James Bond 50th Anniversary Gala Concert


James Bond 50th Anniversary Gala Concert

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MUSIC: Theme from "On Her Majesty's Secret Service" by John Barry

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MUSIC: Theme from "Goldfinger" by John Barry

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CHEERING

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Thank you, Carl.

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Welcome to an evening

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where we hope to leave you shaken, but not stirred.

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LAUGHTER

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James Bond was conceived in 1953,

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at Ian Fleming's home Goldeneye, Jamaica.

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"I created Bond to take my mind off that appalling business

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"of getting married at the age of 43," explained Fleming.

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"It was rather a dramatic step for a confirmed bachelor,"

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"and I created Bond to insulate myself against the shock."

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Ex-British intelligence, expert bridge player,

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a compulsive womaniser -

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whether Bond was modelled on Fleming or the other way round was academic.

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Ambitions to turn Bond into a celluloid hero date back to 1954.

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But it didn't become a reality until 1961,

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when "Cubby" Broccoli and Harry Saltzman secured the rights

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to all James Bond books,

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with the exception of Casino Royale and Thunderball.

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These three gentlemen made unlikely bedfellows.

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Fleming, the disdainful old Etonian,

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Saltzman, the volatile American,

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and patient Cubby.

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But they all agreed one thing.

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James Bond could only be played by David Niven.

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Or Trevor Howard.

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Or Patrick McGoohan.

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Or James Fox, or Cary Grant, or Michael Redgrave.

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Or just possibly

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the ex-Mr Universe from Edinburgh - what was his name?

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Oh, yes. Sean Connery.

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Connery was a beautiful specimen of well-honed manhood.

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-I'll second that!

-LAUGHTER

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One, two, three, four!

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APPLAUSE

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Dr No,

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with its mixture of gritty reality with blatant unreality,

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had set the tone for Bond films,

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and From Russia With Love was not to disappoint.

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The film was also given a helping hand

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when President Kennedy declared it

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to be one of his all-time favourite books.

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007 was now moving in exalted company.

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# From Russia with love

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# I fly to you

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# Much wiser since my

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# Goodbye to you

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# I've travelled the world

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# To learn, I must return

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# From Russia with love

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# I've seen places, faces

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# And smiled for a moment

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# But oh

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# You haunted me so

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# Still, my tongue-tied young pride

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# Would not let my love

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# For you show

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# In case you'd say no

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# To Russia I flew

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# But there and then

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# I suddenly knew

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# You'd care again

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# My running around

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# Is through

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# I fly to you

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# From Russia

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# With love! #

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APPLAUSE

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The next theme comes from a film that I'm all too familiar with.

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In fact, it is named after my former employer, Mr Auric Goldfinger.

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I was relieved to find that my character

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appeared in the latter part of the film,

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as Bond girls generally tend to expire

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if Bond takes a shine to them too early in the picture.

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Of course, the film was not without controversy,

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mostly centring around my name.

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LAUGHTER

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But what's wrong with Honor(?)

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LAUGHTER

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But seriously, ladies and gentlemen, for some reason the American censors

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thought there was something a little below the belt in the name Pussy.

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It was not until they'd seen a picture of the Duke of Edinburgh

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and my dear self together in a newspaper,

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with the caption "The Prince and the Pussy"...

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LAUGHTER

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..that they finally acquiesced to its US release. Thank you, Philip!

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# Goldfinger

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# He's the man

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# The man with the Midas touch

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# A spider's touch

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# Such a cold finger

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# Beckons you to enter his web of sin

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# But don't go in!

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# Golden words he will pour in your ear

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# But his lies can't disguise what you fear

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# For a golden girl

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# Knows when he's kissed her

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# It's the kiss of death, from Mr Goldfinger

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# Pretty girl, beware of this heart of gold

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# This heart is cold!

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# Golden words he will pour in your ear

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# But his lies can't disguise what you fear

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# For a golden girl knows when he's kissed her

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# It's the kiss of death, from Mr Goldfinger

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# Pretty girl, beware of this heart of gold

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# This heart is cold

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# He loves only gold

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# Only gold

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# He loves gold

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# He loves only gold

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# Only gold

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# He loves

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# Go-o-o-o-o-ld!

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APPLAUSE

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There was one Bond story that got away from Cubby Broccoli.

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The original Casino Royale, made in 1967.

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A whole year before the birth of Daniel Craig...

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LAUGHTER

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It was a typical '60s farrago. There was not one

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but many James Bonds in the film,

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including a Peter Sellers creation

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and a Jimmy Bond, played by a young Woody Allen.

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In a gamble that didn't really pay off,

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the one blue chip in Casino Royale

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was the elegant Burt Bacharach score,

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which included a real gem, The Look Of Love.

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# The look of love

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# Is in your eyes

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# A look

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# Your smile can't disguise

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# The look of love

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# Is saying so much more than

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# Just words could ever say

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# And what my heart has heard

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# It takes my breath away

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# I can hardly wait to hold you

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# Feel my arms around you

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# How long I have waited

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# Waited just to love you, now that I have found you

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# You've got that look of love

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# It's on your face

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# A look

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# That time can't erase

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# Be mine tonight

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# Let this be just the start of

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# So many nights like this

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# Let's take a lover's vow, and then

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# Seal it with a kiss

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# I can hardly wait to hold you

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# Feel my arms around you

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# How long I have waited

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# Waited just to love you, now that I have found you

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# Don't ever go

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# Don't ever go

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# I love you so. #

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Thunderball was intended to be the first Bond film.

