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It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
This is beautiful! | 0:00:04 | 0:00:05 | |
That's the way to do this. | 0:00:05 | 0:00:06 | |
..with £200 each, a classic car and a goal - to scour for antiques. | 0:00:06 | 0:00:12 | |
Joy. | 0:00:12 | 0:00:13 | |
Hello! | 0:00:13 | 0:00:14 | |
The aim - to make the biggest profit at auction. | 0:00:14 | 0:00:16 | |
But it's no mean feat. | 0:00:16 | 0:00:18 | |
There'll be worthy winners... | 0:00:19 | 0:00:22 | |
-Sorry, sorry! -..and valiant losers. | 0:00:22 | 0:00:23 | |
So, will it be the high road to glory | 0:00:23 | 0:00:26 | |
or the slow road to disaster? | 0:00:26 | 0:00:27 | |
The handbrake's on! | 0:00:27 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
SWING MUSIC PLAYS | 0:00:35 | 0:00:37 | |
On this road trip we're traversing the country in the company | 0:00:37 | 0:00:40 | |
of auctioneers Anita Manning and Phil Serrell. How lovely | 0:00:40 | 0:00:43 | |
Philip, did you put my coat and bag in the back? | 0:00:43 | 0:00:47 | |
I've been doing television for 16 years | 0:00:47 | 0:00:49 | |
and I've ended up as your lackey. | 0:00:49 | 0:00:51 | |
-Do you love it? -Oh, it's great. | 0:00:51 | 0:00:53 | |
Philip Serrell and Anita Manning are both a little competitive. | 0:00:55 | 0:00:59 | |
Don't let that Anita Manning anywhere near them. | 0:01:00 | 0:01:03 | |
I wonder if I could give Phil Serrell a hammering with that. | 0:01:04 | 0:01:08 | |
They've had plenty of fun too so far this week, | 0:01:08 | 0:01:11 | |
pootling around the country in their beautiful 1970 Fiat 500. | 0:01:11 | 0:01:15 | |
Having started out on this road trip with £200 each, | 0:01:16 | 0:01:19 | |
Phil now has £191.80 to spend. | 0:01:19 | 0:01:23 | |
After two auctions, | 0:01:25 | 0:01:26 | |
Anita is storming out into the lead with £307.06. | 0:01:26 | 0:01:31 | |
All right, chaps, there's still a long way to go. | 0:01:33 | 0:01:36 | |
It certainly is an epic journey. | 0:01:36 | 0:01:38 | |
So far, our competitive experts | 0:01:39 | 0:01:40 | |
have been whizzing around the north of England. | 0:01:40 | 0:01:43 | |
They started their journey in Windermere in the Lake District | 0:01:43 | 0:01:46 | |
and will take a 1,200-mile tour around the north of England | 0:01:46 | 0:01:50 | |
and into Scotland before heading back south | 0:01:50 | 0:01:53 | |
to finish up in Crooklands in Cumbria. | 0:01:53 | 0:01:55 | |
Today's leg begins in Frodsham in Cheshire | 0:01:56 | 0:01:59 | |
and will end up at an auction in Easingwold in Yorkshire. | 0:01:59 | 0:02:03 | |
Golly gosh. | 0:02:03 | 0:02:04 | |
-Have a good day. -Bye. | 0:02:05 | 0:02:06 | |
Time to get the shopping under way. | 0:02:08 | 0:02:10 | |
-Hi. Hello. How are you? I'm Phil. -Morning. I'm fine. | 0:02:13 | 0:02:17 | |
-Good to see you. -Jan. -What have you got there? | 0:02:17 | 0:02:19 | |
It's just stuff that's just going out. | 0:02:19 | 0:02:22 | |
You don't hang about, do you, Phil? | 0:02:22 | 0:02:25 | |
That's a little silver-plated shoe. | 0:02:25 | 0:02:28 | |
With a tape measure. | 0:02:28 | 0:02:29 | |
-That's quite sweet, isn't it? -Yep. | 0:02:29 | 0:02:31 | |
It's a little compass. | 0:02:31 | 0:02:34 | |
It's a little cauldron in ebony, but what on earth would you want... | 0:02:34 | 0:02:37 | |
-A compass. -..a compass? | 0:02:37 | 0:02:39 | |
-You're not going to sort of pull it out of your pocket. -No. | 0:02:39 | 0:02:41 | |
It's a collectible, isn't it? | 0:02:41 | 0:02:42 | |
-Just a sweet little thing. -It's for show. | 0:02:42 | 0:02:44 | |
Hang on to those two and you think what you can do them for. | 0:02:44 | 0:02:47 | |
I mean, I think 30 to 50. They might do 50. | 0:02:47 | 0:02:50 | |
They might not. | 0:02:50 | 0:02:51 | |
Because I have to pay commission, | 0:02:51 | 0:02:53 | |
I've got to try and buy them for just under that if I can. | 0:02:53 | 0:02:55 | |
-So, have a think on and let me have a wander around. -OK. | 0:02:55 | 0:02:59 | |
Crikey. Blink and you miss it this morning. | 0:02:59 | 0:03:02 | |
That's two items Phil has his eye on | 0:03:02 | 0:03:04 | |
that haven't even made it onto the shop floor. | 0:03:04 | 0:03:07 | |
While he checks out the rest of the shop, | 0:03:10 | 0:03:12 | |
Anita is meandering towards the Cheshire village of Sandiway | 0:03:12 | 0:03:15 | |
where her first shop awaits. | 0:03:15 | 0:03:18 | |
I think I look like one of those 1960s lamps. | 0:03:20 | 0:03:24 | |
Well, each to their own. | 0:03:24 | 0:03:26 | |
In here we've got some lovely Lalique items. | 0:03:27 | 0:03:31 | |
This one here has a lilac tinge which is very attractive, | 0:03:31 | 0:03:37 | |
and the other one is a clear-glass. | 0:03:37 | 0:03:39 | |
They're both female figures. | 0:03:39 | 0:03:41 | |
They're both slightly risque, | 0:03:41 | 0:03:44 | |
which is always a plus in the auction room. | 0:03:44 | 0:03:47 | |
Nice things. | 0:03:47 | 0:03:49 | |
Time to get Andy round for a closer inspection. | 0:03:49 | 0:03:52 | |
-These are both more modern pieces. -They are. | 0:03:53 | 0:03:57 | |
-They are very beautiful. -Mm-hm. | 0:03:57 | 0:03:58 | |
I like that one for the simplicity, | 0:03:58 | 0:04:00 | |
but I think I love this | 0:04:00 | 0:04:03 | |
because of the wonderful opalescent hue... | 0:04:03 | 0:04:05 | |
-Yeah, yeah. -..that it has. | 0:04:05 | 0:04:08 | |
If I could be buying it round about for £80... | 0:04:08 | 0:04:10 | |
-I'll do my best. -..could you have a try at that? | 0:04:10 | 0:04:12 | |
-Certainly, yes. -Yeah. -Yes, certainly. -That's smashing. | 0:04:12 | 0:04:15 | |
With a ticket price of £130, your best may well be required, Andy. | 0:04:15 | 0:04:21 | |
All right, thank you. Bye-bye. | 0:04:21 | 0:04:23 | |
-£95... -95? | 0:04:25 | 0:04:27 | |
..is she'll go to. Yeah. | 0:04:27 | 0:04:30 | |
-Let me see it. -There you go. | 0:04:30 | 0:04:32 | |
-Let's go for it. 95. -OK. All right. | 0:04:33 | 0:04:35 | |
-Thank you very much. -Thanks very much. | 0:04:35 | 0:04:37 | |
That's Anita off to a good start. | 0:04:37 | 0:04:39 | |
Now, how's Phil getting on? | 0:04:41 | 0:04:44 | |
This is quite a fun thing, isn't it? Let's just put it up here. | 0:04:44 | 0:04:47 | |
-It's blooming heavy, isn't it? Solid mahogany. -It is solid. | 0:04:49 | 0:04:52 | |
If I had to bet a pound on this, | 0:04:52 | 0:04:54 | |
I would say that that's something that either the local undertaker | 0:04:54 | 0:04:59 | |
or a blacksmith or somebody has knocked up in the village. | 0:04:59 | 0:05:02 | |
-Yeah. -And it's been designed like a shoebox or something like that. | 0:05:02 | 0:05:06 | |
What's the best you could do on that? | 0:05:06 | 0:05:09 | |
65 on it, isn't there? | 0:05:09 | 0:05:10 | |
-DOG BARKS -Oh... | 0:05:10 | 0:05:12 | |
See? The dog's barking in approval. | 0:05:12 | 0:05:14 | |
The best we can do on that would be £35... | 0:05:14 | 0:05:19 | |
..which is a good price on that. | 0:05:20 | 0:05:22 | |
It's wooden, but it's not a bureau. | 0:05:22 | 0:05:25 | |
How's Anita feeling? | 0:05:25 | 0:05:27 | |
I'm feeling a little French, a little continental today. | 0:05:27 | 0:05:32 | |
I bought a lovely piece of French glass, | 0:05:32 | 0:05:35 | |
and I can see these Art Deco clocks. | 0:05:35 | 0:05:37 | |
There are two here, and they are probably French as well. | 0:05:37 | 0:05:42 | |
And we've got this one here, | 0:05:42 | 0:05:44 | |
a garniture which is a clock and two side ornaments. | 0:05:44 | 0:05:48 | |
It has this wonderful Art Deco geometric shape, | 0:05:48 | 0:05:53 | |
and it's only £35. | 0:05:53 | 0:05:56 | |
It's marked as a project piece | 0:05:56 | 0:05:58 | |
as on closer inspection it's in need of some serious TLC, | 0:05:58 | 0:06:02 | |
but Anita is keen, so Andy is back on the phone | 0:06:02 | 0:06:05 | |
to see if there's a deal to be done. | 0:06:05 | 0:06:08 | |
I always say to myself, | 0:06:08 | 0:06:10 | |
"Don't buy anything which is defective | 0:06:10 | 0:06:13 | |
"because it will struggle in the auction," | 0:06:13 | 0:06:16 | |
and I've just maybe bought a clock which has glass missing, | 0:06:16 | 0:06:21 | |
a hand missing, a foot missing | 0:06:21 | 0:06:24 | |
and a couple of wee chips on the garniture. | 0:06:24 | 0:06:27 | |
I might've got carried away there. | 0:06:27 | 0:06:29 | |
That's not like you. | 0:06:29 | 0:06:31 | |
Hi, Anita. Yes, she'll take £25. | 0:06:31 | 0:06:33 | |
25, that's great. That's great. That's smashing. | 0:06:33 | 0:06:36 | |
That's a £10 discount and Anita has another item. | 0:06:36 | 0:06:39 | |
Anything else catch your eye, old girl? | 0:06:39 | 0:06:42 | |
This is a little Edwardian pendant | 0:06:42 | 0:06:45 | |
made between 1900 and 1910. | 0:06:45 | 0:06:47 | |
People were moving away from the elaborate decoration | 0:06:47 | 0:06:51 | |
of Victorian jewellery into something simpler, | 0:06:51 | 0:06:54 | |
and to this little pendant here, which is made of nine carat gold, | 0:06:54 | 0:06:58 | |
is studded with this lovely peridot - | 0:06:58 | 0:07:01 | |
this green stone - | 0:07:01 | 0:07:02 | |
and encrusted with tiny, tiny, delicate little sea pearls, | 0:07:02 | 0:07:07 | |
