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# Come on, come on, come on, come on Take that and party. # | 0:00:02 | 0:00:04 | |
GRAHAM: It's week four of Let It Shine. | 0:00:04 | 0:00:05 | |
How did I get here? 25 years to this. | 0:00:08 | 0:00:10 | |
-MEL: -Well, Gary, you did say you wanted to find singers, dancers, | 0:00:10 | 0:00:13 | |
and boys, oozing that boyband magic, to be in a stage show, yeah? | 0:00:13 | 0:00:17 | |
-Yeah. -Anyway, onwards. | 0:00:17 | 0:00:19 | |
Tonight, our remaining auditionees are ready to put on a show... | 0:00:20 | 0:00:23 | |
You are freaking incredible. | 0:00:24 | 0:00:26 | |
As they do their best to show their potential... | 0:00:26 | 0:00:29 | |
Oh. | 0:00:29 | 0:00:30 | |
..and charm their way into our judges' hearts. | 0:00:30 | 0:00:32 | |
That is the man we are looking for. | 0:00:32 | 0:00:34 | |
It's the last chance to reach that all-important score... | 0:00:34 | 0:00:37 | |
..of 15 stars or more. | 0:00:39 | 0:00:41 | |
I'm worried for you. | 0:00:41 | 0:00:42 | |
So, all bets are off... | 0:00:42 | 0:00:43 | |
-It's weird. -It's uncanny. | 0:00:43 | 0:00:46 | |
By the end of tonight, we will reveal who's through to perform | 0:00:46 | 0:00:49 | |
with five huge names in next week's collaboration extravaganza. | 0:00:49 | 0:00:53 | |
Could it be magic? | 0:00:54 | 0:00:56 | |
Yes. | 0:00:56 | 0:00:57 | |
I don't know what the question was, but, yes. | 0:00:57 | 0:00:59 | |
Hello, and welcome to the last of the Let It Shine auditions. | 0:01:28 | 0:01:31 | |
Hang on, I cannot bear the thought of life | 0:01:31 | 0:01:33 | |
without seeing Martin Kemp on a weekly basis, Graham. | 0:01:33 | 0:01:35 | |
-Don't worry, Kempo's going nowhere. -Oh, thank goodness. | 0:01:35 | 0:01:38 | |
Somewhere in this room could be | 0:01:38 | 0:01:40 | |
the five guys who are going to win this show | 0:01:40 | 0:01:42 | |
and that role of a boyband in a nationwide touring musical, | 0:01:42 | 0:01:45 | |
where they'll get to perform the songs of some little band called... | 0:01:45 | 0:01:48 | |
Oh, what is it? Take That, or something? | 0:01:48 | 0:01:50 | |
Our auditionees need to be able to convince a musical theatre audience | 0:01:52 | 0:01:55 | |
that they're a member of a proper boyband. | 0:01:55 | 0:01:58 | |
The prize is a real job, so these guys need to be incredible. | 0:01:58 | 0:02:03 | |
Their job in this musical is enormous. | 0:02:05 | 0:02:08 | |
It's not just one night a week. | 0:02:08 | 0:02:09 | |
This is eight shows a week. It's big. | 0:02:09 | 0:02:12 | |
We've got one day left and we've already put amazing people through. | 0:02:14 | 0:02:19 | |
So, Gary, what is it you want? | 0:02:19 | 0:02:20 | |
I want to be entertained. | 0:02:20 | 0:02:22 | |
Entertain me. | 0:02:22 | 0:02:24 | |
We don't ask for much(!) | 0:02:24 | 0:02:25 | |
MUSIC: Lose Yourself by Eminem | 0:02:25 | 0:02:27 | |
So, the studio's set, the Manchester audience are in | 0:02:27 | 0:02:30 | |
and Gary B and Spandau Ballet's Martin Kemp are taking their seats. | 0:02:30 | 0:02:34 | |
It seems like today, it's time to get serious. | 0:02:34 | 0:02:37 | |
MUSIC: Bang Bang # Batman Robin it | 0:02:37 | 0:02:38 | |
# Bang, bang, cocking it Queen Nicki dominant, prominent | 0:02:38 | 0:02:41 | |
# It's me, Jessie, and Ari If they test me, they sorry. # | 0:02:41 | 0:02:43 | |
# A to the N to the G to the | 0:02:47 | 0:02:49 | |
-# Uh -Baby | 0:02:49 | 0:02:50 | |
# B to the A to the N to the G, to the hey | 0:02:50 | 0:02:53 | |
# See anybody could be good to you | 0:02:53 | 0:02:55 | |
# You need a bad girl to blow your mind... # | 0:02:55 | 0:02:58 | |
So, as Dannii and Glee star Amber Riley make their way | 0:02:58 | 0:03:01 | |
to the studio, backstage, the boys are limbering up. | 0:03:01 | 0:03:04 | |
Meet 17-year-old Callum Howells. | 0:03:07 | 0:03:09 | |
He's our small-town boy, | 0:03:09 | 0:03:11 | |
who's already got a big passion for performing on the stage. | 0:03:11 | 0:03:14 | |
Obviously, they're looking for the vocals. We know that. | 0:03:14 | 0:03:17 | |
But it's also about how you... How you move, how you do those... | 0:03:17 | 0:03:21 | |
-Exactly, yeah. -Is that a move? | 0:03:21 | 0:03:22 | |
-I didn't really know. It's something from the '70s, probably. -Yeah. | 0:03:22 | 0:03:25 | |
We call it, in Wales, the Rhondda two-step. | 0:03:25 | 0:03:27 | |
The Rhondda two-step! That one. | 0:03:27 | 0:03:30 | |
Yeah, that's it. | 0:03:30 | 0:03:31 | |
Are you going to bring breaking out your Rhondda two-step? | 0:03:31 | 0:03:34 | |
Oh, definitely, absolutely. | 0:03:34 | 0:03:35 | |
Just like, give a bit of a swivel. | 0:03:35 | 0:03:37 | |
APPLAUSE | 0:03:43 | 0:03:45 | |
Hi, how are you? | 0:03:50 | 0:03:51 | |
-I'm really good, thank you. How are you? -I'm good. What's your name? | 0:03:51 | 0:03:54 | |
My name is Callum Howells. I'm 17 years old | 0:03:54 | 0:03:56 | |
and I'm from South Wales. | 0:03:56 | 0:03:58 | |
APPLAUSE | 0:03:58 | 0:04:00 | |
So, tell me a little bit about yourself. | 0:04:00 | 0:04:02 | |
I go to a school called Treorchy Comprehensive School | 0:04:02 | 0:04:04 | |
and I'm head boy. | 0:04:04 | 0:04:05 | |
APPLAUSE | 0:04:05 | 0:04:07 | |
OK. American. What does that mean? | 0:04:07 | 0:04:10 | |
So, it's like, | 0:04:10 | 0:04:11 | |
there's a country next to England... | 0:04:11 | 0:04:13 | |
LAUGHTER | 0:04:13 | 0:04:14 | |
..and that's where I'm from. | 0:04:14 | 0:04:16 | |
No, no, what does head boy mean? | 0:04:16 | 0:04:19 | |
LAUGHTER | 0:04:19 | 0:04:20 | |
I... I... | 0:04:24 | 0:04:26 | |
-Sorry. -That was great, though. | 0:04:27 | 0:04:29 | |
What does head boy mean? | 0:04:29 | 0:04:30 | |
-So, you know how there's, like, a headteacher? -Uh-huh. | 0:04:30 | 0:04:33 | |
Amongst, like, the students, there's a head boy. | 0:04:33 | 0:04:36 | |
So, that's, like, me, basically. | 0:04:36 | 0:04:38 | |
OK, OK, cool. | 0:04:38 | 0:04:39 | |
So, what you have to do to be the head boy? | 0:04:39 | 0:04:42 | |
I had to just write a letter, | 0:04:42 | 0:04:44 | |
basically outlining why I think I should be head boy, | 0:04:44 | 0:04:47 | |
and I said, "Please can I be head boy?" | 0:04:47 | 0:04:49 | |
And my teacher said, "Yeah, you can be head boy." | 0:04:49 | 0:04:51 | |
LAUGHTER | 0:04:51 | 0:04:52 | |
All right! Sounds easy enough! | 0:04:52 | 0:04:53 | |
APPLAUSE | 0:04:53 | 0:04:55 | |
All right, well, I'm excited to hear you sing. | 0:04:55 | 0:04:58 | |
So, let's give it a go. | 0:04:58 | 0:04:59 | |
-Good luck. -Thank you so much. | 0:04:59 | 0:05:01 | |
# You say | 0:05:16 | 0:05:17 | |
# The price of my love's not a price that you're willing to pay | 0:05:19 | 0:05:23 | |
# You cry | 0:05:24 | 0:05:26 | |
# In your tea, that you hurl in the sea when you see me go by | 0:05:26 | 0:05:32 | |
# Why so sad? | 0:05:32 | 0:05:33 | |
# Remember we made an arrangement when you went away | 0:05:35 | 0:05:39 | |
# Now you're making me mad | 0:05:39 | 0:05:43 | |
# Remember despite our estrangement | 0:05:43 | 0:05:47 | |
# I'm your man | 0:05:47 | 0:05:49 | |
# You'll be back | 0:05:50 | 0:05:52 | |
# Soon you'll see | 0:05:52 | 0:05:54 | |
# You'll remember you belong to me... # | 0:05:54 | 0:05:58 | |
-AUDIENCE CLAPS IN TIME -# You'll be back | 0:05:58 | 0:06:00 | |
# Time will tell | 0:06:00 | 0:06:02 | |
# You'll remember that I served you well | 0:06:02 | 0:06:06 | |
# Oceans rise | 0:06:06 | 0:06:08 | |
# Empires fall | 0:06:08 | 0:06:10 | |
# We have seen each other through it all | 0:06:10 | 0:06:14 | |
# And when push | 0:06:14 | 0:06:16 | |
# Comes to shove | 0:06:16 | 0:06:19 | |
# I will send a fully-armed battalion | 0:06:19 | 0:06:22 | |
# To remind you of my love | 0:06:22 | 0:06:24 | |
# Da da da dat da | 0:06:24 | 0:06:26 | |
# Dat da da da | 0:06:26 | 0:06:28 | |
# Da ya da | 0:06:28 | 0:06:29 | |
# Da da dat dat | 0:06:29 | 0:06:30 | |
# Da ya da | 0:06:30 | 0:06:32 | |
# Da da da dat da | 0:06:32 | 0:06:34 | |
# Dat da da da | 0:06:34 | 0:06:36 | |
# Da ya da | 0:06:36 | 0:06:37 | |
# Da da dat dat | 0:06:37 | 0:06:39 | |
# Da ya da | 0:06:39 | 0:06:41 | |
# Da da da dat da | 0:06:41 | 0:06:43 | |
# Dat da da da | 0:06:43 | 0:06:44 | |
# Da ya da | 0:06:44 | 0:06:46 | |
# Da da dat dat | 0:06:46 | 0:06:48 | |
# Da ya da. # | 0:06:48 | 0:06:53 | |
APPLAUSE | 0:06:53 | 0:06:55 | |
Good job, good job! | 0:06:59 | 0:07:01 | |
Judges, will you enter your scores, please? | 0:07:01 | 0:07:04 | |
Now, an unusual song choice. So we'll go to the judges. | 0:07:04 | 0:07:07 | |
Gary, are you familiar with that musical? | 0:07:07 | 0:07:09 | |
-That was Hamilton, yeah? -Yeah, yeah. -Have you seen it? | 0:07:09 | 0:07:11 | |
I haven't seen it, cos it hasn't come across yet, | 0:07:11 | 0:07:13 | |
but I've just been watching videos online. | 0:07:13 | 0:07:15 | |
Oh. | 0:07:15 | 0:07:17 | |
Callum, well done. Very, very confident audition. | 0:07:17 | 0:07:20 | |
I've got to be honest, | 0:07:20 | 0:07:21 | |
it's just leaning towards the side of musical theatre, | 0:07:21 | 0:07:25 | |
-where I don't want our show to be. -Yeah. | 0:07:25 | 0:07:28 | |
But I think you have the potential to change that. | 0:07:28 | 0:07:31 | |
I want you to move your voice | 0:07:31 | 0:07:33 | |
-from being a musical voice into a pop voice. -Yeah. | 0:07:33 | 0:07:36 | |
But you have a great technique, you've got very good pitch, | 0:07:36 | 0:07:39 | |
good ears, and I think you'll be able to do that. | 0:07:39 | 0:07:41 | |
APPLAUSE | 0:07:41 | 0:07:43 | |
Cos, Martin, at 17, presumably his voice can go anywhere? | 0:07:43 | 0:07:46 | |
It can go anywhere, absolutely. | 0:07:46 | 0:07:47 | |
For me, it didn't touch me here. | 0:07:47 | 0:07:49 | |
It didn't get me in the heart. | 0:07:49 | 0:07:51 | |
I just didn't think there was enough of your own personality in the song. | 0:07:51 | 0:07:55 | |
But, listen, you look great, you're a fabulous kid, | 0:07:55 | 0:07:58 | |
and I'm sure you've got a long way to go, whatever you do. | 0:07:58 | 0:08:01 | |
APPLAUSE | 0:08:01 | 0:08:02 | |
Nice comments. | 0:08:02 | 0:08:04 | |
I don't know how that's going to translate into stars. | 0:08:04 | 0:08:07 | |
The judges don't know the total number of stars. | 0:08:07 | 0:08:09 | |
We don't know. You don't know. We're about to find out. | 0:08:09 | 0:08:11 | |
The magic number is 15. | 0:08:11 | 0:08:13 | |
Let's find out how Callum has been scored. | 0:08:13 | 0:08:16 | |
Come on! Here we go! | 0:08:30 | 0:08:32 | |
CHEERING | 0:08:36 | 0:08:38 | |
Well done! | 0:08:42 | 0:08:43 | |
Well done! I'm so happy for you. | 0:08:44 | 0:08:48 | |
Amber Riley, she liked it! Five out of five. | 0:08:48 | 0:08:51 | |
I did. I needed you to go through. | 0:08:51 | 0:08:54 | |
Even though it was very musical theatre, | 0:08:54 | 0:08:56 | |
I think you have the acting ability and the dramatic ability, | 0:08:56 | 0:08:59 | |
so I know that you can transform, so I needed you to go through. | 0:08:59 | 0:09:02 | |
Thank you. | 0:09:02 | 0:09:03 | |
APPLAUSE | 0:09:03 | 0:09:04 | |
Dannii, a high mark from you. | 0:09:04 | 0:09:06 | |
I mean, extraordinary poise for a 17-year-old. | 0:09:06 | 0:09:08 | |
I gave you four, because the voice is incredible. | 0:09:08 | 0:09:12 | |
What I would want to see you do, | 0:09:12 | 0:09:15 | |
you've got to be a believable boyband member within this show. | 0:09:15 | 0:09:19 | |
Yeah. | 0:09:19 | 0:09:20 | |
Just a little thing, Callum, just to take away with you, | 0:09:20 | 0:09:22 | |
is it might just be worth, as an exercise, | 0:09:22 | 0:09:25 | |