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However, there were as many battles off screen as there were on it,

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as producers and co-collaborators

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fought over the rights in a rather ungentlemanly fashion.

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As they say in Hollywood - where there's a hit, there's a writ!

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But one thing no-one was arguing about was Bond's success.

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# He always ran while others walked

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# Died, while other men just talked

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# Died in a world that needs it all

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# So he strikes, like Thunderball

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# He knows the meaning of success

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# His needs are more

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# So he gives less

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# They call him the winner who takes it all

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# And he strikes

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# Like Thunderball

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# Any woman he wants, he will get

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# He will break

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# Any heart

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# Without regret

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# His days of asking

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# Are all gone

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# His fight

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# Goes on and on and on

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# But he thinks

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# That the fight is worth it all

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# So he strikes

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# Like Thunderball! #

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On Her Majesty's Secret Service was thought by many to be a forgettable film,

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with the unforgettable song All The Time In The World.

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John Barry took the title from the final page in Ian Fleming's novel.

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Louis Armstrong left his sick bed to record it.

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At the end of the session in New York,

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he grabbed John Barry's hand and grinned, "Thanks for the gig, man."

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Tragically, the world lost this jazz legend shortly afterwards.

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# We have all the time in the world

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# Time enough for life to unfold

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# All the precious things love has in store

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# We have all the love in the world

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# If that's all we have

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# You will find we need nothing more

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# Every step of the way

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# Will find us

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# With the cares of the world

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# Far behind us

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# We have all

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# The love in the world

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# Just for love

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# Nothing more

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# Nothing less

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# Only love... #

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# ..Every step of the way

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# Will find us

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# With the cares of the world

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# Far behind us

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# We have all the time

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# In the world

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# Just for love

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# Nothing more

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# Nothing less

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# Only love... #

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# ..Only love. #

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CHEERING AND APPLAUSE

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It had taken careful consideration, a large injection of cash

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and a new toupee for Connery...

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LAUGHTER

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..to reprise the role and return to avenge the evil Blofeld

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in Diamonds Are Forever.

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With all these in place, Sean gives a relaxed performance,

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possibly due to the fact that

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he was allowed extra time to play golf between scenes.

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# Diamonds are forever

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# They are all I need to please me

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# They can stimulate and tease me

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# They won't leave in the night

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# I don't fear that they might

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# Desert me

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# Diamonds are forever

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# Hold one up And then caress it

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# Touch it

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# Stroke it and undress it

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# I can see every part

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# Nothing hides in the heart

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# To hurt me

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# I don't need love

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# For what good will love do me?

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# Diamonds never lie to me

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# For when love's gone

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# They lustre on

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# Diamonds are forever

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# Sparkling round my little finger

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# Unlike men, the diamonds linger

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# Men are mere mortals

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# Who are not worth going to your grave for

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# I don't need love

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# For what good will love do me?

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# Diamonds never lie to me

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# For when love's gone

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# They lustre on

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# Diamonds are forever Forever, forever

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# Diamonds are forever Forever, forever

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# Forever

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# And ever! #

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CHEERING AND APPLAUSE

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Exit Sean Connery.

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Enter Roger Moore.

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Roger was the first English James Bond,

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adding a lighter touch and a cigar to 007.

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When asked if he'd like the role, Moore declared,

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"I'll kiss your backside in Macy's window for it."

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LAUGHTER

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-Broccoli declined.

-LAUGHTER

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# You were young

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# And your heart

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# Was an open book

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# You used to say "Live and let live"

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# But if this ever changing world in which we live in

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# Makes you give in and cry

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# "Live and let die"

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# "Live and let die"

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# "Live and let die..." #

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# ..What does it matter to ya?

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# If you got a job to do You've got to do it well

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# You've got to give the other fella hell... #

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# ..You used to say "Live and let live"

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# But if this ever changing world in which we live in

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# Makes you give in and cry

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# "Live and let die"

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# "Live and let die"

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# "Live and let die"

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# "Live and let die"

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# "Live and let die"

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# "Die!" #

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CHEERING AND APPLAUSE

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Back to the set.

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Roger was wrestling with his director, Guy Hamilton,

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about, well, not wanting to wrestle with his co-star.

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There was a call for Bond to toughen up.

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But when they're as beautiful as Maud Adams,

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Roger thought it would be so much more fun

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to hold his interrogations between the sheets.

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LAUGHTER

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His Bond was a lover and a giggler,

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convinced the best way of smoking out information

0:31:340:31:38

was with a post-coital cigarette.

