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This programme contains some strong language | 0:00:02 | 0:00:05 | |
In the heart of South London, the real life Del Boys are on the make. | 0:00:05 | 0:00:08 | |
It's just become 100 years old, so it's just become an antique. | 0:00:08 | 0:00:11 | |
Even though it's a tenner, for you, I'd do it for £1. | 0:00:11 | 0:00:15 | |
For these wheelers and dealers, every item, | 0:00:15 | 0:00:17 | |
no matter how unlikely, is for sale. | 0:00:17 | 0:00:20 | |
Now come on, a robin. Hand-painted robin. | 0:00:21 | 0:00:26 | |
-I think that is German. -That's German. | 0:00:26 | 0:00:28 | |
-I told you it was a German doll. -That's worth money, that. | 0:00:28 | 0:00:31 | |
When it's time for fresh stock, | 0:00:31 | 0:00:32 | |
they head for a very special auction house... | 0:00:32 | 0:00:35 | |
520, 530, 540, 550... | 0:00:35 | 0:00:38 | |
..sifting through the junk in search of buried treasure. | 0:00:38 | 0:00:42 | |
It's also got a Gucci - and it's genuine - watch in there. | 0:00:43 | 0:00:47 | |
But can any of them discover the lot that will transform them | 0:00:47 | 0:00:51 | |
into millionaires. | 0:00:51 | 0:00:52 | |
590. | 0:00:52 | 0:00:54 | |
I hope to be Del Boy one day. | 0:00:54 | 0:00:56 | |
I hope I find a nice something that's worth... | 0:00:56 | 0:00:58 | |
-And become a millionaire. -..millions of pounds | 0:00:58 | 0:01:00 | |
and I can never work again. | 0:01:00 | 0:01:01 | |
Greasby's in Tooting is South London's oldest auction house. | 0:01:10 | 0:01:14 | |
Good morning, ladies and gentlemen. | 0:01:14 | 0:01:16 | |
Lot one is a scale model electric Sherman tank. | 0:01:16 | 0:01:20 | |
12, 14, 16, 18... | 0:01:20 | 0:01:23 | |
Though only five miles from Sotheby's, they are worlds apart. | 0:01:23 | 0:01:27 | |
Mickey Mouse, six. | 0:01:27 | 0:01:29 | |
I'm going to punch him on the nose in a minute | 0:01:29 | 0:01:31 | |
if they say a fiver again. | 0:01:31 | 0:01:33 | |
Six quid is the lowest bid in this sale room. | 0:01:33 | 0:01:36 | |
This place is wonderful, I love it. | 0:01:36 | 0:01:38 | |
Can we have some hush?! | 0:01:38 | 0:01:40 | |
The auctioneers specialise in selling house clearances, | 0:01:41 | 0:01:44 | |
police confiscations, | 0:01:44 | 0:01:46 | |
bailiff repossessions and even unclaimed baggage. | 0:01:46 | 0:01:49 | |
Lot 125 is climbing equipment. 20 quid. | 0:01:49 | 0:01:53 | |
For the intrepid South London entrepreneur... | 0:01:53 | 0:01:56 | |
12. | 0:01:56 | 0:01:58 | |
..it's a kind of Mecca. | 0:01:58 | 0:01:59 | |
I'd describe them as, Del Boy, Fools and Horses. | 0:01:59 | 0:02:03 | |
They're not sort of relying on a job any more. | 0:02:03 | 0:02:06 | |
There ain't jobs out there to have, | 0:02:06 | 0:02:08 | |
so they've got to make money how they can. | 0:02:08 | 0:02:10 | |
-22. -We are their wholesaler. | 0:02:10 | 0:02:13 | |
They come to us, they buy it and they go and sell it for more. | 0:02:13 | 0:02:16 | |
22, to my left. | 0:02:16 | 0:02:18 | |
To the regulars, it's known as a trash and treasure auction. | 0:02:20 | 0:02:24 | |
925 is a carton of assorted costume jewellery. | 0:02:24 | 0:02:29 | |
And tall tales fuel dreams that one day they might just strike gold. | 0:02:29 | 0:02:33 | |
That lot there, £15. | 0:02:33 | 0:02:36 | |
I've heard of a story that, erm... Pack of nappies, | 0:02:36 | 0:02:39 | |
like they're all sealed, all together and everything like that, | 0:02:39 | 0:02:42 | |
open up nappies in there, 50 grand in the nappies. | 0:02:42 | 0:02:45 | |
There's a rumour that someone bought a magicians' book and inside of | 0:02:47 | 0:02:51 | |
that, in the front cover, there was er, Houdini's signature. | 0:02:51 | 0:02:56 | |
Waiting for the Del Boy and Rodney wristwatch in here. | 0:02:56 | 0:02:59 | |
Yeah, that's it... | 0:02:59 | 0:03:00 | |
Erm, that is what they're waiting for. Yeah. | 0:03:00 | 0:03:03 | |
Before every fortnightly auction, there's a viewing day. | 0:03:06 | 0:03:10 | |
These are covert operations where eagle-eyed traders | 0:03:10 | 0:03:14 | |
flock to the showroom hunting for that hidden gem. | 0:03:14 | 0:03:17 | |
A good viewer's a good buyer. | 0:03:21 | 0:03:22 | |
They come in, they know what they want to look at, they find it, | 0:03:22 | 0:03:25 | |
they look at it, they don't faff about spending time | 0:03:25 | 0:03:28 | |
chatting to friends, chatting to us. | 0:03:28 | 0:03:31 | |
It's rivalry. | 0:03:32 | 0:03:35 | |
You get a crate of bric-a-brac, you can have, I don't know, | 0:03:36 | 0:03:39 | |
first edition Harry Potter book in there or something like that. | 0:03:39 | 0:03:42 | |
And someone's found it, they've gone, hah, bloody hell. | 0:03:42 | 0:03:44 | |
They've buried it back in the crate and they'll bid on that crate. | 0:03:44 | 0:03:47 | |
They'll get it, they'll have a touch. | 0:03:47 | 0:03:49 | |
One of the best players of this game is Ritchie, | 0:03:49 | 0:03:53 | |
who's been trading for nearly ten years. | 0:03:53 | 0:03:56 | |
I'm into, erm, jewellery, cars, paintings, | 0:03:56 | 0:04:00 | |
anything I think I can earn a pound note on, I'll have it. | 0:04:00 | 0:04:04 | |
-Are they in order, yeah? -Yeah. -Sweet. | 0:04:04 | 0:04:07 | |
When it's going well, Ritchie can earn up to £3,000 in one month. | 0:04:08 | 0:04:12 | |
And as a seasoned viewer, he's recently struck gold. | 0:04:12 | 0:04:16 | |
-I'm looking through, there's a little brown wooden box. -I saw him. | 0:04:16 | 0:04:19 | |
I opened it and it looked like a load of costume jewellery | 0:04:19 | 0:04:22 | |
inside it and I just happened to see a little hallmark on a little clasp. | 0:04:22 | 0:04:27 | |
And I thought, hmm, there's a bit of gold in there. | 0:04:27 | 0:04:29 | |
So I shut the box up, put it at the bottom | 0:04:29 | 0:04:31 | |
and put everything back in it. | 0:04:31 | 0:04:33 | |
And I paid £44 for it. | 0:04:33 | 0:04:35 | |
We was driving home and I said... | 0:04:35 | 0:04:37 | |
Oh, I couldn't, I was itching. | 0:04:37 | 0:04:39 | |
So I lent over to the back of the car, pulled the little brown | 0:04:39 | 0:04:41 | |
box out, I give it to her, carried on driving and she went, "Rich?" | 0:04:41 | 0:04:46 | |
