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We're halfway through the Let It Shine auditions. | 0:00:02 | 0:00:04 | |
Oh, wow. | 0:00:04 | 0:00:06 | |
And so far we've seen some fantastic singers... | 0:00:06 | 0:00:08 | |
# Just go ahead, let your hair down... # | 0:00:08 | 0:00:12 | |
..incredible dancers... | 0:00:12 | 0:00:13 | |
Holy Moley! | 0:00:13 | 0:00:17 | |
..and met some real characters. | 0:00:17 | 0:00:19 | |
Strawberries and cream, living the dream. | 0:00:19 | 0:00:22 | |
I like riffing, so, like, Mummy told me to calm down a wee bit. | 0:00:22 | 0:00:26 | |
LAUGHTER | 0:00:26 | 0:00:27 | |
Ooh, they do a lovely sausage roll! | 0:00:27 | 0:00:30 | |
So, tonight's auditionees have lots to live up to if they're to | 0:00:32 | 0:00:35 | |
earn a place in the next stage. | 0:00:35 | 0:00:38 | |
Grab your seats - it's going to be a big night. | 0:00:38 | 0:00:40 | |
MAN SINGS HIGH NOTE | 0:00:40 | 0:00:42 | |
And there won't be a dry eye in the house. | 0:00:42 | 0:00:45 | |
There you are! Welcome to Let It Shine. | 0:01:13 | 0:01:16 | |
Oh! Now, we've got our hi-tech, | 0:01:16 | 0:01:19 | |
glow-in-the-dark wristy things, second Summer Of Love. | 0:01:19 | 0:01:22 | |
We're ready to go. So who wants to hear some singing? | 0:01:22 | 0:01:25 | |
-CROWD CHEERS Yeah? -We do! | 0:01:25 | 0:01:28 | |
Anyone want to see some dancing? | 0:01:28 | 0:01:30 | |
MUSIC: Ooh Aah...Just A Little Bit | 0:01:30 | 0:01:32 | |
Maybe not this dancing. | 0:01:32 | 0:01:34 | |
Er, the people have spoken, Graham, | 0:01:34 | 0:01:36 | |
so let's give them what they want. | 0:01:36 | 0:01:39 | |
Yay! | 0:01:39 | 0:01:41 | |
'Our Manchester crowd look ready. Let's get our judges out.' | 0:01:41 | 0:01:45 | |
'First up, it's singer and musical theatre star Dannii Minogue' | 0:01:47 | 0:01:50 | |
'Next, I like to call him Kempo. | 0:01:53 | 0:01:56 | |
'It's actor and Spandau Ballet ledge Martin Kemp' | 0:01:56 | 0:01:58 | |
'She's a star of the hit show Glee | 0:02:00 | 0:02:02 | |
'and has appeared on the West End stage. | 0:02:02 | 0:02:04 | |
'It's our guest judge, Amber Riley.' | 0:02:04 | 0:02:06 | |
'And finally, Take That's very own Gary Barlow. | 0:02:08 | 0:02:11 | |
'They're on the hunt for five brilliant boys to play | 0:02:12 | 0:02:15 | |
'a boyband in a new stage show featuring the music of Take That.' | 0:02:15 | 0:02:19 | |
We're not expecting the finished article, | 0:02:19 | 0:02:21 | |
we're looking for bags of potential. | 0:02:21 | 0:02:23 | |
JUDGES AND CROWD GASP | 0:02:23 | 0:02:25 | |
'To be in with a chance of winning that real job in a new musical, | 0:02:26 | 0:02:29 | |
'tonight our auditionees must get a total score of at least 15 stars | 0:02:29 | 0:02:33 | |
'from our judges to secure their place in the next stage.' | 0:02:33 | 0:02:37 | |
None of the judges know what each other has given, | 0:02:37 | 0:02:40 | |
so it's a complete surprise. | 0:02:40 | 0:02:42 | |
If you've got us at the edge of our seat, | 0:02:42 | 0:02:44 | |
you know you've done something right. | 0:02:44 | 0:02:46 | |
'Quite naturally, in our backstage common room, | 0:02:48 | 0:02:51 | |
'the adrenaline's pumping as the boys wait their turn.' | 0:02:51 | 0:02:54 | |
I've done things before like sing, gigs, things like that, | 0:02:54 | 0:02:57 | |
but nothing this big. | 0:02:57 | 0:02:59 | |
'And there seems to be one man in particular on their mind.' | 0:02:59 | 0:03:02 | |
How'd you feel about seeing Gary? | 0:03:02 | 0:03:04 | |
Nervous. He's pretty much my man-crush throughout my whole life. | 0:03:04 | 0:03:07 | |
I'm going to be the Asian Gary Barlow! | 0:03:07 | 0:03:09 | |
'Speaking of which...' | 0:03:12 | 0:03:14 | |
-GIRL IN CROWD: -I love you, Gary! | 0:03:14 | 0:03:15 | |
I think they like you, Gary. | 0:03:15 | 0:03:18 | |
This is my town. OK, folks, this is it. | 0:03:18 | 0:03:21 | |
Jordan, as a child, had endless energy. | 0:03:26 | 0:03:29 | |
Erm, you never knew what he was going to do next. | 0:03:29 | 0:03:32 | |
He's 110mph. Yeah, he won't stop talking. | 0:03:32 | 0:03:35 | |
-Jordan's a very talented drummer. -When he performs, he smiles. | 0:03:35 | 0:03:39 | |
-He loves it. -All the reviews in the paper said the band had the smiliest | 0:03:39 | 0:03:43 | |
drummer they've ever seen. | 0:03:43 | 0:03:44 | |
Nobody knows he was a singer, but he must have secretly been | 0:03:44 | 0:03:48 | |
singing away in his bedroom or something. | 0:03:48 | 0:03:50 | |
When he's walking on to the stage he'll be so excited. | 0:03:50 | 0:03:53 | |
He loves it. | 0:03:53 | 0:03:55 | |
Music is his passion. | 0:03:55 | 0:03:57 | |
CHEERING AND APPLAUSE | 0:03:59 | 0:04:01 | |
-Hi, what's your name? -Hey, guys. | 0:04:07 | 0:04:09 | |
My name is Jordan Harvey. I'm 24, I'm from Edinburgh. | 0:04:09 | 0:04:12 | |
CHEERING AND APPLAUSE | 0:04:12 | 0:04:14 | |
You've got a guitar there, you must be gigging. | 0:04:17 | 0:04:19 | |
How long have you been singing? | 0:04:19 | 0:04:21 | |
I've been singing for about six months. | 0:04:21 | 0:04:23 | |
I started singing cos someone told me it gets girls, | 0:04:23 | 0:04:26 | |
so I was like... LAUGHTER | 0:04:26 | 0:04:28 | |
So I was like, "OK, I'll start doing that." | 0:04:28 | 0:04:30 | |
And what's the drum for? | 0:04:30 | 0:04:31 | |
So I initially started out as a drummer, | 0:04:31 | 0:04:34 | |
and I decided that one day I was just too far back, so... | 0:04:34 | 0:04:38 | |
I still do that, though! | 0:04:38 | 0:04:39 | |
OK, well, whenever you're ready show us what you've got. | 0:04:39 | 0:04:42 | |
It's something new. | 0:04:42 | 0:04:44 | |
MUSIC: Blame It On Me by George Ezra | 0:04:52 | 0:04:54 | |
# The garden was blessed by the gods of me and you | 0:04:58 | 0:05:04 | |
# We headed west to find ourselves some truth, oh-oh | 0:05:04 | 0:05:10 | |
# What you waiting for? | 0:05:10 | 0:05:13 | |
# What you waiting for? | 0:05:13 | 0:05:15 | |
# What you waiting for? | 0:05:18 | 0:05:21 | |
# What you waiting for? | 0:05:21 | 0:05:24 | |
# When I dance alone and the sun's beating down | 0:05:26 | 0:05:31 | |
# Oh, blame it on me | 0:05:31 | 0:05:35 | |
# When I lose control and the veil's overused | 0:05:37 | 0:05:42 | |
# Oh, blame it on me | 0:05:42 | 0:05:45 | |
# What you waiting for? | 0:05:50 | 0:05:53 | |
# What you waiting for? | 0:05:53 | 0:05:58 | |
# When I dance alone and the sun's beating down | 0:05:58 | 0:06:03 | |
# Oh, blame it on me Hey! | 0:06:03 | 0:06:07 | |
# When I lose control and the veil's overused | 0:06:09 | 0:06:14 | |
# Blame it on me | 0:06:14 | 0:06:18 | |
# Oh... | 0:06:18 | 0:06:21 | |
# What you waiting for? | 0:06:22 | 0:06:24 | |
# What you waiting for? # | 0:06:26 | 0:06:28 | |
CHEERING AND APPLAUSE | 0:06:29 | 0:06:31 | |
This man is Jordan! | 0:06:34 | 0:06:37 | |
Judges, don't forget the score. | 0:06:37 | 0:06:39 | |
Well done. | 0:06:39 | 0:06:40 | |
-I think Gary Barlow cracked a smile during that. -I did. -You did. | 0:06:40 | 0:06:45 | |
I've told myself, you know, | 0:06:45 | 0:06:46 | |
"Don't try and imagine what the band is going to be like | 0:06:46 | 0:06:49 | |
"in this musical", | 0:06:49 | 0:06:50 | |
but - but - I would love somebody who does play | 0:06:50 | 0:06:54 | |
a guitar or another instrument in there. | 0:06:54 | 0:06:57 | |
I think it would be the centre of the whole band. | 0:06:57 | 0:06:59 | |
So at the moment what I'm picturing is you! | 0:06:59 | 0:07:01 | |
CHEERING AND APPLAUSE | 0:07:01 | 0:07:03 | |
That's nice! | 0:07:03 | 0:07:05 | |
Erm, high praise from Gary. Dannii, how did you feel about it? | 0:07:08 | 0:07:12 | |
I thought it was, like, understated. | 0:07:12 | 0:07:15 | |
I think there's a lot more there, but you just chose the bits | 0:07:15 | 0:07:18 | |
that went perfectly for this audition, and that shows a wise man. | 0:07:18 | 0:07:24 | |
-OK, er, nice comments. -Yeah. | 0:07:24 | 0:07:28 | |
-The audience enjoyed it. -Yeah. | 0:07:28 | 0:07:31 | |
But now we're going to find out the total number of stars | 0:07:31 | 0:07:34 | |
you've been awarded, OK? | 0:07:34 | 0:07:35 | |
If this one lights up, you're going through to the next stage, OK? | 0:07:35 | 0:07:38 | |
-All right. -I wish you well. -Thank you. | 0:07:38 | 0:07:40 | |
Let's find out how Jordan has been scored. | 0:07:40 | 0:07:43 | |
Here we go. | 0:07:52 | 0:07:54 | |
CHEERING AND APPLAUSE | 0:08:02 | 0:08:04 | |
Big score! Well done, man! | 0:08:12 | 0:08:16 | |
Amber Riley, she likes you. Five out of five! | 0:08:16 | 0:08:19 | |
Yeah, I had to give you a five because I needed you to go through, | 0:08:19 | 0:08:22 | |
and they can be tricky sometimes. | 0:08:22 | 0:08:24 | |
APPLAUSE | 0:08:24 | 0:08:26 | |
Let's just get a comment from Martin. | 0:08:26 | 0:08:30 | |
My poker face is rubbish, isn't it? | 0:08:30 | 0:08:31 | |
-I think you'd be so good inside the band. -Yeah. | 0:08:31 | 0:08:34 | |
You were fabulous, man, you rocked that audition! | 0:08:34 | 0:08:37 | |
CHEERING AND APPLAUSE | 0:08:37 | 0:08:39 | |
You OK? You good? | 0:08:43 | 0:08:45 | |
You're OK. It's a good thing, it's all a good thing. | 0:08:47 | 0:08:50 | |
Today's a big achievement for me, and I just feel amazing, like. | 0:08:55 | 0:08:58 | |
You should feel amazing! | 0:08:58 | 0:08:59 | |
You should feel amazing, you should care. | 0:09:01 | 0:09:03 | |
We're all thrilled for you, we'll see you next time. | 0:09:03 | 0:09:07 | |
Thank you very much to Jordan, there you go. Really well done. | 0:09:07 | 0:09:10 | |
Very good. | 0:09:10 | 0:09:12 | |
CHEERING AND APPLAUSE | 0:09:12 | 0:09:13 | |
-I was nervous about the kick drum, though, with the guitar. -I was too! | 0:09:13 | 0:09:18 | |
-And the mic stand, like, behind all of that. -I know. -But he... | 0:09:18 | 0:09:21 | |
-He was so good! -He was fine. -It shined. -It worked. | 0:09:21 | 0:09:24 | |
I loved that with the kick drum coming in, that was superb. | 0:09:24 | 0:09:27 | |
I bet, I bet that he can rub his belly and pat his head. | 0:09:27 | 0:09:32 | |
-I bet he can do that. -Now that's a skill! | 0:09:32 | 0:09:35 | |
I bet, you know, I bet he can do it. | 0:09:35 | 0:09:37 | |
THEY CHEER | 0:09:40 | 0:09:43 | |
'So as Jordan celebrates | 0:09:43 | 0:09:44 | |
'winning over the judges with his audition...' | 0:09:44 | 0:09:47 | |
Oh, that was bad. | 0:09:47 | 0:09:48 | |
'..Mark Owen explains how he became a part of Take That | 0:09:48 | 0:09:51 | |
'all those years ago.' | 0:09:51 | 0:09:53 | |
Our first ever audition wasn't far from here - | 0:09:53 | 0:09:56 | |
it was in, erm, a club called Le Cage. | 0:09:56 | 0:09:58 | |
