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It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
-I don't know what to do. -HONK | 0:00:04 | 0:00:06 | |
..with £200 each, a classic car and a goal - | 0:00:06 | 0:00:09 | |
to scour Britain for antiques. | 0:00:09 | 0:00:11 | |
What a little diamond. | 0:00:11 | 0:00:13 | |
The aim, to make the biggest profit at auction, but it is no mean feat. | 0:00:13 | 0:00:17 | |
-Back in the game. -HE LAUGHS | 0:00:17 | 0:00:19 | |
-Charlie. -There will be worthy winners and valiant losers. | 0:00:19 | 0:00:23 | |
SHE GASPS So, will it be the high road to glory | 0:00:23 | 0:00:26 | |
or the slow road to disaster? | 0:00:26 | 0:00:28 | |
Oh! | 0:00:28 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:35 | |
Today is the second helping of our Road Trip escapade | 0:00:38 | 0:00:41 | |
with auctioneers Mark Stacey and Thomas Plant. | 0:00:41 | 0:00:43 | |
-I don't think I'm a Superman. -No, no. | 0:00:44 | 0:00:47 | |
I think you are more like an overweight Lois Lane. | 0:00:47 | 0:00:49 | |
HE CHUCKLES | 0:00:49 | 0:00:53 | |
That is so harsh. | 0:00:53 | 0:00:54 | |
If I'm an overweight Lois Lane, | 0:00:54 | 0:00:56 | |
-God only knows what that makes you. -Oh, don't. Don't. | 0:00:56 | 0:01:01 | |
Oh, they love one another really. | 0:01:01 | 0:01:03 | |
Mark is having a go at a spot of clairvoyance. | 0:01:05 | 0:01:08 | |
If only I could say, "Mirror, Mirror on the wall, | 0:01:08 | 0:01:10 | |
"who's going to make the greatest profit of them all?" | 0:01:10 | 0:01:12 | |
Thomas dazzles us with his encyclopaedic knowledge of antiques. | 0:01:14 | 0:01:18 | |
This looks like, almost like, a female bottom. | 0:01:18 | 0:01:21 | |
Do you know, he's right. | 0:01:21 | 0:01:22 | |
And they are putting their foot down in this racy little number, | 0:01:22 | 0:01:25 | |
the 1978 MGB GT. I had one of those. | 0:01:25 | 0:01:28 | |
Our Road Trip buddies started off with £200, | 0:01:30 | 0:01:33 | |
but their first auction saw Mark make a big loss | 0:01:33 | 0:01:36 | |
on the dreaded cannonball. | 0:01:36 | 0:01:38 | |
This leaves him with £107.50 for the second leg. | 0:01:40 | 0:01:44 | |
But Thomas has edged ahead with a much smaller loss, | 0:01:46 | 0:01:49 | |
so has a lovely wodge of £194.30. | 0:01:49 | 0:01:54 | |
Mark and Thomas will be making a trip of over 500 miles | 0:01:55 | 0:01:58 | |
from Sittingbourne, Kent | 0:01:58 | 0:02:00 | |
and will wind all the way along the South East and East Anglia | 0:02:00 | 0:02:03 | |
through Norwich and finally land | 0:02:03 | 0:02:05 | |
in Oakham in the East Midlands. | 0:02:05 | 0:02:08 | |
Today's journey begins in the village of Otford, in Kent, | 0:02:08 | 0:02:11 | |
and the auction will take place | 0:02:11 | 0:02:13 | |
in Paddock Wood, also in Kent. | 0:02:13 | 0:02:15 | |
Our Road Trip pals are sticking together for the first | 0:02:15 | 0:02:18 | |
-shop of the day. -After you. | 0:02:18 | 0:02:20 | |
-Oh, no. Age before beauty. -Oh, thank you. | 0:02:20 | 0:02:22 | |
-Did you just say what I thought you said? -I did. I did. | 0:02:22 | 0:02:25 | |
Well, you know, I've always been told. | 0:02:25 | 0:02:27 | |
-Hello! -Hello. | 0:02:27 | 0:02:28 | |
This is my colleague, Thomas, who is competing against me. | 0:02:28 | 0:02:31 | |
-So, we mustn't be too nice to him because he's leading. -OK. | 0:02:31 | 0:02:33 | |
We're going to have a look around and then we'll come back | 0:02:33 | 0:02:36 | |
and have a word. Is that all right? | 0:02:36 | 0:02:37 | |
-Yeah, that's fine. Lovely. -Thank you. | 0:02:37 | 0:02:39 | |
Right, Mark, you got bit of catching up to do today. | 0:02:39 | 0:02:41 | |
Got any ideas, mate? | 0:02:41 | 0:02:42 | |
This is rather attractive, actually. | 0:02:44 | 0:02:46 | |
There's only one period, date this could have been made. | 0:02:46 | 0:02:49 | |
Probably around about 1900, 1905, | 0:02:49 | 0:02:52 | |
but I love these sinuous lines. | 0:02:52 | 0:02:55 | |
Art Nouveau is one of the first modern styles of the 20th century | 0:02:55 | 0:02:59 | |
and takes inspiration from the natural world. | 0:02:59 | 0:03:02 | |
The ticket price is £28. | 0:03:02 | 0:03:05 | |
I think I might be a bit cheeky. I'll go and find Jackie. | 0:03:05 | 0:03:08 | |
-Time to talk money, eh? -Oh, Jackie. | 0:03:10 | 0:03:13 | |
I'm doing very well. I've been in here five minutes | 0:03:13 | 0:03:15 | |
-and I've already found this dish. -Right. | 0:03:15 | 0:03:18 | |
I'm in a real predicament, Jackie. | 0:03:18 | 0:03:20 | |
I've had my first auction | 0:03:20 | 0:03:21 | |
-and I shot myself in the foot with a cannonball. -Yes. | 0:03:21 | 0:03:24 | |
So, I'm going to be terribly mean to start off with | 0:03:24 | 0:03:26 | |
-and she's going to tell me to get out of the shop. -Yes, give me a | 0:03:26 | 0:03:29 | |
-price. Probably will. -I would love to buy it for ten pounds. -Ooh! | 0:03:29 | 0:03:31 | |
Oh. | 0:03:31 | 0:03:33 | |
Ask her what she would be comfortable with. Thank you. | 0:03:33 | 0:03:35 | |
All right, then. | 0:03:35 | 0:03:37 | |
What are you doing, Mark? | 0:03:37 | 0:03:38 | |
Dealer Wendy is just downstairs. | 0:03:38 | 0:03:41 | |
-Mark wants the best price on this. -Best price on this. | 0:03:41 | 0:03:44 | |
He's made an offer, which I daren't tell you at the moment, | 0:03:44 | 0:03:47 | |
but he is offering ten. | 0:03:47 | 0:03:49 | |
-Oh, no. -THEY LAUGH | 0:03:49 | 0:03:54 | |
Um, 15? | 0:03:54 | 0:03:56 | |
-18. -Right. I'll go and see what he says and that really is...? | 0:03:57 | 0:04:02 | |
-It is, really. -It's got to have 18. | 0:04:02 | 0:04:05 | |
-Oh, Jackie, hello. -You're not going to be happy. | 0:04:06 | 0:04:09 | |
Oh, I'm not? No. | 0:04:09 | 0:04:11 | |
-18. -18. Oh, gosh. -And I tried. I really tried. | 0:04:11 | 0:04:13 | |
She's been really generous, isn't she? I mean, look... | 0:04:13 | 0:04:16 | |
-HE WHISPERS: -..it's not a lot of money, is it, really? | 0:04:16 | 0:04:19 | |
And she has been very kind to me, actually. | 0:04:19 | 0:04:21 | |
-Jackie, thank you. -OK. | 0:04:21 | 0:04:22 | |
-Let's call that sold, all right? -OK. That's lovely. | 0:04:22 | 0:04:25 | |
And I'll carry on browsing. | 0:04:25 | 0:04:26 | |
-I'll take it downstairs for you. -Thanks so much. I do appreciate it. | 0:04:26 | 0:04:29 | |
Now, what about Thomas? | 0:04:29 | 0:04:31 | |
What do you think that looks like? | 0:04:31 | 0:04:34 | |
-Erm... -A bottom. -Yes. | 0:04:34 | 0:04:37 | |
And it is called a coco de mer. | 0:04:37 | 0:04:40 | |
The sea pod from the Seychelles. | 0:04:40 | 0:04:43 | |
It's almost like a female bottom, if you can imagine. | 0:04:43 | 0:04:46 | |
They are quite sensual. | 0:04:46 | 0:04:48 | |
There's the bottom and the legs, etc. | 0:04:48 | 0:04:50 | |
You get them in different sizes. | 0:04:50 | 0:04:51 | |
This one has been made into a tray, a cutlery tray with a handle here. | 0:04:51 | 0:04:55 | |
It would have all been covered. | 0:04:55 | 0:04:56 | |
And it's been designed... And it's a tourist piece. | 0:04:56 | 0:04:59 | |
This two-lobed form is the largest seed in the plant kingdom | 0:04:59 | 0:05:02 | |
and is said to possess aphrodisiac powers. | 0:05:02 | 0:05:07 | |
Could be my first purchase of this leg. | 0:05:07 | 0:05:10 | |
Thomas is sure this piece is late 19th or early 20th century. | 0:05:10 | 0:05:13 | |
Ticket price is £65. | 0:05:13 | 0:05:16 | |
-Hi, Berryl? -Yes. -I found this. | 0:05:17 | 0:05:21 | |
Let me see who it belongs to. | 0:05:21 | 0:05:24 | |
Now, how much can young Tom get it for? | 0:05:24 | 0:05:28 | |
I'd like to ask if it's possible to buy it for 40. | 0:05:28 | 0:05:32 | |
because of the cracks. If it wasn't cracked, | 0:05:32 | 0:05:34 | |
-I haven't got a problem. -Yeah, so you are talking about... | 0:05:34 | 0:05:37 | |
-40 quid. -40. | 0:05:37 | 0:05:38 | |
After a quick call to the dealer, Berryl has a price for Thomas. | 0:05:38 | 0:05:43 | |
What do you think you can do? | 0:05:43 | 0:05:44 | |
-Shall I just go and ask him? -Yes. | 0:05:47 | 0:05:50 | |
Would you meet them at 50? | 0:05:50 | 0:05:52 | |
-45. -What about 45? | 0:05:53 | 0:05:56 | |
-Go on, then. -Is that all right? | 0:06:00 | 0:06:02 | |
Thank you, Barry. Thank you. | 0:06:02 | 0:06:05 | |
-Cheerio. -Love you, Barry. | 0:06:05 | 0:06:07 | |
-45. -Brilliant. | 0:06:07 | 0:06:08 | |
What a charmer! The first purchase of leg two for Thomas. | 0:06:08 | 0:06:12 | |
-There's 45. -Thank you. Thanks for coming. -Thank you very much. | 0:06:12 | 0:06:15 | |
The fascinating coco de mer polished nut. | 0:06:15 | 0:06:19 | |
Great. | 0:06:19 | 0:06:20 | |
Mark is 15 miles away in the village of Wateringbury, | 0:06:23 | 0:06:27 | |
near Maidstone, in Kent. | 0:06:27 | 0:06:29 | |
Where Memories Meet is Mark's second shop of the day. | 0:06:29 | 0:06:33 | |
Joseph is the proprietor here. | 0:06:33 | 0:06:35 | |
-Hello. -Hello. -I'm Mark. -Hi, I'm Joseph. How are you? | 0:06:35 | 0:06:38 | |
-Nice to meet you, Joseph. -Nice to meet you. | 0:06:38 | 0:06:40 | |
I thought I was going to an antique shop. It looks more like a cafe. | 0:06:40 | 0:06:43 | |
Yeah, we try to mix it all up, really. | 0:06:43 | 0:06:45 | |
I'm not sure whether to order a cream tea | 0:06:45 | 0:06:47 | |
or try and look for some china. | 0:06:47 | 0:06:49 | |
I'm...I'm confused. Utterly confused. | 0:06:49 | 0:06:51 | |
What's new(?) | 0:06:52 | 0:06:54 | |
The antiques are downstairs, Mark. | 0:06:54 | 0:06:56 | |