"What's 750 mean?" I said, "750's 18 carat." | 0:04:46 | 0:04:49 | |
She went, "You're joking?" | 0:04:49 | 0:04:51 | |
I said, "No, I said it's 18 carat Nik, I know me hallmarks." | 0:04:51 | 0:04:56 | |
Ritchie's off to cash in his haul of gold, | 0:04:59 | 0:05:02 | |
which, with auction house fees, has cost a total of £60. | 0:05:02 | 0:05:06 | |
Just going down to Hatton Gardens to the metal refinery | 0:05:06 | 0:05:09 | |
to scrap this gold. | 0:05:09 | 0:05:11 | |
Just a little bit of 18 carat in there I've got to scrap today. | 0:05:15 | 0:05:19 | |
Right, when I first got into doing this, | 0:05:25 | 0:05:28 | |
nine carat gold was £3 a gram, it's now £12.50 a gram. | 0:05:28 | 0:05:32 | |
And I've scrapped thousands and thousands of pounds worth of gold. | 0:05:32 | 0:05:35 | |
£1,300. | 0:05:40 | 0:05:41 | |
£1,300. From 60 quid, it's not bad, is it? | 0:05:41 | 0:05:44 | |
Even though they occasionally hit the big time, | 0:05:56 | 0:05:59 | |
buying and selling doesn't always provide a steady income. | 0:05:59 | 0:06:03 | |
With a young family to support, | 0:06:03 | 0:06:04 | |
sometimes Ritchie has to fall back on his old trade. | 0:06:04 | 0:06:07 | |
Well, I could earn a couple of grand a month down the spray motors, but... | 0:06:07 | 0:06:11 | |
He's not happy. | 0:06:11 | 0:06:12 | |
I'm at work from seven in the morning until six at night, | 0:06:12 | 0:06:16 | |
and no time for the kids, come home, have a bit of dinner, bath, | 0:06:16 | 0:06:19 | |
bed and out up again in the morning, back to work again, six days a week. | 0:06:19 | 0:06:23 | |
He's all right for doing that for... | 0:06:23 | 0:06:24 | |
I don't get no time with the little fella? Yeah. | 0:06:24 | 0:06:28 | |
This is all... That's what your life's all about then, isn't it? | 0:06:28 | 0:06:30 | |
Yeah, I can spray cars, but I don't enjoy spraying cars, | 0:06:30 | 0:06:33 | |
-put it like that... -He's good at it, though. | 0:06:33 | 0:06:35 | |
I enjoy going down the auction. | 0:06:35 | 0:06:37 | |
Right, can I trust you with this or are you going to drop it all... | 0:06:41 | 0:06:44 | |
-No, I won't do that. -..like you did last time? | 0:06:44 | 0:06:47 | |
No, I'm not. | 0:06:47 | 0:06:49 | |
Thank you, can you just put it by the window, please, carefully. | 0:06:49 | 0:06:53 | |
After 40 years of marriage, Sharon and Al have just gone into business | 0:06:53 | 0:06:56 | |
together as full-time traders. | 0:06:56 | 0:07:00 | |
Until six months ago, Sharon worked in a chemist | 0:07:00 | 0:07:03 | |
and Al was a car mechanic at Ford's. | 0:07:03 | 0:07:05 | |
There should be another, a dolphin. | 0:07:05 | 0:07:07 | |
Both have given up their jobs to chance their arm | 0:07:07 | 0:07:11 | |
wheeling and dealing. | 0:07:11 | 0:07:12 | |
In our opinion, it was worth a chance. | 0:07:12 | 0:07:15 | |
You just come to a point in life | 0:07:15 | 0:07:17 | |
where you've got to say to yourself, | 0:07:17 | 0:07:19 | |
this is what I want to do. | 0:07:19 | 0:07:20 | |
So, I got me skateboards. | 0:07:22 | 0:07:24 | |
-How are they selling? -They're not. | 0:07:24 | 0:07:26 | |
Unicycle might, | 0:07:26 | 0:07:28 | |
I don't suppose you're interested in a unicycle, are you? | 0:07:28 | 0:07:30 | |
These are garden windmills to frighten the birds away. | 0:07:30 | 0:07:34 | |
Laughing bag. Heh. | 0:07:34 | 0:07:36 | |
Sharon will do anything she can. | 0:07:38 | 0:07:40 | |
She'll just think of something and she'll go for it, | 0:07:40 | 0:07:44 | |
and I have to follow her, I have to get involved. | 0:07:44 | 0:07:48 | |
But, one day, something will pay off for her, big time. | 0:07:48 | 0:07:52 | |
Oh, you know them plastic birds I was telling you about? | 0:07:52 | 0:07:56 | |
7p, flogged them for a £1. | 0:07:56 | 0:08:00 | |
I'll do you good deal, 50p, yeah? | 0:08:00 | 0:08:02 | |
Go on, you know you want one. | 0:08:02 | 0:08:03 | |
Sharon and Al dream of turning their weekend hobby of auctions | 0:08:05 | 0:08:08 | |
and car-booting into a profitable business. | 0:08:08 | 0:08:11 | |
Have you ever been to an auction? You've been to an auction, right. | 0:08:12 | 0:08:15 | |
So, but do you go, you don't go regularly like to buy or that? | 0:08:15 | 0:08:18 | |
Don't forget, I mean this is what I've got to try and make money at. | 0:08:18 | 0:08:21 | |
That's all... That's where all this has come from. | 0:08:21 | 0:08:24 | |
Al, is my lookout. | 0:08:24 | 0:08:26 | |
So I'll be sitting there all nonchalantly, | 0:08:26 | 0:08:28 | |
pretending I'm not the slightest bit interested in it, | 0:08:28 | 0:08:31 | |
and he'll give me a quick nudge to say that those people | 0:08:31 | 0:08:33 | |
are going to bid. | 0:08:33 | 0:08:34 | |
But, if there's something I really want, right? | 0:08:34 | 0:08:38 | |
Woe betide anybody get in my way, cos if I want it, I'm having it. | 0:08:38 | 0:08:42 | |
You can't miss an auction, that's for sure. | 0:08:45 | 0:08:47 | |
There's an atmosphere. | 0:08:47 | 0:08:49 | |
You know it's like you're in a Bond movie, there's all this spy | 0:08:49 | 0:08:52 | |
and detective work and you're | 0:08:52 | 0:08:54 | |
so frightened you're going to miss something. | 0:08:54 | 0:08:57 | |
I mean, when I first started here, I come here, I looked around, | 0:08:57 | 0:09:00 | |
I was like, what a load of shit. | 0:09:00 | 0:09:02 | |
I didn't think people would want to buy the stuff that's in there, | 0:09:02 | 0:09:06 | |
and sometimes you get some really nice bits, sometimes you get | 0:09:06 | 0:09:09 | |
some toot and you think, you're handing it to them | 0:09:09 | 0:09:11 | |
when they've bought it and you think, | 0:09:11 | 0:09:13 | |
well how you going to make money on that? | 0:09:13 | 0:09:17 | |
At today's viewing, | 0:09:17 | 0:09:19 | |
Ritchie and Nikki are on their usual trawl for treasure. | 0:09:19 | 0:09:21 | |
Yeah, we're interested in quite a lot by the looks of things. | 0:09:26 | 0:09:29 | |
-Nice little painting there, little Chinese painting. -Yeah by... | 0:09:29 | 0:09:32 | |
Hoi Ching somebody. | 0:09:32 | 0:09:34 | |
I'll be honest with you, I doubt a lot of people in that auction | 0:09:34 | 0:09:36 | |
-will know about that? -No. | 0:09:36 | 0:09:38 | |
We could, we could. | 0:09:38 | 0:09:39 | |
