Browse content similar to Episode 11. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This is Antiques Master, | 0:00:02 | 0:00:04 | |
the contest to find Britain's top amateur antiques expert. | 0:00:04 | 0:00:07 | |
For eight weeks, the country's finest antiques minds | 0:00:07 | 0:00:11 | |
were put to the test in a series of demanding challenges. | 0:00:11 | 0:00:14 | |
Now, in the semi finals, | 0:00:14 | 0:00:16 | |
the contest gets even tougher as the elite return to battle it out | 0:00:16 | 0:00:21 | |
in the stately Regency Rooms | 0:00:21 | 0:00:23 | |
at Townley Hall in Burnley. | 0:00:23 | 0:00:25 | |
Their goal? | 0:00:25 | 0:00:27 | |
A place in the final. | 0:00:27 | 0:00:31 | |
Hello and welcome to Antiques Master. | 0:00:47 | 0:00:50 | |
I'm Sandi Toksvig and this is the search for Britain's top amateur antiques enthusiast. | 0:00:50 | 0:00:56 | |
Tonight, in our third semifinal, another three keen contestants | 0:00:56 | 0:01:00 | |
compete for just one place in the Antiques Master final. | 0:01:00 | 0:01:04 | |
But, now, the pressure really steps up | 0:01:04 | 0:01:06 | |
as the cream of our contestants fight it out | 0:01:06 | 0:01:09 | |
all under the watchful eye of our resident expert, Mr Eric Knowles. | 0:01:09 | 0:01:13 | |
They may be one step closer to the title, | 0:01:13 | 0:01:16 | |
but, ultimately, there can only be one Antiques Master. | 0:01:16 | 0:01:19 | |
Let's meet tonight's semi finalists. | 0:01:19 | 0:01:23 | |
John Denham, a retired geography teacher from Hertfordshire. | 0:01:23 | 0:01:27 | |
Clearly, the competition is going to be tougher in this round because everybody's got through the heats, | 0:01:27 | 0:01:33 | |
so I'm looking forward to a tough contest. | 0:01:33 | 0:01:35 | |
Stella Brooker, a doll collector from Surrey. | 0:01:35 | 0:01:38 | |
Now that I've made it into the semifinal, Heaven only knows | 0:01:38 | 0:01:41 | |
whether I can make it into the final. We'll just have to see. | 0:01:41 | 0:01:44 | |
And the highest runner-up from the heats, Sandy Rich, an insurance broker from Oxford. | 0:01:44 | 0:01:50 | |
I feel like I've been given a second chance. | 0:01:50 | 0:01:52 | |
I want to capitalise on that. | 0:01:52 | 0:01:53 | |
I've been calling myself the biggest loser, but I'd like to be a winner. | 0:01:53 | 0:01:56 | |
But who will have what it takes to win a coveted place in the final | 0:01:56 | 0:02:00 | |
and move one step closer to becoming Antiques Master? | 0:02:00 | 0:02:05 | |
The journey continues. | 0:02:05 | 0:02:07 | |
Your first challenge is all about your antique specialisms. | 0:02:14 | 0:02:19 | |
Each of you has a different antiques passion | 0:02:19 | 0:02:21 | |
and we're going to put that specialist knowledge to the test. | 0:02:21 | 0:02:24 | |
So, once again, we have scoured the country for five glorious examples | 0:02:24 | 0:02:28 | |
for each of you and what you need to do is to study them. | 0:02:28 | 0:02:31 | |
Please tell us which is the most valuable, | 0:02:31 | 0:02:34 | |
which is the oldest and which one is the odd one out? | 0:02:34 | 0:02:37 | |
There are 40 points available. | 0:02:37 | 0:02:39 | |
10 points for each antique that you correctly identify. | 0:02:39 | 0:02:44 | |
You get an extra 10 points if you can tell us the price | 0:02:44 | 0:02:46 | |
of the most valuable piece within 15% of its auction estimate. | 0:02:46 | 0:02:52 | |
So, let's see who's got a real eye for detail. | 0:02:52 | 0:02:56 | |
John is first to be tested on his specialism, stoneware from the 16th to the 19th century. | 0:02:56 | 0:03:03 | |
Your odd one out is not British. | 0:03:03 | 0:03:06 | |
-OK. -Do they tend to be British, things that are stoneware? | 0:03:06 | 0:03:11 | |
Yes, there's a tremendous amount of wonderful stoneware made over | 0:03:11 | 0:03:14 | |
this long period of time and this is a very nice example of a hunt jug. | 0:03:14 | 0:03:17 | |
And you can see the hunt going on along the bottom of the jug here. | 0:03:17 | 0:03:22 | |
There are the huntsmen. There are the hounds. | 0:03:22 | 0:03:24 | |
It could be late 18th century or it could be early 19th century. | 0:03:24 | 0:03:28 | |
And what do you think about being in the semifinal? | 0:03:28 | 0:03:31 | |
Chuffed to little mint balls. Yeah, it was absolutely wonderful, yeah. | 0:03:31 | 0:03:35 | |
Well, this is some sort of a canister. It's got a pewter top. | 0:03:35 | 0:03:39 | |
-Right. -It screws on here. | 0:03:39 | 0:03:41 | |
