Browse content similar to 08/11/2015. Check below for episodes and series from the same categories and more!
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Hello, and welcome to a special Songs Of Praise | 0:00:03 | 0:00:05 | |
here at the Imperial War Museum in London, | 0:00:05 | 0:00:07 | |
as the nation honours those who have lost their lives | 0:00:07 | 0:00:10 | |
in conflicts past and present. | 0:00:10 | 0:00:12 | |
In today's programme, we'll meet an Afghanistan veteran | 0:00:12 | 0:00:15 | |
who was described by Prince William as an inspiration | 0:00:15 | 0:00:17 | |
and who, nearly a decade after suffering horrific burns | 0:00:17 | 0:00:21 | |
in a rocket attack, is rebuilding his life as a racing driver. | 0:00:21 | 0:00:24 | |
A year after their display at the Tower of London, | 0:00:26 | 0:00:28 | |
Pam discovers how those poppies are still creating special memories. | 0:00:28 | 0:00:33 | |
I like to think that one of these has got my brother's name on it. | 0:00:34 | 0:00:38 | |
HE PLAYS THE LAST POST | 0:00:38 | 0:00:40 | |
And nearly 100 years after it was first played to mark Armistice Day, | 0:00:40 | 0:00:44 | |
we reveal the story of the Last Post. | 0:00:44 | 0:00:47 | |
It's an incredibly haunting piece of music. | 0:00:47 | 0:00:49 | |
Everybody recognises it, | 0:00:49 | 0:00:50 | |
everybody instantly associates that with Remembrance. | 0:00:50 | 0:00:54 | |
Our music today is inspired by Remembrance, | 0:01:04 | 0:01:07 | |
including a special performance from the Exultate Singers. | 0:01:07 | 0:01:10 | |
But our first hymn comes from the Royal Garrison Church in Aldershot. | 0:01:10 | 0:01:14 | |
The Imperial War Museum was founded in 1917 | 0:03:23 | 0:03:26 | |
and was originally intended to record | 0:03:26 | 0:03:29 | |
Britain and the Empire's efforts and sacrifice in the Great War. | 0:03:29 | 0:03:33 | |
With galleries and exhibitions set over six floors, | 0:03:34 | 0:03:37 | |
today it charts all conflicts in which British and Commonwealth forces | 0:03:37 | 0:03:41 | |
have been involved since 1914. | 0:03:41 | 0:03:43 | |
One of its current exhibitions focuses on the war in Afghanistan, | 0:03:45 | 0:03:49 | |
a conflict which proved life-changing | 0:03:49 | 0:03:52 | |
for 31-year-old Martyn Compton. | 0:03:52 | 0:03:54 | |
He suffered 75% burns | 0:03:54 | 0:03:56 | |
after his patrol was ambushed by the Taliban. | 0:03:56 | 0:04:00 | |
In 2006, I was serving in the Household Cavalry | 0:04:00 | 0:04:03 | |
and the troop that I was in, | 0:04:03 | 0:04:05 | |
of four wagons, four small armoured tanks... | 0:04:05 | 0:04:09 | |
We got ambushed as we came into a village in Musa Qala. | 0:04:09 | 0:04:12 | |
They basically set an IED - | 0:04:12 | 0:04:14 | |
an improvised explosive device - | 0:04:14 | 0:04:17 | |
which blew the wagon up, | 0:04:17 | 0:04:19 | |
and unfortunately killing the three guys that were in it with me. | 0:04:19 | 0:04:22 | |
Then I was a sitting duck, basically. | 0:04:22 | 0:04:25 | |
They shot rocket grenades at me, | 0:04:25 | 0:04:27 | |
which blew the engine up and engulfed me in flames. | 0:04:27 | 0:04:29 | |
And I was very fortunate to then get out of that. | 0:04:31 | 0:04:33 | |