and the drop is a lovely luminous blister pearl. | 0:07:07 | 0:07:13 | |
With a ticket price of £140, | 0:07:13 | 0:07:16 | |
time to get onto the dealer. | 0:07:16 | 0:07:18 | |
Ali, it's Anita from the Antiques Road Trip | 0:07:18 | 0:07:21 | |
and I have absolutely fallen in love | 0:07:21 | 0:07:24 | |
with the little peridot and sea pearl pendant. | 0:07:24 | 0:07:27 | |
I mean, would 85 buy it? | 0:07:27 | 0:07:30 | |
Oh, that's great. Oh, that's great! Oh, I'm so happy. | 0:07:32 | 0:07:36 | |
Thank you very much on that. Bye-bye. | 0:07:36 | 0:07:39 | |
Well... | 0:07:40 | 0:07:42 | |
£85. | 0:07:42 | 0:07:44 | |
-Well done. -Oh, thank you very much. | 0:07:44 | 0:07:46 | |
Straight out of the traps, Anita has three items for £205, | 0:07:46 | 0:07:50 | |
a figure Mr Serrell can only dream of. | 0:07:50 | 0:07:53 | |
But our Phil also has three things under his watchful gaze - | 0:07:54 | 0:07:59 | |
the ebony miniature compass, | 0:07:59 | 0:08:01 | |
the silver pincushion with wind-up tape measure | 0:08:01 | 0:08:05 | |
and the mahogany box. | 0:08:05 | 0:08:06 | |
Any chance of a deal on the lot maybe? Stand by. | 0:08:06 | 0:08:09 | |
Can I give you 60 quid for the three and I'll love you forever? | 0:08:09 | 0:08:13 | |
Just say it. The words you're looking for are, "Yes, Philip." | 0:08:13 | 0:08:17 | |
-HE MOCKINGLY SOBS -Do you know what? | 0:08:17 | 0:08:20 | |
Just cos it's you, I will. | 0:08:20 | 0:08:21 | |
Oh, you're an angel. Thank you so much. | 0:08:21 | 0:08:23 | |
I better pay you, haven't I? | 0:08:23 | 0:08:24 | |
-I think you better. -I better pay you and run before I get thrown out. | 0:08:24 | 0:08:27 | |
-You've got a really good deal there. -You've given me a top deal. | 0:08:27 | 0:08:30 | |
Oh, yes, she has. Take it and run, Phil. | 0:08:30 | 0:08:33 | |
Anita has nipped north to Warrington where she's meeting Craig Sherwood | 0:08:37 | 0:08:42 | |
who is going to help her uncover the secret past | 0:08:42 | 0:08:45 | |
of some everyday items. | 0:08:45 | 0:08:46 | |
Behind each one is a history that not only entertained | 0:08:46 | 0:08:50 | |
but influenced cultures, principles and whole societies. | 0:08:50 | 0:08:54 | |
-Hi! -Hello, Anita! -I'm Anita. -Pleased to meet you. | 0:08:54 | 0:08:58 | |
Board games have been around for at least 5,000 years. | 0:09:00 | 0:09:05 | |
The Romans and Vikings helped spread games of strategy | 0:09:05 | 0:09:09 | |
across Europe and beyond. | 0:09:09 | 0:09:10 | |
The game of chess developed in India | 0:09:10 | 0:09:12 | |
and later spread to Europe in the sixth century. | 0:09:12 | 0:09:16 | |
Such games were played mainly by adults. | 0:09:16 | 0:09:19 | |
They were games of skill that developed the mind | 0:09:19 | 0:09:21 | |
and were used to teach military strategy. | 0:09:21 | 0:09:24 | |
Some games were designed for children, | 0:09:25 | 0:09:27 | |
but even then their purpose was not as an idle pastime | 0:09:27 | 0:09:31 | |
but as part of their education. | 0:09:31 | 0:09:33 | |
Now, I remember snakes and ladders as a wee girl, | 0:09:34 | 0:09:37 | |
and it was a favourite game. | 0:09:37 | 0:09:39 | |
Surely, that's a fairly modern board game. | 0:09:39 | 0:09:42 | |
Not at all. Snakes and ladders is quite an ancient game. | 0:09:42 | 0:09:45 | |
We don't know exactly how old it is, | 0:09:45 | 0:09:47 | |
but we believe that snakes and ladders may actually go back | 0:09:47 | 0:09:51 | |
to the second century BC. | 0:09:51 | 0:09:52 | |
Mm-hm. And where did it come from? | 0:09:52 | 0:09:54 | |
It originally came from India, | 0:09:54 | 0:09:57 | |
and the original idea of the game was to teach people | 0:09:57 | 0:10:01 | |
Hindu ideas of karma and rebirth. | 0:10:01 | 0:10:03 | |
If you lived a good life, a good and virtuous life, | 0:10:03 | 0:10:06 | |
you were sent into the heavens on a ladder. | 0:10:06 | 0:10:08 | |
If you lived a life full of sin and depravity, | 0:10:08 | 0:10:12 | |
you slid down the snake back to the demons and the hells. | 0:10:12 | 0:10:16 | |
Now, one interesting thing about these early Indian sets | 0:10:16 | 0:10:19 | |
were there were always more snakes than ladders. | 0:10:19 | 0:10:22 | |
It was always harder to live a good and virtuous life | 0:10:22 | 0:10:24 | |
than it was to fall into sin and depravity. | 0:10:24 | 0:10:27 | |
Returning colonial families brought the game to Britain | 0:10:27 | 0:10:30 | |
in the latter half of the 19th century. | 0:10:30 | 0:10:32 | |
A flavour of its Indian roots remained in the artwork, | 0:10:32 | 0:10:36 | |
giving a sense of the exotic in a time of empire, | 0:10:36 | 0:10:40 | |
but the game itself was adapted to fit the Victorian lifestyle. | 0:10:40 | 0:10:44 | |
If you land on this one, which is 95 and stealing, | 0:10:45 | 0:10:50 | |
you will slide down this slippery slope to...prison. | 0:10:50 | 0:10:55 | |
-SHE LAUGHS -Absolutely. | 0:10:55 | 0:10:58 | |
The Victorians replaced the Hindu ideas of karma and rebirth | 0:10:58 | 0:11:02 | |
with their own Christian moral virtues. | 0:11:02 | 0:11:05 | |
And interestingly, when it moved to Britain, | 0:11:05 | 0:11:08 | |
the number of snakes and ladders became balanced, | 0:11:08 | 0:11:10 | |
so it became 50-50 whether you ascended to heaven | 0:11:10 | 0:11:13 | |
or fell into depravity. | 0:11:13 | 0:11:15 | |
Advocating a virtuous life through games | 0:11:15 | 0:11:18 | |
has long been part of their history, | 0:11:18 | 0:11:21 | |
and as board games became a regular feature in households | 0:11:21 | 0:11:24 | |
at the turn of the 20th century, inventors continued the tradition | 0:11:24 | 0:11:28 | |
using games to promote their own principles. | 0:11:28 | 0:11:32 | |
Now, there's a game that's instantly recognisable - Monopoly. | 0:11:32 | 0:11:36 | |
Yes. | 0:11:36 | 0:11:37 | |
Do you know, it was never one of my favourites. | 0:11:37 | 0:11:40 | |
I always felt that Monopoly was about greed and acquisition | 0:11:40 | 0:11:45 | |
and getting things off of other people. | 0:11:45 | 0:11:49 | |
Well, it is now, but would you believe it | 0:11:49 | 0:11:51 | |
that it was originally designed to teach people | 0:11:51 | 0:11:54 | |
the principles of socialism? | 0:11:54 | 0:11:55 | |
In 1904, an American called Lizzie Magie | 0:11:56 | 0:11:59 | |
received the patent for The Landlord's Game. | 0:11:59 | 0:12:03 | |
Lizzie was a trailblazer. | 0:12:03 | 0:12:04 | |
At the turn of the century, a young, single woman, | 0:12:04 | 0:12:07 | |
she worked as a stenographer, was a published writer, | 0:12:07 | 0:12:10 | |
an outspoken feminist and believed in progressive economics. | 0:12:10 | 0:12:13 | |
She wanted to do something to ease what she saw | 0:12:15 | 0:12:17 | |
as great inequalities in society. | 0:12:17 | 0:12:19 | |
At the age of 26, | 0:12:21 | 0:12:22 | |
she decided that she could use a board game to open people's minds | 0:12:22 | 0:12:26 | |
to a more socialist way of thinking. | 0:12:26 | 0:12:29 | |
Her game, like the later versions, | 0:12:29 | 0:12:32 | |
featured money, deeds and properties, but it had some very different rules. | 0:12:32 | 0:12:37 | |
Her game promoted a theory that land should belong to everyone. | 0:12:37 | 0:12:41 | |
She hoped the game would demonstrate | 0:12:41 | 0:12:43 | |
that rent made property owners richer and their tenants poorer. | 0:12:43 | 0:12:47 | |
The original idea of the game was that all the players | 0:12:51 | 0:12:53 | |
would put money into the centre rather than pay one another, | 0:12:53 | 0:12:56 | |
the landlords, the rent, | 0:12:56 | 0:12:58 | |
and at various points during the game, | 0:12:58 | 0:13:00 | |
all the players would take money out from this community chest | 0:13:00 | 0:13:03 | |
and it was distributed for the common good. | 0:13:03 | 0:13:06 | |
That sounds much better than the game it is today. | 0:13:06 | 0:13:09 | |
How did it change into this sort of capitalist thing, then? | 0:13:09 | 0:13:13 | |
Well, 30 years later, | 0:13:13 | 0:13:15 | |
a gentleman by the name of Charles Darrow played the game. | 0:13:15 | 0:13:19 | |
Now, he liked the game, | 0:13:19 | 0:13:20 | |
but he didn't like the principles underlying it. | 0:13:20 | 0:13:23 | |
So, he rewrote the rules so it became | 0:13:23 | 0:13:25 | |
all about becoming as rich as possible | 0:13:25 | 0:13:27 | |
and bankrupting all the other players. | 0:13:27 | 0:13:29 | |
He changed the name to Monopoly | 0:13:29 | 0:13:30 | |
and it became one of the most popular games in the world. | 0:13:30 | 0:13:33 | |
The popularity of board games continues to grow, | 0:13:33 | 0:13:37 | |
and to this day, the simple items that have been | 0:13:37 | 0:13:40 | |
at the heart of family lives for so long | 0:13:40 | 0:13:42 | |
continue to sell in their millions. | 0:13:42 | 0:13:45 | |
Thank you very, very much, Craig. | 0:13:46 | 0:13:48 | |
It's been very interesting. | 0:13:48 | 0:13:50 | |
Thank you, Anita. | 0:13:50 | 0:13:51 | |
Now back to our own contest. | 0:13:51 | 0:13:54 | |
Phil is out and about in Barnton | 0:13:55 | 0:13:58 | |
in search of his next bargain | 0:13:58 | 0:14:00 | |
at Northwich Antiques Centre. | 0:14:00 | 0:14:03 | |