I think it's a tea canister, that's what I think it is. I don't think it can be incredibly valuable. | 0:03:41 | 0:03:46 | |
-I feel it's 19th century. -Right. -Mid-19th century. | 0:03:46 | 0:03:49 | |
On to the next one - is that more familiar? | 0:03:49 | 0:03:52 | |
Well, this is a rather striking tavern mug of the mid-18th century. | 0:03:52 | 0:03:56 | |
And it's got a "WR" on! | 0:03:56 | 0:03:58 | |
-Ah! -Could that be William? | 0:03:58 | 0:04:00 | |
That's rather exciting. But it would need to be late 17th century to be William the Third. | 0:04:00 | 0:04:04 | |
-Right. -A lot of these tavern mugs didn't survive very well, but this is absolutely wonderful condition. | 0:04:04 | 0:04:10 | |
-Again, a bit of a puzzle. -We don't want to make it too easy. | 0:04:10 | 0:04:13 | |
-It is the semifinal. -Absolutely not. -OK. | 0:04:13 | 0:04:14 | |
Odd one out. | 0:04:14 | 0:04:16 | |
-Oh! -This is the odd one out? -This is from Germany. | 0:04:16 | 0:04:18 | |
This is from the Westerwald area of the Rhineland, even though it's got | 0:04:18 | 0:04:21 | |
the George Rex on the little applied medallion there. | 0:04:21 | 0:04:26 | |
What is typical of Westerwald is the grey body and this cobalt blue, | 0:04:26 | 0:04:30 | |
which is rather a nice Baroque, swirly thing here. | 0:04:30 | 0:04:34 | |
Right, OK. I like this one. This is a sweet thing. | 0:04:34 | 0:04:36 | |
Yeah, but this is more like a caricature jug, isn't it? | 0:04:36 | 0:04:40 | |
It's rather primitively done, rather simply done. | 0:04:40 | 0:04:43 | |
OK, and you think that one's British. You think | 0:04:43 | 0:04:45 | |
-the giveaway for the odd one out is the colouring, really? -I think so, yes. | 0:04:45 | 0:04:49 | |
OK, so we have this one as the not British piece. | 0:04:49 | 0:04:52 | |
Now we've got a puzzle. | 0:04:52 | 0:04:54 | |
I think, these tavern jugs are so rare, I think if this came up in auction, I'm going to... | 0:04:54 | 0:05:00 | |
-I have to hurry you. -I'll have this as the most valuable. -Most valuable. | 0:05:00 | 0:05:04 | |
And the oldest, please? | 0:05:04 | 0:05:05 | |
Well, I think I'm going to put the little one at the far end. | 0:05:05 | 0:05:10 | |
It's got things about it which make me think it's a primitive one from the early 18th century. | 0:05:10 | 0:05:15 | |
OK. You come and stand with me. | 0:05:15 | 0:05:17 | |
-OK, I'll stand with you. -Eric will tell us the truth. | 0:05:17 | 0:05:19 | |
Believe it or not, the oldest piece that I am looking for isn't this chap in the tricorn hat. | 0:05:23 | 0:05:30 | |
This is going to take some believing. It's actually this piece. | 0:05:30 | 0:05:34 | |
Now, it's very much in the style of Westerwald. | 0:05:34 | 0:05:39 | |
They've got the same grey body. | 0:05:39 | 0:05:40 | |
The body itself, though, this is quite light | 0:05:40 | 0:05:43 | |
when you pick it up and, also, it's a very smooth glaze, as well. | 0:05:43 | 0:05:48 | |
You tend to find with the Westerwald examples that they've quite a coarse glaze on top. | 0:05:48 | 0:05:54 | |
So, this particular one was dated to 1770 and, despite its German pretensions, it's a Brit. | 0:05:54 | 0:06:04 | |
So, the odd one out... | 0:06:04 | 0:06:07 | |
I can tell you is this piece. | 0:06:07 | 0:06:11 | |
John, you said something, not seen before, a bit of a mystery. | 0:06:11 | 0:06:16 | |
These are usually the pointers that are telling us that we've got a mystery object. | 0:06:16 | 0:06:20 | |
This, in actual fact, is North European. It dates around about 1800, but that is our odd one out. | 0:06:20 | 0:06:29 | |
So, when it comes to the most valuable, you got visibly excited | 0:06:29 | 0:06:33 | |
when you looked at this piece and datewise you're looking at 1830. | 0:06:33 | 0:06:38 | |
WR? Well, I think we'll settle for William IV. | 0:06:38 | 0:06:42 | |
And, you're absolutely correct, this is our most valuable piece. | 0:06:42 | 0:06:47 | |
Well, well done. You get 10 points. | 0:06:47 | 0:06:49 | |
You can get another 10 if you can tell us the price | 0:06:49 | 0:06:53 | |
of the most valuable within 15% of the auction estimate. | 0:06:53 | 0:06:58 | |
I'm going to go for £1,200. | 0:06:58 | 0:07:00 | |
Right, £1,200 we are bid. | 0:07:00 | 0:07:02 | |
I was looking for 15% either side of £1,500. | 0:07:02 | 0:07:06 | |
We are very near, but we're just not within the parameters of what we were looking for. | 0:07:06 | 0:07:11 | |
-Thank you very much, John. -Thank you. -John walks away with 10 points out of a possible 40. | 0:07:11 | 0:07:16 | |
Stella is next. Will she spot the oldest, most valuable | 0:07:16 | 0:07:20 | |