When they got me back to the Chinook and got me airlifted away, | 0:04:35 | 0:04:39 | |
I died officially three times. Extraordinary. | 0:04:39 | 0:04:43 | |
How amazing that you are standing here at all today. Yeah. | 0:04:43 | 0:04:46 | |
Martyn was in hospital for a full 12 months, | 0:04:48 | 0:04:51 | |
and over the past nine years he has undergone extensive surgery, | 0:04:51 | 0:04:55 | |
which is still ongoing. | 0:04:55 | 0:04:57 | |
How many operations have you had to go through as part of your recovery? | 0:04:57 | 0:05:00 | |
A ridiculous amount. It's probably... | 0:05:00 | 0:05:03 | |
They measure it in hours, and it's probably up to the 500-hour mark. | 0:05:03 | 0:05:07 | |
Martyn's story really struck a chord with Prince William, | 0:05:07 | 0:05:10 | |
who served in the same regiment. | 0:05:10 | 0:05:13 | |
And when, in April 2011, | 0:05:16 | 0:05:18 | |
William was married at Westminster Abbey, | 0:05:18 | 0:05:20 | |
Martyn and his wife Michelle were among the guests. | 0:05:20 | 0:05:24 | |
And he's described you as an inspiration. Yeah, he has. | 0:05:24 | 0:05:28 | |
For him to say that is obviously... | 0:05:28 | 0:05:31 | |
It's brilliant for me but, yeah, it's just surreal. | 0:05:31 | 0:05:34 | |
During his recovery in the past few years, | 0:05:36 | 0:05:38 | |
Martyn 's developed a passion for motor racing | 0:05:38 | 0:05:41 | |
and now it has given him a new focus. | 0:05:41 | 0:05:44 | |
Motorsport's my life and we now have stepped up to car racing, | 0:05:45 | 0:05:50 | |
formed a team called Team BRIT. | 0:05:50 | 0:05:51 | |
Our ambitions are to get to Le Mans, | 0:05:51 | 0:05:54 | |
be the first disabled, injured team to get to Le Mans | 0:05:54 | 0:05:58 | |
and race the world-famous Le Mans 24 Hours. | 0:05:58 | 0:06:01 | |
Which will cost a bob or two. | 0:06:01 | 0:06:03 | |
You had some help from an unexpected quarter, haven't you? | 0:06:03 | 0:06:06 | |
That's right. I was very fortunate that Coldplay... | 0:06:06 | 0:06:08 | |
Chris Martin, he read my story | 0:06:08 | 0:06:11 | |
and got in contact, said that he needed to do something. | 0:06:11 | 0:06:15 | |
Yeah, and he's backing us, so... | 0:06:15 | 0:06:18 | |
At his side throughout the whole experience has been Michelle. | 0:06:18 | 0:06:22 | |
Martyn's ordeal has been horrendous, | 0:06:22 | 0:06:24 | |
obviously, from day one. | 0:06:24 | 0:06:26 | |
It gets better over time, over the years. | 0:06:26 | 0:06:29 | |
Archie and Coral have been, really, a godsend to both of us, | 0:06:29 | 0:06:33 | |
because they keep both of our minds occupied | 0:06:33 | 0:06:36 | |
and, you know, we're really, really happy as a family altogether. | 0:06:36 | 0:06:40 | |
Despite Martyn's successful efforts to rebuild his life, | 0:06:41 | 0:06:45 | |
he will never forget his friends and comrades. | 0:06:45 | 0:06:47 | |
I lost three guys that day, and obviously you get close | 0:06:49 | 0:06:52 | |
when you're out and about and doing the same job | 0:06:52 | 0:06:54 | |
and you become good friends, you know? | 0:06:54 | 0:06:57 | |
And to lose those guys is obviously a personal thing for me | 0:06:57 | 0:07:00 | |
