Episode 1 RHS Show Tatton Park


Episode 1

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We've revelled in the prestige of Chelsea and basked

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in the grandeur of Hampton Court, but we have one final floral

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We've headed to Tatton Park in Cheshire for the Great

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Hello and welcome to the Royal Horticultural Society's Flower Show,

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Tatton Park, an event supported by Bruntwood properties

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It's setting within a 1000 acre deer park couldn't be more glorious.

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Now in its 18th year, Tatton really has established itself

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as the premier garden event in the North of England.

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It has gone from strength to strength. I came to the first show

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and came to most of them since. I did not know what to expect of what

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became apparent immediately was a sense of identity and place. It was

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unlike any other show and that is really important. It's fun, it's

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relaxed, you see the garden spaces to enjoy and bring a picnic and

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enjoy the fabulous weather. Since Tuesday, the sun hasn't stopped

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shining. Although Hampton Court was a few weeks ago, there is a

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different palette, different plants, fabulous fruit and veg. Masses,

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horticulture and, to look at. It feels like it is kicking off the

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holiday season. We've lots for you to enjoy coming

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up on tonight's programme. Rachel de Thame and Toby Buckland

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will be taking a look at the much loved Back to Back garden category

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and revealing some of these Danny Clarke will be

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joining me to review this Seven humble sheds transformed

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into the ultimate escapes And our own plant perfectionist

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Carol Klein will be choosing her stand out hardy plants

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in the floral marquee. But as always the show gardens

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here at Tatton attract a lot of attention and this year

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there are six diverse Earlier, Rachel and I went to take a

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look at some of them. This is natural visions by Jackie

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Knight, Stone used in lots of different ways but what I like about

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it, it is cohesive. It is the same stone from the same quarry

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throughout. Slate Terrace here, Slate dry stonewalling. What this

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garden makes you what to do is get off the patio and get onto the rocks

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again mountain goat. It creates a nice movement through it. It really

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connects you to the stone itself. Water is a key element in a garden

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but the sound is absolutely critical to get it right.

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Here, Jackie has got it spot on, it sounds like a babbling brook, it is

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totally just right and it brings a lovely cooling presents on a hot day

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like this. These plants associate with water,

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lush and green, they like their roots permanently wet. They can be

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grown as marginals on the edge of a pond even in those water baskets.

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Plants like this, huge architectural leaves. This one will try and take

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over the world eventually. And then there is the lovely Iris over there

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and one of my favourites, the stately arum lily. It combines

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really nicely with these large rocks within this planting. This bit works

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beautifully. This is the through the looking

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glass designed by Pip Probert, a large and very intriguingly designed

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space, these large metal frames dominate the garden, some of them

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are filled with glass and you can see straight through them but they

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block some of the sound. Others framed the view beautifully.

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There is wonderful use of hard landscaping, I love these large

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pebbles which are then reflected in smaller gravels along the winding

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path. The whole thing is softened beautifully by the planting in a

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very romantic palette of pinks and mauve colours, Verbena, that lovely

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Echinacea over there. It is then heightened with white. I love this

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sparkle of the Agapanthus. It is also strong on foliage interest,

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love the tree ferns. And these beautiful umbrella trees.

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This is the rainbow garden by Alan Nugent. When you first see this

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garden, you think, wow, that is full of impact. You think this is not the

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sort of thing I would do in my garden but that is the whole point.

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This is not meant to be a private garden, this is actually a community

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space. It is about education as well.

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Richard of your day battle in vain, I am not just mumbling to myself, it

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is a way of remembering the colours of the rainbow, which is exactly

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what this garden is based on. Reid, Crook is Mia.

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Fantastic red Dahlia next to the zanys, that is in the hot spicy

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colour, Orange. Yellows... You get the idea. But I think my favourite

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bit and the bit that works best as far as planting is this Verbena.

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This is a designer's dream, everyone loves it. It is nice and upright,

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sturdy stems, doesn't need staking out all. Throughout the whole

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summer, right into the autumn sometimes, you get these fabulous

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purple flowers. Bees and butterflies adore it.

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At the back of the garden, we have this vast terrace. It feels a bit

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municipal. Even for what this garden is trying to achieve. I would have

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liked to have seen it a bit smaller and more in scale with regard

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itself. But when you find out this garden is going to go to a school,

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after the show, and this area is going to be in outdoor learning

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place, it is interactive. Like garden classroom. It all makes

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sense. -- like a garden. As folk up in the north-west is all too

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aware... The climate

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in this part of the world But that's no barrier to producing

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competition standard exhibits. Up here, when the growing gets

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tough, the tough get growing. Carol Klein has been to find out

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just what makes a plant hardy and pick her hero plants that have

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made it into the floral marquee. Ask gardeners are always going on

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about hardy plants. But what do we mean by a hardy plant? A hardy plant

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is one that will withstand really low winter temperatures. But on top

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of that, there are other factors that impinge. Some plants, if they

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are really well-drained, will withstand very, very low

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temperatures. But put them in boggy, heavy soil and they will collapse

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just like that at the first sign of frost.

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Age is also a factor. A young plant can withstand far less cold men and

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older, established specimen that has got its roots truly and firmly into

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the soil surrounding it -- far less than in older.