and odd one out in her specialism, antique dolls? | 0:07:20 | 0:07:23 | |
-And the odd one out, it's the only British doll. -Look at this! | 0:07:23 | 0:07:29 | |
-It's not a good hairstyle, can I just say? -I think Queen Victoria might have had a bit of a go at you! | 0:07:29 | 0:07:35 | |
-You think it's actually her? -Not her, but they did tend to try and sort of mimic some of her styles. | 0:07:35 | 0:07:40 | |
We've got some fab wooden feet by the looks of things, so it looks like... Yes, it is all wooden. | 0:07:40 | 0:07:46 | |
-Oh, that's a beautiful doll. -OK, let's move onto the next one. -A lovely little bisque doll. | 0:07:46 | 0:07:51 | |
-We've got little pierced ears. -That's unusual, is it? -Some of the better ones do have pierced ears. | 0:07:51 | 0:07:56 | |
Now, what have we got? Oh, look at that! | 0:07:56 | 0:07:59 | |
-We have... I get so excited about such silly things. We've got a Steiner. -Is that good? | 0:07:59 | 0:08:03 | |
-Which is a German make. Mm-hm. -Mm-hm. -Uh hum. -Hmm mmm! -It's not bad. | 0:08:03 | 0:08:08 | |
-Oh, right, OK. -It's not bad. | 0:08:08 | 0:08:10 | |
Let's come on to the next one which, stylistically, is more similar to the first one. | 0:08:10 | 0:08:15 | |
Oh, she is fab. | 0:08:15 | 0:08:17 | |
And you can actually compare them, because they've both got flat feet. | 0:08:17 | 0:08:22 | |
The earlier dolls, you don't tend to get heels on the shoes and I'm | 0:08:22 | 0:08:25 | |
hoping this is one of the really, really nice Grodnertal dolls. | 0:08:25 | 0:08:29 | |
-Valuable? -Yes. -Oh, right. So, possibly, the most valuable? | 0:08:29 | 0:08:32 | |
-Yes. At the moment I'm thinking yes. -Right. We're going to be pressed for time. | 0:08:32 | 0:08:37 | |
Now, what do we think about her? She looks more robust. | 0:08:37 | 0:08:40 | |
A bisque doll, and we're just going to upturn her again because we want | 0:08:40 | 0:08:42 | |
to see the back of it and we have, I think, that's Simon and Halbig. | 0:08:42 | 0:08:47 | |
-Which is? -German. -German. Still in the German. OK. | 0:08:47 | 0:08:50 | |
German, definitely German. | 0:08:50 | 0:08:52 | |
She's got staggering buttons down the front of her. | 0:08:52 | 0:08:53 | |
Actually, hasn't she? | 0:08:53 | 0:08:56 | |
-I didn't spot those. -Glorious! -Look at the work. -We're running out of time. | 0:08:56 | 0:08:59 | |
Now she, it looks like she's had possibly a cordial too many. | 0:08:59 | 0:09:03 | |
This is a beautiful English doll. | 0:09:03 | 0:09:05 | |
-She looks very long. -I've not seen feet like this, actually. | 0:09:05 | 0:09:08 | |
Now we're going to have to make some decisions. Let's pick the doll with the UK passport. | 0:09:08 | 0:09:12 | |
-This one. -You think it's that one. Right, so that one goes there. | 0:09:12 | 0:09:16 | |
Now, although you shouldn't ask a lady her age, we need the oldest. | 0:09:16 | 0:09:19 | |
-This one. -This one here. And the one that is the most valuable? -Ah! I'll have a quick look down. | 0:09:19 | 0:09:28 | |
-Oldest... The most valuable. Steiner. -You can change your mind. This is the most valuable? | 0:09:28 | 0:09:33 | |
-Yeah. -Sure? -No. -We'll put you out of your misery, we'll get in Mr Eric Knowles. | 0:09:33 | 0:09:39 | |
Let me find the grande dame in front of you. | 0:09:41 | 0:09:44 | |
I am looking for somebody who is going to date to 1810 and this lady, you mentioned Queen Victoria and | 0:09:44 | 0:09:53 | |
you thought it might be a little bit earlier. | 0:09:53 | 0:09:56 | |
Well, she's 1830 or thereabouts. | 0:09:56 | 0:09:59 | |
But you're quite right, it's the princess, the Grodnertal doll. | 0:09:59 | 0:10:03 | |
She's got all the credentials, hasn't she? | 0:10:03 | 0:10:05 | |
I mean she is, in every sense of the word, she's royalty. | 0:10:05 | 0:10:09 | |
So, 10 points to start you off there, Stella. | 0:10:09 | 0:10:12 | |
-Phew! -Now, the odd one out. | 0:10:12 | 0:10:15 | |
You put the odd one out there and, if I was given the choice | 0:10:15 | 0:10:19 | |
of putting this, I would have put it in the same place. | 0:10:19 | 0:10:21 | |
-She would speak to you with a British accent. -Oh, yes. | 0:10:21 | 0:10:25 | |
And as for the date? 1860. | 0:10:25 | 0:10:27 | |
-Well done, Stella, another 10 points. -Thank you. | 0:10:27 | 0:10:29 | |
OK? When it came to our most expensive, I mean, look at them all! | 0:10:29 | 0:10:33 | |
We were looking for something that dates from around about 1885. | 0:10:33 | 0:10:41 | |