and it's a time to remember | 0:07:00 | 0:07:02 | |
all those that didn't come home, you know? | 0:07:02 | 0:07:04 | |
This is one of the museum's most striking exhibitions, | 0:09:37 | 0:09:41 | |
which focuses on World War I. | 0:09:41 | 0:09:43 | |
Since that war, the poppy has been adopted as a symbol of Remembrance, | 0:09:43 | 0:09:47 | |
taken from the red flowers which sprang up on Flanders Fields. | 0:09:47 | 0:09:51 | |
Well, last year a breathtaking display | 0:09:51 | 0:09:53 | |
of more than 800,000 ceramic poppies | 0:09:53 | 0:09:55 | |
at the Tower of London captured the nation's imagination. | 0:09:55 | 0:09:59 | |
Pam Rhodes has been to meet their creator | 0:09:59 | 0:10:02 | |
and two people for whom those poppies are particularly precious. | 0:10:02 | 0:10:05 | |
When the exhibition of Poppies took over the Tower of London, | 0:10:09 | 0:10:13 | |
no-one could have imagined the impact they would make. | 0:10:13 | 0:10:17 | |
More than five million people visited the tower | 0:10:17 | 0:10:20 | |
in the four months that they were on display. | 0:10:20 | 0:10:22 | |
When it finished, the poppies were sold off, | 0:10:23 | 0:10:26 | |
raising millions of pounds for charities. | 0:10:26 | 0:10:28 | |
And now, many of the poppies are on display around the country, | 0:10:28 | 0:10:33 | |
including this, the Wave, | 0:10:33 | 0:10:34 | |
here at Yorkshire Sculpture Park. | 0:10:34 | 0:10:36 | |
The creation of the exhibition was a huge undertaking. | 0:10:38 | 0:10:42 | |
Each of the poppies were individually handmade, | 0:10:42 | 0:10:45 | |
with every one representing a member of the British or Colonial forces | 0:10:45 | 0:10:49 | |
who lost their lives in the Great War. | 0:10:49 | 0:10:52 | |
The idea was the brainchild of this man, artist Paul Cummings. | 0:10:52 | 0:10:56 | |
I'm really happy that people have liked it | 0:10:56 | 0:10:59 | |
and that people can express what they think about things. | 0:10:59 | 0:11:02 | |
Because going to war | 0:11:02 | 0:11:04 | |
is something I've never experienced | 0:11:04 | 0:11:05 | |
and I hope I never will. | 0:11:05 | 0:11:07 | |
But everybody did do it for us. | 0:11:07 | 0:11:09 | |
And that's what we've got to do remember - | 0:11:09 | 0:11:11 | |
that people have done this for a very long time. | 0:11:11 | 0:11:14 | |
And they fought for what they believed in and what we have now. | 0:11:14 | 0:11:17 | |
So, it's the memories of that. | 0:11:17 | 0:11:19 | |
So, it was very costly for you, | 0:11:19 | 0:11:21 | |
your blood, sweat and tears, really? | 0:11:21 | 0:11:23 | |
Yeah, I did trap a finger... Well, I trapped my hand in a machine | 0:11:23 | 0:11:26 | |
and lost my middle finger. | 0:11:26 | 0:11:28 | |
But Derby has a very good hospital, to put them back together. | 0:11:28 | 0:11:33 | |
One of the many people to have lost their lives during World War II | 0:11:34 | 0:11:38 | |
was Flight Lieutenant Harry Chapman | 0:11:38 | 0:11:41 | |
who, at the age of just 22, was killed in action | 0:11:41 | 0:11:44 | |
when his Lancaster Bomber was shot down. | 0:11:44 | 0:11:48 | |
Among those Harry left behind | 0:11:48 | 0:11:50 | |