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He Lemi's have to be amongst the hardiest of all hardy plants. No

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wonder, they have come from the banished prairies of North America

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they put up with extreme cold and hot temperatures during the summer.

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This has endeared them not only to growers here but hybrid growers in

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Germany where they have a similar sort of climate. You can depend on

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them what the weather. Their flowers are very distinctive with these of

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velvet doorknob middles, like a tutu of petals that sticks out of the

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side. These are members of the daisy family, the middle is made up of

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lots and lots of tiny little flowers. To prolong their flowering,

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when the first flowers are finished, take a sharp pair of scissors and

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cut back the stem to where the next bug is emerging, that way you can

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have flowers right the way through to the end of September or sometimes

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October -- next bud. You don't have to be ordinary to be

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hardy. Here is a great example, these at first sight, don't even

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look related. But they are both members of the Rose family. You have

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got tiny bubbles will stop this one is called Tanna, but when it comes

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to lilac squirrel comic stands out so wonderfully with these flowers

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like a feather boa. It would be great to be used on its own.

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Margery Fish is the Tuwai end of hardy plants. If in doubt, plant a

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germanium. They really are amongst the most hardy of all plants. What's

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more, they are germanium buzz for every kind of situation. Whether it

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is shade or false -- there are geraniums. This one is fairly new on

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the scene and loves to feel the sun, Rozanne. Such an easy plants to

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grow, ideal if you are just beginning to garden. -- such an easy

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plant. You can't help but admire

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the dedication of all the exhibitors Some of these small,

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independent growers face huge We paid a visit to one such

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nurserywoman in Dumfriesshire, and discovered that whilst her

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location may be remote, she's closer to realising her

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dream of securing a gold I'm Helen Knowles, I live at Upper

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Millstead in beautiful Dumfries Galloway with my mother and

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wonderful husband Michael, they both help me out in the nursery where I

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grow hardy perennials that will thrive in this part of the world.

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We share the farm with a flock of Pedigree Shetland sheep. We've got

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three alpacas who are hopefully going to have their first baby

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alpaca round about the time of the Tatton Flower Show. It adds to the

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pressure. We've also got hens. Six springer spaniel 's, a Labrador and

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two cats, Thomas and Timmy. And we have bees. They do a lot of

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pollinating in the garden for me and supply some fantastic honey. They

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take priority. All of our water comes from a spring on the Hill.

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That is the biggest concern, especially with a dry summer like

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this one, that water is in short supply. Animals and the plants come

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first and we are very much at the bottom of the pecking order, here.

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We are about 600 feet above sea level and the main issues regarding

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this particular part of the world, the incredibly high rainfall. On

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average over the last few years you are looking about 5-6 feet of rain,

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huge amount of water. Added to that, we have boulder clay and that water

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doesn't drain away particular quickly. In the winter months, the

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plants can sit in cold, waterlogged soil because we get quite

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low-temperature 's, minus 10--15d. That is not unusual. They have to be

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extremely hardy. We tend to find that plants from that belt of

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temperate woodlands across the northern hemisphere and in

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particular the Himalayan regions thrive here because they can cope

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with the tough conditions that we experience.

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These plants seem to love the conditions that we have in the

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garden. We will not be taking these Tatton because they will be over,

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the flowers are only starting now. These should be just about right for

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the show, they are starting to show colour. Gordon Himalayan cowslip.

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Fragrant flowers. I am also hoping that some of these should be in

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flower. This one is fire, which has really rich red flower spikes on it.

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Absolutely stunning when it is in full bloom. Beautiful, beautiful

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deep red flowers, so deep. They are almost black. These plants are just

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perfect at the moment, they are full of bugs. Another few weeks they will

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be spectacular -- full of buds. They should be just a mass of flowers,

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come Tatton. There is a certain element of luck

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and we are at the mercy of the elements. Quite often, I have to

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move plants from one place to another into some of the poly

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tunnels to get them a bit warm and bring them into flower. But then we

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get a warm spell of weather and they come onto quickly so we need to put

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them somewhere cooler. I need to put them in the shade tunnel where it is

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lower in temperature, it is exhausting but it is hard work and

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it is means I can put together a display of plants at their peak.

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This is the biggest of the tunnels, and it's probably where I spend most

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of my time getting plants growing, propagating them and growing them

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on, getting them ready for shows. We have been doing the RHS shows for

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three years now, and I've had eight medals so far, everyone has been a

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silver gilt, so we are consistent, but it would be fantastic to get the

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elusive RHS Gold medal. Fingers crossed for Tatton.

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Here we are, exhibits looking fantastic. How has it been getting

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here and put the exhibits together? Everything has come on perfect. The

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space looks fantastic. I'm very pleased with it and the visitors

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love it. These are extreme plants that can cope with drought and

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plenty of water, lots of cold weather, clay soil. These are real

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doers. That lovely Primula is looking good, coming into flour.

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It's perfect. Different shades as well. The actual species is much

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taller and has a pure yellow flower. But thanks to the honeybees we are

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getting some gorgeous colours. The big question, what medal did you

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get? Another silver gilt. It tend now. Probably a record. -- it's ten

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now. I have set myself the challenge of the RHS Gold medal. I have no

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doubt you will get it. Lovely to meet you, Helen.

