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Tonight, five music superstars collaborate | 0:00:02 | 0:00:04 | |
with our 40 remaining boys. | 0:00:04 | 0:00:05 | |
Lads! | 0:00:06 | 0:00:07 | |
What's all this standing around? Why aren't we rehearsing? | 0:00:07 | 0:00:10 | |
They're competing for places in five bands... | 0:00:11 | 0:00:14 | |
..and nothing will get in their way. | 0:00:14 | 0:00:16 | |
I think I'm going to hit someone with this. | 0:00:16 | 0:00:17 | |
Not even a tiny cut on their lips. | 0:00:17 | 0:00:19 | |
No, sirree. | 0:00:21 | 0:00:22 | |
CROWD CHEERS | 0:00:49 | 0:00:51 | |
Auditions done and dusted, | 0:00:54 | 0:00:55 | |
here are the boys performing as a cast for the first time. | 0:00:55 | 0:00:59 | |
# La, la, la La, la, la, la, la, la | 0:00:59 | 0:01:02 | |
# La, la, la, la La, la, la, la, la, la | 0:01:02 | 0:01:06 | |
# La, la, la, la La, la, la, la, la, la | 0:01:06 | 0:01:10 | |
# La, la, la, la La, la, la, la, la, la | 0:01:10 | 0:01:14 | |
# Hey, hey, hey, hey! # | 0:01:14 | 0:01:16 | |
Louder! | 0:01:16 | 0:01:18 | |
# Hey, hey, hey, hey! | 0:01:18 | 0:01:20 | |
Let me hear you! | 0:01:20 | 0:01:22 | |
# Hey, hey, hey, hey! | 0:01:22 | 0:01:24 | |
# There will be trouble when the kidz come out | 0:01:24 | 0:01:28 | |
# When the kidz come out | 0:01:28 | 0:01:29 | |
# Hey! # | 0:01:29 | 0:01:31 | |
So... | 0:01:31 | 0:01:33 | |
Do you have what it takes to be in this band? | 0:01:33 | 0:01:36 | |
Do you have the skill and stamina to be in this band? | 0:01:37 | 0:01:40 | |
Are you strong enough? | 0:01:43 | 0:01:46 | |
Well, let's see. | 0:01:48 | 0:01:49 | |
WHISTLE BLOWS | 0:01:51 | 0:01:52 | |
MUSIC: Hangin' Tough by New Kids On The Block | 0:01:52 | 0:01:55 | |
# Oh, oh, oh, oh, oh | 0:02:03 | 0:02:06 | |
# Oh, oh, oh, oh, oh | 0:02:08 | 0:02:11 | |
# Oh, oh, oh, oh, oh | 0:02:13 | 0:02:16 | |
# Oh, oh, oh, oh, oh | 0:02:19 | 0:02:22 | |
# Hangin' tough | 0:02:23 | 0:02:25 | |
# Hangin' tough | 0:02:25 | 0:02:29 | |
# Hangin' tough | 0:02:29 | 0:02:31 | |
# Let's go! # | 0:02:32 | 0:02:33 | |
# When will I, will I be famous? | 0:02:33 | 0:02:37 | |
# When will I, will I...? # | 0:02:37 | 0:02:40 | |
I can't answer that. | 0:02:40 | 0:02:41 | |
# When will I see my picture in the paper? | 0:02:41 | 0:02:45 | |
-# When will I, will I...? # -Question is... | 0:02:45 | 0:02:48 | |
can you dance? | 0:02:48 | 0:02:49 | |
Good - so you CAN dance... | 0:03:22 | 0:03:25 | |
but do you sound like a band? | 0:03:25 | 0:03:28 | |
Can you sing? | 0:03:28 | 0:03:31 | |
# Ahh... | 0:03:31 | 0:03:33 | |
# Ahh... | 0:03:33 | 0:03:34 | |
# Ahh... | 0:03:34 | 0:03:36 | |
# Ahh... | 0:03:36 | 0:03:38 | |
# Ahh... | 0:03:38 | 0:03:40 | |
# Ahh... | 0:03:40 | 0:03:42 | |
# Ahh... | 0:03:42 | 0:03:43 | |
# Ahh... | 0:03:43 | 0:03:45 | |
# Sing! I need you, darling | 0:03:45 | 0:03:47 | |
# Come on, set the tone | 0:03:47 | 0:03:49 | |
# If you feel you're falling | 0:03:49 | 0:03:50 | |
# Won't you let me know? | 0:03:50 | 0:03:52 | |
# Oh-oh-oh-oh-ooh | 0:03:52 | 0:03:55 | |
# Oh-oh-oh-oh-ooh | 0:03:56 | 0:03:58 | |
# One, two, three | 0:03:58 | 0:04:00 | |
# Sing! If you love me | 0:04:00 | 0:04:02 | |
# Come on, get involved | 0:04:02 | 0:04:04 | |
# Feel it rushing through you | 0:04:04 | 0:04:06 | |
# From your head to toe | 0:04:06 | 0:04:07 | |
-# Oh-oh-oh-oh-ooh -Oh-oh-oh-oh | 0:04:07 | 0:04:11 | |
-# Oh-oh-oh-oh-ooh -Oh-oh-oh-oh | 0:04:11 | 0:04:15 | |
# Sing! # | 0:04:15 | 0:04:16 | |
# Out on the streets tonight | 0:04:18 | 0:04:22 | |
# They're making peace tonight | 0:04:22 | 0:04:26 | |
# They're making peace... # | 0:04:26 | 0:04:30 | |
Give me everything you've got! | 0:04:30 | 0:04:33 | |
# La, la, la La, la, la, la, la, la | 0:04:33 | 0:04:36 | |
# Hey! | 0:04:36 | 0:04:37 | |
# La, la, la, la La, la, la, la, la, la | 0:04:37 | 0:04:41 | |
# Hey! | 0:04:41 | 0:04:42 | |
# La, la, la, la La, la, la, la, la, la | 0:04:42 | 0:04:44 | |
# Hey! | 0:04:44 | 0:04:46 | |
# La, la, la, la La, la, la, la, la, la | 0:04:46 | 0:04:48 | |
# There'll be trouble when the kidz come out | 0:04:48 | 0:04:51 | |
# There'll be lots for them to talk about | 0:04:51 | 0:04:54 | |
# There'll be trouble when the kidz come out | 0:04:55 | 0:04:59 | |
# When the kidz come out | 0:04:59 | 0:05:01 | |
# When the kidz come out | 0:05:01 | 0:05:03 | |
# There'll be trouble when the kidz come out. # | 0:05:03 | 0:05:06 | |
CHEERING AND APPLAUSE | 0:05:06 | 0:05:09 | |
-Come on! -Ohh! | 0:05:23 | 0:05:25 | |
Well... | 0:05:25 | 0:05:27 | |
Hello, and welcome to Let It Shine. | 0:05:27 | 0:05:30 | |
Oh, I tell you, nothing like a military boot camp | 0:05:30 | 0:05:33 | |
with a bit of song and dance thrown in to kick things off. | 0:05:33 | 0:05:36 | |
-Bit of choreography here. -Oh, yeah. | 0:05:36 | 0:05:38 | |
That spectacular performance you've just seen | 0:05:38 | 0:05:41 | |
is just a taste of what's in store for our 40 remaining boys... | 0:05:41 | 0:05:44 | |
..because tonight is collaboration night. | 0:05:45 | 0:05:49 | |
Our boys have been put into five groups of eight | 0:05:49 | 0:05:52 | |
to perform alongside singing superstars. | 0:05:52 | 0:05:54 | |
-Who are...Beverley Knight, ladies and gentlemen! -Oh, yeah! | 0:05:54 | 0:05:57 | |
-Busted! -Whoo! | 0:05:57 | 0:05:58 | |
Kaiser Chiefs! | 0:05:58 | 0:06:00 | |
Melanie C... | 0:06:00 | 0:06:01 | |
and Olly Murs! | 0:06:01 | 0:06:04 | |
CROWD CHEERS | 0:06:04 | 0:06:07 | |
-LOW-PITCHED: -Tonight, things get serious! | 0:06:07 | 0:06:11 | |
That really hurts, I'm not going to do that again. | 0:06:12 | 0:06:14 | |
-And it's frightening, it's very frightening. -Yes. | 0:06:14 | 0:06:17 | |
But not as frightening as 15 boys leaving the competition for good. | 0:06:17 | 0:06:21 | |
You see, after each star-studded performance, | 0:06:21 | 0:06:24 | |
the judges will debate on which five boys | 0:06:24 | 0:06:26 | |
should march on as a band, | 0:06:26 | 0:06:27 | |
and which three should go home. | 0:06:27 | 0:06:29 | |
-Shall we get some judges out here? -Yes! -Shall we? | 0:06:29 | 0:06:32 | |
-ALL: -Yeah! | 0:06:32 | 0:06:33 | |
Sergeant Major Dannii Minogue! | 0:06:33 | 0:06:36 | |
CROWD CHEERS | 0:06:36 | 0:06:38 | |
Martin Kemp! | 0:06:38 | 0:06:39 | |
CROWD CHEERS | 0:06:39 | 0:06:40 | |
GB - Gary Barlow! | 0:06:40 | 0:06:42 | |
Come on, then, judges - | 0:06:42 | 0:06:43 | |
how are you going to decide who stays and who goes? | 0:06:43 | 0:06:45 | |
The guys have got to stand out, | 0:06:45 | 0:06:47 | |
but they've got to work within the group. | 0:06:47 | 0:06:49 | |
I want to see them working together as a team, | 0:06:49 | 0:06:52 | |
cos when people truly work together as a team, great things happen. | 0:06:52 | 0:06:56 | |
I mean, it's quite difficult, | 0:06:56 | 0:06:57 | |
when you're just kind of fresh-faced, young start-outs | 0:06:57 | 0:07:00 | |
not to get overawed by the person you're working with. | 0:07:00 | 0:07:03 | |
I mean, you've just got to make sure you use that excitement | 0:07:03 | 0:07:06 | |
and those nerves to bring out the best in yourself. | 0:07:06 | 0:07:09 | |
Taking the final spot in our panel, | 0:07:10 | 0:07:12 | |
it's tonight's guest judge. Who goes there? | 0:07:12 | 0:07:15 | |
I'm completely thrilled about our new judge tonight. | 0:07:15 | 0:07:19 | |
She's got the most incredible voice. | 0:07:19 | 0:07:21 | |
She's got more energy than all of us put together. | 0:07:21 | 0:07:23 | |
She doesn't even need a second name, gang. | 0:07:23 | 0:07:25 | |
It is... | 0:07:25 | 0:07:27 | |
Lulu! | 0:07:27 | 0:07:28 | |
# Fireball! # | 0:07:28 | 0:07:29 | |
I am really excited to be taking part in this judging panel, | 0:07:31 | 0:07:34 | |
because I have been connected to the Take That success story | 0:07:34 | 0:07:37 | |
for all these years. | 0:07:37 | 0:07:38 | |
# Relight my fire... # | 0:07:38 | 0:07:40 | |
23 years ago, we collaborated. | 0:07:40 | 0:07:42 | |
I had to check that statistic, cos I thought, "That can't be right." | 0:07:42 | 0:07:45 | |
# Relight my fire... # | 0:07:45 | 0:07:47 | |
I think Lulu's going to bring spice into the mix | 0:07:47 | 0:07:50 | |
of the judging panel. | 0:07:50 | 0:07:51 | |
# We-e-e-e-e-l-l-l-l-l! | 0:07:51 | 0:07:58 | |
# You know you make me wanna shout now | 0:07:58 | 0:08:00 | |
# Jump up and shout now... # | 0:08:00 | 0:08:01 | |
I want the boys to come out and knock my socks off. | 0:08:01 | 0:08:05 | |
# Al-l-l-l-l right! # | 0:08:05 | 0:08:09 | |
Ladies and gentlemen, welcome our judges! | 0:08:09 | 0:08:12 | |
CROWD CHEERS There they are! | 0:08:12 | 0:08:14 | |
Dannii, I can't look at you any more | 0:08:14 | 0:08:16 | |
since I've seen you as the sergeant major. | 0:08:16 | 0:08:19 | |
Something's changed, Graham. Something's shifted. | 0:08:20 | 0:08:23 | |
-Within you. -Deal with it. | 0:08:23 | 0:08:24 | |
Now, Gary Barlow, sadly, tonight we are saying goodbye to 15 boys. | 0:08:24 | 0:08:29 | |
-ALL: -Aww. | 0:08:29 | 0:08:30 | |
So, what can these guys performing tonight do | 0:08:30 | 0:08:33 | |
to make sure they get through to the live shows? | 0:08:33 | 0:08:36 | |
You know, at this point, they're not in a band yet, | 0:08:36 | 0:08:38 | |
they're all still in competition with one another, | 0:08:38 | 0:08:41 | |
so we want to see their light sparkle tonight. | 0:08:41 | 0:08:44 | |
APPLAUSE | 0:08:44 | 0:08:45 | |
-MEL: -Lulu, you famously teamed up with Take That 23 years ago. | 0:08:45 | 0:08:49 | |
Yes, I'm the oldest person here! | 0:08:49 | 0:08:52 | |
-Erm, well... -You don't look it. | 0:08:52 | 0:08:54 | |
I believe I take that prize. | 0:08:56 | 0:08:57 | |
I paid... No, I paid him for that. I did. | 0:08:58 | 0:09:01 | |
What was it like, collaborating with the gang? | 0:09:01 | 0:09:03 | |
Well, I've done a few collaborations in my life, | 0:09:03 | 0:09:05 | |
but I think the one with Take That was the best. | 0:09:05 | 0:09:09 | |
CROWD CHEERS | 0:09:09 | 0:09:11 | |
OK, enough mucking about - let's meet our first group of eight boys. | 0:09:11 | 0:09:15 | |
His charisma is outstanding. | 0:09:17 | 0:09:19 | |
That voice just surprised me! | 0:09:21 | 0:09:24 | |
Projection is incredible. | 0:09:25 | 0:09:27 | |
We're desperately trying to capture the energy of Take That, | 0:09:28 | 0:09:31 | |
and you have all of that. | 0:09:31 | 0:09:32 | |
I loved your voice. | 0:09:34 | 0:09:35 | |
I see something in you. | 0:09:37 | 0:09:40 | |
It was like a big light beaming off the stage. | 0:09:41 | 0:09:44 | |
I thought you were terrific. | 0:09:44 | 0:09:46 | |
You stand out. You're doing all the right things. | 0:09:47 | 0:09:50 | |
At a rehearsal space in leafy North London... | 0:09:50 | 0:09:53 | |
I'm the first one! | 0:09:53 | 0:09:54 | |
..the boys learn who they'll be performing alongside. | 0:09:54 | 0:09:57 | |
Oh, it's Yazdan! | 0:09:57 | 0:09:59 | |
-ALL CHEER -This is it! | 0:09:59 | 0:10:01 | |
And if you think that they're excited now, | 0:10:01 | 0:10:03 | |
just wait until they've worked out which famous face | 0:10:03 | 0:10:05 | |
they'll be singing with. | 0:10:05 | 0:10:06 | |
-There's no words, is there? -HE GASPS | 0:10:06 | 0:10:08 | |
-Somewhere after that... -Where it starts... | 0:10:08 | 0:10:09 | |
If we had a piano, like... | 0:10:09 | 0:10:10 | |
# ..hooked again from the minute you sat down... # | 0:10:10 | 0:10:13 | |
-HE GASPS -Is that Olly Murs?! | 0:10:13 | 0:10:14 | |
# Troublemaker | 0:10:14 | 0:10:15 | |
# Why does it feel so good but hurt so bad? # | 0:10:15 | 0:10:17 | |
Well, that couldn't have gone better! | 0:10:17 | 0:10:19 | |
I was actually speaking to my mum all week, | 0:10:19 | 0:10:20 | |
and I've been, like, "I want it to be Olly Murs." | 0:10:20 | 0:10:22 | |
Such a good group of boys. | 0:10:22 | 0:10:24 | |
-We're going to bond, like, loads. -Mm. | 0:10:24 | 0:10:25 | |
-They're going to take three away. -It's brutal, that. | 0:10:25 | 0:10:27 | |
As with all the groups tonight, | 0:10:27 | 0:10:29 | |
the boys are thrust into 40 hours of vocal and dance rehearsals | 0:10:29 | 0:10:33 | |
to learn a six-minute spectacle of songs | 0:10:33 | 0:10:36 | |
that their superstar has previously performed. | 0:10:36 | 0:10:38 | |
This is sassy, this, boys. | 0:10:38 | 0:10:40 | |
-This is sassy. -Very sassy! | 0:10:40 | 0:10:42 | |
Not all of the boys are finding their dancing feet... | 0:10:44 | 0:10:47 | |
This guy over here, like, he does ballet. | 0:10:47 | 0:10:48 | |
I play the guitar! | 0:10:48 | 0:10:50 | |
I haven't got a piano to hide behind, | 0:10:52 | 0:10:55 | |
so I feel a bit exposed, | 0:10:55 | 0:10:56 | |
cos I've got, like, chunky hobbit feet. | 0:10:56 | 0:10:58 | |
..and student Tyler's lack of confidence | 0:10:58 | 0:11:00 | |
has caught the choreographer's attention. | 0:11:00 | 0:11:02 | |
When you deliver your performance, | 0:11:02 | 0:11:04 | |
there's quite a few moments where we lose your eyes. | 0:11:04 | 0:11:06 | |
You have got big characters in your group, | 0:11:06 | 0:11:08 | |
and I don't want you to get lost. | 0:11:08 | 0:11:10 | |
I know the choreography thing's just the confidence, and selling it. | 0:11:10 | 0:11:13 | |
That's something I've got to work on, | 0:11:13 | 0:11:14 | |
cos when you're on stage, you're there to perform, you know? | 0:11:14 | 0:11:17 | |
What better way to improve their performance | 0:11:17 | 0:11:19 | |
than with a trip to the Royal Albert Hall, | 0:11:19 | 0:11:22 | |
to sneak into the rehearsals of Mr Charisma himself? | 0:11:22 | 0:11:25 | |
# In other words... # | 0:11:25 | 0:11:27 | |
That's what we've got to try and nail, boys. | 0:11:27 | 0:11:29 | |
-Everything he does is just so cool. -He's a cool dude. He's a cool dude. | 0:11:29 | 0:11:32 | |
He just oozes charisma. | 0:11:32 | 0:11:34 | |
HE WHISTLES | 0:11:34 | 0:11:35 | |
Lads! | 0:11:35 | 0:11:36 | |
ALL CHEER | 0:11:36 | 0:11:38 | |
Thinking about this performance, what I was told was, | 0:11:38 | 0:11:40 | |
always remember the first time that I auditioned. | 0:11:40 | 0:11:43 | |
Always go out to try and impress people, | 0:11:43 | 0:11:44 | |
and for them to be like, "Wow, who are these guys?" | 0:11:44 | 0:11:46 | |
