
so they just change into something else. | 0:11:48 | 0:11:50 | |
-Into petals. -Into extra petals. | 0:11:50 | 0:11:51 | |
And this is probably the first mutation of this type | 0:11:51 | 0:11:54 | |
that people ever really saw, | 0:11:54 | 0:11:56 | |
thousands of years ago. | 0:11:56 | 0:11:57 | |
The Romans would have collected these rarities for their gardens... | 0:11:59 | 0:12:03 | |
..where they would cross-pollinate, and mutate further. | 0:12:05 | 0:12:08 | |
But replacing these pollen-laden reproductive parts with petals | 0:12:10 | 0:12:15 | |
began to affect the flower's fertility. | 0:12:15 | 0:12:18 | |
Happily, the Romans could continue to grow the roses they liked | 0:12:21 | 0:12:25 | |
by taking cuttings. | 0:12:25 | 0:12:27 | |
Ooh, it is...tough. | 0:12:28 | 0:12:30 | |
Now, I have taken SO many cuttings in my time, | 0:12:31 | 0:12:35 | |
but I've never really understood just what the process is | 0:12:35 | 0:12:38 | |
to make a new plant. | 0:12:38 | 0:12:40 | |
What does this cutting have to do? | 0:12:40 | 0:12:43 | |
This is one of the really amazing things about plants. | 0:12:43 | 0:12:46 | |
So, plants and animals have a completely different way of life. | 0:12:46 | 0:12:50 | |
So, if it gets too hot and too uncomfortable for you here, | 0:12:50 | 0:12:53 | |
you can go somewhere cooler, somewhere in the shade. | 0:12:53 | 0:12:55 | |
-And have an ice cream. -CHUCKLING: Have an ice cream. | 0:12:55 | 0:12:58 | |
Plants can't do that, | 0:12:58 | 0:12:59 | |
they have to stay here and just take what the environment throws at them. | 0:12:59 | 0:13:03 | |
And the way they cope with that is by changing the way they develop. | 0:13:03 | 0:13:07 | |
-More adaptable. -More adaptable, yeah. | 0:13:07 | 0:13:09 | |
So, you could say that animal development is quite boring. | 0:13:09 | 0:13:12 | |
Once an animal is born, | 0:13:12 | 0:13:14 | |
nothing else happens to it. | 0:13:14 | 0:13:15 | |
But plants, they have to constantly adjust their development, | 0:13:15 | 0:13:18 | |
-throughout their life. -Yeah. | 0:13:18 | 0:13:20 | |
And so, when you've taken this cutting now, | 0:13:20 | 0:13:22 | |
cells down here... | 0:13:22 | 0:13:24 | |
Somehow, they have to know that something's gone wrong, | 0:13:24 | 0:13:27 | |
and they have to reprogram themselves to produce new roots again. | 0:13:27 | 0:13:32 | |
So those cells actually have the capability | 0:13:32 | 0:13:35 | |
of changing their whole identity, | 0:13:35 | 0:13:37 | |
becoming roots, or presumably becoming shoots, | 0:13:37 | 0:13:40 | |
if they're higher up on the plant. | 0:13:40 | 0:13:42 | |
Every cell in a plant knows what it should do | 0:13:42 | 0:13:45 | |
because it can sense its position in the plant. | 0:13:45 | 0:13:48 | |
-Right. -Plants can really re-programme their cells to do new things. | 0:13:48 | 0:13:52 | |
I don't think I can ever think about plants in the same way again. | 0:13:56 | 0:14:00 | |
It's so easy to underestimate them, | 0:14:01 | 0:14:05 | |
to take them for granted. | 0:14:05 | 0:14:07 | |
And yet, when you consider their ability | 0:14:07 | 0:14:09 | |
to adapt, to regenerate, to survive, | 0:14:10 | 0:14:14 | |
you realise how truly wondrous they really are. | 0:14:14 | 0:14:18 | |
There are two roses in particular | 0:14:23 | 0:14:25 | |
whose sweet scent I can remember, | 0:14:25 | 0:14:28 | |
and when I'm close to them again, | 0:14:28 | 0:14:30 | |
I'm taken right back to the time I first smelt them. | 0:14:30 | 0:14:33 | |
One was New Dawn, | 0:14:34 | 0:14:36 | |
climbing up the soot-blackened fence on the way to the coal shed. | 0:14:36 | 0:14:39 | |
It smelt of apples, light and pretty. | 0:14:41 | 0:14:44 | |