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The return to Tatton last year of the Back to Back garden

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category was such a triumph that they're making a welcome appearance

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Say back to back gardens to anyone born in the North West and they will

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know what you mean. They separate the terraced streets of the old

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industrial North. These gardens are just six metres

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by four metres in size. They may have been built over 150

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years ago but just up the road in Liverpool these backyards

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still exist in their thousands. Earlier, we went to explore some

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of the Back to Back gardens and found them bursting with ideas

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to transform the smallest It always strikes me just how

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diverse the back to backs are. All the same proportion. It's down to

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the inspiration. I normally start writing a list of names around day

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four or five of the show a year ahead. That will go away for a few

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months. It will be looked at, then something will stick, and this year

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it was Spears, spheres and glaciers. We have all the perennial grasses.

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-- Grassi ears. You're quite known for this coastal kind of planting.

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I'm quite known for floaty planting, I don't really give a block

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planting. I like naturalistic. There isn't sheets of colour, it's

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different bedding. It's more than the sum of its parts. I would much

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rather people picked out colours and danced across the whole garden so it

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links one side to the other. Another innovation is the changing levels.

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You have done it before. I have, I like to bring the garden up to a

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higher plane. It's unique for me. It gives the judge is a different

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perspective, and the public looking in get a different perspective so

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hopefully I stand out from the competition. It's a beautiful

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garden. You have created something very special. Thank you.

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The Adlington Hall garden was inspired by a poem found inscribed

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on one of the buildings in the grounds of Adlington hall, repeated

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here in this classical niche. The garden is also a homage to

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18th-century English landscape gardening, very natural, and shady

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plants like ivy and ferns and this wonderful moss carpet either side of

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the path. It's predominantly a very verdant garden but there are

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pinpoints of colour. I also like the way that a lot of the flowers are

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still in bud, so you get the sense of something to look forward to. For

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a very small garden, it's certainly got a very big and must --

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atmosphere. The green retreat immediately caught my eye, it has

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such quality and the planting is so fit for purpose. A mosaic of

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different foliage types, all suited to that shade. A golden grass from

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Japan, simple but so effective. From a stepping stone path, the

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garden opens out to a circular deck. Circle is always a good trick for

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making any space seem larger. This garden really has a Tardis like

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effect. In part it's the colour, gold in the border, cinnamon to

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offset, the steelwork and the wattle fencing. Wattle of will Owen creates

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a busy boundary, and that recedes when you look at it. -- of Will

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uniquely here at Tatton it addresses the main problem that small space

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gardening always has, the shade cast by neighbouring boundaries. This

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design could easily be cut and pasted into any back to back, not

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just in the north-west, but anywhere in the country.

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This is brilliant fun, isn't it? I'm intrigued by your garden, Michael.

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Every time I walk past, the water is a different level. The garden is

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called Hi Tied, and trying to replicate the six Hours cycle in one

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hour. It's about people adapting to nature. I suspect it's probably not

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as simple a design as it looks. I referred to be billed as an iceberg.

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A lot of hidden technology including a tank under the surface that feeds

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the water so we have this lovely ebb and flow. That's samphire on the

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water, we had permission to take it from Northern Ireland. We had to get

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permission to highlight the conservation of these plans in

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County Antrim. Tell me about the colours. Predominantly orange and

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blue. We decided to use the apricots Queen, together with the purple

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cloud, the African lilies. It's really lovely. I could sit here with

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my feet in this cooling water all day. So could I!

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This is where I make a beeline to when I come to town. A summer fruit

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and vegetable village, which I absolutely love. The atmosphere is

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charming, slightly eccentric, very British, but the competition is

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rabid. People have been working all year for these precious prizes. They

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don't give medals in the tent, prizes, first, second and third. The

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criteria will change from group to group. With the cucumber, uniformity

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matters. A pair of identical cucumbers. The categories have to be

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understood and aimed for. From the minute the seed is sown, this here

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today is the goal. This is my favourite exhibit in the

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marquee, Prosser believe my favourite at the Tatton show. --

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possibly my favourite. These are created most entirely for show, the

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immaculate straightness of runner beans. The regimented cucumbers like

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twins or reflections in a mirror. Shallots shown in sand, always, I

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don't know why. They are the work of the grower. Ageing, how did you get

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on? It's not been a good growing year at all, but I have found fruit.

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-- Adrian. You have first prize across the you! Does it matter that

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you win, how competitive are you? It's all about winning, as Nigel

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Mansell once said. Oh yes. Winning first and eating second? Definitely.

:25:41.:25:45.

Thank you very much and congratulations.

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This year here at Tatton there's one couple that truly exemplifies

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the focussed dedication required to grow, and show, competition

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We went to visit this self-sufficient couple

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from suburban Leicestershire, and discovered that they really

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I'm Graham Wagg staff. We have been married for 49 years this October.

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We have been seriously gardening with vegetables about 43 years. We

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are passionate about it, really. We are passionate because we like to

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know what we are eating. It's good to be able to go down to the garden,

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pick what you want, and bring it into the kitchen. It couldn't be any

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faster, unless you ran up the path. It's all about healthy eating,

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keeping yourself fit. It's better than sitting and watching episode

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after episode of television. It's better than watching Jeremy Kyle, we

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like to be out here. You can't say that! We grow more or less

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everything. Carrots. Leaks. Turnips. Radish, potatoes. Some strawberries.

