
Browse content similar to 20/11/2015. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
tighter checks entering the Schengen zone. At 10pm the Fiona Bruce will | :00:00. | :00:00. | |
be up with a -- with headlines but News Watch. | :00:00. | :00:16. | |
Welcome To News Watch. Coming Up. The Horror Of Paris Attacks What | :00:17. | :00:20. | |
Challenges Did Bbc News Face In Conveying The Drama And The Facts Of | :00:21. | :00:23. | |
What Happened Last Friday Night? We Be Hearing What Questions You Had | :00:24. | :00:28. | |
About The Coverage And How The Bbc Decided What To Show On Its | :00:29. | :00:36. | |
Bulletins. It was at around 9pm last Friday evening that reports began to | :00:37. | :00:41. | |
emerge of what proved to be the most complex and fast moving operation | :00:42. | :00:45. | |
BBC News has faced this year. Tim Wilcox was presenting on the News | :00:46. | :00:50. | |
Channel at that time. We start now with breaking news. Reports are | :00:51. | :00:55. | |
coming in of an attack, or possibly several attacks in Paris. Reports | :00:56. | :01:01. | |
are talking out -- about a burst of gunfire. With meets to discuss the | :01:02. | :01:07. | |
programme about this coverage is the BBC controller Gavin Allen and we | :01:08. | :01:12. | |
will also be hearing from one of the viewers who's been in touch with us | :01:13. | :01:16. | |
over the past few days, Richard Callan who's in Oxford. Gavin, can | :01:17. | :01:21. | |
you tell us about the priorities that the BBC had any major aftermath | :01:22. | :01:27. | |
of these attacks. It was a remarkably confused picture | :01:28. | :01:31. | |
initially. Obviously, the key priority is to tell people what we | :01:32. | :01:34. | |
know and what has happened to the best of our knowledge at that stage | :01:35. | :01:39. | |
and it was unfolding as each hour and minute went on. But also what we | :01:40. | :01:46. | |
didn't know, because you leak to lots of conclusions. And different | :01:47. | :01:51. | |
attacks. The priority was getting people who were there and getting | :01:52. | :01:55. | |
our own people to Paris and making sure that anyone we did get to Paris | :01:56. | :01:59. | |
was entirely safe, knew the risks and we had back-up. Where the big | :02:00. | :02:07. | |
issues now is fitted. A lot of mobile phone British get uploaded | :02:08. | :02:10. | |
onto social media, and there's also the concern about showing disturbing | :02:11. | :02:16. | |
imagery without warning. How did you deal with this? It's not unique to | :02:17. | :02:21. | |
Paris. So many people witnessed so many events. We need verification | :02:22. | :02:30. | |
and assessing it. When are we broadcasting? Is it appropriate is | :02:31. | :02:34. | |
it required? Does it help us understand what's happening? Lets | :02:35. | :02:40. | |
get some reactions from our viewers. Some of you said, congratulations, | :02:41. | :03:01. | |
who e-mailed. Others had their reservations and here are some | :03:02. | :03:08. | |
selections of your thoughts. Paris is on a knife edge. A city where a | :03:09. | :03:15. | |
silent vigil suddenly transforms into a screaming stampede. There's | :03:16. | :03:23. | |
been no doubting the sense of fear. Extensive portrayal of that fear | :03:24. | :03:26. | |
over many hours of airtime could have had a negative effect. It may | :03:27. | :03:33. | |
be gratifying to terrorists to see how much beer they've done it. Not | :03:34. | :03:38. | |
just directly to the victims, but how much they are impacting on a | :03:39. | :03:42. | |
wider society. That would have given them a great deal of satisfaction is | :03:43. | :03:47. | |
and deal their actions were worthwhile. That's the sort of | :03:48. | :03:51. | |
impact they want to have. This man had other concerns. Events in Paris | :03:52. | :03:57. | |
have been horrific and I don't want in any way to diminish or belittle | :03:58. | :04:02. | |
that. My concern is that there seems to be a morbid curiosity of | :04:03. | :04:12. | |
reporters pursuing witnesses immediately afterwards about their | :04:13. | :04:15. | |
emotions. What must you be going through? I think that could be left | :04:16. | :04:21. | |
for some time afterwards. Is no surprise that the story this size | :04:22. | :04:28. | |
received worldwide airtime, but there were discussions about suicide | :04:29. | :04:31. | |
bombings in Lebanon getting lost. Richard, can you tell us what your | :04:32. | :04:58. | |
concern was the tone of the coverage? I think I agreed with | :04:59. | :05:02. | |
several of the comments there and I'm concerned that the quantity of | :05:03. | :05:07. | |
coverage suggests that Western lives lost our more important the lives | :05:08. | :05:11. | |
lost in other parts of the world. I'm thinking of Pakistan, Nigeria. | :05:12. | :05:16. | |
Places which have greater resonance for some of the communities most at | :05:17. | :05:20. | |
risk of radicalisation in this country, and that amount of coverage | :05:21. | :05:28. | |
can then reinforce ids within those communities that Muslim lives are | :05:29. | :05:29. | |
not valued as much, which then actually increases the risk of | :05:30. | :05:36. | |
radicalisation. So, I think we have to be careful to be proportionate in | :05:37. | :05:41. | |
our reporting of loss of life around the world. Cabin. . It's a difficult | :05:42. | :05:53. | |