This is an extending book rack, | 0:06:58 | 0:07:01 | |
so you can have your books there, | 0:07:01 | 0:07:03 | |
but then as your collection of books expands, | 0:07:03 | 0:07:05 | |
you can stretch this out. It is a good, decorative thing. | 0:07:05 | 0:07:09 | |
I love the carving and I quite like Indian items. | 0:07:09 | 0:07:11 | |
I'm not even going to look at the price of that. | 0:07:11 | 0:07:15 | |
I'm going to put that as a possibility. | 0:07:15 | 0:07:17 | |
It just goes to show | 0:07:19 | 0:07:20 | |
there are purchases to be made amongst the cakes and pots of tea. | 0:07:20 | 0:07:24 | |
And look! He has found something else. | 0:07:24 | 0:07:27 | |
But it's like a sort of pedestal comport. | 0:07:27 | 0:07:29 | |
You've got a sort of metal base with a dolphin | 0:07:29 | 0:07:32 | |
and then a sort of domed pedestal. | 0:07:32 | 0:07:34 | |
Little flower head inside. | 0:07:34 | 0:07:37 | |
A comport is simply a footed bowl or plate. | 0:07:37 | 0:07:40 | |
And it has taken Mark's fancy. | 0:07:40 | 0:07:42 | |
Sounds like it's about time to talk money to me. | 0:07:42 | 0:07:45 | |
Oh! Joseph. | 0:07:47 | 0:07:49 | |
Oh. | 0:07:49 | 0:07:52 | |
Wow. Can see you found a couple of pieces. | 0:07:52 | 0:07:53 | |
Well, I have and I've had a jolly good look round. | 0:07:53 | 0:07:56 | |
-You've got some fascinating objects. -Wow, fantastic. | 0:07:56 | 0:07:59 | |
-I'm going to tell you what I'm going to try to achieve. -OK. | 0:07:59 | 0:08:01 | |
OK. I had a very difficult first auction. | 0:08:01 | 0:08:04 | |
I lost quite a lot of money. | 0:08:04 | 0:08:05 | |
FEIGNS CRYING: I've heard this story before. | 0:08:05 | 0:08:08 | |
But I have found two items, but I've got to be terribly mean with you. | 0:08:08 | 0:08:12 | |
-Mm-hm. -I haven't looked at the prices, | 0:08:12 | 0:08:14 | |
so I don't know what they are. | 0:08:14 | 0:08:15 | |
-They could be thousands, for all I know. -Doubt it. | 0:08:15 | 0:08:18 | |
But I need to buy the two of them for £20... | 0:08:18 | 0:08:21 | |
for me to get a profit at auction. | 0:08:21 | 0:08:24 | |
The original price on the book slide is £25 | 0:08:24 | 0:08:27 | |
and the comport is £26. | 0:08:27 | 0:08:29 | |
Do you think you are going to win? | 0:08:29 | 0:08:31 | |
I...I would like to think so, yes. | 0:08:31 | 0:08:33 | |
And I think these might help me achieve that. | 0:08:33 | 0:08:36 | |
Well, if you think you are going to win, | 0:08:36 | 0:08:38 | |
I'm happy to sell them to you at that price. | 0:08:38 | 0:08:40 | |
Joseph, you are a star. | 0:08:40 | 0:08:42 | |
Certainly in a generous mood. | 0:08:42 | 0:08:44 | |
£20 for the book slide and the comport! | 0:08:44 | 0:08:48 | |
-Thank you, Joseph. Good luck. -Yeah. Perfect. | 0:08:48 | 0:08:50 | |
Ha! Well done, Mark. You now have three lovely lots. | 0:08:50 | 0:08:54 | |
Reunited once more, our lovable duo are off for a rest. | 0:08:56 | 0:09:00 | |
Nighty-night. | 0:09:00 | 0:09:01 | |
The heavens have descended, but it isn't dampening the spirits | 0:09:05 | 0:09:08 | |
of our Mark and Thomas. Oh, no. | 0:09:08 | 0:09:10 | |
I have not bought a cannonball. | 0:09:10 | 0:09:12 | |
HE LAUGHS | 0:09:12 | 0:09:15 | |
You're going to have to buy something spherical. | 0:09:15 | 0:09:18 | |
-But I'm with you. You're slightly spherical. -Mark... | 0:09:18 | 0:09:20 | |
THEY LAUGH | 0:09:20 | 0:09:22 | |
I am not at all slightly spherical. | 0:09:22 | 0:09:25 | |
Ha-ha! No, you are a fine figure of a man! | 0:09:25 | 0:09:28 | |
Thomas and Mark are starting their morning | 0:09:30 | 0:09:32 | |
in the village of Chart Sutton, in Kent. | 0:09:32 | 0:09:36 | |
And funnily enough, this shop is called Chart Sutton Antiques. | 0:09:36 | 0:09:39 | |
Ha-ha! Let's hope they behave in here. | 0:09:39 | 0:09:41 | |
-Oh! What are you doing?! -Oh, hello. | 0:09:41 | 0:09:44 | |
Handbrake! Oh, God. | 0:09:44 | 0:09:45 | |
I tell you, you're never driving again! | 0:09:45 | 0:09:47 | |
-Look at you! -Oh, stop moaning and get in! | 0:09:50 | 0:09:53 | |
They should come with a health and safety warning, those two. | 0:09:54 | 0:09:56 | |
-Hello. I'm Mark. -How nice to meet you. | 0:09:56 | 0:09:59 | |
-Nice to meet you too. -Hello, I'm Thomas. -Hello, Thomas. I'm Trevor. | 0:09:59 | 0:10:03 | |
-Hi, Trevor. -Nice to meet you both. | 0:10:03 | 0:10:04 | |
-So, you're looking for some bargains? -I am looking for some | 0:10:04 | 0:10:06 | |
-bargains. -Well, you won't find them in here. | 0:10:06 | 0:10:08 | |
No. Let's go, then. Let's go. | 0:10:08 | 0:10:10 | |
Off to a good start, chaps. | 0:10:10 | 0:10:12 | |
Now, if they could just get along in such close quarters, we'll be fine. | 0:10:13 | 0:10:18 | |
There's a lot to choose from here and Mark has spotted something. | 0:10:19 | 0:10:22 | |
This is charming, | 0:10:22 | 0:10:24 | |
but this is really nice cos it's modelled as a lady's shoe. | 0:10:24 | 0:10:28 | |
At least it's not another lady's bottom. Ha! | 0:10:28 | 0:10:31 | |
But sadly, the end of the foot is missing there, | 0:10:31 | 0:10:34 | |
which is a real shame, actually. Priced up at £20. | 0:10:34 | 0:10:39 | |
-I mean, that's quite cheap. -Lovely. Ooh! | 0:10:39 | 0:10:43 | |
Look, he is onto something else now. | 0:10:43 | 0:10:44 | |
This is a...what I would call a cigarette box, | 0:10:44 | 0:10:48 | |
but I like the inscription. | 0:10:48 | 0:10:49 | |
"Presented to Lieut. FC Rogers by his brother officers | 0:10:49 | 0:10:55 | |
"on the occasion of his marriage, July 18, 1934." | 0:10:55 | 0:10:59 | |
That is priced up at £48, which is quite a lot of money. | 0:11:00 | 0:11:04 | |
But, I mean, it is a nice presentational piece | 0:11:04 | 0:11:07 | |
and I like that, actually. | 0:11:07 | 0:11:08 | |
Trevor is on hand to assist and luckily Robin, | 0:11:08 | 0:11:11 | |
the owner of the cigarette box, is also here. | 0:11:11 | 0:11:15 | |
I think it is beautifully done and I love the presentation. | 0:11:15 | 0:11:18 | |
It is a piece of history. | 0:11:18 | 0:11:19 | |
Maybe we should take advantage of the owner being present | 0:11:19 | 0:11:22 | |
if we're going to negotiate a price. | 0:11:22 | 0:11:24 | |
-The owner is heading to his local pub, so... -Oh, is he? | 0:11:24 | 0:11:27 | |
Yes. Better make this quick then, Mark. | 0:11:27 | 0:11:29 | |
I think this could be quite interesting. | 0:11:29 | 0:11:31 | |
Of course, I don't want to push you. | 0:11:31 | 0:11:33 | |
-Not much. -Not much anyway. | 0:11:33 | 0:11:35 | |
But I really could do with a little bit of a leg up, if I can. | 0:11:35 | 0:11:39 | |
Do you want me to give you some money to take it away? | 0:11:39 | 0:11:42 | |
-Would you mind? -LAUGHTER | 0:11:42 | 0:11:44 | |
You're very good. | 0:11:47 | 0:11:48 | |
Look, I'm going to be terribly mean | 0:11:49 | 0:11:50 | |
and then you can come back to me, all right? | 0:11:50 | 0:11:53 | |
What about 20 quid? | 0:11:53 | 0:11:54 | |
-No way, sir! -Oh, come on. | 0:11:54 | 0:11:57 | |
-No, no, no. -What do you think? -I'll go down to £40. | 0:11:57 | 0:12:01 | |
Oh, no, I can't do it for £40. | 0:12:01 | 0:12:03 | |
Could we possibly do it for £30? And I will shake the hand. | 0:12:03 | 0:12:07 | |
I think you'd take my hand off as well if we did that. | 0:12:09 | 0:12:12 | |
I wouldn't ask if I wasn't so desperate. | 0:12:14 | 0:12:17 | |
£32. And you have really, really done well in that. | 0:12:18 | 0:12:23 | |
-£32. Thank you, it's very nice of you. -Good luck to you. | 0:12:23 | 0:12:27 | |
With an original ticket price of £48, | 0:12:27 | 0:12:29 | |
Mark has got another generous deal for the very stylish cigarette box. | 0:12:29 | 0:12:34 | |
Now, what about that little fruit knife? | 0:12:36 | 0:12:39 | |
Can that be terribly, terribly, terribly cheap? | 0:12:39 | 0:12:42 | |
It depends what terribly cheap is, really, doesn't it? | 0:12:42 | 0:12:44 | |
Starting point I'm going to suggest to you is a fiver. | 0:12:44 | 0:12:48 | |
-THEY LAUGH -£12. -£12... | 0:12:48 | 0:12:51 | |
I think if we can say ten, I'll have it. | 0:12:53 | 0:12:55 | |
Because then I think it might make 20 at auction. | 0:12:57 | 0:13:00 | |
-Can we split the difference and do 11? -No, we cannot. Over a pound. | 0:13:00 | 0:13:04 | |
-HE LAUGHS -For goodness' sake. | 0:13:04 | 0:13:06 | |
-I mean, I know times is 'ard, but... -Times IS 'ard! | 0:13:06 | 0:13:09 | |
..you know, it is much 'arder for me. | 0:13:09 | 0:13:11 | |
-Oh, go on, say a tenner. -Tenner. | 0:13:11 | 0:13:12 | |
-Are you sure? -It's yours. -Happy? -Happy. | 0:13:12 | 0:13:14 | |
-Thank you very much. -No problems at all. | 0:13:14 | 0:13:16 | |
Cor, more generous deals for Mark. | 0:13:16 | 0:13:19 | |
The cigarette box and the little knife | 0:13:19 | 0:13:21 | |
now give him a total of five items. | 0:13:21 | 0:13:23 | |
But how is that Thomas getting on? | 0:13:23 | 0:13:25 | |
That looks quite fun. That is 19th-century. | 0:13:25 | 0:13:27 | |
I bet you that is a vesta case. | 0:13:27 | 0:13:29 | |
So, a match strike. It's just really unusual. | 0:13:29 | 0:13:32 | |
Wouldn't mind looking at that. | 0:13:35 | 0:13:37 | |
Trevor's services are required once more. | 0:13:37 | 0:13:39 | |
It is just this creel here. | 0:13:39 | 0:13:41 | |
It is quite sweet, that, isn't it? | 0:13:42 | 0:13:45 | |
This little vesta box dates from the 19th century | 0:13:45 | 0:13:47 | |
and is priced at eight pounds. | 0:13:47 | 0:13:50 | |