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And I've got to pick them again. It's all right, when I pick them I

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come out in a rash! Although it's not a huge plot... It's very

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productive. People are quite amazed when they come to see. It's all

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about planning. Success and also in. The milkmen used to call us Tom and

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Barbara from The Good Life. Quite accessible about the garden, but not

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to the extreme. He likes everything to be just so. He's a bit untidy, he

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leaves things lying around, dirty pots and things. But as but as far

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as the fruit and veg goes, he's meticulous with growing. In front of

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us we have a selection of the stuff that we are hoping to take to

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Tatton. Little turnips. These are just bigger than a golf ball and we

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need them like a tennis ball size. Spring onions. Another three weeks

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on them and they should be right. Fennel over here. Looking nice and

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healthy. We are hopeful. The weather controls a lot of what you are

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growing, but if it wasn't up to it, we wouldn't exhibit that particular

:28:34.:28:36.

part of the exhibit, for the simple reason that it's a prestigious show,

:28:37.:28:42.

you have a name to keep up, if you like, so we tend to make sure we

:28:43.:28:49.

take good quality stuff. These are hopefully our carrots for Tatton

:28:50.:28:53.

Park. The variety is called sweet candle, stunt rooted variety. Grown

:28:54.:28:59.

under fleece so no sign of carrot fly. There's nothing worse than when

:29:00.:29:04.

you are about to eat your carrots and there are two little flies

:29:05.:29:08.

looking at you. Not nice. We have a bit of a dilemma with the rhubarb

:29:09.:29:16.

for Tatton. This variety is a heavy stick but hasn't quite got the

:29:17.:29:20.

colour. We have another variety appear, which is a new one, called

:29:21.:29:30.

Hol Steiner read. It's only a young plant, has only been there about 18

:29:31.:29:35.

months. I'm nervous with the dilemma of whether to take this all go for

:29:36.:29:40.

the heavier stick. At the moment, this one is winning, a beautiful

:29:41.:29:41.

colour. We will see how we go. We are looking for what to Tatton.

:29:42.:29:56.

We got seven firsts last year. Reid cards and you can't go any higher

:29:57.:30:02.

than a red card. We are aiming to beat that, if possible. Most things

:30:03.:30:06.

look good but we won't be terribly upset, just try again next year. We

:30:07.:30:10.

can still beat them. Of course you can. Gooners breeze, plums. You

:30:11.:30:14.

forgot the peaches. -- gooseberrys. Jane and Graham, did you bring

:30:15.:30:31.

peaches to the show? Not this year, they are having a year off. How have

:30:32.:30:36.

you done for prizes? You had a target you were trying to beat, how

:30:37.:30:41.

have you done? Seven firsts last year. This year we brought 21

:30:42.:30:48.

exhibits. We have 11 firsts, seven seconds and three third places. That

:30:49.:30:55.

is a good year, isn't it? I am standing right in front of a plate

:30:56.:31:00.

of the most perfect turnips and a first prize. What is it about those

:31:01.:31:03.

that earned them that price? The quality. -- first prize.

:31:04.:31:12.

It is called Snowball, the variety is snowball. It is as near as you

:31:13.:31:20.

can get to a snowball. Uniformity of the three. Fresh and green. I heard

:31:21.:31:27.

that he accidentally grew a giant turnip, what happened? It wasn't

:31:28.:31:30.

this Mariah T. It was a different righty. -- this variety. We tried to

:31:31.:31:39.

propagate but it went wrong. It was 18 LB. That is a big turnip. I am so

:31:40.:31:45.

impressed with what you have achieved. And the way you do it is

:31:46.:31:49.

brilliant. Once you start growing vegetables, it is obsessive. You get

:31:50.:31:54.

hooked. You can eat your mistakes. Exactly. That is brilliant, very

:31:55.:31:59.

well done. Thank you. Families visiting Tatton this year

:32:00.:32:05.

are in for a real treat when they see this show garden,

:32:06.:32:08.

the Big Friendly Garden. Inspired by the children's book

:32:09.:32:10.

The BFG by Roald Dahl, it's just one of many tributes

:32:11.:32:13.

to mark what would have been The giant catches good dreams to

:32:14.:32:30.

blow into the bedrooms of sleeping children.

:32:31.:32:33.

Here in the garden we have a cave. In each of these jars if they

:32:34.:32:39.

captured dream. What interests me is the garden. No flowers at all.

:32:40.:32:52.

Plants like firms, tree ferns and this wonderful cicade dinosaur

:32:53.:32:59.

fodder, even a BFG might have munched on it if you got hungry. It

:33:00.:33:04.

links in with Tatton Park itself. That Victorian feel with the

:33:05.:33:12.

stumpery and firms going to -- growing together with moss between

:33:13.:33:15.

them. The judges really liked a garden like this, it was given a

:33:16.:33:20.

silvergilt medal and the crowds were loving this fun addition to the

:33:21.:33:21.

show. Still to come tonight,

:33:22.:33:24.

Monty meets the new kids on the horticultural block vying

:33:25.:33:26.

to become the next big thing in the world of garden design,

:33:27.:33:29.

and we'll be taking a look at garden sheds, but as you've

:33:30.:33:32.

never seen them before! Whilst the BFG garden is firmly

:33:33.:33:38.

based on a fictional setting, one of this year's Back to Back

:33:39.:33:44.

designs could also have been inspired by another literary

:33:45.:33:46.

classic, The Lord of the Rings. We went to Biddulph Grange Garden

:33:47.:33:49.

in Staffordshire to discover the inspiration behind

:33:50.:33:52.