were his baby daughter Lesley | 0:11:50 | 0:11:52 | |
and his 11-year-old brother Alan. | 0:11:52 | 0:11:55 | |
Both were touched when they saw the exhibition in London last year | 0:11:55 | 0:11:59 | |
and have made their way to Yorkshire to see the Wave. | 0:11:59 | 0:12:02 | |
Alan, what can you tell us about your big brother, Harry? | 0:12:04 | 0:12:07 | |
What sort of man was he? | 0:12:07 | 0:12:09 | |
Well, I was 11 at the time that Harry was in the Air Force. | 0:12:09 | 0:12:14 | |
He was always keen to tell me | 0:12:14 | 0:12:17 | |
what it was like up above the clouds. | 0:12:17 | 0:12:20 | |
Do you think that loss of your brother | 0:12:20 | 0:12:23 | |
made an impact on you for the rest of your life? It did, yes. | 0:12:23 | 0:12:27 | |
I always thought that he was someone that I could go to. | 0:12:27 | 0:12:31 | |
if I was in trouble. | 0:12:31 | 0:12:34 | |
But he was not there. | 0:12:34 | 0:12:36 | |
There was nobody to go to. | 0:12:36 | 0:12:38 | |
I wish I could hear his voice and things like that, and I can't. | 0:12:38 | 0:12:42 | |
So Alan's the nearest I've got to him. | 0:12:42 | 0:12:45 | |
What you two share is having a faith. | 0:12:45 | 0:12:49 | |
How has that helped you, Alan, over the years, | 0:12:49 | 0:12:52 | |
to come to terms with this? | 0:12:52 | 0:12:53 | |
Well, it's helped me because you're not alone, | 0:12:53 | 0:12:57 | |
there's someone there to help you. | 0:12:57 | 0:13:00 | |
And there's someone there to turn to. | 0:13:00 | 0:13:02 | |
Is it important to remember? | 0:13:03 | 0:13:05 | |
You should never forget them, any of them. | 0:13:05 | 0:13:08 | |
Oh, yeah. Never forget them. | 0:13:08 | 0:13:09 | |
'Leslie and Alan wanted to take this opportunity | 0:13:11 | 0:13:14 | |
'to thank the creator of the exhibition | 0:13:14 | 0:13:16 | |
'and express their gratitude.' | 0:13:16 | 0:13:18 | |
Hello. Hello, how are you? | 0:13:18 | 0:13:20 | |
Hello, Paul. Nice to meet you. Hiya. | 0:13:20 | 0:13:23 | |
I've brought mine with me. I was honoured to get one. Thank you. | 0:13:23 | 0:13:26 | |
Thank you very much for coming up with the idea. | 0:13:26 | 0:13:30 | |
I like to think that one of these | 0:13:30 | 0:13:32 | |
has got my brother's name on it. | 0:13:32 | 0:13:34 | |
You know, I know there's hundreds and thousands, but... | 0:13:34 | 0:13:37 | |
They're all different. They're all different, yeah. | 0:13:37 | 0:13:40 | |
It's a flower for a person, | 0:13:40 | 0:13:42 | |
and the poppy in this country represents so much. | 0:13:42 | 0:13:45 | |
# We will remember them | 0:13:53 | 0:13:58 | |
# We will remember them | 0:13:58 | 0:14:05 | |
# At the going down of the sun | 0:14:05 | 0:14:11 | |
# And in the morning | 0:14:11 | 0:14:17 | |
# We will remember them | 0:14:17 | 0:14:30 | |
# They shall grow not old | 0:14:34 | 0:14:40 | |
# As we that are left grow old | 0:14:40 | 0:14:47 | |
# Age shall not weary them | 0:14:48 | 0:14:54 | |
# Nor the years condemn | 0:14:54 | 0:15:02 | |
# We will remember them | 0:15:04 | 0:15:17 | |
# When you go home | 0:15:20 | 0:15:26 | |
# Tell them of us and say | 0:15:26 | 0:15:33 | |
# For your tomorrow | 0:15:35 | 0:15:42 | |
# We gave our today | 0:15:42 | 0:15:49 | |
# We will remember them | 0:15:50 | 0:16:03 | |
# At the going down of the sun | 0:16:03 | 0:16:09 | |
# And in the morning | 0:16:09 | 0:16:15 | |
# We will remember them | 0:16:15 | 0:16:27 | |
# We will remember them. # | 0:16:27 | 0:16:39 | |
A very poignant and moving performance there | 0:16:56 | 0:16:58 | |