-If that's going to be a fiver, that would be fabulous. -OK. | 0:13:50 | 0:13:52 | |
Well, we could...I'm sure we could do something, Thomas. | 0:13:52 | 0:13:56 | |
I'm sure we can do something. | 0:13:56 | 0:13:57 | |
That creel is more Mark's budget. But it's dead sweet. | 0:13:58 | 0:14:02 | |
You've got the actual... | 0:14:02 | 0:14:03 | |
It's well-modelled, it's in brass, it's 19th-century. | 0:14:03 | 0:14:06 | |
It appeals to two different types of collectors. | 0:14:08 | 0:14:11 | |
And fishing is the most popular pastime in this country. | 0:14:11 | 0:14:15 | |
Online, it would look brilliant if they photograph it well. | 0:14:15 | 0:14:18 | |
-This could be a winner, Thomas. -Can I talk about that creel? | 0:14:18 | 0:14:22 | |
-Yes, of course. -Do you think it could be... | 0:14:22 | 0:14:25 | |
-It can be five pounds. -Can it? -Yes, it can. | 0:14:25 | 0:14:27 | |
-That is a definitely buy. -Good. | 0:14:27 | 0:14:28 | |
-Thank you very much. -Lovely. | 0:14:28 | 0:14:30 | |
-I'll give you a fiver, if that's all right. -OK. | 0:14:30 | 0:14:33 | |
-OK. Thank you. -That was quick. | 0:14:33 | 0:14:35 | |
Although, with two items, | 0:14:35 | 0:14:36 | |
Thomas is still lagging behind his rival on the buying stakes. | 0:14:36 | 0:14:39 | |
Mark, meanwhile, | 0:14:43 | 0:14:44 | |
has finished shopping | 0:14:44 | 0:14:45 | |
and is heading for two miles north | 0:14:45 | 0:14:47 | |
to the historic town of Rochester. | 0:14:47 | 0:14:50 | |
I am so looking forward to seeing the castle. | 0:14:50 | 0:14:52 | |
I believe it is quite historical. | 0:14:52 | 0:14:54 | |
It is. Mark is visiting Rochester Castle, | 0:14:54 | 0:14:57 | |
one of the best preserved Norman fortifications in Europe. | 0:14:57 | 0:15:01 | |
It is here that the most famous siege | 0:15:04 | 0:15:06 | |
in medieval history took place, | 0:15:06 | 0:15:08 | |
a battle that would ultimately decide | 0:15:08 | 0:15:10 | |
whether the Crown of England would stand or fall. | 0:15:10 | 0:15:14 | |
Mark is meeting with education officer Jeremy Clarke | 0:15:15 | 0:15:18 | |
to find out more about this bloodthirsty tale. | 0:15:18 | 0:15:21 | |
-Hello. -Hello, Mark. I'm Jeremy. -Nice to meet you, Jeremy. | 0:15:23 | 0:15:27 | |
-Welcome to Rochester Castle. -Shall we go in? -Let's go in. -Why not? | 0:15:27 | 0:15:30 | |
In 1215, this castle was central to King John's struggle | 0:15:34 | 0:15:38 | |
to retain power in the country. | 0:15:38 | 0:15:40 | |
He was famously unpopular for raising taxes | 0:15:40 | 0:15:42 | |
and harshly exploiting his feudal rights. | 0:15:42 | 0:15:45 | |
This bred deep discontent with the ruling barons. | 0:15:45 | 0:15:49 | |
They decided to take action. | 0:15:49 | 0:15:51 | |
Jeremy, why have we arrived at this part of the castle? | 0:15:53 | 0:15:55 | |
This is the best place for us to pick up the story of 1215, | 0:15:55 | 0:15:58 | |
the 800th anniversary of the sealing of Magna Carta. | 0:15:58 | 0:16:02 | |
The Magna Carta was first drafted by the Archbishop of Canterbury | 0:16:02 | 0:16:05 | |
in 1215 to make peace between King John and the rebel barons. | 0:16:05 | 0:16:10 | |
Amongst the many conditions, it promised access to swift justice. | 0:16:10 | 0:16:14 | |
Neither side stood by their commitments. | 0:16:15 | 0:16:18 | |
Battle preparations began immediately. | 0:16:18 | 0:16:21 | |
Anyone who's heading for the interior of Britain | 0:16:21 | 0:16:24 | |
is probably going to end up going through Rochester | 0:16:24 | 0:16:26 | |
-and across Rochester Bridge. -Gosh. | 0:16:26 | 0:16:28 | |
So, the barons tried to anticipate what is going to happen | 0:16:28 | 0:16:32 | |
by holding the bridge, holding the castle | 0:16:32 | 0:16:34 | |
and preventing John getting anywhere near London. | 0:16:34 | 0:16:37 | |
King John was determined to hang onto his land and his crown. | 0:16:37 | 0:16:41 | |
-John moves very quickly and he is at Rochester within three days. -Gosh. | 0:16:41 | 0:16:46 | |
And sieges were complicated in the Middle Ages, | 0:16:46 | 0:16:48 | |
but a large part of them was negotiation. | 0:16:48 | 0:16:50 | |
You didn't want to lose men yourself. | 0:16:50 | 0:16:52 | |
You wanted, if possible, to gain your objectives | 0:16:52 | 0:16:54 | |
-without any bloodshed... -Yes. -..or as little as possible. | 0:16:54 | 0:16:57 | |
-But John turns up and he attacks. -Straight away? -Straight away. | 0:16:57 | 0:17:01 | |
A bloody civil war began with the barons holed up inside | 0:17:02 | 0:17:06 | |
and King John and his men outside trying to blast the walls down. | 0:17:06 | 0:17:11 | |
He seems to have been initially successful | 0:17:11 | 0:17:13 | |
in bringing down the outer walls, | 0:17:13 | 0:17:16 | |
but his siege engines failed to make any impression on this keep. | 0:17:16 | 0:17:20 | |
So, he changes his plan. | 0:17:20 | 0:17:22 | |
They attempt to undermine a corner of the tower. | 0:17:22 | 0:17:25 | |
Very quickly, King John's men chipped away at the keep, | 0:17:25 | 0:17:29 | |
pickaxing their way deeper and deeper | 0:17:29 | 0:17:31 | |
and replacing stones with wooden pit props. | 0:17:31 | 0:17:34 | |
-John sent a writ, an order, for the fat of 40 pigs... -Gosh. | 0:17:37 | 0:17:42 | |
..of the sort...the least good for eating. | 0:17:42 | 0:17:45 | |
So, that is the fattiest of fatty pigs. | 0:17:45 | 0:17:48 | |
The soldiers would then get hold of the pork fat | 0:17:48 | 0:17:51 | |
and push it into the hole, round the pit props, grease everywhere | 0:17:51 | 0:17:54 | |
so that when they set fire to it, it burned really fiercely, | 0:17:54 | 0:17:58 | |
which would crack and collapse the pit props, | 0:17:58 | 0:18:02 | |
and this entire quarter of Rochester Castle keep | 0:18:02 | 0:18:06 | |
came crashing to the ground. | 0:18:06 | 0:18:08 | |
Uh! With the King's men inside, | 0:18:08 | 0:18:10 | |
the barons retreated behind the safety of a second thick wall. | 0:18:10 | 0:18:14 | |
But the siege soon came to an end when all provisions ran out. | 0:18:15 | 0:18:19 | |
John does actually have to starve them out. | 0:18:19 | 0:18:22 | |
-They're reduced to eating their horses. -Ugh. | 0:18:22 | 0:18:25 | |
After two months of stallion and chips, the barons surrendered. | 0:18:25 | 0:18:29 | |
King John's advisers dissuaded him from killing all the survivors, | 0:18:29 | 0:18:33 | |
who were instead imprisoned. | 0:18:33 | 0:18:35 | |
Gosh. | 0:18:35 | 0:18:37 | |
-What a very splendid view up here, Jeremy. -It is wonderful, isn't it? | 0:18:38 | 0:18:41 | |
So...King John has won Rochester Castle back. | 0:18:42 | 0:18:47 | |
Things go badly for him after that. | 0:18:47 | 0:18:49 | |
Um...he loses the Crown Jewels | 0:18:49 | 0:18:51 | |
attempting to cross The Wash in East Anglia, | 0:18:51 | 0:18:54 | |
contracts dysentery and dies soon after. | 0:18:54 | 0:18:57 | |
But curiously, the tide turns back in favour of the Crown. | 0:18:57 | 0:19:00 | |
With the tyrant king now dead | 0:19:00 | 0:19:03 | |
and the crown handed to John's nine-year-old son, | 0:19:03 | 0:19:06 | |
the Magna Carta was reinstated by the rebel barons in 1217. | 0:19:06 | 0:19:10 | |
It became the foundation for future government and, as such, | 0:19:10 | 0:19:14 | |
remains a powerful symbol of liberty around the world. | 0:19:14 | 0:19:17 | |
Thomas has travelled 15 miles north to the town of Strood | 0:19:20 | 0:19:24 | |
and he has still got a bit to buy. | 0:19:24 | 0:19:26 | |
Cottage Style Antiques is Thomas's last shop, | 0:19:29 | 0:19:33 | |
and he has got just over £144 to spend. | 0:19:33 | 0:19:37 | |
-Hello, Bill. -Hello, Thomas. -Nice to see you. -And you. | 0:19:37 | 0:19:40 | |
-God, you've got a lot of stuff in here. -I know. It's loaded. | 0:19:40 | 0:19:42 | |
-HE LAUGHS -It is loaded, isn't it?! | 0:19:42 | 0:19:44 | |
There is certainly a lot to choose from here. | 0:19:44 | 0:19:47 | |
Two little Poole pots, hand-painted. | 0:19:47 | 0:19:50 | |
These are very Deco, with this dash design to the rim. | 0:19:50 | 0:19:53 | |
They are definitely a possible purchase. | 0:19:53 | 0:19:56 | |
These little Poole pottery salts | 0:19:56 | 0:19:58 | |
date from the 1930s and are a fiver each. | 0:19:58 | 0:20:01 | |
You may hate it, you may love it, | 0:20:02 | 0:20:04 | |
but this is real West German Pottery. | 0:20:04 | 0:20:07 | |
Looks like lava dripping down a column. | 0:20:07 | 0:20:09 | |
Hm, I'm feeling sick. | 0:20:09 | 0:20:12 | |
The Fat Lava style of West German Pottery | 0:20:12 | 0:20:14 | |
is still very much in its infancy as a collectable, | 0:20:14 | 0:20:17 | |
but some pieces can command hundreds, even thousands of pounds. | 0:20:17 | 0:20:21 | |
This one, though, has a ticket price of £20. | 0:20:21 | 0:20:25 | |
So, that definitely could be a purchase. | 0:20:25 | 0:20:26 | |
And these two little salts. | 0:20:27 | 0:20:29 | |
And they're different sizes, but I think if I bought them, | 0:20:29 | 0:20:32 | |
I think it would quite annoy Mark. | 0:20:32 | 0:20:34 | |
Which I'd quite enjoy. | 0:20:36 | 0:20:37 | |
I just hope it doesn't end in tears. | 0:20:39 | 0:20:41 | |
So, this is a walking cane. I think it is probably horn from a goat. | 0:20:44 | 0:20:48 | |
In the 19th century, these sticks were sometimes used | 0:20:48 | 0:20:52 | |
as sort of rent sticks, and that means over 100 years ago, | 0:20:52 | 0:20:57 | |
you'd knock on your tenant's door - knock, knock, knock - | 0:20:57 | 0:20:59 | |