The English Stumpery Garden which on first appearances

:33:53.:33:53.

wouldn't look out of place It's very alien looking you just

:33:54.:34:21.

come through the tunnel and you are hit by these spikes coming at you,

:34:22.:34:23.

it can be I am Paul Whalton. This was greeted by James Bacon in

:34:24.:34:44.

the 1840s and it is a theme garden would unusual areas. -- it was

:34:45.:34:47.

created. This is one of them, this is the stumpery. Jury in the

:34:48.:34:52.

Victorian period, visitors coming here must have thought he had gone

:34:53.:34:58.

mass -- during the Victorian period. It is the oldest stumpery in

:34:59.:35:04.

Britain. -- he had gone mad. Massive oak stumps placed on top of one

:35:05.:35:09.

another creating this valley. We would like to let the mosque and

:35:10.:35:16.

fungi, the stumps. We let the firms naturally spread. We like it to look

:35:17.:35:23.

quite natural. It is quite daunting as you walk through. You don't see

:35:24.:35:29.

it until it is right on you, very well hidden and cleverly designed.

:35:30.:35:40.

It is one of my favourite areas. A lot of the older stumps of rotted

:35:41.:35:45.

away. About 15 years ago. We start of the main restoration of it. It is

:35:46.:35:49.

quite a big area. Still some restoration work to do. This bottom

:35:50.:35:57.

part of the stumpery is the final part that needs restoring, we want

:35:58.:35:59.

to complete this later on in the year but we have the stumps on site,

:36:00.:36:05.

we thought it would be fabulous to use them in the RHS Tatton show

:36:06.:36:09.

garden. It was designed by Mary Moxham, one of our garden volunteers

:36:10.:36:12.

and it is nice to share the stumpery with all of the visitors at Tatton.

:36:13.:36:19.

In trying to recreate the stumpery into a Back to Back garden, we have

:36:20.:36:23.

limited space. We can't do exactly the same job as visible here. At the

:36:24.:36:28.

most important feature of the stumpery is that it is a

:36:29.:36:31.

walk-through and by having an open path in the Back to Back we are

:36:32.:36:35.

encouraging someone to walk through and take the journey to the other

:36:36.:36:41.

side. The stumpery is a shaded area of the garden, the soil can be quite

:36:42.:36:46.

dry and it can be moisture retentive at times. We have to have plants

:36:47.:36:47.

that can meet those needs. We have this lovely dwarf still be

:36:48.:36:58.

which will hopefully still be in colour by the time of the show. --

:36:59.:37:01.

dwarf still be. The also have these lovely bushie

:37:02.:37:11.

firms, several firms we are going to use, different shapes, different

:37:12.:37:16.

habits, different colours. Most of these have a dainty flower in lilac

:37:17.:37:22.

and white. It is important to remember the stumps are the crowd

:37:23.:37:26.

pleaser, the feature of the garden in themselves.

:37:27.:37:32.

We felt it made sense to start the build-up here on site. Some of the

:37:33.:37:39.

stumps are really heavy and we want to make sure they are lined up quite

:37:40.:37:42.

well along the path edge creating and planting pockets we need. And it

:37:43.:37:47.

will be a lot easier when we get them on site. We are currently doing

:37:48.:37:51.

that, they are putting everything in place. Everything is going to plan

:37:52.:38:00.

at the moment. Something we haven't talked about today is our surprise

:38:01.:38:04.

feature in the garden, it is top secret. It is very special, very

:38:05.:38:09.

unusual, quirky, Victorian. It will go just here in the corner. You will

:38:10.:38:14.

have to wait for the garden to be completed before you can find out

:38:15.:38:15.

what it is. Mary is not at the show today but

:38:16.:38:32.

Leslie, you were part of the build all the way through. What was that

:38:33.:38:36.

surprise that she was hinting at? It was the upside-down tree. I thought

:38:37.:38:42.

it might be. It is extraordinary. Why? In our original plans from the

:38:43.:38:47.

1850s from when the garden was produced, there were upside-down

:38:48.:38:52.

trees. Obviously, dead tree. But it is acting as a wonderful host for

:38:53.:38:56.

the climber. It is supporting a climber and showing part of a plant

:38:57.:39:00.

that maybe Victorian people wouldn't generally have understood or scene.

:39:01.:39:05.

I love the way the plant is nestling in comedy firms look at home and you

:39:06.:39:09.

have some flower as well. Yes, we want a simpler hour in here. It is

:39:10.:39:13.

not all about the ferns will stop addictively white because it stands

:39:14.:39:17.

out well but the Japanese are encroaching from all over, they are

:39:18.:39:22.

in the stumpery naturally anyway, we would use those. The little white

:39:23.:39:26.

geraniums at the front, they so bright. They sparkle. They are

:39:27.:39:30.

really lovely. I find it astonishing you have achieved this in a space of

:39:31.:39:34.

a Back to Back garden and it has made me think you could make your

:39:35.:39:38.

whole garden like this. You could if you really wanted to. A couple of

:39:39.:39:42.

stumps, half a dozen ferns and if the snowdrops and you have your own

:39:43.:39:45.

miniature stumpery. You have convinced me and a silver medal for

:39:46.:39:50.

your first garden here, brilliant. Thank you.