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# He has a powerful weapon

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# He charges a million a shot

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# And assassin who's second to none

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# The man with the golden gun

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# Lurking in some darkened doorway

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# Or crouched on a rooftop somewhere

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# In the next room, or this very one

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# The man with the golden gun

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# Love is required whenever he's hired

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# It comes just before the kill

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# No-one can catch him No hit man can match him

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# For his million-dollar skill

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# One golden shot! And another poor victim

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# Has come to a glittering end

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# For a price, he'll erase anyone

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# The man with the golden gun

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# His eye may be

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# On you

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# Or me

0:33:050:33:07

# Who will he bang?

0:33:090:33:13

# We shall see!

0:33:150:33:19

# Oh o-o-oh!

0:33:200:33:23

# Love is required whenever he's hired

0:33:240:33:27

# It comes just before the kill

0:33:270:33:30

# No-one can catch him No hit man can match him

0:33:300:33:34

# For his million-dollar skill

0:33:340:33:37

# One golden shot!

0:33:370:33:38

# And another poor victim

0:33:380:33:40

# Has come to a glittering end

0:33:400:33:45

# If you want to get rid of someone

0:33:450:33:47

# The man with the golden gun

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# Will get it done!

0:33:500:33:53

# He'll shoot everyone!

0:33:530:33:56

# With his golden gun! #

0:33:570:34:06

APPLAUSE

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In Roger's next outing - The Spy Who Loved Me -

0:34:190:34:23

the Aston Martin has been part-exchanged for

0:34:230:34:25

a Lotus with a sub-aquatic capability.

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The largest sound studio in the world, built at Pinewood,

0:34:300:34:34

had to be flooded to contain three stolen nuclear submarines.

0:34:340:34:40

As usual, the action is frantic,

0:34:400:34:43

the special effects are outstanding

0:34:430:34:46

and James gets the girl.

0:34:460:34:48

Now, isn't that unusual?!

0:34:490:34:51

LAUGHTER

0:34:510:34:53

# Nobody does it better

0:35:010:35:06

# Makes me feels sad for the rest

0:35:080:35:13

# Nobody does it half as good as you

0:35:140:35:22

# Baby, you're the best

0:35:220:35:29

# I wasn't looking

0:35:290:35:32

# But somehow you found me

0:35:320:35:35

# I tried to hide from Your love light

0:35:350:35:41

# But like heaven above me

0:35:420:35:45

# The spy who loved me

0:35:450:35:48

# Is keeping all my secrets safe tonight

0:35:480:35:55

# And nobody does it better

0:35:560:36:02

# Though sometimes I wish someone could

0:36:030:36:08

# Nobody does it quite the way you do

0:36:100:36:18

# Why d'you have to be so good?

0:36:180:36:23

# The way that you hold me

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# Whenever you hold me

0:36:270:36:30

# There's some kind of magic inside you

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# That keeps me from running

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# But just keep it coming

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# How'd you learn to do the things you do?

0:36:430:36:50

# And nobody does it better

0:36:500:36:56

# Makes me feel sad for the rest

0:36:580:37:03

# Nobody does it half as good as you

0:37:040:37:12

# Baby, baby

0:37:120:37:16

# Darling, you're the best

0:37:160:37:19

# Oh, baby, you're the best

0:37:220:37:26

# Oh, darling, you're the best

0:37:280:37:32

# Oh, baby, you're the best

0:37:350:37:39

# Oh, woah, woah

0:37:420:37:44

# Baby, you're the best

0:37:440:37:49

# Angel, you're the best

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# Darling, you're the best

0:37:570:38:03

# Baby

0:38:030:38:07

# Oh, baby, you're the best! #

0:38:080:38:16

APPLAUSE

0:38:160:38:21

DROWNED OUT BY APPLAUSE

0:38:320:38:34

RHYTHMIC DRUMBEAT

0:38:460:38:49

AUDIENCE CLAPS IN TIME

0:38:490:38:50

# Meeting you

0:39:070:39:09

# With a view to a kill

0:39:090:39:13

# Face to face in secret places Feel the chill

0:39:140:39:20

# Nightfall covers me

0:39:280:39:31

# But you know the plans I'm making

0:39:310:39:35

# Still oversee

0:39:350:39:38

# Could it be the whole world opening wide?

0:39:380:39:44

# A scared "Why?"

0:39:450:39:47

# A mystery gaping inside

0:39:470:39:51

# A weekend's "Why?"

0:39:520:39:54

# But can we dance into the fire?

0:39:540:39:58

# The fatal kiss is all we need

0:39:580:40:03

# Dance into the fire

0:40:030:40:06

# With fatal sounds of broken dreams

0:40:060:40:11

# Dance into the fire

0:40:110:40:13

# That fatal kiss is all we need

0:40:130:40:17

# Dance into the fire... #

0:40:170:40:22

# ..A choice for you Is the view to a kill

0:40:310:40:37

# Between the shades Assassination - feel the chill

0:40:370:40:45

# First, the crystal tears

0:40:510:40:55

# Fall as snowflakes on your body

0:40:550:40:59

# First time in years

0:40:590:41:02

# To feel on skin a lover's rosy stain

0:41:020:41:08

# A chance to find A phoenix for the flame

0:41:090:41:14

# A chance to die

0:41:160:41:18

# But can we dance into the fire?

0:41:190:41:23

# The fatal kiss is all we need

0:41:230:41:27

# Dance into the fire

0:41:270:41:29

# To fatal sounds of broken dreams

0:41:290:41:34

# Dance into the fire

0:41:340:41:37

# The fatal kiss is all we need

0:41:370:41:41

# Dance into the fire

0:41:410:41:44

# When all we see

0:41:440:41:45

# Is the view to a kill... #

0:41:450:41:59

CHEERING AND APPLAUSE

0:42:020:42:06

The role of Bond was about to fall vacant.