and got your rent and if they got angry with you or if you got... | 0:20:59 | 0:21:04 | |
Yes, they were used as sort of persuaders, I would say, to pay up. | 0:21:04 | 0:21:09 | |
Yeah. Rent sticks were often used in the 18th and 19th centuries | 0:21:09 | 0:21:13 | |
by tyrant landlords as weapons against tardy tenants. | 0:21:13 | 0:21:17 | |
I think this is certainly one which would be good. | 0:21:17 | 0:21:20 | |
It is of beautiful shape and form. | 0:21:20 | 0:21:22 | |
It has got a ticket price of £48, so let the haggling commence. | 0:21:22 | 0:21:26 | |
-What could it be? -£38. | 0:21:28 | 0:21:31 | |
£38. Can it be £28? | 0:21:31 | 0:21:34 | |
-I'll let you have it for £30. How's that? -£30. | 0:21:36 | 0:21:39 | |
-So, that would be... -That's ever so fair. | 0:21:39 | 0:21:41 | |
-That IS ever so fair, isn't it? -Ever so fair. | 0:21:41 | 0:21:43 | |
What about the Poole salts and the West German vase? | 0:21:43 | 0:21:46 | |
-They've got £30 on them, haven't they? -Yeah. | 0:21:47 | 0:21:49 | |
And I suppose you want them for next to nothing. | 0:21:49 | 0:21:51 | |
Not necessarily, but I want to give you something for them. | 0:21:51 | 0:21:54 | |
That is good of you, Thomas. Gosh. | 0:21:54 | 0:21:56 | |
-What about £20? -Perfect. OK. | 0:21:56 | 0:21:59 | |
-£50 for the lot, you've got a deal. -Yep. -Yeah? | 0:21:59 | 0:22:02 | |
Well, that completes Thomas's shopping. | 0:22:02 | 0:22:06 | |
He has a total of five items, including the coco de mer tray, | 0:22:06 | 0:22:09 | |
the vesta fishing creel, the Fat Lava vase, | 0:22:09 | 0:22:12 | |
the pair of Poole pottery salts and the 19th-century rent stick. | 0:22:12 | 0:22:16 | |
Thomas was thrifty with his cash, spending just £100, | 0:22:16 | 0:22:19 | |
but what a variety of stuff. | 0:22:19 | 0:22:22 | |
Mark worked with extreme caution. He also bought five items. | 0:22:22 | 0:22:26 | |
The silver-plated dish, the book slide, | 0:22:26 | 0:22:28 | |
the continental comport, the fruit knife | 0:22:28 | 0:22:31 | |
and the silver cigarette box, spending a cautious £80. | 0:22:31 | 0:22:35 | |
But what do they think of each other's bag of treasures? | 0:22:35 | 0:22:38 | |
I love that coco de mer basket. | 0:22:38 | 0:22:41 | |
I think it's wonderful. | 0:22:41 | 0:22:43 | |
He's bought a lovely Art Nouveau tray for £18. | 0:22:43 | 0:22:46 | |
I think that is a great-looking thing and I really, really like it. | 0:22:46 | 0:22:50 | |
He really needs to do well this time, | 0:22:50 | 0:22:53 | |
so if he beats me and he does well, I don't mind. | 0:22:53 | 0:22:57 | |
I think he's going to walk away with another auction here, | 0:22:57 | 0:22:59 | |
and I'm not happy. | 0:22:59 | 0:23:01 | |
No, you're not! | 0:23:01 | 0:23:03 | |
Our Road Trip rascals are heading to | 0:23:03 | 0:23:05 | |
their second auction 19 miles away | 0:23:05 | 0:23:07 | |
in the rural town of Paddock Wood | 0:23:07 | 0:23:09 | |
near Tonbridge in Kent. | 0:23:09 | 0:23:11 | |
The auction is being held at Hop Farm Auctions, | 0:23:11 | 0:23:14 | |
a rather beautiful setting, fellas. | 0:23:14 | 0:23:17 | |
-Watch the plant pots! -I'm watching the plant pot. | 0:23:17 | 0:23:20 | |
I thought you'd be used to that plant. | 0:23:20 | 0:23:22 | |
Great, come on, hurry up. Turn the engine off. | 0:23:24 | 0:23:26 | |
-HORN BEEPS -Oh! Hello. | 0:23:26 | 0:23:29 | |
-Are you announcing yourself? -I've announced that I'm here. | 0:23:29 | 0:23:32 | |
It is all fun and games for now. Huh! | 0:23:32 | 0:23:35 | |
Our auctioneer today is Alexander Jenkins. | 0:23:35 | 0:23:39 | |
All quiet! The auction is about to begin. | 0:23:39 | 0:23:42 | |
First up is Thomas's Fat Lava vase. | 0:23:42 | 0:23:45 | |
Ten pounds anywhere? Ten pounds? | 0:23:45 | 0:23:47 | |
Five. Five pounds, surely. | 0:23:47 | 0:23:49 | |
Six behind you, seven. Eight, nine, ten. | 0:23:49 | 0:23:52 | |
Nine pounds there, ten. | 0:23:52 | 0:23:53 | |
12, 14, 16... | 0:23:53 | 0:23:56 | |
-Ooh, you're in profit. -..18. | 0:23:56 | 0:23:58 | |
Go on. | 0:23:58 | 0:24:00 | |
-18 is there. 20. -20. -22. | 0:24:00 | 0:24:01 | |
Have another one. 20 is here. 22 anywhere? | 0:24:01 | 0:24:05 | |
£22 in the room. | 0:24:05 | 0:24:07 | |
And selling at 22. | 0:24:07 | 0:24:10 | |
-I take my hat off to you. You made a profit. -Well, I knew it would. | 0:24:10 | 0:24:14 | |
Oh, did you? Of course, you did, Thomas. | 0:24:14 | 0:24:16 | |
Of course he did! Good profit to start us off with, though. | 0:24:16 | 0:24:19 | |
Next up is Thomas's fascinating carved coco de mer tray. | 0:24:21 | 0:24:25 | |
44, 46, 48, 50. | 0:24:25 | 0:24:28 | |
50 is there. 52 anywhere? | 0:24:28 | 0:24:30 | |
Oh, the hands fly up. 52... | 0:24:30 | 0:24:32 | |
Let's just call 60. £60, 70. | 0:24:32 | 0:24:34 | |
-80, 90... -Told you. | 0:24:34 | 0:24:37 | |
..110, 120. 120 anywhere? | 0:24:37 | 0:24:40 | |
110 I have got here. 120, 130. | 0:24:40 | 0:24:44 | |
-140, 150... -I told you. -160. | 0:24:44 | 0:24:47 | |
Come on, now, stop pursing your lips. Get that bid out. 160? | 0:24:47 | 0:24:50 | |
160 is there. 170? | 0:24:50 | 0:24:53 | |
-Well done. -170's there. | 0:24:53 | 0:24:54 | |
170, it is going. Last chance. | 0:24:54 | 0:24:57 | |
170 it is. | 0:24:57 | 0:24:59 | |
-Well done. -Thank you. Yeah, it's pulled well. | 0:25:00 | 0:25:03 | |
I'm not even sure | 0:25:03 | 0:25:04 | |
-I want to stay for my lots now... -THOMAS LAUGHS | 0:25:04 | 0:25:07 | |
TIM CHUCKLES Excellent result. | 0:25:08 | 0:25:10 | |
Thomas has quite the lead now. | 0:25:10 | 0:25:12 | |
It is Mark's first lot of the day, the carved book slide. | 0:25:14 | 0:25:18 | |
Start it off at 30. | 0:25:18 | 0:25:19 | |
£30 for it, £30 for the book slide. Quite right too. | 0:25:19 | 0:25:22 | |
-£30 has tripled my money, anyway. -That's brilliant. | 0:25:22 | 0:25:25 | |
£32 anywhere? 32, 34, 36, | 0:25:25 | 0:25:28 | |
38, 40, 42, | 0:25:28 | 0:25:31 | |
44, 46. | 0:25:31 | 0:25:33 | |
Go on! 48, 50. | 0:25:33 | 0:25:36 | |
£48 here. £48... | 0:25:36 | 0:25:39 | |
-That is really good, isn't it? -I'm pleased with that. | 0:25:39 | 0:25:41 | |
-48. -Do you know, that is not a bad price. | 0:25:42 | 0:25:44 | |
Thank you so much, Joseph. I am so pleased I went to that cafe. | 0:25:44 | 0:25:48 | |
At last, all smiles from Mark. | 0:25:49 | 0:25:51 | |
Good return on your ten-pound spend. | 0:25:51 | 0:25:54 | |
Back to Thomas. It is the 19th-century rent stick next. | 0:25:54 | 0:25:59 | |
£20 for it. Come along, 20. | 0:25:59 | 0:26:01 | |
£20 anywhere? 20 I've got, thank you. | 0:26:01 | 0:26:04 | |
22 anywhere. Should be. 22 anywhere? | 0:26:04 | 0:26:07 | |
-£20 in front. -That's a shame. | 0:26:07 | 0:26:09 | |
At 20 I sell, then. | 0:26:09 | 0:26:10 | |
Thomas's first loss. But he is still out in front. | 0:26:11 | 0:26:14 | |
Next up, it is Mark's continental comport, | 0:26:15 | 0:26:18 | |
another one of his tenner buys. | 0:26:18 | 0:26:21 | |
Starts off here with me at £20. | 0:26:21 | 0:26:23 | |
-Do I see 22? -Oh, my God. You've doubled your money. | 0:26:23 | 0:26:26 | |
£22 anywhere? 22? £20 I have. 22? | 0:26:26 | 0:26:29 | |
Come along. 22 anywhere? | 0:26:29 | 0:26:31 | |
-I know you shouldn't complain... -Come on. | 0:26:31 | 0:26:33 | |
-£20. -I doubled my money, Thomas. | 0:26:35 | 0:26:37 | |
Congratulations. | 0:26:37 | 0:26:38 | |
He's happy with that. | 0:26:38 | 0:26:39 | |
Now Mark again, | 0:26:39 | 0:26:41 | |
with the slightly dearer £18 silver-plated Art Nouveau tray. | 0:26:41 | 0:26:46 | |
And we have auctioneer Paul at the rostrum now. | 0:26:46 | 0:26:48 | |
Start me at 20. £20. | 0:26:48 | 0:26:51 | |
Oh, no. Come on. | 0:26:51 | 0:26:52 | |
Ten pounds, then. Silver plate. | 0:26:52 | 0:26:54 | |
Ten I'm bid at the back, 12 I'm bid, 14. | 0:26:54 | 0:26:56 | |
16, 18 at the back, 20 online if you want. | 0:26:56 | 0:26:59 | |
Come on, 20. 22. | 0:26:59 | 0:27:02 | |
22, 24 online. | 0:27:02 | 0:27:03 | |
-That's a little bit of a shame. -£22 is a shame. | 0:27:03 | 0:27:05 | |
-It should be £30, shouldn't it? -Yeah. | 0:27:05 | 0:27:07 | |
Oh, that is disappointing. | 0:27:07 | 0:27:08 | |
-I am...feel a bit let down. -I thought that might do a bit better. | 0:27:08 | 0:27:12 | |
Hey, it is still a profit, Mark. | 0:27:12 | 0:27:14 | |
Next up are Thomas's Poole pottery salts. | 0:27:16 | 0:27:18 | |
Eight pounds. Anyone at eight pounds? | 0:27:18 | 0:27:21 | |
Start me at five pounds, I'm bid. Six anywhere else? Five pounds. | 0:27:21 | 0:27:25 | |
One bid takes it at five pounds. | 0:27:25 | 0:27:27 | |
Seven pounds I'm bid on my left. | 0:27:27 | 0:27:28 | |
Last time, 1090. | 0:27:28 | 0:27:30 | |
All done at seven pounds. | 0:27:30 | 0:27:33 | |
A small profit for Thomas there. | 0:27:33 | 0:27:34 | |
Can Mark's elegant little fruit knife help him catch his rival? | 0:27:37 | 0:27:41 | |
£20 for the fruit knife. Got to have 20. | 0:27:41 | 0:27:44 | |
-Come on. -20 pounds. -Go on. | 0:27:44 | 0:27:46 | |
Ten pounds is there, 12. | 0:27:46 | 0:27:47 | |
12, 14, 16, 18, 20. | 0:27:47 | 0:27:51 | |
-Oh, there you are. -At £20. | 0:27:51 | 0:27:53 | |
£20 online. | 0:27:53 | 0:27:55 | |
Small, incy-wincy profit. Those low punches, back in the ring again. | 0:27:55 | 0:28:00 | |
-Back in the ring. -You're dancing around. | 0:28:00 | 0:28:02 | |
But still not getting anywhere. | 0:28:02 | 0:28:04 | |
Come on, Mark! You've doubled your money with that little knife. | 0:28:04 | 0:28:07 | |
It's Thomas's fishing creel vesta box next. | 0:28:08 | 0:28:11 | |