:39:51.:39:55.

Over in the Floral Marquee, there are over 70 specialist

:39:56.:39:58.

nurseries displaying the very best of their chosen plant groups.

:39:59.:40:01.

Toby Buckland has put his investigative hat on,

:40:02.:40:03.

to find out more about the plants and people

:40:04.:40:05.

You know, it's been such a difficult year for growers and I should know

:40:06.:40:25.

because I am one. Summer has taken an age to ignite. But now it's got

:40:26.:40:30.

going, there are upside is because something always good comes of a

:40:31.:40:34.

difficult season. This year is the fact that early summer blooms like

:40:35.:40:38.

Lupins are still putting on a good show right next to late-season

:40:39.:40:42.

flowers like these. That remains in the rural marquee, the displays are

:40:43.:40:48.

I sucking it might -- Floral Marquee. They are brilliant. Every

:40:49.:40:54.

flower has been chosen because it is beneficial for the bees because it

:40:55.:40:58.

either provide nectar or pollen. Lavender rubs shoulders with flat

:40:59.:41:00.

landing pad plates of acutely. As well as being beautiful, like

:41:01.:41:07.

many of the stands in the Floral Marquee at Tatton it also has a

:41:08.:41:09.

sense of wholesomeness. This is another example of what I am

:41:10.:41:19.

talking about, a display that is towering with colour and not one

:41:20.:41:24.

with just personality, but a display that is personal to the nursery

:41:25.:41:25.

woman who has created it. Stella, you created a display that

:41:26.:41:36.

has a lot of heart to my eye. I think it happens, Toby. It certainly

:41:37.:41:40.

has got a lot of personal treasures, personal family treasures. There are

:41:41.:41:45.

lots of artefacts that I had brought from my own gardens at home and my

:41:46.:41:51.

own nursery. My grandfather was the one that inspired me to get into

:41:52.:41:57.

horticulture. As I look back now. I wanted to celebrate that. The first

:41:58.:42:03.

time I am here at RHS Tatton I want to celebrate that sort of family

:42:04.:42:07.

coming together. I am sure your grandfather, if he could have seen

:42:08.:42:10.

this, would have been so proud of you. Thank you, I wish he was alive

:42:11.:42:16.

to see it. But there is more than a celebration of tradition here, the

:42:17.:42:20.

RHS is doing something new. It has given one grower more space to tell

:42:21.:42:24.

the whole story. And bring the master grower to the fore.

:42:25.:42:29.

Is tell their wonderful story, this pictorial board of photographs in

:42:30.:42:36.

the background. -- it tells a wonderful. It paints a picture of

:42:37.:42:40.

where you grow and the plants you know. The idea is where we come

:42:41.:42:44.

from, it is all very well doing a display of herbs and everybody sees

:42:45.:42:48.

the display but actually, this illustrates how we operate and what

:42:49.:42:52.

we are, who we are. And how we go about our business. One thing I

:42:53.:42:55.

noticed about the photos, your potting bench looks very clean to

:42:56.:43:00.

me, like you gave it a good brush down for this snap. I always have a

:43:01.:43:02.

policy of work clean. LAUGHTER Detail of the tent at Tatton this

:43:03.:43:14.

year? One of care, colour and extraordinary attention to detail --

:43:15.:43:15.

the story of the tent. It's not just the garden designs

:43:16.:43:25.

and plant exhibits that attract over 80,000 visitors to RHS Tatton Park,

:43:26.:43:28.

an event supported by One of the highlights for many

:43:29.:43:31.

are the Garden Hideaways, or as we call them "sheds

:43:32.:43:38.

on steroids". Over 21 million Brits own a shed,

:43:39.:43:44.

but most of us are guilty So it's time for a

:43:45.:43:47.

rethink and designers have come to Tatton

:43:48.:43:55.

to transform the simple shed Earlier, Danny Clarke and I took

:43:56.:43:57.

a closer look at this year's seven This is a conceptual shed, this

:43:58.:44:14.

represents what's going on in the minds. It is all to do with mental

:44:15.:44:19.

health within the military. You get the impression, by looking at this,

:44:20.:44:23.

it's all jumbled up. I appreciate what some of these guys must be

:44:24.:44:28.

going through. To contrast that, outside, you've got the Cardenas of

:44:29.:44:34.

this love -- lovely planting, it works very well. This one is so much

:44:35.:44:42.

more than just a shed. It tells a story of the Bridgewater Canal in

:44:43.:44:46.

Salford and how it was a catalyst for the industrial revolution. Now

:44:47.:44:49.

the areas all the bad well-being and leisure. We have got a swing.

:44:50.:44:58.

And there is a shared as well, complete with Woodburn and a place

:44:59.:45:07.

to store tools. I love it! -- there is a shed as well. This is the

:45:08.:45:15.

library, I feel really at home here, a nice and cosy feel. You never get

:45:16.:45:21.

bored in a place like this. Always something to take your attention.

:45:22.:45:22.

Absolutely wonderful. I'm calling this the wedding shed.

:45:23.:45:36.

It's all about planning for the big day, including what flowers you are

:45:37.:45:40.

going to have. It's promoting British flowers, which is fantastic.