There were six people who turned up, | 0:09:58 | 0:10:00 | |
and one person didn't get through, | 0:10:00 | 0:10:03 | |
and us five did, but only six people turned up, | 0:10:03 | 0:10:06 | |
so, I mean, we all had quite a good odds of getting... | 0:10:06 | 0:10:09 | |
LAUGHTER | 0:10:09 | 0:10:11 | |
'No doubt wishing his odds were that good today, | 0:10:15 | 0:10:17 | |
it's 21-year-old student AJ Bentley. | 0:10:17 | 0:10:19 | |
AJ's currently studying a dance degree in London. | 0:10:24 | 0:10:27 | |
AJ started dancing at about the age of four. | 0:10:27 | 0:10:29 | |
As he got a little bit older, people were taking the mickey out of him | 0:10:29 | 0:10:33 | |
for dancing, but he didn't care - he wanted to carry on. | 0:10:33 | 0:10:36 | |
He's been gelling his hair since he was about five. | 0:10:37 | 0:10:41 | |
Even the local barber knows what to touch | 0:10:41 | 0:10:44 | |
and what not to touch of AJ's hair. | 0:10:44 | 0:10:47 | |
So my brother's been in a boyband before. | 0:10:47 | 0:10:50 | |
He was only in it for about a year. | 0:10:50 | 0:10:52 | |
AJ's perfect boyband material, he's a brilliant dancer, he's | 0:10:52 | 0:10:55 | |
a fantastic showman, so he draws the eye, and he'd be perfect for it. | 0:10:55 | 0:10:58 | |
CHEERING AND APPLAUSE | 0:11:01 | 0:11:03 | |
Hello. | 0:11:05 | 0:11:07 | |
What's your name, please, sir? | 0:11:09 | 0:11:11 | |
Er, my name's AJ, I'm 21, and I'm a student from London. | 0:11:11 | 0:11:14 | |
CHEERING AND APPLAUSE | 0:11:14 | 0:11:16 | |
AJ, what made you apply for this show? | 0:11:19 | 0:11:21 | |
I'm a big Take That fan and I love performing, so, erm... | 0:11:21 | 0:11:25 | |
to be able to perform in a Take That stage show would be | 0:11:25 | 0:11:28 | |
incredible for me, so... | 0:11:28 | 0:11:29 | |
What about Spandau Ballet? You never heard of them? | 0:11:29 | 0:11:31 | |
# You are gold! # | 0:11:31 | 0:11:33 | |
Love it! | 0:11:33 | 0:11:34 | |
AJ, who's with you today? | 0:11:35 | 0:11:38 | |
My lovely mother and father are here today, and... | 0:11:38 | 0:11:41 | |
CHEERING AND APPLAUSE | 0:11:41 | 0:11:43 | |
-..and it's my mum's birthday today, as well. -Ah, amazing. | 0:11:43 | 0:11:46 | |
CHEERING AND APPLAUSE | 0:11:46 | 0:11:48 | |
-She's a massive Gary Barlow fan. -We should get a picture. | 0:11:48 | 0:11:51 | |
Come on, we'll take a selfie. | 0:11:51 | 0:11:54 | |
OK, well, listen, we're ready to hear you sing. | 0:11:54 | 0:11:56 | |
-Good luck. -Thank you very much. | 0:11:56 | 0:11:58 | |
# Oh, yeah, baby, woo! | 0:12:06 | 0:12:09 | |
# Like a fool I went and stayed too long | 0:12:09 | 0:12:12 | |
# Now I'm wondering if your love's still strong | 0:12:14 | 0:12:16 | |
# Ooh, baby | 0:12:16 | 0:12:18 | |
# Cos here I am I'm signed, sealed, delivered | 0:12:18 | 0:12:21 | |
# I'm yours | 0:12:21 | 0:12:23 | |
# Ooh, cos here I am, baby | 0:12:23 | 0:12:28 | |
# I'm signed, sealed, delivered | 0:12:28 | 0:12:30 | |
# I'm yours | 0:12:30 | 0:12:32 | |
# Ooh, cos here I am, baby | 0:12:32 | 0:12:36 | |
# I'm signed, sealed, delivered | 0:12:37 | 0:12:39 | |
# You know I'm yours | 0:12:39 | 0:12:42 | |
# Woo! | 0:12:42 | 0:12:44 | |
# Seen a lot of things in this old world | 0:12:44 | 0:12:47 | |
# And when I touched them they did nothing, girl | 0:12:48 | 0:12:51 | |
# Ooh, baby | 0:12:51 | 0:12:53 | |
# Cos here I am I'm signed, sealed, delivered | 0:12:53 | 0:12:56 | |
# I'm yours | 0:12:56 | 0:12:58 | |
# Ooh | 0:12:58 | 0:13:01 | |
# Ooh-wee, babe, you set my soul on fire | 0:13:01 | 0:13:05 | |
# And that's why I know, girl, you're my only desire | 0:13:05 | 0:13:10 | |
# Cos here I am Signed, sealed, delivered | 0:13:10 | 0:13:13 | |
# I'm yours | 0:13:13 | 0:13:15 | |
# Cos here I am, baby | 0:13:17 | 0:13:20 | |
# Signed, sealed, delivered I'm yours | 0:13:20 | 0:13:24 | |
# Cos here I am, baby | 0:13:25 | 0:13:27 | |
# I'm signed, sealed, delivered | 0:13:28 | 0:13:31 | |
# You know I'm yours, ooh | 0:13:31 | 0:13:34 | |
# I've done a lot of foolish things | 0:13:34 | 0:13:36 | |
# That I really didn't mean | 0:13:36 | 0:13:38 | |
# I could be a broken man | 0:13:38 | 0:13:41 | |
# Whoa-oh, cos here I am, baby! # | 0:13:41 | 0:13:45 | |
CHEERING AND APPLAUSE | 0:13:45 | 0:13:47 | |
AJ, everybody! | 0:13:50 | 0:13:52 | |
Hey, listen to that! Judges, enter your scores, please. | 0:13:52 | 0:13:56 | |
Yeah. | 0:13:57 | 0:13:58 | |
Enjoy that, enjoy it. | 0:13:59 | 0:14:00 | |
Yeah. All right, let's go to the judges for comments. | 0:14:02 | 0:14:05 | |
Amber, what did you think of AJ? | 0:14:05 | 0:14:07 | |
Loved it, AJ! | 0:14:07 | 0:14:10 | |
CHEERING AND APPLAUSE | 0:14:10 | 0:14:13 | |
You were great. You know what I loved about it? | 0:14:13 | 0:14:15 | |
You're really, really smart. | 0:14:15 | 0:14:17 | |
You're not the strongest vocalist, | 0:14:17 | 0:14:19 | |
but you played to your strengths, and you came out here, | 0:14:19 | 0:14:21 | |
you knew that you could perform the heck out of it, | 0:14:21 | 0:14:24 | |
and you knew that everybody in this audience was going to love it too. | 0:14:24 | 0:14:27 | |
-Thank you. -And I did! | 0:14:27 | 0:14:28 | |
Ah, thank you. | 0:14:28 | 0:14:30 | |
OK, is AJ's mother still going to like you, Gary? | 0:14:30 | 0:14:33 | |
What have you got to say? | 0:14:33 | 0:14:34 | |
-I think we're definitely on for a selfie cos I loved it. -Aww! | 0:14:34 | 0:14:38 | |
CHEERING AND APPLAUSE | 0:14:38 | 0:14:40 | |
This show's called Let It Shine, | 0:14:40 | 0:14:42 | |
it was like a big light beaming off the stage. | 0:14:42 | 0:14:45 | |
I thought you were terrific, well done. | 0:14:45 | 0:14:48 | |
Good comments so far. | 0:14:48 | 0:14:50 | |
Dannii, do you agree? | 0:14:50 | 0:14:52 | |
You need one of everything in the band. | 0:14:52 | 0:14:54 | |
You need the guy who's got all the energy, who is going to, | 0:14:54 | 0:14:57 | |
you know, tumble over your head and be able to sing and be able | 0:14:57 | 0:15:00 | |
to perform and catch everyone's attention. Man, you gave that 100%. | 0:15:00 | 0:15:06 | |
-Oh, thank you, Dannii. -Well done. | 0:15:06 | 0:15:08 | |
Very good. | 0:15:08 | 0:15:10 | |
-Great comments. -They are. | 0:15:10 | 0:15:13 | |
There is a maximum of 20 stars available. | 0:15:13 | 0:15:16 | |
-Yep. -OK? But the all-important one is the 15th star. | 0:15:16 | 0:15:20 | |
-That has to light up if you're going through to the next stage. -I hope. | 0:15:20 | 0:15:23 | |
-OK, you all set? -I'm all set, yes. | 0:15:23 | 0:15:25 | |
All right, let's find out how AJ has scored! | 0:15:25 | 0:15:27 | |
CHEERING AND APPLAUSE | 0:15:46 | 0:15:48 | |
Oh, my God! | 0:15:53 | 0:15:54 | |
-That was amazing. -18 stars! | 0:15:54 | 0:15:58 | |
-Well done! -I can't believe it! | 0:15:58 | 0:16:00 | |
-Well done, fantastic, well done. -Thank you. | 0:16:00 | 0:16:02 | |
Look at that, five points - five points from Gary Barlow! | 0:16:02 | 0:16:07 | |
-Wow! -Oh, thank you so much. | 0:16:07 | 0:16:10 | |
Your mother really loves him now. | 0:16:10 | 0:16:12 | |
And, er, Martin gave a maximum as well there. Five out of five. | 0:16:12 | 0:16:16 | |
You've got the charisma, you've got the personality, | 0:16:16 | 0:16:18 | |
you know who you are, you're completely comfortable | 0:16:18 | 0:16:21 | |
on stage and in your skin. | 0:16:21 | 0:16:23 | |
Just work on the vocals a little bit and you'll be absolutely brilliant. | 0:16:23 | 0:16:26 | |
Well, you certainly shined. | 0:16:26 | 0:16:27 | |
Ladies and gentlemen, we will be seeing him again - it's AJ! | 0:16:27 | 0:16:30 | |
Thank you. | 0:16:30 | 0:16:32 | |
CHEERING AND APPLAUSE | 0:16:32 | 0:16:34 | |
CHEERING | 0:16:36 | 0:16:38 | |
'Over the last two weeks, | 0:16:42 | 0:16:43 | |
'we've seen Gary out and about surprising people...' | 0:16:43 | 0:16:46 | |
GASPS AND SHRIEKS | 0:16:46 | 0:16:48 | |
'..who've been nominated to audition by their friends and family.' | 0:16:48 | 0:16:51 | |
Come and audition for us on the Let It Shine stage. | 0:16:51 | 0:16:54 | |
When? When? | 0:16:54 | 0:16:55 | |
'Luckily for our next secret hit target, | 0:16:57 | 0:16:59 | |
'the Barlow-mobile is back on the road.' | 0:16:59 | 0:17:01 | |
'Ah, rolling hills and green, green grass.' | 0:17:04 | 0:17:06 | |
SHEEP BLEATS | 0:17:06 | 0:17:09 | |
'This must be Wales. | 0:17:09 | 0:17:10 | |
'Or more specifically the town of, erm... | 0:17:11 | 0:17:13 | |
'Yeah, that one. | 0:17:15 | 0:17:17 | |
WHISTLE | 0:17:17 | 0:17:19 | |
'In proud tradition, men here like to grunt and run into things, | 0:17:19 | 0:17:23 | |
'and somewhere in the throng is | 0:17:23 | 0:17:25 | |
'23-year-old admin assistant Deon McGrath. | 0:17:25 | 0:17:28 | |
'Ah, there he is. | 0:17:28 | 0:17:30 | |
'Now, Deon thinks we're filming a sports documentary, | 0:17:31 | 0:17:34 | |
'but that is codswallop invented by his sister-in-law, Lois, | 0:17:34 | 0:17:38 | |
'who's asked our Gary to pay him a visit.' | 0:17:38 | 0:17:41 | |
Deon's a great singer. | 0:17:41 | 0:17:42 | |
I don't think he realises how good he is, | 0:17:42 | 0:17:45 | |
so that's why I decided to give him a bit of a push. | 0:17:45 | 0:17:48 | |
'Training over, the boys head to the clubhouse, and it's not long | 0:17:50 | 0:17:53 | |
'before Deon's belting out a little bit of Tom Jones.' | 0:17:53 | 0:17:57 | |
THEY ALL SING # My, my, my Delilah... # | 0:17:57 | 0:18:03 | |
'Meanwhile, Mr Gary Barlow is en route.' | 0:18:03 | 0:18:05 | |
I think, when I think of Wales, I think of an amazing history of | 0:18:07 | 0:18:11 | |
great singers, so I'm hoping this is the place. | 0:18:11 | 0:18:14 | |
(OK, let's go. | 0:18:16 | 0:18:18 | |
(Here we go, here we go.) | 0:18:18 | 0:18:19 | |
# And there to meet me | 0:18:19 | 0:18:22 | |
# Is my mama and papa | 0:18:22 | 0:18:26 | |
# Down the lane I walk with my sweet Mary | 0:18:26 | 0:18:33 | |
# Hair of gold and lips like cherries | 0:18:33 | 0:18:38 | |
# It's good to touch the green, green grass of home. # | 0:18:38 | 0:18:46 | |
-What?! -Hi, everyone. | 0:18:46 | 0:18:48 | |
I'm here for Deon. | 0:18:48 | 0:18:50 | |
LAUGHTER, CHEERING AND APPLAUSE | 0:18:50 | 0:18:52 | |
-Hiya. -How are you? -I'm all right, thank you. | 0:18:52 | 0:18:55 | |
Now, listen, your sister-in-law, Lois... | 0:18:55 | 0:18:57 | |
-Nice to meet you. -Nice to meet you too. | 0:18:57 | 0:18:59 | |
She's nominated you to be part of our new show, and I wanted to know, | 0:18:59 | 0:19:04 | |
will you come and perform for us on the Let It Shine stage? | 0:19:04 | 0:19:07 | |
Yeah, definitely. | 0:19:09 | 0:19:10 | |
CHEERING AND APPLAUSE | 0:19:10 | 0:19:12 | |
Fantastic. | 0:19:14 | 0:19:16 | |
Wow. | 0:19:16 | 0:19:17 | |