0:42:150:42:19

As much as Roger loved playing him,

0:42:190:42:22

during the shooting of A View To A Kill,

0:42:220:42:24

he realised he was considerably older than

0:42:240:42:28

the mother of his co-star.

0:42:280:42:30

LAUGHTER

0:42:300:42:32

He quickly gave notice to retire from the role.

0:42:320:42:34

Thankfully, he didn't have to rely on Hugo Drax

0:42:340:42:39

from the space-age Moonraker to take care of him in his dotage.

0:42:390:42:43

# Where are you?

0:43:080:43:12

# Why do you hide?

0:43:130:43:17

# Where is that moonlight trail That leads to your side?

0:43:190:43:28

# Just like the Moonraker goes

0:43:280:43:35

# In search of his dream of gold

0:43:350:43:41

# I search for love

0:43:410:43:45

# For someone to have and hold

0:43:480:43:52

# I've seen your smile

0:43:520:43:58

# In a thousand dreams

0:43:580:44:04

# Felt your kiss

0:44:050:44:09

# And it always seems

0:44:090:44:15

# You love me

0:44:150:44:21

# You...love

0:44:210:44:27

# Me

0:44:270:44:34

# Where are you?

0:44:390:44:44

# When will we meet?

0:44:440:44:49

# Take my unfinished life

0:44:510:44:54

# And make it complete

0:44:540:44:59

# Just like the Moonraker knows

0:44:590:45:06

# His dream will come true some day

0:45:080:45:13

# I know that you

0:45:130:45:19

# Are only a kiss away

0:45:190:45:23

# I've seen your smile

0:45:230:45:29

# In a thousand dreams

0:45:290:45:35

# Felt your touch

0:45:360:45:40

# And it always seems

0:45:400:45:46

# You love me

0:45:460:45:52

# You love

0:45:520:45:58

# Me. #

0:45:580:46:11

APPLAUSE

0:46:120:46:17

Before Roger's retirement took effect,

0:46:250:46:29

he made For Your Eyes Only,

0:46:290:46:31

which was regarded as his finest Bond film.

0:46:310:46:34

By this stage, more than half the world's population

0:46:350:46:39

had seen a James Bond film -

0:46:390:46:41

making it the most lucrative series in screen history.

0:46:410:46:46

A memorable quote

0:46:460:46:47

is Bond entering a confessional booth for a meeting with Q.

0:46:470:46:52

Bond confesses, "Forgive me, Father, for I have sinned."

0:46:520:46:58

And Q replies, "That's putting it mildly, 007(!)"

0:46:590:47:04

# For your eyes only

0:47:220:47:26

# Can see me through the night

0:47:260:47:29

# For your eyes only

0:47:320:47:35

# I never need to hide

0:47:350:47:38

# You can see so much in me

0:47:420:47:45

# So much in me that's new

0:47:450:47:49

# I never felt till I looked at you

0:47:510:47:58

# For your eyes only

0:47:580:48:02

# Only for you

0:48:020:48:05

# You'll see what no-one else can see

0:48:050:48:08

# Now I'm breaking free For your eyes only

0:48:080:48:14

# Only for you

0:48:140:48:16

# The love I know you need in me

0:48:160:48:20

# The fantasy you freed in me

0:48:200:48:23

# Only for you

0:48:230:48:27

# Only for you

0:48:270:48:32

# For your eyes only

0:48:400:48:43

# The nights are never cold

0:48:430:48:47

# You really know me

0:48:490:48:53

# That's all I need to know

0:48:530:48:56

# Maybe I'm an open book

0:48:590:49:02

# Because I know you're mine

0:49:020:49:08

# But you don't need to read between the lines

0:49:080:49:15

# For your eyes only

0:49:150:49:19

# Only for you

0:49:190:49:22

# You'll see what no-one else can see

0:49:220:49:25

# Now I'm breaking free

0:49:250:49:28

# For your eyes only

0:49:280:49:31

# Only for you

0:49:310:49:33

# The passions that collide in me

0:49:330:49:37

# The wild abandoned side of me

0:49:370:49:40

# Only for you

0:49:400:49:44

# For your eyes only. #

0:49:440:49:55

APPLAUSE

0:50:080:50:12

1983 was the year of the battle of the Bonds.

0:50:220:50:26

Roger was filming Octopussy.

0:50:260:50:30

No controversy about the word this time round(!)

0:50:300:50:33

And Sean, having said he would never play Bond again,

0:50:330:50:37

was shooting Never Say Never Again.

0:50:370:50:40

The screenplay was written by Porridge writers

0:50:410:50:44

Dick Clement and Ian La Frenais,

0:50:440:50:47

and featured such gems as Q's, "Good to see you, Mr Bond!