-You went with this, didn't you? -Jules Steiner. | 0:10:41 | 0:10:44 | |
Actually, he started off as a watchmaker and then he became | 0:10:44 | 0:10:46 | |
a toymaker and then he graduates to making these sorts of dolls. | 0:10:46 | 0:10:51 | |
But is it the most valuable? | 0:10:51 | 0:10:53 | |
-Yes, it is. -10 points there. | 0:10:53 | 0:10:56 | |
So, you've got 30 points in total. | 0:10:56 | 0:10:58 | |
You could gain another 10 points. | 0:10:58 | 0:11:00 | |
All you need to do is tell me how much is the Steiner doll worth, within 15% of the auction estimate? | 0:11:00 | 0:11:07 | |
£2,500. | 0:11:07 | 0:11:10 | |
£2,500 we are bid. | 0:11:10 | 0:11:12 | |
£2,500 is very near, but it's not near enough. | 0:11:13 | 0:11:17 | |
-We were looking for £3,100. -Oh! | 0:11:17 | 0:11:22 | |
Stella takes the lead with 30 points. | 0:11:22 | 0:11:25 | |
Sandy is last up. Can his passion for commemorative ware 1750 to 1900 win him the full 40 points? | 0:11:25 | 0:11:34 | |
-Your odd one out is a 20th century reproduction. -Right. | 0:11:34 | 0:11:38 | |
All right? So, now I have to ask you first of all if you're surprised to | 0:11:38 | 0:11:41 | |
be in the semifinals, because in fact you lost in your... | 0:11:41 | 0:11:44 | |
Yes, I feel very lucky to be here. | 0:11:44 | 0:11:47 | |
Well, you were the highest scoring loser with 85 points. | 0:11:47 | 0:11:50 | |
You did very well. Now, what have we got here? | 0:11:50 | 0:11:52 | |
Well, this is a wine glass, which has got a twisted stem. | 0:11:52 | 0:11:56 | |
It's a gorgeous thing, isn't it? | 0:11:56 | 0:11:59 | |
This is wheel engraved. The rose in itself might not necessarily tell us anything, but, | 0:11:59 | 0:12:03 | |
if we turn it around to the other side, we have the Forget Me Not. | 0:12:03 | 0:12:08 | |
It's about 1750. | 0:12:08 | 0:12:10 | |
-They are used to toast... -So, it could be the oldest. | 0:12:10 | 0:12:14 | |
-..The absent Stuarts. -But could it be a 20th-century reproduction? -I don't think so. | 0:12:14 | 0:12:18 | |
You don't think so, OK. Now let's come onto... | 0:12:18 | 0:12:20 | |
Now, I'm not going to be too disparaging about it because I think my alarm bells are already ringing. | 0:12:20 | 0:12:25 | |
-Oh, why? -What it's supposed to be is a commemorative object of | 0:12:25 | 0:12:30 | |
a very famous sea battle, the glorious 1st of June. | 0:12:30 | 0:12:35 | |
-This might be the odd one out? -Yes. | 0:12:35 | 0:12:36 | |
The quality of the glaze and the blueness of it, is just... | 0:12:36 | 0:12:41 | |
-It's not... There's something a little bit whiffy about it. -OK. Let's come on to the next one. | 0:12:41 | 0:12:44 | |
This is a little commemorative plaque with the initials QC of Queen Caroline. | 0:12:44 | 0:12:51 | |
-Oh, she didn't have a good life. -The wronged queen of George IV. | 0:12:51 | 0:12:56 | |
It has to be sort of 1820s. | 0:12:56 | 0:12:57 | |
This lustre ware is very typical of certain factories, but sort of | 0:12:57 | 0:13:03 | |
-Sunderland is particularly associated with it. -Right. Now then, let us move on. | 0:13:03 | 0:13:06 | |
-Now, Rodney for ever. -Rodney for ever! | 0:13:06 | 0:13:09 | |
The victor in a very important naval battle called the Battle of The Saints or Les Saints. | 0:13:09 | 0:13:16 | |
-I would say that we are probably in Staffordshire here. -I'm going to have to... | 0:13:16 | 0:13:20 | |
-Yeah, absolutely. -I'm always rushing people along, I'm afraid. -Then here we have a basalt teapot. | 0:13:20 | 0:13:26 | |
On this side it has Nelson. | 0:13:26 | 0:13:28 | |
-It might have a mark on the bottom here. -There's a little bee. | 0:13:28 | 0:13:31 | |
But this sort of ware was made by Wedgwood commemorating the death of Nelson at Trafalgar. | 0:13:31 | 0:13:37 | |
-Right, OK. -About 1805. | 0:13:37 | 0:13:39 | |
Well, let's start with our odd one out. | 0:13:39 | 0:13:41 | |
Let's start with the one that you think is the 20th century reproduction. | 0:13:41 | 0:13:43 | |
-Clearly shouting to me that I'm wrong is this object. -All right. | 0:13:43 | 0:13:48 | |
-Let's move on to the oldest item. -The oldest object is the Jacobite glass. | 0:13:48 | 0:13:53 | |
-Jacobite glass. -And the most valuable? | 0:13:53 | 0:13:55 | |
The most valuable? | 0:13:55 | 0:13:57 | |
I will go with the Rodney object for the most valuable. | 0:13:57 | 0:14:00 | |
Anything you would like to change your mind about? | 0:14:00 | 0:14:02 | |
-No, I'm fairly confident with those. -Come here and find out what Eric has got to say. | 0:14:02 | 0:14:07 | |