I just couldn't believe it, it was, honestly, it was just... | 0:19:21 | 0:19:23 | |
the biggest shock I've ever had in my life. | 0:19:23 | 0:19:26 | |
Hi, hello, hi! | 0:19:30 | 0:19:32 | |
Now, Lois... | 0:19:32 | 0:19:34 | |
-Yes. -Deon, who's up next, how do you think he's feeling at the moment? | 0:19:34 | 0:19:39 | |
Er, I think he'll be excited, nervous, a mix of emotions, | 0:19:39 | 0:19:42 | |
-but I think he'll be up for it. -Yeah. | 0:19:42 | 0:19:44 | |
I'm really excited to hear him sing. | 0:19:44 | 0:19:46 | |
Right, he's about to perform, let's cling close. | 0:19:46 | 0:19:48 | |
Come on, Deon, he can do it. | 0:19:48 | 0:19:50 | |
CHEERING AND APPLAUSE | 0:19:50 | 0:19:52 | |
Hey there! | 0:19:59 | 0:20:00 | |
-Hiya. -How are you? -I'm all right, thank you. | 0:20:00 | 0:20:02 | |
-We know one another, don't we? -We do. -This is Deon, everybody. -Hi. | 0:20:02 | 0:20:07 | |
We met in... What was the town we met in? It was on Anglesey, wasn't it? | 0:20:07 | 0:20:10 | |
Yeah, it's called, er, | 0:20:10 | 0:20:12 | |
Llanfairpwllgwyngyllgogery- chwyrndrobwllllantysiliogogogoch. | 0:20:12 | 0:20:16 | |
CHEERING AND APPLAUSE | 0:20:16 | 0:20:18 | |
Hang on a minute, did you say, | 0:20:20 | 0:20:22 | |
Llanfairpwllgwyngyllgogery- chwyrndrobwllllantysiliogogogoch? | 0:20:22 | 0:20:25 | |
CHEERING AND APPLAUSE | 0:20:25 | 0:20:27 | |
I did. | 0:20:27 | 0:20:28 | |
Incredible. I am impressed. | 0:20:29 | 0:20:32 | |
That is what he said, right? Yeah. | 0:20:32 | 0:20:33 | |
It was your sister in law, wasn't it, that nominated you? | 0:20:35 | 0:20:38 | |
It was indeed. | 0:20:38 | 0:20:39 | |
I probably wouldn't have had the self-confidence to do it at | 0:20:39 | 0:20:41 | |
the time, but she put me forward, | 0:20:41 | 0:20:43 | |
and since I've been here now I'm feeling so much better about it, | 0:20:43 | 0:20:47 | |
and trying to push on forward in the competition hopefully. | 0:20:47 | 0:20:50 | |
Well, listen, we can't wait to hear you sing. Good luck. | 0:20:50 | 0:20:53 | |
MUSIC: It's All About You | 0:20:59 | 0:21:01 | |
# It's all about you | 0:21:07 | 0:21:11 | |
# It's all about you, baby | 0:21:11 | 0:21:14 | |
# It's all about you | 0:21:14 | 0:21:17 | |
# It's all about you | 0:21:18 | 0:21:22 | |
# Yesterday you asked me something I thought you knew | 0:21:22 | 0:21:28 | |
# So I told you with a smile | 0:21:28 | 0:21:31 | |
# It's all about you | 0:21:31 | 0:21:36 | |
# And I would answer all your wishes | 0:21:36 | 0:21:40 | |
# If you asked me to | 0:21:40 | 0:21:43 | |
# But if you denied me one of your kisses | 0:21:43 | 0:21:48 | |
# Don't know what I'd do | 0:21:48 | 0:21:50 | |
# So hold me close and say three words | 0:21:50 | 0:21:54 | |
# Like you used to do | 0:21:54 | 0:21:58 | |
# Dancing on the kitchen tiles | 0:21:58 | 0:22:01 | |
# Yeah, you make my life worthwhile | 0:22:01 | 0:22:05 | |
# So I told you with a smile... # | 0:22:05 | 0:22:09 | |
CHEERING | 0:22:09 | 0:22:10 | |
# It's all about you. # | 0:22:10 | 0:22:18 | |
CHEERING AND APPLAUSE | 0:22:18 | 0:22:21 | |
-Let's hear it for Deon, everybody. -Hello, sir. | 0:22:23 | 0:22:28 | |
-Well done, congratulations. -Thank you. | 0:22:28 | 0:22:31 | |
Judges, please enter your scores. | 0:22:31 | 0:22:33 | |
Dannii, what do you think of Deon? | 0:22:33 | 0:22:36 | |
Beautiful, natural voice in there. | 0:22:36 | 0:22:39 | |
It seems like it's very new to you, performing on stage, | 0:22:39 | 0:22:43 | |
-because that was not there at all. -Mm-hm. | 0:22:43 | 0:22:46 | |
You've just got to learn some of the tricks and things | 0:22:46 | 0:22:49 | |
to anchor that performance. | 0:22:49 | 0:22:51 | |
And when you get some of those under your belt, and some that are natural | 0:22:51 | 0:22:54 | |
to you, man, you are going to feel in a different planet. | 0:22:54 | 0:22:59 | |
All right. Gary, what did you think? | 0:22:59 | 0:23:01 | |
You're a really good singer. | 0:23:01 | 0:23:03 | |
The confidence thing, of course, it's going to be an issue tonight. | 0:23:03 | 0:23:06 | |
You know, someone has nominated you to be here. | 0:23:06 | 0:23:09 | |
So I understand it's a huge step for you. | 0:23:09 | 0:23:12 | |
And for me, at this point in the competition, it's about seeing the | 0:23:12 | 0:23:16 | |
talent within somebody and thinking, can we take it a little bit further? | 0:23:16 | 0:23:19 | |
And I'm really hoping the judges have voted with that in mind. | 0:23:19 | 0:23:23 | |
CHEERING AND APPLAUSE | 0:23:23 | 0:23:25 | |
The judges don't know the total number of stars | 0:23:26 | 0:23:29 | |
you've been awarded yet, OK? The magic number is 15. | 0:23:29 | 0:23:33 | |
This is the 15th star, this is the one that has to light up | 0:23:33 | 0:23:37 | |
-if you're going through to the next stage. -Yes. | 0:23:37 | 0:23:39 | |
-All right, you ready for this? -Yep. -OK. | 0:23:39 | 0:23:41 | |
Let's find out how Deon has been scored. | 0:23:41 | 0:23:44 | |
Come on! | 0:23:59 | 0:24:01 | |
Oh! | 0:24:01 | 0:24:02 | |
Ah, well. Thank you. It's all right. Thank you. | 0:24:04 | 0:24:07 | |
HE MOUTHS | 0:24:09 | 0:24:11 | |
13, am I right? Just short. | 0:24:11 | 0:24:13 | |
Amber, just three from you, but you've got to admire this guy's | 0:24:13 | 0:24:16 | |
courage, to come out and suddenly be thrust into this arena. | 0:24:16 | 0:24:19 | |
-That is a thing. -Oh, absolutely. | 0:24:19 | 0:24:21 | |
It definitely is, so good on you for that, because that's a big deal. | 0:24:21 | 0:24:25 | |
But you know, I had to vote based on what it was that I saw, | 0:24:25 | 0:24:27 | |
and I saw potential, but I think | 0:24:27 | 0:24:30 | |
you will probably need a lot of work for eight shows a week... | 0:24:30 | 0:24:32 | |
-Yeah. -..on a theatrical stage. -That's fair enough. Yeah. | 0:24:32 | 0:24:35 | |
Martin, that was a lovely vocal. Was that not enough for you? | 0:24:35 | 0:24:38 | |
It was a lovely vocal, it really was. | 0:24:38 | 0:24:40 | |
It was just a little bit pitchy here and there. | 0:24:40 | 0:24:42 | |
And you've got stuff to work on. | 0:24:42 | 0:24:43 | |
You know, what I think would be really good for you | 0:24:43 | 0:24:46 | |
is to go to see drama coach as well. | 0:24:46 | 0:24:48 | |
Bring the confidence out in yourself, you know? | 0:24:48 | 0:24:51 | |
Open yourself up. | 0:24:51 | 0:24:52 | |
I think you can overcome that and your shyness, | 0:24:52 | 0:24:54 | |
and get a much better performance. | 0:24:54 | 0:24:56 | |
Go and see a drama coach as well as a voice coach. | 0:24:56 | 0:24:59 | |
Gary, any final words of encouragement? | 0:24:59 | 0:25:02 | |
Please, please, go away. | 0:25:02 | 0:25:04 | |
Take this experience, learn from it. | 0:25:04 | 0:25:07 | |
-But please, please, keep singing. -Will do, thank you. | 0:25:07 | 0:25:10 | |
CHEERING AND APPLAUSE | 0:25:10 | 0:25:12 | |
What would you like to say to the judges? | 0:25:13 | 0:25:15 | |
I'd just like to thank you all for your comments, | 0:25:15 | 0:25:17 | |
and I'll definitely go off and work on them, | 0:25:17 | 0:25:19 | |
-and hopefully come back sometime. -All right. | 0:25:19 | 0:25:21 | |
-Ladies and gentlemen, let's hear it for Deon. -Thank you. -Sorry. | 0:25:21 | 0:25:25 | |
There you go, down that way. | 0:25:25 | 0:25:27 | |
So, Deon's not quite right for a part in the stage show. | 0:25:27 | 0:25:31 | |
But the lucky five boys who do end up treading the boards in this new | 0:25:31 | 0:25:34 | |
touring musical will be following in the footsteps of some great | 0:25:34 | 0:25:38 | |
performers. | 0:25:38 | 0:25:39 | |
# I was cheated by you and I think you know when... # | 0:25:39 | 0:25:44 | |
Musical theatre is a big tradition in our country. We love it. | 0:25:44 | 0:25:47 | |
We have incredible shows full of amazing, incredible people. | 0:25:47 | 0:25:52 | |
I'm constantly blown away with the level of talent. | 0:25:52 | 0:25:55 | |
# Now, repeat after me | 0:25:55 | 0:25:57 | |
# I pledge allegiance to the band... # | 0:25:57 | 0:25:59 | |
Eight shows a week is really hard work. | 0:25:59 | 0:26:03 | |
It's a real test, a test of the character. | 0:26:03 | 0:26:05 | |
And some young kids that are going through today, | 0:26:05 | 0:26:07 | |
there's a lot of hard work in it. | 0:26:07 | 0:26:09 | |
I love the musical Wicked. | 0:26:12 | 0:26:14 | |
I went back seven times to watch this musical. | 0:26:14 | 0:26:17 | |
So many beautiful moments, characters on stage, performances. | 0:26:17 | 0:26:22 | |
I'm doing Dreamgirls on the West End. | 0:26:29 | 0:26:31 | |
# We'll be there | 0:26:31 | 0:26:34 | |
# We're your Dreamgirls... # | 0:26:34 | 0:26:36 | |
Coming here, it's something that's very new for me. | 0:26:36 | 0:26:39 | |
I'm just giving these boys the advice that I've been given, | 0:26:40 | 0:26:43 | |
and the things that I've learned while I'm on the same journey. | 0:26:43 | 0:26:46 | |
I'm on the same journey as them. | 0:26:46 | 0:26:49 | |
# Walk like a man, fast as I can... # | 0:26:49 | 0:26:52 | |
Jersey Boys, we're talking about a great story with great music, | 0:26:52 | 0:26:57 | |
with amazing performers in the show. That's basically the key. | 0:26:57 | 0:27:01 | |
That's what people go and see. | 0:27:01 | 0:27:02 | |
GUNFIRE | 0:27:02 | 0:27:05 | |
Every single musical that's on in the West End right now | 0:27:05 | 0:27:09 | |
applies to what we're talking about here. | 0:27:09 | 0:27:11 | |
Other musicals are our competition, and there's some amazing ones. | 0:27:11 | 0:27:14 | |
# More! # | 0:27:14 | 0:27:18 | |
In our common room, you'll find total amateurs and experienced pros | 0:27:29 | 0:27:33 | |
who've all been invited to impress the Let It Shine judges. | 0:27:33 | 0:27:36 | |
Now, you might think our next contender, | 0:27:36 | 0:27:38 | |
West End performer Matt, should be more confident than most. | 0:27:38 | 0:27:41 | |
But even HE'S not feeling totally stage ready. | 0:27:41 | 0:27:44 | |
I look like I got dressed in the dark. | 0:27:44 | 0:27:46 | |
Mate, don't put yourself down, OK? | 0:27:46 | 0:27:48 | |
It's casual chic, that's we'll call it, yeah? | 0:27:48 | 0:27:51 | |
CHEERING AND APPLAUSE | 0:27:52 | 0:27:56 | |
-Hello there. -Hi. -How are you? -I'm well, how are you? | 0:28:08 | 0:28:12 | |
-Very good, thank you. What's your name? -My name's Matt Thorpe. | 0:28:12 | 0:28:15 | |
I'm 30 and I'm from London. CHEERING | 0:28:15 | 0:28:18 | |
-That's a cracking hairstyle you have there. -Thank you very much. LAUGHTER | 0:28:18 | 0:28:21 | |
So Matt, tell us what you do in your life. | 0:28:21 | 0:28:23 | |
I'm a performer for a living. | 0:28:23 | 0:28:25 | |