I quite like these old pub tables. | 0:14:08 | 0:14:11 | |
A lot of them, the value is in whose mark is here, | 0:14:11 | 0:14:15 | |
so you can get some with Queen Victoria, | 0:14:15 | 0:14:18 | |
you can get some with WG Grace, | 0:14:18 | 0:14:20 | |
and they're really, really collectible. | 0:14:20 | 0:14:22 | |
This one is fairly standard. They're pub tables. | 0:14:22 | 0:14:25 | |
You know, now they get used... | 0:14:25 | 0:14:30 | |
outside as garden tables. | 0:14:30 | 0:14:32 | |
What does David have to say about it? | 0:14:32 | 0:14:35 | |
-The pub table, I quite like that. It's an old one. -It is, yeah. | 0:14:35 | 0:14:38 | |
-It's Victorian. Copper-topped. -Yeah. -Big iron base. | 0:14:38 | 0:14:42 | |
-We've got it up for 125... -Right. | 0:14:42 | 0:14:46 | |
..but...willing to come down a little bit. | 0:14:46 | 0:14:49 | |
-It's not a little bit, David. -Well, what you talking about? | 0:14:49 | 0:14:51 | |
Well, I've got to put this into auction, | 0:14:51 | 0:14:54 | |
so if I see that making £50 to £80, | 0:14:54 | 0:14:56 | |
I've got to try to buy it for 40 quid. | 0:14:56 | 0:14:57 | |
-40? -Mm. | 0:14:57 | 0:14:59 | |
-Perhaps... -Well, think about it. Let's just think about it. | 0:14:59 | 0:15:02 | |
Let's just have a look. | 0:15:02 | 0:15:03 | |
Not only is David very accommodating | 0:15:03 | 0:15:05 | |
in the face of your discount request, Phil, | 0:15:05 | 0:15:07 | |
but you've also got him doing all the carting, you cheeky beggar. | 0:15:07 | 0:15:10 | |
Are they both the same price, this one and that one there? | 0:15:10 | 0:15:13 | |
-Yes. -Can I have a look at the... | 0:15:13 | 0:15:15 | |
Do you mind if we get it out and have a look? | 0:15:15 | 0:15:17 | |
-By all means. -I'm sorry to be an absolute... | 0:15:17 | 0:15:19 | |
-That's OK. -..pain. | 0:15:19 | 0:15:21 | |
Someone's painted a Britannia flag on this one, haven't they? | 0:15:24 | 0:15:27 | |
Sounds like he prefers the first table, | 0:15:27 | 0:15:29 | |
but will David take his £40 offer? | 0:15:29 | 0:15:31 | |
-That one, yeah? -Blimey. That was a quick deal. | 0:15:33 | 0:15:36 | |
David generously accepts and Phil gets the table at an £85 discount. | 0:15:36 | 0:15:41 | |
-Tell you what, you've been really kind to me. Thank you. -OK. | 0:15:41 | 0:15:44 | |
That's another item for Phil, | 0:15:44 | 0:15:46 | |
and it ends a very productive day all round. | 0:15:46 | 0:15:50 | |
Time for a well-deserved kip, you two. | 0:15:50 | 0:15:53 | |
Nighty-night. | 0:15:53 | 0:15:54 | |
The sun is shining and the roof is down | 0:15:55 | 0:15:58 | |
on our glamorous Italian icon. | 0:15:58 | 0:16:01 | |
You know what they say, Anita, don't you? | 0:16:01 | 0:16:03 | |
The sun always shines on the righteous. | 0:16:03 | 0:16:06 | |
The sun is shining on me this morning. | 0:16:06 | 0:16:08 | |
I know, but it's shining on me as well. | 0:16:08 | 0:16:11 | |
This morning, our lovely Anita is bound for the village of Sabden | 0:16:11 | 0:16:15 | |
in the scenic Ribble Valley. | 0:16:15 | 0:16:17 | |
-Bye! -Bye. | 0:16:17 | 0:16:18 | |
She's visiting Pendle Antiques. | 0:16:19 | 0:16:22 | |
CLINKING | 0:16:24 | 0:16:26 | |
Careful, Anita. | 0:16:26 | 0:16:27 | |
Now, what's this she's found? | 0:16:28 | 0:16:31 | |
Now, this is an interesting set of chairs here. | 0:16:32 | 0:16:36 | |
These are in the style of Arne Jacobsen, | 0:16:38 | 0:16:43 | |
a Danish designer. | 0:16:43 | 0:16:46 | |
In the 1950s, he perfected the design of chairs | 0:16:46 | 0:16:52 | |
where the back of it was made of one piece of moulded plywood. | 0:16:52 | 0:16:59 | |
This was a ground-breaking design. | 0:16:59 | 0:17:02 | |
This 1980s plastic set is priced at £120. | 0:17:02 | 0:17:06 | |
Now, with just over 100 left in her pocket, | 0:17:06 | 0:17:09 | |
can she sweet-talk dealer Walter? | 0:17:09 | 0:17:12 | |
Hiya, Philip. I have a young lady here who would like a word with you. | 0:17:12 | 0:17:16 | |
OK, just a sec. | 0:17:16 | 0:17:18 | |
Hey, Philip. Did you hear Walter calling me a young lady? | 0:17:20 | 0:17:23 | |
SHE LAUGHS | 0:17:23 | 0:17:26 | |
Can I make you an offer of £70? | 0:17:26 | 0:17:30 | |
Oh, you're an absolute darling. | 0:17:32 | 0:17:34 | |
Thank you. Bye-bye. | 0:17:34 | 0:17:36 | |
£70. | 0:17:39 | 0:17:40 | |
Great. I'm happy. | 0:17:40 | 0:17:42 | |
Let me shake your hand. | 0:17:42 | 0:17:43 | |
Excellent work, Anita. | 0:17:44 | 0:17:46 | |
Reunited, our pair are headed for the city of Lancaster. | 0:17:46 | 0:17:51 | |
And they're sharing the next shop too. | 0:17:51 | 0:17:54 | |
It's up to father and son Alan and Jimmy to help our pair navigate. | 0:17:54 | 0:17:59 | |
Somewhere or other, | 0:18:00 | 0:18:02 | |
there's going to be an absolute steal of a bargain, | 0:18:02 | 0:18:05 | |
and all you've got to do is find it. | 0:18:05 | 0:18:07 | |
Ah-ha! And Phil finds fastest. | 0:18:09 | 0:18:13 | |
So, this is an old boot scraper. | 0:18:13 | 0:18:15 | |
It would've been outside someone's front door, wouldn't it? | 0:18:15 | 0:18:18 | |
-Well, yeah. -You just put your foot on there and just do that. | 0:18:18 | 0:18:21 | |
Yes, that's for scraping. | 0:18:21 | 0:18:23 | |
But I think the curve underneath was to actually put your boot | 0:18:23 | 0:18:28 | |
underneath and help to loosen it. | 0:18:28 | 0:18:30 | |
Oh, right. Right. | 0:18:30 | 0:18:32 | |
So, it helped you get it off as well as scrape it clean. | 0:18:32 | 0:18:36 | |
You see, at auction, I think that's going to make £30 to £50. | 0:18:36 | 0:18:39 | |
I've got to try it for £20, £25. | 0:18:39 | 0:18:41 | |
That's where... Which is tough, but can we just... | 0:18:41 | 0:18:44 | |
-Let's put it back there. -Yeah. | 0:18:44 | 0:18:46 | |
Tough indeed. Its ticket price is £68. | 0:18:46 | 0:18:50 | |
Now, any luck, Anita? | 0:18:51 | 0:18:54 | |
-Hi. -Hi, Anita. | 0:18:54 | 0:18:55 | |
I had a look at this parasol here. Quite liked that. | 0:18:55 | 0:18:59 | |
-OK. -It's small, it's dainty. -Yeah. | 0:18:59 | 0:19:02 | |
And I think it just... | 0:19:02 | 0:19:04 | |
I think there's quite a bit of age to it as well, isn't there? | 0:19:04 | 0:19:07 | |
-Yeah. -It's... | 0:19:07 | 0:19:08 | |
-What I do have, though, is damage there. -Right. OK. | 0:19:08 | 0:19:12 | |
-And in textiles, damage is very important. -Yeah. | 0:19:12 | 0:19:16 | |
And I think I've had a repair here. | 0:19:16 | 0:19:18 | |
In fact, I have had repair. | 0:19:18 | 0:19:20 | |
-There. -Yeah. | 0:19:20 | 0:19:21 | |
Let me see if it suits you. | 0:19:21 | 0:19:23 | |
Probably not as well as you, to be honest. | 0:19:23 | 0:19:25 | |
-Aw! -SHE LAUGHS | 0:19:25 | 0:19:27 | |
-So, it's priced at £44 at the moment. -But it is damaged. | 0:19:27 | 0:19:32 | |
-Yeah, I'm taking on board exactly what you're saying. -Mm-hm. | 0:19:32 | 0:19:35 | |
How's £25 sound? | 0:19:35 | 0:19:38 | |
Would 22 buy it? | 0:19:38 | 0:19:40 | |
Go on, then. | 0:19:40 | 0:19:41 | |
-Shall we do it? -Yeah. Absolutely. -OK. | 0:19:41 | 0:19:43 | |
-That's great. -I'll be sad to see it go cos I like twirling it myself. | 0:19:43 | 0:19:47 | |
-SHE LAUGHS -I saw it first! | 0:19:47 | 0:19:50 | |
That's half price for the parasol. | 0:19:50 | 0:19:52 | |
What has Phil found? | 0:19:55 | 0:19:56 | |
I quite like these. They're different, aren't they? | 0:19:56 | 0:19:58 | |
Yeah, very authentic. | 0:19:58 | 0:20:00 | |
-These would've been sat in an office. -Correct. | 0:20:00 | 0:20:02 | |
I'm not actually sure that these drawers all match, | 0:20:02 | 0:20:06 | |
but I kind of think it doesn't matter. | 0:20:06 | 0:20:09 | |
They're that shabby side of shabby chic, aren't they? | 0:20:09 | 0:20:12 | |
Well, I don't know how much they are cos there's no price, | 0:20:12 | 0:20:14 | |
but, I mean, I think... | 0:20:14 | 0:20:16 | |
HE TAPS Easy, Phil. | 0:20:16 | 0:20:19 | |
I don't think that base has got anything to do with it, has it? | 0:20:19 | 0:20:22 | |
-It just does the job. -It does the job, exactly. | 0:20:22 | 0:20:25 | |
-The stone wrought-iron step thing that we saw earlier... -Yes. | 0:20:25 | 0:20:28 | |
..and these chests... | 0:20:28 | 0:20:30 | |
I've got to try and buy the two for 40. | 0:20:30 | 0:20:32 | |
How is that going to...? | 0:20:32 | 0:20:34 | |
Well, I think we could do 50, Phil. | 0:20:34 | 0:20:38 | |
45, would that squeeze you? | 0:20:38 | 0:20:41 | |
-45 is probably the right price. -You're a gentlemen. | 0:20:41 | 0:20:43 | |
Thank you ever so, ever so much. | 0:20:43 | 0:20:45 | |
Now, where would we find Anita? | 0:20:45 | 0:20:48 | |
I'm just looking at a nice Victorian brooch. | 0:20:48 | 0:20:52 | |
Now, I wanted to spend all my money, | 0:20:52 | 0:20:55 | |
but I still have £10.06 left. | 0:20:55 | 0:20:59 | |
This brooch here, Victorian brooch... | 0:20:59 | 0:21:03 | |
It won't be gold. It will be pinchbeck or rolled gold | 0:21:03 | 0:21:07 | |
with a very nice citrine in the middle. | 0:21:07 | 0:21:10 | |
It's priced at £18. | 0:21:10 | 0:21:13 | |
What I'm going to do is I'm going to say to Jimmy, | 0:21:13 | 0:21:17 | |
"Can I buy that for £10.06?" and see what happens. | 0:21:17 | 0:21:22 | |