The last thing like that, we nicked for about 64 quid | 0:09:39 | 0:09:41 | |
-and we sold it for like in excess of a few hundred pound. -Yeah. | 0:09:41 | 0:09:44 | |
So, when you find something special, you have to be quite quiet | 0:09:44 | 0:09:47 | |
cos you don't want to let everybody know everything, do you? | 0:09:47 | 0:09:50 | |
The picture they want to bid on is a print | 0:09:51 | 0:09:54 | |
and if it's one of the original sets, it could be very valuable. | 0:09:54 | 0:09:59 | |
I think we got something special there with that picture. | 0:09:59 | 0:10:02 | |
I think it could be a pukka one. | 0:10:02 | 0:10:03 | |
-It's in the New York Metropolitan. -Metropolitan. | 0:10:03 | 0:10:06 | |
Museum in New York. That's where I found out they made 800. | 0:10:06 | 0:10:10 | |
There was at least 800 printed off, and obviously if you get one | 0:10:10 | 0:10:14 | |
of the first ones, then the outline will stand out more, | 0:10:14 | 0:10:17 | |
-so the closer the... -Yeah, yeah I'm with you. -Do you know what I mean? | 0:10:17 | 0:10:20 | |
The colouring will tell you roughly whether it's made... | 0:10:20 | 0:10:23 | |
If it's one of the first prints or? | 0:10:23 | 0:10:25 | |
-Whether it's made the first 800's or the second. -Yeah, I'm with you. | 0:10:25 | 0:10:28 | |
-But the colouring's really good on it. -Yeah. | 0:10:28 | 0:10:30 | |
Which is a great sign. | 0:10:30 | 0:10:33 | |
He was quite possibly the best Japanese artist. | 0:10:33 | 0:10:36 | |
-What in the world, yeah? -That's some art, is that? | 0:10:36 | 0:10:39 | |
So what you're saying is, he's the Jackie Chan of art then, isn't he? | 0:10:39 | 0:10:42 | |
-That's what you're saying. -It's too good to be true, don't you think? | 0:10:42 | 0:10:45 | |
-Yeah, yeah, he's Mohammed Amar Bruce Lee of art, isn't he? -Yeah. | 0:10:45 | 0:10:48 | |
Lot 339 is three odd nine carat gold cufflinks, a small bracelet | 0:10:53 | 0:10:58 | |
and an odd earring. | 0:10:58 | 0:11:00 | |
£10, I'm bid, turn your bloody phone off, please. | 0:11:01 | 0:11:05 | |
12, 14, 16, 18... | 0:11:05 | 0:11:07 | |
At least 1,000 lots come under the hammer at each auction. | 0:11:07 | 0:11:11 | |
And today, competition is particularly stiff. | 0:11:12 | 0:11:15 | |
26, 28... | 0:11:15 | 0:11:16 | |
That's the busiest I've ever seen it. | 0:11:16 | 0:11:18 | |
There's a lot of new faces here. | 0:11:18 | 0:11:20 | |
There's plenty of new faces, so, we'll see what happens. | 0:11:20 | 0:11:23 | |
-We'll see how it goes, yeah. Fingers crossed. -Yeah. | 0:11:23 | 0:11:25 | |
I hope we get something that we want today. | 0:11:25 | 0:11:28 | |
Lot 64 is the thunderstorm at the foot of Mount Fuji. | 0:11:30 | 0:11:34 | |
£20. | 0:11:34 | 0:11:36 | |
Here you are. | 0:11:36 | 0:11:38 | |
20, 22, 24, 26, 28, 30, 32, 34... | 0:11:38 | 0:11:43 | |
You only need two people to make an auction. | 0:11:43 | 0:11:46 | |
You can have 50 people in this sale room | 0:11:46 | 0:11:49 | |
and two people are gunning for that item all the way. | 0:11:49 | 0:11:52 | |
75, 80, 85, 90, 95, 100 and five, 110, 115, 120... | 0:11:52 | 0:11:59 | |
And it's the difference between 20 quid and 1,000 quid. | 0:11:59 | 0:12:02 | |
155, 160, 165, 170, 195, 200. In the front at £200. | 0:12:02 | 0:12:10 | |
Ritchie and Nikki win the print. | 0:12:12 | 0:12:15 | |
After commission, It'll cost them £250. | 0:12:15 | 0:12:17 | |
If it went for 300, 400, I would still have bought that picture | 0:12:20 | 0:12:23 | |
cos I knew there was something special. | 0:12:23 | 0:12:25 | |
If it had stopped at 45 quid I'd have been more aware, | 0:12:25 | 0:12:29 | |
now, I'd be thinking, that's shit, it ain't worth nothing, | 0:12:29 | 0:12:32 | |
but because he bid against me | 0:12:32 | 0:12:33 | |
and it went up to £200, now I feel that there's something more special. | 0:12:33 | 0:12:37 | |
Well, you don't know, this thing could be worth 20 grand. | 0:12:37 | 0:12:39 | |
It honestly could be, it could be worth two grand, it could be | 0:12:39 | 0:12:42 | |
worth 20 grand, it could be worth 100 quid, nobody knows. | 0:12:42 | 0:12:45 | |
I paid a two'er for it and we shall find out soon. | 0:12:45 | 0:12:48 | |
It's got to be worth something, it's got to be. | 0:12:48 | 0:12:51 | |
They don't put things in a museum that's worthless. | 0:12:51 | 0:12:56 | |
They're chasing a dream. | 0:12:56 | 0:12:58 | |
I mean, you get loads of people coming back and they say, | 0:12:58 | 0:13:01 | |
"Oh, we bought that for that much and we went and sold it for this. | 0:13:01 | 0:13:04 | |
"Oh, we made a killing and blah, blah." | 0:13:04 | 0:13:06 | |
You look at them and you think, | 0:13:06 | 0:13:07 | |
you're wearing the same trainers you've worn for the past six months. | 0:13:07 | 0:13:10 | |
You're wearing the same jeans you've worn for the past six months. | 0:13:10 | 0:13:13 | |
You've got the same coat on that you've had for the past four years, | 0:13:13 | 0:13:16 | |
you ain't doing that well, mate. | 0:13:16 | 0:13:18 | |
For some wheeler dealers, | 0:13:25 | 0:13:27 | |
the best way of making money is to specialise. | 0:13:27 | 0:13:30 | |
Toni sells costume jewellery and cheap watches. | 0:13:30 | 0:13:34 | |
This is my room and as you can see, I've got stuff everywhere. | 0:13:34 | 0:13:39 | |
In here is jewellery, jewellery, display cases and rings. | 0:13:40 | 0:13:46 | |
I've got over 700 watches and that's just one container. | 0:13:46 | 0:13:51 | |
After 18 months trading in low value items, | 0:13:52 | 0:13:56 | |
Toni's now looking to up her profit margin. | 0:13:56 | 0:13:59 | |
Everyone has to start at the bottom, which is what I've done, right? | 0:13:59 | 0:14:03 | |
I'm now, I'm not up there, but I'm there. | 0:14:03 | 0:14:07 | |
If I wanted to, I could put a load of crap on eBay | 0:14:07 | 0:14:10 | |
and I bet you it would sell. | 0:14:10 | 0:14:12 | |
But I want to get away from that, I want to do quality. | 0:14:12 | 0:14:17 | |
Toni used to be a manager at a large DIY store | 0:14:18 | 0:14:21 | |
until, in 2006, she was struck down by a serious illness. | 0:14:21 | 0:14:25 | |
I was taken into hospital with viral meningitis, | 0:14:26 | 0:14:32 | |
and my left arm, I can't raise my arm and my shoulder. | 0:14:32 | 0:14:39 | |