I'm currently in Green Day's musical, American Idiot. | 0:28:25 | 0:28:28 | |
I've been lucky enough to be in shows like Jersey Boys, | 0:28:28 | 0:28:31 | |
and We Will Rock You... | 0:28:31 | 0:28:32 | |
CHEERING ..and Mamma Mia. | 0:28:32 | 0:28:34 | |
So you do this as a profession? | 0:28:34 | 0:28:37 | |
Yeah, this is my job. | 0:28:37 | 0:28:38 | |
So obviously, being in all the shows, being drawn to this, | 0:28:38 | 0:28:43 | |
-you want to be in this show, clearly? -Absolutely, yeah, yeah. | 0:28:43 | 0:28:45 | |
It would be great to be in something that's brand-new. | 0:28:45 | 0:28:48 | |
-British musical, but a great songwriter. -Oh, thank you. | 0:28:48 | 0:28:50 | |
Thank you. | 0:28:50 | 0:28:52 | |
Great. Well, listen. Let's not mess around. | 0:28:54 | 0:28:57 | |
I can't wait to hear you sing. | 0:28:57 | 0:28:59 | |
-Let's go. -Good luck. -Thank you. | 0:28:59 | 0:29:01 | |
MUSIC: If I Ain't Got You | 0:29:10 | 0:29:13 | |
# Some people live for the fortunes... # | 0:29:23 | 0:29:27 | |
CHEERING | 0:29:27 | 0:29:28 | |
# Some people live just for the fame | 0:29:28 | 0:29:33 | |
# Some people live for the power, yeah, yeah | 0:29:35 | 0:29:41 | |
# Some people live just to play the game | 0:29:41 | 0:29:44 | |
# Some people claim that the physical things | 0:29:46 | 0:29:52 | |
# Define what's within | 0:29:52 | 0:29:57 | |
# Some people want it all | 0:29:57 | 0:30:00 | |
# But I don't want nothing at all | 0:30:00 | 0:30:02 | |
# If it ain't you, baby | 0:30:02 | 0:30:06 | |
# If I ain't got you, b-b-b-baby | 0:30:06 | 0:30:10 | |
# Yeah | 0:30:10 | 0:30:12 | |
# Some just want everything | 0:30:12 | 0:30:14 | |
# But everything means nothing | 0:30:14 | 0:30:18 | |
# If I ain't got you, you, you | 0:30:18 | 0:30:21 | |
# Some people want, ah... | 0:30:21 | 0:30:26 | |
# Oh, if it ain't you, baby | 0:30:26 | 0:30:30 | |
# If I ain't got you, baby | 0:30:30 | 0:30:33 | |
# Some people want diamond rings | 0:30:33 | 0:30:36 | |
# Some just want everything | 0:30:36 | 0:30:39 | |
# But everything means nothing | 0:30:39 | 0:30:42 | |
# If I ain't got you | 0:30:42 | 0:30:46 | |
# If I ain't got you with me, baby | 0:30:51 | 0:30:54 | |
# If I ain't got you. # | 0:30:54 | 0:30:58 | |
CHEERING AND APPLAUSE | 0:30:58 | 0:31:01 | |
Let's go to Dannii, first. What do you think of Matt? | 0:31:12 | 0:31:14 | |
With the boyband thing, | 0:31:14 | 0:31:16 | |
I have to believe, as a girl, | 0:31:16 | 0:31:18 | |
you're singing it to me, you know? | 0:31:18 | 0:31:21 | |
You love me. | 0:31:21 | 0:31:22 | |
I believe it. | 0:31:22 | 0:31:25 | |
LAUGHTER | 0:31:25 | 0:31:27 | |
CHEERING AND APPLAUSE | 0:31:27 | 0:31:30 | |
Is that how you felt, Martin? | 0:31:30 | 0:31:31 | |
LAUGHTER | 0:31:31 | 0:31:33 | |
I did, actually. I got it. | 0:31:34 | 0:31:38 | |
They got it. Everybody in this whole room got it. | 0:31:38 | 0:31:43 | |
Ah-ha. OK! | 0:31:43 | 0:31:45 | |
All right, let's find out how those comments translate into stars. | 0:31:45 | 0:31:49 | |
Here we go, let's find out how Matt has been scored. | 0:31:49 | 0:31:53 | |
Come on. | 0:31:59 | 0:32:01 | |
Here they go. Here they go. | 0:32:02 | 0:32:03 | |
Yes! 15. Any more? | 0:32:11 | 0:32:14 | |
Yes! 18, 19... | 0:32:14 | 0:32:17 | |
here we go...yes! | 0:32:17 | 0:32:20 | |
For Matt, 20 stars, a standing ovation. How great is that? | 0:32:30 | 0:32:36 | |
Well done. | 0:32:40 | 0:32:42 | |
Now, I feel like you should now get a car or something... | 0:32:42 | 0:32:46 | |
-LAUGHTER -..but there's no extra prize. | 0:32:46 | 0:32:49 | |
You just get through to the next stage of the competition. | 0:32:49 | 0:32:51 | |
That's good. | 0:32:51 | 0:32:52 | |
Final word to the man who wrote the songs, Gary? | 0:32:52 | 0:32:55 | |
What you did tonight was absolutely outstanding. | 0:32:55 | 0:32:58 | |
-Well done to you. -Thank you. | 0:32:58 | 0:33:00 | |
We'll see you in the next stage of the competition. | 0:33:02 | 0:33:04 | |
It's Matt, everybody. | 0:33:04 | 0:33:06 | |
CHEERING AND APPLAUSE | 0:33:06 | 0:33:08 | |
Well done. There you go. | 0:33:08 | 0:33:10 | |
Well done. | 0:33:11 | 0:33:13 | |
CHEERING | 0:33:13 | 0:33:16 | |
Gents... Gentlemen and gentlemen... | 0:33:16 | 0:33:19 | |
I give you Matt Thorpe. He brings news. | 0:33:19 | 0:33:22 | |
-20 stars. -CHEERING | 0:33:22 | 0:33:25 | |
So a maximum for Matt, and while the mood's up in studio, | 0:33:29 | 0:33:33 | |
prepare for another 20-star performance. | 0:33:33 | 0:33:35 | |
# Is this the way to Amarillo? | 0:33:35 | 0:33:39 | |
# Every night I've been hugging my pillow | 0:33:39 | 0:33:43 | |
# Dreaming dreams of Amarillo | 0:33:43 | 0:33:47 | |
# And sweet Marie who waits for me | 0:33:47 | 0:33:50 | |
# Sha-la-la-la-la-la-la-la, hey | 0:33:51 | 0:33:54 | |
# Sha-la-la-la-la-la-la-la | 0:33:54 | 0:33:57 | |
# Sha-la-la-la-la-la-la-la | 0:33:57 | 0:34:01 | |
# And Marie who waits for me. # | 0:34:01 | 0:34:03 | |
CHEERING AND APPLAUSE | 0:34:03 | 0:34:07 | |
I'm absolutely exhausted. | 0:34:07 | 0:34:08 | |
Word of advice, loves, | 0:34:13 | 0:34:14 | |
don't try that dance manoeuvre in these trousers. | 0:34:14 | 0:34:17 | |
-LAUGHTER -I love her! | 0:34:17 | 0:34:21 | |
Nice. | 0:34:21 | 0:34:23 | |
The touring musical our winning boys will star in features | 0:34:24 | 0:34:26 | |
Take That's music, but it doesn't tell the story of the band, | 0:34:26 | 0:34:29 | |
so we're not searching for lookalikes. | 0:34:29 | 0:34:32 | |
Our next auditionee, however, does seem rather familiar. | 0:34:32 | 0:34:35 | |
CHEERING | 0:34:42 | 0:34:44 | |
Good grief, you look like a friend of mine. | 0:34:53 | 0:34:56 | |
LAUGHTER, CHEERING | 0:34:56 | 0:34:58 | |
What's your name, please, sir? | 0:34:58 | 0:35:00 | |
I'm Dan Budd. | 0:35:00 | 0:35:02 | |
I'm scared to ask what you do for a living. | 0:35:02 | 0:35:06 | |
I am a Robbie Williams tribute act. | 0:35:06 | 0:35:08 | |
CHEERING AND APPLAUSE | 0:35:08 | 0:35:11 | |
He will be made up you're wearing those shoes. | 0:35:14 | 0:35:17 | |
He loves those shoes. | 0:35:17 | 0:35:20 | |
-Listen, we're dying to see what you can do. Good luck. -Thank you. | 0:35:20 | 0:35:25 | |
MUSIC: No Regrets | 0:35:32 | 0:35:36 | |
# Tell me a story... # | 0:35:43 | 0:35:46 | |
He sounds like him, as well. | 0:35:46 | 0:35:47 | |
# Where we all change | 0:35:47 | 0:35:50 | |
-# And we live our lives together and... # -Whoa! | 0:35:52 | 0:35:56 | |
# Not estranged | 0:35:57 | 0:36:00 | |
# I didn't lose my mind It was mine to give away | 0:36:02 | 0:36:08 | |
# Couldn't stay to watch me cry You didn't have the time | 0:36:11 | 0:36:16 | |
# So I softly slip away | 0:36:16 | 0:36:21 | |
# No regrets | 0:36:23 | 0:36:25 | |
# They don't work | 0:36:28 | 0:36:30 | |
# No regrets, now | 0:36:32 | 0:36:35 | |
# They only hurt | 0:36:37 | 0:36:39 | |
# Sing me a love song | 0:36:42 | 0:36:44 | |
# Drop me a line | 0:36:47 | 0:36:49 | |
# Suppose it's just a point of view | 0:36:51 | 0:36:56 | |
# But they tell me I'm doing fine | 0:36:56 | 0:37:00 | |
# Remember the photographs Insane | 0:37:00 | 0:37:05 | |
# The ones where we all laugh So lame | 0:37:05 | 0:37:10 | |
# We were having the time of our lives | 0:37:10 | 0:37:13 | |
# Well, thank you It was a real blast. # | 0:37:13 | 0:37:22 | |
CHEERING AND APPLAUSE | 0:37:22 | 0:37:25 | |
Give it up for Dan, everybody! | 0:37:27 | 0:37:29 | |
-Well done, sir. -Thank you. -Judges, please put your scores in. | 0:37:32 | 0:37:38 | |
Gary, that must have been a strange experience. | 0:37:38 | 0:37:40 | |
You are an amazing impersonator. | 0:37:40 | 0:37:43 | |
-Yeah. -I mean, you really... | 0:37:43 | 0:37:45 | |
It's unbelievable how much you sound and look like Rob. | 0:37:46 | 0:37:50 | |
-I mean, it really is. -Thank you. | 0:37:50 | 0:37:52 | |
We're trying to create this musical featuring the music. | 0:37:52 | 0:37:55 | |
At no point do I want band members to be named. | 0:37:55 | 0:37:59 | |
I want to take that out of it and have their music celebrated | 0:37:59 | 0:38:01 | |
to an entirely new story. | 0:38:01 | 0:38:03 | |
So by having someone who basically sounds and looks absolutely | 0:38:03 | 0:38:07 | |
identically to Robbie is kind of going against everything | 0:38:07 | 0:38:10 | |
that I'm trying to do, and it's whether we can de-Robbie you... | 0:38:10 | 0:38:14 | |
-Yeah. -..is the point. | 0:38:14 | 0:38:16 | |
But you're talented. There's no question about it. | 0:38:16 | 0:38:18 | |
-You have a very good voice. -Thank you. -Dannii, how do you feel? | 0:38:18 | 0:38:22 | |
Your energy, your showmanship, there's nothing that I can fault. | 0:38:22 | 0:38:26 | |
But did I see you? | 0:38:28 | 0:38:30 | |
I'm thinking you couldn't not put this guy through, | 0:38:30 | 0:38:34 | |
cos the vocals are insanely good, insanely strong. | 0:38:34 | 0:38:39 | |
They would hold up for eight shows a week and more. | 0:38:39 | 0:38:42 | |
CHEERING | 0:38:42 | 0:38:46 | |
Amber, you're probably less familiar with Robbie Williams, | 0:38:46 | 0:38:49 | |
-so what did you make of the performance? -I was completely | 0:38:49 | 0:38:52 | |
-enamoured by your performance. You are freaking incredible. -Thank you. | 0:38:52 | 0:38:56 | |
-Your voice is incredible. -Thank you very much. | 0:38:56 | 0:38:59 | |
Whether or not you sound just like him, you know, | 0:38:59 | 0:39:04 | |
that really doesn't matter to me. I loved what you did today. | 0:39:04 | 0:39:08 | |
Dan, do you think you can unlearn the habits? | 0:39:08 | 0:39:13 | |
-Yeah! -Yeah? | 0:39:13 | 0:39:14 | |
-Right answer. -Yes! -All right, this is it. | 0:39:14 | 0:39:18 | |
We're going to find out if you're going through to the next stage | 0:39:18 | 0:39:21 | |
of the competition. Ready for this? You are. Here we go. | 0:39:21 | 0:39:25 | |
Let's find out how Dan has been scored. | 0:39:25 | 0:39:27 | |
-AUDIENCE MEMBER: -Go on, Dan! | 0:39:27 | 0:39:29 | |
Come on, come on... | 0:39:40 | 0:39:42 | |
Go on! | 0:39:44 | 0:39:45 | |
Oh! | 0:39:47 | 0:39:49 | |
Oh! | 0:39:49 | 0:39:51 | |
CHEERING | 0:39:51 | 0:39:53 | |
HE MOUTHS | 0:39:54 | 0:39:56 | |
That's fantastic, congratulations, Dan. | 0:39:56 | 0:39:59 | |
Now, I'm trying to read Gary's expression. | 0:40:00 | 0:40:02 | |
Well, let me just say, Dan, I got my scoring wrong. | 0:40:02 | 0:40:06 | |
I got my scoring wrong. | 0:40:06 | 0:40:07 | |
I've had more time to think about it, | 0:40:07 | 0:40:09 | |
and I should have given you a five. I should. | 0:40:09 | 0:40:11 | |
CHEERING AND APPLAUSE | 0:40:11 | 0:40:13 | |
Wow. | 0:40:13 | 0:40:14 | |
-That's a nice thing to hear. -Thank you so much. | 0:40:21 | 0:40:23 | |