Another nice little thing. | 0:28:11 | 0:28:13 | |
£30. 30 online, is there 32? | 0:28:13 | 0:28:16 | |
32. I knew you were waiting, sir. | 0:28:16 | 0:28:19 | |
34. Online if you want. | 0:28:19 | 0:28:21 | |
36. 36 I'm bid. 36, 38? | 0:28:21 | 0:28:25 | |
38, 40 online if you want. | 0:28:25 | 0:28:27 | |
40, 42. 42 I'm bid, 44? | 0:28:27 | 0:28:31 | |
-Oh, it's good. -That's good. -Yeah. | 0:28:31 | 0:28:34 | |
At £42. One more, 1040, if you want. | 0:28:34 | 0:28:37 | |
-44, 46. -44. -That is a good price. | 0:28:37 | 0:28:41 | |
-That is a good price. -And it's worth that. | 0:28:41 | 0:28:43 | |
-Oh, it's lovely. -That's a beautiful vase. -Yeah. | 0:28:43 | 0:28:45 | |
At £44, last time at 44. | 0:28:45 | 0:28:48 | |
Amazing profit built on a five-pound stake. | 0:28:50 | 0:28:53 | |
It's the last item, a last chance for Mark - | 0:28:55 | 0:28:58 | |
the elegant silver cigarette box. | 0:28:58 | 0:29:01 | |
£100 for the silver box. Anyone at £100? | 0:29:01 | 0:29:04 | |
-£80, anyone at 80? -Oh, come on. | 0:29:05 | 0:29:07 | |
Silver box there for £80. | 0:29:07 | 0:29:09 | |
£80. | 0:29:09 | 0:29:12 | |
Start me at 50, then. Anyone at £50? | 0:29:12 | 0:29:14 | |
I'm bid. 55, 60, 65. | 0:29:14 | 0:29:18 | |
70 anywhere? At 65. | 0:29:18 | 0:29:20 | |
-Well, there we are, Thomas. That was my last chance. -Doubled your money. | 0:29:20 | 0:29:24 | |
Well, I made £33 on it, which is good. | 0:29:24 | 0:29:26 | |
Thank goodness for that. Great profit. | 0:29:28 | 0:29:30 | |
Who will be the jubilant winner of the second leg? | 0:29:30 | 0:29:33 | |
Let's work out the maths. | 0:29:33 | 0:29:34 | |
Mark started this leg with £107.50. | 0:29:36 | 0:29:40 | |
After auction costs are deducted, he has totted up a profit of £63.50, | 0:29:40 | 0:29:45 | |
so Mark's grand total for next time is £171. | 0:29:45 | 0:29:50 | |
Cheer up! | 0:29:50 | 0:29:52 | |
Thomas began with £194.30 and, after auction costs, | 0:29:53 | 0:29:59 | |
made an excellent profit of £150.66, | 0:29:59 | 0:30:03 | |
so he is the triumphant winner of this leg, | 0:30:03 | 0:30:06 | |
carrying £309.96 into the next leg. | 0:30:06 | 0:30:11 | |
And continuing with Mark and Thomas, | 0:30:16 | 0:30:18 | |
we begin the third leg of the road trip. | 0:30:18 | 0:30:20 | |
-If we were in a film... -Yes. -..what would our theme tune be? | 0:30:21 | 0:30:26 | |
Oh, gosh, that's a tricky one, isn't it? | 0:30:28 | 0:30:30 | |
I'd think we'd be like Thelma and Louise. | 0:30:30 | 0:30:32 | |
THOMAS LAUGHS | 0:30:32 | 0:30:34 | |
Well, hold on to your headscarves then, boys, | 0:30:34 | 0:30:37 | |
because this competition is hotting up. | 0:30:37 | 0:30:40 | |
Today's leg begins in the town Halstead, in Essex, | 0:30:40 | 0:30:43 | |
and the auction will take place in Willingham, in Cambridgeshire. | 0:30:43 | 0:30:47 | |
-Mark's first shop of the trip is Halstead Antiques Centre. -Hello. | 0:30:47 | 0:30:52 | |
-Hello. -I'm Mark. -I'm James. | 0:30:52 | 0:30:54 | |
Mark has trailed behind Thomas in the past two auctions | 0:30:54 | 0:30:58 | |
and has a lot of catching up to do. | 0:30:58 | 0:31:01 | |
Now then, what's this he's found? | 0:31:01 | 0:31:03 | |
Oh, that's quite interesting, isn't it? | 0:31:03 | 0:31:05 | |
It is quite fun. We've got two columns here. | 0:31:07 | 0:31:09 | |
This has got a Corinthian mound to it, and it has got this | 0:31:09 | 0:31:13 | |
sort of globe at the top, which represents the earth. | 0:31:13 | 0:31:16 | |
And then you've got another one here, | 0:31:16 | 0:31:18 | |
but this is representing the heavens. | 0:31:18 | 0:31:22 | |
These globe columns are a central part of the iconography | 0:31:22 | 0:31:26 | |
of the Freemasons and were used to decorate their lodges. | 0:31:26 | 0:31:30 | |
Masonic items often do very well at auction. | 0:31:30 | 0:31:33 | |
So this could be a good find. | 0:31:33 | 0:31:35 | |
They are priced at £14 each. | 0:31:35 | 0:31:39 | |
Yes, £14. | 0:31:39 | 0:31:41 | |
-James... -Have you found something, then? -I have. | 0:31:41 | 0:31:44 | |
I found those rather... I think they are very decorative, actually. | 0:31:44 | 0:31:47 | |
I think they are rather nice, actually. | 0:31:47 | 0:31:49 | |
I need to get things as inexpensively as possible. | 0:31:49 | 0:31:53 | |
Because I'm behind Mr Plant, | 0:31:53 | 0:31:56 | |
which I don't like. | 0:31:56 | 0:31:58 | |
-I don't like Thomas Plant being on top. -You have my sympathy. -Exactly. | 0:31:58 | 0:32:02 | |
What about 15 for the pair? | 0:32:02 | 0:32:05 | |
As I think they might make about 40 or £50 in the saleroom. | 0:32:07 | 0:32:11 | |
-And that would help you, wouldn't it? -Oh, it would help me hugely. | 0:32:11 | 0:32:14 | |
-OK, 15. -Ah! James, thank you. | 0:32:14 | 0:32:18 | |
And Mark's not finished yet. | 0:32:18 | 0:32:20 | |
Now, that's a very decorative piece. | 0:32:20 | 0:32:22 | |
You can tell exactly what period it comes from. | 0:32:22 | 0:32:25 | |
It could only be one period, and that is the Art Deco movement. | 0:32:25 | 0:32:28 | |
I mean, this is priced up at... | 0:32:28 | 0:32:30 | |
£35. You get a lot for your money, don't you? | 0:32:30 | 0:32:34 | |
You get a lot of colour and pattern and original design for 35 quid. | 0:32:34 | 0:32:39 | |
I mean, I have just noticed... which might explain the price. | 0:32:41 | 0:32:46 | |
There is a crack running into that body there, | 0:32:46 | 0:32:49 | |
and I think that will make a big difference. | 0:32:49 | 0:32:51 | |
Oh, do you know, I'm so disappointed I've found that crack because I love | 0:32:51 | 0:32:55 | |
this piece, but it does have a big, a big bearing on the price. | 0:32:55 | 0:32:59 | |
Yeah, better ask James. | 0:32:59 | 0:33:01 | |
James, I really fell in love with this. | 0:33:01 | 0:33:04 | |
But I've found a nasty crack in it, I'm afraid. | 0:33:04 | 0:33:07 | |
-Could you have a word with the dealer because... -Yeah. | 0:33:07 | 0:33:10 | |
..unfortunately, it has put me off it, but I do love the shape. | 0:33:10 | 0:33:14 | |
Do you want to just try 20 as a throwaway? | 0:33:14 | 0:33:17 | |
And then I can see whether it fits into my plan or not? | 0:33:17 | 0:33:20 | |
Hi, Sally, it's James at Halstead Antiques Centre. | 0:33:21 | 0:33:25 | |
Got a customer who has seen your phoenix ware pot. | 0:33:27 | 0:33:30 | |
And they were wondering if you could actually go down to 20. | 0:33:30 | 0:33:34 | |
(Please, please.) | 0:33:34 | 0:33:36 | |
-Even if I told you the customer was Mark Stacey? -Name-dropping, are we? | 0:33:36 | 0:33:40 | |
She likes you very much, she's a great fan | 0:33:40 | 0:33:43 | |
and therefore she will do the 20. | 0:33:43 | 0:33:46 | |
James, wonderful. I'm thrilled with that. | 0:33:46 | 0:33:49 | |
And of course, I'm a huge, huge fan of Sally's, | 0:33:49 | 0:33:52 | |
-whoever she is. -HE CHUCKLES | 0:33:52 | 0:33:54 | |
She's the woman that just sold you the vase for £20. | 0:33:54 | 0:33:59 | |
Along with the globe columns for 15, so it's not a bad start. | 0:33:59 | 0:34:03 | |
Thomas is 13 miles away in the village of Cavendish, in Suffolk. | 0:34:05 | 0:34:09 | |
And his first shop is Cavendish Antiques. | 0:34:11 | 0:34:13 | |
-Hello. -Hi, there. -I'm Thomas. | 0:34:13 | 0:34:16 | |
-Nice to see you. I'm Jackie. -Jackie, this is like a tearoom. | 0:34:16 | 0:34:19 | |
It is indeed, yes. All sorts, cakes, soups, light lunches. | 0:34:19 | 0:34:24 | |
-Wonderful. -Whatever you like. -He likes antiques, Jackie. | 0:34:24 | 0:34:28 | |
What's this? | 0:34:30 | 0:34:32 | |
That's caught my eye. You've got a little silver pillbox. | 0:34:33 | 0:34:36 | |
Little enamel decoration there of a leaping stag with his antlers. | 0:34:36 | 0:34:41 | |
So the way this is done, it's almost... | 0:34:41 | 0:34:43 | |
We call at guilloche enamel, it's engine turned. | 0:34:43 | 0:34:45 | |
That means that the underside has been engraved. | 0:34:45 | 0:34:48 | |
Guilloche is a decorative engraving term where a precise | 0:34:48 | 0:34:53 | |
and repetitive pattern is mechanically applied. | 0:34:53 | 0:34:57 | |
This early 1900s piece has a price tag of £95. | 0:34:57 | 0:35:01 | |
-Good looking object, that. -I think he likes it. | 0:35:01 | 0:35:03 | |
Time to speak to co-owner Graham. | 0:35:03 | 0:35:05 | |
What's your best offer on that? | 0:35:05 | 0:35:08 | |
Got 95 on it, will do you 75. | 0:35:08 | 0:35:12 | |
The thing is, at £75, there's no profit in it. | 0:35:12 | 0:35:15 | |
-There's a small profit in it for us. -Small profit in it for you. | 0:35:15 | 0:35:18 | |
So that's one winner. | 0:35:18 | 0:35:19 | |
Steady on, Graham. He's up against Mark Stacey, not you. | 0:35:19 | 0:35:22 | |
-I've got a figure in mind less than that. -That doesn't surprise me. | 0:35:23 | 0:35:27 | |
I think, at auction, that's £50 worth. | 0:35:27 | 0:35:30 | |
-Yeah, I can't do it for 50. -What can you do it for? | 0:35:32 | 0:35:35 | |
I don't mind meeting you halfway and go down 65. | 0:35:35 | 0:35:40 | |
What about 60, then? | 0:35:40 | 0:35:41 | |
-Not at 60. -Are you sure? | 0:35:41 | 0:35:44 | |
Well, depending what else you're buying. | 0:35:44 | 0:35:46 | |
Oh, you drive a hard bargain, Graham. | 0:35:46 | 0:35:49 | |
But don't worry, Thomas, Jackie has got a few potential items for you. | 0:35:51 | 0:35:55 | |
-That is pretty. -The jewellery is nice. -The jewellery is nice. | 0:35:55 | 0:35:59 | |
A little pretty brooch here. Art Nouveau in style. | 0:35:59 | 0:36:03 | |