just go and sing some music you wouldn't normally have sung. | 0:09:25 | 0:09:28 | |
Go and sing some rock music. Go and sing some pop. | 0:09:28 | 0:09:30 | |
-I think it could really help you. -Yeah. | 0:09:30 | 0:09:32 | |
APPLAUSE | 0:09:32 | 0:09:34 | |
I absolutely understand what you're saying, 100%. | 0:09:34 | 0:09:36 | |
Thank you so much. | 0:09:36 | 0:09:37 | |
Callum, I'm so pleased you're through. We'll see you again. | 0:09:37 | 0:09:40 | |
It's Callum, everybody! | 0:09:40 | 0:09:42 | |
Good job, buddy. Good job. Well done. | 0:09:42 | 0:09:43 | |
At this moment, for me, | 0:09:46 | 0:09:47 | |
-it didn't work. -Yeah. | 0:09:47 | 0:09:49 | |
All he needs to do is get around the other guys | 0:09:49 | 0:09:51 | |
and pick up some bad habits. | 0:09:51 | 0:09:52 | |
-That's it. -Yeah, probably! -That's it. | 0:09:52 | 0:09:54 | |
-MEL: -'So, Callum's through. | 0:09:56 | 0:09:57 | |
Still, would have liked to have seen that Rhondda two-step, though. | 0:09:58 | 0:10:01 | |
Don't worry, Mel. | 0:10:01 | 0:10:02 | |
Later tonight, we'll see all the successful auditionees | 0:10:02 | 0:10:04 | |
put through their dancing paces. | 0:10:04 | 0:10:06 | |
After all, we all know there's more to boybands than vocals alone. | 0:10:06 | 0:10:09 | |
Just ask our next auditionee. | 0:10:12 | 0:10:14 | |
MUSIC: Sing by Ed Sheeran | 0:10:14 | 0:10:15 | |
It's 18-year-old Scott Macaulay. | 0:10:15 | 0:10:17 | |
He's brought his guitar along, and he's not afraid to use it. | 0:10:17 | 0:10:20 | |
Well, maybe he's a bit afraid. | 0:10:22 | 0:10:24 | |
It's nerve-wrecking out there, guys. | 0:10:24 | 0:10:26 | |
APPLAUSE | 0:10:32 | 0:10:33 | |
Hey, there. | 0:10:41 | 0:10:42 | |
What's your name? | 0:10:42 | 0:10:44 | |
I'm Scott Macaulay. I'm from Belfast in Northern Ireland. | 0:10:44 | 0:10:46 | |
APPLAUSE | 0:10:46 | 0:10:48 | |
So, have you performed much? | 0:10:50 | 0:10:51 | |
70 gigs this year. | 0:10:51 | 0:10:53 | |
-70? -Yeah, 70, yeah. | 0:10:53 | 0:10:55 | |
So, you're away on the road, right? | 0:10:55 | 0:10:57 | |
I just finished the boats, you know, the ferries, | 0:10:57 | 0:11:00 | |
from Belfast to Scotland and Liverpool. | 0:11:00 | 0:11:02 | |
That was a really cool experience. | 0:11:02 | 0:11:03 | |
We were, like, playing, and you were like, woo... | 0:11:03 | 0:11:05 | |
You know, all over the place. | 0:11:05 | 0:11:06 | |
LAUGHTER | 0:11:06 | 0:11:08 | |
I know that ferry. It's really choppy, isn't it? | 0:11:08 | 0:11:10 | |
Yeah, the first time, I went | 0:11:10 | 0:11:11 | |
and I was seasick and I had to run to the toilet. | 0:11:11 | 0:11:13 | |
LAUGHTER | 0:11:13 | 0:11:15 | |
Have you got any family here with you? | 0:11:15 | 0:11:16 | |
Yeah, I've got my mum, my dad and my girlfriend. | 0:11:16 | 0:11:18 | |
Hang on. Hang on. | 0:11:18 | 0:11:20 | |
A green apple. | 0:11:20 | 0:11:21 | |
That stops you from being seasick. | 0:11:21 | 0:11:24 | |
LAUGHTER | 0:11:24 | 0:11:25 | |
-I haven't heard that before. -Did you know that? -No, neither have I. | 0:11:25 | 0:11:28 | |
Oh, yeah. It is. It's a green apple. | 0:11:28 | 0:11:30 | |
Anyway, onwards. | 0:11:30 | 0:11:31 | |
LAUGHTER | 0:11:31 | 0:11:33 | |
All right. You ready for this, today? | 0:11:33 | 0:11:34 | |
Yeah, I'm really ready, I'm really excited. | 0:11:34 | 0:11:36 | |
After 70 gigs, I hope you are. | 0:11:36 | 0:11:38 | |
-Well, good luck. -Cheers. | 0:11:38 | 0:11:40 | |
# Laura | 0:11:49 | 0:11:51 | |
# Won't you give me some time? | 0:11:51 | 0:11:56 | |
# I've got to give myself | 0:11:56 | 0:11:59 | |
# One more chance | 0:11:59 | 0:12:02 | |
# To ring the band that I know I'm in | 0:12:02 | 0:12:07 | |
# To ring the band I know that I'm in | 0:12:08 | 0:12:14 | |
# Won't you just tell baby daddy | 0:12:16 | 0:12:20 | |
-# I'm gonna need his love... # -AUDIENCE CLAPS IN TIME | 0:12:20 | 0:12:24 | |
# Why don't he give me he love? | 0:12:24 | 0:12:26 | |
# Why don't he give me | 0:12:26 | 0:12:28 | |
# Shamone | 0:12:28 | 0:12:30 | |
# Shamone | 0:12:30 | 0:12:31 | |
# Where is your love? | 0:12:32 | 0:12:35 | |
# Why don't you give me your love | 0:12:35 | 0:12:37 | |
# Why don't you give me your | 0:12:37 | 0:12:39 | |
# Shamone | 0:12:39 | 0:12:41 | |
# Shamone | 0:12:41 | 0:12:42 | |
# Where is your love? | 0:12:43 | 0:12:46 | |
# Why don't you give me your love? | 0:12:46 | 0:12:48 | |
# Why don't you | 0:12:48 | 0:12:50 | |
# This'll be the last time | 0:12:51 | 0:12:54 | |
# I ever do your hair | 0:12:54 | 0:12:58 | |
# Oh, oh | 0:12:58 | 0:12:59 | |
# Oh | 0:12:59 | 0:13:01 | |
# One face among the many | 0:13:01 | 0:13:05 | |
# I never thought you cared | 0:13:05 | 0:13:09 | |
# This'll be the last time | 0:13:13 | 0:13:16 | |
# I'll ever do your hair | 0:13:16 | 0:13:19 | |
# One face among the many | 0:13:23 | 0:13:26 | |
# I never thought that you cared | 0:13:27 | 0:13:30 | |
# Oh, no | 0:13:31 | 0:13:34 | |
# Whoa. # | 0:13:34 | 0:13:36 | |
APPLAUSE | 0:13:38 | 0:13:40 | |
Scott, everybody! | 0:13:41 | 0:13:43 | |
Wow. | 0:13:43 | 0:13:44 | |
Congratulations. Well done. | 0:13:45 | 0:13:48 | |
After a car ferry, this is quite nice. | 0:13:48 | 0:13:50 | |
Yeah, it's pretty good! | 0:13:50 | 0:13:52 | |
Dannii? | 0:13:52 | 0:13:53 | |
OK, the strange thing is, you seem like the coolest, | 0:13:53 | 0:13:56 | |
most accomplished solo singer-songwriter. | 0:13:56 | 0:14:00 | |
And I'm like, what is you want to do, | 0:14:00 | 0:14:02 | |
coming to audition here | 0:14:02 | 0:14:05 | |
and to be in the show as part of a group? | 0:14:05 | 0:14:08 | |
Like... | 0:14:08 | 0:14:09 | |
Seriously, you're really good. | 0:14:09 | 0:14:12 | |
I'm just working out how to fit you into this. | 0:14:12 | 0:14:15 | |
Well, I mean, I've always loved to be in a band, you know, | 0:14:15 | 0:14:17 | |
I really would love to do that. | 0:14:17 | 0:14:19 | |
APPLAUSE | 0:14:19 | 0:14:20 | |
Martin, do you agree with Dannii? | 0:14:20 | 0:14:23 | |
I absolutely agree with Dannii. | 0:14:23 | 0:14:24 | |
It was my first thought, that you're such a solo man. | 0:14:24 | 0:14:28 | |
It just does worry me, you know. | 0:14:28 | 0:14:30 | |
When you usually have five boys in the band, | 0:14:30 | 0:14:32 | |
there's always one that wants to go solo. | 0:14:32 | 0:14:34 | |
LAUGHTER | 0:14:34 | 0:14:36 | |
So... | 0:14:38 | 0:14:40 | |
Listen, listen, I have it in my band, as well, don't worry about it. | 0:14:40 | 0:14:43 | |
LAUGHTER | 0:14:43 | 0:14:44 | |
For people at home, though, are you sort of saying | 0:14:44 | 0:14:47 | |
he's too good to be in the band? Is that...? | 0:14:47 | 0:14:49 | |
No, he's... | 0:14:49 | 0:14:50 | |
Personality's good. He stands there like a solo singer. | 0:14:50 | 0:14:54 | |
He doesn't stand there and hit me in the face like a member of a band. | 0:14:54 | 0:14:57 | |
-LAUGHING: -I'm really confused by both of those comments. | 0:14:57 | 0:15:00 | |
Because if somebody shines onstage like a star, | 0:15:00 | 0:15:03 | |
you would WANT them to be a part of your production, wouldn't you? | 0:15:03 | 0:15:06 | |
I'm not saying I wouldn't want them to. | 0:15:06 | 0:15:08 | |
It's whether or not they would want to. | 0:15:08 | 0:15:10 | |
Well, he does. He's here! | 0:15:10 | 0:15:12 | |
LAUGHTER | 0:15:12 | 0:15:14 | |
APPLAUSE | 0:15:14 | 0:15:16 | |
OK. So here's the moment of truth. | 0:15:17 | 0:15:20 | |
The judges scored you right after you performed, OK? | 0:15:20 | 0:15:24 | |
But right now, nobody, including the judges, | 0:15:24 | 0:15:26 | |
know the total number of stars you've got. All right? | 0:15:26 | 0:15:30 | |
Five from each judge, maximum 20, | 0:15:30 | 0:15:32 | |
-you've got to get 15 if you're going through to the next stage. -OK. | 0:15:32 | 0:15:36 | |
-Best of luck to you. -Cheers. | 0:15:36 | 0:15:38 | |
Let's find out how Scott has been scored. | 0:15:38 | 0:15:40 | |
CHEERING | 0:15:58 | 0:16:00 | |
Yes! | 0:16:00 | 0:16:01 | |
Oh! | 0:16:05 | 0:16:06 | |
19! You got 19! | 0:16:06 | 0:16:09 | |
Wow! | 0:16:09 | 0:16:11 | |
-Oh, my God! -I know! | 0:16:12 | 0:16:14 | |
Five out of five from Amber Riley? Very nice. | 0:16:15 | 0:16:18 | |
Yeah, I thought that you were incredible. | 0:16:18 | 0:16:20 | |
And I'm glad that I gave you five. | 0:16:20 | 0:16:22 | |
-They made me really nervous. -Me, too. | 0:16:22 | 0:16:24 | |
I needed you to get through. | 0:16:24 | 0:16:25 | |
LAUGHTER | 0:16:25 | 0:16:26 | |
Me, too. | 0:16:26 | 0:16:27 | |
Thank you so much, again. Like, I can't believe it. | 0:16:27 | 0:16:30 | |
Thank you so, so much. | 0:16:30 | 0:16:31 | |
-DANNII: -It's like... | 0:16:31 | 0:16:32 | |
APPLAUSE | 0:16:32 | 0:16:34 | |
You're so good at what you do, you don't know it. | 0:16:36 | 0:16:39 | |
And you could do it on your own. | 0:16:39 | 0:16:42 | |
But boy, if you're in this group, | 0:16:42 | 0:16:44 | |
the boys have got a lot to live up to. | 0:16:44 | 0:16:47 | |
-Well, whatever happens... SCOTT: -Thank you. | 0:16:47 | 0:16:49 | |
Whatever happens, I think from now on, | 0:16:49 | 0:16:52 | |
you'll be a stranger to the smell of vomit on a car ferry. | 0:16:52 | 0:16:55 | |
LAUGHTER | 0:16:55 | 0:16:56 | |
Huge congratulations to Scott, everybody! | 0:16:56 | 0:16:58 | |
Thank you. Thank you. | 0:16:58 | 0:16:59 | |
-He was great, wasn't he? -Great. | 0:17:03 | 0:17:05 | |
He made me close my eyes and I was swaying a little bit. | 0:17:05 | 0:17:08 | |
-In a good way, in a good way. -In a good way. Very good way. | 0:17:09 | 0:17:12 | |
-Yeah, not like... -SHE IMITATES SNORING | 0:17:12 | 0:17:14 | |
No, no, no. | 0:17:14 | 0:17:15 | |
19 stars! | 0:17:16 | 0:17:18 | |
APPLAUSE | 0:17:18 | 0:17:19 | |
So, do you know what Gary Barlow's favourite hobby is? | 0:17:29 | 0:17:32 | |
No idea. | 0:17:32 | 0:17:33 | |
Apart from being in Take That, obviously. | 0:17:33 | 0:17:35 | |
That's a big, long-standing hobby of his. | 0:17:35 | 0:17:38 | |
No, do you know what he loves to do? | 0:17:38 | 0:17:40 | |
He loves to turn up uninvited | 0:17:40 | 0:17:42 | |
and surprise somebody. | 0:17:42 | 0:17:44 | |
"Why?" I hear you ask. | 0:17:44 | 0:17:47 | |
To invite them to audition for this show. | 0:17:47 | 0:17:49 | |
-Did you know that? -No. -Were you interested? | 0:17:51 | 0:17:53 | |
HE LAUGHS | 0:17:56 | 0:17:57 | |
Look forward to our chat again soon. | 0:17:57 | 0:17:59 | |
Last week, the Barlow-mobile took the A5 to Anglesey. | 0:17:59 | 0:18:03 | |
I'm here for Dion? | 0:18:03 | 0:18:05 | |
THEY CHEER | 0:18:05 | 0:18:07 | |
Will you come and perform for us on the Let It Shine stage? | 0:18:07 | 0:18:10 | |
Yeah, definitely. | 0:18:10 | 0:18:11 | |
THEY CHEER | 0:18:11 | 0:18:13 | |
This week, two more unsuspecting victims | 0:18:13 | 0:18:16 | |
are due for a surprise visit from GB. | 0:18:16 | 0:18:18 | |
So where are we heading first? | 0:18:18 | 0:18:20 | |
SLOW VIOLIN MUSIC | 0:18:20 | 0:18:22 | |
Ah, the green and pleasant lands of Essex. | 0:18:24 | 0:18:27 | |
We're in the suburbs and it's just a normal day on a normal street... | 0:18:29 | 0:18:33 | |
..where we're crammed into an unmarked vehicle on a stakeout, | 0:18:36 | 0:18:39 | |
waiting for Luke Stanley to come home. | 0:18:39 | 0:18:41 | |
As I said, "normal". | 0:18:41 | 0:18:43 | |
Oh, hello, here he comes. | 0:18:43 | 0:18:44 | |
Budding musician Luke works nights | 0:18:46 | 0:18:48 | |
as a support technician for London Underground. | 0:18:48 | 0:18:50 | |
Luke has been singing for quite some time. | 0:18:52 | 0:18:54 | |
