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Hello, and welcome to a special edition of Witness, coming from | :00:28. | :00:35. | |
Cuba. I am Will Grant, and I will be taking you on a journey to meet some | :00:36. | :00:38. | |
of the people who have helped make history here in Cuba. We will hear | :00:39. | :00:47. | |
from the Buena Vista Social Club about the album that changed Cuba | :00:48. | :00:51. | |
forever. The minister who broke the mould in the island, and playing | :00:52. | :00:56. | |
baseball against the old enemy before relations with the United | :00:57. | :01:00. | |
States began to thaw. And the woman who put Cuban ballet on the map, | :01:01. | :01:12. | |
94-year-old Alicia Alonso. We began in 1959 as bearded revolutionaries | :01:13. | :01:15. | |
led by Fidel Castro marched triumphant through the streets of | :01:16. | :01:19. | |
Havana. It marked the success of the Cuban revolution. Our witness | :01:20. | :01:24. | |
remembers where he was on the day that he saw history being made. On | :01:25. | :01:34. | |
January eight, 1959, I was standing at this corner as hundreds of Cubans | :01:35. | :01:43. | |
were welcoming Fidel Castro. And I was very excited, very optimistic. I | :01:44. | :01:47. | |
thought these guys really were going to change Cuba in a positive way. | :01:48. | :01:57. | |
But he dominated Cuban politics from 1933 to more or less 1958. He was | :01:58. | :02:03. | |
considered the guy who really enforce the law for the benefit of | :02:04. | :02:08. | |
American companies. He and his Cabinet received $2000 each month | :02:09. | :02:13. | |
from the mafia to let them do whatever he wanted to do in Cuba, | :02:14. | :02:24. | |
about casinos, prostitution. My father was a well-known politician | :02:25. | :02:28. | |
who had opposed Batista from the beginning and I was a young high | :02:29. | :02:32. | |
school student, influenced by my father's ideas. At that time, the | :02:33. | :02:38. | |
Batista police could easily kill you for something as simple as | :02:39. | :02:46. | |
participating in a strike. In 1958, I remember following the advanced of | :02:47. | :02:50. | |
the revolutionaries forces on shortwave radio. | :02:51. | :03:00. | |
At the end of 1958, the revolutionaries movement called for | :03:01. | :03:08. | |
some sort of strike. So it was a very bad Christmas in Cuba. Because | :03:09. | :03:13. | |
there were no celebrations. Nobody was going out, there were no | :03:14. | :03:21. | |
parties. So on December 31, we went to bed early. We didn't even wait | :03:22. | :03:27. | |
for the new year. And sometime around 3am or 4am in the morning, I | :03:28. | :03:31. | |
heard the phone ringing. My father worked up, and he said... He spoke, | :03:32. | :03:38. | |
obviously, and then he turned to all of us who had woken up, and said | :03:39. | :03:44. | |
Batista has left. With Batista in flight to the Dominican Republic, | :03:45. | :03:49. | |
the celebrating soon turns to mob action and looting. Gambling | :03:50. | :03:52. | |
machines get the axe. Rebel fighters, fresh from the battlefield | :03:53. | :03:57. | |
in central Cuba, pour into the capital to impose martial law and | :03:58. | :04:01. | |
quell the rioting. Most of the military installations, facilities, | :04:02. | :04:04. | |
in Havana were taken over without a shot. The guys surrendered. Fidel | :04:05. | :04:17. | |
Castro took eight days to arrive in Havana. He arrived in Havana on | :04:18. | :04:26. | |
January eight. Some of my friends started to criticise the | :04:27. | :04:30. | |
revolution, that it was too radical. They started to criticise | :04:31. | :04:38. | |
the presence of the communists. Between 1959 and 1961, all my | :04:39. | :04:46. | |
friends at school, all my cousins, all my uncles and aunts, left. You | :04:47. | :04:54. | |
know, my sense in those years, when the revolution took over, initially | :04:55. | :05:01. | |
I expected things to go well. I didn't expect the United States to | :05:02. | :05:05. | |
take such a hard line on Cuba. I knew there was going to be a | :05:06. | :05:14. | |
negative reaction. What -- but I didn't expect things to turn around | :05:15. | :05:17. | |
so badly. Although much of his family did leave Cuba, Carlos | :05:18. | :05:21. | |
stayed. Today he lives here in Havana where he is a writer and | :05:22. | :05:26. | |
academic. Next we are taking you back to 1996 when a group of veteran | :05:27. | :05:31. | |
Cuban musicians recorded an album that became an overnight sensation. | :05:32. | :05:36. | |
The musicians and their traditional Cuban songs have been virtually | :05:37. | :05:39. | |
forgotten but the album made them unlikely global superstars. Our next | :05:40. | :05:46. | |
witness is one of the original members of Buena Vista Social Club. | :05:47. | :09:00. | |
And now, please welcome, from Havana, it is the Buena Vista Social | :09:01. | :09:06. | |
Club! APPLAUSE | :09:07. | :09:24. | |
Our third witness this month is Juan Carlo Montez. Juan Carlo Montez is | :09:25. | :09:36. | |
something of a pioneer. In 1993 he defied the Communist authorities to | :09:37. | :09:39. | |
open one of the first-ever privately owned restaurants in Cuba. The time | :09:40. | :09:44. | |
massive Soviet aid to the island had dried up and Cubans were forced to | :09:45. | :09:46. | |
find new ways to make a living. Juan Carlos Montes, speaking to us | :09:47. | :13:20. | |
from his home in Havana, where he now rents rooms to tourists. | :13:21. | :13:24. | |
Remember, you can watch our round-up of history every month on the BBC | :13:25. | :13:29. | |
News Channel or scroll through outback catalogue of radio | :13:30. | :13:32. | |
programmes at our online archive. Just go to the website. These days, | :13:33. | :13:39. | |
relations have thawed between the old atmospherics, Cuba and the | :13:40. | :13:43. | |
United States. And the sight of Americans on the streets of Havana | :13:44. | :13:48. | |
doesn't attract much attention. But back in the late 1990s, a baseball | :13:49. | :13:51. | |
game between the Cuban national side and the US major league team was a | :13:52. | :13:58. | |
huge event. Our next witness, Enrique Diaz, played in that match. | :13:59. | :17:41. | |
Another example of the power of soft diplomacy through sport. Bringing | :17:42. | :17:48. | |
together old foes. And finally to the elegant world of ballet. In | :17:49. | :17:52. | |
recent years some the most exciting dancers have come from Cuba, and | :17:53. | :17:58. | |
that is largely down to the work of the remarkable work of Alysia | :17:59. | :18:04. | |
Alonso. She said at the company over 60 years ago and spoke to us from | :18:05. | :18:06. | |
her beautiful office in her 60 years ago and spoke to us from | :18:07. | :18:12. | |
her beautiful office in -- Havana. Immediately following the revolution | :18:13. | :20:06. | |
in 1959, Alicia Alonso and her first husband, were given the money and | :20:07. | :20:11. | |
support to fund a national ballet company of Cuba. | :20:12. | :21:58. | |
That magnificent prima ballerina still very much a dancer at heart. | :21:59. | :22:06. | |
That is if this special edition of witness coming from Cuba. Remember | :22:07. | :22:10. | |
to watch Tanya Beckett next month and she will be back in the British | :22:11. | :22:15. | |
library in London bringing you fight for witnesses and more history | :22:16. | :22:18. | |
through the eyes of the people who were there. From me, will grant in | :22:19. | :22:25. | |
her -- Havana, goodbye. | :22:26. | :22:28. |