I get unbelievable pain. | 0:14:39 | 0:14:42 | |
It's like someone with a knife just digging it in you all the time. | 0:14:42 | 0:14:46 | |
I made a decision that for my own health, I'll move in with my mum. | 0:14:46 | 0:14:52 | |
So we help each other out now. | 0:14:53 | 0:14:55 | |
We are more or less each other's carers. | 0:14:56 | 0:15:00 | |
Because she has bad, bad, very bad days sometimes. | 0:15:01 | 0:15:06 | |
But this does help me, because like any pain, | 0:15:06 | 0:15:10 | |
if you're sitting there thinking about it, | 0:15:10 | 0:15:12 | |
it's going to be worse. | 0:15:12 | 0:15:15 | |
It's three days until the next auction at Greasby's, | 0:15:20 | 0:15:23 | |
ahead of which an online catalogue is published listing everything for sale. | 0:15:23 | 0:15:28 | |
It's the first chance traders like Toni get to see what's up for grabs. | 0:15:28 | 0:15:32 | |
There's some good watches in there. | 0:15:32 | 0:15:34 | |
Toni hones in on the big ticket items. | 0:15:34 | 0:15:37 | |
One of them's a Cartier, right, | 0:15:37 | 0:15:41 | |
but I don't think I'm going to have enough money for that. | 0:15:41 | 0:15:44 | |
That's going to go for thousands. | 0:15:44 | 0:15:46 | |
And I most probably know who's going to buy that one. | 0:15:46 | 0:15:49 | |
It's Jamie. He deals in that stuff, er, | 0:15:49 | 0:15:53 | |
if there's Rolexes he'll buy them and they go up in the thousands | 0:15:53 | 0:15:59 | |
so, but I can live in dreams, you know, I'll have a look at it. | 0:15:59 | 0:16:04 | |
244, Cartier watch. | 0:16:15 | 0:16:17 | |
With high roller, Jamie, nowhere to be seen, | 0:16:19 | 0:16:21 | |
Toni's examining the designer watch she's spotted online. | 0:16:21 | 0:16:25 | |
Checking the backs | 0:16:27 | 0:16:28 | |
because that's where you have the serial numbers | 0:16:28 | 0:16:31 | |
and I can tell now whether they are forgeries | 0:16:31 | 0:16:34 | |
or whether they are genuine. | 0:16:34 | 0:16:36 | |
At Greasby's, cheaper watches get bagged up as job lots. | 0:16:37 | 0:16:41 | |
And sometimes hidden treasure can find its way inside. | 0:16:43 | 0:16:46 | |
A couple of the bags I've just looked at in the cabinet | 0:16:49 | 0:16:53 | |
and one also got a Gucci - and it's genuine - watch in there, | 0:16:53 | 0:16:56 | |
which they haven't advertised, | 0:16:56 | 0:16:58 | |
and that's the sort of thing that you want to find. | 0:16:58 | 0:17:01 | |
Before bidding, Toni wants to find out the retail value | 0:17:07 | 0:17:10 | |
of the Gucci watch she's discovered. | 0:17:10 | 0:17:12 | |
That looks like it. I think the strap wasn't brown, though. | 0:17:14 | 0:17:20 | |
But it was this shape. | 0:17:20 | 0:17:23 | |
The watch that it looks like, brand-new, is £2,120. | 0:17:23 | 0:17:28 | |
She's got to pray tonight that Jamie doesn't turn up. | 0:17:28 | 0:17:32 | |
It is his main business and he's got wads of money | 0:17:32 | 0:17:37 | |
and he'd be prepared to outrank her any time on that, | 0:17:37 | 0:17:41 | |
if he knew that it was a genuine thing like that. | 0:17:41 | 0:17:43 | |
Well, as you say, Tone. Let's hope he's got a cold and doesn't come. | 0:17:45 | 0:17:50 | |
Man flu, yes! | 0:17:50 | 0:17:53 | |
CHUCKLING | 0:17:53 | 0:17:54 | |
I love it! | 0:17:54 | 0:17:56 | |
As well as trading in a huge range of second-hand and repossessed items, | 0:17:59 | 0:18:04 | |
Greasby's also stocks a very particular kind of lost property. | 0:18:04 | 0:18:08 | |
Selling on suitcases from Britain's biggest airports. | 0:18:08 | 0:18:12 | |
This could have a desert spider in it. | 0:18:13 | 0:18:16 | |
Spooky. | 0:18:18 | 0:18:19 | |
Any bag unclaimed for more than three months could end up here. | 0:18:19 | 0:18:23 | |
Go on, get up there. | 0:18:26 | 0:18:28 | |
The suitcases attract large numbers to the auction. | 0:18:28 | 0:18:31 | |
They think they're going to find lots of goodies | 0:18:33 | 0:18:36 | |
and that pot of gold inside a suitcase, and they're... | 0:18:36 | 0:18:39 | |
I mean, at the end of the day, it's what the world survives on. | 0:18:39 | 0:18:42 | |
Myths. | 0:18:42 | 0:18:44 | |
It's not nice sorting through this sort of stuff. | 0:18:44 | 0:18:47 | |
Especially when they're very crutchy. | 0:18:47 | 0:18:49 | |
As I'm going through now, if I find an electrical lead, | 0:18:49 | 0:18:53 | |
chargers, adaptors, hairdryers, we'll bundle it up into a lot. | 0:18:53 | 0:18:57 | |
The toiletries, that'll be broken down into another lot. | 0:18:57 | 0:19:01 | |
We'll split the footwear, cos some people like to buy the footwear. | 0:19:01 | 0:19:05 | |
Erm, the bric-a-brac crate, I mean it's just the odds and sods we receive here. | 0:19:05 | 0:19:10 | |
All we leave in the case is a bag of dirty clothing, basically. | 0:19:10 | 0:19:16 | |
What's the strangest thing you've found in a suitcase? | 0:19:17 | 0:19:20 | |
Erm, we found a couple of presentation boxes | 0:19:20 | 0:19:25 | |
with a marble double-ended willy. | 0:19:25 | 0:19:28 | |
I think that, I think that just topped it for me. | 0:19:28 | 0:19:32 | |
The customers ain't allowed to check what's inside it. | 0:19:32 | 0:19:35 | |
We'll just catalogue it: "Pink trolley case containing ladies clothing" | 0:19:35 | 0:19:39 | |
and they'll just buy it on that description. | 0:19:39 | 0:19:41 | |
It ain't open. | 0:19:43 | 0:19:45 | |
Tuesday is auction day, | 0:19:45 | 0:19:47 | |
and this week Sharon and Al have decided to dabble | 0:19:47 | 0:19:51 | |
in the suitcase game and there's quite a selection to choose from. | 0:19:51 | 0:19:55 | |
Depends which suitcase we fancy. | 0:19:55 | 0:19:57 | |
Yeah. Pick one out. | 0:19:57 | 0:19:59 | |
-It ain't going to be that one. -Eh? | 0:19:59 | 0:20:01 | |
It ain't going to be that one. | 0:20:01 | 0:20:02 | |
How big is it? | 0:20:04 | 0:20:05 | |
690. | 0:20:06 | 0:20:08 | |
Oh, a set of three, two of three. | 0:20:09 | 0:20:13 | |
Those suitcases, right, even if it's crap inside, | 0:20:13 | 0:20:16 | |
I'll be able to sell the suitcases anyway. | 0:20:16 | 0:20:19 | |
Next summer, boot sales. | 0:20:19 | 0:20:21 | |
So people want smaller cases rather than the bigger ones, | 0:20:21 | 0:20:25 | |
so I'll be able to flog them anyway. | 0:20:25 | 0:20:27 | |
