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APPLAUSE | 0:00:02 | 0:00:04 | |
CHEERING AND APPLAUSE | 0:00:18 | 0:00:21 | |
President, Your Highnesses, | 0:00:21 | 0:00:24 | |
Excellencies, Ministers and, as the rest of us are known, | 0:00:24 | 0:00:28 | |
ladies and gentlemen. | 0:00:28 | 0:00:30 | |
Welcome! | 0:00:30 | 0:00:31 | |
CHEERING AND APPLAUSE | 0:00:31 | 0:00:34 | |
The title of this evening's event is Ceiliuradh, | 0:00:34 | 0:00:37 | |
which translates as celebration. | 0:00:37 | 0:00:41 | |
It'll be a celebration of Irish creativity | 0:00:41 | 0:00:43 | |
in one of the homes of British creativity, | 0:00:43 | 0:00:46 | |
with the spirit of collaboration | 0:00:46 | 0:00:47 | |
at the heart of everything you see and hear tonight. | 0:00:47 | 0:00:51 | |
We're here on this historic occasion of the first-ever state visit | 0:00:52 | 0:00:55 | |
of the President of Ireland to Great Britain. | 0:00:55 | 0:00:58 | |
This is the final evening... You should "whoo"! | 0:00:58 | 0:01:01 | |
CHEERING AND APPLAUSE | 0:01:01 | 0:01:04 | |
The list of Irish artists who have made their way here | 0:01:11 | 0:01:14 | |
is a long and distinguished one. | 0:01:14 | 0:01:16 | |
It continues to lengthen. | 0:01:16 | 0:01:17 | |
It includes Irish musicians, comedians, | 0:01:17 | 0:01:20 | |
performers, | 0:01:20 | 0:01:22 | |
God help us, hosts... | 0:01:22 | 0:01:23 | |
LAUGHTER | 0:01:23 | 0:01:24 | |
..some of whom will celebrate our two countries' ties tonight. | 0:01:24 | 0:01:28 | |
I myself am a child of two fathers. | 0:01:28 | 0:01:30 | |
Dad, don't worry, I'll explain. | 0:01:30 | 0:01:32 | |
LAUGHTER | 0:01:32 | 0:01:34 | |
I was born here in Great Britain to Irish parents | 0:01:34 | 0:01:36 | |
who are here tonight. | 0:01:36 | 0:01:37 | |
In fact, I am reliably informed | 0:01:37 | 0:01:39 | |
I was "made in Ireland", whatever that means. | 0:01:39 | 0:01:41 | |
LAUGHTER AND APPLAUSE | 0:01:41 | 0:01:44 | |
As a child of two fathers, I think I am qualified to say the Irish | 0:01:49 | 0:01:52 | |
and the British have more in common than we both like to admit. | 0:01:52 | 0:01:55 | |
But that is what tonight is all about - | 0:01:55 | 0:01:57 | |
admitting it, embracing it, celebrating it, | 0:01:57 | 0:02:00 | |
and looking forward together. | 0:02:00 | 0:02:02 | |
Enjoy the evening. Thank you so much for celebrating with us. | 0:02:02 | 0:02:04 | |
Please welcome now Donal Lunny and his house band. | 0:02:04 | 0:02:08 | |
CHEERING AND APPLAUSE | 0:02:08 | 0:02:11 | |
# My heart tonight is far away across the rolling sea | 0:02:37 | 0:02:42 | |
# In the sweet Milltown Malbay | 0:02:42 | 0:02:45 | |
# And it's there I'd love to be | 0:02:45 | 0:02:49 | |
# So long ago and far away | 0:02:49 | 0:02:52 | |
# Nothing can compare | 0:02:52 | 0:02:54 | |
# And my heart's tonight in Ireland | 0:02:54 | 0:02:57 | |
# In the sweet County Clare | 0:02:57 | 0:03:00 | |
# In the town of Scariff the sun was shining in the sky | 0:03:03 | 0:03:07 | |
# When Willie Clancy played his pipes | 0:03:07 | 0:03:10 | |
# And the tears welled in my eyes | 0:03:10 | 0:03:14 | |
# Many years have passed and gone | 0:03:14 | 0:03:16 | |
# Since the times we had there | 0:03:16 | 0:03:19 | |
# But my heart's tonight in Ireland | 0:03:19 | 0:03:22 | |
# In the sweet County Clare | 0:03:22 | 0:03:26 | |
# My heart tonight is far away | 0:03:26 | 0:03:28 | |
# Across the rolling sea | 0:03:28 | 0:03:31 | |
# In the sweet Milltown Malbay | 0:03:31 | 0:03:34 | |
# And it's there I'd love to be | 0:03:34 | 0:03:38 | |
# So long ago and far away | 0:03:38 | 0:03:40 | |
# Nothing can compare | 0:03:40 | 0:03:43 | |
# My heart's tonight in Ireland | 0:03:43 | 0:03:45 | |
# In the sweet County Clare | 0:03:45 | 0:03:49 | |
# That August in Kilrush | 0:03:51 | 0:03:53 | |
# When the rain was lashing down | 0:03:53 | 0:03:56 | |
# And our hotel was that hay barn | 0:03:56 | 0:03:59 | |
# On the outskirts of town | 0:03:59 | 0:04:02 | |
# We were all sick and feverish | 0:04:02 | 0:04:05 | |
# And Dolan had the flu | 0:04:05 | 0:04:08 | |
# But Johnny produced some whiskey | 0:04:08 | 0:04:10 | |
# And the sun came shining through | 0:04:10 | 0:04:14 | |
# My heart tonight is far away | 0:04:14 | 0:04:17 | |
# Across the rolling sea | 0:04:17 | 0:04:20 | |
In the sweet Milltown Malbay | 0:04:20 | 0:04:22 | |