-You know we're dancing with girls... -Yeah. | 0:11:46 | 0:11:48 | |
What's the best advice to stay on-task? | 0:11:48 | 0:11:50 | |
Make it feel like it's cool - "Oh, how you doing, babe? Yeah, cool. | 0:11:51 | 0:11:54 | |
"What's going on, yeah?" | 0:11:54 | 0:11:55 | |
Not feeling like, "Oh, my God, | 0:11:55 | 0:11:56 | |
"there's a really good-looking girl there, I can't look." | 0:11:56 | 0:11:59 | |
Brilliant. OK, bring it in, lads, bring it in. | 0:11:59 | 0:12:01 | |
-MEL: -Ahh, a match made in musical heaven. | 0:12:01 | 0:12:03 | |
Talking of female dancers... | 0:12:05 | 0:12:07 | |
They're here. | 0:12:08 | 0:12:10 | |
Play it cool, Conor, play it cool. | 0:12:11 | 0:12:13 | |
Hello. Do we shake hands? Pleased to meet you. | 0:12:15 | 0:12:17 | |
Boys, when you're dancing with the girl, | 0:12:20 | 0:12:23 | |
just, like, kind of flirting together. | 0:12:23 | 0:12:25 | |
For the performance, you'll probably see a whole new Tyler. | 0:12:29 | 0:12:32 | |
Sexy Tyler, yeah. | 0:12:32 | 0:12:33 | |
Why not, eh? Why can't I be sexy, eh? | 0:12:33 | 0:12:36 | |
That's true. | 0:12:37 | 0:12:39 | |
With Tyler on his A game, and the boys' energy at an all-time high... | 0:12:39 | 0:12:42 | |
I just love you so much! | 0:12:42 | 0:12:43 | |
..they're off to our studio in Manchester. | 0:12:44 | 0:12:47 | |
It's show day, and Sario is quieter than usual. | 0:12:48 | 0:12:51 | |
After chatting to a paramedic, it's tonsillitis, | 0:12:51 | 0:12:54 | |
laryngitis, and a mixture of other things. | 0:12:54 | 0:12:57 | |
-I feel so sorry for you, mate. -Yeah. -Cos you've worked so hard for this. | 0:12:57 | 0:12:59 | |
He says I shouldn't be singing - | 0:12:59 | 0:13:01 | |
but I can't turn this down, I can't not perform. | 0:13:01 | 0:13:04 | |
If there's anyone that can do this, it's you, you know, so... | 0:13:04 | 0:13:06 | |
It's so annoying. | 0:13:06 | 0:13:08 | |
But in the words of Freddie Mercury, the show must go on. | 0:13:08 | 0:13:11 | |
I'm nervous. | 0:13:14 | 0:13:15 | |
We've all got to bring a bit of sex appeal to the stage. | 0:13:15 | 0:13:18 | |
Sexy, sexy Tyler! | 0:13:18 | 0:13:20 | |
-Let's go! -Let's do it, boys. | 0:13:20 | 0:13:22 | |
The boys are ready - but for three of them, | 0:13:22 | 0:13:25 | |
this will be their last performance on Let It Shine. | 0:13:25 | 0:13:28 | |
CROWD CHEERS | 0:13:28 | 0:13:30 | |
Here's out first eight boys with Olly Murs. | 0:13:30 | 0:13:33 | |
PIANO INTRO: Troublemaker | 0:13:34 | 0:13:36 | |
# You're a troublemaker You're a troublemaker | 0:13:43 | 0:13:46 | |
# You ain't nothing but a troublemaker, girl | 0:13:50 | 0:13:53 | |
# You had me hooked again from the minute you sat down | 0:13:53 | 0:13:57 | |
# The way you bite your lip | 0:13:57 | 0:14:00 | |
# Got my head spinnin' around | 0:14:00 | 0:14:02 | |
# After a drink or two I was putty in your hands | 0:14:02 | 0:14:07 | |
# I don't know if I have the strength to stand | 0:14:07 | 0:14:10 | |
-# Oh, oh, oh -Trouble troublemaker | 0:14:10 | 0:14:13 | |
# That's your middle name | 0:14:13 | 0:14:15 | |
# Oh, oh, oh | 0:14:15 | 0:14:16 | |
# I know you're no good but you're stuck in my brain | 0:14:16 | 0:14:19 | |
# And I wanna know | 0:14:19 | 0:14:21 | |
# Why does it feel so good but hurt so bad? | 0:14:21 | 0:14:24 | |
# Whoa, my mind keeps saying, Run as fast as you can | 0:14:24 | 0:14:28 | |
# Troublemaker | 0:14:28 | 0:14:30 | |
# I say I'm good but then you pull me back | 0:14:30 | 0:14:33 | |
# Whoa | 0:14:33 | 0:14:35 | |
# I swear you're giving me a heart attack | 0:14:35 | 0:14:37 | |
# Troublemaker | 0:14:37 | 0:14:38 | |
# It's like you're always there in the corners of my mind | 0:14:38 | 0:14:43 | |
# I see a silhouette every time I close my eyes | 0:14:43 | 0:14:47 | |
# There must be poison in those fingertips of yours | 0:14:47 | 0:14:51 | |
# Cos I keep comin' back again for more | 0:14:51 | 0:14:55 | |
-# Oh, oh, oh -Trouble troublemaker | 0:14:55 | 0:14:58 | |
-# That's your middle name -Oh, oh, oh | 0:14:58 | 0:15:01 | |
# I know you're no good but you're stuck in my brain | 0:15:01 | 0:15:04 | |
# And I wanna know | 0:15:04 | 0:15:05 | |
# Why does it feel so good but hurt so bad? | 0:15:05 | 0:15:09 | |
# Whoa | 0:15:09 | 0:15:10 | |
# My mind keeps saying, Run as fast as you can | 0:15:10 | 0:15:13 | |
# Troublemaker | 0:15:13 | 0:15:15 | |
# I say I'm good but then you pull me back | 0:15:15 | 0:15:17 | |
# Whoa | 0:15:17 | 0:15:19 | |
# I swear you're giving me a heart attack | 0:15:19 | 0:15:22 | |
# Troublemaker. # | 0:15:22 | 0:15:23 | |
MUSIC: Unpredictable by Olly Murs | 0:15:24 | 0:15:26 | |
# I'm sick, I like it | 0:15:32 | 0:15:34 | |
# There's a moment when we fight I get so excited | 0:15:34 | 0:15:39 | |
# Ooh, oh | 0:15:39 | 0:15:41 | |
# The next move is someone's | 0:15:41 | 0:15:43 | |
# Maybe that's what makes it fun | 0:15:43 | 0:15:45 | |
# We don't know what's comin' | 0:15:45 | 0:15:48 | |
# Ooh, oh | 0:15:48 | 0:15:50 | |
# Cos you got me and I got you | 0:15:50 | 0:15:53 | |
# Couldn't stop this if we wanted to | 0:15:53 | 0:15:55 | |
# You got me and I got you | 0:15:55 | 0:15:59 | |
# I like us when we're unpredictable | 0:15:59 | 0:16:04 | |
# Cos that's when love is so phenomenal | 0:16:04 | 0:16:08 | |
# It's better when there's no-one in control | 0:16:08 | 0:16:14 | |
# We don't know which way it's gonna go | 0:16:14 | 0:16:18 | |
# It drives me crazy | 0:16:18 | 0:16:20 | |
# Go to bed at night in love | 0:16:20 | 0:16:23 | |
# You wake up and hate me | 0:16:23 | 0:16:25 | |
# Ooh, oh | 0:16:25 | 0:16:27 | |
# But I just can't fight it | 0:16:27 | 0:16:30 | |
# Other people might break up but that's how I like it | 0:16:30 | 0:16:34 | |
# Ooh, oh | 0:16:34 | 0:16:37 | |
# Cos you got me and I got you | 0:16:37 | 0:16:40 | |
# It's enough for us to make it through | 0:16:40 | 0:16:42 | |
# You got me and I got you | 0:16:42 | 0:16:46 | |
# I like us when we're unpredictable | 0:16:46 | 0:16:51 | |
# Cos that's when love is so phenomenal | 0:16:51 | 0:16:56 | |
# It's better when there's no-one in control | 0:16:56 | 0:17:00 | |
# We don't know which way it's gonna go... # | 0:17:00 | 0:17:04 | |
Come on, fellas - oh! | 0:17:04 | 0:17:06 | |
# Oh, oh, oh | 0:17:06 | 0:17:08 | |
# Oh, oh, oh, oh, oh, oh, oh | 0:17:08 | 0:17:10 | |
# Oh, oh, oh | 0:17:10 | 0:17:13 | |
# You make my heart skip, skip skip, skip, skip, skip a beat. # | 0:17:14 | 0:17:19 | |
MUSIC: Wrapped Up by Olly Murs | 0:17:19 | 0:17:22 | |
# Now excuse me if I sound rude | 0:17:22 | 0:17:25 | |
# But I love the way that you move | 0:17:25 | 0:17:27 | |
# And I see me all over you now | 0:17:27 | 0:17:30 | |
# Baby, when I look in your eyes | 0:17:30 | 0:17:32 | |
# There's no way that I can disguise | 0:17:32 | 0:17:34 | |
# All these crazy thoughts in my mind now | 0:17:34 | 0:17:36 | |
# There's just something about you | 0:17:36 | 0:17:38 | |
# You got the lock | 0:17:38 | 0:17:40 | |
# I got the key | 0:17:40 | 0:17:42 | |
# You know the rest | 0:17:42 | 0:17:43 | |
# You know just where I wanna be | 0:17:43 | 0:17:46 | |
# Don't ever stop controlling me | 0:17:46 | 0:17:50 | |
# Cos I kinda like it when you bring me to my knees | 0:17:50 | 0:17:54 | |
# You got me wrapped up | 0:17:54 | 0:17:56 | |
# Around your finger | 0:17:56 | 0:17:58 | |
# I'd do anything for your love now | 0:17:58 | 0:18:02 | |
# Cos when you touch it the feeling lingers | 0:18:02 | 0:18:06 | |
# Takes me up so I high I can't come down | 0:18:06 | 0:18:09 | |
# Cos, girl, you got me wrapped up | 0:18:09 | 0:18:11 | |
# Oh, oh | 0:18:11 | 0:18:12 | |
-# You got me so -So wrapped up | 0:18:12 | 0:18:15 | |
# Oh, oh | 0:18:15 | 0:18:16 | |
# Cos there's just something about you | 0:18:16 | 0:18:18 | |
# You wrapped up Oh, oh | 0:18:18 | 0:18:20 | |
# You got me so | 0:18:20 | 0:18:21 | |
# So wrapped up Oh, oh | 0:18:21 | 0:18:24 | |
# Cos there's just something about you | 0:18:24 | 0:18:26 | |
# Everything that you do | 0:18:26 | 0:18:28 | |
# Every way that you move | 0:18:28 | 0:18:30 | |
# There's just something about you | 0:18:30 | 0:18:32 | |
# There's just something about you, you | 0:18:32 | 0:18:34 | |
# Everything that you do | 0:18:34 | 0:18:36 | |
# Every way that you move | 0:18:36 | 0:18:38 | |
# There's just something about you | 0:18:38 | 0:18:40 | |
# Cos, girl, you got me wrapped up | 0:18:40 | 0:18:42 | |
# Oh | 0:18:42 | 0:18:43 | |
-# Around your finger -Around your finger | 0:18:43 | 0:18:45 | |
-# I'd do anything for your love now -Anything for your love, girl | 0:18:45 | 0:18:49 | |
-# When you touch it -Whoa | 0:18:49 | 0:18:51 | |
-# The feeling lingers -Ha, ha! | 0:18:51 | 0:18:53 | |
# Takes me up so I high I can't come down | 0:18:53 | 0:18:55 | |
# Cos, girl, you got me wrapped up | 0:18:55 | 0:18:58 | |
# Oh, oh | 0:18:58 | 0:19:00 | |
-# You got me so -You got me so | 0:19:00 | 0:19:01 | |
# Wrapped up, oh, oh | 0:19:01 | 0:19:03 | |
# Cos there's just something about you, girl | 0:19:03 | 0:19:05 | |
# Wrapped up, oh, oh | 0:19:05 | 0:19:07 | |
-# You got me so -You got me so | 0:19:07 | 0:19:09 | |
# Wrapped up, oh, oh | 0:19:09 | 0:19:11 | |
# Cos there's just something about you | 0:19:11 | 0:19:13 | |
# You got me wrapped up. # | 0:19:13 | 0:19:15 | |
CROWD CHEERS | 0:19:15 | 0:19:16 | |
-How lovely to have you here. -Thank you for having me here - pleasure! | 0:19:34 | 0:19:37 | |
They do, they love you! | 0:19:37 | 0:19:38 | |
-CROWD CHEERS -Thank you. | 0:19:38 | 0:19:40 | |
Stop that! You're making GB jealous. | 0:19:40 | 0:19:43 | |
Now, Nick, it's a fellow Essex lad up on stage. | 0:19:45 | 0:19:49 | |
There's only room for one Essex boy on this stage, | 0:19:49 | 0:19:51 | |
and we all know who that is. | 0:19:51 | 0:19:53 | |
Aww, that's very kind. | 0:19:53 | 0:19:55 | |
APPLAUSE It's a love-fest. | 0:19:55 | 0:19:56 | |
The first thing he said to me, he goes, "Olly, like, | 0:19:56 | 0:19:59 | |
"does the Essex charm help with the ladies when you get famous?" | 0:19:59 | 0:20:02 | |
Priorities, Nick, priorities. | 0:20:04 | 0:20:06 | |
-Now, Sario, I couldn't tell from the performance... -I couldn't tell. | 0:20:06 | 0:20:09 | |
..but apparently there was some... you had some throat problems today. | 0:20:09 | 0:20:12 | |
-CROAKS: -Yeah... Ooh! | 0:20:12 | 0:20:14 | |
LAUGHTER | 0:20:14 | 0:20:15 | |
Medic! Medic! | 0:20:20 | 0:20:22 | |
Yeah, sort of in the past couple of days, a cold turned into, er, | 0:20:24 | 0:20:27 | |
tonsillitis, laryngitis, the full-blown everything. | 0:20:27 | 0:20:30 | |
-AUDIENCE: -Aww. | 0:20:30 | 0:20:31 | |
Er, ladies and gentlemen, | 0:20:31 | 0:20:32 | |
we thank and say farewell to the fabulous Olly Murs. | 0:20:32 | 0:20:35 | |
-Thank you very much. -CROWD CHEERS | 0:20:35 | 0:20:37 | |
Lads, good luck. | 0:20:37 | 0:20:38 | |
-Good luck. -Thank you so much. -Bye! | 0:20:38 | 0:20:40 | |
Olly Murs! | 0:20:41 | 0:20:42 | |
CHEERING AND APPLAUSE | 0:20:42 | 0:20:44 | |
Boys, your fate now lies in the hands of the judges. | 0:20:44 | 0:20:48 | |
It's up to them to decide which five boys will stay in the competition | 0:20:48 | 0:20:53 | |
and perform live as a band, | 0:20:53 | 0:20:55 | |
and which three are going to go home tonight. | 0:20:55 | 0:20:58 | |
Judges, would you mind, please, | 0:20:58 | 0:21:00 | |
going off? We've prepared a little hutch for you, offstage. | 0:21:00 | 0:21:03 | |
We've put down some straw. | 0:21:03 | 0:21:04 | |
-If you'd like to go there, deliberation will commence. -OK! | 0:21:04 | 0:21:08 | |
APPLAUSE | 0:21:08 | 0:21:10 | |
Watch Lulu, she's very feisty. | 0:21:10 | 0:21:12 | |
In the hutch, the judges will discuss each boy's performance, | 0:21:14 | 0:21:17 | |
taking into account their original audition, | 0:21:17 | 0:21:19 | |
before they assemble their perfect five. | 0:21:19 | 0:21:22 | |
This is really tough, don't you think? | 0:21:22 | 0:21:24 | |
-Wow. -Really tough. | 0:21:24 | 0:21:25 | |
Shall we start with AJ as the first person? | 0:21:25 | 0:21:28 | |
-AJ. -I love this guy. -Yeah. -Yeah. | 0:21:28 | 0:21:30 | |
-He just shines. He jumps off that stage. -Yes. | 0:21:30 | 0:21:34 | |
Vocally, he can work on it a little bit more, | 0:21:34 | 0:21:36 | |
but he's, like, the all-rounder. | 0:21:36 | 0:21:38 | |
Mm. I love the way he danced. | 0:21:38 | 0:21:40 | |
Mr Personality, Conor. | 0:21:40 | 0:21:42 | |
-For me, he just overcooked it. -Mm-hm. -He was trying too hard... | 0:21:42 | 0:21:45 | |
-Yeah, yeah. -..rather than sitting back in the pack, | 0:21:45 | 0:21:48 | |
-and making the show look good. -Yeah. | 0:21:48 | 0:21:50 | |
-Curtis. -19 stars, first audition. | 0:21:50 | 0:21:53 | |
-Yeah, he's got a great voice. -Great voice. | 0:21:53 | 0:21:55 | |
He's still finding his feet moving round the stage. | 0:21:55 | 0:21:58 | |
Curtis wasn't in my top five. | 0:21:58 | 0:22:00 | |
Nick - Nick was nervous in his first audition, wasn't he? | 0:22:00 | 0:22:03 | |
-You could hear it in his voice. -He was out of his depth. | 0:22:03 | 0:22:05 | |
-Very cheeky. -He's got the most baby face, | 0:22:05 | 0:22:07 | |
-but I think he's the naughtiest one in that group. -Yeah. | 0:22:07 | 0:22:09 | |
-Sario. -He's gorgeous, Sario, isn't he? | 0:22:12 | 0:22:13 | |
-I like the guy. -I thought he was GENIUS tonight - | 0:22:13 | 0:22:17 | |
sore throat and all. | 0:22:17 | 0:22:18 | |
-Yeah. -Cool. What a mover. -Great - what a mover! -Elegant. | 0:22:18 | 0:22:21 | |
I loved Scott in the audition. I thought he was great - | 0:22:22 | 0:22:26 | |
but tonight I felt he was hiding a little bit. | 0:22:26 | 0:22:30 | |
Yeah. | 0:22:30 | 0:22:31 | |
Always a tricky one, for me, this. | 0:22:31 | 0:22:33 | |
Tyler's amazing. He's got a special something - | 0:22:33 | 0:22:36 | |
-he's not experienced yet. -He's got a ton of bad habits. | 0:22:36 | 0:22:39 | |
-I think the part is right for him... -Yeah. | 0:22:39 | 0:22:42 | |
You know? He could quite easily fit in. | 0:22:42 | 0:22:43 | |
-Yazdan. -My problem with him was that it was a bit old-school musical. | 0:22:43 | 0:22:48 | |
I really like him. | 0:22:48 | 0:22:49 | |
There was something about him | 0:22:49 | 0:22:51 | |