0:50:470:50:53

"Things have been awfully dull around here.

0:50:530:50:56

"Now that YOU'RE on this,

0:50:560:50:58

"I hope we're going to have some gratuitous sex and violence."

0:50:580:51:03

LAUGHTER

0:51:030:51:04

# Never

0:51:040:51:05

# Never say never again

0:51:050:51:08

# Never, never say never again

0:51:080:51:12

# You walk in a room

0:51:290:51:33

# A woman can feel the heat

0:51:330:51:36

# One look is a guarantee

0:51:360:51:39

# Nights will be long and sweet

0:51:390:51:43

# The message is clear

0:51:430:51:47

# Like nothing I've ever known

0:51:470:51:50

# But from all that I hear

0:51:500:51:53

# Forget about long-range plans

0:51:530:51:57

# Cos this man's got his own

0:51:570:52:00

# To get mixed up with

0:52:000:52:04

# A man who says never

0:52:040:52:09

# May be big trouble

0:52:090:52:13

# But then I just could be the woman to take you

0:52:130:52:21

# And make you never say never again

0:52:230:52:27

# Never, never say never again

0:52:270:52:31

# Never, never say never again

0:52:310:52:34

# Never, never say never again

0:52:340:52:38

# Never, never say never again

0:52:380:52:41

# You've got all the moves

0:52:410:52:45

# But baby I've got them too

0:52:450:52:48

# No matter your attitude or your mood I'll come through

0:52:480:52:55

# The touch of your voice

0:52:550:52:59

# The feel of your eyes on me

0:52:590:53:02

# You give me no choice

0:53:020:53:06

# I know that there's danger there

0:53:060:53:08

# I don't care, let it be

0:53:080:53:12

# To get it bad with a man who says never

0:53:120:53:20

# May have no future but then

0:53:210:53:27

# I just could be the woman to make you

0:53:270:53:34

# And take you

0:53:340:53:36

# Never say never again

0:53:360:53:40

# I'll beg you

0:53:400:53:42

# I'll get you

0:53:420:53:44

# I'll make you

0:53:440:53:46

# I'll take you

0:53:460:53:47

# I'll reach you

0:53:470:53:49

# I'll teach you. #

0:53:490:53:54

APPLAUSE

0:53:580:54:02

Now, Timothy Dalton took up the baton from Roger Moore

0:54:080:54:13

in The Living Daylights.

0:54:130:54:16

Back to cigarettes, back to the Aston Martin,

0:54:160:54:19

out with the cigar and, strangely for Bond,

0:54:190:54:23

far more chaste - that's spelt with a "T".

0:54:230:54:27

# Hey driver, where we going?

0:54:390:54:43

# I swear my nerves are showing

0:54:430:54:47

# Set your hopes up way too high

0:54:470:54:50

# The living's in the way we die

0:54:500:54:56

# Comes the morning and the headlight fades away

0:55:000:55:06

# 100,000 people I'm the one they frame

0:55:080:55:13

# I've been waiting long for one of us to say

0:55:140:55:20

# Save the darkness Let it never fade away

0:55:210:55:28

# The living daylights

0:55:280:55:30

# Hey, the living daylights

0:55:330:55:39

# All right, hold on tight now

0:55:440:55:47

# It's down, down to the wire

0:55:470:55:50

# Get my hopes way too high

0:55:500:55:53

# The living's in the way we die

0:55:530:56:00

# Comes the morning and the headlight fades away

0:56:040:56:10

# 100,000 people I'm the one they blame

0:56:110:56:18

# I've been waiting long For one of us to say

0:56:180:56:25

# Save the darkness Let it never fade away-y-y

0:56:250:56:32

# The living daylights

0:56:320:56:34

# Hey, the living daylights

0:56:360:56:43

# Hey, the living daylights

0:56:430:56:50

# Comes the morning and the daylight fades away

0:57:180:57:25

# A hundred thousand people I'm the one they blame

0:57:250:57:32

# The living daylights

0:57:320:57:34

# Hey, the living daylights

0:57:360:57:44

# The living daylights

0:57:460:57:49

# The living daylights

0:57:490:57:53

# The living daylights. #

0:57:530:57:59

APPLAUSE

0:58:030:58:06

Timothy Dalton's following film, A Licence to Kill,

0:58:110:58:16

was originally called Licence Revoked.

0:58:160:58:20

Rather apt as, for legal reasons,

0:58:200:58:22

it was the last we would see of Bond for six years

0:58:220:58:26

and Timothy Dalton was to relinquish his licence for good.

0:58:260:58:31

Desmond "Q" Llewelyn plays his biggest ever role in a Bond film,

0:58:320:58:37

as 007 resigns from MI6

0:58:370:58:41

and is forced to become a rogue agent.

0:58:410:58:44

Q surreptitiously arms his former colleague,

0:58:440:58:48

flying in with more and more gadgets.

0:58:480:58:51

How did he get them through customs?