# And it's there I'd love to be | 0:04:22 | 0:04:26 | |
# So long ago and far away | 0:04:26 | 0:04:29 | |
# Nothing can compare | 0:04:29 | 0:04:31 | |
# My heart's tonight in Ireland | 0:04:31 | 0:04:34 | |
# In the sweet County Clare | 0:04:34 | 0:04:38 | |
# Those nights in Sixmilebridge | 0:04:39 | 0:04:42 | |
# When the music flowed | 0:04:42 | 0:04:45 | |
# And many was the time at night | 0:04:45 | 0:04:47 | |
# That lights were turned down low | 0:04:47 | 0:04:52 | |
# The sergeant from Kilkishen He would buy us all one more | 0:04:52 | 0:04:56 | |
# And we never left that pub before the clock was striking four | 0:04:56 | 0:05:02 | |
# Lahinch and Ennistymon | 0:05:31 | 0:05:33 | |
# Liscannor and Kilkee | 0:05:33 | 0:05:35 | |
# But best of all was Milltown | 0:05:35 | 0:05:38 | |
# When the music flowed so free | 0:05:38 | 0:05:42 | |
# Willie Clancy in the County Clare | 0:05:42 | 0:05:45 | |
# I'm ever in your debt | 0:05:45 | 0:05:47 | |
# For the sights and sounds of yesterday | 0:05:47 | 0:05:49 | |
# Are shining memories yet | 0:05:49 | 0:05:54 | |
# My heart tonight is far away | 0:05:54 | 0:05:56 | |
# Across the rolling sea | 0:05:56 | 0:05:59 | |
# In the sweet Milltown Malbay | 0:05:59 | 0:06:02 | |
# And it's there I'd love to be | 0:06:02 | 0:06:05 | |
# So long ago and far away | 0:06:05 | 0:06:08 | |
# Nothing can compare | 0:06:08 | 0:06:11 | |
# My heart's tonight in Ireland | 0:06:11 | 0:06:13 | |
# In the sweet County Clare | 0:06:13 | 0:06:18 | |
# In the days of Sweeney in the sweet County Clare. # | 0:06:18 | 0:06:24 | |
Whoo! | 0:06:48 | 0:06:49 | |
AUDIENCE CLAP IN RHYTHM | 0:06:54 | 0:06:55 | |
CHEERING AND APPLAUSE | 0:07:57 | 0:08:01 | |
Andy Irvine with My Heart's Tonight In Ireland. | 0:08:09 | 0:08:12 | |
CHEERING AND APPLAUSE | 0:08:12 | 0:08:14 | |
Will you please welcome a great Irish writer, | 0:08:14 | 0:08:17 | |
Mr Joseph O'Connor. | 0:08:17 | 0:08:18 | |
CHEERING AND APPLAUSE | 0:08:18 | 0:08:21 | |
July 1969 | 0:08:27 | 0:08:31 | |
I was aged 21 | 0:08:31 | 0:08:33 | |
Fought with the old lad for the length of me hair | 0:08:33 | 0:08:36 | |
Never said goodbye | 0:08:36 | 0:08:39 | |
Packed a rucksack with curses | 0:08:39 | 0:08:40 | |
and hitched the road to Dun Laoghaire Pier | 0:08:40 | 0:08:44 | |
and the boat train to Euston. | 0:08:44 | 0:08:46 | |
A cousin's digs in a Harrow Road boarding house | 0:08:46 | 0:08:49 | |
Lonesome after dark | 0:08:49 | 0:08:51 | |
Head full of wildfires and rock'n'roll London | 0:08:51 | 0:08:55 | |
Saw the Who live in Brixton | 0:08:55 | 0:08:57 | |
Saw the Stones in Hyde Park. | 0:08:57 | 0:09:01 | |
Poured Atlantics of concrete in Dalston and Hammersmith | 0:09:01 | 0:09:06 | |
The dance hall in Brixton | 0:09:06 | 0:09:08 | |
The chapel in Bow | 0:09:08 | 0:09:10 | |
Or the freeze of a south-east London morning | 0:09:10 | 0:09:13 | |
Digging trench tunnels in the Lewisham snow. | 0:09:13 | 0:09:17 | |
Remember me, brother | 0:09:17 | 0:09:19 | |
In Maida Vale, where I worked on the flats near the working man's hall | 0:09:19 | 0:09:24 | |
Donegal Tom and Roscommon Johnny Casey | 0:09:24 | 0:09:28 | |
Humming Roxy Music's The Thrill Of It All. | 0:09:28 | 0:09:32 | |
On our way to confession one Christmas Eve night | 0:09:32 | 0:09:35 | |
The Bethlehem stars over Kensington Gore | 0:09:35 | 0:09:39 | |
Punk girl was Irish | 0:09:39 | 0:09:41 | |
She begged us for a copper | 0:09:41 | 0:09:44 | |
Sang us the Gleanntain Ghlas Ghaoth Dobhair. | 0:09:44 | 0:09:48 | |
Then she pointed to a building all glittered in lights | 0:09:48 | 0:09:51 | |
Round as a cardinal Handsome and tall, said | 0:09:51 | 0:09:55 | |
"I think of John Lennon every time I pass it by | 0:09:55 | 0:09:59 | |
"And one night the Pride of Ireland's | 0:09:59 | 0:10:02 | |
"going to fill the Albert Hall." | 0:10:02 | 0:10:04 | |
CHEERING AND APPLAUSE | 0:10:04 | 0:10:07 | |
Ta ait i mo chroi do gach fear 's gach mnaoi | 0:10:13 | 0:10:17 | |
'S gach paiste beag agus mor | 0:10:17 | 0:10:19 | |
Ata beo go buan Gan bhuairt, gan ghruaim | 0:10:19 | 0:10:24 | |
Fa Ghleanntain Ghlas Ghaoth Dobhair. | 0:10:24 | 0:10:27 | |
Remember me, sister | 0:10:27 | 0:10:30 | |
In Stepney and Bayswater is all I ask | 0:10:30 | 0:10:34 | |
Without sorrow or hate | 0:10:34 | 0:10:36 | |
in Harwich and Deptford and Romford and Woolwich | 0:10:36 | 0:10:40 | |
In Canning Town, in New Cross Gate | 0:10:40 | 0:10:44 | |
Through the city of songs where the sweet Thames flows | 0:10:44 | 0:10:48 | |
For a London calling with lustre and light | 0:10:48 | 0:10:51 | |
From the Waterloo sunset to the rainy nights of Soho. | 0:10:51 | 0:10:56 | |
And down in the tube station at midnight | 0:10:56 | 0:11:00 | |
Where I drove their trains Where I hefted a pick | 0:11:00 | 0:11:04 | |
As my daughters taught their children or nursed their sick | 0:11:04 | 0:11:08 | |
Where Ireland married England So close for so long | 0:11:08 | 0:11:12 | |
Oh, for all my children | 0:11:12 | 0:11:15 | |
Paul Brady, sing my song. | 0:11:15 | 0:11:18 | |
CHEERING AND APPLAUSE | 0:11:18 | 0:11:22 | |