that my eye kept going back to all the time. | 0:22:51 | 0:22:54 | |
It's such a tough group. | 0:22:54 | 0:22:56 | |
We've definitely got some great singers. Some great movers. | 0:22:56 | 0:22:59 | |
Oh, dear. | 0:22:59 | 0:23:00 | |
I can't believe it! | 0:23:00 | 0:23:02 | |
Come here, come on! | 0:23:02 | 0:23:03 | |
It's true, what I said earlier - I sounded like Barry White. | 0:23:04 | 0:23:07 | |
You pulled that out the bag. | 0:23:07 | 0:23:08 | |
After weighing up the pros and cons of each of these boys, | 0:23:10 | 0:23:13 | |
the judges have chosen their final five. | 0:23:13 | 0:23:16 | |
Now, boys, eight of you performed alongside Olly Murs - | 0:23:19 | 0:23:24 | |
only five of you will go on to battle it out as a band | 0:23:24 | 0:23:26 | |
for that amazing prize. | 0:23:26 | 0:23:28 | |
If the star you're standing on lights up... | 0:23:28 | 0:23:31 | |
you're through. | 0:23:31 | 0:23:32 | |
If it doesn't, then I'm afraid you're out of the competition. | 0:23:32 | 0:23:37 | |
Whose star will shine? | 0:23:37 | 0:23:38 | |
Will it be AJ? | 0:23:38 | 0:23:41 | |
Conor? | 0:23:43 | 0:23:44 | |
Curtis? | 0:23:46 | 0:23:47 | |
Nick? | 0:23:49 | 0:23:51 | |
Sario? | 0:23:51 | 0:23:52 | |
Scott? | 0:23:52 | 0:23:54 | |
Tyler? | 0:23:54 | 0:23:56 | |
Or Yazdan? | 0:23:56 | 0:23:58 | |
Here they come. | 0:24:00 | 0:24:01 | |
Five stars for five places. | 0:24:01 | 0:24:04 | |
In no particular order, the first boy in this band is... | 0:24:10 | 0:24:15 | |
It's Curtis! CROWD CHEERS | 0:24:21 | 0:24:23 | |
Congratulations! | 0:24:23 | 0:24:25 | |
Joining Curtis in this band is... | 0:24:37 | 0:24:39 | |
-It's AJ! -CROWD CHEERS | 0:24:45 | 0:24:47 | |
Well done, AJ! | 0:24:47 | 0:24:49 | |
You're through. | 0:24:49 | 0:24:50 | |
Yazdan, you've done it! Congratulations! | 0:25:07 | 0:25:11 | |
CROWD CHEERS Whoo! | 0:25:11 | 0:25:13 | |
Well done, Yazdan. | 0:25:19 | 0:25:20 | |
Thank you. | 0:25:20 | 0:25:21 | |
Sario! | 0:25:28 | 0:25:29 | |
CROWD CHEERS | 0:25:29 | 0:25:31 | |
-Yes, mate! -Nice, mate. | 0:25:35 | 0:25:36 | |
I told you, don't write yourself off. | 0:25:36 | 0:25:38 | |
-AUDIENCE MEMBER: -Come on! | 0:25:46 | 0:25:47 | |
There is only one place left. | 0:25:47 | 0:25:51 | |
Conor, Nick, Scott or Tyler. | 0:25:51 | 0:25:58 | |
Who will it be? | 0:25:58 | 0:25:59 | |
It's Nick. Congratulations to our five boy-band members. | 0:26:14 | 0:26:21 | |
CHEERING AND APPLAUSE | 0:26:21 | 0:26:22 | |
Martin, what have you got to say? | 0:26:33 | 0:26:35 | |
You know, losing out is the hardest part of this business | 0:26:35 | 0:26:38 | |
but I tell you something, | 0:26:38 | 0:26:40 | |
I would love to be a fly on the wall in the next audition you walk into | 0:26:40 | 0:26:45 | |
because you will take all of this experience, | 0:26:45 | 0:26:48 | |
everything you've learned over the past few weeks and you'll be | 0:26:48 | 0:26:51 | |
head and shoulders above everybody else in that room. | 0:26:51 | 0:26:54 | |
So good luck with the future. | 0:26:54 | 0:26:56 | |
That's very true. Good advice. | 0:26:56 | 0:26:59 | |
Tyler, still smiling. Look at that. | 0:27:00 | 0:27:02 | |
Well, I was just working in a cafe and then he walked in. | 0:27:03 | 0:27:06 | |
I didn't think I was going to get this far. | 0:27:06 | 0:27:08 | |
The lads are absolutely fantastic. | 0:27:08 | 0:27:10 | |
I know they're going to do great things | 0:27:10 | 0:27:11 | |
and we've had an absolutely fantastic time. | 0:27:11 | 0:27:13 | |
Tyler, Conor and Scott. | 0:27:15 | 0:27:18 | |
Meanwhile, over here, the five who got through. | 0:27:25 | 0:27:27 | |
Stupidly, it didn't cross my mind. | 0:27:27 | 0:27:29 | |
I just thought the five people who would be through would be | 0:27:29 | 0:27:31 | |
delighted but it is tinged with sadness because you're saying | 0:27:31 | 0:27:34 | |
goodbye to the others. | 0:27:34 | 0:27:35 | |
It really is. Saying goodbye to them is like... It was really difficult. | 0:27:35 | 0:27:38 | |
We knew it would be really difficult and whichever way it went | 0:27:38 | 0:27:41 | |
we were going to be sad, win or lose. | 0:27:41 | 0:27:42 | |
I'm just going to go to the judges. That was a really hard one. | 0:27:46 | 0:27:48 | |
It could have been any combination. | 0:27:48 | 0:27:50 | |
With these guys, some are stronger vocally and some are really | 0:27:50 | 0:27:54 | |
tight as dancers and can sing but all together it was kind of | 0:27:54 | 0:27:59 | |
like a potpourri or a very good | 0:27:59 | 0:28:01 | |
ingredient for a delicious cake. | 0:28:01 | 0:28:03 | |
Oh. Let's hear it for our five. | 0:28:03 | 0:28:05 | |
Curtis, AJ, Yazdan, Sario and Nick. | 0:28:05 | 0:28:10 | |
So, the first of tonight's first five bands has been formed. | 0:28:13 | 0:28:17 | |
I'm very surprised. | 0:28:17 | 0:28:19 | |
It's completely different to what I normally do in Essex. | 0:28:19 | 0:28:23 | |
Between us we've got a really good blend of ingredients. | 0:28:23 | 0:28:26 | |
We have good singers, good dancers, we have charisma, we have the looks. | 0:28:26 | 0:28:31 | |
Probably just going to mess up on live TV. | 0:28:31 | 0:28:33 | |
It's such a shame to say goodbye to the other guys. | 0:28:33 | 0:28:36 | |
And I just want to give my mum a cuddle. | 0:28:37 | 0:28:39 | |
Bring on live shows! | 0:28:39 | 0:28:41 | |
Whoo! | 0:28:41 | 0:28:42 | |
Yeah, bring on those live shows, | 0:28:42 | 0:28:44 | |
where for the first time you get to vote for your favourite band. | 0:28:44 | 0:28:48 | |
More on that later. First, let's meet group number two. | 0:28:48 | 0:28:51 | |
I love that you came out here and gave it all that you had. | 0:28:53 | 0:28:55 | |
I am a sucker for a singer-songwriter. | 0:28:57 | 0:29:00 | |
Fabulous. | 0:29:01 | 0:29:03 | |
I think you're spot-on for this show. | 0:29:05 | 0:29:08 | |
You just woke me up. | 0:29:10 | 0:29:12 | |
You got skills on skills on skills on skills. | 0:29:14 | 0:29:16 | |
Cannot lose that boy. | 0:29:20 | 0:29:21 | |
Dude, you flipped on your head, | 0:29:23 | 0:29:25 | |
like, with no hands. | 0:29:25 | 0:29:27 | |
Here come our next group. | 0:29:30 | 0:29:31 | |
Put together, like all the others, | 0:29:31 | 0:29:32 | |
with their mix of experience and skills in mind. | 0:29:32 | 0:29:35 | |
They're heading to the studio to prepare for their medley with | 0:29:35 | 0:29:38 | |
West End leading lady, Beverley Knight. | 0:29:38 | 0:29:40 | |
We've got charisma, we're fun. I'm busting a sweat. | 0:29:44 | 0:29:48 | |
Great, so you're all doing well. | 0:29:48 | 0:29:50 | |
-Absolutely amazing. -Really? I'm suspicious. | 0:29:50 | 0:29:54 | |
-How's it really going? -Absolutely terrible. | 0:29:54 | 0:29:57 | |
Oh, dear. | 0:29:57 | 0:29:58 | |
Special effects trainee Damien is a little out of his comfort zone. | 0:29:58 | 0:30:01 | |
Dancing is my worst enemy. | 0:30:01 | 0:30:03 | |
I could learn to dance for a few years and still be really | 0:30:03 | 0:30:06 | |
stiff and not get the movements right. | 0:30:06 | 0:30:08 | |
You see people, it just comes naturally to them. | 0:30:08 | 0:30:10 | |
I look at guys like yourself and yourself and you | 0:30:10 | 0:30:12 | |
-all know how to dance. -Barely. | 0:30:12 | 0:30:14 | |
I used to be a really good dancer before I had kids. | 0:30:14 | 0:30:16 | |
As soon as I popped one out, I brought out the dad dance. | 0:30:16 | 0:30:20 | |
Smooth moves, Daddio. Hopefully your singing fares better. | 0:30:23 | 0:30:27 | |
HIGH-PITCHED VOCALISING | 0:30:27 | 0:30:28 | |
These are great songs but they are diva songs. They are quite high. | 0:30:31 | 0:30:35 | |
Dylan's not totally happy and I think Harry is probably | 0:30:37 | 0:30:39 | |
struggling the most with where it sits in his voice. | 0:30:39 | 0:30:43 | |
# Twist and shout! # | 0:30:43 | 0:30:45 | |
Despite all the problems, | 0:30:48 | 0:30:50 | |
and ignoring the fact that they're battling each other for | 0:30:50 | 0:30:52 | |
a place in the band, the boys are getting on like a house on fire. | 0:30:52 | 0:30:55 | |
Honestly, the chemistry in this group is amazing. | 0:30:55 | 0:30:57 | |
Everyone's helping each other and I'm already learning things | 0:30:57 | 0:31:00 | |
from a few of the other guys. | 0:31:00 | 0:31:01 | |
-Real good vibe, isn't it? -No, everyone hates each other. | 0:31:05 | 0:31:08 | |
I'm joking. | 0:31:08 | 0:31:10 | |
The boys head to Manchester for two last days of rehearsals and | 0:31:12 | 0:31:14 | |
things are starting to get real. | 0:31:14 | 0:31:17 | |
We're in a bit of a scary place with the Beverley Knight group. | 0:31:17 | 0:31:19 | |
The vocals are really suffering. | 0:31:19 | 0:31:21 | |
As soon as they start doing the choreography, they lose all | 0:31:21 | 0:31:23 | |
the harmonies and it just sounds like a bit of a mess. | 0:31:23 | 0:31:25 | |
-Three, four, one, two. -# Shake it up, baby... # | 0:31:25 | 0:31:28 | |
You're all singing the same thing now. | 0:31:28 | 0:31:30 | |
It's a bit of a risky arrangement. You know what I mean? | 0:31:30 | 0:31:32 | |
My God, what is going on here? It's all back to square one, isn't it? | 0:31:32 | 0:31:36 | |
With energy low, three-times MOBO winner and Olivier award nominee | 0:31:36 | 0:31:40 | |
Beverley arrives just in time to whip the boys into shape. | 0:31:40 | 0:31:43 | |
At the moment everyone sounds really polite, | 0:31:43 | 0:31:45 | |
rather than the very English bay-bee, it's bae-beh. | 0:31:45 | 0:31:50 | |
She knows what she's talking about. | 0:31:50 | 0:31:52 | |
Pick up on that point, that point. Let's get it right. | 0:31:52 | 0:31:55 | |
They have to bring the nasty - bring that attitude... | 0:31:55 | 0:31:59 | |
..in the vocal. | 0:32:00 | 0:32:02 | |
# Ye-e-e-e-es! # | 0:32:02 | 0:32:05 | |
She's hot. | 0:32:07 | 0:32:08 | |
Go and take a cold shower, Clinton. | 0:32:08 | 0:32:10 | |
Medley! | 0:32:10 | 0:32:13 | |
It's our next eight boys with Beverley Knight. | 0:32:16 | 0:32:19 | |
CHEERING AND APPLAUSE | 0:32:19 | 0:32:20 | |
MUSIC: Twist And Shout by The Beatles | 0:32:22 | 0:32:24 | |
-# Well, shake it up, baby, now -Shake it up, baby | 0:32:28 | 0:32:31 | |
-# Twist and shout -Twist and shout | 0:32:31 | 0:32:35 | |
# Come on, come on, come on, baby, now | 0:32:35 | 0:32:37 | |
# Come on, baby | 0:32:37 | 0:32:39 | |
-# Come on and work it on out -Work it on out | 0:32:39 | 0:32:42 | |
-# Well, work it on out now -Work it on out | 0:32:42 | 0:32:46 | |
-# You know you look so good -Look so good | 0:32:46 | 0:32:49 | |
-# You know you got me going now -Got me going | 0:32:49 | 0:32:53 | |
-# Just like I knew you would -Like I knew you would | 0:32:53 | 0:32:57 | |
-# Well, shake it up, baby, now -Shake it up, baby | 0:32:57 | 0:33:01 | |
-# Twist and shout -Twist and shout | 0:33:01 | 0:33:04 | |
# Come on, come on, come on, baby, now | 0:33:04 | 0:33:07 | |
# Come on, baby | 0:33:07 | 0:33:08 | |
-# Come on and work it on out -Work it on out | 0:33:08 | 0:33:11 | |
-# You know you twist, little girl -Twist, little girl | 0:33:11 | 0:33:15 | |
-# You know you look so fine -Look so fine | 0:33:15 | 0:33:19 | |
# Come on and twist a little closer now | 0:33:19 | 0:33:21 | |
# Twist a little closer | 0:33:21 | 0:33:23 | |
-# And let me know you're mine -Let me know you're mine | 0:33:23 | 0:33:26 | |
# Hey! | 0:33:26 | 0:33:28 | |
TOGETHER: Aaaah! | 0:33:43 | 0:33:44 | |
-# Ah, yeah! -Aaaah! | 0:33:44 | 0:33:45 | |
-# Ah, yeah! -Aaaah! | 0:33:45 | 0:33:47 | |
-# Ah, yeah! -Aaaah! | 0:33:47 | 0:33:49 | |
# Hey, hey, he-e-e-e-ey! # | 0:33:49 | 0:33:54 | |
MUSIC: I Wanna Dance With Somebody by Whitney Houston | 0:33:54 | 0:33:58 | |
# Clock strikes upon the hour | 0:34:02 | 0:34:05 | |
# And the sun begins to fade | 0:34:05 | 0:34:08 | |
# Still enough time to figure out | 0:34:10 | 0:34:13 | |
# How to chase my blues away | 0:34:13 | 0:34:17 | |
# I've done all right up till now | 0:34:18 | 0:34:21 | |
# It's the light of day that shows me how | 0:34:21 | 0:34:26 | |
# But when the night falls | 0:34:26 | 0:34:28 | |
# My loneliness calls | 0:34:28 | 0:34:32 | |
-Come on! -Come on! | 0:34:32 | 0:34:33 | |
# Oh! | 0:34:33 | 0:34:35 | |
# I wanna dance with somebody | 0:34:35 | 0:34:37 | |
# I wanna feel the heat with somebody | 0:34:37 | 0:34:41 | |
# Yeah! | 0:34:41 | 0:34:42 | |
# I wanna dance with somebody | 0:34:42 | 0:34:45 | |
# With somebody who loves me | 0:34:45 | 0:34:49 | |
# Oh! | 0:34:49 | 0:34:50 | |
# I wanna dance with somebody | 0:34:50 | 0:34:53 | |
# I wanna feel the heat with somebody | 0:34:53 | 0:34:56 | |
# Yeah! | 0:34:56 | 0:34:58 | |
# I wanna dance with somebody | 0:34:58 | 0:35:00 | |
# With somebody who loves me | 0:35:01 | 0:35:04 | |
# Somebody who | 0:35:04 | 0:35:06 | |
# Somebody who | 0:35:06 | 0:35:08 | |
# Somebody who loves me | 0:35:08 | 0:35:12 | |
# Somebody who | 0:35:12 | 0:35:14 | |
# Somebody who | 0:35:14 | 0:35:16 | |
# To hold me in his arms | 0:35:17 | 0:35:21 | |
# I need a man who'll take a chance | 0:35:21 | 0:35:24 | |
# On a love that burns hot enough to last | 0:35:24 | 0:35:28 | |
# So when the night falls | 0:35:28 | 0:35:31 | |
# My loneliness calls | 0:35:31 | 0:35:34 | |
Everybody! | 0:35:34 | 0:35:35 | |
# Oh! | 0:35:35 | 0:35:36 | |
# I wanna dance with somebody | 0:35:36 | 0:35:38 | |
# I wanna feel the heat with somebody | 0:35:39 | 0:35:43 | |
# Yeah! | 0:35:43 | 0:35:44 | |
# I wanna dance with somebody | 0:35:44 | 0:35:46 | |
# With somebody who loves me. # | 0:35:47 | 0:35:51 | |
Whoo! | 0:35:54 | 0:35:55 | |
MUSIC: Hold On I'm Comin' by Sam & Dave | 0:35:55 | 0:35:57 | |
Everybody clap. | 0:36:01 | 0:36:02 | |
Everybody! | 0:36:04 | 0:36:05 | |
# If you ever feel sad | 0:36:10 | 0:36:13 | |
# Lean on me when times get bad | 0:36:14 | 0:36:17 | |
# When the day comes and you're down | 0:36:17 | 0:36:21 | |
# In a river of trouble, you're about to drown | 0:36:21 | 0:36:25 | |
# Hold on | 0:36:25 | 0:36:27 | |
# I'm comin' | 0:36:27 | 0:36:29 | |
# Hold on | 0:36:29 | 0:36:31 | |
I'm comin' | 0:36:31 | 0:36:33 | |