The neighbours hear him singing in the shower, | 0:18:54 | 0:18:56 | |
and they have a laugh and joke to me about. | 0:18:56 | 0:18:58 | |
He does sing quite often, down the tunnels. | 0:18:58 | 0:19:00 | |
# Give a little time to me | 0:19:00 | 0:19:03 | |
# Or burn this out | 0:19:03 | 0:19:04 | |
# We'll play hide and seek | 0:19:04 | 0:19:07 | |
# We turn this around | 0:19:07 | 0:19:08 | |
# All I want is the taste your lips allow... # | 0:19:08 | 0:19:12 | |
He just needs a bit of a push. | 0:19:12 | 0:19:13 | |
But he has the bare essentials of what we're looking for. | 0:19:13 | 0:19:17 | |
The main thing is, we've got to get him from his house onto that stage. | 0:19:17 | 0:19:22 | |
So while dad Ray deals with the washing, | 0:19:22 | 0:19:25 | |
we've hijacked their garden shed | 0:19:25 | 0:19:26 | |
and installed hidden cameras everywhere | 0:19:26 | 0:19:28 | |
to give Luke the surprise of his life in his own front room. | 0:19:28 | 0:19:31 | |
Ray's looking perfectly relaxed about the situation. | 0:19:33 | 0:19:36 | |
Right, here we go. | 0:19:36 | 0:19:37 | |
Now, hang on, do those two always coordinate outfits? | 0:19:39 | 0:19:42 | |
Hello, boys. Hello! | 0:19:42 | 0:19:44 | |
After a snack, and a very near miss for our cameras, | 0:19:44 | 0:19:47 | |
it's time to take the dogs for their walk. | 0:19:47 | 0:19:50 | |
Followed by our intrepid team, of course. | 0:19:51 | 0:19:54 | |
Here they come. | 0:19:54 | 0:19:56 | |
Ray, what are you doing? | 0:20:00 | 0:20:02 | |
You'd better get back. Gary's not far away. | 0:20:02 | 0:20:04 | |
Game on. | 0:20:07 | 0:20:09 | |
It was Ray's birthday yesterday, so back at the house, | 0:20:09 | 0:20:12 | |
friends and family are popping in to celebrate, including Luke's nan. | 0:20:12 | 0:20:16 | |
She's in on it, too. | 0:20:16 | 0:20:17 | |
It's unbelievable. Spy in the sky. | 0:20:19 | 0:20:22 | |
SHE LAUGHS | 0:20:22 | 0:20:23 | |
Little does Luke know, | 0:20:24 | 0:20:25 | |
a certain someone's about to join the shindig. | 0:20:25 | 0:20:28 | |
This is it. This is it. | 0:20:29 | 0:20:31 | |
This is amazing. | 0:20:33 | 0:20:35 | |
Nan's made herself comfy and she's requested a song. | 0:20:35 | 0:20:38 | |
# Pearly whites | 0:20:39 | 0:20:41 | |
# Just a jack-knife | 0:20:41 | 0:20:44 | |
# Has old MacHeath, babe... # | 0:20:44 | 0:20:48 | |
Oh, Gary's up! We are go for Gary. | 0:20:48 | 0:20:50 | |
# With his teeth, babe | 0:20:50 | 0:20:52 | |
# Da, da | 0:20:52 | 0:20:54 | |
# Scarlet billows | 0:20:54 | 0:20:56 | |
# Start to spread. # | 0:20:56 | 0:20:58 | |
Oh, my God. | 0:20:58 | 0:20:59 | |
Hello, Nan. Luke. | 0:20:59 | 0:21:01 | |
EXCITED SHOUTING | 0:21:01 | 0:21:03 | |
Hello, mate. | 0:21:03 | 0:21:05 | |
Nice to meet you. | 0:21:05 | 0:21:08 | |
-Nice to meet you. How are you doing? -Yeah, good. | 0:21:08 | 0:21:11 | |
I don't know if you knew, but your little shed back there, | 0:21:11 | 0:21:13 | |
I've been sat listening to you sing. | 0:21:13 | 0:21:15 | |
LAUGHTER | 0:21:15 | 0:21:17 | |
That's embarrassing. | 0:21:17 | 0:21:19 | |
And you sound pretty good! | 0:21:19 | 0:21:21 | |
I'm looking for very talented people. | 0:21:21 | 0:21:24 | |
Will you please come and sing in front of our beautiful audience | 0:21:24 | 0:21:27 | |
and show us how good you are? | 0:21:27 | 0:21:28 | |
-Yeah, definitely. -Yeah? -Yeah. | 0:21:28 | 0:21:31 | |
CHEERING | 0:21:31 | 0:21:33 | |
Brilliant. Brilliant. | 0:21:33 | 0:21:35 | |
I need...or something. | 0:21:35 | 0:21:36 | |
I don't know what to say. I don't what to do. | 0:21:36 | 0:21:39 | |
I've gone white in the face. I'm sweating. | 0:21:39 | 0:21:41 | |
Can you pinch me, Nan? Just quickly. | 0:21:41 | 0:21:43 | |
LAUGHTER | 0:21:43 | 0:21:44 | |
Yeah, this is real. Yeah. | 0:21:44 | 0:21:45 | |
My dad believes in me. My nan believes in me. | 0:21:45 | 0:21:47 | |
Here, remember. | 0:21:47 | 0:21:49 | |
I'm your agent. | 0:21:49 | 0:21:50 | |
It's my job, now, to go out and prove to them that I can do it. | 0:21:50 | 0:21:54 | |
APPLAUSE, CHEERING | 0:22:04 | 0:22:06 | |
Now, this is Luke, everybody. | 0:22:15 | 0:22:17 | |
How are you? | 0:22:17 | 0:22:18 | |
Yeah, good, thanks. | 0:22:18 | 0:22:19 | |
-Great. Now, your dad must be here. Ray? -Hi, Gary. | 0:22:19 | 0:22:22 | |
-How are you? -Yeah, I'm fine, yeah. | 0:22:22 | 0:22:25 | |
So, what did you think when Gary turned up? | 0:22:25 | 0:22:27 | |
My mouth was dry, I was like, | 0:22:27 | 0:22:28 | |
"No, it's not Gary Barlow in our living room, surely." | 0:22:28 | 0:22:30 | |
LAUGHTER | 0:22:30 | 0:22:31 | |
So, I want to say best of luck. | 0:22:31 | 0:22:33 | |
Oh, yeah, just one more thing. | 0:22:33 | 0:22:34 | |
Martin, I spoke to my nan | 0:22:34 | 0:22:36 | |
and she really fancies you. | 0:22:36 | 0:22:38 | |
LAUGHTER | 0:22:38 | 0:22:40 | |
APPLAUSE | 0:22:40 | 0:22:42 | |
See, Gary, one day, this will happen to you, when people say, | 0:22:44 | 0:22:47 | |
"My nan fancies you." | 0:22:47 | 0:22:48 | |
LAUGHTER | 0:22:48 | 0:22:50 | |
-Well, Luke, good luck from us all. -Cheers. | 0:22:52 | 0:22:55 | |
# What would I do without your smart mouth | 0:23:10 | 0:23:14 | |
# Drawing me in and you kicking me out? | 0:23:14 | 0:23:17 | |
# You've got my head spinning | 0:23:17 | 0:23:20 | |
# No kidding | 0:23:20 | 0:23:22 | |
# I can't pin you down | 0:23:22 | 0:23:25 | |
# What's going on in that beautiful mind? | 0:23:25 | 0:23:28 | |
# I'm on your magical mystery ride | 0:23:28 | 0:23:32 | |
# And I'm so dizzy | 0:23:32 | 0:23:35 | |
# Don't know what hit me | 0:23:35 | 0:23:37 | |
# But I'll be all right | 0:23:37 | 0:23:40 | |
# My head's under water | 0:23:41 | 0:23:44 | |
# But I'm breathing fine | 0:23:44 | 0:23:47 | |
# You're crazy | 0:23:48 | 0:23:50 | |
# And I'm out of my mind | 0:23:50 | 0:23:53 | |
# Cos all of me | 0:23:54 | 0:23:56 | |
# Loves all of you | 0:23:56 | 0:24:00 | |
# I love your curves and all your edges | 0:24:00 | 0:24:04 | |
# All your perfect imperfections | 0:24:04 | 0:24:07 | |
# Give your all to me | 0:24:07 | 0:24:11 | |
# I'll give my all to you | 0:24:11 | 0:24:15 | |
# You're my end and my beginning | 0:24:15 | 0:24:18 | |
# Even when I lose I'm winning | 0:24:18 | 0:24:23 | |
# Cos I give you a-a-all | 0:24:23 | 0:24:26 | |
# Of me | 0:24:27 | 0:24:28 | |
# And you give me a-a-all | 0:24:30 | 0:24:34 | |
of you | 0:24:34 | 0:24:36 | |
# O-oh. # | 0:24:36 | 0:24:38 | |
APPLAUSE | 0:24:39 | 0:24:41 | |
Let's hear it for Luke, everybody! | 0:24:44 | 0:24:47 | |
-Great song, Luke. -Thank you. -Seriously, well done. | 0:24:48 | 0:24:50 | |
Congratulations. | 0:24:50 | 0:24:51 | |
Judges, please put in your score. | 0:24:51 | 0:24:53 | |
Hearing you singing, there, you've got that voice, | 0:24:55 | 0:24:57 | |
-and you're doing the night shift on the Tube? -I am, yeah. | 0:24:57 | 0:25:00 | |
Gary Barlow, what did you think? | 0:25:00 | 0:25:03 | |
So, Luke, you know, we knew there was going to be some nerves, today. | 0:25:03 | 0:25:06 | |
And there was a few notes here and there you missed. | 0:25:06 | 0:25:08 | |
But slowly, you peeled off the layers | 0:25:08 | 0:25:11 | |
and this butterfly emerged before us | 0:25:11 | 0:25:13 | |
and the end of the song was absolutely beautiful. | 0:25:13 | 0:25:16 | |
You've got a great tone. | 0:25:16 | 0:25:17 | |
Got ahead a few times, a little bit, on the track. | 0:25:17 | 0:25:19 | |
But again, I'm going to put that down to nerves. | 0:25:19 | 0:25:21 | |
You need to sort those nerves out very soon, but other than that, | 0:25:21 | 0:25:25 | |
I thought there's great, great potential here, so well done. | 0:25:25 | 0:25:28 | |
APPLAUSE | 0:25:28 | 0:25:30 | |
Amber? | 0:25:33 | 0:25:35 | |
It was a very contained performance, | 0:25:35 | 0:25:37 | |
I really wanted you to come out of your shell a little bit more. | 0:25:37 | 0:25:42 | |
And your nervousness, kind of, made me a little nervous, | 0:25:42 | 0:25:45 | |
so I'm just a little iffy about what are you going to do | 0:25:45 | 0:25:48 | |
when you get on a stage and it's thousands of people, | 0:25:48 | 0:25:51 | |
as opposed to the hundreds that are here right now? | 0:25:51 | 0:25:54 | |
All right. Let's find out how Luke has been scored! | 0:25:54 | 0:25:57 | |
CHEERING | 0:26:20 | 0:26:23 | |
15 it is, but that's all you need! You're through, you're through. | 0:26:25 | 0:26:28 | |
Oh, wow. | 0:26:28 | 0:26:29 | |
Congratulations. | 0:26:29 | 0:26:32 | |
Nan can still look Martin Kemp in the eye! | 0:26:32 | 0:26:34 | |
LAUGHTER | 0:26:34 | 0:26:36 | |
Dannii, four out of five for you. Great. | 0:26:36 | 0:26:38 | |
Yeah. I mean, you have such a natural ability, | 0:26:38 | 0:26:42 | |
it's now just learning the craft of being on stage | 0:26:42 | 0:26:45 | |
and being in the theatre. You'll be incredible. | 0:26:45 | 0:26:48 | |
And Martin, you're really encouraging. | 0:26:48 | 0:26:50 | |
Another four out of five? | 0:26:50 | 0:26:51 | |
Oh, absolutely. I really enjoyed the performance. | 0:26:51 | 0:26:54 | |
I... The thing you're lacking the most at the moment, for me, | 0:26:54 | 0:26:57 | |
is projection. | 0:26:57 | 0:26:58 | |
Your voice needs to go right to the back | 0:26:58 | 0:27:01 | |
and your emotion needs to go right to the back of the hall. | 0:27:01 | 0:27:04 | |
And once you conquer that, I think you've got a long way to go. | 0:27:04 | 0:27:06 | |
APPLAUSE | 0:27:06 | 0:27:08 | |
Ladies and gentlemen, | 0:27:08 | 0:27:09 | |
he's going through to the next stage. It's Luke! | 0:27:09 | 0:27:11 | |
CHEERING | 0:27:11 | 0:27:12 | |
Well done. Congratulations. | 0:27:12 | 0:27:14 | |
He actually doesn't really need to think about his voice that much. | 0:27:16 | 0:27:18 | |
He needs to concentrate on the rest. | 0:27:18 | 0:27:20 | |
-He does, yes. -I mean, he's quite an effortless singer. | 0:27:20 | 0:27:22 | |
-It's the performance... -It's the rest, yeah. | 0:27:22 | 0:27:25 | |
-I love a man who wears a shoe with no socks. -OK. | 0:27:30 | 0:27:33 | |
Have you put...? I do. | 0:27:33 | 0:27:35 | |
Have you put... Have you put talc in there, my love? | 0:27:35 | 0:27:38 | |
No, I haven't. | 0:27:38 | 0:27:39 | |
APPLAUSE | 0:27:40 | 0:27:42 | |
It's our last audition show, so tonight's our last chance | 0:27:42 | 0:27:46 | |
to revel in the joy of our guest judge, Amber Riley. | 0:27:46 | 0:27:49 | |
# I couldn't ask for another... # | 0:27:49 | 0:27:51 | |
We rehearsed that for weeks. | 0:27:51 | 0:27:53 | |
# I couldn't ask for another. # | 0:27:53 | 0:27:55 | |
Loved it! | 0:27:55 | 0:27:57 | |
Have you heard Amber's voice? | 0:27:57 | 0:27:58 | |
# No, no, there's no way... # | 0:27:58 | 0:28:01 | |
The most incredible thing you will ever hear. | 0:28:01 | 0:28:04 | |
Now, she might be up to speed on what head boy means... | 0:28:05 | 0:28:08 | |
I know if I say something wrong, | 0:28:08 | 0:28:09 | |
you guys probably will just think I'm just American. | 0:28:09 | 0:28:12 | |
..but other things did get lost in translation. | 0:28:12 | 0:28:16 | |
Everyone's always asking, "You all right?" | 0:28:16 | 0:28:18 | |
Which I've learnt is, "Hello," | 0:28:18 | 0:28:20 | |
-instead of, "Are you really OK?" -SHE LAUGHS | 0:28:20 | 0:28:22 | |
Oh, right! | 0:28:22 | 0:28:23 | |
Then I started saying, "Yeah, you know, my back kind of hurts." | 0:28:23 | 0:28:26 | |
And the person's just standing there like, | 0:28:26 | 0:28:28 | |
"Oh, she's really going to tell me how she's doing." | 0:28:28 | 0:28:30 | |
I got it now. I just say, "Hi!" | 0:28:30 | 0:28:33 | |