# Yeah | 0:11:27 | 0:11:31 | |
# Oh, oh-ho-ho | 0:11:31 | 0:11:33 | |
# Oh-oh-oh | 0:11:33 | 0:11:35 | |
# Well, I was just about 19 | 0:11:39 | 0:11:41 | |
# When I landed on the shore | 0:11:41 | 0:11:44 | |
# My eyes big as headlights | 0:11:44 | 0:11:46 | |
# Like the thousands and thousands who came before | 0:11:46 | 0:11:49 | |
# I was going to be something | 0:11:49 | 0:11:51 | |
# Smiled at the man scrutinising my face | 0:11:51 | 0:11:55 | |
# As I walked down off the gangway | 0:11:55 | 0:11:57 | |
# Came down to the city | 0:12:02 | 0:12:04 | |
# Where I worked for many's the year | 0:12:05 | 0:12:08 | |
# Built a hundred houses | 0:12:08 | 0:12:10 | |
I must've pulled half a million pints of beer | 0:12:10 | 0:12:12 | |
# Living under suspicion | 0:12:12 | 0:12:14 | |
# Putting up with the hatred and fear in their eyes | 0:12:14 | 0:12:18 | |
# You can see that you're nothing but a murderer | 0:12:18 | 0:12:20 | |
# Yeah, in their eyes, we're nothing but a bunch of murderers | 0:12:21 | 0:12:25 | |
# So, hey, Johnny Can't wait till Saturday night | 0:12:28 | 0:12:32 | |
# Got a thirst that's raging | 0:12:33 | 0:12:35 | |
# I know a place where we can put that right | 0:12:35 | 0:12:38 | |
# Wash away the frustrations | 0:12:38 | 0:12:41 | |
# Hose down these flames inside But look out... # | 0:12:41 | 0:12:44 | |
Yeah! | 0:12:45 | 0:12:46 | |
# I said, "Look out | 0:12:47 | 0:12:49 | |
# "Cos I'll tear you into pieces if you cross me | 0:12:49 | 0:12:51 | |
# "Don't come too close" | 0:12:54 | 0:12:56 | |
# I'm sick of watching them break up | 0:13:01 | 0:13:04 | |
# Every time some bird brain puts us down | 0:13:04 | 0:13:06 | |
# Making jokes on the radio Guess it helps them all drown out | 0:13:06 | 0:13:11 | |
# The sound of the crumbling foundations | 0:13:11 | 0:13:14 | |
# Any fool could see the writing's on the wall | 0:13:14 | 0:13:17 | |
# But they just don't believe that it is happening | 0:13:17 | 0:13:20 | |
# But there's a crowd says I'm all right | 0:13:24 | 0:13:27 | |
# They say they like my turn of phrase | 0:13:27 | 0:13:30 | |
# Take me round to their parties | 0:13:30 | 0:13:32 | |
# Like some dressed-up monkey in a cage | 0:13:32 | 0:13:35 | |
# And I play my accordion | 0:13:35 | 0:13:37 | |
# Whoa, but when the wine seeps through the facade | 0:13:37 | 0:13:41 | |
# It's nothing but the same old story | 0:13:41 | 0:13:43 | |
# You and I knew | 0:13:43 | 0:13:45 | |
# It's nothing but the same old story | 0:13:45 | 0:13:49 | |
# So, hey, Johnny | 0:13:51 | 0:13:52 | |
# Can't wait till Saturday night | 0:13:52 | 0:13:54 | |
# Got a thirst that's raging | 0:13:55 | 0:13:58 | |
# I know a place where we can put that right | 0:13:58 | 0:14:01 | |
# Wash away the confusion | 0:14:01 | 0:14:03 | |
# Hose down these flames inside But look out | 0:14:03 | 0:14:06 | |
# Yeah | 0:14:09 | 0:14:10 | |
# I said, "Look out | 0:14:10 | 0:14:11 | |
# "Cos I'll tear you into pieces if you cross me" | 0:14:11 | 0:14:14 | |
# Yeah | 0:14:19 | 0:14:20 | |
# I got a brother in Boston | 0:14:29 | 0:14:31 | |
# He said he'd send me on the fare | 0:14:31 | 0:14:34 | |
# Just wrote me a letter | 0:14:34 | 0:14:37 | |
# Making out that he's cleaning up out there | 0:14:37 | 0:14:40 | |
# Three cars in the driveway | 0:14:40 | 0:14:42 | |
# Summer house way down on the Cape And I know | 0:14:42 | 0:14:45 | |
# He'll fix me up in the morning | 0:14:45 | 0:14:47 | |
# My brother | 0:14:50 | 0:14:51 | |
# Well, I've been thinking about it | 0:14:57 | 0:14:59 | |
# But it seems so far to go | 0:15:00 | 0:15:02 | |
# People say in the winter | 0:15:02 | 0:15:05 | |
# You get lost underneath the snow | 0:15:05 | 0:15:07 | |
# And there's this girl from my home place | 0:15:07 | 0:15:10 | |
# We've been planning to move back and give it a try | 0:15:10 | 0:15:13 | |
# So I never got around to going | 0:15:14 | 0:15:16 | |
# That's right I never got around to going | 0:15:18 | 0:15:22 | |
# So, hey, Johnny | 0:15:24 | 0:15:26 | |
# Can't wait till Saturday night | 0:15:26 | 0:15:28 | |
# Got a thirst that's raging | 0:15:28 | 0:15:31 | |
# I know a place where we can put that right | 0:15:31 | 0:15:34 | |
# Wash away the frustrations | 0:15:34 | 0:15:36 | |
# Hose down these flames inside But look out | 0:15:36 | 0:15:39 | |
# Yeah | 0:15:42 | 0:15:44 | |
# I said look out | 0:15:44 | 0:15:46 | |
# Don't come too close | 0:15:46 | 0:15:47 | |
# Hey, ho-ho-oh-ho | 0:15:49 | 0:15:53 | |
# Yeah | 0:15:53 | 0:15:54 | |
# Yeah | 0:15:59 | 0:16:00 | |
# Ni-no, ni-no | 0:16:01 | 0:16:04 | |
# I said look out. # | 0:16:06 | 0:16:08 | |
CHEERING AND APPLAUSE | 0:16:08 | 0:16:11 | |
Great stuff! Paul Brady. | 0:16:20 | 0:16:23 | |