# I'm on my way, your lover | 0:36:33 | 0:36:37 | |
# If you get cold, I'll be your cover | 0:36:37 | 0:36:40 | |
# No need to worry cos I'm here | 0:36:40 | 0:36:45 | |
# No need to suffer cos I'm here | 0:36:45 | 0:36:46 | |
# Hold on | 0:36:48 | 0:36:50 | |
# I'm comin' | 0:36:50 | 0:36:52 | |
# Hold on | 0:36:52 | 0:36:54 | |
# I'm comin' | 0:36:54 | 0:36:56 | |
# Hold on | 0:36:56 | 0:36:58 | |
# I'm comin' | 0:36:58 | 0:37:00 | |
# Hold on | 0:37:00 | 0:37:02 | |
# I'm comin' | 0:37:02 | 0:37:03 | |
# Reach out to me | 0:37:05 | 0:37:07 | |
# For satisfaction, yes | 0:37:07 | 0:37:10 | |
# Just call my name | 0:37:12 | 0:37:15 | |
# For quick reaction | 0:37:16 | 0:37:19 | |
# Hey | 0:37:19 | 0:37:23 | |
# All right now | 0:37:25 | 0:37:26 | |
One, two, three. | 0:37:26 | 0:37:27 | |
# Come on | 0:37:29 | 0:37:31 | |
# Come on | 0:37:31 | 0:37:33 | |
# Yeah | 0:37:33 | 0:37:35 | |
-# Hold on -Hold on | 0:37:35 | 0:37:37 | |
-# I'm comin' -I'm comin' | 0:37:37 | 0:37:39 | |
-# Hold on -Hold on | 0:37:39 | 0:37:41 | |
-# I'm comin' -I'm comin' | 0:37:41 | 0:37:43 | |
-# Hold on -Hold on | 0:37:43 | 0:37:45 | |
-# I'm comin' -I'm comin' | 0:37:45 | 0:37:47 | |
-# Hold on -Hold on | 0:37:47 | 0:37:49 | |
-# I'm comin' -I'm comin' | 0:37:49 | 0:37:51 | |
-# Hold on -Hold on | 0:37:51 | 0:37:52 | |
-# I'm comin' -I'm comin' to get you | 0:37:52 | 0:37:55 | |
-# Hold on -Hold on | 0:37:55 | 0:37:56 | |
# I'm comin'. # | 0:37:56 | 0:37:58 | |
Yeah! | 0:37:58 | 0:37:59 | |
CHEERING AND APPLAUSE | 0:37:59 | 0:38:01 | |
SHE CHEERS | 0:38:03 | 0:38:04 | |
Beverley, so great to have you on Let It Shine. | 0:38:16 | 0:38:18 | |
-Welcome to the show. -Thank you. | 0:38:18 | 0:38:20 | |
You performed in so many West End shows, so you know, I mean, | 0:38:20 | 0:38:23 | |
are these guys ready for the amount of work involved in putting | 0:38:23 | 0:38:27 | |
on something like that? | 0:38:27 | 0:38:28 | |
If this is any indication of how they're going to start out, | 0:38:28 | 0:38:31 | |
they're going to fly. | 0:38:31 | 0:38:33 | |
Ah, Beverley. | 0:38:33 | 0:38:34 | |
That's so nice, Beverley. | 0:38:36 | 0:38:37 | |
So great to have you on the show. | 0:38:37 | 0:38:40 | |
What was it like working with the legend that is Beverley Knight? | 0:38:40 | 0:38:43 | |
It was crazy. You heard her vocals, you can't... | 0:38:43 | 0:38:47 | |
You're very kind, thank you. | 0:38:48 | 0:38:50 | |
Beverley, can you name your favourite five? No, I'm joking. | 0:38:50 | 0:38:53 | |
Oh, my God. | 0:38:53 | 0:38:55 | |
Beverley Knight, your work here is done. Beverley Knight, everybody. | 0:38:55 | 0:38:58 | |
Thank you. | 0:38:58 | 0:39:00 | |
Lovely to see you. | 0:39:04 | 0:39:05 | |
Now, guys, here's the thing. | 0:39:06 | 0:39:08 | |
Your fate now lies in the hands of those judges. | 0:39:08 | 0:39:11 | |
Thank you very much. Off they go. | 0:39:13 | 0:39:14 | |
OK, everybody, let's get down to business. | 0:39:17 | 0:39:20 | |
-Alexis. -Yes! | 0:39:20 | 0:39:22 | |
-Yeah, awesome. -He was fantastic, wasn't he? | 0:39:22 | 0:39:25 | |
-Just felt like he'd been up there for years doing that. -Clinton. | 0:39:25 | 0:39:29 | |
I think he's got a lot of heart and soul and he did something | 0:39:29 | 0:39:32 | |
special on stage which some of the other guys can't do. | 0:39:32 | 0:39:36 | |
Normally you've got to always be performing out to the front. | 0:39:37 | 0:39:39 | |
As soon as you turn your back your star power goes. | 0:39:39 | 0:39:43 | |
He was turning around to the other guys but I still couldn't | 0:39:43 | 0:39:45 | |
take my eyes off him. | 0:39:45 | 0:39:47 | |
This is going to be a tough one. Damien. | 0:39:48 | 0:39:50 | |
I think it's quite interesting because I had seen him | 0:39:50 | 0:39:53 | |
earlier and I was like, "He doesn't seem right." | 0:39:53 | 0:39:56 | |
-But he was so good out there tonight. -He was. | 0:39:56 | 0:39:57 | |
He's either a solo artist or I want to see him in something more | 0:39:57 | 0:40:03 | |
soulful and rocky. | 0:40:03 | 0:40:05 | |
-Disappointed in Dylan tonight. -He didn't come through, did he? | 0:40:05 | 0:40:08 | |
He's coasting. | 0:40:08 | 0:40:09 | |
There was an aggression to him and I mean an aggression that's got | 0:40:09 | 0:40:12 | |
so much tension that it's on fire. He wasn't on fire. | 0:40:12 | 0:40:16 | |
OK, everyone, what do we think of Harry? | 0:40:16 | 0:40:18 | |
He's got to be in the band, that's it. Look how bright his eyes are. | 0:40:18 | 0:40:21 | |
You know that's his real name? Harry Fabulous. | 0:40:21 | 0:40:24 | |
That just kills it for me. | 0:40:24 | 0:40:26 | |
-He performed well tonight. -He dances good too. | 0:40:26 | 0:40:30 | |
-Jordan. -You know what I love about Jordan? | 0:40:30 | 0:40:33 | |
He showed the audience how much he was enjoying it by not | 0:40:33 | 0:40:36 | |
looking at them but looking at each other, | 0:40:36 | 0:40:39 | |
looking at the other members of the band. | 0:40:39 | 0:40:40 | |
You know what it's like in Take That. | 0:40:40 | 0:40:42 | |
You see each other enjoying it, that spreads out and that's what | 0:40:42 | 0:40:44 | |
he was using tonight. | 0:40:44 | 0:40:46 | |
I thought Matt was great tonight and he definitely | 0:40:46 | 0:40:48 | |
has a lot of energy when he dances. | 0:40:48 | 0:40:51 | |
He stepped it up from the audition to tonight. He likes an audience. | 0:40:51 | 0:40:55 | |
OK. | 0:40:55 | 0:40:57 | |
He's a great singer, Veeraj. We gave him 16 points. | 0:40:57 | 0:41:00 | |
I thought he was struggling tonight. He wasn't comfortable. | 0:41:02 | 0:41:06 | |
Whoever the five are, I wish you all the luck. | 0:41:06 | 0:41:10 | |
Once again, the judges are back having selected their final | 0:41:11 | 0:41:14 | |
five from the group. | 0:41:14 | 0:41:15 | |
Right, eight of you have performed alongside Beverley Knight but | 0:41:18 | 0:41:23 | |
only five of you will go on to battle it out as | 0:41:23 | 0:41:25 | |
a band for that amazing prize. | 0:41:25 | 0:41:27 | |
Now, if the star you're standing on lights up, you're through. | 0:41:27 | 0:41:32 | |
-If it doesn't, them I'm afraid you're out of the competition. -Yeah. | 0:41:32 | 0:41:36 | |
So, whose star will shine tonight? Will it be... | 0:41:38 | 0:41:43 | |
Alexis...Clinton... | 0:41:43 | 0:41:46 | |
..Damien... | 0:41:48 | 0:41:49 | |
..Dylan... | 0:41:50 | 0:41:52 | |
Harry... | 0:41:52 | 0:41:53 | |
Jordan... | 0:41:53 | 0:41:55 | |
Matt... | 0:41:55 | 0:41:57 | |
or Veeraj? | 0:41:57 | 0:41:58 | |
Five stars for five places. | 0:41:59 | 0:42:02 | |
In no particular order... | 0:42:11 | 0:42:13 | |
..the first boy in this band is... | 0:42:14 | 0:42:16 | |
It's Alexis, congratulations. | 0:42:22 | 0:42:24 | |
CHEERING AND APPLAUSE | 0:42:24 | 0:42:25 | |
It's Matt. | 0:42:39 | 0:42:41 | |
CHEERING AND APPLAUSE | 0:42:41 | 0:42:43 | |
Well done, Matt. | 0:42:43 | 0:42:44 | |
Clinton. Congratulations, sir. | 0:42:54 | 0:42:57 | |
CHEERING AND APPLAUSE | 0:42:57 | 0:42:59 | |
Harry. | 0:43:09 | 0:43:11 | |
CHEERING AND APPLAUSE | 0:43:11 | 0:43:12 | |
Well done, Harry. | 0:43:13 | 0:43:15 | |
Just one star remains. | 0:43:22 | 0:43:24 | |
Will it light up for Damien... | 0:43:27 | 0:43:31 | |
Dylan... | 0:43:31 | 0:43:32 | |
Jordan... | 0:43:32 | 0:43:34 | |
or Veeraj? | 0:43:34 | 0:43:35 | |
Who will it be? | 0:43:37 | 0:43:38 | |
It's Jordan. | 0:43:45 | 0:43:47 | |
CHEERING AND APPLAUSE | 0:43:47 | 0:43:49 | |
I know it's a slightly ludicrous question, | 0:44:08 | 0:44:12 | |
how are you feeling at this point? | 0:44:12 | 0:44:15 | |
-I am so happy for you boys. -Yeah. | 0:44:15 | 0:44:18 | |
So happy for you. | 0:44:18 | 0:44:20 | |
Every single one of those guys deserved to go through and | 0:44:20 | 0:44:23 | |
thank you for the last few weeks of my life because it | 0:44:23 | 0:44:25 | |
has been absolutely phenomenal. | 0:44:25 | 0:44:27 | |
And I have to say, I'm not disappointed at all - | 0:44:27 | 0:44:29 | |
to get his far in this competition, | 0:44:29 | 0:44:31 | |
and thank you for giving me the opportunity, it's been fantastic. | 0:44:31 | 0:44:34 | |
I love you all. | 0:44:34 | 0:44:35 | |
Now, Lulu, have you got any advice for these three absolute | 0:44:39 | 0:44:43 | |
love nuggets here? | 0:44:43 | 0:44:45 | |
You're so right, they are love nuggets. | 0:44:46 | 0:44:48 | |
What a great spirit you've got and you know, it's true. | 0:44:48 | 0:44:50 | |
What doesn't break you will make you. | 0:44:50 | 0:44:52 | |
In showbusiness, in the music business, | 0:44:52 | 0:44:55 | |
in the rock 'n' roll business, the acting world. | 0:44:55 | 0:44:58 | |
We all get disappointments. I've had thousands of them. | 0:44:58 | 0:45:01 | |
But don't let it stop you and don't take it personally. | 0:45:01 | 0:45:04 | |
If this isn't the job for you, then there's another one for you. | 0:45:04 | 0:45:07 | |
Just know that. So important. | 0:45:07 | 0:45:10 | |
Guys, let's hear it for the wonderful Damien, Veeraj and Dylan. | 0:45:10 | 0:45:16 | |
These are the five that got through. Well done, guys. | 0:45:26 | 0:45:28 | |
I know this should be a triumphal moment for you but it is | 0:45:31 | 0:45:34 | |
bitter-sweet saying goodbye to the others but how are you feeling? | 0:45:34 | 0:45:37 | |
Speechless. Completely speechless. | 0:45:37 | 0:45:39 | |
Performing with all eight of us after the weeks and weeks of | 0:45:39 | 0:45:42 | |
hard work, I couldn't be prouder of everyone on this stage. | 0:45:42 | 0:45:45 | |
Everyone has done so well. | 0:45:45 | 0:45:46 | |
Gary, what was it about these five that stood out? | 0:45:46 | 0:45:50 | |
Now I see them stood there this is why these guys are the five. | 0:45:50 | 0:45:54 | |
They look amazing as a band, they really do. | 0:45:54 | 0:45:57 | |
They look great. Guys, for me this is the start of the competition. | 0:45:57 | 0:46:02 | |
Build a wall round yourselves. | 0:46:02 | 0:46:04 | |
Become brothers and friends because you'll get | 0:46:04 | 0:46:06 | |
so far if you look after one another. | 0:46:06 | 0:46:09 | |
Good luck. The best of luck to you all. | 0:46:09 | 0:46:11 | |
Give it up for Alexis, Matt, Clinton, Harry and Jordan. | 0:46:14 | 0:46:18 | |
Well done, guys. | 0:46:18 | 0:46:20 | |
Such a great opportunity to be able to perform with these lads | 0:46:25 | 0:46:30 | |
live on TV. | 0:46:30 | 0:46:31 | |
It was like... | 0:46:31 | 0:46:32 | |
My star lit up, inside I lit up. | 0:46:35 | 0:46:37 | |
There was only one star left and when it went off, I'd never | 0:46:37 | 0:46:40 | |
experienced any kind of emotion like that in my life. | 0:46:40 | 0:46:43 | |
Going forward, us five are going to have the times of our lives | 0:46:43 | 0:46:46 | |
and keep giving it and keep putting that flavour into it. | 0:46:46 | 0:46:49 | |
With the boys that are in this group, | 0:46:49 | 0:46:51 | |
I really feel that we can do well in this competition. | 0:46:51 | 0:46:55 | |
ALL: Medley. | 0:46:55 | 0:46:57 | |
Still to come, Kaiser Chiefs and their boys start to riot as | 0:47:00 | 0:47:03 | |
they're forced to wear tie-dye. | 0:47:03 | 0:47:05 | |
And Melanie C and her group cause Gary to take a stand. | 0:47:09 | 0:47:12 | |
How very dare you, Melanie?! | 0:47:12 | 0:47:14 | |
But first, let's meet our next group of eight boys. | 0:47:15 | 0:47:18 | |
Your voice is... My heart kept jumping. | 0:47:20 | 0:47:23 | |
What you did tonight was absolutely outstanding. | 0:47:25 | 0:47:28 | |
You look great as well. You look the part. | 0:47:29 | 0:47:32 | |
Great potential here, so well done. | 0:47:34 | 0:47:36 | |
You've only tapped into the small part of what your talent is. | 0:47:39 | 0:47:43 | |
You are incredible but can we de-Robbie you? | 0:47:45 | 0:47:48 | |
Thank goodness there wasn't this kind of talent around in my day. | 0:47:50 | 0:47:54 | |
I see the theatre in you. | 0:47:55 | 0:47:57 | |
The groups were paired with their stars through a random draw. | 0:48:00 | 0:48:03 | |
This bunch will be performing an all-singing, | 0:48:03 | 0:48:05 | |
all-dancing medley with Busted. | 0:48:05 | 0:48:07 | |
We've got different people, personalities. | 0:48:07 | 0:48:09 | |
It will be nice that we can all use our skills as one team. | 0:48:09 | 0:48:12 | |
The group needs to blend but Robbie tribute act Dan Budd is more | 0:48:15 | 0:48:19 | |
comfortable centre stage. | 0:48:19 | 0:48:21 | |
I'm used to being just me, you know? | 0:48:21 | 0:48:24 | |
So do I try to take the front man role? Do I hide in the background? | 0:48:24 | 0:48:29 | |
It's a whole new thing for me. | 0:48:29 | 0:48:32 | |
Whereas waiter Conor is struggling with the pace of rehearsals. | 0:48:34 | 0:48:37 | |
-I don't have that much experience. -Out, across, out. | 0:48:37 | 0:48:40 | |
So it's ten times harder and ten times longer | 0:48:40 | 0:48:44 | |
to get the routine as quick as I can. | 0:48:44 | 0:48:46 | |
And Luke is having his own nightmares. Literally. | 0:48:46 | 0:48:49 | |
I've been having dreams about this dance routine we've been doing. | 0:48:49 | 0:48:53 | |
To control my nerves I've been told to imagine the judges naked. | 0:48:53 | 0:48:58 | |
I don't really want to imagine Gary or Martin naked. | 0:48:58 | 0:49:01 | |
I think I know a few people who would disagree. | 0:49:01 | 0:49:04 | |
With only five places up for grabs, all the boys face the same dilemma - | 0:49:04 | 0:49:08 | |
how to stand out individually and also gel as a group. | 0:49:08 | 0:49:11 | |
At the moment they seem really disjointed. | 0:49:11 | 0:49:14 | |
To make a proper band you have to find people who are | 0:49:14 | 0:49:16 | |
solo artists but who can blend in when they need to. | 0:49:16 | 0:49:19 | |
Whoops! | 0:49:19 | 0:49:20 | |
Before show day, each of our groups were visited by the judges. | 0:49:21 | 0:49:25 | |
Martin has popped in to see how our Busted boys are getting on. | 0:49:25 | 0:49:29 | |
Shut that door, Martin. | 0:49:29 | 0:49:31 | |
I think this group's lacking a little bit of unity. | 0:49:31 | 0:49:34 | |
Luckily, Martin's got a cunning plan to help the boys to bond and | 0:49:34 | 0:49:37 | |
it's a little unusual. | 0:49:37 | 0:49:39 | |
This is real old drama technique. It's about breaking down barriers. | 0:49:39 | 0:49:43 | |
Everyone's got to close their eyes. | 0:49:43 | 0:49:44 | |