# Let's get physical | 0:28:34 | 0:28:36 | |
# Physical. # | 0:28:36 | 0:28:38 | |
Well, Amber, prepare to greet our next boy, | 0:28:38 | 0:28:39 | |
professional dancer and personal trainer, Travis. | 0:28:39 | 0:28:42 | |
He might be just what the judges are looking for. | 0:28:42 | 0:28:45 | |
-In this kind of space... -Yeah? | 0:28:45 | 0:28:47 | |
What would you do with the gang? | 0:28:47 | 0:28:49 | |
You can, like, use the stick, and stretch your arms. | 0:28:49 | 0:28:51 | |
-Stretching. -Yeah, yeah. | 0:28:51 | 0:28:53 | |
And you can do it, perhaps, get some lunges. | 0:28:53 | 0:28:55 | |
-So, like, lunge. -Oh, I love a lunge! | 0:28:55 | 0:28:57 | |
-Yeah! -I love... -And other leg. | 0:28:57 | 0:28:58 | |
-That's good. That's harder, isn't it? -That's a lot harder. | 0:28:58 | 0:29:01 | |
Harder to do in heels, as well, Travis. | 0:29:01 | 0:29:03 | |
-Surprising... -I can't get up, actually can't. | 0:29:03 | 0:29:05 | |
Slightly... Might need a little... | 0:29:05 | 0:29:06 | |
-Oh, thanks. -There you go. -Thanks very much. | 0:29:06 | 0:29:09 | |
MUSIC: Let's Dance by David Bowie | 0:29:09 | 0:29:11 | |
When he was about three, | 0:29:11 | 0:29:13 | |
he started off in a baby ballet class and tap, | 0:29:13 | 0:29:15 | |
and just went from strength to strength, | 0:29:15 | 0:29:19 | |
he just loved it. | 0:29:19 | 0:29:21 | |
Travis is in the gym pretty much every day. | 0:29:21 | 0:29:23 | |
He likes to look top-notch all the time. | 0:29:23 | 0:29:27 | |
When we're getting ready to go out, | 0:29:27 | 0:29:28 | |
I'll be the one to be ready first. | 0:29:28 | 0:29:30 | |
Then, he takes about ten more hours. | 0:29:30 | 0:29:32 | |
People tell me how... such a lovely lad he is, | 0:29:34 | 0:29:37 | |
and it's just the best feeling. | 0:29:37 | 0:29:39 | |
He's kind of been, like, something to look up to. | 0:29:39 | 0:29:42 | |
Such a focused young man. | 0:29:42 | 0:29:45 | |
He's, like, inspiration. | 0:29:45 | 0:29:46 | |
APPLAUSE | 0:29:49 | 0:29:51 | |
Yes, I say yes! | 0:29:59 | 0:30:01 | |
LAUGHTER | 0:30:01 | 0:30:02 | |
What's your name? | 0:30:04 | 0:30:05 | |
My name's Travis, I'm 19 and I'm from Mansfield. | 0:30:05 | 0:30:08 | |
CHEERING AND APPLAUSE | 0:30:08 | 0:30:09 | |
Inside a band, what would you bring to it? | 0:30:12 | 0:30:14 | |
I'd hopefully bring, like, fun, energy, like, a really good vibe. | 0:30:14 | 0:30:18 | |
-You'll bring the chicks, as well? -Yeah! | 0:30:18 | 0:30:20 | |
Thank you. | 0:30:20 | 0:30:21 | |
# Your love pours down on me | 0:30:23 | 0:30:25 | |
# Surrounds me like a waterfall | 0:30:25 | 0:30:28 | |
# And there's no stopping us right now | 0:30:29 | 0:30:32 | |
# I feel so close to you right now | 0:30:33 | 0:30:36 | |
CHEERING | 0:30:39 | 0:30:41 | |
# I feel so close to you right now | 0:30:45 | 0:30:48 | |
# It's a force field | 0:30:48 | 0:30:52 | |
# I wear my heart upon my sleeve | 0:30:52 | 0:30:55 | |
# Like a big deal... # | 0:30:55 | 0:30:57 | |
Come on, guys, just jump! | 0:31:00 | 0:31:01 | |
Jump, jump, jump, jump, jump! | 0:31:01 | 0:31:03 | |
AUDIENCE CLAPS ALONG | 0:31:07 | 0:31:09 | |
CHEERING AND APPLAUSE | 0:31:14 | 0:31:16 | |
CHEERING AND APPLAUSE | 0:31:22 | 0:31:25 | |
Travis, everybody! | 0:31:25 | 0:31:27 | |
Hiya! | 0:31:27 | 0:31:28 | |
-Eh, those were some moves, Travis! -Thank you. | 0:31:28 | 0:31:31 | |
-Amber. -Oh! | 0:31:31 | 0:31:33 | |
I wanted you to sound so great. I would have married you. | 0:31:33 | 0:31:37 | |
Oh! | 0:31:37 | 0:31:39 | |
No, the dancing was great. | 0:31:39 | 0:31:41 | |
You're great to look at, you have great energy, but I just, | 0:31:41 | 0:31:45 | |
vocally, it just wasn't there, and I really, | 0:31:45 | 0:31:48 | |
really wish that it was, but it wasn't. | 0:31:48 | 0:31:50 | |
-AUDIENCE: -Whoa-a-a! | 0:32:00 | 0:32:02 | |
CHEERING AND APPLAUSE | 0:32:11 | 0:32:14 | |
Aw! | 0:32:14 | 0:32:15 | |
-I'm sorry. -It's OK. -I'm sorry, Travis. | 0:32:16 | 0:32:19 | |
Just 11. Let's go to, Dannii. Just two? | 0:32:19 | 0:32:22 | |
-Very entertaining. -Thank you. | 0:32:22 | 0:32:24 | |
Energetic. Everything you said it would be. | 0:32:24 | 0:32:27 | |
Vocally, missed the mark. | 0:32:27 | 0:32:29 | |
Amber, are you very sorry to be saying goodbye? | 0:32:29 | 0:32:32 | |
Yes, but I'll have this moment on television for the rest of my life. | 0:32:32 | 0:32:36 | |
LAUGHTER | 0:32:36 | 0:32:37 | |
Still to come tonight... | 0:32:42 | 0:32:45 | |
Graham and I count down the remaining contestants. | 0:32:45 | 0:32:48 | |
This is going to be tough. | 0:32:48 | 0:32:49 | |
-A big decision for the rest of their lives. -Yup. | 0:32:49 | 0:32:53 | |
To get your hands on some backstage exclusives and find out how | 0:32:53 | 0:32:56 | |
the show's made, head to the website. | 0:32:56 | 0:32:58 | |
And whilst you're at it, why not follow us on social media? | 0:32:58 | 0:33:01 | |
You're not meant to see this! Cut! | 0:33:04 | 0:33:06 | |
27-year-old Alexis is a bit of a multitasker. | 0:33:10 | 0:33:13 | |
He'll sing for his supper and then give you a short back and sides. | 0:33:13 | 0:33:16 | |
From a very early age, he's been a performer. | 0:33:19 | 0:33:22 | |
Alexis has been in a few West End shows. | 0:33:24 | 0:33:27 | |
I think when he was in Dreamboats & Petticoats, | 0:33:27 | 0:33:29 | |
I saw the show 56 times. | 0:33:29 | 0:33:33 | |
He's always wanted to be a dad - always. | 0:33:33 | 0:33:36 | |
I mean, Zachary is a little cheeky munchkin. | 0:33:36 | 0:33:38 | |
And, Penny, just an absolute sweetheart. | 0:33:38 | 0:33:40 | |
They completely adore their dad. | 0:33:40 | 0:33:43 | |
I have a barbershop, so he works closely with me, | 0:33:43 | 0:33:46 | |
and it's actually served him very well, because, in the shows that | 0:33:46 | 0:33:49 | |
he's been in, he's often been appointed as company barber. | 0:33:49 | 0:33:52 | |
CHEERING AND APPLAUSE | 0:33:52 | 0:33:55 | |
-Oh! -Well, hello! | 0:34:02 | 0:34:04 | |
-Hello! -I think we're already off to a great start. | 0:34:06 | 0:34:09 | |
That's it? Shall I go now? Is that it? Is that me done? | 0:34:09 | 0:34:12 | |
-What's your name? -Alexis Gerred, I'm 27 and I'm from Kent. | 0:34:12 | 0:34:15 | |
All right! All right. Alexis, what do you do for a living? | 0:34:15 | 0:34:18 | |
For the last six, seven years, | 0:34:18 | 0:34:20 | |
-I've been a professional actor in musicals in and around the West End. -AUDIENCE OOHS | 0:34:20 | 0:34:23 | |
Amazing, so, do you feel extra pressure being here, | 0:34:23 | 0:34:26 | |
since you've been on the West End? | 0:34:26 | 0:34:28 | |
I think the experience is great and, yeah, | 0:34:28 | 0:34:29 | |
I think it comes with a certain amount of pressure, but everyone's | 0:34:29 | 0:34:32 | |
here just to showcase talent and I'm as nervous as the rest of them. | 0:34:32 | 0:34:35 | |
-Is your family here today? -My mum and dad are here somewhere. | 0:34:35 | 0:34:37 | |
-Don't do that! Don't do that! -Aw, there's Mom and Dad. | 0:34:37 | 0:34:40 | |
CHEERING AND APPLAUSE | 0:34:40 | 0:34:41 | |
Well, Alexis, are you ready? | 0:34:43 | 0:34:46 | |
-I think so. -All right, well, we're ready for you. Let's go, good luck! | 0:34:46 | 0:34:49 | |
# Here come old flat top | 0:35:02 | 0:35:04 | |
# He come grooving up slowly | 0:35:04 | 0:35:07 | |
# He got joo-joo eyeball | 0:35:07 | 0:35:10 | |
# He one holy roller | 0:35:10 | 0:35:13 | |
# He got hair down | 0:35:13 | 0:35:16 | |
# To his knee | 0:35:16 | 0:35:19 | |
# Got to be a joker | 0:35:19 | 0:35:21 | |
# He just do what he please | 0:35:21 | 0:35:23 | |
Ahhh! | 0:35:27 | 0:35:30 | |
# He bag production | 0:35:30 | 0:35:32 | |
# He got walrus gumboot | 0:35:32 | 0:35:35 | |
# He got Ono sideboard | 0:35:35 | 0:35:36 | |
# He one spinal cracker | 0:35:38 | 0:35:39 | |
# He got feet down | 0:35:40 | 0:35:43 | |
# Below his knees | 0:35:43 | 0:35:47 | |
# Hold you in his armchair | 0:35:47 | 0:35:49 | |
# You can feel his disease | 0:35:49 | 0:35:51 | |
# Come together, right now | 0:35:51 | 0:35:56 | |
# Over me | 0:35:57 | 0:36:00 | |
Oh! | 0:36:00 | 0:36:03 | |
# Come together, right now | 0:36:03 | 0:36:08 | |
# Over me. # | 0:36:08 | 0:36:10 | |
CHEERING AND APPLAUSE | 0:36:10 | 0:36:12 | |
That is Alexis, everybody! | 0:36:15 | 0:36:19 | |
Judges, I would remind you to enter your scores now. | 0:36:19 | 0:36:23 | |
So, Alexis, how was that? Because you're in musicals all the time. | 0:36:23 | 0:36:26 | |
-Yeah. -So, how was it just being yourself out here, | 0:36:26 | 0:36:28 | |
-performing to a crowd, working a crowd? -Yeah, it's great. | 0:36:28 | 0:36:31 | |
I love doing that. I mean, I love being a character, as well, | 0:36:31 | 0:36:34 | |
but this is what I live for. | 0:36:34 | 0:36:36 | |
CHEERING AND APPLAUSE | 0:36:36 | 0:36:38 | |
-Thank you very much! -Let's go to Amber first. | 0:36:38 | 0:36:40 | |
-What did you think of Alexis? -Oh, I loved it. | 0:36:40 | 0:36:42 | |
You are clearly comfortable on stage. | 0:36:42 | 0:36:45 | |
One thing that I love it is when someone uses all of their energy | 0:36:45 | 0:36:49 | |
to fill up a whole entire room. The crowd was rocking, right? | 0:36:49 | 0:36:53 | |
-You guys were rocking with him? -CHEERING | 0:36:53 | 0:36:55 | |
And you have a great voice. Like, yeah, I loved it. | 0:36:55 | 0:36:57 | |
-Thank you very much. -CHEERING AND APPLAUSE | 0:36:57 | 0:36:59 | |
Dannii, what did you think of Alexis? | 0:36:59 | 0:37:01 | |
Is it hot in here or is it just me?! | 0:37:01 | 0:37:03 | |
CHEERING AND APPLAUSE | 0:37:03 | 0:37:05 | |
SHE MAKES SIZZLING NOISE | 0:37:05 | 0:37:08 | |
Um...seriously, though, | 0:37:08 | 0:37:10 | |
you definitely would work well with a team | 0:37:10 | 0:37:13 | |
and you can shine right out the front on your own. | 0:37:13 | 0:37:16 | |
Man, you've got skills on skills on skills on skills. | 0:37:16 | 0:37:19 | |
- That's what we're looking for. - Thank you so much. | 0:37:19 | 0:37:21 | |
CHEERING AND APPLAUSE | 0:37:21 | 0:37:24 | |
OK, so, here's the thing, lovely comments, but now it's time | 0:37:24 | 0:37:27 | |
to find out how many stars you've been awarded. You ready for this? | 0:37:27 | 0:37:29 | |
-Thank you. Yeah, I think so! -OK! Take a deep breath. | 0:37:29 | 0:37:33 | |
We're about to find out how Alexis has been scored. | 0:37:33 | 0:37:35 | |
SWELL OF CHEERS | 0:37:47 | 0:37:50 | |
CHEERING AND APPLAUSE | 0:37:56 | 0:37:58 | |
-18 stars for Alexis! Congratulations! -Thank you. | 0:38:05 | 0:38:08 | |
-I'm so pleased for you. -Thank you. | 0:38:08 | 0:38:10 | |
You're going through! | 0:38:10 | 0:38:12 | |
-Thank you so much. -OK, eh, | 0:38:12 | 0:38:14 | |
Martin, four out of five. | 0:38:14 | 0:38:16 | |
-Why not the five? -I think he was absolutely fantastic. | 0:38:16 | 0:38:20 | |
I think you could tell that you were in your happy place. | 0:38:20 | 0:38:24 | |
Because there's a certain thing that all the pros do, | 0:38:24 | 0:38:26 | |
when they stand on that audition square, | 0:38:26 | 0:38:28 | |
and it's, they stand there | 0:38:28 | 0:38:30 | |
and, a few seconds, before they're going to start singing, | 0:38:30 | 0:38:33 | |
they take a nice deep breath and they slow their whole body down. | 0:38:33 | 0:38:36 | |
I only gave a four, because I just want to leave | 0:38:36 | 0:38:38 | |
a little bit of room for the next round. | 0:38:38 | 0:38:40 | |
-But I knew you were going through! -We'll see you in the next stage. | 0:38:40 | 0:38:43 | |
-Thank you very much. -Alexis, everybody! There you go. | 0:38:43 | 0:38:46 | |
CHEERING AND APPLAUSE | 0:38:46 | 0:38:49 | |