0:58:510:58:53

LAUGHTER

0:58:530:58:55

# Ooh

0:59:080:59:12

# Ooh-ooh-ooh hoo-hoo-hoo

0:59:120:59:15

# Oh oh-whoa

0:59:180:59:22

# Oh, I feel I've got to hold on to your love

0:59:240:59:31

# Ooh

0:59:310:59:32

# Hey baby

0:59:340:59:36

# Thought you were the one who tried to run away

0:59:360:59:42

# Oh, baby

0:59:460:59:48

# Wasn't I the one who made you want to you stay?

0:59:480:59:56

# Please don't bet that you'll ever escape me

0:59:571:00:03

# Once I get my sights on you

1:00:031:00:06

# Got a licence to kill

1:00:061:00:10

# And you know I'm going straight for your heart

1:00:101:00:16

# Got a licence to kill

1:00:191:00:22

# Anyone who tries to tear us apart

1:00:221:00:29

# Ooh licence to kill

1:00:321:00:38

# Oh whoa-ho-oh-oh

1:00:411:00:45

# Hey baby

1:00:471:00:50

# I think you need a friend to stand up by your side

1:00:501:00:56

# Yes you do now

1:00:561:00:57

# Oh, baby

1:01:001:01:02

# Now you can depend on me to make things right

1:01:021:01:09

# Please don't bet that you'll ever escape me

1:01:111:01:16

# Once I get my sights on you

1:01:171:01:20

# Got a licence to kill

1:01:201:01:24

# And you know I'm going straight for your heart

1:01:241:01:30

# Got a licence to kill

1:01:331:01:36

# Anyone who tries to tear us apart

1:01:361:01:42

# I've got a licence to kill

1:01:451:01:48

# And you know I'm going straight for your heart

1:01:481:01:55

# Oh-oh yeah

1:01:561:01:57

# Got a licence to kill anyone who tries to tear us apart

1:01:571:02:08

# Say that somebody tries to make a move on you

1:02:111:02:14

# In the blink of an eye I will be there too

1:02:171:02:21

# You better know why I'm gonna make them pay

1:02:231:02:29

# Until their dying day

1:02:291:02:32

# Until their dying day

1:02:321:02:34

# Until their dying day

1:02:351:02:40

# Oh-ah-oh

1:02:401:02:44

# Got a licence to kill and you know I'm going straight for your heart

1:02:441:02:53

# Got a licence to kill anyone who tries to tear us apart

1:02:561:03:05

# Got a licence to kill

1:03:091:03:12

# And you know I'm going straight for your heart

1:03:121:03:19

# Got a licence to kill anyone who tries to tear us apart

1:03:211:03:31

# Ooh-ooh woo-woo-woo

1:03:341:03:37

# Licence to kill

1:03:371:03:43

# Oh you know I gotta hold on

1:03:451:03:49

# I've got a licence to kill

1:03:491:03:53

(# Kill, kill, kill, kill... #)

1:03:581:04:01

APPLAUSE

1:04:011:04:04

By mutual agreement, Dalton withdrew from the Bond role -

1:04:151:04:21

Pierce Brosnan became Bond.

1:04:211:04:24

In a revolutionary move,

1:04:241:04:26

Judi Dench had become M, the head of the Secret Service

1:04:261:04:31

and Samantha Bond was playing Moneypenny in a new look James Bond.

1:04:311:04:37

# See reflections on the water

1:05:011:05:05

# More than darkness in the depths

1:05:051:05:10

# See him surface in every shadow

1:05:101:05:14

# On the wind I feel his breath

1:05:141:05:19

# Goldeneye I found his weakness

1:05:191:05:24

# Goldeneye he'll do what I please

1:05:241:05:28

# Goldeneye no time for weakness

1:05:281:05:32

# But a bitter kiss will bring him to his knees

1:05:321:05:37

# You'll never know how I watched you from the shadows as a child

1:05:371:05:45

# You'll never know how it feels to be the one who's left behind

1:05:471:05:56

# And you'll never know the days

1:05:561:06:00

# The nights, the tears The tears I've cried

1:06:001:06:06

# But now my time has come and time Time is not on your side

1:06:061:06:15

# See him move through smoke and mirrors

1:06:191:06:23

# Feel his presence in the crowd

1:06:231:06:28

# Other girls they gather around him

1:06:281:06:32

# If I had him I wouldn't let him out

1:06:321:06:37

# Goldeneye not lace or leather

1:06:371:06:41

# Golden chains take him to the spot

1:06:411:06:46

# Goldeneye I'll show him forever

1:06:461:06:50

# It'll take forever to see what I've got

1:06:501:06:55

# You'll never know how I watched you from the shadows as a child

1:06:551:07:03

# And you'll never know how it feels to be so close and be denied

1:07:051:07:13

# It's a golden honey trap

1:07:141:07:17

# I've got for you tonight

1:07:171:07:22

# Revenge it's a kiss This time I won't miss

1:07:221:07:26

# Now I've got you in my sight

1:07:261:07:32

# With a Goldeneye

1:07:351:07:39

# Golden, goldeneye

1:07:391:07:43

# With a goldeneye

1:07:441:07:46

# Goldeneye

1:07:481:07:51

# With a goldeneye. #

1:07:521:07:56

APPLAUSE

1:07:561:07:58

Brosnan had revitalised the Bond franchise

1:08:081:08:13

but a series of painful injuries had taken their toll on the star.