Let's look for our oldest item. | 0:14:10 | 0:14:14 | |
I'm looking for something that does date from the middle part of the 18th century | 0:14:14 | 0:14:20 | |
and I would go for our Jacobite glass. | 0:14:20 | 0:14:22 | |
Datewise about 1750, maybe 1760. | 0:14:22 | 0:14:26 | |
Well done, 10 points. | 0:14:26 | 0:14:28 | |
-Thank you. -Odd one out? | 0:14:28 | 0:14:32 | |
Well, this isn't absolutely perfect. | 0:14:32 | 0:14:34 | |
You probably noticed that this has not been made just as it should be. | 0:14:34 | 0:14:38 | |
There's a little bit of blistering on there, | 0:14:38 | 0:14:40 | |
but if I'm looking for the odd one out, yes, I'm going to go here. | 0:14:40 | 0:14:44 | |
You can look in as many books as you like, but it's picking the things up, it's looking, touching, feeling. | 0:14:44 | 0:14:49 | |
And it is 20th century. | 0:14:49 | 0:14:53 | |
So, it is our odd one out. | 0:14:53 | 0:14:55 | |
Another 10 points. | 0:14:55 | 0:14:57 | |
The most valuable? We've got characters here. | 0:14:57 | 0:15:00 | |
I mean Nelson, of course, the most revered off all. | 0:15:00 | 0:15:03 | |
But Caroline, the injured Queen of England. | 0:15:03 | 0:15:07 | |
I can tell you now that this is, in actual fact, | 0:15:07 | 0:15:10 | |
-is a little bit more valuable than the Nelson commemorative. But is it the most valuable? -No. | 0:15:10 | 0:15:15 | |
It is your Rodney pearl ware. | 0:15:15 | 0:15:18 | |
Datewise on this we have down for being 1790, so you're absolutely right. | 0:15:18 | 0:15:24 | |
This is our most valuable piece. | 0:15:24 | 0:15:27 | |
You've got 30 points so far. You can gain another 10 if you can give me | 0:15:27 | 0:15:32 | |
the price of "Rodney forever" within 15% of the auction estimate. | 0:15:32 | 0:15:37 | |
I will say £1,800. | 0:15:37 | 0:15:41 | |
£1,800. £1,800, Mr Knowles. Will it buy us the bowl? | 0:15:41 | 0:15:44 | |
It will buy you the bowl and a bit more because we were looking at either side of £1,000. | 0:15:44 | 0:15:49 | |
Nevertheless, you get 30 points. | 0:15:49 | 0:15:52 | |
Well, let's have a look at where that puts us after the first challenge. | 0:15:54 | 0:15:58 | |
John, you have a very creditable 10 points, you are in second place, but in joint first place we have Stella | 0:15:58 | 0:16:04 | |
and Sandy, who both gained 30 points. | 0:16:04 | 0:16:08 | |
One of you will leave the contest at the end of the next challenge. | 0:16:08 | 0:16:11 | |
I have to say, 20 points, not much in it. It's all still to play for. | 0:16:11 | 0:16:15 | |
So, let's go through to the Green Room for A Place In Time. | 0:16:15 | 0:16:18 | |
In the second challenge, we've selected five antiques, all from different periods. | 0:16:22 | 0:16:28 | |
First is a mystery wooden item. | 0:16:28 | 0:16:30 | |
Next a ceramic tureen. | 0:16:30 | 0:16:32 | |
The third item is a snuff box, followed by a pair of vases. | 0:16:32 | 0:16:37 | |
Two candlesticks complete the line up. | 0:16:37 | 0:16:40 | |
The antiques have been placed in random order. | 0:16:40 | 0:16:43 | |
Each contestant has five minutes to assess and position them from | 0:16:43 | 0:16:47 | |
earliest to latest on the Antiques Master timeline. | 0:16:47 | 0:16:51 | |
10 points will be awarded for each one they get right. | 0:16:51 | 0:16:56 | |
Sandy is first to examine the candlesticks. | 0:16:56 | 0:16:59 | |
-They are silver coloured and... -Silver coloured, does that mean they're silver? | 0:16:59 | 0:17:02 | |
It does mean they're silver because they've got a hallmark on them. | 0:17:02 | 0:17:06 | |
Well, it's got a crown. I think it's Sheffield silver. | 0:17:06 | 0:17:10 | |
It's somebody, somebody and company. | 0:17:10 | 0:17:12 | |
It's facing that way. Which one's that one, then? | 0:17:12 | 0:17:14 | |
These are George or a William. | 0:17:14 | 0:17:16 | |
Right, does that make them early, late? | 0:17:16 | 0:17:18 | |
Well, it means it's earlier than Queen Victoria, which helps. | 0:17:18 | 0:17:23 | |
The vases have an auction value of £1,600. | 0:17:23 | 0:17:27 | |
They look to me like continental sort of vague Art Nouveau feel about them. Look to me like 1900. | 0:17:27 | 0:17:35 | |
-Art Nouveau, I'm hoping. -Why? | 0:17:35 | 0:17:38 | |
Oh, I always get these muddled up. | 0:17:38 | 0:17:40 | |
Because it's just a little bit more "growing from the earth" as it were. | 0:17:40 | 0:17:48 | |
-OK. More organic... -Organic, that's the word. -I'm here to please. -Organic's very good. | 0:17:48 | 0:17:52 | |