I'm going to show you there's more to me than just Rob. | 0:40:23 | 0:40:27 | |
Ladies and gentlemen, give it up for Dan Budd. | 0:40:27 | 0:40:29 | |
CHEERING | 0:40:29 | 0:40:30 | |
HE MOUTHS | 0:40:30 | 0:40:32 | |
-My doubt is that it feels to me like it's so ingrained in him... -Yeah. | 0:40:35 | 0:40:41 | |
-Yeah. -It's an interesting problem, to see if you can get rid of it. | 0:40:41 | 0:40:44 | |
-Yep. -Because if you can, and you can pull out his own voice, | 0:40:44 | 0:40:47 | |
it's going to be great. | 0:40:47 | 0:40:50 | |
Are you going to be going for the whole, kind of, Robbie thing | 0:40:50 | 0:40:52 | |
-next time? -No, no. They don't want Robbie. | 0:40:52 | 0:40:55 | |
It's not that show. They want me for me. | 0:40:55 | 0:40:58 | |
Are you going to change the hair, though, seriously, for next time? | 0:40:58 | 0:41:01 | |
-Who knows? -Who knows? I'll keep everyone guessing. | 0:41:01 | 0:41:03 | |
-Keep the options very, very open. -Yes. | 0:41:03 | 0:41:07 | |
Talking of keeping things open, | 0:41:08 | 0:41:10 | |
18-year-old student Elijah Holloway has gone textbook boyband. | 0:41:10 | 0:41:14 | |
-Exposed armpits? Check. -Explain the vest. | 0:41:14 | 0:41:17 | |
-Very boyband, I've got to say. -It's not boyband. It's for movement. | 0:41:17 | 0:41:21 | |
I'm doing a very energetic performance, | 0:41:21 | 0:41:23 | |
-so I just want to be comfortable. -It's tactical, mate. | 0:41:23 | 0:41:26 | |
They said wear what you'd wear. This is genuinely what I'd wear. | 0:41:26 | 0:41:28 | |
Yep. In the bedroom. | 0:41:28 | 0:41:30 | |
CHEERING | 0:41:31 | 0:41:33 | |
-Hi, what's your name? -My name's Elijah Holloway. | 0:41:44 | 0:41:46 | |
-I'm 18 and I'm from Letchworth Garden City. -OK. | 0:41:46 | 0:41:49 | |
CHEERING | 0:41:49 | 0:41:52 | |
And what do you do? | 0:41:52 | 0:41:53 | |
At the moment I'm working in a department store, | 0:41:53 | 0:41:56 | |
so I'm actually mostly selling perfume to quite rich customers. | 0:41:56 | 0:42:00 | |
But it's quite fun cos I've got quite a good technique. | 0:42:00 | 0:42:02 | |
My technique is to convince the customer they have to buy this | 0:42:02 | 0:42:05 | |
product, so without this product, if they go away, | 0:42:05 | 0:42:07 | |
-they're empty-handed. -OK... -They have to buy this perfume. | 0:42:07 | 0:42:10 | |
-..what are you selling today? -I'd say Amber, you're looking | 0:42:10 | 0:42:12 | |
for a spicy, rich fragrance. | 0:42:12 | 0:42:14 | |
Gary, you're looking for something floral, light. Like yourself. | 0:42:14 | 0:42:17 | |
LAUGHTER, CHEERING | 0:42:17 | 0:42:19 | |
I'd say, Dannii, you're definitely looking for something elegant, | 0:42:19 | 0:42:24 | |
quite sophisticated. | 0:42:24 | 0:42:26 | |
Martin, I'd say you're looking for something quite wooden. | 0:42:26 | 0:42:28 | |
-AUDIENCE: -Oh! | 0:42:28 | 0:42:31 | |
And by wooden, I mean mature and elegant. | 0:42:31 | 0:42:35 | |
I know I was in EastEnders for a while, | 0:42:35 | 0:42:37 | |
but that's below the belt, I thought. | 0:42:37 | 0:42:39 | |
Well, this is your moment to leave the perfume department. | 0:42:39 | 0:42:43 | |
-Let's do it. -Yeah, do it. -Excellent. | 0:42:43 | 0:42:46 | |
Why, this car could be automatic... | 0:42:53 | 0:42:56 | |
CHEERING | 0:42:56 | 0:42:58 | |
It's systematic... | 0:42:58 | 0:43:00 | |
CHEERING | 0:43:00 | 0:43:02 | |
It's hydromatic... | 0:43:02 | 0:43:05 | |
# Why, it's greased lightning | 0:43:07 | 0:43:09 | |
# We'll get some overhead lifters and some four barrel quads, oh, yeah | 0:43:10 | 0:43:13 | |
# A fuel injection cut-off and chrome-plated rods, oh, yeah | 0:43:16 | 0:43:20 | |
# With a four-speed on the floor they'll be waiting at the door | 0:43:22 | 0:43:25 | |
# You know that it's for real We'll be getting lots of feel | 0:43:25 | 0:43:28 | |
# With greased lightning | 0:43:28 | 0:43:30 | |
# Go, greased lightning You're burning up the quarter mile | 0:43:31 | 0:43:34 | |
# Go, greased lightning | 0:43:37 | 0:43:39 | |
# You're coasting through the heat lap trials | 0:43:39 | 0:43:41 | |
# You are supreme The chicks'll scream | 0:43:43 | 0:43:45 | |
# For greased lightning... # | 0:43:45 | 0:43:48 | |
Everybody clap! | 0:44:02 | 0:44:04 | |
# Go, greased lightning You're burning up the quarter mile | 0:44:13 | 0:44:17 | |
# Go, greased lightning | 0:44:19 | 0:44:21 | |
# You're coasting through the heat lap trials | 0:44:21 | 0:44:25 | |
# You are supreme The chicks'll scream | 0:44:25 | 0:44:28 | |
# For greased lighting | 0:44:28 | 0:44:30 | |
# Greased lightning | 0:44:31 | 0:44:35 | |
# Greased lightning. # | 0:44:35 | 0:44:39 | |
CHEERING AND APPLAUSE | 0:44:39 | 0:44:42 | |
Let's hear it for Elijah, everybody! | 0:44:43 | 0:44:45 | |
Congratulations, sir, well done. | 0:44:47 | 0:44:49 | |
Judges, if you want to enter your number of stars, now would be | 0:44:49 | 0:44:52 | |
-the time to do it. I have to say, you smell very good. -Thank you. | 0:44:52 | 0:44:57 | |
Gary, I'll go to you. What do you make of Elijah? | 0:44:57 | 0:45:00 | |
Er, Elijah, the chat is so much better than the singing, | 0:45:00 | 0:45:03 | |
-let me just tell you that. -AUDIENCE: -Ooh! | 0:45:03 | 0:45:05 | |
A very entertaining song, but even the moves weren't that great. | 0:45:05 | 0:45:09 | |
Not that I know that much about moves... | 0:45:09 | 0:45:11 | |
-LAUGHTER -..but I know enough. | 0:45:11 | 0:45:13 | |
-Amber? -I feel like you have potential, | 0:45:14 | 0:45:18 | |
and you know what kind of won me over, actually? | 0:45:18 | 0:45:22 | |
The very last note that you hit and you held showed me that there's | 0:45:22 | 0:45:25 | |
a lot more inside there than you probably know. | 0:45:25 | 0:45:28 | |
One of the things that I feel like I'm looking for is someone | 0:45:28 | 0:45:31 | |
whose personality can fill the room as well as their voice. | 0:45:31 | 0:45:35 | |
-So I enjoyed it. -Thank you. | 0:45:35 | 0:45:39 | |
Mixed comments there. | 0:45:39 | 0:45:40 | |
You ready? Let's find out how Elijah has been scored. | 0:45:42 | 0:45:45 | |
Ooh! | 0:46:01 | 0:46:03 | |
11, Elijah. I'm sorry. | 0:46:05 | 0:46:09 | |
-Gary, seriously? -Do you know what? | 0:46:10 | 0:46:13 | |
-One?! -Can I just say, Elijah, | 0:46:13 | 0:46:16 | |
when you see the last five people we have in this competition, | 0:46:16 | 0:46:19 | |
they're people who will have put their whole life into this. | 0:46:19 | 0:46:23 | |
I feel like you're just about to start on that treadmill. | 0:46:23 | 0:46:26 | |
How are you feeling now? | 0:46:26 | 0:46:27 | |
Do you feel encouraged by their words in the end? | 0:46:27 | 0:46:30 | |
Yeah. Maybe some more singing experience is required. | 0:46:30 | 0:46:33 | |
I think there definitely is a lot more to my voice, | 0:46:33 | 0:46:36 | |
and maybe nerves got the better of me. | 0:46:36 | 0:46:38 | |
Yes, to come out here and entertain a crowd is not an easy thing to do. | 0:46:38 | 0:46:41 | |
I'm sorry we're not going to see you... | 0:46:41 | 0:46:43 | |
Well, not in the rest of this competition. | 0:46:43 | 0:46:45 | |
We'll see you again, obviously. | 0:46:45 | 0:46:46 | |
-You're not killed when you walk offstage. -No. | 0:46:46 | 0:46:49 | |
-I don't know what happens backstage. -It's not that harsh. | 0:46:49 | 0:46:53 | |
Ladies and gentlemen, please give a huge round of applause to Elijah. | 0:46:53 | 0:46:57 | |
CHEERING AND APPLAUSE | 0:46:57 | 0:46:58 | |
Wow, Gary. One? | 0:47:03 | 0:47:06 | |
Is like another art, doing an audition. | 0:47:09 | 0:47:11 | |
To try and present yourself within one minute 30 on a stage, | 0:47:13 | 0:47:17 | |
in front of an audience, takes a lot of courage. | 0:47:17 | 0:47:19 | |
-Hiya. -How are you doing? | 0:47:19 | 0:47:21 | |
I'm doing much better now. | 0:47:21 | 0:47:23 | |
The audition arena is one of the hardest places to be in | 0:47:23 | 0:47:26 | |
for any actor, performer, musician. | 0:47:26 | 0:47:28 | |
I've had to go through the audition process as well. It is frightening. | 0:47:31 | 0:47:36 | |
You can tell as soon as someone walks in the room, | 0:47:38 | 0:47:40 | |
-the confidence level. -You look great, by the way. -So do you. | 0:47:40 | 0:47:44 | |
LAUGHTER | 0:47:44 | 0:47:45 | |
This is going to go extremely well, this audition, I can feel it. | 0:47:45 | 0:47:49 | |
When you have confidence, that's your spirit in your heart. | 0:47:49 | 0:47:52 | |
# Show me how to fight for now | 0:47:52 | 0:47:54 | |
# And I tell you, baby | 0:47:54 | 0:47:57 | |
# It was easy coming back here to you once I figured it out | 0:47:57 | 0:48:01 | |
# You were right here all along... # | 0:48:01 | 0:48:04 | |
Manchester, make some noise, come on! CHEERING | 0:48:04 | 0:48:07 | |
You see something in their eyes. | 0:48:07 | 0:48:09 | |
When they look at the audience, you can see how much they want it. | 0:48:09 | 0:48:13 | |
# It's like you're my mirror. # | 0:48:13 | 0:48:15 | |
Yes! Yes! | 0:48:17 | 0:48:20 | |
You had them. That is a gift. | 0:48:22 | 0:48:24 | |
Keep going with that, you've got star talent. | 0:48:24 | 0:48:28 | |
Hiya. You all right? | 0:48:28 | 0:48:30 | |
You can't really give someone a personality. | 0:48:31 | 0:48:34 | |
They've either got it or they haven't. | 0:48:34 | 0:48:36 | |
My name is Harry Fabulous Brown and I'm 17 years old. | 0:48:36 | 0:48:40 | |
CHEERING Harry Fabulous... | 0:48:40 | 0:48:42 | |
-Is that your real name? Fabulous? -That is my genuine, real name. | 0:48:42 | 0:48:45 | |
# My mamma don't like you, and she likes everyone... # | 0:48:47 | 0:48:50 | |
Before I was born, my sister, she used to call me Baby Fabulous. | 0:48:50 | 0:48:54 | |
# And I've been so caught up in my job | 0:48:54 | 0:48:56 | |
# I didn't see what's going on... # | 0:48:56 | 0:48:59 | |
And so when my dad was sent to the registry office, | 0:48:59 | 0:49:02 | |
he just thought, why don't I just call him Harry Fabulous Brown? | 0:49:02 | 0:49:05 | |
-LAUGHTER -And it's stuck ever since. | 0:49:05 | 0:49:08 | |
# You should go and love yourself. # | 0:49:08 | 0:49:12 | |
Oh! Oh! Oh! | 0:49:16 | 0:49:19 | |
17 stars? Wow. | 0:49:20 | 0:49:24 | |
'One of the best things that happens for me | 0:49:24 | 0:49:26 | |
'is when you're completely surprised.' | 0:49:26 | 0:49:28 | |
# I was left... # | 0:49:28 | 0:49:29 | |
'Could that be in the show? Well, yeah, it could be.' | 0:49:29 | 0:49:32 | |
And all of a sudden, you start to think differently about the endgame. | 0:49:32 | 0:49:36 | |
And that's exciting. | 0:49:36 | 0:49:37 | |
# Woo! # | 0:49:37 | 0:49:41 | |
Yeah! | 0:49:44 | 0:49:47 | |