:45:41.:45:46.

Inside you have mood boards and ideas for colour themes, round two

:45:47.:45:50.

seed sowing and cutting gardens on the other side, to the big day

:45:51.:46:00.

itself. This is my kind of shed. It has a small bed in it! I think these

:46:01.:46:05.

lights are really funky and cool. The only thing with this one is,

:46:06.:46:13.

it's of a a bit of a mission to get out of it. I love the copper

:46:14.:46:19.

cladding, it works really well. It picks up the gorgeous planting here,

:46:20.:46:22.

and the colours tie in beautifully. This is a coward themed party shed,

:46:23.:46:35.

of course! What else?!. The kids will love it but I'm not sure I

:46:36.:46:40.

would like this in my garden. Enough, I'm not going to milk this,

:46:41.:46:54.

moo-ving on. I love this, it's conceptual, installation artwork,

:46:55.:46:55.

perfectly executed with all the tools on the outside and the garden

:46:56.:47:03.

on the inside. The first thing that hits you is the scent. There's even

:47:04.:47:08.

a bird's nesting there. A tree growing out of the top. Love it. We

:47:09.:47:15.

will choose our favourite shed and reveal our results at the end of the

:47:16.:47:16.

programme. Tatton is renowned as a hotbed

:47:17.:47:22.

for burgeoning horticultural talent and this year sees the launch

:47:23.:47:25.

of a completion that's set The RHS Young Planting Designer

:47:26.:47:27.

and Young Landscape Contractor Competition challenges six

:47:28.:47:31.

of the brightest new faces from the worlds of landscaping

:47:32.:47:32.

and planting to work together Monty met up with the Director

:47:33.:47:35.

General of the RHS, Sue Biggs, to learn more about this

:47:36.:47:40.

innovative competition. Can you explain this new

:47:41.:47:49.

competition? It's a very exciting new competition where we have

:47:50.:47:53.

brought together three landscapers, three plants designers, and they

:47:54.:47:57.

have been given a brief. Each garden has to have a common feature, like

:47:58.:48:04.

water features, pathways. They each have a different theme, one coastal,

:48:05.:48:09.

one countryside and one urban. I would love to see for myself. This

:48:10.:48:21.

is the seaside take on the brief by Lydia Mackay and Ewan Sewell. I

:48:22.:48:27.

really like the way it has space. It's not crammed with plans or hard

:48:28.:48:33.

landscaping in an attempt to try to get in as much as possible. The

:48:34.:48:40.

whole thing has room to breathe. The planting is allowed to stand and

:48:41.:48:45.

express itself with complete assurance that it can do the job.

:48:46.:48:51.

The agapanthus framed as it is like this, you don't need to add to that.

:48:52.:48:57.

I like the use of colours like greys and blues, the oranges picking out

:48:58.:49:05.

the orange of the planting. The plans picked to cope with the salt

:49:06.:49:13.

and sea spray and the sun. It captures a place and essence

:49:14.:49:16.

extremely well. It works extremely well.

:49:17.:49:23.

This is the town version of the brief with a construction by Matthew

:49:24.:49:30.

Beesley and planting by Katie Maude. The basic premise of almost all town

:49:31.:49:37.

Gardens is that they have to cope with shade. The planting is based

:49:38.:49:42.

around shade for much of the day at different aspects. In a town garden

:49:43.:49:48.

you need a sense of retreat from all the hustle and bustle of urban life.

:49:49.:49:55.

The other thing is, you need privacy. A green hedge blocking the

:49:56.:50:00.

neighbours works well. I really like the way the water gently runs down.

:50:01.:50:04.

If it was too noisy it would be busy. We want a retreat with peace

:50:05.:50:11.

and calm. There's probably a bit too much chocolatey colour for my taste.

:50:12.:50:15.

I like that touches on the stems of the hydrangea, but that is

:50:16.:50:22.

subjective. I love the seeded roof and the sense of maximising the

:50:23.:50:27.

opportunity to get peace and retreat from a busy life.

:50:28.:50:36.

This is the countryside version of the brief with the planting done by

:50:37.:50:45.

Lizzi Mills with construction by Sam Hunt. It takes, by and large, a very

:50:46.:50:52.

conventional idea and view of a country garden. But there are bits

:50:53.:50:58.

and pieces as you look that challenge that and make you think

:50:59.:51:03.

again. For example, the water feature, and they all have to have a

:51:04.:51:08.

water feature, it could be a roof or wall. However, as a show garden,

:51:09.:51:14.

it's not telling me anything new. This is like The Cotswolds country

:51:15.:51:19.

garden, and my feeling is most people would love a garden like

:51:20.:51:24.

this. But I love the way the living wall is tackled, I think that's

:51:25.:51:30.

really good, looking great. The hard landscaping is beautifully done,

:51:31.:51:36.

Little touches like the sacking of the cushions, it's great. Overall,

:51:37.:51:40.

the garden doesn't challenge much, but it pleases at great deal.

:51:41.:51:49.

I think it's time to know who won. I'm delighted to announce the winner

:51:50.:52:03.

of the young landscape award is Ewan Sewell.

:52:04.:52:12.

This is for the winner of the young planting designer of the year award

:52:13.:52:19.

for 2016... And that goes to Katie Maude.

:52:20.:52:30.