from the Exultate Singers. | 0:16:58 | 0:17:00 | |
Later in the programme, we'll reveal the story of the Last Post | 0:17:00 | 0:17:04 | |
and a bugler from the Royal Marines | 0:17:04 | 0:17:06 | |
will be explaining what makes it so special | 0:17:06 | 0:17:08 | |
at this time of Remembrance. | 0:17:08 | 0:17:10 | |
But, first, a hymn to remember those who've lost their lives | 0:17:10 | 0:17:14 | |
in wars at sea. | 0:17:14 | 0:17:15 | |
With more than 11 million photographic and sound items, | 0:20:07 | 0:20:11 | |
the museum's archive charting Britain's involvement | 0:20:11 | 0:20:14 | |
in conflicts over the past century is unrivalled. | 0:20:14 | 0:20:17 | |
Tucked away here, there are personal stories, | 0:20:17 | 0:20:20 | |
not only of those who lost their lives | 0:20:20 | 0:20:23 | |
but also of those they left behind. | 0:20:23 | 0:20:24 | |
And, as our next film shows, for one airman's sister | 0:20:24 | 0:20:27 | |
this Remembrance Sunday has a very special significance. | 0:20:27 | 0:20:31 | |
At least nine British military personnel have died | 0:20:33 | 0:20:36 | |
after a British Hercules transport plane crashed | 0:20:36 | 0:20:39 | |
shortly after leaving Baghdad. | 0:20:39 | 0:20:41 | |
Ten years ago, Sergeant Robert O'Connor lost his life | 0:20:41 | 0:20:45 | |
when his RAF plane was shot down by insurgents in Iraq. | 0:20:45 | 0:20:49 | |
His sister Sarah will never forget the day she heard the news. | 0:20:49 | 0:20:53 | |
We'd come in from celebrating my daughter's birthday. | 0:20:53 | 0:20:57 | |
I put on the news. | 0:20:57 | 0:20:59 | |
And I saw the words | 0:20:59 | 0:21:01 | |
"a British Hercules has crashed." | 0:21:01 | 0:21:03 | |
Quarter to four in the morning... | 0:21:03 | 0:21:05 | |
..there was the knock at the door and... | 0:21:07 | 0:21:10 | |
my mum was told those words that, | 0:21:10 | 0:21:13 | |
sadly, lots of other parents have had to hear, which is | 0:21:13 | 0:21:16 | |
"we regret to inform you... | 0:21:16 | 0:21:19 | |
"that your son, Sergeant Robert O'Connor, | 0:21:19 | 0:21:23 | |
"is missing in action, presumed dead." | 0:21:23 | 0:21:25 | |
Amazingly, it was Iraq's first election day, | 0:21:27 | 0:21:30 | |
and I'm very proud of that fact, | 0:21:30 | 0:21:32 | |
because that day was all about peace. | 0:21:32 | 0:21:35 | |
He was flying passengers from one airport to another. | 0:21:35 | 0:21:40 | |
Unfortunately, terrorists shot at the plane | 0:21:40 | 0:21:43 | |
and that, basically, | 0:21:43 | 0:21:46 | |
penetrated the fuel tank. | 0:21:46 | 0:21:48 | |
Sarah has been a Christian since she was young, | 0:21:49 | 0:21:52 | |
but the loss of her brother Bob | 0:21:52 | 0:21:53 | |
proved to be a huge test of her faith. | 0:21:53 | 0:21:56 | |
I've always maintained a conversation with God. | 0:21:56 | 0:21:59 | |