I'm always worried when people come out and they're full of personality, | 0:49:47 | 0:49:50 | |
and often it fades when the song starts. | 0:49:50 | 0:49:52 | |
You actually backed it up with some real talent. | 0:49:52 | 0:49:54 | |
CHEERING | 0:49:54 | 0:49:56 | |
On audition day you have to feel your best. | 0:49:56 | 0:49:59 | |
If you don't, it's the worst nightmare. | 0:49:59 | 0:50:02 | |
-How are you doing? -All right. | 0:50:02 | 0:50:04 | |
My throat's just a little bit sore. | 0:50:04 | 0:50:06 | |
Are you going to be able to get the high notes? | 0:50:06 | 0:50:09 | |
We'll have to wait and find out. | 0:50:09 | 0:50:11 | |
What do you do for a living? | 0:50:11 | 0:50:13 | |
I'm an actor/singer/dancer. | 0:50:13 | 0:50:15 | |
-I managed to be in The Book Of Mormon in the West End. -Oh, wow. | 0:50:15 | 0:50:20 | |
# You watch me bleed until I can't breathe | 0:50:20 | 0:50:23 | |
# I'm shaking, falling onto my knees...# | 0:50:23 | 0:50:27 | |
When you want a part so badly, | 0:50:27 | 0:50:29 | |
but your body lets you down, it can be really tough. | 0:50:29 | 0:50:32 | |
And it can really hurt. | 0:50:32 | 0:50:34 | |
# I'll be needing stitches... # | 0:50:34 | 0:50:36 | |
I don't know if you've told anyone, | 0:50:36 | 0:50:38 | |
but you're either getting over a cold, or you've got a cold, right? | 0:50:38 | 0:50:41 | |
-I've got tonsillitis. -AUDIENCE: -Aw! | 0:50:41 | 0:50:44 | |
Cos I can tell you can sing, but you're far from your best. | 0:50:44 | 0:50:47 | |
You shouldn't even be talking. | 0:50:47 | 0:50:48 | |
If your doctor saw you now, he'd be like, "Sh!" | 0:50:48 | 0:50:51 | |
-Which shows me that you really want this. -Yeah! | 0:50:51 | 0:50:54 | |
-I did it...just! -Oh, wow! -15. | 0:51:04 | 0:51:07 | |
-Oh! -Such a relief. | 0:51:07 | 0:51:10 | |
-Yay! Can we get you a hot lemon and honey? -I'd love a brew. | 0:51:10 | 0:51:14 | |
Yeah, a little brew? I shall sort that out for you. Come on. | 0:51:14 | 0:51:17 | |
Meet 27-year-old business analyst and singer Kyle. | 0:51:22 | 0:51:27 | |
All right, Billy Elliot in the room. | 0:51:27 | 0:51:29 | |
He's busy boosting his boyband chances with some priceless | 0:51:29 | 0:51:33 | |
-dance tuition. -I'm like a baby elephant as opposed to Billy Elliot. | 0:51:33 | 0:51:36 | |
OK. I'll tell you what you do need to be able to do. | 0:51:36 | 0:51:39 | |
Take That started with the running man. | 0:51:39 | 0:51:41 | |
-Can you do the running man? -No. | 0:51:41 | 0:51:42 | |
-Come on, Howard. You know the running man. -Can you do that? | 0:51:42 | 0:51:45 | |
-I don't want to attempt it, cos I'll probably look like... -Come on. | 0:51:45 | 0:51:49 | |
-Right... -There you go. | 0:51:49 | 0:51:51 | |
That's it. You are in. You are officially in. | 0:51:51 | 0:51:55 | |
Nice one. | 0:51:55 | 0:51:56 | |
I am Kyle's biggest fan. And I'm not ashamed to admit it. | 0:51:59 | 0:52:03 | |
My heart bursts when I hear him sing. I just love it. | 0:52:03 | 0:52:07 | |
Kyle's big dream is to be on stage entertaining, | 0:52:07 | 0:52:11 | |
singing his heart away. | 0:52:11 | 0:52:13 | |
Every single Christmas party we have at work, he's the first person | 0:52:13 | 0:52:16 | |
to try and get on the stage and grab the mic off the DJ. | 0:52:16 | 0:52:19 | |
He comes as this bit of a cheeky chappie, Jack the Lad. | 0:52:19 | 0:52:23 | |
But when he sings, he's serious about it. | 0:52:23 | 0:52:26 | |
I don't think his future lies here in this office. | 0:52:26 | 0:52:29 | |
I think his future lies out there on the stage, | 0:52:29 | 0:52:31 | |
because you can just see it's what he wants to do. | 0:52:31 | 0:52:34 | |
Kyle's probably a nervous person, but it never shows. | 0:52:34 | 0:52:38 | |
Kyle, you just need to believe in yourself. You just need | 0:52:38 | 0:52:41 | |
to have confidence in what you do. | 0:52:41 | 0:52:43 | |
CHEERING AND APPLAUSE | 0:52:43 | 0:52:45 | |
-Hi, how are you? -I'm really good, thanks. -Good, what's your name? | 0:52:53 | 0:52:57 | |
My name's Kyle Passmore. I'm 27, from Blackpool, | 0:52:57 | 0:52:59 | |
live in Birmingham now. | 0:52:59 | 0:53:01 | |
CHEERING | 0:53:01 | 0:53:02 | |
So what do you do for a living? | 0:53:05 | 0:53:06 | |
Monday to Friday I'm a business analyst, | 0:53:06 | 0:53:08 | |
so I've got to act like, "Hi, good morning, everyone". | 0:53:08 | 0:53:11 | |
-At the weekend I'm a mess. -LAUGHTER | 0:53:11 | 0:53:13 | |
Then back at work on Monday, I'm like, "Hi, Janet, you all right?" | 0:53:13 | 0:53:16 | |
I'm a mess on the weekend too! | 0:53:16 | 0:53:19 | |
Is this like the most nerve-racking experience? How has it been? | 0:53:19 | 0:53:23 | |
It's amazing, but it's probably the second. The worst one, | 0:53:23 | 0:53:26 | |
I worked at the Winter Gardens in Blackpool. The Royal Variety came. | 0:53:26 | 0:53:30 | |
My boss said, "You can open the door for the Queen." I'm like, "What?!" | 0:53:30 | 0:53:33 | |
-LAUGHTER -So everyone started bowing, and I'm like... | 0:53:33 | 0:53:36 | |
LAUGHTER | 0:53:36 | 0:53:38 | |
That's the picture. I'm like this. | 0:53:38 | 0:53:41 | |
So that's the most nervous. | 0:53:41 | 0:53:43 | |
But obviously this is just as nervous. | 0:53:46 | 0:53:47 | |
I've had a similar experience. | 0:53:47 | 0:53:49 | |
-I met the President of the United States, President Obama. -Oh, my God. | 0:53:49 | 0:53:52 | |
And I sang for him, and I snorted... | 0:53:52 | 0:53:55 | |
So... LAUGHTER | 0:53:55 | 0:53:58 | |
We're in the same boat, kinda. | 0:53:58 | 0:53:59 | |
-Exactly! -Well, I'm really excited to hear you sing. | 0:53:59 | 0:54:03 | |
-So are you ready to give it a go? -I'm ready to do it. | 0:54:03 | 0:54:05 | |
-All right, good luck. -Thank you. | 0:54:05 | 0:54:07 | |
CHEERING | 0:54:07 | 0:54:10 | |
MUSIC: You Give Me Something | 0:54:20 | 0:54:23 | |
# You only stay with me in the morning... # | 0:54:23 | 0:54:26 | |
CHEERING | 0:54:26 | 0:54:29 | |
# You only hold me when I sleep | 0:54:29 | 0:54:32 | |
# And I was meant to tread the water, ooh | 0:54:35 | 0:54:41 | |
# But now I've gotten in too deep | 0:54:41 | 0:54:44 | |
# For every piece of me that wants you | 0:54:47 | 0:54:52 | |
# Another piece backs away | 0:54:53 | 0:54:57 | |
# Cos you give me something You make me scared, all right | 0:54:57 | 0:55:05 | |
# This could be nothing But I'm willing to give it a try | 0:55:05 | 0:55:10 | |
# Please give me something | 0:55:10 | 0:55:15 | |
# Cos someday I might call you from my heart | 0:55:15 | 0:55:20 | |
# But it might be a second too late | 0:55:20 | 0:55:23 | |
# And the words that I could never say | 0:55:25 | 0:55:29 | |
# Gonna come out anyway, yeah... # | 0:55:29 | 0:55:34 | |
CHEERING | 0:55:34 | 0:55:37 | |
# Cos you give me something | 0:55:37 | 0:55:41 | |
# You know, you make me scared, all right | 0:55:41 | 0:55:44 | |
# Yeah | 0:55:44 | 0:55:46 | |
# Cos someday I might know my heart... # | 0:55:47 | 0:55:53 | |
CHEERING | 0:55:54 | 0:55:56 | |
Good job, Kyle. | 0:56:01 | 0:56:03 | |
Judges, have you all put in your scores? | 0:56:08 | 0:56:11 | |
Martin, what did you think? | 0:56:11 | 0:56:12 | |
You know, in auditions in drama, | 0:56:12 | 0:56:14 | |
there's three Cs that they talk about. | 0:56:14 | 0:56:16 | |
You have to be confident, you have to be charismatic, | 0:56:16 | 0:56:19 | |
and you have to be comfortable. | 0:56:19 | 0:56:21 | |
You had all three. | 0:56:21 | 0:56:23 | |
I absolutely loved this audition. | 0:56:23 | 0:56:27 | |
-Amber? -I enjoyed it. | 0:56:28 | 0:56:30 | |
I know that you may have been little shaky and you were looking up, | 0:56:30 | 0:56:33 | |
but I think you were putting all of your emotion into it, | 0:56:33 | 0:56:37 | |
and a love for music. | 0:56:37 | 0:56:38 | |
And I personally appreciate that. | 0:56:38 | 0:56:40 | |
I love when someone loves music as much as I do, | 0:56:40 | 0:56:43 | |
and you made me feel that. | 0:56:43 | 0:56:45 | |
It was great. | 0:56:45 | 0:56:46 | |
OK, let's see what the total number of stars is. | 0:56:48 | 0:56:52 | |
You can get a maximum of 20, but you've got to get 15, Kyle. | 0:56:52 | 0:56:56 | |
Here you go. | 0:56:56 | 0:56:58 | |
Let's find out how Kyle has been scored. | 0:56:58 | 0:57:01 | |
CHEERING | 0:57:19 | 0:57:22 | |
Oh! 17...18... | 0:57:22 | 0:57:25 | |
19... Oh! | 0:57:25 | 0:57:28 | |
You're through! You're through. | 0:57:37 | 0:57:39 | |
Somebody slightly spoilt the party. | 0:57:45 | 0:57:47 | |
BOOING | 0:57:47 | 0:57:50 | |
Dannii, four? | 0:57:52 | 0:57:54 | |
Four. I honestly think you have so much more to give. | 0:57:54 | 0:57:59 | |
-You've got further to go. -Yeah. -Five stars? -He was five stars! | 0:57:59 | 0:58:03 | |
Do you know how many people get a five-star review? | 0:58:03 | 0:58:06 | |
He had five stars written all over him. | 0:58:06 | 0:58:08 | |
CHEERING | 0:58:08 | 0:58:10 | |
And then a final word from Gary Barlow? | 0:58:10 | 0:58:12 | |
A big, ringing endorsement there. | 0:58:12 | 0:58:14 | |
Five stars out of five. | 0:58:14 | 0:58:16 | |
Yeah, you know, we sit here studying, | 0:58:16 | 0:58:18 | |
watching for movements, listening for sounds, pitch, whatever else. | 0:58:18 | 0:58:22 | |
This was five stars with my heart, this one. | 0:58:22 | 0:58:26 | |
CHEERING | 0:58:26 | 0:58:28 | |
-Well, this has pretty much gone as well as you could have hoped. -Yeah. | 0:58:30 | 0:58:35 | |
-What have you got to say after that? -Thank you so much. | 0:58:35 | 0:58:37 | |
You've done a massive thing for me right now. Like, it's been amazing. | 0:58:37 | 0:58:41 | |
We are all so happy for you, Kyle. | 0:58:41 | 0:58:44 | |
You're through to the next stage of the competition. | 0:58:44 | 0:58:46 | |
Give it up for Kyle! | 0:58:46 | 0:58:47 | |
CHEERING AND APPLAUSE | 0:58:47 | 0:58:49 | |
Well done, sir. | 0:58:49 | 0:58:51 | |
Dannii? Wa-wa! | 0:58:51 | 0:58:53 | |
It was all going so well. I was ready for the standing ovation. | 0:58:55 | 0:58:59 | |
-I was ready to get up. -Well, then you should have got up! | 0:58:59 | 0:59:02 | |
-I was ready for the confetti... -You should have! | 0:59:02 | 0:59:04 | |
-Guys, I got 19 stars! -Yeah! | 0:59:06 | 0:59:12 | |
19? Did you see your mum? | 0:59:12 | 0:59:14 | |
Yeah, she wasn't even looking at me. She was looking at Gary. Like... | 0:59:14 | 0:59:17 | |
I was like... | 0:59:17 | 0:59:18 | |
Melanie Giedroyc, what are we actually doing? | 0:59:19 | 0:59:22 | |
You know when the lads do the kind of, cool | 0:59:22 | 0:59:24 | |
-slow-mo walk through the tunnel? -Yeah... | 0:59:24 | 0:59:27 | |
-Yeah? And their life flashes around them in an interesting way? -Yes. | 0:59:27 | 0:59:30 | |
