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Hello, and welcome to the Royal Opera House, Covent Garden, | 0:00:18 | 0:00:22 | |
where we're performing Puccini's Il trittico | 0:00:22 | 0:00:25 | |
for the first time in almost half a century. | 0:00:25 | 0:00:28 | |
Il trittico is made up of three short, one-act operas, | 0:00:28 | 0:00:32 | |
the first of which we are showing tonight. | 0:00:32 | 0:00:34 | |
It was Puccini's idea to do a musical version of the classic | 0:00:34 | 0:00:38 | |
triptych from fine art, where three painted panels told contrasting, | 0:00:38 | 0:00:44 | |
yet complimentary, stories. | 0:00:44 | 0:00:46 | |
Puccini's panels tell tales of murder, suicide and farce, | 0:00:46 | 0:00:51 | |
where the overriding theme is deception. | 0:00:51 | 0:00:55 | |
The first opera in the trilogy is Il tabarro. | 0:01:00 | 0:01:03 | |
Puccini wrote it in later life, in 1916. | 0:01:03 | 0:01:07 | |
He called this opera his "tragic panel." | 0:01:07 | 0:01:11 | |
The setting is a barge on the River Seine, | 0:01:11 | 0:01:13 | |
on an oppressively hot summer's evening, | 0:01:13 | 0:01:15 | |
when the hard work of the day is almost over. | 0:01:15 | 0:01:18 | |
It's a dark, passionate, troubling opera, | 0:01:19 | 0:01:22 | |
with a love triangle at its core. | 0:01:22 | 0:01:25 | |
Michele is a man of 50 years old, is the boss of this boat, | 0:01:27 | 0:01:31 | |
and he is married with Giorgetta, | 0:01:31 | 0:01:34 | |
a young lady of 25 years old, | 0:01:34 | 0:01:36 | |
who falls in love with a young docker, Luigi. | 0:01:36 | 0:01:41 | |
The problems come one year earlier, when they lose the child. | 0:01:46 | 0:01:52 | |
Losing a child is one of the worst things that can happen to you, | 0:01:56 | 0:02:00 | |
and everything about Michele reminds her of her pain. | 0:02:00 | 0:02:04 | |
They both have a different way of dealing with the grief, | 0:02:04 | 0:02:07 | |
and I think she is, sort of, going into escapism, | 0:02:07 | 0:02:11 | |
where she finds, tries to, you know, | 0:02:11 | 0:02:14 | |
find a passionate love affair, just to put a lid on her grief. | 0:02:14 | 0:02:19 | |
Luigi, he really loves Giorgetta, | 0:02:22 | 0:02:24 | |
but... | 0:02:24 | 0:02:26 | |
the loneliness is the reason of the problems. | 0:02:26 | 0:02:33 | |
He is alone, she is married, | 0:02:33 | 0:02:35 | |
but she feels alone. | 0:02:35 | 0:02:37 | |
You can watch in the eyes of Michele that he is losing everything. | 0:02:40 | 0:02:44 | |
First of all, Giorgetta's love, but he tries to bring her back, | 0:02:44 | 0:02:52 | |
to remind her how they were happy one year before. | 0:02:53 | 0:02:57 | |
Puccini was influenced by Debussy and Impressionism, | 0:03:04 | 0:03:08 | |
and you can hear the product of his extensive research in Paris | 0:03:08 | 0:03:11 | |
in the opening music. | 0:03:11 | 0:03:13 | |
It's hazy, you hear the sound of a tugboat, car horns, | 0:03:13 | 0:03:17 | |
short repetitive phrases, the sound of water in movement. | 0:03:17 | 0:03:22 | |
He's painting in sound. | 0:03:23 | 0:03:26 | |
Murky, mood-setting music showing the grind of the day, | 0:03:26 | 0:03:30 | |
and the downtrodden lives of the workers. | 0:03:30 | 0:03:32 | |
APPLAUSE | 0:56:09 | 0:56:16 | |
Betrayal and then murderous revenge. The climax of Il tabarro. | 0:56:33 | 0:56:38 | |
The cloak reveals its dark secret. | 0:56:38 | 0:56:43 | |
It captivated the audience in 1918, | 0:56:43 | 0:56:45 | |
at its world premiere | 0:56:45 | 0:56:47 | |
at the Metropolitan Opera House in New York. | 0:56:47 | 0:56:50 | |
The next opera in Puccini's triptych | 0:56:50 | 0:56:52 | |
is the heart-wrenching tale of a young lady | 0:56:52 | 0:56:54 | |
shamed and sent away to be a nun - Suor Angelica. | 0:56:54 | 0:56:58 | |
So, do join me, Antonio Pappano, | 0:56:59 | 0:57:01 | |
once again at the Royal Opera House, in Covent Garden. | 0:57:01 | 0:57:04 | |
CHEERS AND APPLAUSE | 0:57:27 | 0:57:33 | |
Subtitles by Red Bee Media Ltd | 0:58:37 | 0:58:42 |