Only one way to find out. | 0:21:22 | 0:21:24 | |
-Can I have a wee look at that one? -Absolutely. | 0:21:24 | 0:21:26 | |
It's been... | 0:21:26 | 0:21:28 | |
They've polished it and cleaned it up beautifully. | 0:21:28 | 0:21:31 | |
-Not gold. Rolled gold or pinchbeck. -Yeah. | 0:21:31 | 0:21:34 | |
It's priced at £18. | 0:21:34 | 0:21:36 | |
That's the only thing. | 0:21:36 | 0:21:38 | |
I've got £10.06. | 0:21:38 | 0:21:42 | |
Can I buy this for £10.06? | 0:21:42 | 0:21:46 | |
As long as you add the six pence to the ten pounds, we've got a deal. | 0:21:46 | 0:21:49 | |
-Oh, that's great. -Thank you. | 0:21:49 | 0:21:51 | |
I've spent every single penny, and that's what I wanted to do. | 0:21:51 | 0:21:56 | |
With that bold move from Anita, all our shopping is done. | 0:21:56 | 0:22:00 | |
Phil spent £145 on a silver-plated pincushion | 0:22:03 | 0:22:07 | |
and miniature compass, | 0:22:07 | 0:22:08 | |
a 19th-century mahogany box, a copper-topped pub table, | 0:22:08 | 0:22:13 | |
a wrought-iron boot scraper and a set of vintage drawers. | 0:22:13 | 0:22:18 | |
Anita cleared out every last penny of her £307.06, | 0:22:20 | 0:22:25 | |
picking up a Lalique figurine, | 0:22:25 | 0:22:28 | |
an Art Deco clock garniture, | 0:22:28 | 0:22:30 | |
a set of plastic chairs, | 0:22:30 | 0:22:33 | |
a Victorian parasol | 0:22:33 | 0:22:34 | |
and a gold pendant that she's now pairing with her yellow metal brooch. | 0:22:34 | 0:22:39 | |
What do they say about their opponent's finds? | 0:22:41 | 0:22:45 | |
If you're going to buy a piece of French glass, you buy Lalique. | 0:22:45 | 0:22:48 | |
It's the best, and Anita has done just that. | 0:22:48 | 0:22:51 | |
I hope for her sake the people of Yorkshire really appreciate it too. | 0:22:51 | 0:22:54 | |
Phil Serrell has bought well this time. | 0:22:54 | 0:22:57 | |
The boot scraper is just down his street, | 0:22:57 | 0:23:01 | |
and I think he could double his money on that. | 0:23:01 | 0:23:05 | |
So, with hope in their hearts, it's off to the auction. | 0:23:07 | 0:23:09 | |
After starting this leg in Frodsham, | 0:23:09 | 0:23:11 | |
our pair have zipped their way through Cheshire and Lancashire | 0:23:11 | 0:23:15 | |
and are ending up in Easingwold in North Yorkshire. | 0:23:15 | 0:23:18 | |
This should be fun, Philip. | 0:23:18 | 0:23:21 | |
-SHE LAUGHS -Here we go again. Into the coliseum. | 0:23:21 | 0:23:24 | |
The lions are waiting for me. Look. Oh, no! | 0:23:24 | 0:23:28 | |
Summersgills Auctions are a family-run affair | 0:23:28 | 0:23:31 | |
and have been striking the gavel in Yorkshire since 1959. | 0:23:31 | 0:23:35 | |
Auctioneer Tim Summersgill is taking care of proceedings today. | 0:23:35 | 0:23:39 | |
First lot. Keep your fingers crossed. | 0:23:39 | 0:23:41 | |
Our first lot of the day is Anita's parasol. | 0:23:41 | 0:23:45 | |
Bit of interest straight in on this one at £20. £20 bid on this one. | 0:23:45 | 0:23:49 | |
22 there. 24. 26. 28. 28. | 0:23:49 | 0:23:53 | |
30 just in time. At £30 at the back. | 0:23:53 | 0:23:55 | |
A feeling of deja vu at the moment. | 0:23:55 | 0:23:57 | |
No-one else come in. We're selling. £30. 61. | 0:23:57 | 0:24:01 | |
Ha! A great profit to start us off. | 0:24:01 | 0:24:03 | |
Not a big profit. | 0:24:03 | 0:24:05 | |
-No, no, no. -Fair. Fair. -Just another little profit. Well done, you. | 0:24:05 | 0:24:09 | |
Next up is Phil's mahogany box. | 0:24:09 | 0:24:12 | |
Bids all over, so we're straight in at £90 for this one. | 0:24:12 | 0:24:15 | |
-Oh! -£90 bid on this. 95 anywhere else? | 0:24:15 | 0:24:17 | |
On commission at £90. | 0:24:17 | 0:24:20 | |
All out in the room? | 0:24:20 | 0:24:22 | |
£90. You beauty. | 0:24:23 | 0:24:26 | |
Going for a maiden commission bid, | 0:24:26 | 0:24:29 | |
that great profit has sure floored Phil. | 0:24:29 | 0:24:32 | |
-I'll settle for that. That's really good, isn't it? -That's fabulous. | 0:24:32 | 0:24:35 | |
Yeah. | 0:24:35 | 0:24:36 | |
Anita got carried away with the clock. | 0:24:36 | 0:24:38 | |
Let's hope the bidders do the same. | 0:24:38 | 0:24:40 | |
-Straight in at 25 on this one. -25. -25 bid on commission. | 0:24:40 | 0:24:43 | |
28 anywhere else? | 0:24:43 | 0:24:45 | |
28. 30 there. 32. 34 here. | 0:24:45 | 0:24:48 | |
34 on commission. 35 now on the internet. | 0:24:48 | 0:24:51 | |
-36. 45 now on the internet. -The internet's interested. | 0:24:51 | 0:24:56 | |
50 anywhere else? | 0:24:56 | 0:24:57 | |
On the internet at 45. | 0:24:57 | 0:25:00 | |
There was no need to worry, as Anita lands another profit. | 0:25:00 | 0:25:05 | |
-I'm happy with that. -Oh, yeah, yeah. -Are you happy for me? | 0:25:05 | 0:25:07 | |
Oh, I'm over the moon. Absolutely over the moon. | 0:25:07 | 0:25:11 | |
Always good to see some friendly support, eh, Phil? | 0:25:11 | 0:25:14 | |
They caught his eye at the counter, | 0:25:14 | 0:25:16 | |
but will his compass and pincushion bring him a profit? | 0:25:16 | 0:25:20 | |
20 straight in. £20 bid on this. 25 anywhere else? | 0:25:20 | 0:25:24 | |
-25. 28 here. -Good, good, good. | 0:25:24 | 0:25:26 | |
Just in time at 30. Right at the back at £30. | 0:25:26 | 0:25:30 | |
Your bid, sir, at £30. | 0:25:30 | 0:25:32 | |
Aw. No gain, no pain. | 0:25:32 | 0:25:35 | |
It's a small loss after costs, | 0:25:35 | 0:25:37 | |
but there's plenty of time to make that back. | 0:25:37 | 0:25:40 | |
Never mind. You're a mere man. | 0:25:40 | 0:25:43 | |
Sometimes you do make mistakes, you know. You can't help it. | 0:25:43 | 0:25:47 | |
Hey, let's hope there's no mistake | 0:25:47 | 0:25:49 | |
with your Danish-design-inspired chairs then, Anita. | 0:25:49 | 0:25:52 | |
Bids on these, straight in at 50 on these. | 0:25:52 | 0:25:54 | |
£50 bid. 55. 60 on these. | 0:25:54 | 0:25:57 | |
70 there. 75. 80. £80. 90, sir? | 0:25:57 | 0:26:01 | |
Your bid at £80. Last chance. | 0:26:01 | 0:26:05 | |
That's OK. | 0:26:05 | 0:26:06 | |
Yeah, yeah, yeah. It's just another little profit, isn't it? | 0:26:06 | 0:26:09 | |
Certainly is. Another profit, then, for Anita. | 0:26:09 | 0:26:13 | |
It's just a tiny, tiny little profit. | 0:26:13 | 0:26:15 | |
-IMITATES HER: -It's just a tiny little wee profit! | 0:26:15 | 0:26:18 | |
But there's time to catch up, Phil. Your boot scraper is next. | 0:26:19 | 0:26:23 | |
Three bids here, so we're straight in at 55 on this one. | 0:26:23 | 0:26:26 | |
-Get in. -55 bid on it. 60 anywhere else? | 0:26:26 | 0:26:29 | |
£60 just in time. £60 here. | 0:26:29 | 0:26:31 | |
We're selling at £60. All out in the room? At 60 we sell. | 0:26:31 | 0:26:36 | |
That's a great profit for Phil. | 0:26:36 | 0:26:39 | |
-Well done. -That'll do, won't it? That'll do. | 0:26:39 | 0:26:41 | |
It's one of Anita's big-money purchases. | 0:26:42 | 0:26:45 | |
Will it set pulses racing? | 0:26:45 | 0:26:47 | |
Straight in at £50 on this one. £50 on this. | 0:26:47 | 0:26:50 | |
Nice little lot at £50. | 0:26:50 | 0:26:53 | |
All done? 55. 60. Five. 70. | 0:26:53 | 0:26:56 | |
£70 there. All in at 70 to sell? | 0:26:56 | 0:26:59 | |
Last chance. | 0:26:59 | 0:27:00 | |
Uh-oh. | 0:27:02 | 0:27:03 | |
That's the first loss of the day for Anita | 0:27:03 | 0:27:06 | |
and opens the door for Phil. | 0:27:06 | 0:27:07 | |
It could've been a lot worse, Phil. | 0:27:07 | 0:27:10 | |
Now Phil's holding out hope for his vintage drawers! Yes. | 0:27:10 | 0:27:15 | |
I am like them - bang on trend. | 0:27:15 | 0:27:17 | |
-Yeah? -Yeah. -Uh-huh. | 0:27:17 | 0:27:19 | |
Can tell that by the anoraks you wear. | 0:27:19 | 0:27:21 | |
91 is the Oriental light... | 0:27:21 | 0:27:23 | |
Bids again, so straight in at 45 bid on this. | 0:27:23 | 0:27:25 | |
-45. Well done. -45. 48. 50. | 0:27:25 | 0:27:28 | |
Five. 60. Five. 70 at the back. 75. 80. 85. | 0:27:28 | 0:27:34 | |
-Oh, brilliant. Brilliant. -90. 95. 100 for you, Sean. | 0:27:34 | 0:27:37 | |
All done at £100? All out? | 0:27:37 | 0:27:41 | |
Brilliant. | 0:27:43 | 0:27:44 | |
A fantastic 300% profit for Phil. | 0:27:44 | 0:27:48 | |
What's really mad about this business is that has just made | 0:27:48 | 0:27:51 | |
the same sort of money that a Victorian chest of drawers has made. | 0:27:51 | 0:27:54 | |
-Yeah. -And that's madness, isn't it? -Mm-hm. | 0:27:54 | 0:27:57 | |
Mad it may be, but it puts you right back in the running, Phil. | 0:27:57 | 0:28:01 | |
Anita's turn now with her pendant and brooch. | 0:28:01 | 0:28:04 | |
I mean, I wouldn't wish ill on you, Anita, | 0:28:04 | 0:28:06 | |
cos you're very dear and old friend of mine, | 0:28:06 | 0:28:08 | |
but it would be ever so nice if they paid 20 quid, wouldn't it? | 0:28:08 | 0:28:12 | |
Bids all over on these, so straight in at 90 again. | 0:28:12 | 0:28:15 | |
£90 on these. 95 anywhere else? | 0:28:15 | 0:28:18 | |
All done, then? £90. | 0:28:18 | 0:28:20 | |
Don't miss them for a fiver. | 0:28:20 | 0:28:22 | |
Last chance. | 0:28:22 | 0:28:25 | |
Someone picked them up without a fight and for a great price, | 0:28:25 | 0:28:28 | |
and it's more good news for Phil. | 0:28:28 | 0:28:30 | |
-I was glad I bought them. -Fair play to you. | 0:28:30 | 0:28:32 | |
You spent every penny, and I don't think you've lost... | 0:28:32 | 0:28:35 | |