-We're going to do it. -Really? -Are you up for it? | 0:59:30 | 0:59:34 | |
-Yeah! -Come on. To the tunnel. | 0:59:34 | 0:59:36 | |
-I love Graham. He's such an amazing bloke, isn't he? -Who's that? | 0:59:41 | 0:59:46 | |
Is that Sue's friend? | 0:59:47 | 0:59:49 | |
Graham, top guy. Suave. | 0:59:49 | 0:59:52 | |
Mel, she really takes the biscuit. | 0:59:54 | 0:59:57 | |
In fact, she really did take my biscuits. | 0:59:57 | 1:00:00 | |
How good was that? | 1:00:00 | 1:00:03 | |
Are you having a laugh? Did you see what they put in the tunnel?! | 1:00:03 | 1:00:06 | |
Back to business, Mel. | 1:00:10 | 1:00:12 | |
Next up, it's two boys with different sets of skills | 1:00:12 | 1:00:14 | |
to bring to their audition. | 1:00:14 | 1:00:16 | |
Professional circus performer Matt wants to show off his moves | 1:00:16 | 1:00:19 | |
as well as his singing. | 1:00:19 | 1:00:21 | |
But for student Josh, | 1:00:21 | 1:00:22 | |
it's all about vocal gymnastics. | 1:00:22 | 1:00:24 | |
My name is Josh. I'm 17 years old and I'm from Reigate, Surrey. | 1:00:27 | 1:00:32 | |
My name's Matt Knight. I'm 27, I'm from Gloucester. | 1:00:32 | 1:00:34 | |
-What do you normally do? -Physical theatre and circus | 1:00:34 | 1:00:37 | |
-and comedy standstill, as you can probably tell. -Yeah, I can see that. | 1:00:37 | 1:00:40 | |
Hopefully I can...show you some moves. | 1:00:40 | 1:00:43 | |
I'm currently at college five days a week, | 1:00:43 | 1:00:46 | |
and then four nights a week I work at the local supermarket. | 1:00:46 | 1:00:49 | |
But the dream is something more? | 1:00:49 | 1:00:52 | |
I never aspire to anything else. | 1:00:52 | 1:00:54 | |
-It's just singing I've wanted to do. -OK. Well, show us what you've got. | 1:00:54 | 1:00:58 | |
Thank you very much. | 1:00:58 | 1:01:00 | |
MUSIC: Jealous | 1:01:00 | 1:01:03 | |
# I'm jealous of the rain | 1:01:06 | 1:01:09 | |
# That falls upon your skin | 1:01:11 | 1:01:15 | |
# It's closer than my hands have been | 1:01:17 | 1:01:22 | |
# Oh, I'm jealous of the rain | 1:01:22 | 1:01:26 | |
# I'm jealous of the wind | 1:01:28 | 1:01:32 | |
# That ripples through your clothes | 1:01:34 | 1:01:37 | |
# It's closer than your shadow | 1:01:39 | 1:01:44 | |
# Oh, I'm jealous of the wind... # | 1:01:45 | 1:01:49 | |
# So wake me up when it's all over | 1:01:49 | 1:01:52 | |
# When I'm wiser and I'm older | 1:01:52 | 1:01:56 | |
# All this time I was finding myself | 1:01:57 | 1:02:00 | |
# And I didn't know I was lost... # | 1:02:00 | 1:02:05 | |
CHEERING | 1:02:06 | 1:02:10 | |
# And I told you when you left me | 1:02:10 | 1:02:15 | |
# There's nothing to forgive | 1:02:15 | 1:02:20 | |
# But I always thought you'd come back | 1:02:20 | 1:02:23 | |
# Tell me all you felt was heartbreak and misery | 1:02:23 | 1:02:31 | |
# It's hard for me to say | 1:02:31 | 1:02:34 | |
# I'm jealous of the way | 1:02:34 | 1:02:37 | |
# You're happy without me... # | 1:02:37 | 1:02:40 | |
CHEERING | 1:02:40 | 1:02:42 | |
So, two different approaches. | 1:02:58 | 1:03:02 | |
But have they done enough for a place in the next stage? | 1:03:02 | 1:03:04 | |
CHEERING AND APPLAUSE | 1:03:16 | 1:03:18 | |
It's the potential to use that strength in your voice | 1:03:24 | 1:03:27 | |
to really kick it out to the back of the room in a theatre. | 1:03:27 | 1:03:30 | |
But there's also this, like, pop sound about your voice which I love. | 1:03:30 | 1:03:35 | |
-I think it's all there. -Thank you very much. | 1:03:35 | 1:03:38 | |
We haven't seen a 10th of what you're going to give us, | 1:03:38 | 1:03:41 | |
I don't feel. You should be really proud of yourself. | 1:03:41 | 1:03:44 | |
Josh's vocals clearly impressed. | 1:03:44 | 1:03:46 | |
But did Matt's singing and dancing gets the judges in a spin? | 1:03:48 | 1:03:51 | |
CHEERING | 1:04:03 | 1:04:07 | |
Dude, you flipped on your head! | 1:04:09 | 1:04:11 | |
Like with no hands! | 1:04:11 | 1:04:15 | |
Listen, the dancing was amazing, the singing, with practice, | 1:04:17 | 1:04:21 | |
-it could potentially be really great in a group. -Thank you. | 1:04:21 | 1:04:24 | |
Thanks so much. | 1:04:24 | 1:04:26 | |
Yeah, it was a tentative vocal performance, | 1:04:26 | 1:04:28 | |
and it was interesting watching you transform into the great dancer | 1:04:28 | 1:04:33 | |
you are, cos actually just singing you were quite robotic. | 1:04:33 | 1:04:36 | |
And then all of a sudden it was beautiful to then watch you free up, | 1:04:36 | 1:04:39 | |
and the dancing was incredible. | 1:04:39 | 1:04:41 | |
So there's work to do on the vocals, but you know what? | 1:04:41 | 1:04:44 | |
This is very encouraging. I'm very excited to watch that performance. | 1:04:44 | 1:04:48 | |
Well done. | 1:04:48 | 1:04:49 | |
-Thank you, guys. -Matt, everybody. | 1:04:51 | 1:04:53 | |
-There you go. -Thank you very much. Thank you. | 1:04:53 | 1:04:56 | |
Now if, like Graham, you love spending time on social media, | 1:05:02 | 1:05:06 | |
then do get involved and tell us what you think. | 1:05:06 | 1:05:08 | |
We've also got some backstage exclusives | 1:05:08 | 1:05:10 | |
waiting for you to discover. | 1:05:10 | 1:05:12 | |
Ever since I was two years old, I've always wanted to be in a boyband. | 1:05:21 | 1:05:24 | |
Cos I used to watch people like Take That and the Spice Girls | 1:05:24 | 1:05:27 | |
-and Steps. -Oh! -I say "used to", I still do. -Steps? | 1:05:27 | 1:05:30 | |
-Steps, who doesn't love a bit of Steps? -You know. | 1:05:30 | 1:05:33 | |
# Tragedy | 1:05:33 | 1:05:34 | |
# When I'm washing my hair and it won't come out, it's tragedy... # | 1:05:34 | 1:05:37 | |
-Exactly. -Wasn't it? | 1:05:37 | 1:05:39 | |
It's like a whack with your hip and your hand. | 1:05:39 | 1:05:41 | |
So you shoot to the right, but then, ooh, | 1:05:41 | 1:05:43 | |
a cheeky shoot to the left, or maybe two. You never know. | 1:05:43 | 1:05:47 | |
In the '80s, this was quite big. | 1:05:47 | 1:05:49 | |
So you go... | 1:05:49 | 1:05:51 | |
-Oh! -It was a double scoop. Double...scoop. Double...scoop. | 1:05:51 | 1:05:56 | |
That was my signature move. | 1:05:56 | 1:05:57 | |
-Oh, nice. -And when I did that, boy, oh, boy, Tayler, the floor cleared. | 1:05:57 | 1:06:01 | |
CHEERING | 1:06:04 | 1:06:07 | |
-What's your name? -I'm Tayler, so... | 1:06:16 | 1:06:19 | |
I'm 21, and I'm from Southampton. | 1:06:19 | 1:06:21 | |
CHEERING | 1:06:22 | 1:06:25 | |
Have you got family here today? | 1:06:25 | 1:06:27 | |
-I've got my partner Tom somewhere. -Hi, Tom. | 1:06:27 | 1:06:30 | |
Hi, Tom. | 1:06:30 | 1:06:31 | |
Just one second, a minute. | 1:06:33 | 1:06:35 | |
Tom's very good-looking. Can you sing, Tom? | 1:06:35 | 1:06:37 | |
-He's better! -Is he? Is he? | 1:06:37 | 1:06:41 | |
So let us into your world. What's the dream? | 1:06:41 | 1:06:43 | |
Boyband. Honestly, boyband. | 1:06:43 | 1:06:46 | |
Christmas 1998, let me take you all back... | 1:06:46 | 1:06:49 | |
LAUGHTER | 1:06:49 | 1:06:50 | |
I got a few video tapes of Take That concerts, | 1:06:50 | 1:06:55 | |
and Spice Girls and Steps. | 1:06:55 | 1:06:58 | |
And we always had Spandau Ballet in the car, don't worry. | 1:06:58 | 1:07:00 | |
Yeah! | 1:07:01 | 1:07:03 | |
We can all relax now. | 1:07:03 | 1:07:05 | |
And every day I'd just go home and I taught myself each member's | 1:07:05 | 1:07:08 | |
track throughout the concert, so on a Monday I'd be you, | 1:07:08 | 1:07:12 | |
and then on a Friday I'd be Howard, you know? | 1:07:12 | 1:07:15 | |
LAUGHTER | 1:07:15 | 1:07:16 | |
The closest I've actually got is, I'm in a One Direction tribute band. | 1:07:16 | 1:07:19 | |
-CHEERING -Yeah. There you go. | 1:07:19 | 1:07:22 | |
So you're sort of used to having screaming fans, and...? | 1:07:22 | 1:07:25 | |
Yeah, but not over the age of eight. | 1:07:25 | 1:07:27 | |
LAUGHTER | 1:07:27 | 1:07:29 | |
-OK, good luck. -Right, let's do it. | 1:07:31 | 1:07:33 | |
MUSIC: Faith | 1:07:42 | 1:07:46 | |
# Well, I guess it would be nice | 1:07:46 | 1:07:49 | |
# If I could touch your body | 1:07:49 | 1:07:51 | |
# I know not everybody has got a body like you | 1:07:51 | 1:07:56 | |
# Oh, but I've got to think twice | 1:07:56 | 1:07:58 | |
# Before I give my heart away | 1:07:58 | 1:08:01 | |
# And I know all the games you play | 1:08:01 | 1:08:03 | |
# Because I play them too | 1:08:03 | 1:08:06 | |
# Cos you gotta have faith | 1:08:06 | 1:08:08 | |
# Oh, I gotta have faith | 1:08:08 | 1:08:11 | |
# I gotta have faith, faith, faith | 1:08:11 | 1:08:13 | |
# I gotta have faith, faith, faith | 1:08:13 | 1:08:17 | |
# Baby, woo! | 1:08:17 | 1:08:19 | |
# You mean every word you say | 1:08:19 | 1:08:21 | |
# Can't help but think of yesterday | 1:08:21 | 1:08:23 | |
# And another who tied me down to the lover boy rules | 1:08:23 | 1:08:27 | |
# Before this river becomes an ocean | 1:08:27 | 1:08:31 | |
# Before you throw my heart back on the floor | 1:08:31 | 1:08:35 | |
# Oh, well, baby, I reconsider My foolish notion | 1:08:35 | 1:08:41 | |
# Well, I need someone to hold me But I'll wait for something more | 1:08:41 | 1:08:46 | |
# Cos I gotta have faith | 1:08:46 | 1:08:48 | |
# Oh, I gotta have faith | 1:08:48 | 1:08:51 | |
# I gotta have faith, faith, faith | 1:08:51 | 1:08:53 | |
# I gotta have faith, faith, faith. # | 1:08:53 | 1:08:56 | |
CHEERING | 1:08:56 | 1:08:59 | |
Tayler, everybody! | 1:09:01 | 1:09:03 | |
Judges, judges, input your scores. | 1:09:03 | 1:09:06 | |
-Oh, how nice to hear adults screaming! -Gosh, I know. | 1:09:06 | 1:09:10 | |
-Now, I'm going to go to the judges. Martin? -Great energy. | 1:09:10 | 1:09:13 | |
The way you came up here and you brought it to the desk, | 1:09:13 | 1:09:16 | |
I loved that. The audience were with you. We were with you. | 1:09:16 | 1:09:20 | |
Everyone at the back was with you. The song, you sang it well. | 1:09:20 | 1:09:23 | |
-Well done. -Thank you so much. | 1:09:23 | 1:09:25 | |
-Thank you. -OK, let's ask Dannii. | 1:09:25 | 1:09:28 | |
Let's ask Dannii what she thought. | 1:09:28 | 1:09:29 | |
What did you think, Dannii? | 1:09:29 | 1:09:31 | |
-Good, good. -Not everything fired as well as it could have. -OK. | 1:09:31 | 1:09:35 | |
OK. | 1:09:35 | 1:09:37 | |
BOOING I think that it was a timing issue. | 1:09:37 | 1:09:40 | |
Yeah. | 1:09:40 | 1:09:41 | |
So it was rushing at parts, and behind in other parts. | 1:09:41 | 1:09:44 | |
And it was all a bit frantic. Less is more. | 1:09:44 | 1:09:48 | |
-That would you my advice for you. -Great. Thank you. -OK. | 1:09:48 | 1:09:52 | |
-Tayler, we're going to find out how you've been scored now. -OK. | 1:09:52 | 1:09:55 | |
You need 15 stars or more to light up if you're going through | 1:09:55 | 1:09:58 | |