# Do you remember we traipsed around | 0:16:41 | 0:16:46 | |
# From pub to pound shop through Kentish Town | 0:16:46 | 0:16:50 | |
# Only a fiver to our name | 0:16:50 | 0:16:56 | |
# The drunk on the doorstep had more to our shame | 0:16:56 | 0:17:01 | |
# Living over the offy | 0:17:01 | 0:17:03 | |
# Had its trials | 0:17:03 | 0:17:06 | |
# The fights all night out there and inside | 0:17:06 | 0:17:10 | |
# And those stews that lasted three days into four | 0:17:10 | 0:17:15 | |
# And the dreaded bailiffs return to our door | 0:17:15 | 0:17:20 | |
# But we stuck with each other | 0:17:20 | 0:17:23 | |
# With all our might | 0:17:23 | 0:17:25 | |
# We pulled it together | 0:17:25 | 0:17:28 | |
# And held on tight | 0:17:28 | 0:17:30 | |
# And I'm glad for us | 0:17:30 | 0:17:32 | |
# Yeah, I'm glad, mo chroi | 0:17:32 | 0:17:35 | |
# But it's nothing to anyone except you and me | 0:17:35 | 0:17:41 | |
# There are wrongs for every right | 0:17:41 | 0:17:46 | |
# There's ups and there's downs | 0:17:46 | 0:17:50 | |
# But you're the one for all my life | 0:17:50 | 0:17:55 | |
# My true love I have found | 0:17:55 | 0:17:59 | |
# Yeah | 0:17:59 | 0:18:01 | |
# You, my love, I've found | 0:18:01 | 0:18:05 | |
# I watched the moon cover the might of the sun | 0:18:08 | 0:18:13 | |
# The weird evening light at a quarter past one | 0:18:13 | 0:18:17 | |
# And I knew in my head as you lay in our bed | 0:18:17 | 0:18:22 | |
# You'd stay in my heart till the day I was dead | 0:18:22 | 0:18:28 | |
# We killed each other then loved in time | 0:18:28 | 0:18:33 | |
# And laughed till we almost cried | 0:18:33 | 0:18:37 | |
# Yeah, we cried as well when it all went to hell | 0:18:37 | 0:18:43 | |
# And my heart it broke till I swear I died | 0:18:43 | 0:18:47 | |
# But we stuck with each other with all our might | 0:18:47 | 0:18:53 | |
# We pulled it together and held on tight | 0:18:53 | 0:18:58 | |
# And I'm glad for us Yeah, I'm glad, mo chroi | 0:18:58 | 0:19:02 | |
# But it's nothing to anyone except you and me | 0:19:02 | 0:19:08 | |
# There are wrongs for every right | 0:19:08 | 0:19:13 | |
# There's ups and there's downs | 0:19:13 | 0:19:17 | |
# But you're the one for all my life | 0:19:17 | 0:19:22 | |
# My true love I have found | 0:19:22 | 0:19:27 | |
# Yeah, you, my love, I've found | 0:19:27 | 0:19:32 | |
# Oh, you're good at the things that I'm hopeless at | 0:19:54 | 0:20:00 | |
# And I notice what you ignore | 0:20:00 | 0:20:04 | |
# But it's when I see you're not perfect for me | 0:20:04 | 0:20:10 | |
# It's then I love you more and more | 0:20:10 | 0:20:15 | |
# Oh, we stuck with each other with all our might | 0:20:15 | 0:20:20 | |
# We pulled it together and held on tight | 0:20:20 | 0:20:24 | |
# And I'm glad for us Yeah, I'm glad, mo chroi | 0:20:24 | 0:20:29 | |
# But it's nothing to anyone except you and me | 0:20:29 | 0:20:35 | |
# There are wrongs for every right | 0:20:35 | 0:20:40 | |
# There's ups and there's downs | 0:20:40 | 0:20:44 | |
# But you're the one for all my life | 0:20:44 | 0:20:49 | |
# My true love I have found | 0:20:49 | 0:20:53 | |
# Yeah, you, my love, I've found | 0:20:53 | 0:20:58 | |
# Oh, there are wrongs for every right | 0:20:58 | 0:21:04 | |
# There's ups and there's downs | 0:21:04 | 0:21:08 | |
# Oh, but you're the one for all my life | 0:21:08 | 0:21:15 | |
# My true love I have found | 0:21:15 | 0:21:18 | |
# Yeah, you, my love, I've found | 0:21:18 | 0:21:24 | |
# Doo doo-doo-doo-doo doo-doo. # | 0:21:27 | 0:21:33 | |
CHEERING AND APPLAUSE | 0:21:33 | 0:21:36 | |
SHE SPEAKS IRISH | 0:21:36 | 0:21:39 | |
The amazing legend that is John Sheahan. | 0:21:39 | 0:21:43 | |
# Doo-doo-doo doo-doo-doo | 0:22:02 | 0:22:05 | |
# Doo-doo-doo doo-doo-doo | 0:22:05 | 0:22:08 | |
# Doo-doo-doo doo-doo-doo | 0:22:08 | 0:22:11 | |
# Doo | 0:22:11 | 0:22:13 | |
# My thoughts are dark and empty | 0:22:13 | 0:22:16 | |
# I'm not crying out loud | 0:22:16 | 0:22:19 | |
# Don't know what am I asking for if an answer can't be found | 0:22:19 | 0:22:24 | |
# The loneliness is killing though there's someone in my bed | 0:22:24 | 0:22:30 | |
# There's only so much living and I fear I could be dead | 0:22:30 | 0:22:35 | |
# But they're standing at my window when the night seems like it's won | 0:22:35 | 0:22:41 | |
# And everything seems brighter with the sign of the sun | 0:22:41 | 0:22:48 | |
# And I said Oh, my God, it's good to be alive | 0:22:48 | 0:22:52 | |
# Oh, my God, it's good to be alive | 0:22:52 | 0:22:54 | |
# I know one thing for sure is that I love today | 0:22:54 | 0:22:58 | |
# Yeah, it's good to be alive, yeah | 0:22:58 | 0:23:00 | |
# Yeah, yeah | 0:23:00 | 0:23:03 | |
# Mm, yeah | 0:23:04 | 0:23:05 | |
# Things are looking up for me | 0:23:05 | 0:23:08 | |
# When the clock keeps ticking on | 0:23:08 | 0:23:10 | |
# Oh, holding on to time gone by | 0:23:10 | 0:23:14 | |
# Clinging to a song | 0:23:14 | 0:23:16 | |
# To pull me through with every word | 0:23:16 | 0:23:19 | |
# Or rock me with a tune | 0:23:19 | 0:23:22 | |