The other was the cabbage rose, | 0:14:45 | 0:14:46 | |
given pride of place in the central bed. | 0:14:46 | 0:14:49 | |
It had a rich, exotic scent. | 0:14:50 | 0:14:53 | |
But the intoxicating perfume we so adore | 0:14:55 | 0:14:58 | |
didn't evolve for OUR enjoyment. | 0:14:58 | 0:15:01 | |
It plays a vital role in the roses' survival. | 0:15:01 | 0:15:04 | |
Scent evolved in roses | 0:15:07 | 0:15:09 | |
because those with it have an advantage over those without. | 0:15:09 | 0:15:13 | |
It helps lure in the insects that pollinate the flowers. | 0:15:15 | 0:15:19 | |
I've come to the Roman baths in Chester | 0:15:23 | 0:15:26 | |
to see Professor Geoff Ollerton, | 0:15:26 | 0:15:29 | |
a man who understands the dynamics of scent. | 0:15:29 | 0:15:32 | |
The scent of roses evaporates across the surface of the petals. | 0:15:33 | 0:15:38 | |
You get these odour plumes coming out from the flowers, | 0:15:38 | 0:15:42 | |
the pollinators follow those plumes, | 0:15:42 | 0:15:45 | |
and then when they get closer to the flowers, | 0:15:45 | 0:15:47 | |
of course, they see the colour, they see the shape, | 0:15:47 | 0:15:49 | |
and they can home in on the flowers. | 0:15:49 | 0:15:52 | |
-The initial attraction is scent... -Yes. | 0:15:52 | 0:15:54 | |
-..because it can be detected from far, far away. -Yes. | 0:15:54 | 0:15:57 | |
Scent plumes are one way that the rose communicates | 0:15:59 | 0:16:03 | |
with the world around it. | 0:16:03 | 0:16:04 | |
But these aren't the only chemical messages | 0:16:06 | 0:16:09 | |
that the rose can broadcast. | 0:16:09 | 0:16:11 | |
Roses are susceptible to aphid attack. | 0:16:15 | 0:16:18 | |
What starts as one or two | 0:16:20 | 0:16:22 | |
quickly spreads into a seething infestation. | 0:16:22 | 0:16:25 | |
Aphids can produce clones through telescopic pregnancies. | 0:16:30 | 0:16:34 | |
Before a daughter is born, | 0:16:36 | 0:16:37 | |
she'll already have another clone developing inside her. | 0:16:37 | 0:16:41 | |
In theory, a single aphid could produce 600 billion descendants | 0:16:42 | 0:16:48 | |
in one season. | 0:16:48 | 0:16:49 | |
The hordes of aphids pierce the rose, as they feast on the sap. | 0:16:52 | 0:16:56 | |
In doing so, they trigger the release of chemicals | 0:16:57 | 0:17:01 | |
that send out a very different sort of message. | 0:17:01 | 0:17:04 | |
A call for help. | 0:17:07 | 0:17:08 | |
Ladybirds and other aphid predators | 0:17:11 | 0:17:14 | |
are drawn to these chemical signals that waft in the air. | 0:17:14 | 0:17:19 | |
They follow this trail back to the rose, | 0:17:20 | 0:17:23 | |
knowing it promises an easy meal. | 0:17:23 | 0:17:25 | |
The rose has come to be so much more | 0:17:31 | 0:17:34 | |
than just a collection of cells and chemical reactions. | 0:17:34 | 0:17:37 | |
It's assumed meaning in our hearts, | 0:17:39 | 0:17:41 | |
in our history, | 0:17:41 | 0:17:43 | |
and our lives. | 0:17:43 | 0:17:44 | |
I'm heading to Exeter Cathedral, | 0:17:47 | 0:17:50 | |
to see how the rose infiltrated | 0:17:50 | 0:17:53 | |
one of the most profound reaches of humanity. | 0:17:53 | 0:17:56 | |
Religion. | 0:17:56 | 0:17:58 | |
The rose has always been an important symbol in Christianity. | 0:18:00 | 0:18:05 | |
And this splendid example of ecclesiastical architecture | 0:18:05 | 0:18:09 | |
says it all. | 0:18:09 | 0:18:10 | |
Just look at this window. | 0:18:10 | 0:18:12 | |
Is it a rose? It's definitely floral. | 0:18:13 | 0:18:15 | |
And I gather there are all sorts of rosy references within. | 0:18:18 | 0:18:21 | |
At first you can hardly see them, | 0:18:27 | 0:18:29 | |
but then your eyes get attuned to the rose frequency, | 0:18:29 | 0:18:32 | |
and you see them everywhere. | 0:18:32 | 0:18:34 | |