The organic form and the way the glass is sitting would say they were sort of about 1900, 1910. | 0:17:52 | 0:17:59 | |
The third piece to date is the snuff box. | 0:17:59 | 0:18:02 | |
Oh, this looks nice. | 0:18:02 | 0:18:04 | |
-Now, have we got a patch box or a little snuff box? Oh, that's fine. -What's a patch box? | 0:18:04 | 0:18:09 | |
When people used to get smallpox and it would be to sort of cover over little marks. | 0:18:09 | 0:18:14 | |
Here we have a snuff box made of horn. | 0:18:14 | 0:18:17 | |
This sort of thing is, you know, made all over Europe, basically. | 0:18:17 | 0:18:21 | |
And when you say horn, are we talking about a fairly domestic animal? | 0:18:21 | 0:18:23 | |
-It's a cow horn, yeah. -Ah! OK. -So, you wouldn't have any problems with it being an endangered species. | 0:18:23 | 0:18:27 | |
-No, there's not an ethical issue. -It's obviously been engraved and then inlaid in black. | 0:18:27 | 0:18:33 | |
I suppose I'm going to date that about 1800. | 0:18:33 | 0:18:36 | |
The ceramic dish is next up for inspection. | 0:18:36 | 0:18:39 | |
It's ceramic and it's Crown Derby. | 0:18:39 | 0:18:43 | |
Is that the mark or the style? | 0:18:43 | 0:18:44 | |
-The mark there with the crown. -Oh, that's a bit of a giveaway. | 0:18:44 | 0:18:49 | |
And it's the pattern that's called Imari. | 0:18:49 | 0:18:51 | |
I think it's what they call the Imari pattern which was imitating a pattern from Japan. | 0:18:51 | 0:18:57 | |
-Oh, OK. -And I think it was based on the Port of Imari because it's where the stuff got exported out of. | 0:18:57 | 0:19:02 | |
I would think mid-19th century. | 0:19:02 | 0:19:04 | |
This is rather gaudier, isn't it? | 0:19:04 | 0:19:06 | |
-It's a bit busy. -This is the epitome of Victorian vulgarity, I think. | 0:19:06 | 0:19:10 | |
-Is it not your taste? -No, it isn't really. | 0:19:10 | 0:19:12 | |
The mystery wooden box is last to be assessed. | 0:19:12 | 0:19:15 | |
-Now this is a most curious object, isn't it? -Yes. | 0:19:15 | 0:19:17 | |
What do you think it is? | 0:19:17 | 0:19:19 | |
-I've no idea. -Can you put your hand in there? | 0:19:19 | 0:19:20 | |
Maybe I'm going to pull a rabbit out or something like that. | 0:19:20 | 0:19:23 | |
-But it's got N and Y on here. -What does that suggest to you? -Or Y and N possibly. Yes, and no. | 0:19:23 | 0:19:28 | |
-I think it's a ballot box. -Ah! | 0:19:28 | 0:19:30 | |
You drop your ball and if it drops down into the N, that's a no, and if | 0:19:30 | 0:19:34 | |
you drop it into the Y, that's a yes, and the phrase "blackballing" | 0:19:34 | 0:19:37 | |
comes from these sorts of objects because if the black balls are in the No... | 0:19:37 | 0:19:41 | |
-You're out! -You're out. It's fab, isn't it? | 0:19:41 | 0:19:43 | |
And what does the shape of it suggest to you, in terms of date? | 0:19:43 | 0:19:47 | |
-I'm going to go with 19th century again. -OK. | 0:19:47 | 0:19:51 | |
Just as a feeling rather than anything else. | 0:19:51 | 0:19:52 | |
It's decision time. They have just one minute left to place the antiques in chronological order. | 0:19:52 | 0:19:58 | |
This is the wild card. I think that I shall have this as the oldest. | 0:19:58 | 0:20:03 | |
Sandy thinks the snuff box is the earliest antique. | 0:20:03 | 0:20:06 | |
I'm going to go for that. | 0:20:06 | 0:20:08 | |
Stella agrees, and so does John. | 0:20:08 | 0:20:11 | |
They also all agree on the next item being the candlesticks. | 0:20:11 | 0:20:14 | |
These are about 1790, 1800. | 0:20:14 | 0:20:20 | |
Stella places the ceramic dish in the middle of the timeline. | 0:20:20 | 0:20:23 | |
-Right. -And so does Sandy. | 0:20:23 | 0:20:26 | |
Don't worry, don't worry. Everything's under control. | 0:20:26 | 0:20:29 | |
It doesn't look like it, but it is. | 0:20:29 | 0:20:30 | |
-But John goes for the mystery wooden box. -I'm going to put that there. | 0:20:30 | 0:20:34 | |
Stella chooses the wooden box as the penultimate item. | 0:20:34 | 0:20:38 | |
Sandy agrees. | 0:20:38 | 0:20:40 | |
-I think this is about 1860s. -But John picks the ceramic dish. | 0:20:40 | 0:20:44 | |
-I'm confident that these are... -Those are the latest, the youngest. | 0:20:44 | 0:20:47 | |
-The latest. -Finally, they all agree on the glass vases as the latest item to complete the line up. | 0:20:47 | 0:20:54 | |
Are the contestants happy with their decisions? | 0:20:54 | 0:20:57 | |
I'm confident that this is in the right place. | 0:20:57 | 0:21:00 | |
-I fear that those might be moved around. -1800, a bit later... | 0:21:00 | 0:21:03 | |
-Yeah. -A bit later... A bit later. | 0:21:03 | 0:21:05 | |