Having chosen number 690, | 0:20:29 | 0:20:31 | |
Sharon is prepared to pay a maximum of £12 for the three-suitcase lot. | 0:20:31 | 0:20:35 | |
Lot 672, trolley case of mixed. | 0:20:37 | 0:20:39 | |
14, I have, 16, 18, 20, 22, 24, | 0:20:39 | 0:20:44 | |
26, 28, 30, 32, 34, 36, | 0:20:44 | 0:20:47 | |
38, 40, 45, 50. | 0:20:47 | 0:20:50 | |
With prices far higher than she expected, | 0:20:50 | 0:20:53 | |
and with a determined buyer in the room... | 0:20:53 | 0:20:56 | |
..mixed clothing, 18 I have... | 0:20:56 | 0:20:57 | |
..the chance of winning her lot for £12 is looking remote. | 0:20:57 | 0:21:01 | |
30, 32, 34, 36, 38, | 0:21:01 | 0:21:03 | |
40, 45. 45 at the back. | 0:21:03 | 0:21:06 | |
You've got a price fixed in your mind, | 0:21:08 | 0:21:10 | |
but sometimes you just go over it, get carried away. | 0:21:10 | 0:21:13 | |
Yeah, YOU do. | 0:21:13 | 0:21:15 | |
-Do you? -Yes. -No. | 0:21:15 | 0:21:17 | |
YES. | 0:21:17 | 0:21:19 | |
Not like you do. | 0:21:19 | 0:21:21 | |
Er... Occasionally. | 0:21:21 | 0:21:23 | |
Not by a lot, though. | 0:21:25 | 0:21:26 | |
Sharon's lot, 690, is up next. | 0:21:28 | 0:21:30 | |
690, three trolley cases of mixed. | 0:21:32 | 0:21:35 | |
22, 24, 26, 28, 30. | 0:21:35 | 0:21:39 | |
32, 34. 34. | 0:21:39 | 0:21:43 | |
Outbid on lot 690, but determined not to leave empty-handed, | 0:21:47 | 0:21:51 | |
Sharon decides to start bidding on a case she hasn't even seen. | 0:21:51 | 0:21:55 | |
18, 20, 22. | 0:21:55 | 0:21:59 | |
24. | 0:22:00 | 0:22:01 | |
Including auction fees, | 0:22:07 | 0:22:09 | |
Sharon and Al have spent £28 on the mystery suitcase. | 0:22:09 | 0:22:13 | |
We've probably got some crapped-out case. | 0:22:16 | 0:22:19 | |
Bet it don't fucking work. | 0:22:19 | 0:22:21 | |
Oh! | 0:22:23 | 0:22:24 | |
CAMERAMAN LAUGHING | 0:22:24 | 0:22:26 | |
What have you done, Sharon? | 0:22:28 | 0:22:30 | |
You weren't supposed to have heard that! | 0:22:30 | 0:22:33 | |
He just reminded me that there is this completely smashed-up suitcase up there. | 0:22:33 | 0:22:38 | |
I've just realised I've probably bought it for thirty quid. | 0:22:38 | 0:22:41 | |
Right, lot 720. | 0:22:43 | 0:22:45 | |
There you go, this is the big one. | 0:22:47 | 0:22:50 | |
-Oh, it's a big one. -It's a big one. | 0:22:50 | 0:22:52 | |
Yeah, it is a big'un, apparently so. | 0:22:52 | 0:22:55 | |
Thanks a lot. | 0:22:55 | 0:22:56 | |
Oh, it gets worse. | 0:22:57 | 0:22:59 | |
I suppose the bloody zip's broken as well. | 0:23:02 | 0:23:05 | |
A bloody stupid idea, actually. | 0:23:05 | 0:23:08 | |
8, 10, 12, 14... | 0:23:10 | 0:23:13 | |
Toni's also turned up at the auction. | 0:23:13 | 0:23:16 | |
It is a silver Renault Scenic... | 0:23:16 | 0:23:18 | |
She's waiting for the Cartier and Gucci watches to come under the gavel. | 0:23:18 | 0:23:23 | |
..450, 460... | 0:23:23 | 0:23:24 | |
And as she feared, Jamie, Greasby's biggest player, | 0:23:24 | 0:23:27 | |
has shown up to fight for the high-value watches. | 0:23:27 | 0:23:30 | |
-..470... -I told you he would be here. | 0:23:30 | 0:23:32 | |
..£500, it's in the front. For the last time... | 0:23:32 | 0:23:34 | |
I'd love to be as successful as Jamie. | 0:23:34 | 0:23:37 | |
I know he's got nice cars, I know he's got a nice van. | 0:23:37 | 0:23:41 | |
And I know he's got nice money. | 0:23:41 | 0:23:45 | |
He's the one I've got to watch when he comes in. | 0:23:45 | 0:23:48 | |
..220, 230, 240, 250... | 0:23:48 | 0:23:50 | |
'We've bid against each other | 0:23:50 | 0:23:53 | |
'and it's who dares wins in the auction house.' | 0:23:53 | 0:23:57 | |
'Lot 244 is the ladies Cartier stainless steel strap wristwatch. | 0:23:59 | 0:24:04 | |
'300 for it?' | 0:24:04 | 0:24:05 | |
150. | 0:24:11 | 0:24:12 | |
150 I have. | 0:24:12 | 0:24:14 | |
160, 170, 180, 190, 200, 210, 220, | 0:24:16 | 0:24:21 | |
230, 240, 250, 260, 270, 280, | 0:24:21 | 0:24:27 | |
290, 300, 310, 320, 330, 340, 350. | 0:24:27 | 0:24:34 | |
350 to my right, at £350. | 0:24:34 | 0:24:36 | |
HAMMER DROPS | 0:24:40 | 0:24:41 | |
Jamie's won the Cartier. | 0:24:41 | 0:24:43 | |
The only other prize Toni's interested in | 0:24:45 | 0:24:48 | |
is the job lot containing the Gucci. | 0:24:48 | 0:24:50 | |
Lot 243, £30? | 0:24:50 | 0:24:53 | |
30 I'm bid. 32, 34, | 0:24:53 | 0:24:55 | |
36, 38, 45, 50, | 0:24:55 | 0:24:58 | |
55, 60, 65, 70... | 0:24:58 | 0:25:02 | |
'It's like a poker game. | 0:25:02 | 0:25:04 | |
'You know, you have got to have that poker face.' | 0:25:04 | 0:25:07 | |
100, and five, 110, 115, 120, 125, | 0:25:07 | 0:25:10 | |
130, 135, 140, 145, 150, 155, | 0:25:10 | 0:25:14 | |
160, 165, 170, 175, | 0:25:14 | 0:25:18 | |
180, 185, 190, 195, 200. | 0:25:18 | 0:25:23 | |
With the price going up and his profit margin falling, | 0:25:23 | 0:25:26 | |
Jamie decides to drop out of the bidding. | 0:25:26 | 0:25:29 | |
£250, sitting down at 250. | 0:25:29 | 0:25:33 | |
-HAMMER DROPS -Yes. | 0:25:33 | 0:25:35 | |
'Well, you've now met Jamie and I knew he was going to turn up, | 0:25:37 | 0:25:41 | |
'but I've got the Gucci watch.' | 0:25:41 | 0:25:44 | |
I didn't think I was going to get the Cartier. | 0:25:44 | 0:25:46 | |
I started it off, but got too high. | 0:25:46 | 0:25:49 | |
But, yeah, I'm pleased. | 0:25:49 | 0:25:52 | |
Thank you, darling, thank you. | 0:25:55 | 0:25:57 | |
Toni heads home with her winnings, | 0:25:57 | 0:26:00 | |
where the first priority is to check out the Gucci. | 0:26:00 | 0:26:04 | |
A lovely little, delicate watch. Look at that. | 0:26:04 | 0:26:08 | |
Absolutely gorgeous. | 0:26:08 | 0:26:11 | |
The strap is genuine, it's got it all stamped on there. | 0:26:11 | 0:26:16 | |
So I'm not changing the strap. | 0:26:16 | 0:26:18 | |
When I have multiple items in a lot, | 0:26:18 | 0:26:22 | |
I'll break the value, or the cost, down between them all. | 0:26:22 | 0:26:27 | |
I've broken it down. It cost me £49, | 0:26:27 | 0:26:30 | |
and I can sell that between 100, £150, I can sell that watch for. | 0:26:30 | 0:26:36 | |
Shall we go and earn some money? | 0:26:36 | 0:26:38 | |
Hopefully. | 0:26:38 | 0:26:39 | |
Everything Toni buys at auction goes straight into another one. | 0:26:41 | 0:26:44 | |
This time online. | 0:26:44 | 0:26:47 | |
Condition? Used. | 0:26:47 | 0:26:49 | |