All around this arch, | 0:18:34 | 0:18:36 | |
and then underneath, | 0:18:36 | 0:18:38 | |
carved out of stone and beautifully gilded. | 0:18:38 | 0:18:41 | |
The whole place is sort of thick with roses. | 0:18:46 | 0:18:50 | |
And look at these beautifully ornate roses, | 0:18:53 | 0:18:56 | |
some with extra petals. | 0:18:56 | 0:18:58 | |
Ah, it's glorious. | 0:19:00 | 0:19:02 | |
This little chapel is devoted to Bishop Aldham. | 0:19:02 | 0:19:05 | |
He was an educationalist, | 0:19:05 | 0:19:08 | |
and he was also a Lancashire man, | 0:19:08 | 0:19:11 | |
and he actually started Manchester Grammar School, | 0:19:11 | 0:19:15 | |
which is where my dad went to school! | 0:19:15 | 0:19:17 | |
And if you look... | 0:19:18 | 0:19:19 | |
here's the red rose of Lancaster. | 0:19:19 | 0:19:22 | |
Dotted about all over the place. | 0:19:23 | 0:19:25 | |
Isn't it lovely? | 0:19:27 | 0:19:29 | |
That's very serendipitous, really. | 0:19:31 | 0:19:33 | |
And this chapel has its roses, too. | 0:19:34 | 0:19:38 | |
But in here, you see a different aspect of the rose. | 0:19:38 | 0:19:43 | |
You've got to look up... | 0:19:43 | 0:19:44 | |
..into this beautiful vaulted ceiling, | 0:19:45 | 0:19:48 | |
and this central boss is a rose bush. | 0:19:48 | 0:19:53 | |
And it's thorn-less - this is the Virgin Mary's rose, | 0:19:53 | 0:19:57 | |
and it's sat there, gilded in this night sky, | 0:19:57 | 0:20:01 | |
with crescent moons, and stars twinkling. | 0:20:01 | 0:20:05 | |
It's so romantic. | 0:20:05 | 0:20:07 | |
It's clear that this religion is imbued | 0:20:09 | 0:20:12 | |
with such a deep love for the rose. | 0:20:12 | 0:20:15 | |
Of course, within these walls, it's all about Christianity. | 0:20:16 | 0:20:21 | |
And yet the rose has been revered | 0:20:21 | 0:20:23 | |
by so many different societies and religions, | 0:20:23 | 0:20:27 | |
all across the world. | 0:20:27 | 0:20:29 | |
No other flower on the planet has been celebrated like the rose. | 0:20:32 | 0:20:37 | |
But it's perhaps here in Britain that its hold is firmest. | 0:20:37 | 0:20:42 | |
Like a dog rose winding its way through a hedge, | 0:20:44 | 0:20:48 | |
the rose infiltrated all aspects of British life. | 0:20:48 | 0:20:52 | |
By the time of the Tudors, | 0:20:54 | 0:20:56 | |
the rose had evolved into an emblem of English tradition, | 0:20:56 | 0:21:00 | |
sitting proud in the nation's heraldry. | 0:21:00 | 0:21:03 | |
It represented sex AND romantic love. | 0:21:04 | 0:21:08 | |
It was used in most medicines. | 0:21:09 | 0:21:11 | |
It was stamped into coins and armour, | 0:21:11 | 0:21:14 | |
and was even baked into pies! | 0:21:14 | 0:21:17 | |
But it was always surrounded by ambiguity. | 0:21:19 | 0:21:22 | |
It represented two completely opposing concepts: | 0:21:23 | 0:21:28 | |
heavenly perfection... | 0:21:28 | 0:21:30 | |
and earthly desire. | 0:21:30 | 0:21:31 | |
And by the 1700s, the rose found itself falling out of fashion. | 0:21:32 | 0:21:38 | |
The rose was one of the earliest casualties of globalisation. | 0:21:42 | 0:21:46 | |
New, exotic flowers such as tulips | 0:21:46 | 0:21:50 | |
had started arriving from Asia, | 0:21:50 | 0:21:52 | |
with their silky petals and alluring shapes. | 0:21:52 | 0:21:56 | |
It seemed the rose's days were numbered. | 0:21:56 | 0:21:59 | |
But the rose is renowned for its ability to survive. | 0:22:01 | 0:22:05 | |
In the late 18th century, | 0:22:05 | 0:22:07 | |
a brand-new type of rose swept across Europe. | 0:22:07 | 0:22:10 | |
It introduced new colours, including yellow, | 0:22:10 | 0:22:13 | |
which had never been seen before. | 0:22:13 | 0:22:16 | |
But the thing which excited people the most | 0:22:16 | 0:22:18 | |