-A bit later... A bit later. -And much later. -And much later. | 0:21:05 | 0:21:08 | |
-Time's up. -Happy? -Yes. -No! | 0:21:08 | 0:21:12 | |
Stella and Sandy's timelines match, but John's differs. | 0:21:12 | 0:21:15 | |
Is either version in the right order? | 0:21:15 | 0:21:19 | |
Well, you've all put your things in the correct order, you hope. Let's find out from Eric. | 0:21:21 | 0:21:27 | |
Let's find our oldest item that should be on that particular podium. | 0:21:27 | 0:21:33 | |
The item that should be there is right in front of me. | 0:21:33 | 0:21:35 | |
It should be the horn box, and it is horn, but it's got a | 0:21:35 | 0:21:40 | |
little wooden liner to make it tight because it is for snuff. | 0:21:40 | 0:21:45 | |
Datewise, 1780 and it is our least valuable item in front of you, valued at a mere £250. | 0:21:45 | 0:21:55 | |
-You all get 10 points. -So, next in line, as we make our way back towards the present day. | 0:21:55 | 0:22:02 | |
If you know your ceramics, you will know that this type of porcelain stroke bone china was very popular | 0:22:02 | 0:22:07 | |
from the late 18th century all the way through into the 19th century. | 0:22:07 | 0:22:12 | |
If you know your hallmarks, you will know that these date | 0:22:12 | 0:22:18 | |
to the reign of George III, which is no great help | 0:22:18 | 0:22:22 | |
because he's there in the late 18th and early 19th century. | 0:22:22 | 0:22:26 | |
So, if I was to put the two together, | 0:22:26 | 0:22:29 | |
which would remain? | 0:22:29 | 0:22:32 | |
The candlesticks. | 0:22:32 | 0:22:34 | |
These date to 1802 and they are actually the most valuable. | 0:22:34 | 0:22:39 | |
We have them priced at £2,000. | 0:22:39 | 0:22:42 | |
Yet again, all three of you get 10 points. | 0:22:42 | 0:22:47 | |
We're at the midway point. | 0:22:47 | 0:22:49 | |
What goes midway? Is it this? | 0:22:49 | 0:22:50 | |
Or could it be this? | 0:22:50 | 0:22:54 | |
It's this. It is your Derby porcelain sauce tureen, not Crown Derby. | 0:22:56 | 0:23:06 | |
From a collector's point of view, they will refer to this as Bloor Derby. It's 1820. | 0:23:06 | 0:23:13 | |
And here we get a little separation of the points because | 0:23:13 | 0:23:15 | |
Sandy and Stella are the ones who got that correct, so 10 points each. | 0:23:15 | 0:23:20 | |
And so we're left with two interesting objects, I think. | 0:23:20 | 0:23:25 | |
I mean, I find these quite beautiful. | 0:23:25 | 0:23:27 | |
I think that they were intended for floral displays. | 0:23:27 | 0:23:31 | |
They were probably by a firm called Stewart, circa 1900. | 0:23:31 | 0:23:36 | |
I'm going to leave them there | 0:23:36 | 0:23:39 | |
because this box, as you immediately said, that this is going to be mid-19th century. | 0:23:39 | 0:23:45 | |
But then somebody mentioned the word "Edwardian" and so the cat is amongst the pigeons. | 0:23:45 | 0:23:51 | |
But those of you who did say mid 19th century were absolutely right. | 0:23:51 | 0:23:56 | |
The ballot box is 1845. | 0:23:56 | 0:24:01 | |
So, this lovely pair of vases are 1900 in date and they are our latest items in front of you. | 0:24:01 | 0:24:12 | |
And both Sandy and Stella got the ballot box right and all three of you got the lovely vases correct. | 0:24:12 | 0:24:18 | |
So, shall we have a look and see what that does to our points. | 0:24:18 | 0:24:22 | |
Now John, you came in from the first challenge with 10 points, you've | 0:24:22 | 0:24:25 | |
gained a very credible 30 points in this round and you have 40 points. | 0:24:25 | 0:24:30 | |
Sandy and Stella, you both started with 30 points | 0:24:30 | 0:24:33 | |
and you have both gained the full 50, so you have 80 points. | 0:24:33 | 0:24:38 | |
So, where does that leave us? Well, very sadly, John, you are in third | 0:24:38 | 0:24:42 | |
place and your trip towards the title of Antiques Master finishes here. I'm so sorry to lose you. | 0:24:42 | 0:24:46 | |
I do hope you've had a good time. | 0:24:46 | 0:24:48 | |
-Absolutely, yes. -Good. | 0:24:48 | 0:24:50 | |
It was a pleasure to meet you. Stella and Sandy, more work to be done. | 0:24:50 | 0:24:53 | |
Only one of you will get a place in the final of Antiques Master. | 0:24:53 | 0:24:59 | |
There is everything to play for as we go through to the Red Room. | 0:24:59 | 0:25:03 | |
So, Stella and Sandy, you are two minutes away | 0:25:05 | 0:25:09 | |
from a place in the Antiques Master final, but who will it be? It is time for your final challenge. | 0:25:09 | 0:25:14 | |