It's a dangerous strategy, that, | 0:28:35 | 0:28:36 | |
and I don't think you've actually lost that much money. | 0:28:36 | 0:28:39 | |
Phil's final lot is his pub table. | 0:28:39 | 0:28:42 | |
Straight in at £40 on this one. £40. 45. 50. | 0:28:42 | 0:28:46 | |
Five. 60. Five. 70. | 0:28:46 | 0:28:48 | |
Five. 80. | 0:28:48 | 0:28:50 | |
90. 100. | 0:28:50 | 0:28:52 | |
110. 110, then. | 0:28:52 | 0:28:55 | |
-110. -I'm surprised. -Yeah. | 0:28:55 | 0:28:56 | |
120. 130. 130. | 0:28:56 | 0:28:59 | |
140, is it? 140. 150. | 0:28:59 | 0:29:02 | |
150 right across that side. | 0:29:02 | 0:29:04 | |
Well, well done, anyway. | 0:29:06 | 0:29:08 | |
Yeah, I should say so. | 0:29:08 | 0:29:09 | |
Phil is stunned, and it's a cracking profit. | 0:29:09 | 0:29:12 | |
What a great way to round up today's auction. | 0:29:12 | 0:29:15 | |
You've done well. Congratulations. | 0:29:15 | 0:29:19 | |
Let's go. | 0:29:19 | 0:29:20 | |
So, what does that do to the totals? | 0:29:20 | 0:29:22 | |
Anita made the daring move of spending all of her £307.06. | 0:29:23 | 0:29:28 | |
After costs, she made a small loss of £48.76, | 0:29:28 | 0:29:34 | |
taking her total to £258.30. | 0:29:34 | 0:29:37 | |
Phil's in the pink after today's display. | 0:29:40 | 0:29:43 | |
Starting off with £191.80, | 0:29:43 | 0:29:47 | |
he made a fantastic £207.60 profit after costs, | 0:29:47 | 0:29:52 | |
giving him the win today and swinging him into | 0:29:52 | 0:29:55 | |
the overall lead with a total of £399.40. | 0:29:55 | 0:29:59 | |
Well done, Phil. | 0:29:59 | 0:30:01 | |
I'm not used to these dizzy heights. | 0:30:03 | 0:30:05 | |
You've romped ahead athletically. | 0:30:05 | 0:30:07 | |
-It's all just turned the tables, hasn't it? -It certainly has. | 0:30:07 | 0:30:11 | |
Forward to the next leg, Phil. | 0:30:11 | 0:30:13 | |
Too right! We're off onto the fourth instalment with Anita and Phil. | 0:30:14 | 0:30:20 | |
Get out of it! | 0:30:22 | 0:30:24 | |
Do you not like being caressed by a beautiful Scottish girl, Philip? | 0:30:24 | 0:30:29 | |
-Your knees are irresistible! -I know. | 0:30:29 | 0:30:32 | |
A lot of people have said that through the years. Nothing else. | 0:30:32 | 0:30:35 | |
-Just my knees. -Quite. | 0:30:35 | 0:30:37 | |
Ha! | 0:30:37 | 0:30:39 | |
Today's journey begins in the village of Amble in Northumberland, | 0:30:39 | 0:30:43 | |
and we will auction in Carlisle in Cumbria. | 0:30:43 | 0:30:46 | |
Anita's playing catch-up now, and nestled here | 0:30:46 | 0:30:50 | |
in the village of Amble is her first shop of the day. | 0:30:50 | 0:30:54 | |
And they love a bit of vintage in here. | 0:30:54 | 0:30:56 | |
With eagle-eyed precision, Anita finds something. | 0:31:00 | 0:31:04 | |
Hey, snazzy shoes! | 0:31:04 | 0:31:06 | |
I think this is quite a sweet little thing. | 0:31:06 | 0:31:09 | |
It's a little three-legged milking stool, | 0:31:09 | 0:31:12 | |
but what I like about this is the illustration. | 0:31:12 | 0:31:17 | |
What's that all about? | 0:31:17 | 0:31:20 | |
It may well have been sold at Widecombe Fair, | 0:31:20 | 0:31:24 | |
but what I can tell you is the ticket price is £23. | 0:31:24 | 0:31:29 | |
Anything else(?) | 0:31:29 | 0:31:30 | |
I think that this has got bags of style. | 0:31:32 | 0:31:37 | |
It's a table lamp and a little cabinet. | 0:31:37 | 0:31:42 | |
You were getting away from heavy, clumsy furniture | 0:31:42 | 0:31:45 | |
into something which had what we call the New Look. | 0:31:45 | 0:31:49 | |
It's priced at £72. Time for a chat with Tony, eh? | 0:31:50 | 0:31:54 | |
I thought that this lamp-cabinet affair... | 0:31:55 | 0:32:00 | |
-Oh, OK. -..was very good fun. -Yes. | 0:32:00 | 0:32:03 | |
-On the ticket, it tells us that it needs rewired. -Yes. | 0:32:03 | 0:32:07 | |
Is there a drop-dead price that you could sell that for? | 0:32:07 | 0:32:12 | |
Simply because of the rewiring issue. | 0:32:12 | 0:32:16 | |
Do you want to make me an offer? | 0:32:16 | 0:32:18 | |
-An offer that you can't refuse? -Yes! -THEY LAUGH | 0:32:18 | 0:32:21 | |
I would be looking to pay maybe round about £40 for it, | 0:32:21 | 0:32:28 | |
-but I don't know if you can come down that far... -Yes, yes. | 0:32:28 | 0:32:31 | |
I could come down to probably about £50. | 0:32:31 | 0:32:36 | |
-50? -How would you feel about that? | 0:32:36 | 0:32:38 | |
I know... I mean, to me it's certainly worth that, | 0:32:38 | 0:32:41 | |
-but I have to sell it in auction, you know? -Yes, yes, of course. | 0:32:41 | 0:32:44 | |
-And that's the thing on it. -Yes. -Um... | 0:32:44 | 0:32:47 | |
How about 45? Would that... | 0:32:47 | 0:32:49 | |
45 sounds fine to me. | 0:32:49 | 0:32:50 | |
-Is that all right, are you sure? -Yes, that's fine. | 0:32:50 | 0:32:52 | |
-Oh, thank you very much! -Good luck with that. | 0:32:52 | 0:32:55 | |
What about the milking stool, then? | 0:32:55 | 0:32:57 | |
But there was something else that I liked the look of, | 0:32:57 | 0:33:00 | |
and it was this little novelty milking stool. | 0:33:00 | 0:33:04 | |
-Ah, yes. -What's the best that you can do on that? | 0:33:04 | 0:33:07 | |
Well, we've got 23... | 0:33:07 | 0:33:09 | |
I could do a special price for, what, £12 for that? | 0:33:09 | 0:33:15 | |
Put it there! Lovely. £12, I'm delighted with that. | 0:33:15 | 0:33:19 | |
I think that it's just an absolutely fun thing. | 0:33:19 | 0:33:22 | |
Good work, Anita. | 0:33:22 | 0:33:24 | |
Phil is easing into this leg. He's journeyed northwards | 0:33:29 | 0:33:34 | |
to the coastal village of Bamburgh in Northumberland. | 0:33:34 | 0:33:37 | |
The area boasts one of the largest castles in the country. | 0:33:39 | 0:33:43 | |
Not just a magnificent landmark, | 0:33:43 | 0:33:45 | |
this castle was once the centre of a revolutionary social movement. | 0:33:45 | 0:33:49 | |
Before the NHS and the welfare state, | 0:33:50 | 0:33:53 | |
Bamburgh Castle played host to a utilitarian society, | 0:33:53 | 0:33:56 | |
providing health care, education | 0:33:56 | 0:33:59 | |
and the country's first lifeboat station. | 0:33:59 | 0:34:02 | |
Phil is meeting with curator Chris Calvert to find out more. | 0:34:03 | 0:34:07 | |
-Hi, I'm Philip. -Hi, I'm Chris. How're you? | 0:34:07 | 0:34:10 | |
You know, I don't know this part of the world, | 0:34:10 | 0:34:12 | |
-but this is just absolutely stunning, isn't it? -Beautiful. | 0:34:12 | 0:34:16 | |
In 1758, local man and vicar Dr John Sharp became the head | 0:34:16 | 0:34:22 | |
of the Crew Trust, set up by the owners | 0:34:22 | 0:34:24 | |
of the castle to manage affairs. | 0:34:24 | 0:34:25 | |
He was given full control of running the estate | 0:34:27 | 0:34:30 | |
and, as a great philanthropist, he set about creating | 0:34:30 | 0:34:33 | |
a much-needed life support for the people of Bamburgh. | 0:34:33 | 0:34:36 | |
-If that a windmill? -It certainly was in its heyday, yes. | 0:34:37 | 0:34:41 | |
What's a castle doing with a windmill? | 0:34:41 | 0:34:43 | |
We go back to the Crew Trustees - when they owned the castle, | 0:34:43 | 0:34:47 | |
John Sharp realised that corn was getting very expensive, | 0:34:47 | 0:34:51 | |
and he got the Crew Trustees to agree to buy in corn | 0:34:51 | 0:34:56 | |
he could then sell to the poor people - corn at a reasonable cost. | 0:34:56 | 0:35:00 | |
And then from that came the windmills so that they could then | 0:35:00 | 0:35:03 | |
come up, and they could grind their own corn for free in the windmill. | 0:35:03 | 0:35:07 | |
Free education was next on his agenda. | 0:35:08 | 0:35:10 | |
A local school was set up within the castle, | 0:35:10 | 0:35:13 | |
teaching children who would have otherwise no access to learning. | 0:35:13 | 0:35:17 | |
They're the original schoolbooks, yeah, from the 1700s. | 0:35:17 | 0:35:20 | |
There are two schoolbooks here... Obviously mathematics was very big. | 0:35:20 | 0:35:24 | |
-Division and logarithms? -I know, very complicated isn't it? | 0:35:24 | 0:35:27 | |
So we've got logarithm... | 0:35:27 | 0:35:29 | |
Well, this is all mathematical, really, isn't it? | 0:35:29 | 0:35:31 | |
What else did they teach here? | 0:35:31 | 0:35:33 | |
They taught reading, as well, and writing. | 0:35:33 | 0:35:35 | |
But they were taught practical skills as well, later on, | 0:35:35 | 0:35:38 | |
so they were taught sewing and they were taught spinning, | 0:35:38 | 0:35:41 | |
hence the spinning wheel that we have here. | 0:35:41 | 0:35:43 | |
So it was always an industry for life, wasn't it? | 0:35:43 | 0:35:45 | |
It is, it's giving them life skills. I mean real life skills. | 0:35:45 | 0:35:48 | |
And I can see, clearly, all our mathematical stuff here, | 0:35:48 | 0:35:51 | |
we've got the children's chairs and we've got the spinning wheel | 0:35:51 | 0:35:55 | |
that they worked on, but why have we got a sedan chair here? | 0:35:55 | 0:35:59 | |
Well, it's normally associated with the aristocrats and the gentry | 0:35:59 | 0:36:02 | |
for getting carried around town in, | 0:36:02 | 0:36:04 | |
but this one was actually used as an ambulance. | 0:36:04 | 0:36:06 | |
In 1772, Dr Sharp opened a surgery here, | 0:36:11 | 0:36:15 | |