There's £18 on the ticket. | 0:36:03 | 0:36:05 | |
-What can that be? -What about 12? -£12. -Yes. | 0:36:05 | 0:36:09 | |
-I think that's fair enough. -Yes. -Yeah. | 0:36:09 | 0:36:13 | |
And where can we be with the box now? | 0:36:13 | 0:36:15 | |
-As you've done that, I'll go down to 60 for you. -Will you? -I will. | 0:36:15 | 0:36:19 | |
That's very generous. So, 72? | 0:36:19 | 0:36:22 | |
After that generous discount, give yourself a pat on the back, | 0:36:22 | 0:36:25 | |
Thomas, you have two lovely lots for auction. | 0:36:25 | 0:36:28 | |
Our pair are back together again | 0:36:35 | 0:36:36 | |
and heading for a well deserved night's rest. | 0:36:36 | 0:36:40 | |
Bye-bye, you two. So sweet. | 0:36:40 | 0:36:42 | |
Morning has broken in the county of Essex, | 0:36:46 | 0:36:48 | |
and Mark and Thomas are back on the road. | 0:36:48 | 0:36:51 | |
-We are in my home county of Essex. -I know, you are an Essex boy, aren't you? -I am an Essex boy. | 0:36:51 | 0:36:55 | |
But we have everything in Essex. | 0:36:55 | 0:36:57 | |
We've got coasts with amusements. | 0:36:57 | 0:37:00 | |
And we've got beautiful countryside, we've got something for everyone. | 0:37:00 | 0:37:04 | |
And beautiful people. | 0:37:04 | 0:37:05 | |
Flattery will get you everywhere, Thomas. | 0:37:05 | 0:37:08 | |
Mark and Thomas are heading south to the very charming | 0:37:09 | 0:37:12 | |
village of Blackmore. | 0:37:12 | 0:37:13 | |
-Mark's first shop today is Megarrys Antiques. -Hello. -Morning, Mark. | 0:37:15 | 0:37:20 | |
-How are you? -I'm fine. I'm Judy Wood. -Nice to meet you, Judy. | 0:37:20 | 0:37:24 | |
You've got a treasure trove here. | 0:37:24 | 0:37:26 | |
What's this? Ooh. I can't get it out. | 0:37:28 | 0:37:31 | |
It's quite interesting, isn't it? | 0:37:34 | 0:37:36 | |
It's a frame, obviously you can see that, and it's glazed and probably | 0:37:36 | 0:37:41 | |
would have had a sort of religious picture in there to begin with. | 0:37:41 | 0:37:44 | |
It's got four sort of cast gilded brass plaques here, | 0:37:44 | 0:37:49 | |
which are almost like a sort of Celtic religious theme. | 0:37:49 | 0:37:55 | |
Let's turn it and see what the back is like. | 0:37:55 | 0:37:57 | |
Ah, now this is interesting. | 0:37:57 | 0:37:59 | |
On the front it says 16, but on the back, it says 8.75. | 0:37:59 | 0:38:03 | |
I think we might have a word with Judy about this. | 0:38:03 | 0:38:06 | |
I'd forgotten completely that it was there. | 0:38:06 | 0:38:08 | |
You see, this is music to my ears cos you don't really want it. | 0:38:08 | 0:38:12 | |
-I've noticed something quite odd. -Mm-hm. | 0:38:12 | 0:38:14 | |
On the front, it's got £16, but then on the back, | 0:38:14 | 0:38:19 | |
it's got the price stickered as 8.75. | 0:38:19 | 0:38:21 | |
Well, naturally, I want to go nearer the 8.75. | 0:38:21 | 0:38:25 | |
That's what I paid for it. | 0:38:25 | 0:38:27 | |
Mystery solved. | 0:38:27 | 0:38:30 | |
Judy left the original price tag on. Oh, Judy! | 0:38:30 | 0:38:34 | |
Well, how close can we get to 8.75? | 0:38:34 | 0:38:36 | |
-How about 8.75? -I think that would suit me down to the ground. | 0:38:38 | 0:38:42 | |
-Thank you. Very much indeed. I've got to pay you. -Yes, please. | 0:38:42 | 0:38:45 | |
And I've decided, there's £10, just give me | 0:38:45 | 0:38:48 | |
a pound change cos I think you need to earn a bit of profit. You see? | 0:38:48 | 0:38:51 | |
This has always been my problem, I'm too generous. | 0:38:51 | 0:38:54 | |
-Thank you so much. -There you are. -Lovely to meet you. -And you. | 0:38:54 | 0:38:59 | |
Don't blow that 25p all at once, Judy. | 0:38:59 | 0:39:02 | |
Meanwhile, our Thomas is motoring on to Chelmsford. | 0:39:05 | 0:39:09 | |
In the late 19th century, | 0:39:11 | 0:39:13 | |
Chelmsford was a hotbed of innovative industry, | 0:39:13 | 0:39:17 | |
attracting engineers and inventors from all over, | 0:39:17 | 0:39:21 | |
who carried out pioneering work | 0:39:21 | 0:39:23 | |
that would change Chelmsford and the world forever. | 0:39:23 | 0:39:26 | |
Thomas is visiting Sandford Mill, part of Chelmsford Museum, | 0:39:28 | 0:39:32 | |
to learn about the town's history | 0:39:32 | 0:39:34 | |
and one of the inventors that helped put it on the map. | 0:39:34 | 0:39:38 | |
-Hello, I'm Thomas. -Welcome, Thomas. | 0:39:38 | 0:39:40 | |
Showing him round is curator Nick Wickenden. | 0:39:40 | 0:39:44 | |
Chelmsford at the time was like the Silicon Valley of its day. | 0:39:44 | 0:39:47 | |
There was electrical engineering going on here already, | 0:39:47 | 0:39:50 | |
with Colonel Crompton and the Christys. | 0:39:50 | 0:39:52 | |
There was Hoffman's, which were ball bearings. | 0:39:52 | 0:39:55 | |
Joining these pioneers was Guglielmo Marconi. | 0:39:55 | 0:40:00 | |
He began developing wireless radio whilst growing up in Italy | 0:40:00 | 0:40:04 | |
and with the British government investing in new technology, | 0:40:04 | 0:40:07 | |
he brought his idea to Chelmsford in 1898. | 0:40:07 | 0:40:12 | |
He found out that there was an old silk factory, which was empty, | 0:40:12 | 0:40:16 | |
and so it was perfect for him to set up the first radio | 0:40:16 | 0:40:21 | |
factory in the world in this former silk factory. | 0:40:21 | 0:40:25 | |
Marconi continued his ground-breaking work, | 0:40:25 | 0:40:28 | |
developing and manufacturing wireless technology | 0:40:28 | 0:40:31 | |
in his Chelmsford factory. | 0:40:31 | 0:40:33 | |
In 1912, he opened the world's first purpose-built radio factory, | 0:40:36 | 0:40:41 | |
the Marconi Works, at New Street, becoming one of Chelmsford's | 0:40:41 | 0:40:44 | |
biggest employers and making his mark on the town. | 0:40:44 | 0:40:48 | |
It's dominated by two aerials, 450ft high, | 0:40:48 | 0:40:52 | |
and that really dominates Chelmsford's landscape | 0:40:52 | 0:40:55 | |
in the centre of the town for at least a generation. | 0:40:55 | 0:40:58 | |
Although Marconi had proved that signals could be sent | 0:40:58 | 0:41:01 | |
wirelessly over long distances, at the start of the 20th century, | 0:41:01 | 0:41:05 | |
the technology was still in its infancy. | 0:41:05 | 0:41:08 | |
It wasn't until after the First World War that those experiments | 0:41:10 | 0:41:14 | |
into entertainment broadcasts started in Chelmsford. | 0:41:14 | 0:41:18 | |
In 1920, Dame Nellie Melba, a famous Australian opera singer, performed | 0:41:21 | 0:41:26 | |
a concert at the factory that was transmitted over the wireless. | 0:41:26 | 0:41:29 | |
This was a major turning point and demand for radios in the home grew. | 0:41:29 | 0:41:35 | |
And who is listening to this at this time? | 0:41:35 | 0:41:37 | |
People who have wireless sets are basically by now all | 0:41:37 | 0:41:41 | |
round the world and not just Britain, not just Chelmsford, | 0:41:41 | 0:41:46 | |
it's literally all round the world. | 0:41:46 | 0:41:48 | |
But Chelmsford was to play another vital role, as it was here, | 0:41:48 | 0:41:52 | |
from an old World War I hut on the outskirts of town that the | 0:41:52 | 0:41:57 | |
world's first regular entertainment broadcast started in 1922. | 0:41:57 | 0:42:02 | |
They were led by Marconi engineer Peter Eckersley. | 0:42:03 | 0:42:06 | |
Eckersley's a bit of a comedian. | 0:42:06 | 0:42:08 | |
He starts telling jokes, they bring him a piano from the local pub... | 0:42:08 | 0:42:11 | |
-This is the actual piano. -Really? | 0:42:11 | 0:42:13 | |
And they bring in singers, little concerts, little sketches. | 0:42:13 | 0:42:17 | |
And the people who are listening to this on their radio sets at home | 0:42:17 | 0:42:21 | |
absolutely love it | 0:42:21 | 0:42:22 | |
and they actually then get a licence from the British Post Office | 0:42:22 | 0:42:25 | |
and it's effectively the first broadcasting | 0:42:25 | 0:42:28 | |
station in the world that is purely for entertainment | 0:42:28 | 0:42:33 | |
and Eckersley really becomes the first disc jockey, if you like. | 0:42:33 | 0:42:37 | |
Soon, others recognised the chance to transmit their own shows | 0:42:37 | 0:42:42 | |
and there were 20 applications to broadcast. | 0:42:42 | 0:42:46 | |
A decision was made to form a single company, | 0:42:46 | 0:42:49 | |
responsible for broadcasting in Britain. | 0:42:49 | 0:42:52 | |
Yes, you guessed it, the good old BBC was born. | 0:42:52 | 0:42:55 | |
Marconi remained very much at the heart of Chelmsford, | 0:42:59 | 0:43:03 | |
with the company moving in to areas like radar | 0:43:03 | 0:43:06 | |
and television equipment before finally closing its doors in 2006. | 0:43:06 | 0:43:10 | |
But as the birthplace of the wireless | 0:43:13 | 0:43:15 | |
and the foundation of entertainment broadcasting, | 0:43:15 | 0:43:18 | |
Chelmsford has secured its rightful place in the history books | 0:43:18 | 0:43:22 | |
and Marconi's legacy lives on throughout the town. | 0:43:22 | 0:43:25 | |
Meanwhile, Mark is moving on to Gosfield for his last shop | 0:43:30 | 0:43:34 | |
at Gosfield Shopping Village, and Glen is on hand to assist. | 0:43:34 | 0:43:38 | |
Hello, Glen. | 0:43:38 | 0:43:40 | |
-Hello. -Good afternoon. Welcome to Gosfield. -Nice to see you. | 0:43:40 | 0:43:43 | |
This is good fun, isn't it? | 0:43:43 | 0:43:44 | |
Well, there's plenty to take a good look at. | 0:43:44 | 0:43:46 | |
-Let's take a look at the plenty to look at, shall we, first? -This way. | 0:43:46 | 0:43:50 | |