I'm going to start with an open question. | 0:25:14 | 0:25:19 | |
Buzz if you know the answer. Five points if you get it right, | 0:25:19 | 0:25:22 | |
but it is five points off for a wrong answer. | 0:25:22 | 0:25:26 | |
If you answer correctly, choose one of the five categories for a further question worth 10 points. | 0:25:26 | 0:25:31 | |
But, get the answer wrong, the question will be passed over to | 0:25:31 | 0:25:36 | |
the other contestant with a chance for them to steal five points, so I suggest you choose wisely. | 0:25:36 | 0:25:42 | |
The round will end after two minutes or when all five antiques are out of play. | 0:25:42 | 0:25:48 | |
Well, I have to say, it couldn't be tighter. | 0:25:48 | 0:25:51 | |
You are both on 80 points, so there is everything still to play for. | 0:25:51 | 0:25:56 | |
The time starts now. | 0:25:56 | 0:25:58 | |
What term describes a knot in wood, especially walnut, that's used in veneer to give a decorative pattern? | 0:25:58 | 0:26:04 | |
-Yes, Sandy? -Burl. -Burl is correct. Please choose a category. | 0:26:04 | 0:26:06 | |
Adam. | 0:26:06 | 0:26:08 | |
With which cabinetmaker and craftsman did Robert Adam | 0:26:08 | 0:26:11 | |
collaborate on several large house projects, including Harewood House and Nostell Priory? | 0:26:11 | 0:26:16 | |
-Thomas Chippendale. -Correct. Open question, either of you can answer. | 0:26:16 | 0:26:21 | |
Orientally influenced design is commonly known by what name, literally meaning Chinese? | 0:26:21 | 0:26:25 | |
-Chinoiserie. -Chinoiserie is correct. Please choose a category. -Daum. | 0:26:25 | 0:26:29 | |
Daum. With which furniture designer did Daum team up in order to add ironwork to his products? | 0:26:29 | 0:26:35 | |
-Gallais. -Not correct. I'll pass to Sandy. | 0:26:35 | 0:26:38 | |
-I'm sorry. -It was Louis Majorelle. Open question. | 0:26:38 | 0:26:42 | |
The 18th-century brother and sister team, William and Mary Bielby | 0:26:42 | 0:26:45 | |
are best known for applying what form of decoration to glass? | 0:26:45 | 0:26:49 | |
-Sandy. -White enamel. | 0:26:49 | 0:26:50 | |
Correct. Please choose a category. | 0:26:50 | 0:26:52 | |
-Wedgwood. -What is the name for this type of ceramic by Wedgwood? | 0:26:52 | 0:26:57 | |
-Jasperware. -Correct. Open question. What standard of purity equal to 925 | 0:26:57 | 0:27:01 | |
parts of silver to 75 parts alloy has been attested since 1300 by the leopard's head mark? Sandy. | 0:27:01 | 0:27:08 | |
-Sterling. -Sterling. Correct. | 0:27:08 | 0:27:09 | |
-Please choose a category. -Elkington. | 0:27:09 | 0:27:12 | |
What metalworking process did Elkington develop in the 1830s? | 0:27:12 | 0:27:15 | |
-Electroplate. -Correct. | 0:27:15 | 0:27:18 | |
Open question. Which French city was a centre for bobbin lace | 0:27:18 | 0:27:21 | |
and the site of a porcelain factory founded by the Prince de Conde in 1725? | 0:27:21 | 0:27:26 | |
-Chantilly. -Chantilly. | 0:27:26 | 0:27:27 | |
Please choose a category. Spode. | 0:27:27 | 0:27:29 | |
What was Spode's official trade name from 1867 until 1970? | 0:27:29 | 0:27:35 | |
-No? I'll pass it over to Stella. -Copeland? | 0:27:35 | 0:27:37 | |
Copeland is correct. | 0:27:37 | 0:27:40 | |
After that extremely impressive display of knowledge, | 0:27:43 | 0:27:46 | |
I can tell you that you have both concluded with very high scores indeed. | 0:27:46 | 0:27:51 | |
Stella, you have 90 points. | 0:27:51 | 0:27:53 | |
But, quite considerably in the lead, Sandy, you have a very impressive | 0:27:53 | 0:27:57 | |
130 points. You take the last remaining place in our final. | 0:27:57 | 0:28:00 | |
My commiserations to you, Stella. | 0:28:00 | 0:28:03 | |
Sandy, how are you feeling? | 0:28:03 | 0:28:06 | |
I'm buzzing slightly still. | 0:28:06 | 0:28:08 | |
Slightly buzzing. Let's see what Eric reckons. | 0:28:08 | 0:28:11 | |
Well, really back from beyond the pale, really, but a worthy winner on this occasion. | 0:28:11 | 0:28:16 | |
So, Sandy completes our final line up and he will be joining Charles Ormrod and Jonathan McFarlane | 0:28:16 | 0:28:22 | |
from our other two semifinals. | 0:28:22 | 0:28:24 | |
One of them will be walking away with the title of Antiques Master 2011. | 0:28:24 | 0:28:30 | |
Do join us next time for what promises to be a gripping final. | 0:28:30 | 0:28:34 | |
It feels really great to be in the final. | 0:28:38 | 0:28:40 | |
I felt like I was in the zone in getting questions right that I | 0:28:40 | 0:28:44 | |
somehow knew in the back of my mind. I was very pleased. | 0:28:44 | 0:28:46 |