providing free medical care and supplies. | 0:36:15 | 0:36:17 | |
By the end of the decade, | 0:36:17 | 0:36:19 | |
the surgery was treating over 1,500 patients a year. | 0:36:19 | 0:36:22 | |
The original surgery and dispensary hasn't survived, | 0:36:26 | 0:36:29 | |
but Dr John Sharp is still very much present. | 0:36:29 | 0:36:33 | |
The painting embodies everything he did here, really, | 0:36:33 | 0:36:35 | |
with his plans for the castle, the development of the castle, | 0:36:35 | 0:36:38 | |
the surgery, the dispensary... | 0:36:38 | 0:36:40 | |
The poor people there either | 0:36:40 | 0:36:41 | |
thanking him for the treatment they've received | 0:36:41 | 0:36:43 | |
or maybe beseeching him to take their children into the school. | 0:36:43 | 0:36:46 | |
And through the window over his shoulder there, | 0:36:46 | 0:36:49 | |
-you can see that there's a ship foundering. -Oh, yeah. | 0:36:49 | 0:36:51 | |
Dr John Sharp was troubled by the shipwrecks | 0:36:55 | 0:36:58 | |
on the perilous Bamburgh coastline. | 0:36:58 | 0:37:00 | |
Determined to make the seas as safe as possible, he created a pioneering | 0:37:00 | 0:37:04 | |
coastguard system thought to be the first of its kind in the world. | 0:37:04 | 0:37:08 | |
So if there was a ship that was in distress... | 0:37:08 | 0:37:11 | |
..the coastguard, Sharp's coastguard saw it, and I mean | 0:37:12 | 0:37:17 | |
if it was sinking or whatever, did they help them, or what happened? | 0:37:17 | 0:37:20 | |
Yes, they had a system of signals using these guns here. | 0:37:20 | 0:37:24 | |
These are actually the guns used. | 0:37:24 | 0:37:26 | |
And they would signal to the villagers with the smaller gun | 0:37:26 | 0:37:28 | |
and then had a larger gun that was used to signal to the ships | 0:37:28 | 0:37:31 | |
-that help was on its way. -And what sort of help would it have been? | 0:37:31 | 0:37:35 | |
Manpower, basically. | 0:37:35 | 0:37:37 | |
So any sailors that were injured or whatever, | 0:37:37 | 0:37:39 | |
what would have happened to them? | 0:37:39 | 0:37:40 | |
Well, they were treated here and any sailors that unfortunately drowned, | 0:37:40 | 0:37:44 | |
their funerals and their coffins | 0:37:44 | 0:37:46 | |
were paid for by the Crew Trustees here. | 0:37:46 | 0:37:49 | |
Where did all the money come from to fund this? | 0:37:49 | 0:37:52 | |
He put up a lot of it himself. | 0:37:52 | 0:37:54 | |
But the Crew Trustees did have quite extensive lands, as well. | 0:37:54 | 0:37:58 | |
The lifeboat station was successfully managed until the 1860s, | 0:37:59 | 0:38:03 | |
when it was taken over by the RNLI. | 0:38:03 | 0:38:06 | |
Not only did Dr Sharp begin the quest to make our seas safe, | 0:38:06 | 0:38:11 | |
but he also created a miniature welfare state | 0:38:11 | 0:38:14 | |
that lasted at Bamburgh for over 100 years. | 0:38:14 | 0:38:17 | |
Chris, it's been absolutely fantastic. | 0:38:19 | 0:38:21 | |
You'd better show me out, because this place is so big, | 0:38:21 | 0:38:23 | |
-I've got to go and find that dreadful little car. -CHRIS LAUGHS | 0:38:23 | 0:38:27 | |
Anita's travelled south west, to the Northumbrian town of Corbridge, | 0:38:29 | 0:38:33 | |
where she's visiting Corbridge Antiques Centre. | 0:38:33 | 0:38:36 | |
With over 30 dealers here, | 0:38:37 | 0:38:39 | |
Anita should be able to snaffle up something. | 0:38:39 | 0:38:42 | |
We know how she loves to shop. | 0:38:42 | 0:38:44 | |
I've already seen something that I quite like. | 0:38:46 | 0:38:48 | |
Great! | 0:38:48 | 0:38:50 | |
Down here... It's made of pine, | 0:38:50 | 0:38:53 | |
and it's a little Art Deco doll's three-piece suite. | 0:38:53 | 0:38:59 | |
Alison is on hand, to get it out of the cabinet. | 0:38:59 | 0:39:03 | |
It's been quite simply made, | 0:39:04 | 0:39:07 | |
maybe by an amateur carpenter or maybe even by an apprentice. | 0:39:07 | 0:39:14 | |
But it's got that 1930s, 1940s Art Deco look about it, | 0:39:14 | 0:39:20 | |
which I think's quite charming. | 0:39:20 | 0:39:22 | |
-If that was life-sized, I wouldn't mind it myself. -Yeah! | 0:39:22 | 0:39:26 | |
Me too, Anita. And it's a snip at £14. | 0:39:26 | 0:39:30 | |
Is there any movement on that, Ali? | 0:39:30 | 0:39:34 | |
-Could do the set for £12. -£12? -Yeah. | 0:39:34 | 0:39:38 | |
-I think I might take that. -Yeah? -Thank you very, very much. | 0:39:38 | 0:39:43 | |
£12 secures the little Art Deco-style three-piece suite. | 0:39:43 | 0:39:48 | |
As for Phil, he's journeyed south to the city of Newcastle. | 0:39:49 | 0:39:53 | |
And his first shop of the day is run by Giuseppe. | 0:39:54 | 0:39:58 | |
Giuseppe, what's that trunk underneath there, how much is that? | 0:40:06 | 0:40:09 | |
Er, we'll get it out. It's one of the cleanest ones... | 0:40:09 | 0:40:12 | |
..that I've ever had. | 0:40:14 | 0:40:15 | |
-All the original address there, come via Dieppe to Newhaven. -Yeah. | 0:40:17 | 0:40:22 | |
Unusual to have the key. | 0:40:22 | 0:40:24 | |
-There we go. -PHIL GASPS | 0:40:30 | 0:40:33 | |
140 quid. | 0:40:33 | 0:40:35 | |
Are you all right there, Phil? | 0:40:35 | 0:40:37 | |
Undecided on the trunk, he moves on. | 0:40:38 | 0:40:41 | |
-25, Scottish Masonic. -That's quite nice. | 0:40:41 | 0:40:45 | |
No great age. How do you know it's Scottish? | 0:40:46 | 0:40:49 | |
Well, because it's shaped like a thistle. | 0:40:49 | 0:40:51 | |
And it's a firing glass. | 0:40:51 | 0:40:53 | |
-Right. -So you would drink your toast | 0:40:53 | 0:40:55 | |
and then it would be... banged on the table. | 0:40:55 | 0:40:57 | |
And that is why it's got such a thick bottom, | 0:40:57 | 0:41:00 | |
if you'll pardon the expression. | 0:41:00 | 0:41:02 | |
-That might be a possibility. -OK. -That might well be a possibility. | 0:41:02 | 0:41:06 | |
Masonic items can be very sought-after at auction. | 0:41:06 | 0:41:10 | |
That could be a good choice, Phil. | 0:41:10 | 0:41:13 | |
-This is a Masonic jewel. -Right. | 0:41:13 | 0:41:15 | |
It's no big deal, but it's just a nice little Masonic jewel. | 0:41:15 | 0:41:18 | |
It's priced at £18. | 0:41:18 | 0:41:20 | |
Well, I might be interested, perhaps, if I could... | 0:41:21 | 0:41:24 | |
-Do a deal on...? -On the two, yeah. | 0:41:24 | 0:41:26 | |
Both belong to different concessions, | 0:41:26 | 0:41:28 | |
but I'm sure we could do something. | 0:41:28 | 0:41:29 | |
-That's your problem, my friend. -GIUSEPPE LAUGHS | 0:41:29 | 0:41:32 | |
-Not mine. -Mmm, charming! | 0:41:32 | 0:41:33 | |
The Masonic jewel is another possibility, | 0:41:33 | 0:41:36 | |
and Phil's got his eye on another big wooden trunk. | 0:41:36 | 0:41:39 | |
Uh-oh! | 0:41:39 | 0:41:42 | |
What's that one up there, then? How much is that one? | 0:41:42 | 0:41:45 | |
That one's cheap and cheerful. 40 quid. | 0:41:45 | 0:41:47 | |
Well - that's a good bit cheaper than his first trunk. | 0:41:47 | 0:41:52 | |
Go on, Nelly. | 0:41:52 | 0:41:53 | |
I'll give you 30 quid for it. | 0:41:53 | 0:41:55 | |
35. | 0:41:55 | 0:41:56 | |
You know those... That little bit of Masonic glass? | 0:41:56 | 0:41:59 | |
-And that little jewel thing? -Yeah. | 0:41:59 | 0:42:01 | |
Could I buy... | 0:42:01 | 0:42:03 | |
-..the three bits off you for 60 quid? -Which three? | 0:42:05 | 0:42:07 | |
The glass, the jewel and that trunk. | 0:42:07 | 0:42:11 | |
No. | 0:42:12 | 0:42:14 | |
Wasn't an ounce of emotion there, was there? Just nothing at all. | 0:42:15 | 0:42:18 | |
-I'll meet you in the middle. -What's that, 65? -65. | 0:42:18 | 0:42:21 | |
-Giuseppe, you've been as good as gold, mate. -Thank you very much. | 0:42:22 | 0:42:25 | |
£65 the three, you're a gent. Thank you. | 0:42:25 | 0:42:27 | |
-No problem, best of luck. -Bye-bye, now. | 0:42:27 | 0:42:29 | |
Phil now has two lots. | 0:42:29 | 0:42:31 | |
£30 for the Masonic firing glass and jewel, | 0:42:31 | 0:42:35 | |
and £35 for the wooden trunk. | 0:42:35 | 0:42:37 | |
This signals the end of a very busy day. | 0:42:39 | 0:42:42 | |
It's time for our weary duo to turn in and get some shut-eye. | 0:42:42 | 0:42:47 | |
Nighty-night. | 0:42:47 | 0:42:49 | |
It's a brand-new day. Now - where are we? | 0:42:53 | 0:42:56 | |
Do you know what? | 0:42:58 | 0:42:59 | |
We have traversed from one side of England to the other side. | 0:42:59 | 0:43:02 | |
-I don't know how that happened. -And where are we now? | 0:43:02 | 0:43:05 | |
Bonnie Scotland! | 0:43:05 | 0:43:07 | |
Aye! | 0:43:07 | 0:43:08 | |
That's right, Anita. They've crossed the border, | 0:43:09 | 0:43:12 | |
and Phil is going for a shop in the town of Moffat in Dumfriesshire. | 0:43:12 | 0:43:17 | |
What will he uncover in here? | 0:43:19 | 0:43:21 | |
And he's off...! | 0:43:23 | 0:43:24 | |
I quite like that. That's just a company seal. | 0:43:31 | 0:43:35 | |
And one of the requirements, if you were an incorporated company, | 0:43:35 | 0:43:39 | |
was that... I think you had your business articles, | 0:43:39 | 0:43:42 | |
but you also had THE company seal. | 0:43:42 | 0:43:45 | |
That's a precursor of a publishing package on a computer. | 0:43:45 | 0:43:50 | |
That's priced at £79, which is a whole load of money. | 0:43:50 | 0:43:53 | |
But it's a bit of fun, isn't it? | 0:43:53 | 0:43:56 | |