# And hold my hand, but the shadow man is lying in my room | 0:23:22 | 0:23:27 | |
# But they're standing at my window when the night seems like it's broke | 0:23:27 | 0:23:33 | |
# And everything seems brighter with the sign of the sun | 0:23:33 | 0:23:38 | |
# And I said Oh, my God, it's good to be alive | 0:23:38 | 0:23:43 | |
# Oh, my God, it's good to be alive | 0:23:43 | 0:23:46 | |
# I know one thing for sure is that I love today | 0:23:46 | 0:23:49 | |
# Yeah, it's good to be alive, yeah | 0:23:49 | 0:23:53 | |
# Yeah, yeah, yeah! Yeah! | 0:24:08 | 0:24:11 | |
# Doo-doo-doo doo-doo-doo | 0:24:25 | 0:24:28 | |
# Doo-doo-doo doo-doo-doo | 0:24:28 | 0:24:30 | |
# Lying in my bedroom My eyes are wide awake | 0:24:30 | 0:24:35 | |
# My body's died and given up Oh, for heaven's sake | 0:24:35 | 0:24:41 | |
# Won't you please send me a little sleep | 0:24:41 | 0:24:44 | |
# To ease my worried mind | 0:24:44 | 0:24:47 | |
# I'm losing rationality that I won't know how to find | 0:24:47 | 0:24:53 | |
# But they're standing out my window when the night seems like it's broke | 0:24:53 | 0:24:58 | |
# And everything seems brighter with the sign of the sun | 0:24:58 | 0:25:03 | |
# And I said Oh, my God, it's good to be alive | 0:25:05 | 0:25:08 | |
# Oh, my God, it's good to be alive | 0:25:08 | 0:25:11 | |
# I know one thing for sure is that I love today | 0:25:11 | 0:25:15 | |
# Yeah, it's good to be alive | 0:25:15 | 0:25:17 | |
# Oh, my God, it's good to be alive | 0:25:17 | 0:25:20 | |
# Oh, my God, it's good to be alive | 0:25:20 | 0:25:22 | |
# I know one thing for sure is that I love today | 0:25:22 | 0:25:26 | |
# Yeah, it's good to be alive, yeah | 0:25:26 | 0:25:29 | |
# It's good to be alive | 0:25:29 | 0:25:32 | |
# It's good to be alive | 0:25:32 | 0:25:34 | |
# Yeah, yeah, yeah, yeah | 0:25:34 | 0:25:37 | |
# Yeah, yeah, yeah. # | 0:25:37 | 0:25:39 | |
APPLAUSE AND CHEERING | 0:25:40 | 0:25:43 | |
Thank you very much. It's good to be alive on a night like this, isn't it? | 0:25:47 | 0:25:51 | |
Thank you. | 0:25:53 | 0:25:54 | |
OK, and time for a dance. | 0:25:59 | 0:26:02 | |
AUDIENCE CLAP IN RHYTHM | 0:26:11 | 0:26:13 | |
CHEERING | 0:27:48 | 0:27:51 | |
CHEERING | 0:30:05 | 0:30:07 | |
Incredible dancing from Caitlin, Seo, Michael and Ellie! | 0:30:19 | 0:30:24 | |
Great stuff. | 0:30:24 | 0:30:26 | |
OK, I'd like to introduce you now to a great musician | 0:30:26 | 0:30:29 | |
and a brilliant songwriter. | 0:30:29 | 0:30:31 | |
He's been on my BBC Radio 2 show many times, | 0:30:31 | 0:30:33 | |
twice nominated for a Mercury Music Prize. | 0:30:33 | 0:30:36 | |
Please welcome, singing My Lighthouse, Villagers, | 0:30:36 | 0:30:39 | |
otherwise known as Conor O'Brien. | 0:30:39 | 0:30:41 | |
CHEERING AND APPLAUSE | 0:30:41 | 0:30:44 | |
# You are needing a friend | 0:31:01 | 0:31:04 | |
# For to follow, for to fend | 0:31:06 | 0:31:10 | |
# And I haven't got a clue | 0:31:13 | 0:31:17 | |
# If I'm getting through to you | 0:31:19 | 0:31:24 | |
# My lighthouse | 0:31:24 | 0:31:28 | |
# In the violent moonlight | 0:31:32 | 0:31:36 | |
# I am searching the tide | 0:31:39 | 0:31:42 | |
# In a vessel, in the storm | 0:31:44 | 0:31:50 | |
# And you're the kind host in the port | 0:31:50 | 0:31:55 | |
# My lighthouse | 0:31:57 | 0:31:59 | |
# And we'll be there to right our wrongs | 0:32:03 | 0:32:10 | |
# In the time it took to write this song | 0:32:10 | 0:32:16 | |
# And we'll beat the ghost with our bare hands | 0:32:16 | 0:32:23 | |
# And we'll skin the corpse and we'll love and laugh | 0:32:23 | 0:32:29 | |
# And we'll dance all everlasting day | 0:32:29 | 0:32:36 | |
# And you'll sing to me everything I meant to say | 0:32:36 | 0:32:43 | |
# And we'll drink to the gentle, and meek and the kind | 0:32:43 | 0:32:50 | |
# And the funny little flaws in this earthly design | 0:32:50 | 0:32:57 | |
# From the Reeperbahn to the Sundarban | 0:32:57 | 0:33:04 | |
# I will heed your call from the dust and the sand | 0:33:04 | 0:33:10 | |
# And I'll save all my stories for thee. # | 0:33:10 | 0:33:20 | |
CHEERING AND APPLAUSE | 0:33:24 | 0:33:27 | |
And now, ladies and gentlemen, it gives me great pleasure | 0:33:37 | 0:33:40 | |
to welcome to the stage one of my favourite songwriters | 0:33:40 | 0:33:43 | |
of all time, Mr Elvis Costello. | 0:33:43 | 0:33:46 | |
CHEERING | 0:33:46 | 0:33:48 | |