I'm going to mix everybody up. Pair up. | 0:49:44 | 0:49:47 | |
Just start touching each other's faces. | 0:49:47 | 0:49:51 | |
Just say out loud who you think it is. | 0:49:54 | 0:49:56 | |
-Dan Budd. -It's Luke. | 0:49:56 | 0:49:58 | |
I can see you two were struggling with personal space. | 0:49:59 | 0:50:01 | |
You had a lot of embarrassment there. | 0:50:01 | 0:50:04 | |
And someone asked me to touch Tony Hadley's face, | 0:50:04 | 0:50:08 | |
it wouldn't be very nice but that's what you need. All right, guys. | 0:50:08 | 0:50:12 | |
-Good luck with it. -Thank you very much. See you later. | 0:50:12 | 0:50:15 | |
After a few quick squirts of hand sanitiser, the boys put their | 0:50:15 | 0:50:18 | |
new techniques into motion as Busted join rehearsals. | 0:50:18 | 0:50:21 | |
All of this needs to be a little bit further forward. | 0:50:21 | 0:50:23 | |
We have other dancers on stage for our medley with Busted. | 0:50:23 | 0:50:26 | |
Brings up the energy of the performance. | 0:50:26 | 0:50:29 | |
With such a frenzied routine, timing their moves is crucial. | 0:50:29 | 0:50:32 | |
There's a lot of people on that stage. So it's very busy. | 0:50:32 | 0:50:36 | |
Everyone's dancing in line. | 0:50:36 | 0:50:37 | |
Everyone has to make sure they're next to each other and it's | 0:50:37 | 0:50:40 | |
all about what's coming next. | 0:50:40 | 0:50:41 | |
Didn't see this one coming next. | 0:50:41 | 0:50:43 | |
As Conor accidentally lands a left hook right on Anthony's kisser. | 0:50:43 | 0:50:47 | |
Is he all right? | 0:50:48 | 0:50:50 | |
It's just a split lip. | 0:50:50 | 0:50:52 | |
There's a lot of arms flailing, a lot of energy on stage. | 0:50:52 | 0:50:55 | |
We're all dangerous on stage, that's what it is. | 0:50:55 | 0:50:57 | |
Nice. You got your work cut out for you, don't you? | 0:51:00 | 0:51:03 | |
It's our next eight boys with Busted. | 0:51:05 | 0:51:08 | |
MUSIC: Sleeping With The Light On by Busted | 0:51:08 | 0:51:10 | |
# Along she came with her picture | 0:51:19 | 0:51:25 | |
# Put it in a frame so I won't miss her | 0:51:25 | 0:51:29 | |
# Got on a plane from London Heathrow | 0:51:30 | 0:51:36 | |
# Seems such a shame, yeah | 0:51:36 | 0:51:41 | |
# I feel her slipping through my fingers | 0:51:41 | 0:51:46 | |
# Now she's gone I'm sleeping with the light on | 0:51:46 | 0:51:51 | |
# And sharks swim through my veins now | 0:51:53 | 0:51:57 | |
# That she's gone | 0:51:57 | 0:52:00 | |
# I'm sleeping with the light on | 0:52:00 | 0:52:03 | |
# I see the sight, with a different light | 0:52:05 | 0:52:10 | |
# Words cannot describe the way I'm feeling | 0:52:10 | 0:52:14 | |
# Cos I've been searching in my head | 0:52:14 | 0:52:17 | |
# For the words I thought she'd said for too long | 0:52:17 | 0:52:25 | |
# I feel her slipping through my fingers | 0:52:25 | 0:52:31 | |
# Now she's gone | 0:52:31 | 0:52:33 | |
# I'm sleeping with the light on | 0:52:33 | 0:52:37 | |
# And sharks swim my veins now that she's gone | 0:52:37 | 0:52:44 | |
# I'm sleeping with the light on. # | 0:52:44 | 0:52:48 | |
APPLAUSE AND CHEERING | 0:52:49 | 0:52:52 | |
# I wanna be on what you're on | 0:53:00 | 0:53:02 | |
# I wanna be on what you're on | 0:53:02 | 0:53:04 | |
# I wanna be on what you're on | 0:53:04 | 0:53:08 | |
# She's got a wild heart | 0:53:08 | 0:53:10 | |
# Born to run, born to come and just save my soul | 0:53:10 | 0:53:14 | |
# I never thought it was worth saving | 0:53:14 | 0:53:17 | |
# She stepped into something and I wish I could feel it | 0:53:17 | 0:53:21 | |
# But I don't know what it is and I can't quite believe it | 0:53:21 | 0:53:25 | |
# Are we dancing, are we dancing, are we dancing to the same song? | 0:53:25 | 0:53:30 | |
# I wanna know, wanna know, wanna know what you're on | 0:53:30 | 0:53:34 | |
# I wanna be on what you're on | 0:53:34 | 0:53:37 | |
# I wanna be gone like you're gone | 0:53:38 | 0:53:41 | |
# I wanna be on what you're on | 0:53:42 | 0:53:45 | |
# And we'll be dancing, we'll be dancing | 0:53:47 | 0:53:49 | |
# We'll be dancing to the same song | 0:53:49 | 0:53:52 | |
# Yeah, we're standin' on the same cloud | 0:53:52 | 0:53:56 | |
# And we're never comin' down | 0:53:56 | 0:54:00 | |
# Yeah, we're standin' on the same cloud | 0:54:00 | 0:54:04 | |
# No, we're never | 0:54:04 | 0:54:07 | |
# No, we're never, ever comin' down | 0:54:07 | 0:54:10 | |
# I wanna be on what you're on | 0:54:26 | 0:54:30 | |
# I wanna be gone like you're gone | 0:54:30 | 0:54:35 | |
# I wanna be on what you're on | 0:54:35 | 0:54:39 | |
# And we'll be dancing, we'll be dancing | 0:54:39 | 0:54:41 | |
# We'll be dancing to the same song. # | 0:54:41 | 0:54:43 | |
Yes! | 0:54:45 | 0:54:47 | |
APPLAUSE AND CHEERING | 0:54:47 | 0:54:52 | |
# One day when I came home at lunchtime I heard a funny noise | 0:55:02 | 0:55:06 | |
# Went out to the backyard to find out | 0:55:06 | 0:55:09 | |
# If it was one of those rowdy boys | 0:55:09 | 0:55:11 | |
# Stood there was my neighbour called Peter and a flux capacitor | 0:55:11 | 0:55:16 | |
# He told me he'd built a time machine | 0:55:16 | 0:55:19 | |
# Like one in a film I've seen | 0:55:19 | 0:55:22 | |
# He said I've been to the year 3000 | 0:55:24 | 0:55:28 | |
# Not much has changed but they live underwater | 0:55:28 | 0:55:33 | |
# And your great-great-great granddaughter is pretty fine | 0:55:33 | 0:55:39 | |
# I took a trip to the year 3000, this song had gone multi-platinum | 0:55:42 | 0:55:47 | |
# Everybody bought our seventh album | 0:55:47 | 0:55:49 | |
# It had outsold Michael Jackson | 0:55:49 | 0:55:51 | |
# I took a trip to the year 3000, this song had gone multi-platinum | 0:55:51 | 0:55:56 | |
# Everybody bought our seventh album, seventh album | 0:55:56 | 0:55:59 | |
# We drove around in a time machine like one in a film I've seen | 0:56:01 | 0:56:07 | |
# Yeah! Ooooh! | 0:56:07 | 0:56:09 | |
# He said I've been to the year 3000 | 0:56:09 | 0:56:13 | |
# Not much has changed but they live underwater | 0:56:13 | 0:56:17 | |
# And your great-great-great granddaughter is pretty fine | 0:56:17 | 0:56:24 | |
# He said I've been to the year 3000 | 0:56:27 | 0:56:31 | |
# Not much has changed but they live underwater | 0:56:31 | 0:56:36 | |
# And your great-great-great granddaughter is pretty fine. # | 0:56:36 | 0:56:42 | |
APPLAUSE AND CHEERING | 0:56:44 | 0:56:48 | |
Well done! | 0:56:52 | 0:56:54 | |
How amazing was that? Come on, guys. | 0:56:58 | 0:57:00 | |
Oh, guys. | 0:57:06 | 0:57:07 | |
Oh, hang on, there's a flaccid one, there's a flaccid one. | 0:57:07 | 0:57:11 | |
-Oh! -That's not pretty, is it? Let's... Boys, you know... | 0:57:12 | 0:57:17 | |
Right... | 0:57:17 | 0:57:19 | |
-Now, Charlie, my love... -Yes? | 0:57:19 | 0:57:21 | |
..how was it performing with these eight amazing guys? | 0:57:21 | 0:57:25 | |
Yes, I thought it was really good, | 0:57:25 | 0:57:26 | |
I know they've been working very, very hard | 0:57:26 | 0:57:28 | |
for the performance so I think they pulled it off really well. | 0:57:28 | 0:57:30 | |
Charlie, you're as posh as I am! | 0:57:30 | 0:57:33 | |
-Shall we go skiing together? -Yes, darling! | 0:57:37 | 0:57:41 | |
Let's go to Klosters next year, that'll be really good. | 0:57:41 | 0:57:44 | |
Busted, thank you so much for coming. | 0:57:44 | 0:57:46 | |
APPLAUSE AND CHEERING It's Busted, everybody! | 0:57:46 | 0:57:48 | |
Come on, up you get, judges, | 0:57:54 | 0:57:56 | |
it's time for you to go into your little cottage at the back. | 0:57:56 | 0:58:00 | |
The judges must now weigh up the eight boys' performances, | 0:58:01 | 0:58:04 | |
including their auditions, before creating the final band of five. | 0:58:04 | 0:58:08 | |
OK, guys, here we are, the Busted group. | 0:58:08 | 0:58:10 | |
What about Anthony? I really liked Anthony. | 0:58:10 | 0:58:14 | |
-You know, he wasn't the best dancer, wasn't the best singer. -No. | 0:58:14 | 0:58:17 | |
But his presence was really big on stage. | 0:58:17 | 0:58:20 | |
What about Conor? | 0:58:20 | 0:58:22 | |
I like the youth of Conor. He's got a good look. | 0:58:22 | 0:58:26 | |
-He makes me a bit nervous... -Yeah. -..in the ability. | 0:58:26 | 0:58:29 | |
-Craig. -Love this guy. -Love! -Top drawer. | 0:58:29 | 0:58:32 | |
-He can dance, he can sing. -Yep. -He's enthusiastic. | 0:58:32 | 0:58:35 | |
-He lives for it. -That face. -He's amazing, he's amazing. | 0:58:35 | 0:58:38 | |
What about Dan, Dan the Robbie man? | 0:58:38 | 0:58:40 | |
He was really encouraging to the other boys | 0:58:40 | 0:58:43 | |
which really surprised me with him | 0:58:43 | 0:58:45 | |
because I thought he was just purely about him, about himself. | 0:58:45 | 0:58:48 | |
Listen, he's got a good voice this guy, he sounds like Robbie, | 0:58:48 | 0:58:52 | |
like... It's weird. | 0:58:52 | 0:58:54 | |
-Deaglan. -Gary and Dannii loved his audition. | 0:58:54 | 0:58:57 | |
Loved it. | 0:58:57 | 0:58:58 | |
Deaglan can sing but he's Mr Personality | 0:58:58 | 0:59:01 | |
and I think that it's overriding any of the vocals | 0:59:01 | 0:59:04 | |
or the dance and anything else. | 0:59:04 | 0:59:06 | |
Let's have him in the back. | 0:59:06 | 0:59:08 | |
Josh. | 0:59:08 | 0:59:10 | |
-He was good tonight. -I did... I like a lot. | 0:59:10 | 0:59:12 | |
He was really good tonight. | 0:59:12 | 0:59:13 | |
-19 stars and... -He was great. -Yeah. | 0:59:13 | 0:59:17 | |
-He's holding his own. -He looks like a hard worker to me. -Yeah. | 0:59:17 | 0:59:19 | |
He's a banker. | 0:59:19 | 0:59:21 | |
-I think it's time to let Luke go tonight. -Yes, do you? | 0:59:21 | 0:59:23 | |
-Mm. -The face is saying it all. | 0:59:23 | 0:59:25 | |
-Cos he was your man, wasn't he? -Yeah. | 0:59:25 | 0:59:28 | |
He did a good audition, | 0:59:28 | 0:59:29 | |
-he only got 15 which just gets him through. -Yeah. | 0:59:29 | 0:59:32 | |
-Next one's easy. -Last... -Easy! -20 stars. | 0:59:32 | 0:59:35 | |
-Job done. -Yeah! -There's no questions. | 0:59:35 | 0:59:38 | |
Tonight when he sang... | 0:59:38 | 0:59:41 | |
it didn't show off to his best but he's got it. | 0:59:41 | 0:59:45 | |
Well done, boys. Well done, nailed it. | 0:59:45 | 0:59:47 | |
-Amazing. -What a rush. What a rush. | 0:59:48 | 0:59:51 | |
'The judges return but which five boys from the group | 0:59:51 | 0:59:54 | |
'will they be saving?' | 0:59:54 | 0:59:55 | |
APPLAUSE | 0:59:55 | 0:59:57 | |
OK, boys, eight of you performed alongside Busted | 0:59:57 | 1:00:00 | |
but only five of you will go on to battle it out as a band | 1:00:00 | 1:00:03 | |
for that extraordinary prize. | 1:00:03 | 1:00:06 | |
Whose star will shine tonight? | 1:00:06 | 1:00:09 | |
Will it be Anthony... | 1:00:09 | 1:00:12 | |
APPLAUSE | 1:00:12 | 1:00:14 | |
..Conor... | 1:00:14 | 1:00:16 | |
Craig... | 1:00:16 | 1:00:18 | |
Dan... | 1:00:18 | 1:00:21 | |
Deaglan... | 1:00:21 | 1:00:22 | |
Josh... | 1:00:22 | 1:00:24 | |
Luke... | 1:00:24 | 1:00:26 | |
or Matt? | 1:00:26 | 1:00:27 | |
APPLAUSE AND CHEERING | 1:00:27 | 1:00:29 | |
OK, here they come. | 1:00:30 | 1:00:32 | |
Five stars for five places. | 1:00:32 | 1:00:34 | |
In no particular order, | 1:00:39 | 1:00:42 | |
the first boy in this band is... | 1:00:42 | 1:00:44 | |
It's Craig! | 1:00:51 | 1:00:52 | |
Congratulations, Craig! | 1:00:55 | 1:00:57 | |
It's Matt! | 1:01:09 | 1:01:11 | |
Anthony! | 1:01:26 | 1:01:29 | |
You've done it, congratulations. | 1:01:29 | 1:01:32 | |
It's Josh! | 1:01:47 | 1:01:48 | |
Only one more star will light up. | 1:02:03 | 1:02:07 | |
Conor, Dan, Deaglan or Luke. | 1:02:07 | 1:02:13 | |
Whose will it be? | 1:02:13 | 1:02:15 | |
It's Conor! | 1:02:23 | 1:02:25 | |
Well done. | 1:02:41 | 1:02:42 | |
Come and stand by me, my love. | 1:02:42 | 1:02:44 | |
Come on, lads, you come round here. | 1:02:44 | 1:02:46 | |
Now, listen, it's a bit of a quiet corner, this, | 1:02:46 | 1:02:50 | |
I can sense exactly how you're feeling. | 1:02:50 | 1:02:53 | |
You did a brilliant performance. | 1:02:53 | 1:02:55 | |
APPLAUSE AND CHEERING | 1:02:55 | 1:02:57 | |
You really did. | 1:02:57 | 1:02:58 | |
Dannii, have you got any advice for our lovely threesome here? | 1:03:02 | 1:03:07 | |
I understand you come to the show, you want to be in the group | 1:03:07 | 1:03:10 | |
but I think for these guys what you have stands out alone. | 1:03:10 | 1:03:15 | |
-I really, truly believe that. -APPLAUSE | 1:03:15 | 1:03:18 | |
Dan, any final words? | 1:03:18 | 1:03:20 | |
Erm, to come this far in a competition with 40 lads | 1:03:20 | 1:03:25 | |
with such, like, high calibre has been amazing, | 1:03:25 | 1:03:27 | |
so thank you for bringing me this far and, yeah, well done, boys. | 1:03:27 | 1:03:32 | |
Dan, Luke and Deaglan. Well done, guys. | 1:03:32 | 1:03:36 | |
It was really lovely hanging out with you. | 1:03:36 | 1:03:40 | |
APPLAUSE AND CHEERING | 1:03:40 | 1:03:42 | |
Congratulations, guys. | 1:03:42 | 1:03:44 | |
I know this is very fresh, it's just happened, here you are, | 1:03:44 | 1:03:47 | |
you've made it into the band. How are you feeling right now? | 1:03:47 | 1:03:51 | |
-Gobsmacked. -Yeah. | 1:03:51 | 1:03:53 | |
Just the fact that I have to say goodbye to the guys | 1:03:53 | 1:03:55 | |
and now that we're here now, it's just a whole new chapter, | 1:03:55 | 1:03:58 | |
a whole new story, so it's just... | 1:03:58 | 1:04:00 | |
-We're ready, we're definitely ready for it. -Yeah. | 1:04:00 | 1:04:02 | |
-JOSH: -Thank you to the judges as well. -Thank you very much. | 1:04:02 | 1:04:04 | |
-Thank you for the opportunity. -Appreciate it. | 1:04:04 | 1:04:06 | |
Good, very wise. Good, Josh. Yes, thank the judges. | 1:04:06 | 1:04:10 | |
Guys, you can't see what we can see | 1:04:10 | 1:04:11 | |
but this looks like an extremely strong band to me. | 1:04:11 | 1:04:14 | |
-It does, doesn't it? It looks like a band. -It does! | 1:04:14 | 1:04:17 | |
Oh, my gosh! | 1:04:18 | 1:04:20 | |
How incredible was that, boys? | 1:04:20 | 1:04:22 | |
I really thought I was goner, | 1:04:25 | 1:04:27 | |
the first star comes flying towards me, I was like, "What?!" | 1:04:27 | 1:04:31 | |
Doing it in rehearsal, it was OK but when you're performing | 1:04:31 | 1:04:34 | |