That's a possibility, isn't it, you know? | 0:43:56 | 0:43:58 | |
Phil's seeks out the lovely Linda to find out more. | 0:43:58 | 0:44:02 | |
So that... I just thought that was quite nice. | 0:44:02 | 0:44:04 | |
I don't know what on earth you'd ever do with it. | 0:44:04 | 0:44:06 | |
It is nice. I mean, as you say, probably not a lot of practical use. | 0:44:06 | 0:44:11 | |
-No, but I just think it's sort of... -It's very decorative. | 0:44:11 | 0:44:15 | |
Yeah, it is, isn't it? | 0:44:15 | 0:44:16 | |
I think at auction, that might be £40-£60 worth. | 0:44:16 | 0:44:20 | |
What would be the very best you could do that for? | 0:44:20 | 0:44:22 | |
Bottom line on it, 30. | 0:44:22 | 0:44:24 | |
OK. | 0:44:24 | 0:44:25 | |
-I think I'd like that. -Certainly. | 0:44:27 | 0:44:29 | |
I think I'd like that, but I'm going to leave it there, | 0:44:29 | 0:44:32 | |
because there's a couple of other things | 0:44:32 | 0:44:33 | |
-I want to look at on the way out. -OK. -He sounds keen. | 0:44:33 | 0:44:36 | |
And Linda's treating him to a special part of the shop. Ooh-ah! | 0:44:36 | 0:44:40 | |
If you want to come through here, we'll go upstairs. | 0:44:40 | 0:44:43 | |
-So, Linda, this is sort of the hidden storage area? -It is. | 0:44:43 | 0:44:46 | |
This is where all the old antiques go to die. | 0:44:46 | 0:44:49 | |
Blimey. | 0:44:49 | 0:44:50 | |
Lord above. | 0:44:50 | 0:44:52 | |
So this is basically where things just get brought up until... | 0:44:52 | 0:44:56 | |
either they go out or get sent auction. | 0:44:56 | 0:45:00 | |
I like the ladders, how much are they? | 0:45:00 | 0:45:03 | |
I think we actually use them, dare I say! | 0:45:03 | 0:45:06 | |
SHE LAUGHS | 0:45:06 | 0:45:07 | |
This is not a shop, it's a museum! Actually, it IS a museum, isn't it? | 0:45:07 | 0:45:10 | |
Well, the floor downstairs, yes. | 0:45:10 | 0:45:12 | |
So the ladders are definitely not for sale? | 0:45:12 | 0:45:15 | |
I think they're definitely still in use. | 0:45:15 | 0:45:18 | |
-Do you know, I don't think those confirm to health and safety rules. -SHE LAUGHS | 0:45:18 | 0:45:22 | |
I think they're dangerous. | 0:45:22 | 0:45:24 | |
You don't want to be clambering up stuff like that. | 0:45:24 | 0:45:27 | |
I think Linda might see through that, Phil! | 0:45:27 | 0:45:29 | |
After a snoop about, he's just got one thing on his mind. | 0:45:31 | 0:45:35 | |
I've spoken to my husband, who's the one who uses the ladders, | 0:45:35 | 0:45:39 | |
and he said depending on what you're prepared to offer, | 0:45:39 | 0:45:43 | |
he might let you have them. | 0:45:43 | 0:45:45 | |
It'll be 30 quid, something like that. | 0:45:45 | 0:45:48 | |
30... | 0:45:49 | 0:45:51 | |
35? | 0:45:52 | 0:45:54 | |
So if I did 60 for the stamper thing and the ladders, | 0:45:54 | 0:45:57 | |
how would that grab you? | 0:45:57 | 0:45:59 | |
I suppose we could. Seeing as it's you. | 0:45:59 | 0:46:01 | |
You're an angel. You're an angel, thank you so much. | 0:46:01 | 0:46:04 | |
Success! £30 for the ladders, and £30 for the seal press. | 0:46:04 | 0:46:09 | |
Nice one, Phil! | 0:46:10 | 0:46:11 | |
Back together again, our pair remain in Dumfries & Galloway, | 0:46:15 | 0:46:19 | |
heading for the village of New Abbey. | 0:46:19 | 0:46:21 | |
-So we've got one last shop between us, haven't we? -Yes. | 0:46:21 | 0:46:25 | |
-I know what you could buy. -What? | 0:46:25 | 0:46:27 | |
-IN MOCK SCOTS ACCENT: -A nice wee brooch! | 0:46:27 | 0:46:29 | |
Philip! | 0:46:29 | 0:46:30 | |
The mischief-makers are sharing their last shop of the day. | 0:46:30 | 0:46:34 | |
Bit of a tight squeeze there, Phil! | 0:46:36 | 0:46:39 | |
After you, my dear. | 0:46:39 | 0:46:40 | |
-Ah, thank you, darling! What a gentleman. -After you. | 0:46:40 | 0:46:43 | |
Well, he can be, sometimes. | 0:46:43 | 0:46:45 | |
Anita's visited Admirable Antiques before. | 0:46:45 | 0:46:47 | |
-Hello, guys! -Hello! -It's lovely, lovely, lovely to see you! | 0:46:47 | 0:46:50 | |
I've brought my wee pal along today. | 0:46:50 | 0:46:53 | |
I've brought my wee pal along, as well. | 0:46:53 | 0:46:55 | |
SHE LAUGHS | 0:46:55 | 0:46:56 | |
Phil's got over £270 to play with. | 0:46:58 | 0:47:01 | |
On the way in, there was a curling stone. | 0:47:01 | 0:47:04 | |
I'm in Scotland, it would be a real shame not to buy something Scottish. | 0:47:04 | 0:47:07 | |
Unfortunately, it didn't look like it's got a handle with it, | 0:47:07 | 0:47:10 | |
but I'm going to go and have a word with the boss man. | 0:47:10 | 0:47:13 | |
Ian's the man. | 0:47:13 | 0:47:15 | |
-When I came in, you've got a curling stone out there... -Oh, yes. | 0:47:15 | 0:47:18 | |
..that doesn't have a handle on it. | 0:47:18 | 0:47:20 | |
-You have another handle, have you? -Unfortunately not. | 0:47:20 | 0:47:22 | |
You haven't got anything else like that? That's peculiarly Scottish. | 0:47:22 | 0:47:25 | |
-I've got a tiny one that you might be interested in. -Can I have a look? | 0:47:25 | 0:47:30 | |
Blimey, that is a tiny one. | 0:47:30 | 0:47:31 | |
And there we are. | 0:47:31 | 0:47:33 | |
-And is that... -An exact copy. | 0:47:33 | 0:47:35 | |
-Miniature. -These are from Ailsa Craig, aren't they? | 0:47:36 | 0:47:39 | |
-Indeed, yes. -Is it a granite? | 0:47:39 | 0:47:41 | |
It is a granite, yes. | 0:47:41 | 0:47:42 | |
From the mid-19th century, the island of Ailsa Craig | 0:47:42 | 0:47:46 | |
in the Firth of Clyde has been quarried for granite. | 0:47:46 | 0:47:49 | |
It's one of only two sources for the production of curling stones. | 0:47:49 | 0:47:53 | |
And what's your ticket price on that? | 0:47:53 | 0:47:56 | |
-65. -Oooh-hoo! | 0:47:56 | 0:47:59 | |
-What's the best you can do on it? -50. | 0:47:59 | 0:48:02 | |
That's just way too much money for me. | 0:48:02 | 0:48:04 | |
And how much is this stone without the candle in it? | 0:48:04 | 0:48:06 | |
75, but I could perhaps do you a package for the two. | 0:48:06 | 0:48:09 | |
-Honestly, I think 50 is my limit. -Mm-hm. | 0:48:09 | 0:48:12 | |
-If you could do that, I'll have them. -OK. | 0:48:12 | 0:48:16 | |
-OK. -You're a gentleman, thank you very much indeed. | 0:48:16 | 0:48:18 | |
A little-and-large set of curling stones, for a generous deal of £50. | 0:48:19 | 0:48:24 | |
Phil might have finished shopping, | 0:48:24 | 0:48:26 | |
but Anita's on the prowl to spend her cash. | 0:48:26 | 0:48:28 | |
She's got just under £200 in her purse, and she looks determined. | 0:48:28 | 0:48:33 | |
In Victorian times, Staffordshire figures, or "flatbacks" as they're | 0:48:34 | 0:48:39 | |
called, would grace the mantelpiece of every Victorian kitchen. | 0:48:39 | 0:48:46 | |
Flatback figures are so-called because they're | 0:48:46 | 0:48:48 | |
generally flat on the back and are undecorated there. | 0:48:48 | 0:48:52 | |
There were often placed against a wall or chimneybreast | 0:48:52 | 0:48:55 | |
in a Victorian house to add some interest. | 0:48:55 | 0:48:58 | |
Now, Staffordshire figures would often command | 0:48:59 | 0:49:04 | |
high prices in the saleroom. But they have gone out of fashion. | 0:49:04 | 0:49:09 | |
That one's possible. | 0:49:09 | 0:49:11 | |
What's Anita got her eye on now? | 0:49:14 | 0:49:16 | |
So, the girls want their boyfriends out of their T-shirts, | 0:49:17 | 0:49:21 | |
out of the sloppy joes | 0:49:21 | 0:49:23 | |
and into a nice, crisp white shirt | 0:49:23 | 0:49:26 | |
with a lovely pair of stylish cufflinks. | 0:49:26 | 0:49:29 | |
So cufflinks are doing well, and I quite fancy these. | 0:49:29 | 0:49:32 | |
Time to talk money. | 0:49:33 | 0:49:35 | |
The combined ticket price for the two items is £52.99. | 0:49:35 | 0:49:39 | |
I've found two things really that I like. | 0:49:39 | 0:49:43 | |
What I would like to pay for the two is probably... | 0:49:43 | 0:49:47 | |
..in the region of 25-30. | 0:49:50 | 0:49:53 | |
32. | 0:49:53 | 0:49:54 | |
-£32 for the two? -Two. | 0:49:54 | 0:49:57 | |
Let's go for that. | 0:49:57 | 0:49:59 | |
Thank you very, very much. | 0:49:59 | 0:50:01 | |
Yeah. Nice work, Anita. | 0:50:02 | 0:50:03 | |
£27 for the Staffordshire flatback and £5 for the dapper cufflinks. | 0:50:03 | 0:50:09 | |
That completes this late shopping trip. | 0:50:09 | 0:50:12 | |
And Anita has a total of five items. | 0:50:12 | 0:50:14 | |
As well as the last two she's just picked up, | 0:50:14 | 0:50:17 | |
there's the 1950s standard lamp and cabinet, | 0:50:17 | 0:50:19 | |
the milking stool, | 0:50:19 | 0:50:21 | |
and the little doll's house three-piece suite. | 0:50:21 | 0:50:24 | |
Anita was canny with her cash - she spent £101. | 0:50:24 | 0:50:28 | |
Phil had a tidy budget to play with, and also bought five items - | 0:50:30 | 0:50:34 | |
his Masonic lot, the wooden trunk, | 0:50:34 | 0:50:37 | |
the 19th-century seal press, | 0:50:37 | 0:50:39 | |
the set of ladders and the little-and-large curling stones. | 0:50:39 | 0:50:44 | |
Phil spent a total of £175. | 0:50:44 | 0:50:47 | |
Now for the juicy bit. Ha! | 0:50:48 | 0:50:51 | |
What do they think of each other's items? | 0:50:51 | 0:50:53 | |
I love the company seal! | 0:50:53 | 0:50:55 | |
I think it's fabulous. | 0:50:55 | 0:50:56 | |