Two of you have won. It's worth pointing out that everyone a few,

:52:31.:52:37.

all six of you have won a gold medal. Congratulations to all of

:52:38.:52:38.

you. From young designers to a show

:52:39.:52:50.

garden designed for young people. I'm here on the Ace Kids,

:52:51.:52:54.

Spectrum of Genius garden, one of this year's evolution gardens

:52:55.:52:57.

created with the needs of children I'm here with the designer,

:52:58.:53:00.

Shea O'Neill. And her son Owen joins us as well.

:53:01.:53:11.

Beautiful garden, what's your inspiration for the design? It's

:53:12.:53:22.

based on a painting by Mondrian. He was reputed to have autism. We have

:53:23.:53:30.

lovely things like lemon, your sugar substitute, and they make gorgeous

:53:31.:53:36.

cups of tea to calm a child's stomach with anxiety. And we have

:53:37.:53:44.

the rarest apple tree in the world. What about some of the design

:53:45.:53:51.

features? I've learned so much from my children about how to adapt to

:53:52.:53:56.

sensory art. Owen is sensitive to light so we have areas of light and

:53:57.:54:02.

shade. What helps with a meltdown in autistic children is helping them to

:54:03.:54:06.

control their environment. We have a lovely cocoon behind you helping

:54:07.:54:12.

children to sway and rock. Do you have a favourite part, Owen? I like

:54:13.:54:17.

the structure at the back, the way it lets light through, and the

:54:18.:54:22.

message it has about neuro typical and neuro diverse people with

:54:23.:54:26.

autism. It's beautifully made. It really is, you can thank my mother

:54:27.:54:31.

up for that, she made it. She's pretty clever! Thank you for showing

:54:32.:54:38.

me around and congratulations on your silver medal. Thank you, I just

:54:39.:54:41.

loved it. Every year growers and societies

:54:42.:54:44.

come to Tatton to champion plant groups that are embedded

:54:45.:54:47.

in British gardening folklore. Carol has been to visit some floral

:54:48.:54:50.

fanatics in the Plant Ssocieties Carol has been to visit some floral

:54:51.:54:55.

fanatics in the Plant Societies and Heritage Marquee to find out why

:54:56.:54:58.

they're such devotees of some very At Tatton, it's not just plants, but

:54:59.:55:15.

plant societies that are here in rich abundance. How, plant societies

:55:16.:55:25.

thrive particularly up north? Perhaps it has something to do with

:55:26.:55:30.

the fact that in northern industrial city 's gardens were small or

:55:31.:55:36.

nonexistent, so big spill over onto allotments. It's in places like that

:55:37.:55:42.

where a whole community spirit of sharing plants and information,

:55:43.:55:46.

sharing the enthusiasm and passion, dispelling the myth that it's grim

:55:47.:55:47.

up North. This delectable stand was put

:55:48.:55:59.

together by the national sweet pea society. They are all amateurs and

:56:00.:56:05.

they have come to Tatton to dry to draw other people in to tell the

:56:06.:56:09.

history of the planned they adore. The essence of summer, and this

:56:10.:56:14.

stand shows how passionate people can become about them.

:56:15.:56:24.

Lots of societies celebrate just one planned. These are the societies

:56:25.:56:31.

that perhaps attract the true obsessions. The British national

:56:32.:56:37.

Carnation Society is no exception. People have to absolutely adore

:56:38.:56:42.

these lads to grow them to such perfection. There are all sorts of

:56:43.:56:46.

ways people get obsessed, fall for these flowers in the first place.

:56:47.:56:53.

Brian over there has a story typical of the people who belong to these

:56:54.:56:58.

societies. He used to be a devotee of chrysanthemums. One night his

:56:59.:57:03.

friend walked into the pub wearing a Carnation in his buttonhole. He

:57:04.:57:08.

dumped the chrysanthemums and took up with the carnations, love at

:57:09.:57:14.

first sight, typical of the kind of enthusiasm and total obsession

:57:15.:57:15.

people devote to these plants. Earlier, we cast our discerning eyes

:57:16.:57:25.

over this year's garden hideaways and I can now announce

:57:26.:57:28.

which is our favourite this year. I would just like to say that they

:57:29.:57:37.

were all fantastic, great effort, run wonderful sheds. And Carolyn is

:57:38.:57:50.

our favourite with the outside in shed. We thought it was so

:57:51.:57:57.

imaginative. And when you look inside, it's a gem. This feels very

:57:58.:58:03.

special. We thought it had something really special about it. A really

:58:04.:58:07.

brilliant idea, putting the tools on the outside and the garden on the

:58:08.:58:13.

inside, and the attention to detail. Congratulations and enjoy our

:58:14.:58:17.

special prize. A round of applause, please! APPLAUSE

:58:18.:58:27.

They were great fun. I love sheds. We have four or five at Longmeadow.

:58:28.:58:39.

They are a focal point, a place to go to. And if you need inspiration

:58:40.:58:41.

just come here. That brings us to the end

:58:42.:58:45.

of tonight's programme but we'll be back tomorrow on BBC2 at 7pm

:58:46.:58:48.

with more highlights We'll be meeting the next generation

:58:49.:58:50.

of garden design stars who are battling it out to become

:58:51.:58:54.

the RHS Young Designer

:58:55.:58:58.

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