was the fact that this was a rose that kept on flowering | 0:22:18 | 0:22:22 | |
way into the autumn. | 0:22:22 | 0:22:24 | |
This was the China rose. | 0:22:25 | 0:22:27 | |
But it took a chance meeting between the China rose and one from Europe, | 0:22:30 | 0:22:35 | |
in a hedge on the island of Reunion, | 0:22:35 | 0:22:38 | |
to create a whole new class of rose. | 0:22:38 | 0:22:42 | |
The Bourbons. | 0:22:42 | 0:22:43 | |
This is Madame Pierre Oger. | 0:22:46 | 0:22:48 | |
She's a typical Bourbon rose, | 0:22:48 | 0:22:50 | |
and she shows the qualities that those Chinese roses imparted. | 0:22:50 | 0:22:54 | |
She's got these very spherical flowers, | 0:22:54 | 0:22:57 | |
and a beautiful delicacy, | 0:22:57 | 0:23:00 | |
and this wonderful, satin-y sheen. | 0:23:00 | 0:23:02 | |
It was those first, chance hybrids | 0:23:05 | 0:23:08 | |
that prompted people's passion for new roses, | 0:23:08 | 0:23:12 | |
and from then on, the greatest transformations of the rose | 0:23:12 | 0:23:16 | |
were driven by man's direct intervention. | 0:23:16 | 0:23:19 | |
Michael Marriot is more a rose alchemist than anything else. | 0:23:23 | 0:23:26 | |
He devotes much of his life to conjuring up | 0:23:28 | 0:23:31 | |
exquisite, prize-winning hybrids. | 0:23:31 | 0:23:33 | |
What was the beginning of the hybridization of roses then? | 0:23:35 | 0:23:39 | |
There's a chap called Henry Bennett, who was a cattle farmer, | 0:23:39 | 0:23:42 | |
and he was used to crossing his best bulls with his best cows, | 0:23:42 | 0:23:46 | |
and getting really good progeny out of it. | 0:23:46 | 0:23:48 | |
So he thought, well, if you can do it with bulls and cows, | 0:23:48 | 0:23:50 | |
why can't he do it with roses? | 0:23:50 | 0:23:52 | |
Yeah, why not with roses?! | 0:23:52 | 0:23:53 | |
Absolutely. | 0:23:53 | 0:23:54 | |
Inspired by his success with cattle, | 0:23:55 | 0:23:58 | |
in 1879, Henry Bennet engineered the world's first super-rose. | 0:23:58 | 0:24:05 | |
The Hybrid Tea. | 0:24:05 | 0:24:06 | |
Since then, fanatics across the planet | 0:24:08 | 0:24:11 | |
have been tinkering with rose genetics, | 0:24:11 | 0:24:13 | |
creating countless hybrids. | 0:24:13 | 0:24:16 | |
But the painstaking technique that Bennet first pioneered | 0:24:16 | 0:24:20 | |
remains relatively unchanged to this day. | 0:24:20 | 0:24:23 | |
Hopefully, the stamens inside will still be fairly immature. | 0:24:24 | 0:24:28 | |
So the first bit is to rip all the petals off, | 0:24:28 | 0:24:30 | |
finding the active bits in the middle. | 0:24:30 | 0:24:32 | |
So, there's the stamens around the outside. | 0:24:34 | 0:24:37 | |
And in the middle you've got the stigma, which are the female bits. | 0:24:37 | 0:24:40 | |
So, what we do is... | 0:24:40 | 0:24:41 | |
..carefully take those off. | 0:24:42 | 0:24:44 | |
Can I hold your jar? | 0:24:44 | 0:24:46 | |
-Well, no, actually, it's... -You've done this before, haven't you? | 0:24:46 | 0:24:49 | |
Once or twice. THEY CHUCKLE | 0:24:49 | 0:24:51 | |
So you've got to remove every single one of those? | 0:24:52 | 0:24:54 | |
Yes, if you leave one, you might get self-pollination. | 0:24:54 | 0:24:56 | |
That defeats the whole process. | 0:24:56 | 0:24:59 | |
-So, all you want left here is the stigma. -That's right. | 0:24:59 | 0:25:02 | |
The female part of the flower. | 0:25:02 | 0:25:04 | |
There you are. All the stamens are off. | 0:25:04 | 0:25:06 | |
So, here we've got another variety. | 0:25:06 | 0:25:08 | |
So this is pollen from another plant that you've chosen? | 0:25:08 | 0:25:11 | |
That's right. So, that's mostly all dried up stamens in there, | 0:25:11 | 0:25:14 | |
but if you look very carefully, | 0:25:14 | 0:25:15 | |
you can see a little bit of dust, | 0:25:15 | 0:25:17 | |