Wow! | 0:38:50 | 0:38:52 | |
-Yeah. Very good. Are you OK there, Dannii? -SHE LAUGHS | 0:38:54 | 0:38:59 | |
-Um, yeah. -I've never known Dannii so lost for words. | 0:38:59 | 0:39:01 | |
-AMBER: -You really needed a fan! -I've actually got sweaty palms. | 0:39:01 | 0:39:04 | |
He's a good-looking boy, isn't he? | 0:39:04 | 0:39:07 | |
CHEERING | 0:39:11 | 0:39:13 | |
The next round of the competition could see professionals, | 0:39:15 | 0:39:17 | |
like Alexis, perform in a group, alongside singers | 0:39:17 | 0:39:20 | |
with everyday jobs, like Luke. | 0:39:20 | 0:39:21 | |
Having a range of experience in a band is all part of the early | 0:39:21 | 0:39:24 | |
Take That story. | 0:39:24 | 0:39:25 | |
I was working in a bank at the time. | 0:39:25 | 0:39:28 | |
But I had to give it up. But my bank said, | 0:39:28 | 0:39:30 | |
"If ever you want to come back, you can still come back." | 0:39:30 | 0:39:32 | |
And I still remember that now. And I still sometimes think... | 0:39:32 | 0:39:35 | |
-Should I go back?! -Should I go... Yeah! -THEY LAUGH | 0:39:35 | 0:39:38 | |
Yeah! | 0:39:38 | 0:39:39 | |
-Have you ever been back into the bank... -Yeah, I have. | 0:39:39 | 0:39:42 | |
-..just to say "hi"? -I still bank with the same bank. | 0:39:42 | 0:39:44 | |
-Oh, do you? -Yeah, yeah. -Oh, that's sweet! | 0:39:44 | 0:39:47 | |
We're glad you stuck with it, Mark. | 0:39:49 | 0:39:51 | |
Now, there's no set formula for our final band, | 0:39:51 | 0:39:54 | |
but what are the judges' benchmarks when it comes to boybands? | 0:39:54 | 0:39:57 | |
-Tell us, Dannii, who were you a fan of growing up? -Jackson 5. | 0:39:57 | 0:40:01 | |
# Oh, baby, give me one more chance... # | 0:40:01 | 0:40:03 | |
The music, the dance moves and the magic that was coming off them. | 0:40:03 | 0:40:07 | |
So, the Jacksons get a five from Dannii. | 0:40:07 | 0:40:10 | |
And what about you, Amber? | 0:40:10 | 0:40:12 | |
B2K. I completely lost my mind for them. | 0:40:12 | 0:40:16 | |
And I printed out their lyrics, I had their posters up, | 0:40:16 | 0:40:19 | |
I used to record myself on a cassette tape singing their songs | 0:40:19 | 0:40:23 | |
and mail it to them. | 0:40:23 | 0:40:24 | |
Yes, I know that that's crazy. | 0:40:24 | 0:40:26 | |
# Let's go crazy, crazy, crazy... # | 0:40:27 | 0:40:29 | |
Hang on, got to ask everyone. | 0:40:29 | 0:40:31 | |
OK, then, Gary, whose cassette was on your Walkman? | 0:40:31 | 0:40:33 | |
# Gold... # | 0:40:33 | 0:40:35 | |
In fact, he was in the boyband of my generation when I was a teenager. | 0:40:35 | 0:40:39 | |
I used to buy Spandau one week, Duran Duran the other week. | 0:40:39 | 0:40:42 | |
# This much is true... # | 0:40:42 | 0:40:45 | |
Was Spandau Ballet a boyband? | 0:40:45 | 0:40:47 | |
No. Definitely not. | 0:40:49 | 0:40:51 | |
20-year-old Robert Evans is hoping he's boyband material. | 0:40:55 | 0:40:59 | |
Luckily, he's got loads of experience performing. | 0:40:59 | 0:41:01 | |
The only problem is, it's mostly... | 0:41:01 | 0:41:04 | |
to farmyard animals. | 0:41:04 | 0:41:06 | |
Robert would always be singing around the farm. | 0:41:10 | 0:41:13 | |
You'd definitely hear him before you'd see Robert. | 0:41:13 | 0:41:16 | |
Sometimes, I have to tell him to be quiet | 0:41:16 | 0:41:18 | |
because he does it too much and it's annoying me. | 0:41:18 | 0:41:20 | |
Robert works as a cabinet-maker and he really enjoys his job. | 0:41:20 | 0:41:26 | |
Rob comes in at eight singing and he goes home at five singing. | 0:41:26 | 0:41:29 | |
I've had to issue ear defenders to all my staff. | 0:41:29 | 0:41:31 | |
We actually applied for Robert to go on the show without him knowing. | 0:41:33 | 0:41:36 | |
So, when he found out, I think he was a bit shocked and cross. | 0:41:36 | 0:41:40 | |
But...I reckon he was secretly happy. | 0:41:40 | 0:41:43 | |
CHEERING AND APPLAUSE | 0:41:45 | 0:41:48 | |
-How are you doing? -Yeah, very well. Very well, thank you. | 0:41:54 | 0:41:56 | |
-What's your name, please? -Robert Evans. | 0:41:56 | 0:41:58 | |
-I'm 20 years old and I'm from mid Wales. -Great. | 0:41:58 | 0:42:01 | |
Robert, what do you do for a living? | 0:42:03 | 0:42:05 | |
I work at a carpenters' workshop in the day | 0:42:05 | 0:42:09 | |
and then, at night, I go back home and help my dad and my brother | 0:42:09 | 0:42:12 | |
on our family farm. | 0:42:12 | 0:42:13 | |
Sheep and beef, it is. Sheep and cows. | 0:42:13 | 0:42:15 | |
-Give them a little song, now and again? -Yeah. | 0:42:15 | 0:42:18 | |
Yeah, now and then, to keep myself company. | 0:42:18 | 0:42:20 | |
What's the animals' favourite song that you sing? | 0:42:20 | 0:42:24 | |
Baa, Baa, Black Sheep is pretty good. | 0:42:24 | 0:42:26 | |
-Well, listen, we can't wait to hear you sing. Good luck. -Thank you. | 0:42:32 | 0:42:35 | |
# There's a calm surrender | 0:42:55 | 0:42:59 | |
# To the rush of day | 0:42:59 | 0:43:02 | |
# When the heat of the rolling wind | 0:43:02 | 0:43:06 | |
# Can be turned away | 0:43:06 | 0:43:09 | |
# An enchanted moment | 0:43:10 | 0:43:14 | |
# And it sees me through | 0:43:14 | 0:43:17 | |
# It's enough for this restless warrior | 0:43:17 | 0:43:21 | |
# Just to be with you | 0:43:21 | 0:43:25 | |
# And can you feel the love tonight? | 0:43:25 | 0:43:32 | |
# How it's laid to rest | 0:43:33 | 0:43:39 | |
# It's enough | 0:43:41 | 0:43:43 | |
# To make kings and vagabonds | 0:43:43 | 0:43:48 | |
# Believe the very best. # | 0:43:48 | 0:43:55 | |
Oh, let's hear it for Robert! | 0:44:00 | 0:44:02 | |
Well done, sir. Lovely to meet you. | 0:44:02 | 0:44:05 | |
-Martin Kemp. -I really like your voice. | 0:44:05 | 0:44:07 | |
I think you've got a real possibility with it. | 0:44:07 | 0:44:10 | |
But you know, when I was at drama school, there was this saying | 0:44:10 | 0:44:12 | |
and it was the three Ps - practice, performance and passion. | 0:44:12 | 0:44:18 | |
And I think you lacked on two of those tonight. | 0:44:18 | 0:44:21 | |
Gary, what did you think? | 0:44:21 | 0:44:22 | |
I could have taken probably a bit more energy from you. | 0:44:22 | 0:44:25 | |
It was like something to wake everybody up. | 0:44:25 | 0:44:27 | |
But you do have a nice voice. I'm sort of somewhere in the middle. | 0:44:27 | 0:44:31 | |
OK, you know how this works. | 0:44:31 | 0:44:33 | |
We are about to find out how many stars you've got. | 0:44:33 | 0:44:35 | |
-I wish you well, Robert. -Thank you. | 0:44:35 | 0:44:37 | |
Let's find out how Robert has been scored. | 0:44:37 | 0:44:39 | |
Oh...! | 0:44:55 | 0:44:57 | |
AUDIENCE BOOS 12 stars. | 0:45:00 | 0:45:03 | |
It's respectable. And listen to those boos. | 0:45:03 | 0:45:05 | |
That's what you want to take home. Dannii, just three out of five. | 0:45:05 | 0:45:08 | |
I mean, three isn't a terrible score. | 0:45:08 | 0:45:10 | |
You know what? You have a great voice. You really do. | 0:45:10 | 0:45:13 | |
What you need in theatre, | 0:45:13 | 0:45:15 | |
even if you're standing, singing, | 0:45:15 | 0:45:18 | |
still, there needs to be this energy | 0:45:18 | 0:45:21 | |
that is just pumping through your veins, | 0:45:21 | 0:45:24 | |
so that you move these people. | 0:45:24 | 0:45:25 | |
Amber, what did you think of Robert? | 0:45:25 | 0:45:28 | |
Oh, Robert, you were so sweet and endearing when you came out. | 0:45:28 | 0:45:33 | |
But you were just so nervous. | 0:45:33 | 0:45:34 | |
You were so nervous and so, like, in yourself, | 0:45:34 | 0:45:38 | |
you really weren't singing for the people that were here. | 0:45:38 | 0:45:41 | |
Just thanks ever so much for the opportunity. And, erm... | 0:45:41 | 0:45:44 | |
I'll do my best to carry on. | 0:45:44 | 0:45:47 | |
These people love you. | 0:45:47 | 0:45:48 | |
Give it up for Robert! | 0:45:48 | 0:45:50 | |
Look, it's really hard, you know, | 0:45:53 | 0:45:55 | |
if you've got to give a tough mark to somebody. | 0:45:55 | 0:45:58 | |
# More than words is | 0:45:58 | 0:46:01 | |
# All you have to do to make it real... # | 0:46:01 | 0:46:06 | |
Oh...! | 0:46:08 | 0:46:09 | |
You're aware that it's going to affect | 0:46:10 | 0:46:12 | |
the marking across the panel and their chance of getting through. | 0:46:12 | 0:46:16 | |
We never know what the other judges are scoring. | 0:46:16 | 0:46:19 | |
# I'm in love with you | 0:46:19 | 0:46:21 | |
# And all these little things | 0:46:22 | 0:46:24 | |
# You'll never love yourself half as much as I love you. # | 0:46:24 | 0:46:31 | |
Come on! | 0:46:31 | 0:46:32 | |
Oh...! | 0:46:33 | 0:46:34 | |
Which is why you really have to be confident | 0:46:34 | 0:46:37 | |
about what you felt about that performance. | 0:46:37 | 0:46:40 | |
There's been a couple of times when I've given them a high rating | 0:46:40 | 0:46:43 | |
and the other judges haven't. | 0:46:43 | 0:46:45 | |
Oh...! | 0:46:45 | 0:46:47 | |
And the 15th star doesn't light up for them. | 0:46:47 | 0:46:50 | |
And it's really gutting. | 0:46:50 | 0:46:52 | |
A no is hard. A no is hard to give and I'm sure a no is hard to take. | 0:46:52 | 0:46:55 | |
Come on...! | 0:46:55 | 0:46:57 | |
When that 15th star lights up, it's magic. | 0:47:02 | 0:47:04 | |
Yes! Come on! | 0:47:05 | 0:47:07 | |
Everybody's tense. The stars are lighting up | 0:47:13 | 0:47:15 | |
and you're waiting for that 15th one and then...there it goes. | 0:47:15 | 0:47:19 | |
Yes! | 0:47:19 | 0:47:20 | |
When I see someone's face light up... | 0:47:25 | 0:47:27 | |
Oh...! | 0:47:27 | 0:47:29 | |
..I watch their parents out in the audience and they're losing it. | 0:47:30 | 0:47:33 | |
It just... It makes me so happy. | 0:47:35 | 0:47:38 | |
Our next auditionee, 23-year-old Sam Glen, is feeling the pressure. | 0:47:39 | 0:47:43 | |
He's kept his singing voice under wraps until today. | 0:47:43 | 0:47:47 | |
Sam's had a really successful career in acting. | 0:47:49 | 0:47:52 | |
He played a character called Slim in World's End on CBBC. | 0:47:52 | 0:47:56 | |
Classic! | 0:47:56 | 0:47:59 | |
If you see the pictures of what he used to look like | 0:47:59 | 0:48:01 | |
and what he looks like now, you'd be gobsmacked. | 0:48:01 | 0:48:03 | |
I saw him and I was like... "You're like a different person! | 0:48:03 | 0:48:07 | |
"Where have you gone?" | 0:48:07 | 0:48:08 | |
Sam's never really sang before. | 0:48:08 | 0:48:11 | |
He sang in the bedroom to me. | 0:48:11 | 0:48:13 | |
I was like, "Wow!" I cried. | 0:48:13 | 0:48:15 | |
CHEERING AND APPLAUSE | 0:48:17 | 0:48:19 | |
Hello. | 0:48:23 | 0:48:25 | |
-Well, you had a great applause when you came out. -Wow! | 0:48:25 | 0:48:28 | |
-What's your name? -My name's Sam Glen. -Hi, Sam Glen. | 0:48:28 | 0:48:31 | |
-How are you? -I'm nervous, but I'm very well. | 0:48:31 | 0:48:34 | |
OK, take a deep breath. Go... | 0:48:34 | 0:48:37 | |
and exhale. There you go. | 0:48:37 | 0:48:38 | |
-So, Sam, what do you do? -I'm actually an actor. | 0:48:38 | 0:48:42 | |
That's a big statement, isn't it? I've just done bits and bobs. | 0:48:42 | 0:48:46 | |
I've just always really acted, never really sung before, so... | 0:48:46 | 0:48:48 | |
So, how long has it been since you started singing? | 0:48:48 | 0:48:51 | |
Well, I've always been a bedroom singer. | 0:48:51 | 0:48:53 | |
It's really funny, actually... | 0:48:53 | 0:48:55 | |
-Hello? -Clarify! Clarify! | 0:48:55 | 0:48:58 | |
Stop there! | 0:48:58 | 0:48:59 | |
Erm, yeah, like, literally, my mum didn't know I could sing | 0:48:59 | 0:49:02 | |
-until three weeks ago. -Wow! | 0:49:02 | 0:49:05 | |
So, you guys are ready for him, right? | 0:49:05 | 0:49:07 | |