in front of people that are smiling and they're feeding back | 1:04:34 | 1:04:36 | |
from your energy, that's just a whole other thing. | 1:04:36 | 1:04:39 | |
I lost belief in myself and it was the slowest process | 1:04:39 | 1:04:42 | |
to get that star. It was like... | 1:04:42 | 1:04:45 | |
slow motion. | 1:04:45 | 1:04:46 | |
So excited for live shows, it's going to be insane, can't wait. | 1:04:46 | 1:04:48 | |
Beaming. | 1:04:48 | 1:04:49 | |
We need to start rehearsing cos we've got the live shows | 1:04:49 | 1:04:52 | |
to start thinking about so, yeah, let's go. | 1:04:52 | 1:04:54 | |
THEY CHEER | 1:04:54 | 1:04:55 | |
Come on, baby! Come on, baby! | 1:04:55 | 1:04:57 | |
Tonight's all about performing together as a cast, | 1:04:57 | 1:05:00 | |
which for our winning five boys, they'll be doing day in, day out | 1:05:00 | 1:05:03 | |
in a touring musical. So what can they expect? | 1:05:03 | 1:05:07 | |
My involvement in musical theatre started in The Bodyguard. | 1:05:07 | 1:05:11 | |
The Bodyguard rolled into Memphis, | 1:05:11 | 1:05:13 | |
Memphis rolled into Cats, | 1:05:13 | 1:05:15 | |
it's just been a brilliant time for me. | 1:05:15 | 1:05:19 | |
# Show me what you've got... # | 1:05:19 | 1:05:21 | |
When I'd toured the world with the Spice Girls, | 1:05:21 | 1:05:24 | |
I thought I'd worked harder than anyone could ever work | 1:05:24 | 1:05:27 | |
and then I worked in musical theatre. | 1:05:27 | 1:05:30 | |
They have to sing every day, | 1:05:30 | 1:05:31 | |
sometimes it's two or three shows a day. I just couldn't do it! | 1:05:31 | 1:05:35 | |
When I was in theatre, I had to actually go and relearn how to sing | 1:05:35 | 1:05:38 | |
because it's a completely different style of singing. | 1:05:38 | 1:05:40 | |
You have to go out there and deliver every night. | 1:05:40 | 1:05:44 | |
It's full on. | 1:05:44 | 1:05:46 | |
You're very much part of an ensemble. | 1:05:46 | 1:05:50 | |
There's lots of people relying on you | 1:05:50 | 1:05:52 | |
so that can be quite daunting in itself. | 1:05:52 | 1:05:54 | |
You become very much a team player and I like that, | 1:05:54 | 1:05:57 | |
I like the camaraderie that that brings. | 1:05:57 | 1:05:59 | |
-MEL: -Camaraderie you say? Hmm. | 1:05:59 | 1:06:01 | |
Let's see if our next group can bring a little team spirit. | 1:06:01 | 1:06:05 | |
# Go, go Go, Johnny, go... # | 1:06:05 | 1:06:07 | |
It was a really great audition. | 1:06:07 | 1:06:08 | |
# Da-da-da-da... # | 1:06:08 | 1:06:10 | |
Voice is incredible. | 1:06:10 | 1:06:12 | |
That was an amazing audition, you got the whole crowd going. | 1:06:13 | 1:06:17 | |
How are you still selling ice cream?! | 1:06:18 | 1:06:21 | |
# I need you... # | 1:06:21 | 1:06:22 | |
You have a great stage presence. | 1:06:22 | 1:06:25 | |
# I have kissed... # | 1:06:25 | 1:06:26 | |
I loved that performance, it showed me the potential. | 1:06:26 | 1:06:29 | |
# It's like you're my mirror... # | 1:06:29 | 1:06:31 | |
-You look great by the way. -Yeah, so do you. | 1:06:31 | 1:06:33 | |
I'm utterly confused why you waited so long to sing. | 1:06:35 | 1:06:39 | |
First up to find out who's in their group | 1:06:41 | 1:06:42 | |
are student Callum and dancer Jazzie | 1:06:42 | 1:06:45 | |
who find themselves at a random bus stop. | 1:06:45 | 1:06:47 | |
What are the chances? | 1:06:47 | 1:06:49 | |
And here comes our Let It Shine bus of dreams. | 1:06:49 | 1:06:53 | |
Look at this, it's massive! | 1:06:53 | 1:06:54 | |
-The first ones. -Yes! | 1:06:54 | 1:06:56 | |
Beep! | 1:06:56 | 1:06:57 | |
It's going to be absolutely stinking. | 1:06:58 | 1:07:02 | |
And they're not the only passengers to be picked up. | 1:07:02 | 1:07:04 | |
Oi, oi! | 1:07:04 | 1:07:05 | |
Waaay! | 1:07:07 | 1:07:09 | |
Hiya! | 1:07:11 | 1:07:14 | |
It's Harry! | 1:07:14 | 1:07:15 | |
Take your top off! | 1:07:15 | 1:07:16 | |
Harry! | 1:07:16 | 1:07:17 | |
Right, then! Let's go. | 1:07:18 | 1:07:21 | |
It's time for a sing-along to the artist | 1:07:21 | 1:07:23 | |
they'll be performing with, Kaiser Chiefs. | 1:07:23 | 1:07:25 | |
# I predict a riot | 1:07:25 | 1:07:26 | |
# I predict a riot! # | 1:07:26 | 1:07:29 | |
And that's the only words we know! | 1:07:29 | 1:07:31 | |
# Da-da-da! # | 1:07:31 | 1:07:33 | |
It's really easy. | 1:07:33 | 1:07:34 | |
I can't wait till we start choreo, choreo's going to be really good. | 1:07:34 | 1:07:38 | |
Although the boys are battling it out for only five places, | 1:07:38 | 1:07:40 | |
some of them are getting a little chummy. | 1:07:40 | 1:07:43 | |
Oh, I'm getting on with Callum. | 1:07:43 | 1:07:44 | |
I don't even say his name without laughing! | 1:07:48 | 1:07:51 | |
And chef Ryan is fully onboard with their star act. | 1:07:51 | 1:07:54 | |
I'm buzzing that Kaiser Chiefs has come up, | 1:07:54 | 1:07:56 | |
cos it's matching me a lot in the singer-songwriter sort of | 1:07:56 | 1:07:59 | |
more rock 'n' roll. | 1:07:59 | 1:08:00 | |
It's all going swimmingly... | 1:08:00 | 1:08:02 | |
Best friends! | 1:08:02 | 1:08:03 | |
..until weekend two, with the news that the group's muscleman Harry | 1:08:03 | 1:08:07 | |
has decided the competition isn't for him. | 1:08:07 | 1:08:10 | |
-It's a shame. -It's a shame he's gone. | 1:08:10 | 1:08:12 | |
He was like our Captain America. | 1:08:12 | 1:08:13 | |
# Bye-bye-bye Bye-bye. # | 1:08:13 | 1:08:15 | |
But fear not, cue Jordan. | 1:08:15 | 1:08:17 | |
# But if you close your eyes... # | 1:08:18 | 1:08:21 | |
He was chosen from the pool of the reserves | 1:08:21 | 1:08:23 | |
as the best fit for this group. | 1:08:23 | 1:08:25 | |
To get the call yesterday, I was, like, in work. | 1:08:25 | 1:08:27 | |
I couldn't, like, scream or anything, I was like... | 1:08:27 | 1:08:29 | |
-WHISPERS: -"Thank you! Thank you!" | 1:08:29 | 1:08:31 | |
-Aww, mate, I'm glad you are here. -Aww, cheers, mate. | 1:08:31 | 1:08:33 | |
Unfortunately, the bad news doesn't stop there, | 1:08:33 | 1:08:36 | |
as Jazzie receives a text from Callum. | 1:08:36 | 1:08:38 | |
Ooh, guys, guys, guys, guys. | 1:08:38 | 1:08:40 | |
-Hey, he was the entertainer! -That's good for him, though. | 1:08:43 | 1:08:45 | |
Fair shout to him. | 1:08:45 | 1:08:47 | |
That little bottle of joy's gone. | 1:08:47 | 1:08:49 | |
Poor Jazzie. | 1:08:49 | 1:08:50 | |
We're like the Sugababes, we get a new member every week. | 1:08:50 | 1:08:52 | |
And here he is, it's Keith. | 1:08:52 | 1:08:54 | |
# Oh, treasure | 1:08:54 | 1:08:56 | |
# That is what you are... # | 1:08:56 | 1:09:00 | |
-Big round of applause for Keith! -Yeah, come on! -Yes! | 1:09:00 | 1:09:03 | |
It feels great to be joining the show. | 1:09:03 | 1:09:05 | |
So their final line-up's complete but there's plenty of work to do. | 1:09:05 | 1:09:09 | |
Moving to the large rehearsal space in Manchester rattles the boys. | 1:09:11 | 1:09:14 | |
So confused what's happening. | 1:09:14 | 1:09:15 | |
You will be confused for probably the next 20 minutes. | 1:09:15 | 1:09:18 | |
Ahhh! | 1:09:18 | 1:09:20 | |
We're used to rehearsing in such a small room, | 1:09:20 | 1:09:22 | |
to come into this massive place is a bit stressful. | 1:09:22 | 1:09:25 | |
Those positions have to be 100 times sharper! | 1:09:25 | 1:09:28 | |
It's very punchy rock. | 1:09:30 | 1:09:31 | |
You've just got to give it your all, just smash it, | 1:09:31 | 1:09:33 | |
-there's no turning back on that. -Go back again, do that again. | 1:09:33 | 1:09:36 | |
It looks massive. | 1:09:36 | 1:09:37 | |
-Jonnie, you all right? -Yeah! -You don't have to panic. | 1:09:37 | 1:09:40 | |
We've not had four weeks of rehearsals that have gone well, | 1:09:42 | 1:09:46 | |
we've had a couple of dropouts, we're running on our toes right now. | 1:09:46 | 1:09:49 | |
On the plus side, you're looking fresh, boys. | 1:09:49 | 1:09:52 | |
I think we need to cue the training montage. | 1:09:52 | 1:09:56 | |
We love our performance, we love our songs | 1:09:56 | 1:09:58 | |
and we want to perform it to the best of our ability. | 1:09:58 | 1:10:00 | |
-Great. Do it again. Stamp. -Boom! | 1:10:00 | 1:10:02 | |
And Kaiser Chief's front man Ricky Wilson arrives | 1:10:02 | 1:10:05 | |
to give a last bit of motivation. | 1:10:05 | 1:10:07 | |
I'll see you in the morning for a morning jog, 5am on the canal. | 1:10:08 | 1:10:13 | |
I'm not going to be up in the morning for a jog! | 1:10:13 | 1:10:15 | |
I'm not doing that. | 1:10:15 | 1:10:16 | |
It's our next eight boys with Kaiser Chiefs. | 1:10:17 | 1:10:20 | |
# Da-da-da Da-da-da | 1:10:30 | 1:10:32 | |
# Let it never be said that romance is dead | 1:10:39 | 1:10:44 | |
# Cos there's so little else occupying my head | 1:10:44 | 1:10:50 | |
# There is nothing I need except the function to breathe | 1:10:50 | 1:10:55 | |
# But I'm not really fussed, doesn't matter to me | 1:10:55 | 1:11:01 | |
# Ruby, Ruby, Ruby | 1:11:02 | 1:11:04 | |
# Ah-ah-ah-ah-ah | 1:11:04 | 1:11:07 | |
# Do you, do you, do you | 1:11:07 | 1:11:09 | |
# Ah-ah-ah-ah-ah | 1:11:09 | 1:11:12 | |
# Know what you're doing, doing to me? | 1:11:12 | 1:11:15 | |
# Ah-ah-ah-ah-ah | 1:11:15 | 1:11:17 | |
# Ruby, Ruby, Ruby | 1:11:17 | 1:11:19 | |
# Ah-ah-ah-ah-ah | 1:11:19 | 1:11:22 | |
# Due to lack of interest tomorrow is cancelled | 1:11:23 | 1:11:28 | |
# Let the clocks be reset and the pendulum held | 1:11:28 | 1:11:33 | |
# Cos there's nothing at all except the space in between | 1:11:33 | 1:11:39 | |
# Finding out what you're called and repeating your name | 1:11:39 | 1:11:44 | |
# Ruby, Ruby, Ruby | 1:11:46 | 1:11:48 | |
# Ah-ah-ah-ah-ah | 1:11:48 | 1:11:51 | |
# Do you, do you, do you | 1:11:51 | 1:11:53 | |
# Ah-ah-ah-ah-ah | 1:11:53 | 1:11:56 | |
# Know what you're doing, doing to me? | 1:11:56 | 1:11:58 | |
# Ah-ah-ah-ah-ah | 1:11:58 | 1:12:01 | |
# Ruby, Ruby, Ruby | 1:12:01 | 1:12:03 | |
# Ah-ah-ah-ah-ah. # | 1:12:03 | 1:12:08 | |
# Strike up the band | 1:12:08 | 1:12:12 | |
# Give yourself a great big hand | 1:12:12 | 1:12:15 | |
# And all together now | 1:12:15 | 1:12:19 | |
# All together now, strike up the band | 1:12:19 | 1:12:23 | |
# Bring down the house | 1:12:23 | 1:12:27 | |
# Once more with feeling now | 1:12:27 | 1:12:30 | |
# I'll try to make it count | 1:12:30 | 1:12:33 | |
# It's all for you so take a bow | 1:12:35 | 1:12:38 | |
# And everybody gave up | 1:12:40 | 1:12:44 | |
# Until we start from the top again | 1:12:44 | 1:12:47 | |
# Take it all from the top | 1:12:48 | 1:12:50 | |
# The top, the top, the top | 1:12:50 | 1:12:53 | |
# There's a hole in my soul | 1:12:53 | 1:12:57 | |
# That can only be filled by you again | 1:12:57 | 1:13:00 | |
# There's a hole in my soul | 1:13:00 | 1:13:04 | |
# That can only be fixed by two | 1:13:04 | 1:13:07 | |
# It can never be filled, never be filled | 1:13:08 | 1:13:12 | |
# Never be filled by anyone else but you | 1:13:12 | 1:13:15 | |
# It can never be filled, never be filled | 1:13:15 | 1:13:19 | |
# Never be filled by anyone else but you | 1:13:19 | 1:13:23 | |
# Whip up the crowd, get them going nice and loud | 1:13:31 | 1:13:38 | |
# But you're the only one I see | 1:13:38 | 1:13:41 | |
# You're the only one, it's you and me | 1:13:43 | 1:13:46 | |
# And everybody gave up | 1:13:49 | 1:13:52 | |
# Until we start from the top again | 1:13:52 | 1:13:55 | |
# Take it all from the top | 1:13:56 | 1:13:58 | |
# The top, the top, the top | 1:13:58 | 1:14:01 | |
# There's a hole in my soul | 1:14:01 | 1:14:05 | |
# That can only be filled by you again | 1:14:05 | 1:14:08 | |
# There's a hole in my soul | 1:14:08 | 1:14:12 | |
# That can only be fixed by two | 1:14:12 | 1:14:16 | |
# And there's a hole in my soul | 1:14:16 | 1:14:20 | |
# That can be only be filled by you again | 1:14:20 | 1:14:24 | |
# There's a hole in my soul | 1:14:24 | 1:14:27 | |
# That a galaxy could fit through. # | 1:14:27 | 1:14:30 | |
# Ooh, watching the people get lairy | 1:14:44 | 1:14:48 | |
# It's not very pretty I tell thee | 1:14:48 | 1:14:51 | |
# Walking through town is quite scary | 1:14:51 | 1:14:54 | |
# It's not very sensible either | 1:14:54 | 1:14:57 | |
# A friend of a friend, he got beaten | 1:14:57 | 1:15:00 | |
# He looked the wrong way at a policeman | 1:15:00 | 1:15:03 | |
# Would never have happened to Smeaton | 1:15:03 | 1:15:06 | |
# An old Leodensian | 1:15:06 | 1:15:08 | |
# Ahh-ah-ah | 1:15:08 | 1:15:11 | |
# La-la-la-la-la | 1:15:11 | 1:15:13 | |
# Ahh-ah-ah | 1:15:13 | 1:15:17 | |
# La-la-la-laaa | 1:15:17 | 1:15:22 | |
# I predict a riot | 1:15:22 | 1:15:23 | |
# I predict a riot | 1:15:23 | 1:15:25 | |
# I predict a riot | 1:15:27 | 1:15:29 | |
# I predict a riot | 1:15:30 | 1:15:32 | |
# And if there's anybody left in here | 1:15:33 | 1:15:36 | |
# That doesn't want to be out there | 1:15:36 | 1:15:39 | |
# I predict a riot | 1:15:39 | 1:15:40 | |
# I predict a riot | 1:15:42 | 1:15:43 | |
# I predict a riot | 1:15:45 | 1:15:46 | |
# I predict a riot! # | 1:15:48 | 1:15:49 | |
APPLAUSE AND CHEERING | 1:15:49 | 1:15:53 | |
Amazing! | 1:16:09 | 1:16:12 | |
-Oh, Ricky. -How are you doing? | 1:16:12 | 1:16:13 | |
Guys, the energy, it was just brilliant. | 1:16:13 | 1:16:17 | |
Ricky, what was it like having these amazing eight guys | 1:16:17 | 1:16:20 | |
who haven't performed together in public before with you on stage? | 1:16:20 | 1:16:24 | |
It was great, I was concentrating really hard | 1:16:24 | 1:16:26 | |
on being where I had to be at the right time. | 1:16:26 | 1:16:28 | |
-Usually I do what I want but... -Yeah. | 1:16:28 | 1:16:30 | |
..but I didn't want to get knocked because they're pretty ferocious. | 1:16:30 | 1:16:33 | |
When he came at me with his... | 1:16:33 | 1:16:35 | |
Jamie, how easy was it to kind of become a group? | 1:16:37 | 1:16:40 | |
We clicked straightaway, like, | 1:16:40 | 1:16:42 | |
as soon as we came together as a group, | 1:16:42 | 1:16:43 | |
we just had that natural connection, like. | 1:16:43 | 1:16:45 | |
I don't think I've ever met a group of lads | 1:16:45 | 1:16:47 | |
that I've just clicked with so quickly. It's just been great. | 1:16:47 | 1:16:50 | |
And working with them has just, like, cemented that even more. | 1:16:50 | 1:16:52 | |
One of them must be annoying. | 1:16:52 | 1:16:54 | |