With over 100 dealers, Mark should have no problem in shelling | 0:43:50 | 0:43:53 | |
out some of that £127 he's got left. | 0:43:53 | 0:43:56 | |
I like that little box there. | 0:43:59 | 0:44:02 | |
It's a small, I would have thought, a small snuff box. | 0:44:02 | 0:44:05 | |
And it dates to the sort of 1830s, 1840s, so it's a proper antique. | 0:44:05 | 0:44:10 | |
That's something I'm going to keep in my mind. | 0:44:10 | 0:44:13 | |
That's quite interesting, there. | 0:44:17 | 0:44:18 | |
That vase. I mean, it looks VERY stylised. | 0:44:19 | 0:44:23 | |
I mean, you can see this is Art Nouveau, | 0:44:23 | 0:44:25 | |
so 1910-ish, that sort of period. | 0:44:25 | 0:44:28 | |
But you see, I'm going off-piste again, this is priced at £165. | 0:44:28 | 0:44:31 | |
Please, stop me! Don't let me buy it! | 0:44:31 | 0:44:34 | |
OK, we'll remember that. | 0:44:34 | 0:44:36 | |
And to add to your woes, Mark, the competition's arrived. | 0:44:36 | 0:44:40 | |
Look out! | 0:44:40 | 0:44:41 | |
This is the first cabinet I want to look into. | 0:44:41 | 0:44:44 | |
There's some interesting objects in here, good, solid antiques. | 0:44:44 | 0:44:48 | |
And I wouldn't mind looking... There's a pen set, | 0:44:48 | 0:44:52 | |
like a desk set, which looks really lovely. | 0:44:52 | 0:44:54 | |
With, er, a really lovely price tag. At £58. | 0:44:54 | 0:44:57 | |
Peter is on hand to assist. | 0:44:57 | 0:45:00 | |
It's a good-looking lot, that. | 0:45:00 | 0:45:02 | |
I don't want to pay that, though. | 0:45:02 | 0:45:04 | |
-I'm sure... If you find some other things...? -You never know. | 0:45:04 | 0:45:08 | |
Can I have a look at the rest of it? | 0:45:08 | 0:45:10 | |
This is really nice coramandel... Lovely vesta. | 0:45:10 | 0:45:13 | |
This is in the form of a drum, isn't it? | 0:45:15 | 0:45:18 | |
Vestas appeared around the 1830s, | 0:45:18 | 0:45:21 | |
designed to carry matches. | 0:45:21 | 0:45:23 | |
This particular model is made of coromandel wood | 0:45:23 | 0:45:26 | |
and has £60 on the ticket. | 0:45:26 | 0:45:28 | |
There's two items there which I'm relatively interested in. | 0:45:28 | 0:45:32 | |
-LAUGHING: -I'll keep in my mind. | 0:45:32 | 0:45:34 | |
-So... So, could you take those to the desk... -Uh-huh. | 0:45:34 | 0:45:37 | |
-..and see what we could do on those? -Yes, of course. | 0:45:37 | 0:45:39 | |
-While I carry on looking? -Yes. -Is that all right? -Yes, no problem. | 0:45:39 | 0:45:42 | |
While Tom carries on looking, let's check on Mr Stacey. | 0:45:42 | 0:45:46 | |
There's one thing I've noticed here, actually, | 0:45:46 | 0:45:48 | |
I was looking at the little seated pig yesterday, and didn't buy it. | 0:45:48 | 0:45:51 | |
But here, they've got a very big, fat, juicy, succulent pig. | 0:45:51 | 0:45:56 | |
It's actually a pincushion. | 0:45:56 | 0:45:59 | |
And he's loads of fun, actually, he looks like he's got a fun face. | 0:45:59 | 0:46:02 | |
I don't think it's terribly old, but it's only £22. | 0:46:02 | 0:46:05 | |
The price of pork has just gone down. | 0:46:06 | 0:46:08 | |
Oink. Oink. | 0:46:08 | 0:46:10 | |
And there's an interesting spoon, here. | 0:46:13 | 0:46:15 | |
It simply says "Arts and Crafts spoon. £22." | 0:46:15 | 0:46:19 | |
It's all hand-beaten and hand-shaped. | 0:46:19 | 0:46:22 | |
I can't believe it's silver, for £22. | 0:46:22 | 0:46:25 | |
But it's worth a look, I think. | 0:46:26 | 0:46:28 | |
Better have a word with Glenn. | 0:46:28 | 0:46:30 | |
-You're a very naughty man. -What have you found? | 0:46:31 | 0:46:34 | |
Well, I found so much I could fill cabinets here | 0:46:34 | 0:46:38 | |
with the amount of stuff that I've found. But I have found the vase, | 0:46:38 | 0:46:41 | |
an interesting spoon, a lovely little Regency box | 0:46:41 | 0:46:44 | |
and a big fat porker. | 0:46:44 | 0:46:46 | |
Right, let's have a look. | 0:46:46 | 0:46:47 | |
We've got the vase, best price we could do there would be 80. | 0:46:47 | 0:46:51 | |
For the spoon, ten. For the snuffbox, 40. | 0:46:51 | 0:46:55 | |
And the pig, ten on that one. | 0:46:55 | 0:46:57 | |
The pig, at £10, is a no-brainer really, isn't it? | 0:46:57 | 0:47:01 | |
I mean, that at auction could do really well. | 0:47:01 | 0:47:04 | |
The vase I love, because it sums up to me | 0:47:04 | 0:47:07 | |
a very subtle Art Nouveau form. | 0:47:07 | 0:47:09 | |
I want to take a bit of a risk. I've been very... | 0:47:11 | 0:47:15 | |
restrained so far. | 0:47:15 | 0:47:17 | |
If I try to buy those two, Glenn, to put forward as my last two items, | 0:47:17 | 0:47:23 | |
-could I possibly get those two for £60? -60? | 0:47:23 | 0:47:28 | |
-I think I could meet you halfway, there. -£55? -At 75. | 0:47:28 | 0:47:33 | |
Oh, my God, that's not halfway, is it? | 0:47:33 | 0:47:35 | |
If we could say 70, I'll have a go. | 0:47:35 | 0:47:37 | |
-OK, I'll give you the next two for 70. -Are we there? -Yes. -Lovely. | 0:47:37 | 0:47:41 | |
Let's shake on 70, shall we? Thank you. | 0:47:41 | 0:47:44 | |
What have I done? | 0:47:44 | 0:47:45 | |
You've taken a bit of a gamble on that vase, Mark! | 0:47:45 | 0:47:48 | |
That's what you've done. | 0:47:48 | 0:47:50 | |
But, you have five items for auction and well done. | 0:47:50 | 0:47:53 | |
Meanwhile, Thomas is still on the hunt. | 0:47:53 | 0:47:56 | |
And he's spied something. | 0:47:56 | 0:47:58 | |
This is what caught my eye and it's a sort of | 0:47:58 | 0:48:02 | |
double whistle-cum-compass. | 0:48:02 | 0:48:04 | |
£28 on the ticket, but does it work? | 0:48:04 | 0:48:08 | |
-SHRILL WHISTLE -Yes, that works. | 0:48:08 | 0:48:10 | |
-So maybe I'll be able to call Mark. -WHISTLING SOUND | 0:48:10 | 0:48:13 | |
HE LAUGHS | 0:48:13 | 0:48:14 | |
Well, it's got someone's attention. | 0:48:15 | 0:48:18 | |
Look at these, cigar cutters in silver. | 0:48:18 | 0:48:21 | |
Gosh! You put your cigar in the end, you snip it. | 0:48:21 | 0:48:24 | |
They're in solid silver and they're probably 1920s. | 0:48:24 | 0:48:28 | |
Oh, they're just simply wonderful, aren't they? | 0:48:28 | 0:48:30 | |
For the man who has everything. | 0:48:30 | 0:48:33 | |
Priced at £45. | 0:48:33 | 0:48:34 | |
Thomas also has his eye on the writing set and the vesta. | 0:48:36 | 0:48:41 | |
All four items have a combined ticket price of £191. | 0:48:41 | 0:48:45 | |
-What can be done on all of these? -SHE SIGHS | 0:48:47 | 0:48:51 | |
-177. -177? | 0:48:51 | 0:48:54 | |
-That's a lot of money. -It's the first step, 177. | 0:48:54 | 0:48:57 | |
-Yeah, no, I wouldn't be happy with that. -I know. | 0:48:57 | 0:49:00 | |
How much are you prepared...? | 0:49:00 | 0:49:02 | |
-I know this is really going to push it... -Uh-huh. | 0:49:02 | 0:49:04 | |
-Really push it... -Uh-uh. | 0:49:04 | 0:49:06 | |
But I'm at round about £110. | 0:49:06 | 0:49:09 | |
That's where I am. 110? | 0:49:09 | 0:49:11 | |
You're going to do it for me, 110... Really? | 0:49:14 | 0:49:16 | |
Deal. Thank you very much. | 0:49:16 | 0:49:19 | |
£110. | 0:49:19 | 0:49:20 | |
So, that means 40 for the matchbox, 30 for the desk set, | 0:49:20 | 0:49:25 | |
£15 for the scout's compass-whistle | 0:49:25 | 0:49:28 | |
and £25 for the cigar cutters. | 0:49:28 | 0:49:31 | |
He's cleaned up. Well done, Thomas. | 0:49:32 | 0:49:35 | |
Thomas has spent £182. As well as his latest purchases, | 0:49:35 | 0:49:40 | |
he's also picked up the pillbox and the brooch. | 0:49:40 | 0:49:43 | |
Despite starting out with thrifty intentions, | 0:49:45 | 0:49:48 | |
Mark threw caution to the wind and bought five items. | 0:49:48 | 0:49:51 | |
The piggy pin-cushion, the globe columns, | 0:49:52 | 0:49:55 | |
the bronze vase, the frame and the Art Deco vase. | 0:49:55 | 0:50:00 | |
Spending a grand total of £114. | 0:50:00 | 0:50:03 | |
Quite a haul for them both. | 0:50:04 | 0:50:07 | |
But what do they think of one another's buys? | 0:50:07 | 0:50:09 | |
He's bought this fabulous sterling silver and bronze vase. | 0:50:09 | 0:50:13 | |
This could be a bit too subtle for auction, but somebody out there | 0:50:13 | 0:50:17 | |
will spot the quality, and hopefully, | 0:50:17 | 0:50:19 | |
he'll make a good profit on it. | 0:50:19 | 0:50:20 | |
I'm really looking forward to this auction, | 0:50:20 | 0:50:23 | |
because I've bought very well | 0:50:23 | 0:50:24 | |
and I think Thomas has bought reasonably well, | 0:50:24 | 0:50:26 | |
but he's bought a Scout's whistle. Honestly, what next? | 0:50:26 | 0:50:30 | |
After their trip around Essex and Suffolk, | 0:50:31 | 0:50:34 | |
our road trippers are heading north to the village of Willingham | 0:50:34 | 0:50:37 | |
in Cambridgeshire. | 0:50:37 | 0:50:39 | |
Today's auction is being held at Willingham Auctions. | 0:50:39 | 0:50:42 | |
-Look at you, you're already dying to get out. -I am. | 0:50:42 | 0:50:45 | |
It's like Auction Village. | 0:50:45 | 0:50:46 | |
-It's like Starsky & Hutch, isn't it? -More like Laurel & Hardy. Ha! | 0:50:46 | 0:50:51 | |
Our auctioneer today is Stephen Drake. | 0:50:51 | 0:50:54 | |
Come on, boys, the auction is just about to start. | 0:50:54 | 0:50:57 | |
First up is Mark's piggy pin cushion. | 0:50:58 | 0:51:01 | |
Decorative little lot, stick pins in pigs. | 0:51:01 | 0:51:04 | |
We'll start at £10 on this lot. | 0:51:04 | 0:51:06 | |
-£10 bid. -Oh, this isn't looking good. | 0:51:06 | 0:51:09 | |
18, 20, £25 bid on the lot at 25. | 0:51:09 | 0:51:12 | |
25, 30. | 0:51:12 | 0:51:13 | |
5. | 0:51:13 | 0:51:14 | |
-40, 5. -It's going on, you see? | 0:51:14 | 0:51:17 | |