-AUDIENCE: -Yeah! | 0:49:07 | 0:49:09 | |
Good luck. | 0:49:09 | 0:49:11 | |
# I thought I saw a man brought to life | 0:49:22 | 0:49:26 | |
# He was warm, he came around | 0:49:27 | 0:49:30 | |
# He was dignified | 0:49:30 | 0:49:32 | |
# He showed me what it was to cry | 0:49:33 | 0:49:38 | |
# But you couldn't be that man that I adored | 0:49:38 | 0:49:42 | |
# You don't seem to know or seem to care | 0:49:43 | 0:49:46 | |
# What your heart is for | 0:49:46 | 0:49:48 | |
# Cos I don't know him any more | 0:49:49 | 0:49:52 | |
# There's nothing where he used to lie | 0:49:52 | 0:49:55 | |
# The conversation has run dry | 0:49:55 | 0:49:58 | |
# But that's what's going on | 0:49:58 | 0:50:01 | |
# Cos nothing's fine, I'm torn | 0:50:02 | 0:50:04 | |
# And I'm all out of faith | 0:50:04 | 0:50:07 | |
# And this is how I feel | 0:50:07 | 0:50:09 | |
# I'm cold and I am shamed | 0:50:09 | 0:50:12 | |
# I'm lying naked on the floor | 0:50:12 | 0:50:15 | |
# You're a little late | 0:50:15 | 0:50:18 | |
# Cos I'm already torn | 0:50:18 | 0:50:23 | |
# There's nothing where he used to lie | 0:50:25 | 0:50:28 | |
# My inspiration has run dry | 0:50:28 | 0:50:31 | |
# That's what's going on | 0:50:32 | 0:50:34 | |
# Cos nothing's right, I'm torn | 0:50:34 | 0:50:37 | |
# And I'm all out of faith | 0:50:37 | 0:50:40 | |
# And this is how I feel | 0:50:40 | 0:50:43 | |
# I'm cold and I am shamed | 0:50:43 | 0:50:45 | |
# Lying naked on the floor | 0:50:45 | 0:50:48 | |
# Illusion never changed | 0:50:48 | 0:50:50 | |
# Into something real | 0:50:50 | 0:50:53 | |
# I'm wide awake and I can see | 0:50:53 | 0:50:56 | |
# The perfect sky is torn | 0:50:56 | 0:50:59 | |
# You're a little late, | 0:50:59 | 0:51:01 | |
# Cos I'm already | 0:51:01 | 0:51:04 | |
# Torn. # | 0:51:04 | 0:51:09 | |
CHEERING AND APPLAUSE | 0:51:09 | 0:51:11 | |
Wow! | 0:51:13 | 0:51:15 | |
Let's hear it for Sam, everybody! | 0:51:15 | 0:51:17 | |
Well done. You all liked it. | 0:51:18 | 0:51:21 | |
CHEERING | 0:51:21 | 0:51:23 | |
So you said you were a bit nervous. How do you feel now? | 0:51:23 | 0:51:25 | |
This is just like leather right now. | 0:51:25 | 0:51:28 | |
Let's go to the judges. Amber? | 0:51:28 | 0:51:30 | |
You're a fibber. You've done this before. | 0:51:30 | 0:51:33 | |
-I swear, I promise, I haven't. -I really did enjoy it. | 0:51:33 | 0:51:36 | |
I definitely feel like vocal training | 0:51:36 | 0:51:38 | |
is probably something that you should look into. | 0:51:38 | 0:51:40 | |
But I really enjoyed the theatrics. | 0:51:40 | 0:51:42 | |
I liked the faces that you were making. | 0:51:42 | 0:51:44 | |
-And you were trying to look at the audience, so... -Cheers. | 0:51:44 | 0:51:47 | |
All right, thanks, Amber. Martin, what did you think? | 0:51:47 | 0:51:49 | |
Do you know what I saw? | 0:51:49 | 0:51:51 | |
I saw loads of drama techniques coming out in you tonight. | 0:51:51 | 0:51:55 | |
And so often, I see people going up for musical theatre auditions | 0:51:55 | 0:51:59 | |
that don't do that. | 0:51:59 | 0:52:01 | |
They just concentrate on their voice, "Oh, look at me singing." | 0:52:01 | 0:52:04 | |
But you didn't tonight. | 0:52:04 | 0:52:05 | |
You used what you knew and that was your strength. | 0:52:05 | 0:52:07 | |
-And I thought that was fantastic. -Thank you. -Wow. | 0:52:07 | 0:52:10 | |
CHEERING AND APPLAUSE | 0:52:10 | 0:52:12 | |
And I'm guessing your family over there must be so proud. | 0:52:12 | 0:52:16 | |
All right, Sam, this is it. Let's find out how Sam has been scored. | 0:52:16 | 0:52:20 | |
Oh...! | 0:52:39 | 0:52:40 | |
Another one! | 0:52:42 | 0:52:43 | |
15! | 0:52:43 | 0:52:45 | |
Fabulous! | 0:52:46 | 0:52:48 | |
Well done, sir. | 0:52:48 | 0:52:49 | |
Thank you. | 0:52:49 | 0:52:51 | |
Oh... | 0:52:51 | 0:52:52 | |
Thank you so much. | 0:52:52 | 0:52:54 | |
I'm so happy for you, Sam. That's brilliant. | 0:52:54 | 0:52:56 | |
Thank you. | 0:52:56 | 0:52:57 | |
Right across the board fours. | 0:52:59 | 0:53:01 | |
They all liked you. | 0:53:02 | 0:53:04 | |
-Gary, what did you think? -Sam, promise me something, | 0:53:04 | 0:53:07 | |
that you'll never start an audition again by saying, | 0:53:07 | 0:53:10 | |
"I'm not the best singer, but..." | 0:53:10 | 0:53:12 | |
Because actually, you've got a great little voice under there. | 0:53:12 | 0:53:15 | |
You really have. | 0:53:15 | 0:53:17 | |
And like Amber said, you know, | 0:53:18 | 0:53:19 | |
there's moments which were a little bit out of control, | 0:53:19 | 0:53:22 | |
but I thought, in general, | 0:53:22 | 0:53:23 | |
it was really animated and very entertaining. | 0:53:23 | 0:53:26 | |
-Thank you. -I thought you did a very nice audition. Thank you. | 0:53:26 | 0:53:28 | |
Thank you. | 0:53:28 | 0:53:30 | |
Thank you so much. | 0:53:30 | 0:53:31 | |
These are good things. They're saying nice things to you. | 0:53:31 | 0:53:35 | |
Dannii, what would you say to him? | 0:53:35 | 0:53:36 | |
I'm absolutely confused why you've waited so long to sing | 0:53:36 | 0:53:40 | |
and why it was just the acting up until now. | 0:53:40 | 0:53:43 | |
Do you know what? It's such a cheesy answer, | 0:53:43 | 0:53:45 | |
but when you act, you're somebody else. | 0:53:45 | 0:53:47 | |
And, like, for me to sing here, this is me kind of exposed. | 0:53:47 | 0:53:49 | |
So, yeah, it's kind of a big thing for me to expose myself like that. | 0:53:49 | 0:53:53 | |
Listen, Sam, we're going to see you again. Huge congratulations to you. | 0:53:53 | 0:53:56 | |
-I'm so pleased for you. Sam, everybody! -Thank you so much. | 0:53:56 | 0:53:59 | |
He played to his strengths. | 0:54:06 | 0:54:08 | |
And that's what a lot of people don't do and they get it wrong. | 0:54:08 | 0:54:10 | |
But he's got a big voice. | 0:54:10 | 0:54:11 | |
I think it's bigger than he probably thinks that it is. | 0:54:11 | 0:54:14 | |
He just doesn't know how to use it yet. | 0:54:14 | 0:54:16 | |
It's kind of cool to listen to that, though. | 0:54:16 | 0:54:19 | |
I love it when someone's not quite grown into their voice. | 0:54:19 | 0:54:22 | |
You only know it's going to be good ahead. | 0:54:22 | 0:54:24 | |
-He's only just come out of his bedroom. -That's right, yeah! | 0:54:24 | 0:54:27 | |
-I bet your mum's very proud. -Yeah. | 0:54:27 | 0:54:28 | |
It sounded beautiful, and a great choice of song. | 0:54:28 | 0:54:31 | |
One of my favourite songs. When you started singing that... Beautiful. | 0:54:31 | 0:54:34 | |
-Really well done. -Thank you. Oldham boys. | 0:54:34 | 0:54:37 | |
Oldham boys, yeah! | 0:54:37 | 0:54:39 | |
Come on, let's see. Oh, now, hang on. | 0:54:41 | 0:54:44 | |
If you're playing netball, you're not allowed to walk with the ball. | 0:54:44 | 0:54:47 | |
I can't walk? | 0:54:47 | 0:54:49 | |
When I was a little boy, I did Oliver! in the West End. | 0:54:49 | 0:54:53 | |
Yeah, I was, erm...Boy 14. | 0:54:53 | 0:54:55 | |
Boy 14? Did you have any lines? | 0:54:55 | 0:54:58 | |
No. | 0:54:58 | 0:54:59 | |
As the Let It Shine auditions reach boiling point, | 0:55:02 | 0:55:04 | |
now more than ever, the boys battling for the role | 0:55:04 | 0:55:07 | |
need to show charisma, some je ne sais quoi, | 0:55:07 | 0:55:10 | |
downright cheeky chappiness. | 0:55:10 | 0:55:11 | |
When someone comes out and you like them, the audience relax. | 0:55:11 | 0:55:15 | |
-My name's Connor. I'm from Manchester. -Hi, Connor. | 0:55:15 | 0:55:17 | |
CHEERING | 0:55:17 | 0:55:19 | |
Well, you've already won the audience over. | 0:55:19 | 0:55:21 | |
You pick up on their energy. | 0:55:21 | 0:55:23 | |
Makes you smile, makes you feel good. | 0:55:23 | 0:55:25 | |
I'm loving the look. The cat on the top. | 0:55:25 | 0:55:27 | |
Yeah. Yeah. I'm not a cat person. | 0:55:27 | 0:55:30 | |
LAUGHTER | 0:55:30 | 0:55:31 | |
-What do you do for a living? -I'm a fitness instructor. | 0:55:31 | 0:55:35 | |
Running? Yoga? | 0:55:35 | 0:55:36 | |
-No, not yoga, mate. -Not yoga? -No. | 0:55:36 | 0:55:39 | |
Maybe. Book us in, me and you. | 0:55:39 | 0:55:41 | |
LAUGHTER | 0:55:41 | 0:55:44 | |
You know, once people decide that they like you, they're there. | 0:55:44 | 0:55:47 | |
They're your champion, they're your fans. | 0:55:47 | 0:55:49 | |
# You're my brown-eyed girl | 0:55:49 | 0:55:53 | |
# Now, do you remember | 0:55:55 | 0:55:59 | |
# When we used to sing | 0:55:59 | 0:56:01 | |
# Sha la la la la la la la la la-la te da? # | 0:56:01 | 0:56:05 | |
Everyone, now! | 0:56:05 | 0:56:06 | |
# Sha la la la la la la la la la-la te da | 0:56:07 | 0:56:13 | |
# Brown-eyed girl. # | 0:56:13 | 0:56:16 | |
It was so...quirky. | 0:56:18 | 0:56:20 | |
You're different. You're unexpected. | 0:56:20 | 0:56:22 | |
I don't know what's going to come next. | 0:56:22 | 0:56:24 | |
Yes! | 0:56:27 | 0:56:28 | |
This isn't about a cheeky chappy smile. | 0:56:32 | 0:56:34 | |
It's what's going on in their brain. | 0:56:34 | 0:56:36 | |
It's what's happening right in the centre. | 0:56:36 | 0:56:38 | |
I just graduated at uni, actually. Studying media. | 0:56:38 | 0:56:40 | |
-So now I'm working as a chef. -LAUGHTER | 0:56:40 | 0:56:43 | |
-What do you specialise in? -In cooking? | 0:56:43 | 0:56:45 | |
I don't know, I make a really good soup. | 0:56:45 | 0:56:47 | |
LAUGHTER | 0:56:47 | 0:56:49 | |
# I have climbed the highest mountains | 0:56:49 | 0:56:53 | |
# I have run through the fields | 0:56:53 | 0:56:58 | |
# Only to be with you | 0:56:58 | 0:57:03 | |
# Only to be with you | 0:57:03 | 0:57:08 | |
# But I still haven't found | 0:57:08 | 0:57:12 | |
# What I'm looking for | 0:57:12 | 0:57:15 | |
# But I still haven't found | 0:57:17 | 0:57:22 | |
# What I'm looking for. # | 0:57:22 | 0:57:28 | |
The tone of your voice is really beautiful. | 0:57:28 | 0:57:31 | |
I think you have a great stage presence. | 0:57:31 | 0:57:33 | |
Oh...! | 0:57:36 | 0:57:38 | |
Well, I'm a sucker for likeability. | 0:57:40 | 0:57:41 | |
-What do you do for a living? -I'm a tree surgeon. | 0:57:41 | 0:57:45 | |
I'm just doing it during my gap year before I go to uni. | 0:57:45 | 0:57:47 | |
All right, so what if you get this job? | 0:57:47 | 0:57:49 | |
Well, it's going out the window, then, isn't it? | 0:57:49 | 0:57:51 | |
LAUGHTER | 0:57:51 | 0:57:53 | |
# Once I ran to you | 0:57:53 | 0:57:57 | |
# But now I run from you | 0:57:57 | 0:57:59 | |
# This tainted love you've given | 0:57:59 | 0:58:02 | |
# I gave you all a boy could give you | 0:58:02 | 0:58:05 | |
# Take my tears and that's not nearly all | 0:58:05 | 0:58:09 | |
# Tainted love | 0:58:12 | 0:58:14 | |
# Tainted love | 0:58:15 | 0:58:16 | |
# Don't touch me, please | 0:58:16 | 0:58:19 | |
# I cannot stand the way you tease | 0:58:19 | 0:58:22 | |
# I'm in love. # | 0:58:22 | 0:58:24 | |
CHEERING | 0:58:24 | 0:58:26 | |
The whole personality, the charisma leapt off the stage. | 0:58:26 | 0:58:29 | |
Here we go! | 0:58:29 | 0:58:31 | |
Yes! | 0:58:32 | 0:58:34 | |
Charisma is just an interesting thing. | 0:58:37 | 0:58:39 | |
Nobody really knows what it is. It's just, if you have it, you have it. | 0:58:39 | 0:58:43 | |
But you should use it for good and not for evil. | 0:58:43 | 0:58:45 | |
Right, time to surprise our last secret nominee. | 0:58:51 | 0:58:54 | |
For this final one, Gary is about to gate-crash graduation day. | 0:59:01 | 0:59:05 | |
At Kingston University, | 0:59:08 | 0:59:09 | |
student Anthony Sahota is receiving his degree | 0:59:09 | 0:59:12 | |
after listening to his mum | 0:59:12 | 0:59:14 | |
and swapping music for mechanical engineering. | 0:59:14 | 0:59:17 | |