1:08:131:08:18

Like Frank Spencer, he did all his own stunts -

1:08:181:08:23

so did I in The Avengers, if your memory's long enough!

1:08:231:08:26

LAUGHTER AND APPLAUSE

1:08:261:08:27

So...

1:08:271:08:29

CHEERING AND APPLAUSE

1:08:291:08:31

So what would it take for him to continue reprising the role?

1:08:341:08:38

Well, frankly, there are occasions where the world is not enough.

1:08:381:08:44

# I know how to hurt

1:09:061:09:09

# And I know how to heal

1:09:111:09:15

# I know what to show and what to conceal

1:09:161:09:23

# I know when to talk

1:09:261:09:29

# And I know when to touch

1:09:301:09:34

# No-one ever died from wanting too much

1:09:361:09:43

# The world is not enough

1:09:431:09:46

# But it is such a perfect place to start, my love

1:09:481:09:53

# And if you're strong enough

1:09:531:09:57

# Together we can take the world apart, my love

1:09:571:10:04

# People like us

1:10:061:10:08

# Know how to survive

1:10:101:10:14

# There's no point in living

1:10:151:10:18

# If you can't feel alive

1:10:181:10:22

# We know when to kiss

1:10:251:10:29

# And we know when to kill

1:10:301:10:34

# If we can't have it all

1:10:351:10:37

# Then nobody will

1:10:371:10:42

# The world is not enough

1:10:421:10:46

# But it is such a perfect place to start, my love

1:10:471:10:53

# And if you're strong enough

1:10:531:10:56

# Together we can take the world apart, my love

1:10:561:11:03

# I feel safe

1:11:051:11:08

# I feel scared

1:11:091:11:13

# I feel ready

1:11:141:11:19

# And yet unprepared

1:11:191:11:21

# The world is not enough

1:11:211:11:26

But it is such a perfect place to start, my love

1:11:261:11:32

# And if you're strong enough

1:11:321:11:35

# Together we can take the world apart, my love

1:11:351:11:41

# The world is not enough

1:11:411:11:46

# The world is not enough

1:11:461:11:50

# No nowhere, not enough

1:11:501:11:56

# The world is not enough. #

1:11:561:12:03

APPLAUSE

1:14:061:14:09

That song was Madonna's sterling contribution to 'Die Another Day'.

1:14:111:14:16

Now came the time to redeem the one that got away. 'Casino Royale'.

1:14:181:14:22

And the time to find a new Bond.

1:14:231:14:26

But who could be next to play the tall, dark, handsome spy?

1:14:271:14:31

From Connery to Moore, Lazenby to Dalton,

1:14:331:14:37

from Pierce to piercing blue eyes.

1:14:371:14:41

Daniel Craig took the crown.

1:14:411:14:44

And for the first time in history, Bond is blonde.

1:14:441:14:49

-LAUGHTER

-But oh, so buffed!

1:14:491:14:52

LAUGHTER

1:14:521:14:54

APPLAUSE

1:17:531:17:56

'Another Way To Die' opens the 2008 Bond film, 'Quantum of Solace'.

1:18:111:18:19

And die it would have done if left to the reviewers.

1:18:201:18:24

Universally slated by the press, and yet loved by the public,

1:18:241:18:29

making this the biggest box-office hit of any Bond film in history.

1:18:291:18:34

-Until now!