-Probably me. -Yeah, it might be you. | 1:16:54 | 1:16:57 | |
-Listen, Ricky... -Yes. -..all the Chiefs, thank you so, so much... | 1:16:57 | 1:17:00 | |
-OK! -..for coming, for being with the lads, for helping them through this. | 1:17:00 | 1:17:03 | |
-Well done, boys. -Yeah. -Really appreciate... | 1:17:03 | 1:17:05 | |
Ladies and gentlemen, Ricky Wilson and Kaiser Chiefs! | 1:17:05 | 1:17:08 | |
Thank you. | 1:17:08 | 1:17:10 | |
-CHEERING AND APPLAUSE -Guys... | 1:17:13 | 1:17:14 | |
it's up to the judges to decide which five boys will stay in | 1:17:14 | 1:17:18 | |
the competition and perform live as a band next week, | 1:17:18 | 1:17:22 | |
and which three of you will go home tonight. | 1:17:22 | 1:17:25 | |
CHEERING AND APPLAUSE | 1:17:25 | 1:17:27 | |
Off you go, loves. Play nicely! | 1:17:27 | 1:17:30 | |
Out there was a lion's pit, wasn't it? | 1:17:30 | 1:17:32 | |
That was every man for himself. | 1:17:32 | 1:17:34 | |
-You know, strongest survivor type. -Yeah. | 1:17:34 | 1:17:36 | |
All right. Jamie - what did you think? | 1:17:36 | 1:17:39 | |
I really like Jamie. | 1:17:39 | 1:17:41 | |
He's a really nice guy but it's like, come on, feel it, get into it. | 1:17:41 | 1:17:46 | |
-Jazzie? -Yes. | 1:17:47 | 1:17:48 | |
-Jazzie'll give us a show. -Yeah. | 1:17:48 | 1:17:50 | |
Give us that little bit of extra. | 1:17:50 | 1:17:53 | |
-Next up, Jonnie! Ice cream man. -Yes, yes. | 1:17:53 | 1:17:57 | |
Oh, selling ice cream in the theatre and now up on stage | 1:17:57 | 1:18:00 | |
with the Kaiser Chiefs. | 1:18:00 | 1:18:01 | |
# La, la, la, la... # | 1:18:01 | 1:18:03 | |
I don't think we've seen the best of him. | 1:18:03 | 1:18:05 | |
-He's got more to give. -More to come. -Yeah. | 1:18:05 | 1:18:07 | |
Jordan? What did you think of Jordan tonight? | 1:18:07 | 1:18:10 | |
-I want the ones who want to win. -Absolutely. | 1:18:10 | 1:18:13 | |
I want to see boys in ten years' time | 1:18:13 | 1:18:15 | |
that we've found on this show... | 1:18:15 | 1:18:16 | |
-That are stars? -..that are still going. -Yeah. | 1:18:16 | 1:18:19 | |
So Keith just got 15 stars when we first saw him. | 1:18:19 | 1:18:22 | |
-So he's, you know, he's got a long way to go, he's a young guy. -Yeah. | 1:18:22 | 1:18:26 | |
-This kid has got the hunger. -Oh, my goodness! | 1:18:27 | 1:18:30 | |
-The hunger! -Whoo! | 1:18:30 | 1:18:33 | |
Amazing. Bags of talent. | 1:18:33 | 1:18:35 | |
Everything he does, so strong. | 1:18:35 | 1:18:38 | |
I mean, it was just like... | 1:18:38 | 1:18:39 | |
-"Oh, God." -Pocket rocket. | 1:18:39 | 1:18:41 | |
Ryan! | 1:18:42 | 1:18:44 | |
-Didn't steal the show. -No. -He was there - solid and strong. | 1:18:44 | 1:18:47 | |
Yeah, I'm a little bit on the fence with Ryan. | 1:18:47 | 1:18:50 | |
I think he's got a lot more to prove. | 1:18:50 | 1:18:53 | |
-Last one in this group - Sam. -I like Sam. | 1:18:53 | 1:18:56 | |
How could you not like those...? | 1:18:56 | 1:18:57 | |
I like him and I think he's got a strong voice. | 1:18:57 | 1:19:00 | |
It's going to be a toss-up between Ryan and Sam. | 1:19:00 | 1:19:03 | |
# I predict a riot. # | 1:19:03 | 1:19:06 | |
One, two, three, go. | 1:19:06 | 1:19:07 | |
After another intense deliberation session, | 1:19:09 | 1:19:11 | |
the judges have chosen five boys to stay and three to leave. | 1:19:11 | 1:19:14 | |
Hope you were OK in your little room with no chairs. | 1:19:17 | 1:19:21 | |
Danni, was it unanimous, was there fisticuffs - what was going on? | 1:19:21 | 1:19:25 | |
There's always a couple that fly in, yes, yes, yes. | 1:19:25 | 1:19:29 | |
-And then it got difficult after that. -OK. | 1:19:29 | 1:19:33 | |
Whose star will shine? | 1:19:33 | 1:19:35 | |
Will it be...Jamie? | 1:19:35 | 1:19:37 | |
Jazzie? | 1:19:38 | 1:19:41 | |
Jonnie? | 1:19:41 | 1:19:43 | |
Jordan? | 1:19:43 | 1:19:44 | |
Keith? | 1:19:44 | 1:19:46 | |
Mark? | 1:19:46 | 1:19:47 | |
Ryan? | 1:19:47 | 1:19:49 | |
Or Sam? | 1:19:49 | 1:19:51 | |
Five stars for five places - here they come. | 1:19:51 | 1:19:57 | |
-AUDIENCE: -Oooh! | 1:19:57 | 1:20:00 | |
In no particular order, | 1:20:03 | 1:20:06 | |
the first boy in this band is... | 1:20:06 | 1:20:09 | |
It's Mark! | 1:20:17 | 1:20:20 | |
-Congratulations, Mark. -Well done, Mark. | 1:20:20 | 1:20:23 | |
CHEERING AND APPLAUSE | 1:20:23 | 1:20:26 | |
Are you all right there, Mark? OK. | 1:20:32 | 1:20:35 | |
It's Jamie! | 1:20:40 | 1:20:43 | |
CHEERING AND APPLAUSE | 1:20:43 | 1:20:44 | |
Well done, Jamie. | 1:20:44 | 1:20:46 | |
It's Jazzie. | 1:20:57 | 1:20:59 | |
You've done it, Jazzie. | 1:20:59 | 1:21:02 | |
-Congratulations to you, sir. -Well done. | 1:21:02 | 1:21:05 | |
CHEERING AND APPLAUSE | 1:21:05 | 1:21:08 | |
It's Jonnie! | 1:21:13 | 1:21:14 | |
Well done, Jonnie. | 1:21:15 | 1:21:18 | |
CHEERING AND APPLAUSE | 1:21:18 | 1:21:19 | |
Four through. One place left. | 1:21:25 | 1:21:29 | |
Jordan... | 1:21:29 | 1:21:31 | |
Keith... | 1:21:31 | 1:21:33 | |
Ryan... | 1:21:33 | 1:21:34 | |
or Sam - who will it be? | 1:21:34 | 1:21:37 | |
It's Ryan! | 1:21:46 | 1:21:49 | |
CHEERING AND APPLAUSE | 1:21:49 | 1:21:50 | |
Can I just say how magnificent that performance was! | 1:22:07 | 1:22:10 | |
That was really, really brilliant. | 1:22:10 | 1:22:14 | |
APPLAUSE | 1:22:14 | 1:22:16 | |
Sam, how much have you enjoyed the experience? | 1:22:16 | 1:22:18 | |
Do you know what, I am gutted. I am absolutely gutted. But... It's OK. | 1:22:18 | 1:22:22 | |
Do you know what, at the end of the day, | 1:22:22 | 1:22:23 | |
I don't think many 23-year-old boys can say | 1:22:23 | 1:22:25 | |
-they've performed with the Kaiser Chiefs. So... -Yes. | 1:22:25 | 1:22:27 | |
-CHEERING AND APPLAUSE -Thank you for the opportunity. | 1:22:27 | 1:22:31 | |
I'm a mess, I'm a mess. | 1:22:32 | 1:22:34 | |
No, no, it's fine. It's completely understandable. | 1:22:34 | 1:22:36 | |
Dannii, any advice for the lads? | 1:22:36 | 1:22:39 | |
It's so good, Sam, that you said you're gutted. | 1:22:39 | 1:22:42 | |
And you know what? When it feels that way, | 1:22:42 | 1:22:45 | |
that makes me know that you are going to go on | 1:22:45 | 1:22:47 | |
and you are going to succeed because you're going to say, | 1:22:47 | 1:22:50 | |
"Right, this isn't enough for me. I want more." | 1:22:50 | 1:22:54 | |
So go for it, go for it, go for it. | 1:22:54 | 1:22:56 | |
APPLAUSE | 1:22:56 | 1:22:59 | |
Ladies and gentlemen, Jordan, Keith and Sam. | 1:22:59 | 1:23:04 | |
APPLAUSE AND CHEERING | 1:23:04 | 1:23:06 | |
So, you guys, you did it, you're through. | 1:23:10 | 1:23:12 | |
You're one of the bands in the live show. | 1:23:12 | 1:23:14 | |
Obviously, that experience, the tensions ride really high. | 1:23:14 | 1:23:17 | |
But, Mark, it seemed to hit you so hard. Why was that? | 1:23:17 | 1:23:21 | |
I think it just means that much to me. | 1:23:21 | 1:23:23 | |
And I embarrassed myself on TV like that! | 1:23:23 | 1:23:25 | |
Take it easy, it's a good thing, it's a good thing. You care. | 1:23:25 | 1:23:28 | |
So, Martin, obviously hard to pick for any of the bands, | 1:23:28 | 1:23:31 | |
but what did you see in these five guys? | 1:23:31 | 1:23:33 | |
You guys just stood out. | 1:23:33 | 1:23:35 | |
I mean, you were all fighting for your lives and I saw that and | 1:23:35 | 1:23:37 | |
that's what we all enjoyed. | 1:23:37 | 1:23:39 | |
So, listen, best of luck to all of you | 1:23:39 | 1:23:41 | |
going onwards in the competition. | 1:23:41 | 1:23:44 | |
APPLAUSE | 1:23:44 | 1:23:45 | |
So, let's hear it for Mark, Jamie, Jazzie, Jonnie and Ryan! | 1:23:45 | 1:23:50 | |
CHEERING AND APPLAUSE | 1:23:50 | 1:23:52 | |
-Well done, guys. -Well done. | 1:23:52 | 1:23:53 | |
Oh, my gosh! | 1:23:59 | 1:24:00 | |
Whoo! | 1:24:01 | 1:24:03 | |
It is everything I've ever wanted to do. | 1:24:03 | 1:24:05 | |
And I've been given an opportunity to do it. | 1:24:05 | 1:24:07 | |
When I did that flip towards Ricky, | 1:24:07 | 1:24:08 | |
I was thinking, "I hope don't kick him, | 1:24:08 | 1:24:11 | |
"because if I do, that's me out." | 1:24:11 | 1:24:13 | |
Disappointed for the boys who didn't get through, | 1:24:13 | 1:24:15 | |
gutted for them cos it was like a little brotherhood, a family. | 1:24:15 | 1:24:17 | |
They're all so talented, | 1:24:17 | 1:24:18 | |
they're going to do so well, I know they are. | 1:24:18 | 1:24:20 | |
We just thought, "You know what? | 1:24:20 | 1:24:22 | |
"his is the last time we're going to perform as an eight. | 1:24:22 | 1:24:24 | |
"Let's make it one to remember." | 1:24:24 | 1:24:25 | |
THEY CHEER | 1:24:26 | 1:24:28 | |
Next week, our groups become proper boy bands, | 1:24:32 | 1:24:34 | |
getting a makeover and their own band name. | 1:24:34 | 1:24:37 | |
It's a big move, being a solo artist and then being put into a band. | 1:24:37 | 1:24:41 | |
When we started, | 1:24:41 | 1:24:42 | |
we were five young lads who didn't really know each other. | 1:24:42 | 1:24:45 | |
I was a vehicle painter. I didn't know what to expect. | 1:24:45 | 1:24:48 | |
I think they've got to be able to get on | 1:24:48 | 1:24:49 | |
with all the different personalities. | 1:24:49 | 1:24:51 | |
Not just creatively, but socially, as well. | 1:24:51 | 1:24:55 | |
It's no longer just about you. | 1:24:55 | 1:24:56 | |
FINGERS CLICK | 1:24:56 | 1:25:00 | |
That's the challenge the bands face next Saturday as they | 1:25:00 | 1:25:02 | |
perform live for your votes. | 1:25:02 | 1:25:04 | |
To register and to find out all the details of how to vote, | 1:25:06 | 1:25:08 | |
go to... | 1:25:08 | 1:25:09 | |
And for the lowdown on all things social media, | 1:25:13 | 1:25:15 | |
the details are on the screen... | 1:25:15 | 1:25:17 | |
So, here we go, then, it's time to meet our final group of the night. | 1:25:18 | 1:25:21 | |
# I'm going to run to you... # | 1:25:24 | 1:25:26 | |
So much passion. | 1:25:26 | 1:25:28 | |
# I'll be needing stitches... # | 1:25:28 | 1:25:30 | |
You're either getting over a cold or you've got a cold. | 1:25:30 | 1:25:33 | |
I've got tonsillitis. | 1:25:33 | 1:25:34 | |
# I'm not giving up on you... # | 1:25:34 | 1:25:36 | |
That was spine-tingling. | 1:25:36 | 1:25:38 | |
# Oh, daddy-oh... # | 1:25:38 | 1:25:39 | |
A very good integration, by the way, of song and dance. | 1:25:40 | 1:25:45 | |
# Can tell... # | 1:25:45 | 1:25:46 | |
You're natural vibrato made my heart literally flutter. | 1:25:46 | 1:25:49 | |
# So Sally... # | 1:25:49 | 1:25:50 | |
I was seeing Mick Jagger, | 1:25:51 | 1:25:52 | |
like, that kind of young but, like, really confident. | 1:25:52 | 1:25:55 | |
The crowd really reacted to your operatic voice, | 1:25:58 | 1:26:01 | |
but I was more interested in your pop voice. | 1:26:01 | 1:26:03 | |
# You give me something... # | 1:26:03 | 1:26:08 | |
Dannii, four? | 1:26:08 | 1:26:10 | |
He had five stars written all over him. | 1:26:10 | 1:26:12 | |
Day one of rehearsals and our last group arrive, | 1:26:12 | 1:26:15 | |
eager to find out who their star is. | 1:26:15 | 1:26:17 | |
-Mel C. -Oh, my God! | 1:26:17 | 1:26:19 | |
# Cos I'm on top of the world, hey | 1:26:19 | 1:26:22 | |
# I'm on top of the world, hey...! # | 1:26:22 | 1:26:24 | |
I'm going to cry. Mel C is possibly | 1:26:24 | 1:26:26 | |
my favourite female artist of all time. | 1:26:26 | 1:26:28 | |
And it seems office worker Kyle isn't the only fan. | 1:26:28 | 1:26:31 | |
This is a dream come true. This really is amazing. | 1:26:31 | 1:26:34 | |
It's mental, it really is mental. | 1:26:35 | 1:26:37 | |
Oh, come on. Dry your eyes. It's time to sing. | 1:26:38 | 1:26:41 | |
So let's have a listen, first of all, to what we've got. | 1:26:41 | 1:26:44 | |
# And the nights just seems so-oo long.... # | 1:26:44 | 1:26:48 | |
The first time we've all sang together today. | 1:26:48 | 1:26:50 | |
We've got different vocal tones. | 1:26:50 | 1:26:53 | |
We've got the, um, operatic tones... | 1:26:53 | 1:26:55 | |
# Ahhh... # | 1:26:55 | 1:26:57 | |
You've got the pop tones... It's great. | 1:26:57 | 1:27:00 | |
# Cos you're the only one... # | 1:27:00 | 1:27:05 | |
So, that's vocals covered. | 1:27:05 | 1:27:06 | |
But in a musical, to sell a song you need to be able to move. | 1:27:06 | 1:27:09 | |
And for a few of the group that doesn't come naturally. | 1:27:09 | 1:27:12 | |
# Cos I don't feel like dancing | 1:27:12 | 1:27:14 | |
# When the old Joanna plays... # | 1:27:14 | 1:27:17 | |
Aargh! I was getting a little bit frustrated because I know I | 1:27:17 | 1:27:20 | |
know the choreography, but I just want to get it right. | 1:27:20 | 1:27:23 | |
There are some really, really, good dancers in there, | 1:27:23 | 1:27:25 | |
like, people that teach dance. | 1:27:25 | 1:27:26 | |
Forward, back, step and then just rock out. | 1:27:26 | 1:27:30 | |
I'm just a kid that dancers in his kitchen. | 1:27:30 | 1:27:32 | |
I can't do that turnaround thing cos I can't turn around fast enough. | 1:27:32 | 1:27:36 | |
I'm one of the more experienced dancers and I just like to | 1:27:36 | 1:27:39 | |
help anybody who's having any problems. | 1:27:39 | 1:27:40 | |
Singing and dancing isn't something I've done together before | 1:27:42 | 1:27:45 | |
but it's a new experience. | 1:27:45 | 1:27:47 | |
MUSIC: Spice Up Your Life by Spice Girls | 1:27:47 | 1:27:49 | |
With the group still struggling, | 1:27:51 | 1:27:53 | |
someone arrives to give them a little pick-me-up. | 1:27:53 | 1:27:55 | |
What's all this standing around, why aren't we rehearsing? | 1:27:55 | 1:27:59 | |
Hello! | 1:27:59 | 1:28:00 | |
SHE LAUGHS | 1:28:00 | 1:28:01 | |
We love hugs. Lovely to meet you. | 1:28:01 | 1:28:04 | |
Don't be scared. I'm not scary, am I? | 1:28:04 | 1:28:06 | |
I'm Sporty! See what I did there? | 1:28:06 | 1:28:10 | |
Come and say hello, come on. | 1:28:10 | 1:28:12 | |
SHE LAUGHS | 1:28:12 | 1:28:13 | |
-Are you all right? -Fine. | 1:28:13 | 1:28:15 | |
Do you not think it's insane that we're actually | 1:28:15 | 1:28:17 | |
going to be performing alongside Mel C? | 1:28:17 | 1:28:19 | |
-How many people are getting this opportunity to do that? -Eight. | 1:28:19 | 1:28:22 | |
THEY LAUGH | 1:28:22 | 1:28:23 | |