Before he came to university, he got a chance at a record deal, | 0:59:17 | 0:59:20 | |
but I wouldn't let him sign it. | 0:59:20 | 0:59:23 | |
I wanted him to have a degree, something to fall back on. | 0:59:23 | 0:59:26 | |
CHEERING | 0:59:26 | 0:59:29 | |
I nominated Anthony because now I think he deserves | 0:59:30 | 0:59:33 | |
to have that chance. | 0:59:33 | 0:59:35 | |
# Everybody wants to rule the world... # | 0:59:35 | 0:59:41 | |
He's got a great look. And he's obviously a smart boy. | 0:59:43 | 0:59:46 | |
I just hope that that passion he had when he left school, | 0:59:46 | 0:59:50 | |
he's kept it in the back pocket somewhere | 0:59:50 | 0:59:53 | |
and he's about to bring it back out again. | 0:59:53 | 0:59:55 | |
Anthony thinks the university is filming the big day. | 0:59:57 | 1:00:00 | |
But we know there's someone else about to be caught on camera. | 1:00:00 | 1:00:03 | |
Hey, everyone. | 1:00:10 | 1:00:12 | |
-MEL: -Even Anthony is getting in on this filming malarkey. | 1:00:12 | 1:00:15 | |
Man, that's sick! Wow! | 1:00:15 | 1:00:18 | |
-Where's Anthony? -What? | 1:00:20 | 1:00:22 | |
No...way! | 1:00:22 | 1:00:24 | |
-Hi, Anthony. -Oh, my gosh. -I'm Gary, nice to meet you. | 1:00:25 | 1:00:28 | |
Anthony, your gorgeous mum, Caroline, | 1:00:28 | 1:00:31 | |
has very kindly nominated you | 1:00:31 | 1:00:33 | |
to come and sing on our Let It Shine stage. | 1:00:33 | 1:00:35 | |
CHEERING | 1:00:35 | 1:00:38 | |
I'm speechless. This is just unbelievable. Erm, I... | 1:00:48 | 1:00:51 | |
I can't fathom... | 1:00:51 | 1:00:54 | |
I can't put it into words. It's too... | 1:00:54 | 1:00:56 | |
CHEERING AND LAUGHTER | 1:00:59 | 1:01:01 | |
Ah... | 1:01:01 | 1:01:02 | |
Well, let's hope Anthony passes his next examination | 1:01:02 | 1:01:04 | |
with flying colours. | 1:01:04 | 1:01:06 | |
# I know I misbehaved | 1:01:08 | 1:01:11 | |
# You made your mistakes | 1:01:11 | 1:01:13 | |
# We both still got room left to grow | 1:01:13 | 1:01:17 | |
# And though love sometimes hurts | 1:01:18 | 1:01:20 | |
# I still put you first | 1:01:20 | 1:01:23 | |
# And we'll make this thing work | 1:01:23 | 1:01:25 | |
# But I think we should take it slow | 1:01:25 | 1:01:29 | |
# We're just ordinary people | 1:01:29 | 1:01:32 | |
# We don't know which way to go | 1:01:33 | 1:01:37 | |
# Cos we're ordinary people | 1:01:38 | 1:01:42 | |
# Maybe we should take it slow | 1:01:43 | 1:01:46 | |
# Take it slow. # | 1:01:46 | 1:01:49 | |
Anthony, everybody. | 1:01:50 | 1:01:52 | |
APPLAUSE | 1:01:52 | 1:01:53 | |
The audience didn't go crazy and that's because | 1:01:53 | 1:01:56 | |
you need to just work a little bit more on your performance, | 1:01:56 | 1:01:58 | |
the selling of the song. | 1:01:58 | 1:01:59 | |
Oh... | 1:02:01 | 1:02:02 | |
Yes! | 1:02:02 | 1:02:03 | |
16! | 1:02:07 | 1:02:08 | |
-I really thought that it was beautiful. -You look great, as well. | 1:02:11 | 1:02:14 | |
You looked the part. | 1:02:14 | 1:02:16 | |
Go and see great performers. | 1:02:16 | 1:02:18 | |
You can learn from them. Who do you love? | 1:02:18 | 1:02:21 | |
I really, really like the Backstreet Boys as, like, a band themselves. | 1:02:21 | 1:02:24 | |
I think vocally they're one of the strongest bands around. | 1:02:24 | 1:02:27 | |
Hang on, hang on, hang on. | 1:02:27 | 1:02:29 | |
No, Gary, no... No, no, Gary. | 1:02:29 | 1:02:32 | |
-I love you. -Ladies and gentlemen, it's Anthony! | 1:02:32 | 1:02:34 | |
-He's got a long way to go, that boy. -Yeah, and a smart boy. | 1:02:39 | 1:02:42 | |
He'll be the wise one of the band. | 1:02:42 | 1:02:44 | |
-Martin, who was the worrier in Spandau? -The worrier? | 1:02:44 | 1:02:48 | |
-Because I was the worrier in our band. -We took it in turns. | 1:02:48 | 1:02:52 | |
Especially in the days of the second album. | 1:02:52 | 1:02:55 | |
-We never knew if it was going to work or not. -Yeah. | 1:02:55 | 1:02:58 | |
And we all worried about that. | 1:02:58 | 1:03:00 | |
As the audition finishing line approaches, | 1:03:02 | 1:03:05 | |
there are some final boyband cliches | 1:03:05 | 1:03:07 | |
that I think are worthy of a little further interrogation. | 1:03:07 | 1:03:10 | |
I have been trying all morning to do my signature boyband | 1:03:10 | 1:03:14 | |
getting off a stool manoeuvre. | 1:03:14 | 1:03:16 | |
Would you...? Could you show us? | 1:03:16 | 1:03:19 | |
Hang on a second, though. The real boyband never sat on stools. | 1:03:19 | 1:03:24 | |
CHEERING | 1:03:24 | 1:03:26 | |
Yes, Gary. They know. They know it's true. They know. | 1:03:26 | 1:03:30 | |
-Was that Westlife? -That was Westlife. | 1:03:30 | 1:03:32 | |
It was Westlife, Gary, I'm sorry. | 1:03:32 | 1:03:33 | |
What does he know? | 1:03:35 | 1:03:36 | |
I've got my boyband checklist at the ready. | 1:03:36 | 1:03:38 | |
How about one last dose of Essex charm? | 1:03:38 | 1:03:41 | |
All right, Dannii? How you doing, girl, all right? | 1:03:41 | 1:03:43 | |
Yeah, you're looking very lovely. | 1:03:43 | 1:03:45 | |
# Oooh, I want to get it on | 1:03:45 | 1:03:49 | |
# Oooh | 1:03:49 | 1:03:51 | |
# Oooh hooo-hooo... # | 1:03:52 | 1:03:54 | |
Oh...! | 1:03:56 | 1:03:57 | |
OK, so Liam didn't win them over. What else have you got? | 1:03:58 | 1:04:01 | |
How about an Irishman? We know a thing or two about boybands. | 1:04:01 | 1:04:05 | |
Actually, the second and third best boybands in the world | 1:04:05 | 1:04:08 | |
-are from Ireland. -I have to live up to something now. | 1:04:08 | 1:04:11 | |
# And you can tell everybody | 1:04:12 | 1:04:15 | |
# This is your song | 1:04:15 | 1:04:19 | |
# It may be quite simple, but | 1:04:19 | 1:04:23 | |
# Now that it's done | 1:04:23 | 1:04:25 | |
# I hope you don't mind I hope you don't mind | 1:04:26 | 1:04:30 | |
# That I put down in words | 1:04:30 | 1:04:34 | |
# How wonderful life is | 1:04:35 | 1:04:40 | |
# Now you're in the world. # | 1:04:40 | 1:04:43 | |
Oh! | 1:04:47 | 1:04:48 | |
Ronan, eat your heart out. | 1:04:50 | 1:04:53 | |
Now, every boyband member needs to know their way around a ballad. | 1:04:53 | 1:04:56 | |
Yep, and check out the judges doing that weird head nodding thing. | 1:04:56 | 1:05:00 | |
# Ain't no sunshine when she's gone | 1:05:00 | 1:05:04 | |
# It's not warm when she's away | 1:05:05 | 1:05:11 | |
# Ain't no sunshine when she's gone | 1:05:12 | 1:05:15 | |
# And she's always gone too long | 1:05:15 | 1:05:18 | |
# Any time she goes away | 1:05:18 | 1:05:23 | |
# I wonder this time where she's gone. # | 1:05:25 | 1:05:30 | |
So Yazdan's through. | 1:05:35 | 1:05:37 | |
Now, surely, in boyband world we are legally required | 1:05:37 | 1:05:40 | |
-to have somebody wearing white. -Oh, absolutely. | 1:05:40 | 1:05:43 | |
I'm from Brighton. I'm a gas engineer. | 1:05:43 | 1:05:46 | |
I've done some shows back in Brighton. | 1:05:46 | 1:05:47 | |
I've done some shows in my home town in Brighton. | 1:05:47 | 1:05:50 | |
-You're not from Brighton, are you, by any chance? -Yeah. | 1:05:50 | 1:05:53 | |
# That's life | 1:05:53 | 1:05:56 | |
# That's what all the people say | 1:05:56 | 1:06:00 | |
# You're riding high in April | 1:06:00 | 1:06:03 | |
# Shot down in May... # | 1:06:03 | 1:06:06 | |
AUDIENCE GROANS | 1:06:08 | 1:06:11 | |
OK, style alert. | 1:06:11 | 1:06:13 | |
Here comes a backwards baseball cap | 1:06:13 | 1:06:15 | |
from a man old enough to know better. | 1:06:15 | 1:06:17 | |
-I'm 37. -What?! | 1:06:17 | 1:06:18 | |
LAUGHTER | 1:06:18 | 1:06:20 | |
37? What moisturiser do you use? | 1:06:20 | 1:06:22 | |
LAUGHTER | 1:06:22 | 1:06:24 | |
# Take me to church | 1:06:24 | 1:06:29 | |
# I'll tell you my sins and you can sharpen your knife | 1:06:29 | 1:06:33 | |
# Offer me that deathless death | 1:06:33 | 1:06:35 | |
# Oh, good God Let me give you my life | 1:06:35 | 1:06:38 | |
# Take me to church... # | 1:06:38 | 1:06:40 | |
Oh! CHEERING | 1:06:43 | 1:06:44 | |
Wow! Oh! | 1:06:44 | 1:06:47 | |
Time for a final one? | 1:06:47 | 1:06:49 | |
Next, how about a girl band classic to even things out a little? | 1:06:49 | 1:06:53 | |
# Viva forever | 1:06:53 | 1:06:56 | |
# I'll be waiting | 1:06:56 | 1:06:59 | |
# Everlasting | 1:06:59 | 1:07:02 | |
# Like the sun... # | 1:07:02 | 1:07:04 | |
Beautiful voice, very theatrical. | 1:07:04 | 1:07:07 | |
No?! | 1:07:07 | 1:07:08 | |
Yes! CHEERING | 1:07:08 | 1:07:10 | |
-Right, happy now, Mel? -Yes. Finally satiated. All good, thanks, Graham. | 1:07:10 | 1:07:15 | |
-Oh. -What is it, Graham? -Well, I've got one more auditionee. | 1:07:15 | 1:07:18 | |
He's been sat on that blue box backstage for nine hours. | 1:07:18 | 1:07:21 | |
Shall I just send him home? | 1:07:21 | 1:07:22 | |
Definitely not. | 1:07:22 | 1:07:24 | |
As a child, he was in a film with Colin Firth, | 1:07:25 | 1:07:27 | |
but can teenager Bradley Johnson prove he's got what it takes | 1:07:27 | 1:07:30 | |
to keep a live theatre audience on the edge of their seats? | 1:07:30 | 1:07:33 | |
-How are you doing? -Yeah, all right. | 1:07:39 | 1:07:41 | |
-What's your name? -My name's Bradley Johnson, I'm 19, from Bradford. | 1:07:41 | 1:07:44 | |
-Yeah? -WHOOPING | 1:07:44 | 1:07:45 | |
-Do you love singing? -Yeah, I've been singing since I was five. | 1:07:48 | 1:07:51 | |
Singing is my passion and it's something that I'd love to do. | 1:07:51 | 1:07:53 | |
And have you performed on stages? | 1:07:53 | 1:07:55 | |
Yeah, I've done musicals and things in the past. | 1:07:55 | 1:07:58 | |
Hang on, Bradley. | 1:07:58 | 1:07:59 | |
-Did you say Bradford? -Bradford, yeah! | 1:07:59 | 1:08:01 | |
Good curries there. | 1:08:01 | 1:08:03 | |
Indeed, indeed! | 1:08:03 | 1:08:04 | |
I always remember it on tour, we'd always say, | 1:08:04 | 1:08:06 | |
"We're playing Leeds now? | 1:08:06 | 1:08:07 | |
-"Let's stop in Bradford for a curry." -Yeah! | 1:08:07 | 1:08:10 | |
-Exactly. -Definitely. | 1:08:10 | 1:08:13 | |
How do you think you'd cope with life on the road, | 1:08:13 | 1:08:15 | |
being away from the good curry? | 1:08:15 | 1:08:16 | |
I would love it, and I think it's better for my mum, actually, | 1:08:16 | 1:08:19 | |
-cos I think she's sick of me being at home all the time! -Is she?! | 1:08:19 | 1:08:22 | |
-This is your moment, Bradley. -Thank you very much. | 1:08:22 | 1:08:24 | |
-Whenever you're ready. -Thank you. | 1:08:24 | 1:08:26 | |
# God on high | 1:08:42 | 1:08:49 | |
# Hear my prayer | 1:08:49 | 1:08:55 | |
# In my need | 1:08:55 | 1:09:00 | |
# You have always been there | 1:09:00 | 1:09:05 | |
# Bring him peace | 1:09:05 | 1:09:11 | |
# Bring him joy | 1:09:11 | 1:09:17 | |
# He is young | 1:09:17 | 1:09:22 | |
# He is only a boy | 1:09:22 | 1:09:26 | |
# You can take | 1:09:27 | 1:09:32 | |
# And you can give | 1:09:32 | 1:09:37 | |
# Let him be | 1:09:37 | 1:09:42 | |
# Let him live | 1:09:42 | 1:09:45 | |
# And if I die | 1:09:47 | 1:09:52 | |
# Let me die | 1:09:52 | 1:09:55 | |
# Let him live | 1:09:57 | 1:10:02 | |
# Bring him... | 1:10:03 | 1:10:07 | |
# Home. # | 1:10:07 | 1:10:13 | |
CHEERING | 1:10:13 | 1:10:17 | |
-Well done! -Thank you so much. | 1:10:25 | 1:10:27 | |
Go enjoy that. | 1:10:29 | 1:10:31 | |
Oh! | 1:10:32 | 1:10:34 | |
Thank you. Whoa! | 1:10:34 | 1:10:37 | |
Well done. Judges, could you enter your scores, please? | 1:10:37 | 1:10:42 | |
-What a lovely moment, Bradley. -Aww, thank you so much. | 1:10:42 | 1:10:46 | |
Wow, I don't even know what to say. | 1:10:46 | 1:10:48 | |
-It was terrific. Terrific. -Oh, thank you so much. | 1:10:48 | 1:10:50 | |
Have you been in musicals? | 1:10:50 | 1:10:52 | |