It's a giant! | 0:50:56 | 0:50:58 | |
Got to make a profit on that. | 0:50:58 | 0:51:00 | |
The two bits that I really love | 0:51:00 | 0:51:02 | |
are the Uncle Tom Cobley Widecombe Fair stool | 0:51:02 | 0:51:04 | |
and that really little three-piece suite. | 0:51:04 | 0:51:07 | |
I think that's really cute. | 0:51:07 | 0:51:08 | |
Anita and Phil are crossing the border once more to auction | 0:51:09 | 0:51:12 | |
in the city of Carlisle in Cumbria. | 0:51:12 | 0:51:14 | |
I think a wee bit of sartorial might be the thing for you. | 0:51:17 | 0:51:21 | |
I'd like to see a nice white shirt, pair of cufflinks, | 0:51:21 | 0:51:26 | |
your hair combed, your face shaved... | 0:51:26 | 0:51:30 | |
I'm clean-shaven, this is like a baby's bottom! | 0:51:30 | 0:51:33 | |
SHE LAUGHS | 0:51:33 | 0:51:34 | |
Yeah. Give the fellow a chance, Anita. | 0:51:34 | 0:51:38 | |
Let's hope lovely Carlisle will give them lots and lots of profits. | 0:51:38 | 0:51:42 | |
H&H Auctions is their penultimate battleground. | 0:51:42 | 0:51:46 | |
Stand by. | 0:51:46 | 0:51:48 | |
Don't drive straight in! Stop! | 0:51:48 | 0:51:50 | |
SHE LAUGHS | 0:51:50 | 0:51:52 | |
What a carry-on, eh? | 0:51:52 | 0:51:54 | |
Dear me! I feel like I've been welded into that thing. | 0:51:54 | 0:51:58 | |
-Well... -Penultimate auction! -Yeah, I've got a lot to make up, Phil. | 0:51:58 | 0:52:02 | |
Can you do it? | 0:52:02 | 0:52:04 | |
Fingers crossed. | 0:52:04 | 0:52:06 | |
The best of luck to you both. | 0:52:06 | 0:52:07 | |
Our auctioneer today is Stephen Farthing. | 0:52:10 | 0:52:13 | |
Make yourself comfortable - the auction is about to begin. | 0:52:13 | 0:52:16 | |
First up are Anita's stylish cufflinks. | 0:52:17 | 0:52:21 | |
5, 8, 10 on the books. | 0:52:21 | 0:52:23 | |
10 bid, at 10 I'm bid, 10 for the pair. | 0:52:23 | 0:52:25 | |
-12 at the back. -Yes! -Right at the back, £12 bid. | 0:52:25 | 0:52:27 | |
At £12, at £12 bid, right at the back at £12. | 0:52:27 | 0:52:31 | |
HAMMER BANGS | 0:52:31 | 0:52:33 | |
Tidy little profit there, Anita. Great start. | 0:52:33 | 0:52:35 | |
-That's not bad. -That was short and sharp. -Yeah. | 0:52:35 | 0:52:38 | |
Next are Phil's curling stones. | 0:52:38 | 0:52:42 | |
Straight in at £10 on the books. 10 bid. | 0:52:42 | 0:52:44 | |
At £10 I'm bid, 10 on the books, 12, 12 bid, | 0:52:44 | 0:52:47 | |
at 15 bid, at 15, 18, 18, 20 bid, | 0:52:47 | 0:52:50 | |
at 22, 25, 28, 30... | 0:52:50 | 0:52:54 | |
It's climbing. | 0:52:54 | 0:52:56 | |
..30, at 32, 35, 38, 40. | 0:52:56 | 0:53:00 | |
It's getting there, Phil. | 0:53:00 | 0:53:02 | |
At £40 then? All done at £40... | 0:53:02 | 0:53:05 | |
Despite that series of bids, it's a loss, Phil. | 0:53:05 | 0:53:09 | |
Not too bad, though. | 0:53:09 | 0:53:10 | |
I'm not going to count my chickens and my sheep and my "cooows"... | 0:53:10 | 0:53:15 | |
Or your "dugs". | 0:53:15 | 0:53:16 | |
Next, Anita's three-piece suite for a doll's house. | 0:53:16 | 0:53:21 | |
A nice little lot then... | 0:53:21 | 0:53:23 | |
There we are, we are straight in at 5, 8, 10 on the books again, | 0:53:23 | 0:53:26 | |
10 bid, commission bid at 10, 12 at the back, 12 in, at £12, | 0:53:26 | 0:53:30 | |
right at the back at 12. | 0:53:30 | 0:53:31 | |
14, new bidder. At £14, 16. | 0:53:31 | 0:53:34 | |
Come on! | 0:53:34 | 0:53:36 | |
At £18 on my right, £18 in. | 0:53:36 | 0:53:39 | |
HAMMER BANGS | 0:53:39 | 0:53:41 | |
It's a miniature-sized profit, but it all adds up. | 0:53:41 | 0:53:44 | |
I'd sort of kind of settle for that, really. | 0:53:44 | 0:53:46 | |
-SHE CHUCKLES -Yeah! | 0:53:46 | 0:53:47 | |
Back to Phil, and his big wooden trunk. Next! | 0:53:48 | 0:53:52 | |
Bit of interest in this one. | 0:53:52 | 0:53:54 | |
Lot 62, so we start the bidding, four bids, | 0:53:54 | 0:53:57 | |
we'll start the bidding at 20, 25-30 on the books. 30 bid. | 0:53:57 | 0:54:01 | |
At 35, 40, 45, | 0:54:01 | 0:54:04 | |
I'm out at 45. | 0:54:04 | 0:54:05 | |
Lady's bid 50. | 0:54:05 | 0:54:07 | |
-50! -Thank you, Lord, thank you. | 0:54:07 | 0:54:09 | |
Front row, lady's bid. 65, then. | 0:54:09 | 0:54:11 | |
All done. 65... | 0:54:11 | 0:54:13 | |
That's more like it - good on you, Phil. | 0:54:14 | 0:54:17 | |
Big, hulking furniture scores well with this audience. | 0:54:17 | 0:54:20 | |
-Well done! -Never any doubt, never any doubt in my mind at all. | 0:54:20 | 0:54:24 | |
I knew that would do well. | 0:54:24 | 0:54:26 | |
Phil's currently in the lead, Anita. | 0:54:26 | 0:54:29 | |
Can your Staffordshire flatback show him who's boss? | 0:54:29 | 0:54:32 | |
Commission bids at 20, 25, 30, 35... | 0:54:32 | 0:54:37 | |
-Yes! -Well done, you! | 0:54:37 | 0:54:39 | |
-38, 40. -Yes! | 0:54:39 | 0:54:41 | |
-42, 44. -Yes! | 0:54:41 | 0:54:43 | |
At 44, then, all done at 44. Commission bid... | 0:54:43 | 0:54:46 | |
Well done, Anita. | 0:54:46 | 0:54:48 | |
Can Phil take the lead once more with his lot of Masonic items? | 0:54:51 | 0:54:55 | |
A bit of interest again. | 0:54:55 | 0:54:57 | |
5, 8, 10, 12, 15 on the book, | 0:54:57 | 0:54:59 | |
18, 20, 22, 24, 26, I'm out. | 0:54:59 | 0:55:03 | |
All done at £26, then? | 0:55:03 | 0:55:06 | |
-Ouch! -Last chance, at 26 then... | 0:55:06 | 0:55:09 | |
Cor! Someone's got a good buy there. | 0:55:09 | 0:55:12 | |
It didn't double its money then. | 0:55:12 | 0:55:14 | |
I really thought it would. That was a nasty thing to say! | 0:55:14 | 0:55:17 | |
Next, Anita's milking stool. | 0:55:19 | 0:55:21 | |
We'll start the bidding at 2, 5, 8 bid, £8 bid. | 0:55:21 | 0:55:25 | |
10, I'm outbid 10. at £10. | 0:55:25 | 0:55:27 | |
-In the room at £10, in the room and £10... -Aw, come on! | 0:55:27 | 0:55:31 | |
12 at the back, £12. 14, 16, 18. | 0:55:31 | 0:55:35 | |
All done at £18 then... | 0:55:35 | 0:55:38 | |
Another tiny profit, but you're still in the lead, Anita. | 0:55:38 | 0:55:41 | |
That's all right. | 0:55:41 | 0:55:43 | |
Well, it is, but it isn't, really, | 0:55:43 | 0:55:44 | |
-because I thought that was worth a lot more than that. -I know. | 0:55:44 | 0:55:47 | |
Can Phil's shop-style ladders | 0:55:47 | 0:55:51 | |
help him bulk up his profits? | 0:55:51 | 0:55:53 | |
A bit of interest again. | 0:55:53 | 0:55:55 | |
We'll start the bidding at 20, 30, 40, 50, 60 bid. | 0:55:55 | 0:55:58 | |
Yes! | 0:55:58 | 0:56:00 | |
70. At 70 bid, at 70 bid. | 0:56:00 | 0:56:03 | |
-I must admit, that's huge.... -Yes! | 0:56:03 | 0:56:05 | |
99, 100, 110, 120, 130, 130 bid, | 0:56:05 | 0:56:10 | |
lady's bid at 130. | 0:56:10 | 0:56:11 | |
I'm quite pleased with that. | 0:56:11 | 0:56:13 | |
Lady's bid at £130, then... | 0:56:13 | 0:56:16 | |
Amazing result, Phil. | 0:56:16 | 0:56:19 | |
That huge profit has catapulted you into the lead. | 0:56:19 | 0:56:22 | |
That's probably the stairway to success, isn't it, really? | 0:56:22 | 0:56:25 | |
SHE CHUCKLES | 0:56:25 | 0:56:26 | |
It's taken you a step up, hasn't it? | 0:56:26 | 0:56:29 | |
Oh! Enough of these terrible puns. | 0:56:29 | 0:56:31 | |
Now, Anita's 1950s standard lamp and cabinet combo. | 0:56:33 | 0:56:37 | |
We're straight in at 20, 30, 40, 50 on the books. | 0:56:37 | 0:56:40 | |
50 bid, at £50. 55, I'm outbid 55. | 0:56:40 | 0:56:44 | |
60. And 5, 70... | 0:56:44 | 0:56:47 | |
Lovely young blonde girl. | 0:56:47 | 0:56:49 | |
75, right in the corner at 75, then, at £75. | 0:56:49 | 0:56:52 | |
In the corner at 75, then... All done. | 0:56:52 | 0:56:54 | |
The 1950s look | 0:56:55 | 0:56:57 | |
is definitely in vogue with the Carlisle bidders. | 0:56:57 | 0:56:59 | |
For something that does resemble a three-humped camel... | 0:56:59 | 0:57:02 | |
I think you've done very well. No, it's a cool thing. | 0:57:02 | 0:57:05 | |
It's all a matter of taste, isn't it? | 0:57:05 | 0:57:07 | |
Certainly is, Anita. | 0:57:07 | 0:57:09 | |
Now their last item of the day, Phil's company seal press. | 0:57:11 | 0:57:15 | |
We're straight in at 20, 25, 30 on the books. | 0:57:15 | 0:57:19 | |
I'll take two, if it helps. | 0:57:19 | 0:57:22 | |
32, 35... | 0:57:22 | 0:57:23 | |
..38. I'm out at £38, it's in the room at £38. | 0:57:23 | 0:57:28 | |
All done at 38? | 0:57:28 | 0:57:30 | |
That's a good result, Phil. | 0:57:30 | 0:57:31 | |
Looks like the bidders like your style. | 0:57:31 | 0:57:35 | |
-Well done! -I am quite pleased... | 0:57:35 | 0:57:37 | |
Let's get the sums done over a cup of tea. | 0:57:37 | 0:57:40 | |
Indeed we will, Anita. | 0:57:40 | 0:57:42 | |
Who will be the jubilant winner of this crucial leg? | 0:57:42 | 0:57:45 | |
Anita started out £258.30. | 0:57:46 | 0:57:50 | |
After auction costs, she made a profit of £35.94, | 0:57:50 | 0:57:55 | |
giving her a total of £294.24 for the final leg of the trip. | 0:57:55 | 0:58:00 | |
Phil started off with £399.40, | 0:58:02 | 0:58:06 | |
and takes the crown today. | 0:58:06 | 0:58:08 | |
After auction costs, he made a profit of £70.18, | 0:58:08 | 0:58:12 | |
giving him a handsome sum of £469.58 to carry forward. | 0:58:12 | 0:58:18 | |
Well, I tell you what, I think you're still driving. | 0:58:20 | 0:58:22 | |
-For sure. Chauffeur! -SHE LAUGHS | 0:58:22 | 0:58:24 | |
Bye-bye, you two! | 0:58:27 | 0:58:28 |