# Is it worth it? | 0:34:15 | 0:34:17 | |
# A new winter coat and shoes for the wife | 0:34:19 | 0:34:26 | |
# And a bicycle on the boy's birthday | 0:34:28 | 0:34:33 | |
# It's just a rumour that was spread around town | 0:34:33 | 0:34:38 | |
# By the women and children | 0:34:40 | 0:34:43 | |
# Soon we'll be shipbuilding | 0:34:43 | 0:34:49 | |
# Well, I ask you | 0:34:52 | 0:34:55 | |
# The boy said, "Dad, | 0:34:58 | 0:35:01 | |
# "They're going to take me to task | 0:35:01 | 0:35:06 | |
# "But I'll be back by Christmas" | 0:35:08 | 0:35:12 | |
# It's just a rumour that was spread around town | 0:35:12 | 0:35:18 | |
# Somebody said that someone got filled in | 0:35:18 | 0:35:24 | |
# For saying that people get killed in | 0:35:24 | 0:35:30 | |
# The result of this shipbuilding | 0:35:30 | 0:35:38 | |
# With all the will in the world | 0:35:40 | 0:35:46 | |
# Diving for dear life | 0:35:46 | 0:35:51 | |
# When we could be diving for pearls | 0:35:52 | 0:35:59 | |
# It's just a rumour that was spread around town | 0:36:23 | 0:36:29 | |
# A telegram or a picture postcard | 0:36:29 | 0:36:35 | |
# Within weeks they'll be re-opening the shipyards | 0:36:35 | 0:36:41 | |
# And notifying the next of kin | 0:36:41 | 0:36:48 | |
# Once again | 0:36:48 | 0:36:51 | |
# It's all we're skilled in | 0:36:52 | 0:36:57 | |
# We will be shipbuilding | 0:36:59 | 0:37:04 | |
# With all the will in the world | 0:37:12 | 0:37:19 | |
# Diving for dear life | 0:37:19 | 0:37:24 | |
# Though we could be diving for pearls | 0:37:34 | 0:37:41 | |
-# We could be diving for pearls -Could be diving for pearls | 0:37:41 | 0:37:48 | |
-# When we could be diving for pearls -When we could be diving for pearls | 0:37:48 | 0:38:01 | |
# When we could be | 0:38:07 | 0:38:12 | |
# When we could be | 0:38:13 | 0:38:18 | |
# Diving for pearls. # | 0:38:20 | 0:38:30 | |
APPLAUSE AND CHEERING | 0:38:33 | 0:38:35 | |
This historic first state visit to the UK has touched the hearts | 0:38:50 | 0:38:54 | |
of Irish people at home and to the huge Irish diaspora here in Britain. | 0:38:54 | 0:38:59 | |
It will do much to deepen the ties of affection | 0:38:59 | 0:39:01 | |
between the people of both countries | 0:39:01 | 0:39:03 | |
and recognise the bonds of family and history | 0:39:03 | 0:39:06 | |
that bring us close together. | 0:39:06 | 0:39:08 | |
Your Royal Highnesses, Excellencies, ladies and gentlemen, it gives me | 0:39:08 | 0:39:11 | |
great pleasure to introduce President Michael D Higgins. | 0:39:11 | 0:39:16 | |
Your Royal Highnesses Prince Michael | 0:39:47 | 0:39:51 | |
and Princess Michael of Kent, | 0:39:51 | 0:39:52 | |
A Thaoisigh... | 0:39:52 | 0:39:54 | |
APPLAUSE | 0:39:54 | 0:39:57 | |
Taoiseach, Tanaiste, dear friends. | 0:40:04 | 0:40:08 | |
It is of course right and proper that we congratulate | 0:40:08 | 0:40:12 | |
the wonderful musicians, singers, | 0:40:12 | 0:40:14 | |
dancers and composers | 0:40:14 | 0:40:16 | |
who are taking part in this celebratory occasion, | 0:40:16 | 0:40:19 | |
which we have given the title Ceiliuradh, | 0:40:19 | 0:40:23 | |
a beautiful Irish word | 0:40:23 | 0:40:26 | |
that invokes memory | 0:40:26 | 0:40:30 | |
and also looks to the future, | 0:40:30 | 0:40:32 | |
imagination, samhlaiocht, | 0:40:32 | 0:40:35 | |
and does both with love. | 0:40:35 | 0:40:38 | |
And in this magnificent venue | 0:40:38 | 0:40:40 | |
and on this wonderful and historic occasion | 0:40:40 | 0:40:42 | |
I want to extend my thanks to a number of people | 0:40:42 | 0:40:46 | |
who have made this evening's celebration | 0:40:46 | 0:40:48 | |
and, indeed, the past few extraordinary and memorable days | 0:40:48 | 0:40:53 | |
so positive, so uplifting | 0:40:53 | 0:40:56 | |
and so hopeful. | 0:40:56 | 0:40:58 | |
APPLAUSE | 0:40:58 | 0:41:01 | |
First of all, Sabina and I wish to express our deep appreciation | 0:41:08 | 0:41:13 | |
to our hosts Her Majesty Queen Elizabeth | 0:41:13 | 0:41:16 | |
and His Royal Highness the Duke of Edinburgh, | 0:41:16 | 0:41:19 | |
who are represented here today. | 0:41:19 | 0:41:21 | |
APPLAUSE | 0:41:21 | 0:41:23 | |
We want to thank them for the gracious and generous welcome | 0:41:27 | 0:41:32 | |
and the warm hospitality | 0:41:32 | 0:41:34 | |
that they have extended to us and to our delegation | 0:41:34 | 0:41:37 | |
and to thank them for being represented here this evening | 0:41:37 | 0:41:41 | |
by Prince Michael and Princess Michael of Kent. | 0:41:41 | 0:41:44 | |
I'm delighted that their Royal Highnesses | 0:41:44 | 0:41:47 | |
have been able to join us this evening | 0:41:47 | 0:41:49 | |
and we all hope that they will have been sufficiently entertained | 0:41:49 | 0:41:52 | |
to transmit a positive review to Her Majesty the Queen. | 0:41:52 | 0:41:57 | |
APPLAUSE | 0:41:57 | 0:42:00 | |
This evening's celebration | 0:42:06 | 0:42:09 | |
demonstrates once again | 0:42:09 | 0:42:11 | |
not only the importance of culture in general, | 0:42:11 | 0:42:15 | |
culture that crosses generations and boundaries, | 0:42:15 | 0:42:19 | |
but in particular the depth and the richness | 0:42:19 | 0:42:23 | |
of our Irish cultural tradition. | 0:42:23 | 0:42:25 | |
What we've seen and heard | 0:42:25 | 0:42:27 | |