It hasn't been a regular conversation, | 0:21:59 | 0:22:01 | |
but I've always had him near me. | 0:22:01 | 0:22:03 | |
But after losing Bob, I really turned my back on Him. | 0:22:04 | 0:22:08 | |
And even when I refused to feel, | 0:22:09 | 0:22:12 | |
refused to listen, | 0:22:12 | 0:22:13 | |
it's just been there. | 0:22:13 | 0:22:16 | |
And then ... | 0:22:16 | 0:22:17 | |
something will happen and it's the most amazing thing ever. | 0:22:17 | 0:22:22 | |
To have that...moment of... | 0:22:22 | 0:22:26 | |
oh, he hasn't left me... | 0:22:26 | 0:22:28 | |
maybe he has been there all the way along. | 0:22:28 | 0:22:30 | |
And Sarah has received even more support, | 0:22:34 | 0:22:36 | |
but this time from an unexpected source. | 0:22:36 | 0:22:39 | |
Every year, thousands of bikers | 0:22:39 | 0:22:41 | |
converge on the National Memorial Arboretum in Staffordshire | 0:22:41 | 0:22:44 | |
to pay their respects to those who gave their lives | 0:22:44 | 0:22:47 | |
serving their country. | 0:22:47 | 0:22:48 | |
The gathering is called Ride To The Wall, | 0:22:51 | 0:22:54 | |
and the event is now in its 10th year. | 0:22:54 | 0:22:56 | |
Many of the bikers either served in the forces | 0:22:57 | 0:22:59 | |
or are friends or family of those who lost their lives. | 0:22:59 | 0:23:03 | |
We all come together, united, to give thanks | 0:23:04 | 0:23:08 | |
and you arrive and there's 6,000 bikes. | 0:23:08 | 0:23:10 | |
And there's, like, thousands and thousands | 0:23:16 | 0:23:19 | |
and thousands of bikers. | 0:23:19 | 0:23:22 | |
BUGLE PLAYS | 0:23:22 | 0:23:24 | |
Central to the day is a service of Remembrance | 0:23:24 | 0:23:26 | |
next to the arboretum's Armed Forces Memorial. | 0:23:26 | 0:23:29 | |
We give to you, most merciful Father, | 0:23:29 | 0:23:32 | |
thanks that you have put it into the hearts of us, your servants. | 0:23:32 | 0:23:35 | |
Then, when we've had our Remembrance Service, | 0:23:37 | 0:23:40 | |
all the bikers line up with their wreaths, | 0:23:40 | 0:23:44 | |
ready to connect with their fallen friends, | 0:23:44 | 0:23:47 | |
fallen family members, | 0:23:47 | 0:23:48 | |
fallen strangers. | 0:23:48 | 0:23:51 | |
And, you know, forces buddies, as they're queueing up, | 0:23:53 | 0:23:58 | |
they connect with each other in the line. | 0:23:58 | 0:24:01 | |
Something as simple as the freedom to choose to remember | 0:24:02 | 0:24:07 | |
is something that's been given to us | 0:24:07 | 0:24:09 | |
by our heroes who paid the ultimate sacrifice. | 0:24:09 | 0:24:11 | |
That hymn, by Isaac Watts, was actually sung | 0:26:47 | 0:26:50 | |
at the funeral of Sir Winston Churchill | 0:26:50 | 0:26:52 | |
and it's synonymous with Remembrance, | 0:26:52 | 0:26:55 | |
as is our next piece of music, | 0:26:55 | 0:26:56 | |
from Enniskillen in Northern Ireland. | 0:26:56 | 0:26:58 | |
Now, it is perhaps the defining element of every Remembrance Sunday. | 0:29:30 | 0:29:34 | |
And over the past century, it's grown to become | 0:29:34 | 0:29:36 | |
the most emotionally charged piece of music performed at public ceremonies. | 0:29:36 | 0:29:40 | |
The Last Post was originally just a functional signal | 0:29:40 | 0:29:44 | |