just round the bottom and around the sides, can you see? | 0:25:17 | 0:25:20 | |
-Oh, yeah. -Not very much. | 0:25:20 | 0:25:21 | |
But you only need a little bit, | 0:25:21 | 0:25:22 | |
so you just collect it on the end of the nice clean brush | 0:25:22 | 0:25:25 | |
and then you just go dab-dab-dab-dab on the stigma. | 0:25:25 | 0:25:28 | |
Careful not to damage it. | 0:25:28 | 0:25:30 | |
And there you are. | 0:25:31 | 0:25:32 | |
To give you an idea of the scale of the thing, | 0:25:32 | 0:25:34 | |
every year we produce about a quarter of a million new seedlings | 0:25:34 | 0:25:38 | |
and they gradually get whittled down, whittled down, year after year, | 0:25:38 | 0:25:41 | |
until we have the three or four we introduce at the Chelsea Flower Show. | 0:25:41 | 0:25:45 | |
Exactly! Brilliant. | 0:25:45 | 0:25:47 | |
But how long before you decide whether or not | 0:25:47 | 0:25:49 | |
this is one that's going to Chelsea? | 0:25:49 | 0:25:50 | |
Eight or nine years before the final decision | 0:25:50 | 0:25:52 | |
-about whether it's going to be produced. -OK. | 0:25:52 | 0:25:54 | |
So the chances are pretty remote. HE LAUGHS | 0:25:54 | 0:25:56 | |
-Yeah, they are. -But you never know. -But well worth it. | 0:25:56 | 0:25:59 | |
There's more chance of being struck by lightning | 0:25:59 | 0:26:02 | |
than a rose grown from a seed here | 0:26:02 | 0:26:05 | |
making it to the Chelsea Flower Show. | 0:26:05 | 0:26:07 | |
But that's always the ambition for men like Michael. | 0:26:08 | 0:26:12 | |
To see just how far the rose has come since the wild dog rose, | 0:26:17 | 0:26:23 | |
I've got the opportunity | 0:26:23 | 0:26:24 | |
to meet one of those rare lightning-strike varieties. | 0:26:24 | 0:26:29 | |
Look at these magnificent roses! | 0:26:29 | 0:26:32 | |
But there's one in particular that I've been longing to see. | 0:26:32 | 0:26:36 | |
She's Princess Alexandra of Kent. | 0:26:36 | 0:26:39 | |
She took a small fortune and ten whole years to create. | 0:26:42 | 0:26:47 | |
And here she is. | 0:26:51 | 0:26:54 | |
Look at these wonderful flowers, | 0:26:54 | 0:26:56 | |
so huge and voluptuous, | 0:26:56 | 0:26:58 | |
with this exquisite scent. | 0:26:58 | 0:27:00 | |
But this intense beauty comes at a price. | 0:27:01 | 0:27:04 | |
Only the outer five of the Princess Alexandra of Kent's petals | 0:27:06 | 0:27:11 | |
are true petals. | 0:27:11 | 0:27:13 | |
The hundreds of inner petals are all modified stamens. | 0:27:13 | 0:27:18 | |
Man's intense hybridisation of the rose | 0:27:20 | 0:27:23 | |
has pushed the very boundaries of nature, | 0:27:23 | 0:27:27 | |
leaving this flower with almost no stamens. | 0:27:27 | 0:27:29 | |
Even if a bee managed to get past the mass of petals, | 0:27:31 | 0:27:35 | |
this beautiful rose is more or less infertile. | 0:27:35 | 0:27:39 | |
Seeing the Princess Alexandra Rose takes your breath away. | 0:27:42 | 0:27:46 | |
It's a magnificent flower. | 0:27:46 | 0:27:48 | |
It represents the pinnacle of 2,000 years of rose breeding. | 0:27:48 | 0:27:54 | |
Right the way through from those early Roman selections, | 0:27:54 | 0:27:58 | |
to the chance meeting of two roses from either side of the world, | 0:27:58 | 0:28:02 | |
that laid the foundations for the roses that we know and love today. | 0:28:02 | 0:28:07 | |
And yet, there's something bittersweet about this flower. | 0:28:08 | 0:28:12 | |
We've created something of wondrous beauty, | 0:28:13 | 0:28:16 | |
but without the ability to reproduce. | 0:28:16 | 0:28:19 | |
For me, there is something about a simple wild rose, | 0:28:21 | 0:28:25 | |
a character and a magic, | 0:28:25 | 0:28:28 | |
that man could never recreate. | 0:28:28 | 0:28:32 |