also shows how deeply interwoven | 0:42:27 | 0:42:30 | |
are the wider cultures of these islands, | 0:42:30 | 0:42:34 | |
the contribution that migrants have made to them | 0:42:34 | 0:42:37 | |
and how they have influenced | 0:42:37 | 0:42:39 | |
and, from their different allusions and collisions with other cultures, | 0:42:39 | 0:42:45 | |
how they have enriched each other. | 0:42:45 | 0:42:47 | |
And on a night like this, | 0:42:47 | 0:42:50 | |
it is great to be Irish, | 0:42:50 | 0:42:52 | |
and it is even better | 0:42:52 | 0:42:54 | |
to share in the company of our neighbours... | 0:42:54 | 0:42:57 | |
HE SPEAKS IN IRISH | 0:42:57 | 0:42:59 | |
..our friends in Britain. | 0:42:59 | 0:43:02 | |
So, ar aghaidh leis an gceol | 0:43:02 | 0:43:04 | |
agus Beannachtai oraibh go leir. | 0:43:04 | 0:43:08 | |
And may we all together | 0:43:08 | 0:43:10 | |
go on to celebrate and get all of the benefits, | 0:43:10 | 0:43:13 | |
and may future generations after them, | 0:43:13 | 0:43:16 | |
of this great evening, Ceiliuradh, | 0:43:16 | 0:43:19 | |
celebrating friendship | 0:43:19 | 0:43:21 | |
and all of the possibilities that we have together into the future. | 0:43:21 | 0:43:26 | |
Slan is beannacht. APPLAUSE | 0:43:26 | 0:43:30 | |
Now, it's probably naive to be still surprised | 0:43:49 | 0:43:52 | |
at the global reach of Irish music, | 0:43:52 | 0:43:54 | |
but, by any standard, our next guest has had a stellar career. | 0:43:54 | 0:43:58 | |
As an actor, in Alan Parker's film The Commitments, | 0:43:58 | 0:44:00 | |
as frontman and singer-songwriter with his band The Frames, | 0:44:00 | 0:44:04 | |
and somewhere along the way has picked up an Oscar, | 0:44:04 | 0:44:07 | |
had a major Broadway success and current West End hit | 0:44:07 | 0:44:10 | |
with the musical Once. | 0:44:10 | 0:44:12 | |
Here to perform the Oscar-winning hit from the movie | 0:44:12 | 0:44:15 | |
is Glen Hansard with the brilliant Lisa Hannigan. | 0:44:15 | 0:44:18 | |
APPLAUSE | 0:44:18 | 0:44:20 | |
Thanks, everybody. | 0:44:26 | 0:44:27 | |
Michael D, thanks for this. What a lovely night. | 0:44:30 | 0:44:33 | |
Thank you. Thanks for coming over here. | 0:44:33 | 0:44:35 | |
APPLAUSE | 0:44:35 | 0:44:39 | |
The Dubliners played here in 1964, | 0:44:42 | 0:44:46 | |
and John is here, and he's going to join us. | 0:44:46 | 0:44:49 | |
Please give it up for John Sheahan from The Dubliners. | 0:44:49 | 0:44:52 | |
APPLAUSE | 0:44:52 | 0:44:56 | |
All right. Three... | 0:45:04 | 0:45:07 | |
# I don't know you | 0:45:22 | 0:45:25 | |
# But I want you | 0:45:25 | 0:45:28 | |
# All the more for that | 0:45:28 | 0:45:33 | |
# Words fall through me | 0:45:36 | 0:45:39 | |
# And always fool me | 0:45:39 | 0:45:42 | |
# And I can't relax | 0:45:42 | 0:45:47 | |
# And games that never | 0:45:50 | 0:45:53 | |
# Amount to more than they're meant | 0:45:53 | 0:45:57 | |
# Will play themselves out | 0:45:57 | 0:46:01 | |
# Take this sinking boat | 0:46:07 | 0:46:11 | |
# And point it home | 0:46:11 | 0:46:15 | |
# We've still got time | 0:46:15 | 0:46:20 | |
# Raise your hopeful voice | 0:46:20 | 0:46:24 | |
# You have a choice | 0:46:24 | 0:46:28 | |
# You've made it now | 0:46:28 | 0:46:34 | |
# Falling slowly | 0:46:38 | 0:46:41 | |
# Eyes that know me | 0:46:41 | 0:46:45 | |
# And I can't go back | 0:46:45 | 0:46:48 | |
# Moods that take me | 0:46:52 | 0:46:55 | |
# And erase me | 0:46:55 | 0:46:58 | |
# And I paint it black | 0:46:58 | 0:47:03 | |
# You have suffered enough | 0:47:06 | 0:47:10 | |
# And warred with yourself | 0:47:10 | 0:47:14 | |
# It's time that you won | 0:47:14 | 0:47:19 | |
# Take this sinking boat | 0:47:22 | 0:47:27 | |
# And point it home | 0:47:27 | 0:47:30 | |
# We've still got time | 0:47:30 | 0:47:37 | |
# Raise your hopeful voice | 0:47:37 | 0:47:40 | |
# You have a choice | 0:47:40 | 0:47:44 | |
# You've made it now | 0:47:44 | 0:47:51 | |
# Falling slowly | 0:47:51 | 0:47:54 | |
# Sing your melody | 0:47:54 | 0:47:57 | |
# I'll sing along | 0:47:57 | 0:48:04 | |
# Oh, oh | 0:48:06 | 0:48:08 | |
# Ahhh | 0:48:10 | 0:48:13 | |
# Take it all | 0:48:18 | 0:48:20 | |
# I paid the cost too late | 0:48:25 | 0:48:28 | |
# Now you're gone. # | 0:48:31 | 0:48:34 | |
APPLAUSE AND CHEERING | 0:49:04 | 0:49:07 | |
Thanks, everybody. | 0:49:27 | 0:49:29 | |
We've got a few friends joining us now for a song. | 0:49:30 | 0:49:34 | |
Give it up. | 0:49:34 | 0:49:36 | |
APPLAUSE | 0:49:36 | 0:49:38 | |
Thank you. | 0:49:38 | 0:49:39 | |
If Brendan Behan was here he'd be 91. | 0:49:49 | 0:49:52 | |
It's his 50th anniversary this year, actually quite close to now. | 0:49:53 | 0:49:58 | |
This is a song about an Irishman in prison | 0:49:58 | 0:50:03 | |
for reasons I won't go into... | 0:50:03 | 0:50:07 | |
LAUGHTER | 0:50:07 | 0:50:09 | |