performed at army camps to mark the end of the working day. | 0:29:44 | 0:29:48 | |
But on that first Armistice Day, nearly a hundred years ago, | 0:29:48 | 0:29:52 | |
that was all to change. | 0:29:52 | 0:29:54 | |
The 11th of November, 1919, | 0:29:57 | 0:29:59 | |
and crowds gather at the Cenotaph in London. | 0:29:59 | 0:30:02 | |
They've responded to a call from King George V | 0:30:05 | 0:30:08 | |
to mark the first anniversary of the end of the Great War. | 0:30:08 | 0:30:11 | |
As both veterans and the public pay their respects, | 0:30:12 | 0:30:15 | |
the two-minute silence is brought to an end | 0:30:15 | 0:30:18 | |
by the playing of the Last Post. | 0:30:18 | 0:30:21 | |
BUGLES PLAY THE LAST POST | 0:30:21 | 0:30:23 | |
Since then, this iconic piece of music has become a key part | 0:30:25 | 0:30:29 | |
of Remembrance ceremonies across Britain, the Commonwealth | 0:30:29 | 0:30:31 | |
and many other countries. | 0:30:31 | 0:30:34 | |
Here in Belgium, at the Menin Gate, | 0:30:34 | 0:30:36 | |
this bugle call has been played every single evening since 1928. | 0:30:36 | 0:30:40 | |
One person who knows exactly what it means to play the Last Post | 0:30:44 | 0:30:48 | |
is Corporal Bugler Nathan Crossley. | 0:30:48 | 0:30:51 | |
It's an incredibly haunting piece of music, | 0:30:51 | 0:30:54 | |
played in the right environment it sounds fantastic. | 0:30:54 | 0:30:57 | |
But everybody recognises it, everybody instantly associates that | 0:30:57 | 0:31:01 | |
with Remembrance and with that sombre attitude. | 0:31:01 | 0:31:04 | |
As a member of the Royal Marines Band, | 0:31:04 | 0:31:07 | |
Nathan has performed several times at the Cenotaph | 0:31:07 | 0:31:10 | |
in front of Her Majesty the Queen on Remembrance Sunday. | 0:31:10 | 0:31:13 | |
But some of the most poignant occasions | 0:31:16 | 0:31:18 | |
on which he is called upon to play the Last Post | 0:31:18 | 0:31:21 | |
are at repatriation ceremonies. | 0:31:21 | 0:31:24 | |
LAST POST PLAYS | 0:31:25 | 0:31:28 | |
It's an incredibly unique scenario. | 0:31:34 | 0:31:37 | |
Everybody seeing that body, effectively, for the first time, | 0:31:37 | 0:31:40 | |
whether you know the individual or whether you're family. | 0:31:40 | 0:31:44 | |
How important is it to you to play the Last Post, then, | 0:31:47 | 0:31:50 | |
at a ceremony like that? | 0:31:50 | 0:31:51 | |
Incredibly important. | 0:31:51 | 0:31:53 | |
As a member of the Armed Forces, whether it's Army, Navy, | 0:31:53 | 0:31:56 | |
Air Force, it doesn't matter - | 0:31:56 | 0:31:57 | |
we're all part of one family and, as a family, | 0:31:57 | 0:32:00 | |
that's how we say goodbye to each other. | 0:32:00 | 0:32:02 | |
Well, that's all for this programme of Remembrance | 0:32:08 | 0:32:11 | |
from the Imperial War Museum in London. | 0:32:11 | 0:32:13 | |
And what more fitting way to end | 0:32:13 | 0:32:15 | |
than with a special rendition of the Last Post | 0:32:15 | 0:32:17 | |
from Corporal Bugler Nathan Crossley. | 0:32:17 | 0:32:20 | |
Thank you for watching. | 0:32:20 | 0:32:21 | |
HE PLAYS THE LAST POST | 0:32:28 | 0:32:30 | |
'..Viking, North Utsire, South Utsire, East Forties, | 0:34:16 | 0:34:19 |