So that is now on eBay, | 0:26:49 | 0:26:52 | |
I don't have to think about that for another three days. | 0:26:52 | 0:26:55 | |
Shall I open it? | 0:26:59 | 0:27:01 | |
After spending £28 on a second-hand suitcase, | 0:27:01 | 0:27:05 | |
Sharon and Al are about to find out what it holds. | 0:27:05 | 0:27:08 | |
There's not any drugs or anything tucked in round the poles and that, is there? | 0:27:10 | 0:27:14 | |
-I wish I'd put me gloves on now. -Trousers... | 0:27:16 | 0:27:19 | |
Yeah, ooh! | 0:27:23 | 0:27:25 | |
How used is that? | 0:27:25 | 0:27:27 | |
I don't know, but whoever it was had dandruff. | 0:27:27 | 0:27:30 | |
"Madras curry powder." | 0:27:30 | 0:27:32 | |
It's in date, 2014. | 0:27:34 | 0:27:36 | |
I don't know what that is. | 0:27:36 | 0:27:38 | |
-I don't think I want to know, thank you. -What's that? | 0:27:38 | 0:27:41 | |
-What is it? -It looks like half a bra. | 0:27:41 | 0:27:44 | |
-Here, look. -What is that? | 0:27:44 | 0:27:46 | |
-It's a truss! -It is, isn't it? | 0:27:46 | 0:27:48 | |
-Ergh. -Ergh! | 0:27:50 | 0:27:51 | |
Imagine where that's been! | 0:27:51 | 0:27:53 | |
Thank God I didn't put my hands in there. | 0:27:53 | 0:27:56 | |
I hate to think. | 0:27:56 | 0:27:58 | |
-If it's got a name on it, I'll wash it. If it hasn't, I'm not bothering. -Adidas. | 0:27:58 | 0:28:02 | |
Oh, well. Those T-shirts, to be honest with you, | 0:28:02 | 0:28:05 | |
I'm not even going to bother washing. | 0:28:05 | 0:28:07 | |
I'll just take them round the recycling. | 0:28:07 | 0:28:09 | |
Got some new towels here. | 0:28:09 | 0:28:11 | |
Could do those up as a bale. | 0:28:12 | 0:28:14 | |
Maybe get £3.50 for them? | 0:28:14 | 0:28:17 | |
What do you think, Al? | 0:28:17 | 0:28:19 | |
Not very good. | 0:28:19 | 0:28:22 | |
Not very good at all, but... | 0:28:22 | 0:28:25 | |
-It's a challenge, but... -It's a challenge. | 0:28:25 | 0:28:28 | |
Right, now let's work out what we can get. Right. | 0:28:28 | 0:28:31 | |
Other than Al's £120 a week pension, | 0:28:31 | 0:28:34 | |
the little money they make trading is their only source of income. | 0:28:34 | 0:28:38 | |
'I must admit there's been a reflection since we've been doing this.' | 0:28:39 | 0:28:43 | |
I'm thinking, yeah, probably a big mistake to give in me job, | 0:28:43 | 0:28:46 | |
thinking this was going to pay off. | 0:28:46 | 0:28:47 | |
I had a regular wage, you know. | 0:28:49 | 0:28:51 | |
All right, not a lot, but I still had it. | 0:28:51 | 0:28:53 | |
And I've now actually gone down to nothing. | 0:28:53 | 0:28:56 | |
But I can't give up yet. | 0:28:56 | 0:28:58 | |
It's still only early. Rome weren't built in a day. | 0:28:58 | 0:29:01 | |
And Alan Sugar didn't become a millionaire overnight. | 0:29:01 | 0:29:04 | |
Hacousi, yeah? Hacousi. | 0:29:06 | 0:29:08 | |
Say it one more time. Hacousi, Hacousi. | 0:29:08 | 0:29:11 | |
Spell it if anything, darling. You got the spelling there? | 0:29:11 | 0:29:14 | |
No, I ain't. | 0:29:14 | 0:29:15 | |
New print in hand, Ritchie and Nikki now need to find themselves a buyer. | 0:29:15 | 0:29:20 | |
Who are you ringing? | 0:29:20 | 0:29:21 | |
Just phoning the British Museum about this picture that we've bought. | 0:29:21 | 0:29:24 | |
Hello there. I've bought a print today in an auction | 0:29:27 | 0:29:33 | |
and it's by - who's it? Um, it's... | 0:29:33 | 0:29:36 | |
You've got one in your gallery of The Great Wave by Houn... | 0:29:36 | 0:29:40 | |
Hounski, it's a Japanese artist. | 0:29:40 | 0:29:42 | |
Hokusai, sorry, sir, I can't pronounce it properly. | 0:29:43 | 0:29:46 | |
Yeah it's Hokusai and I bought, um, it's the Mount Fuji. | 0:29:46 | 0:29:50 | |
It's a print. I just want to know, I want to get it looked at. | 0:29:50 | 0:29:54 | |
OK, lovely, thank you, cheers. Sorry? It's Richard Packham. | 0:29:54 | 0:29:58 | |
Yeah, lovely, thank you very much. Cheers, thank you. Bye-bye. | 0:29:58 | 0:30:01 | |
He's given me an email address and he said about, um, | 0:30:03 | 0:30:06 | |
he's going to give me an appointment, | 0:30:06 | 0:30:08 | |
you've got to send him an email with a picture of the picture, yeah, | 0:30:08 | 0:30:11 | |
and he's going to give me an appointment to go and see him | 0:30:11 | 0:30:15 | |
and he seemed quite interested actually. | 0:30:15 | 0:30:17 | |
He asked my name at the end and he said he's going to look out for the email from me. | 0:30:17 | 0:30:21 | |
He seemed quite interested, so fingers crossed. | 0:30:21 | 0:30:24 | |
How did this all get started then? | 0:30:29 | 0:30:31 | |
Realising you can make money out of nothing really. | 0:30:31 | 0:30:34 | |
-Yeah, things that we normally throw away. -Yeah, out of rubbish. You can make money out of rubbish. | 0:30:34 | 0:30:39 | |
Some of my mates come round to me and go, "I don't know how you do it." | 0:30:39 | 0:30:42 | |
If they had an old DVD player, they'd chuck it out their house, | 0:30:42 | 0:30:44 | |
leave it outside. Me, I would pick that DVD player up | 0:30:44 | 0:30:48 | |
outside your house, take it down the boot sale | 0:30:48 | 0:30:51 | |
-and sell it for £4 or £3 or £2. -Yeah. | 0:30:51 | 0:30:53 | |
-But I've just got £2 out of nothing. -Just picking something up. | 0:30:53 | 0:30:56 | |
If you can walk down the road and pick two quids up all day long, you'd do it, wouldn't you? | 0:30:56 | 0:31:00 | |
I hope to be Del Boy one day, that's what I, that's what I see. | 0:31:00 | 0:31:03 | |
-Yeah. -I hope I find a nice something that's worth millions of pounds | 0:31:03 | 0:31:07 | |
and I can never work again. | 0:31:07 | 0:31:09 | |
-But then again I'd still always go down the auction. -Yeah. | 0:31:09 | 0:31:12 | |
TANNOY: 'Announcement for all boot sellers. | 0:31:14 | 0:31:18 | |
'If you're working in the boot fair, it's second-hand goods only.' | 0:31:18 | 0:31:23 | |
Toni's Gucci watch hasn't sold online, | 0:31:26 | 0:31:30 | |
so as a last resort she's brought it to her local car-boot sale. | 0:31:30 | 0:31:34 | |
By her own reckoning, she needs to sell it for £49 just to break even. | 0:31:36 | 0:31:41 | |
I need to turn money over. I can't go to Greasby's without doing it. | 0:31:41 | 0:31:46 | |
I've got to have money to spend there. | 0:31:46 | 0:31:48 | |