£45 bid. | 0:51:17 | 0:51:18 | |
45 bid. Are we all done? Selling, then, at 45. | 0:51:18 | 0:51:21 | |
-That's not bad on a tenner, is it? -No, on a little piggy. | 0:51:23 | 0:51:26 | |
Oink, oink. | 0:51:26 | 0:51:27 | |
He'll be happy with pork chops tonight. | 0:51:27 | 0:51:30 | |
The £10 piggy has paid off for Mark. | 0:51:30 | 0:51:33 | |
Next up, Thomas's silver cigar cutters. | 0:51:34 | 0:51:37 | |
Interest in this. | 0:51:37 | 0:51:38 | |
We'll start at £40 on this lot. | 0:51:38 | 0:51:40 | |
-£40 straight in. -£40 bid on the lot at 40. £45 bid. | 0:51:40 | 0:51:44 | |
In the room at 45. 50. | 0:51:44 | 0:51:46 | |
5. | 0:51:46 | 0:51:47 | |
60. 5. | 0:51:47 | 0:51:49 | |
-£65 bid. -£65. -70. | 0:51:49 | 0:51:52 | |
£75 bid. 80. 5. | 0:51:52 | 0:51:54 | |
£85 bid. | 0:51:54 | 0:51:55 | |
-That's awesome. -At 85. | 0:51:55 | 0:51:57 | |
90. If you want to bid, be quick on the internet. | 0:51:57 | 0:52:00 | |
90, that was quick. | 0:52:00 | 0:52:01 | |
It wasn't quick, he gave him about half an hour to make his mind up. | 0:52:01 | 0:52:04 | |
-I don't care. -Selling, then, at £90. | 0:52:04 | 0:52:06 | |
-That's not bad, is it? -I'm rubbing my hands with glee. | 0:52:07 | 0:52:10 | |
Great result for Thomas, putting him in a strong lead. | 0:52:10 | 0:52:14 | |
But let's not light the cigars just yet. | 0:52:14 | 0:52:17 | |
It's Thomas's pill box next. | 0:52:18 | 0:52:19 | |
£50 bid. Nice little pot at 50, 5, 60, 5... | 0:52:19 | 0:52:24 | |
-There we are. -..80, 5, | 0:52:24 | 0:52:27 | |
90, 5, | 0:52:27 | 0:52:29 | |
100, | 0:52:29 | 0:52:30 | |
-110. -Good, brilliant. -£110 bid. -Gosh, that's a jolly good profit | 0:52:30 | 0:52:34 | |
-and you weren't expecting that. -No. | 0:52:34 | 0:52:37 | |
Well done, 130. | 0:52:37 | 0:52:38 | |
140. | 0:52:38 | 0:52:40 | |
You're not going to give up now, are you? | 0:52:40 | 0:52:42 | |
Good man. | 0:52:42 | 0:52:43 | |
Lady's bid at 140. | 0:52:43 | 0:52:45 | |
Are we all done now? Selling, then, at 140. | 0:52:45 | 0:52:47 | |
-That's brilliant. -That's £80 profit. | 0:52:49 | 0:52:51 | |
That's brilliant. | 0:52:51 | 0:52:52 | |
Well, I think you've done very well. | 0:52:52 | 0:52:54 | |
-I think I have. -I wasn't expecting that. -No, nor was I! | 0:52:54 | 0:52:57 | |
I thought you might get 20 quid out of it. | 0:52:57 | 0:52:59 | |
You're on a roll, Thomas. | 0:52:59 | 0:53:01 | |
Up next are Mark's globe columns. | 0:53:02 | 0:53:04 | |
Can their association with the Masons | 0:53:04 | 0:53:07 | |
spark some interest? | 0:53:07 | 0:53:09 | |
-Start at £75 on this lot. -That's all right. -£75 bid. | 0:53:09 | 0:53:13 | |
85, 90. | 0:53:13 | 0:53:14 | |
£90 bid. | 0:53:14 | 0:53:16 | |
95, £95 bid. | 0:53:16 | 0:53:17 | |
-That's all right. -Get in there, look at the profit on that! | 0:53:17 | 0:53:21 | |
£100 bid on the Masonic columns, at 100, are we done? | 0:53:21 | 0:53:24 | |
Selling, then, at £100. | 0:53:24 | 0:53:26 | |
-That's all right. -Brilliant! -£85 profit. -Superb. -Pleased with that. | 0:53:27 | 0:53:31 | |
An amazing profit - this could really help Mark. | 0:53:31 | 0:53:35 | |
Back to Thomas now with his desk writing set. | 0:53:36 | 0:53:39 | |
Start at 25 on this lot. £25 bid. | 0:53:39 | 0:53:42 | |
25, 30. | 0:53:42 | 0:53:44 | |
£30 bid. £30 bid on the lot at 30. | 0:53:44 | 0:53:47 | |
35, £35 bid. | 0:53:47 | 0:53:49 | |
If you want to bid, be quick. | 0:53:49 | 0:53:51 | |
£35 bid and selling, then, at 35. | 0:53:51 | 0:53:54 | |
What did you pay for that? | 0:53:54 | 0:53:55 | |
£30, I think. | 0:53:55 | 0:53:57 | |
So £5 profit. | 0:53:57 | 0:53:59 | |
Not quite as good a result. | 0:53:59 | 0:54:01 | |
Can Mark's bargain frame put him in the winning picture? | 0:54:01 | 0:54:06 | |
-£10 on this lot. £10 bid. -£1 profit. | 0:54:06 | 0:54:10 | |
12, 15, | 0:54:10 | 0:54:11 | |
18. | 0:54:11 | 0:54:12 | |
£18 bid, and 20. | 0:54:12 | 0:54:14 | |
-£20 bid, and 5. £25 bid. -Come on, a bit more. | 0:54:14 | 0:54:17 | |
-Oh, no, it's going well... -..forwarded to sixth. -Have they? | 0:54:17 | 0:54:22 | |
Are we done now? I shall sell, then, at £25. | 0:54:22 | 0:54:25 | |
-£16 profit. -I think that's brilliant. -16 quid profit. | 0:54:26 | 0:54:30 | |
That's more than double back. | 0:54:30 | 0:54:32 | |
Well done. | 0:54:32 | 0:54:34 | |
It's Thomas's Art Nouveau brooch next. | 0:54:34 | 0:54:36 | |
Bit of interest in this. We'll start at a tenner on this one. | 0:54:36 | 0:54:39 | |
-That should make a lot more than that. -..18, 20, 25, 30, | 0:54:39 | 0:54:43 | |
-35... -That's good. | 0:54:43 | 0:54:44 | |
£40 bid on the lot at 40. | 0:54:44 | 0:54:47 | |
-£40 bid. -It's not expensive for what it is. | 0:54:47 | 0:54:50 | |
I think it's charming. | 0:54:50 | 0:54:51 | |
I think it's lovely. | 0:54:51 | 0:54:52 | |
Are there any further bids? Selling, then, in the room, £40. | 0:54:52 | 0:54:56 | |
Brilliant. | 0:54:56 | 0:54:58 | |
More of those. | 0:54:58 | 0:55:00 | |
That turned out to be a good little find. | 0:55:00 | 0:55:02 | |
Next up is Mark's bronze vase. | 0:55:04 | 0:55:06 | |
Start at £80 on this lot, 80 bid. | 0:55:06 | 0:55:09 | |
So £20 in profit. | 0:55:09 | 0:55:11 | |
85. 85, got to go 90. | 0:55:11 | 0:55:14 | |
95, I'm out now. | 0:55:14 | 0:55:15 | |
95, I'm comforted I've made a profit. | 0:55:15 | 0:55:18 | |
Are there any further bids? | 0:55:18 | 0:55:20 | |
I shall sell in the room, then, at 95. | 0:55:20 | 0:55:22 | |
100. | 0:55:22 | 0:55:24 | |
-5? -105. -Broken that three-figure... -110 against you now. | 0:55:24 | 0:55:30 | |
115. £115 bid. | 0:55:30 | 0:55:32 | |
-Creeping. -Still in the room. | 0:55:32 | 0:55:34 | |
120 against you. | 0:55:34 | 0:55:35 | |
120. It's on the internet at 120. | 0:55:35 | 0:55:37 | |
Selling, then, at 120. | 0:55:37 | 0:55:39 | |
I was concerned at that, cos I didn't know the factory. | 0:55:40 | 0:55:44 | |
-It looks very Tiffany to me. -It did! | 0:55:44 | 0:55:46 | |
It has that look, | 0:55:46 | 0:55:48 | |
so it's obviously from that period. | 0:55:48 | 0:55:49 | |
-Doubled its... -I'm pleased with that, I'm happy. -Well done, you! | 0:55:49 | 0:55:52 | |
What a gamble! He's doubled his cash! | 0:55:52 | 0:55:56 | |
But is it enough to put him in the lead? | 0:55:56 | 0:55:58 | |
Back to Thomas and his vesta is the next lot. | 0:56:00 | 0:56:03 | |
£20 bid. Bid's with me at £20. 25, 30. | 0:56:03 | 0:56:06 | |
35, got to go 40. | 0:56:06 | 0:56:08 | |
-One more, I'll take it. 45. -Oh, there's a profit. -Yeah, yeah. | 0:56:08 | 0:56:12 | |
-A very small profit, though. -Are we done now? | 0:56:12 | 0:56:15 | |
Selling in the room, then, at 45. | 0:56:15 | 0:56:16 | |
I am surprised at that. | 0:56:18 | 0:56:20 | |
I thought that would have done better. | 0:56:20 | 0:56:22 | |
Same here, but it's yesterday's antiques, isn't it? | 0:56:22 | 0:56:25 | |
Turn that frown upside down. | 0:56:25 | 0:56:27 | |
It's still a profit. | 0:56:27 | 0:56:29 | |
Thomas, again, now, with his scout whistle. | 0:56:30 | 0:56:32 | |
£10 bid on the scouts' whistle, ever popular at £10. | 0:56:32 | 0:56:36 | |
£10 bid? £10 bid on the whistle at 10. | 0:56:36 | 0:56:38 | |
12, £15 bid. | 0:56:38 | 0:56:41 | |
18, just what you want, madam, at 18. | 0:56:41 | 0:56:43 | |
£18 bid. | 0:56:43 | 0:56:44 | |
£18. | 0:56:44 | 0:56:45 | |
Selling, then, in front, lady's bid at £18. | 0:56:45 | 0:56:49 | |
Well done - you've made a profit on that. | 0:56:49 | 0:56:51 | |
-That was great. Reminded me of my schoolboy days. -Yes. | 0:56:52 | 0:56:55 | |
You know, yomping through the moors. | 0:56:55 | 0:56:57 | |
-You managed to navigate yourself to a profit. -I did, I did. | 0:56:57 | 0:57:01 | |
Very, very cautiously, but it happened. | 0:57:01 | 0:57:04 | |
It's a profit, albeit a small one. | 0:57:04 | 0:57:07 | |
It's our lads' last lot of the day, | 0:57:07 | 0:57:10 | |
Mark's cracked Art Deco vase. | 0:57:10 | 0:57:13 | |
£20 bid. Bid's with me at 20. | 0:57:13 | 0:57:15 | |
-£20 bid. -£20. -He's killed it by saying that. | 0:57:15 | 0:57:18 | |
-25. -At 25. | 0:57:18 | 0:57:21 | |
£30 bid. Decorative little lot at 30 and selling, now, in front at £30. | 0:57:21 | 0:57:26 | |
-Well done, madam. -Well done, Mark. | 0:57:26 | 0:57:28 | |
Another good profit. | 0:57:28 | 0:57:30 | |
Come on, you can buy me a cup of tea. | 0:57:30 | 0:57:32 | |
-Why me? -Cos you've got more money. | 0:57:32 | 0:57:34 | |
Great auction, chaps. | 0:57:34 | 0:57:35 | |
Now, let's do the maths. | 0:57:35 | 0:57:37 | |
Thomas started off this leg of the trip with £309.96 in his pocket. | 0:57:38 | 0:57:44 | |
After auction costs, he made a profit of £119.76, | 0:57:44 | 0:57:49 | |
giving him a hefty £429.72 to carry forward. | 0:57:49 | 0:57:55 | |
Mark started off this leg with £171. | 0:57:57 | 0:58:01 | |
After auction costs, he's notched up a profit of £148.40, | 0:58:01 | 0:58:07 | |
winning this leg of the trip. | 0:58:07 | 0:58:10 | |
He has an impressive £319.40 to take forward. Well done, Mark. | 0:58:10 | 0:58:15 | |
-You've beaten me! -But you're still £110 ahead, Thomas. | 0:58:15 | 0:58:19 | |
Oh, yes, but this is where - as I say, you were on the ropes - | 0:58:19 | 0:58:22 | |
-the fight-back starts here for Mark. -Absolutely, it's started, my friend. | 0:58:22 | 0:58:27 | |
Be afraid! | 0:58:27 | 0:58:29 | |
-Be very afraid! -I'm quaking! | 0:58:29 | 0:58:31 | |
Best we leave them before it all kicks off. He-he, bye for now! | 0:58:31 | 0:58:36 |