-to the next age. -Yeah. | 1:09:58 | 1:09:59 | |
Good luck. Let's find out how Tayler has been scored. | 1:09:59 | 1:10:02 | |
Oh! | 1:10:21 | 1:10:22 | |
AUDIENCE GROANS | 1:10:22 | 1:10:25 | |
BOOING | 1:10:25 | 1:10:27 | |
I'm so sorry. | 1:10:35 | 1:10:37 | |
Judges, don't look shocked! It's your fault! | 1:10:37 | 1:10:40 | |
BOOING | 1:10:42 | 1:10:43 | |
OK, let's go to Amber, because Amber, it was a four. | 1:10:45 | 1:10:48 | |
I think you have complete likeability. | 1:10:48 | 1:10:50 | |
CHEERING AND APPLAUSE | 1:10:50 | 1:10:52 | |
Yeah, it was a little overdone, but I think it's because you really, | 1:10:54 | 1:10:57 | |
really want to do something like this, like you said, | 1:10:57 | 1:10:59 | |
since two years old, this is what you've wanted to do. | 1:10:59 | 1:11:02 | |
But, yeah, you guys missed the mark on this one. He's really good. | 1:11:02 | 1:11:05 | |
I saw your face, Gary! I think you're sorry he's not going through. | 1:11:05 | 1:11:08 | |
I can only tell you what I felt from watching your performance. | 1:11:08 | 1:11:12 | |
-Right now, you don't have a lot of character in your voice. -OK. | 1:11:12 | 1:11:16 | |
Your voice is that pre-set theatre voice at the moment, | 1:11:16 | 1:11:18 | |
which is very nice, but I want voices with edge. | 1:11:18 | 1:11:22 | |
Cos we're making a modern musical. | 1:11:22 | 1:11:24 | |
-We're not making something that's 50 years old. -Cool. | 1:11:24 | 1:11:27 | |
I feel so sorry, you got literally that close to going through. | 1:11:28 | 1:11:33 | |
Thank you for having me here anyway. Thank you. | 1:11:33 | 1:11:35 | |
-Honestly. -AUDIENCE: -Aw! | 1:11:35 | 1:11:37 | |
-Let's hear it for Tayler. -Thank you, guys. | 1:11:37 | 1:11:40 | |
-One star away. -Ah, that is tough. One away is hard. | 1:11:48 | 1:11:53 | |
-Tayler... -Hiya. | 1:11:53 | 1:11:55 | |
I am giving you... Listen, come here. | 1:11:55 | 1:11:59 | |
Come here. Do not worry. | 1:11:59 | 1:12:03 | |
-Do you feel a bit deflated? -Yeah, a bit deflated. | 1:12:03 | 1:12:06 | |
But who wouldn't be, you know? I was only one point away, you know? | 1:12:06 | 1:12:09 | |
-One star away. -Oh, I know. Stop it. That is so frustrating. | 1:12:09 | 1:12:13 | |
It's like a... It's right there, come on, come on... | 1:12:13 | 1:12:17 | |
Oh, no, red, you know? | 1:12:17 | 1:12:18 | |
-Do you know what? Keep it. -I'm going to keep this going on. | 1:12:18 | 1:12:23 | |
-And the shoop? -Definitely the shoop. | 1:12:23 | 1:12:25 | |
-The shoop's not going anywhere. -MEL LAUGHS | 1:12:25 | 1:12:28 | |
It's almost the end of today's auditions, | 1:12:28 | 1:12:30 | |
and the judges, quite frankly, have been spoilt with talent. | 1:12:30 | 1:12:33 | |
Can our final auditionee heroically top them all? | 1:12:33 | 1:12:36 | |
He's made a name for himself overseas, | 1:12:36 | 1:12:38 | |
but wants to become massive in the UK. | 1:12:38 | 1:12:40 | |
His name? | 1:12:40 | 1:12:42 | |
Hercules...um, Smith. | 1:12:42 | 1:12:44 | |
Hercules loves to train. | 1:12:49 | 1:12:52 | |
He goes to the gym a lot - like, every day. | 1:12:53 | 1:12:56 | |
Hercules, I think he's got a lot to live up to, don't you? | 1:12:57 | 1:13:00 | |
There's a small side to Hercules. I think he has a shyness about him. | 1:13:02 | 1:13:06 | |
But it's a nice quality. | 1:13:06 | 1:13:08 | |
Is Hercules a big softie? Yeah. | 1:13:08 | 1:13:11 | |
His daughter, Tayla, absolutely adores Hercules. | 1:13:11 | 1:13:15 | |
Daddy's my number one favourite singer in the world, | 1:13:15 | 1:13:18 | |
and he's better than Gary Barlow. | 1:13:18 | 1:13:20 | |
-What's your name? -My name's Hercules. I'm 33 years old. | 1:13:33 | 1:13:37 | |
-Is that your real name? -Yes, it is. | 1:13:37 | 1:13:39 | |
In my mother's belly, as you do the baby scans, the doctor said | 1:13:39 | 1:13:43 | |
that I was going to be big, and have big hands and big feet. | 1:13:43 | 1:13:46 | |
So yeah, my dad decided to call me Hercules. | 1:13:48 | 1:13:50 | |
-It's a lot to live up to, isn't it? -It is, it is. | 1:13:50 | 1:13:53 | |
As a young kid I was the tiniest and smallest boy in school, | 1:13:53 | 1:13:57 | |
with such a big name, so yeah, it was hard. | 1:13:57 | 1:14:00 | |
But there it is. | 1:14:00 | 1:14:02 | |
OK, so what made you apply for the show today? | 1:14:02 | 1:14:04 | |
One thing is, I love your work, Gary. | 1:14:07 | 1:14:11 | |
CHEERING AND APPLAUSE | 1:14:11 | 1:14:13 | |
Are you OK? | 1:14:19 | 1:14:20 | |
-AUDIENCE MEMBER: -Come on! | 1:14:20 | 1:14:22 | |
I tell you what, to have a name like Hercules, | 1:14:26 | 1:14:29 | |
and come out and be emotional on stage, well done to you, my friend. | 1:14:29 | 1:14:32 | |
-Yeah. -Lovely. | 1:14:32 | 1:14:34 | |
And who are you here with today? Who did you come with? | 1:14:35 | 1:14:39 | |
My wife and my daughter's here. | 1:14:39 | 1:14:41 | |
Your biggest fans? | 1:14:41 | 1:14:43 | |
Hercules, can I ask - I've just heard a little bit of an accent. | 1:14:46 | 1:14:50 | |
-Where are you from? -All the way from South Africa. -Good. Well, welcome. | 1:14:50 | 1:14:53 | |
-We can't wait to hear you sing. -Thank you so much. | 1:14:53 | 1:14:55 | |
MUSIC: Iris | 1:15:03 | 1:15:08 | |
# And I'll give up forever to touch you | 1:15:12 | 1:15:16 | |
# Cos I know that you feel me somehow | 1:15:18 | 1:15:22 | |
# You're the closest to heaven that I'll ever be | 1:15:23 | 1:15:29 | |
# And I don't want to go home right now | 1:15:29 | 1:15:33 | |
# And all I can taste is this moment | 1:15:35 | 1:15:39 | |
# And all I can breathe is your life | 1:15:41 | 1:15:45 | |
# When sooner or later it's over | 1:15:46 | 1:15:50 | |
# I just don't wanna miss you tonight | 1:15:52 | 1:15:56 | |
# And I don't want the world to see me | 1:15:57 | 1:16:02 | |
# Cos I don't think that they'd understand | 1:16:02 | 1:16:08 | |
# When everything's made to be broken | 1:16:08 | 1:16:14 | |
# I just want you to know who I am | 1:16:14 | 1:16:19 | |
# And I don't want the world to see me | 1:16:19 | 1:16:25 | |
# Cos I don't think that they'd understand | 1:16:25 | 1:16:37 | |
# I just want you to know who I am. # | 1:16:40 | 1:16:45 | |
CHEERING | 1:16:46 | 1:16:50 | |
Wow. Hercules, everybody! | 1:16:51 | 1:16:55 | |
Well done, sir. Well done. | 1:16:55 | 1:16:58 | |
That was stunning, well done. | 1:16:59 | 1:17:01 | |
Let's go to Amber. | 1:17:01 | 1:17:03 | |
Well, the one thing that the performance did not lack | 1:17:03 | 1:17:06 | |
was passion. You are so passionate about music. | 1:17:06 | 1:17:10 | |
-And you have a background in opera? Yes? -Yeah. | 1:17:10 | 1:17:14 | |
Yes, your breathing... Your lungs probably expanded so much, | 1:17:14 | 1:17:18 | |
they are so big. You blew me away with your voice. | 1:17:18 | 1:17:23 | |
-And I absolutely loved you. I did. -Thank you so much. | 1:17:23 | 1:17:26 | |
There's no denying Hercules has got a great voice. | 1:17:27 | 1:17:30 | |
Is he right for the competition, Gary? | 1:17:30 | 1:17:32 | |
Interestingly, the crowd really reacted to your operatic voice. | 1:17:32 | 1:17:35 | |
Thank you so much. | 1:17:35 | 1:17:37 | |
And it is very impressive, but actually for me, I was more | 1:17:37 | 1:17:40 | |
interested in your pop voice, cos you presented us with both tonight. | 1:17:40 | 1:17:44 | |
-I did. -And obviously for the show that we are putting on, | 1:17:44 | 1:17:47 | |
it's going to be the music of Take That. | 1:17:47 | 1:17:49 | |
And I want to hear those songs sung in the pop voice, not... | 1:17:49 | 1:17:52 | |
-OPERATIC VOICE: -# All I do each night is pray... # | 1:17:52 | 1:17:55 | |
-LAUGHTER -You know? But listen... | 1:17:55 | 1:17:58 | |
-Gary, he didn't sound like that! -No, he didn't. Fair enough, he didn't. | 1:17:58 | 1:18:03 | |
-But listen, you have an amazing talent there, sir... -Thank you. | 1:18:03 | 1:18:06 | |
..and the passion, as Amber said, is absolutely beautiful. I love that. | 1:18:06 | 1:18:11 | |
There's one thing about people in theatre, | 1:18:11 | 1:18:14 | |
is that the passion is absolutely crucial. And you have bags of it. | 1:18:14 | 1:18:18 | |
-Thank you. -Well done. -All right, this is the moment of truth. | 1:18:18 | 1:18:21 | |
Let's find out how Hercules has been scored. | 1:18:21 | 1:18:24 | |
CHEERING AND APPLAUSE | 1:18:44 | 1:18:47 | |
You did it, sir! You did it. | 1:18:53 | 1:18:55 | |
Well done, well done. Well done. | 1:18:55 | 1:18:58 | |
You did a great job. Seriously. | 1:18:58 | 1:19:01 | |
You're thrilled, right? This is all a good thing. | 1:19:02 | 1:19:06 | |
-Yeah, I'm not crying cos I'm sad. -Let it out, cry it out. | 1:19:06 | 1:19:09 | |
-Cry it out. Look at your daughter up there. Is that Tayla? -Yeah. | 1:19:09 | 1:19:13 | |
There she is. She's thrilled for you. | 1:19:13 | 1:19:15 | |
Dannii, what have you got to say to Hercules? | 1:19:15 | 1:19:17 | |
You know, you're perfect for this business because thespians | 1:19:17 | 1:19:21 | |
on the stage are very emotional, and very dramatic. | 1:19:21 | 1:19:25 | |
And you've got that. | 1:19:25 | 1:19:26 | |
We don't need to teach you that. Done. | 1:19:26 | 1:19:29 | |
Martin, what you want to say to her? | 1:19:29 | 1:19:31 | |
There's a saying, isn't there? An old saying in theatre, | 1:19:31 | 1:19:34 | |
about lifting the roof off the house. And that's what you did, man. | 1:19:34 | 1:19:38 | |
CHEERING Absolutely lifted the roof off the house. | 1:19:38 | 1:19:43 | |
I felt everything you were singing. It made me so emotional, | 1:19:43 | 1:19:47 | |
-because it was a great performance. -Thank you so much. | 1:19:47 | 1:19:50 | |
-You should be so proud. -Thank you. | 1:19:50 | 1:19:52 | |
Tell me this, Hercules, are you always this emotional, | 1:19:57 | 1:19:59 | |
or is it something about today? What's going on? | 1:19:59 | 1:20:01 | |
-Let me tell you why. -OK, please do. | 1:20:01 | 1:20:04 | |
I've been chasing my dream for a long time, | 1:20:04 | 1:20:09 | |
so it's kind of nice to get the recognition. | 1:20:09 | 1:20:11 | |
Well, you're on your way. You're on your way. I'm so happy for you. | 1:20:11 | 1:20:14 | |
Ladies and gentlemen, raise the rafters for Hercules. | 1:20:14 | 1:20:17 | |
CHEERING | 1:20:17 | 1:20:19 | |
We'll see you again. Great job, really good job. | 1:20:19 | 1:20:22 | |
This is it, the last day. | 1:20:27 | 1:20:29 | |
You threw everything at that. | 1:20:31 | 1:20:33 | |
What you have is a complete gift. | 1:20:34 | 1:20:37 | |
-London! -Wow. | 1:20:38 | 1:20:41 | |
Is it hot in here, or is it just me? | 1:20:41 | 1:20:44 | |
I would have married you. | 1:20:44 | 1:20:46 |