..on this lovely night. | 0:50:09 | 0:50:12 | |
But this is essentially a song about a man missing his girl, | 0:50:12 | 0:50:17 | |
that's really what it's about, | 0:50:17 | 0:50:18 | |
he's locked up in a room and he misses her. | 0:50:18 | 0:50:20 | |
This is a Brendan Behan song, it's called The Auld Triangle, | 0:50:20 | 0:50:23 | |
-and if you know... -CHEERING | 0:50:23 | 0:50:25 | |
If you know this song, please help us out. | 0:50:25 | 0:50:28 | |
# A hungry feeling | 0:50:38 | 0:50:41 | |
# Came o'er me stealin' | 0:50:43 | 0:50:48 | |
# And the mice were squealin' | 0:50:48 | 0:50:53 | |
# In my prison cell | 0:50:53 | 0:50:57 | |
# And the auld triangle | 0:50:58 | 0:51:04 | |
# Went jingle-jangle | 0:51:04 | 0:51:09 | |
# All along the banks | 0:51:09 | 0:51:13 | |
# Of the Royal Canal | 0:51:13 | 0:51:18 | |
# To begin the mornin' | 0:51:27 | 0:51:30 | |
# The screws were ballin' | 0:51:32 | 0:51:36 | |
# Get up, get up, you bowsie | 0:51:38 | 0:51:43 | |
# And clean out your cell | 0:51:43 | 0:51:45 | |
# And the auld triangle | 0:51:48 | 0:51:53 | |
# Went jingle-jangle | 0:51:53 | 0:51:58 | |
# All along the banks | 0:51:58 | 0:52:03 | |
# Of the Royal Canal | 0:52:03 | 0:52:09 | |
# The wind was sighing | 0:52:17 | 0:52:21 | |
# As the day was dying | 0:52:22 | 0:52:27 | |
# As I lay crying | 0:52:27 | 0:52:33 | |
# In my prison cell | 0:52:33 | 0:52:37 | |
# And the auld triangle | 0:52:37 | 0:52:43 | |
# Went jingle-jangle | 0:52:43 | 0:52:49 | |
# All along the banks | 0:52:49 | 0:52:52 | |
# Of the Royal Canal | 0:52:52 | 0:52:59 | |
# On a fine spring mornin' | 0:53:07 | 0:53:11 | |
# As the loike were a-dreaming | 0:53:12 | 0:53:18 | |
# And the seagulls they were squealin' | 0:53:18 | 0:53:24 | |
# All above the prison walls | 0:53:24 | 0:53:29 | |
# And the auld triangle | 0:53:29 | 0:53:33 | |
# Went jingle-jangle | 0:53:33 | 0:53:38 | |
# All along the banks | 0:53:38 | 0:53:44 | |
# Of the Royal Canal | 0:53:44 | 0:53:48 | |
# Oh, the screw was peepin' | 0:53:57 | 0:54:02 | |
# And the lag was sleepin' | 0:54:02 | 0:54:08 | |
# As I lay there weepin' | 0:54:08 | 0:54:14 | |
# For my gal Sal | 0:54:14 | 0:54:18 | |
# And the auld triangle | 0:54:19 | 0:54:24 | |
# Went jingle-jangle | 0:54:24 | 0:54:29 | |
# All along the banks | 0:54:29 | 0:54:34 | |
# Of the Royal Canal... # | 0:54:34 | 0:54:39 | |
John. | 0:54:44 | 0:54:45 | |
APPLAUSE AND CHEERING | 0:54:50 | 0:54:51 | |
# I wish to Jaysus | 0:54:59 | 0:55:03 | |
# He'd raise me wages | 0:55:03 | 0:55:09 | |
# From 30 shillings | 0:55:09 | 0:55:14 | |
# To two pounds ten | 0:55:14 | 0:55:19 | |
CHEERING # And the auld triangle | 0:55:19 | 0:55:25 | |
# Went jingle-jangle | 0:55:25 | 0:55:30 | |
# All along the banks | 0:55:30 | 0:55:35 | |
# Of the Royal Canal | 0:55:35 | 0:55:40 | |
# In the female prison | 0:55:49 | 0:55:53 | |
# There are 75 women | 0:55:53 | 0:55:59 | |
# And it is with them | 0:55:59 | 0:56:05 | |
# That I wish I did dwell | 0:56:05 | 0:56:10 | |
# And the auld triangle | 0:56:10 | 0:56:15 | |
# Went jingle-jangle | 0:56:15 | 0:56:21 | |
# All along the banks | 0:56:21 | 0:56:25 | |
# Of the Royal Canal | 0:56:25 | 0:56:31 | |
# On a fine spring evening | 0:56:38 | 0:56:42 | |
# We all lay dreaming | 0:56:44 | 0:56:49 | |
# Of a future gleaming | 0:56:49 | 0:56:56 | |
# In the Royal Albert Hall | 0:56:56 | 0:56:59 | |
CHEERING | 0:56:59 | 0:57:01 | |
# And the auld triangle | 0:57:01 | 0:57:06 | |
# Went jingle-jangle | 0:57:06 | 0:57:11 | |
# All along the banks | 0:57:11 | 0:57:16 | |
# Of the Royal Canal... # | 0:57:16 | 0:57:21 | |
All right, all right, all right. | 0:57:29 | 0:57:31 | |
So you know it by now, right? | 0:57:31 | 0:57:33 | |
Most of you knew it already. | 0:57:33 | 0:57:36 | |
"And the auld triangle went jingle-jangle, | 0:57:38 | 0:57:42 | |
"all along the banks of the Royal Canal." | 0:57:42 | 0:57:44 | |
It's you now. | 0:57:46 | 0:57:48 | |
Imagine it's the last day on earth, it's a Paddy's Day. | 0:57:50 | 0:57:54 | |
CHEERING | 0:57:54 | 0:57:58 | |
Everyone's had a drink... | 0:57:58 | 0:58:00 | |
-just the one. -LAUGHTER | 0:58:00 | 0:58:03 | |
You might have to stand up for this. | 0:58:03 | 0:58:07 | |
We're going to give it over to you, it's the last one. | 0:58:09 | 0:58:11 | |
Are you ready? Here it comes. | 0:58:11 | 0:58:14 | |
# And the auld triangle | 0:58:17 | 0:58:22 | |
# Went jingle-jangle | 0:58:22 | 0:58:27 | |
# All along the banks | 0:58:27 | 0:58:33 | |
# Of the Royal Canal... # | 0:58:33 | 0:58:38 | |
APPLAUSE AND CHEERING | 0:58:40 | 0:58:45 | |
# And the auld triangle | 0:58:45 | 0:58:50 | |
# Went jingle-jangle | 0:58:50 | 0:58:55 | |
# All along the banks | 0:58:55 | 0:59:00 | |
# Of the Royal Canal. # | 0:59:00 | 0:59:06 | |
APPLAUSE AND CHEERING | 0:59:12 | 0:59:15 |