The lowest I can go on that is 20, | 0:31:48 | 0:31:51 | |
and that's a good price for the weight. | 0:31:51 | 0:31:53 | |
That one is £175. | 0:31:53 | 0:31:57 | |
25 jewels, automatic, it's 400 quid normally. | 0:31:57 | 0:32:02 | |
But for Toni, buying and selling isn't just about the financial gain. | 0:32:04 | 0:32:08 | |
'I've got to be socialising, otherwise I'd go mad.' | 0:32:10 | 0:32:14 | |
-As it's you, I'd do it for £1. -OK. | 0:32:14 | 0:32:17 | |
I love interacting with people. I love it. | 0:32:17 | 0:32:21 | |
When I became ill, that's what put me over the edge | 0:32:21 | 0:32:25 | |
because I spent two years of my life not being able to go anywhere, | 0:32:25 | 0:32:30 | |
do anything. On several occasions I felt like killing myself, | 0:32:30 | 0:32:33 | |
I'd had enough. | 0:32:33 | 0:32:35 | |
So this has given me my life back. | 0:32:35 | 0:32:38 | |
I'm meeting people because I'm doing this. | 0:32:38 | 0:32:42 | |
It is lovely. | 0:32:44 | 0:32:46 | |
-Yeah, it didn't come with a box. -Yeah. -So I had a Gucci box. | 0:32:46 | 0:32:50 | |
Yes, it's in full working order and I give a guarantee. | 0:32:50 | 0:32:54 | |
I've got it up for 100, but I would take 80? | 0:32:56 | 0:33:00 | |
So, er... | 0:33:00 | 0:33:02 | |
-Yeah. -80? | 0:33:02 | 0:33:04 | |
Go on, I'll do it for 70. | 0:33:04 | 0:33:07 | |
OK, I will take it. | 0:33:07 | 0:33:09 | |
-Yeah? So any problems, come back. -Thank you so much. | 0:33:09 | 0:33:12 | |
-That's all right, you have a nice day. -You too. | 0:33:12 | 0:33:14 | |
Let's just say, I've had a good result on that. | 0:33:14 | 0:33:18 | |
I got it cheap, I'm passing it on to the customer cheap. | 0:33:18 | 0:33:22 | |
So I win, they win. Yeah, I'm rather happy. | 0:33:22 | 0:33:26 | |
Sharon and Al are also car-booting | 0:33:31 | 0:33:33 | |
to try and sell the second-hand suitcase and its contents. | 0:33:33 | 0:33:36 | |
What's the time, Al? | 0:33:36 | 0:33:38 | |
-Ten past six. -Ten past six. | 0:33:39 | 0:33:41 | |
First time we've been here, we've got to start making some money. | 0:33:41 | 0:33:45 | |
It's not the warmest of days, but here's hoping. | 0:33:45 | 0:33:49 | |
There's that bloody suitcase. | 0:33:52 | 0:33:54 | |
-Hoping to make good on your outlay? -Be a bloody miracle. | 0:33:55 | 0:33:58 | |
Trading starts early. | 0:34:00 | 0:34:02 | |
-The bag's a fiver? -Is it? | 0:34:02 | 0:34:03 | |
Yeah, I can't go no lower than that. | 0:34:03 | 0:34:06 | |
The suitcase towels are snapped up. | 0:34:06 | 0:34:08 | |
-Is that all right? -Yeah. -It's a promising start. | 0:34:08 | 0:34:10 | |
-There you are. -Thanks a lot. | 0:34:10 | 0:34:11 | |
OBJECTS SMASHING Oh, no! | 0:34:11 | 0:34:13 | |
You, you! Have you broke it?! | 0:34:13 | 0:34:15 | |
-But it doesn't last. -Why do you interfere?! | 0:34:15 | 0:34:18 | |
Cos I was...helping. | 0:34:18 | 0:34:19 | |
What's happened? | 0:34:23 | 0:34:24 | |
He has smashed my Slova... Get off of it! | 0:34:24 | 0:34:29 | |
He has smashed my Slovakian coffee set, | 0:34:29 | 0:34:31 | |
one that I've been saving especially for an antiquey-type boot fair. | 0:34:31 | 0:34:35 | |
-And what have I always said to you? Don't touch the china. -All right. | 0:34:39 | 0:34:42 | |
Now you know why I'm grey. | 0:34:52 | 0:34:54 | |
Do you see yourself as Del Boy characters? | 0:34:54 | 0:34:57 | |
Sharon is, I'm not. | 0:34:58 | 0:35:00 | |
I'm Rodney. | 0:35:00 | 0:35:02 | |
Yeah, he's Rodney! | 0:35:04 | 0:35:06 | |
I must admit, my nickname at work was Arthur Daley. | 0:35:08 | 0:35:12 | |
Well, I think it's Rovers Return, Queen Vic and, er, Woolpack. | 0:35:12 | 0:35:17 | |
In all honesty, if you'd want one of them? | 0:35:17 | 0:35:19 | |
-No. -No? | 0:35:19 | 0:35:21 | |
Would you like to get the lady some change, please, Al. 19. | 0:35:22 | 0:35:26 | |
As the day progresses, business is picking up. | 0:35:26 | 0:35:30 | |
-How much you offering me? -Five. | 0:35:30 | 0:35:32 | |
-Yeah, OK. -Yeah? -Yeah. | 0:35:32 | 0:35:33 | |
That's magic, thanks a lot. | 0:35:33 | 0:35:36 | |
Sharon's started to make her money back on the contents of the suitcase. | 0:35:36 | 0:35:40 | |
But on the case itself, offers are underwhelming. | 0:35:40 | 0:35:43 | |
Oh, I'd go down to 15, but... | 0:35:43 | 0:35:45 | |
My arse. | 0:35:46 | 0:35:48 | |
The suitcase a fiver? At that size? Who's she bleeding kidding? | 0:35:48 | 0:35:52 | |
I thought, actually, the suitcase itself would sell quite easily. | 0:35:54 | 0:35:58 | |
I didn't think it was going to be a problem. I was wrong. | 0:35:58 | 0:36:02 | |
Not much different to when we started, is it? | 0:36:05 | 0:36:08 | |
22. At 20 now... | 0:36:13 | 0:36:15 | |
A week on, and still with suitcase, | 0:36:15 | 0:36:18 | |
Sharon and Al are putting it into another auction | 0:36:18 | 0:36:21 | |
in a last-ditch attempt to get rid of it. | 0:36:21 | 0:36:24 | |
There's our baby. | 0:36:24 | 0:36:25 | |
Not quite as smart as them. | 0:36:27 | 0:36:30 | |
Start me straight in. I've got 15. 16 I'm now looking for, | 0:36:30 | 0:36:33 | |
for the big black suitcase. Are we all done then at £16? | 0:36:33 | 0:36:37 | |
I'm going to sell it at 16 on a commission bid. | 0:36:37 | 0:36:39 | |
It sold for 16. | 0:36:41 | 0:36:42 | |
Not as much as I wanted, but it's sold. | 0:36:44 | 0:36:47 | |
With the case finally gone and having made a £7.50 profit, | 0:36:49 | 0:36:55 | |
the pair are topping up on new stock. | 0:36:55 | 0:36:57 | |
And lot number 541... | 0:37:00 | 0:37:02 | |
I can't believe I've got them tubs. | 0:37:02 | 0:37:05 | |
There's lots of them. | 0:37:06 | 0:37:07 | |
Got to love them. | 0:37:09 | 0:37:11 | |
How much do you think you can get for the meerkats? | 0:37:11 | 0:37:14 | |
-Meerkat? £1. -What, for the meerkat? | 0:37:14 | 0:37:17 | |
Why, wouldn't you pay £1 for it? | 0:37:17 | 0:37:18 | |
Windmills in pots. | 0:37:20 | 0:37:23 | |
What does she want a leg for? | 0:37:23 | 0:37:26 | |
Eh, a wooden leg? | 0:37:26 | 0:37:28 | |
He's moaning cos I've bought a load of rubbish, but I know it'll sell, | 0:37:28 | 0:37:31 | |
-cos at the end of the day, shit sells. -Rubbish sells. | 0:37:31 | 0:37:34 | |
Also back at auction, | 0:37:43 | 0:37:45 | |
Toni's reinvesting the profits from her sales. | 0:37:45 | 0:37:48 | |