-LAUGHTER

1:18:351:18:38

# Another ringer With the slick trigger finger

1:19:191:19:22

# For Her Majesty

1:19:221:19:24

# Another one with the golden tongue

1:19:261:19:29

# Poisoning your fantasy

1:19:291:19:31

# Another bill from a killer Turned thriller

1:19:321:19:36

# To a tragedy

1:19:361:19:37

# A door left open A woman walking by

1:19:371:19:41

# A drop in the water A look in your eye

1:19:411:19:44

# A phone on the table A man on your side

1:19:441:19:48

# Or someone that you think That you can trust

1:19:481:19:50

# It's just another way to die

1:19:501:19:54

# Mmm, mmm, mmm

1:19:591:20:03

# Mmm, mmm, mmm

1:20:051:20:10

# Another tricky little gun Giving solace to the one

1:20:121:20:15

# That'll never see the sun shine

1:20:151:20:19

# Another inch of your life Sacrificed for your brother

1:20:191:20:23

# In the nick of time

1:20:231:20:25

# Another dirty money Heaven sent honey

1:20:251:20:28

# Turning on a dime

1:20:281:20:30

# A door left open A woman walking by

1:20:301:20:34

# A drop in the water A look in your eye

1:20:341:20:37

# A phone on the table A man on your side

1:20:371:20:41

# Or someone that you think That you can trust

1:20:411:20:44

# It's just another way to die

1:20:441:20:48

# You got to do or die

1:20:501:20:53

# Just another way

1:20:531:20:57

# Shoot 'em, bang, bang

1:21:001:21:02

# Another way

1:21:021:21:04

# Oh-oh-oh-oh-oh-oh-oh

1:21:041:21:06

# Oh-oh-oh-oh-oh-oh

1:21:061:21:09

# Oh-oh-oh-oh-oh-oh

1:21:091:21:13

# Oh-oh-oh-oh-oh-oh

1:21:131:21:19

# Oh

1:21:221:21:23

# Oh

1:21:251:21:27

# Oh

1:21:281:21:29

# Oh-oh-oh-oh-oh

1:21:291:21:31

# Another girl with her finger On the world

1:21:311:21:34

# Singing to you What you want to hear

1:21:341:21:37

# Another gun thrown down In surrender

1:21:371:21:41

# Took away your fear

1:21:411:21:42

# Another man there he stands Right behind you

1:21:441:21:47

# Looking in the mirror

1:21:471:21:49

# Yeah

1:21:491:21:50

# A door left open A woman walking by

1:21:501:21:53

# A drop in the water A look in your eye

1:21:531:21:56

# A phone on the table A man on your side

1:21:561:22:00

# Or someone that you think That you can trust

1:22:001:22:03

# It's just another way to die

1:22:031:22:08

# Is there another way

1:22:101:22:12

# Shoot 'em up, bang, bang

1:22:151:22:17

# Another way

1:22:171:22:19

# Hey

1:22:191:22:21

# Yeah

1:22:231:22:25

# Hey

1:22:261:22:29

# Oooh

1:22:291:22:30

# Another way to die Another way to die

1:22:301:22:34

# Another way Another way

1:22:341:22:37

# Another way

1:22:371:22:38

# Shoot 'em down, bang, bang

1:22:381:22:40

# Another way to die Another way to die. #

1:22:401:22:43

APPLAUSE

1:22:451:22:47

Eagerly anticipating Daniel Craig's third Bond film,

1:22:591:23:03

there seemed nowhere to go but up.

1:23:031:23:06

The stars were signed, the sets were designed,

1:23:071:23:11

but the MGM lion failed to roar.

1:23:111:23:14

As bankruptcy approached as fast as a laser to the groin...

1:23:141:23:18

LAUGHTER

1:23:181:23:20

..would the Bond franchise live to die another day?

1:23:201:23:23

To the rescue came Spyglass Entertainment

1:23:251:23:29

and MGM was bailed out.

1:23:291:23:31

And so James Bond survived his sky fall.

1:23:321:23:35

# This is the end

1:24:091:24:13

# Hold your breath and count to ten

1:24:151:24:20

# Feel the earth move and then

1:24:221:24:27

# Hear my heart burst again

1:24:291:24:37

# For this is the end

1:24:371:24:40

# I've drowned and dreamt this moment

1:24:421:24:47

# So overdue I owe them

1:24:491:24:55

# Swept away

1:24:571:24:59

# I'm stolen

1:24:591:25:05

# Let the sky fall

1:25:051:25:08

# When it crumbles

1:25:081:25:11

# We will stand tall

1:25:111:25:14

# And face it all together

1:25:141:25:17

# Let the sky fall

1:25:171:25:21

# When it crumbles

1:25:211:25:24

# We will stand tall

1:25:241:25:27

# And face it all together

1:25:271:25:30

# At skyfall

1:25:301:25:34

# At skyfall

1:25:371:25:41

# Skyfall is where it starts

1:25:441:25:47

# A thousand miles and poles apart

1:25:501:25:55

# Where worlds collide And days are dark

1:25:561:26:00

# You may have my number, they may take my name

1:26:001:26:06

# But they'll never have my heart

1:26:061:26:10

# Let the sky fall

1:26:101:26:13

# When it crumbles

1:26:131:26:17

# We will stand tall

1:26:171:26:20

# And face it all together

1:26:201:26:24

# Let the sky fall

1:26:241:26:27

# When it crumbles

1:26:271:26:30

# We will stand tall

1:26:301:26:33

# And face it all together

1:26:331:26:37

# At skyfall

1:26:371:26:41

# Let the sky fall

1:26:521:26:56

# When it crumbles

1:26:561:26:59

# We will stand tall

1:26:591:27:01

# Where you go I go

1:27:031:27:06

# What you see I see

1:27:061:27:09

# I know I'd never be me

1:27:091:27:13

# Without the security

1:27:131:27:17

# Of your loving arms

1:27:171:27:20

# Keeping me from harm

1:27:201:27:23

# Put your hand in my hand

1:27:231:27:26

# And we'll stand

1:27:261:27:30

# Let the sky fall

1:27:301:27:33

# When it crumbles

1:27:331:27:35

# We will stand tall

1:27:351:27:39

# And face it all together

1:27:391:27:42

# Let the sky fall

1:27:421:27:46

# When it crumbles

1:27:461:27:49

# We will stand tall

1:27:491:27:52

# And face it all together

1:27:521:27:54

# At skyfall

1:27:541:27:57

# Let the sky fall

1:27:571:28:00

# We will stand tall

1:28:031:28:08

# At skyfall

1:28:081:28:19

# Oooh-oooh-oooh-oooh

1:28:211:28:25

# Oooh-oooh-oooh-oooh

1:28:251:28:32

APPLAUSE

1:28:371:28:40

Subtitles by Red Bee Media Ltd

1:29:091:29:11

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