balance. You can't conduct your news on different countries. It has TB a | :05:54. | :05:55. | |
judgment based on the impact of any given incident. | :05:56. | :05:59. | |
a knock-on effect. Not just in families in Paris but migration | :06:00. | :06:07. | |
policy, intelligence failures, and a whole host of other areas to | :06:08. | :06:14. | |
explore. It doesn't mean we wouldn't cover other disasters or tragedies. | :06:15. | :06:19. | |
Richard, did you worry about fear and panic and the amount of coverage | :06:20. | :06:24. | |
was given? If very little was said in a Western media is about these | :06:25. | :06:29. | |
events, then I could imagine that the leadership of IES Mack -- Isis | :06:30. | :06:42. | |
would be disappointed. They rely on it to recruit by spreading fear and | :06:43. | :06:46. | |
terror. Absolutely, I think we have to be careful we don't do their job | :06:47. | :06:48. | |
for them. Gavin, lots were concerned about the idea that | :06:49. | :06:55. | |
some of the timing of the coverage focused on there, and there could be | :06:56. | :07:01. | |
seen to fuel the panic. I think at the end of this, an incident in | :07:02. | :07:07. | |
which 120 people are killed in the middle of the capital city, it's not | :07:08. | :07:13. | |
the coverage of that is going to lead to fear increasing, it's the | :07:14. | :07:16. | |
attacks themselves. I think we've got to be responsible restrained in | :07:17. | :07:23. | |
how we tell these stories, how we tell the background, the impact to | :07:24. | :07:27. | |
what happened, and hear eyewitness accounts. It's reflecting the fact | :07:28. | :07:32. | |
that there is fear, not creating fear. Lets get a taste of some of | :07:33. | :07:40. | |
the coverage and different reactions to aspects of it. It's been a week | :07:41. | :07:52. | |
of high emotions and BBC News conveyed the strength of feelings in | :07:53. | :07:55. | |
a number of ways such as this montage showing on Monday morning. | :07:56. | :08:09. | |
Another impact concern me, the use of a montage with some very morbid | :08:10. | :08:15. | |
piano music. It sounded more like a dreadful soap for the real events | :08:16. | :08:22. | |
that had happened. Reporting has been demanding emotionally and | :08:23. | :08:27. | |
sometimes the effect on BBC staff was clear. And the grief and anger | :08:28. | :08:34. | |
of Parisien 's was on display to the regrets. Much more factual reporting | :08:35. | :08:45. | |
a less impact on how it had affected very individuals could have been | :08:46. | :08:50. | |
better. And it would have been kinder to those individuals. I do | :08:51. | :08:55. | |
question as to how much focusing on those raw emotions will of made it | :08:56. | :08:59. | |
worse for them. Richard, can we talk about these views on how emotion was | :09:00. | :09:03. | |
covered in news and sentimentality. We heard that clip from the | :09:04. | :09:09. | |
breakfast News montage. What are your thoughts about this kind of | :09:10. | :09:14. | |
coverage? There's a danger of the invasion of privacy at this time is | :09:15. | :09:19. | |
when you are looking for people's reactions and immediate emotions, | :09:20. | :09:23. | |
and then I think that can easily move on to making it into a drama, | :09:24. | :09:31. | |
and something that becomes, for some people, entertainment. It becomes | :09:32. | :09:38. | |
gripping. They want to watch it. It looks a little bit like some of the | :09:39. | :09:42. | |
dramas we might watch on television anyway. And I think we need to avoid | :09:43. | :09:49. | |
sensationalising, or making news such as this into an appealing drama | :09:50. | :09:54. | |
that people are going to have some sort of morbid interest in. Morbid | :09:55. | :10:00. | |
interest. That music blog overlays images! I take the points about it | :10:01. | :10:08. | |
becomes entertaining or drama. I think it was compelling, and I don't | :10:09. | :10:14. | |
think it is necessarily a bad thing that is compelling. It's the chance | :10:15. | :10:21. | |
to reflect on individuals. The danger is of that we talk of | :10:22. | :10:29. | |
geopolitics, instead of individuals who have been injured or killed. By | :10:30. | :10:32. | |
speaking to people who are there at the same, or families of those who | :10:33. | :10:38. | |
have died, I think you get a greater picture of the sense of the tragedy, | :10:39. | :10:43. | |
actually. Because it has impacted on real, individual people. Lex end | :10:44. | :10:49. | |
with one will clip featuring a letter written by the husband of one | :10:50. | :10:55. | |
of the victims. He read out his letter to a BBC camera on Wednesday | :10:56. | :10:59. | |
leading to a large response on Twitter. On Friday night you stole | :11:00. | :11:07. | |
away the life of a acceptable being. The love of my life, the mother of | :11:08. | :11:13. | |
my son. Of course, I am devastated with grief, I give you that tidy | :11:14. | :11:19. | |
victory, but it will be a short-term grief. I know we will join us every | :11:20. | :11:27. | |
day. And I will find her a game in Paradise a free souls which you will | :11:28. | :11:33. | |
never have access to. -- again. That's all we have time for. Do call | :11:34. | :11:41. | |
us with your news and views on a number above. | :11:42. | :12:08. | |
In Sportsday we hear from Eddie Jones. | :12:09. | :12:10. |