Last week I had a good week. | 0:37:51 | 0:37:54 | |
During the week I'd had some sales at eBay, | 0:37:54 | 0:37:57 | |
so that helped me out an awful lot. | 0:37:57 | 0:37:59 | |
Having already stepped up from costume jewellery | 0:38:01 | 0:38:03 | |
to designer watches, now she's ready to make the leap | 0:38:03 | 0:38:07 | |
to trade in an even higher price bracket. | 0:38:07 | 0:38:10 | |
One, two, three...six, seven, eight, nine, ten... | 0:38:10 | 0:38:15 | |
The item I like, Mum, | 0:38:15 | 0:38:16 | |
but I don't think I'm going to be able to get it, | 0:38:16 | 0:38:19 | |
it's a 9-carat white gold chain... | 0:38:19 | 0:38:22 | |
with a 18-carat white gold, 16 diamond cross. | 0:38:22 | 0:38:28 | |
And they are gorgeous cut. | 0:38:28 | 0:38:29 | |
You ain't going to be able to afford that. | 0:38:29 | 0:38:32 | |
-I can... -Don't look at me for a sub. -I could get £1,000 for that straightaway. | 0:38:32 | 0:38:36 | |
-I say, don't look at me for a sub. -Right, but I bet you tomorrow, | 0:38:36 | 0:38:40 | |
right, the likes of Jamie, I bet you he goes over it. | 0:38:40 | 0:38:44 | |
Jamie'll be here. | 0:38:44 | 0:38:45 | |
Lot 299 is a 750 white gold diamond set, cross pendant. | 0:38:52 | 0:38:59 | |
200 here, 210, 220, 300, 310, 320, | 0:38:59 | 0:39:07 | |
330, 340, 350, 400, 410, 420, | 0:39:07 | 0:39:15 | |
430, 440, 450, 460, 470, 500, 510, | 0:39:15 | 0:39:22 | |
520, 530, 540, 550, 560, 570, | 0:39:22 | 0:39:25 | |
580, 590, 600, 610. 610. | 0:39:25 | 0:39:30 | |
It's in the front at 610. | 0:39:30 | 0:39:33 | |
With commission on top, Toni has spent £719 on the diamond cross. | 0:39:38 | 0:39:44 | |
It is the single largest purchase she's ever made at Greasby's. | 0:39:44 | 0:39:50 | |
Jamie didn't get anything. | 0:39:50 | 0:39:53 | |
And he always was my competition. | 0:39:53 | 0:39:56 | |
I think I've come an awful long way. | 0:39:56 | 0:39:58 | |
I'm one of the big boys now. | 0:39:58 | 0:39:59 | |
So, how can I put it? I've upped my game. | 0:39:59 | 0:40:04 | |
I'm getting more specific in what I'm buying. | 0:40:04 | 0:40:09 | |
Instead of buying a load of jewellery | 0:40:09 | 0:40:12 | |
and ending up with it all in me house. | 0:40:12 | 0:40:14 | |
Having had no luck with the British Museum, | 0:40:20 | 0:40:23 | |
Ritchie and Nikki are taking their print to an upmarket auction house | 0:40:23 | 0:40:26 | |
determined to turn it into cash. | 0:40:26 | 0:40:28 | |
When you look online, what kind of prices do you see? | 0:40:30 | 0:40:33 | |
Well, from £1,300 to £12,000, isn't it, we've seen. | 0:40:33 | 0:40:37 | |
Might not even own that in another two hours. | 0:40:37 | 0:40:41 | |
Cos if they say it's worth money, they're having it. | 0:40:41 | 0:40:43 | |
Go for it mate, let's sell it. | 0:40:43 | 0:40:45 | |
I ain't going to hang about with it, no. | 0:40:45 | 0:40:48 | |
-Are you chaps a bit nervous? -Yes. -A little bit. | 0:40:48 | 0:40:51 | |
-Just get the valuation now, see what they say? -Fingers crossed. | 0:40:51 | 0:40:54 | |
Yeah, fingers crossed, yeah. Hope for the best. | 0:40:54 | 0:40:57 | |
-Thank you. -Thank you. | 0:40:59 | 0:41:01 | |
If that picture's worth £10,000, I've cracked it, ain't I? | 0:41:03 | 0:41:07 | |
I've spent 250 quid and earned ten grand, | 0:41:07 | 0:41:09 | |
you ain't going to do that working every month. | 0:41:09 | 0:41:11 | |
The moment of truth, innit? | 0:41:11 | 0:41:12 | |
-So what have we got? -Believe it to be Hokusai? | 0:41:19 | 0:41:22 | |
-Hokusai? -Hokusai. -Hokusai, that's the one. | 0:41:22 | 0:41:25 | |
You say it so much better than we do. | 0:41:25 | 0:41:27 | |
-What's your first take on that? -It's moody, innit? I can tell by your face. | 0:41:29 | 0:41:32 | |
Yeah. You don't look very... | 0:41:32 | 0:41:34 | |
I'm not, I'm not 100% convinced by it, that it's... | 0:41:34 | 0:41:36 | |
-No, neither am I. -..that it's, that it's an early one. | 0:41:36 | 0:41:39 | |
It looks as though it's been done from a plate. | 0:41:39 | 0:41:42 | |
I think it's just a later edition, yeah. | 0:41:42 | 0:41:46 | |
-Not 1830s? -Not 1830s. | 0:41:46 | 0:41:47 | |
I mean, if you look there, on the early ones, | 0:41:47 | 0:41:50 | |
-the image is broken up in places. -Right, yeah, yeah, yeah. -OK. | 0:41:50 | 0:41:54 | |
Which it wouldn't have been on the original one. | 0:41:54 | 0:41:56 | |
-How much is it worth? -So is that good or? | 0:41:56 | 0:41:59 | |
What's it worth? About £100, I guess, | 0:41:59 | 0:42:02 | |
-sort of 80, 150. -Bollocks. -Maybe 100 to 200, something like that. | 0:42:02 | 0:42:07 | |
-I gave two and a half for it? -Did you? -Yeah. -Yeah. | 0:42:07 | 0:42:10 | |
Worth the risk, though, weren't it? | 0:42:10 | 0:42:12 | |
-I don't think its worth that kind of money. -No. | 0:42:12 | 0:42:14 | |
-Oh, well. -How was that? | 0:42:16 | 0:42:19 | |
I don't know, should I chuck it down the road or...? | 0:42:19 | 0:42:21 | |
No, no, no, no, no. | 0:42:21 | 0:42:23 | |
All right, it's not fully paid off, | 0:42:23 | 0:42:25 | |
but it don't mean we've actually done really bad. | 0:42:25 | 0:42:29 | |
-So it's not all bad. -No, it's not terrible. | 0:42:29 | 0:42:31 | |
-No. -No. | 0:42:31 | 0:42:32 | |
It is a bit of a struggle sometimes when you have a bad month. | 0:42:34 | 0:42:38 | |
If you was at work, at least you know you're getting your bit of money coming in. | 0:42:38 | 0:42:42 | |
-I mean, how do you see...? -How do I see my life? | 0:42:44 | 0:42:46 | |
One day I'm going to go in, | 0:42:46 | 0:42:48 | |
I'm going to get a diamond in the rough out of a box of crap, | 0:42:48 | 0:42:52 | |
and I'll find something worth a lot of money in there, | 0:42:52 | 0:42:54 | |
that's what I'm hoping. That's what my dream is, to be honest with you. | 0:42:54 | 0:42:57 | |
I find something magical in one of these boxes at an auction. | 0:42:57 | 0:43:01 | |
Do you think you'd spot this diamond in the rough, then, if you found it? | 0:43:01 | 0:43:04 | |
I bloody hope I would, James. | 0:43:04 | 0:43:05 | |
Yeah, I hope I've got the knowledge to spot it, yeah. | 0:43:05 | 0:43:09 | |
I have got the knowledge to spot it | 0:43:09 | 0:43:11 | |
otherwise I wouldn't be bloody doing it. | 0:43:11 | 0:43:12 |