Right, boys, time to show Melanie what you're made of. | 1:28:25 | 1:28:28 | |
We are in that world where we're right between | 1:28:31 | 1:28:34 | |
musical theatre and pop. | 1:28:34 | 1:28:35 | |
# I turn to you Cos you're the only one... # | 1:28:35 | 1:28:42 | |
Knowing that Gary wants a modern feel to the musical, | 1:28:42 | 1:28:44 | |
Melanie advices the boys on how to be more Westlife than West End. | 1:28:44 | 1:28:48 | |
Keep it clipped, don't get all... | 1:28:48 | 1:28:50 | |
# Carried away with the notes! # | 1:28:50 | 1:28:52 | |
Do you know what I mean? | 1:28:52 | 1:28:54 | |
# Baby, when you're gone... # | 1:28:54 | 1:28:57 | |
That, for me, is kind of a habit that I'm used to doing with | 1:28:57 | 1:29:00 | |
being involved in musical theatre. But practice makes perfect. | 1:29:00 | 1:29:03 | |
# Baby, when you're go-oo-one. # | 1:29:03 | 1:29:06 | |
AH! | 1:29:06 | 1:29:08 | |
It's our final eight boys with Melanie C. | 1:29:09 | 1:29:12 | |
CHEERING AND APPLAUSE | 1:29:12 | 1:29:13 | |
# When the world is darker than I can understand | 1:29:22 | 1:29:27 | |
# And nothing turns out the way I planned | 1:29:29 | 1:29:33 | |
# When the sky turns grey and there is no end in sight | 1:29:36 | 1:29:39 | |
# When I can't sleep through the lonely night | 1:29:43 | 1:29:49 | |
# I turn to you | 1:29:49 | 1:29:51 | |
# Like a flower leaning towards the sun | 1:29:51 | 1:29:56 | |
# I turn to you | 1:29:56 | 1:29:58 | |
# Cos you're the only one | 1:29:58 | 1:30:03 | |
# Who can turn me around | 1:30:03 | 1:30:05 | |
# When I'm upside down | 1:30:06 | 1:30:09 | |
# I turn to you... # | 1:30:10 | 1:30:17 | |
CHEERING AND APPLAUSE | 1:30:19 | 1:30:21 | |
# When my insides are wracked with anxiety | 1:30:23 | 1:30:26 | |
# You have the touch that will quiet me | 1:30:30 | 1:30:34 | |
# You lift my spirit, you melt the ice | 1:30:36 | 1:30:38 | |
# When I need inspiration, when I need advice | 1:30:44 | 1:30:47 | |
# I turn to you | 1:30:49 | 1:30:51 | |
# Like a flower leaning towards the sun | 1:30:51 | 1:30:55 | |
# I turn to you | 1:30:55 | 1:30:58 | |
# Cos you're the only one | 1:30:58 | 1:31:02 | |
# Who can turn me around | 1:31:03 | 1:31:06 | |
# When I'm upside down | 1:31:06 | 1:31:08 | |
# I turn to you-ou-ou. # | 1:31:09 | 1:31:15 | |
# I've been trying to not think about you lately | 1:31:24 | 1:31:28 | |
# Trying to do myself some good | 1:31:28 | 1:31:30 | |
# But I'm failing | 1:31:30 | 1:31:31 | |
# Failing | 1:31:31 | 1:31:32 | |
# Failing | 1:31:32 | 1:31:33 | |
# Failing | 1:31:33 | 1:31:34 | |
# I've been looking for something else to distract me | 1:31:34 | 1:31:37 | |
# Looking for someone who's looking for someone worth saving | 1:31:37 | 1:31:40 | |
# Saving | 1:31:40 | 1:31:41 | |
# Saving | 1:31:41 | 1:31:43 | |
# Saving | 1:31:43 | 1:31:45 | |
# I feel the beat kicking my chest | 1:31:45 | 1:31:49 | |
# Close my eyes and wait but it's not working yet | 1:31:49 | 1:31:53 | |
# I hear the music, but I can't dance | 1:31:53 | 1:31:58 | |
# I should be moving but I'm stuck | 1:31:58 | 1:32:02 | |
# And I need to fight this feeling so I stay here on the floor | 1:32:02 | 1:32:07 | |
# I'm not supposed to love you, not supposed to love you any more | 1:32:07 | 1:32:12 | |
# Don't wanna go home when the lights come up | 1:32:16 | 1:32:21 | |
# Don't wanna to go home | 1:32:21 | 1:32:24 | |
# Don't wanna go home when the lights come up | 1:32:25 | 1:32:29 | |
# Don't wanna go home | 1:32:30 | 1:32:33 | |
# Don't wanna go home | 1:32:33 | 1:32:35 | |
# I hear the music but I can't dance | 1:32:35 | 1:32:40 | |
# I should be moving but I'm stuck | 1:32:40 | 1:32:44 | |
# And I need to fight this feeling so I'll stay here on the floor | 1:32:44 | 1:32:49 | |
# I'm not supposed to love you, not supposed to love you any more! # | 1:32:49 | 1:32:54 | |
Hoo! | 1:32:54 | 1:32:56 | |
Let's go, boys! | 1:32:56 | 1:32:59 | |
Whoo! | 1:32:59 | 1:33:01 | |
# I've been wandering around the house all night | 1:33:01 | 1:33:05 | |
# Wondering what the hell to do | 1:33:05 | 1:33:09 | |
# Yeah, I'm trying to concentrate but all I can think of is you | 1:33:09 | 1:33:14 | |
# Well, the phone don't ring cos my friends ain't home | 1:33:16 | 1:33:20 | |
# I'm tired of being all alone | 1:33:20 | 1:33:24 | |
# Got the TV on cos the radio's playing songs that remind me of you | 1:33:24 | 1:33:31 | |
# Baby, when you're gone | 1:33:31 | 1:33:35 | |
# I realise I'm in love | 1:33:35 | 1:33:37 | |
# Days go on and on | 1:33:39 | 1:33:41 | |
# And the nights just seem so long | 1:33:42 | 1:33:46 | |
# Even food don't taste that good | 1:33:46 | 1:33:48 | |
# Drink ain't doing what it should | 1:33:50 | 1:33:52 | |
# Things just feel so wrong | 1:33:54 | 1:33:56 | |
# Baby, when you're gone | 1:33:58 | 1:34:02 | |
# I've been driving up and down these streets | 1:34:02 | 1:34:06 | |
# Trying to find somewhere to go | 1:34:06 | 1:34:09 | |
# Yeah, I'm looking for a familiar face | 1:34:10 | 1:34:13 | |
# But there's no-one I know | 1:34:13 | 1:34:15 | |
# Oh, this is torture, this is pain | 1:34:18 | 1:34:21 | |
# It feels like I'm gonna go insane | 1:34:21 | 1:34:25 | |
# And I hope you're coming back real soon | 1:34:25 | 1:34:29 | |
# Cos I don't know what to do | 1:34:29 | 1:34:32 | |
# Baby, when you're gone | 1:34:32 | 1:34:36 | |
# I realise I'm in love | 1:34:36 | 1:34:39 | |
# Days go on and on | 1:34:40 | 1:34:42 | |
# And the nights just seem so long | 1:34:43 | 1:34:47 | |
# Even food don't taste that good | 1:34:47 | 1:34:50 | |
# Drink ain't doing what it should | 1:34:51 | 1:34:54 | |
# Things just feel so wrong | 1:34:55 | 1:34:59 | |
# Baby, when you're go-oo-one. # | 1:34:59 | 1:35:03 | |
CHEERING AND APPLAUSE | 1:35:03 | 1:35:08 | |
-Melanie C and our boys. -Amazing! | 1:35:13 | 1:35:17 | |
CHEERING AND APPLAUSE CONTINUES | 1:35:17 | 1:35:20 | |
Melanie G to the Melanie C! Come on! | 1:35:20 | 1:35:22 | |
-Come on. -LAUGHTER | 1:35:24 | 1:35:26 | |
You were in one of the biggest bands there has ever been on this planet. | 1:35:26 | 1:35:32 | |
What makes an outstanding band? | 1:35:32 | 1:35:34 | |
I think that individuality is a huge thing. | 1:35:34 | 1:35:37 | |
It was for the Spice Girls, you know. | 1:35:37 | 1:35:39 | |
And I think you always have to remember you might not be the | 1:35:39 | 1:35:41 | |
greatest dancer - Gary. | 1:35:41 | 1:35:43 | |
-But look at him today! -CROWD: -Ooh! | 1:35:43 | 1:35:46 | |
How very dare you, Melanie?! | 1:35:46 | 1:35:47 | |
He's the first to admit it. | 1:35:47 | 1:35:49 | |
He's the first to admit it. | 1:35:49 | 1:35:51 | |
Melanie C, thank you so much for coming and inspiring and | 1:35:52 | 1:35:56 | |
performing and being delightful. Melanie C, everybody! | 1:35:56 | 1:36:00 | |
CHEERING AND APPLAUSE | 1:36:00 | 1:36:01 | |
It's crunch time for our judges as they set about deciding which | 1:36:03 | 1:36:07 | |
three boys are going home. | 1:36:07 | 1:36:10 | |
How long have we got? | 1:36:10 | 1:36:12 | |
Wow, that rocked, didn't it? | 1:36:12 | 1:36:14 | |
Team, Melanie C. | 1:36:14 | 1:36:15 | |
She's given us a right problem here. | 1:36:15 | 1:36:18 | |
-She really has. -Bradley? | 1:36:18 | 1:36:20 | |
-I mean... -Brilliant. -Great. | 1:36:20 | 1:36:22 | |
Oh, my God, he can project to the very last seat. | 1:36:22 | 1:36:25 | |
And he's got all that. | 1:36:25 | 1:36:26 | |
Danny, now he had tonsillitis last time we saw him. | 1:36:26 | 1:36:30 | |
Oh, he came through tonight. | 1:36:30 | 1:36:32 | |
-I thought he brought his A game to the table. -He's a rock, he is. | 1:36:33 | 1:36:38 | |
Hercules, Hercules! | 1:36:38 | 1:36:40 | |
If we're taking that show out, that we saw tonight, out on the road, | 1:36:40 | 1:36:44 | |
he will be perfect for it. | 1:36:44 | 1:36:46 | |
No. His head was hidden, his whole being was hidden. | 1:36:46 | 1:36:49 | |
Let's go from that to this little star right here. | 1:36:52 | 1:36:55 | |
-You can't take your eyes off him. -He's adorable. | 1:36:55 | 1:36:58 | |
Adorable! | 1:36:58 | 1:37:00 | |
He is... He's too young. | 1:37:00 | 1:37:02 | |
-No! -No, he'll be great. | 1:37:03 | 1:37:06 | |
Let me get a reaction off everyone for this guy. | 1:37:06 | 1:37:09 | |
-Oh, yes, yes, yes, yes. Oh, my God, yes. -Yeah, you loved him. | 1:37:09 | 1:37:12 | |
-He's genius. -In his first audition, I just thought, | 1:37:12 | 1:37:15 | |
"This guy's out on his own. | 1:37:15 | 1:37:17 | |
"I don't understand how he's going to share the stage." He did it. | 1:37:17 | 1:37:21 | |
-I like this guy. -I like him but I think he's the weakest link. | 1:37:21 | 1:37:25 | |
I think he helps the other guy. He's a team player. | 1:37:25 | 1:37:30 | |
-He's quite a big personality, him. -He's great. I loved his voice. | 1:37:30 | 1:37:35 | |
When he stepped up to the front of the pack, he shone. | 1:37:35 | 1:37:38 | |
My problem with him is his confidence. He is not comfortable. | 1:37:38 | 1:37:43 | |
Nicky. He's lovely, isn't he? | 1:37:43 | 1:37:45 | |
He's never danced, but honestly you wouldn't know it tonight. | 1:37:45 | 1:37:48 | |
He was great. He's got a little bit of a nasally voice. | 1:37:48 | 1:37:52 | |
I'd be sad to see some of these people go. | 1:37:52 | 1:37:54 | |
Oh, guys, come on. Group hug. | 1:37:56 | 1:37:58 | |
For the final time, the judges have chosen five boys from the group | 1:38:00 | 1:38:03 | |
to stay on together as a band. | 1:38:03 | 1:38:05 | |
OK, boys. Eight of you performed brilliantly alongside Melanie C. | 1:38:07 | 1:38:12 | |
Only five of you will go on to battle it out as | 1:38:12 | 1:38:15 | |
a band for that amazing prize. | 1:38:15 | 1:38:17 | |
Whose star will shine? | 1:38:17 | 1:38:19 | |
Will it be Bradley? | 1:38:19 | 1:38:21 | |
CHEERING AND APPLAUSE | 1:38:22 | 1:38:24 | |
Danny? | 1:38:24 | 1:38:27 | |
Hercules? | 1:38:27 | 1:38:29 | |
Huw? | 1:38:29 | 1:38:30 | |
Jason? | 1:38:32 | 1:38:33 | |
Julius? | 1:38:34 | 1:38:35 | |
Kyle? | 1:38:37 | 1:38:38 | |
Or Nicky? | 1:38:38 | 1:38:40 | |
APPLAUSE AND CHEERING | 1:38:40 | 1:38:41 | |
Here they come - five stars for five places. | 1:38:42 | 1:38:45 | |
-AUDIENCE: -Ooh. | 1:38:45 | 1:38:47 | |
In no particular order, the first boy in this band is... | 1:38:52 | 1:38:57 | |
Danny! Congratulations to Danny. | 1:39:03 | 1:39:07 | |
You're through. | 1:39:07 | 1:39:08 | |
It's Jason. | 1:39:21 | 1:39:22 | |
Huw! You've done it. | 1:39:36 | 1:39:39 | |
Congratulations! | 1:39:40 | 1:39:42 | |
Bradley. | 1:39:57 | 1:40:00 | |
One star remains. | 1:40:07 | 1:40:09 | |
Hercules... | 1:40:09 | 1:40:11 | |
Julius... | 1:40:11 | 1:40:13 | |
Kyle... | 1:40:13 | 1:40:15 | |
or Nicky - who will it be? | 1:40:15 | 1:40:18 | |
It's Julius! | 1:40:27 | 1:40:28 | |
Congratulations. | 1:40:30 | 1:40:32 | |
Gary, what advice can you give this absolutely lovely threesome? | 1:40:48 | 1:40:52 | |
Each of you were in the band while we were trying to | 1:40:52 | 1:40:55 | |
assemble it, but you've been absolutely brilliant. | 1:40:55 | 1:40:58 | |
Congratulations on coming this far. | 1:40:58 | 1:41:00 | |
APPLAUSE AND CHEERING | 1:41:00 | 1:41:02 | |
Kyle, any thoughts? | 1:41:05 | 1:41:08 | |
It's kind of just opened my eyes to see that I'm capable of | 1:41:08 | 1:41:10 | |
other things apart from, you know, working in what I do at the moment. | 1:41:10 | 1:41:13 | |
-So hopefully... -Just keep going. They are saying keep going. | 1:41:13 | 1:41:17 | |
APPLAUSE AND CHEERING | 1:41:17 | 1:41:19 | |
Hercules, Kyle and Nicky. Thank you. | 1:41:19 | 1:41:22 | |
CHEERING AND APPLAUSE | 1:41:22 | 1:41:24 | |
Well done, guys. I know I see tears in your eyes, | 1:41:24 | 1:41:26 | |
cos it is kind of the best of times and the worst of times. | 1:41:26 | 1:41:28 | |
Cos you're saying goodbye to your friends. | 1:41:28 | 1:41:30 | |
But, Julius, the last name up there. | 1:41:30 | 1:41:32 | |
-How hard is that, standing there? -Oh, so in shock. | 1:41:32 | 1:41:35 | |
I was... Oh, thank you, judges. I am so grateful. | 1:41:35 | 1:41:39 | |
Lulu, what was it about these guys that stood out? | 1:41:39 | 1:41:42 | |
Well, every single one of them is a great singer. | 1:41:42 | 1:41:44 | |
Look at them! Just look at them! | 1:41:44 | 1:41:47 | |
They look like they are in a band! | 1:41:47 | 1:41:50 | |
CHEERING AND APPLAUSE | 1:41:50 | 1:41:51 | |
Let's hear it, one more time for | 1:41:51 | 1:41:53 | |
Danny, Jason, Huw, Bradley and Julius! Well done. | 1:41:53 | 1:41:57 | |
Well done, you guys. | 1:41:57 | 1:41:58 | |
The thought of going on live TV on a Saturday night when | 1:42:03 | 1:42:06 | |
millions of people will be watching. | 1:42:06 | 1:42:08 | |
I'm the youngest in the competition. | 1:42:08 | 1:42:09 | |
I was thanking all the judges. | 1:42:09 | 1:42:11 | |
They've shown a lot of faith to put me through. | 1:42:11 | 1:42:13 | |
I wouldn't have been here without my friend Omari, you know, | 1:42:13 | 1:42:16 | |
putting me forward. Thank you, Omari. | 1:42:16 | 1:42:19 | |
I'm very upset for the guys that didn't get through. Especially Kyle. | 1:42:19 | 1:42:22 | |
I'll definitely miss him. | 1:42:22 | 1:42:24 | |
This is absolutely life-changing. | 1:42:27 | 1:42:29 | |
I cannot wait. | 1:42:29 | 1:42:30 | |
That's it, we have our five bands for the live shows. | 1:42:30 | 1:42:33 | |
CHEERING AND APPLAUSE | 1:42:33 | 1:42:37 | |
It's been a tremendous night. I hope you've all had a good time. | 1:42:37 | 1:42:40 | |
They have, yes, they have. | 1:42:40 | 1:42:42 | |
Let's also hear it for our brilliant judges - | 1:42:42 | 1:42:44 | |
Martin Kemp, Dannii Minogue, Gary Barlow | 1:42:44 | 1:42:47 | |
and our special guest judge - Lulu! | 1:42:47 | 1:42:49 | |
CHEERING AND APPLAUSE | 1:42:49 | 1:42:50 | |
Next week, our freshly formed bands face | 1:42:50 | 1:42:54 | |
their first live performance. | 1:42:54 | 1:42:56 | |
And you can find out more on our fantastic five, including an | 1:42:56 | 1:42:59 | |
exclusive reveal of each band name, on BBC iPlayer from 8.45pm. | 1:42:59 | 1:43:04 | |
We'll see you here, live next week. Goodnight, everybody, and goodbye. | 1:43:05 | 1:43:10 | |
Goodnight! | 1:43:10 | 1:43:11 | |
CHEERING AND APPLAUSE | 1:43:11 | 1:43:13 |