I know you've done the acting - have you been in actual stage musicals? | 1:10:52 | 1:10:54 | |
Only amateur stuff, local stage schools and stuff. | 1:10:54 | 1:10:57 | |
-Wow. Well, that voice... -Thank you. -Uh, let's go... Yes. | 1:10:57 | 1:11:00 | |
CHEERING | 1:11:00 | 1:11:02 | |
-Gary. -Well, that song in particular, | 1:11:07 | 1:11:10 | |
it's very easy to overdramatise that song, | 1:11:10 | 1:11:13 | |
-to start grabbing the air and spitting at everybody. -Yeah. | 1:11:13 | 1:11:18 | |
And you did it beautifully, | 1:11:18 | 1:11:20 | |
you hit every single note with absolute perfection. | 1:11:20 | 1:11:24 | |
-Thank you. -The control you have is fantastic. | 1:11:24 | 1:11:27 | |
It's a pleasure, actually, | 1:11:27 | 1:11:28 | |
to see someone and hear someone with an amazing instrument like that | 1:11:28 | 1:11:33 | |
and make everybody in the room's hair stand on end. | 1:11:33 | 1:11:36 | |
-It was absolutely gorgeous, well done. -Thank you so much. | 1:11:36 | 1:11:39 | |
I'm guessing people just have lovely things to say. | 1:11:42 | 1:11:45 | |
Martin Kemp, what have you got to say? | 1:11:45 | 1:11:46 | |
-What you have is a complete gift. -Thank you so much. | 1:11:46 | 1:11:50 | |
That is just amazing. | 1:11:50 | 1:11:51 | |
You knew what every word meant in that song | 1:11:51 | 1:11:54 | |
and everybody in here enjoyed it just as much as I did. | 1:11:54 | 1:11:58 | |
It was an amazing performance | 1:11:58 | 1:12:00 | |
and a pleasure to be in the same room as you while you were doing it. | 1:12:00 | 1:12:03 | |
Oh, wow, thank you. | 1:12:03 | 1:12:05 | |
WHOOPING | 1:12:05 | 1:12:07 | |
We've had the lovely comments, | 1:12:08 | 1:12:11 | |
we've had the standing ovation, | 1:12:11 | 1:12:12 | |
-but what we need are 15 stars to light up, OK? -OK. | 1:12:12 | 1:12:17 | |
Let's find out how Bradley has been scored. | 1:12:17 | 1:12:19 | |
CHEERING | 1:12:21 | 1:12:24 | |
CHEERING | 1:12:42 | 1:12:43 | |
CHEERING INTENSIFIES | 1:12:51 | 1:12:53 | |
Whoa-ho-ho! | 1:12:53 | 1:12:55 | |
Well done! | 1:12:59 | 1:13:00 | |
That's amazing. | 1:13:00 | 1:13:01 | |
-Well done. -Thank you so much. | 1:13:01 | 1:13:03 | |
20 stars for Bradley! | 1:13:03 | 1:13:05 | |
WHOOPING | 1:13:05 | 1:13:07 | |
Ah, classic. | 1:13:09 | 1:13:10 | |
Guys... | 1:13:12 | 1:13:14 | |
Look at them over there. Look at that, yeah! | 1:13:14 | 1:13:16 | |
He did good, he did good. | 1:13:16 | 1:13:18 | |
Dannii, is there any notes you can give him, | 1:13:18 | 1:13:20 | |
anything you can tell him that he should work on? | 1:13:20 | 1:13:23 | |
Mum, you're going to have to teach him how to do his own washing. | 1:13:23 | 1:13:25 | |
LAUGHTER | 1:13:25 | 1:13:26 | |
Yeah, that was unbelievable. | 1:13:28 | 1:13:31 | |
Often, we say to people, | 1:13:31 | 1:13:32 | |
"I'm so happy for you." I'm happy for us that you came here. | 1:13:32 | 1:13:36 | |
-Oh, thank you. -I really am. | 1:13:36 | 1:13:37 | |
I can't stop smiling. | 1:13:39 | 1:13:42 | |
Amber, you know what it's like to take a big song from a musical | 1:13:42 | 1:13:44 | |
and sing it in isolation like that. | 1:13:44 | 1:13:46 | |
-How impressed were you? -I mean... | 1:13:46 | 1:13:48 | |
you took me to heaven with that song, seriously. | 1:13:48 | 1:13:52 | |
Your natural vibrato made my heart literally flutter. | 1:13:52 | 1:13:56 | |
It's just... | 1:13:56 | 1:13:58 | |
You're magnificent. | 1:13:58 | 1:13:59 | |
-Thank you. -Wow. I'm sure you're over the moon. | 1:13:59 | 1:14:01 | |
-We will see you again. -Thanks again. | 1:14:01 | 1:14:02 | |
-Thank you very much. -Huge congratulations to Bradley! | 1:14:02 | 1:14:05 | |
CHEERING | 1:14:05 | 1:14:06 | |
There he goes. | 1:14:06 | 1:14:07 | |
-Oh, man. -Wow, those notes. | 1:14:09 | 1:14:12 | |
-So deserved. -It's like... -You know when it's the 20s. | 1:14:12 | 1:14:16 | |
He's so seasoned...to be that young. | 1:14:16 | 1:14:18 | |
When he says he hasn't done professional work, I'm like, | 1:14:18 | 1:14:22 | |
"What?!" Amateur stuff? | 1:14:22 | 1:14:25 | |
When he hit those notes, it was spot-on, | 1:14:25 | 1:14:27 | |
then it was the point where he started the vibrato... | 1:14:27 | 1:14:29 | |
-Yeah, his vibrato was like that natural. -The timing of it. | 1:14:29 | 1:14:34 | |
-The timing, yeah. -His mum's going to miss him. | 1:14:34 | 1:14:36 | |
I've got a feeling I'm going to be having | 1:14:36 | 1:14:38 | |
a chicken tikka masala with him any time soon. | 1:14:38 | 1:14:40 | |
-Bring it on. -Bradford, here we come. | 1:14:42 | 1:14:45 | |
I don't know what to say. | 1:14:45 | 1:14:46 | |
I'm never speechless. That was absolutely amazing. | 1:14:46 | 1:14:49 | |
-Made for the stage. -I'd do that again. -Incredible. | 1:14:49 | 1:14:51 | |
That was absolutely incredible. | 1:14:51 | 1:14:52 | |
We were just saying you missed out on a few backflips, though. | 1:14:52 | 1:14:55 | |
-We're going to have to teach you backflips. -I'm saving it all! | 1:14:55 | 1:14:58 | |
We'll teach you them for the next one. | 1:14:58 | 1:15:00 | |
Funny you should say that, guys, | 1:15:00 | 1:15:02 | |
because Bradley and all of our successful auditionees | 1:15:02 | 1:15:05 | |
about to be tested on whether they have the moves to play | 1:15:05 | 1:15:08 | |
a boyband in a musical. | 1:15:08 | 1:15:10 | |
First, let's say ta-ra to our guest judge. | 1:15:11 | 1:15:14 | |
Amber Riley, everybody! CHEERING | 1:15:14 | 1:15:16 | |
There you go. | 1:15:16 | 1:15:17 | |
-Thank you. -Enjoy that. | 1:15:17 | 1:15:19 | |
Right, as we hinted at earlier in the show, | 1:15:20 | 1:15:23 | |
we've bussed down the boys to see if they've got rhythm in their bones. | 1:15:23 | 1:15:28 | |
At the end of today, four of our bunch will find themselves | 1:15:28 | 1:15:30 | |
on the reserves bench with no guarantee of returning. | 1:15:30 | 1:15:34 | |
That's because we have more boys who scored 15 stars or more | 1:15:34 | 1:15:37 | |
than we have places in the next round. | 1:15:37 | 1:15:40 | |
So the boys must now face a dance challenge | 1:15:42 | 1:15:44 | |
to decide who goes through and which four boys will become reserves. | 1:15:44 | 1:15:48 | |
Taking into account both their audition performance | 1:15:51 | 1:15:54 | |
and their boogying, | 1:15:54 | 1:15:55 | |
the judges have agreed on eight boys they want to discuss further. | 1:15:55 | 1:15:59 | |
-GARY: -OK, well, we've got it down to these few. | 1:15:59 | 1:16:02 | |
What next? | 1:16:02 | 1:16:03 | |
# And anywhere I would have followed you... # | 1:16:03 | 1:16:08 | |
Nicky received 20 stars for his audition. | 1:16:08 | 1:16:10 | |
But how's his footwork? | 1:16:13 | 1:16:15 | |
-DANCE MUSIC PLAYS -Oh. -Oh, Nicky. | 1:16:15 | 1:16:18 | |
What a shame. | 1:16:20 | 1:16:22 | |
Vocals are amazing, though. | 1:16:22 | 1:16:24 | |
# Cos I don't think... # | 1:16:24 | 1:16:26 | |
Hercules blew the judges away. | 1:16:26 | 1:16:29 | |
HE HOLDS EXTENDED NOTE | 1:16:29 | 1:16:36 | |
Are they convinced he's worth seeing again? | 1:16:36 | 1:16:39 | |
Do you know something? When I walked away from the audition that night, | 1:16:43 | 1:16:45 | |
he was the one I remembered. | 1:16:45 | 1:16:47 | |
# Yeah, you, you, you, you... # | 1:16:47 | 1:16:49 | |
Keith scraped through with 15 stars. | 1:16:49 | 1:16:51 | |
# That is what you are... # | 1:16:51 | 1:16:53 | |
# Is all to me... # | 1:16:53 | 1:16:56 | |
As did Underground technician Luke. | 1:16:56 | 1:16:58 | |
But will they scrape through today? | 1:17:00 | 1:17:02 | |
-GARY: -He was great vocally when we saw him. | 1:17:02 | 1:17:04 | |
His dancing doesn't do it for me. | 1:17:08 | 1:17:09 | |
He's got to work on his skill set. | 1:17:11 | 1:17:12 | |
He's got to have the confidence so that we don't feel nervous | 1:17:12 | 1:17:16 | |
-sitting in that theatre seat. -Yep. | 1:17:16 | 1:17:18 | |
# Live forever... # | 1:17:18 | 1:17:20 | |
The judges weren't sure about Jack's vocal audition. | 1:17:20 | 1:17:23 | |
It just reminds me of old-fashioned theatre. | 1:17:23 | 1:17:27 | |
It's the one thing, I close my eyes, | 1:17:27 | 1:17:29 | |
I don't want to hear that in this show. | 1:17:29 | 1:17:31 | |
But he has something that I would love to give him another chance. | 1:17:31 | 1:17:35 | |
But could his dancing keep him in the contest? | 1:17:35 | 1:17:37 | |
# King of the hill... # | 1:17:42 | 1:17:43 | |
Deaglan's performance wowed. | 1:17:43 | 1:17:45 | |
HE HOLDS EXTENDED NOTE | 1:17:45 | 1:17:51 | |
But does his dancing? | 1:17:51 | 1:17:52 | |
There's no-one that makes me smile more than Deaglan. | 1:17:56 | 1:17:58 | |
He has to go through to the next round, right? | 1:17:58 | 1:18:00 | |
If I was to close my eyes, I can't see him in this group. | 1:18:00 | 1:18:03 | |
# But if you close your eyes... # | 1:18:03 | 1:18:06 | |
And finally, have Jordan and Ciaran's combo | 1:18:06 | 1:18:08 | |
of singing and dancing skills earned them a place | 1:18:08 | 1:18:11 | |
in next week's collaborations extravaganza? | 1:18:11 | 1:18:14 | |
# I'm not the guy you're taking home... # | 1:18:14 | 1:18:18 | |
DANCE MUSIC PLAYS | 1:18:18 | 1:18:20 | |
Everything's right, but there's a big piece missing | 1:18:26 | 1:18:29 | |
-that doesn't make me excited. -Yeah. | 1:18:29 | 1:18:32 | |
This is going to be tough. | 1:18:32 | 1:18:33 | |
-You're making a big decision for the rest of their lives. -Yeah. | 1:18:33 | 1:18:37 | |
So those are the boys at risk of being relegated to reserves, | 1:18:37 | 1:18:40 | |
but which four will it be? | 1:18:40 | 1:18:42 | |
We've got our four that I don't think it was their moment, | 1:18:43 | 1:18:46 | |
cos either the dancing or the singing wasn't up there | 1:18:46 | 1:18:49 | |
and we need both. | 1:18:49 | 1:18:50 | |
So we're all agreed, the four reserves? | 1:18:50 | 1:18:53 | |
Jack, Jordan, | 1:18:55 | 1:18:57 | |
Keith and Ciaran. | 1:18:57 | 1:19:00 | |
-Yep. -OK. -All right. | 1:19:00 | 1:19:02 | |
I think we've got it right. | 1:19:02 | 1:19:04 | |
Next week, everything changes. | 1:19:04 | 1:19:07 | |
Our remaining 40 are going to perform in groups | 1:19:07 | 1:19:09 | |
as they collaborate with some singing superstars - | 1:19:09 | 1:19:12 | |
Melanie C... | 1:19:12 | 1:19:14 | |
# Baby, when you're gone | 1:19:14 | 1:19:16 | |
# I realise I'm in love | 1:19:18 | 1:19:21 | |
# Days go on and on... # | 1:19:22 | 1:19:24 | |
..Kaiser Chiefs... | 1:19:24 | 1:19:26 | |
# Ruby, Ruby, Ruby, Ruby | 1:19:26 | 1:19:28 | |
# Ah-ah-ah-ah-ah-ah | 1:19:28 | 1:19:31 | |
# Do you, do you, do you, do you | 1:19:31 | 1:19:33 | |
# Ah-ah-ah-ah-ah-ah... # | 1:19:33 | 1:19:35 | |
..Busted... | 1:19:35 | 1:19:36 | |
# I've been to the year 3000 | 1:19:36 | 1:19:40 | |
# Not much has changed But they live under water... # | 1:19:40 | 1:19:45 | |
..Beverley Knight... | 1:19:45 | 1:19:46 | |
# Oh, I wanna dance with somebody | 1:19:46 | 1:19:49 | |
# I wanna feel the heat with somebody... # | 1:19:50 | 1:19:54 | |
..and Olly Murs. | 1:19:54 | 1:19:56 | |
# ..Why does it feel so good but hurt so bad? | 1:19:56 | 1:19:59 | |
# Whoa | 1:19:59 | 1:20:01 | |
# My mind keeps saying, "Run as fast as you can" | 1:20:01 | 1:20:04 | |
# Troublemaker... # | 1:20:04 | 1:20:06 | |
With our new guest judge Lulu on hand | 1:20:06 | 1:20:08 | |
to relight our competition... | 1:20:08 | 1:20:10 | |
# We-e-e-e-e-e-ell... # | 1:20:10 | 1:20:13 | |
..who will seize their chance to illuminate our stage | 1:20:13 | 1:20:16 | |
and take one step closer to that role in a brand-new musical? | 1:20:16 | 1:20:20 |